#i mean like.... we all know that he is a very responsible person and his lore does say that he takes his duties very seriously

[girldriveroscar]

Parasocial Oscar and Landoscar analysis ahead u have been warned.

Contextually, 2020 Oscar was finally pushing open the door to the world of F1 as a potential driver (Mark Webber management, Renault Sport Academy, Eurocup Championship, etc.) and that fact combined with still being a schoolboy, surrounded by mates who actively followed his career and were his personal hypemen definitely made Oscar a bit of a hotshot to gossip about. Sure, he's kinda a nerd who games and races but also he's got great grades and a pretty girlfriend and he's coworkers with max fewtrell, best friend of emerging F1 heartthrob, lando norris, so really the cards were lining up in his favor. And yet none of that success (both socially, as it appeared to his peers, and personally, career-wise) went to Oscars head. Rather, he oozed this dorky endearing confidence that planted the seed of cool self-certainty that'd follow him into his F1 career. I mean from the very start, we can witness how Oscar took everything in stride, building a strong sense of self over easily inflating his ego.

This got kinda long so the rest goes under the cut for organizing sake!

Then, observing his Prema years, Oscar was newly thrust into a whole new team vibe. And in response, he outwardly tried time and time again to be a team player with the hazing/embarrassing bits (insert multiple clips of him dancing and singing despite initial hesitation, easily accepting very personal race vlogging into his daily regime, making hundreds of silly gifs for every occasion (heavily encourage everyone to take a look bc there's genuinely so many))

NGL watching Prema vids was what initially helped me understand Oscar better/made me like him bc we get the most clear display of his lack of ego. There seemed to be a general understanding coming out of this content: the media took an exorbitant amount of energy and wasn't at all conducive to developing his racecraft. buuuuuut regardless Oscar maintained an attitude of these people are my closest thing to family out here, they care about my wellbeing and my success and god damn it if they wanna take photos in matching Christmas PJs then hand over the damn PJs. And that was all of course bolstered by his growing success and notoriety on twitter. Just as he'd established a strong sense of self from the very start, now his public identity took it's shape in a way that felt honest and lifelike <Insert Clip of Angelina pointing out his messy clothes and Piastri Shrug>. He managed to carve out a niche amongst the Prema cast and it's not that he needed to be funny but if people memed him and laughed then hey if it gets me popularity I'm all for it. 

Honestly when people dog on Oscar, saying he's got no personality it makes me crazy because it's the total opposite! I think the charm in observing his growth from Renault Academy to Prema to F1 is catching how quickly he established an unchanging confidence in not only his racecraft and wheel knowledge but also in his personality- and how that personality shines through in subtle ways. When Lando does his negging, everyone just heard Oscar sing for the first time in McLaren, am I a funny teammate, Oscar takes it in stride. He doesn't blush, nor take insult, because he has no complex - he's confident about who he is, even if people don't find it amusing. Oscar knows he's not too shy to burst into song, it's just that there isn't anyone who needs him to, so why should he? He knows Lando doesn't think he's funny, but it's not like he was trying to be anyways, so what's it matter? On the flip side too, the rare times we get an outward expression of his confidence are GEMS. The Pool Promo, where he *unprompted* shows off with a trickshot and wins, THIS VIDEO where he eggs on Lando to call lies on his confidence, calling out Carlos/Lance when they interfere with his driving, does it please you greatly that you've won before Lando, is max the best driver on the grid, the whole cricket video, etc etc.

(LOL because I write about fashion outside of this blog and someone might appreciate the connection, in my brain I kinda liken Lando and Oscar's respective confidence to loud/quiet luxury. Lando's a OOAK Hot Pink Birkin and Oscar is a Helmut Lang black slack lolol) (Not a diss btw both items have social connotations/importance that we could unpack for hours but I digress)

I digress I digress I digress. Going back to the Prema assigned humiliation rituals. In a way I think Oscar's ethos regarding embarrassment/lack of ego heavily simplifies down to this story. His mom goes on to explain how after winning an award she gave him a big kiss in front of the whole school and, contrary to how most kids would be embarrassed or angry at the sudden loud affection, Oscar just brushed it off like no matter! "He's just resigned to it" <- literally the most OP81 psychoanalysis of all time thank you Nicole Piastri. For Oscar, the implied embarrassment he should be feeling does not register, as he simply receives love without any grievances, and hasn't the mind to worry how everyone else perceives this exchange. I swear I have a point pls stick with me. So, reiterating, this is the Prema treatment, sitting in front of the camera, Oscar resigns to producing content that's at least moderately enthusing because at the end of the day, the love for his team and the people he's working with is what's worth sacrificing mystery or "cool-ness" for. And even that's a bit of a misstep because I don't think he views it as a sacrifice so much as 'being perceived' doesn't fall on his radar of important things at all. Which! is what makes Oscar SO effortlessly nonchalant in an objectively cool way! (like this is where the more surface-level likening to Kimi Raikkonen <certified Ice Man> comes from) (The real Oscar freaks know he's not any cooler than his indifference and he's actually an incredibly endearingly awkward guy. He just doesn't take himself too serious, idk you get it.)

Now continuing down this timeline, F1 Oscar, who's got exponentially more eyes on him and a humongous team of people who's names he is still learning- comparatively, who is the one guy he can definitely remember the name of. In this transfer of teams and people, all this “I love you even if its kinda objectively embarrassing for me” energy Has to go somewhere and where else would it go than the one guy who’s name he can remember; the one guy in the same exact position as him; the one guy who he’s followed and idolized since 14! YEAH YEAH. And now Lando himself is hardly an extrovert like Oscar’s old prema friends/coworkers, so instead of yes I'll do a stupid dance so you can have good content and make your job easier Oscar -Acts of Service- Piastri has kinda got the most easy job in the world of loving Lando —I just want to make eye contact and know you hate/love this as much as I do— Norris. Like they genuinely match each others freaks in the sweetest introverted mutually beneficial way.

When you really dissect Oscar's Prema content, he’s equally expressive to everyone! He stares holes in the heads of Fred/Logan, doubles over laughing at Arthur/Robert, blushes over Angelina's teasing; it's a sanction of his care and attention divulged to each person in his sphere, one slice of the Oscar cake. Now take Lando? He's been treated to the whole Oscar Cake with a side of ice cream and a cherry on top. Like imagine if you had 10 glasses of water and you poured all of that water into one glass. Suddenly it’s overflowing and there’s water all over the table and the mess is apparent to everyone and the waiter is bringing over towels and someone's grandma just fucking slipped in the puddle and there's a baby crying and- right? right. Oscar’s love language that was distributed across an entire team of people now has nowhere to go but Lando. And not only is it love in respect to the game, it's I've known you years before you knew me, I fell asleep to your voice, watched you grow into the man you are today type love. Oscar is folded at the waist drowning Lando, staring at him with the force of 10x one man's ration of love and we are all god's honest witnesses! Yea no wonder he want that cookie so effing bad tf!!!!!

