#i made a positive impact on this family's life

[yupuffin]

I think the aspect of the 2.7 story that felt most impactful to me was something that was previously addressed in the Penacony main story, but was reemphasized and expanded upon with Sunday being the narrative focus of this update:

Sunday is scared.

His motivation to protect the people and things important to him -- Robin is an excellent example -- manifests as a desire for control, to eliminate potential dangers. This motivation is based in fear; he's afraid to lose what he has to factors beyond his control, like the bullet that nearly took his sister's life.

And part of the "true paradise" he longs for involves preventing the sense of powerlessness that accompanies that fear. He believes that humanity sleeps because "we are afraid to awaken from our dreams." Indeed, the appeal of the "sweet dream" of Penacony is freedom from the uncontrollable and inevitable tragedies of the waking world.

It's part of what made him such an effective villain in the Penacony arc; even though you may disagree vehemently with his actions, you can understand with and sympathize the rationale behind them. In his mind, absolute control over the Dreamscape -- the elimination of frightening unknowns -- is the most effective way to keep everyone safe and happy. However, this undermines the real freedom and autonomy of the affected populace, many of whom are unaware of the Dreamscape's true nature.

In the 2.7 update, Sunday is "nerfed after turning into a good guy," to use March's words. Previously, he enjoyed immense social status as the head of the Oak Family -- and as the imposing, invulnerable, "final boss"-style antagonist. Now, his role is effectively reversed; he's a fugitive who has to disguise himself to evade the potential consequences of simply being seen.

He's an incredibly vulnerable position.

Not just physically -- as the audience, we also get intimate insights into his feelings and thought processes. Now he recognizes the scope of the harm he was previously willing to cause in the name of absolute control, and shoulders the responsibility of dealing with the repercussions.

His newly evident guilt and shame is emotionally moving on its own...

...and becomes even more poignant when you realize that guilt and shame and vulnerability has been a crucial aspect of his character from the very beginning. After all, so much of his deep-seated fear of the unknown stemmed from him blaming himself -- his lack of control over the situation -- for Robin's unforeseen injury.

I found the scene at the Dream's Edge the most touching in this update. Sunday's conversation with Robin is a bit of a paradox: he is deeply sincere and vulnerable in speaking to his own sister, yet guarded because he must avoid revealing his true identity. And Robin, in turn, directly provides an alternate outlook on Sunday's character, describing him as though to someone who's never met him, as though he isn't there.

And Robin's perspective reaffirms that Sunday's apparent invulnerability was essentially a facade. He may have been the head of the Oak Family, and the imposing final boss, but at the same time, on the inside, he was continually paralyzed by fear.

Sunday has always been vulnerable. He has always been scared.

And I think what makes the conclusion to the 2.7 story so satisfying and triumphant is that Sunday begins to properly address his fear, his persistent guilt and shame. He moves beyond simply acknowledging it, and recognizes not just how indulging his fear can bring further harm, but also what good things (that otherwise wouldn't occur) can happen when he overcomes it -- as it were, when he doesn't let his fear control him.

I'm going to be real, I probably had an intelligent-sounding conclusion for this, but... it took me several weeks to write this and I've forgotten any idea i might have had previously, so let's just say he definitely hit me right in the feels. 🤣

[benzodiazepinica]

