#i love thinking about their beef

[shrimp-and-rice]

Man i wish robots were real

[yellowocaballero]

Miguel is Fine, Actually (Being Spider-Man's Just Toxic As Hell)

Before I watched ATSV I said that I would defend my man Miguel O'Hara's actions no matter what, because he's always valid and I support women's wrongs. I was joking, and I did not actually expect to start defending him on Tumblr.edu. But I'm seeing a lot of commentary that's super reductive, so I do want to bring up another perspective on his character.

Miguel wasn't acting against the spirit of Spider-Man, or what being Spider-Man means. Miguel isn't meant to represent the antithesis of Spider-Man. Miles is the antithesis of Spider-Man. Miguel represents Spider-Man taken to its extreme.

Think about Miguel's actions from his perspective. If you were a hero who genuinely, legitimately, 100%, no doubt about it, believed that somebody is going to make a selfish decision that will destroy an entire universe and put the entire multiverse at severe risk - if you had an over-burdened sense of responsibility and believed in doing the right thing no matter what - you would also chase down the kid and put him in baby jail to try and prevent it. He believed that he was saving the multiverse, and that Miles was putting it in danger for selfish reasons. Which is completely unforgivable to him, because selfishness is what he hates the most. And then he goes completely out of pocket and starts beefing with a 15yo lmfaooo he's such a dick.

But why did Miguel believe that? Why did he believe that Miles choosing himself and his own happiness over the well-being of others was the worst possible thing? Why did he believe that tragedy was inevitable in their lives, and that without tragedy Spider-Man can't exist?

Because he's Spider-Man.

Peter Parker was once a fifteen year old who chose his own happiness over protecting others. It was the greatest regret of his life and he never forgave himself. Peter's ethos means that he will put himself last every time, and that he will sacrifice anything and everything in his life - his relationships, his health, his future - to protecting and helping others. Peter dropped out of college because it interfered with Spider-Man. He destroyed his own future for Spider-Man. He ruins friendships and romantic relationships because Spider-Man was more important. If Peter ever tries to protect himself and his own happiness, then he's a bad person.

That is intrinsic to Peter. Peter would not be Peter without it. A story that is not defined by Peter's unhappiness is not a Spider-Man story. If Peter doesn't make himself miserable, then he's just not Peter.

That is a Spider-Man story: that not only is tragedy inevitable, that if you don't allow yourself to be defined by your tragedy then you're a bad person. If you don't suffer, then you're a bad person. If you ever put anything above Spider-Man, then you're killing Uncle Ben all over again. Miguel isn't the only one that believes this - as we saw, every Spider-Man buys into what he's saying. There's no Spider-Man without these beliefs.

Miguel attempted to find his own happiness, and he was punished in the most extreme way. He got Uncle Ben'd x10000. He tried to be happy, and it literally destroyed his entire universe. It's the Spider-narrative taken to the extreme. Of course Miguel believes all of this. Of course he believes this so firmly. He's Spider-Man. That's his story. And the one time Miguel tried to fight against that story, he was punished. And like any Spider-Man, he'll slavishly obey that narrative no matter the evil it creates and perpetuates. Because if he doesn't, the narrative will punish him. The narrative will always punish him. It's a Spider-Man story.

I don't think the universal constant between Spider-Mans, the thing that makes them Spider-Man, is tragedy. I think it's the fact that they never forgive themselves. And Miguel is what that viewpoint creates. He doesn't believe this things because he's an awful, mean person. He believes them because he's a hero. He's a good person who hates himself.

Across the Spider-verse isn't really a Spider-Man story. It's a story about Spider-Man stories. Miguel's right: if this was a Spider-Man story, then Miles acting selfishly really would destroy the universe. But Miles' story isn't interested in punishing him. It pushes back against Peter's narrative that unhappiness is inevitable and that you have to suffer to be a good person. It says that sometimes we do the right thing from love and not fear, and that Peter's way of thinking is ultimately super toxic and unhappy. ITSV was about Miles deciding that he didn't need to be Peter Parker, that all he needed to be was Miles, and ATSV is about how being Peter Parker isn't such a good thing. Miguel shows that. Whatever toxic and unhealthy beliefs he holds - they're the exact same beliefs that any Spider-Man holds. He's a dick, but I don't think he's any more awful a person than Peter is.