And it’s such a compelling dynamic because Oscar has been ready to transfer that quiet affection since the very beginning (had old pics of Lando on his phone up through his first year of F1 rightttt right) and since the start of it all, we just get front row seats to Lando reacting to this unconditional respect/love. WHICH IS EVEN GREATER FOR THE FREAKS AND THE WEIRDOS BC LANDO IS SUCH A WEIRDO AND HIS COMPLEXES TOWARDS OSCAR ARE SO COMPLICATED. Basically like. idk. I love when they beef bc Oscar is like I love u I love u I love u and landos like idgaf I’m cheating on u actually no I’m sorry come here I will give u silly nicknames reserved for only me to call u, but actually fuck u and ur talent I’m not spraying u w champange but also oh my god I’m a mess come be freaky w me about it,,,,, the put Lando Norris in a scenario versus his own mind agenda is great. (Bringing back the og tag to just say not ln4 hate, i just like to observe him like a bug in a jar and shake the jar hard bc he is a millionaire and my silly wabbit who I experiment on) anyways. Yea. Lando is complex. Oscar is cool bc he doesn’t care if he is cool and yet simultaneously he's so uncool bc having a crush on a guy for 8 years before being his mclaren arranged failhusband has never been easier nor sexier. OKAY. NO MORE. for now.

[shydroid3000]

On the subject of Light Yagami, Misa Amane, and guilt (guilt as in culpability and guilt as in the internal experience of feeling guilty): [Rambled about this as part of a response to an ask game but decided I'd pop it into its own post too 'cause I ended up writing a lot on the topic lol]

The question was: was misa just as guilty as light? Ooh, guilt in relation to Misa and Light is interesting to think about. On the one hand, I do think that they're both culpable for their actions at the end of the day. I have maybe some more grace to extend Misa in terms of her having an understandable reason to go down that path, what with her parents being murdered (and almost being murdered herself). Like, that's a level of trauma that makes you go, 'yeah, I can understand why she was all-in on killing criminals with the death note, even if I don't agree.' Light, on the other hand, had this good, stable, pretty privileged home life, in addition to him being a top student, talented, handsome, etc. He's got less of an excuse, you know? The fact that Misa's drawn to Kira's ideals out of lived trauma, whereas Light is drawn to those ideals largely out of ego is sort of a meaningful distinction. (By ego I don't just mean the belief that he's exceptional, but I mean -- the way he is so desperately driven to protect his conception of himself as a Good Person. That's a tragic and heart-rending manifestation of ego, but it's still about protecting his ego). But I also think there's 'guilt' on the level of the actions and choices you make regardless of motivations, and I'd see them as more equal on that front. Misa was an enthusiastic DN user and participant in Kira's plans/ideology. She's motivated by different things than he is, but she makes her choices knowingly. I think it would be diminishing of her agency and complexity to say that she's less responsible for her actions than Light is, if that makes sense. (Also, there are things Misa is guilty of that Light isn't, and vice versa. E.g., Misa pushes Light's boundaries in a way that can be very uncomfortable; Light uses Misa/others without real regard for them).

Now, beyond all that... the question is obviously about their culpability for their use of the DN. But it also makes me think about each of their *experiences* of guilt internally, and that might be even more interesting to me. I think that their relationship to guilt is one of the things that makes them so divergent from one another. Because... running away from guilt is such a huge part of what propels Light to go all out with the Kira thing. So much of his psyche is shaped around that black pit of guilt where whispers of "I did a bad thing. If I did a bad thing I'm not a good person" come from. He diligently tries to cover over that and barricade it off. He crafts an ideology that makes his murders righteous, and commits to making a New World(tm) where the meaning of 'good/right' is reshaped around that. He makes himself a God so that his actions are beyond judgment, or at least he is, because his murders are divine - they're acts of creation, even of love and self-sacrifice. And then Misa... well, guilt doesn't seem to be as obvious a factor for her, whether as motivation or reaction. I mean, I could imagine a reading where there's some well of underlying guilt about the death of her parents and her survival -- I think that would make sense given the circumstances. But... we never actually see that kind of Bruce Wayne -esque psychology peeking through, so that feels more like headcanon territory than direct analysis. Obviously she has deep feelings about the murder of her parents, but she has a very different relationship to guilt than Light. She usually comes across as very free from guilt. She knows what she wants and what her priorities are, and she pursues those without shame. She's impressed by Kira so she becomes the second Kira; she decides she loves Light and wants to be with him regardless of whether he even likes her, so she pursues that undeterred by his response to her. It feels like Misa is always calmly pushing forward toward what she wants, whereas Light's sprint forward toward his New World is really a running-away-from. But at the same time... what kind of underlying emptiness would make someone so completely devotional in the way Misa is, wanting to devote themselves to someone who mostly loathes them, to the point of not even seeming to be hurt by that person's disdain for them as long as they can still have that person in their life? I think there's definitely beneath-the-surface stuff with Misa, but it comes across like guilt is a colour that just doesn't exist in her world. Whereas with Light, every shadow in his world is the colour of guilt. If goodness or righteousness are the rays of the sun, Light Yagami is the moon that reflects the sunlight while trying to create a reality in which those rays are his -- are him -- a reality in which he becomes the sun. And yet he's a moon, and the dark side of it that he disavows is guilt, is 'I did a bad thing', is 'what if I'm not a good boy?' (Wow, went overboard with the metaphors there but too lazy to edit lol).

[lie-lacdreams]

Thermodynamics and Turmoil (Curly x Reader pt. 1)

Hello! I'm putting out my very first piece ever and I'm so excited to feed the masses as much Mouthwashing content as they deserve :) This game has a lot of sensitive topics to it and as such I'll try my best to bring them up as appropriately as possible. The story is gonna start off slow and elaborative because I love all of the Tulpar crew so much (except for Jollof rice, Jimneva convention) and they all have such interesting personalities that I couldn't help but to explore their wants and aspirations. This story will feature an alternative ending to the game because I cannot stomach sad things they make me very sad </3

engineer! reader x curly TW: a bad word or two, I think word count ~ 1.9K

Curly was back in the medical bay for his routine psychological evaluation with Anya. With all of the questions answered and out of the way, the both of them were just chatting before he had to go back to the cockpit and finish up his duties for the afternoon.

