#i need this safe space

[mad--sad--bad]

I only live in nostalgia and scenarios..

[mellosghosts]

in my heart this joke is in the movie, but unfortunately im afraid only we, hughjackmaniacs, would get it 🥀

[acelacealex]

I'm going to say it again

Cis Heteromantic Asexuals are Queer.

Cis Aromantic Heterosexuals are Queer.

If you are Ace or Aro you do not need another signifier to be Queer full stop.

[speench]

nsbu fans listen to me, listen, most of the cast hasn't had an Ify moment yet where they talk directly to their ?? alter egos?? and before we see dynamics unfold with other characters I need everyone to consider: Liv and Kingskin as unwilling father and his newfound ride or die child trope that is all

[egophiliac]

well, I can't say I expected the new chapter to feature Idia (metaphorically) going to (metaphorical) hell, getting a pep talk from his (metaphorical) Phantom brother which helps him finally move on once and for all from his brother's death, and (metaphorically) overblotting again to fight his way back out of (metaphorical) hell, only to have his darkest fear (non-metaphorically) come true when his mom goes through his computer and finds all his secret files. but I am glad it did!

also this is all a flashback for the purpose of explaining to our group what the heck is going on (whether or not any of it is getting through is another matter)

[plasmalunare]

these comments were under a post made by someone to remember their little sister passing away at a young age.

and just... what. the hell. what is wrong with antis.

I can't describe the feeling of disgust I got from reading the second comment. How can you even think this is an okay thing to say about someone you don't know?

[yrsonpurpose]

🥺

[lilybug-02]

Some Symptoms of ADHD from Someone who is diagnosed:

Forgetfulness that impacts daily life

Difficulty remembering others names and even faces

Hard to stop fidgeting or moving when bored. Difficult to stop even when aware

Hyperfocus

Lack of motivation in tasks, even more so when external motivations are not given

Difficulty in being organized for extended periods of time

[[Symptoms of Adult ADHD]]

[frillypaws]

me at 3 am scurrying around the house in search of food

[alonelystargazer]

what happened to the era of men showing off their hairy chests or wearing little crop tops and cut off jean shorts with a little cheek peeking out

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[iminye]

hot take but you're allowed to like both the noldor and the sindar, you're allowed to be a fan of fëanor and/or any of his sons and be sympathetic towards thingol, you're allowed to like both miriel and indis, you're allowed to like the kidnap fam and simultaneously be a massive stan of elwing and eärendil, you're allowed to like maeglin but also to like idril and acknowledge that the betrayal of gondolin and everything that came with it was terrible, you're allowed to be a celegorm fan but you can also absolutely call him out for the lúthien situation and make fun of his death at the hands of a 30-something year old half human twink (all the love to dior btw he's awesome), you're allowed to do that!

and you know what, none of these are mutually exclusive, you don't have to feel forced to choose one side or the other depending on who is morally right. like what you like!

and also before anyone comes at me, obviously you're also allowed to completely ignore this and stay rooted in your opinion but please don't antagonise people who do not share it.

thanks.

[galaxyspeaking]

If you see me post art of sauron and galadriel mind your own business I’m going through SOMETHING 😤😤

[yakichoufd]

People...Stop telling me to ship wade/logan, so it fits the narrative you want me to draw.

You don't like nathan/wade? Well, too bad because I do. And I ship logan with scott, so picturing logan and wade romantically together feels terrible off to me haha!

I love my ships dearly and I hate when people force me to love new ships so they can hope to see my fanarts of them.

Shipping is personnal, it is something that need to come naturally to me and not all popular ships are a hit for me. I don't want anyone to force me enjoying something. That is not how I enjoy my fandom time. Forcing online strangers to like the same things as you is so childish.

And many many AMAZING artists draw wade/logan fanarts. Go cheer on them. Let them know how much you enjoy what they create and leave me alone!! I don't owe you anything. I just happen to enjoy drawing Scott Summers with a lot of lovers. That's it.

And just because you enjoy what I draw does NOT mean that I have to draw only things that you judge interesting.

I draw anything that I am inspired by. I DRAW FOR MYSELF FIRST. You are not the main character of my life. Stop being self-centred and being rude. And I am an adult, so ofc I am going to explore adult themes in my art. If you are too young or not comfortable for that, then do NOT follow me. Block me. My art is NOT meant for kids. My art is NOT meant for everyone.

I post what I want on my own space, thank you very much.

