#i love thinking about their beef

[shrimp-and-rice]

Man i wish robots were real

[poorly-drawn-mdzs]

Happy Birthday to Fallen London; My favourite British people beefing it with bats simulator.

[bayetea]

jason and hazel's beef in hoo was always way more interesting than whatever percy and jason had going on sorry. the differences in gravity and intrigue in the jason/hazel relationship vs jason/percy are only further compounded by the ways they're connected and the ways that their stories are similar

because 1. they have a HISTORY they knew each other before he went missing!!!!! they were in the fifth cohort together!!!! hazel is the ONLY person on that ship that was in jason's life before he disappeared and had his memories stolen. yes they didn't know each other well but I really think that was a bad writing choice rick made. can you imagine if they used to be friends/if jason had been a big brother figure to hazel only to go missing for months and then they have a very awkward reunion on the argo because he barely remembers her and then she's even more betrayed because he doesn't wanna save nico initially. the drama. we could have had it all man

2. beef between a son of poseidon and a child of zeus/jupiter from the grace family? yeah been there done that why are we doing this again. god I wish we had gotten a big fight between a child of jupiter and a child of pluto instead

3. their beef regarding nico was way more high stakes than the silly alpha male posturing rick was trying to force between jason and percy especially considering how mega nerfed jason is written in hoo because no one's allowed to be on equal footing with percy

4. the tacit layer of betrayal in jason being hazel's ex-centurion/praetor only to end up choosing chb (to be clear this particular conflict belongs to jason and reyna and is more impactful between them - but since hazel is actually on the argo and reyna isn't she can still be an opportunity for this camp jupiter/camp half-blood conflict to be explored with jason)

5. I'm just gonna say it - I think hazel ought to have complicated feelings about white authority figures in a military camp as a black girl from the freaking jim crow era (not that this would have ever been explored satisfactorily in the books because as far as rick is concerned hazel is colorblind and hardly ever thinks about race despite growing up segregated. which is crazy unrealistic but whatever)

6. something something about the parallels that jason and hazel have about making hard choices about their pasts in order to have a more fulfilling future

7. this isn't necessarily interesting in and of itself but I just think it's neat that they're both big three roman kids with greek siblings that they didn't grow up with. what could have been interesting is jason seeing how close hazel and nico are and feeling some type of way about everything he never got to have with thalia and some exploration into how that impacts his feelings about the rescue mission

8. they both have really awkward romantic conflicts in their pasts that intrude upon the present (whether he and reyna were ever even slightly romantically involved or not) because the jason/reyna thing is written as a initial source of conflict/uncertainty for jiper in the same way that hazel/leo (sammy) was a conflict for frazel to grapple with. this is interesting to me because hazel is connected to reyna and jason is connected to leo. like there could have been a moment of connection over letting go of pasts loves to wholeheartedly pursue new ones in the way that both of them are (were) with piper and frank

(unrelated but having no frank or hazel pov in mark of athena sucks So Bad and I hate it. it was the first time they ever have relationship problems and we only see it through someone else's pov. I am going to bring this up forever because I'm still mad about it)

9. they both died. this bullet is a joke but I just thought I should put it here

10. percy is a well-established character and hazel and jason are new in hoo. percy has 50 povs in hoo and hazel has 28. economically speaking it would just be a more effective use of your limited pages to spend more time developing important interactions and conflicts between two new characters (esp new big three kids) who already have a more interesting foundation than the one involving our previous protagonist of 5 entire books

11. beryl grace and marie levesque. that's all

imo hazel and jason are the most weirdly written new additions to the main cast but I strongly feel that rick severely underutilized the way that characters like those two could play off of each other. hazel isn't just a sweet little cinnamon roll she is passionate and contemplative and morose and guilt-ridden and jason isn't just a bland rule-follower he is kind and committed and loyal and conflicted and they're both painfully self-sacrificing and I just think it's such a shame that these two characters with great concepts on paper and so many obvious threads to connect them didn't get as much as attention as.... whatever happened in kansas did