Alexandre Bissonnette edit + infopost

~~~~~~~~~~~~~~~

The edit is for you to see some photos of him!

I want to say I don't support any actions !!

My content is because I love true crime and political cases ~~

if I like the person is for him/her personality, appearance or manner. But I do not support hate crimes or murders

Event summary

Alexandre Bissonnette, 27, entered a mosque armed with a pistol and killed 6 men, injuring 19 more, one of the victims was left paraplegic for the rest of his life

Family, social life, curiosities

Bissonnette has a twin brother with whom he shared an apartment four miles from his parents' house. But Alexandre Bissonnette often slept at his parents' house on weekends.

He was Canadian, born and raised in Quebec City. He was always described as a simple and ordinary man. Bissonnette had already taken antidepressants, but it was stated that his mental state had absolutely no influence on the crime, as he was considerably stable and fully conscious.

He had a Facebook page and also a Tumblr page, where he posted about his daily life, food, etc. However, on Facebook, he made a lot of political comments. Emails from Alexandre and his father were also found that spoke negatively about Muslims. Many people believe that Alexandre received this prejudiced upbringing from home. He and his father used to practice shooting at an outdoor range and Alexandre would often hang out with old friends. However, he did not have a girlfriend, and was described as a shy and somewhat introverted man.

The father, and also Alexandre himself on social media, stated about the problems the boy had with alcohol. However, according to a blog by Bissonnette, he had stopped drinking because, according to him, it "is very bad for your health!" and he reported, with these words, that he was "very happy about it!" However, even with this abstinence from alcohol, the shooter told the authorities that he drank sake the entire day of the massacre.

Security camera footage from a depanneur shows Alexandre Bissonnette buying a drink minutes before the Quebec City mosque attack on January 29, 2017

"Throughout his life, until January 29, Alexander had never demonstrated violent behavior in words or actions toward anyone. "Alexander is the last person we, and all those who know him, could imagine doing something so out of character," Alexander's father said.

Bissonnette was a political science student at Université Laval in Quebec City. He also works and had a steady job, but was on three weeks' leave when the shooting happened. Alexandre had a history of bullying, probably because he was quiet and reserved, but this did not seem to have a direct impact on the case. In any case, he was described as an "ordinary" man.

about the bullying he suffered his father said: "Realizing that nothing was getting better, Alexandre simply stopped mentioning it to us. I can't tell you how much I regret not doing more to make sure Alexandre was safe at school."

In 2014, Bissonnette was introduced to firearms by a friend. He went on to apply for a license, falsely reporting that he had no history of mental health issues or suicidal thoughts. Over the next few years, he would legally acquire six guns.

Bissonnette told psychologists during interviews that he had always had thoughts about mass shootings. Interestingly, Alexandre was fascinated by the Columbine Massacre.

Alexandre had also thought about carrying out a massacre in a shopping mall, carrying weapons in his bag and everything, but he gave up.

ideologies and thoughts about Islamists

Alexandre was an actively political person in his speeches and discourses. He seemed to be very interested in the subject, and it was no wonder that he was studying Political Science. However, Bissonnette's political positions always leaned towards a more extreme side, related to violence. He was a nationalist, but a nationalist who preached the unity of white people only. He also supported Marine Le Pen's party in France and Donald Trump in the United States. He frequently posted on his Facebook page against immigrants, against pro-immigrant policies, against Muslims and against feminists.

Historical context of the city and the mosque

Before talking about the massacre, it is essential to talk a little about the state of mind of the city and the mosque that suffered the attack.

Quebec City has always had questionable positions on ethnicity, immigration and Islam. The mosque has previously suffered an Islamophobic attack, in which a pig's head was placed on the mosque and a note reading "Bon appétit" in French (the local language).

The Quebec City mosque mass shooting on January 29, 2017

In the month leading up to the shooting, Bissonnette was on leave from his job at Héma-Québec with an anxiety disorder following an altercation with a co-worker. During this month, he obsessively visited the Twitter accounts of several right-wing media personalities, including Tucker Carlson, Laura Ingraham, David Duke, Alex Jones, Mike Cernovich, Richard B. Spencer, and Kellyanne Conway. Bissonnette checked Ben Shapiro's Twitter account 93 times in the month leading up to the shooting. He was also on leave from his university political science program. He was scheduled to return to work the day after the shooting. During his free time, he regularly visited Islamophobic websites and searched the web for information about mass shooters.

When Alexandre Bissonnette heard about Justin Trudeau’s famous tweet welcoming refugees to Canada, the frail-looking 28-year-old political science student told police he went crazy. A few hours after watching a television report suggesting that Canada would accept immigrants rejected by President Trump

On the day of the shooting, Alexandre spent the day drinking and finishing his research on mass murders, immigration and Islamic terrorism, including checking news reports on crimes committed by Muslims in the country. That night, he went to his parents’ house for dinner and then sat in a corner, fiddling with his computer. At 7 p.m., he left the house armed with a 9 mm pistol and a Czech semi-automatic rifle of .223 caliber. He left home in his parents' car, saying he was going to practice shooting. At 7:37 p.m., he hesitated to continue shooting, so he went into a store and drank some vodka. Then, afraid of being seen carrying a large weapon, he decided to return to the mosque to carry out the attack.

He arrived at the mosque around 7:53 or 7:54 p.m. Outside, there were two brothers, at whom he pointed the rifle, which failed, jamming. Alexander appeared relaxed, smiling, throwing the rifle on the ground and pulling out his pistol. He fired several shots at both of them, in the arms and abdomen, then got close and shot the brothers in the head, with the pistol pressed against them.

Two more mosque worshippers announced that there was a shooter, and chaos soon broke out. Alexandre entered the room, firing ten shots, then reloaded. Bissonnette re-entered the prayer hall. He would fire 30 shots in 30 seconds during the second wave, and would target mainly people trying to take cover.

Aymen Derbali, crouched near the gunman, attempted to distract him from the busier areas of the mosque by staggering toward him, but was shot in the knee and chin.[31] As Derbali fell and crawled on the ground, Bissonette shot him 6 more times, but Derbali would survive.[32] Bissonnette then targeted 44-year-old Aboubaker Thabti, murdering him at close range with three shots to the skull.

The gunman returned a second time to the lobby to reload his weapon, then returned to the prayer hall and killed some of the worshippers who were already wounded and others who were wounded. He then pocketed a bullet, intending to take his own life in a nearby forest, and then left the mosque at 7:57 p.m.

According to an initial report, a man who came forward as a witness said that two assailants dressed in black and with a Quebecois accent entered the mosque and shouted "Allahu Akbar" before opening fire. Police later determined that there was only one shooter, and that was Alexandre.

Later, at 8:10 p.m., Alexandre Bissonnette called emergency services (911) and turned himself in.

Alexandre Bissonnette was sentenced to life in prison for the 2017 Quebec mosque attack. He was originally scheduled to serve 40 years before being eligible for parole. However, in 2020, the Quebec Court of Appeal reduced that sentence to 25 years, ruling that 40 years without the possibility of parole constituted cruel and unusual punishment. In 2022, the Supreme Court of Canada upheld that decision, maintaining his eligibility for parole after 25 years. Therefore, Bissonnette will be eligible for parole in 2042.

Victims

The six murder victims were Ibrahima Barry (39, an IT employee for the Quebec government), Mamadou Tanou Barry (42, an accounting technician), Khaled Belkacemi (60, a professor at Laval University), Aboubaker Thabti (44, a pharmacy technician), Abdelkrim Hassane (41, a computer analyst for the Quebec government) and Azzedine Soufiane (57, a grocery store owner).

[clownboy-yeehonk]

.

[unloneliest]

the problem of the matter is i did internalize so much of what ex friend believed about me. even though i knew he was wrong and knew what was happening and tried to stop it and if i took more action to stop it would have been abusing power i held in a way i couldn't live with myself for.

[haematoclan]

Leo's relationship with death

Leo really doesn't like to think about death.

I mean, we all saw how much impact Karai's death had on all of Mad Dogs but Leo was the only one that had to be dragged from her, yelling after her, he really, really didn't want to lose her.

And I think when he lost her it left a deep scar.

I saw posts talking how Leo wants for things to get back to normal and pretend nothing happened, which I completely agree with. I think it's in big part because of his fear of repeating losing a close one.

He REALLY doesn't want to even acknowledge death.

Here Raph seemed to be getting through to Leo-

-but the moment he mentions possibility of his family dying?

Nope, time to deflect, joke and feign ignorance.

Leo's aware that death is a big part of being a responsible hero and that's why he'd rather goof off with his brothers and not train.

Because obviously when you ignore something it just dissapears, right? So if they ignore severity of certain situations and possibility of dying it won't happen, right?

If they don't treat it seriously they'll be fine! Totally!

Then Raph shields Leo from the Krang and sends him away.

And it's as if Karai's death stared right in his eyes.

So Leo picks up the slack of leadership in order to save Raph. He behaves carelessly during this time but can you really blame him, he desperately wants to save his brother, to stop yet another family member from death that he is so scared of.

He still tries to be positive and nonchalant, that "pfff obvioulsy everything will turn out alright!" but at the end of the day, it's not that simple.

Casey's speech had hard time to really hit Leo, he's still avoiding confronting resposibility, literally and metaphorically turning away from it. But the moment Casey says Leo's whole family died?

Now that made an impact.

And every time his family is in terrible danger he looks absolutely terrified and basically every time Leo has to be dragged away to not just return and try to save them again.

And when there's nobody to drag him away?

First thing he does is sacrifice himself. Because I don't think Leo is scared of his own death, or at least he is not as scared of him dying as his family. He'd rather give away his life than live through another grief.

Obviously I'm not sayin that the rest of the fam isn't terrified of close ones dying. But while they seem less aware (Mikey) and/or more ready for the possibility (Raph)...

Leo's wholly aware but he'd rather not be and ignore his fears until he can't anymore.

[nathaslosthershit]

A Much Needed Interview (OP81)

(Part 2 of Teen Dad) Summary: After the shock of Oscar revealing himself to be a former teen dad, he joins an interview in the hopes of clearing everything up and limiting the overwhelming amount of questions he has been getting.

“Oscar, it is nice of you to sit down with us. I know it has been an interesting few weeks for you and your family. How are you guys all doing?” The interviewer asks.

‘Yeah, y’know, I had expected to one day have to open up about it all, but I never thought I’d have to do it the way I did. It has been fine, obviously my kids are young enough to not be impacted because they aren’t on social media, but it has been strange for my fiancée who is now getting hundreds of requests on her private account. I have sort of decided to take a break from social media because the response has been overwhelming and like none before. Mostly positive but I think a few people have gotten the wrong idea so I was hoping to clear everything up.” Oscar rambled. He was more nervous about this interview than any he had done before.

“Of course. Why don’t we start at the beginning, how did you and your fiancée meet?”

“We actually met at one of my races. She went to support one of her close friend’s brothers. After the race that I sadly didn’t do too well in, I saw her with her friend and I was kinda frozen in my spot, immediately head over heels. Sadly, it seems like everyone but her noticed. I was too scared to do anything so I just watched her leave. I think I sulked for days, totally regretting my decision to do nothing. A totally heartbroken 16 year old. I looked for her every single race until she finally came back a few months later.”

“Oh please tell me you finally got the confidence to shoot your shot.”

“Nope! I just stared at her and stuttered when she caught me looking then ran off. I then had an amazing race, I think part of me was just trying to make up for the embarrassment and luckily it seems my car got the memo. After the race she came up to me and asked for my number.” God, he was blushing profusely at the memory. He knew he would be getting slack for this for a very long time. 

“Such a story! The young Oscar Piastri was no ladies’ man.”

“He was absolutely not. Soon after we started dating.” Oscar awkwardly laughed, sensing what was about to come up.

“And then kids came shortly after?” The interviewer asked with care in his voice, certainly able to sense Oscar’s change in attitude.

“Yeah. Uh, obviously not planned. I don’t think many people plan to become parent’s at 18. It was a shock… I didn’t handle it the best at first, something I think I will always regret. She was scared and while so was I, I should have been more supportive. I was embarrassed for a while. Felt like a total idiot. I didn’t tell anyone outside of my family and made them swear to secrecy. I also began to isolate myself from friends because I couldn’t bring myself to tell them but also felt terrible lying. A few months in I finally snapped myself out of it and began to focus on all the wonderfulness that was to come. I loved her more than anything and I would be lying if I said I hadn’t already imagined a life together in great detail. By the time we found out it was twins, a boy and a girl, I was ecstatic.”

“Well mate, I don’t blame you for your feelings. I definitely would have been a terrible father at 18 so I salute you.” The interviewer joked.

“Honestly, I had the same thought for a while, even when I was excited to have kids. I had so many doubts about it, I mean how could I not? But when it came down to it, I couldn’t afford to be anything less than a great father. Of course I had my moments, and still do years later, but I wouldn’t be able to let myself be anything less than I am. If you love your kids enough, you find a way.”

“How did having kids so young impact your career? Obviously it didn’t hurt it too much considering you are in your second year driving in Formula 1.”

“Well, I decided I wouldn’t advertise my situation unless a team was very serious about me. Prema knew, Alpine did too and of course McLaren does. All were welcoming and accommodating, as much as they could be. I don’t think I would have gone with any of them if they weren’t cool with it though. I realized the minute my kids were born I would give it all up for them, which scared the hell out of me.”

“That is admirable. All these years later you are still with their mother, correct?”

“Yes! I asked her to marry me over break. Everyone close to us had been confused as to why it took so long but we had discussed marriage together many times and made the decision that because our relationship moved so fast with having kids so young, we would wait a bit. I mean, we are still young but I honestly couldn’t wait any longer. She is everything to me and the most wonderful mother my kids could have.”

“Have your kids been around the paddock yet? I assume they are old enough to understand what you do.”

