#i love this panel so much they're so funny

[strawhatbaby]

only one of these straw hats is good at lying and it's not nami, sanji, or zoro and it's definitely not luffy

[tsutsumi-kurose]

nene and tsukasa staying very still and quiet staring at hanako openly letting the other one love him and loving them in return

[captainkingsley]

fellas is it gay to be into hot anthro versions of yourself and your buddy who's being teleported through alternate universes with you (because you're supposed to be learning a lesson about how you're always meant to be by each other's side?)

[kyouka-supremacy]

DELACROIX SPOTTED!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[sciderman]

giant-sized spider-man #6

[sbd-laytall]

Yeah, this pretty much sums up life.

Showcase (1956) #33

[theokusgallery]

For when you come back from your break 🤓👍

[insert Fairy Odd Parents jingle]

Arsenic and his ✨Cyborg Boyfriend✨

Alternative Universe where the Arsenic AU is some fucked up RomCom cartoon airing on Nickelodeon

I already told you I love this, but... Holy shit I love this

Everything you make is my favorite thing honestly this is. so incredibly funny and I love it

[moe-broey]

I'm SO obsessed with them.

After this I believe they are both equally as unhinged as the other, just opposite ends of a spectrum about it HAHAHAHAHA

Also...

More micro organisms.............. (FAVE PANEL TBH LOOK AT THEM)

[italictext]

I desperately need to befriend a Death Note fan irl who likes Death Note the way I do.. The only DN fans I've met irl are anime only Near haters :'(

[triglycercule]

its 12 in the goddamn morning and i started working on this dumbass NINE PANEL COMIC since 4. it's been 9 hours since i started this. what did i spend 1 hour per each fucking panel or something WHAT TJE JELL WHY DID THIS TAKE SO MUCH OF MY TIME!!!!

anyways,,,,, done i guess. the trio feel so fanon in this but whatever i guess i can't be bothered anymore. i tried writing inner thoughts for killer and his little decision helper versions of himself in his head but if it's not stage 2 killer i immediately suck. which is why this comic sucks. i suck this one really sucks ITS SO OOC I FEEL,,,,, MY TRIO DONT ACT LIKE THIS. KINDA. WELL IN MY HEAD THEY DO BUT NOW THAT ITS NOT IN MY HEAD IT FEELS SO OOC!!! kinda idk anymore. i'll allow the masses to decide when i wake up tomorrow morning and spend 3 hours fighting with myself to post this

[aphel1on]

the longer i look at this panel the more deranged i feel about it. this is environmental storytelling at its finest.

the eodio stand-in doll in particular makes me crazy. where did it come from? did thistle just pop into the village like "hey ungrateful wretches, one of you needs to make me a life-sized mannequin, For Reasons". did he make it himself? seems quite unlikely, yet the possibility haunts me. i mean, i guess there could've been one just lying around the dungeon somewhere. it's the act of replacement itself that really gets to me. (edit: it's been pointed out to me that the eodio doll also could have been left behind as part of delgal's escape plan. slightly different kind of madness but tbh, just as funny-sad to me if that happened and thistle went Ok, Guess That's Eodio Now.)

both the wives are there too. we know very little about them, which makes me tend to assume thistle wasn't all that close to them, but they're still included. when did they end up here? did he kick their souls out of their bodies at some point, or were they among those who left their bodies voluntarily to try and escape? when did yaad become an effective orphan, delgal an effective widower? women in the margins of the narrative, tell me your stories!

and the fact that they're surrounded with the living paintings, which thistle habitually wanders through to relive the past. this truly is his inner sanctum, his place of utmost comfort... and it may as well be a tomb.

that panel is so creepy when you first see it. just a sense of "ohh jeez, there's a lot to unpack there".

and actually, yeah, it remains creepy from pretty much any angle, but the more you think about it the more it's also tragic.