“You’re all good to go, Captain. Seems like there isn’t much change from your answers like last time, as usual.” Anya let out a tired sigh. 

“That should be a good thing, given we’ve already been on this trip for almost two months now. We should all be used to the routine around here at this point. Has everybody else been adjusting alright?” Curly stood up from his chair, Anya following suit as they moved towards the door. 

“For the most part, everyone’s been well but I wish they would open up or take the assessment seriously. I mean, at least Daisuke has been making my job a little easier – he just talks and talks.” she mused. Curly gave a little chuckle in response, thinking about the last-minute intern that the Pony Express decided to add on board to their journey. He wasn’t exactly the most helpful – at least according to Swansea – but he brought an air of lightheartedness that they all needed in a cut-corners, shitty working environment like the Tulpar. “Oh, actually, have you seen (Y/N) lately?”

Curly thought for a moment. Along with Daisuke, (Y/N) was another late addition to the crew. The Tulpar has started showing its age and as such, there were increasingly consistent problems with the water pipes, life support, and fuel usage. However, instead of giving the crew a new ship, they handed the responsibility of keeping the ship up and running to the passengers. After their previous trip, Swansea went straight to the higher-ups and ripped them a new one, stating that “he couldn’t be expected to perform miracles”. When the crew was assigned this trip, they were all surprised that corporate had listened to Swansea’s complaints and granted them with another engineer. (Y/N) was self-sufficient, only really needing to work with Swansea to consult him on how best to move forward and with Daisuke when Swansea needed a break from his overzealousness. As a result, Curly saw and knew very little about her. “No, I’m afraid I haven’t. Why?”

“She’s due for her check-in as well but I haven’t seen her these past two days to tell her that. Go figure. We share a room yet recently she’s been waking up earlier and sleeping later than I have. When I went to ask Swansea and Daisuke if they’d seen her, they said that they haven’t seen her at all today.” 

“Huh. She’ll show up eventually. This ship only has so many places a person can be. If I see her, I’ll let her know to go straight to you. Thanks, Anya.” He patted her shoulder lightly before heading out, making his way back to the cockpit to fulfill his duties. 

In the evening, the crew convened at the table for dinner. Curly always looked forward to this time of day, where everyone had finished all of their tasks and could open up with light hearted banter. With only the six of them on the ship for over a year, all they had were each other, and he cherished all of his crew members. Anya and Swansea were chatting to the left of him about Swansea’s kids back on Earth. To his right, he saw Jimmy get increasingly agitated as Daisuke tried convincing him to swap dinners with him. That’s when he spotted the empty chair across from him and realized that (Y/N) was still missing. 

No one was concerned by her absence; it was a common occurrence, and he trusted Daisuke and Swansea to be in the loop about what she was up to and would report to him if anything happened. During the work day, everyone was so consumed with their jobs and couldn’t afford to worry about the whereabouts of the others, unless they needed to lend a hand. Curly wasn’t an exception to this. As the captain it was his responsibility to make sure his crew members were okay and that things were moving along nicely, and so far there wasn’t anything out of the ordinary that indicated otherwise. With everyone finishing up their dinner, clean up began before people bid each other goodnight. 

In the middle of the night, he woke up parched. Debating whether or not to get a glass of water, he finally got out of bed and made his way to the lounge where the kitchen was. Leaving his room, he could hear a faint clacking noise grow slightly louder the closer he got to the lounge entrance. Opening the door to the lounge, he was finally met with the sixth crew member whom no one had seen all day. Sitting at the dining table, (Y/N) rested her feet on the seat of her chair and had her knees drawn up to her chest. All around her were books and loose papers scattered about. Her hair was messed up, likely a direct cause of the hand she kept on her head, fingernails digging into her scalp. Curly gently cleared his throat, trying to make her aware of his presence. Shooting a tired glance his way, her eyes widened a bit before immediately sitting up straight and tidying her hair. She looked guilty, like she was caught in the middle of doing something she wasn’t supposed to be doing. 

“Finally, we get to see her. Where have you been, Miss Absentee?” He sent a small smile her way, walking over to her.

“C-Captain! What are you doing up? It’s quite late.” (Y/N) nervously fidgeted.

“Just up for a glass of water. What are you doing up so late is the real question.” He crossed his arms. 

“Just doing a bit of work. Can’t get enough of it.” She joked dryly. Curly frowned and pulled the chair next to her to take a seat. She sighed and leaned back, finally relaxing from tensing up after seeing Curly enter the room. (Y/N) didn’t know her captain well, and as such she always tried her best to save face and remain professional with him, but at this hour of the night, she was too tired to keep up with decorum. 

He leaned on the table, facing her. “I know we may not be as close as you are with Swansea and Daisuke, or even Anya, but as your captain I care about how you’re doing and I want you to open up to me.” Her expression became hesitant as she shifted in her seat. “We’re all busy and even though it’s common for you to go missing during meal times, seeing you like this now is making me worried about how you’re doing.”

(Y/N) kept quiet for a second, looking like she was mulling something over before picking up the object right in front of her.  “Do you know what this is?” 

“An abacus. Interesting that you have one.” he said. 

“Yeah.” she sighed. She moved her gaze from Curly to the plastic Polle statue in the corner of the room. “Before I got on the Tulpar, they had given me all of the supplies I needed to fulfill my duties and do what they asked of me. I had met Swansea only briefly before so he could give me manuals and maps of the ship’s layout. I got the uniform, the steel-toed boots, notebooks, writing utensils, and a solar-powered calculator.” (Y/N) shook her head. “You’d think that would be enough to prepare me to be here, but no . If only there was a way to have a bit of sunlight in outer space in a ship with no windows. They gave me something so crucial but useless out here. I had brought the abacus on board with me for sentimental reasons, but ironically enough it’s the only thing here that allows me to do my job.” She glanced back at him. “I’m not sure if you were aware, but Pony Express lied and said this was an internship for graduate students. Little did I know I’d be thrown into something I wasn’t going to have much guidance in. I needed a break from my PhD and even though the pay wasn’t that great, I was desperate for some sort of escape from academia.  I thought going to space would give me that, but every day I wake up is a constant reminder that I’m so underqualified. Swansea is an expert with the mechanical side of the ship and he’s helped me a great deal, but the fluid mechanics and thermodynamics of it all are things he knows nothing about. So I’m here, trying my best to play catch-up and praying that I figure out a solution so that this ship has enough fuel, enough air to last us an entire year, and that the Tulpar doesn’t pop like a pressurized soda bottle while we’re out here.” 