TL;DR: Miguel isn't a bad person, he just has Spider-Man brainrot.

[enitsirk]

hot ladies who can fight and are squatting at a dead womans castle

[somegrumpynerd]

Random hcs that have been on my mind for the past couple days: now in doodle format!

Text for each drawing written out under the cut in case it's not clear or anyone wants to translate it!

(1) <- Somehow soft?? <-Sometimes makes a comforting hum/rumble <-Holding for support

(2) <-Walks so quietly everywhere he goes <-Is about to meet god

(3) <-Can't see well in the dark (no eyelights) <-Can't help himself

(4) <-Thinks Color will turn Killer against him and convince him to run away

(5) <-Thinks Nightmare is using them all for the negativity and has brainwashed Killer into liking it

(6) <-Thinks if he runs and jumps at Cross as fast as he can Cross will lift him and it'll look so cool

[ryllen]

imelda

but she also sounds the friendliest when calling ravenclaw

[ dress ]

[jestroer]

Anyways the Docbeef game on the ZITS olympics was insane

[thepersonperson]

I just want to say that I really love your analysis on Gojo and Sukuna a lot.

Can I ask for analysis of Sukuna and Yuji dynamics? It's okay if you take awhile to answer this.

(Answered as of JJK 262 using TCB Scans.)

Oh boy this one is fun!

I see Sukuna and Yuji as opposite sides of the same coin. They both have the same kind of tools but wind up at completely different conclusions because of their own personal biases.

By the way, thank you for breaking my brain anon. I'm going to consider this yet another part of my attempt to grasp Sukuna's character.

Sukuna's Loneliness Part 3 (Sukuna's hatred of Yuji is jealousy.)

Part 1 Part 2 Part 4

Click images for captions/citations.

Yuji and Sukuna's Shrine

Gege does this really clever thing where kanji used to describe a Cursed Technique (CT) have multiple readings, especially if you look past the initial proposed reading. In a way, this is teaching you how to read the text. The face-value reading, albeit true, hides another reading underneath.

Dismantle comes from the kanji 解 (Kai). This kanji can mean to unravel, to explain, to understand, to solve, to cut. It’s first introduced with chef knives which pushes the reader to interpret the meaning as “to cut”. However, this doesn't mean it's not carrying the other readings at the same time. The cutting is not simply cutting, it's a purposeful unraveling in search of an answer—in other words, dismantling.

Another good translation of 解 (Kai) would be Dissect. Though dismantle gets across a similar feeling, dissect invokes a more intimate and purposeful imagery to the cutting. Both of translations are good in their own ways. It's a matter of preference for which is better.

My point here is that the technique itself indicates the user is trying to understand something closely. The surface reading isn't sufficient for the user, the insides, the guts are what they're after. Both Yuji and Sukuna embody this desire to understand others in completely opposite directions.

Yuji, Human Golden Retriever

Yuji is wholly devoted to understanding others. He unravels the hearts of those around him by being himself. Similar to Sukuna, he also mimics people he admires. Not only in battle, but casually as well, pair bonding with just about anyone who will let him.

The mimicry aspect of Yuji here is very important because it demonstrates he is trying to understand other people on their own terms and not his own. Yuji engages everyone as themselves and accepts them as they are. Him having no braincells is a boon because it means he can absorb others' with ease.

I'm extremely fond of Yuji's pair bonding with Gojo in particular. In great length I've explained how Gojo's inability to deeply connect with others since his breakup with Geto was isolating and dehumanizing. Yuji is the first person since then to match his energy exactly and without question. Usually other characters get irritated with his shenanigans and can't follow him in conversation. Yuji consistently keeps up with him in that regard even if he's confused. In this way, Yuji has done the impossible, he has gotten past some of Gojo's emotional barriers and connected with him.

This type of seemingly impossible connection is not limited to Gojo, my other favorite being Junpei. Up until Yuji meets him, Junpei is effectively groomed by Mahito into hating other people. Mahito teaches him distrust and to see human ugliness first. Junpei starts to believe everyone is rotten and therefore ok to kill. But Yuji meets him by chance and does this:

All that time Mahito spent molding Junpei into someone worse flies right out the window because Yuji wins him over by being genuine. This is the crux of Yuji's character.