this is where many of thistle's happiest moments took place. everything he had in that picture is now gone. first he lost their warm regard, then one-by-one their bodies became hollow shells. before the end, none of the people here needed or enjoyed food anymore. the dinner table, as a center of both family life and nutrition, became obsolete.

a line from someone else's excellent post about thistle has stuck in my head ever since i read it: "to eat is to live, but to eat together is to be loved". to me, this is the sentiment and symbolism at the core of everything that happens in dungeon meshi.

it makes this bit all the sadder and more disturbing.

there's several things to note here:

thistle has gone from seated and eating with them as part of the family, to a lonely and ominous figure hovering over delgal's shoulder

eodio is conspicuously absent from view, and his body would have been a husk by now, but yaad says parents, which forces me to assume that they are sitting at the table with eodio's soulless body, hidden under yaad's speech bubble

they're not actually eating anything.

those plates are empty. you could assume that they've already finished eating, maybe, but yaad refers to it as sitting around the dinner table. in fact, he compares it to what he's currently doing; sitting at the dinner table watching the touden party eat, not eating anything himself.

it paints a pretty grim picture. for some time even after the fantasy had fallen apart, even after there was no need or desire to eat, they kept gathering around the dinner table. at that point, i'd guess only so as not to provoke thistle's wrath.

but even that last happened a long, long time ago.

this is a callback to what senshi said in the golden kingdom: the reason the people keep maintaining their fields and silverware and so forth is that they need to do so in order to stay sane.

paradoxically, the dinner table is the most striking evidence of thistle's insanity, and at the same time, it's the only anchor to sanity he has left.

he kept enforcing the ritual of dinner together long after it lost significance. when even that was impossible- because almost everyone's souls were gone- he kept their bodies at the table anyway. it's fine. it's fine! he's protected them, physically, just like he set out to. they're all still breathing. at a glance it looks like they could wake up and resume dinner at any moment. like this, it's easy to pretend.

isn't that what being a dungeon lord is, at the core of it? rejecting reality, staying in the prison of one's impossible desires. it's just one long game of pretend.

thistle did all this to protect his loved ones. no matter how obsessive and twisted he became in pursuit of that over the years, his core motivation never changed. this is all he has left of that dream: his loved ones' bodies gathered around the locus of their happiest memories together. like this, he can tell himself he's succeeded.

when eodio's body vanished with delgal's soul in it- when he couldn't even have that anymore... well.

i want to reach through the screen and shake him. no, they're not, thistle. THISTLE, NO, THEY'RE NOT! the doll of eodio is the closest thing to him in this panel, underlining the point. when that final illusion was shattered, he became completely unable to cope with reality.

therefore casually forgetting the creepy eodio doll isn't real.

thistle isn't stupid. eodio's body vanished at the same time as delgal's soul. shortly after, more adventurers came pouring in than ever before. deep down, he knows what happened. if he didn't, being confronted with the truth by mithrun wouldn't have made him panic so hard he summoned chimera falin to the first floor.

yet still...

he absolutely can't admit that to himself. he is clinging to the last scraps of the illusion with everything he has.

this is a dungeon lord at the end of desire. this is a lotus-eater machine left running long after its conclusion. this is mithrun lying listlessly in his bed, his replica lover having given up any pretense of being human. the illusion is all that's left. (an illusion is all it ever was.) thistle and the citizens of the golden kingdom- they're ghosts just as much as the ones who wander the dungeon floors. and if it weren't for thistle sealing the lion away, he would've been eaten by it long ago.

all of this encapsulated by that single panel of the dinner table.

[spitdrunken]

HIAHA I LOVE HOW YOU WRITE MR SCARLETELLA CAN YOU WRITE MORE. so odd and unsettling and obscene m just giggling with delight

HIIII thank you so much for the high praise <3 this has kind of a different vibe from the last one but plays with similar-esque concepts!!!! this is 'weird and obscene' LMAO

Notes: Suggestive, mild body horror, bolded = dialogue in the Other World's language.

