#i made it its own little post because i wanted to

[fictionfixations]

this is my first time hearing of this so i dont know if theres like some other context related to this im missing (or if this message just happened out of the blue) but i dont really wanna know either way.

^^^ but all points in this are valid (the reblogged post i mean)

i would like to at least hold out hope that nothing bad happened until it is confirmed (do not ask them what happened, im sure its stressful as it is) but that is not to say that i invalidate the people who spoke up because im sure they have their reasons too but we do not know what happened and we cannot know what (again do not ask what, we are not entitled to that information)

i want to believe in both sides. i don't want to end up being the kind of person who doesn't believe in a victim or is against a person who didn't actually do anything wrong, so im going to be patient and if nothing ever gets said about it thats fine too

do not speculate. what comes out of it could be aiming pitchforks at someone who didn't do what you think they did, or bringing out someone's trauma over something all over again because you want to know or you think oh maybe this could be why so and so happened

this is my own opinion, but id say to withhold any judgment and thought you might have on this until we get a confirmation. this is not to say that you can do whatever you want with this information after, because that is not true at all.

feeling uncomfortable regarding it is valid, im not saying you cant have your own opinions over it, id just prefer it if people could treat this sensitively, and with respect for the other members to not try to find out more then what has been shared, nor overly target people over something you do not have confirmation over

im sorry as ive been repeating points a lot, but ive seen people acting really disrespectfully to all the people involved in something similar to this because they want to know, but they do it with zero regard for the person on the other side of the screen

(this is more referring to people asking those who were friends to that person about it but it was a really bad situation overall, and they were attacking them when they didn't get a response out fast enough without considering that they'd just learned that someone they cared about was a terrible person and needed time to process that. now in this case its not fully confirmed but i really dont want to see that happen again.)

^ updating my response above, as there is a doc with information about what happened which i noticed in one of the comments on the original post. i just wasnt sure if something really bad happened considering the vague statement in the twitter post but considering its been spoken out now of what happened i can safely conclude that hes probably not innocent (understatement). (again, please do not hound the victims nor the hermits on information about this)

i just didnt wanna assume anything. this isnt to say that i didnt trust in what evidence they saw that made them conclude that the accusations were credible, it was just worded in a way that sounded very vague, and as a person who would like to see the goodness in everyone i tend to stay in denial about these kinds of things because i want to believe that they are not that kind of person, at the very least until its either admitted by the guilty party, or theres a credible statement from the victim

also it might feel like im understating things with how i describe them, thats my bad. i usually describe things in swear words but considering hermitcraft has a mainly young audience im trying not to and it also feels a little inappropriate over a serious topic. but it means i default to referring to something as 'bad' or 'not so good' which can come off as like im trying to make it seem not as bad as it actually is which isn't true at all. im just trying to be really careful about how i word things or what i say considering this is a serious topic but it means im not sure how to describe it so i end up going with what i default to outside of swears.

um. also please dont go asking for proof from the people affected nor the hermits cause i really dont think its appropriate and could lead to triggering them further. its also very personal.

i emphasize my point as a person who has also gone through bad things, and trying to look back through those old messages were really triggering and it was just not a good time. i imagine it was rough enough to get screenshots of what they did get so please leave it alone. they went through the trouble of sharing it in public, you are not entitled to more

and i get it might be rough to trust CCs after having your trust broken with one being revealed to be a bad person but PLEASE do not accuse other CCs of the same behavior. they are just as shaken as you that someone they thought they knew could be like that. please leave them alone, thank you.

PLEASE KEEP THIS IN MIND:

we, as fans, do not have a right to private information. anything shared with us on this is a privilege. please do not abuse it. the cc's could shut down and never talk about it if we overwhelm them.

also, please keep in mind that ONE HERMIT and THE ENTIRETY OF HERMITCRAFT are NOT THE SAME THING. the entire fandom is not 'ruined' or 'completely unsafe' because of the actions of one person.

PLEASE DO NOT ASSUME THAT THE OTHER HERMITS KNEW ANYTHING ABOUT WHATEVER'S GOING ON WITH ISKALL. this is not some big conspiracy, it's the consequences of one person's actions. they weren't hiding this from us, that's not how hermitcraft works, they truly didn't know. they probably knew as much as us about this, so making it an 'us against them' situation is immature and shortsighted.

ALSO, I AM BEGGING EVERYONE TO PLEASE NOT SENSATIONALIZE THIS. PLEASE DO NOT TURN HATING ISKALL INTO A MEME OR A JOKE.

mcyt'ers being revealed to be less-than-great people is not a rare thing, sadly, but i've seen it turned into a joke/meme/trend in other fandoms. this both minimalizes the actual people's/victims' struggles, makes the entire situation feel less serious than it is, especially to outsiders looking in, and makes everyone in the fandom look immature, petty, unable to take anything seriously, and genuinely harmful.

this server, fandom, and community are not dying, it is not ruined forever, this is one (major, i'm not trying to minimalize it) issue that we're currently dealing with. it will be okay. we will move on. this is not the beginning of the end. please calm down. i love this fandom, god bless all of you. <3

edit: doc has said on stream that we will likely get more information as time passes. like i said, this is a PRIVILEGE. we are not OWED information. please be grateful for what we're given, and POLITELY ask questions if you must. if a cc doesn't give you the answer you want, or doesn't answer at all, LEAVE THEM ALONE. THIS IS NOT AN EXCUSE TO HARASS PEOPLE. the hermits are likely just as stressed out as us, if not probably more so, so please keep that in mind when contacting them.

don't freak out, we'll be okay, this is not the end of the world, nor is it the end of Hermitcraft. we will be okay.

second edit: please remember that (at least as far as we know) ISKALL AND STRESS WERE NOT KICKED OR BANNED. THEY LEFT OF THEIR OWN VOLITION.

ALSO!!! VERY IMPORTANT!!!

WE. DO. NOT. KNOW. EXACTLY. WHAT. HAPPENED.

PLEASE DO NOT ASSUME ANYTHING SIMPLY BASED OFF OF OTHER MCYT'ERS PAST ACTIONS/SCANDALS. WE DO NOT KNOW EXACTLY WHAT HAPPENED. WE MIGHT NOT EVER KNOW EXACTLY WHAT HAPPENED. WE NEED TO BE OKAY WITH THAT AND NOT DRAW OUR OWN CONCLUSIONS.

[secriden]

So I made a post theorising about Style before episode 1 dropped and I'm both pleased by how much I got right and enamoured by all the extra details we have about Style in this episode.

Style is so obnoxiously overconfident and full of undeserved swagger that it somehow flips around to being winsome. He's the very definition of "empty-headed" but in a way that makes him innocent and guileless.

Narratively he functions as a bit of a foil to Bison because they are both impulsive and naive and blunt, but where Bison's past is steeped in blood and deception and it feels like he's got tricks up his sleeve, Style is an almost painfully open book. This also stands in contrast to Kant who seems very capable of manipulation.

And while he's nearly annoyingly self-assured, who can blame him; I mean look at him. Pretty boy is so fucking pretty. I bet he rocks up to the club, leans with his back against the bar so his shirt rides up, and immediately has 3 drinks being offered to him.

I'm so glad the show makes it clear that Style was flirting with Fadel well before the deal with Kant. It both establishes how genuine his interest in Fadel is, whilst also telling us that the unhinged behaviour was all Style - he didn't need any incentive to pull the "my nipples are sensitive" line.

I also love how he's demonstratively SO BAD at flirting! At the diner, its clear he's just trying things out to see if anything will stick. He's dressed to make himself alluring: arms and side bared in that loose tank top, and he keeps making these big gestures that show his arms off. (I wonder if he drinks as much as he does partly because he starts to get nervous when nothing seems to be working. xD)

All this is good, though, specifically because Fadel would probably see more sophisticated moves as deception. Instead, I think Style's unpolished and unpredictable flirting winds up being accidentally effective because it leaves Fadel feeling unmoored.

Fadel, who is so in control of his life; who (thinks he) knows exactly what he wants and how to get it. Style makes him feel things he probably hasn't in a while. Attraction, embarrassment; but also, anger and violence. His little dramatic knife-clench moment is such a contrast to the calm, clinical way he assassinates the mob boss and I think it shows that Fadel feels his lack of control around Style - and that frightens him a little.

I like how the show signposts the ways both characters are going to have to grow as people for them to be in a relationship: Style needs to learn how to take things more seriously, to mature and temper that arrogance, and slow down and read the room/people better; Fadel needs to allow himself to let go sometimes, to have some fun for once, to face and accept the reality of his own emotions.

They both have to learn how to love and be loved, and its fascinating how ideally suited they are to teach each other these things.

And in the mean time, well, the chemistry is undeniably electric.

[transmisogyny-explained]

I want to submit a perspective on "afab transfemininity" from. an afab multi gender person. I know my experience isn't representative of everyone who calls themselves this, but I wanted to at least share

I don't call myself a trans woman, I hesitate to call myself transfem. nonetheless, I feel connected to femininity in a distinctly transgender way. when I first came out, I hated being a girl. I was a transmedicalist and validated myself by invalidating others. I had to face a lot of internalized misogyny and transphobia in order to really learn what it meant to be a man. after I started testosterone about 3 yrs ago, I realized I was a lesbian, and started feeling more comfortable being, at least in part, a woman. it was different this time because it was something I liked, something new and my own, not something ascribed to me. it's not cisgender in any way, it is transfemininity

this being said, I know my experience toward transfemininity is extremely different from the norm. I am not what most people are referring to when they refer to transfems, and there are many definitions of transfem that do not include me. despite that, I do have some experiences that overlap, things I can relate to. my femininity is at its core transgender in nature. my gender now is more complex... I feel like both a man and a woman, neither and both. but that doesn't mean my feelings about my gender are predatory or invalid. I don't want to talk over transfems, I am very aware of my place in these conversations. but I still have a place, and it frustrates me to see you share posts that minimize my experience into a stereotype

Why do you view transfemininity as being, at its core, the experience of being “both a man and a woman” lmao

Get back to me when you start viewing trans women as actual women and transfemininity as actual femininity, and not an aesthetic or a vibe or “some other third thing” apart from femininity.

You “feel femininity in a distinctly transgender way?” Congrats! You’re nonbinary! But that is NOT what being a trans woman is — Their womanhood and femininity is not essentially different from cis women’s.

What you are describing is a very generic experience of being a feminine nonbinary person, and I don't say that to insult you; but to compare that experience to those of trans women’s betrays the fact that you don't view them as the same gender as cis women. Which is transmisogyny. It’s textbook third-gendering.

Call yourself a nonbinary woman- Call yourself whatever you want, in fact. But trans women and TMA people are never going to feel safe around you so long as you continue insisting that transfemininity is essentially the same as the nonbinary femininity you experience, and essentially different from “real” cis women’s femininity.