Yuji's Unyielding Spirit

Just about everyone is won over by Yuji's persistent unending good boy energy, even the people who try to kill him (Megumi, the Kyoto students, Choso, Hakari, Higurama, etc.). His most interesting converts are Higurama and Hakari in my opinion. This is because Yuji's steadfast devotion to others defies their world views.

After a lifetime's worth of heartbreak as a public defender, Higurama believes that deep down all people are hideous (similar to Junpei). He's ready to kill Yuji until he takes the blame for something he didn't do. It so thoroughly shakes him that he has a meltdown over the chapter and ultimately concludes he was in the wrong.

Yuji doesn't try to make Higurama understand him here. All he does is be himself and it forces Higurama to undergo character growth that ultimately results in him understanding Yuji.

Yuji does the exact same thing to Hakari but in a different way. Hakari believes in the selfish types who are passionate in their own pursuits. He's a lot like Sukuna in that way, he straight up calls Yuji boring for doing things on the behalf of others.

Yuji doesn't care though. He's got a clear goal and he's chasing it. Hakari knocking him down over and over does nothing. Unlike with Higurama, Yuji explains exactly how he sees himself and that if Hakari can't handle it, he'll keep getting back up until he accepts it. And it works. Eventually Hakari can see the "fever" of someone who is nothing like him.

These two converts best illustrate how Yuji is the embodiment of unwavering humanity. He does things for other people and he will keep doing things for other people even it brings him pain or death. If you don't understand that kind of mentality, he'll let you pummel him until you do.

Also notice how he never once tells his converts they are wrong to think the way they do. This acceptance of their differences is very important and will be coming up later.

Yuji's Love

Yuji connects with others through mimicry (and so does Sukuna). This, of course, is an expression of love. But what really sets his love apart from others' is his ability to perceive people and their emotions—he notices things about them no one else would.

I include the bout with Panda in this collage since their entire conversation occurs nonverbally. Yuji infers how Panda is feeling and what his goals are by sparing through a fake duel. All of this shows that despite Yuji's low general intelligence, his emotional intelligence is unparalleled. In a way, this ability of his to read others is him taking after both Kenjaku and Sukuna. But he doesn't use this insight to torment others, he uses it to befriend them.

This understanding of others is not limited to those Yuji is friendly with too. Hated people and things are something he is willing to engage without hostility.

I'm using the anime screencap because Yuji immediately accepting cursed objects, Sukuna's in particular, as something to be cherished instead of scorned really needs to be talked about more. And of course his acceptance of Todo (who is just like Sukuna for reasons we will get into later) is nearly just as important as him understanding Sukuna enough to utilize him against Mahito. These are both people, despised by most of the cast, that Yuji is willing to accept and work with on their own terms.

I often use the lens of analysis in which Umineko gave me: "Without love it cannot be seen." This is referring to how one needs to set aside their negative biases and assumptions to properly see the motives behind an action. It's sort of like giving someone the benefit of the doubt in your attempt to understand them. I think Yuji is the personification of this concept. And that's why Sukuna cannot stand him.

Sukuna, King of Miscommunication

The way in which Sukuna goes about understanding others is the polar opposite of Yuji and deeply perverse. It's like how a shark uses its mouth to explore the world. Instead of using his words, Sukuna uses his cutting to feel others out. And much like a shark, the exploratory bite and attacking bite are extremely different in action despite both resulting in the same level of harm or death when experienced.

Take notice of how happy Sukuna is when cutting his playmates. He doesn't kill them immediately and uses the information from his slashes to gain a better understanding of them. This is how Sukuna interacts with the world.

It's easy to dismiss sharks as evil since their bites do harm to humans no matter the context. But if you try to understand them on shark terms, they're actually pretty adorable. In other words, without love it (shark cuteness) cannot be seen. Please keep this in mind as I attempt to convince you Sukuna is peak gap moe.

Sukuna's Affection

Sukuna is very similar to Gojo in that he displays affection in very bizarre and unpleasant ways. But unlike Gojo who just verbally assaults people, Sukuna straight up assaults them. He's more than happy to give people compliments for their efforts, but it comes at the price of enduring his violence.

