#i need capitalism destroyed so i can be with her all the time

[bossuary]

Neve is painless. Rook is real.

Lucanis likes Neve because she represents what he is desperate to regain. He wants to feel normal, to work and cook and focus on the things he used to enjoy (such as they were) before the Ossuary. He wants capital R Romance, right out of a book.

Most importantly, he wants to get rid of Spite. He wants to pretend that he is the man he was...not this abomination.

Without truly knowing her, Lucanis believes Neve is a pathway to all of that. He's attracted to her, and she to him. Their flirting has an edge, but it's also friendly. She dislikes Spite, and her presence makes Spite disappear.

Neve will tell Lucanis that he's still himself, and that Spite doesn't change that. She will never be the one to reconcile Lucanis with Spite, to get them to accept each other. So, yeah, he gravitates to the charming, flirty, warm person who (through no fault of her own, really) feeds his desire to pretend he's not an abomination.

Even early on, I think he's smart enough to know that accepting Spite is his only option, but he...just... can't. With what tools? Nothing in his life has prepared him to deal with this. Rook does that. When denial tears Lucanis apart, Rook puts him back together with acceptance. Rook accepts the reality of Spite, and deals with it head-on every time.

Neve will remind Lucanis that she's not going anywhere. She'll tell him to open his eyes and look at facts, but she (probably) won't be the one to push him out of his own prison. Lucanis knows this, so Spite knows this, and therefore Spite will not look to Neve for help.

It's important for Lucanis to accept that Spite has changed him. But when it's Rook who says it--for whom Lucanis has developed real feelings, not idealized ones--well, it destroys the fantasy Lucanis clings to so vehemently, the one where he isn't this.

For me, the Lucanis/Rook romance feels the way it does NOT because the writers "preferred" that Lucanis and Neve get together, but because Neve is simply easier for Lucanis to accept. She's easier to talk to, unchallenging. Easy isn't bad! Comfort isn't bad! God knows they both deserve some comfort.

Loving Rook is a profoundly complex choice. There's not a lot of cute ways to work that profundity into sexy banter. It makes sense, then, that Lucanis doesn't have as much dialogue for a romanced Rook as he does with Neve. What he can do is cook, make small gestures. He can, heartbreakingly, tell Rook, over and over, that he doesn't have the words to express how he feels. That's such an awful state, knowing that the person you care about needs to hear words you simply cannot locate. As soon as he does have the words, he shares them.

Rook is real. And real is not easy.

To Lucanis, Rook represents a difficult path to recovery, a path he has to keep choosing to follow, every day. At a time in his life where he is incapable of seeing Spite (and his own PTSD ) as anything but a 'distraction' to shove aside, Rook shows genuine interest in helping Lucanis heal. Rook takes consistent action toward that goal, particularly when it's clear that Lucanis doesn't know how.

Lucanis also has to believe that he's worth the effort, his own and his love's. Neve is great, love her, but I don't see this struggling cynic, this chronic worrier, being very helpful in the self-worth department. No, people in a relationship do not have to perform therapeutic roles. But, partners do have to respect each others' boundaries and needs.

Of course Lucanis goes all-in for Neve, romantically, even while he and Rook are dancing around each other. Accepting how much he loves and cares for Rook means looking at himself the way Rook does. That is so much harder than whatever will happen with Neve.

The fact that Lucanis isn't afraid to pursue Neve, even if Treviso is blighted, tells me that Neve is an indulgence for him. Again, that's not a value judgement. If they treat each other with respect, then the merits of the relationship don't have to fall on whether Lucanis 'heals' as a result. Sometimes not hurting all the time is enough.

BUT. Contrast the ease he feels with Neve with his feelings about Rook:

"When I was afraid to want you..."

That is a powerful admission.

What was he afraid of? The annihilation of neglect, worthlessness, and shame. The awful but knowable pillars of his existence.

Wanting Rook means that Lucanis wants to dismantle everything he knows in pursuit of something he doesn't. To love Rook is to love and accept himself, exactly as he is.

Then...then...Lucanis finds real comfort.

[anisangeldust]

Religion in your lips 𝜗𝜚⋆

Summary: A turning point had been established in your relationship with the president. Or several..

Part: ← ii →

Warnings: obsessive behavior, stalking, creepy/perv Coryo, misogyny, masturbation (m), wet dreams, emotional abuse, manipulation, mentions of grooming, allusions to murder, objectification.

A/N: I need him expeditiously. Also I’m so sorry that this is so late! I’m working as fast as I can!

A dastardly crime you had unwillingly committed, you had began to not only wedge yourself into the life of the president, you also absentmindedly plagued his whole being. One week, one week of work and you were already a problem.

Coriolanus couldn’t help the way you became his muse, you occupied every free and taken crevice of his mind, yet you were so blissfully ignorant of the predator so carefully stalking your move; waiting for a prime opportunity to pounce. The President was a smart man however, he knew that patience was key, and if he wanted to have you at all, he needed to be careful.

Everyday he’d watch from his office as you took your lunchtime break, sitting within the gardens of the presidential estate and chatting with the gardeners. Taking notice of which flowers you seemed to be drawn to, as to which he decided he’d get you a bouquet of your favorite under the feign guise of thankfulness. Testing the waters he thought.

So Coriolanus couldn’t help but feel satisfied when he saw the small smile on your face. Was it that easy to impress you? Nevertheless, he felt immense satisfaction when you tucked the little note he wrote into your front pocket and took one of the flowers to place in your hair.

The young president swore he’d never care for another again, yet here he stood, in lust with a simple worker, and sooner or later he was going to get what was his. To get you.

——

“Gypsophila is a highly toxic flower, deadly if consumed. But it is very pretty.” You rambled to the president as he sat sipping tea. The most beautiful sight you were, so full of life, so happy, oh how he craved to posses you; to destroy the youthful innocence you paraded like a trophy.

“Interesting indeed.” Coriolanus nodded, his gaze never leaving your perky chest and silky hair. A beat of comfortable silence passed when young Snow remembered his fiancée’s behavior, the dwindling aggravation now building up again. “And i’d like to apologize on behalf of my bride-to-be. She is a little shall I say.. enraging at times” He sighs and leans back.

“Worried I was not Coriolanus.” Your smile and innocent acceptance made him furious in a way. The need to sink his teeth into you was almost overwhelming. He wanted to cut you open and crawl inside your ribcage. This was a feeling he’d known never before, and he was positive it’ll linger for the rest of his natural life. Before you blessed him with your presence, he had yet to see someone so willing to do a good job, your aura was addicting.

“You know, I don’t really love her.” The words left Coriolanus’ lips before he could stop himself. He almost chuckled at the way your brows furrowed.

“My condolences? Why.. are you marrying her then?”

“You know, capital business.” He sighs and leans back. If only he had picked you! Such a scenario had swept through his mind many times since he’d met you. If only he could’ve waited. “Such a shame I choose such a…brat.” He scowled at the thoughts of his fiancée.

The look on your face was somewhere between shocked and startled. It was amusing how Coriolanus could tell you were biting your tongue to hold back your own thoughts on his future beloved.

“Allow me to not meddle in your personal business Coriolanus.. but I suppose if you want unsolicited advice, it’s never too late to change your mind. You’re already president. One called off marriage won’t kill you” your polite voice was so calming to the achy soul he possessed. The young Snow knew you had no idea of his intentions for you, and that thought was delicious.

“I appreciate your insight darling. I shall think about your words carefully. I fear you’re too smart for the position you hold at the moment.” He chuckles. You deserved the seat of First Lady, the title of his wife, do be the mother of his future kids, and it took every molecule of his being to hold back from expressing that desire.

Comfortable silence fell into the room, only the quiet scuffling of feet or sipping tea piercing the lack of noise. The thought of being so comfortable with a person was a concept so foreign to Coriolanus. the last person he was comfortable with had betrayed him, left him to die in the forest. Something about you, however, was different. His songbird didn’t see what she missed, she craved the wild life she had. You enjoyed order, respected Panem, you’d never leave him like she did. You’d never leave him like she did. A pang of vulnerability struck the president’s chest. Could he really trust you? Would you betray him like she had? No, you wouldn’t, because he could control you. And you’d let him.

If the want wasn’t already clear enough in its mind, that moment solidified it. He had to get rid of Livia. He had to have you. and then his face falls in the same breath. A foreign thought crossed his mind at the same time though. What if you already had someone? The idea made him seethe. How dare someone else have what’s his? He’d ask you. No need to jump to conclusions right?

“Darling. You’ve never mentioned any kind of boyfriend? Don’t mind my prying, I’m just curious.” He says in masterly hidden mock confusion.

“Oh uh.. I was dumped actually. Right before I took this job. He said he needed to focus on himself or whatever else they all say��� his words adding a small flush to your cheeks.

Good. This was good. No, this was excellent. Single and vulnerable. Ready for the perfect man to save you from your pain and heartbreak, ready for a strong and handsome man like him to make you feel worthy again. He couldn’t have written this better himself.

“Oh darling, I’m so sorry. He sounds like a dunce, you’re clearly too good for him anyway.” Coriolanus smiles, opening up the door of careful manipulation.

A bloom of pink popped into your cheeks at his words. “Thank you Mr. President. I’m thankful we’re over. And I appreciate your compliment.” Your murmur back was almost funny. And the attempt to hide the flush on your face with turning and dusting a random surface was funnier to him.

“You’re welcome darling.” His short response and wink made your heart beat visibly faster, but he chose just to let you do your job and not bring it up. Mentally he was kicking himself. For having you so close yet unreachable. How was he supposed to get rid of his bride-to-be? It would be a scandal, one too big to cover. The Cardew family would stop at nothing to tear him down if he left her, he’d lose all he had. Amidst his thinking, he stood up and pleaded against the bookshelf you were dusting. “You can tell me if Livia says something rude. You’re a maid, yes, but you’re still a person. Don’t be scared to let me know if she’s making you uncomfortable.” He cooed smoothly.

“Will do. Thank you Mr. President. Though she isn’t that bad. We just got off on the wrong foot. But of course I’ll tell you if she does anything.” Your cheery attitude was refreshing. A light in a dull atmosphere.

“Thank you darling.” Coriolanus kissed your hand gently before leaving. What a gentleman.

——

Damn you and your little dress. Damn you and the fabric that clung to your curves so nice. How could he focus on anything? His eyes darted around his office, desperate to find something to focus on, and find something he did. A rag you’d left. A rag that you clipped onto your skirt to wipe off your forehead occasionally. Immediately, Coriolanus stood up and took the white fabric in his hands. It belonged to the manor, it was soft and good quality, and upon further inspection, it had a small stain on it. Your sweat.

His pants tightened as he brought the fabric up to his nose and took a whiff, your perfume lingered on the threads, teasing him. The thought of using Livia crossed his mind, after all, what was she good for if not as a tight cunt? But it felt almost insulting to you to fuck Livia in your place. The last time he did it left a sour taste in his mouth. He couldn’t just take you, not yet, he needed more time before he made his move. Left with no other options, Coriolanus locked his office with a click and sat down in his chair.

He freed his erections from the confinement of his pants and boxers, softly stroking his hardening cock with the marked cloth. The sight of his pre mixed with the little bit of sweat had him going crazy. The need for you was insatiable, he couldn’t help himself as he pumped his hand up and down his cock, stopping to tease the fat tip with his new prized possession. He brought the tag up to his nose to smell your scent again, pumping his dick as he inhaled the fumes. He came to the thought of spreading you open like a flower and indulging in your soaking pussy. He was only lightly embarrassed when his mind came to. Though it was drowned out quickly by the satisfaction of his orgasm. He needed you badly, and he was more determined than ever to get you.

