#i need the story

[abiiors]

why does ross look like a fan trying to take a photo with george who’s in a hurry to be somewhere 😭

[crappy-homestuck-confessions]

"Hey Gamzee, why don't I have a male in my life?" is a Real Sentence uttered by a Real Person

.

[cahootings]

if lord huron doesn’t drop this new album in the next three calendar months im really really going to lose it

[bisnowhere]

I JUST REALIZED THERES A BUNCH OF DIFFERENT PEOPLE WITH THE NAME THEMINECRAFTBEE I THOUGHT I WAS GOING INSANE

[aspiring-creative-person]

YOU KNOW WHAT I would be surprised but also not surprised if this happened, because God was not present last season 👀

season 3 predictions

yes this is just a "moon's haunted" joke what about it

blank versions bc i like the backgrounds

[what-eats-owls]

So there's something I want to say re: intentionally withholding your vote, and I want to do it without coming across as condescending or dismissive.

I've worked as a field organizer in two campaigns, 2010 and 2012, and my job was to help turnout the vote for Democratic candidates up and down the ticket. Technology may have changed, but people are still knocking on doors for specific voters the way they were 12 years ago.

If you say you're not voting/voting 3rd party, the campaign volunteer is supposed to mark that and move on. Their job, in the final month of the election, is to make sure the campaign's supporters have all the information and resources they need to cast a vote.

They aren't collecting data on why you're withholding your vote. They aren't submitting opinion polling results to the campaign. Something like 155 million people voted in the 2020 election, and if you say you're not voting, the campaign is not going to waste a volunteer's time and morale begging you to vote when there are literally millions of other voters to turn out.

Let me repeat that: The campaign does not track why you're not voting. They simply note your vote is not a priority for turnout and move on.

I say this because I see a lot of promotion of non-voting like that's a boycott, when the function is not the same. A boycott is a coordinated mass refusal to engage with an institution—which sounds similar if you see a vote as a good or service to withhold. Unfortunately, it's not.

A vote is a choice you're making as part of a community hiring committee. Your abstention doesn't prevent someone from being hired. It just lowers the threshold for the worst candidate to succeed.

All this to say: In my direct experience as an organizer, abstaining from the vote sends a message. That message is not "You need to try harder to win my vote." It's "Don't waste time on me."

[ot3]

i dont like the idea that kids these days are doing their fandom rps with ai chatbots. that's how you're supposed to make lifelong friends as a weird really online teen.

[and-fishing-equipment]

imagine being real rashid and you work for these weird gay vampires and one day they come to you like hey rashid we're gonna give you a little holiday! armand will take over your duties for the time being, for a cool disguise during my interview, not a kink thing :) and you're like okay these are my weird gay vampire bosses so it probably is a kink thing but who am i to judge. and then you find out they are roleplaying this weird exhibitionist slash master/servant scene with your own real actual government name. fuck interview with the vampire, interview with rashid WHEN??

[c-rowlesdraws]

Ratatouille would have been a better and potentially much more interesting story if Remy had partnered with Collette instead of Linguini. Two underdogs with talent and passion forced to maintain a dangerous ruse. Fiercely independent Collette giving up temporary control of her body to a creature who, despite the insanity of a rat wanting to cook professionally, she can relate to on a personal level and who she does want to teach. The inner conflict of wondering if Remy’s growing talents are eclipsing her own, if the praise their food is earning belongs more to him than to her. Her guilt over feeling resentment and jealousy towards this little guy who wouldn’t have a hope of realizing his talents if not for her trust and protection. Both of them unraveling the mystery of that sweet but bumbling kitchen boy with the obvious crush on Collette being Gusteau’s secret son, and working together to thwart the new evil owner’s plans to stop Linguini from claiming his birthright. The message of the movie not being this weird, almost smug “some people are born with talent, some people aren’t, and that’s how being a ~great artist~ works”, but something more like, “if you have a dream, you deserve to pursue it, and be supported and encouraged in your pursuit of it, even if other people tell you that, because of some intrinsic aspect of yourself or the circumstances you were born in (like being a human woman in the restaurant industry, or being a literal rat), you have no place pursuing this dream. Also, raw talent can only get you so far, and skill and passion existing in the right balance is key.” I’ve been thinking about this for seventeen years. I’m breaking my silence

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[sanyu-thewitch05]

Honestly, this. This, this, this.

Especially with Agatha’s excuse of “it was the 1920s!” sounds so similar to how white people respond to reparations (“It was 400 years ago! Get over it.”)

[hymnoeides]

'Cause I'm stuck with your stories

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[tariah23]

The manga industry, especially JUMP, needs to hurry up and do away with weekly scheduling for mangaka. There needs to better regulations put into place for their health and safety because this is pitiful. Two weeks - monthly updates should’ve already been the standard for the manga industry at this point. These money grabbers will only continue to put the lives of these artists at stake for the sake of capitalism unless some serious changes are implemented.

[egophiliac]

(looks at upcoming card releases)

I'm in danger :)