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todayisafridaynight · 2 years ago

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Funny you mention that, I'm actually planning to go a step further and have proper relationships sections! So every character relationship in the infobox (and then some) can be covered with the depth they deserve.

Of course, that kind of thing can go off the rails fast and become a breeding ground for speculation, so they'll focus solely on the progression of the relationship from the perspective of the character whose article it is, and require a citation for every claim made. (I'd personally like to move towards citing every claim we make period, but it'd probably be best to start with baby steps.)

So I've had that cooking for a while (Jo is coincidentally the character I decided to start with, since he has very few relationships but they're all complex enough for a stress test). I probably shouldn't approach it with the intent to "correct misunderstandings," but I would like to think fans might have an easier time creating in-character fanworks with all of that information in one place. At the very least, you wouldn't necessarily have to go back through all the RGGO stories as a refresher lol.

I've never wanted to address Mine's orientation per se--not that that's quite what you were talking about I think, this is purely as an aside--because a lot of it's considered semantics and I just can't cite it directly in the way I can cite his feelings for Daigo. But on a personal level, I'm honestly surprised at the number of dudebros I've seen who'd be willing to accept he's bi, but being gay is a bridge too far on account of him dating women.

But the point of what he was talking about in the finale is that those relationships weren't at all fulfilling for him, right? Through a purely speculative lens, Jo claiming to be unable to remember Ikumi's name reminds me of that somehow. Like, if that's actually true, you remember every single minute detail of New Year's down to the locker numbers, where Ikumi gave birth, what Arakawa's face looked like, but you can't remember the name of the mother of your child? Alright, man. That's so normal. There's no trauma and/or comphet-adjacence there.

Speaking of--yeah, Masato's card unfortunately comes with no story, so it's not just bad luck. Character stories were discontinued with Kawara and Bessho, I think over a year ago now. On one hand I'm kind of thankful because they've been making it increasingly difficult to actually pull newly-released cards, but on the other hand, it's a huge part of what made cards worth trying for in the first place.

I do get it in terms of sheer volume though; it's mainly Yokoyama and Takeuchi themselves writing everything, and for scale, if I take solely my own translations of all of Mine's events and stories, it'd equal roughly 27.5k words. I can understand putting out that novella-length volume of content--ridiculously HQ content at that--every month isn't feasible when you're also writing for console entries on top of that.

You definitely shouldn't be putting yourself down in comparison though haha, I adore your work precisely because you've got such an excellent grasp on the characters and I always look forward to anything you put out!

Very, very true about Mine and his dad! I think if I were to summarize my findings from the papers (with regard to Mine specifically), Mine has this line in the finale about his hatred of people like Kiryu who "live solely by the principles of giri-ninjo, moral obligation and human feeling." Obviously not translated that way in-game because it's pretty lofty, but there is significance to it as I see it.

Focusing on the ninjo aspect, the papers define the term as "knowing how to [depend and presume upon another’s benevolence] properly and how to respond to the call [to depend and presume] in others." The "dependency need" component is thought develop as a baby first bonds with its parent.

Although it's commonly associated with child and parent, it applies to many forms of dependence, "such as between lovers, friends, husband and wife, teacher and student, employer and employee." It should also be noted it's not strictly hierarchical--superiors depend on their subordinates just as much.

So ninjo is a concept with a history of being considered "specifically as Japanese" in a way Westerners wouldn't understand. (It isn't actually, of course--everyone experiences this form of dependence--however, if I recall correctly, Japanese people were found to be significantly more likely to recognize and admit to it than Westerners.)

By opposing ninjo, a Japanese ideal of dependence, Mine implicitly aligns himself with "the Western ideal of personal independence," which is described as an ideal in which "one might just as well depend upon oneself or become independent, since there is nobody else to depend upon."

This is absolutely rooted in his being an orphan. His "dependency need" was at one point fulfilled by his dad's presence in his life, and once he lost him, he spent the rest of his life fluctuating between searching for someone else who would fulfill it and trying to be someone who doesn't experience "dependency need."

In contrast to Japanese society, where "parental dependency is fostered and its behavior pattern institutionalized into the social structure," the idealized version of Western society values an individual's success over their background. One example is the American myth of the "self-made man," which Mine describes himself as in the original Y3. As an orphan, his rejection of Japanese society in favor of Western society would make sense in that regard as well.

Growing up with no one to depend on and often facing loss and betrayal when he tried to, Mine avoids relying on or trusting others for most of his life. He is independent not because it comes naturally to him, but because of how dependence has hurt him in the past--i.e., "one might just as well depend upon oneself or become independent, since there is nobody else to depend upon."

However, Mine does accept and directly acknowledge the concept at the heart of ninjo when he admits in the finale, "People yearn to trust others. And to be trusted in return." That also coincides with him choosing to end things according to his code of honor as a yakuza, and literally taking the game's main representative of Western culture down with him. It's so perfect within this framework that I have no idea if Yokoyama even knew what he was doing, but He Sure Did It.

But it absolutely works with what you said, and I think it's fairly self-evident because you were able to pick up on it even if you didn't have the exact terminology in mind; Mine once his dependency need fulfilled where Jo never did, and it's made all the difference. I'm a very, very heavily Westernized South Asian still living in South Asia, and I imagine there's less overlap between SAsian culture and EAsian culture, but I've always thought "family values" such as those discussed are more or less ubiquitous in Asian cultures. For what it's worth, I relate strongly to Mine here.

(Also, in case anyone one day accuses me of copying Mine's future personality section from Tumblr, a fair amount of this is from my draft of that. I'm trying my best to make it sound less insane because it's going on a wiki, but y'know.)

Rewinding a little bit, I wanted to point out that Mine being bullied for being an orphan in that specific scene is more or less an invention of Y3R's localization. Kind of an understandable one, because he certainly did face it and Y3R's script was written without ever consulting a Japanese translation, but an invention nonetheless; in that scene, he was being bullied for being poor, not being an orphan.

But I don't think that affects the validity of your point at all, since--and it might not be totally intentional, since Mine wasn't always supposed to be the main antagonist--all the time you spend working with the Morning Glory kids through their problems effectively shows what he may have gone through. Except that he, also like Jo I suppose, had no adults in his life to help him navigate those same problems.

It's hear-twrenching listening to Masato talk about his disability even as an adult, the role internalized ableism played in creating that rift can't be overstated. Brings to mind the image of Arakawa at a complete loss how to respond when Masato was hitting his legs; perhaps if he'd been better-equipped to get through to him as a parent in the way Ichi was able to at the end, things might have turned out different. I think Arakawa displays a lot more emotional maturity and awareness than most characters, but he's not always able or willing to communicate that.