and I mean if you like the jason/percy conflict that's fine, but I think it's worthwhile to compare the merit of them because rick chose to centralize and build up to one more than the other when he had such perfect material to expand on the other instead and I think that says something about his biases. and I think part of the issue is that rick struggles with strengthening tension and applying complexity to conflicts between male/female characters that aren't romantic or onesidedly antagonistic like clarisse/percy. we have several noteworthy conflicts between male characters but when women are involved it's like rick doesn't know how to put them on equal footing and apply platonic depth. imo this is just another reason why big three girls (hazel/thalia/bianca) don't get to be as powerful and transformative in the overall narrative as big three guys (percy/jason/nico). all this world-changing narrative weight is afforded to big three kids but hazel in particular is weirdly excluded from all of that and doesn't get to have much impactful interconnectedness with the prophecy or with other big three kids. what happened to big three kids being super dangerous when put together or when they're on opposing sides of conflicts!!!!!!!! we had impactful percy/thalia and percy/nico and jason/percy and jason/nico conflict where is the fleshed out jason/hazel beef!!!!!!

anyways tldr all I'm saying is that jason and hazel complement each other well and rick was too hung up on the Colliding Of Alpha Male Strong Dudes (that he didn't even write well) to see everything that hazel and jason could have had instead

[yellowocaballero]

Miguel is Fine, Actually (Being Spider-Man's Just Toxic As Hell)

Before I watched ATSV I said that I would defend my man Miguel O'Hara's actions no matter what, because he's always valid and I support women's wrongs. I was joking, and I did not actually expect to start defending him on Tumblr.edu. But I'm seeing a lot of commentary that's super reductive, so I do want to bring up another perspective on his character.

Miguel wasn't acting against the spirit of Spider-Man, or what being Spider-Man means. Miguel isn't meant to represent the antithesis of Spider-Man. Miles is the antithesis of Spider-Man. Miguel represents Spider-Man taken to its extreme.

Think about Miguel's actions from his perspective. If you were a hero who genuinely, legitimately, 100%, no doubt about it, believed that somebody is going to make a selfish decision that will destroy an entire universe and put the entire multiverse at severe risk - if you had an over-burdened sense of responsibility and believed in doing the right thing no matter what - you would also chase down the kid and put him in baby jail to try and prevent it. He believed that he was saving the multiverse, and that Miles was putting it in danger for selfish reasons. Which is completely unforgivable to him, because selfishness is what he hates the most. And then he goes completely out of pocket and starts beefing with a 15yo lmfaooo he's such a dick.

But why did Miguel believe that? Why did he believe that Miles choosing himself and his own happiness over the well-being of others was the worst possible thing? Why did he believe that tragedy was inevitable in their lives, and that without tragedy Spider-Man can't exist?

Because he's Spider-Man.

Peter Parker was once a fifteen year old who chose his own happiness over protecting others. It was the greatest regret of his life and he never forgave himself. Peter's ethos means that he will put himself last every time, and that he will sacrifice anything and everything in his life - his relationships, his health, his future - to protecting and helping others. Peter dropped out of college because it interfered with Spider-Man. He destroyed his own future for Spider-Man. He ruins friendships and romantic relationships because Spider-Man was more important. If Peter ever tries to protect himself and his own happiness, then he's a bad person.

That is intrinsic to Peter. Peter would not be Peter without it. A story that is not defined by Peter's unhappiness is not a Spider-Man story. If Peter doesn't make himself miserable, then he's just not Peter.

That is a Spider-Man story: that not only is tragedy inevitable, that if you don't allow yourself to be defined by your tragedy then you're a bad person. If you don't suffer, then you're a bad person. If you ever put anything above Spider-Man, then you're killing Uncle Ben all over again. Miguel isn't the only one that believes this - as we saw, every Spider-Man buys into what he's saying. There's no Spider-Man without these beliefs.

Miguel attempted to find his own happiness, and he was punished in the most extreme way. He got Uncle Ben'd x10000. He tried to be happy, and it literally destroyed his entire universe. It's the Spider-narrative taken to the extreme. Of course Miguel believes all of this. Of course he believes this so firmly. He's Spider-Man. That's his story. And the one time Miguel tried to fight against that story, he was punished. And like any Spider-Man, he'll slavishly obey that narrative no matter the evil it creates and perpetuates. Because if he doesn't, the narrative will punish him. The narrative will always punish him. It's a Spider-Man story.