“They have been to the factory and come with me to meetings when we haven’t had a sitter for them. Luckily, they are both very well behaved in public, they also really like watching the races on tv and have somewhat of an understanding of what I do. They don’t believe I actually drive the car though.” Oscar rumbled. Trying to convince his twins that yes, their father actually does drive the cars they see going super fast, has been an ongoing issue. They seem to believe he is tricking them but have no problem believing Uncle Logan and Uncle Lando drive the cars. It has definitely humbled him immensely.

“Well you will have to fix that soon huh? Will they be attending races in the future?”

“I am trying to work that out with my fiancée actually. They are almost four so we don’t want them traveling too far, I also don’t believe they will be able to be entertained solely by the race the entire time so we have a lot to deal with. But I think seeing them on the paddock supporting me will be one of the best moments of my life. I selfishly can’t wait for them to come.”

The interview wrapped up shortly after that. Getting to reminisce on the start of his relationship and how far they have come and how many wonderful things are in the future put Oscar in a deliriously happy mood. He couldn’t wait to get home to his family. 

Walking through the door, he was immediately welcomed to the sound of toddler meltdowns. Fully entering the house, he saw his very tired fiancée rubbing her face as she tried to calm her babies down. Clearly this had been going on for a while.

Despite how upset she looked, she immediately perked up at seeing Oscar had returned. But that immediately went away as she remembered the screaming kids and how messy the house and herself were.

“Sorry honey, I know you are probably so tired after the interview and meetings earlier and these two missed their nap so they are so cranky and I just-” He cut her off with a kiss. Once he pulled away she looked at him, perplexed. A kiss from Oscar was never unwelcome but it was the last thing she expected at that moment.

“Hey, look at me.” He said as he put a hand on her cheek. “I love you and our little family so much and you never, ever have to apologize for something as trivial as this. Why don’t you go get in the bath and relax a little and I will try to wrangle these two, okay?” 

In her eyes, Oscar had never been hotter than he was now. Now it was her turn to surprise him with a kiss, even more passionate than the first. They would have continued if it hadn’t been for more screaming from their two kids.

Still, Oscar wouldn’t change a thing.

[dunmesh]

can't stop thinking about dungeon meshi btw. how it comes down to being able to appreciate the hard and painful times because of the moments of happiness you experienced along the way.

it's about falin being able to forgive and look beyond the harsh way things were done- be it their father announcing he will send her away from the village or laios leaving her behind- partly due to her personality, and how she used to prioritize her loved ones' needs and emotions over her own, but also because of the positive impact that road eventually had on her. she knows her family was trying to protect her but what truly made it impossible to regret the path she had to take were the precious memories she made later on- it was learning magic and seeing new places and becoming friends with marcille and of course she couldn't hate it all, she was happy. it's about laios feeling so utterly miserable because on his end, it seemed like nothing good or enjoyable happened to him after leaving home, aside from the letters written by falin. but how long can a child be satisfied with another's happiness which he never got to experience himself?

so it really is beautiful that the series started off with him realizing that this journey allowed him to finally feel that happiness he was yearning for-

-and ended with everyone else realizing it too. when you first read chapter 11 it's just a funny gag about people not understanding laios, but it genuinely was too early for them to share his sentiment. they needed to come to terms with it on their own, with chilchuck opening up to them and senshi resolving the hovering mystery of his past and izutsumi freeing herself and joining their party and marcille facing her greatest fear. the winged lion was taking advantage of the loneliness and anger and pain lingering in laios's heart, but even it couldn't deny this. how, despite everything, he couldn't be satiated and his own happiness couldn't be complete without his friends' happiness too. how it was always about everyone enjoying a meal together.

and then there's marcille, who refused to admit it until the very end. it's in the way she had such a hard time fully accepting eating monsters despite how tasty she found them, not just due to how weird they were but also because she tried rejecting and burying her own pleasure and joy during this entire journey. from the very beginning, she was only willing to endure the pain and suffering.

as if she couldn't accept feeling an ounce of comfort, satisfaction, let alone happiness while falin was suffering on her own. and it might've been laios's reaction as well if all of this had happend a decade ago- i mean, that's exactly what he did back then. blaming himself for leaving her behind, being tormented by her loneliness and absence while falin was actually slowly moving towards a brighter future. it was him that was stuck, not her. but he kept focusing on her pain to ignore how deep the hole in his own heart had become, consumed by guilt to ignore his own agony, or to make sense of it- because maybe he did deserve it after all he had done.

and for that reason marcille was so terrified of admitting there was warmth in what she considered the depths of hell. because it would mean accepting falin going ahead of her and leaving her behind, accepting the inevitable she was trying so hard to deny and the end of her dream.

but it was learning there's joy even in her worst nightmare that allowed her to finally embrace those moments of pleasure that made her life worth living, however short they were. she realized that her pursuit would take away the things that truly mattered to her, that if she had succumbed to her fear of loss she would've been the one hurting her loved ones, just as happened to thistle. laios asking her to use ancient magic for falin's resurrection and then encouraging her to not give up on her desires during the nightmare chapter was a direct parallel to delgal being the one to push thistle down the road of destruction, while both marcille and thistle were trying to protect the people most important to their friends.

but in marcille's case, laios was able to understand her at the end, pulling her back just before she descended to complete ruin. it's truly fascinating how the story is not only about laios being understood but also getting to understand others properly, deeply- it's about mutual understanding, the balance between two people he never managed to maintain before. and i think it's only after seeing thistle's tragedy that he was able to fully realize what might become of marcille down the line. so while delgal put the weight of the world on thistle's shoulders, laios was the one to tell marcille she doesn't have to do that. because even if falin's resurrection hadn't succeeded, they both already know- there's happiness even in the dungeon's pit. and it's by preparing a hearty meal made of her loved one's remains that marcille was able to truly accept it- thus allowing herself to enjoy it to the fullest, embracing the cycle of life, no matter how weird or painful or grotesque it is.

[lightwise]

Omega is not okay

I know we've all been over the moon about Crosshair and Hunter's dynamic in The Return, but I want to draw some attention to Omega in this episode, and something that I think Joel Aron is trying to draw attention to with his lighting choices.

Omega is not okay.

Joel has made pointed out many times that he loves doing reveal lighting (think the overhead light in Crosshair's cell or on the freighter at the end of A Different Approach giving him a halo, or how Hunter stops short of the overhead light on the Marauder before stepping out to greet Omega). And throughout this whole episode, the light is breaking over Crosshair and bathing him in warmth more and more. He is slowly returning the light and coming home to his family.

Omega, however, in nearly every single scene in this episode, is in shadow.

Yes, her hairstyle is contributing to the fall of light on her face, and yes, she has her hat on while they're on Barton IV. But this is showing that her psychological state since they escaped Tantiss is uneasy, at best, and very conflicted and darkened, at worst. Even when she wakes up in the comfort and safety of the Marauder, she is shrouded in shadow. And even in scenes where the light wraps around and highlights Crosshair's face, Omega's is kept harshly defined, and she is often looking away from the "camera".

Even when we see her somewhat happier at points in this episode, usually due to watching her brothers reconnect, her face is not as well lit as theirs.

Omega kept her positivity and optimism at the forefront while she and Crosshair were in prison, and throughout most of their escape. It's what we most associate with her--being a ray of sunshine and encouragement for those around her. Now, however, she has the opportunity to relax a bit, for the adults to be handling certain things, and the trauma and perspective shift that she has just gone through is coming to the forefront.

Her survivors guilt, her shock at not being the only female clone, her confusion and questions over who she is and why she is so important, the cruelty she's seen Hemlock be capable of, and her continued empathy for anyone who is suffering is all swirling around in her in ways that she doesn't know what to do with yet. Yes, she has seen much suffering in the galaxy already in her short life, and has always been adamant about her need to help others. But ultimately it had never impacted her like this. Until now.

Crosshair has been broken and remade by his experiences. Omega is being broken and remade by hers as well. And I'm not sure the boys fully realize just how much yet.

Omega refuses to be left behind. She feels responsible for the fact that the rest of the clones are still on Tantiss. She feels guilty that she could have a chance at a life still and they don't. She feels an all-encompassing need to help them if she can, even though she is still young and vulnerable. This is ultimately going to conflict with Hunter's desires to keep her safe and hidden. Echo has already chosen the fight. Wrecker is willing to go wherever he's needed. Crosshair has been through too much to not be willing to fight back however necessary.

Hunter is going to eventually realize that while Omega is still a child, and does need to be protected, at the same time, her own sense of responsibility is going to eventually supersede his desires.

Echo and Crosshair especially will be able to understand some of what she is feeling and hopefully help guide her through it. Hopefully, Omega will be able to reconcile who she is, what she is capable of, and what is outside of her ability to fix, sooner rather than later. But it's safe to say she will never be the same after this. At least she has a little bit of reprieve before facing whatever is next.

[girliism]

patrick taking you to his family’s lodge up in the mountains for winter break and a snow storm hits overnight.

you had been looking for to this since patrick mentioned it. you grew up in the west coast and had never seen snow in your life. the whole ride there you went on and on about all the things you were excited to do in the snow. patrick watched fondly as you yapped.

by the time you guys got there it was already dark. patrick had been driving for two days and y’all were ready to crash.

while the two of slept in each other’s arms, the wind outside had picked up. the tree branches rustled and the snow fall got harder. you woke up the next morning to a bed of untouched white snow that covered the ground outside.

“pat.” you whispered. “patrick, wake up.” you shook his body getting him to hum in response. “it’s snowing.” you were in complete awe as you watched out the window little flakes of snow falling and hit the ground. “we are in the mountains babe, there’s gonna be snow.” patrick mumbled. you rolled eyes, getting out of the bed and dragging patrick by the arm with you. “well get your ass up and let’s go play in it.” you smiled.

patrick would have liked a few more hours of sleep before you woke him up, but he didn’t complain.

you paced around the house pulling on two layers of pants at least three jackets, a hat and some gloves. “alright, am i missing anything?” you stopped in front of patrick for a second opinion. he laughed shaking his head. “no, i think you’re more than covered.” he zipped your puffer jacket up to your chin, placing a kiss on your forehead.

the second you stepped outside into the fresh snow you let out a childish giggle. patrick took in your giddy figure as you rolled around and made snow angels. patrick trudged over to you, holding out his for you to grab on to so he could pull you up to a standing position.

“we have to make a snowman.” you demanded.

the two of you immediately got too work. patrick worked on rolling a big enough bottom while you rolled up the middle. you had patrick pick up the ball you made to attach it to his so you could start on the head. “you know growing up i was really afraid of snowman’s after watching frosty the snowman.” patrick randomly blurts out when you were in the middle of placing the hat on the snowman. you look at him out the corner on your eye, smiling at the imagery of a little patrick deathly afraid in the presence of a snowman.

after adding some final touches, you and patrick take a step to admire your work. “that’s a damn good snowman.” you mumbled to yourself, pulling out your phone to take a picture not noticing how patrick had snuck off. you don’t know what he’s up to until you feel it. the impact of something hard yet soft at the same time and the sound of patrick’s laughter. “what the hell was that?” you turned around to see him standing there with more snowballs in his hand.

“can’t have a snow day without a snowball fight.”

you gave him a competitive look before picking up some snow and forming a ball for yourself. “it’s on.”

both of you ran around like children. laugh like screams echoed through the trees as you chased after each other throwing balls of snow. it got weirdly quiet as you looked out from your hiding spot. your heart beat and heavy breathing being the only things sounding in your ears.

“patrick?” you called out. “where are you” you spoke in a singsong manner, looking around. you couldn’t see him but he had a perfect view of you. he waiting until your guard dropped before rushing out tackling you to the snow. “ow, patrick.” you winced when your back hit the ground. “shit, did i hurt you?” patrick pushed himself up so he wasn’t resting on you as much. the real concern in his voice almost had you feeling bad for what you were about to do.

“hmm, no, not really.” patrick looked at you in confusion before he was met with a ball of snow right in his face. “you’re evil.” he shook off the snow, moving to lie next to you. “i’m sorry.” you laughed. “it was just too easy.”

you guys stayed out there a little while longer, making snow angels all over the yard before you decided to call it a day. your hands were cold and your nose was red and felt like ice, which you complain about promoting patrick to grab your cheeks and push his face towards yours, rubbing your noses together warming you up.

back inside, changed into fresh warm clothes you sat on the couch watching patrick light up the fireplace. “you have fun today?” he asked, settling down next to you. “yes, thank you for bringing me here.” you smiled up at him. “of course.” patrick placed a kiss on your nose then on your lips before turning on whatever movie you picked.

[jwanniie]

Can u do g!p doctor minji x reader fucking in her office making her cockdrunk and they do it many times?

I know you're busy rn so don't worry just take your time🥹 thank you I advance!! ♡

You can’t miss a Doctors appointment!

Pairings: G!p Minji x fem reader!

Warnings: BREEDING, unprotected sex (don’t be silly wrap your Willy), not proofread, p in v, mention of pregnancy, overstimulation, creampie, big dick, a little bit of manipulation, pantie stealing and just Filthy smut!!

Jwans Note: I’m not really satisfied with how this turned out but hope you enjoy!!😔🥲

—————————————————————————

Meet Minji, a newly graduated doctor who had just landed her dream job at one of the world's most prestigious hospitals. Her hard work and dedication had paid off, and her parents couldn't have been prouder. They beamed with pride whenever they spoke of their daughter's remarkable achievements, and her success became the talk of the neighborhood. Her family had always known that Minji was destined for greatness, and now, she had proved them right. With her exceptional skills and a heart full of compassion, she was ready to take on the world and make a positive impact on the lives of others.