Also, can I just say that it’s a little condescending that you would end your ask by saying “I’m aware of my place in these conversations, but…”

Like, if you were really “aware of your place” and were actually listening to transfems when we talk about transfeminism, you would be able to recognize the enormous amount of transmisogyny baked into your message. On top of the third-gendering, you also managed to:

Imply that TMA people don’t understand the complexities of gender and nonbinarity like you, a TME person, do

Imply that TMA people creating the language and spaces to discuss our experiences in a way that excludes you, a TME person, is invalidating and somehow tantamount to labeling you as “predatory” (what does that even mean?)

Sent an unprompted ask to a transfem’s blog venting your frustrations with the language of transfeminism, despite the fact that I’m not even the one who made those posts?

Showed a pretty absurd amount of entitlement by insinuating that it’s somehow my problem that you feel frustration over misunderstanding the basics of transfeminist theory

Subtly demanded that I do the emotional labor of managing your frustration, which, frankly, is just classic misogyny

Displayed a complete lack of understanding towards what transmisogyny even is, nor why we, as the direct targets of transmisogyny, need the the language and spaces to discuss it

I really don’t care what transfem “experiences” you think you relate to, the fact that you perpetuate and can benefit from transmisogyny will always separate you from us, and if you actually gave a shit about us and our struggles, you would recognize that and try to be a better ally to us rather than co-opting and redefining our language in a shallow attempt to define us out of existence.

As has been said countless times now:

“Transfeminine” does not mean “trans + feminine,” it is a term coined by TMA people to describe our specific experiences with being denied our femininity. That is something which you, as a person for whom (as you said) womanhood/femininity was ascribed by the system of patriarchy, cannot understand in the way we do.

[ibaimendi]

Okay, so: this is a copyright thing so I want to write a little more about it. This is all accurate but there’s more!

So: yeah, the court ruled that only humans can hold copyrights, but (as prev mentioned) it’s not just about animals. You also can’t copyright a work, for instance, that you claim was dictated to you by a spirit or a god. Works that were randomly or automatically generated *without* the use of AI also don’t get copyright. Anyway, the reasoning behind this is important: Only humans can hold copyrights, because in the US, the purpose of copyright is (ostensibly) to incentivize people to create new works. (Obviously there are problems with this theory, but it’s the go-to in making arguments about copyright under US laws.)

But that’s not the only reason that AI works aren’t eligible for copyright! People who see a use for AI will argue that AI is a mechanical tool that the author is using to create their own work, like a camera. Photographs are definitely copyrightable, despite being created with the aid of a machine. What’s the difference?

WELL, it turns out that the difference is the idea/expression dichotomy. You can only copyright expressions, not ideas. So let’s say there was a beautiful tree in a park in your town and lots of artists came to make art of it. Photograph, paintings, poems, etc. It’s a great tree. Copyright doesn’t prevent this! The first artist who made a picture of the tree holds copyright in their picture, but not in the idea of portraying this tree. And if you look at all the portrayals of the tree, they will be similar in some ways (they’re all inspired by the same thing, after all), but they will also be different, because they were created by many different artists with different styles, techniques, and even mistakes. Each artist holds copyright in the things that make their version of the tree unique. So some elements can be copyrighted and some can’t.

Now, let’s say an AI “knew” about the tree and I asked the AI to produce a picture of that tree in the fall in an Impressionist style. It would produce a picture. BUT all the things that make that picture special came from the AI (or more accurately, from things that were fed into the AI during its training). All I came up with is the idea, which isn’t copyrightable. So I wouldn’t get the copyright (I didn’t add anything original to this work), and the AI also wouldn’t get the copyright (it can’t hold copyright). The picture is uncopyrightable.

But it’s also kind of broad to say that AI-generated works can’t be copyrighted at all. Copyright usually has more nuance than that. For instance, you know Raymond vs Feist, the phone book case? A phone book can’t be copyrighted, because no creativity went into it. Information was taken and organized in a completely standardized and conventional way. So, we might say that phone books can’t be copyrighted, and that lists in general are more difficult to copyright, but there *can* be creativity in a list if the elements are selected and arranged in a creative way. So a normal phone book probably doesn’t get a copyright, but John Hodgman’s list of hobo names does, because he made up all those names and he organized them in the way he thought would be funniest.

Similarly, if an artist (and this post is mostly about visual arts, but other media work similarly) took a bunch of images that were created by AI, and selected, combined, and arranged them in an interesting and original way to make some kind of artistic point or other, there could be some copyright in that work. But, importantly, the copyright would apply only to the selection and arrangement, not to the AI-generated images themselves.

This really makes the Studios costing themselves even more money (and getting more unions involved) by prolonging the strike for the promise of free ai labor even more fucking funny. you dumb fucking bastards lol

[tanoraqui]

now that this fic is all published, I can ramble about the things that happen afterward in the timeline! Feel SO free to ask about anything you want more details of.

First off, all three posts about Dave the Balrog are 100% canon to this au, except for where they sometimes contradict the fic's worldbuilding or plot bc I hadn't settled on every detail yet. Also, Dave’s name is probably more like “Drav”, from the Sindarin “drava-”, “to hew.”

That happens much later, though - about 1980 TA. FIRST, immediately, as Celebrimbor says: it's time to save the orcs!

That is, wildly self-indulgent crossover with @ceescedasticity's fic(verse) elves, once, which isn't 100% my headcanon for orcs but it's essentially canon for this au because it makes everything VERY FUNNY in a tragic irony way. I've thought about this so much that it really deserves its own bullet-point post, but highlights include:

- Annatar attempts to conceal the fact that Curufin and Celegorm are orcs, and, y'know, have been since they died. This works until Celebrimbor identifies a bunch of the orc army's weapons as made by his father, even if the style is strange and fell, and the two of the have a HUGE fight in front of representatives of every Elvish kingdom in Middle Earth and most of an army of orcs.

- Bellow/Turgon is having the single strangest, most uncomfortable road trip of his life, and he counts the crossing of the Helcaraxë in that total.

- Turgon tries to convince Galadriel to take Celebrían and Elrond and get out of here, because inevitably this must be a cruel trick and all the orcs will be forced to turn on all the Elves. Galadriel is like, "Honestly, I've been watching Celebrimbor's slow corruption and Sauron's slower un-corruption for about 2,000 years now, and I think we actually have a shot at this. Also, bold of you to assume you can beat me in a fight."

- Curufin and Celegorm had BOOKED IT when Annatar's summoning-compulsion snapped, on the reasonable assumption that any plan the Dark Lord had for them + Celebrimbor could only be cruel to the extreme...so Celebrimbor and Annatar go on a bonus road trip to retrieve them.

- Everyone meets up by the Sea again, but instead of taking (or, obeying) the offer of escape into Ulmo's hands, Turgon and probably a bunch of other orcs volunteer to come help break the Crucible. They Deserve This.

- In the end, as usual, the day is ultimately saved - as are the souls of thousands of trapped elves - by the power of love and overwhelming violence.

AND THEN...

Celebrimbor & Annatar don't actually rebuild Ost-in-Edhil and Eregion as they were. Those days are over, and also the surviving Númenoreans kinda...regard Annatar as Absolute Evil, for some mysterious reason. And those who knew about the whole or even partial conspiracy - namely Tar-Miriel herself - aren't too keen on Celebrimbor, either.

They leave whoever wants to stay and rebuild in Eregion, leadership tbd based on the traditional system of craft-based meritocracy, and take a few decades off to lay low from geopolitics, work on their marriage, and for Celebrimbor to learn a little bit of necromancy so he can manipulate his own fëa and hröa, thank you very much.

They stay with the Witch-Queen of Calador for a while, discreetly because officially that kingdom is also not on good terms with its “former” evil-ish overlord. (The Witch-Queen of Calador and her not really sane, almost certainly unsafe, but arguably consensual relationship with Annatar really deserves her own post, too. She’s my favorite OC of this au. She really loves bats.)

Elrond & Celebrían get married! Elrond always knew his wedding would have to involve stopping drunken brawls from erupting between people who love him but hate each other, but he’d assumed it’d be Iathrim and Fëanorians, not an elderly Queen Miriel going for Annatar’s eyes with a butter knife.

Annatar regards the birth of Elrohir and Elladan with some concern, this alarming lineage now augmented by the blood of Arafinwë (cut off Melkor’s foot) and Galadriel (Melian’s pupil, hates him). But that’s nothing to how freaked out he is by Arwen, who is such an obvious Reprise of Lúthien that it’s now CLEAR that this was all a Melian scheme to assault him, personally.

He can’t just kill her now—Elrond and Galadriel and both right here, not to mention Celebrimbor. And then she’d absolutely be his enemy when she Returned… No, the only solution is to stay in Imladris for a while and become her most beloved uncle whom she would not dream of assaulting, whom she could not bring herself to injure even if circumstance and conscience forced her hand. Love has ever been the undoing of Melian’s line. The Reprise is obvious, but not so established that he cannot twist it into irony, Lúthien’s heir as his devoted student and companion rather than foe.

[smash cut to late 3rd Age Annatar watching the Music settle into place as Arwen interacts with the newest, currently toddling scion of the House of Elendil and nearly killing the child right then because no, no, thats not how this was supposed to Reprise—that’s his jewel of an elf-queen, Singer and trade-manipulator and niece, and he’s going to lose her forever? Killing the brat won’t even work, that would only make her follow him sooner, one way or another—]

Celebrimbor doesn’t want to build a city (and have his heart broken by the loss of the city) again, but he very much does want to ImproveThe World, and also to Make Things With His Hands. So he and Annatar, and whoever of the Gwaith-i-Mírdain wish to join them, set about… “Traveling” is too loose a term; just because they’re not city-building doesn’t mean anyone here wants to live on the road. They need workshops, forges, and ideally a maia-sized cat tree tall tower from which to survey their domain. They are a highly skilled work crew/technical, artistic & management consultants who change cities every 5-200 years, throughout Middle Earth and perhaps even other continents.

This what Celebrimbor and Annatar do, for most of the rest of their time in Middle Earth. A few of the Mírdain travel with them all the time. Others strike out on their own, or in similar small groups. Others stay in rebuilt Ost-in-Edhil, or Rivendell or the Havens or another Elvish kingdom, and come lend a hand when their particular talents are called for. Everyone who “died” in Númenor and was “resuscitated” by Annatar walked away with a strengthened, basically permanent osanwë connection to the simulated workshop group chat, which they’re aware of, and a location tracker and fëa-stamp saying “PROPERTY OF MAIRON, FUCK AROUND AND YOU WILL FIND OUT” which only an Ainu could detect.

They're the mysterious stranger(s) who accept an offer of hospitality on a stormy night and reward you with a magic ring that blesses your farm with fecundity. They arrive in a city in the middle of a cholera outbreak and inform the local rulers that they're here to overhaul the whole wells & sewers system in exchange for room and board; no, the local rulers do not get a choice in this. One time they do oust an evil ruling dynasty and just kinda take over the kingdom for a few centuries, but then Celebrimbor starts to get paranoid of his own growing attachment so Annatar reluctantly agrees to find and raise some honorable candidate for kingship [gender-neutral]. One of the Mírdain with them says, what about the choice of the people? And then after a lot of discussion, partly in collaboration with their local Men, they write up and seal with Power a Constitution that establishes an oversight body of political, economic, craft and etc. experts to oversee and have veto power over popular elections to kingship from a slate of candidates chosen by the current/soon-to-be previous king, on a strict thirty-year schedule. There, that should stabilize the whole messy business of mortal succession!