I don't think the universal constant between Spider-Mans, the thing that makes them Spider-Man, is tragedy. I think it's the fact that they never forgive themselves. And Miguel is what that viewpoint creates. He doesn't believe this things because he's an awful, mean person. He believes them because he's a hero. He's a good person who hates himself.

Across the Spider-verse isn't really a Spider-Man story. It's a story about Spider-Man stories. Miguel's right: if this was a Spider-Man story, then Miles acting selfishly really would destroy the universe. But Miles' story isn't interested in punishing him. It pushes back against Peter's narrative that unhappiness is inevitable and that you have to suffer to be a good person. It says that sometimes we do the right thing from love and not fear, and that Peter's way of thinking is ultimately super toxic and unhappy. ITSV was about Miles deciding that he didn't need to be Peter Parker, that all he needed to be was Miles, and ATSV is about how being Peter Parker isn't such a good thing. Miguel shows that. Whatever toxic and unhealthy beliefs he holds - they're the exact same beliefs that any Spider-Man holds. He's a dick, but I don't think he's any more awful a person than Peter is.

TL;DR: Miguel isn't a bad person, he just has Spider-Man brainrot.

[phonification]

i cant stop thinking of ghost knife possessing balloon whenever hes hanging out with suitcase and goofing around

[somegrumpynerd]

Random hcs that have been on my mind for the past couple days: now in doodle format!

Text for each drawing written out under the cut in case it's not clear or anyone wants to translate it!

(1) <- Somehow soft?? <-Sometimes makes a comforting hum/rumble <-Holding for support

(2) <-Walks so quietly everywhere he goes <-Is about to meet god

(3) <-Can't see well in the dark (no eyelights) <-Can't help himself

(4) <-Thinks Color will turn Killer against him and convince him to run away

(5) <-Thinks Nightmare is using them all for the negativity and has brainwashed Killer into liking it

(6) <-Thinks if he runs and jumps at Cross as fast as he can Cross will lift him and it'll look so cool

[ryllen]

imelda

but she also sounds the friendliest when calling ravenclaw

[ dress ]

[teeth-draws]

Chase suffers in love but the other Norms still let him come to their little photoshoot

[kelpermoosee]

For ur Nintendo high olimar, do u think his voice was always that deep in HS or was it high pitched till a random Tuesday came by n it dropped to what we have in canon??

Oh man, I actually haven’t considered this at all 😭😭😭 I guess my brain automatically jumped to him having a deep voice, since the cast of Nintendo High usually keeps voices close to their canon counterparts, which makes sense!

HOWEVER, the idea of him having a stupid, lame, squeaky voice at first is absolutely adorable and I’m totally going to steal that, 100%. THANK YOU.

The moment it dips he probably gets super embarrassed about it, and swears to take a vow of silence that lasts for like…two days. And the second he utters a single word everyone is absolutely fucking baffled (rightfully), and it’s the talk of their year for an hour before they eventually move onto something else like all things in Nintendo High do

[jestroer]

Anyways the Docbeef game on the ZITS olympics was insane

[symbiotic-slime]

it’s so funny going into monsterfucker spaces and seeing people argue about whether Venom is a tame monster crush or not and I think I figured out why ppl argue about it. I think there’s two separate levels to liking Venom and people just don’t specify which one they’re talking about

the first is what most people think of: you want Venom when they’re in a separate host and in their more humanoid form. they look like just a really tall guy, and you’ve got some monster traits involved but not quite as many as level two. this is the tame level.

the second level is when you want to be their host. you’re pulling an eddie brock— you’re fucking the slime that lives inside of you and cannot take on a humanoid form outside of yourself. it’s just a mass of black goop that lives in your organs and speaks to you in your head. this is why some people would consider Venom a more extreme monster crush

[phatcatphergus]