She basically was every medical students goal, they all wanted to be like her one day.

It was no surprise that the hospital gave her a private office. Soon, patients started pouring in and the day was filled with treating and helping them.

But there was this one patient that stuck to the back of her mind and didn’t seem to leave. You came to her office one day for a yearly check, and your results were above great but from the first time she laid her eyes on you, she knew she had to have you.

She made little “changes” to your file, perhaps a little sabotage so you could visit her office more often. It was all with a good intention, she thought.

You were waiting outside in her waiting room. This is the third time you have been here, for an unknown reason. She told you that she has to make more checks and she needed to make sure that everything is alright, but you still don’t understand what she wants? Every time you asked her is there something bothering your health, she didn’t give a straight answer, just shrugging it off and mumbling incoherent stuff.

“Miss y/n, come inside!” The secretary behind the counter told you. You quickly took your stuff and left for Minjis office.

Once she saw you enter her office she flashed you her signature warm smile, that seemed to leave every patient with heart eyes.

That happened to you when you first came to her office but as the time passed, those heart eyes slowly started fading.

You placed your coat on the hanger and sat down on the chair in front of her desk, the last thing you wanted to seem was rude so you returned a smile, a nervous one.

“Hi miss y/n! How have you been?” She questioned seeming really interested.

“I have been well myself, so is there something bothering my health?” you chuckled nervously, raising an brow afterwards.

She stood up and guided you to the examination bed, making you lay on it. Your breathing was unreasonably heavy and low. Your hands on your sides, while she was wearing her gloves.

“If that’s okay with you, could you take your clothes off?” She looked at you from the corner of her eyes before turning fully to look down at you.

You gulped nervously never have a doctor asked you anything like this but at the end of the day she is a doctor she must know what she is doing…😮‍💨🫣

You slid down your jeans before pulling your shirt over your head, handing it to her. She looked at you like she still was waiting for something, and that’s when you realized what she indicated.

Without much thought you just decided to make her life easier and just take your panties off, and so you did. She had her hand out to you when you took off your panties while a smirk across her face, you gave it to her even tho a crimson colored layer was over your cheeks. You didn’t miss how she stuffed your panties in her pocket.

At first everything was so normal, doing normal doctor check ups, and the doctor stuff that everyone have been through.

But not long after her hands started roaming around your form, her hands slowly reaching and nearing your core and you couldn’t help but let out a whimper when her fingers touched your embarrassingly wet pussy.

What could you do? You couldn’t deny that doctor Minji was hot, insanely hot! And you couldn’t deny how every night after meeting her, your fingers couldn’t satisfy you anymore. She wasn’t the only one desperate and hungry for you, you were for her too!

She smirked at the sound leaving your lips her finger pad teasing your walls reasoning for more breathy whimpers to fall past your lips. You were soaking her fingers and the examination bed already having a wet patch on it.

She undressed her white coat and slid her slacks down, exposing her deprived cock. Looking at the erection it seemed heavy and her red-ish tip leaking white salty substance.

You rubbed your thighs together at the sight a whine making it way out of your lips. She climbed on the examination bed and aligned her cock with your velvety walls. Before completely pushing in, her cock stretching your hymen, making you feel like at any moment you’d bleed. But the feeling was pleasurable nonetheless.

The waiting of months finally have paid off and she finally got to bury her cock deep in you. The bed rocking back and forth due to her ruthless thrust, making you feel that her cock was in your womb, hitting spots you didn’t know existed.

You were holding her shoulders for dear life, your nails sinking deep into her flesh, your knuckles turning white due to your grip.

Her Head buried into the crook of your neck, giving kitty licks onto your invisible Adam apple and sucking on the flesh, purple marks filling your, she could taste the chemical taste of your perfume and that only made her mind numb and intoxicated with the whole moment.

Both of you letting out the deepest sounds and whimpers, without warning her seed flew deep into you, straight onto your womb. The chances of you getting pregnant by her sent you over the edge, your own liquid pushing out her creamy substance.

“G’na get you pregnant baby, y-you could come Check in my office every day!” She whispered near your ear, shivers running down your spine.

She furrowed her brows, your own juices pushing her cum was making her annoyed, and without realizing it wasn’t long till her cock was again deep inside you. Your pussy tightening and clenching uncontrollably around her while overstimulation hitting you hard, a choked gasp came from you.

The pain and abuse of her cock making your eyes water. Tears sliding down your cheeks, it was replaced by mind blowing pleasure once again, your previous orgasm making the knot in your stomach snap, and fresh round of your juices tried to push her cock out but failed since the ramming of her cock was deep and rough, making your legs give up and your body laying limp.

She let out a growl before her balls shot new layer of cum into your abused hole, a satisfied sigh came from her.

She pulled out slowly trying not to overstimulate you more, and she saw how her cum gushed out. Her finger smeared her liquid before pushing it back in deeper. She kissed your puffy tear stained cheeks and caressed your closed lids softly.

She cleaned you up in the bathroom connected with her office and declined all of the appointments of the day.

[asunsetgrace16]

Johnny Gaudreau: A Tribute

Johnny Gaudreau was born in Salem, New Jersey.

He was drafted by the Calgary Flames 104th overall in the 4th round of the 2011 NHL Entry Draft. He played hockey for Boston College for 3 seasons, from 2011-2014. He won the National Chapionship title in 2011, and the Hobey Baker Memorial Award as college hockey's best player in 2014.

Johnny spent 9 seasons with the Calgary Flames and 2 with the Columbus Blue Jackets. During his first full season with Calgary, he was selected to go to the 2015 All Star Game and was a Calder Memorial Trophy, and won the Lady Byng Memorial Trophy as the NHL's most gentlemanly player in 2017. He was a 7-time NHL All Star through his career. Johnny was known as "Johnny Hockey" and had incredible skill and success on the ice, despite his size. He played for the Columbus Blue Jackets for the past two seasons and quickly became a favourite.

This is a tribute to our beloved player, may Johnny and Matthew forever rest in peace.

For Johnny...

from me

I am forever going to be sad over losing Johnny, but I am also angry. Two amazing people would still be here if that driver simply decided not to get behind the wheel yesterday night. I wasn't a hockey fan when he was still playing for the Flames, but he was one of four players I knew. He always made me smile when he was shown on camera, and his memory will live on forever in Calgary. His positivity and kindness, his electric game. Johnny was so much more than a hockey player. He was a husband, a father. A son, a brother, a friend, a teammate. My heart and prayers go to his wife and children, parents, sisters, and family. And please, please, take time to grieve. Take time to remember Johnny and what he meant to you, and to the game. Rest in peace, Johnny Hockey, fly high.

I believe that it is a testament to a person's character that when tragedy strikes, there are hundreds or thousands of people mourning for them, regardless of whether they knew each other or not. That is what Johnny has done for the hockey community. His infectious excitement and passion has moved people in ways he probably never imagined. We may never hear Johnny Hockey echo through an arena in celebration of a goal, but we will hear it in celebration of his life, of his game. We will keep his legacy alive. Forever.

Here's to #13

from @chukys-mouthguard

Johnny was never mentioned on my blog prior to this news. And while I know I don’t need to explain or justify my sudden sadness, I’d just like to reiterate this point above. We don’t have to post about someone or obsess over them online to love them. Johnny was never a player I would’ve written fanfiction about or shared unhinged thoughts. I’d loved him and admired him from my time playing hockey, and he was unlike anyone else. I frequently explained that compared to all the other players I love or “obsess” over, Johnny is in a league of his own. The sheer love and admiration I had for what an amazing hockey player, but an even more amazing person he was is something I can’t put into words. Rarely do athletes or celebrities have an impact on me, but Johnny did. The idea that I won’t get to see him take the ice again in Nationwide Arena, I don’t get to hear commentators call him Johnny Hockey anymore, and most importantly the fact that this heartbreaking tragedy is undoubtedly sending shockwaves through a family that was looking forward to a weekend of celebration of love and togetherness at their sister’s wedding. It all hurts. And there are no words right now. I want to blink my eyes and have someone tell me I’m dreaming. My own mother called me on my way to work to tell me the news because she didn’t want me to find out through social media, that’s the impact this man had on me and I’m sure so many fans across the hockey community. My sister even reached out to make sure I was okay. So yeah, people can say “they are just an athlete” or “why are you so upset over someone you don’t know?” And I respect people having those opinions, but when players truly make a mark on the sport and the fans, it resonates with you. Because you feel like you know them, like they invite you into their world and give you a chance to look at them in new ways. My thoughts are with the entire hockey community that knew johnny, and most importantly his family as they endure this terrible loss of Johnny and Matthew 💔

johnny gaudreau has been my favorite nhl player since his college days, and I have no words right now. I have multiple jerseys of his, signed memorabilia, but I sadly never got to meet him and tell him how much i loved him as a person and a player. My love for him, if you know me offline, s was unmatched compared to any other player I obsess over online. This world is so cruel and I’m heartbroken. I’m so thankful to have seen him play on multiple occasions, but blue jackets games will not be the same without his #13 on the ice 💔😞

from @perfectlysaltycat32

I just want to say the passing of Johnny and Matty Gaudreau is such a sad and unfortunate moment. Every time I looked through social media and saw more snippets of what happened and how he is remembered it just gets so much more sadder. It's really tragic how this happened *the day before* their sisters wedding. A time where the whole family is sharing one of their happiest moments, and now it's going to be a time of grief. I think it is absolutely gorgeous how all the Calgary fans came together in memory of them with their memorial. They are truly loved everywhere in the hockey community. I hope that every player has access to good therapy and counseling because this is such a rough way to start the season, but I am glad with how positive all of their friends, family, and teammates are. It really just once again shows how loved both of them are. They had a great life, were amazing people, and it deserved to be longer. But now they can watch over their families, teammates, and friends. I'm sending my condolences to everyone affected. Johnny was an amazing father, husband, son, brother, friend, captain, and teammate. He is and always will be Johnny Hockey. Matty was also an amazing husband, son, brother, teammate, and friend. It is deeply saddening that his wife has to raise her expecting baby without him. I hope everything goes smoothly as they can for her, and she and the baby can be healthy. Everyone loves you both, Johnny and Matthew Gaudreau. You will be loved and missed. 🕊️❤️

from @wehaveagathering

When I first got into hockey I heard about a guy named "johnny hockey" and I thought that this was like, a legend — someone like Gretzky or Lemieux, who had been so good that he'd had the game incorporated into his name forever. Imagine my surprise when I learned that this dude was just Johnny Gaudreau, not just a legend but an active one too, one still playing. I thought that was really cool. I figured he must have done something really special to earn that nickname. Turns out it wasn't just what he did — it was who he was. Rest easy, Johnny Hockey. You built a legacy that will live for a long time.

from @traiteursroe

I want to take a moment to talk about Johnny and Matty Gaudreau today. Absolute icons. “Johnny Hockey” has been a name that has been recognizable in sport since 2014. He was a gentleman and a fast fucking skater. His brother Matty was smart and talented. The fact that they’ve been taken away from their families by a drunk driver is heartbreaking and inexcusable. Spare a thought and a prayer for them today.

from @crow-the-unknown

just saw the news about johnny gaudreau and his brother's death and i'm honestly at a loss for words. my heart aches for his family and all the friends he's made throughout his career. i can't even put into words how horrible and devastating this is for everyone in the hockey community. sending my prayers their way. i'm fucking wrecked about this. if i could say more i would but. i don't even know. it doesn't even feel real.

from @callsign-denmark

Rest in Peace Johnny and Matthew Gaudreau. This was a horrible and tragic loss to the hockey community but more importantly a tragedy to your families. My prayers go out to them all. The hockey community has woken up today to the tragic knew of the passing of Johnny and Matthew Gaudreau who were killed last night while riding their bikes in their hometown by a drunk driver who was speeding while trying to pass other vehicles who were going slow to pass the brothers safely. Both brothers were hit from behind, and died due to their injuries. They were in their home town for their sister Katie's wedding which was set to take place today. Johnny and Matthew were not just hockey players, but brothers, sons, husbands, fathers, uncles and friends to many people who are now without their loved ones on a day that was supposed to be filled with joy and love. Please let all of us in the hockey community, as fans, to take a moment of silence no matter what team you cheer for, and send out a silent prayer to the family who will no longer get to hold Johnny and Matthew in their arms, who will no longer get to watch them grow old playing the game they loved, and to the children growing up without a father and uncle to guide them throughout life and love them. While we feel sorrow and sadness over this lose, it's nothing compared to their families who will have to live this life without them.

from @19mercer

all of the insta story posts from many hockey players, teams, and other sport leagues for johnny and matthew gaudreau make me cry. all of the support for their families is genuinely so sweet. i wish nothing but the best for their families during this hard time. i will forever be grateful that i was able to watch him play in the nationwide arena. i am forever grateful for johnny and his time as a blue jacket. and his time with us. thank you for everything 13. rest easy johnny and matthew.

from @bibliomoth