Also, 1300 years or so into the Third Age when this version of Gondor hits its equivalent of the Kin-Strife, Annatar takes advantage of its weakness to initiate a plan he's been contemplating for a while, especially while gaining local insight into a variety of nation-states and their management, and returns to Oroduin to forge what may he his last Great Work...a new standard of currency.

It’s called, in the common tongue developing from Adúnaic and Sindarin, the “mira”, pl. “miran”, from Quenya “mírë” (“jewel, precious thing). Where pettier currencies are based in gold or silver or the might of some particular empire, these hold value Because a Great Maia Said So—indeed, Sang So, Sang a new line into the Great Music that these coins would always have a value of…whatever he said so, if he updated a petty lyric or two of their Song. Those who use the coins don’t need to know this; they simply intuit, with coins in hand, what they are worth.

(You can lead even the mightiest empire by the nose if you control the price of grain alone, much less other commodities, or one currency relative to another. Each minute adjustment takes Power, especially to shift the natural balance of multiple interlocking goods…but Annatar is a master of the perfectly placed lever with which to shift the world.)

Maybe at some point the Valar are like, “okay, I think they don’t irrationally hate us anymore, I think this could work” and send a small group of Maiar to openly, humbly approach Annatar and Celebrimbor and ask if they might be apprentices in the craft of…whatever the fuck is happening here. Or maybe something adjacent, because Pallandro and Alatar would really like to fuck off into those excellent looking woods and hunt the remnants of Ungoliant’s spawn, and Radagast actually wandered away 5 minutes ago to talk to a bird. He’s gonna be a while. But Curumo and Olórin are listening politely!

…Or maybe not. Maybe it’s just the Jewelsmiths, slowly becoming folklore, bettering the world (and manipulating wide-scale economics) one stone at a time. (They’d still be the “Jewelsmiths” anyway, even if they included those who, in another universe, were called “The Wise.”)

As stated in the third Dave the Balrog post, they do Sail eventually, several centuries after Arwen’s death. Celebrimbor just gets tired, and Annatar can’t fix it. Ossë spends the whole voyage backstroking next to their ship and sarcastically quoting Annatar back at himself, Years of the Trees insults about being made weak and pathetic by love, until Annatar nearly lunges over the side as a wolf to tear his throat out.

[altcvnningham]

so i was reading this post and started yapping in the tags before deciding i actually just needed to make a separate post because i have brainworms. long unedited ramble sorry this doesn't make sense at all

adlerbell & co-dependency;

the sick irony lies in the fact that the co-dependency that exists within their relationship, most of the time, isn't even of their own volition, and yet they are the constant cause of their own entrapment. they NEED one another as much as they hate one another because they ARE each other. to their core.

bell is everything adler hates and opposes and wars against yet he NEEDS them to catch perseus no matter the cost; adler is bound to bell in a way where he is ironically beholden to them, his fate in their hands, even when he's technically the one in control, with the power and rank over them, the one holding the leash. yet without bell adler has little to nothing. powerless entirely. in that way, bell has power over him, that his whole world rests upon the pinprick that is their loyalty to him, which is a hairswidth away from being shattered the second they piece together who they are, what he's done to them.

and bell is obviously only who they are because of adler. warped god wrenching hands into their head and rearranging it all until they suit whatever he deems his perfect image when he needs it. friend, ally, team member. dog, prey, victim. whatever he needs them to be, they are.

and bell's entire personhood is adler. bell's entire world is adler. half himself, a mirror image, their head a scrambled soup of his memories and fears, of vietnam, of things that didn't happen to bell but did happen to adler, a point in time that existed but they were not a part of, not until adler dragged their body off that tarmac and forced them to be. without adler, bell is dead in trabzon, or nothing. and that kind of co-dependency is indescribable- to believe that this man is one who went through the horrors of war with you, your friend for over a decade, is one thing. but even when bell breaks free of their conditioning- to know that they are possibly only alive because he found them? to know that mk ultra, despite being the very thing that destroyed them, was the only thing that stood between them and an unmarked grave??

bell wants adler. but adler needs bell. and mf wants to stand at that fucking clifftop and claim that none of it was personal?? he created a home for bell within himself, how they trust him, rely on him, believe that he'll always pick them up- because even if not in vietnam, he did, once, in trabzon. and bell is a home to all the worst parts of himself, scraped out of him and put into the empty pit he carves out of them- his weaknesses, his fears, his trauma, his ruthlessness. (i could talk about how adler's hatred of bell might even be a reflection not only of them being the very culmination of everything he opposes, but that they're also an amalgam of every worst thing he hates about himself, but that's another post entirely.)

i just. it wasn't meant to be personal. bell was a tool for adler, and adler was just this figure meant to be imprinted on. all means to an end. but against their own volition, they rely on each other. they need each other. they are dead without each other. i think adler needs bell to make himself feel powerful. but god, if they aren't the very thing he has to tiptoe around and revere because without them he has nothing. no team, no perseus. and to bell, adler is not too far removed from a god, whether they know it or not. he made them. and i doubt the lamb wants to stray much too far from its shepherd. ugh. whatever.

don't even get me started on how their fates are inevitably intertwined. how even the narrative itself demands them be slave to each other's will. fuck everything

[tyrantisterror]

Wherefore Art Thou Clownfucker?

A while back I made a post explaining why vampires appeal to me, and while it was mostly in a more general sense, there was a specific focus on why I find them, you know, hot. And it was that was in part because I had recently discovered that I'm apparently surrounded by Werewolf fuckers on here, much to my dismay as a Vampire fucker. It's like being the only goth kid at a rockabilly concert or something. I felt defensive, is the point! I needed to go to bat (heh) for my pale ladies (and Astarion.... and Spike)!

And now, because Muncher compels me to do so, I'm doing the same for Clowns. My other pale ladies.

Now, keep in mind the fact that I'm a monsterfucker first and foremost, and that my clownfuckery is really more derived from my monsterfuckery. I imagine the middle section of the Clownfucker/Monsterfucker diagram is pretty big, but I also know there are some clownfuckers who are very much NOT monsterfuckers, and vice versa. This is not the case for vampirefuckers, who are nestled firmly within the monsterfucker circle, because while all vampires are monsters, not all clowns are monsters. I bring this up because while I'm gonna try to explain clownfuckery on its own terms, there is likely going to be some monsterfucker bias in my explanations and defense. That's just how it is on this bitch of an earth!

I'm gonna get real pretentious here and talk about the historic role of clowns for a moment. From Comedia del Arte harlequins to medieval court Jesters, the clown's role has always been that of Comic Relief. They are, simply put, here to be tonally dissonant - when everyone else is serious and dramatic, a clown comes in as this weird, silly, incongruously hilarious element that contrasts the gravity of everything around them. "Relief" is really the key word here - a clown's job is to provide levity when otherwise there would be none. When everything is dark, they provide a little light.

That's the core emotional appeal of clownfucking - a clown is/should be someone who can make you smile when you need it the most. Kingdom's at war, family's fighting, your life's in shambles? The clown will make you laugh. Everything feels dark and gloomy and depressing? Here comes a silly little goofball wearing bright, clashing colors and jingling with each step because they're covered in bells, and all they want to do is tell jokes until you start laughing. Clowns are, by intent, that sweet sweet hit of dopamine personified.

Clowns are here to make you smile.

Another important historical detail about clowns is their unique place in the hierarchy of society - namely, being entirely outside of it. A jester was in some respects the lowest person on the totem pole, a fool that had power over no one and nothing, living to be laughed at. Yet, because they had no power over anyone, it was generally poor taste to take offense to anything a jester said, which meant they could talk more freely than anyone else - when everyone else acts like a butt-kissing sycophant, a jester is free to talk shit and speak their mind.

The traditional attire and appearance of clowns plays into both of these traits: the bright, gaudy clothing and makeup is silly, yes, but it's also a sign that the clown does not give a single shit about fashion and other social norms. A clown is, by nature, an anomaly, a misfit, a rebel.

Nowadays we have another word for people with that attitude. Clowns are punk.

Weird makeup, crayola red hair, patchwork clothes...

I would say the very fact that "normal" people look at clownfucking as some sort of inexplicable fetish is, in fact, part of the appeal. It's a form of xenophilia, of attraction to things that are different and othered, a love for outsiders and misfits and oddballs. To fuck a clown is to show love and adoration for something outside of the realm of what is socially acceptable - something silly, goofy, and weird, yet also often harmless. After all, a clown's main purpose is to make you smile.

That's not to say that clowns have to be harmless to be attractive, mind you. Tons of people, many much smarter than I, have talked about the cultural shift of our perception of clowns that began somewhere in the 1980's. Clowns went from being viewed as genuinely fun and cute to primarily being figures of fear and terror - if a clown shows up in modern media, even if it's innocuous, there will always be at least one character who vocally talks about how creepy they think clowns are.

That may in part be due to the fact that clowns have such a benign mission statement - a lot of people, especially nowadays, do not trust a person who claims they just want to make others happy. Anyone who acts like that MUST be up to something - there must be something nefarious going on, some evil plan, some lurking danger.

Which is where you REALLY bring the monsterfuckers in.

You really don't need to do that much with a clown's design to push it firmly into monster territory - "a pale person with sharp teeth" is the bare minimum it takes to make a vampire, after all (and even the pale part can be downplayed).

And a clown's dedication to making things "funny" can make for a very enjoyably-scary persona for a monster - hell, half the appeal of the Addams Family is that they're a bunch of freakish inhuman monsters who react to a bunch of scary shit with absolute delight and adoration. Again, the tonal dissonance element is at play here, albeit in a different way - even when Clowns are the darkness in your world, they still bring light in the sense that they view it that darkness as funny in of itself.

(hell, the word "harlequin" means "five horns," and may be rooted in folkloric monsters like Herne the Hunter depending on who you ask, so in a way clowns have always been monster-coded)

I think all of this is pretty well exemplified in the current Patron Saint of Clownfuckers, the goddess of Clownfuckery if you will, Harley Quinn. Hailing from a story whose main setting is such a Gothic Horror-inspired nightmarish shithole of a city that it's literally called Gotham, surrounded by characters who are at least 60% gothic horror archetypes by volume, opposed by a hero who literally dresses like a Dracula, it is inarguable that Harley Quinn is surrounded by darkness that's both literal and figurative.

But she's always smiling, and not in an ironic way.

Harley Quinn suffers intense abuse, she's drawn into wicked schemes, and in the way of most modern clowns, she causes no small amount of mayhem and suffering herself. But even at her darkest, she's always smiling, always trying to find the bright side.