Once again, I absolutely love how your comparison post turned out! I wouldn't have minded being @'d (not that I mind not being @'d) at all haha, I'm not very active so I love getting notifications. Just a huge fan of your presentation, super clean and easy to follow in my opinion. There are a few points I'd love to discuss further, but I know my asks tend to be way too long for what they are haha, so I'll wait. But yeah, just as the Venn diagram of Mine and Jo overlaps, so does the Venn diagram of Mine and Jo fans. Happy to have you in the middle!

I'm glad you got as much out of the books as I did! That's exactly why I think they works super well for them, and I was hoping you'd catch the added Art Appreciator similarity. Also worth noting the art history books appear to be in Polish? I guess you wouldn't need to understand the language if you were more about admiring the art itself (my own art history books are in English and I ignore the text in every single one), but it's kind of funny to have all these thick Tomes you probably can't read.

Also very true. I feel like Hijikata and DS Ryuji aren't quite even since Saigo does exist haha, though he doesn't have as much screen time as Hijikata. There are a few opportunities Mine seems to lose out to Ryuji or others (Ryuji being chosen over him as an RGGO protagonist when Mine was in the running and frankly fit the criteria better, for example), but it is what it is.

Yokoyama did mention the love for the first three games' rivals makes casting for spinoffs really easy though, so I do have hope for more actual Mine! I'd like to see a Dead Souls 2 (he has a pretty good excuse to be cyborg-ified, given the probable state of his body after the fall lmao), or maybe even an Ishin 2, since the events that led to Hijikata and the others' deaths in real life were avoided in Ishin.

I know Yokoyama's talked about a "Y0.5" with Ryuji and Mine, a French Revolution spinoff (???), a Romance of the Three Kingdoms spinoff, and a Sengoku-era Hattori Hanzo spinoff featuring 8 protagonists and the same "all-star" approach to casting as Ishin. Someone else pitched a spinoff for when the yakuza first came into existence, too. And, at one point, before Ichi existed, they were considering continuing the series with Gaiden-type games featuring various characters (though I think going forward, further Gaidens would depend on the success of Gaiden.) So there are lots of possibilities! I really do hope he gets to be a protagonist or playable character one day, since he fits the mold perfectly IMO.

I'm happy you appreciate my offering haha! I hope you'll let us know what you think of Princess Toyotomi and Hero SP whenever you get to them. That is unfortunately how I found out about Toru :') I adore the leads and their relationship myself, so I never would've thought Pure would go there! But I suppose it does check out for Tsutsumi's career.

Good Morning Show is honestly driving me insane because I'm positive I watched it but can't find it at the same address anymore??? I had to watch it with clearly machine translated subs, but it was as chaotic as it looks. Godspeed!

Oh, I also wanted to weigh in on the "Masato's care" line since that was originally supposed to be part of the response (and since the topic of localization is super interesting to me, as someone who not only translates works but translates RGGS' works and has needed to become intimately familiar with the official localization style).

It's an odd choice, because on top of what Anon said, everything from the context to the grammatical construction of the original Japanese sentence should clearly convey that what he's apologizing for is not taking sole responsibility for Masato's care and having Ichiban attend to him on top of his regular duties. He's not apologizing for Masato's care itself being a burden.

Honestly kind of baffling because not two scenes earlier, they convey the exact same sentiment perfectly--"Sorry to bother you with something so personal." [JP] / "I'm sorry to keep asking you to help me with something so personal." [EN]. It's like, to me, talented localization teams should absolutely be celebrated, but they should also be completely "invisible" in the moment. They're not invisible in that moment because it's their biases coming through rather the character or even the writer's biases.

I don't necessarily mean bias in terms of internalizing ableist ideas (it's hard to say it plays no part, given it's a disabled character being discussed, but what I mean is there's not at all enough to go on to conclude it was a malicious or even a conscious decision). I also mean in the sense of getting "locked into" a certain way of thinking about disabled characters and their care, and multiple different teams (base translation, dub editors, and sub editors) going over that line and not thinking twice.

Because like, it's true that in fiction (and unfortunately real life) you do see parents who feel it's a burden, but that doesn't mean Arakawa has to be that way. It kind of undermines RGG Studio's efforts to employ rigorous sensitivity checks starting this "generation" of games (starring Yagami and Ichiban, I mean) when things slip through the cracks like that.

And it's not the only area it happens; there are a number of places where there's this "tunnel vision" surrounding certain ideas that comes to the forefront. One of the things that leads to is instances of "pigeonholing" characters into pre-existing molds while not giving enough consideration to who the characters actually are in this particular work.

For me Jo actually got the brunt of it (or perhaps I was just most sensitive to it), from marketing to localization. Marketing-wise, the very first time we saw him in English-language trailers, it was literally for one second after either the word "BAD" or a synonym flashed on-screen. A far cry from Tsutsumi's one-on-one interview where he explicitly says Jo is doing everything in service of a deeper motive, his English voice actor was not interviewed at all, while most major characters' English voice actors were.

Localization-wise, there's one thing that perfectly encapsulates (if you'll allow me to be dramatic for a moment) "What Went Wrong." It's what they decided to call Jo's fighting style. The fact it went from Shame Style to something as trite as Vile Blade genuinely haunts me to this day. Just the sheer flanderization in taking a name that lays bare the core of his character and motivations, a name that conveys perfectly how he sees himself as inhuman and irredeemable, and then turning it inside-out to suggest he IS inhuman and irredeemable? That's insane to me.

Of course, I'm not really able to gauge whether/how that kind of thing actually affected the reception or general understanding of him as a character since I haven't participated in the fandom at all for years, but I do wonder if it has.

Having pages dedicated to relationships and including how each character perceives their relationships sounds like a fair idea (I've always been a fan about how on Masato's page, Yumeno is regarded as his 'girlfriend' while on her page he's only her 'customer'. It's a small detail all things considered, but it's a great way to emphasize how much impact one party can have on another and can deepen the significance of relationships and interactions)! And having citations at the ready is always a good idea to help clear up misinformation or just to simply provide tidbits people are curious about, though obviously with a franchise as big as RGG (including RGGO content), it's very easy to understand if it would take significant time to have absolutely everything accounted for. It's what makes the time dedicated to this kind of work all the more respectable, really!

When it comes to Mine- or any character honestly- and their orientation, for the sake of sharing information clearly, I think it'd be better just to focus on what's provided opposed to trying to find a concrete label for it, so I can't say I'm all too upset at the lack of a solid 'confirmation' and I am grateful for the material given that lets us work towards one conclusion and another.