[luxaofhesperides]

For ghostlights: baby Ellie + tired Danny + Duke the baby whisperer?

He has no idea how his parents did it. 

Babies are exhausting. Toddlers more so. Any infants in the strange stage in-between? Doubly so. 

Ellie is wonderful and sweet and cute and such a terror that Danny genuinely has no idea how his parents managed to raise not one, but two kids. For all their eccentricities and absent-mindedness, he and Jazz turned out pretty well. Ignoring the whole halfa thing because that’s more his fault than theirs even if Jazz says they shouldn’t have created the dangerous environment in the first place.

That environment is exactly why Danny refuses to let Ellie go to his house in Amity Park. His parents say they’ve disabled all the weapons and ecto-sensors since he’s had to reveal himself as Phantom, but he knows that things slip their minds and if they can’t guarantee that the house is safe, then Ellie isn’t going in there. Simple as that. 

This means that they live somewhere else now. Danny had thought about it, during the hours Ellie was asleep and he was awake, exhausted and worn down to his bones, and took Jazz’s advice to accept Vlad’s offer of buying a house for him. Except he argued Vlad down to an apartment in a city of his choosing where he wouldn’t stand out too much and he would be safe, or as safe as he can be, from anyone trying to hunt down ghosts. 

So here they are. Standing in the empty living room of their new apartment in Gotham. 

Gotham may not be very safe as a city, but it’s good for two ghosts trying to pass as normal. 

Danny sighs yet again, and looks at the space he’ll need to fill. At least Vlad is footing the bill. It’s the least he can do for creating Ellie. Frostbite was the one who was able to stabilize her, though it was almost too late and resulted in her reforming as a baby, just one and a half years old. Jazz is the one who’s choosing most of the furniture, thankfully, so it’s something that Danny doesn’t need to worry about it.

It’s a new start to their lives and it feels so empty. So overwhelming. How did his parents do it? How do any parents do it?

Ellie smacks a small palm against his cheek and babbles lightly.

“I know, Ellie,” Danny says, giving her a tired smile. “Don’t worry, we’ll have this place looking good in no time.”

He adjusts her in his arms, then heads towards the bedroom. It’s the only room that has any furniture, and all that’s there is a bed, a crib, and a bookcase. There are a few boxes on the floor, labeled ‘bedroom’ and ‘clothing’ and ‘books’. Most of it came from his bedroom in Amity Park, but he’s pretty sure he caught Jazz sneaking a few things in before they closed the boxes and loaded them up into the car. 

“Can you be good for five minutes?” he asks Ellie. 

She babbles again and smacks his shoulder.

“I’m taking that as an agreement. Just let me open these boxes and start unpacking before you start causing trouble, okay?”

Ellie makes another sound, but it seems agreeable so Danny carefully lays her down in the crib and gets to peeling off the tape on the boxes. The opens the one labeled ‘bedroom’ first, finding blankets and sheets folded and stacked in vacuum sealed bags. One of them is his old childhood blanket, the one he carried around everywhere that was faded with age, barely blue, with white bunnies decorating it. 

He was so small when he had this. It makes him oddly emotional to unpack it and pass it on to Ellie, draping it over her so her pudgy little hands can grab at it. 

This is no time to cry, though! He forces himself to focus and makes his own bed, shaking out the sheets and fluffing up the pillows. He’ll worry about washing everything later; Vlad made sure to get an apartment with an in-unit washer and dryer, which means he was actually sensible while apartment hunting for Danny. 

He doesn’t mean to flop onto the bed once it’s made, but he ends up there anyways. He’s barely gotten a full six hours of uninterrupted sleep since Frostbite deemed Ellie healthy enough to leave his care. The drive up to Gotham was long and wore him down to his bones.

He doesn’t mean to fall asleep, but he does, drifting off as he wonders, distantly, when Jazz will be back from getting them dinner.

Ellie wakes him up at dawn with a loud cry. Danny jolts awake, heart pounding in his chest as he panics because Ellie isn’t here, she’s supposed to be in his arms, where is she? And then he sees the crib, where Ellie is staring at him through the bars, and he nearly collapses with relief. 

“Morning, El,” he says, voice rough from sleep, as he picks her up. She just stares up at him, then leans forward and rests her head against his shoulder.

It’s quiet moments like these that make his heart melt. Ellie’s had a hard life already; he wants to give her a better one, this time around. 

A quick check of the time on his nearly dead phone shows that it’s barely past six in the morning, and Jazz texted him a few times. All about furniture, saying that she didn’t want to wake them and that food is in the fridge. 