She's a rebel, she's a punk. Almost everyone thinks she's beneath them. Almost all of those people get proven they're wrong. In a world full of tyrannical hierarchies, she steps outside of them.

She's an outsider, a misfit, an oddball. And she wants to make you smile.

I think you can probably see the appeal of that.

[ryin-silverfish]

Sorry for the very late reply: I stayed off Tumblr for like, a month or so. But this is a long reblog with a lot of interesting points I wanna respond to.

Honestly, the most common form of JCT doesn't stem from A Chinese Odyssey. It's inspired by the webnovel that's kinda a fanfiction to said movie, Biography of Wukong.

The predecessor to BMW, Asura Online, takes a lot more inspiration from the webnovel than its spiritual successor, and even tho BMW isn't trying to be a direct continuation of AO, I would argue that some of its themes and worldbuilding still slipped into BMW.

You mentioned not seeing JCT in the game according to my definition, and I feel like it's a matter of exposure. For someone who has Chinese as their first language, they are gonna to be 1) exposed to a shit ton of JTTW media, and 2) see a lot of interpretation about the novel proliferate that an English audience is completely unaware of.

BMW is not the most extreme or common form of JCT, but the general ideas are still recognizable. Like, just because it doesn't make all the gods evil, or all the yaoguais innocent victims, doesn't change the fact that the main narrative is still one of Oppressive, Conspiring Pantheon vs. Oppressed Yaoguais.

(Example: the lore entries' implication about Lingji and the Yellow Wind storyline is that Lingji is creating the weird stone Buddha heads and the Fuban yaoguai to 1) collect Lingyun, the "soul" equivalent, and 2) artificially create a threat so that he can rescue the Flowing Sands kingdom from it and convert them to Buddhism.)

(Instead, the Yellow Wind Demon became the rescuer and the kingdom started worshipping rats, which was why its people were all turned into rats.)

(Or, the most obvious one: the Western Heaven's genocide of the Yakshas in the Bull King family backstory.)

(As for Erlang: why do you think you find him inside a painting, which, according to the lore entries, is implied to be the result of him asking Maitreya for refuge from the Celestial Realm?)

And it's made even more jarring by the fact that the game wants to create a facsimile of the original novel through quoting its poetry and imitating the vernacular novel dialogue style, and make allusions to SWK's role as the Mind Monkey, without realizing how it conflicts with the Biography of Wukong-style interpretation.

You mention the lore entries, and that's actually my favorite part! Both the Ming-print style illustrations, and their simulation of the Zhiguai short story style.

But, again, there is a dissonance. The funny and strange Zhiguai-style entries are noticeably different in tone compared to the "main storyline" entries about major characters and backgrounds, which is written like modern short stories instead of a classical Chinese text translated into Mandarin.

And my problem is not that the adaptation is different, that it may want to change the allegory or reinterpret the themes for a modern audience.

It's the feeling that they want to have it both ways——be faithful to the novel (or at least create a facsimile of faithfulness), yet also stick to the Bio of Wukong style popular reading that proliferates in modern JTTW media for mass appeal.

And to me, the dissonance in the two narratives weakened the thematic coherence. Frankly, if it sticks to one or the other, I wouldn't have been writing these critiques: if it's a proper exploration of the original novel's allegorical themes, I'd be praising and loving it, and if it's JCT thorough and thorough, I'm just going to be like "Yeah, not for me" and leave it at that.

But it's this mixture of things I love and things that frustrate me that drives me to write and get down to the bottom of those conflicting feelings, which has little to do with JTTWR's original posts and his attitude towards adaptations.

Lastly: I'm very much coming from the perspective of a native speaker complaining about Chinese JTTW media and popular interpretations. My own opinions are not mainstream in the Chinese JTTW fandom either——JCT is so popular precisely bc it has mass appeal.

Just a thing to keep in mind.

I'm a Theravada Buddhist. I saw many people interpreting the story and meaning behind Black Myth Wukong, differently. But I hope the devs team didn't intend to insult Buddha Dhamma by recreating this new story and distort the meaning of Buddhahood or Enlightenment itself..

I don't know if they intended to insult Buddhism, but I can say that their presentation of Buddhism in the game is disrespectful.

@ryin-silverfish recently posted a wonderful essay on what's known as the "JTTW Conspiracy Theory," which is a method of interpreting the story by twisting details, making the heavenly hierarchy look evil. The game follows this method. I recommend that you read the essay:

I unknowingly ran into the JTTW Conspiracy Theory a couple of years ago. A Chinese article claimed that the Buddha lies in the novel. This is my rebuttal.

[combefier]

the thing that really gets me about how bad the writing for rook in particular is is that it would take so little effort to make it better. and it would probably make the writers' jobs a lot more interesting, too. you should be able to piss off your companions. in every other dragon age, you can piss off your companions. you can piss them off so badly that they try to kill you. if you just sort of fail to impress people one way or another in da2, you can end up having to fight your best friends to the death, or have one of them peace out after prompting an invasion of your city. the ability to have conflict with your companions wasn't always handled WELL (trying to talk to cullen about mage rights in dai comes to mind, as does trying to talk to dorian about slavery beyond the one conversation), but the option was there. it seems like the only way you can piss off your companions here is by making tactical disagreements they don't like. there's no room to have a personality some of your companions find off-putting, even though there are multiple points where your companions are put off by one another. purple hawke we're so not back. and the reason can't be "well you had to be someone varric would choose," because varric's best friend was hawke and there can be very many different kinds of hawke.

you're given a fascinating backstory and it will not come up beyond occasional comments relevant to your faction. mourn watch rook why does your backstory almost never come up i would tell people that story all the time. it's like dming for a player who came up with the most rich backstory you've ever seen and then watching them ignore it every time you dangle plot hooks in front of them. bioware do you remember what you wrote. bioware u good???? the sanitization of various factions aside because that's its whole own post, it would be so easy to give a dialogue here and there where rook could show more of what sort of rook they are by letting them reflect on their backstory. it would be so easy to write aggressive answers that are actually aggressive.

i've spent enough time in editing that i've just been trying to figure out if there's any possible motivation beyond a lack of investment in their own story, or a shocking paucity of good editors in their work environment. is it because the way they designed the game necessitates that everyone be there at the end? but you can still fuck up the ending by making the wrong choices there, à la me2, and you were allowed to piss people off in me2. if you can get people killed at the end anyway, why not let the choices you made and the responses you chose matter beyond "did you do enough sidequests?"

at a certain point, it's just confusing. they know how to do this, even if they don't always do it well. the lack of any real room for agency or personality or conflict is just... odd. this is also leaving aside how easy it would have been to incorporate SOME past choices from past games per their previous work. bioware i just want to talk

[lichpoweredbyfandoms]

MAJOR SPOILERS FOR THE END OF ARCANE SEASON 2

So uh…. the end of Arcane tore my heart out and shattered it into a million pieces. I may have blacked out and written a short, post-canon fic of Vi mourning for Jinx. Fic under the cut, or you can read it on ao3 here:

The dust from the war on Piltover had settled. Fires were extinguished, and bodies were buried. A worn hopefulness had spread over the city, broken bones held perfectly still with the slim chance they might mend. Everyone had lost something, and now only the question of what came next remained.

It was late at night, but Vi couldn’t sleep. She hadn’t been able to rest for more than a few hours at a time in the past few days. Most nights, she laid in bed besides Caitlyn, watching the steady rise and fall of her chest, clinging to the reassurance that at least one person she loved was still here.

Silent feet hit carpet as Vi slipped out of bed. She let herself wander the Kiramman estate in silence. A ghost echoing through the hallway, haunted by the weight of all she’d lost.

At some point she found herself in the garden. The moonlight illuminated the array of flowers and trees that surrounded a marble water fountain. Vi settled herself at its edge, staring into the water. It shimmered blue, like the hextech crystals her sister had loved. Gentle ripples fanned out from its center with soft splashes, a mimicry of Jinx’s hair, loose and wild as it had been in the cell.

You’re never going to give up on me, are you? Another broken promise, another betrayal, another failure. It wasn’t fair. Vi had only ever asked for one thing. For her little sister to be safe right beside her. She wanted to cry and scream and throw things and rage against the entire fucking world until there was nothing left but ashes, because what was even the point if her sister wasn't-

“Vi?” A soft voice broke her from her thoughts. Caitlyn crouched down next to her, wearing a blue robe and a concerned expression. “Are you alright?”

Vi looked away. “I just needed to think.”

“You miss your sister, don’t you?” she asked as she sat beside Vi.

“She can’t just be gone, Cait.” Her voice cracked around the plea. “Not after all this.”

“What happened to her… I know it was unfair,” Caitlyn said softly, “but you can’t blame yourself. Jinx made her choice.”

“Well she chose wrong!” Vi snapped.

“Maybe. But it was still her choice. Don’t take that away from her.”

“She never really listened to me,” Vi said with a wet laugh, “not when it really mattered. No one could tell her what to do.”

Caitlyn smiled sadly. “Your sister had so much spirit. So much energy.”

“You don’t have to…” Vi sighed. “She killed your mom. You don’t have to pretend for me.”

“I think we’re all more than our worst actions. Your sister included.” Caitlyn reached down and took her hand. “I only wish I’d had the chance to know the side of her you saw.”

“She was so smart. Even when we were little kids. She was always screwing around with some gadget or other.” Vi shook her head with a fond smile. “It drove Milo crazy sometimes. And she was so… good. I know how that sounds now, with everything she did, but…”

“I understand. I saw how much she loved you, Vi,” Caitlyn murmured.

“She just wanted to help,” Vi said despairingly, “even when everything was falling apart, even after I abandoned her… all she wanted was family. That’s why Silco got to her. That's why she died. Because I failed.”

“You were just a child,” Caitlyn reminded her gently.

“So was she!” Vi’s shouting gave way to sobs. “She was just a kid. And now she- she won’t get the chance to be anything else.”

Caitlyn pulled her into a tight hug, and she collapsed into her girlfriend’s arms. Vi wept bitter tears for her parents, their broken dreams for a better world, for Mylo and Claggor, two street kids who could have been so much more than were allowed to be, for Vander, his undying devotion to them all. She wept for Powder, that earnest little girl, and for Jinx, that wild fighter, and for every person her sister ever had been and would never be. And Vi cried for herself- for a family that had gone up in flames twice, for the miserable years she’d spent alone, for the hope she’d stubbornly hung onto all these years that had plummeted into the abyss with her sister. Vi wept and shook and sobbed, letting out all her anguish, all her pain, until she finally reached a point where she had no tears left inside her. Nothing left to give.

“I’m sorry for making you deal with this,” she whispered into Caitlyn’s chest.

“It’s alright.” Her girlfriend pressed a kiss to her forehead. “I’ve got you. Always.”

[sonkitty]

Okay, I read all 8 posts and then I went back to this one first post. I have gone over every cut for this scene. I have made my own images with their own brightness and increased saturation. I have logged notes for my own sake and general curiosity.

