#i might come up with something else but i'd rather just draw that then

[zurka-durka]

not sure if ive ever sent an ask abt this but would u happen to have any kingsai hcs to spare? 👉👈

I DO THANK YOU FOR ASKING though none of these r uncommon or particularly shocking but still

-King calls Saitama 'Tama-shi. Im not a big fan of Saitama being nicknamed. Like "Sai" makes me squint every time but 'Tama-shi???🗣️🗣️🗣️🗣️🗣️speak your truth King.

-I believe King's been searching for Saitama after their first encounter. Watching news and reading articles about more "niche" heroes etc. To say he felt sick after realizing that throughout all those years it really was just Saitama on his own defeating monsters around him s like saying nothing lmao.

-20 words or less doesn't really work between them. King never talks over/at Saitama rather he tries to have a real conversation. Saitama spaces out around him only when there's something on his mind.

-Genos is chill around King. He trusts Saitama's judgment (like when he immediately dropped the chase after saitama told him that amai's cool in the webcomic) but he does not know about the "stolen achievements". i cant sugarcoat this-there's no way in hell Genos would take that information lightly and even Saitama knows that. some lies they have to live with.

even if Genos separates in the future or grows cold and distant, the respect he has for Saiatama won't ever wither entirely anyway and King would rather bite his tongue than get on Genos' bad side.

-King has insane daydreams about Saitama in his suit and stuff im sorry. He jokes about how cartoonish his costume looks but he's all eyes.

-Saitama's gonna be around if King ever tries to get physically stronger. "Just lift dude" just to end up as his personal trainer lmao. Saitama'd try to teach King how to breathe properly, hand on his chest and everything, telling him "you're okay" when he gets hurt or if it's too much on King and that just makes King fall deeper.

-Saitama is the type to say im not in the mood and when being hit with "that's okay! next time i guess" he switches immediately because he values that respect just so much. There's no one but King in Saitama's life who considers his comfort in such a way. The only thing he holds to Saitama's face are his morals and actions, which is good cause Saitama can be easily very ignorant at times.

Not a headcanon but the main factor to me and why i love them sm: Saitama is very kind in a way that is just natural, not something that comes with effort, it's just how he is and King cries several times because of that alone. It's the "are you okay?" that brings such comfort to him that he bawled his eyes out, or when they are alone together King can actually let it go and spill things out and sob without feeling uncomfortable. And trust! The absolute trust that King has in Saitama, especially during the MA arc or the elder centipede. Because, unlike Genos for example, King is very much familiar and aware of Saitama flaws yet he never doubts him. So he puts himself in dangerous position, consciously choosing to sacrifice himself because a person like Saitama would do that. And he'd rather be scared but do it scared anyway than betray that concept is soooo to me

They bring out the best in each other fr

[cy-lindric]

I wanted to vent, but also ask an honest question. Since I was a teenager, I always wanted to work on character design. And one thing that always caught my attention was how I always preferred male character designs over female ones. My first thought was that I was always more into androgynous fashion and more masculine styles. But time passed and I came to the conclusion that it wasn't just that, and it seems that male characters can always be different things: fat, thin, handsome, ugly, short, tall, young, old, etc. and female characters, for the most part, fall into two categories: cute or sexy. I wanted some tips on how I can make female characters with more interesting designs, without having to fall into those two categories. I love your work and you managed to make someone else like the three musketeers <3<3

Hello ! That's definitely a good question and something I think about a lot. The bias towards beauty is very strong in character design and it takes a conscious effort to diversify output in that regard.

That sort of advice might be a bit obvious, but one habit I picked up from the director on my first feature film gig was to actually "cast" characters. Without reference, we tend to go for the kind of symmetrical face and "average" features mostly out of stylistic habit. I like to look at character actors with distinct faces (I like this pinterest page that has a lot of faces in one place) but also just acquaintances or pictures of random crowds.

When designing a character, at first I'm always building a big reference board trying to decide what Type of Guy (gender neutral) I'm going for, trying use photos rather than other people's art, because I want to rely on automatics and graphic symbols as little as possible. Whether I'm designing a man or a woman or other, I use references of fashion styles and people across the board in terms of gender so I keep the scope open. Sometimes a character ref board for me will be a picture of one of my aunts next to a bunch of screenshots of Columbo. In my experience, a lot of the times, it's mostly about going with styles and archetypes the same way you would for a male character, and switching it up somewhere along the way by looking at real women in your life and beyond as a grounding mechanism. Sometimes that will mean changing almost nothing, because the borders between genders and how you characterize them is blurry and fluid, and sometimes it will mean using features that are uniquely tied to some sort of female experience.

I enjoy realism and I think getting more proficient at it did help me diversify my designs (I find that more difficult to do with more minimalistic styles). Still, I am mostly a fantasy artist and in my case that comes with some amount of stylization and idealization of shapes and looks. I'm far from perfect in my biases and I'm not going out of my way to draw "ugly" characters because that doesn't mean much to me ; I try to draw inspiration from the faces of every day people and I associate it with my love for fashion. It's also worth noting the work I post here for fun is a lot more hash tag aesthetic than the stuff I do professionally where diversity is much more important.

I don't know if any of that is relevant but that's definitely an interesting topic ! I'd love to know others' perspective and tips on the matter.

[kaceythecrunch]

RANT. (sturntok.)

Yall. Im so mad. Sturntok pisses me the fuck off to the point it isn't even funny anymore. This might be messy, so bare with me.

Tara. Why the fuck is everyone pressed about Tara hanging out with the triplet, specifically matt and Chris. Yall are acting as if it was only two of them, like they're on a date. They were with fucking I don't know, 8 other people? Like why does Sturntok care who they hangout with? Did you not learn from elementary school to mind your bees wax, or business? You're probably 15. They're literally 5 years older than you. There is no way, in any universe they're gonna date you girl. ALSO TO SHIT ON TARA?? LIKE GIRL. FIND SOMEONE ELSE TO SHIT ON CUZ HOMEGIRL DONT CARE. SHE DONT CARE. SHE IS STRIVING AND LIVING LIFE LIKE YOU SHOULD GIRL. Live life and don't care. You'll probably have a positive outcome. No cuz y'all know how Chris owns the Saturn necklace thing? Its vivienne underwood. It's less than 20 bucks on Amazon. Also when was the last time y'all saw Chris wearing that necklace girl. Also there's a post from like months, or I think a year ago of Tara wearing the same necklace. These fucking tiktok girls are so annoying. Like we get it, everyone wants to be Tara. (she's my gf.)

Podcast. I saw a bunch of btiches shit on the podcast. Like cmon. THEY ARE PRODUCING AN HOUR LONG VIDEO FOR YALL EVERY WEEK. Mfs are burnt out, you're lucky that they even produce content for you ungreatful hoes. Like lwk, I'd rather have them remove Wednesday videos. I remember when they first started their podcast that they were really excited to start and stuff. I also remember, I believe it was their earlier vlogs. When they were still living in Boston and they haven't like went to LA yet, they were talking about turning their basement into a podcast room. Like cmon. This is something they've been wanting to do and you hoes just don't appreciate anything. Like have y'all's mama's not been pissed at y'all for not appreciating her food. Live life positive and not negative tf. But ofc, I respect their decision.

Intro. Yall just love to shit on everyone. Ruining the party. Sturntok reminds me of the kids-the class "clowns" who would be so shitty to the teacher for no reason and would ruin fun things for everyone. Like guys, I think we should all as a community bully Sturntok. It requires a bit more bullying, just to knock some sense into their heads. Anyways, back to what I was ranting about. I loved their new intro. its a new era. A new them. Change. Is. Fucking. hard. I understand that you love the teens from Boston running around making fools of themselves. Me too, I shall admit it. But in order to get sponsorships, to get the little paring things. (For example, them sponsoring Celsius, even becoming the youtooz thing.) Like they gotta act more professional.

Change. This tied in with the last few things. CHANGE IS HARD. CHANGE IS A DIFFICULT THING. But how the fuck are you gonna live life, and enjoy life when your stuck on one thing forever. Change is needed for growth, and for learning. Like guys, THEYRE 20. I think that's something y'all forget. They aren't teenagers anymore. Its kinda like how when everyone went into middle school and started to not like kiddy things when you still liked kiddy things. When I was in middle school I still like to play with Legos, draw, watch anime. Until I hit 7th grade, aka everyone's downfall. I still enjoy some of those things today but I changed because people in middle school stopped like those things and its embarrassing (well for me at least) to show up in school with anime shirts cuz I'm getting older. Thats what they're feeling I guess. Again, theyre 20 now.

Crazy ass mfs. Crazy, as in them soft mf's on sturntok. Also what pisses me off more is that they're coming here on tumblr. Like no, I know your soft ass belongs on Wattpad bffr. I have a long rant about this one, so bare with me again. They are so so so so so SOOOOO sensitive about the "spicy edits." Sometimes the fucking video frame isn't even about something "spicy" aka- them being shirtless, video frame near their crotch. It was when there was a song about sex. How soft can you be. Most songs these days are about sex. Some songs y'all probably didn't know about was about sex. (cake by the ocean for example.) LIKE LETS ME FOR REAL. MOST SONGS ARE ABOUT SEX. Also with the tiktok audios being removed like cmon. Not everything is about sunshine and rainbows. I remember I commented on a Chris edit and I was like.

"I need this man in my life. He's so hot."

"you're fucking gross. He's a human being and do you know how grossed out he would be if he saw that you said this? (bullshitbullshit,morebullshitandstupidness.)"

Yeah, keeping fucking running your mouth. THIS TIKTOK HAS LIKE 4K VIEWS. DO YOU WANNA KNOW HOW MUCH FUCKING FOLLOWERS THE TRIPLETS HAVE? YEAH. THAT'S NOT EVEN A QUARTER OF WHAT THEY HAVE. THIS VIDEO HAS 1K COMMENTS. ARE THEY FUCKING HUNTING ME DOWN?? MY COMMENT HAS 3 LIKES. WHY WOULD THEY CARE TO FUCKING CHECK GIRL. ITS ALSO TELLING THE FUCKING PERSON WHO EDITED THIS THAT THIS EDIT WAS FIRE AND THAT THEY MADE THE EDIT HELLA GOOD. UR FUCKING LUCKY I KEPT MY ANGER TO MYSELF CUZ OH GIRL. I WOULD SUCKER PUNCH YOU. You know whats also funny? They're the same people who will be pissed with when they see matt or Chris with a female. Like girl. You're calling me fucking gross? Do you think how much more worse that is than my comment? You ruin friendships. OG sturniolo fans know that they've been friends with girls. If you genuinely care, yall would know that nick made most of matt and chris' friends. Meaning most of them were females. SO OBVIOUSLY THEYRE GONNA HAVE GIRL FRIENDS. I remember watching the Zach sang pod when nick was on and he explained that matt usually doesn't make the friends. Theres a joke where matt says "I'm gonna make a friend that wasn't originally nick's friends." smth like that. Anyways, off topic. Just because they are seen with a girl, doesn't mean they are fucking dating them. Like shut the fuck up. please. Respectfully shut the fuck because I'm a nice person. Also Chris gives off major virgin vibes lets bffr.

Madi. Yall hate so bad on Madi and its fucking grossing me out. Why do you have to ship her with matt and chris??? Literally to the point they can't even put her in photo dumps or videos. You just gotta ruin it for everyone, huh? shes fucking gorgeous, and she's so funny in videos. Plus, when she does talk shes hillarious. She literally reminds me of Matt. She doesn't fucking talk much because she is more of a listener.. Like guys bffr. How can you hate her when she barley spoke in videos. Like respectfully, shut the fuck up. Yall just jealous shes pretty.

Calling Nick fine. I also hate them mfs who are always running their mouth about girls calling Nick fine. Lets bffr. Y'all didn't think a gay guy is fine? I'm sure you've had a crush on one gay person before. And if you haven't trust me. You will. I had a crush on my gay friend in 8th grade. I feel like its a canon even in every girl's life. anyways, I hate when girls will be scared to call nick hot.

"Nick is so fine. But like as a cool guy friend way. Please don't attack me."

POOR GIRL BELIEVES SHE IS GONNA BE ATTACKED IF SHE CALLS A GAY MAN FINE. Sturntok leave her the fuck alone. He's hot as fucking and I will kill civilians if I'm not given more nick edits. He's so fine. Literally the hottest triplet.

If u made it here thanks. There was shit on my chest that I really needed to let out. What have we learned today?

Sturntok can suck my fucking dick.

Thanks goodbye.