Hot take but I think as fun as it is to apply angst and go in depth into the characters with the egg beef, I think that how lighthearted and silly it is makes it much more fun and refreshing. Not every part of lore has to be angsty and intense, sometimes it can be silly and goofy. Sometimes little girls just hate each other on sight and need to fist fight every other Tuesday 🤷🏻‍♀️

[shannonsketches]

[t0ast-ghost]

Does anyone have any Starscream redemption fic recommendations? (Any continuity)

Or fics that have him and Miko interacting? Idk I just think their dynamic is silly

[myriam-draws]

some starfires i’ve drawn a bit over time i miss her (i refuse to read titans 2023)

[broareweabouttoviberightnow]

Hello loves!! This was a request by Sammy over on ao3!! Fic under the cut love y'all!!

Two-Bit was used to a lot of things. One of them was drinkin' too much. The other was wakin' up to people mad at him. It sorta came with the territory. Go out huntin' action. Have a drink. Have another. Meet up with some buddies. Have two more. And then a pack. Black out somewhere between the sixth 'n the eleventh. Wake up to someone mad.

Mostly Darry.

Now what he was not used to was wakin' up the next mornin' to a hangover that could have killed a racehorse, the sound of door slammin' so hard it nearly came straight off the hinges, 'n Dallas Winston ready to spit nails. Mostly Dallas. Not the hangover. That was to be expected.

"Where the fuck is Two-Bit?" Ah. Well. That couldn't bode well. Two scrapes himself off the bed, Darry's, which also couldn't be a great sign considerin' he had no memory of how he got there, 'n tilts his head so he can hear better.

"What's goin' on?" Pony pries 'n Two chuckles to himself 'n then groans. Damn, his head hurt.

"Pone, stay out of it." Dallas stomps down the hall, bangin' open doors 'n rattlin' the picture frames. If his head wasn't poundin' so hard Two might've thought about the implications of that more but right now he just wants to bury under a pillow 'n go back to bed.

"Why don't you stay out of it you're in my house." Pony grumbles but retreats back into the living room. Two only has half a second to force himself up before Darry's bedroom door slams against the wall.

Dallas looks pissed. Not aggravated or irked or hacked off. Pissed.

"You fuckin' asshole." Two throws his hands up 'n grins.

"Nice to see ya too, Dally." Dallas sneers, silver tooth catchin' the light dangerously. He's across the room before Two can blink, fist balled up in the front of his shirt, yankin' him close. Two suddenly feels deeply nauseous.

"You're way over the fuckin' line." Dallas jars him back 'n forth 'n Two's not focused on anythin' but keepin' the contents of his stomach down 'n off of Dallas' jacket. Somehow he doubts that'll improve his mood. Dallas takes one good look at Two 'n scowls. "Do you even fuckin' remember?"

Last night... last night... Nothin'. Dallas drops him. "Oh my God you don't even remember."

"Well, you sure know how to jog a guy's memory." Dallas glares at him like he's seriously considerin' knockin' his lights out. 'N Two knows Dallas. He will. "What happened?"

Dallas rolls his eyes, leans back against the wall. "So now I gotta play twenty fuckin' questions with you just so I can knock your teeth in?"

"Hey, give a man some credit. I bet I can get it in nineteen." Dallas shoves himself off the wall 'n Two instinctively kicks a foot out. Dallas just rolls his eyes 'n boots him in the ankle, steppin' over it. Two yelps 'n Dallas elbows him in the side to get him to move, droppin' down on the bed.

"Well, I ain't kickin' your ass until you can well 'n good remember why."

"Jesus, this is not kickin' my ass? Don't get too generous now." Two rubs at his ribs, sticks out his bottom lip in a passable imitation of Pony.

"Don't start that shit on me- I can hardly stomach it when Pony does it." There's an indignant sound from somewhere in the hall 'n Dallas scowls, gets up, 'n disappears out the door. Two can vaguely hear Dallas manhandlin' the kid out into the living room to Pony's great displeasure.

"Stop. Bein'. Nosy." Two takes the chance to fully untangle himself from the sheets. There's a glass of water on the bedside that Two guesses Darry left. God, he was real good to them sometimes. Most times. He'd have to think of a way to make it up to him. Maybe stop bein' such a little shit.