“(Y/N)...” Curly’s voice died at her name, shocked at this revelation and disappointed he somehow didn’t know about her struggle sooner. “I had no idea what you were going through. You always seemed to have a grasp on your tasks and Swansea always praised the work you did, so I just assumed you weren’t having a hard time adjusting. Have you told any of this to Anya during your evaluations?”

“No… I really wanted to believe that I could do it and stick it out, and so far, thank God, I’ve just barely made it every time. I really wanted you and the rest of the crew to believe I was capable and worthy of being here.” He cautiously put a hand on her shoulder, testing the waters on how he should comfort her. 

“You are worthy of being here. The fact that we’ve been having such a smooth trip with no complications so far makes that obvious. I really appreciate you opening up to me now. I want to do everything I can to make sure you aren’t stressed about your work. You need to get rest and eat like the rest of us. Sure, none of us are a chemical engineering smarty pants like you, but you can always ask for help, even if it’s just for something like bringing you food or running errands around the ship.” He smiled at her, and she weakly reciprocated the gesture.

“I’ll keep that in mind for next time. Thank you, Curly.” Too tired to remember formalities, (Y/N) let out a big yawn, much to his amusement. 

“So are you gonna go to bed?” He asked. She threw her head back and groaned in defeat, murmuring a “yes”. “Good! I hope I get to see more of you around now that you’ll be asking for help, yes?”

“Yes, of course, Captain. I’ll see you tomorrow.” The both of them stood up, (Y/N) to head to her quarters and Curly to finally get his glass of water. Before completely leaving, she paused and turned back. “Oh, and Captain?” 

“Hmm?” He raised his head up to look at her again.

“I know you have a lot of responsibility on your shoulders looking after all of us. Please, rely on me too.” She smiled gently.

“Goodnight, (Y/N).” He called after her as she slipped through the door. He felt content that he was making good progress to gaining the trust of the crew member he knew the least. It always made him feel good to be the reliable captain he hoped everyone viewed him as. Having that conversation with (Y/N) made him a little more relaxed now that she had opened up to him for the first time.

[soft-pine]

1.14 nightmare // cn discussion of domestic violence and suicide

what an aptly named episode. this is one of the most upsetting episodes of the whole show for me. while it touches on themes that i love - what if the monster was family - the way it handles ms miller is deeply uncomfortable. and max's story is just downright awful.

i do find it interesting that this is the second time this season where dean is arguing that they have to stop someone even if they happen to be human. while sam is vehemently insisting that them being "human" means they have to take another approach.

the first is in faith:

DEAN: Sam the guys playing God, he's deciding who lives and who dies. That's a monster in my book. SAM: No. We're not going to kill a human being Dean. We do that we're no better than he is.

and then again here:

SAM: Dean. He's a person. We can talk to him. 

i've said and i'll say again that dean understands that monstrosity is the result of actions and choices not something intrinsic. i think sam sees monstrosity and humanity as more of an intrinsic dichotomy and that's one reason he struggles so much in season 2. anyway.

but really what i want to talk about is ms miller. and how clear it is that she is also a victim of domestic violence. i understand, deeply, why max is so angry with her and why he sees her as an extension and enabler of his abusers. but i simply cannot fathom a world where max is experiencing the torrential abuse he's suffering where those people are not also harming ms miller deeply.

max accuses her, "You didn't do anything. You didn't stop them, not once!" their old neighbor says, "the worst part was the stepmother. She'd just stand there, checked out, not lifting a finger to protect him." the neighbor's claim always strikes me as a remarkably cruel reading of someone who is clearly also suffering and likely dissociating. like idk man of course i think adults have responsibility in situations like this (and i do appreciate the nod to the cops being useless) but like... "the worst part" THE WORST PART was the stepmother. i kinda feel like the worst part was the abuse, no?

but the upshot of it all is that ms miller's implied abuse seems like it has no witnesses. and that's of interest to me because of some interactions we've already dealt with in season 1.

in 1.03, we get this exchange:

DEAN: ... all that anger, you can't keep it burning over the long haul. It's gonna kill you. You gotta have patience, man. SAM: How do you do it? How does Dad do it?

then this in 1.08:

SAM: Remind you of somebody? Dad? DEAN: Dad never treated us like that. SAM: Well, Dad never treated you like that. You were perfect. He was all over my case. You don't remember?

and at the end of 1.14, sam says:

SAM: Well I'll tell you one thing. We're lucky we had Dad. DEAN: Well I never thought I'd hear you say that. SAM: Well, it coulda gone a whole other way after Mom. I little more tequila and a little less demon hunting and we woulda had Max's childhood. All things considered, we turned out ok. Thanks to him.

listen, i would never argue that john winchester didn't abuse sam. but i think it's interesting that though sam is critical of john's parenting and though he has complaints about how john treated him, he doesn't seem to think john treated dean poorly.

which, we just simply know he did. we know it because john does it in 1.09, 1.12, 1.20, 1.21. and because we're told he did in 1.18, 1.22, 2.01, 4.19, 9.07, 14.11, 14.12, 15.20, i mean i could go on.

and not that i have to filter everything through season 14 episode 12 prophet and loss. but i will. because it very clearly lays out how 1. dean was forced into the role of keeping the peace and 2. john would treat dean badly in ways dean wasn't sure sam was witnessing.

DEAN: I know things got dicey… you know, with dad… the way he was. And I just… I didn’t always look out for you the way that I should’ve. I mean, I had my own stuff, you know. In order to keep the peace, it probably looked like I took his side quite a bit. Sometimes when I was… when I was away, you know it wasn’t ‘cause I just ran out, right? Dad would… he would send me away when I really pissed him off. I think you knew that.

the uncertainty behind, "i think you knew that." ough.

but bad boys goes even farther here:

SAM: Hey, Dean ... I mean, why didn't you just tell me you went to a boys' home? DEAN: I don't know. Uh, it was Dad's idea. And then it just – you know, the story became the story. I was 16.

john told dean to lie to sam about what was happening to him.

so what does this all mean in an episode where dean is somewhat mirrored to and protective of the allegedly bystanding stepmother?

that abuse is shitty, cruel, secretive, and protects itself by pitting its victims against each other.

i don't know i wish i had something a bit clearer to say than all this. but it's just sad.

[louthestarspeaker]

it's almost 1am here's my essay about Dal and captainhood <333

I hath promised a Dal essay and I hath delivered… 

I've had this in the drafts for so long, but I just rewatched season two and it really allowed me to solidify a lot of my thoughts.

One of things that really strikes me about Dal's character and his relationship to command is that being in charge is a place of safety for him. He's had to be self-reliant and self-sufficient pretty much his whole life until the Protostar. It's something that was engraved into him since he was small, that the only person Dal could really depend on was himself.

And because he was never around anyone who actually cared about him until the Protostar, that was the right thing to do. This need to be in charge, to be in control really, is a learned survival skill. "I can tell you from experience, people in authority lie."

But in season two, his circumstances have changed (for the better!), and that's not the right thing to do anymore. Ultimately, to me, Dal's season two character arc is about vulnerability and trust. He's been in survival mode for so, so long, and now we watch him learn to heal.

You start with this boy who's spent the grand majority of his life alone or with people who are exploiting him, and the story takes him by the hand and tells him "now that you're safe, now that you have people who care about you, you can't live like that anymore."

All throughout season one he learns trust. Trust in his crew, in Hologram Janeway, in the Federation and in Starfleet as institutions that can and will help him and his newfound family. But as a captain,when he was guiding his crew through active crisis after crisis, trust looked like open doors. It looked like laying out all the variables and problems on a table so they could figure a way out together. 

Trust looks very different on the Voyager-A. It asks him to have faith in what he's not seeing, what he's not being told. He has to believe that they have his best interests at heart, that he's not trusting his family to something that will try to hurt them. 

Captainhood isn't just bossing people around for Dal. It's the responsibility of holding the lives of the people he loves in his hands. He trusts his own hands. He has the best interest of his crew at heart. 

To ask Dal to relinquish control, is to ask him to place the lives of himself and his family into someone else's hands. Which, historically, has not gone great for them. It prods directly at his trauma, asks him to take undo and ignore the survival instincts that kept them alive for so long. Is it any wonder he has trouble with that?

Dal's not going around crawling through Jeffries Tubes because he's a brat or because he thinks he's entitled to know everything. He's a traumatized kid whose self-sufficiency, independence, and ability to make his own decisions were once, for a very long time, the literal line between life and death for him and his crew.

And even if he trusts Starfleet and Janeway in his head on a logical level (which I absolutely believe he does), there's still this instinct that's written into him. It's a process to learn how and when to turn that off, and that's what we see especially throughout the first half of season two. 

This really culminates in the cafeteria scene after they return with the Protostar and Chakotay, when Dal advocates for the Starfleet temporal management guys to figure out a way to get the Protostar back to Tars Lamora. Dal was able to see that his hands weren't the best ones for the job, and trust Gwyn's life to someone else. That's huge for him. He trusts not just a person, but a branch of an institution he's never interacted with before, with one of the people that mean the very most to him. And Dal's able to give up that control, to place himself and his crew in that position of potential vulnerability, because he's finally started to feel it in his bones that he's safe here.

[sourslip]

man getting to the end of act 1 I can't stop thinking about what things are gonna be like for Vi with everything happening as she goes thru her emo pit-fighter phase. when she got out of Stillwater, she was fueled by one goal- protect/save Powder. She ofc had a want for revenge against Silco, but I think especially with the last episode in S1 it was pretty clear to me at least that she had her priorities pretty straight on that front: Pow first, Silco second.

there was also a very clear pattern of Vi being unable to really, meaningfully adjust to how things had changed in the time she was away: most obvious is how her sister changed and Vi treating her as one-dimensional post-Stillwater (she wasn't just surprised by Jinx's joy committing violence in the S1E6 end fight with the Firelights, she was convinced that wasn't her sister but something Silco imposed on her Powder), and to an extent also with a lot of the Undercity starting to get behind aspirations of independence. And I think this season is shaping up to make that second point more important

Vi has a good heart like Vander said, and she of course was pointing out how much worse life got for people in the Undercity with shimmer and the Chembarons pulling the strings - and that is very much true and Ekko + the Firelights make a good contrast - but I think about how Vi told Vander "I grew up knowing that I'm less than them, that my place is down there. I want Powder to have more than that" and it sounds very much like Vi's internalized a lot of how Topsiders view the relationship between topside and the undercity, but that isn't how most people in the "present" see it in the Undercity.

Whether its Silco, Sevika, the other Chembarons, or Ekko and the Firelights, they don't have shame about being undercity. they don't see themselves as less than topside - they know topside thinks that and hate that, especially Silco, but that's not the same as believing it. I don't mean to say Vi admires topside or doesn't love the undercity she grew up in, but I think there's more than just "having a good heart" that made her focus more on the harm Silco was doing than seeing the potential for independence, and I think it has to do with her sense of identity as a person from the Undercity being stuck in the past

Vander made a choice to "keep the peace" between topside and bottom, but violence is a spectrum and the slow, small, casual violence of class inequality (particularly with environmental classism) the idea that what he's protecting is really is peace as in non-violence is very much open to challenge. what he did protect in effect was a power dynamic between the two - Greyson treated Vander as a leader, but it was clear she expected him to capitulate to the demands of topside. And Vander had to give something.

When Vi tried to take on that responsibility herself, she had a major moment of growth where the true weight of potential violence and conflict hit her and we saw her take on a more tempered protective role, but I think we also saw that view of "Topside/bottom" really crystallize - and she kept that all through Stillwater even when, outside prison, more people in the fissures started to see it as "Piltover and Zaun", not in a hierarchy, but actually separate. Piltover's condescension towards the Undercity wasn't internalized by everyone in the Undercity once Vi got out, it was just a reflection of their arrogance and was getting in the way of them respecting a distinct people that had an incredible ingenuity, its own economies, and its own political systems. Silco having Marcus under his thumb was big organized crime vibes yes, but it was also a reversal of the relationship between Vander and Greyson, and in a way it reflected the changing priorities and national identities of the people in the Undercity; from oppressed and resentful fissure folk, to political adversaries of topside actively involved in pushing for their own independence, and fighting for what they built

I think, as this season its shaping up to look like Jinx is being thrust into the revolutionary role, and the previews of the next act look like that's actually starting to matter to her - or she's now seeing what it means moreso than she did when Silco was around. the lady liberty French revolution painting pose from French animation studio Fortiche Jinx flag part in the intro with the realization/wonder/reverence in her expression makes me think she's now going to take on a leadership mantle that Vi thought she would assume as Vander's protegé, and it means that she won't just be a "loose cannon" throwing a wrench in political machinations anymore, she'll be an intentional, calculating player on the field.

I think S2 act 1 Vi was okay with killing Jinx only because her idea of Powder was like her idea of the undercity - stagnated in the past and ultimately one-dimensional with its inflexibility. but if she starts to see that the people of the undercity aren't just a hurt people rushing into war like she wanted to when she was a kid, but have become a nation with its own identity seeking sovereignty, and if she sees that Jinx now take up that mantle, I think that might shake her a lot. especially with the kid, Isha, attaching herself to Jinx - like Vi saw how panicked Jinx was that Isha threw herself in harm's way - that shook Vi in a few ways, and one of those i think is that Vi saw herself in Jinx for a moment. she saw a powerful woman accepting the risk to her own life be unwilling to risk the life of another, more vulnerable person that clearly had some care and connection to her. I think that split second Vi really saw her sister. she didn't see who she thinks of as Powder in her, and she didn't see who she thinks of as Jinx, she saw her sister. And I think that's going to shake Vi harder than anything.

the writers I saw said that Vi has always been a protector and the next arc will explore Vi without anyone to protect, and I think we can expect to see Vi to go through some painful realizations that the way she has been seeing things doesn't reflect how things really are now. Caitlyn doesn't need protecting in the way Vi had been protecting her anymore, just with bodily safety, now if anything Cait needs protection from further manipulation, but that's another thing. Jinx doesn't need protection from Silco, and maybe Piltover doesn't need protection from Jinx either if Jinx really does begin to temper into a leader, and anyone else Vi might protect doesn't need the protection Vi was expecting herself to give when she was a kid.

Vi seemed to spend a lot of effort repressing her feelings when it came to people that made her feel safe - she cared SO much about Vander, loved him and looked up to him so much, but didn't want to show it and was gutted when he was gone and she was left without someone to protect her. She then spent a decade in a prison system that had officers intentionally targeting her, so again no protection. she made a joke about Caitlyn being her hero when they were in the Firelight's hideout, but given how vulnerable she was in the Oil & Water bedroom scene, I think she was trying to mask being genuinely touched by how much Caitlyn was looking out for her. she got so uncomfortable she lashed out about her parents being killed by enforcers when Caitlyn healed her stab wound in S1, and I wouldn't be surprised if we see her get uncomfortable about having Loris look out for her now. But I think it might also just be the last straw for having her confront some really complicated feelings about wanting to feel safe but never safe enough to let that happen yes I'm still hurt by S2E3 and the betrayal she prob feels and how she expects people to only want or need her when she can protect them the way she thinks they need her to

[ashironie]

reblogging bcs i have a lot of thoughts

i fucking HATED how Jon treated him s1, we also have to remember that before we see ANYTHING of Martin straight from the horses mouth, we see him from Jon’s pov. And Martin probably wasn’t very good at his job, but that’s reasonable since he transferred from the library to an archive, he most certainly didn’t expect to be in research 2.0. Martin has no clue how to do his job and he couldn’t let anyone know that because he wasn’t even supposed to be there. The reason i started liking Martin was because i hated Jon, and the reason i hated Jon was because he was mean to Martin. My thought process was thus; Jon’s an Ass to Martin for really no reason, so I’m going to like Martin to spite Jon

Now, i too sorta dislike s5 Martin, when i first listened i found him to be really whiny and kinda ungrateful. During my relisten a lot of the problems i had with him were lessened because i was just so unuse to this new Martin, and before, he would do everything I would, but now he was a lot different, which gave me whiplash. it’s like expecting the driver in a car to take a turn and then they just don’t, you can’t blame them but there’s a sense of wrongness in your stomach. Now again most of these problems i had were fixed when i relistened, knowing what was going to happen, and that was my main complaint with s5 in general, expecting a turn and the driver just keeps going straight

Now going back to s1 (since i realized i didn’t explain my point very well). When ever Jon talked about what Martin did it was heavily biased, and whenever we hear Martin talk it’s around Jon. Around the person he doesn’t want to get in trouble by. We heard in the beginning of s5 tapes that Sasha and Tim were a lot different then when being recorded in s1, so obviously Martin (with a more easily identifiable reason) would also be a lot different. Then when everything went down and he dropped the act a little, we do know he was still acting. The tapes we get in s3 before the Unknowing are the closest thing we get to him being genuine, and even still he doesn’t want to admit how much of an asshole he is.

Now it’s fine if you don’t like Martin, he’s specifically written as a very complex person, and that means that sometimes people just hate him for no reason. But I dislike the criticism that his personality was very touch and go, it’s just that we didn’t know what was actually going on in his head until end of s4 and s5.

Now my defense of why I like Martin is;

He has a very heavy faun response, which same, and that aspect makes him really interesting to me. Being manipulative and having a heavy faun response are the same, but are seen differently.

i detest the idea that he is never in the wrong or that he’s just a sweet cinnamon roll. Martin, early on, just follows the lead to anyone who makes it seem like they understand even a little, then does a full 180 into thinking he knows what’s right and wrong without any input from anyone. Then realizes that, he really doesn’t know, nobody does, and he still thinks he knows better more often than not, but he recognizes this in himself. There is no ends to anyone’s character arcs in TMA, they still grow and struggle with the same things, but they find new solutions and new problems. And i think all of that is really interesting! It adds to the tragedy, it’s fine if a character dies when they are finished atoning for whatever narrative sin they have be set up with, but it’s tragic when they never get to! They are told what they need to do, and try to do it, but die before they can. Sasha died before she could be anything but a memory, someone who almost just haunts the narrative. Tim died in a noble way, but ultimately pointless one, as we come to find out. He is still just as angry, and he still didn’t bring the two people he wanted to save back from the dead. He didn’t win, even if he and everyone else thought so. He could’ve healed, but he killed himself before he could. And Martin tries like hell to figure out how to listen to people without only listening to him, and he fails a lot, a LOT a lot. But he died before he could just relax. Jon was the same, he got too deep and thought that, with enough time, he could figure out a way, not out of the hole, but closer to the surface. And he would’ve, if given the time. But he was dragged back into the same bullshit by the same man and by the same fear.

sorry that one was a lot longer but yk.