Me to Sturntok :

[luveline]

Hi! I remember a while ago you said zombie!au Steve might have a hobby of drawing? Would love to see some of that maybe w r as his muse:D

steve zombie!au fem. 1k

You return to the camp with your new best friend at your side. In matching coats, no less. 

"Christ," Steve says, shaking his head in disgust. 

He loves —loves— that you have a friend, someone who might care about you just as much as he does. You deserve to be loved, and cherished, and known for your worth. You're a human vestibule of sweetness and God knows it wasn't going to be long before someone else noticed. 

But matching coats? "Alright, where's mine?" he asks. 

"Didn't have your size, handsome," Eddie says, giving you a quick and purely amicable hug. "See you later." 

He scampers off to who knows where and you sit down. You don't hide your happy smile, and Steve's glad for it even if it does make him jealous.  "He's so nice," you say. 

"No, he's not." 

"He is. He's almost as nice as you. And he helped me find you something." 

"After he outfitted my girlfriend in a couple's costume. I'm surprised he had the energy." 

"You're so jealous," you say, your happy smile growing in size with the seconds. 

"I'm actually making myself feel sick." 

"I can wear a different coat if it–" 

"Shut up! As long as you like me better, wear what you want." He shakes off his petty jealousy and takes your hand. For once, he's sitting on a towel rather than just grass or dirt, but his efforts to avoid extensive grass stainage mean nothing when your muddy shoe brushes his leg. "Nice. Thanks." 

"Sorry, sorry," you murmur, swinging your backpack off of your shoulder and sighing as you bend into yourself. "Jeez, my back hurts." You breathe out, a low moan of sound that drags. He can feel your pain. (He can't, but he figures that he loves you so much you're now connected spiritually to one another.) "How come I keep going on these expeditions and you keep staying home?" 

"I'm good with the kids." 

"Mm. Maybe you'll come on the next one anyways? I miss you when I'm gone." 

"I miss you too," he says. "More, I'd say." 

You giggle. "Whatever, you always have to be better than me. Shut up! Shut up, I'm trying to give you the things I found for you." 

Steve draws a zipper closed over his lips and flicks away the key. You get into these moods with each other sometimes, perhaps from having spent as much time together as you have, where a faked aggression rises between you. It's almost like you would've spoken at the start of the end of the world, when it was him and you alone, and Steve wasn't in the best of moods. The play fighting soon dies down as you open your bag; receiving gifts is always a pleasure. 

"First, underwear." 

"Thank you," he says, accepting the eight pack of boxers you offer like a man who's crawled the Sahara being given a glass of water. "So much." 

"You're welcome. Socks, a shirt, a new belt, a brace for your knee." You dump it on the towel next to him one by one. Your bag must've been heavy carrying all this, and it keeps going. You've brought him soap, hair elastics, razor blades, chapstick. The community you belong to is heavy on sharing, but you're free to bring home whatever you like so long as you're willing to carry it unaided once you've contributed to the food drive. You've clearly crammed your bag full of stuff for him, unveiling only underwear and socks for yourself. 

"You couldn't find any toothpaste?" he asks. 

You toss a pack of cigarettes at him without force. "Sadly, no. But I think Robin can get us some with those, right?" 

"I wanna smoke these so bad." 

You laugh and shake your head, fondly disapproving. "You don't! We can just kiss more, alleviate your cravings." 

"Weirdo." 

You lean forward, putting your cold hand on his cheek to leverage him closer. "You knew this when you met me," you say, kissing his cheek.

Steve's good on the cravings front after that. He swears that when things are at their worst a kiss from you could keep him going. Your lips can ease the ache of an empty stomach and the shattering heat of his ever-sprained knee.

You pull away gently like you're worried you'll hurt him in your detangling. Honestly, you might. Steve imagines you leaving sometimes like his arm being torn off. 

You reach back into the back for a parcel wrapped in a shirt for protection. The pencils and sketchbook you got Steve are long gone, lost with the rest of your possessions in the middle of a college campus on the Michigan border. Finding things like that is hard, and it hasn't been on Steve's mind. 

Apparently, it's been on yours.

"These are nice ones, right? The pencils?" you ask, having unwrapped your parcel, a soft backed sketchbook and a small metal case of pencils in hand. "There's only twelve, but I even found a sharpener so you won't have to do it with your knife. Sorry there's no black, I know you like the darker details."

Steve flicks through the sketchbook without thinking, every page blank. It isn't very big either, but it's perfect for purpose. 

He sets it aside with the pencils near all your new things and gets on his knees, tugging you in for a hug. "Thank you," he says, and he's said thank you a hundred times to you, but this one feels awkward, clumsy in his mouth. 

"You're welcome. Just promise you'll draw me again." 

"You're the only thing I want to draw." He kisses your cheek in emphasis. "You're the most beautiful thing everywhere we go." 

"That's such a line," you say, sounding melted. 

Easy, he thinks, turning your face to his for a kiss. Soft, as sweet as he can manage. With you, kisses start soft and end too rough, he can't help it. He remembers you're there and his to kiss and it drives him crazy. 

It's a little easier to stop today. Steve is genuinely eager to draw again, and in a week or two there won't be a page in his book without your likeness, his muse. 

[cartmankisser]

I GOT YOU FAM!

I'd love a Wally fluff alphabet, please! 🥰

omg ur amazing for linking it. creds for the prompts are linked in pink text of the request!! :)

if you haven’t seen, i ran a poll on my account for what type of personality wally should have and the option that won was, and i quote, “normal wally but… just a little messed up and obsessive.”

so i guess this is like?? mildly yandere wally? haha i’m not sure.. he slowly gets slightly more deranged as this goes on,,

using the small font because these always turn out really long 😭

Activities - “What do they like to do with their s/o? How do they spend their free time with them?”

— wally isn’t too picky when it comes to hanging out. he’d honestly be content just sitting in silence with you!

in such a small neighborhood, everything is just a few minutes away! it’s not uncommon for you two to take walks around the neighborhood, maybe stopping at howdys shop for snacks before spending the afternoon sitting in a flower-filled field with books and arts and crafts material.

maybe you two could teach each other little crafts you’ve learned over the years!! friendship bracelets, origami, crochet, whatever!!

Beauty - What do they admire about their s/o? What do they think is beautiful about them?

— you’re just such a great friend to him! so caring and kind to him… he always feels calm whenever you’re around, just because of how loving you are!!

most of his uncertainties or insecurities just vanishes whenever he’s with you.. no one else ever could ever make him feel so special! it’s amazing!!!!

Comfort - How would they help their s/o when they feel down/have a panic attack etc?

— wally has a hard time picking up on your feelings if you don’t straight up tell him that you’re upset. however, if you’re ever crying or upset, he’d try his best to comfort you!

his go-to comfort methods are usually things that make him happy or calm him down. something like singing a song that barnaby has sung to him before or drawing happy memories to distract you from whatever is making you upset!

he tends to explain to you that he would never make you feel as bad as you do right now. he’s the only one here to comfort you! no one else cares that you’re upset, but he does!! because he loves you!!! :)

Dreams - How do they picture their future with their s/o?

— wally dreams of a calm, domestic future with you! he loves his neighborhood and home very dearly, and i don’t see him wanting to move anytime soon (he has no reason to!), but he really can’t wait for you to permanently move in with him! sure, he keeps you at his house for as long as you’re willing to stay, but you still leave him at the end of the day!!!!

home is one of his friends too, and he would never abandon a friend! so hopefully you can get used to living inside of a sentient house.. (no matter how much home scares you)

other than that though, i don’t see him wanting to change too much? you two are already so happy together, so why would anything need to change? all you really need is eachother anyways!!!!

Equal - Are they the dominant one in the relationship, or rather passive?

— i think that he thinks you two are equal. i mean, he tries to listen to you, but sometimes you just need his help!!! he believes that a relationship should be built on respect and understanding! dont you respect him? :(

you really should just trust him and know that what he does for you is for the best. he’s not trying to scare or control you or anything!! he’s just trying to keep you safe and happy with him!!! that’s all!!!! :)))

Fight - Would they be easy to forgive their s/o? How are they fighting?

— while he might be quick to forgive you, he doesn't easily forget the actions that led to the conflict. he prefers to work through disagreements for a compromise, that way you both can continue to be happy together!! albeit, he tends to be a bit patronizing and condescending when you two disagree on something,,,

he doesn’t get mad at you very often though. i can see him being awfully patient with you when it comes to misunderstandings and such. he knows you don’t mean to be rude about it!! you just need him to explain to you why he’s right!!!

Gratitude - How grateful are they in general? Are they aware of what their s/o is doing for them?

— he’s very grateful for you!! he enjoys the admiration, love, and support you show him, and he makes sure to show his appreciation and love back through small gestures, like surprising you with treats or leaving little notes around your house when he visits! that way, you’re always thinking about how much he loves and appreciates you!

Honesty - Do they have secrets they hide from their s/o? Or do they share everything?

— wally values honesty in the relationship and doesn’t feel the need to keep secrets from you unless they would hurt you. and he knows you wouldn’t dare keep anything from him. not if you truly loved him, that is..

he doesn’t really understand secrets that much anyways.. everyone in the neighborhood is such good friends, why would they need to hide anything? (aka, wally unintentionally talks shit and causes drama /hj)

Inspiration - Did their s/o change them somehow, or the other way around? Like trying out new things or helped them overcome personal problems?

— you’ve definitely inspired him to try out new mediums and techniques in his art. i mean, he usually just paints and draws things he likes! and there’s nothing wrong with that, but recently he’s been trying new things!

with you around to help, he’s rarely hit any creative blocks. you’ve shown him how to connect his emotions to his paintings. and now he knows even more ways to make art that is more than just color on paper!!! truly amazing :)!!

Jealousy - Do they get jealous easily? How do they deal with it?

— wally is quite possessive and can get jealous easily. he deals with it by keeping a close eye on you, and if he perceives any threat to his relationship, he will go to great lengths to eliminate that threat.

he would never destroy something that means a lot to you, but of course, he has to make sure he means the most to you!!! after everything he does for you, how could you not love him more than anything else!?! :)

Kiss - Are they a good kisser? What was the first kiss like?

— i love him a lot okay? but he is definitely not a good kisser. he’s never loved anyone like he’s loved you, so he’s just… inexperienced?

i feel like the first kiss would be awkward and tense, as he was nervous and unsure of how you would react to his feelings, but it was still very passionate and meaningful! sometimes you just take his breath away and leave him speechless, but actions speak more than words, right? @:))))

Love Confession - How would they confess to their s/o?

— he would confess his love in a very straightforward and direct manner. he would likely sit you down and tell you about how he couldn't imagine his life without you, and that hes willing to do anything to make you happy!!!

he was confident and direct with his confession because he was sure that he had you wrapped around his finger. before he confessed to you, he made sure to be open enough that you’d enjoy talking to him, but mysterious enough that you’d surely be thinking about him all day, wanting to hear more from him.

Marriage - Do they want to get married? How do they propose? What would the marriage be like?

— he does want to get married, and he would propose in a grand, romantic way!! he would likely plan an elaborate surprise, such as a candlelit dinner or a sweet picnic in a meadow, and then get down on one knee to ask you to marry him!! he would make sure the moment was so special that there was no chance that you could reject him!

the marriage itself would be pretty traditional, with wally insisting on taking care of all the arrangements and ensuring that everything was perfect for you.

Nicknames - What do they call their s/o?

— i feel like he would call you things such as "my love" or "my darling," and he would use petnames often to remind you how much he adores you!

he has a habit of calling you a handful of different petnames, but always adding “my“ to the beginning of it. you’re his sweetheart!!!! his love!!!!! no one else’s!!!!!!

On Cloud Nine - What are they like when they are in love? Is it obvious for others? How do they express their feelings?

— when wally falls in love, he becomes completely devoted to you. his feelings are somewhat obvious to others, as he can become a bit possessive and jealous when others try to get too close to you, even though he tries to hide those feelings in front of others.

he expresses his love through attention and gifts, showering his significant other with affection and making sure they know how much they truly mean to him!!!!

PDA - Are they upfront about their relationship? Do they brag with their s/o in front of others? Or are they rather shy to kiss etc. when others are watching?

— he’s pretty upfront about his relationship and is not afraid to show affection in public. he enjoys making others aware of you two and he takes pride in displaying his love for you!!!!

he’s not the type to like??? shove his tongue down your throat in public 😭 but i mean small things like holding your hand and keeping you close to him when you two are out together!!

Quirk - Some random ability they have that's beneficial in a relationship.

— wally has a photographic memory, which makes him incredibly attentive to your wants and desires. he never forgets important dates or details, and always makes sure to surprise you with things that make you happy!!

he knows what size clothes you wear and what scent perfume you use. he always picks up your favorite snacks before you come over and he makes sure to use your favorite colors a lot when he makes paintings for you!!!