==========================

How do you touch a man without a physical form? Or, you suppose, 'man' isn't quite the correct term. 'Apparition' would perhaps best describe him. Though he can reach out to you and make you feel the illusion of touch, you can't actually make contact with him. Your hand passes through him as if he were nothing but air.

You don't think he minds. It's always a bit hard to tell, with him. Mr. Scarletella ususally just stares you down with a dead look, communication relatively limited. But you would like to touch him! So you experiment a little, an action for which no mutually intelligible word exists. Still, he doesn't move as you poke and prod at different parts of his body, coming up short every single time.

You crouch down before poking at his ankle, just in case. When you look up, your heart stops for just a moment. Mr. Scarletella's neck is snapped back, folded in on itself in order to observe you. Vacant-seeming eyes are trained on your every movement. The sight makes you feel squeamish. "God... Not do," you tell him. "Head look hurt. Not funny." There's no other way you can think of to put it. You get up and stick your hand down, waving your hand in the other direction at the side of his head. He seems to understands what you mean, as his skull snaps back in its usual direction. You circle around him. "Sorry. Not want upset you." He says, although you know he'll never really listen or learn, not when it comes to these things. "Me like you. You like me." As if you'd ever forget. You beckon him. Rather than simply leaning down, his form flickers, distorting, before reappearing in the desired position. There's just one place you haven't touched yet. Once again, you extend your hand, the tips of your fingers brushing against the top of his umbrella. The surface is smooth to the touch and wets your skin, accompanied by a small burst of static ringing in your ears. It takes a moment for the significance to register. "Oh! I can touch your umbrella!" You say, forgetting the Other World's language in excitement over your discovery. Even though it's relatively small. You can't touch Mr. Scarletella himself, but the umbrella appears to be 'realer' than the rest of him. ...Actually, maybe the umbrella is a part of his body? He's not human, after all. He doesn't have to exist according to your logic. Your brow furrows. The puzzle pieces of language move in your mind, until they're slotted together semi-coherently. You point at his arm. "Arm you." Then, you do the same for his leg. "Leg you." You wave your arm up and down. "Body you." Finally, you lift your hand in the direction of the umbrella. "Object you? Me can touch object. Touch you?" Mr. Scarletella's smile widens. It reveals a little bit of the void that stretches on behind his lips. "I see. Correct. Object me. Object is..." After which he lowers his umbrella and says a word you haven't heard before. You try to repeat it, and he says it once again, pointing the umbrella in your direction. "Touch umbrella. I want."

It's definitely... Weird. It's genuinely like touching an umbrella. Cold and smooth and slightly wet. But Mr. Scarletella wanted you to do it, and you're kind of intrigued yourself, so you do it. Because there's clearly something happening. As you trace your fingers over the outer canopy, making sure to at least touch every panel a little bit, his visible form starts to flicker and fade. When you apply a bit more pressure, move a little faster, parts of him start to distort and change colour. His arm appears a little dislodged from his shoulder, static rising in the background.

When you pinch one of the metal tips in between your fingers and rub it, he lets out a laugh that is far more high-pitched than you would've expected it to sound like. Clearly, there's some kind of link between the umbrella and the rest of himself. Though you can't envision what it must be like, he's feeling something. Your hand pauses. In the blink of an eye, Mr. Scarletella has materialised even closer to you, nose close enough to touch yours, if it could. The inky darkness of his pupils makes up most of what you can see.

"Me like. Like like like like." He sounds breathy despite not breathing. "Touch more. Again. Me want you."

[akanemnon]

You've out done yourself Akane. I just can't fathom how good this comic is. It's literally a feast. There is SOOO much stuff I love about the recent comic.

Anyways here's a little list of the things I adored about the recent comic! (This isn't even all of the things and I'm not even including pictures :D....)

Like, literally all of Lesslo's faces. They're so scrumptious!!