——

Over the next few days he gave you small gifts, chocolate, a bracelet, an up in pay, all because he “felt bad you got broken up with” of course. He was a compassionate man, of course he cared about you! How dare you think he was just going this to get you to trust him and tell him more about your private life? He was. It was a little tiring having his other staff ask you the questions and then report back to him, but the smile and flush on your cheeks made it worth it. And his attempts weren’t in vain, the longer he pined, the more you told him, the more ammunition he had to get you to say more; a deliciously vicious cycle.

The more you trusted him, the more you told him about anything Livia did, He expected Livia to be an asshole. He knew that it was only a matter of time before she was rude enough that you said something. What Coriolanus didn’t expect, was for his fiancée to physically harm you. And especially not right in front of him. The soft thud and following mewl of pain from outside his office had caught his attention. He got up and went to the source of the sound, only to find his fiancée standing over your crumpled form.

“I thought your job was to clean? How are you supposed to get anything done if you’re such a klutz? Oh come on, that didn’t hurt” she taunted as you tried to get up off the floor. It was clear she pushed you, or tripped you in some way, that didn’t matter to Coriolanus though, she hurt you. And he was pissed.

“Hey, what the fuck happened here?” He demanded, anger pointed 100% at Livia, though the anger made you wince.

Livia turned around immediately, acting like she had found and helped you. “Oh It’s all okay Coryo, she was just cleaning and she fell, nothing to worry about, I was just making sure she’s alright!” Livia clutched her chest, gently helping you up. Coriolanus didn’t believe it for a second.

“Really? Is that true?” He said as he turned to you, eyes squinted in disbelief

You felt put on the spot, he’d be mad if you lied, but you couldn’t just tell him she did it and run the risk of her hating you more than she already did, so the former seemed best. “Y-yeah. She, she did find me. I just fell” you muttered sheepishly.

Coriolanus knew you lied, and that angered him, But he also knew that you would’ve told the truth if Livia wasn’t there. The knowledge that you were going to tell him everything after was comforting enough for him to huff and sigh “I’m sorry. I just don’t appreciate dawdling.” He sailed in an eerily calm tone. Livia snickered like she’d won something, and Coriolanus forced himself to just keep walking and not shout at his fiancée.

Young Snow was standing and peering out of the window in his office when he heard you open the door and walk in. He heard you gently start to clean the many books and surfaces that lined the room. Coriolanus liked that about you, you never spoke to him unless he spoke to you first, and it turned him on.

“My anger was not directed towards you.” He started “though I’m slightly miffed that you lied to me. Tell me what she actually did” he turned around to look at you, his face stern yet inviting as he waited for your explanation of the events.

He noticed your slight gulp and timid frame as you put down your rag to look at him. “She uh.. I was wiping down lamps in one of the lounges when.. she- she pushed me into a table, and a p-picture frame landed on my head..” your mumbles and stutters would have been cute if he was pissed off. The nerve that woman had, and to play victim too? He was just about at his wits end with her.

“It’s okay darling. I believe you. And I’m quite annoyed that she would abuse staff like that. She’s jealous that you’re better than she is, that’s all” he coos and walks towards you. He gently puts his large hands on your arms “you’re doing great. You’re the best maid I could’ve asked for. Now go finish your job for today. I’ll get you something for the inconvenience and I’ll talk with her.” He said as he leaned down and gently kissed your cheek.

——

“I don’t appreciate you abusing staff Livia.” His voiced was stern and unapologetic, the opposite of how he approached you, as he entered his quarters of the presidential manor.

“What could you possibly be talking about Coryo? If it’s about the maid then I told you, she fell and I found her. It’s not my fault she’s a klutz.” Livia scoffed at the mention of you.

Coriolanus slammed his hand on the wall, his eyes full of fire. “I didn’t give you permission to speak woman. Shes been working here 3 weeks and she’s ‘fallen’ twice. And both times she was conveniently in your surroundings. If it happens again I’ll be very, very disappointed.” He says through gritted teeth and goes to walk away but stops. “And my name isn’t Coryo. Its Coriolanus. I don’t care that you’re my fiancée, you’ll treat me with respect.” He demanded before pushing past her to take a much needed shower.

Falling into the clutches of morpheus came easier than expected that night. In the realm of dreams, Coriolanus' unconscious mind becomes a canvas of desire and longing. Your delicate form becomes the centerpiece of his erotic fantasy, envisioned sprawled across his desk, the epitome of seductive submission. As the dream unfolds, his touches and caresses paint vivid imagery, a private symphony of pleasure that reflects his deepening admiration and desire for you. Coriolanus' dream grows even more intense as you become increasingly sensual and inviting, giving yourself to him so fully and passionately. The boundaries of his imagination blur, and he loses himself in the intoxicating pleasure of your presence. He moans and groans, overtaken by the overwhelming sensations of desire and satisfaction. He whispers your name gently, his voice filled with both reverence and need

When his eyes cracked open to the rays of morning sunlight, he was both grateful for the opportunity of another day with you, and irked that he woke up to the sleeping body of his useless fiancée.

——

Coriolanus started looking forward to when you’d come into his office to clean and chat. What was once cold small talk had morphed into you telling him everything about yourself. How you were a recent academy graduate, you were open to but didn’t have any plans for University, you had a white cat named Pearl that you love like a child, and you preferred tea to coffee. All facts that seemed so mundane about others were so tantalizing coming from your lips.

“So this job is only until you decide on what you want to do? That’s a shame. You’re very good at it. Replacing you wouldn’t be fun. But I’m proud of you for working and earning money. Not many people do that in the capitol. Especially not those who come from rich backgrounds like you do.” Coriolanus said with feigned nonchalance as he absentmindedly stirred his tea.

“I’m sure there’s plenty of people who could clean the mansion just as well, if not better than I” your tone was sweet and soft, you’d never understand. No one could ever be you, you were too important, how would he survive without you? He wouldn’t.

Coriolanus stood up and chuckled “I’m sure, but none of them are as kind, or sweet, or as beautiful as you” he coos and tilts your chin up to look at him “none of them could captivate me like you have” he murmurs. This was a now or never moment. He couldn’t go back now, and with your big eyes preening up at him he couldn’t resist. He gently leaned down and captured your lips in his own, gently cradling your head and holding your face.

“Coriolanus..” you murmured and he gently broke away with a small smirk playing at the edges of his lips, his gaze cast down to look at your wide and surprised expression.

“Shhh.. I know you wanted that too darling, tell me to stop and i will” he mumbles as he captures your lips in his own again, gently waiting for you to accept the kiss. A wave of satisfaction washes over him as he fells you relax and accept the kiss, he grins against your lips as he feels you hands on his chest.

Your lips tasted of a sweetness he had never experienced, how he was meant to pretend he didn’t want you was a problem for the future, right now all that mattered where your lips and his desires. Getting rid of Livia may have to happen sooner than he anticipated.

Taglist!

@daenerysqueenofhearts @caramelandvenus @yoursrosie @wearemadeofstardust0 @kay-lla @mrsriddlenott @sleekervae @ianales @qoopeeya @arzua10 @matcha-muses @jitsuki12 @nojeicintjzonfhw @poppyflower-22 @lustforrush @jefferson-in-the-tardis @aurabambi @royal-sunflower @rovckwells @rubys-rere @iydImsydxoxo @lucyisdoingfine @nyxxoxo @paradisepoisons @miserableblood @poppyflower-22 @anonymous14261703170309 @that-daughter-of-hephaestus @sqct @anakinluvr4ever (tell me if I missed you and you’ll be added🫶)

[eggsistential-breakdown]

Team Tulpar!!!!!

Highly self indulgent silly Mouthwashing Superhero AU

Led by the esteemed Captain Cosmos, superhero conglomerate Pony Express's Team Tulpar's latest mission is to guard a top-secret mega-important warehouse in the deep recesses of space against raiders and ne'er-do-wells for one year, until Pony Express's client can install a more permanent solution.

Unfortunately, a mysterious accident destroys their only way home and grievously injures their captain. Team Tuplar finds themselves stranded on a faraway asteroid, with only battered pieces of their ship and their all-important super-forbidden warehouse charge to sustain them.

God is not watching.

Notes below the cut, not set in stone:

Pony Express

Known for its cheap and widely available distribution of superhero teams

Common option for emergency time-sensitive threats to capital or goods

Less common option for actual life-threatening emergencies

Superhero teams function pretty much just as security details for hire

Allows a little more individualization than canon Pony Express because of superhero branding

Hence the slightly personalized horseshoe logos and outfits (also for fun)

Going under because of the widespread adoption of automated comprehensive security systems

Dragonbreath's security system just broke down and they're hiring Team Tulpar to safeguard their wares until the Earth shipment of replacement and upgraded parts can arrive in one year

Curly

Gave him a bunch of powers that would be cool in space but ultimately useless against the crash

Edna Mode disapproves of capes for being impractical and dangerous so he's getting one

Debated briefly keeping Curly as his name because it's technically space related but I think it would be a bit too morbid to use as a space related superhero name in universe

Insists his team calls him Curly even on missions

Dissatisfied with his role as a glorified mall cop

Anya

Legally, spacefaring superhero teams need a healer

Legally, Anya cannot be classified as a healer

Pony Express was pretty much the only superhero company willing to take her

Still studying for med school

Her healing powers boil down to keeping you from getting worse and offloading stress on your body in hopes that it can heal you

As long as she's around things at least won't get worse :)

Which is how she's able to keep Curly alive after the incident

May or may not be using her powers to stall her own pregnancy

Definitely the glue holding everything together in canon so wanted to emphasize her importance in keeping everything from going to shit

I'm the iffiest on her superhero name ngl

She can call herself a doctor she deserves it

Tried to throw stripes in her design to reference her canon turtleneck

Daisuke

Useless ray of goddamn sunshine

Basically a very bright flashlight

If he focuses very hard he can create lasers

Can cast movies for entertainment but only as well as he can remember/imagine them

First in his family to have powers, parents pressured him to join a superhero team

Parents also got him a slightly fancier uniform hence the golden accents

Couldn't imagine him without the shirt so he's keeping the shirt

Incorporated a little Swansea yellow

Also wanted him to have a visor to be cool he gets a visor

Swansea

Assigned mentor to Daisuke

Registered his name back in college. Claims it's too much of a hassle to change it now

Keeps shields/helmet/armor? up for the entire time from when the crash happened to when Daisuke dies

He shows the most arm in canon so you bet your ass he's showing the most arm here as well

My friends suggested this name

Wanted him to still get to wield a big-ass axe

Jingleballs

Crashed the ship into the warehouse with Curly in it while Anya, Swansea, and Daisuke were double-checking the warehouse

Wearing a little half cape in part to mimic Curly, in part to try and give him a similar silhouette as his canon short sleeves

Powers pretty much just hurting people and taking from them

When strealing powers, can only use them at 20-40% of the capacity of the power's true owner

"Borrowed" Curly's powers a lot when they were younger under the pretense of Curly should experience gravity for uhh reasons

Had the phrase "there's something 'off' about this guy" when creating his name, also kind of a play on "first 'off'icer", also turning other powers off

Wears the mask and hood up when he wants to obscure his face. Usually happens outside of missions

Misc

Warehouse sits on an asteroid because it's cheap

The crash happens right after a raid, Jimmy accuses Curly of collaborating with raiders

A little less certain that no one will find them, but the crash destroys the location beacon of the warehouse and knocks the asteroid slightly off course

Team Tulpar's ship is a lot smaller, there's no cargo hold

It's also currently partially wedged inside the warehouse and stuck in place with sealing foam

Space is essentially split between the ship with food/medical supplies and the warehouse (mouthwash)

Less of a clear division of roles other than Anya as healer and Curly as leader

I like color coding characters

Had this rattling around in my head for five days please take this

[sepublic]

So in Willow’s debut, it’s established that Abominations is considered as having better career opportunities than Plants. And in hindsight, it makes sense now; Abominations are valued by the coven regime in the way Blight Industries does them, as industrial Abomatons that can be controlled, as a means of military power and not magitech medicine as Alador shows in the epilogue. Belos buys them from Odalia, he practically assimilates Blight Industries.