Romance - How romantic are they? What would they do to make their s/o happy? Cliché or rather creative?

— i feel like he’d be pretty romantic!! and he loves to make grand gestures to make you feel special!! i like to think he’s somewhat creative in his approach and he enjoys surprising you with things you never expected.

he will go to great lengths to make you happy, even if it means doing something cliché like writing love letters or preparing a candlelit dinner. however, his possessiveness can sometimes lead to darker and more dangerous displays of love, such as stalking or isolating you from others.

Support - Are they helping their s/o achieve their? Do they believe in them?

— wally sees himself as your personal cheerleader and will do anything to help you achieve your dreams. however, his version of support can be a little intense as sometimes he tends to control your choices to ensure your success. he believes in you so much that he'll go to extreme measures to make sure you reach your full potential.

i feel like he would also be sure to tell you that you two achieved the victory together and that you wouldn’t have gotten to where you are without him!! he doesn’t mean it in a rude way!!!!! he just wants you to thank him sometimes!!!!!

Thrill - Do they need to try out new things to spice out your relationship? Or do they prefer a certain routine?

— i think that he wouldn’t mind trying out new things with you sometimes, but only if it's on his terms! he has a certain routine that he likes to follow, and deviation from it can trigger his possessive behavior a bit...

he's very particular about what he considers "spicing things up" and can tend to be a bit controlling when it comes to decision-making. he just wants to make sure you stay nice and safe!!! he makes sure to take good care of his belongings! :)

Understanding - How good do they know their partner? Are they empathetic?

— he believes that he knows you better than anyone else, and as such, he can be highly empathetic when it suits him... however, he's also prone to getting lost in his own delusions and can struggle to see things from your perspective when he feels threatened.

mostly though, he tends to be more sympathetic and pitiful instead of empathetic whenever you’re upset.

Value - How important is the relationship to them? What is it’s worth in comparison to other things in their life?

— the relationship is everything to him!!! and he's not afraid to make that known! he has a bad habit of seeing you as his property and will stop at nothing to keep you by his side. in his eyes, the relationship is worth more than anything else in his life, and he'll do whatever it takes to protect it!!! you truly mean everything him, and he’s not afraid to give everything else up for you!!!! :)

Wild Card - A random Fluff Headcanon.

— wally loves to pamper you with expensive gifts and lavish attention. he believes that he deserves your love and affection in return for the gifts and he sees them as a way of showing you how much he cares!

XOXO - Are they very affectionate? Do they love to kiss and cuddle?

— he is extremely affectionate and loves to shower you with cuddles and affection. however, sometimes it tends to turn into a bit of possessive behavior if he feels like someone else is encroaching on your time together.

Yearning - How will they cope when they're missing their partner?

— whenever he’s missing you, i feel like he copes by somewhat obsessing over you... he'll stare over old photos and drawings, collecting small things you might’ve left at his house, overanalyzing them until he can almost feel your presence.

he also might engage in stalkerish behavior,,, staring at your house through his window.. maybe even walking to your place to peek through the windows if he thinks he can get away with it.

Zeal - Are they willing to go to great lenghts for the relationship? If so, what kind of?

— he’s willing to go to great lengths for the relationship, even if it might seem hurtful from your perspective... he tends to see himself as your companion and protector and will stop at nothing to keep you safe, even if it means resorting to things you might not like. his zeal can quickly turn dangerous if he feels that you’re in danger.

[fleet-of-fiction]

Jake Kiszka // Female Narrator

Part Two

After a blinding light eradicates mankind, you're left in a desolate and empty world. A year of solitude eliminates all belief that anyone else was left behind. Until a chance encounter on the side of the road. Jake is injured and fighting for his life, but his presence brings a renewed sense of hope. Touch starved and lonely, you need him. And undoubtedly, he needs you too.

"It would be the last man on earth that would end up being mine..."

Explicit sexual content Sex (penetrative & oral) /Foreplay /Blood / Injury / Hunting. / Intense emotions / Death.

Day 396 ~ Amelia

His preferred it when I called him Jake. Whenever I had cause to use his name. He began to move around on his own on the fourth day, stumbling into my side tables and clutching his ribcage with each tumultuous step. Like a fawn on trembling newborn legs.

It was somewhat endearing. The way he smiled through the pain and sat with me at the kitchen table eating vegetable soup and crackers in the silence within which we had both become accustomed to. An impenetrable veil between us that didn't seem to want to come down.

We shadowed one another. His eyes averting to the ground whenever I stole a glance. My concern for his healing injuries something I didn't want him to confuse with mounting interest. Even though I had begun to actively consider him, despite my inward protests that he would one day want to continue his search for others.

He was a gentle enigma. My fear that he might gain enough strength to hurt me dissipated with each passing hour. When he didn't sleep he would sit by the fire with a book, his gaze easing up from the pages whenever I had reason to pass. Sometimes he would smile, other times he would just follow me with his eyes before reverting back to his story.

I didn't want to come to rely on his presence. I had made my choice to stay at the cabin and try to survive. I had driven across the country and seen nothing but desolate emptiness. The hopes of my family sitting on the cabin porch waiting for me dwindling with every mile I'd reached.

I didn't want him to become necessary to me. Even though I suspected that I had become somewhat necessary to him, if only whilst he was still recovering. I prepared myself for the day he would stand up and announce that he was leaving. That day drawing unflinchingly closer by the second.

"Amelia." He said, the sound of my name on an unfamiliar voice sending an unrequited chill down my spine.

There was nothing nefarious in his tone. He sat, quite pleasantly, on the chair which he had commandeered for reading and placed his book on the coffee table by the fire.

"Are you in pain?" I replied, shooting up from my place at the kitchen table where I'd been peeling carrots. "Can I get you something?"

The easing of a joyous smirk curled within the corners of his mouth. As if he was amused by me. Shaking his head as I stood in the open space between the kitchen and the den. Feeling a little foolish for rushing to him like that for no particular reason at all.

"Nothing a little whiskey couldn't fix."

He knew better than to ask for a drink whilst on the course of medication I'd put him on. He was staring at me with a mischief that would usually incite me to join, but I'd tried to keep a professional distance. He was my patient, not my guest.

"I had to put you on a course of antibiotics for the wound to your head." I explained, "I didn't want there to be a risk of infection. If you need some pain relief, I can grab you some tylenol."

His shoulders slumped. And he forgot himself for a moment. Hissing back a stab of pain as he eased back into the chair. He was a terrible patient. Pain didn't sit well with him, despite the fact that I had noticed two major scars running up either side of his left forearm. They were neat and perfectly stitched, no doubt from surgery rather than an open wound. I had meant to ask him about them, stopping myself when I realised that I shouldn't get to know him.

"Forgive me." He sighed, "Sometimes I just need a little something... to forget."

He was bored. I'd seen boredom before. When people who could barely stand would fight to get out of bed just to shift their perspective a little. Nights in the hospital when I'd catch my patients trying to inch their arms up the vending machine to retrieve snacks simply because there was nothing else to do. Nothing good ever came of boredom and he seemed to know this, his gaze shifting around the room looking for something else to do.

"Would you like to help me peel these carrots?" I offered, knowing that it was better than him hankering for a drink.

I pulled out a chair for him as he limped over, seemingly grateful for the distraction. It was still early in the afternoon, but the sun had already dipped below the surrounding trees and it felt much later. I switched on the oil lamp in the centre of the old rustic table, the remains of knives that had been sunk into the old wood scattered the grain. And he noticed.

"Peeled many carrots at this table?" He asked, running his fingers along a particularly deep divet.

What I could offer him, I would grant him. The way he asked so sweetly meant that I couldn't ignore him. My manners were still in there, somewhere. I handed him a peeler and a bunch of carrots encrusted in mud and bade him peel.

"My grandparents didn't believe in waste." I replied, driving the blade down away from me a little more aggressively than I'd intended. "I don't remember a time where this table wasn't here."

He nodded and began peeling a little slower than I would have liked. Taking his time to shave each side meticulously in careful hands so that he didn't cause himself unnecessary pain. Sitting at a strange angle on the admittedly uncomfortable dining chairs.

"It's a nice place." He surmised, "I feel like time stopped here a long time ago and never really caught up."

I quite liked that analogy.

"I guess so." I agreed. "Coming here always felt like I was a child again."

Perhaps he sensed my unease. He didn't say much else for a while, sitting with me in that comfortable quietness as we peeled and chopped and prepared another batch of soup for the coming week. Every now and then he would look up from what he was doing as if to check my mood. To make sure that I was even tempered. And I would try to meet his gaze with something reassuring. Even if I felt like my space was being inadvertently invaded.

"You see places like this in movies." He mentioned, breaking a tension that had seemed to come from nowhere. "Old cabins in the woods. Cosy little fireplaces. Beaten up old furniture and appliances that have no business in the modern world."

I quite liked that analogy, too.

"Well, I think that was the whole point." I shrugged, taking the peeler from him as I took the pot over to the sink. "I don't think my grandparents wanted anything to do with the modern world. They liked it out here. They liked the steady pace. My Dad used to say that they were waiting for the end of the world. Seems a little like a prophecy now..."

I'd said too much. I didn't want him to reel me in, I didn't want him to know me any better than I wanted to know him. The need for conversation had been somewhat diluted with him spending most of his time asleep. But now he was wide awake. Asking questions and spending time with me. And I was terrified of it.

"You don't have to be afraid of me, Amelia." He said softly, turning in his seat to face me despite the fact I knew it hurt him to do so. "I'm not going to do anything to hurt you. You saved my life."

His debt of gratitude was misplaced. I'd had no choice in the matter. If I had walked away from that smoking wreck I'd have damned myself regardless, even if faith was something I'd long since abandoned. There was still a part of me that hoped for salvation. I just hadn't known it would come the way that it had. And it was true. I was afraid of him. But perhaps not in the way he perceived.

I was certain that he wasn't going to try and force himself upon me or steal anything. There was a softness to his demeanour that I had picked up on almost the moment he'd regained consciousness. I couldn't quite put my finger on what it was which scared me so much. Other than my intense reluctance to have him become detrimental to me. It didn't really have a name.

"I'm sorry." I faltered, letting the sink run a little before filling the pot. "I've just been alone for so long..."

"As have I." He replied without hesitation. "I've driven north and south, east and west. Towns and cities and country. I've slept in cars and trucks and houses that didn't belong to me. Eaten food out of a can and burned shit to the ground just to stay warm. There's nobody else out there. If there was, I'd have found them. I mean, I did...I found you."

The way he lingered on that last word made me not want to look at him. He was sitting on the edge of the chair, as if he was about to get up but couldn't. I turned away from him and filled the pot with water, doing anything that meant I didn't have to turn back around.

But I knew he was watching me. The kitchen was small, the window above the sink overlooking the woods outside. The gravel path leading up to the cabin winding down into encroaching twilight. I could see my reflection staring back in the dim lamp light. And I knew he could see the pain etched on my face through the glass.

"I'm just one person." I reasoned, "I'm not people."

All his belongings had been burned in the car wreck. He'd been wearing some of the shirts and slacks I'd found at the back of my Grandmother's wardrobe since his arrival. Clothes that were ill fitting and didn't suit him at all. He wasn't comfortable in them and I could see that when he rose from his seat. Not just in pain, but conscious of the way he looked as he appeared in the glass behind me.

"Together we are people." He said, keeping his voice low and soft. "I don't know about you, but I'm just glad to know I wasn't the only one left behind."

I did find some comfort in that. It wasn't something I would ever deny. I found the courage to meet his gaze in our reflection, both of us standing at the window and looking out whilst looking in.

"That's what I'm afraid of." I confessed, swallowing thickly on it as if it was trying to choke me. "What if we weren't left behind? What if..."

There was something in his face that let me know I was safe with him. Enough that I'd let my mouth run away with my thoughts again. Made him listen to me, understand me.

"It's ok." He said comfortingly, touching me for the first time with a careful palm to my shoulder, leaving me breathless where I stood. "Everything's going to be alright."

Day 12 ~ Jake

The grid gave up. I only realised when I reached Detroit and every house I broke into had no power. Every single street light failed to come on. Every single TV wore a blank screen. I couldn't cook a meal or enjoy a hot shower. Nowhere to keep me warm. It was as if everywhere was just giving up. Every last trace that mankind was ever here slowly slipping away.

I weaved through cars on the interstate that had been travelling when it happened. Whatever it was, the thing which had left cars with no drivers barrelling down all four lanes. I didn't want to give it a name. To name it would give it too much power and I knew I wasn't ready to search within myself for emotions that could overcome it, yet.