Kris's face when they say "excuse me!?" It's so funny :>

I LOVE how Kris gets confident and starts to stand up to Lesslo when Frisk is doing it. It's the sibling dynamic that I ADORE. You capture it so well.

All of Lesslo's weapons. They're all so creative, and fit his character SO WELL!!!

In the last panel, when Kris's hair totally flops down. It really adds to the sudden emotion, and you can just feel it.

I'm sorry this 'ask' is so long! BUT all I really wanna say is great work, and the fight style is so creative and cool! SO excited to see what happens next!!!

Thank you so very much guys! The latest page was a lot of work and I'm glad it paid off! All of you really seem to like it!

Have a teaser for the next one!

[blackbird-brewster]

Highlights from Catherine Tate's Q&A Panel at Armageddon Expo 2024 (NZ) :

[I took notes best I could during the panel but some may be paraphrased]

Q: What's your favourite Doctor Who alien?

CT: The wonderful Ood!

Q: Who's your favourite Doctor? (Crowd gasps in anticipation)

CT: Well, I get asked this a lot, and obviously it's David (Tennant). I don't know what number he is, he keeps coming back. But definitely, David. Although, someone recently pointed out that I was technically the first ever female Doctor. So you know what? Me, I'm my favourite Doctor.

Q: What's your favourite episode you were in of Doctor Who?

CT:The Runaway Bride, because that's where it all began.

Q: What's a favourite memory of working with David Tennant on Doctor Who?

CT: The scene in 'Partners in Crime', the one with the Adipose, there's the scene where Donna and the Doctor see each other from across a room. But they're both behind glass and they have the whole mime scene with the windows. Well, I remember it was about 3am when we were filming that - - Russel really likes to film at night if the story is taking place at night - so it was 3am, and I said to the director 'Uh, right here it just says Donna Mimes' and he said 'Yeah do whatever'.

So that whole scene was ad-lib during shooting and David and I were so in sync with it, we did that first take and the director said cut and print!

Q: How emotional were you filming your final scene in Journey's End?

CT: So, we didn't always film in order. And I'm not really a sentimental person, but I will say I thought Donna's ending was absolutely perfect. When she meets the Doctor she was always yelling at the world, and she was so different than what she was by the end, she had so much growth with the Doctor and she changed so much in her time with him, but then, she forgets the him and all those memories. And that final scene, what really got me was how he says 'Donna, I'm off' and she's just, I think she's on the phone, and she just waves dismissively. She doesn't know him anymore. Russell, the way he ties things together, he's brilliant, that man.

Q: What was it like working with Bernard (Cribbins)?

CT: Oh, Bernard. God, I love him. He was so funny and talented. He always had stories and voices and sound effects. He loved making people laugh. But we had a gag where every single time I called him I'd say (Donna Voice) 'GRANDAD!'

He'd say, "Who is this?"

"It's Catherine."

"Catherine who?"

"Catherine Tate"

"Never heard of her."

We did this every time I called him and I loved it.

Q: Is there anything annoying about working with David Tennant?

CT: No, absolutely not. He's perfect. He's the best person to work with. I will say though, I was annoying him a lot. When we did the 60th Anniversary specials, our trailers looked exactly the same and I never knew where my trailer was. I'd walk into his all the time!

Sometimes I'd walk in and see his shoes in the trailer and instead of thinking 'Oops, wrong trailer', my brain went 'What's he gone and left his shoes in my trailer for?'

It got so bad, sometimes I'd walk up the stairs and from inside I'd hear 'NO.'

Q: Was it weird coming back to play Donna after all these years? Especially when it was along side David Tennant?

CT: It was a bit weird, more in the 'Oh I hope i still know how to do this' way than anything. But I did think it would be hilarious if David and I arrived on set and every take we just did completely wrong voices. Just thought it'd be hilarious for him to go (in an airy upper-crust British accent) 'Ohhhh, hellloooo. I'm the Doctor'

Q: If you could take any prop from set, what would you take?