It is surprising to me that people are more open to Mine being bisexual though (I usually see people try to ignore the fact bisexuality is an option. It's a weird win I guess..). But as you've pointed out, I personally believe Mine's case was more about a case of comphet behavior, as the line where he alludes to his past relations with women it's from a segment where he's specifically highlighting how he wasn't happy abiding by what should have made him happy. I still don't know how people observed the full scene but decided to block out the very next line where he says he was unsatisfied and just walked away with 'Mine likes women'. ☠️

Onto Jo though, the state of his memory about Masato's birth really is jarring when you point it out. It's one thing to just chalk it up to a sprinkle of misogyny and not finding Ikumi important (though at least RGG was nice enough to give her files a proper name), but really thinking about it, it's incredibly bizarre he doesn't remember at all. Not considering the actual nine months they had to live together for Ikumi to have Masato, I'd assume they'd have to live together a little longer than that then- and still nothing...? But everything else about that night... Definitely something to raise an eyebrow about lmao

That's unfortunate about the RGGO stories though! But like you said, it's totally understandable as to why they had to discontinue them (but also of course, they were a big attraction to me personally to play the game and card hunt), especially when it's only two people already having to juggle other projects. But thank you for the encouragement with my own personal projects: I try not to be too hard on myself since that certainly won't do anything, and it certainly helps to know that I'm on the right track with what I'm doing! I really do love these characters (and I'm also terribly aware they're a bit unpopular all things considered), so I always want to do what I can to do them justice for myself and other fans!

Highlighting Mine's preference towards the West has really been a great experience- it's something I've only noticed on small scales (i.e. his foreign car and of course his English), but bringing it to light like this has really helped validate and further my understanding of him! That being said, Mine most definitely has adopted the American mentality of stressing independence and not relying on others, and it's undoubtedly come as a result of his upbringing. Ergo, analyzing Mine in relation to his connection not just with American philosophy but also giri-ninjo is definitely worthwhile, and from the sounds of it absolutely significant to understanding his character and his motives (it's certainly something I'm already taking notes on for the future)!

Moreover, I've always been a fan of Mine and his ability to acknowledge the inherit need to have companionship, or at the very least his subconscious need for bonds. In that, it's clear Mine's pursuit of independence was a way to protect himself (I might dare to say he lets down his guard fairly easily all things considered, though I won't ignore his caution towards Daigo and Kanda when initially meeting them. Moreover, it's just clear that when he feels betrayed, despite convincing himself he's a lone wolf, he feels that pain significantly- much greater than someone who sincerely believes themselves to be independent should). Just as you've said, Mine's suicide and taking Richardson with him is really a solid and magnificent way to round off his character through the lens of him putting to rest his solitary philosophy. Going further with gameplay interwoven with story telling, the time-consuming Dad Simulator bits of Y3 really do help highlight how much the kids of Morning Glory- and in that case orphans in general- rely on adults like Kiryu to navigate life. And evidently, that experience ties back into Mine and his frustrations with not just people like Kiryu who help others without expecting a reward, but also how the less fortunate are able to receive that help where as Mine wasn't offered that.

On that note, I feel like I remember learning that the 'orphan' bit was an inclusion, but I guess I forgot that detail along the way. Nevertheless, I'm just about to start eating drywall over the translation differences at this point- even if my point isn't moot, I still can't help but feel an anxiety that I'm going to greatly misinterpret something (and I can certainly get back to this point later when it comes to the likes of Jo's in the west). At the very least, it's a better incentive to brush up on my Japanese. I'll take what I can though: I'm glad that what I've said it still valid in some parts!

The case of Masato's something that's always going to intrigue my mind (I owe myself a chance to properly sit down and analyze him). There's so many aspects at play that could have affected how he turned out as an adult, and family is undoubtedly a major factor contributing to that outcome. To expand on that, it's inarguable that Arakawa was doing the most he could for Masato as not only a young, single father who had a complicated relationship with his own parents, but also having to operate as a ruthless yakuza to the rest of Kamurocho meant not only was he busy, but he needed to uphold an image and make sure his son wasn't too involved with that life. In this, it seems apparent that Arakawa's conditions to be a parent weren't exactly ideal, and as a result it's fair to assume he potentially 'under performed' in some aspects due to these circumstances, so to say (we see he keeps himself active in Masato's life when he's an adult, so it's not as though I'm proposing it's a case of neglect. It's unfortunate we really don't get more of the Arakawa Family's family life to better understand their circumstances).

Thank you for your compliments on my comparison post! I didn't want to come off as bothersome, but I'll make sure to tag you in any future posts I make that are inspired by you ^^ Honestly, I thought my post was a bit messy on some parts, but I'm thrilled to hear it was comprehensive- and of course, I've love to hear your input on any points in the future if you ever feel like sharing them!

The topic of RGG spinoffs has been a topic between a friend and I every now and then (though I never would have expected a French Revolution game????), so it's astounding to hear about the various ideas that have been floating around (I would be excited the most for a game about Hanzo though- I remember obsessing over him while I was in middle school for whatever reason lmao)! In any case, spinoffs would be a great way to utilize one-off characters: it might not be mainline or technically canon, but being able to see the characters again is never something I can complain about so long as the game's fun and the story's engaging!

I'll make sure to keep you posted on how I feel about Princess Toyotomi and Hero SP: I have an insatiable need to share everything on my mind, so I'll undoubtedly talk about them and whatever thoughts I have! Again, I have to apologize about spoiling the end like that- I really didn't expect them to go that way either when I first saw it honestly! But I can't say it was a terrible ending- unfortunate, but I wasn't super mad about it.

Now returning to the state of RGG's translations, that is especially weird in that situation in particular when they have a similar line in the same (or about the same, anyway) scene? As you've said, it might have been an unfortunate case of penning in something based off of independent thought, though it's still unfortunate because it did have the potential to alter not just the scene itself, but Arakawa's character as well (and of course, we would have hoped RGG wold improve when it comes to sensitive topics at this point).

And onto a point I've been weirdly excited to get to, the case of Jo and how the west seemed to handle him. Maybe it's because of America's tendency to make marketing more 'aggressive' (my personal favorite case is making Kirby appear angrier in ads? Because rage and cute-pink-puffball makes sense to me), so opposed to a more grey portrayal they went with something more blunt. Though, it's incredibly strange that Jo seemed to receive such a 'particular' treatment when it came to marketing? My only theory is that they just really wanted Jo's 'reveal' in the Coin Locker Baby chapter to be all the more impactful, but it's just messy honestly.

More importantly, the change of his style's name is also really unfortunate to me. As you've said, it strips interesting aspects of his character away, and a major aspect of his character is evidently guilt. I can't fathom trying to construct his character to be violent without reason, it really undermines what makes him so compelling.

Though, I guess if it's anything, from what I've seen this change in presentation has done little to impact people's perception of him (but maybe that's because I haven't really seen anyone else in the west talk about him...)