I adored Johnny because he was a such a small streak of lightning in a game full of huge dudes who were regularly a whole foot taller than him. His skills were just fucking phenomenal and he was so exciting to watch. I screamed with joy and cheered him on so loudly I lost my voice on many occasions. He represented his country for International Competitions and is the highest US point scorer. I could get technical and talk about my favourite goals of his, his stickhandling, dangles, on ice spatial awareness etc but it is all on film for anyone to see, just too much to choose from. Nobody moved like Johnny Hockey. As a person he was a sweet, kind guy who was universally liked in the sport and beyond. I do not follow celebrities on social media, but on hockey forums there are endless stories of his voracious love of mac and cheese (so much so Kraft put him in a TV ad) and skittles candies that he had a hockey stick covered in them and auctioned for charity. In interviews he always talked hockey and his family. Whenever asked about new contracts and paycheques he would just shrug and say ‘yeah I bought my dad a boat so we can go fishing’ or ‘I just got a cool new wheelchair lift installed in my holiday home so my cousin can come and spend time with me’, or change the subject and talk about his dog, his wife and kids or The Birds. He was a real gem of a gentleman, modest and always ready to give credit to his team and dad (legendary NJ coach Guy Gaudreau) who motivated Johnny to skate as a toddler by placing skittles candies on the ice for him to fetch. I’m am so sad for him, his family. This is just a blurb of feels about someone I counted down the days for until I could see them make magic on ice. I wish I could write a good tribute, dammit. Thank you Johnny Hockey.

from @blusical

Johnny was more than a hockey player. He was a friend, father, son, brother, whatever you say. And please, don't forget about Matthew too. In fact, don't forget about any of the Gaudreau family, they're struggling too.

from @slavet0thegrind

Man, the news about Johnny Gaudreau's passing has shaken this entire city. I've never cried over the death of an athlete before. Until today. He may have been traded, but everyone in Calgary loved that man so much. The fact that right now the steps of our arena are covered in purple Gatorade and flowers on honor of him says so much. I have also heard that people are flocking to what we refer to as "the Red Mile" tonight to honor him, which is a street downtown that turns into one big party whenever the Flames play a game during playoffs. Everyone pours out of the arena and heads down there to celebrate, or watches the game at bars on that street if they're not at the game. Johnny reignited the Flames when they were starting to burn out, he led that team for so long. We didn't call him Johnny Hockey for no reason. And for him and his brother to be tragically killed the day before their sister's wedding by a fucking drunk driver... It's unbelievably heartbreaking. Rest in Peace Johnny and Matthew Gaudreau 💔😭

from @areyoutherelarry

There are not any words to express how deeply sad and awful it is to hear about the killing of the Gaudreau brothers. They seemed like wonderful humans who positively impacted those around them. They had families who were clearly ripped through by this horrific tragedy. There are wives who will have to raise kiddos without their partners, and kiddos who won't have their dads around. Parents who outlived their kids. A sister who didn't get married. It's bleak shit. There's also a team that has faced so much tragedy. Boone Jenner has had to support the team through two tragic deaths (and faced his own personal loss this year), anyone who was around when Matiss Kivlenieks died, and Sean Monahan who was so excited to be reunited with Gaudreau. This is just heavy shit.

from @brb-counting-stars

today is such a hard day, but take inspiration from johnny to live life by being the kindest and generous person you can. take inspiration from the way he didn’t know if he would be able to make it into the show and pushed on anyways. take inspiration from the kind of brother he was. take inspiration from all the stories of what he would do for fans he spent mere moments with but those memories stayed with them for years, the philanthropic work he would do all throughout his career. take inspiration from the guy that grinned as brad marchand yapped at him from the opposite penalty box and then went on to score a hat trick, the teammate that was so beloved he inspired his buddy to sign with a team so that they could play together again. take inspiration from the nine-year-old kid that earned the nickname “love machine”, the twenty-seven-year-old man who finished his bachelor’s degree nine years later because he made a promise to his mom. and of course, you can’t forget the stories of him taping pucks to himself for weighing in at the combine, or writing a paper in college on how to make a ham and cheese sandwich, or how he would wipe red sauce off his meatballs, or how he got sick from mainlining nutella to gain weight for the season, or how he tried to cash his first paycheck at a random bar atm, or how he wore yeezys to ride a horse at the calgary stampede. live life to the fullest and remember johnny’s kindheartedness, humility, and positivity. his presence and spirit will really be missed throughout the hockey community.

from @hufflepuffhabs

Ever since seeing the devastating news yesterday afternoon while at work, I've been thinking of what the right words are in a situation as hopeless as this. There is no return button, no undo. In Memory of Johnny and Matthew Gaudreau Ever since seeing the devastating news yesterday afternoon while at work, I've been thinking of what the right words are in a situation as hopeless as this. There is no return button, no undo. A family, a community left with empty spots. All the circumstances make it only sadder and more tragic. There are no right words, but there are tokens of hope, showing up and lighting a candle in memory and remembrance for not only two incredible hockey players but humans. When I was a little tween hockey fan, I really liked the Calgary Flames. Mostly because they drafted a Swiss guy 1st round, but they had many other young prospects, Johnny being probably the brightest. But as for many, it was his character that impressed me most, a Skittle loving child-at-heart guy that left it all on the ice. I will always remember how disappointed he was when they did not all him to do a stunt with a burning stick at the All-Star Game. May Johnny and Matthew rest in peace. And may we think of their family and of all families that have lost loved ones in this tragic way.

from @tattoed-and-toothless

Fly high and rest easy Johnny and Matthew 🕊 You left behind a lot of amazing memories to be remembered by. The hockey world is rallying around your family, they'll be well taken care of ♥️

from @sportspuckball

I've driven that road. Fuck that driver for literally ever. May Matthew and Johnny's memories forever be a blessing to all who loved them, knew them, and were impacted by them. So many of us knew Johnny, but I'm also thinking a lot about the high school kiddos that Matthew coached. Every aching moment of this fucking sucks. Don't let anyone tell you that grieving someone you don't know personally is stupid -- grief is grief and it is yours. Do what you need to process it as you see fit. The only thing any of us *need* to do is respect the family's privacy as they grieve, too.

from the Columbus Blue Jackets

The Columbus Blue Jackets are shocked and devastated by this unimaginable tragedy. Johnny was not only a great hockey player, but more significantly a loving husband, father, son, brother and friend. We extend our heartfelt sympathies to his wife, Meredith, his children, Noa and Johnny, his parents, their family and friends on the sudden loss of Johnny and Matthew. Johnny played the game with great joy which was felt by everyone that saw him on the ice. He brought a genuine love for hockey with him everywhere he played from Boston College to the Calgary Flames to Team USA to the Blue Jackets. He thrilled fans in a way only Johnny Hockey could. The impact he had on our organization and our sport was profound, but pales in comparison to the indelible impression he made on everyone who knew him. Johnny embraced our community when he arrived two years ago, and Columbus welcomed him with open arms. We will miss him terribly and do everything that we can to support his family and each other through this tragedy. At this time, we ask for prayers for the Gaudreau family and that their privacy be respected as they grieve.

from the Calgary Flames

It is with great sadness, we mourn the tragic deaths of our friend Johnny Gaudreau and his brother Matthew Gaudreau. Our hearts are broken by this devastating loss. Johnny was and always will be a member of the Flames family and loved by all of Calgary. It was our privilege to call Johnny our teammate for nine amazing years in Calgary. He came to Calgary as a young man and grew up here, not only as a superstar on the ice, but also a beloved member of our community. The pain we feel for Johnny's wife Meredith, children No and Johnny, parents Jane and Guy, sisters Kristen and Katie, and the entire Gaudreau family is immense. Ownership, management, players, and staff of the Calgary Flames express our heartfelt spates during their time of sorrow. You are in our thoughts and prayers ❤️

from Brad Treliving

I am absolutely devastated by the news of Johnny Gaudreau and his brother Matthew's passing. John was truly a special player, dazzling on the ice with his incredible talent, but what made him truly special was the person he was off the ice. His thousand-watt smiles and infectious personality were matched only by his love for his family, friends, and those close to him. He brought joy to everyone around him and to the many who never knew him but marvelled at his excellence on the ice. John was a beloved teammate and a friend to so many in the hockey community, and he will be deeply missed by all of us who had the privilege of knowing him. My heart goes out to the entire Gaudreau family - to his mom and dad, Jane and Guy; his sisters, Kristen and Kate; his loving wife, Meredith; his precious children, Noa and Johnny; and everyone affected by his unimaginable loss. Family was everything to John, and in his memory, please hug those close to you tighter and longer today and every day.

from Gary Bettman

(paraphrased)...While Johnny's infections spirit for the game and show-stopping skills on the ice earned him the nickname "Johnny Hockey", he was more than just a dazzling hockey player; he was a doting father and beloved husband, son, brother, and teammate who endears himself to every person fortunate enough to have crossed his path... ...He will be remembered fondly in Calgary, where he played his first nine seasons with the Flames form 2013-14 to 2021-22, emerging as one of our League's brightest young stars while compiling the franchise's fits-highest career points total. His loss also will be felt profoundly in Columbus, the city in which he chose to settle his family and where he was one of the respected, veteran leaders of a club building toward the playoffs. And both Johnny and Matthew will be mourned at Boston College, where they were teammates the year Johnny won the Honey Baker Award in 2013-14, and at Gloucester Catholic High School in New Jersey, where both played and where Matthew was the head coach following his own five-year pro playing career. We send our most heartfelt condolences to his wife Meredith; their children, Noa and Johnny; his parents, Guy and Jane; and sisters Kristen and Katie. And we grieve alongside his teammates, members of the Columbus and Calgary organizations, his many friends hockey and countless fans around the world for whom he created incredible memories on and off the ice.

from Pascal Vincent

I want to extend my deepest condolences to the family of Johnny and Matthew Gaudreau. This tragedy has left me speechless and in shock. Over the years, I had the privilege of getting to know the real Johnny Gaudreau - the person behind the hockey player. He was a humble and unassuming young man with extraordinary talent, who never sought to be in the spotlight. Instead, he enjoyed life's simple pleasures and possessed a quiet strength of character. His passion for the game and exceptional hockey sense allowed him to achieve greatness, yet he remained grounded and true to himself. I had the pleasure of meeting his wonderful family, including his wife, children, and parents. My thoughts are with them today. It's an honor to have known not only the incredible hockey player but also the kind and beloved person Johnny was to everyone he met. Wherever we went, people admired him on and off the ice. Despite his success, he remained humble and genuine. Johnny, you toughed so many lives with your kindness and contagious smile. I feel fortunate to have known you so closely. Your memory will stay with me forever. Rest in peace Johnny.

from @love-youu-softly

When I first got into hockey, I was feeling really lost. The flames were one of the first teams I became a fan of, and so many nights were spent alone in my room at 20 years old watching the flames and Johnny hockey. Will forever be important to me.

from @primakira

johnny gaudreau was the first player i ever learned about when i was trying to get into hockey. he was a spitfire on the ice and an even greater person off of it. i'll probably write something longer later since i can't even type this through my tears, but for now, thank you so much for everything, johnny. 💙 rest in peace to his brother matthew as well. such an unimaginable tragedy. my heart goes out to the entire gaudreau family and to everyone that loved them.

out of all the players i like in the nhl, johnny has a special place in my heart because he was the first player i ever knew. he's the reason i got into the sport during the pandemic. even before connor mcdavid or sidney crosby, there was johnny hockey. as soon as i saw his small stature and big smile, i was hooked. his smile was infectious, his hands were amazing, his skating was mesmerizing (his lil strides were so cute too), and his heart was all-encompassing. every night, you couldn't believe the things he could do. he was a spitfire on the ice - constantly underestimated but tenacious as hell. furthermore, he was kind, humble, funny, and down to earth. there's a reason everyone loved him. hell, his team would wage a war for him (matty tkachuk i'm looking at your penalties during that stars series). off the ice, he was a family man through and through. he loved his family so fucking much and he loved his community so much. all he wanted was the perfect place to call home for his kids and he found it. johnny encapsulated the joy of hockey, and he took that joy with him today. my heart goes out to everyone who loved him and matthew, especially their family and friends. the world lost two bright stars in a heartbreaking and senseless tragedy. thanks for everything, johnny. may you and matthew rest in peace. 🕊

from @bedsyandco

so shocked and saddened by the news of johnny and matthew gaudreau’s passing. this is such horrible news and I can’t even fathom the grief and loss that everyone who knew them is feeling right now. I truly hope that their family and friends have the utmost support and love right now. sending love and prayers to everyone affected by this loss 🩷

from @soffsh

Truthfully what is there to say, I knew getting on here would be so utterly painful. Seeing all these black and white pictures of Johnny and Matthew doesn’t seem real. The world has lost an incredible hockey player, father, husband and person in Johnny Gaudreau. I was hoping and praying last night that we wouldn’t be making these posts today, but we weren’t that fortunate. My deepest and sincerest condolences to the family and friends of Johnny and Matthew Gaudreau. As well as the whole fan base of not only the Columbus Blue Jackets but the Calgary Flames who have lost a friend and a family member. Johnny and Matthew you will be missed so dearly amongst the hockey community, but not nearly as much as by your family. Rest in Peace, boys.

from @alexandretexiers

Only a few days ago, Kivi would have been 28. Just for another unimaginable tragedy happening only days later, took the lives of Johnny Gaudreau and his brother Matthew. Both brothers were taken from their mother and father, sisters, wives and children. Children who are all under two, with one not even born yet. I’ve been crying most of today, and I can’t even imagine the pain their families are in. One of their sisters was supposed to get married today, with her brothers by her side as groomsmen. And the bastard that killed them doesn’t even feel any remorse. Rest easy, Johnny and Matthew. You both will be dearly missed

from @rumandwhine

Had to take a day before I could even try to articulate any of this; I've never been this genuinely devastated by the loss of a public figure before. I can't express enough of my heartbreak and condolences for the entire Gaudreau family, I can't even imagine their loss and I won't insult their grief by trying. All I can do is thank them for letting us, the fans, get to know their amazing son, brother, husband, father for a while - it was truly a joy to watch and root for him. And to everyone else - the other fans in mourning or shock or whatever indescribable emotion you're feeling right now - all I can do is remind you that time is precious. Hug your parents, call your siblings, tell your partner you love them. I've already gotten years more than Johnny and Matthew will ever have; I intend to try and make the rest of the ones I'm allowed to mean more then the ones before them. I think that's the only way any of us can really honor their lives. Stay safe. And take care of yourselves.