As you can see some of these compliments coincide with attempts to teach his opponent how to be a better fighter. And this is where Sukuna's affection shines the most—when he reaches out to his opponent and tries to connect with them and understand them through battle.

However...every single time Sukuna tries to bond with someone this way, they try to kill him. It's kind of hilarious.

He tries to connect with the Finger Bearer, a curse of all things. Rejected.

He tries to connect with Megumi after showing him his heart. Rejected.

He tries to connect with Higurama after cutting his limbs off. Rejected.

He tries to connect with Maki via an unhinged high-praise yapfest. Rejected.

No one here engages Sukuna's dialogue. They ignore his words entirely to focus on killing him. The only time anyone listens to him is if they're Uraume, actively dying, or Kashimo.

As you can see, Sukuna primarily expresses affection through violence. It's always accompanied by a smile and sometimes a backhanded compliment. No one can recognize this as affection because getting bit by a shark hurts regardless of intent. That being said, this affectionate violence differs greatly when compared to the violence inflicted out of aggravation.

Sukuna's Pickiness

Sukuna shows his displeasure through cutting as well. This usually occurs when people reach out to him without his explicit permission. Though Sukuna is eager to form bonds with others to some degree, he absolutely loathes when expectations are thrust onto him by another party.

That kind of relationship is transactional and not between equals. They don't want Sukuna for himself, they want Sukuna for themselves. Yorozu is the epitome of this and Sukuna treats her accordingly.

Notice how in both of these instances Sukuna's expression is the furthest thing from pleased. Yorozu does recognize his loneliness but disregards how he wants to deal with it. Sukuna cuts her to keep her away from him, not to understand her, and she doesn't get it. (Also note how he refuses to use his Shrine on her in their battle. Which we’ve established as Sukuna’s tool for understanding others. He wants so little to do with her it’s funny.)

Mahito also winds up on the receiving end of "get the fudge away from me" slashes despite initially bonding with Sukuna over Yuji's suffering. They inadvertently disrespect Sukuna's boundaries through unwanted contact, much like Yorozu, leading to this reaction. (To be fair, having your soul touched by a stranger sounds pretty upsetting.) Framing Sukuna's dislike of Mahito as an annoyed hostess vs a touchy patron in joke panels is a great way to illustrate how much he values this particular boundary.

Once again, Sukuna's expressions are very clear in their disgust. These cuts are to be read as hostile. When Sukuna cuts others in this manner, he is not trying to understand them.

Sukuna's Missed Connections

Now that we know how to read Sukuna's intent through how he cuts, we can also read his mood during fights and infer how he feels about other characters.

Jogo

In this post I kind of went over why Jogo wound up being favored by Sukuna. But let's break it down some more.

Jogo started in Sukuna's doghouse. His body language, facial expressions, and treatment of Jogo initially indicates Sukuna categorized Jogo amongst the likes of Mahito and Yorozu (he did touch his face without permission). Then Jogo said he wanted nothing of Sukuna, and everything changed.

Sukuna smiles at him and plays with him in the exact same manner he tried to with the Finger Bearer and Megumi earlier. He tries to coax Jogo into going all out while taking the time to figure out why he doesn't.

And perhaps learning from past mistakes, or Yuji (though he'd probably never admit it), Sukuna engages with Jogo on his terms—fire power. This mirroring is a show of respect and an attempt to learn more about Jogo.

This is the first time we see Sukuna do such a thing. And in return he gains a deeper understanding of Jogo for it while seeing him off into the afterlife.

Another first for Sukuna, he makes a meaningful connection through combat with Jogo who listens to him and accepts him as he is. Sukuna gasses him up while simultaneously putting him down, eventually ending on a genuine compliment, believing Jogo could've become an equal to Gojo Satoru. ...And then that blossoming relationship burns to ash by Sukuna's own hands.

This is where Yuji succeeds and Sukuna fails. Yuji's love builds and Sukuna's love kills.

The main takeaways from Sukuna vs Jogo are:

>Sukuna's facial expressions are a strong indicator of how he feels about someone. (Glaring at Jogo initially when he felt disrespected and then smiling at Jogo when he became interested in him.)