#long post #fave #snap chats #preemptive apology for how eUgh my response may be #im a little tired but i also didnt want to wait to respond to this- especially when it has points im really interested in #definitely bookmarking this one to look back at for mine #ah im sure i wanted to say some things else but i cant remember them now #one quick note on mine's psyche tho is that I Too found it relatable (and im also SEAsian- funny how things turn out huh lmao)#of course maybe its because /im/ american so im quite literally in the culture #but my family's a little complicated so instead of the people around me i feel on my own because of them if that makes sense #basically im able to understand mine feeling some resentment or shut out from a culture supposedly about togetherness #its hard for me to explain rn ohhh i wish my brain worked at this hour #in any case thank you again for writing in ! as always its incredibly insightful and a great way to get me thinking #but speaking of thinking i guess i should start my morning- ive got to think about childhood psychology later #then im freee....

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depresseddepot · 2 days ago

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uh oh!!!! starting to feel unqualified for the opportunities I have been given!!!!

#one of my references told my other ref in ''secret'' that he is waiting for an opening in his office to recruit me #and he works with Very Important Government Documents in the Very Important Governmental Office he works at #i cant get more specific than that but like. girl i know how to write essays #thats all my fucking degree has taught me hello #like yes i know how to research and fact check but i feel like handling and giving academic support for GOV DOCUMENTS #is maybe a little above my abilities lmfao #and yeah i know stupider people than me have and will continue to do it #but. what if i DO get a good job working with him and he's disappointed in my abilities #fuck what he thinks yes but that means i lose a VERY powerful reference lmfao that mf knows everybody in my field #and im not exaggerating that at all #:(#if someone is willing to TEACH me i am so willing to learn #and im trying to remember that in the past all of my references have loved me BECAUSE of my questions #for some reason my deadly specific worst case scenario autism questions have bewitched them into thinking im smart #but i need to be TAUGHT #i can force people to answer my questions. i WILL force people to answer my questions #but sometimes it feels like higher up positions don't get any training at all? like theyre just expected to hit the ground running #ahhh idk i would love to work with him (and my other ref technically) truly and if he offers i WILL take it no matter how freaky i am abt it #but im just so confused about how training works lol #ive been at the same place in different positions for almost 10 years #do they train you like fully? or do they expect you to Know the exact softwares they use?#do you think i can make all of them want to adopt me the way i have at my current job LMFAO #maybe if they work with a fresh 24 year old theyll just see a baby and let me make mistakes without wanting me fired idk #ugh. i want a good full time position with them really badly though #please please it is such a perfect opportunity for me its even RIGHT in the place i wanted it to be AND with people i know and like #he literally said to me ''it may take a while but we will get you a good job'' VERBATIM #LIKE THATS GOTTA BE GOOD RIGHT? LIKE THAT MEANS HE REALLY DOES WANT ME IN HIS OFFICE AND THAT HE ISNT JUST SAYING THAT TO PEOPLE #god. networking is scary #i just happen to know this guy. and we just so happened to be similarly politically radical in a conservative area

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daddyplasmius · 1 year ago

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since it's the 20th anniversary i shall finish editing part one of FOtPoD & post it sometime this month. if i haven't feel free to kill me

#FOtPoD #flying over the pit of death #magpie au #i may have to split the entire series in two btw #if i do i'll have to figure out a way to talk about the parts without it getting confusing #this series will be long as fuck btw like no joke i'm estimating it'll be around 100k on the lower side #not counting any bits i do on the side #this is why it's taking so long. i'll have to do both an adding details edit & a grammar edit #plus a taking out things edit probably. i'm doing a stitching things together edit right now #i'd also like to work on HOMSH/LGDIW at some point but that's just not the same level of fixation as FOtPoD #''hey plasma will you ever write about things besides grief & depression'' no sorry i'm the grief & depression writer #i always give happy (?) endings though so there's that #''happy endings'' more like ''best case scenario endings''#maybe i should make some memes about it maybe that will help

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themirokai · 2 years ago

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I got this comment on a story from my Other AO3 Account this morning.

(Info redacted because I prefer keeping these accounts separate but no one follows me on the side blog I have for that account.)

The story was posted almost a year ago and is relatively “popular” by my average statistics even though it has tropes and themes that are big turnoffs for a lot of people (hence separate accounts). This popularity is undoubtedly because it’s a Marvel Loki story and that fandom is massive.

So there is obviously an algorithm or a bot scrubbing ao3 statistics and leaving this comment on fics that meet a certain metric with the main character of the fic inserted into the comment.

I had a little time to kill this morning so I decided to investigate further. And y’all this is so predatory. Come on this journey with me. It made me mad. It may make you mad.

First, if you go to Webnovel’s website, you HAVE to choose between male lead or female lead stories before you can go any further. WTF?

And that’s weird, but this gets so much worse. This is basically a pay-to-read site that has different subscription models. Which… okay BUT! The authors don’t get paid! Look at that comment again. They’re promising a supportive and nurturing community, but zero monetary compensation. It’s basically, “post your stuff here so we can get paid and you can get… nice vibes?” I mean look at this Orwellian writing:

Using the phrase “pay-to-read model” in the same sentence as “qualitative changes in lifestyles for authors” deliberately makes you think that you can get paid and maybe even make a living on this website. But that’s not actually what it says and authors will not receive one red cent.

Oh but wait, the worst is still to come. In case this breaks containment (which I kind of hope it does) this is where I mention that I’m a lawyer in the US.

I don’t do intellectual property or copyright law but I do read and write contracts for a living. So I went to look at their terms of service. It was fun!

Highlights the first, in which Webnovel gets a license to do basically whatever they want with content you post on their site. This is how they get to be paid for people reading authors’ writing without paying them anything.

Highlights the second, in which Webnovel takes no responsibility for illegally profiting off of fan fic. This all says that the writer is 100% responsible for everything the writer posts (even though only Webnovel is making money from it).

Highlights the third which say that by posting, the author is representing that they have the legal right to use and to let Webnovel use the content according to these terms. So if a writer posts fan fiction and Webnovel makes money from people reading the fan fiction, and the House of the Mouse catches wise, these sections say that that’s ALL on the writer.

So that’s a little skeevy to start off with but the thing that is seriously shitty and made me make this post was that these assholes are coming to ao3. They are actively recruiting people in comments on their fan fiction. And they are saying they are big fans of the character you’re writing about and that they share your interests.

They are recruiting fan fiction writers and giving every impression that you can make money from posting fan fiction on their site and hiding the fact that you absolutely cannot but they can make money off of you while you try, deep in their terms of service which no one but a lawyer who writes fan fic and has some time to kill will read.

I see posts on here regularly from people who don’t understand how this stuff works, don’t understand that they (and others) can not legally make a financial profit from fan fiction. And there are tons of people who will not take the time to dig into the details.

Don’t deal with these bastards. Fuck Webnovel.