It’s only the mention of food that makes him realize how ravenous he’s feeling. Danny makes a beeline for the kitchen, ignoring everything else, and pulls out the boxes of take-out Jazz left stacked in the fridge. He devours it like he’s been starving for weeks, then gives Ellie her Ecto-Jello, the only food she’s allowed to eat until Frostbite gives the okay for solid, human food. 

Once he’s got her burped and cleaned up, Danny looks out of the kitchen and realizes that Jazz was very productive while he was asleep. The living room isn’t empty anymore; a dark green couch is against the wall, a low, rectangular coffee table made of dark wood in front of it. Two armchairs are on both sides of the couch, and a television has been installed, fixed into the wall. 

Jazz is asleep on the couch. Her legs hang off an armrest and she’s drooling slightly. 

Her phone is charging on the floor, so Danny takes it and snaps a picture of her for later teasing, then sends it to himself and writes a note to her that he’s going out with Ellie to explore the neighborhood.

He’s finally feeling more settled, energized from sleep and food.

In the warm dawn light spilling in through the windows, Danny looks down at Ellie and thinks that they’ll be just fine after all. 

. . .

Four months ago, Danny had hope. He was optimistic. 

Gotham was a fresh start, a new lease of life for Ellie. It is Danny’s attempt to be a single parent, sacrificing college for Ellie, and he’s planning to go out and beat the gangs black and blue if they start anymore shootouts in the next year.

He had just gotten Ellie to sleep. She was actually peacefully taking a nap.

And then a drive by shooter raced down the street, gunshots echoing down the road, and Ellie work up crying. She still hasn’t stopped, despite how Danny rocked her, soothing her as best he could.

They had been outside when Ellie fell asleep, her head on his shoulder. He had been catching up with Sam and Tucker when the car drove by, people ducking and crying out to avoid the bullets. Danny instinctively covered Ellie and made them both intangible, saving them from any stray bullets, but they ruined her nap and he needs to make them pay for that. 

“Shh,” he soothes, “You’re okay. We’re both fine. It’s okay, El, it’s okay.” 

Her little hands clutch at his back, twisting the fabric of his shirt, and she lets out a heartbreaking wail. He pats her back, hurrying down the street to get back to his apartment building, ignoring the looks people were giving them as they passed by. 

“I know it was scary, but you’re alright. You’re always safe with me, El.”

Ellie’s cries down down a little, but they don’t stop. She whimpers, burying her face against his shoulder as he finally reaches their apartment building.

The door’s locked, which wouldn’t be a problem except Danny can’t get his keys from his pocket. He knows he has them! But his pocket refuses to relinquish them and he has to stop every few seconds to pat Ellie’s back, trying in vain to calm her down. 

“We’ll be inside in a second,” he tells her, trying to keep the frustration out of his voice, “as soon as I can get these freaking keys!”

“Hey, you alright?”

Danny startles, whirling around so fast it makes Ellie go quiet, clinging to him so she doesn’t get flung into the air. There’s a guy standing before him in a gray hoodie, looking at him with clear concern. It speaks to Danny’s level of constant exhaustion that he hadn’t clocked someone sneaking up behind him. 

The guy offers an awkward smile. “Sorry, didn’t mean to scare you or anything. Um, do you need me to open to door? I live here too.”

Danny wonders for a moment if this someone dangerous, someone hoping to hurt Ellie, but she starts to cry again and he steps to the side. “Please. I can’t get my keys.”

“I’m Duke, by the way. I don’t think I’ve seen you around here before.”

“Danny,” he replies, watching as Duke pulls out a large key ring, jangling with the amount of keychains on it, and easily opens the door. “I’ve been here a few months, but I’m usually inside. Or walking around in the mornings with this little monster.”

“That would explain it,” Duke says as he holds the door open, letting Danny in first. “I’m usually in classes at GCU, but I decided to take a mental health day after my lab, so here I am.”

Danny walks in and waits for Duke to follow, making sure the door closes properly behind them. “Thanks. How is GCU? What do you study? I was thinking of going there myself once she gets a little older and can go to school.”

“Oh, I’m majoring in English and Human Services.” He goes to say more, but Ellie wails again and Danny winces.

“I’m so sorry. That drive by woke her up and it’s really rattled her.”

“Hey, no need to apologize. I get it, Gotham is rough to kids.”