This puzzle is one of the most intense ones I've found shared by other fans, and it was incredibly difficult.

You have clearly put a lot of thought, time, and energy into this theory.

But you were the one who was tricked from the start, right here. You were set up. You found a very elaborate red herring, and it was definitely thoroughly set out to trap you or anyone with this line of thinking.

The irony, the joke on you, is that you were the one who was misdirected, and this puzzle even told you that.

I don't blame you in the least because I am very used to being tricked by the games in this story, so I knew to be wary of this idea and why. I also know what to look for and what questions to ask because of how many times I've been tricked.

I will break it down because this puzzle is just way too good to pass up. Solving it is an excellent learning experience on how to solve the really advanced puzzles in this story. This thing is top tier. Bravo, Crowley. I cannot believe it was solvable, but I should know better by now.

That person is definitely not the Metatron. It is almost certainly the same person the whole time, and the story did make sure to give you clues on how to determine that while very much deliberately misleading you to your conclusion, except the chess thing. The story wants you to find and play its own original game, Earthly Objects, not chess.

This puzzle requires checking things cut by cut, not just frame by frame. It is extremely advanced.

Let's start with where you started because the clues are there if one knows what to look for. Here is my version based on the first image you provided:

Here is part of the text you provided: "White hair."

White hair?

Let's check that a bit closer, shall we? Look closely. Really, really closely.

There is a little bit of white hair at the bottom, and as you go up, you can see that the hair is darker on top. That is a darker gray. It is not white.

Here, let's compare this exact cut with my estimation of the exact frame you captured with similar angles for the Metatron:

And just in case we think the lighting is too favorable even in the bookshop, let's darken the Metatron portion:

You know something? I'll try and match the original better. I'll crop them all and brighten the original some. Then for the Metatron versions, I'll lower the scale, cut off the left ear, and try to get a decent match on the darkness of our brightened person in the coffee shop.

If you don't see it, the Metatron's hair does not progressively darken from the bottom up to the top. His white hair is white so it rather follows where the light itself hits the hair. That was a lot of effort to even make the comparison.

The Metatron's hair is also very slightly longer just above the neck, yes, even if his head were bowed slightly. Here, we can find the slightly bowed down look as he and Aziraphale make their way to the pub doors for the elevator:

Oh, now we can also see more clearly that the white collar would have to be much more defined to match the person in the coffee shop.

Let's take a look at the human you refer to as the "slim man" from the initial cut with his phone lit:

In this lighting, his hair does look more white at the bottom and darker at the top.

He doesn't always look like that.

This guy has a blue bag, and because I do play Earthly Objects, I happen to know where to find him shortly before this scene.

In this particular screenshot, he is near the post and obscuring Justine.

Here he is with the screenshot now cropped:

Well, his white hair doesn't look like it darkens either. We're seeing him from the right profile. We just saw from his left profile that in the lighting of the coffee shop scene itself, that's what his hair looks like in that setting.

If you look really hard in episode 5, you can find him without his bag here:

You might still have trouble seeing him, so let me emphasize where he is:

If you watch the whole cut, you'll see that he is in Crowley's and Aziraphale's line of sight. That means it is plausible they know what he actually looks like already.

Now if you zoom in, you can see that while you might be able to find a patch of lighter hair from the back, there is enough of a gradient that it's like what we see in the coffee shop. The hair is lighter at the bottom than at the top in this lighting as well.

Another super subtle difference in the hair is that the Metatron's hair is a little wavy in the back. This human's hair is straight in the back and on the sides, not wavy.

The main reason this coffee shop scene provides this hair clue is so that you don't start making excuses once you figure out the other clues based on his apparel.

Speaking of apparel, here is the next part of the text you provided: "dark overcoat."

You can find that is not a dark overcoat in the image below with the white box I've placed below the credit card stickers and to the left of the OPEN sign:

The Metatron's coat reaches to his knees. The human's jacket reaches below his butt and above his knees. You can tell through that blue inside the coffee shop and near darker colors that the upper clothing is the human's jacket, not the Metatron's overcoat. You are seeing the separation of the jacket from the pants, and it will come up again later.

You also say "rounded shoulders."

I disagree and think overall, he looks slender here, but let's move on because there is still more to be found.

For the blue area near where one can find out that the jacket is a jacket, is that blue then the blue bag? No, it is not. We can actually then find the blue bag because we now know where it is not.

Here is the cut in motion:

Watch the area above the judo sticker.

If you can't see it because it is too dark, here is the a picture shown earlier for the part I want anyone interested to notice:

This time, look at the white box near the judo sticker. That is the blue bag. We have now confirmed that we are indeed seeing the same human we saw before this supposed switch.

It was never the Metatron during this entire cut.

You were most certainly set up to believe so if you didn't check the earthly objects that could be used as clues more closely.

Note the red shoes on his back during this cut.

...

The entire scene is like that. It is constantly testing you every step of the way.

For example, here is more text from the original post: "Well, how come we never see the slim cell phone guy again?" you may wonder.

I see someone already noticed the same thing I'm going to note. If one checks the scene very thoroughly, I don't have to wonder at all. You actually circled it for us even if you didn't realize it.

Again, it helps to watch the clip in motion:

Now here are a few cropped screenshots for me to show you where to find it in the exact same cut you circled it for us:

It is no longer lit, but it is still there. You can find it by its darkness over the shirt of the human with the orange shirt and that darkness extending out from the clothing.

This cut is also the one being referenced with the following text:

"Because he's facing sideways, we can tell that this man is not slender like the man with a cell phone and blue bag. The man we see now, in this photo, wears a long coat that comes straight down in the front. It's not a jacket, it's an overcoat."

Nope. You were tricked. Quite deliberately.

The sticker on the door just below the cell phone we just found is obscuring where the front of the jacket shows its separation from the pants.

Look further down near Nina's elbow, and you can see that the person in the coffee shop is stepping forward, so yes, his pants would meet his jacket behind that sticker.

In the next cut where you can see this person is when this puzzle shows you how you were just tricked.

This cut is for Nina saying, "You and your partner?"

That's why I said it's a cut-by-cut puzzle.

Let's take a closer look at this person:

You still might not see it, so I'll tell you what's happening and that you really do have to look extremely closely yourself, even with enhanced effects to clarify the image.

At the start of the cut, there is a small pocket where the jacket is meeting the pants just above the blue part of the door. As the person we are watching slides over to their left during the cut, this pocket is obscured by Nina's arm and so it ends up looking like an overcoat instead of a jacket. That's to help you know that if something is visually in the way of the jacket meeting the pants, it will look like an overcoat due to the limited lighting available and color of his clothing.

I'll box it from a video frame early in the cut, but I know you might not be able to see it because it's small and difficult to see, but I have checked quite thoroughly that it is there:

That's a jacket, not an overcoat, and the right side of the jacket is still obscured, this time by the door side panel. Crowley is giving us a clue here because we can see Crowley's jacket taking up a lot of space in the screenshot while also showing the red of his collar.

Still yet the next cut of this person in the coffee shop shows it more plainly:

After that, the clues shift to showing a gap between the legs above the knees.

The legs near the shoes are visible enough that you can see that the legs align with that gap.

But there's still more to this trick.

Here is the cut in full motion where you are declaring that is not a jacket, it's an overcoat. It's the part I said the jacket separating the pants was hidden by the sticker. Nina says, "You been together long?"

Did you notice the shoe moving over by Nina's left elbow? That's another clue. The Metatron wears baggy clothing. His pants run down to nearly his heels. This guy wears pants with cuffs rolled up above his shoe. You can't really tell the colors easily, but you can actually figure out that this pant leg over this shoe is a better match to the human than to the Metatron because it's too slender and tight near the ankle to be the Metatron.

Here is an image I made for reference:

I won't go over the rest of the cuts of this person in this setting where this trick is happening, but I hope you get the idea.

To close out the whole thing and even tell you that you were dealing with a red herring, here is part of the last cut of the trick:

That is a red light on one of the passing vehicles in a reflection passing over the red shoes on the door.

I didn't get the whole thing because it's long.

If you watch the whole cut, you'll even see the red of Crowley's collar again, more red lights, and red clothing on nearby humans.

I then checked the entire scene to be sure that such a red light was avoided on that window pane the whole time otherwise. It was indeed. I mean, looking at this post, there is technically a more subtle one than the type that I mean for when the human slides lightly to his left. I did mean something more defined like what is here. That's part of what I mean for how I'm tricked too. The scene waited for an audience player to check the whole thing all the way to the end of the trick to notice this clue.

If you go through the present day scenes where you expect to find humans on the street, you'll only find this human this easily in this episode. He's not one of the more easily findable repeats. He was absolutely set up for this trick into misleading someone that he might be the Metatron shown at this time.

...

But anyway, speaking of misdirection, let me leave you with a joke I found through trying to solve a different puzzle.

How do you trick an elevator? With misdirection.

The Metatron Misdirection: Nina's Magic Trick (A New Final 15 MetaTheory)

Part 1 of 8 in the Chess Moves Theory Set by @wistfulnightingale

**I believe it is new -- I haven't found it anywhere else.

Misdirection is a key element in the most skilled magic tricks. It's more than mere distraction, wiggling one hand while the other hides the ace. Misdirection in Magic means that the magician isn't "hiding" the trick; they are allowing you to think that you are looking at exactly the right moment, while convincingly focusing your attention away from the moment when 90% of the trick actually happened. Magicians Penn and Teller are quoted as saying, "The strongest lie is the lie that the audience tells itself."

This article on What Is Misdirection in Magic tells exactly how it's done. Check out the 7 Types of Misdirection in the article, or in my Chess Moves Theory Master Post. They're used easily and often in the final episodes of Season 2.

I think there might be a major misdirection in Episode 5 that set up the events of the second half of Episode 6, and makes sense of some of the crazy-weird scenes and out-of-character behaviors we see, both in that scene and later. But, it'll seem absolutely bonkers... so please, keep breathing, and hear me out, and please check out all the interconnected 8-Parts that help support my reasoning.

I include photos below, and I admit they're not clear enough to be "proof" on their own. But the idea itself would explain why Azi abruptly left Nina, and why Crowley babbled. Some of the other parts of my overall theory add some additional possibilities as well. (Interestingly, the photos are from videos that used to be available free on YouTube Prime Video, but have been removed from the Good Omens playlists in recent months.

In E5, while we were watching Crowley stammer, and listening to Nina puzzle out relationships, and when our belief in the Ineffable Marriage was shattered by Crowley's answer -- Nina was (without her knowledge) participating in the biggest Misdirection of Season 2.

I suspect The Metatron was already in the Coffee Shop. I know it sounds nuts, but I strongly suspect that Episode 6 was not his first visit. I believe that I can show you reasonable evidence (added up from here and from other parts of my Chess Moves Theory-series) that the Metatron made a "trial run" the day before, during this scene in Episode 5. Crowley and Aziraphale were each shocked to spot him through the window behind Nina. Misdirection made him almost impossible for us to see.