Dogs were roaming freely in the city, now. Calling out for their masters who would never come. I'd found a few dead ones in houses I'd passed through, unable to free themselves to go hunting or find food and water. Cats, too. The ones roaming free were slowly turning back to their primitive states. Others, dead behind locked doors.

I couldn't seem to find anywhere I wanted to stay around too long. The urge to keep moving ever prevalent. There was a fire in my belly that burned so fiercely I couldn't sleep anymore. Determined to find just a shred of humanity left in the world.

And I wouldn't rest until I had. Even the bones of where people had been were paper thin, echoes long since dimmed. I was losing all sense of time. Each day seemed to merge into the next until I found myself sitting on a curb outside the Detroit motown museum. A place where I had been so many times before. A landmark I could put some familiarity to. Only to feel more lost than I ever had before.

I missed my family. My girlfriend. I couldn't erase the sounds of their jovial laughter on Christmas day. Making the most of our cherished time together, which came so seldomly. The look on my parents' faces when we dropped our luggage at the door after months apart. My brothers and my sister all under the same roof we'd grown up in with our partners and our pets to celebrate for just a few precious days.

I couldn't move past it. The way I'd looked to the sky and thought, at first, it was a shooting star. Only for it to evaporate my senses and render me a prisoner within something I couldn't see. Blinded by the whiteness of it. Replaying it over and over for it to still make as little sense as it had on that very first day.

I sat on that curb and I roared. I let the tears come. The anger and the confusion. Waiting for just one voice to respond to my madness. To just ask me if I was ok and if I needed any help. To just let me know that I wasn't completely alone. To no avail. I was screaming into the ether for none to hear it.

Was I left behind? Or was I spared? Where had they gone? Were they taken or did they go willingly? What had I done to deserve this? What had they done to deserve this? If God had done this why did he forsake me? Or was I so beloved by him that I'd been left behind for a purpose not yet known to me?

I pounded my fist into the concrete. Until it was bloody and I could finally feel something. Aching for a resolution that simply wouldn't come. There was only me.

"Don't be fucking stupid, Jake." I told myself, gathering my bleeding hand into the folds of my t-shirt as I tried to figure out what my next move would be. "Nobody's coming."

That was the moment I realised I couldn't survive if I didn't keep moving. That I would die if I stayed in one place. Where there was nothing but memories and slowly decaying homes and I knew I had to tread through these places like a ghost until I found something that resembled another human being.

I thought I had a kinship with the open road. I had travelled it long and hard. But always with my brothers. Their camaraderie and company had been with me all the days of my life. And I knew that there was no music without Josh. There was no song in my heart without my twin. Only a gaping wound that bled for my counterpart. My soul cried out for him in ways that I never thought I'd have to endure. Of all the people I had loved the most, he was the most fundamental to me.

I'd walked through life with Josh, our paths weaving in parallel lines no matter where our feet would take us. Me with my guitar and him with his voice, knowing that we couldn't make it on our own. We didn't fit. There was nowhere for either of us if we were alone. I missed my little brother and my little sister. I missed our parents and I missed the woman I'd chosen to spend my life with. The echo of her laughter woke me from fitful sleep whenever my body gave in to it.

But it was Josh who left me feeling as if my being there was some grave anomaly. That wherever he had gone, I should have gone too. We came into this life together, surely we must go out of it together? I could still feel his presence in the corner of my eye. The outline of him at my side, faded whenever I turned my head to look. And the sadness of knowing I would feel his absence for the rest of my life was a burden I packed into my car and took with me wherever I would go.

That day it was the new centre one mall. I prized the automatic door open and stood in the empty atrium, my own footsteps too loud for me to tolerate. I couldn't bear the reverb of my boots on marble floor.

I didn't linger. I gathered enough supplies to last me a few weeks, not giving too much thought to what I would need. A winter coat and a few clothing items to replace the ones I'd hastily left behind. I grabbed some pain meds from the pharmacy and a few pouches of tobacco. Loading it straight into the back of my jeep, I felt the creepy chill of the empty mall still climbing up my spine as I sped away. Determined to put as many miles between me and civilisation as I could.

I didn't want to be reminded of it. I hit the road and left the city behind and didn't stop until my palms bled.

Day 2 ~ Amelia

I had to know.

Staring at the blurred outline of myself in the morgue fridge doors, I hesitated. I could feel the palms on both my hands grow sweaty against the cool chrome.

The morgue itself did not appear to look any different than any of the other white washed, sanitary rooms. Except for the slab behind me and a row of handles that once opened would reveal a truth I wasn't certain I was ready for.

I wondered which of the outcomes would give me the most grief. If I opened the door and found nothing there I would know that I'd been forsaken. But if I opened the door to find frozen corpses resting in body bags did that mean only the dead were meant to be left behind? Was I meant to be dead, too?

It did not make sense to linger. Although almost paralysed with the fear of what either outcome would be, I held my breath and gripped the handle tightly with sweaty hands that almost slipped right off.

The lump in my throat threatened to choke me. All I knew was the dragging sensation of my stomach as it dropped. I almost wished that I'd stayed upstairs. On the empty wards where I was none the wiser. Where my ignorance was truly bliss.

There, the shape of what I knew to be a corpse laid motionless inside the bag. Unable to take my eyes from it, I could feel the bile and panic rise in my chest. My mouth filled with saliva and my head spun with a thousand reasons why I should run.

I promptly turned on my heels and vomited into the paper bin by the clinical desk. The contents of my stomach being nothing but water in the last 24 hours. There was nothing but yellow bile in my retch, but I couldn't stop myself. My body ached to purge what I had just seen.

What I knew to be true felt like a nightmare I couldn't wake from. I spat the bitter taste in my mouth out as I went to shove the trolley back where I couldn't look at it.

“Our Father, who art in heaven…” I whispered, never having had much faith in God, I wondered if the prayer would make a difference. "Hallowed be thy name..."

I recalled the prayer from memory. The damned thing etched on my brain from school where I'd been forced to recite it until the words bled on my tongue. Prayer seemed a little futile now, and I was angry with myself for reciting it.

Tears of desolation began to build at the futility of a life that had lead up to this. All those years being taught that the rules of society are absolute. We must pay our taxes and stay in our predetermined lanes. We must adhere to the morals expected of us and dress appropriately for the occasion or the weather. We must respect those above us even if they have little to no respect for us. One of the greatest lies we tell ourselves is that we will be happy if we have a good job and find a partner to share life with and buy a house to live in and drive a good reliable car and have children that meet every expectation once put upon us. Happiness is guaranteed if we can just obtain these things.  

In my fury, I grabbed the fridge handle again and pulled out the trolley, a little more aggressively this time and without hesitation I pulled the zip down on the body bag to reveal the crimson and blue face of a young man who had sustained a fatal head injury. I knew it was wrong, but who was going to know? I looked at his peaceful face and countered that he had not been dead for very long. Only a matter of days. He had a look of complete serenity and had it not been for the color of his skin I might have thought him sleeping.

I didn't know his name. His job. If he was married or if he was gay or straight or neither. I didn't know his favorite color or what he liked to do on the weekend. I didn't know a damn thing about him other than he was still here. Where all others had vanished, he and I... we remained. And in that, I found the most soul crushing realisation that I, too, wished that I was dead.

When I put him away there was a sense of loss that I had not expected. A desire to crawl inside there and just fade away like every one else had.  

"Rest easy, friend." I sighed, wiping my mouth with the back of my hand.

I hadn't left the hospital since I'd picked myself up off that cold, hard floor. I'd wandered the corridors and the wards, meandered down into the morgue fuelled by my own morbid curiosity. The dead were still here. And without knowing what that truly meant, I ran until I was out on the eerily empty street.

And it hit me for the first time. Truly. I was alone.

Day 399 ~ Jake

She gave me a room to sleep in. A small, low beamed space that was at the end of the hallway. Served with only a set of pine drawers and a bunk with only the lower bed made up with floral sheets and a knitted comforter. She'd even taken the liberty of leaving me a few clean towels on the end of the bed. Perhaps an insignificant gesture on her part, but to me I almost broke down in grateful tears.

There is no greater sorrow than the memory of love, and the knowledge that it is gone forever. But I felt some warmth walking into that room, despite the pain of climbing the stairs and not really knowing how to properly thank her without spooking her.

"This is the kids room." She explained, "I would have made up the main guest room, but I don't rate the mattress in there. This ones a single, but much softer. I hope it's alright for you. You can use it for as long as you need to."

She lingered in the doorway. I wanted so much to tell her that I had no intention of leaving. That I wasn't a threat to her nor did I intend on ever doing anything that might cause her harm. But the words meant nothing if she wouldn't receive them.

"Thankyou." I managed, "You've been very...hospitable."

Her chin wobbled a little before she smiled. As if the very action of it was a duty to placate me. She would keep me at arms length. And although I didn't blame her, I was curious about her. I couldn't help it.

I'd been out there, suffering. And she'd been here the whole time, not only surviving but thriving.

"Do you need anything else?" She asked, sounding eager to be gone.

I shook my head. "No, this is more than enough."

"Well then, I'll bid you goodnight." She replied sweetly, raising one last smile before she closed the door.

It felt like the entire cabin was a cave of wonders I'd yet to explore. As I slumped down onto the mattress, I noticed a toy chest at the side of the drawers with the name Charlie carved in an ornate font on the top. There were a few children's books piled on top, old and worn spines where they had been lovingly read over and over with a few of them with covers missing entirely.

I was a stranger here. These were her memories, her ties to those who had disappeared. I was a passenger, hitching a ride on everything she had built here to keep alive. If her resources couldn't stretch to accommodate me, it stood to reason that she would want me gone.

A part of me ached to stay, still. The thought of another night alone filled me with a dread I hadn't yet begun to process. If I couldn't go home, then where did I belong? Not here. Not out there, either.

I was thinking about Josh again as I closed my eyes. His infectious, toothy grin and his unflappable optimism. I wanted so much to hear his voice and have him feed me some wisdom he'd learned as he so often did on his spiritual journey. Sometimes I'd agree wholeheartedly, other times I'd roll my eyes at the ridiculousness of the thought but now it all seemed so trivial.

Josh would have been far better suited to being left behind. He'd have found some comfort in the event, no matter how deeply traumatised it had left him. I was the darker entity of our whole, a little more tortured than he was. What a cruel twist of fate to be the one to walk the earth where he had once been. There was no doubt in my mind that Amelia would have felt much safer in Josh's company than whatever I had to offer.

I fell asleep with his voice in my head. For the first time, I managed to drift away without too much of a fight. The closest thing to comfortable I'd been in so long, eventually I slipped into a sleep so deep not even dreams could penetrate.

Her screams did, though. The silence of the night broken by the terrible sounds of a banshee crying out into the darkness. I hit my head on the top bunk as I rose, cursing myself and forgetting for a moment precisely where I was.

Pain ripped through me as I shot out of the bed, tearing down the hallway towards the door at the top of the stairs. With one arm wrapped around my chest, the other lingering on the door handle. I could hear her screaming and crying, her voice unearthly and afraid.

If I had left her to her nightmares, she would have greeted me in the morning knowing that I'd heard her. If I went to give her comfort, would she reject me in fear that I would hurt her? Either way I was damned to my need to respond. I couldn't hear those sounds and not go to her.

"Amelia?" I hedged inside quietly, only to find her thrashing in the bed sheets. "Amelia, wake up..."

She violently tore through me as I reached for her. My healing bones taking a pounding as I wrapped my arms around her body. The gentle hush seemed to break the spell. Although not enough to bring her to full awareness. She breathed heavily against my chest. Her hair drenched in sweat. I swept it back from her face, holding her as tightly as I could.

"I told you, everything's going to be alright." I soothed, letting her calm in my pained embrace. "I'm here, you're not alone anymore."

I was consciously aware that I wasn't dressed. My boxer shorts were enough to conceal the most intimate parts of me. But she was pressed against my bare torso, legs entwined. The darkness of the room shrouding any mounting humiliation in our position.

"It was just a bad dream."

I couldn't be certain if she was still lost to dreams, or awakening as I held her. She stayed so still, like she was locked in a purgatory I couldn't follow her into. All I could do was hold her and pray that she didn't hate me for it.

She was wearing nothing but an old t-shirt and underwear. Her hair all knotted and damp. I could feel the erratic thrum of her heart in each breath she took. My own fluttering uncontrollably at the close proximity of our bodies. She felt like velvet against my skin. All warm and soft, tender to the touch. Eventually, her breathing evened out. And I was gripped with a genuine fear that I'd have to let her go.