from @wannabehockeygf

I wish I had all the words, but I don’t. They were so incredibly loved, and so young. My heart goes out to their family and friends. RIP Johnny Hockey & Matthew Gaudreau. Life is so fucking precious.

from @sweetestdesire

The Columbus Blue Jackets have unfortunately lost a few too many, and my heart is aching so bad for Johnny Gaudreau and his family. I can’t even begin to imagine how the team, his wife and children, and his family must be feeling right now. It’s times like this when we realize just how precious life really is. A life that touches others goes on forever. May Johnny and his brother, Matthew rest in peace.

from anonymous

this whole situation is so incredibly devastating. i’ll always remember johnny being afraid of both the CBJ cannon and the penguins at the calgary zoo 😔. while everyone should mourn and grieve as they do, please take the time to remember the happy moments and wonderful memories! seeing the outpour of love from brings me comfort and i can only wish the same for the gaudreau family.

from @bitchinbarzal

Dogs loved him, penguins startled him He was an amazing guy! I met him in Ohio, nicest guy - he deserves to be remembered that way 💙

from @mikkomacko

The first hockey jersey I ever bought was a #13 flames jersey I didn’t grow up in a hockey state, don’t have any friends or family that watch or follow the sport. Every time I asked for a jersey on a holiday or birthday I never got one. No one here knew what to get, where to look for one. I found the jersey for resale and used scholarship money my freshman year of college to buy it. I’m an Avs fan. I went to school in Colorado. But Johnny was one of the first players I ever saw on the tv and I liked his name and number. And I loved how he carried himself on and off the ice. I loved his love for the game and the way he played it. No matter the team, the number, the jersey, whatever I always wanted him to win. Today has been tough for so many and while it’s heartbreaking it’s so heartwarming to see how many players, fans, athletes, and people in general loved and cheered for not just Johnny but his brother too. Sending healing thoughts to his friends, family, and teammates. And to everyone else that was a fan of him like me.

from @strangelymint

I didn't watch much hockey growing up, I've only really started to consistently watch it and keep up with it since the playoffs of the 2021-2022 nhl season. However, the few times I did watch it growing up and starting to keep up with hockey, I remember watching Johnny Gaudreau so well. He was one of the players that made hockey and the Flames so fun, and he had such a huge positive impact on Calgary that I felt even before I watched those playoffs. I wish I got to watch him play more. Rest in peace to Matthew and Johnny Gaudreau and my heart goes out to their family and friends.

from @richards-mike

30/08 - dear johnny hockey, everyone knew your name. i knew it as well. it's difficult to put everything that i'm feeling into words & you kept being in my mind since i opened instagram at work today and that the first post that i saw was the devastating news that you passed away in some deeply disturbing and disgusting circumstances. you were the kind of player that was unique. you had a great talent on the ice, there is no doubt about it, but most importantly a you had the biggest and greatest heart of gold out there. you were the kind of player that everyone could cheer for and that we could admire in silent. you were our ✨special little guy✨ hockey was part of it. but the human part was the most important as well. we never know how much we can lose before we do. your remind us all today that life is fragile. but you reminded me that the world is still a good place. that people still can come together to remember the impact that a simple human can have when they choose kindness. you may be gone today, johnny but you will never be forgotten <13

from @annieqattheperipheral

(paraphrased) I keep getting waves of omg he's really gone. Like really really. We know there are going to be a lot of pregame tributes but like how you gonna do that and then expect anyone to do their jobs after without the entire arena from fans to teams to staff erupting in tears, times 32 rinks across the continent and probably flames and cbj's ahl teams and other teams too. agh. Grieving is so much. I'm glad we have our supports here with each other. Whenever i need to let something out i might post here (always tagging so you can step away, filter if you ever need to knowing what you can or can't handle that day). And so when johnny and matty's spouses each posted about their husbands this weekend.. i was amazed. And happy. I mean as i could be. Because it meant that they were being taken care of, they were supported so well they had no inclination of going inward and isolating. (I mean i withdrew so hard after i hit so many blocks with my family. I didn't post until a month later, informing so many ppl in my life.) Instead the gaudreaus were so open and sharing and that filled me with so much awe of the love and care within their family. Johnny and matty were so . well . loved. Matthew Tkachuk is one of the few players i keep notif on for and he was the one i learned the news from and every time he posts he proves yet again how incredible his family is, that he is being taken care of as well. That's a guy who has let us into his grief and i can't thank him and other players posting enough, that it's not radio silence. That we're sharing in this pain. Incredibly grateful.

from Matthew Tkachuck

Absolutely devastated. I will miss seeing that smile! RIP Hockey! love you bro 💔

from Rasmus Andersson

Trying to find the right words today is not easy. You were a hell of a hockey player but it's the person Johnny that was always is going to be with me, one of my closest friends, it didn't matter if we hadn't spoken in a day or a week we always knew where we had each other! There hasn't been a dry eye in the Andersson house today we all love you Johnny. Looking back at this picture with a smile and a tear, we were very hungover laughing about this the next morning... To Meredith Noa and Johnny Jr we're always here for you and we love you ❤️ Rest in peace uncle Johnny and Matty 🕊️

from Mikael Backlund

I can't believe it's true... I'm gutted. I'm going to miss you buddy. My thoughts are with the entire Gaudreau family. 💔

from Blake Coleman

It's hard to find the words so I'll keep it short. One of the best guys to be around, always had that big smile on your face and never passed up a good time. A great dad and husband to that beautiful family of yours. You will be missed by so many. Praying for your entire family in this incredibly difficult time. Thanks for the memories Johnny, you won't be forgotten. Rest easy #13

from Elias Lindholm

Completely heartbroken. Gonna miss you my friend. Sending all our love to the Gaudreau family. Rest in peace Johnny and Matthew 🕊️❤️

from Cole Caufield

We all lost an amazing person, both on and off the ice, in last week’s tragedy. My deepest condolences go to the entire Gaudreau family, especially Johnny’s wife and two kids, who I had the pleasure of meeting. Nothing will be able to fill the void in their families and loved ones hearts, but I hope it provides some comfort to know how these two positively impacted the lives of so many. They will truly be missed.  Getting to play with your hero is something that most people only dream of. I was lucky enough to be Johnny’s teammate this past summer and it didn’t take long to realize how great of a person he was. He was the most welcoming, genuine, and funniest guy I have ever met. He was someone everyone gravitated towards and I took every chance I could to be around him. Not only was he an amazing hockey player and teammate, but he was down to earth and truly cared about every person he encountered. The last few years playing as #22 have been some of the best years of my life. It truly has been a dream come true and I will forever hold those memories and that number close to me. I wore #13 at a point in my career because of Johnny and now I will be wearing it again to honor him. He paved the way for smaller players and proved we had a future in this game at the highest level. I will forever be grateful to him for inspiring me and others.  Rest in Peace, Johnny hockey.

from Boone Jenner

I'm absolutely heartbroken to be posting this but John deserves to be honoured, today and always. Take the hockey out of Johnny. You have one of the best friends, teammates, sons, brothers, husbands, and above all, fathers out there. It's impossible to put into words how much we will miss you man. I'll miss the backdoor tap ins, our battles at the card table, our gold matches, but most of all I'll miss you wearing black dress shoes with shorts on every Florida trip. Our thoughts and prayers are with eh Gaudreau and Morris family and everyone affected by this unimaginable tragedy and loss. I love you buddy. May Johnny and Matthew rest in peace.

from Jarome Iginla

While I never had the privilege to play with Johnny, the times we met or played together, I could feel how special he was. Johnny hockey made our sport better in many special ways. My family and I feel blessed to have had the opportunity to have spent time with Wim, and we will always be his fans. With broken hearts, we pray for the Gaudreau family and friends during this devastating time.

from Lanny MacDonald

You were magic, Johnny Hockey

I was in the 'Dome the night he scored in overtime to send the Flames to the second round of the playoffs in 2022. I swear the foundation of that old building was shaking, the eruption from the crowd was so violently joyous. It was the outpouring of love, awe, and gratitude for our fiery hero...watching the passion and fervour Johnny Hockey played with felt electric. There are no words that can match the tragedy of what has happened. Waking up to the news of Johnny and Matthew's passing hit my family like a ton of bricks, not only for their senseless deaths, but the gripping heartbreak for their loved ones who face the unimaginable. Let the hockey world rally around the Gaudreaus, their families and friends, and although we can't even start to understand the depth of their shock and pain, I hope they are overwhelmed with the outpouring of love and support. Go easy on those legends up there in heaven's hockey rink, boys. You're getting there earlier than expected, but they'll take good care of you. Godspeed Johnny and Matthew, Godspeed ❤️

from Jaromir Jagr

I honestly never thought I'd write a text like this to a post. Yea that goal was my last NHL goal. Yes, that's a pretty nice goal. Yes, it was a beautiful pass above all. Unfortunately, life can sometimes be incredibly cruel. Thank you Johnny for being there and giving hope to all the guys with your incredible performances, that though they are not the biggest and toughest, they can succeed at the NHL world class just like you did. My condolences to the whole family. R.I.P to you and your brother

from Wayne Gretzky

Janet, myself and our entire family are devastated as this senseless tragedy. We are sending our love, thoughts, and prayers to the Gaudreau family. We lost two young men who were loved and a huge presence both on and off the ice. Johnny and Matthew, you will always be remembered and missed.

[getsuuna]

KNY Fandom so fucking insufferable I'm gonna start behaving like those GiyuShino and SaneKana shippers and go around spreading misinformation and say "no you don't get it SaneGiyuu was implied!!!" /j

because I'd actually have more content to mention without even mischaracterizing them

wanna talk about how they're a two-faced mirror? almost as if they were written to parallel each other and there's so much to talk about on this matter

or, since not everyone in this Fandom can dive into analysis, wanna mention how Shinobu figured Sanemi could've made Giyuu smile by inviting him to eat his fav dish with him? why not ask him directly instead? why Sanemi out of all people?

wanna mention Sanemi's pseudo-obsession on that man? he disliked his ass, but if we go back to analysis, his intolerance to someone feeling superior can be tied to a multitude of factors and one of which is being low-key reminded of himself, and he loathes himself while at the same time he puts on that strong façade. he can't face it though. and he wanted to understand why Giyuu felt that way SO BADLY he went to him for training and tried to speak with him, he wanted a contact, he wanted to understand, he needed Giyuu to speak up but he didn't.

on the other hand don't we wanna talk about Giyuu's perspective? Giyuu never hated him nor did he really feel sad knowing he disliked him, contrary to how he felt towards Obanai. not to mention he even got to be sarcastic towards Sanemi's dumb ass at least twice.

and the iconic ohagi scene? idk about y'all but between the hashira I think that's THE iconic scene, alongside Giyuu and Shinobu beefing and Shinobu almost stabbing him (don't get me wrong platonic GiyuShino has my whole heart)

the first time we saw Giyuu smile in the series is while imagining to befriend Sanemi??? and out of everyone he chose Sanemi? the hashira who is canonically the most difficult to talk with?😭 he only ever smiled either for food, for Sanemi or Tanjiro

oh and let's not talk about how Tanjiro, after getting knocked up, wakes up and the first thing Giyuu says is "yeah Shinazugawa left" ..? or the whole novel chapter in which they end up talking about him (supposedly right after that scene in the manga) and Giyuu cheered up. what

anyways, likewise, the first time Sanemi was seen smiling genuinely outside of his family was with Giyuu. Obanai and especially Masachika were both closer to him, not to mention the most important person in his life, Genya...yet here we are ig?? (after Giyuu he also smiled more in general, the scene of him smiling at Nezuko was one of my fav panels ever so keep in mind I'm taking in consideration the chronological events and not the impact of the scenes per se)

or let's talk about the most important part in their development which is when they fought together.

Sanemi saving him, telling him not to zone out while throwing the sword at him, it made Giyuu realize he's the water hashira, it was the first time Giyuu acknowledged it. Sanemi influenced Giyuu's character positively, and so far Tanjiro was the only other one who managed to. Sanemi saw him as his ally (rightfully so), and hopefully seeing him fight also made him realize he wasn't that much of a conceited guy, he was just like him, as he initially wanted Giyuu to understand (despite the fact it was a miscommunication)

Sanemi teaming up with Giyuu out of everyone, in such an impactful panel.... idk, if it was a straight ship that would've felt like a confession for the Fandom 💀

they impacted each other's character, they were the only two hashira surviving after facing the same war, they faced similar struggles during their lives (but let's not get into analysis, once again...), they could've understood each other better than anyone else would ever have, and they ended up bonding and eating together

that panel was there, in the middle of other panels all portraying important bonds, whether canon romantic bonds or platonic and sibling-like ones (Tanjiro and Nezuko, the Kamaboko squad, the swordsmiths etc.)

if it wasn't important it wouldn't have been there, but the funniest thing is that if either of them was a woman it would've been considered canon since it also included TanKana, ZenNezu and InoAoi🙏🏻

but oh, if we try to name either of these things and more, people will rightfully say "can't they be friends anymore?", which is valid, but I wonder why this doesn't apply to equally fanon straight ships.

a show so peak has so many fans that are so dense😭😭😭

[linkspooky]

DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive. 

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil. 

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it.   Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

[alicentral]

This is a response to a hotd critical post about the "favouritism towards Greens in screen time ratio", and I think it's so interesting how team black also feel like they're being fucked over by the showrunners when, to me, it's blindingly obvious that it's the other way round.

Not only are the show runners villainising the greens, not the blacks, they've also gone out of their way to make the blacks seem like the badass heroes who can do no wrong, and this is the root of the problem for both team black and team green. It oversimplifies the dance and goes against the themes and message of the whole book, rendering the characters either inconsistent, one-dimensional, and worst of all, flat and boring.

Lets start off with the greens. The argument that the showrunners are "gagging on the greens" doesn't hold up when we actually think about it for more than 2 seconds.