Almost. But I think he's there. At least, there's a guy in a long dark overcoat, who looks like he's talking to another customer. Possibly a coffee-confused celestial gentleman getting help from a good samaritan? Let me explain how I think it was done, and I'll show you what I think is the Metatron.

This screenshot (let's call it Photo #1) is untampered, basically what we see in the episode. Aziraphale was happily chatting with Crowley about the nonexistent pen of his nonexistent aunt's nonexistant gardener... Then Nina emerges, has "things to say" about Neighborhood Christmas lights (that's the moment in this screenshot)... and Aziraphale abruptly hurries away. Within minutes, Crowley is stammering as if he'd never had a moment's thought that he and his Angel could have a committed, romantic relationship.

How...? What...?! Crowley, really, dude, what the...??! (Please refer to An Old Married Couple for my thoughts on this!)

But when we take that same moment, come in closer, brighten and sharpen it, make it more vivid --

Photo #2. There. In the red oval. The white hair, the dark overcoat, rounded shoulders. The Metatron. We didn't expect to see him there. So we didn't.

Hold on! -- I don't expect you to be convinced yet. So I went through moment by moment. There are more photos. (I recommend that you also check the brightness of your own viewing screen -- it helps!)

Nina is used in the scene to perform a concealment and switch, a replacement (magician's call it a Change), and then a distraction -- A Magic Trick. Nina is a huge part of why we're not easily able to spot the Metatron.

Magic Trick Step 1: There's magical sleight of hand going on, even once you know what to look for. We are visually warned. When we first see Nina, as our Ineffables are talking about impossible French, she literally emerges from the shadows (see photo below). Remember, this is significantly Before talking about "Christmas lights" in Photos 1 & 2.

Magic Trick Step 2: If we do happen to look at the customers in the shop as Nina emerges, there's a white-haired man in line who is NOT the Metatron. Note his height compared to the orange-shirt guy. He's taller, and he's fairly slim. We can see his pants or denims, so he's wearing a short jacket, not an overcoat. He's also holding a lit cell phone and carrying a blue bag. I didn't brighten this photo at all. We're supposed to see this particular fellow. He's part of the magic trick, planted there for the switch, just in case we do notice a more significant white-haired man later.

Here's the same photo, brightened. You can more easily see that he's wearing a short jacket -- we see his legs as he steps forward.

(Pay attention to the man in the orange shirt. He's very visible with that bright color. In later shots, he stays near the Metatron, and helps us visually track them both, when both are blurred by distracting window reflections.)

Magic Trick Step 3: Next, Nina steps into the light. As she steps forward, she says, "Bravo! Just enjoying the show." Again, we are given cues that there's a show in play. She bends over to wipe a table, completely blocking our view of the slim white-haired man.

Magic Trick Step 4: The camara cuts to Azi, and that's the last we see of the slim man with the cell phone and bag. Presto-Change-o, Abracadabra! Like a disappearing act with a magician's silk cloth, or like Azi's trick for Nefertiti with the 3 cowry shells, the switch (in magic, called "the Change") has been made! The slim man is gone.

Magic Trick Step 5: When the camera returns to Nina, it's the first photo I showed you, with the Metatron in it. The man in orange isn't at the front of the line anymore. (Was he undecided about his order, and stepped aside?) We can see a sliver of his shirt to the left of the doorframe, just inside the oval, but he's almost entirely hidden. Nina's talking about the Christmas lights. "I have things to say."

It all happens in less than 30 seconds.

"Where, then, was the Metatron?" you may ask in disbelief. There's a big rectangular pillar in the middle of the floor behind Nina, just to the right of the line. There is a mural on it, so it's camouflaged. On the walls behind the pillar are menu boards -- we see them in the "How's your naked man friend" scene in E1. It's likely that the Metatron was behind the pillar, looking at the menu options.

"Well, how come we never see the slim cell phone guy again?" you may wonder. The tables at the far edges of the shop are never seen. If he sat down, especially at our far left, he'd be out of view.

Here's that "I have things to say" photo again --

That's when Aziraphale sees the Metatron. He's suddenly distracted. His response is brief, and odd. Just --- "Yes." We don't often see our Angel speechless. He walks away without another word. That. Is another out of character moment. He's gone from his "I'm having so much fun doing this" smile to the fake, nervous mask he puts on for the Archangels.

His eyes are wide and his expression frozen, until it fades into worry as he walks away. Azi nervously checks behind him for Crowley. Hoping he'll follow, away from danger.

Crowley hasn't spotted the Metatron yet. It's not until he starts to follow Azi, then stops for Nina, that he's at the right angle to see him. When Nina says, "You been together long?" Crowley's completely distracted. He just noticed the Metatron.

"Who?" he ridiculously asks. This made zero sense -- Azi was just here! However, on our far right, over her shoulder, we can see the Metatron, facing sideways towards our right. He and the orange-shirt man are on the far right, positioned as if talking to each other (maybe he's asking how this coffee-selection-thing works?).

Because he's facing sideways, we can tell that this man is not slender like the man with a cell phone and blue bag. The man we see now, in this photo, wears a long coat that comes straight down in the front. It's not a jacket, it's an overcoat.

The Metatron is almost the same height as the orange-shirt man. His dark coat nearly makes him invisible as the reflections in the window break up his outline and blur the orange-shirt man. The two have stepped back from the counter, closer to us. We can see his rounded back, white collar and hair.

Short height, rounded back, long overcoat, white collar. NOT the same as the first man we saw. That's why I believe we're seeing the Metatron. That, and Aziraphale and Crowley's strange behaviors.

When you look closely at Crowley, he's staring intently into the coffee shop window as Nina asks her question. His head is not at the same angle when he returns his focus to her. It's not just the cute little neck scrunch -- he literally turned his head slightly to his right to look at her and answer her question. Crowley is concentrating on what he saw inside, and is mentally scrambling.

After Crowley says, "Who?" the camera returns to Nina. "You and your partner," she clarifies. Meanwhile, the Metatron has turned and is now standing at the end of the coffee line.

You can see three men in line, facing the counter, with the orange-shirt man in the middle. He's the colorful backdrop to frame the padded shoulders of the Metatron's dark coat.

Nina does a lot of "patter" here, a classic magician's Misdirection technique. Lots of rapid, distracting questions. They keep our own minds as occupied as they do Crowley's -- we struggle to keep up, and share our demon's outrage about Azi as "a bit on the side!"

I had to do a lot of reduced videoplay speed, constant pausing the frames, and careful photo brightening and sharpening to make these images somewhat clear. There are also frames where the reflection of vehicles and passersby’s obscure our view. The distractions come and go. It's all designed to split our focus.

So I was astonished when I discovered that, in the moment where the Metatron is standing alone, not clustered with anyone else, Nina is almost looking DIRECTLY AT THE CAMARA. It's only a moment. It's the only shot I had, of Dozens(!) of micro-moments, where the Metatron is in full view, although still difficult to see. This is how it looks in the episode.

Here's the same photo, brightened and sharpened for definition.

There is almost nothing on the right side to reflect or distract in this moment. The lighting effects allowed a much clearer view.

Nina goes back inside, and has to deal with a busy line and a new customer, a posh older gentleman in an overcoat. One who doesn't know about human coffee shops or how to place an order, and who probably consulted orange-shirt guy for coffee-selection advice. He's confused, he's asking odd questions... She doesn't have time for this...! So when he comes back the next day, she warns him not to do it again -- "Order accurately and fast..." (For more thoughts on this, see The Metatron's Second Coming)

Meanwhile, Crowley stands there bewildered as worry sets in. The Metatron is dangerous. Why is he here? This could be very bad for them both, but especially for Aziraphale. Crowley's main concern in the conversation was to SAY NOTHING that gave away their relationship. "Just... an angel... I know."

(**There's interesting implications about the Final Fifteen if Crowley is concerned that the Metatron has the ability to hear him from inside the shop. Azi often gestures as if the Metatron could hear them from outside.)

Crowley leaves in the opposite direction. I wonder if he hung around near the cafe, monitoring where the Metatron was. That's why he's morose and worried when Azi returns to the cafe (see more in my post Ineffables In Check). Crowley is also now worried that Gabriel is actually NOT memory-less. Is he there to spy on them for the Metatron? Crowley aggressively tries to find out.

He'll do Whatever It Takes to protect his Angel.

Please check out the rest of my 8-part Chess Moves Theory Set at @wistfulnightingale to see how I believe all the moments fit together in this Life or Death Chess Game. The 8 Parts support each other -- I broke a massive idea into parts, and you'd need to read all 8 before you can decide for sure if I'm wrong, or totally bonkers! It's a crazy ride, and I'll be happy to have you along for it!

The 8 Chess Moves MetaTheory Set:

1 - The Metatron Misdirection

2 - The Metatron's Second Coming

3 - Ineffables in Check

4 - A Hefty Jigger of Death

5 - Nothing Lasts Forever

6 - The Circle Kiss Theory

7 - The Nightingale DID Sing

8 - Aziraphale's Jubilant Smile (Not the crazy elevator grin)

Also: The Chess Moves Theory Set, Why Chess & Magic?

[ruvviks]

it's been a hot sec since i've talked about cyberpunk and i was initially working on a fic that would tell the story of this whole thing, but i've abandoned it many months ago and cannot say when i'll be picking it up again SO! i've decided to instead make this timeline. sorry in advance for how much information is in this thing the cyberpunk extended blorboverse essentially refers to the story parallel to the in-game events of cyberpunk 2077 that @mojaves and i came up with. we don't really have a better name for it but at this point the term has been used so many times that i feel like everyone here knows what it is by now, but at the same time we've never really explained the full scope of what the story is by now (it's a lot sorry). so in an attempt to get you guys a little bit more up to date with it all, here's a semi coherent timeline that describes the core events of the story and every branching story that came out of it! for additional background information, you can check out the following posts (timeline 1 / timeline 2 / timeline 3) to catch up with the continuation of the in-game storyline that's referenced in this timeline, but it's mostly irrelevant to everything here save for a couple of referenced events that cross over between the stories. it all ties together very intricately sorry about that. don't worry too much about it i've included my taglist down below to make sure people who are interested won't miss this post, but feel free to skip over this if it's not your thing! won't be doing a lot of this kind of stuff in the future but i'm trying to get back to the cyberpunk roots so this is kind of like, a good starting point and reference point for later posts!

The story starts in early 2077 and is centered around Sebastian Vidal, gang leader of the Cobras and previous test subject of Arasaka Special Programs (the linked page is a lot of information but gives the most coherent overview of what the branch actually is). The current director of the SERPENT projects, Andrew Colton, and Dr. Alana Cartier, both want him dead, to tie up their last loose end before the rest of Arasaka can find out and shut down Special Programs once and for all.