Danny tries rocking her back and forth, but it doesn’t help. He resigns himself to another hour of her crying before she exhausts herself, and makes for the stairs, going up to the fourth floor. Duke holds open the door again, then follows after them. It makes Danny wonder if Duke is planning to do something to them, then decides he can beat Duke in a fight, so it’s fine.

Duke doesn’t try to hurt them or steal Ellie away. He opens the door to their floor and stops before they do. “I’m in here,” he says, “If you ever need me to open more doors.”

“Thanks. Um, actually, I might need help opening mine?”

Duke just smiles and makes his way back to them, following them farther into the hall until Danny stops in front of his apartment. 

“If I could just get my keys,” he starts.

“Here, let me hold her for a second so you can get them,” Duke offers. Danny wants to insist that it’s fine, but Ellie cries directly into his ear and Danny, at the end of his rope, passes her over. 

Like magic, Ellie settles as soon as she’s in Duke’s arms. She sniffles and hides her face away, clutching to Duke’s hoodie, but she stops crying. They both go still, surprised, and stare down at her. 

“Seriously?” Danny says as he finally pulls out his keys, “Are you trying to say that I’m the problem?”

Ellie babbles lightly, and Duke turns his head to futilely hide his grin.

He grumbles as he unlocks the door and pushes it open. Ellie is acting as if she’s never been upset before a day in her life, making herself at home in Duke’s arms. 

“I can’t believe this. Betrayed by my own blood.”

Duke laughs as he follows Danny into his apartment, lightly patting Ellie’s back. “It’s always the smallest, cutest ones that do this.”

“Yeah? Do you work with a lot of kids or something? Used to being betrayed by the little ones?”

“I don’t work with kids per se,” Duke says, “But my foster family is a hot mess and the youngest of them likes to keep us all on our toes.”

“Family,” Danny says in a tired, fond tone.

“Family,” Duke agrees.

With his door open and Ellie calm, Danny’s ready to just lay face down on the floor for the rest of the day and not deal with anything else. He moves to take Ellie back, holding his arms out, and Duke tries to pass her over.

The key word being tries. 

Ellie tightens her grip and kicks at Danny. She refuses to be taken away from Duke, making him awkwardly try to pry her off his hoodie. Danny really hopes Duke doesn’t notice how she goes slightly intangible to make his hands fall through her arms and legs. It shouldn’t be noticeable, but it’s hard to focus on anything but a kid that clings to you, so Danny holds out for Duke’s goodwill and silence.

“As nice as it is to meet you, you need to go back to your… parent?” Danny nods when Duke looks at him in askance. “You need to go back to your parent. Okay? Come on, kid, he’s waiting for you.”

Ellie shakes her head, makes a frustrated noise, and then turns and reaches out a grabby hand towards Danny. 

She still refuses to be taken from Duke when Danny tries to pick her up again, so he settles with just letting her hold two of his fingers. 

“I’m so sorry about this,” he says to Duke, face burning. This is why he hasn’t been going out and being social since he moved in; Ellie is a handful even on the best days, and Danny doesn’t want someone to judge him as unfit to parent her and have her taken away.

Duke shakes his head, stepping closer. “It’s all good, man. I don’t mind. It’s not like I had any plans today. I’m already skipping my classes, might as well spend it with you two than sleep all day.”

“Are you sure? I’d be happy to invite you in, but I know Ellie can be a lot and not everyone wants to spend their day off with a baby.”

“I’m sure. Besides, I’d just be down the hall anyways. It’s no skin off my back, man.”

“Well,” Danny says, stepping to the side to give Duke full access to his open doorway, “Come on in, then.”

Ellie keeps them connected, one hand in Duke’s hoodie and the other holding Danny’s fingers, and though her cheeks are still red from how hard she had been crying, she’s calm now with her eyes shining with mischief. 

As the door closes behind them, Danny realizes that this is the first time someone he’s not related to has been inside his apartment. Not even Vlad has come in, always choosing to invite Danny and Ellie out for lunch instead. 

It should make him nervous, but Duke is calm and easy going and kind. 

He’s making silly faces at Ellie to make her laugh, completely at ease with her in his arms, as if he’s done this a thousand times before. 

Gotham is a second chance at life for Ellie. It’s a sacrifice for Danny, to be alone and without friends or family around. He’d been ready to give up everything for Ellie, to focus solely on raising her, but with Duke filling his apartment with laughter, he thinks that he can make a life here too.

All he needs to do is take that first step, reach his hand out, ask Duke to stick around.

He can do this.