>Sukuna will offer aid to those who don't demand it of him. (Promising to kill all the humans in Shibuya on Jogo's behalf and giving permission for Jogo to boss him around if certain conditions are met.)

>Sukuna holds back during fights with those he wants to understand. (Playing with Jogo and trying to coax him into fighting harder.)

>Sukuna mimics others as a form of respect. (Fire vs fire showdown.)

>Sukuna is interested in the internal logic of his opponents. (Asking why Jogo doesn't use his domain and being intrigued by his attempt to become human.)

Keep all of this in mind as I use these points to revisit Sukuna's biggest missed connection.

Gojo Satoru

Jogo and Gojo as names are interesting in that they're inverses of each other if you go by the hiragana in Japanese. I think this was deliberate. It's not a coincidence that Jogo is someone Sukuna learned he was compatible with through fighting. Nor is it a coincidence Sukuna tried to understand him on his own terms in a way that killed him. This fight winds up being a blueprint for how Sukuna attempts to connect with Gojo Satoru.

The culmination of Sukuna's attempts to understand someone other than himself is Gojo Satoru. A whole 6 months in the making, the effort Sukuna puts towards others doesn't compare. He saw the potential in Megumi and found Mahoraga, blowing up half of Shibuya to tame it. He stole Megumi's body and subjugated his soul to obtain it, using his sister/Yorozu as calibration. And he explicitly states all this was for cutting through Gojo's Infinity.

All this prep work to kill one guy, and his loved ones are tormented for it. Gojo's prized student, Megumi (who Gojo treats like a son) is bathed in curses for days and has his sister murdered by his own CT. Sukuna picked through Megumi's memories as a part of this strategy, which means he has access to these two conversations.

A very selfish dream on Gojo's end, the desire for an equal he saw in Megumi more than any other student. In other words, a little piece of Gojo's internal logic that reveals a path for exploitation. And exploit it Sukuna does, deliberately wearing Megumi's face to mess with other sorcerers.

But that's probably not the whole truth here. Though Kenjaku and Yorozu understand Sukuna to an extent, they don't understand him fully. It's definitely true he used Megumi's face to better subjugate his new vessel and throw off Gojo. And it wouldn't be wrong to assume Sukuna did this out of malice. However...

Without love it cannot be seen gives me a framework to view these actions as something beyond hatred towards Gojo. It allows me to entertain a hypothetical where this a twisted display of affection. But it doesn't give me the evidence for this. So for this dissection, I'm using another important tool from Umineko: "Flipping over the chessboard." This refers to how one should try to see things from a different perspective.

For example, many people interpreted "The one who will teach you about love is..." during their fight being about Gojo trying to teach Sukuna love.

I decided to flip over the chessboard and came to the conclusion: The one who will teach you about love is...Sukuna.

I supported this claim with the conversation where Sukuna teaches love to Kashimo while alluding that Gojo needed teaching. And now I flip over the chessboard again. If Sukuna sees himself as a teacher of love, was Sukuna vs Gojo an attempt at education?

I reread the fight again and found this:

It's very clear that the one being satisfied in this instance is Gojo and by Sukuna. This battle is technically everything Gojo hoped for from Megumi. The potential of the 10 Shadows is maximized, Mahoraga is tamed, and the Infinity Gojo has longed for someone to pierce since Toji is obliterated.

The one satisfying him now is...Sukuna.

The one who will teach you about love is...Sukuna.

The parallel syntax and a definitive answer. I'm more confident that this is how the blank is to be filled. And that's why I don't know how to interpret this fight anymore.

This story repeatedly emphasizes how selfish Sukuna is. It beats you over the head with how self-centered and uncaring his conduct is. So why is it that he has seemingly gone out of his way to satisfy Gojo on his own terms?

There's not enough information. Did Sukuna hold back with Gojo because Megumi was still resisting him, or was it an attempt to mimic Yuji and connect with him? Did he use Megumi's body and face after reading his memories to better torment Gojo or was it give him satisfaction?

So I flip over the chessboard and go back to Jogo.

Gojo didn't ask anything of Sukuna just like Jogo. Neither of them asked to have their strength validated. Sukuna is the one who came after them.