Over the past months they’ve been hiring various assassins in secret, to try and get Seb killed; however, these assassins keep failing, and their latest attempt lies in the hands of Cassidy Shaffer, an ex-corpo turned assassin with a strong moral code and plenty of experience to his name. With little to work with, as his mysterious client doesn’t give out much information, Cassidy starts with what he thinks is gonna be a quick and easy job– but he ends up hunting after Seb for essentially a year.

During this year, the two men have a series of wild encounters that get more and more insane the longer it goes on; it includes, but is unfortunately not limited to, Cassidy biting off a chunk of Seb’s ear, the two of them running over the highway, the two of them getting handcuffed together and chased by the NCPD then hit by a car right in front of the hospital, and Seb sensually licking blood off Cassidy’s face after having stabbed him when Cassidy wanted to strike at a concert Seb is visiting.

All of it comes to a sudden stop when Cassidy learns his client has been lying to him the whole time, and since he does not appreciate lying clients he ends up jumping sides and teams up with the Cobras to do some cleanup duty in Arasaka Special Programs. He and Seb work together to go after a list of targets to get the still ongoing projects mostly to a halt, while remaining in the shadows themselves as to not draw too much attention their way; and during this collaboration they meet several people from their past, bringing back both good and bad memories.

One of these people is Hanan Chisaka, the Head of Security at Special Programs. She ends up becoming the next test subject of Project Cobra after the last successful subjects, Xavier and Gabriel Mason, end up escaping in the midst of the chaos of Hanako Arasaka’s capture in mid-2077. Once Seb’s best friend and Cassidy’s mentor, she’s now forced to hunt the both of them down; but in their final confrontation she snaps out of the controlled mode Arasaka keeps her in and runs away with them, effectively leaving Special Programs without any test subjects. Another one of these people is Reid Bennett, Cassidy’s ex and ex-coworker back at MaxTac. He still works for the corporation and has been on an ongoing investigation into Arasaka Special Programs; seeing Cassidy alive and well, working together with Seb no less, piques his interest and he continues to look further into the case, which will cause him to make a very big mistake later on in the timeline.

By September 2078, Seb and Cassidy have successfully taken down all their planned targets and retreat back into the shadows, leaving Special Programs with many losses and no test subjects. With the APEX program discontinued a month earlier (incident discussed in this fic, which is a continuation of the in-game events), and Hanako Arasaka recovered and ready to take the corporation back from the hands of her corrupt brother, Special Programs ends up having to retreat for the time being, and cook up a new plan in the background.

Special Programs by this point is run by Andrew Colton, Alana Cartier, and Kaida Akiyama, three players who have been in the game for a long time already in the SERPENT projects’ runtime. Colton and Cartier are married– Cartier used to be married to Seb and cheated on him for a good amount of time when he was still at Arasaka– but their marriage is starting to fall apart. Akiyama has had to watch over Special Ops agent Ambrose Hawthorne for a while during his chase after the Mason twins, which ended up with the twins dead and Hawthorne going into early retirement (Arasaka doesn’t know the twins faked their death and Ambrose is now dating one of them lol), and xe is now determined to help Colton and Cartier get Seb back into Arasaka so the projects can continue.

Cassidy’s initial plan was to leave as soon as the collaboration would come to an end, but he has found his place with the Cobras and instead ends up officially joining them.The next chapter in the story is a more laid-back and easygoing chapter, in which Cassidy learns to be part of real life again, and in which Seb learns to let people get close to him again after spending years trying to convince himself he doesn’t need any help. Over the course of a little over a year (all the way to November 2079), the two grow even closer than they had already done, going on gigs together and, you guessed it, slowly but surely falling in love until they inevitably end up together at the end of it.

Not long after the two get together, Reid returns into Cassidy’s life. He wants to try and be friends again and Cassidy gives him a second chance, though this soon enough turns out to have been a mistake, with Reid trying to create distance between Seb and Cassidy and then going as far as trying to sell Cassidy to Kang Tao (one of the few corporations that have been hunting Cassidy down for a while now) in exchange for his own freedom from MaxTac (where he would have otherwise been stuck at for probably the rest of his life). Naturally, Reid can’t watch Cassidy get tortured for long and leaks his location to the Cobras, who find and free Cassidy and take Reid into captivity instead– he does not get killed, but instead has to sit out some time at a safehouse somewhere in solitude, where he gets to decide what kind of person he wants to be in the future.

This brings us to Elysium; a gorgeous spaceship which was supposed to be a relatively cheap escape from reality for everyone who wanted a refreshing break from Earth, but through Arasaka sponsorship has become just another cash-grab project to compete with the Crystal Palace– and considering the megacorporation has its greasy hands all over it, the secret labs in the spaceship are used for a series of very unethical experiments. Naturally so, it would be the perfect place for Colton to continue his SERPENT projects without the risk of Hanako Arasaka finding out and shutting the place down. He sends forces up to Elysium (obviously after his other attempts at relocating the project to space have failed tremendously, having lost contact with every single crew in the smaller Arasaka stations in orbit around the planet), but since he’s not there himself his cousin (one of the CEOs of Elysium), Maxwell Crane, unbeknownst to Colton, takes control of the SERPENT projects in space instead. From the earlier linked Special Programs page: “Project Eryx used the technology of previous projects, but took a completely new approach in the hosts it used; rather than focusing on the human psyche it attempted to create a new type of cyborg which would lack the humanity that caused previous projects to fail. The Cobra chips were no longer used and the software was instead installed directly onto the host’s mainframe. The flexibility of the new hosts– more robot than human, and in some cases the entire human aspect was lacking altogether– allowed for experimentation with highly advanced cybernetic enhancements and military grade tech and upgrades, turning the test subjects– dubbed ‘prototypes’– into dangerous, unstoppable killing machines.”

Things settle down for Seb and Cassidy, but this moment of peace does not last long. In January 2081 the two find themselves traveling to the spaceship Elysium, to investigate a curious situation in the laboratories– they’ve been hired by Arasaka without their knowledge and it’s a setup to get Cassidy killed and Seb back in Cartier’s control.

While in space, they learn that the secret labs have suffered an outbreak of the above mentioned prototypes. They quickly connect the dots and realize Special Programs is back in the game, and they work together with security guards Aubrey Valentine and Leon dello Russo to try and fix the situation before it gets out of hand. Obviously this fails tremendously and Elysium ends up on a complete lockdown after a ship-wide outbreak, which is eventually contained in late March of that year, with CEO Maxwell Crane dead, leaving only his wife Kinsley Osborn behind.

Elysium continues to exist and is rebuilt after the crisis, and Kinsley Osborn can now finally turn it into the retreat it was always meant to be. Previously, most Elysium employees were to be stuck in space for the rest of their lives; however, with Arasaka out of the picture they are free to leave as they please, which results in a gigantic cut in total employee count in the months that follow.

Seb and Cassidy return to Night City and take Aubrey and Leon with them. Aubrey reunites with his sisters; Becca, James, and Rikki, and soon after his return to the city he opens an LGBTQ+ nightclub called Bodytalk with them, found Downtown, City Center, in June 2081. Not only is it a fun place to hang out at, it’s also his main hub as a fixer, and he starts a collaboration with the Cobras to get business going between the gang and the club; and soon enough it grows into a large and powerful network of connections, which is the foundation on which the rest of the stories are built.

After this point in time, many many more things happen but it would take me another hour or ten to go into full detail of all of that, so instead here’s a quick rundown of some of the other things that Bodytalk gets involved in:

Reid Bennett is handed over to Aubrey and he starts working at the club, and he becomes a very valued employee as well as a good friend to many now that he’s no longer fucking insane

Kaida Akiyama returns from Elysium and shows up to Hanan’s doorstep, to ask for her help with getting out of Arasaka for good; much later on, xe starts working for Bodytalk as well, in an attempt to put xyr past behind xem and become a better person

Urban Dynamite starts performing at the club regularly, and it becomes their home base

Luna Serratos, Cassidy’s ripperdoc friend from all the way back to killing era, gets involved in the Harbinger case from Maelstrom (one of the gang’s most feared members); turns out the Harbinger is in fact Reuben de la Rosa, a by then 22-year-old kid who has ended up in Luna’s care with his friend Noah Telavera after the two got caught up in an explosion. She requests the Cobras’ help with getting Maelstrom to let Reuben go

Officer Michele Diaz from Militech (who used to be Cassidy’s boss) is demoted following the lawsuits after the Elysium incident, and her investigation into the incident in hopes to get her job back leads her to Bodytalk; she begins threatening them and sends the whole club and their allies into uncertain times

Many people get married. There’s so many fucking guys here we went a little insane with the numbers but there’s several weddings and there’s a whole polycule going on too feel free to send asks about this if you’re interested

Cobra Cybernetics releases a new line of cyberware, which is incredibly buggy and dangerous to the public; it’s brought to the club’s attention and it makes them realize that Luiza Vidal (Seb’s sister), who not that long ago asked them to kill her husband (William Colton (Andrew’s brother), CEO of Cobra Cybernetics), has gone missing; they now need to get involved without getting the news out that they actually didn’t kill William and that he is still alive somewhere, while also balancing out dynamics between Biotechnica (angry at Cobra Cybernetics for stealing their designs) and Arasaka (the actual reason why Cobra Cybernetics’ designs look like Biotechnica’s designs, because William stole designs from Special Programs after halting their partnership after the Elysium incident, but these designs had been stolen by Arthur Jenkins from Biotechnica even BEFORE that to be able to hijack the European Space Council’s cybernetics following the Frankfurt incident. Are you still with me)

Vitali Dobrynin (fixer and main character from the in-game events storyline and the continuation of it; Vincent “V” Mayer’s boyfriend) ends up visiting Bodytalk after meeting Aubrey at a Fixer Council meeting, which happens in late 2083; this essentially ties the two main storylines together, which means that yes, a lot of the characters from the two separate storylines end up meeting :]

Officer Ulysses Dimakos (used to work with Reid at MaxTac) is sent to investigate Bodytalk following the Cobra Cybernetics scandal, and ends up teaming up with the club to get MaxTac on a dead trail in exchange for his freedom of the corporation

On top of the Bodytalk / Cobras centered storyline, there’s a couple of side stories that are still connected to the whole thing but are more of a standalone thing with only a few touching points to the rest of it all:

This obviously takes place a lot earlier because it’s already mentioned above, but Special Ops agent Ambrose Hawthorne is tasked with chasing after the escaped Mason twins; naturally he lets them go and ends up going into retirement, and Xavier Mason later on ends up becoming Bodytalk’s part-time repair guy on account of knowing Kaida

Gabriel Mason ends up in a car crash with retired security specialist Ames Ortega, who was also in Elysium during the incidents there, and the two end up babysitting Ambrose and Xavier’s kids together while those two are helping Hanan with getting Kaida out of Arasaka (Are you still with me. Blink if you can hear me)

Mercenary Frankie Sayyad gets a promotion from his fixer, Vulture (real name Diana Crane, Maxwell Crane’s older sister and cousin of the Coltons), and becomes one of her Bloodhounds; he works together with Evelyn Harris, Nimue Nkuna, and Beckett Rydel, the latter being one of the very first test subjects of Arasaka Special Programs, and the four accidentally get themselves mixed into a mystery concerning their secretive fixer

Caleb Harris, ex-security at Biotechnica, ends up back at Club Bodytalk not long after the conclusion of the Cobra Cybernetics scandal, and starts working for Aubrey; he is partnered up with Ramiel Al-Masri, a mercenary who has been working for Vitali Dobrynin for a while and has recently joined Aubrey’s mercenary roster too, and together they dive into a series of gigs neither of them had expected

Journalist Bodhi Shankar has finally found more evidence and information surrounding the mysterious cult gang Umbra and its so-called Prophet, Thiago Salazar; however, his antics have led to him accidentally becoming part of the gang himself, and he has to figure out a way to get Thiago to stop listening to the supposed deity that the gang worships known as Scintilla, before she makes him do things that will get many people killed

taglist (opt in/out)

@velocitic, @deadrlngers, @euryalex, @ordinarymaine, @gurathins;

@mojaves, @shellibisshe, @dickytwister, @mnwlk, @rindemption;

@ncytiri, @calenhads, @noirapocalypto, @florbelles, @radioactiveshitstorm;

@strafethesesinners, @fashionablyfyrdraaca, @aemondtargeryen, @radioactive-synth, @katsigian;

@estevnys, @elgaravel, @aezyrraeshh, @carlosoliveiraa

[quiet-admirer]

...