Martin is also stubborn. He was endlessly patient with Jon early s5, and the idea that he’s impatient the rest of the season i disagree with. He is just very careful with what he gives his time, maybe a bit to careful, but again with him over-course correcting. But he is still very stubborn, which i feel like is a good word between perseverance and determination. He knows that they will find a way to get everyone safe, as much as possible. He is too patient to believe the easy answer, and too persistent to allow everyone else to settle for that either. He does dumb things sometimes, but when has a tma character not? but is still fiercely protective of his people and ideals. if not a bit misguided at times

I'll be so honest with y'all, I always thought Martin was written to be an intentionally dislikeable character (like s1 Jon) for like character development or something, and then I was even MORE sure of that by season 5, and then they just kinda never touched on it and the fandom was all obsessing over him and it's like?? What do y'all see in him unless you relate to him omg 😨

[dnangelic]

like it's just the way that outside of the BATB/POTO 'love what's ugly and ostracized' narrative itself cocteau was gay and everybody hated his gall about it, howard ashman was gay and had to conceal it and died of aids after finishing his work for disney's batb.... rather than have dark be homophobic and spitting in the face of his inspirational roots (the sole canon detail i can't stand) it's much much much more interesting for me to both read and write not someone who's meant to be a pervert (in humor) and an agape lover (in serious contextualization) only to turn and say 'no homo' to the crowd every single time but rather, instead of all that, someone who, simultaneously taking daisuke into account, is both extremely firm yet simultaneously insecure in the struggle to establish their identity not only in regards to themselves but also around others.

that applies to a lot, but i've been considering it especially in regards to dark's gender and daisuke's attractions. dark in my portrayal (while overall 500% nonbinary) is closer to someone bi-gender rather than agender; the feminine aspect to him isn't just theatrics, it's actively also part of his entirety to him, (compared to daisuke's passivity; the ten thousand canonical princess allusions,) and even if nobody ever recognizes it in a cognizant way, it is always, always there, the same way that erik blurs and obscures gender in leroux's novel (my second enormous inspiration, sugisaki's outright admitted primary) and sakurai occasionally discusses his relationship as both a performer and a person as well (my third enormous inspiration and sugisaki's secondary,) (see 1, 2.) simply put, the tragedy of (my!) dark does not ever derive from his being able to choose and sit comfortably and confidently with this sort of identity (in fact, it's one of the few things he can stubbornly, viciously decide for himself [alongside daisuke] as essentially a non-human, autonomous 'angel',) it's instead the way that his personality is so strong and 'anti-feminine' in the eyes of convention that said aspect of himself often gets disregarded for strictly masculine (and regardless, further self-contradictory and therefore isolating,) expectations.

dark himself alone does not care if others do not understand him; this is meant to be one of his far more admirable and impressive traits. he's staunchly independent: he knows who he is, what he's supposed to be, and he knows that if he actively presented himself more femininely (crossdressing to 'pass' essentially,) then people's behaviors WOULD be very likely to change around him, but he doesn't even do that because it goes against his overwhelming sense of pride. he never contorts, he never twists himself, what matters to him is that he and he alone understands himself and knows what he is, what he isn't. but he is, without proper support or acceptance, still alone. even bearing a strong character, the stifling loneliness and inherent, underlying self-sense of broken/wrongness of the 'other,' (god's luciferean problem child, the black sheep, the black-leather wearing punk,) is still inflicted on him. dark exists solely for himself, he exists solely for daisuke, which is simultaneously wherein the inversion and insecurities lie: if dark is canonically the live metaphor for all the aspects of daisuke's self that he attempts to and yet cannot possibly, conceivably repress, from his loves to his faults to his shames and his criminal sins as a thief, then the likes of daisuke's own personal confusions in regards to himself and his attempts at intimacy/socialization with others is the other, hidden side of dark's absolute self-confidence; it's every fear of perpetual isolation, misunderstanding, and abandonment for things outside of daisuke's own control.

queerness in relation to the self (transgender allegory) queerness in relation to others (non-hetero-romanticism) mental illness (depression, anxiety,) etc, etc, dark's thematic basis may at its most general simply be "a secret that feels wrong and that you feel you can't really tell anyone or else you'll get in trouble/won't be as liked as much" but it feels much better to give due respect to each of these primary roots.

[agapestricken]

hello, hello, you all — so... i hope you all are having a great thursday thus far, and i thought i'd bring this up now since i hadn't before; but with ana's zombification comes some noticeable differences to his behavior as well as appearance. because, and don't get me wrong, he was already pale before... but now anastasiy's skin now has this pallor that takes on a sickly look. and it has become necessary for ana to have to apply some concealer to his skin daily to hide the fact that his lips are, indeed, sort of tinged blue + some veins (particularly around his eyes and mouth) can clearly be seen and it definitely isn't the most uhh. natural look, to say the least JSJSJ

now, i'll probably cover more about his behavioral differences later, but one thing is that this man does have these SICK and TWISTED urges to consume human flesh as a zombie would in typical fiction would... so that's lovely / j LMAO nahhh, i'm totally being sarcastic with y'all right now as that is actually horrifying. but anastasiy does try his darndest to resist giving into this temptation because cannibalism is a BIG no-no in society for a reason (because its absolutely terrible and extremely gross) + with... slightly mixed results 😬

[memento-morri-writes]

I've been thinking a lot about how Rook's reunion with his former mentor, Zara, is going to go, and since I can't predict what the DM is going to have her do or say, I can only dwell on what I know is going to happen. Which happens to include taking off the illusion ring that's been hiding his injuries from her. So have a snippet of the description I have planned for that moment:

tw for description of (mostly healed) injuries

He hesitates, twisting a ring on his finger. Looking at it more closely, she can tell it’s very finely crafted, and must have been very expensive. A large emerald is set into the band. Rook sighs, and pulls the ring off his finger in one quick motion.  Immediately she’s struck by the difference in his appearance as the illusion melts away. He looks awful. His warm, healthy skin fades to a dull and sickly grey. There’s huge bags under his deeply sunken eyes, and his cheeks are hollowed, as though they have been carved out by an overeager sculptor. He looks like he’s recently risen from the grave.  While he was thin before, now she can see his ribs under the skin, and his collarbones are exaggeratedly pronounce. Thin white lines left by dozens upon dozens of recently healed cuts are scattered across his body. On top of that, faded bruises cover most of his visible skin, a mottled mosaic of purple and yellow. They’re clearly days, maybe weeks old, and she can only begin to imagine what they must have looked like when fresh. Bandages are barely visible under his shirt, wrapping around his back, hinting at even more injuries.

[twijfelaar]

My initial response maybe sounded rude, I apologize for that.

I agree that Vi would not have been able to do much for Zaunite liberation, she was too much like Vander and would have been too scared to lose her people.

I disagree with your take on Ekko, he has accomplished a lot with the limited resources he has. His people are thriving, and Silco might have done a lot for the liberation of Zaunites, but not all of them, a lot of them became victims of him as well.

I see Silco's liberation effort not as an effort to free his people, but to gain ultimate power over his people. (this is where we might differ in opinion)

If Ekko had been able to move freely in Zaun, without fear for his life, and tinker to his heart's content, he would have been able to lift Zaun up. Ekko managed to do all he does without Piltover's help, even Silco is taking money from piltover with his drug sales.

I feel like Zaun rallying behind Jinx in the second act is more a propaganda trick, and the show will let us know that rallying behind Jinx is not the way, like Piltover rallying behind Caitlyn is not the way either.

Jinx and Caitlyn feel like mirrors this season, and it is brilliant story telling.

Vi did not want to put on the enforcers suit, she didn't want to join them, she is very clear about this and Caitlyn understands this. The only reason Vi joins is that Caitlyn at the start of their mission wants to apprehend Jinx. But knows she probably won't be able to control herself because she is angry, she is traumatized, (don't forget Jinx kidnapped her and basically tortured her before killing her mom.) and she should definitely not have been the one to lead this mission btw

That is their original plan, it isn't until they hear from someone else that Jinx has truly lost it, they send the others away and go on alone. They have seen Jinx lose it once already, and it ended in a massacre.

Vi was supposed to keep Caitlyn from killing Jinx, but then Vi tells her to take the shot. (Caitlyn shooting the mirror image of Jinx is some nice visual storytelling here)

I don't think Vi's writing is abysmal, Vi does not know what to do in this world, she has no clue where she fits in, she feels lost, she feels responsible so if she can help one person who lost someone because of her, she will.

If that means putting on an enforcer uniform, she will. She does not care about herself at all, not when she has people counting on her.

Again, you don't need to read all this if you don't want, but I just like talking about this show because it is so good. And talking about it gives me more insights and ideas. And discussions are a good way for me to express why I feel this show is this good.

"Never thought mine would orphan kids" Jinx has only ever killed combatants and oppressors ._. Vi and Caitlyn and the writing want us to take Jinx's actions as morally wronf but she literally has not intentionally killed any innocent person.

Jayce killed a child unintentionally and Vi's like "Welcome to the Lanes, Piltie" like girlie you are trying so hard to make Jinx into this villain when she's literally not done anything wrong. Piltover is the enemy you, fool!

It's just, like, nothing we have seen of Piltover can justify why Zaun has to live in a perpetual hell. Jinx and Vi and Ekko and all the children of Zaun have to adapt to the idea that their lives don't mean anything to Piltover. What GOOD has Piltover shown us, what morally nuanced stances do they have that could ever justify a victim of police brutality and Piltover's oppression joining the Enforcers. Wielding the same violence that tore your life apart, and using it on your neighbors!

We see beauty and community and struggle and dependency and despair and hope in Zaun. And we see opulence and naivety and bigotry in Piltover. The only speck of morality came from Caitlyn and Mel. Mel is MIA and Caitlyn is showing how the hooks of privilege and status have never truly been removed from her thinking. Because she's calling Zaunites animals, she wants to think Vi is "one of the good ones" 😭 please Vi, open your eyes, Piltover is NOT worth saving and it will NEVER accept you.

[this post is made by a Caitlyn coochie muncher]

[lilac-udon]

I sometimes think sunny think about basil more than basil think about sunny, even though most people see basil a bit yandare ,stalkerish. From the og I don’t believe he has those traits, you can say he is very obsessed, but to me is more of his desperation calling for help towards sunny, the only person known what’s he is hiding.

Basil is not as clingy , maybe emotionally but not physically. What I meant is he considers other feelings than him but at the last tree days it’s probably his limits.He behaves too well to the point he breaks and starts acting weird. A lot of people believe is, Basil was about to commit suicide after getting the photo album. He was already in a very low point of his life, if he is obsessed with sunny he would have wanted to see him one last time but he didn’t. But sunny appears, and he still probably decided to kill him self anyway, giving away his precious item to sunny even before knowing sunny is leaving. Then was the river scene, I personally think he might have the thought to drown himself after one last time seeing their old favorite hang out spot . But unexpectedly met Aubrey and her friends. (This might be more of a stretch)

Let’s compare the hiki route, where the last scene with the siren, many assumed it’s because basil still committed suicide, and that siren is for him. In this order, he probably didn’t get the photo album and trying to get it, before getting it the last straw was his grandma passing away.

All of these, there’s never any creepy clingy behavior of wanting , forcing himself to seeing sunny, he made up his mind very long time ago actually . And the only difference is sunny wanted to see him (or not

[theultracharmingladynoire]

.

[paimonial-rage]

what do you think was the biggest culture shock for thoma when he came to inazuma? -- @milkstore

[Character Analysis Ask Meme]

What do you think was the biggest culture shock when Thoma came to Inazuma?

Honestly, I think the biggest culture shock Thoma had upon coming to Inazuma was, well, the culture. It’s mentioned multiple times in his lore that he came from a very carefree and happy atmosphere, which doesn’t come as much of a surprise to us seeing how Mondstadtans are in general. However, Inazumans are not like that. The majority of them are not outgoing. There’s an increased level of pride and a sense of duty.  While Thoma is generally liked, his lore does state that not everyone is his fan. He was the subject of strange looks and gossip. In his hangout, some people see him as the kind of person that schmoozes his way through life. He’s even seen as a threat to the samurai spirit.  The culture shock for Thoma would be realizing that the way he brought up isn’t necessarily culturally acceptable in every place. His friendliness, though good in Mondstadt, is more of a source of distrust in Inazuma. I have no doubt that probably during his first few years in Inazuma, he had to make the decision whether to stick true to his Mondstadt roots or to change himself to become more like his Inazuman heritage.

[fragmentedblade]

It's sort of ironic how fans often link the leaf 🍁 to Dan Heng, considering "Feng" means "maple", but it's also so fitting

[emphistic]

Believe it or not, Streamer!Sukuna could be a very forgetful person. I mean, he's juggling a relationship with you and a Twitch channel, what can he say?

After close matches and stressful games, your boyfriend likes to take out the adrenaline on you, and his lack of patience often leads to him fucking you just mere minutes after ending a stream.

Consequently, there have been a few instances, where, Streamer!Sukuna accidentally leaves the mic on and forgets to end the stream, before he's bending you over his desk, or making you ride his cock on the gaming chair. It sounds like a porno, because it basically is one. Chat always goes berserk, spamming WTF's and Oh, my God's and all other obscenities in the book.

Yeah, your boyfriend may have had a problem ending streams, but he also had quite the problem with starting them. Streamer!Sukuna may or may not have accidentally clicked a few buttons and went on Instagram Live a few times while getting lucky.

And, to both catastrophies, the only response your boyfriend had for his salivating fans was going on Twitter and posting a half-assed . . . explanation? Apology? No one knows.

“at least i'm getting sum, unlike you horny fuckers. prob havent even felt the touch of a woman in years 💀.”

All in all, Streamer!Sukuna could be a very forgetful person. But, whether that's on purpose or solely unintentional, we know not. . .