With the source material of hotd being a fictional history book with different biases and perspectives (emphasis on different perspectives), the showrunners have cherry picked what to adapt, and have chosen to take the worst of the greens as the objective truth and erase their good moments as "green propaganda". The main example that comes to mind is aegon. Plenty of other people have talked about this in depth before, but in f&b, aegon raping a girl was a rumour spread by mushroom, a narrator with a clear black bias who wasn't even in kings landing at the time. There was no reason in adapting this rumour other than to demonise aegon, and by extension, team green. The way the scene is framed, it is clear that it was never about dyana, how the rape affected her mentally, emotionally, socially, physically. For a supposedly feminist show, dyana's rape was a throwaway scene, it never had any impact on the story further. So what was the point of the scene other than to tell the audience "look at what a monster aegon is. How can you support someone like that?" And it works.

You can see on social media, any time there's something vaguely positive about the greens, you have hoards of people comment "yeah but he's a rapist" "how can you support a rapist?", etc. It forces you to side with team black. Later in the show, the audience gets to know that aegon's dick burst "like a sausage". Why would the audience need to know this? Aegon's mutilated dick is presented as "karma" for dyana and is only meant to humiliate him. And again, after this revelation, so many people on social media were making fun of his "burnt sausage". They've made a laughingstock of aegon, and as the figurehead of team green, it's clear that we're not meant to side with team green.

Furthermore, in bastardising, and sometimes, even completely erasing the relationships between team green, the showrunners have dehumanised them and made them irredeemable villains, because, again, we were never meant to side with those who "usurped the rightful queen".

The loyalty and commitment the greens had to one another made them such compelling characters and heavily shaped their central motivations and actions. Aegon only took the crown to protect his family. Aemond, after rooks rest, never called himself a king, only lord protecter even though he knows he would've made a better king than aegon. Daeron torched the riverlands to get to his mother and sister and sacked bitterbridge as revenge for his nephew. Helaena offered up her life for her son, and chose to sacrifice maelor because she knew he wouldn't understand what was happening. Their actions may not be necessarily good (and in daeron's case, actually happen to be war crimes), and their motivations may be morally grey, but they're understandable, they're sympathetic, seeing as it was out of love and loyalty, something that 21st century society can relate to. Without these complex and compelling ties, the audience is left asking why would the greens stick together if they all seemingly can't stand each other? Why fight for aegon if he doesn't even seem to care for them? What was the point in having the crown then? As a result, the characterisations feel one-dimensional (helaena being reduced to being just an "innocent" amidst her bloodthirsty family) or inconsistent (alicent. just her entire story arc. it could've been interesting if done right, but alas, no such luck), or rushed (suddenly aemond wants to be king in his own right after defending his brother's claim at storms end).

This isn't to say that team green are perfect, far from it, but the close emotional ties and relationships could've been used to elevate the internal conflicts in the show. We could've had complex characters who aren't necessarily good, but they're family and they stick together despite their personal grievances.

And this isn't even mentioning their bonds with their dragons. Where was vhagar roaring when aemond's eye was cut out? Aegon and sunfyre had the closest bond between dragon and human and that was given to rhaenyra in the show and where is dreamfyre?

One last thing on the greens, they are presented as incompetent and not equipped to rule, which is meant to show how it would be oh so much better if rhaenyra was on the throne. Criston parading meleys' head is framed as stupid as meleys was "a beloved dragon", ignoring the fact that she murdered hundreds of smallfolk at the coronation. Alicent is presented as stupid for thinking that after rooks rest, the small council would appoint her the queen, aegon in the small council was meant to be laughed at. Of course, this begs the question, if the greens were meant to be a mess of a faction with only 3 functioning dragons and now 2 effective dragon riders, how did they hold out against the blacks for so long? It's clear that the showrunners haven't thought this through.

So yeah, i don't really understand what this person was trying to say when they say that the showrunners are "gagging on the greens" when they are demonised, humiliated and stripped of compassion. I would like to say here, nothing i've said about the greens here is new to team green fans, and so many more people have gone into more depth about this.

Lets move onto the blacks. In a conflict where no side was meant to be in the right (who has the right to rule is a beast for another day), where there were no winners, only losers, where a dynastic dispute almost tore down the entire aforementioned dynasty, the blacks are framed as the heroes, the side the audience should root for. If they come off as villainised to the audience, i don't think it was done on purpose.

Opposite to the greens, they're mistakes and flaws are glossed over. I think this is the main reason why team black falls flat as opposed to lack of screen time, which i don't really want to count.

An important example of this is blood and cheese. In f&b, blood and cheese was a horrific event which drove queen helaena mad and, importantly, was meant to murder one of aegon and helaena's sons in revenge for lucerys. A son for a son. It was always meant to be jaehaerys. By making blood and cheese all one big mistake in the show, with aemond as the real target and oops, we can't find him so jaehaerys will do, team black and rhaenyra can't be held accountable for the murder of an innocent 6 year old boy. Moreover, the fact that rhaenyra never knew or sanctioned the murder, and it was all daemon going rogue, rhaenyra is even further removed from the horrific murder of a child, because, of course, our heroine can't be responsible for anything bad, she's meant to be the one in the right!

Furthermore, condal and hess try to force the smallfolk's love of rhaenyra during the dance, contrary to the book, which serves to uphold rhaenyra's right to the throne and show how team black are the right side. During the blockade on kings landing, the smallfolk conveniently forget that she's the one causing the blockade when she sends food through (showing that she could've done that at any time). The cheering for rhaenyra and the riot makes no sense, as again, she was the one who caused the blockade in the first place.

The introduction of the prophecy also is only meant to justify any "wrong" rhaenyra and team black do. The death of the dragonseeds and the smallfolk were all in the name of a prophecy so it's ok. And this is the thing which infuriates me the most, because the prophecy could've been a fascinating aspect of team black's motivations if framed right. The idea of committing atrocities in the name of a believed divine, higher purpose could've been used to expand upon team black's character growth and internal conflict vis a vis the knights templar and the crusades. How do they feel about this? Are they even aware of what they're doing? Alas, the show itself buys into the prophecy, buys into the divine purpose and suddenly, the atrocities aren't presented as "that bad" anyways. All of that to say, the show has never intentionally villainised team black.

So we've established that as the heroes, team black can't do anything wrong, and if they do, it's for a higher purpose, so it's alright. Team black's "emotions and conflicts are made secondary" not to "disposable filler scenes of Greens", but to themselves, or rather, to rhaenyra and her right to rule. So many team black scenes were used to uplift rhaenyra to show how she is the rightful queen. The main two examples of this that stick out to me is baela rebuking jace when he rightfully questions rhaenyra's decisions and daemon's whole harrenhal arc, which serves as his redemption and so he can reaffirm his commitment to rhaenyra's right to rule. Of course it's going to be "a bore" if the main characters, the ones we're meant to be cheering haven't got anything going for them except for cheering on rhaenyra.

There's no character interaction, no character growth, no real internal conflict because from the beginning, team black has been presented as in the right and can do no wrong, so there's no room to grow, no room to develop, not because of lack of screen time. When character development almost breaks through (see: jace questioning rhaenyra), it's quickly quashed, because the audience needs to be reminded that rhaenyra is always right. There's a clear good and bad side that the show is trying to force, which doesn't work in this setting because it reinforces the idea of the divine right of kings, the idea that one person, one family is superior to all others, and that person is rhaenyra here. It undermines the idea that no one was in the right for the atrocities they committed. No one can be justified and that fundamentally, these are not good people, they're interesting characters (or could've been interesting characters), but they're not good people.

So why? Why are the blacks presented as the good side and the greens presented as evil? It all comes down to the fact that the showrunners have propagated the idea that the dance is about a woman's struggle to rule in the face of misogyny, rather than the decline of house targaryen due to their belief in targaryen exceptionalism or the consequences of the pursuit of power. Sure, feminism and misogyny is one aspect of the dance, but it's not a major driving factor. The showrunners have backed themselves into a corner here, because they trying to portray the dance through a modern feminist lens, and so they believe that they can't write women being flawed or evil, and so we get the free, liberated good side and the "misogynistic", conservative bad side.

So in conclusion, it is clear that the showrunners aren't villainising the blacks as this person believes, but the greens. In doing this, they've made a clear cut good and bad side which works to the detriment of both team black and team green. It leads team green's characterisation to be inconsistent and one-dimensional and it chokes team black from having character growth.

Listen, i don't know if team black truly have less screen time than team green, but if they do, it's not the reason why team black falls flat.

[cjlouwho]

Bucktommy prompt: Tommy is dealing with chronic pain and Buck helps him through it.

Part 3 of my injured Tommy fic

If Tommy were being honest, there were some positives to being paralyzed. The first time he'd told Evan as much, he'd stared back at him with eyebrows raised and a face that said, “I can't wait to see where this is going.”

So Tommy had gone through the list he'd made in his head.

1. He always got the best parking spots.

2. Little old ladies now helped him in the grocery store.

3. People were constantly opening doors for him.

4. He'd get to board first on a plane... as soon as he and Evan figured out where they were going to go for their honeymoon.

5. Sometimes people let him cut in line.

6. He'd learned how to do some sick ass wheelies!

Buck had laughed along with his list, even adding a few himself.

7. Bigger hotel rooms.

8. Tommy's biceps were larger than Buck thought humanly possible.

9. If Buck got tired of walking, he could just sit on Tommy's lap and get a free ride.

And while these things were all good and true, there were plenty of things that made Tommy's new life far more difficult.

One of which were the body spasms.

He'd been warned about them in the hospital. Had a few of them before he'd been discharged. Learned how to deal with them, for the most part, through physical therapy. He'd also been put on muscle relaxants, sleeping pills, and antidepressants.

Which really only caused more problems, because he spent the better part of a month feeling so doped up that he was asleep more than he was awake.

His doctors changed doses and moved around schedules, trying to find the perfect balance, but Tommy hated the pills no matter what.

They didn't only impact his day to day life, but also his ability and desire for sex.

And God, as his body recovered and he and Buck settled into their new normal, he really wanted to want to have sex.

Adjustments already had to be made do to the reduction of sensation he felt around his pelvis. Things got weaker and weaker from there, reduced to no feeling at all in his legs.

They'd had their quickie wedding at the courthouse in February, followed by a ceremony with family the next month, and started planning a honeymoon in the summer. And that's when Tommy decided he was going to cut back on some of his medications, and cut others out completely. He was not going to spend his honeymoon in a half daze, not caring whether or not his drop dead gorgeous husband was naked on top of him.

Buck had protested at first. He'd made it clear that sex didn't mean everything to him. The things they still did do were pretty damn great, and it wasn't worth Tommy being in pain.

But Tommy insisted.

So they'd met with his doctors and come up with a plan. He could go off the sleeping pills, taking them only when needed. They'd reduce the antidepressant in increments. And muscle relaxants could be used as needed as well.

For the most part, everything went fairly smoothly. His spasticity would rear its ugly head from time to time, but it wasn't anything unmanageable.

Until, one night, it was.

He should have known it was going to be a bad night. He'd been restless and uncomfortable all day long. He'd go from his wheelchair, to the couch, to the wheelchair, to the dining room chair, to the wheelchair, to the bed, then back to the wheelchair.

He'd tried wheeling around the neighborhood, usually enjoying using his arms to push himself around, but today he just felt stiff.

The muscle relaxants in the kitchen cabinet had been calling his name, but he'd resisted. Evan was coming off a forty-eight hour shift tonight, and he'd already texted Tommy a picture of himself all sweaty, no shirt on, telling him he was gonna get himself all cleaned up for Tommy.

And Tommy wanted nothing more than to give him everything he wanted, because he wanted it too. Which was a damn good feeling to have back.

He hoped that sex would help his body relax.

It didn't.

He'd gotten through it though, with a few little twinges of pain in his chest and back. Nothing too severe. And with Buck on top of him, his body flushed red, head tossed back and mouth hanging open, the pleasure overrode the pain.

It didn't get really bad until after Buck had fallen asleep. Tommy wasn't sure how long he laid there, trying to stay as still as possible so he didn't wake Evan.

Even as the pain started to radiate up his back, he clenched his teeth to keep himself from groaning.

Then it went to his chest, causing his breath to hitch. The spasm made his back arch off the bed. If it didn't hurt so bad, he would have made some sort of exorcist joke.

His hands gripped onto the fitted sheet and he could feel a vibration.

His legs were probably shaking. He couldn't feel it, but it always happened when he had these spasms, even the minor ones.

He couldn't hardly get a breath. Not while fighting to be quiet. Not while his back and chest felt like they were becoming harder than a rock.

Finally, he unclenched his jaw and let out a half-moan, half-gasp.

“Ev- Evan,” he huffed out, releasing his grip on the sheet to smack his hand down on the bed. Tommy couldn't quite reach out far enough to touch him. Not when everything was seizing up like this. “Evan!” he repeated, louder this time.

Even in his deep sleep, Buck must've realized something was wrong. One second he was dead to the world, and the next he was jumping up, tossing the covers off of them both.

“What? What's wrong?” he said, clumsily reaching over to the nightstand and turning on the lamp.

Tommy squeezed his eyes shut against the light. He didn't feel like seeing himself right now.

It took Buck's brain a few seconds to catch up to the sight in front of him. When he finally registered what was happening, he headed for the door. “I'm gonna get your meds.”

“No!” Tommy yelled, sucking in a breath. “D- Don't.”

“Tommy, you need your muscle relaxant.”

“I- I can't.” He managed to bring a hand to his throat, hoping Evan understood.

“You can't swallow right now,” Buck replied. It wasn't a question.

“Mhm. Just... Just-”

“Massage?” Buck guessed, getting to Tommy's side of the bed in record speed. “You think that would help this time?”

Figuring out the correct responses to these episodes was always a guessing game. Sometimes touch could make it worse. Tommy was pretty sure nothing could make it any worse right now.

“Mm... Mhm.” His jaw was getting so tight he could barely open his mouth.

“I'm gonna move you onto your side.” Very carefully, Buck turned Tommy's rigid body so he was facing away from him. It was an awkward angle, and he was having to do most of the work to keep Tommy on his side, but he managed to get into a position where he could start to dig the palm of his hand into Tommy's back.

At first, he was so tight Buck worried he was going to hurt him even more by massaging him. But, Tommy's breathing seemed to become a little fuller, and the groaning died down a bit.

So Buck continued. He'd alternate between using his palm, his fist, his thumb, to dig into the muscles and get them to loosen.

After a few minutes, Tommy had quieted down completely. His body relaxed into the bed as he flopped the rest of the way onto his stomach. The shaking in his legs subsided. He no longer felt like he was going to shatter into a million little pieces.

Still, Buck continued his massage. He worked up Tommy's neck, massaged his head, down to his shoulders, his back. He even massaged over his legs and feet, letting Tommy know what he was doing so he wouldn't think Buck had just left the room.

After about half an hour, Buck rested his hand at the center of Tommy's back. “Feel better?” he asked quietly, unsure if Tommy was even still awake at this point.

“Mhm. Thank you,” Tommy replied. He paused, blushing before starting to ask, “Did I... Do I need..?” He couldn't quite get the words out. Did I piss myself? Do I need to get up so we can change the sheets and clean me up?

It happened sometimes, when his body seized up. And while he nearly had full bladder control back, everything went haywire when it came to his spasms.

“No, you're good,” Buck answered, and Tommy thanked whoever might be listening that they were able to read each other's minds. “Think you can turn back over now?”

“Yeah. Yes, I- you'll have to help me though.”

“Of course.”

Once Tommy was resting comfortably on his back, head propped up under two pillows, Buck stared down at him. “You knew it was gonna happen today, didn't you?”

Tommy sighed. There was no point in lying. “Yeah. Not this bad though.”

“And you didn't take a pill earlier?”

“No.”

Buck sucked in a shaky breath as he nodded. He didn't answer. Didn't say a word. He simply turned and headed into the bathroom.

Tommy listened as he turned the sink on. It ran for a while, then Buck was back by his side. He ran a warm washcloth over Tommy's face, Tommy closing his eyes and melting into the touch.

Once Buck had finished wiping off his face, he started on his chest.

Tommy blinked his eyes back open, studying Buck.

He was tense, eyebrows knitted together as he focused on cleaning the sweat from Tommy's body.

Tommy's eyes drifted to Buck's hand, shaking ever so slightly.

He reached out and placed his hand over Buck's, gently gripping his wrist. Finally, Buck made eye contact with him.

“Please don't be mad,” Tommy said, knowing it was unfair even as he said it. Still, he hated to see Evan disappointed. Wasn't sure if he could handle it right now.

But as he looked further into Evan's eyes, he didn't see anger.

He saw fear, and sadness. Red-rimmed, wet with unshed tears that were threatening to spill over.

“M'not mad,” he replied, clearing his throat. “I- I'm upset. I don't like seeing you in pain, Tommy.”

“I know. I'm sorry.”

“You don't have to be sorry. Just don't do it again. I can't... I can't enjoy being with you- having sex with you,” he clarified, “if I think you're hurting yourself for it.”

“I know, Evan. I just... I just wanted to be with you tonight. Wanted to feel good. Wanted to make you feel good.”

Buck tossed the rag onto the nightstand, sitting down on the bed beside Tommy. “You know what makes me feel good?” he started, resting two fingers under Tommy's chin so he couldn't look away. “Seeing you comfortable makes me feel good. Us enjoying dinner together makes me feel good. Going for a walk in the evening, watching movies, going out for ice cream, you holding me in your arms, getting to hold you in mine, kissing you for hours and hours. All those things, plus like a million more, make me feel good. Sex is fun, and I'd be lying if I said I didn't enjoy it because damn you've got some moves,” he said, getting a smile out of Tommy, “but it's not everything to me. You are everything to me. I know we can't always prevent spasticity, but when we can, it would make me feel good if we did. Got it?”

Tommy nodded, giving himself a few seconds before verbally responding. “You can't just say stuff like that to me, you know,” he said, choked up. “I'm a softy now.”

Buck scoffed, rolling his eyes playfully. “You were always a softy,” he informed Tommy, leaning in for a kiss.

“I'm gonna go get your pills now, okay?”

“Okay.” Before Buck could get too far, Tommy reached out and grabbed at his hand. “Hey. Have I told you lately that I love you?”

Buck cocked his head, giving Tommy a glare. “If you start singing Rod Stewart to me, I will divorce you.”

“No, seriously, Baby,” Tommy said, keeping a straight face. “Have I told you there's no one else above you?”

“I already know a good attorney.”

“You fill my heart with gladness,” Tommy continued, grinning, “take away all my sadness.”

Buck wriggled his hand free of Tommy's grasp, heading out toward the kitchen. “If you hear the front door slam, I'll be back later for my things.”

Tommy's smile only widened as he yelled out, “You ease my troubles, that's what you do!”

[silver-soul00]

You don't like Wenclair? Absolutely OK, that's all very well, but to call it forced is just a big mistake and I will explain why (the artist of the fan art on Percy and Annabeth is Sethkiel, Tumblr, Twitter and Instagram) + Percy Jackson spoilers about his romantic relationship in the books

Enid is in effect an ideal choice as a partner for Wednesday Addams not only because of their obvious character complementarity, but also because of the positive impact a relationship based on their dynamic could have on both personalities.

Various psychological and social studies support the idea that interpersonal relationships based on complementarity and mutual acceptance are more likely to be healthy and long-lasting. Wednesday, with her introverted, cynical and distant character, is balanced by Enid, who stands out for her emotional openness, empathy and desire to connect with others.

This polarity creates a synergy that not only enriches their friendship but could serve as the basis for a meaningful romantic relationship.

One of the key components is the unconditional support Enid offers Wednesday. According to research on the psychology of relationships, emotional support is one of the strongest indicators of relationship satisfaction.

Enid, despite the difficulties Wednesday poses to her, constantly stands by her side, demonstrating a patience and understanding that goes beyond mere friendship.

This type of dynamic is consistent with the findings of Feeney and Collins (2015), who highlight how relationships characterised by a partner who serves as a ‘secure base’ improve resilience and psychological well-being for both parties. For Wednesday, who often shows difficulties in trusting others and expressing her emotions, having a figure like Enid beside her could help her explore deeper aspects of her emotional identity.

Moreover, Enid represents a form of positivity and optimism that counterbalances Wednesday's cynicism. This counterbalance, far from being a hindrance, proves beneficial. Studies conducted by Gable et al. (2006) suggest that relationships in which one partner promotes positive emotions and encourages the other to experience joy and pleasure have a positive impact not only on individual well-being, but also on couple cohesion. Enid's ability to celebrate life's simple moments and accept Wednesday as it is can offer her a safe space in which to lower her defences without feeling judged.

The chance of a queer relationship between Wednesday Addams and Enid Sinclair is not only coherent with the long history of the Addams Family, but also represents a natural evolution of Wednesday's character.

The Addams Family, since its creation, has been a symbol of rebellion against social norms and celebration of difference.

Charles Addams conceived the family as a parody of traditional American families, overturning their conventional values.

While middle-class American families aspired to normality, the Addams family found pride and beauty in their eccentricity. This attitude made the family an icon for anyone who felt marginalized or different, including queer communities. Their gothic aesthetic, black humour and unqualified acceptance of all forms of strangeness made them symbols of inclusivity, even if this theme was rarely made explicit directly.

Wednesday Addams, in particular, embodies this challenge to social projections. From her earliest appearances, she has been portrayed as an intelligent, sarcastic and deeply independent outsider who rejects imposed social norms. In the films of the 1990s, this nature is clearly expressed: Wednesday, despite being young, is perfectly aware of her identity and interests, refusing any attempt to force her to conform.

An emblematic example is her relationship with Joel Glicker in The Addams Family 2.

Joel, an insecure and nerdy boy, becomes an ally and romantic interest, but the relationship is clearly devoid of the traditional dynamics of teenage romance.

Wednesday shows interest, but expresses it in his own way, with humour and detachment. This episode shows that Wednesday is not ‘immune’ to romance, but lives it according to her own rules.

In the Netflix series Wednesday, the dynamic with Enid Sinclair adds an even greater level of complexity. Enid, with her sunny disposition and expansive nature, is the perfect counterbalance to Wednesday's coldness.

Their relationship is built on a foundation of trust, emotional intimacy and mutual support that far surpasses any other connection Wednesday develops in the series, including those with her male romantic interests, Tyler and Xavier. Psychological studies, such as that of Aron et al. (1997) on interpersonal intimacy, show that the strongest relationships are often based on complementary differences. Wednesday and Enid embody this complementarity: the dark and the light, the rational and the emotional, detachment and empathy.

This kind of dynamic is often the basis of the most memorable romantic relationships in fiction, and it would be only natural for their bond to evolve into something more.

The criticism that a queer relationship between Wednesday and Enid would be a ‘stretch’ often masks prejudices about queer inclusivity. Interestingly, audiences unreservedly accept heterosexual romance in contexts that do not always align perfectly with the characters' personalities.

For instance, in the 1990s films, no one criticised the fact that Wednesday, a deeply cynical and aloof girl, had a romantic moment with Joel. Similarly, in the Netflix series, her interactions with Tyler and Xavier are accepted without particular objection, despite the fact that Wednesday shows very little genuine interest in either of them.

This demonstrates a double standard: heterosexual romance is perceived as ‘natural’ and acceptable, while queer romance must be justified or considered as extraordinary.

Queer representation in the media, as studies by GLAAD (2022) show, is crucial in normalising these relationships and offering positive role models for those who identify outside traditional norms. The relationship between Wednesday and Enid would not only be consistent with the characters, but also an important step towards greater inclusivity. Furthermore, the argument that Wednesday ‘is not made for romance’ is easily disproved by her narrative history. She has never been a traditionally romantic character, but that does not mean she cannot develop genuine and deep connections.

Her emotional openness towards Enid in the series is a clear sign of personal growth and openness towards meaningful relationships.

Finally, it is important to point out that many of the most famous romantic relationships in fiction were born out of deep friendships. From Harry Potter (Ron and Hermione) to Friends (Ross and Rachel), the transition from friendship to romance is a widely accepted narrative trope, especially when it involves heterosexual couples. It is hypocritical to consider it a stretch only in the case of queer relationships. In the case of Wednesday and Enid, their emotional intimacy and mutual support lay a solid foundation for a romantic relationship that would not only be consistent with the Addams Family's history, but would also represent a natural evolution of Wednesday's character, keeping her rebellious and non-conformist essence intact.

Let's take a concrete example to show that the basis of the Wenclair ship is valid?

Percy Jackson.

The relationship between Percy Jackson and Annabeth Chase is built in a gradual way and represents a story arc that starts with friendship and grows into romance, making it a perfect example to show that it is not ‘forced’ when a close bond turns into love.

The saga of Percy Jackson and the Gods of Olympus offers an excellent example of how a friendship can develop naturally into a romantic relationship. The dynamic between Percy Jackson and Annabeth Chase develops gradually, reflecting a relationship-building model that emphasises mutual growth, respect and trust. Initially, Percy and Annabeth meet in the context of Camp Half-Blood, where significant differences in their characters emerge. Annabeth, rational and strategic, tends to see Percy as an unprepared novice, while Percy perceives Annabeth as distant and authoritarian. Nevertheless, their shared adventures lead to a mutual respect that becomes the basis for a solid friendship.

In later books, such as The Sea of Monsters and The Titan's Curse, their relationship deepens through moments of vulnerability and emotional connection. Annabeth shares with Percy her ambitions and fears, such as the dream of building something lasting or the burden of her loyalty to the gods. Percy, for his part, shows a growing sense of protection towards Annabeth, being willing to risk his life to save her on several occasions. These episodes mark a gradual evolution of their relationship, but without ever abandoning the friendly core that sustains it.

The turning point occurs in the fourth book of the saga, The Battle of the Labyrinth, when Percy begins to acknowledge his romantic feelings for Annabeth. However, the transition does not happen abruptly; both characters, being still teenagers, navigate uncertainly between friendship and love, making their relational development realistic and free of narrative forcing. In later books, such as The Final Clash and especially in the Heroes of Olympus series, Percy and Annabeth consolidate their romantic relationship without ever losing the bond of friendship that characterises them. This balance is particularly evident in The House of Hades, where their mutual support, even in extreme situations, underlines the depth of their bond.

The transition between friendship and love in the case of Percy and Annabeth is an example of a well-constructed narrative, reflecting real dynamics also highlighted by psychological studies. According to Kaplan and Keys (1997), many successful romantic relationships develop from pre-existing friendships due to the presence of trust and emotional intimacy as solid foundations. Moreover, this dynamic is widely accepted by the public, as it reflects common human experiences. The story of Percy and Annabeth demonstrates that the transition from friendship to romance can be organic and believable, especially when constructed with attention to the emotional aspects of the characters.

Applying this perspective to the case of Wednesday and Enid, it becomes clear that such a transition would not be ‘forced’, as is often claimed by some critics. The two girls share a relationship that is based on complementarity and mutual growth: Wednesday is cynical and reserved, while Enid is expansive and empathetic, and together they create a balance similar to that between Percy and Annabeth.

To ignore this possibility is to operate a double standard, considering acceptable for heterosexual couples a dynamic that is labelled as unnatural or artificial in the case of a queer couple. The representation of Wednesday and Enid in a romantic relationship would not only be consistent with traditional narrative dynamics, but could also contribute to greater inclusivity and a richer, more nuanced representation of relationships in pop culture.