"Ever since it happened, I've had nightmares." She said quietly, not daring to move. "Like I've forgotten something and my mind wants so badly for me to remember it but I refuse."

Here in the darkness she could lie in my arms and speak her truth. I would dwell in darkness if it meant that I could keep her. She made no attempt to lift her head, staying firm against me as she let me know my presence was wanted.

"What did you see?" I asked, caressing her with my free hand, sweeping it over her warm cheek.

"Nothing but white." She replied, allowing me to covet her in the only way I knew how. "And that's all I see in my dreams. I'm always back there, blind."

She would speak to me as if I were a stranger in the cold light of day, but here in the middle of the night I knew this was where we truly existed. Every single real thing I had ever known had happened at night. She unravelled in my arms, whether she wanted to or not. Her vulnerability I held like fine china, stroking the side of her face as she continued to calm.

"I saw it too." I replied, trying to keep myself together in the no mans land of how good it felt to hold her and the pain shooting through every single nerve ending.

There was a shaft of moonlight spilling in through the gap in the curtains. A silver shard, like a sword to split the room in half. It illuminated a part of her as she was curled against me. Dark and almost blue, I could see our bodies intertwined. Nothing had ever felt more necessary.

"It never goes away..." She began sobbing, her body vibrating against mine. "It's always there, like it still wants me..."

I searched within myself for a reason to put her aside. To comfort her from further away now that she was settled. But she curled her fingers around my hair, dragging it down against her tear stained cheek.

"Amelia, I..."

What could I say? That I wanted to hold her until dawn, until she was ready for me to slip away? That it had been so long since anyone had touched me that I just wanted to lay there with her and drink her in?

I couldn't say any of it. The moon drifted in and I was beholden to it. To her. To the way she had saved me, not just from the wreck. But from the ruin of a loneliness that was on the fringes of ending me.

Instead I kept my thoughts to myself, giving her only what I thought she could tolerate.

"I'll stay with you, until you tell me to go."

She looked so weary in the light of the moon. Rising from my chest, leaving me cold where she had kept her warmth. Staring at me in the darkness, the whites of her eyes twinkling as she regarded me.

"You would do that. For me?" She asked, the veil between us somewhat torn.

"Of course." I replied, "Whatever you need."

I thought, perhaps, that she would tell me to go. I could see the struggle in her lip as bit it nervously, her chin doing that little wobble that betrayed her desire to smile. I almost cupped it between my thumb and index finger, in a move that felt so natural and yet I had to stop myself.

She propped herself up on the pillow beside me, untangling herself from me. Taking her essence. She remained close, but not enough for me to feel her heartbeat anymore. But I didn't mind. I could see her face in the blue moonlight. Finally it was serene.

"I don't want you to stay if it isn't what you want." She said, her flushed cheek resting in the palm of her hand.

"Are we talking about here in your bed, or are we talking about something else?" I needed the clarification.

She considered it for a moment. Her gaze lowered, she pulled the blanket up towards her chin and offered me some to cover myself.

"Here. In my bed." She replied softly.

I took the blanket that was offered and leaned back into the pillow behind me, propped up against iron bed rails. I covered my lower body, but kept my top half exposed. Rubbing my hand across my ribcage to ease the strain.

"I don't think I could move right now, even if I wanted to." I tried to jest, realising that I'd sounded entirely the opposite to how I truly felt. "Not that I want to... I'm where I want to be. I promise."

Day 399 ~ Amelia

So many nights my screams had rung out unheard. My nightmares gone uncomforted. I would always wake with the same feeling that I couldn't quite put my finger on. That something was trying to make me remember it. And I would always be fighting against it. My bed sheets a mess, tangled in them and my hair pressed to my forehead feeling as if I'd been completely outside of my body.

I wanted so badly for him to remain indifferent to me. But how could I deny this man when he had come to me like that? Without a care for himself. Gathering my shivering body into his arms and holding me when all the other nights I'd fought this battle alone.

He felt so good. Relief surged through my veins, rushing out from the space between my chest and my stomach in waves of heat and yearning for another human's touch. It made me want to stay right there in the crook of his arm, where his hair rested against his shoulders. It made me want to tell him how I felt.

But most of all it made me want him to stay so completely that I found myself relenting to him. Taking a piece of his hair and moving it through my fingers, anything to keep his body attached to mine.

But not if he didn't want it, too. Not if this was just some misplaced sense of duty to go running to my aid.

"I don't want you to stay if it isn't what you want." I told him, dragging myself away from him just enough to gauge his reaction.

He would stay, though. In my bed. In the cabin. I dared to look into his face as the moon shone in through the window. Aspects of it becoming familiar to me in ways that still gripped me in fear.

"I'm where I want to be, I promise." He said, his jaw flexing as he prepared for my response.

.

"Me too." I replied, turning to catch the first flurries of snow as it danced across the crack in the curtain.

Part Three

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@thewritingbeforesunrise @takenbythemadness @katuschka @its-interesting-van-kleep @lvnterninthenight @writingcold @jakekiszkasbuttsweat @edgingthedarkness @velveteencatch @lyndz2names @nina-23-45 @itsafullmoon @vikingisthenewsexy

[sleeplesssmoll]

HC: Looking at all the promotional art, I believe Sonetto and Schneider would have been friends.

Regulus and Vertin's relationship have a similar same vibe as Sonetto and Schneider's. That friend who drives you nuts but you're a pretty awesome duo.

Vertin's involvement might complicate things but I can see them teaming up on her when she does something stupid or fighting side by side to protect the crew.

If I had to use the lore and context around Reverse 1999 to explain how Vertin, Sonetto, and Schneider's dynamic would work, it'd be a compromise. While others may say Vertin would be the reason they fight, I'd say she's one of the things that draws them together and makes them appreciate each other. Here is how I see it:

Schneider understands what it means to sacrifice and provide for a family. She knows the struggle of fighting against a world constantly taking from you. She and Vertin have a natural chemistry because of these experiences. Sonetto understands this and instead of being jealous (not that she isn't at times but she learns to let go), comes to realize its good for Vertin's mental health. They "get" each other. At the end of the day, Sonetto wants what's best for Vertin.

While there was turbulence in the past, Sonetto's devotion to the Timekeeper is unwavering. Vertin isn't impartial either since we know Sonetto lives rent free in her head from the trails (analysis of this here). Sonetto grew up and is willing to cast aside her faith in the Foundation if it means protecting Vertin. Schneider finds that admirable and its gives her a sense of security. Sonetto is someone she can depend on, which is a big deal considering she's used to being the "rock" in her family holding everyone up.

At first its like "I need to keep you around for Vertin's sake."

But then it turns into "I'm happy you're here."

Vertin's always making sacrifices for people. They'd rather compromise than force her into a position they know she can't handle (no matter what Vertin decides, someone will get hurt).

On that note, they do exist outside of Vertin. Schneider might enjoy telling Sonetto about her home country while Sonetto eagerly listens. Sonetto doesn't know much about the outside world, but she can share insight on the world of arcanum. Its utterly insane and Schneider is amused by this. They teach each other things and also complain to each other about Vertin's gremlin ways.

Moving on, it's possible to have complicated feelings for more than one person. The important thing is deciding on whether or not you want to pursue a future with with them.

I'm about to drop a hot take so hot it could burn you. This is an opinion that ties into my HC. Ok, here I go.

Love isn't just feelings, it's work. You need to put work into a relationship or else it'll fall apart.

There are so many people on this earth. In my eyes it's normal to going to have chemistry or complicated feelings for more than one person in your lifetime.

But you choose the people you love out of the other potential candidates because you see a future with them. It's not about what you feel today but what you're going to feel years down the line so you devote your time and energy to those people in you life. You see something worth fighting for which is why you commit to those people (could apply to all relationships honestly).

That's why I HC Sonetto and Schneider like this. They could move on. Sure it'll hurt, but its not impossible. However, they found someone they want that future with. Someone with a lot of love to give yet asks for none in return, which is really sad tbh. If Vertin's not going to love herself then damn it they will! Maybe its unconventional and sometimes difficult, but that doesn't mean it isn't worth it.

[semi-imaginary-place]

I was thinking about how the girls in Naruto might have progressed as ninja if they'd ever been given actual development.

Ino would make an excellent spy. She's mental ninjutsu oriented, and she's people oriented. She's the gossip queen, she knows everything about anyone. I can so easily see her as an espionage master going under deep cover to do what she does best, knowing other people's business. Super glam spy fits her vibes, she deserves it. The anime suggests an alternate path as she has a filler arc where she apprentices under Tsunade and that's as a mental health specialist. This doesn't fit her quite as well but I do like the idea of her and Sakura working together given how important their rivalry is to each other in the manga.

Sakura was introduced as having excellent potential in genjustsu, and then nothing was done with this. Sasuke became the genjutsu user and Sakura the taijutsu user and this could have been interesting since this is the opposite of their initial introduction but again nothing was done with this. Building off her taijutsu and being able to focus her chakra to a point for super powered attacks, I think Sakura deserves to wield a giant axe, she has one in several of Kishimoto's illustrations. Next would be her to develop her genjutsu potential, Sakura's strength's are her control and intelligence and I'd like to see her fully use those skills. Additionally the manga and characters themselves draw strong parallels between Sasuke and Kakashi as the geniuses of their teams. The parallel that is missed is that Sakura and Kakashi are both people without plot-breakingly powerful kekkai genkai with high intelligence, excellent chakra control, but mediocre chakra pools, and this really could have been explored more. One of the problems Naruto has is that healer is treated as a women's profession, with Sakura its rather hard to avoid however as the manga sets up a strong parallel between the sannin trio and Team 7. One option would be for Sakura not to use her medical knowledge for healing but instead like Kabuto for assassination and special operations. Of Team 7 Sakura is the most suited for ANBU, Naruto is just out of consideration completely and Sasuke has shown himself to be just as stupid and reckless as Naruto. Sakura in Anbu would also further drive the similarities between her and Kakashi.

When will someone remember that Tenten exists. I don't see her 700 epilogue retirement to run a weapon shop necessarily bad. Not everyone has to be a ninja, the problem is when it's always the women who retire from fighting. As a ninja though I think Tenten deserves more swords, like Killer B level or more swords. Tenten's strengths are in her physical abilities and weapon versatility, so she should be able to always pull out the weapon type that would work best against any opponent. I love to see her be a primarily physical fighter this would be my first pick for her, but another option would be to lean more into the sealing scroll side of thing so not just weapons but tools and traps, make Tenten a saboteur.

Hinata, oh Hinata, she deserves so much better. I can see more or less two paths for her. First would be to quit being a ninja, it could work for her. Hinata never really seemed to want to be a ninja, it was always for something else, her clan, Naruto, her friends, but not quite herself. I can very easily her leaving the shinobi life all together, leave ninjas, leave the Hyuuga clan; Hinata deserves it, to lead her own life on her own terms. Hinata had such potential to be an interesting character and its a shame the manga never got into it. She's the eldest of the Hyuuga clan leader but she's overshadowed by both her cousin and her younger sister and ends up passed over for succession, like that is juicy. True growth for the Hyuuga would have been Neji succeeding his uncle as clan head but that's another post. If she stays a ninja I would have like to see come to terms that her clan's kinda bullshit in a lot of ways and what they think of her doesn't matter, becoming a shinobi because she wants that for herself. In line with this personal growth she fighting style should deviate from Hyuuga techniques, maybe she develops her own taijutsu style. Or who knows maybe she becomes a physical therapist between the ability to see chakra and affect it, magic acupuncture. Kurenai is similarly ignored in the manga, but with her mentorship, Hinata has the potential to become essentially a magekiller, specializing in countering and taking down genjutsu users.

I bring up the option of some of the girls retiring because some of the boys should have retired. Hinata should have gotten Choji's character arc, and Choji who hates fighting should have been allowed to quit fighting and run a successful bakery cafe business. Sai deserves to put shinobi life behind him and become a full time artist. Shikamaru starts out like he's going to quit but I'm actually quite fond of his character arc. Yamato is also wasted potential as former human experiment and child soldier, like Sai he should learn how to live in peace, maybe he becomes an architect. We don't see team Taka in chapter 700 but Juugo is so gentle I want a nice civilian life for him.

(idk about Temari I mostly just want her to keep girlbossing and beating people up. Mmm I do think she's make a better Kazekage than Gaara. Gaara is another one I could see quiting being a soldier.)

[muriels-brainrot]

૮꒰ “ . . ꒱ა

{Referencing this post: https://www.tumblr.com/muriels-brainrot/755439602787139584/how-do-you-cope-with-the-fandom-being-so?source=share }

Forgive me if I'm intruding but I recently came across some very helpful advice which I think is quite insightful.