[oceanwithouthermoon]

i think its weird that i have to make this disclaimer but the internet is crazy so wtvr,, anyway,,

if i say i dont like something, that doesnt mean "that thing is bad and nobody should post it.."

i swear literally every time i even mention that i dislike something, people will go "wow does that mean u fucking hate me cuz i post that thing? ur a fucking stupid bitch and all ur opinions r wrong" LIKE ?? er.. no. just because i say i dont like certain characterizations of certain characters (the saiki k fandom is CRAZY about this cuz i can state an opinion on literally any character and a group of people will still go 'well only we're allowed to post our opinions about them because we're always right!1!1!'), or certain ship tropes (mentioned my hatred of toxic yaoi maybe once or twice on here months ago and people STILL get mad at me as if i said toxic yaoi lovers r evil or something), or certain ships, or WHATEVER, does not mean that i HATE the people who are posting them or that i think they shouldnt post them at all, NO, im just posting about my personal tastes on my personal blog and it would be extremely weird and hypocritical if i decided that i was the ONLY person that was allowed to do that,,

i think the only reason people assume that is because there are a lot of other people on here who ARE like that, and a lot of people toe the line between posting that they dont like something and posting that they think everyone who likes that thing is stupid, annoying, and wrong,, so i guess all i can say is, sorry for whatever made you make these assumptions but they arent true about me so plz leave me alone ʘ‿ʘ ur doing the same thing to me that ur accusing me of but i didnt do it in the first place so ur just actively being a dick for no reason

[ppushable]

Fanfic writer interview

tysm for the tag eb! sorry i took so long getting to it. i swear it was screaming at me from the drafts the whole time

How many work do you have on AO3?

4! (but one of them doesn’t really count because it’s a test)

What's your total AO3 word count?

84,177

What are your top 5 stories by kudos/likes?

two ibuprofen - 92 notes

low tide - 44 notes

just us - 26 notes

ofcwbo - i’m not sure but she’s definitely at the bottom

Do you respond to comments? Why or why not?

yes i do! i love that people take the time and effort to do this and i want to show my gratitude always. they didnt have to comment but they did. fics are so personal as well imo, seeing what other people have to say about it is. i’m not sure how to describe it but it makes me want to yell into a pillow.

What's the fic you've written with the angstiest ending?

ofcwbo will have the edgiest ending, but since i haven’t actually finished any of my (posted) fics other than just us, it has to take the title by default. (it does have a very angsty ending though. and an angsty beginning and middle)

What's the fic you've written with the happiest ending?

using the above logic, just us by default….? (it would be anything in the rose tinted hours collection (that being two ibu or low tide (for now (👁️)) because that’s my happiness and i shall keep angst away from it with a 10 km pole)

Do you write crossovers?

nope

Have you ever received hate on a fic?

nope! if that happens i’ll wither and die

Do you write smut? If so, what kind?

no

Have you ever had a fic stolen?

not that i know of!

Have you ever had a fic translated?

nope!

Have you ever co-written a fic before?

oh dear god. my origin story

back in my reddit phase (i was like 13? leave me alone) i made art for a fandom which mustn’t be named and met another person there. we became friends (stranger danger, i know, i’m smarter now) and somehow we started writing fic. it went pretty well, they would make most of the plot and the chapter outline and i would go in and edit it to make it make sense. we had a good run, all things considered. we then moved on to another fandom (read: they dragged me into another fandom) and we wrote for that one as well, except this time i got the opportunity to write my own chapters with my own ocs. that’s when i started realizing how nice and cool this was.

if youre seeing this, J, hi.

What's your all-time favorite ship?

jean and i. alternatively, me and jean (YEAH FOR SELFSHIP DELULU I LOVE BEING INSANE)

What's a WIP that you want to finish but don't think you ever will?

i don’t have such weaknesses. i WILL finish all my wips.

(ofcwbo. it’s going to drag on forever. deep inside a part of me wants to be realistic and say that it’s a little unrealistic for me to actually get down everything i wanted in a way that satisfies me. maybe i dont even WANT to finish it, because the fic has been such a comfort in the back of my mind for so long that the idea of it suddenly. terminating. is terrifying. maybe i’m overthinking it. i just dont want that world in my head to die, whether that be by fading away quietly or suddenly coming to an end.)

What are your writing strengths?

toughie. i think my descriptions are solid, as well as getting into the mc’s head (but that can just be attributed to the first person pov thing aha).

What are your writing weaknesses?

planning whatever i’m trying to write - i dont control it, it infects my brain and hands and forges its own way. i’m also not a huge fan of proofreading (this mostly applies to the earlier chapters of ofcwbo (i get embarrassed)). i also have a tendency to repeat a certain phrase or metaphor in a fic without realizing it. sequences of actions are hard to write too.

What are your thoughts on writing dialogue in other languages in a fic?

i try not to do it too much because it can be confusing and having to translate/provide a translation can break the flow. but i do like adding in little phrases sometimes based on my hcs for what languages the characters speak

What's a fandom/ship you haven't written for yet but want to?

i’m not sure i have one. i’m deep in the bowels of jean/reader purgatory and i don’t see a way out

What's your favorite fic you've written?

just us. <3

@firefly--bright no pressure (yes pressure)

Fanfic writer interview

Thank you @thelettersfromnoone for the tag!! 💖

How many work do u have on AO3?

3, not your local AO3 girlie lmao

What's your total AO3 word count?

8 534

Your top 5 stories by kudos/likes

I'll go with Tumblr ones, cause from my 3 AO3 works the biggest number I got is 31 lmao

Anyone but you (Legolas x f!reader)

Night watch (Legolas x Reader)

Well-deserved rest (Haldir x f!Reader)

One messy night (Boromir x f!Reader)

Transition (Haldir x f!Reader)

Honorable mention (since it's not fics but headcanons)

Green Council receiving a hot pic from you (HotD)

TLK men's reaction on being pet named

Do you respond to comments? Why or why not?

I always try to respond to comments! These little things are brightening up my day, so I wanna let the people know that they are my heroes hahaha

What's the fic you've written with the angstiest ending?

I really think it's Transition. All in all it's a pretty dark story, a bit depressing I think (I had these intentions while writing at least).

Otherwise, I don't think I have angsty endings fics?

What's the fic you've written with the happiest ending?

New family members for sure!! Was thinking hard what to choose, cause I think all of my happy ending fics are on the pretty same level on a happy scale, but I remember that I have this gen, non romantic baby and I love it so much ❤️‍🩹 There's a little TLK OMC for y'all

Do you write crossovers?

I wanted to say I've never done this BUT THEN!!! My Assassin's Creed (Ezio) x LOTR little headcanon!!! My beloved child!!

Have you ever received hate on a fic?

No, not that I remember getting any hate on my fics

Do you write smut? If so, what kind?

I do, tho not much and on rare occasions. I used to write a lot of smut when I was younger (a teen), then I stopped being comfortable with it for a wild few years (tho reading never made me uncomfortable lmao).

Now I started writing smut again, idk what kind? Don't really understand what does that mean lol F x M traditional sex? Pretty detailed? If so, then yes lmao

Have you ever had a fic stolen?

I don't know 😂 Maybe, maybe not. I think rather not.

Have you ever had a fic translated?

Not to my knowledge, I don't think so.

Have you ever co-written a fic before?

We tried with my friend a long long time ago. Didn't go well lmao It's hard and kinda stressing, cause you never know what the other person is gonna write (at least we had this SURPRISE system), so... You kinda have zero plot cause everything you want to write plot-wise can be ruined by the second person's plot lmao

What's your all-time favorite ship?

Athelnar?? Athelstan and Ragnar were my first ever OTP (quickly followed by Alfred and Uhtred). You could never beat that Athelnar shit out of my body lmao I've never written for them, but oh I do love them boys!

What's a WIP that you want to finish but don't think you ever will?

Now, that's the HARSH one lmao

I think I have at least 3 OC stories that I really wanna write (2 for TLK and one for LOTR), but I'm scared that I will never actually do it. I never was good with multi chaptered stories, and these are indeed not a one shots 🥲

What are your writing strengths?

Ugh... I don't know? I think I was pretty good with dialogues and descriptions of the surroundings to build the atmosphere. But... I guess it's not for me to decide but for the readers?

What are your writing weaknesses?

I rarely finish what I've started lmao I should write everything in one go or else I'll never finish it... Or will finish it in two months even if it's a 2k words one shot

What are your thoughts on writing dialogue in other languages in a fic?

I love them! I've only done it with my LOTR fics (with Sindarin) but I really love it. But I really love it when the language is different from the language of the settings? Like, if the story is happening in England and everyone is English, but you have two characters who can speak idk Dutch, let them have a Dutch language in their dialogue. I had a rant post about it not that long ago actually lmao You have to think about your in-universe language

What's a fandom/ship you haven't written for yet but want to?

Ahhh Bungou Stray Dogs! I love them, and I'd gladly try to write something for them. Not a character/character but reader my beloved.

And maybe Stephane Narcisse (reign) my beloved and a reader

What's your favorite fic you've written?

The blood on my hands (Eomer) and Peace (Finan) are definitely my fave ones I think. They are dark and both explore some trauma

No pressure tags: @whitedarkmoonflower @lord-aldhelm @holy3cake @gemini-mama @emilyhufflepufftlk @persephones-journey @solinarimoon @mrsalwayswrite @emmanuellececchi @bilbotargaryen @levithestripper @mrsarnasdelicious @paula-in-dreamland

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh