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eyrieofsynapses · 9 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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inkskinned · 1 year

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it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.

yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.

it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.

how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.

chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?

how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.

"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.

i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.

#writeblr #warm up #i can't write rn but i have SO much words in here bc im reading the chorus of dragons books #(just started book 4)#and this woman's writing is just LIVING in my brain. let me out!!!#(i read roughly like 2-4 books a week usually bc i go on long walks with my dog but when a book is REALLY good like. it eats my life. )#anyway ...... so like here's a story that idk i've tried to explain to other people as being wild #but maybe im the only one who thinks it is wild???#so i play pokemon go (i just started in jan) bc i love pokemon and as i have mentioned i walk goblin for like an hour in the morning #and i don't like a lot of fitness trackers due to the fact it makes me .sad. but i also wanted the little digital rewards. enter pokemon go #anyway so they make you make friends to complete quests. so i used a reddit thread. i do not usually use reddit. i don't have an acct #i lurked. i just googled like ''pokemon go reddit '' and randomly added a bunch of numbers #i was on that page for all of 15 minutes. there are THOUSANDS of responses on that page.#here's what's wild: in that group of people. even though i am not on reddit and it was one random event once #it turns out one of those people lives in the town i live in. or at least very close. i only know this because #when we send each other gifts. it's from the same freaking area.#i can't ask them to meet up bc pokemon go doesn't have a messaging app lol but like . what are the fucking chances that #a random person posts in a random reddit thread and HAPPENS to get added by someone ELSE from their SAME TOWN #who by pure fucking CHANCE is ALSO playing pokemon go and looking for friends #i googled it there's only 42000 people in my broad region. the .......... smallness ! of the world!!!

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poorly-drawn-mdzs · 9 months

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Call that a Cave Story.

[First] Prev <–-> Next

#poorly drawn mdzs #mdzs #wen chao #wang lingjiao #mianmian #wei wuxian #jiang cheng #I had to cut the comic with JC 'holding WWX back from fighting the Wen Assholes' but it is with me in spirit.#It reads (to me) a little bit like JC is scared of Core Melting Hand and wants to have an excuse to hold on to WWX for comfort.#As far as I can recall they are around 15-17 in this arc.#And a guy who can rip out your golden core? The thing we know JC truly puts so much weight upon that he feels meaningless without it?#Yeah that's pretty terrifying. I hope WWX hugs back (he will not)#I have a lot more thoughts on Wang Lingjiao and Mianmian but I will keep them for later.#WLJ is a character I feel got done a little dirty because she has a ton of interesting potential that gets pushed aside for Mean Villainess #Let's be fully honest. Wen Chao and Wang Lingjiao are *THE* characters the Protag of one of those 'Reincarnated as the villain!' stories #Set up to be assholes to the main character and meeting a horrible end in retribution.#Do you think MXTX thought about that? How Wen Chao is basically the original Shen QiugQiu?#Who's going to be the brave soul who writes A transmigrator in wen chao's body (accidently makes wwx fall in love with him) story?#Though If we are going with “any mxtx character sho dies transmigrates to another book” WHO is the transmigrator?#Hear me out. I think it should be Original Liu Qingge. I think he and wwx would make a funny duo and I want to see it so bad.#AND the contrast of womanizer Wen Chao VS 'What is a woman' LQG.

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antigonesghosts · 1 month

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What I loved about Cinderella's Castle is it is so entirely about Ella. We know starkid can handle a show with tons and tons of characters but I found it quite refreshing for it to be so wholly her story? I think it was a lovely choice for this show and man Bryce did such a perfect job of it, she is truly such a star

#starkid #cinderella's castle spoilers #cinderella's castle #cc #cc spoilers #I think I want to rewatch it a couple of times to actually ascertain how I rank it with other starkid shows but. yeah what a great show #they used that money well too every aspect was STUNNING #and I could go on and on about the choreography maybe the best from any starkid show it looked so fucking good #anyway. justice for my girls Justine and Lucy I miss you #OH more things I loved! no romance! starkid write fantastic romances which I love dearly but again it was so nice #to just see Ella discover herself and her power. and yes I know her and Tadius are heavily implied but! I love that it was allowed to #just be the very beginnings of whatever they might become!!!#I will say that I predicted the Justine and Lucy thing which is heartbreaking I miss them #but anyway I loved it as a version of Cinderella and I loved it as a musical and MAN the music FUCKING SLAPPED #I made like 7 pages of notes because I regret that I don't remember my immediate reactions to bf and npmd #they are insane and most of them are just 'oh my god' and 'he's just a little boy' whenever crumb was on #ALSO WHO THR FUCK WAS THAT MASTER DWARF CAN WE GET MORE DETAILS ON THAT!!!!!!!!!!!!!!!!!!!! WHI IS HE AND HIS WOODBLOCK #OK ALSO ALSO oh my god there are too many thoughts in my brain. also. so it's basically confirmed they want to be Beauty and the beast and #snow white now right?#were there any other fairytale references?#ok fuck it finally last thing verrrry intrigued by how much the audience were clearly part of the story

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magicaldreamfox1 · 9 months

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i think there are too many posts out there that are like writing is not fun but im gonna do it anyways. so here's my contribution: writing is fun actually

#starting to think some of u actually don't like writing 😦#sorry but i love writing every evening i sit down and open my little notes app and write my silly little stories #and i have so much fun #sometimes ill be in the trenches naturally but overall im having fun #dreamy talks #writing

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magnusbae · 2 years

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"...You had to be able to show too much of yourself. You had to be just a little bit more honest than you were comfortable with. And if people judged you, if they felt they knew who you were, that was just something that you were going to have to live with. And what was strange is, once I started doing that, and I was expecting to be judged, or shunned, or people’s opinions or to have to deal with things, what I discovered was, actually, their opinions were, we really like this. We love this story. That’s a good story. It felt huge. It felt personal. And I realized that’s because I was being honest about me.“ —Neil Gaiman

#It was such a lovely speech. I really enjoyed hearing it and I wished to have it here as well. You can youtube it. His name and Masterclass.#Neil Gaiman #The Sandman #How many of you squinted and saw Dream.#Neil Gaiman Masterclass #Dream of the Endless #You know what I WILL tag it because and I will explain #You can really see the parts of himself that Neil put into Dream #This interview more than any truly shows you some of that #Dream is essentially a creator of stories too— One who is not good at being honest with himself— One who too has a facility of voices.#Frankly— How old were you when you saw Neil's little 'self insert' OC and went 'Ah yes. Here he is.'#Also the fact that Neil always wears black and has a messy hair.#Love it.#Quote Edit #Writing Advice #Writing Fiction #buns.edits #buns.all

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kantush · 2 years

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I fucking love Kelvin. My cute malewife

He's doing honest work.

#sons of the forest #kelvin #my bbg #I want to cuddle and smooch by the fire with him #Nothing like 2 dudes alone in a forest #my art #he destroys our little cabin but I forgive him we can just put him back to work #'kelvin build me a 3 story mansion"#COD character treatment might happen to him #Someone please write a fic of him I need go read him being loved and cared for

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minty-drop · 5 months

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“Collector! Hey buddy, you ok?”

“Collector?”

Colourful stars, sparking with shine scattered across the walls. Searching, looking and digging there corners into the slits between the ivory. Worry swallowed the collector whole, nagging into his gut like a piercing blade.

“King!”

The star child shouted, turning to face the canine like creature, a titan who’s yet to fully grow, something they both had in common.

“I can’t find them. I don’t want to play this game anymore!”

He didn’t like how long this was taking, they were impatient, and did not like loosing games. But at this moment, he didn’t care if he lost.

He just wanted his ‘parent’ beside them again.

“M-maybe there back in our room? They could have switch spots”

“That’s cheating!!”

Rattling the walls like a earthquake, the force of the shout bouncing off the wall.

But he was right? Maybe they did go back?

Swiftly the child’s hand waved across, a motion to quick for the titan to catch before he as-well was thrown on top of its flat surface, the hum buzzing from the star present with the patter of feet next to him.

A game of hide n seek, a classic, a game where one would seek and the other would hide. A simple yet challenging game of who can stay hidden until the end.

And you were quite good at it.

It felt like hours ago you had watch the collectors feet drop off the bed, the counting of numbers stoping that erupted into giggles. The collector was good at hide n seek, and from what you’ve seen, was very good to the point you could only assume he had found king in under afew minutes when the star child had began to run around with an extra pair of feet right next to him.

They teamed up on you. Little sneakers…..

But at this point you didn’t really care, you were having fun with the children who you were to constantly accompany in every waking minute, sure it was tiring but it was fun. And in these moment you got to see them interact, giggling and planing there next ideas that were childish yet entertaining to hear. It was perfectly normal because after all,they were children. Maybes it’s because you were no longer a small child, the childish nature still living in you but as time passed by, you have matured by much and by the time you had met king and later met the collector through the events of the eclipse, you had began to become much like the parental figure of the group. You missed the others, and you wanted them here with you, for the collector to see what he is doing is wrong, but there was only so much you could do. The kid was young with immense power, but as time went on, you’ve come to see them as a young child you could look after and maybe then, all of you would be able to thrive.

But who am I kidding, nothing like that is easy to get.

You first heard the hum of the star like transportation, then the mumbling of the two children. The collectors feet hopped off the star along with the fluffy paws of king. From all you could see, the collector made his way to the bed you were currently under, inspecting the tossed blankets that you made previously made to look like someone was underneath the warm fabric. It was a risky move.

But his ankles were just in reach of your hands.

With a small snicker, you reached out and snatched onto the small godlike child’s ankles, causing the said child to jump up in surprise, hoping all the way over to the other side of the room like a scarred bunny.

“WHAT IS THAT WHAT IS THAT KINGGGGG”

“I DONT KNOW WHAT WAS THAT”

Curiously the collector had slowly walked back over to the bed, creeping up before lifting the whole bed up with his hand effortlessly.Laying there defenceless you could only do one thing.

“SURPRISE???”

Waving your hands like a mad man.

It took the collector a minute before he began to laugh, flying up in the air up and around before landing back down on the soft carpet.

“OHHH THAT WAS SO FUN. WE SHOULD PLAY THAT SO MANY MORE TIME! 1000 MORE TIMES!!!”

You chuckled.

“Anytime collector”

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