To set the scene, before I found this advice, I myself was struggling with staying consistent with art. This time however, I had decided that no I won't keep procrastinating. SO, in my attempt to find resources, I stumbled onto this video. Now suddenly it all began to make sense. The reason I was struggling was not because i'm lazy and horrible and lacking motivation. Rather it was because I had outcome related goals. TLDR: I was focused on the outcome (wow rlly iri we didn't know that's what outcome related goals meant pfft-)

Anyways so, instead of focusing on the process, I was instead focusing on the end product aka the finished drawing. Ofc I'm a beginner so I wouldn't look like I wanted to. Not bad but it wouldn't be what I wanted so i'd get frustrated and eventually give up on drawing . . . before inevitably returning with my tail between my legs cause I still rlly want to get better.

Honestly, it's natural and normal for these feeling to occur, because like you said we pour so much time and dedication. Not to mention heart and soul to make these creative projects that it feels almost personal when it doesn't get engagement. But if there is something i'd like for you to know, it's that it rlly helps if you take enjoyment in the process. Draw inspiration from odd places and craft scenarios.

Don't write for others, or the cliche of writing for yourself but rather think of it as you sharing your brainrot with ur future self haha. Write stuff that you'd wanna read yourself! (then come back to read it like a crazy person at the dead of night . . . wait, don't tell me that just me-)

Just . . . let your brain do its thing! Let your brain create instead of letting the ideas and projects fester in your head. Keep growing your skill because you never know, these might be the very thing that comes in handy later on in life. Think of singers like Sabrina carpenter who was niche (I mean to say not worldwide popular yknow, but u get my point) for a long time. However, if you look at her now that she's gone viral, it's the hard work during the years she spent creating with most of the world with their backs to her that is the sole reason she continues to be so well known for her . . . well, everything! (For example: She is extremely comfortable on stage while performing and looks like she's in her element even with thousands of eyes on her . . . it's cause she's been performing for almost 10 years I think.)

So, to both anon and anyone else reading this, pls keep creating stuff. Especially passion projects. Even if you feel like you're screaming into a void. You'll only get better IF you continue. Also, you never know maybe there is someone out there that really enjoys your work. Even if it's one person, that still someone out there that keeps coming back just for your work. This silly tangent I went on, won't completely get rid of all the thoughts and feelings . . . but it's a start. Hope this helps . . .

(Example: I always find myself coming back to this artwork by @cinsilly cause Asra's expression here is so funny. No not once a week but every few days oops- )

Oh my god thank you!! I'll post my thoughts in the comments. But it was honestly v cool of you to share this, the only thing that keeps me together in any fandom is knowing we're not alone in feeling this way :'> !!!

[ballgame]

I'm going to ramble a little on my thoughts on magic in Deltarune, but I'd like to preface this by saying that a lot of this falls more under the realm of speculation (and at times headcanons) rather than genuine theory-crafting. I'm fully prepared to have some of these ideas be completely blown to smithereens come later chapters.

I'm not exagerrating when I call this rambling, so I'm putting it under a read-more.

I like to think that the Deltarune reality is the way it is because its Earth is just innately less magical. This is of course working under the assumption that Undertale's Earth is innately magical in some sense, with both monsters and humans pulling from that innate magic in their own ways.

DR monsters are still likely largely physiologically the same as UT monsters, but they can't effectively use their magic because almost all of it goes into sustaining their bodies. I'd wager that the limited magic they do have isn't even quite understood in-universe as being magic, if it's observed at all it's likely called something else. This difference is potentially also why they're more "sturdy" than their UT counterparts, since they never adapted to relying on environmental magic, potentially having slightly more physicality (although they presumably still turn to dust, so not too much more).

Humans on the other hand do not use magic at all, since there's no readily available source to draw it from. Hypothetically they could get and use magic in other ways, since it still exists outside of Dark Worlds to an extent, but I'd reckon these methods are either completely unknown due to a lack of research or are extremely underground/taboo (think about how Kris turned to "occult" stuff when trying to learn magic).

Less magic could potentially also help explain why the functionality of SOULS is unknown in Deltarune. In Undertale, monsters are said to be attuned to their SOULS due to their body being composed mostly of magic. So if DR monsters have less magic than UT monsters, or rather their bodies use it more stringently, this attunement might be dampened or outright nonexistent. This would then majorly stunt the study of souls in early history and limit the wider understanding of them.

Hell, I actually think that the line of logic I've presented here could even explain why Dark Fountains can be created in Deltarune in the first place. This was never a conclusion I was planning to come to, but the more I think about it the more it makes sense to me. Let me explain:

So there's a good possibility that "Darkness," the force that Deltarune's plot revolves around, also exists in Undertale. Entry No. 17 seems to imply this, since it's most likely from Gaster when he was the royal scientist. The very scant concrete, official information we have about Gaster actually does well to explain why he would know about it, since researching ways to draw energy from the Earth to create and maintain the CORE would naturally lead him to learning about darkness if it does indeed exist in Undertale. Now, if Gaster needed something like the CORE to even scratch the surface of what darkness is, then that would seem to suggest that it exists as a layer under the Earth's magic (not in a literal physical sense, I'm speaking metaphysically here). Normally, to draw power from the Earth you need determination, but I would assume the amount of DT an individual would need to reach past magic and into darkness is insurmountable for even the most determined human. But, in a world virtually without magic, one like Deltarune's, darkness is allowed to bubble up from the depths.

[anamericangirl]

Hi, quick question for you. I listened to a podcast last night which debated abortion. The pro-abortion side was arguing that we do not confer personhood to a human before approximately 20 weeks, when they claimed that the fetus develops conscious experience, therefore, since a fetus has no experience prior to that point, its okay to abort. He made the point that pre-consciousness was different from a coma, in which a person with experience might slip out of consciousness and come back into it, rather than not have it up to that point. I found it hard to refute that point, mostly because of the idea that we do value consciousness, and that he made a point to differentiate someone who has had consciousness previously and someone (the fetus) who hasn't, and that the fetus is not a whole, but a blueprint for what's to come if it doesn't reach certain developmental thresholds. That's not to say I agree with his point because the fetus will develop consciousness if left to continue development, but I found it hard to offer any counterpoint specifically to his argumentation. This could be because the pro-life side just wasn't making a great show of their argument. Anyways, what I'm asking is what argument would you make to defend life and personhood at conception, rather than life at conception and personhood at the development of consciousness? Why do we define personhood at conception and not when we see something that infers development of human thought? I'd be grateful to hear your answer and anyone else's answer that might be able to refute that pro-abortion line of thinking. Thank you.

The reason life and personhood must be defined at conception is because that is when we know for a fact what is growing is a living human being. Scientifically, they meet every single requirement to be a human being and if someone is a human being they are a person and have personhood. If we draw any line as to what constitutes having personhood other than being a human being than we enter dangerous territory because any standard you apply to people in the womb can also be applied to someone outside the womb.

There's no actual significant difference between "preconsciousness" and losing consciousness as they are both a lack of consciousness other than the "experience" standard that pro abort arbitrarily assigned to it in order to justify it. But scientifically and observably, there's no significant difference. So the person debating the pro-abortion side is not arguing that consciousness defines personhood they are arguing that experience defines personhood. So what I would ask them, then, is do newborn babies who are five minutes old have personhood? They have no experience so it's consciousness without experience.

If the answer is yes, then they have to resign to the fact that their argument is consciousness defines personhood and that would then demand they also revoke personhood from a person in a coma.

If the answer is no then they have to be ok with murdering a newborn baby.

Another question I would ask would be what if shortly after the baby is born they go into a coma? That's unconsciousness without experience, just like in the womb. So we can kill them right? If the answer to that question is no, then they debunk their own argument.

And he is also just completely wrong that the fetus is not a whole but a "blueprint of what's to come". From conception they are a whole human organism. They are not a blueprint of anything. The baby has a lot of developing to do, which they will do very rapidly, but if he is going to assert that because the baby in the womb is not as developed as someone outside the womb then we can also say a toddler has less value than a teenager because the toddler is not yet a teenager, just a "blueprint" of the teenager to come.

Any line you draw for personhood other than being a human being can also be applied to people outside the womb. And the belief that there are existing human beings that do not qualify as people always leads to evil.

I hope this was helpful and answered the question and if you want more clarification just ask! :) I would also be curious how other pro-lifers would respond to this.

[kathaynesart]

What advice would you give to someone who really wants to get into writing/drawing comics, but doesn't know how or where to start? What would you recommend? Even if/ especially if they already have a decent history in writing and drawing

SHORT ANSWER: Don’t do what I’m doing with Replica haha! I’m breaking all my own rules with this comic but maybe we can use it as a good example of what not to do in my rant below…

LONG ANSWER: (below the cut)

Hoo boy… there are so many avenues this question could take. I assume you don’t necessarily mean entering the comic industry as a professional (there are far more experienced people you can ask about that). But simply drawing your own comics? I'll try my best to break down some of the basics I've picked up over the years. Note these are just my opinion and there is always room for other methods...

1. ASK YOURSELF WHAT KIND OF COMIC AM I DOING?

The first thing to consider is what is your intention with this comic? Do you want to tell a story centered around a preexisting fandom or tell a completely new story you came up with? What genre do you want to focus on? I'd recommend finding something that really sparks your interest, because you're going to be working on it for far longer than a regular art piece. Plus if you like it, someone else is bound to like it as well!

2. ASK YOURSELF DOES IT NEED TO BE A COMIC?

This may sound silly... but often times I find people fail to take into consideration whether or not the story they are telling works best with the medium they are considering. Had I done Replica as a fan fiction, I would be much farther along with it... but with comics there comes a wide range of subtle visual cues, parallels, and symbolism I can use that I wouldn't be able to show through writing. The written word also has many strengths that comics lack... it just comes down to what you want to be able to show in your story.

3. KEEP IT SHORT AND SIMPLE

If this is your first time doing a comic, I recommend not overextending yourself with some grand epic that is going to take you forever (like Replica haha.)

Example: Years ago a close friend and I did a webcomic called Perpetual Flux that we were unable to finish. It went for about 2-3 years, was over 110 pages long, and yet we had only managed to get about 3 chapters into what would have probably been a +30 chapter story. We came up with this huge epic we wanted to tell and while it was a story we still wanted to finish, it just became impossible to continue as our lives and availability changed.

So start small! And take that experience you gain into bigger, future projects. Obviously I have not learned my lesson with Replica, but at least with this project it's something I can do on my own time and is supported by a wonderful community who keep me inspired. Speaking of which...

4. FINDING AN AUDIENCE

If it’s a story based off something with an existing fandom then half the work is already done! You just need to start interacting more with people in that fandom, and I mean really interacting. Talk to other artists, join Zines, leave comments, and share other people’s work. It can foster a community and help you be a part of the fandom so that people will be interested in what you have to share.

If it’s a new story you’re going to have to create your own community. Nowadays it’s easier than ever to get your work out there, but the competition for eyes is much steeper. What I find that works is rather than starting the comic cold turkey, draw out some highlights from your future story. Moments that have yet to unfold that might wet a random viewer's appetite for more. Kind of like… a trailer for what’s to come. Keep dropping those little crumbs of interest as you prep your comic to garner some interest and that way when you do start you may already have some followers who might share your work around!

5. CONSISTENCY IS KEY

Get into the habit of drawing and writing regularly. I know it can be a hassle and the last thing you want to do is make it a chore, but like exercising I find that the more I do it, the easier it is and the better I feel about it. Nowadays I feel weird if I'm not at least writing some script or drawing a few sketches towards my comic/projects every day.

Also, if you can make sure to update fairly regularly (something I also fail at with Replica haha, but at least I try to post little things here and there when time allows). It's important to let your followers know that you are still there and you care! It also helps keep you at the front of their minds. My fellow Apocalypse AU creators Cass and Tapakah0 are GREAT at this as they post a ton! It helps garner a strong community and a lot of continuous excitement! I wish I had that same energy and time but you'll have to make do with my old-lady pace of things, bless you all haha.

6. GRAPHIC DESIGN

Obviously as a writer and artist you're used to doing both... but with comics there's another aspect that can come into play. Graphic design! Whether it's your title, your font choices, the word bubbles, or the way you break down the panels, these area all things you should take into consideration. For example, every webcomic has panels, but they can vary tremendously in style. Because of Tumblr and the nature of the scroll method I chose to forgo the typical "comic book style" for more of a... loose storyboard feel where I care more about the angle of the shot within each panel rather than how these separated images link up to one another. Where as with Perpetual Flux, it was laid out on actual comic pages so we had to take serious consideration into how they fit together within each page. IngunnSara is also a great example of this more traditional method of paneling and it's gorgeous and difficult and they have my utmost respect for pulling it off with Hamato Wanderers! So I recommend looking to some of your own favorite comics and see what jives with you.

7. FIND A STYLE THAT WORKS FOR YOU

Also failed this with Replica haha, but to be fair I went right into it with the intent on learning the style as I went. But I recommend having some grasp on the style you want to use and whether or not it's a viable to be drawing over and over again for your comic (for example, if you make it too detailed it will take you far longer to draw!)

8. FORGET ABOUT PERFECTION

Perfection is a lie. There is no place for it in art, especially if you're just doing this for your own pleasure. Don't strive for it. Don't worry about it. Don't compare yourself. Just keep doing what you're doing and keep learning from it. You'll get much farther!

Ok... hopefully that helps a bit. I'm sure there's plenty more to talk about but I feel like I've talked enough for now. Thanks for listening to my TED Talk and lemmed know if you manage to get your comic off the ground :)

[aalissy]

Reverse Crush

Anddd here is today's second chapter :). I hope you like it! I am forever tormented by how little reverse crush we got in the show. I always want more haha. Lemme know what you think <3

AO3

Adrien sighed quietly, leaning on his fist as he craned his neck back to stare blatantly at Marinette. It was study hall so he could finally get away with just focusing on her. Not for the first time that day, though did he wish he sat behind her. That way, he’d be able to peek up at her periodically through the day rather than having to crane his head back awkwardly to look at her.

She looked adorable. Just like she did every day. Her tongue was stuck out of the side of her mouth as she concentrated on whatever it was she was drawing. 

Cute.

Clearing his throat, Adrien leaned forward, tapping her desk to get her attention. She looked up, her pretty blue eyes wide with shock. 

“What are you drawing, Marinette?” he asked, hopeful to hear her soft voice as she directed her attention to him alone.

Her surprise at his sudden question melted into a warm smile, and Adrien couldn't help but feel a rush of excitement.

"I was actually just sketching some of my ideas down for fashion. It helps for inspiration when I’m creating." Marinette replied.

Adrien leaned in a bit closer, intrigued by her creative process. "Can I see?" he asked eagerly, his eyes sparkling with curiosity.

Marinette hesitated for a brief moment before nodding. She turned her notebook towards Adrien, revealing a series of intricate designs that showcased her talent and unique style.

The first page held numerous sketches of her and her friends in beautiful gowns. They all looked amazing. When he looked at the next page, however, his mouth dried. It was him. Or, well, Chat Noir, in a few different designs from Marinette. 

Suddenly, Adrien was struck by the urge to commission her. He’d wear those designs every day. He bit it back, however. As much as he might want to, he couldn’t reveal his secret identity. Not even to someone as perfect as Marinette.

"These are beautiful, Marinette!" Adrien exclaimed, genuinely impressed. "You're so talented. I especially liked the way that you drew Chat Noir." He winked up at her.

An adorable red blush lit up her face at the compliment, and she smiled gratefully. He needed to figure out how to get her to do that more often. She looked so cute with a flush on her cheeks. "Thank you, Adrien. That means a lot coming from you, being the son of a famous designer and all."

Encouraged by her positive reaction, he couldn't resist teasing her playfully. "You know, if you ever need a model for your designs, I'd be happy to volunteer."

Marinette's eyes widened in surprise, and then she burst into giggles, her laughter like music to his ears. "Sure, Adrien. I'll keep that in mind. If ever I make one of these frilly dresses, I’ll make sure that you’re the first one I call." She winked.

His heart quickened at her reaction, feeling dizzy with giddiness.

Wink! She winked at him. How was he meant to mentally function after that?

Adrien’s grin must have looked completely ridiculous as he couldn’t stop it from stretching wide across his cheeks. “I’ll be looking forward to it,” he replied, his voice filled with genuine excitement.

As the bell signaling the end of study hall rang, Adrien reluctantly tore his gaze away from Marinette who was laughing softly at his words. He made a mental note to find a way to bring up the topic of her designs again soon, maybe during their next study hall. 

After all, she had winked and laughed at him! That had to mean something... right? He wracked his brain, trying to remember if he had ever seen Marinette wink at anyone else. He couldn’t think of any which was a very pleasant thought.

As he walked to his next class, Adrien couldn’t shake off the image of Marinette’s sketches, especially the ones featuring Chat Noir. It was both thrilling and nerve-wracking to see himself depicted in her designs, knowing that she had no idea of his secret identity.

Maybe... maybe he could sneak over to her room one night, just to commission one of those designs. After all, if Adrien was able to take a peek at her designs, he figured she’d certainly let Chat Noir, a superhero, see them as well. With that plan in mind, Adrien’s grin stayed on his face for the rest of the day.

[magicicephoenix]

Hoax - The Ink Demonth 2024 (Day 3)

In which a particularly heavy rumor takes the studio by storm. And they take… interesting measures in the face of it.

ao3 link

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went for more of an "audio only" type style here, mostly for my own sanity ^^' and yet this still ended up rather long for a day-long prompt… oh well. had a blast writing it, at least!

btw this takes place in my The Silent Demon AU, which is essentially just: everyone is happy, the studio is thriving, and Bendy is alive! he's also mute and deaf.

enjoy!

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"Another special? So soon? Honestly, Joey, it's like you want everyone to quit."

The sound of papers being shuffled. "C'mon Henry, it'll be great for business! I mean, it's not my fault that Halloween, Thanksgiving, Christmas, and New Years all go in a row!"

"But it is your fault that Bendy, Boris, and Alice are celebrating all four." An amused huff. "Couldn't we just do a short for New Years or something?"

"But the vision! The prestige!"

"Now you're just saying words."

An offended scoff. "I'm just saying, this'll be good for the studio! A step up against the competitors!"

"And the best way to do that is to work everyone to the bone?"

"You know I'd never let it get to that point."

An acknowledging hum. "Alright, fine, whatever, you're the boss. But you better not get any ideas about Valentine's Day."

"Ah! Now that you mention it—"

"I'm gonna stop you right there. I'm leaving."

"Wait, but- Henry! You haven't even heard what I was going to say!"

"Nope. I'm not hearing another one of your far-too-complicated ideas today. I'm making like Wally and getting outta here. For real this time!" The sound of decisive shoes on wood, a door opening.

A pause—skittering of hidden footsteps rushing away, staying unnoticed—and then… the laughter of two good friends joking around.

The shuffling and bustling of employees on break.

"Did you hear? We're starting another special."

The crinkle of a lunch bag opening. "Geez, again? What's this one about?"

"New Years."

"And we need a whole special about that?!"

"Jesus."

"Mr. Stein reacted the same, I heard."

The thump of a cup being put down. "Really?"

"Yeah. Told Joey something about quitting if stuff like this kept happening."

Stirring of a spoon in a bowl. A laugh. "Mr. Stein would never quit."

"What makes you so sure?"

"Are you kidding? He'd never leave the studio. Not to mention Bendy."

A chuckle. "Ah, you're right."

"Then why'd he say he was leaving?"

A spit take. "What?!"

"Who told you that?"

"Overheard. He said he was leaving, for real."

"No way."

"Yes way. That's exactly what he said!"

"That can't be true."

"He'd never actually leave!"

"You've seen how exhausted he's been recently! What if this was too much for him?"

"…he has been here longer than anyone else."

"And Mrs. Stein would be happy that he'd stopped working late."

"Where do you think he'd go, though?"

"Doesn't matter where he'd be going, what matters is that he might be leaving!"

"The department wouldn't be the same."

"Yeah, it'd be so empty!"

"We'd have to get another department head!"

"Augh, it'd be so weird reporting to anyone other than Mr. Stein…"

"Yeah, tell me about it."

"But… it's only a maybe, right?

"I mean, I guess. But what if it's true?"

"I can't imagine what would happen if he left for good…"

"Then let's just hope he won't."

"Yeah, fair enough."

A door slamming open. "Henry might be leaving."

The crash of a chair falling down. "He's what?"

"Wait, what-"

"Heard it through the grapevine."

"Susie, you can't just believe every hint of gossip that comes your way…"

"No, no, she's right."

Another chair hitting the floor. "She is?!"

"What, you're tellin' me that you haven't felt the stress from the recent specials? Imagine how brutal it must be in Animation!"

"Ugh, even thinking about all that drawing makes my hand cramp up…"

"He's been working late more often, too. What if he's reached a breaking point?"

"Henry doesn't have a breaking point. He's crazy when it comes to work."

"Everyone has a breaking point."

"Well, of course you do, you break just about every day, you perfectionist."

A scoff. "I am not a perfectionist."

"Oh, yes, when you scream at the band every day, that's not due to any undiscovered need for only the best take possible."

"I do not scream, I instruct, and it's only because all the fools on the instruments don't understand the basic principles of—"

"All I'm hearin' is that you have unreasonable standards."

"Well, Joey hired me for a reason—"

"Ladies, ladies!" The rush of banter dies down. "Calm yourselves. We have a problem on our hands, and we're going to address it."

"So what do we do about it then, Susie? Beg him not to leave?"

"Well, hold on. If he's already decided, there's not much that can change his mind. He's stubborn as a mule."

"Linda could!"

"If he's leaving then Linda knows and approves."

"…right."

"But he hasn't decided! It's only that he might leave."

"So we have a chance to stop him."

"Exactly."

"So what's the plan?"

"Maybe we guilt trip him."

"Norman!"

"I'm just sayin'."

"Well, actually, he might have a point."

"What? Guys—"

"How would we, though? If he's really thinking of this seriously, he must've already considered all the factors."

"True… so what else can we do?"

"What if we can't do anything?"

A somber silence.

"Well, then… we plan long term. Just in case he leaves. A safety net."

"I guess that's… reasonable. But I still think we should—"

"Who would be the next head of Animation, do you think?"

"Eugh, tough break. No one's as good as Henry."

"But someone'll have to step up!"

"What about Bill? He's been around for a while."

"Really? I don't think he's management material."

"Maybe Phil, then."

"Oh, that's not a bad thought. He can handle stuff in a pinch, for sure."

"Yeah, he helped time the frames for the latest song, you remember? When Henry was busy fixing the misplaced lighting debacle."

"Don't you dare speak a word about that, I swear to God, animators in here every second of the week—"

"Wait, hold on, everyone shut up." Everyone does. "We're thinking too complicated. Quick answer, what's going to happen if Henry decides to leave?"

"Um, Animation will lose a capable artist?"

"Joey Drew will summon more demons."

"Sammy'll blow a fuse."

"I will not— "

The sound of someone stomping their foot. "Ugh, honestly! You men are so dense. Do I really need to spell it out for you?"

"Maybe for some of us."

"Hey!"

"I didn't say it was you. What, you outin' yourself?"

"I- You annoying—"

"Bendy, you guys, Bendy! What'll happen to him?"

"What'll… happen?"

"Yes! If he can't be by Henry's side all the time, where will he go? What will he do?"

"Who will he choose instead, you mean."

"Well- I mean yes, obviously."

"Won't he just go with Joey?"

"Maybe if you think simple. Don't you realize? This is our chance!"

"What are you talking about? He already spends plenty enough time here."

"Playing piano with you, maybe, but the rest of us are woefully starved of Bendy time!"

"Bendy time?"

"You know what I mean!"

"Um, I honestly don't think this what-if warrants this level of—"

"So you're sayin' there's a chance of him pickin' someone else?"

"I think it's in the realm of possibility."

"Then we'll have to figure out who."

"And how will we do that?"

"I'm sure I could think up a few contests… see who he picks…"

"We'd have to go get him first."

"Well then, let's do that."

"Guys, seriously! Can't we just… I don't know, talk to Henry before jumping through these crazy hoops?"

A pause.

"Stick to lyrics, Jack."

"Yeah, Jack."

"Alright, let's do this, team!"

Amid the clambering of shoes leaving the room, there's a long suffering sigh. "I'll be in my office, I guess…"

"Did you hear? Henry might be leaving."

"Really? Always thought he'd stick around 'til the business sank."

"So did I!"

"So, see, the Music Department's been running around addressing things. Possible concerns."

"You'd think Joey would be the one doing that."

"Nah, haven't seen him all day, actually. And I have a script waiting for review…"

"Anyway, they've been gathering everyone in the band room."

"Everyone? What, they're doing a concert?"

"Bendy's in there. Norman says he's 'up for grabs.'"

"…what?"

"Bendy's super attached to Henry, right? So they're trying to figure out where he'll stay if Henry decides to leave."

"Isn't Joey the obvious choice? I mean, he is the guy who created him."