CT: Ohhhh, I'd have very large pockets and see what I could fit. But mostly I think it'd be a sonic screwdriver. It's gotta be a sonic screwdriver, doesn't it? It's small and mobile... Easy to steal. Plus, it'd fetch a great price on Ebay!

Q: Best show you've ever worked on?

CT: The Office, they paid me tons of money.

Q: My mum loves David Tennant, is there something you can say to dissuade her?

CT: Hm, something to convince her he's not.... Oh, he doesn't believe in astrology! I'll say 'It's Mercury Retrograde' and he'll say 'NO, NO, NO I DON'T WANT TO HEAR IT'.

Other Highlights:

As soon as she came out, she saw the stage had no steps to the audience, so she stayed on mic and went the long way round to go into the audience and interview people, trying to find who had traveled the furthest to be here. She was sorely disappointed everyone was just from Aotearoa 🤣

Donna Lines She Performed:

"Oi Spaceman! You're not mating with me sunshine!" (Crowd went wild for that)

"Binary. Binary. Binary." (🥺)

She did some of her characters: Lauren Cooper mostly, but also wished someone Happy birthday as Nan

[tizeline]

Ahhh waiiit!!! Is this some really fun like foreshadowing stuff (though we already know the foreshadowed stuff) where you put Leo and Raph facing away from Draxum to symbolise them turning on his ideals first????? And like Leo is in the shadows cause I guess he‘s really formed his own opinion about Donnie and destroying the humans while Raph doesn‘t share his beliefs but still follows him!! And Mikey is facing Draxum symbolising that he and Drax are still gonna pursue their dreams of getting rid of the humans?? Is that what this is?????✨

You're like the third person so far to point out the potential foreshadowing in this panel, which lemme tell ya, is very funny considering it was basically entirely unintentional on my part! XD

BUT!!! I am a firm believer that the audience can find meaning in a piece of art regardless of whether it was intended by the creator or not, and I'm honestly loving your analasys because dammit it works!

That being said, I drew Mikey looking to Draxum for reassurance, while Raph remains more internally contemplative because I thought it fit their personalities. Then again, their differing personalities obviously also effect their actions later on in the story when they're forced to confront their flawed ideology, so in that way this panel kinda naturally parallels their whole character arcs?

NGL, I very much threw Leo into the panel last minute haha. In the panel before, he was still sitting on the ground-

-and the way I drew the perspective in the following panel led to Draxum blocking the view of him. But then it felt weird that he was the only one not visible so I squeezed him into the background right at the end lol (I guess he decided to stand up or whatever). As a result, he's not as clearly visible, but it does kinda work in my opinion. Both in the way that you pointed out, him being turned away from Draxum foreshadows to him turning his back on their mission. But my own thought process when drawing him this way was less metaphorical and more focused on wanting to portray Leo's current emotional state. Leo is arguably the most upset about Donnie rejecting them, which is why he after this starts acting so hostile towards his estranged brother, and while I'm not putting a ton on focus on Leo's reaction specifically in this part of the comic, I still wanted to include it. All of this is to say, Leo is standing with his back turned towards the rest of his family and obscured in shadows because he's being angsty. Lmao.

ANYWAY, that was my actual thought process while drawing this, but I want to make it clear yet again that I absolutely love that you guys are coming up with your own interpretations because fuck yeah!!!

[monosanimegenericzone]

this panel is funny

this progression is absolutely hilarious. i love how paku even got a punch in too XD

i imagine kurapika on the other end like "... what is happening over there."

this is also just adorable in what would otherwise be a very serious situation and i appreciate togashi so much for showing us that these dorks can still be dorks.

"i was just trying to help"

"DIE"

is so fucking real.

nobu and phinks are a duo i adore entirely. they're both too stupid to admit when the other is right and will not hesitate to beat the bricks off each other if not stopped its great.