This is because Abomatons don’t think for themselves, they’re servants that can replace covenscouts in areas that would challenge morality, and they lack the sapience to be targeted. They’re beings Belos can control without having to learn more of the magic he despises to do so; All of this is in contrast to how Darius or Amity use Abominations as a reflection of their own skill, the individual.

We see how the Abomatons aid the coven regime, and esp see through the Day of Unity; The Abomatons can be programmed, and do nothing without orders; They’re not going to become witches and demons in their own right, they’ll maintain those walls and then do so for the end of time.

They don’t need to be targeted for genocide as victims of the draining spell who would be incapacitated, so they can do their job while that happens. They keep witches corralled because the closer to the ritual, the faster the covenbound die. Of course, those who haven’t collapsed might try and stop the spell by removing the coven heads, which would place them within weakening proximity anyhow…

But that paranoia over covenbound who aren’t yet unconscious is justified; The Abomatons’ own creator rendered their role in the Day of Unity and the regime as a whole obsolete, because he had the strength away from the ritual to help the kids reach the skull, which allowed King to free the Collector and undo everything.

Plus, Belos is loathe to the isles; He depletes its natural resources, he wants all life to die and devastating the ecosystem is another way to do so. Hunter suggests growing Palistrom wood and he’s furious at the idea. So of course Plant magic is devalued, because it’s focused on life, on sustainability, with keeping others alive.

It’s the exact opposite of the cold industrialism that will make the Day of Unity happen and leave the land barren afterwards because the Abomatons themselves are barren in that sense, lacking magic and with little to contribute to the ecosystem, if anything. Plant magic is half of nature, the other being Beastkeeping, I wonder if that is also devalued by the regime?

Makes sense the Demon Hunters have to resort to menial city jobs instead of their traditional livelihood, forced to assimilate into an urban society if their environment has been depleted by colonialism. Adds to Darius and Eberwolf being rebels. And with Terra, it shows how much she’s willing to throw her fellow witches under the bus for utopia.

I remember speculating it since I was a Teenage Abomination; Abominations really is STEM, down to being used for military applications. Given TOH’s critique of the American education system, you can see how this metaphor extends when the work of creating a sustainable society and environment is secondary to destroying enemies and establishing supremacy and capital (As established with CEO Odalia’s motives).

Because it’s fun and easy to destroy, rather than do the banal yet meaningful work of actually building and healing and feeding people, thinking of how society can be sustainable. It’s easy to talk about how you can destroy witches zombies in an apocalypse, instead of how to keep a community of survivors alive; All that talk about how dudes bored with their lives dream about being an action hero at the expense of society’s collapse, without understanding what the world really needs is builders and not destroyers, and that they’d be nothing without the people who do this ‘boring’ work, is so very Belos.

[sadlynotthevoid]

If I had a nickel for everytime I dreamed that Lily was kidnapped and Og!Cale ran looking out for her, I'd have two nickels. Which isn't a lot, but it's weird it happened twice.

In the first one, Lily got kidnapped in the Capital and og!Cale instantly started running around, doing detective work but also really in panic. At some point he figured out who could have a hint on Lily's kidnapper, but the person in question was in the castle dungeons. So he went and straight entered in a room where Alberu was having a meeting with other nobles, not caring at all who was there, and asked him to sign a permission.

Og!Cale: *opens the door* Your Highness, sign this! *Slams form on the table*

Alberu, who wasn't expecting a random noble to crash his office: ...

The nobles: *shoked in victorian era* ...

Alberu: how did you got here?

Og!Cale: I flew through the third floor entry. It has my mom's name on it. More important, I'm in a hurry. So could you sign it already?

Alberu, confused as fuck because 'wdym by third floor entry? That's just a window': *reads the paper* permission to visit the dungeons? Why do—

Og!Cale, too worried to even keep his trash act and also practically a mind reader (not really): My sister was kidnapped and that guy may know where she could be. As I said, I'm in a hurry.

Alberu: That's terrible. *About to sign it* Is there any other way I can help?

Random noble: Excuse me?! Your Highness, this is not according to the protocol. I had to wait for months after my solicitude was sent to have this meeting. Why does he get a special treatment?!

Og!Cale, without paying an eye: Aren't you that Viscount that keeps wasting big sums on gifts for a mistress? *To Alberu* I guess he's asking money "for his territory". I bet he spent all his budget and is trying to hide it from his wife.

The noble: *pales* That— you— Your Highness, I can explain *faints*

Alberu: *sighs* I'll have someone investigate it. *Signs the form* Is there anything else I need to know?

Og!Cale, already exiting the room with the permission at hand: *tilts head* I've heard that people had been dissapearing in the Southwest region. *Narrows eyes* Huh. It's near the Gyerre territory now that I think about it.

Og!Cale: Anyways, goodbye. *Leaves*

Alberu, absentmindedly: So that's what father meant when he said redheads are "a crazy force of nature that could destroy a little country without force".

Antonio, who happened to be in the meeting: *silently having an existential crisis*

It turned out that the culprit was Og!Cale's past teacher (yes, that guy) who was working with traffickers. He wanted to see whether Og!Cale would resolve his "little game" or he would "lose" (have Lily sold before someone finds them). He also kinda hates her because "he lost his student by her fault" (no, it wasn't her fault. He's just crazy).

Og!Cale found out where Lily was being held and he, along with a pair of knights, went for her. All of them had a fun time beating the creepy bastard.

Then Og!Cale walked to their house carrying Lily on his arms.

In the second one, a monster-like creature broke into Lily's room, took her and flew away. Og!Cale was sitting on his bedroom's window and saw his little sister being taken away by a blurr of mass. He jumped out of the window to follow, of course. Then the knights saw a thing flying over their heads and the young master speedruning after it.

Og!Cale: Come back here!

Hillsman: Young master Cale?!

Og!Cale: What are you doing?! Stop that thing! It has Lily!

Knights: Ah! *Start chasing the thing too*

I don't know what happened next because I woke up.

[themousefromfantasyland]

Megalopolis Review, or, Why Nobody Seems to Realize the King is Naked

Brace yourselves, this will be a long post @ariel-seagull-wings @thealmightyemprex @the-blue-fairie @mask131 @tamisdava2

Today I watched Francis Ford Coppola’s Megalopolis and never has a movie made me so frustrated and irritated as I’m now. 

The film is absolutely awful. Not in a so bad it’s good but in a so awful it’s awful. Pardon the language but not even if Coppola broke into my house and shit on my face I would be as angry as I am for him having made this movie. 

But let’s go in parts.

The Premise

The film is a mixture between soft sci-fi and magical realism. We are in an alternate universe where the United States is a direct continuation of the Roman Empire and New York city is instead the capital of the empire, New Rome. 

Cesar Catilina is a brilliant architect and scientist that gained a Nobel Prize for inventing the Megalon, a miraculous substance capable of doing anything. Cesar is a mysterious and lonely genius, with a mysterious past involving an accusation of murdering his own wife and the power to stop time itself. 

He wants to use the metal to rebuild New Rome into a utopia, Megalopolis. Because of that he wages a political battle against the mayor of New Rome, Franklyn Cicero, who wants things to stay the way they have always been. The Mayor has a daughter called Julia, and she falls in love with Cesar. Meanwhile a gossip reporter called Wow Platinum has her eyes on both Cesar and his rich uncle, while Cesar’s cousin, Clodio, a decadent playboy wants to destroy Cesar once and for all.

The Problems

Now that we went into the premise of the movie, let’s see in all the ways this premise falls apart

1 - The Film as a whole makes no sense

Film is art, and art doesn’t need to fit in traditional plot structures or pacing styles. 

But art is about communication. An artist has to communicate ideas, feelings, and impressions to their public. A piece of art that can only be understood by its creator is a bad piece of art.  

A good film, as a good piece of art, has to have the minimum of coherence and cohesion to express the ideas, feelings, and impressions of the filmmaker to their public. If the movie is unable to do that, then the movie is a bad piece of art. 

A good film has to either have coherent story, characters, or at least themes.

Megalopolis doesn’t have either of those.

Megalopolis has a complicated plot filled to the brim with pointless characters and it goes nowhere. Some of the characters are killed off in cut-way jokes and the climax happens in the last twelve minutes of the film. The film lasts more than two hours, and still feels rushed, with scenes that feel missing and scenes that seem superfluous.

It has long surreal sequences that don’t fit the characters, the themes or the story. It’s weirdness for weirdness’ sake. It means nothing. 

The characters are painfully shallow and have nothing to say but famous quotes and juvenile language filled with profanity. 

The film draws painfully long scenes quoting Shakespeare among other writers and philosophers, trying to say something deep about humanity, civilization, politics and the pursuit of utopia, but everything that comes out of it is shallow and contradictory.

In some points Cesar’s desire to build his utopian city is framed as almost an act of anti-consumerism and anti-materialism, vices that are endorsed by Mayor Franklyn Cicero. But then Cesar demolishes several apartment buildings, leaving hundreds homeless and hungry, and the movie almost becomes Atlas Shrugged, where the genius has to rise above the stupid masses that drag him down. 

Cesar’s jealous cousin, Clodio, is built as a Trump stand-in, but then his politics are about helping the immigrants and the poor against Cesar’s plans. And he openly dresses in drag. 

In some way, Clodio is a mixture of Trumpism, Occupy Wall Street and Black Lives Matter in a single character, ignoring the obvious ways these ideologies are completely different from each other.

In the end Cesar gives a passionate speech to the crowds that Clodio aroused, and it’s no deeper than Facebook messages of “We can disagree politically and still be friends”.

The film has a lot to say about culture and politics, but with a simple glance you realize that Coppola doesn’t understand neither politics or culture. 

Megalopolis is a film that has a lot of things to say about humanity, culture, and politics, and almost everything is pure gibberish.

2 - The film is misogynistic, biphobic and a little bit transphobic.

It’s no wonder that Coppola took almost 30 years to finish this film, because the script has the trademarked sexual prejudices of the 1980’s. 

Only two female characters are really important in this story, and they role seem to reinforce the madonna x whore dichotomy that Coppola seems to believe in.

We have Julia, our madonna. She has a Mary Magdalene complex. She’s initially presented as a shallow, decadent socialite, who only knows how to party all day and kiss passionately her female friends. She is implied to be bisexual, but her bisexuality is presented as just another vice of the decadent elite of New Rome.

Then she meets and falls in love with Cesar and becomes nothing more than his love interest. She becomes the one responsible for his moral support. Her bisexuality is stripped away and she is resumed to nothing more than  a supportive wife.

Then we have Wow Platinum, a gossip reporter that marries Cesar's uncle, is interested in Cesar himself, and has sex with Clodio, Cesar's cousin. She is a shallow gold digger and the film uses every chance it has to slutshame her. She is a typical femme fatale without any nuance or complexity, a disgusting sexist and demeaning caricature without any depth. 

And then we have Clodio and his drag scene, and just like Julia, his crossdressing is presented as just another form of the decadence of New Rome.

3 - Vesta

There’s a plot point that comes out of nowhere and goes nowhere. 

New Rome has a pop star called Vesta, and she is meant to mirror the Vesta priestesses of Ancient Rome. She is clearly modeled after Taylor Swift. 

Clodio forges a video of Cesar and Vesta having sex, and since Vesta is a minor, he is arrested. But then Julia discovers that Vesta was lying about her age and is actually a 23-year old woman. After her true age is revealed and after the video is revealed as fake, Vesta reinvents herself as a provocative pop-rock star.

This whole plot point lasts ten minutes and has no bearing on the overall story.

I know for sure that it was written in the late 2000’s, because more than being inspired by Taylor Swift, Vesta is inspired by the transition that Miley Cyrus had from sweet Disney girl to provocative pop star. 

It’s very creepy and off-putting considering everything that we now know about how Coppola deals with young women.

Honestly it just feels like he wanted to fuck Miley Cyrus and Taylor Swift back in 2010. 

4 - It’s just a giant ego trip

Only one thing is consistent in Megalopolis, how Cesar is portrayed as a genius that has to fight to have his vision of utopia come to life, and it’s obvious how he is an author self-insert.

It’s so annoying and irritating watching Coppola worship himself for over two hours.

He paints Cesar as this tragic figure that is misunderstood by society and how everyone should just listen to him. How he is a genius that has all the answers to solve humanity’s problems.

It’s the equivalent of watching Coppola masturbating while looking at himself in the mirror for two hours. 

The King is Naked

Listen, I too was at first excited about Megalopolis. I wanted this project to succeed. I wanted to see a creative and bold vision. I wanted to see more authoral cinema. 

But Coppola is just a rich creep with delirious visions of grandeur. 

He used this film to worship his obscene ego and to sexually exploit extras on his set.

And now I see people trying to find excuses for him, or trying to defend this thing.

Listen, if you found something positive about Megalopolis I respect your opinion, but this film is a huge piece of shit made by a more gigantic piece of shit, and his talent and past accomplishments can’t excuse this.

The film is awful, the director is awful, and the king is naked. He doesn’t need protection. 

Can we be totally sincere with this film? At least with ourselves?

I want to see films that are original and take risks, but I want from creators who aren’t megalomaniacs, sexual perverts or that at least can develop coherent ideas. 

[ssplague]

Benighted Beloved

Prologue

Dragon King Bakugou x Reader

Haven’t decided on the title yet, didn’t want to take even more time to get this out.

Warnings ⚠️ BRIEF Mentions of attempted assault, sex trafficking, & murder.

As the last of the moon’s ethereal, silver light disappears from the skies, a harsh wind begins to blow. This kingdom’s inhabitants are hidden away within the confines of their homes. The silence is daunting as the wind begins to howl through the previously bustling capital streets.

Within the dimly lit castle a woman stares through the her window before shutting the drapes tight.

The atmosphere within the fortress is riddled with tension; Murmurings of prayers can be heard from various servants pausing their duties as they move about. Her bosom heaves rapidly from panting breaths, she fights in vain. Stubborn to prevent the vision attempting to shine through, ignoring the now blurry edges of her eye sight. Ebony hair is sticking to her sweaty face, she’s only standing on shaky legs from leaning against the edge of her vanity table.The door of her bedroom swings open and immediately slams shut. A man has come to see her, he’s briskly crossing the room, before coming to a stop at her side.

“What ails you?” The tired man asks, helping the woman stand upright by allowing her to hold his arm. Continuing to assist, despite her uncoordinated shuffling to sit on her bed. “If you are to be given a prophetic message, why fight it? Her majesty wishes to know what you have seen”. The woman wraps her arms around her middle, sharp nails nicking at her flesh as she draws in a shaking breath, “This night is tainted by darkness, the goddess is unable to grant us her full protection while her light is repressed…if my body will hold out until the darkness recedes, perhaps tragedy will be prevented from falling upon our kingdom once again”. Light from the single lit candle casted half of her face in shadow. The oracle was ashen faced, her black bangs plastered against her forehead, droplets of sweat leaked down her face onto the floor as she rested her elbows on her knees, shaking hands massage her temples.

“You cannot alter fate Midnight, you are destroying yourself all for the sake of delaying a message you were chosen to deliver” Aizawa says with a heavy sigh, rubbing at his eyes “I know you continue to blame yourself for the death of King Masaru but even the queen herself told you that you were not at fault, you relayed the message, and it was something that simply couldnt be remedied..”.

A shuddering breath racks the oracle’s body and she begins falling forward, only for the exhausted man to catch her,

“Stop this! You are going to die!”.

Midnight knew she was on deaths door, her body would give out soon, unless she relents…

Once again the bedroom door opens silently, the snap of it shutting alerts the two occupants of a new comer entering the room.

“Do it for the sake of the child, if you wish to atone for the death of its father then guide it as it grows, inform the future leader on how to avoid whatever negativity may come beforehand, so that it can be properly dealt with” the stern but soft voice of Jeanist seems to have been able to break through the oracle’s stubbornness.

“Normally only one of you would need to be the scribe for this session…but I would prefer it if there were two perspectives on whatever I report, considering the situation…” requests Midnight as Aizawa allows Jeanist to help the frail woman sit up. Making one more request as the blonde man fluffs and rearranges the pillows behind her:

“Please light the ceremonial pouperie and hand me both selenite and tourmaline towers”.

At the beginning of her life Midnight had been gifted with the ability to predict small things such as who would win a foot race or what she would receive for her birthday. As a teen her visions changed into predicting who would find love and eventually how relationships would end. Life was not always kind to her, and once she reached her late teens she had been enslaved and forced into prostitution.

Luck had been on her side as an adult; One night as the ebony haired beauty made her way through town. She had come across a drunken man attempting to asssault a young woman. Her amethyst eyes catch the glint of an intact bottle neck laying discarded on the alleyway’s grime crusted cobblestones. Those muffled cries of the female being violated brought her back to when she herself had first been enslaved. Slinking up through the shadows in silence, the angry woman would later on be compared to a panther as she came flying out of the darkness. The brute didnt have a chance to fight back as loose shards of glass were shoved into his eyes, the jagged spikes of the bottle were repeatedly slashed and thrusted into his neck, face, and chest until the pig was unrecognizable.

The woman she had saved turned out to be the daughter of a duke, visiting from a completely different kingdom. “Please accompany me for my journey home, your bravery will bring you great favor with my family, im offering you a new life, a fresh start”. Once the dutches and duke had learned about the gift of sight their daughter’s savior possessed, it was only a matter of time before Midnight was called to advise the current king and queen of her new home.

The darker haired man uses the candle to light to light the bundle of herbs, the scents of sage, lavender, and jasmine fill the room quickly.

Both polished stone towers are pressed into her shaking hands, Each man stood at the oracle’s bed side with quills poised and ready. Only then does the ritual begin;

She always hated lowering the walls of protection that had been built around her psyche. It made her feel as though she were stripped naked, vunerable, about to have her dignity snatched away, and soul crushed. Of course those feeling were always what prelude a tainted and unfortunate vision. Her eyes buldge in their sockets as they widen, her plump lips fall open and an amplified emotionless version of her voice spews out the sacred information from her gaping maw.

In this realm,

a blessing descends,

a child of fate,

Whose power immense,

destined to determine

earth’s fate

Born beneath the moon's shadow,

a tale quite bizarre,

A beast hides within,

a spirit touched by mar.

Not at the outset,

but time's relentless flow,

Unveils a name in

history's annals to grow.

Victories numerous,

A heart encased in sin

With a chance encounter,

love's dance shall begin.

Strings of fate weave

a love, pure and oh so divine,

The dragon king seeking

a mate with whom his

Soul shall intertwine.

This love is true,

by impurity shunned,

Great Darkness out shone

by Celestial radiance

Who’s light could

Outshine the sun

Blessings abound

if the moon's grace prevails,

However her failure

unveils hate

as darkness assails.

The Earth shall quake in fright

silence descends in despair,

The dragon king ruthless,

his mate to ensnare.

Land soaked in blood,

tainted with gore

at that moment

T’will be decided

peace within this kingdom

will become a distant lore

Decay befalls living souls,

cursed evermore.

Oh how can one’s feelings

spin a tale so profound?

For only true love shall

Determine whether darkness

Or light shall abound?

In a wing located on the complete opposite side of the castle, a feminine shriek is permeated by the sharp wails of an infant.

“It’s a boy your majesty!” Exclaims a mid-wife who held the freshly delivered baby.

She is quick to clean off the continuously shrieking child, immediately swaddling him in a soft blanket. Queen Mitsuki held out her trembling hands to receive the bundle of joy. “He’s beautiful my lady, I’m sure the king is looking down from heaven with pride” stated one of the other servants as she took away the soiled linens. “Yes he is…my beautiful little boy…my precious Katsuki” the queen whispered, kissing the boy’s head. His tiny whisps of blonde hair tickled her face as she holds him close. A little fist slips out from the blankets, waving about as his wails grow louder. Another servant enters the room, her arms laden with fresh blankets and sheets, “The moonlight has returned!” She happily reports, setting down the bedding and drawing back the curtains some.

Soon as those first rays of the shining silver light landed on the baby, his shrieks cease instantly. Finally opening his small crimson eyes to stare up at his mother, a goofy smile appearing and soft cooing replaced his cries. Everyone in the castle seemed to breathe a sigh of relief as the dreaded eclipse had come to an end.

“My Katsuki, you’re going to grow into a strong, dependable man, eventually you’ll become the greatest king the world has ever seen…isn’t that right Masaru?” Mitsuki snuggled the baby, tears rolling down her cheeks. She wasn’t able to see the man standing beside the two of them, but Katsuki could. The spirit of his father placed its hand on his little head, and the baby began to giggle happily. “I cant do much in this form, but I’ll do whatever I can to help you make the right choice when the time comes…take care of your mother for me…I love you both so much”.

A/N: We’re starting a NEW series!

What did you think? Pay attention to that prophecy, any ideas on what it’s talking about?

[ladyloveandjustice]

Summer 2024 Anime Overview: DEAD DEAD DEMONS DEDEDEDE DESTRUCTION

A giant mothership is hovering over Tokyo. The aliens haven’t done anything or even made themselves known yet, but Japan and America are already trying to blow that UFO up, and show off who has the best weapons, causing many civilian casualties along the way. While all this happens, two girls are just casually living their lives. But are they as normal as they appear?

One thing I want to say is if you watch this anime and care about being intensely spoiled, do not watch "episode 0" until you've finished episode 16. It actually slots chronologically between episode 16 and 17, and that's where the episode took place in the manga, so I have no idea why they did that. Fortunately I had someone to warn me about that, so I will be that someone for you.

Dead Dead Demons DeDeDeDe Destruction or De x 8 as I will be calling it, can be really tough show to watch—not because it’s bad, it’s very good, but because of how depressing and visceral it is at times, and how devastatingly accurate it is to the shitshow of our world. This tends to be balanced a bit by the touching friendships (and possibly? More?) of the very likeable cast of teenagers…but you also feel a huge sense of dread about their safety as things ramp up and their stories deepen.

The anime goes hard on criticizing the military industrial complex, Japan’s government, America’s government, xenophobia, treatment of immigrants, rich people, and conspiracy theorists. All things I also hate, so that’s great. What hurts is how you could easily see the events happening—waging war on the aliens despite no provocation, people using an app to to hunt down and slaughter them...

It shows how even some of the protestors of the genocide use their movement to cover their own selfish motivations, meanwhile countries taking the situation as an opportunity to vie for power and dominance, rich government officials lie to their people and abandon them…obviously there's a lot of commentary here on how we dehumanize immigrants and minorities and enable genocides for capitalism and political power.