#went down a rabbit hole #got mad #webnovel #this is a scam #how to ao3 #fan fiction #please spread the word #long post #50k

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so-many-ocs · 8 months ago

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practical writing advice

part 2

avoid writing in bed if you can. writing in bed is the mind-killer. writing in bed is the little death that brings obliteration. you may think "but i can write AND be cozy" you will get sleepy so fast. 98% of the time when i try to get a nighttime writing session done in bed i go to sleep. maybe 70% of the time if it's an afternoon writing session. also it fucking kills your wrists.

STRETCH before writing. stretch as many parts of your body as possible ESPECIALLY YOUR WRISTS! i have chronic tendonitis in both of my arms from not doing this and it is manageable but it is Not Fun!

plug your phone in on the other side of the room. better yet, plug it in and leave it in another room. better yet, power it off and leave it in another room. "i'll just check one quick thing" do not underestimate the power of the doomscroll.

do a warmup. look up writing prompts (i like one-word prompts or prompts that focus on a general theme as it's easier to integrate into my writing style), set a timer for fifteen minutes, or ten, or five, and go ham. make it shitty or incomprehensible, as long as you make it. create a dump document for all your warmups. i currently have two novels in the works that started as one of these fifteen minute little warmups.

pick your background noise ahead of time if you use it, and look for something long. i listen to 3-hour-long silent hill ambient mixes on youtube dot com.

take breaks. around every 45 minutes, as i'm noticing myself begin to lose focus, i get up, grab a drink, get my blood flowing, and give myself some space to breathe.

sometimes i sit down to write and i think "every atom in my body is averse to doing this right now. i would rather dance barefoot on a bed of nails than open my laptop and start typing." and you know what i do? i go do something else instead. don't force it! it will become a chore.

that being said! write as often as possible. try to write every day. try to write at the same time. don't beat yourself up if you can’t, BUT the more often you write, the more often you'll want to write.

if you're stuck on a scene or a page or a chapter, go back to the last place where you felt like you knew what you were doing and start writing from there. keep a copy of your other writing in case you want to reuse it or refer back!

i don't know if this is something that will be helpful for other people but i start mentally preparing myself for my writing session a few hours ahead of time. i will say to myself, "today, at this time, i'm gonna sit down and write that scene where mina walks out on her book club, and it's going to be awesome and i'm looking forward to it." then, by the time i actually begin, i basically have the whole thing written out in my head and can just put it down to paper. it's a good way to at least kickstart the session !

ok thanks bye

#🌿 writing #writeblr #writerblr #writing advice #writing tips #writer tips

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illesecrita · 1 year ago

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Finally continued to watch some Kern, on this 80+ minute compilation I found some time ago. Did so after rewatching submit to me on a different channel (Kern's own?), was hoping I could find submit to me now inside this compilation but it doesn't look like it's there, so my search will have to continue. Anyway, the first film in this I hadn't watched was the second one, the right side of my brain, 23 minutes. I liked it, one of the best I've seen so far, lunch does a pretty hypnotic narration that openly talks about a deep self destructiveness. Something to let yourself feel if you're in the mood for it. "So it kills me... So what."

#warning to anyone who may be unfamiliar and happens to see this: these are provocative no budget exploitation works #part of the 'cinema of transgression' movement in the 80s #shock value and disturbing stuff etc #not that extreme (as far as I've seen) but it heavily depends on what you're used to watching #anyway. i like the idea of writing some almost-review on here and not on my account on the actual film review website #at this point it's a personal battle against lb reviews. or maybe i just feel freer to say what i want on here where no one reads it #and no one expects film criticism #txt #lydia lunch #richard kern #film #and where the fuck is submit to me now. ive looked some time ago and a few times too and i guess I'll have to look again #in case it turned up somewhere. anyway i def have to watch more of this movement than just kern

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strangebiology · 3 months ago

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Success is Dependent on Secret Information

A lot of career success depends on you and the work you put into it, as well as luck beyond your control, but sadly, it also depends on secret information, magic words, and stupid little tricks.

That's not fair. I don't like it, but we can help by sharing that secret information--which is the antidote to gate-keeping. That's why I recently wrote this in my Authors of Nonfiction Books in Progress substack:

It can be really disheartening to realize that, when you thought you failed at something because you didn't do well enough, other people had the magic words. For instance, some injustices I've witnessed (that may or may not always be the case, or maybe not anymore!) include:

A good athletic score doesn't get you into a college sport--having a coach or parent talk to the college coach is mandatory

Many school-sponsored scholarships are often not tightly linked to grades, test scores, or financial need, but whether the student said the right words ("I can't afford that") to the right person (presumably some financial office person.)

Apparently, some aspects of some degrees are cheated on by most students (if that's the case, we should tell all students that it's ok to cheat on that so they don't waste their time on something that apparently wasn't important anyway, or worse, fail out just for being ethical.)

Especially related to books: Few people will mention that you can get grants! Not my agent, not my publisher, not the 1 zillion "pros and cons of trad publishing" articles out there mentioned grants (Grant eligibility is a HUGE benefit of trad publishing.) I got more money from grants than my entire book advance!

Let me know what magic words/secret knowledge you've learned, that you wish you knew sooner. Or: the widespread understanding of what information would make a field more fair?

And please share ANBIP with anyone writing, publishing, or seriously about to start writing, a nonfiction non-memoir book, especially if they're interested in the more practical side (I share more about resources and strategy than craft.)

#book writing #I want to share this stuff with everyone!#Funny thing: I stopped sharing this info on FB because those groups get really mad any time I mention trad publishing #Literally no matter how I phrase it #Another reason I started this group was to gather resources for people who share similar ideologies about book-publishing #no hate to anyone who thinks differently

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ssahotchnerr · 24 days ago

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possible idea for married hotch since you asked for requests😋 (and cause i love your writing)

maybe one where he gets injured and with the rest of the bau he’s just brushing it off but when wifey pulls up? different story.

he’s just all 🥺🥺 at her and the team is like wtaf?

also can i be 🌊 anon pretty please?

healing touches

i love that 🥺🥺🤕 cw; bau fem!reader, established relationship (hehe they're soooo in love), injury/blood descriptions, aaron being stubborn🙄, playful banter, fluff <333

The first SUV arrived back at the police department after apprehending the unsub. Morgan, JJ and Prentiss walked inside, pulling their vests off in sync.

You might have been mistaken, but their gazes immediately locked onto you as they removed their protective gear. Their stares were almost unsettling, as if they knew something you didn’t, and were waiting to see the rest unfold. Unease filled you from head to toe.

"Hey," you stacked a few files together, placing them down. "How'd it go? Did you get him?"

"Yeah, 'course we did." Morgan sauntered over, dropping his vest onto the table with a thud.

"Well," Emily added, a slight grimace on her face. "Not without putting up a relentless fight. It wasn't pretty, I'll tell you that."

A bad feeling formed in your gut. Even Spencer's attention was gained, his head lifting from his book.

"What do you me-"

Your words were interrupted by Aaron and JJ walking in. JJ, perfectly fine. Aaron on the other hand, was moving at a much slower speed than normal, definitely banged up with a fair amount of blood present on his face.

Your eyes widened in alarm, meeting him halfway.

"Oh my god, Aaron. Are you okay?" You immediately unstrapped his vest for him, tucking it under your arm. The lessening pressure seemed to help some, light tension lifting from his body.

Your hand raised to cup his jaw, moving it gently to observe the damage. There was definitely a developing bruise underneath his right eye, his forehead and cheek were both littered with scrapes of all shapes and sizes. Aaron winced when his head reached a particular angle, and it wasn't a subtle wince either. It was a startling jolt, agonizing pain obvious.

But it was at your touch, and your presence, that his eyes softened. The stagnant sharpness dissolving as he looked at you with a tenderness that was almost too raw to hide. You pulled back to get a better look at him as whole, ensuring he was fully intact.

"He's 'fine', in case you were wondering. Only told us 'bout a million times." Morgan added air quotes, sitting down and kicking his feet onto the table. "Refused medical attention, even."

"Manners." You swatted his foot, causing him to lower them before turning back to Aaron. You tutted at him softly, "You did? After that lil stunt you just pulled?"

"Well... I guess it is starting to hurt more now."

"I wonder why," JJ commented humorously under her breath, hiding her smile with her palm. Additionally, Emily and Derek gave him a look.

You quickly reached into your bag, riffling through it until you found your handy tube of Neosporin. "C'mon, let's get you cleaned up."

Aaron didn't argue, didn't utter a single word as he followed you to the bathroom like a lost puppy. Once inside the small space you maneuvered him back against the sink, washing your hands next.

"That was stupid of you." You wet a paper towel, dabbing his cuts and ridding of any dry blood, once again causing him to flinch at the touch. You pulled the towel away, pausing a moment, before resuming gently. "Even if you think you're not in need of getting checked out, please do, for my sake at least. I'd like my husband to stay in one piece if possible."

"I know, I'm sorry."

"What happened?"

"We were clearing the grounds and he managed to catch me by surprise," Aaron huffed out, evidently annoyed at himself. "I should have seen it coming. Seen him in the shadows, reacted faster."

"Baby, you may think you have the invincibility of Superman, but you don't. You're human, it's okay to miss things every once and a while." You reassured him softly, tossing the towel aside and moving onto the Neosporin. After dabbing some onto your index finger, you began blotting it thoroughly onto the cuts. "Which I'm fine with, by the way, you're much better looking."

"Yeah?" A laugh escaped Aaron, but his chuckle was interrupted by the twinge in his ribcage, the entirety of it shooting up in pain.

"I'm sorry," you gasped gently, guilt sweeping through you.

"It's fine, 'm fine." He breathed out through his teeth, his jaw clenching momentarily, until the pain subsided. "I'm okay sweetheart. Now c'mon, your face is far too pretty to look that worried."

Your eyebrows were furrowed, eyes frantically searching his face.

"Really. So I'm a little bruised up, I've been through far worse."

You sighed, not entirely convinced. "Fine. But when we get home tomorrow," your eyes narrowed slightly, pointing the Neosporin at him as a 'threat'. "You're resting. Come hell or high water."

"Deal."

"I'm happy you're okay." Suddenly emotional, tears dared to spill from your eyes. They stalled at your waterline, completely blurring your vision. You hated to see him in pain, and the reminder of past events didn't help. "Don't scare me like that."

"C'mere," Aaron raised his arms, gesturing for you to come close.

"I don't want to hurt you-"

"Come here."

You took a step forward, not raising your arms to potentially inflict pain, but rest your body against his. Your face found home in the crook of his neck, while his arms did wrap around you. Not as tight as usual, but enough to hold you and not hurt.

"I'm fine," he kissed the side of your head. "And I have my girl to thank for that. Although, you did miss a spot."

"I did? Where?" You pulled back, beginning to unscrew the tube's cap but Aaron's hand stopped you.

"Right here." He pointed to his lips, playing up the 'anguish' in his eyes. "Hurts real bad."

Your lips tugged into a smile, leaning in and offering him a short, sweet kiss.

"That's all I get?"

You playfully rolled your eyes before giving his lips another quick kiss. He chased your lips, but you pulled back, keeping just out of reach.

"Want a longer one? Get medical attention next time."

#aaron hotchner x reader #aaron hotchner #aaron hotchner fluff #aaron hotchner x you #aaron hotch x reader #aaron hotchner imagine #criminal minds #criminal minds x reader #criminal minds x you #criminal minds drabble #aaron hotchner drabble #criminal minds fanfiction #hotch imagine #criminal minds x fem!reader

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byoldervine · 1 year ago

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How To (Realistically) Make A Habit Of Writing

To clarify: Works with my autism. WORKS WITH MY AUTISM!!! I’ve been meeting my goals since I made them my New Year’s resolution! Anyway I’m so sick of all those ‘how to’ guides that don’t actually tell you what the process is they’re just like ‘just do it, but don’t burn yourself out, do what’s best for you!’ because you’re not telling me what I’m not supposed to be burning myself out over but okay, so I made my own. Hope this helps

1. Choose your fighter metric. What works better for you as a measurement of your progress; time spent writing or your word count? Personally I get very motivated and encouraged by seeing my word count go up and making a note of where it should be when I’m done, so I measure by that. At the same time, a lot of people are also very discouraged by their word count and it can negatively impact their motivation to write, and in that case you may be better off working from how much time you spend writing rather than where the word count is

2. Choose your starter Pokémon time frame. How often can you write before it starts to feel like a chore or a burden rather than something fun you look forward to? Many people believe that they have to write daily, but for some people this can do more harm than good. Maybe every two or three days? Weekly? Figure out what fits your schedule and go with it

3. Choose your funny third joke goal. Now that you’ve got your chosen time frame to complete your goal in, what’s a reasonable goal to aim to complete within that time frame based on the metric you chose? If your metric is your word count, how much can you reasonably and consistently write within your chosen time frame? If your metric is time spent writing, how much time can you reasonably and consistently spend writing within that time? Maybe 1000 words per week works, or maybe 10 minutes per day? The goal here is to find something that works for you and your own schedule without burning you out

4. Trial and error. Experiment with your new target and adapt it accordingly. Most people can’t consistently write 1667 words per day like you do in NaNoWriMo, so we want to avoid that and aim somewhere more reasonable. If you feel like it’s too much to do in such a short time frame, either give yourself less to do or more time to do it in. If you find yourself begrudgingly writing so often that it constantly feels more like a chore than something fun, maybe consider adapting things. And if you think that you gave yourself too much wiggle room and you could do more than this consistently, give yourself more of a challenge. Everything needs to suit you and your pace and needs

5. Run your own race. Don’t feel like you’re not accomplishing enough in comparison to others or not working fast enough to satisfy some arbitrary feeling of doubt. Everybody works at their own pace and slower work doesn’t mean worse work. You could be on one word per day and you’ll still see consistent results, which is still one word per day more than you could originally count on. All progress is progress, regardless of its speed

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vettelsvee · 2 months ago

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SÍ... ESTAMOS SALIENDO | Oscar Piastri

Oscar Piastri x Pérez!Reader

SUMMARY: Scared of everyone to find out, Y/N Pérez and Oscar Piastri decide to hide their relationship from everyone until Checo starts wondering how Piastri learnt to speak Spanish so good... and specially why he has a Mexican accent ↳ REQUESTED BY ANON: Maybe one were she is checos daughter and they hide their relationship from him. And also maybe she teaches oscar some Spanish. At the end they end up telling checo about their relationship

WORD COUNT: 2399

WARNINGS: Use of Spanish. Important to say that even Spanish is my mother tongue, I may have some mistakes because it is Mexican Spanish and I don't know much about it, so I had to do some research. Otherwise, mentions of unwanted pregnancy, unprotected sex, drugs and alcohol

TAGLIST: @hc-dutch @raavadakedavra @coffeedestroyingperson @evey-kuznetskova @bowielovesyou @chaoswithus @isotopemylove @iceman-kazansky @gwginnyweasley @formula1-motogpfan @myescapefromthislife @regalbanshee [in case you wanna be tagged just tell me so i can add you!]

VEE'S NOTES: Not writing related but I’m obsessed with a K-Drama I started watching yesterday and I just wanna write Come What May series since the main characters’ personalities are the same as Seb and Y/N (Di in case you read the OC Version) there lmao. Anyways, missed a lot writing about Oscar (I definitely will be writing about him more as he's my second fave on the current grid) and this one got me so happy with how it turned out! Hope you like it as well, and remember that I'd love to see your comments <3 ↳ MAKE YOUR REQUESTS | LET'S TALK! | JANUARY UPDATE CALENDAR

“What if you taught me some Spanish?”

“Sorry, what did you just say?”

“That's it, Y/N. Teach me some Spanish.”

You, completely absorbed in looking at the pictures you had taken during the date you had with your boyfriend that same day, lifted your gaze from your phone and raised an eyebrow, fully taken aback by Oscar's proposal.

“Spanish? You? You already speak English! English is the only language that matters to you all…”

Oscar shrugged, nervously playing with the steering wheel. At that moment, he reconsidered what he had said, unsure now, and realized that maybe it had been a somewhat strange proposal on his part.

“I just want to understand you when you talk to your dad or your family. I know no one knows we’re together yet, but sometimes when you do video calls with them, I feel a bit lost. I also feel like sometimes you talk about me, and I’d like to know if I should worry,” he confessed, glancing at you from the corner of his eye.

“And why do you assume we talk about you, huh?”

“Well, because you always look at me out of the corner of your eye when you do.”

You couldn’t help but smile at how cute he looked with that unnecessary concern.

“Why do you have to be so chismoso?” You said, making Oscar give you a little tap on the shoulder. That just made you laugh more. “Alright, alright, fine! But I warn you in advance: if you laugh at me speaking Spanish or don’t take me seriously, I’ll break up with you.”

What started as a completely random proposal, with little prospect of a future or sense at first, eventually became one of your favorite routines. You took advantage of every moment together to practice, always hiding it from Checo or any member of the Pérez family when you were in the paddock. Moreover, whenever you were in your respective countries, you would watch Mexican movies and TV shows, and also some in their original version with English subtitles. You even started sending each other the occasional message in Spanish, thanks to the Australian’s initiative.

Oscar seemed to have, in your eyes, a natural talent for languages. Not only did he manage to learn greetings and basic words in less than a week, but after a month, he was already making the effort to use your Mexican accent and even incorporating words that seemed exclusive to your family’s vocabulary.

And that was exactly what, a few months later, turned into a real nightmare for the secrecy with which you kept your relationship.

While no one knew you were together as a couple, Oscar and you pretended to be just friends when you were in public. That’s why it was completely normal for Checo Pérez to see his daughter with the Australian, having coffee and chatting animatedly after a press conference.

“¡Buenos días, Checo!” Oscar said in almost perfect Spanish. “¿Cómo va, papá?”

You, hearing that last word, spat out the little coffee you had left in your mouth and opened your eyes, completely surprised. Checo, however, made a face and a frown, questioning his daughter’s friend.

“What did you say?” You asked, though you knew perfectly well that what your boyfriend had just said was something you hadn’t taught him, and he’d probably heard it from you.

“Well… ¿Cómo va, papá?” the guy repeated innocently. “Did I say it right?”

“Papá?” repeated the Red Bull driver, even more shocked. “Do you even know what that means, kid?”

“It’s an expression, right? Isn’t it like saying buddy?”

Checo stared at him for a few seconds that felt like an eternity to Oscar. Then, he turned his gaze to you, who was pretending to fiddle with your phone to avoid having to face an awkward conversation about why your secret boyfriend had just said that.

“¿Te importaría decirme por qué Oscar habla como tú?” Pérez asked quickly in Spanish, clearly aiming for Oscar not to understand.

“He doesn’t talk like me!” You quickly replied in English. “Oscar has been practicing Spanish, and well… he wants to fit in better so he’s trying. Duolingo isn’t the best app for learning, so he’s been watching YouTube videos... Right, Osc?”

The guy nodded, but that didn’t convince Checo. Still, he didn’t say anything else and, instead, coldly said goodbye to you both.

As soon as he was far enough away not to hear you, you turned to Oscar and started shaking him:

“Of all the things you could say, you call him papá?!”

“I didn’t do it on purpose, babe!” He rushed to reply, feeling bad for you. “I’ve heard it so many times that, well… I just said it without thinking. I honestly didn’t think it was anything bad.”

You huffed, knowing that it wasn’t Oscar’s fault or his curiosity and interest in learning your mother tongue, but yours for not setting boundaries or explaining the meaning of each word, as well as the context in which it should be used or who it was addressed to.

From that moment on, your father started paying more attention. He was an expert in discretion, but you knew him well enough to realize that, since the incident with Oscar, he had become much more alert and interested in you both, especially looking for clear signs that would confirm his suspicions that his daughter was dating one of the newest additions to the grid.

Unfortunately for you and Oscar, the Mexican didn’t need to investigate much, and he only did so for a month to confirm his theories.

During one of the briefings with all the drivers, Checo heard Oscar mumbling an “Órale, wey” followed by some insults in Spanish that you had made up when it had gotten pretty late and everyone was eager to return to their hotel. Also, instead of saying “sorry,” he let out a “¿mande?” which wouldn’t have been strange if he hadn’t continued speaking in English, as if nothing had happened.