Sukuna expressed his gratitude towards Jogo for wanting nothing of him by helping him with his objective. He killed all humans in the area as he promised and gave Jogo a chance to ask for more. Instead of slaughtering Jogo instantly, Sukuna played around with him while trying to understand him, all smiles, both backhandedly and genuinely complimenting him as he died.

...And it appears that Sukuna has done the same thing for Gojo too.

According to this post 龍鱗 (ryuurin) translates to dragon scales and "describes the basic application of Limitless, a strong defensive barrier like the scales of a dragon." This reference is also Buddhist in nature likening these scales/Gojo to a "dangerous divine power/authority", aka someone more than just a fish.

Now take this hidden meaning and Sukuna's 6 month long obsession with cutting through Infinity. Take how he describes the World Slash as something that reaches its target by making them the center of Sukuna's world. And remember that this solution is a modified Dismantle—the tool which Sukuna uses to connect with and understand others.

Sukuna made Gojo Satoru the center of his world in an attempt to understand him. He cut through Infinity in the exact way Gojo has always wanted to satisfy him. This could be read as flirtation since Sukuna has told Kashimo violence is how he loves. Just as he did with Jogo, Sukuna killed Gojo with his love.

The biggest difference between how Jogo and Gojo are treated is the complete lack of Sukuna in Gojo's afterlife. Jogo let Sukuna in and they bonded in death. Gojo seemingly kept Sukuna out, choosing to be surrounded by those he felt close with as a teenager, and waxed on about how it's hard to be understood. The irony is staggering.

It's possible that Sukuna expected Gojo to let him in during death so he could learn the unspoken secrets of his most favorite plaything. There’s also the possibility Sukuna was privy to Gojo’s afterlife scene and became acutely aware Geto still had Gojo’s heart entirely. (I don't think this the case since Sukuna is bright-eyed and smiling after that sequence.) Either way, Gojo failed to realize Sukuna was trying to reach him and inadvertently rejected him.

I flip over the chessboard again, revisiting Sukuna's lecture on love to Kashimo assuming that Sukuna attempted to teach Gojo love and failed. And now I don't know how to interpret his conversation with Kashimo either.

Is he simply saying love is worthless because all he values is strength? Or is he lamenting that each and every time he has tried to love his heart has been trampled? Could it be both?

Sukuna loves eating and humans are amongst his favorite meals. In that way, he does need someone else to be satisfied. Yet he insists on the contrary all while looking for companionship with anything that moves. Sukuna has gone his entire life not caring for others. But his fights with Jogo and Gojo demonstrate the opposite. Post-Gojo death, his expressions are ones of boredom and he is far more depressed. When his opponents most resemble Gojo, his smile returns.

Sukuna is too much like Gojo here, his 2 birds 1 stone approach to obfuscating his true feelings makes him very hard to read. It really doesn't help that instead of saying "I love you" Sukuna cuts people to pieces with a smile on his face. Forget about the gap moe. Sukuna is the most tsundere of sharks.

Umineko no Naku Koro ni (When the Seagulls Cry) is a visual novel about a person who is fundamentally misunderstood by those around them. They desperately want to be loved without being perceived, believing themself to be unworthy due to trauma and immutable characteristics given to them at birth. Instead of telling anyone these feelings directly, they play games akin to torture. They torment the ones they love over and over in hopes they'll see through their actions and understand them.

The Uncle vs Nephew Problem

What does Sukuna's inability to socialize have to do with Yuji? Well...everything. Remember that similar to Yuji, Sukuna rejected Mahito—the manifestation of the hatred between humans. Symbolically, this suggests Sukuna doesn't hate humans as much as he appears to. And from how he interacts with others, this may be the case.

Sukuna tries to be himself to connect with others and fails miserably. But Yuji? He breathes and makes 10 friends instantly. And even worse, he can fight others to understand them without killing them. Either with words or with fists, Yuji can make the connections using the very tools that isolate Sukuna.

So Sukuna falls back on isolation being strength. It's fine that he's all alone because it's what makes him strong. ...And in complete opposition to that philosophy (which is a huge cope), Yuji grows through his connections with other people.

Isolation vs Cooperation

Yuji is the undisputed king of running duos, in part because he can decenter himself at will to sync up with others. It doesn't matter how well he knows them or how long he's been around them, he will find a a way to be the best support they've ever received.

Sukuna doesn't believe in this kind of cooperation or other people. But he still respects Gojo and Megumi who do, so why does Yuji piss him off? I think it's because Yuji rubs his ability to love and grow from others in Sukuna's face, constantly.

Whether he's trapped in his body or on the receiving end of his friendship beatdowns, Sukuna has been present for each and every bonding moment Yuji has through fighting. Sukuna has an involuntary front row seat to Yuji's defiance of everything he stands for.

He's forced to watch Yuji learn how to Black Flash by cooperating with Todo. And since then, Yuji has learned to proc it with anyone he pairs up with.

Near death and with Nobara? No problem.

Things look hopeless and the shiestiest guy around is barely hanging on to his dead mentor's memento? 2 Black Flashes.

Yuji is even able to sync up with a guy he's never met, whose name he doesn't know to pull off this.

And of course we can't leave out Todo Aoi himself who maximizes Yuji's black flash efficiency.

This shakes Sukuna to the soul because holy fudge, Yuji is starting to become just as strong as him without mercilessly abandoning his humanity.

And that might mean Sukuna was wrong to suffer isolation in the pursuit of strength. That would mean Sukuna endured a lifetime of misunderstanding and loneliness for no greater purpose. In fact, he might be stronger if he had someone else to grow with. Which means he could've had love and strength.

That's a painful reality to confront. It's no wonder most of the black flashes Yuji lands on Sukuna are over his broken heart.

Selfishness vs Selflessness

Earlier I claimed that Sukuna and Todo are the same kind of person. This is because they're both extremely egocentric individuals who categorize people worth their time by boring or interesting. They both hate taking orders from the people they deem boring and go about understanding people through combat. And just about everyone hates them for being this way. The difference between them is Yuji and restraint with their opponents. (Todo doesn't outright kill the boring people, he just beats them half to death. And though he beats up the interesting people too, he allows them to grow for the next time.)

Note how Yuji matches Todo's communication style. He chooses to learn about Todo through combat and their relationship grows along with their strength, all without death. Yuji understands Todo and Todo understands Yuji. This is exactly what Sukuna has been trying to do.

Now Todo sees Yuji as his brother, aka someone with the potential to rise to his level and beyond. He doesn't mind at all that Yuji fights for others and Yuji doesn't mind that Todo fights to stave off boredom. Their relationship shows that someone as selfish and isolated as Todo (aka Sukuna) is capable of coexisting and growing with someone.

Sukuna rejects this on principle, going out of his way to destroy Yuji's bonds and ideals. He mocks his cog mentality and lectures him on this weakness. But like the fraud he is, Sukuna copies Yuji and obtains greater power by becoming obsessed with someone other than himself.

His fight with Gojo and the preparation up to it mirrors everything he hates about Yuji. Sukuna learns all about Gojo Satoru to find a way to kill him. He engages the fight on Gojo's terms and reaches out to satisfy him. And worst of all Sukuna grows through this—he upgrades his CT by making someone else the center of his world.

The fact this happened means Yuji was right about everything, so all Sukuna has left is denial. Yuji is boring, he's a brat, he's weak, he'll never reach his level. Because if he does, well, Sukuna's entire world view falls apart.

We saw this with Higurama and Hakari vs Yuji. Both of them eventually accepted that these differing ideas can exist together. Sukuna can't be like them since he keeps borrowing Yuji's tactics instead of sticking to his own ideas. He's defrauded himself and Yuji has to pay for this.

Rejection vs Acceptance

So that's the rub. Yuji is strong and properly loved through his unwavering good boy energy alone and this breaks Sukuna's brain. It's hard to read this as anything other than jealousy since Sukuna is watching Yuji obtain the things he's been denied using the exact same toolkit. And though Sukuna rejects Yuji for this, Yuji accepts Sukuna for what he is, just as he does everyone else.

All Sukuna has do is accept that Yuji's way of thinking is just as valid as his. But he can't since they're too similar. Yuji's existence forces Sukuna to confront a reality he's not emotionally equipped to handle. Instead of facing these emotional problems head on, he buries them and blames everyone else in a combination of envy and denial.

Deep down Sukuna knows he's in the wrong, otherwise Yuji's punches wouldn't shake his soul.

[symbiotic-slime]

it’s so funny going into monsterfucker spaces and seeing people argue about whether Venom is a tame monster crush or not and I think I figured out why ppl argue about it. I think there’s two separate levels to liking Venom and people just don’t specify which one they’re talking about

the first is what most people think of: you want Venom when they’re in a separate host and in their more humanoid form. they look like just a really tall guy, and you’ve got some monster traits involved but not quite as many as level two. this is the tame level.

the second level is when you want to be their host. you’re pulling an eddie brock— you’re fucking the slime that lives inside of you and cannot take on a humanoid form outside of yourself. it’s just a mass of black goop that lives in your organs and speaks to you in your head. this is why some people would consider Venom a more extreme monster crush

[phatcatphergus]

Hot take but I think as fun as it is to apply angst and go in depth into the characters with the egg beef, I think that how lighthearted and silly it is makes it much more fun and refreshing. Not every part of lore has to be angsty and intense, sometimes it can be silly and goofy. Sometimes little girls just hate each other on sight and need to fist fight every other Tuesday 🤷🏻‍♀️

[shannonsketches]

[myriam-draws]

some starfires i’ve drawn a bit over time i miss her (i refuse to read titans 2023)

[protagonist-art]

um doomed yuri ocs? yes pls !!!

this is post is Carrie focused! she's fucked up and evil and like rlly short...

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[veinsfullofstars]

👁️ Kirbtober 2024 Day 14: Miracle 👁️

(ID: Kirby series fanart of Zero Two looming over a newly-created Miracle Matter, gazing down upon it inscrutably with his single red eye, almost cradling it in segmented wings that burst with countless red, vein-like tendrils. The icosahedron gazes back blankly with red-and-black eyes on each of its sides… save for one in the center which sports an iris of orange and teal, tears leaking from it and dripping away into darkness. END ID.)

“Hush, my dear blade. Consider your failures forgiven. For only in such a penitent form may you reach even a fraction of my perfection.”

Based on my personal headcanon that Dark Matter Blade - after the second failed takeover in KDL3 - might've been “repurposed” by his resurrected god into Miracle Matter.

Previous Day | Next Day | Prompt List (made by @/paintpanic)

Started on 09/18/24, finished on 09/19/24. | Kirbtober 2023 Comp

[spywhitney]

How I sleep knowing I'll never trust anyone that hates Sydney but worships Richie:

[unwillingtoreachout]

So.... As the resident English lit Andrew truther I bring you Andrew's curated list of outstanding literature (also this is very much compliant with Yield To It which is my au where Andrew's a literature major)

(side note: I personally think Andrew's a snob and has his own beef with American literature so he reads a lot of european literature)

Anyway....

Crime and Punishment by Dostoevsky (very self explanatory, although I think he would enjoy The Brothers Karamazov as well)

Emma by Jane Austen (I think he likes to argue that Emma is the superior Jane Austen book even though he really likes pride and prejudice bc mr Darcy just hits different)

Wuthering Heights by Emily Brontë (I also think he would like the beginning of Jane Eyre but not the ending)

The Picture of Dorian Gray by Oscar Wilde (I feel like every queer person who's into literature had a picture of Dorian Gray phase, also it's where the title "yield to it" comes from)

Giovanni's Room by James Baldwin

The Count of Monte Cristo by Alexandre Dumas (also kind of self explanatory bc it's a book about revenge and it makes sense in the context of the au)

Les Misérables by Victor Hugo (the jean valjean reference)

The Little Prince by Antoine de Saint-Exupéry (very much a book about adults not understanding children which I think he would relate to. Also the little prince befriends a fox in this book and I think that whole part reminds him of Aaron)

The Catcher in the Rye by J.D. Salinger (the second American book on the list and also the most red flag book yippeeee. I put it here bc I think he would relate to Holden's desire to protect children's innocence, given his background)

ALSO, Neil works in a bookstore so he reads stuff occasionally (but it's really random bc idk) so these are the books I think he would read:

Little Women

The Outsiders

The Odyssey

Anne of Green Gables