"That's rich comin' from you-AGH!" There's a distinct sound of Dallas jumpin' on Pony 'n Two snorts. After all, Darry had his hands full in that department.

"Dallas, conserve some of that ass-kickin' energy for me, I'm gettin' jealous in here!"

"Fuck off!" Dallas shouts back but Two can also hear him slam the kid down on the couch 'n retreat back down the hall.

"Look out, Two, he's in a mood." Pony hollers 'n Dallas damn near spins on his heel to give the kid part two.

"C'mon, Dal. You're gonna wear yourself out before you even get to bust my head in." Dallas pauses, shoots him a glare, but stomps back into the room.

"God, now I get why Darry's always got a stick up his ass. Between the two of you I could get a fuckin' ulcer."

"Damn, now you really sound like ol' Dar. You gonna go grey, too?" Dal socks him in the ribs 'n Two groans.

"I don't think you got any goddamn room to talk. I hear Darry had to scrape you off the drive-in pavement." A brief memory of Darry's face as he marched toward him 'n hauled him up flashes through his mind. He's got the impression he had something real funny. Man, he wishes he could remember that.

"Is that what you're pissed about? Man, I don't know what Darry's been puttin' in your Wheaties. He slidin' you a little extra cash so you get to knock my teeth out instead of him? Or are you payin' him for that privilege?" Two throws a guess at the wall 'n Dallas glowers.

"Darry can beat you to a pulp all on his lonesome. Fuckin' think."

"I'm tryin', I'm tryin'." Last night. Last night. C'mon. "I dunno, man." He was startin' to get nervous 'n Dallas' mood was not improvin'. Two felt suddenly like he was about to be told off 'n read his goddamn rights by the way Dallas' face darkened.

"Well, let me jog you're fuckin' memory. You started with about a pack 'n a half of Bud's which, by the way, Darry almost kicked my ass for 'cause he thought I had walked off with 'em." Two hisses in sympathy 'n Dallas narrows his eyes. "'N then you beat it outta here to go cruise some fuckin' action at the Dingo already pissed out of your fuckin' mind."

Look. Two knew he drank too much. He knew he should probably lay off it a bit. Or a bunch. But Dallas wasn't exactly a pillar of good behavior or nothin'. He was startin' to get deja vu for the well-tread you need to shape up conversation Darry gave him once a month. Two would argue that was improvement. They used to have it once a week.

But Dallas didn't give a shit about bad habits unless it came to Pony. Or Johnny. Or shit, he had that weird thing with that Shepard kid, too. Didn't like none of 'em doin' anythin' too hard.

He's got a sudden wheedlin' feelin' this has somethin' to do with one of 'em.

"Earth to fuckin' Two-Bit." Dallas snaps a hand in front of his face.

"Yeah, yeah. I'm thinkin'." He does actually remember that. He'd caught the end of a movie 'n some action in the form of some little fistfight. Nothin' real tough. Just enough to get his blood pumpin'. Now that he was thinkin' about it, he swore he'd run into someone. Glory, who was it?

"Any fuckin' day now." Dallas doesn't seem to be workin' himself down any. If anythin' he's gettin' real pissed again. "I'm about to stop worryin' about you rememberin' why I'm cavin' your skull in."

"Glory, I'm gettin' to it. Maybe I should have let you put Pony on his ass so I could have a minute to get my head on straight."

"You couldn't get your head on straight if I beat Pony to a bloody pulp for the next week 'n a half." He gets another picture of a memory. Pony sittin' at the table when he headed out, diligently workin' on a project he was supposed to have finished last week before Darry came home 'n beat his ass.

So Pony was out.

"I ran into someone, right? Man, I can almost remember. That's what this is about, right?" Dallas glares at him, white blonde hair fallin' in his eyes. "Right, no twenty questions."

And Johnny, too. Johnny was with Pony 'cause Darry had been strong armin' him into stayin' at the Curtis' since his parents had been on a real bender lately.

"Glory God all-fuckin'- mighty. It was-"

Oh. Wait. He shakes his head hard. Fuck. He remembers who. 'N that bode deeply ill for him.