"I guess… but maybe he'll choose someone else."

"I don't think 'up for grabs' is the best way to put that…"

"Don't blame me, Norman's the one who said it!"

A pause.

"I mean, we're going, right?"

"Oh, of course."

The sound of a door easing open. "Hey, Mr. Drew?"

"Ah, Buddy, yes, hello! Come in, come in! What's on your mind?"

"Um… you're wanted in the band room."

"Oh, alright." The scratching of a chair being pushed back. Footsteps on wood. A door closing. "What am I needed for? Did Sammy finish that theme I asked him for?"

"Um… no, sir. It's for a contest."

"Pardon?"

"A contest. Everyone's there in the band room waiting for you. All the animators and writers, too."

"I… why are they there?"

"That's where Bendy is. And people are hoping he'll pick someone new to follow around."

"And they're hoping this because…?"

"Because Mr. Stein might be leaving."

One pair of footsteps stop. "…what?"

"Mr. Stein might be leaving."

"I… Henry isn't leaving."

"He isn't?"

"Of course not. Whatever in the world gave everyone that idea?"

"Um… it's what everyone's been saying, sir."

"I told you, Buddy, you don't need to call me sir."

"R-right."

"Anyway… do you know where they heard this?"

"Someone said they overheard him talking about quitting. And he's been working late a lot, so maybe he's tired."

"That… doesn't sound like Henry. I-I mean, I know things have been stressful, but not that much. Right?"

A noncommittal hum. "That's just what I've heard."

"Huh…"

An anxious silence.

"W-well, they still want you in the band room for comparison."

"I… comparison?"

"To see who Bendy likes more."

"Ah… I-I see… so they think this is really happening?"

"I guess so."

An unnerved clearing of the throat. "Right… well then… I suppose… it only makes sense…"

"Are you alright, Mr. Drew?"

"J-just peachy, Buddy. C'mon, let's get going. There are many, many people waiting for us!"

"Hey, Henry?"

Silence.

"Henry."

"Oh, hey Abby. What is it?"

"You’re not leaving, are you?"

"Leave- do you need help with something? I can stay. I was just finishing up with—"

"No, I mean… leaving. The studio. Y'know… quitting."

"What? Of course not. What gave you that idea?"

"Everyone’s saying it. Joey, too."

"…Joey thinks so?"

The rustle of a nod.

A long sigh. The sound of a pencil being put down. "Oh, man… alright, where are they?"

"Band room. They’re doing a contest to see who Bendy will take to if you leave."

The sound of a chair scraping against wood. Another sigh, this one more fond. "Of course they are."

Everything goes silent when Henry Stein enters the room. Everyone freezes on the spot, stuck with their hands in the cookie jar. Well, the cookie jar that is an elaborate mashup of toys, instruments, and other objects in an attempt to get a certain cartoon demon's interest piqued.

Bendy is the first one to move, of course. He jumps down from the table he’s been placed onto and weaves through the crowd of people to get to Henry, to whom he raises his hands expectantly.

In a clean movement, Henry bends down and scoops Bendy securely into his arms. He surveys the room silently, taking in a range of emotions from surprised, to confused, to worried, to amused. Then he sighs, exasperated, like the weight of the entire studio is on his shoulders. "I’m not leaving," he announces, much too tired.

The room erupts in noise. Disbelief and accusations hit the air, with everything in between ringing out into the big space. Above it all heaves the loud, mirthful laugh of someone who knew this all along and played into the insanity, and the similarly loud but very different cry of someone who knew and dreaded this very result from the start. And, quieter, between the shouts and yells, there's the blessedly relieved exhale of a man too paranoid for his own good.

In the chaos, Henry looks down at Bendy. Bendy blinks back, completely out of the loop, and Henry chuckles.

"Don’t worry, bud," he says, even though he knows Bendy won’t hear it. "I’ll never leave you. No way in hell."

----------

thanks for reading! :)

after this Henry has a very long talk with the entirety of the studio about jumping to conclusions. and a separate, more stern talk with Joey about letting his doubts get the best of him. and then another talk with the entire studio about just talking to him if they hear rumors like this, jesus christ.

[ombrathefurry]

how do you generally design characters/choose color pallets?

whenever I try and create a good color pallet they always end up clashing and looking absolutely awful

i've tried using websites but they always end up being very bland, so i'm turning to the expert lol

the only character i've created that I actually. like. is the one that's just a black freaking tiger with rainbow glowing stripes, but that's because monochrome with color pops just always is flawless </3

Expert what expert

I'm by no means any expert, but I'm really happy you think my designs are appealing enough for you to ask me this!!

I ALWAYS try to come up with a character concept or idea for who they are before I start designing. Because of this, you see a lot of my designs turning out to be designed very strategically, with their features actually having proper functions and reasons to be there

This is why I have such a hard time with gifted designs. I don't know how to make them work without a background or concept I can really connect to properly.

For specific character designs, I usually think of and flesh out a basic idea in my head. Depending on how lucky I end up being, I can imagine every detail right off the bat. Other times, I have to put some work into it and experiment a little.

Here's an example of me working out a character design WIP right now

Development of Mr. V

Some characters just pop into my head exactly the way they are, like how Samuel did

Cogsworth too

Some of my characters come from dreams, too, and I just immediately sketch out my interpretation of the idea I'd had

Peter came from a dream about a white rabbit with a weird face killing a nuclear family's father leaving the mother and child alone with no idea what happened (it was disturbing, (there are more disturbing details,) which is why I made peter very unsettling)

Butch came from a dream that had something to do with fake peppino from pizza tower running around the It Steals maze area throwing cleavers at whoever he ran into

Dreams are a GREAT place to come up with character concepts

They give you a very solid ground before you start designing

One of my guidelines for creating characters is that they should be instantly recognizable as their own character. What are their special features? What defines them? What features would I keep if I were to draw them at the bare minimum detail? What parts of the design would make the character unrecognizable without them?

For example, Reena without her yellow.

Queen without her shadows.

You see this rule pop up a lot online, though mostly focusing on the idea of the silhouette of a character standing out from the others.

While I think it's a good option for when it comes to developing designs, I don't like worrying about it too much. I try to create the individual features of the character rather than immediately think about the silhouette.

All things considered, you're also totally allowed to break the rules to achieve something else. For example, Saleem and Minnow have identical silhouettes because I wanted them to give an uncannily similar vibe. Some characters who were derived off of others through dreams I might have had have very similar silhouettes as a nod to their origins, though have very differentiated individual features.

I look to various other artists and designers I like for feature ideas when I'm super stuck (usually when my ideas are more abstract)

for example, scrawl came from a very abstract dream and literally didn't have a face (they were just a bunch of hands and looked a little bit like a black void worm from Rainworld)

I took inspiration from Fooffle's Space AU Warren for his face, Sir Needle's sona's ears for his hair, and gave him this sweater from a random thing I found on Pinterest that I liked

Bennet (and the rest of the caravan gang) came from a dream about various different individuals riding on a wagon - Bennet specifically in the dream was Uncle Ben who runs The Urban Rescue Ranch. I ended up giving him the name Bennet in reference to this, as well as Uncle Ben's broad shoulders, muscular build and curly hair.

Queen's entire existence is inspired off of the protagonist from Bendy and the Dark Revival. As a nod to this, I gave her a partially monochrome color scheme with some accents. Queen's shadow face was inspired off of this specific fanart of Caesar from The Mandela catalogues.

(I can't find the source for the life of me sobs)

Mr. V was inspired off of Itward from Fran Bow, as well as Pastra's sona Clyde the veldigun. I gave him Itward's large hat and formal attire, and Clyde's long limbs and striped patterns. I also gave him deep halloween colors as a nod to both inspiration's aesthetics.

My biggest thing about features is there has to be a REASON why they have these features, but that's just personal preference (and there doesn't have to be a good reason, or even a reason at all every single time)

okay now for the main part of the ask (I've been stalling)

Sorry if this is disappointing, I don't have a process for picking colors that work together

It's a lot of trial and error, and some characters I've even stalled making profile pictures for because I don't know what to color them as.

to me, you can pick any color you want. It's actually very impressive to think about how many colors you could use.

I'll try to explain what I do know about the placement of colors, though. It doesn't matter what colors you use, but in my opinion, the placement of these colors is what really matters in designs.

Depending on how many colors I'm planning on giving the design, I like to split them up into parts. Primary coloration (1,) which takes up most of the design, secondary coloration (2,) which takes up less of the design but still a good amount, (Sometimes I have more, tertiary, quaternary, whatever, that take up about an equivalent ratio of the design as secondary,) and accent colors (3.)

Similar colors can also be grouped together in these sectors. For example, all the purple in this character would be primary, the greys secondary, and the oranges the accents.

For Chakra, his purples would be primary, all the bright colors of the wounds secondary, and his outstanding eyes accents.

Each sector should be different and differentiable from one another!

Divide your character up into sectors for coloration. Decide what colors go where. Sometimes it takes a bit of shuffling to find what works for you. Adding inbetween colors to branch the gaps between your selected colors can help tie things together, too.

To me, instead of WHAT colors you use, it all comes down to how you USE those colors.

Cordis is mainly dark colored, primary, with their secondary rainbow colors and their accented white features. Even with rather bright colors in their palette, they still come off as a dark gloomy character because of the placement/ratio of those colors.

Monarch has very clashing colors, though when separated and balanced out, they appear harmonious and work together.

Anyways that turned further into a rant about character design than anything else

I hope this helped :D

[shysublimecoffee]

Itachi would've been fine to me tbh if like the story just let him be humbled lol. The main issue is that nobody called out Itachi for his actions, except for Itachi himself, which ironically serves to make him seem even more virtuous and flawless. "I understand feeling upset when some people in the fandom community don't use critical thinking. However, imagine investing a lot of time following a story you read since you were a kid. Many people simply follow the story as presented, and can you blame them when the story validates Itachi? I can't really blame them that much when even the writer seems to be bending over backwards to portray the character as a well-meaning hero, like in the case of Itachi." Now, I don't really know how well something like reading a piece of Naruto media can translate to real life but the saying the things we read and watch can influence on how we perceive the world rings true in my opinion because unfortunately some people really do believe in the Uchiha curse b.s and to me reflects a lot when it comes to how marginalized groups are stigmatized like the idea of a group having the curse of hatred inside of them is fucked if you are so set to believe in something based on a fictional group in a piece of media well... it raises questions about how that might influence real-life beliefs and attitudes towards marginalized groups

I think it's important to be at an age where you have developed critical thinking skills to engage with complex narratives like this. Many people are influenced by nostalgia and are such huge fans of certain characters that they are inclined to make elaborate analyses justifying their actions. For example, some might argue that because Itachi was just a kid when he committed certain acts, it excuses his behavior. However, if we start using age or other factors as excuses for heinous actions, where do we draw the line? What other circumstances would you be willing to bend over backwards to justify committing heinous crimes similar to what Itachi did?

Naruto is a bitch. I don't really want to extend to much with this character since I just feel disappointment. I wanted him to do more then he failed. He's become a politician I don't know what else to say lol. So many people say he inspired them how? What did he accomplish besides obtaining Hokage their world is still fucked up man the shinobi system still rotten. I thought this kid would grow up to do something about it but he remained complacent and changed nothing only difference is he's on top. I realized about later that was Sasuke role as an antagonist and it wouldn't make much sense lol there need to being 2 opposing sides but yeah... He was a whole lotta nothing as a protagonist he was cute kid but he grew up to be a dumb fuck who can't figure out why his "dearest friend" is siding against him and became man who can't keep promises.

It makes sense he had a hunger for acknowledgement I'm not discrediting that since he was a child but he wanted validation from everyone that he has such an obsession with his own self-image and how everyone thinks of him that I find it portrayal to be unhealthy. Sasuke at the end was just a checklist a reward at the end of the day that he wanted to gain for his personal goal.

Naruto talk no jutsu is so manipulative to me sometimes that instead of directly confronting Sasuke's ideas or opinions as equals would in a debate or discussion he would indirectly undermined them. He did this by ignoring Sasuke's valid arguments and instead focusing on exploiting Sasuke's emotional vulnerability, particularly his feelings of loneliness and despair stemming from the loss of family. Like his approach to me suggests a tactic to manipulate Sasuke's emotions rather than engaging with his ideas or concerns directly. But, I ain't sure if he's doing this deliberately since I don't know if he's that smart or I'm looking to much closely.

I'd rather ship his character with fucking OC's. I feel like each member of Team 7 are obsessed and want something from the guy but they don't care for Sasuke personally because if they did it would show but they're after him for what they want from him as a goalpost and hey they won.