It's very bleak, and there were a lot of episode that had me just feeling sad, especially comparing it to current events. But there's also this interesting focus on normal people trying to live their lives during this alien "invasion", and the kids who still go through the dramas and upsets of everyday life. And especially the “I’d burn down the world for you” intense emotional relationship between Kadode and Ouran, the two teen girl leads.

Ouran is the main lead, and she’s a chuuni beyond chuuni, acting wacky and cheerful and spouting nonsense-- except if you pay attention, she's saying some pretty valid things—critiques of capitalism, war, government surveillance—but then following it up with something wild like “and that’s why I should rule the world”. You get the sense she’s cloaking an awareness of how shit the world is in humor, and as the show goes on and as her surprisingly intense and weird backstory unfolds, it becomes clear why that is.

The relationship between Ouran and Kadode is the center of everything--their bond IS the show. It's that kind of ride-or-die, I'd-kill-for-you, I'll-be-by-your-side-even-if-the-whole-world-is-against-you, in-every-life-i'd-find-you-and-love-you, soul-bonded, fiery devotion and love. They are the most important person in each other's lives, full stop. It's those kind of relationships that are so transcendent it goes beyond simple definitions of romantic and platonic. In other words, my kind of shit exactly.

But, as far as romance goes, Ouran, at least, is definitely queer and the depths of her determination to keep Kadode safe in a world that wants to destroy her girl that would make Homura Madoka Magica blush. (Kadode is more ambiguous, but she’s definitely soul bonded with Ouran. And honestly should just date Ouran because god she needs to be rescued).

There’s also a gentle empathy for marginalized people underneath all the horror—the girls befriend an alien trying to survive in the guise of a human, and it doesn’t seem like a coincidence that the first person our alien tells absolutely everything to is the gnc/potentially trans person of the group, Makoto (To be specific, they seem to still be figuring out their identity, but they definitely present feminine and specifically came to Tokyo because their small town wouldn’t be okay with how they like to dress). The way Makoto immediately shields their alien friend from others when they make the reveal that they saying “Don’t let them see, it’s not safe” and how it’s followed up by the alien reassuring Makoto that their friends will be okay with it if they take their wig off to swim...it makes the metaphor extremely clear, and it’s always nice when a series can explore marginalized characters both textually and metaphorically.

Through the kids, we get kernels of hope in this story, a reassurance there are kinder people in this world, and a hope that kindness will endure.

As depressing as the story can be, what it has to say is important and it doesn’t hold back in making you see what it’s going for—from the “Cool Japan” logo flashing right before the  Japanese government gives a weapons demonstration that will later kill citizens and destroy innocents...

...to the Trump-alike American President (and let me tell you it’s startling to be watching a show in Japanese and suddenly Donald Trump impression in perfect English) *(had to use the manga here because Crunchyroll didn't close-caption this part :/)

Then there's the American tourists, who were clearly va’d by someone really good at English, potentially a native speaker, and it’s incredibly funny how much of their dialogue has “fuck” in it and seeing the subtitles skip over that. Also much of their dialogue is treating the devastated Japan as a tourist attraction and saying how funny it all is to them. Logan Paul has entered the chat.

De x 8 very clearly hates America and recognizes it as a blood thirsty colonial power, which is correct, but the show is just as hard on it’s own country, saying the Japanese government would happily get back on the colonizing horse if they had an excuse, and many citizwns would mindlessly support them.

A small thing I appreciate is far from the usual anime aesthetic where everyone is blandly cute, the anime gives a ton of people ridiculously cartoony features that make everyone distinct—and being goofy looking is not meant to indicate a character is stupid or ugly—Makoto’s a super sympathetic character with giant cartoon buck teeth and one character that’s even pointed out as pretty has like, a pig snout nose. (It also makes it so the character noted as being drop dead gorgeous...actually is, instead of coming off as just as conventionally attractive as the rest)

Soooo a lot of good stuff going into this story. Let’s talk about some caveats.

There’s a continuing storyline between Kadode and her adult teacher, who takes her to his place to have sex with her. When he does, she ends up ditching him because of her feels for Ouran (gay) and I thought that would be the end of it, but nooope he’s a groomer, they pick up dating again when she’s in college, literally months after the previous encounter. The dude is presented as a scumbag, he cheats on his girlfriend, he seems generally apathetic, his clear discomfort with Kadode calling him “sensei” shows that he knows what he’s doing is wrong …and ultimately the relationship is shown to be unfulfilling, with Kadode directly stating so and acknowledging he’s just advantage. That doesn’t stop it from being uncomfortable though, especially since it’s confirmed he and Kadode have sex eventually (offscreen, thank god) and honestly, I felt it dragged on way too long. The first encounter pretty much demonstrated everything we needed to know about the whole thing in my view.

And of course there’s a ton of potentially triggering content in a story like this—from genocide to suicide to child murder to almost anything you can think of. Also like, one character has a sister complex, but on the milder side for anime. One where it’s conceivably platonic, and it’s not like he goes after her boyfriend Yuri Forger style, so it doesn’t bother me too much. There's also a good dose of fatphobia. And finally moment where a woman reveals she has ADHD (which I've never actually heard anyone say in anime so I actually got a little excited the more fool me) and then is almost immediately shown to be faking it.

The ending…is another big sticking point for me. It feels disconnected from the rest of the series, mainly focusing on a character we barely know and likely don’t care about and spending very little time with the characters we do, presenting an interesting status quo and immediately abandoning it, and while earlier episodes of the series presented "actions have consequences and we gotta live with them" as a major theme, it was suddenly like, actually they don’t!

The ultimate ending, again, hinges on a decision from a character we don’t care about and honestly feels like a deus ex machina. It felt almost like the author really wanted a happier ending but knew that wasn’t in line with the story he’s told so far, so he just tacked it on. Or maybe it was an editorial mandate, who knows. I think the most satisfying way to see watch episode 1-16 as its own pretty satisfying complete story (which works really well), and then treat episodes 0 and 17 as their own separate thing, a potential additional ending but not the definitive one. At least that’s what I did.

Overall, De x 8 is a show with a lot to say and it gives you plenty to chew on. While it is often depressing, it is very rewarding. The unbreakable bond between two messy girls, as well as the moments of ordinary joy and small human/alien journeys are the core of the show, and what makes it shine. I definitely encourage you to give it a watch. It's being really slept on, and it shouldn't be.

[selfaware-bungou-stray-dogs]

Self-Aware! BSD x SAGAU Imposter AU Crossover ideas. ADA Edition

Previous posts: [I] [II ] [IV] [V] [VI] [VII] [VIII] [IX]

🐯 Turns out, Nakajima Atsushi's ability had an interesting quirk. It makes tigers see Atsushi as one of them. Moreover, Atsushi is viewed as the dominant tiger. So, Atsushi can command tigers. He will order Rishboland Tigers to attack people, that hunt you down during Imposter Hunt. Will also bring you Rishboland Tigers cubs to play and cuddle.

📒 Kunikida Doppo will always stay near you. He will take care of you and insists on following the schedule. It actually helps you, because, you didn't have a peaceful routine when you were in Teyvat.

🩺 Yosano using her ability, so captured people of Teyvat can be punished again and again. She helps others during questioning.

Always near you, checking your health. Will buy you pretty clothes.

🌨️ Junchirou Tanizaki will use his ability to slowly drew people, who hunted you insane. Will create special illusions for you (favorite place, person). Will cook anything you want.

👩🏻 Naomi Tanizaki will be a spy. Will gather intel on 'Creator', on Teyvat people. Will keep you company, bringing gossip.

🍵 Kirako Haruno will be another spy. Will make you green tea.

🛏️ Turns out, Tayama Katai's ability works on Ruin machines of Khaenri'ah and King Deshret's mechanisms. Katai will make them attack capitals. It actually makes Teyvat people question the power of 'Creator'. If they can be overpowered by 'Imposter's' follower, are they really all-powerful?

🐄 Kenji Miyazawa is kept away from Teyvat. There is a possibility, that he will go on a rampage the moment he got there. Instead, he stays near you. He Will offer to do some gardening together.

🐰 Kyouka Izumi is also staying close to you. She is waiting for the right time to strike. She will ask Kouyou and Verlaine for more combat lessons. 

🕵🏻 Ranpo Edogawa makes a name for himself in Teyvat. After he became famous as a detective, he will start framing people. He will frame Ninguang for tax invasion, Kamisato siblings for slavery and Childe for murder.

Watch mystery TV series with you. Will share his candies with you. Will try to make you smile.

👘🗡️ Fukuzawa Yukichi became full-time bodyguard for you. Will drink tea with you and play with tiger cubs Atsushi brought. If needed, Fukuzawa will become an assassin again.

🪢🦀 Dazai Osamu is using all his intelligence to destroy Teyvat nations. He is planning to choke 'Creator' with his own hands. 

He will stay close to you. Dazai will tell you jokes, will cuddle with you and do anything he can, to make you smile.

______

Tag list: @withered-blossoms

[marvel-starwarsfangirl]

Kung Fu Panda 4 Review

Ok, I saw the movie yesterday and I have some thoughts. I think the film is good, but no where near the level of the first two. It's more like the third tonally. But tbf, nothing can top the second film in my opinion. KFP 2 really stepped up in its depth both in terms of its villain and message. The fourth film is very much the opposite. It's also very predictable and you can easily figure out what was gonna happen pretty early on.

What I liked: the animation is still gorgeous. Seriously, there were some very visually pleasing shots. The character models all looked great and I thought it was cool how the villain still has scales when she transforms. The music is also really nice and fun to listen to. The voice acting was also good and I thought Awkafina did a good job (major step up from Scuttle).

Po's dads were also really fun when on screen. It's nice to see them bond over Po and they do work well off of each other. They were the best part of the film, animation aside. The villain is also pretty cool with her abilities. We will talk about her more in a bit. And I did like Zhen and I'm looking forward to see what they do with her in the future. She's energetic and I did like her design.

What I didn't like: too. much. comedy. Ok look, I know this is an animated film for kids, but what made the first three films (particularly the second one) so good is that the balanced the jokes with depth. This film does have some messages, but it's intercut with so many jokes during dialogue that it takes away from it. They really needed to let this film breathe and have more serious moments to just talk and let things sink in. The villain brought back the old villains and stole their abilities (this was in trailer so not really spoiler). Why don't they do more with that? There is so much untapped potential here.

And that's my other big issue with the film: so much potential. Some of the ideas in this film are really, really good, but they only scratch the surface with it. I wanted to know more about the villain. I wanted to see our fave villains interact more. I wanted to see the villain use her powers more. But we don't get that; we only get the bare minimum. In simpler terms, there's no big "wow!" moment that the other films had.

Spoilers below (tread carefully)

Why did they bring the villains back if they were going to do almost nothing with them? The climax of the film was the Chameleon stealing the villains' abilities and fighting Po but we pretty much saw that in the trailer. Tai Lung gets to do some stuff, but I wanted more. Half of his lines were jokes anyway and I didn't vibe with it. Why did they bring him back if he was just gonna comment on things? I don't remember our favorite snow leopard being this comical. He did quip, but there was still a hardened edge to him. Idk. Maybe he got therapy in the spirit realm. Shen and Kai get crumbs, but again, they could've done so much more. And wasn't Kai destroyed completely?

With Shen and Tai Lung, I would've wanted to see more. I'm glad Tai Lung did finally come to respect Po and it does make sense. But Shen? The last time we saw him he rejected Po's help. Unless he too got the same spirit realm therapy Tai Lung did, him bowing to Po does feel very OOC. Nitpicking further, why was Shen brought back anyway? The Chameleon presumably doesn't know who Po is and Shen isn't a kung fu master. With the exception of the fanservice route, this choice only makes sense if the Chameleon was aware of Shen's actions in Gongmen and thought his level of evil would fit her vibe.

Nitpicking aside, there was so much opportunity for Po to confront his villains again and have a deep, serious moment with them. Whether either side likes it or not, they're reunited for a short amount of time. Why not capitalize on this great opportunity?

Speaking of the villain, so much untapped potential. Her design is great, her abilities are really cool, and Viola Davis does a good job voicing her. So why doesn't she get to do more? Imagine a really cool fight sequence where Po confronts her, but she shifts so much that it begins to mess with his head. Or she transforms into the older villains and Po is caught off guard? Instead, we get half the climax spoiled for us in the trailer. What was really cool about the other three was that we got multiple fight scenes with them to showcase their abilities. Thus, the final battle dialed it up to an 11 and we got a truly epic finale. Here, it feels like there should've been more, but there wasn't. Even her backstory feels lacking. It's there... but only surface level. Even Shen, arguably the cruelest of them all, had nuance and depth.

Also, why couldn't we get more of the Furious Five outside of a glorified cameo? Tigress and Po friendship is truly amazing.

As much as the jokes miss, there are some good bits. Shifu trying to deal with Po's shenanigans always crack me up. I also like the bit where Po tries to meditate and his thoughts get in the way. Because hey guess what, that's what my head is like and it's really freaking hard to quiet it down. So, there's that. I just wish the writers didn't feel like they had to insert jokes in almost every line of dialogue, you know? Li and Ping dad adventures are great except half the lines are jokes about how worried they are for Po or how not tough they are. Why not have a deeper conversation? I think it would make everything feel more natural.

I also wish Po himself was a tad more mature. I'm not expecting Shifu or Tigress levels of seriousness, but I felt that he kinda was a bit too childish. Po is one of those characters who loves to have fun, but knows when he has to be serious. However, he also likes to lighten things up with comedy. In this movie, it felt like he only really leaned into the comedy side of things. He had his moments, but I'll be honest, I really missed the "the only thing that matters is what you choose to be now" levels of dialogue. The proverb joke got old real fast, ok?

Grace Randolph from Beyond the Trailer described this movie as episodic and I can see it. The story bits are very segmented between the villain, heroes, and Po's dads. The flow and pacing of this film really needed to be upgraded.

Ok, that's all I got for now. I'm sure I'll think of something else to say (aside from encouraging everyone to rewatch KFP 2 because I'll never get enough of that film).

[pachu09]

Wherein as a high caliber Sensor, Tobirama developed the ability to pinpoint out people who became psychopathic when it comes to their romantic partner/prospect.

Tobirama had first realized that something had been added to his Sensing ability.

And it all started with his Mother. Back then when all is well and good, he recalled he was only five years old when he felt the first time the spine tingling terror that shot through him when his Mother blankly stared at a civilian woman who dared to be friendly with his Father.

Mother and Father had fit to travel with him and Anija to the Capital to be introduced to the Daimyo. At the end of the week of their stay, Tobirama had vaguely recalled that the noble woman who giggles whenever Father was near her was found dead in her room. As a child it didn't really register to him that something was amiss when it happened because he was busy playing with Anija and training at that time.

But now that Tobirama is an Adult. He can now confirmed with utmost confidence that his Sensing includes knowing who becomes a Psychopath when it comes to their romantic partner.

Tobirama grimaces internally. He was loath to admit it, but his Mother is his first hard evidence of people with such extreme tendencies. He glances down at his scribbled notes with hidden codes sparsely written so no one would know of his rather personal investigation.....

Tobirama frowns deeply. Anija had been jotted down in his notes too..because he had also started to display his psychopathic tendencies. He hates to admit that he felt stupid and that it took so long for him to notice Anija's blank eyed stares when someone talks to Mito–neesan.

He shuddered in fright.

He doesn't dare to tell Mito-neesan about his speculation. Anija would probably bury him alive without killing him if he tried to warn Mito-neesan....

Tobirama bit his lips. He warily eyed the next names written underneath Anija's. Madara and Izuna had surprised him about their psychopathic tendencies. He doesn't know who are their prospects but Tobirama found himself under threatening looks whenever the Uchiha Brothers are near him. He had checked again and again with the people he had interacted with but so far as he found out... none of them had been the lover of the Uchiha Brothers...

So why is he getting hounded, furiously glared at and feeling like he's about to be killed whenever the Brothers circled around him?...

Tobirama rubbed his aching temples. Should he just hide for a month in his lab then?. So that whatever offensive thing he did would make The Uchiha Brothers forget if they can't see him?...

A single eerie knock on his lab door made Tobirama sit up in fright. His eyes nervously darted at his sealed door.

He cleared his throat and shook his head to get rid of his rattled nerves. " Who is it?. "

" Tobirama. Why are you hiding in your lab?. "

Tobirama felt the spine chilling fear shooting down his spine at hearing Izuna’s ominous question. He just knew, that it'll be an enormous mistake if he were to open his lab door.

" Uchiha. It has only been a day since I took an absence. I do not know what you need me for but just recruit Anija to help you or something. " Tobirama grimaced at his impatient tone. He didn't mean to sound dismissive but he really, really didn't want to talk to Izuna this day....preferably for a month even.

" Won't you invite us in then, Tobirama?. " Tobirama quickly stood up from his seat as he heard Madara’s voice behind the door. What in the world?...he was so sure, Izuna was the only person that was standing in front of his lab door. So where did the Elder Uchiha had come from?.

Tobirama with a dry throat swallowed nervously. " No Uchiha. I don't want the two of you entering my lab. Who knows what the two of you would accidentally destroy if you bumble around here. " he sneered in anger.

Ominous silence greeted his hateful answer.

Tobirama warily eyed his lab door. He cannot sense Madara and Izuna’s chakra behind it perhaps the Brothers had given up in pestering him?.

He decided to sit for a minute to rest his trembling legs but before he could do so...the spike of combine furious Chakra lashing out at his sensitive Sensing made him stumble on his feet and he crashes onto the ground with a hard thump. He felt dizzy and in pain as he accidentally bashed his head on his lab table when he crashed down.

He clutches his head as he wheezes painfully. The oppressive Chakra felt like it was burning him alive....

He tried to stand up, but his shaking limbs won't support him. He only had a second to realize that his doorknob had slowly rotated and an ominous click of it signified that it had been unlocked.

Tobirama stared terrified at the sandal clad feet that step over his lab barrier without any difficulty.

He slowly looked up at the Brother's furiously blazing Sharingan.

" That's not nice of you, Tobirama. " he tried to crawl away when the Elder Uchiha crouch down in front of him. But the suffocating grip on his neck made him freeze in his tracks.

" Guess its really time for him to be trained then?. What say you Aniki?. " Tobirama was instantly confused at that remark. What in the world was Izuna talking about?. What training?.

" For such a genius man. You are rather oblivious to our romantic intentions, Tobirama. " The blank eyed looks of both Uchiha Brothers made Tobirama gobsmacked that he forgot to even fight his way out of his impending doom.

With his aching head and spinning thoughts it took a second too late for him to avoid two sets of Sharingan that bulldozed its influence inside his mind like a roaring Tsunami crashing and devouring everything in its path.

And then.... Tobirama knew nothing anymore...

[artist-issues]

You stated recently that one of the reasons you think Lilo and Stitch is great is because it didn't waste time getting bogged down in the social issues that easily could have. Is there a way a story can have those things and still be good?

Yes! Yes! For sure!

Zootopia is all about a social issue but it’s super sleek and not-bogged-down.

The way Lilo & Stitch could have gotten bogged down was by focusing on social issues (capitalism, sexism, racism, classism, government-versus-family-ism) just because there was opportunity. What I mean by opportunity is: There’s a social worker in this movie. There are women in this movie. There are different ethnicities in this movie. There are tourists and a tourism industry in this movie.

But none of those things are what the movie is about. The movie’s Main Point is “Family means nobody gets left behind.” The story is, Stitch is a villain who has no place of belonging and no way to interact with the world except by destroying. Lilo is a little girl who is almost in the exact-same situation, because her parents just died—but the only thing keeping her from becoming like Stitch is faith in family—a place where people unconditionally choose to love you, so you belong—and that’s what she teaches Stitch.

That’s what the story is about. That is applicable to all audiences, everywhere. Now, could you stick a scene in there that says something about a social issue? Maybe, Nani is being treated as stupid by the tourists because she is a “native” and loses her temper and her job?

Yeah.

But what does that have to do with the story’s Main Point? Couldn’t you cut that scene and add in one that more directly strengthens the main point? Because remember, this is a movie—you don’t have all the time in the world. Couldn’t you replace the racism-reason with a Stitch-is-destructive-so-that-makes-loving-him-all-the-more-unconditional-to-do reason?

I’ve seen arguments that social issues are “realistic” because they’re “ever-present.” So if you don’t show them every time there’s an opportunity, then your story “loses believability.” And believability is important, obviously, because without it emotions aren’t engaged and the message doesn’t go through in a compelling way.

Okay I but when it comes to “social issues are realistic because they’re always happening” 1) that’s not true. Social issues like racism and sexism are not ever-present. That’s a lie that people who identify with their experience of injustice perpetuate. I was just in Togo, Africa. It is not true that everyone with dark skin is experiencing racism all the time. It’s not true that they’re experiencing it even daily. And it’s not true that they’re experiencing it on the same levels.

Just because there is a character with a non-white ethnicity doesn’t mean she will always be treated with racism, in every scenario that includes a white person. That’s not true in real life, and it shouldn’t be true in fantasy.

And 2) even if social issues were “ever-present,” that doesn’t mean leaving them out of the story would necessarily harm “believability.” Statistically, you are never more than ten feet from a spider. But there’s not one single spider in Lilo & Stitch. Statistically, a human being sneezes four times a day. Not one character sneezes in all of Lilo & Stitch, which takes place over around 3-4 days. There aren’t any chickens in the movie, even though feral chickens are one of the most prevalent animals in Kauai, and a majority of the film takes place outdoors.

Just because something happens often doesn’t mean, in a story, it needs to happen at all. A story is a chosen sequence of events to communicate a message. If something in that sequence doesn’t communicate the message, it doesn’t get chosen, because you always want to make the most of your sequences. Unless you’re a bad storyteller.

That’s why everybody groans nowadays when a movie comes out and it feels like the whole narrative goes, “and now, we interrupt this broadcast for a word from our sponsors,” and devotes a whole scene to a side-character getting looked over because she’s female, in a movie that’s about…like, Because we know it doesn’t fit. It feels jarring. It feels like they’re selling us something.

But in a movie that is about a social issue, like Zootopia through and through, it does not feel jarring.

There can be some overlap. For example, if a movie is about a young woman trying to prove she’s dedicated to her dream to be in Hollywood, and she’ll overcome any obstacles to pursue it—well, then she needs more than one obstacle. So—just one could be classism. And then another could be racism, and another could be sexism. But again, that’s not because the story is about those things, any more than Lilo & Stitch is about the evils of the government.

[klaineharmony]

Why We Ship: Neo/Trinity (The Matrix)

I have not felt compelled to write one of these posts for a long time, but I watched The Matrix: Resurrections again while I was working this afternoon, and Goddess, I have so many feelings about these two.

I think it's hard to convey how utterly capitating the original Matrix was, back in 1999. And I could not have said, then, everything I can say about it now, because I didn't have the knowledge of myself, or the vocabulary, or simply the experience to be able to articulate why Neo and Trinity (and Trinity especially, but that's a separate post) felt like everything. Even apart from the incredible worldbuilding and commentary on society that was The Matrix itself, they were something special.

A lot of people got really salty and irritated with Resurrections because they felt like it was "less about the Matrix" and "more just about Neo and Trinity." And god damn, if that doesn't say everything about two different audiences who watched the original trilogy. If you didn't see that the whole trilogy was about Neo and Trinity's love from the beginning, then we were not watching the same films. Neo is The One because Trinity loves him; that is established in the first movie. He cannot be The One without her; he cannot believe in himself as The One without her and her love. "The Oracle told me that I would fall in love, and that the man I loved would be The One. So you see, Neo, you can't be dead. You can't be . . . because I love you." She literally brings him back from the dead with her love; she makes him The One because she loves him. She is the driving force behind all of it. And it's not a coincidence that Neo does the same for her in Reloaded; he catches her in midair, he pulls a bullet out of her body and keeps her from dying because she is everything to him.

And here I am, still writing a post that is more about Trinity than about Neo and Trinity together. But this is what still strikes me about them after all of these years: their love is complete and beautiful and all-consuming, but it is also grounded very firmly in the grim reality they are living. They are not blind about the fact that they could die; they know that every minute of every day, and every minute the spend in The Matrix, could be the last one. They do everything they can to keep that from happening, and they train with everything they have to try and prevent it, but they know, all the time, that one of them could lose the other. They cherish every moment they have, because they are living in this terrible world where another day is never a certainty. But even with all of that, and all that they feel, they are willing to fight, to do whatever needs to be done to try and bring down the machines and the Matrix. They do not shy away from what they see as their mission and their duty to others, even while they are so anchored in each other.

And it's part of what makes Revolutions so tortorous (I hated that movie when it came out; it broke my heart). They know. They've known it's coming; they've been waiting for it, and they go to die together. They still hope that somehow, they will make it, but if they don't, their entire intent is to die together. Because they love each other, they have literally saved each other's lives and brought each other back from the dead, and they have spent their entire time together trying to dismantle the Matrix. If they have to give up their lives to do it, then they will. And I think the thing that hurt so much, when I watched Revolutions as a much younger person (and who am I kidding, it still hurts) is that they still died apart. Trinity died first, and then Neo, and while Neo was with Trinity when she died, he had already been blinded and couldn't see her, and he died alone. And it felt like a betrayal of everything they were in the most gut-wrenching, soul-destroying way. Their love not only changed the world, it saved the world and destroyed the Matrix and altered the relationship between the machines and humans - and they still died apart.

I remember being emotionally devastated by that last film, so much so that I couldn't watch the trilogy again for years. I was so shattered by the ending, it hurt so much, that I couldn't bear to revisit it. And again, I don't know that I could have said that at the time, but I felt it.

When the trailer for Resurrections came out, I was so emotional the first time I watched it that I felt a little blindsided. I had packed away everything Neo and Trinity meant, because their ending hurt so much - and then there they were, on my screen again, getting another chance. Getting the second chance and the ending they should have had - defying the odds with their love one more time, and in an even more epic way. Neither of them is living, in the Matrix. As Thomas and Tiffany, they're existing. They're brainwashed. They barely remember who they used to be - Thomas is convinced it's all in his head, and Tiff is only Trinity when she's working on and riding her bikes. It's only when they find each other that they start to find themselves again. And even when Neo escapes and he's back in the real world, the hope of Trinity and his love for her is the only thing that keeps him strong enough to keep fighting, the only thing that allows him to access his former powers as The One.

They help each other survive. And it's complicated and difficult and not always pretty, and it's always in the midst of a world that is against them and trying to destroy them - but they survive because their love survives. They love together and fight together and survive together, always.

[smallmartiniolive]

Thinking abt how Jurassic Park is like obviously abt chaos and the evils of mindless capitalism that destroys what it touches for a profit but also it’s abt the people you know? This is coming from the movie standpoint bc the book didn’t really check off the right boxes for me but the movies are just so inherently abt people and connection! To me

I’m gonna just give my thoughts abt mainly dinot3 bc they are something. So special. To me.

Imagine you’re Alan Grant, in love w dinosaurs and being in the field, ur at the top of your game and it doesn’t even matter as long as you get to study what you love. Then, unexpectedly! You get to share this passion and love w another person and part of you doesn’t understand why it works but that’s ok as long you get to dig up dinosaurs and be with her, Dr. Sattler (understandable

Imagine being Dr. Sattler and always chasing after something and wanting more. You find the love of your life and he doesn’t hold you back at all, he’s perfect! You both thrive in your own lanes! You get on a helicopter to who knows where and you meet this exciting new guy, you don’t love him, not like Grant but he’s exciting and new and you feel like he sees you for something you’re not even sure you see yourself

Imagine you’re Ian Malcolm and you’re made aware of people trying to remake dinosaurs and you know it’s impossible but you also know that life finds a way so you go along. You flirt w some paleontologists, have fun, berate the senselessness of the actions around you. I mean what else is there to do. Then, you get a life altering injury that’s gonna bug you forever and the last person you see is a person you hoped you got to save, who is risking his life to save children (I.e. Grant) and then suddenly you’re waking up to the face that saves you (I.e. Sattler).

And through that all, nobody comes out ok! There’s nightmares and injuries and assumedly they’re quarantined in a Costan Rican hospital till everything’s sorted and people are good to go. Alan and Ellie always find each other, planets in orbit etc, and of course Lex and Tim are connected to Alan after everything. The kids cling to them and they protect them, but also they at least have each other and are stronger for it, but it also makes them aware of how awful it would be to be alone right now- Ian Malcolm. So they all spend time together drifting in and out of hospital rooms (most commonly Ian’s bc he can’t move around much) and after all that they’re connected by shared experiences and the knowledge they can’t share. Pandora’s box and all that but they all end up woven together.

They separate but I’m sure it’s apparent that Malcolm ends up alone, not wanting to rely on anyone, especially not his ex-wives and kids cause that would be unfair and even in pain he’s still trying to protect other people. So they end up together again, how could they not? Malcolm needs help, they all do but that’s a touchy topic and it’s easier to focus on what they can see. Alan and Ellie and Ian finish up at the dig and Alan just wants everything to be the same so he can forget and Ian needs the change, but Ellie? She’s not really sure and it leaves her unsteady.

All at the same time you have Malcolm writing his book bc the truth was always what was most important to him, like Alan to dinosaurs. Alan doesn’t want him to ruin his life, and Ellie wants to support him but doesn’t know how but they coexist.

Ian gets better. He leaves w/ Sara a woman he met shortly after the hospital and whom he seems inexplicably fond of having witty banter with. He leaves so that when he publishes his book it doesn’t come down on them, he leaves because Ian Malcolm has never been one to want to settle down and he’s afraid of becoming complacent, that if he stops moving he’ll lose something critical (he’s shark-like, Ian).

And then the digs over and Alan’s ready to throw himself back into another, but Ellie simply isn’t. She gets a teaching position in another state, and Alan doesn’t ask her to stay but by god he wants to (just like he wanted to w Ian although he never had the chance bc he was gone so much quicker) and it’s the biggest mistake he ever makes.

Ellie leaves. Ian reconnects w his kids, reminded by Alan and Ellie how important family is and that hiding only does them a disservice. Alan digs.

They still stay relatively close, stuck in orbit even though they’re separated, they message and mail and spontaneously stop by when they’re in town (Ian). There’s distance but it’s not uncrossable, they’re still there for each other. They still call and those calls never go unanswered, no matter how late.

Ian goes to Isla Sorna and it’s shoved in his face that he’s changed, whether he wanted to or not. He wants something more stable, of course he still wants independence but he also wants to come home to *something* (he misses what he had w Alan and Ellie but he’s trying to avoid that iceberg). Alan and Ellie find out and it’s the beginning of an end, they fly out immediately and check in w him, and stay a few days. But. But Ian didn’t tell them, didn’t tell them abt something so critical to the three of them.

They grow a lil farther apart.

Alan goes back to work. Ian mutually splits w Sara (word is she and Nick have something weird going on when they aren’t traveling the world for respective careers)

Ellie marries Mark, the guy she met while teaching. He made her laugh and was a lil plain but she liked it (reminded her of Alan). Although Mark is different, he brings up kids on the third date and he’s everything she needs right now, he’s stable and kind and his job travels w him so she never has to worry which would take precedence (her or the job). He loves her for her or what she is right now and there’s something in the back of her mind but she loves him and they build a life together.

Ian meets a woman he can settle down with, an intellectual and a perfect mix of Ellie and Alan (although he doesn’t know it) and he settles down too, finally ready for that build-a-family lifestyle that he’s started to want. They have two kids (canon compliant due to the five kids comment in Dominion) probably around Ellie’s kids age, they probably have play dates. Alan doesn’t come around too much but he mails occasionally or helps set up furniture, but he’s undeniably pulling away.

Alan who couldn’t just ask people to stay, is alone and he’s become increasingly aware because of his new grad student. Billy Brennan is a mirror, he’s everything Alan was (admittedly more flirtatious tho) and Alan can’t do anything but nurture it because he wouldn’t even know how to change (because god knows he wants to). So he pulls away and focuses on work and at least w Billy he’s not alone and maybe maybe he can help him get on a better track (his version of accepting defeat)

Of course he doesn’t stop seeing Ellie or visiting w Ian over mail or the occasional spontaneous visit (couldn’t bring himself to) but he pulls away still. During play dates, Ian sneaks looks at Ellie’s calendar and will conveniently tell Alan when Marks out on business ( bc I refuse to believe Alan didn’t visit Ellie even tho Mark first meets him when Charlie is 2 so I believe he snuck on in cus it makes sense you know). Alan loves Ellie’s kids more than himself and probably bought Charlie his dinosaur toys (Ellie groans abt his taste but she knew it would happen and loves him anyway).

And then Alan, who has never really been alone but has isolated himself to that point, gets a chance to see dinosaurs again (he says it’s for the money but dinosaurs are what’s always made sense to him). He gets lost. He’s got no way out. He calls Ellie bc she’s always been his beacon of light, saving grace, Hail Mary etc etc. (Also him bringing Ian up to Eric bc that man has never been normal about *either* of them).

Ellie meets him at the hospital (maybe w Ian who knows) and Alan is made increasingly aware (between yelling and crying and thank gods) that he’s not alone he’ll never be alone as long as they’re around.

And after that they’re sort of ok. They have regular visits and there’s distance but they settle, they try. They bitch abt Jurassic World together and how all the kids they’ve collected are doing. One of Ian’s eldest going into paleontology bc she met Alan Grant at the age of 15 and it altered how she thought academically and Ian is exhausted. Ian and Ellie’s partners don’t really understand it but they also know not to interfere (even if sometimes frantic calls wake them up in the middle of the night).

Alan stays in his ways (hoping for a change but not seeking one).

Ian and his wife have a tiff bc she accused him of loving her bc he loves Alan and Ellie at least at first (still does in a different and perhaps more powerful way than her?) and he can’t lie bc it’s all the truth with him. He says it’s not fair to her to not know that Alan and Ellie are just his people, you get it. She doesn’t, not really, it only ever made sense to the three of them. They divorce but it’s amicable.

Ellie and Mark have been on the rocks for a little, they’re relationship has always been a bit boring but that was never a real problem. However, she wants to go out and do more field work (writing books was great but she’s ready for a change bc the world turns quick but she’s always moved faster). He wants to have an at home life and one thing spirals to another. She chose him bc he’d never need to choose between anything and she wouldn’t either, they could both have everything and he’s a great guy, but. But now she needs a change and once again she’s left in a situation where someone can’t bend for her, so she breaks it. They divorce and it’s heartbreaking, they love each other, but Ellie has always needed some flexibility (she calls Alan and Ian later on and they drop plans to have dinner together, she doesn’t bring up the break up but she does note how they changed things for *her*, it’s nice maybe they changed)

Maybe they’ve all changed a lil you know? Ian travels, lectures, makes connections, and visits w the people he loves. Ellie writes paper after amazing paper after amazing book between field work. Alan digs. They communicate in academic papers and books that they send each other, their love notes are annotations that feel a lil too raw so they’re kept private. Every new paper and book and interview fuels the three of them forward and keeps them in orbit. Despite everything.

Then, Ian is hired by Biosyn (Ellie encourages it a bit bc she doesn’t trust them, Alan discourages it for the same reason). And then they’re back, they are SO back. They come together to fight against what they’ve always had to fight against, it’s a lil exhausting but they have each other. Through it all it’s always them. Every single time. Alan and Ellie meet and see each other like they don’t see anyone else. It’s a little unfair to Ian because they’re prepared and his entire world gets flipped for a second when he sees them (it’s ok he recovers pretty quick). They fall in step, into old conversations and patterns.

And between taking down Biosyn and avoiding dinosaurs they all kind of fall in love, not again bc it’s always been that way for them but it’s just so so apparent. They can’t give each other up and everytime they look at each other there’s comfort and understanding without words. It was easier to deny a part but now they are here and it’s just so. Perfect

Ellie tells Alan she needs to go, she’s always been too fast for this world, Alan tells her he’ll stay which is the best love declaration she could have asked for.

Ian says he needs to tell the truth, he’s always had to, and they say “we’ll be with the you, we will tell the truth with you.” You know and that’s their love declaration, Thats them asking him to stay, to be with them.

And at the end of it all, Alan says in the end he’d just rather not be lonely again, and Ian and Ellie look at him like he’s absurd bc of course he’s stuck w them now. It’s always been them even if they didn’t realize it

OH MY GOD LOOOOONG POST IM SORRY IM NOT NORMAL AT ALL HAHA. Dinot3 is something I’m not normal about because look at their stories!! Look at how through everything they fit together!! They are in Montana somewhere rn having a beer and laughing abt something silly one of them did and talking abt their collective kiddos.

TLDR; just my thoughts on DINOT3 and just their canon timeline and how it’s always been those three.

[maxwell-grant]

So now that the series is over and your (really great btw) analysis of the final episode is out, I have to ask: is this where you thought it would be going? Did you expect them to adapt the "Penguin runs for mayor" arc? Personally, I have to admit, I didn't. I expected him to end this as kingpin, ruler of the underworld, at the proverbial tip of the iceberg - but I didn't expect the mayor arc to come in, and so soon.

(This imo also really shows why this series was necessary - because how else could they have justified having Penguin as the comedic relief minor mobster lieutenant in the first movie and as the political puppetteer gunning for the position of bird-king of Gotham in the second, going from an affable minor career criminal that (albeit with a lot of effort) maybe still could have been saved and led to a less harmful route, to a pure unlimited void and personification of the human capabitlity for selfish greed, lust for power and corruption that killed his own heart and soul, if not by thrusting us into a whole tv show about it? In Gotham the festering wound of coldhearted capitalism gets to be its own guy in an appropriately designed outfit.)

(Spoilers for The Penguin)

Yes yes yes, extremely second that second paragraph, "In Gotham the festering wound of coldhearted capitalism gets to be its own guy in an appropriately designed outfit",

Honestly, that this would end with the beginning of his political career was just about the only thing I expected and accurately called from early on, purely because it was always the show's mandate that he rises to power and that was one of the big Penguin Trademark Plots that the movie hadn't covered or gestured to - and with the total absence of Harvey Dent, the other major Batman villain who tends to go into politics/mayoral campaigns, it was easy to deduce that they were saving it for Oz. I think there were some things that I called as it was trucking along but before all of that, up until Episode 1, I think I was pretty wildly wrong about how this would actually be like, what form it would take.

I was pretty wrong about Victor and his fate, I was very wrong about Francis, I was COLOSSALLY OFF THE MARK about Sofia, holy shit, I thought early on that she was just gonna be like, someone trying to preserve the legacy (which is what she's usually done in previous versions) that Oz wants to burn down, or that she was just going to be the generic Prestige TV Crime Show protagonist this needed to sell Oz as a freakish weirdo by contrast, I was so fucking wrong about her and I'm so glad I was. l I think there was even a time I was very hesitant as to whether this would even be good, can you imagine.

They very much telegraphed from the start that this was gonna be about his rise to power, that he was gonna become Da Nu Kingpeen of Gotham and rise above where he stands in the movie. And he technically does do all of that, but also, it was very much not how I expected it to go. Like I said, he got the smallest possible measure of what he wanted, and at the highest conceivable cost.

The whole trajectory in our show showcases that Oz, by the end, really becomes a version of the kingpin. Not Carmine level – he has a penthouse but he’s around Crown Point in the east side of Gotham. He’s not in the wealthiest part. And then within that just making sure that we’re aligning all of Gotham City, the world, the stress of the city properly to launch into the film. - Lauren LeFranc

It's less that he rose to the top of the underworld, and more so that he dragged and broke the entire Gotham underworld down to his level. His war with Sofia destroyed all successors to the Falcone throne, the entire Maroni family, and all the gang leaders who fought over their scraps, along with Crown Point, just as he hitched a ride to Step 1 of an entirely new game of power that automatically puts him above everyone who's left in his old battleground warring with each other. He is still a far cry from having anywhere near the kind of money and power and influence and prestige that Carmine Falcone had, but he's already begun to ruin everything with only a fraction of all of that, and he won't stop clawing for more.

As LeFranc said, his penthouse and rooms are under construction because he himself is under construction, and we see now that it's less that he's rising and moving up in the world, and more so that he's dragging all of Gotham beneath him so he can drown it and be automatically on top of it. I had no idea things were gonna so catastrophically terrible and scary and ominous, and that The Penguin's foretold rise to potential mayor would be depicted as such a horrible prospect. All of this is just the shit he's done as a "bargain basememt hustler".

Unlike what I expected from the description of the show, this was not a competition, this was not a race to the top, or even just a race to see who gets the best seats on the Titanic sinking ship of mob crime in Gotham - this was never something that could be won, it could only ever mutate into something worse. This was a horrorshow with a clear as day statement of how we're all gonna fucking die because of this guy who is incapable of changing or growing, but will only push the city down further and further if nobody stops him. And as much as I expected Oz to change and develop and even grow more vicious and powerful over the course of the show, I don't think anyone was prepared for where this was going, for the extent that this wildly recontextualized everything he was in the movie, and where this would leave us for the next one.

[stoat-party]

Evaluating Which Details Pose Continuity Issues (yeah, it’s long, sorry)

I’m being relentlessly annoyed by (some) people mad at the show and by (some) people mad at people mad at the show, so let’s clear up where the issues are and aren’t so we’re not just talking over each other here.

Destroying the Strip

Obviously not a retcon. Retcons refer to previously-established events. Some people might have their own problems with it (I definitely saw it cited as evidence of a coordinated attack on New Vegas), but it presents no continuity problems.

2. What exactly is a vial?

I don’t think this changed ghoul lore. They can still go 200+ years without turning, or they can start turning as soon as they get ghoulified. There’s just a new plot element where they can stave off the effects of going feral for awhile if they take this mysterious drug - without the drug, the rules are still the same. The story was NOT clear on this, and it confused me, but if ghouls need drugs to stay sane, Oswald, Dean, Billy, etc. could not exist even if there’s a massive industry in vials of goop that’s never been mentioned before.

3. It took Vault-Tec decades to build all the vaults.

This is something I worried about because there couldn’t have been much time between the boardroom scene and the bombs falling (Janey doesn't age). But I think it makes sense if you assume the vaults were already built and they filled them with experiments afterward. It does leave the problem that some vaults were unfinished but Vault-Tec also dropped the bombs - why would they do that before finishing their vaults? It’s possible that they planned to drop them but got beat to the punch, or any number of other explanations. Clear retcon but not a huge plot hole.

4. House is worse than Caesar all of a sudden?

This one’s a private gripe of mine because House and Sinclair were not originally written to be Actual Sadists Who Hate Humanity. There’s also House’s mastermind prepper attitude toward the apocalypse, which doesn’t indicate that he had a hand in orchestrating it. While the change doesn’t conflict with the text as far as I know, it really changes the flavor of the game, but not as much as:

5. The Fall of Shady Sands

Let’s say that this happened after the first battle of Hoover Dam, so no continuity issues with their ability to win that. (That’s probably why they set it in 2277, so the NCR would have almost four years to recover before NV. As if Caesar wouldn’t have taken half of their land by then, even with his armies crushed, but ok fine he’s going through a divorce, he’s busy right now.)

But are you telling me that a country can lose a massive city containing much of its infrastructure, most of its central government, and ~5% of its population and still be trying to manifest destiny four years later with no mention of it?

Losing the Divide as a travel route almost crippled the NCR in the Mojave for awhile. Now, not only have they lost the Divide and their capital city, but one of their other biggest cities, the Boneyard, is abandoned and inhabited by an apparently-unaffiliated town. (Yeah, Los Angeles is big, but we don’t see any NCR or Followers despite three main characters traveling through it.) Even if there were still people there during New Vegas, how is the NCR still conducting a campaign in the east?

Also, who is Muldover and what’s her position? Why does she have raiders at her disposal? Is that really supposed to be what remains of the government? I get that some of this will be resolved later, but short of complete societal collapse, there’s no explanation.

We don’t see any of this in New Vegas. The president (who was in office in 2277) is still alive. No one mentions losing family in the explosion. Caesar, Ulysses, and House, along with the many other characters who complain about the NCR’s weakness and instability, don’t bring it up. People even mention the politicians in Shady Sands specifically. PEOPLE ARE MAKING JOKES ABOUT WANTING A NUCLEAR WINTER-

Now there’s a saving interpretation going around that “the fall of Shady Sands - 2277” refers to a metaphorical fall, and the explosion was later. I’ll accept this if I have to, but don’t pretend it’s not a strained reading. Every entry on the board is dated. Why would you date an amorphous event and not date the city exploding?

The explosion was nineteen years ago, and it had to be that early because Lucy and Norm don’t remember living there. (Not clear how old they are but probably in their early-mid 20’s.) The earliest you could place the event without it making no sense is late 2282, because with the time skips in DLC, the events of New Vegas are about a year long. Maybe you could put a gap between Lucy returning to the vault and the actual destruction, but not a five-year one. And if it was in 2282, Max would still be a teenager.

There are legitimate concerns here. Between House and the NCR, the show changes a lot about the main conflict of New Vegas. It’s not just side details.

Not telling you how to feel! Just don’t pretend nothing poses any problems and people are crazy for being concerned. I think the vibe right now is to dismiss me as a hater, but I hope you can see I’ve tried to make it all work. Continuity is really important in a multi-decade story, especially to writers.

I will be appeased by a respectful and thought-out New Vegas remake that preserves as much of the original continuity as possible and is also really good and costs $4. Thanks in advance Bethesda.

Edit:

6. Tatoes in the vaults

TATOES IN THE VAULTSSSS? THIS IS MASSIVE DISRESPECT TO THE LORE. EVERYTHING WE KNOW IS DESTROYED. UNFORGIVABLE.

(but yeah there shouldn’t be tatoes in a vault that hasn’t opened)(maybe norm and lucy had seeds in their pockets when they came back, sure)