[astralstarlight]

falling asleep on you !

w/ al haitham, wanderer, diluc, tartaglia/childe

a/n: under the cut because they got really long omg

al haitham likes to rest his head on your shoulder whenever he's tired. when it's in a more private setting, he'll lay his head in your lap instead. a loud, satisfied sigh will leave his lips once he's in this position. it's almost as though all the tenseness in his body simply dissipates once you start running your fingers through his hair. he rarely drifts off for a nap, but he looks close enough to peace when he's lying down like that.

it's the closest you'll ever get to having him be needy or clingy in any way. he tends to lean his whole weight onto you without explicit warning, so it's taken some practice to make sure you don't fall over on to one side — helplessly squashed.

there are signs to look out for.

you'll notice him staring at you out of the corner of his eye, making sure you're comfortable with how you're sitting before he places his head on your shoulder. sometimes he'll even mention that it's very "quiet and peaceful" before nearly knocking you over with a heavy slump.

when he's been kept up late for too many nights, he really will drift off to sleep. he's heavy and he makes your entire body ache from trying to hold him up, but you can't really bear to move him, especially not when he smiles in his sleep after you brush your fingers over his cheek.

he won't tell you that he always wakes from your sudden touch.

and with how cute he thinks you are when you're trying not to wake him, he doubts he ever will.

"i don't need sleep." wanderer announces proudly. it takes him exactly nine minutes to pass out after you promise that you'll keep watch while he's resting. you even make sure that he's asleep by waving your hands in front of his face to see whether his eyes twitch. nothing.

he doesn't even breathe.

his arms stay crossed over his chest and his hair falls onto one side. completely at rest.

still, this is the last thing you were expecting would happen. you resist the urge to touch his face. you haven't gotten that far with him yet.

unfortunately, you end up falling asleep beside him instead of keeping watch. there's something so comforting about his weight on yours, that you lean back into him, just to close your eyes for a few minutes.

the next time you wake is with the morning sun, and with a blanket haphazardly thrown over you. you fight with it for a bit, tangling your arms even further.

"oh good, you're up," comes the familiar, haughty voice. you expect to be berated for falling asleep, but he says something different instead. "thank you."

"huh?" you murmur intelligently. it's not fair that he does this when you're still groggy from sleeping.

he turns away, pretending he said nothing else. you smile at his back. guess he's still full of surprises.

diluc's very gentle with you. he's always been the one to beckon you over once he notices you yawning or when you look a little down. the way he caresses you while wrapping you in his arms is enough to send you straight to sleep. it's cozy.

but you've never seen him asleep before you. he's always been the one to creep back into your shared bed at the crack of dawn, when you're just awake enough to know that he's there.

this time, you're the one late.

he's already sleep — legs stretched out and turned onto one side. you take a single step forward and jump as he snores, disturbing the silence.

you crawl into the bed, facing the outline of his back. you reach out for him just to hesitate before actually touching him. what if he wakes up if you try to cuddle him? what if he has a really busy day tomorrow and he'll be frustrated with not getting enough sleep?

he answers the myriad of questions for you. just your presence must be enough for him to know you're there in his sleep. he ends up turning over to face you and bundling you up in his arms, letting out a huff. on the other hand, you're tense, unsure if you've accidentally awoken him or not.

"diluc?" you mumble.

the only answer is his steady breathing.

hope you're ready to stay squished in that same position for the whole night.

tartaglia pesters you with affection. he shows up at your door in the middle of the night sometimes, claiming he has "no where else to go right now". on certain nights, he'll be covered in blood that's definitely not his with a fiery look in his eyes as though he's set alight from the inside. he's not really there on those nights.

more often, he shows up with a cheery look on his face that disappears once you start to clean him up. you don't need to look at him to know that he's already staring at you.

tartaglia is always quiet in both types of nights; an unsettled nature or a calm energy. you're never sure what you're going to get.

but you know this: he would always show up after long periods of disappearing, even if it was just the smallest scrape. just to see you.

he'll be the one tucking himself in between your legs on the couch, no matter how many times you tell him that his legs are too long and he's way too heavy to lean back on you like that. but he does it. somehow.

when you start to grow tired from listening to his shenanigans, he becomes so gentle with you. he'll carry you to bed and hold you until you sleep.

he's gone in the morning, or maybe he leaves once he's sure that you've been lulled to sleep. either way, you know he was here. even if he tries to disappear without a trace.

he's always here on the nights that you sleep the best after all.