You and Oscar seemed unaware of all your slip-ups; on the contrary, feeling like you weren’t arousing anyone’s suspicion, you lowered your guard. Displays of affection in public, though still cautious, became more frequent, especially when Checo wasn’t near you. Or at least, that’s what you thought.

The back of the McLaren garage, just a few meters away from Red Bull’s, as expected, wasn’t the most suitable place.

“We should go somewhere else,” you said softly while nervously fiddling with the collar of your boyfriend's shirt, who had his arm around your waist.

“Why? This place is perfect,” Oscar replied, unconcerned.

“Yeah, sure, perfect for my dad to catch us,” you muttered. “If he already suspects and looks like that doll from the red light, green light game on Squid Game, analyzing us so much to jump on us as soon as he catches us… imagine if he finds us. He’ll kill us, I swear.”

“Come on, Y/N, just try to relax. We’ve got it all under control. Seriously, there’s nothing to worry about, mi amor.”

You blushed at the compliment he had given you in Spanish, and couldn’t help but plant a chaste kiss on his lips, even though everything inside you felt chaotic.

“If you’re trying to convince me that everything’s fine by speaking to me in Spanish, just know that you’re doing it perfectly,” you declared. “But don’t forget, that doesn’t mean I don’t feel a tremendous anxiety and keep thinking that we’re literally one step away from getting caught. Do you know what he could do if he finds out that you and I… that?” You asked hesitantly.

“Is he going to give us a lecture on how we have to stay professional whenever we’re in public? Or is he going to tell me he’ll kill me if I even think about getting you pregnant?”

“He’ll probably make you come home to have lunch with my family and only speak Spanish,” you tried not to laugh but couldn’t help yourself. “And trust me, you don’t want to be in that position because you’ll have all my aunts, and there are quite a few of them, right next to you, asking you some very uncomfortable questions.”

“Then we’ll have to tell him as soon as possible so he can prepare. How about I tell him that I’m absolutely and completely in love with his daughter?”

You shot him a glare, panic flooding your insides at the thought of that happening.

“No, don’t you dare do that, Osc, and especially not here. You have no idea how my dad would react if…”

“Why not?” He interrupted. Then, he stopped, and after a few seconds that felt like an eternity to you, he seemed to finally find the courage to speak: “I could tell him something like… ¡Señor Pérez, estoy saliendo con su hija porque además de ser la mejor mujer de este mundo, me hace la persona más feliz del mundo!”

You couldn’t help but laugh, filled with emotion inside at Oscar’s sweet yet innocent declaration of love aloud.

However, a cough behind you made you snap back to reality.

“Can I know what you’re doing with my daughter, Piastri?”

You both slowly turned around. There, standing before you, was Checo, arms crossed, with a very unfriendly look on his face. You swore that if Oscar walked out of there alive and without a reprimand from your overprotective father, he could do whatever he wanted for the rest of the year.

“Well…” Oscar began, his confidence suddenly disappearing.

“Esto no es lo que parece, te lo juro,” you said in Spanish, trying to calm your father, even though you knew your attempts would be in vain.

“Oh, really?” Checo asked, raising an eyebrow, knowing you were both lying. “Then, what explanation do you have for this kid shouting to the four winds in almost perfect Spanish that he’s in love with you? At least that’s what I understood, if my Spanish doesn’t fail me.”

You were about to reply, but instead, Oscar gently took you by the wrist and stepped forward, surprisingly confident.

“Checo, I’m not playing around. Okay, I was joking about that, but not about what it means… like…” Piastri explained slowly, nerves eating at him as he couldn’t bring himself to look Checo in the face. “Your daughter matters to me, well, like… you know, like a boyfriend cares for his girlfriend.”

Checo tried not to laugh at the declaration of love from the man who had just confirmed he was his son-in-law and did his best to maintain the protective fatherly composure, thinking no guy would ever be good enough for his daughter.

“So you care about my daughter… You, one of my coworkers, a twenty-three-year-old kid, care about my eldest daughter enough to believe you can have a relationship with her…”

“It’s not that I believe it, it’s that I know I do.”

Not only you and Checo were surprised by the boy’s words, but Oscar himself too. He regretted it immediately, but before he could apologize to Checo, the man stepped forward, raising a hand and staring at him:

“So… are you two dating or not?”

“Yes, for almost six months now,” you answered, feeling a knot in your stomach, but much less pressure now that your father knew the truth.

Checo sighed, running a hand over his face as he tried to process the news his daughter, his little girl, had just told him. The girl he knew ever since she was born and now he had to imagine her spending, if not the rest of her life, at least part of it, with another man.

“And why didn’t you tell me before?” Checo asked, his voice tinged with disappointment but also some understanding. “Don’t you trust me?”

“It’s not that I don’t trust you, it’s that I knew you would react badly,” you answered, frustrated. “I trust you, and I know you want to protect me from any guy who could make me feel bad, but you have to understand that I’m twenty years old, and whether you like it or not, I’m not a little girl anymore.”

Checo looked at you and then turned his gaze to Oscar, who had his head down. Besides his nerves being pretty evident, so was his willingness to face any kind of dispute or reprimand from him just to stay with you.

That made Checo feel a bit bad, though it also gave him some relief seeing that the Australian was truly concerned and, why not say it, in love, willing to do anything for his little Y/N.

Finally, he let out a small sigh, trying to calm himself. He repeated your words over and over in his mind before saying anything else because if you had never disappointed him in your life, then he didn’t want to disappoint you just because you were in love.

I’m not a little girl anymore.

“Checo…” Piastri spoke, but Checo raised a finger, silencing him instantly.

“I’m only going to say this once: you better not hurt my daughter, or I’ll hurt you when I kick you off the track or crash into you accidentally. Is that clear?”

Oscar swallowed hard, feeling that Checo wasn’t joking.

“Understood…”

“And as for you,” Checo now spoke to you, completely stunned, “don’t think this is over. Your mother, you, and I will have a conversation about this and several other topics when we get home.”

Unprotected wild sex, alcohol, and drugs, for sure, you thought, forcing a smile to try to hide your worry.

“Now go on and keep loving each other, but be careful where and how you do it. I don’t want to be a grandfather just yet.”

With those words, Checo left, leaving you both.

“Well… now he knows. Finally,” Oscar said, letting out a sigh of relief.

“I told you he was intense. Do you believe me now?”

“Of course, mi amor,” the Australian replied, taking your hand and heading to your room in the McLaren motorhome, so, as Checo had said, you wouldn’t become grandparents just yet. “Your dad scared me, but I’m not going to lie to you, he gave me enough motivation to beat him in every race from now on.”

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