"Curly. Curly Shepard, yeah?"

Dallas' eyes darken 'n he slides off the bed 'n gets to his feet. Bad sign. "Ding ding ding."

Ah. Well. Shit.

So here's the thing. Dallas liked to pretend like he didn't give a shit. 'N most of them were inclined to pretend they believed him. When he pulled the odd stunt 'n then turned around 'n acted like he couldn't care if any of 'em lived or died they all nodded along 'n, behind closed doors, knew better.

Like that time he'd taken Two's rap for bustin' the school windows or went down for those stolen hubcaps they all knew Steve had lifted or told Darry it was him that put the dent in his bumper when Soda had accidentally backed into a pole.

Sometimes, when he wasn't bein' a fuckin' hood, Dallas was a real good guy.

Now the problem was he also had no problem takin' it out of your ass when he thought you'd been a dick. By his standards. He'd jumped Steve once for pushin' Pony too hard 'n makin' the kid cry 'n whaled the tar outta Soda that time he'd talked Johnny into ridin' in a rodeo 'n the kid had damn near killed himself 'n had no problem hollerin' at Darry when he was bein' unreasonable. However rare it was. The first time Two had let Pony try a beer Dallas had nearly blown a fuckin' gasket.

"You remember what happened?" Dallas rolls his shoulders back, shakes his rings off.

"I'm workin' on it." Two eyes him. It's right there. Just at his fingertips. He'd said somethin' to the kid. Most have been somethin' fucked.

"Tim told me it had the kid real fucked up. He was gonna come down here 'n kick your ass but I figured Darry might beat him into the ground for that so I'm doin' him the favor."

'N Two realizes somethin'.

"Wait a minute. You don't know what the hell I said either!" Dallas shrugs his jacket off, rolls his eyes.

"Whatever it was must've been fucked up to upset Curly." He shoots him a glare, narrows his eyes. "Don't fuckin' tell anyone that, by the way. Or I'll kick your ass again. Now, c'mon."

"Wait, wait, wait. I think I remember- I do remember!" The rest of the night suddenly crashes into his head like a thunderbolt. He throws a hand up to bat away Dallas as he goes to grab him. "I said-

God, Two howls a laugh 'n Curly scowls even deeper. Any more 'n it'd be permanent. Two knew he hated it but he really did look like Tim in miniature. He also looked like-

Curly, kid, you look like if they greased up a wet cat, you know that?

Dallas drops his grip on Two-Bit 'n blinks. Once. Twice. Oh, Jesus here we go. Two should have just kept his mouth shut.

Then he slaps a hand to his mouth 'n cackles to himself so hard he has to grab the doorway. "That's it? Man, the bitch fit Curly had thrown had me thinkin' you'd said somethin' vile man. God that's funny."

"Glad to give you all the facts before you come down like a hammer on my poor ass." Two tries to look put out 'n doesn't manage it at all. Dallas raises an eyebrow at him 'n suddenly they're both howlin'.

"Well, shit. I already promised I'd put a fuckin' pop knot on your head for that shit." They're both still gigglin' intermittently, Pony havin' appeared in the doorway at some point only to have the door slammed in his face for bein' so goddamn nosy. I'll tell you later, glory God.

"Look, I'll stand still for it. I feel kinda bad for upsettin' the kid anyway. Even if he did deserve it." Dallas raises an eyebrow incredulously but shrugs a shoulder.

"Fine. I'm gonna pop you in the eye so Tim can see it, dig? I'll try not to break anythin'."

"Hey, for my sake? Try real hard." Two's got a couple inches on Dallas so he plops back on the bed, lettin' Dal grab him by the shoulders 'n line up his punch.

"Ready?"

"As ever."

Dallas lets his fist fly at the same time the door slams open again.

"Dallas Tucker Winston 'n Keith Mathews." 'N Two's actually grateful he can't see anythin'. "Why can't I ever leave this house without comin' back to a brawl?"

Dallas glances down at Two as he presses a hand over his eye. They both last three seconds before they're both howlin'.

"Would it make a difference if I said he asked for it?"