#i love the way my art style changes every post

[blimpixels]

it's actually incredibly stimulating

blueberry alt:

[saturngalore]

afrofuturism🪐

☆ one ~ solange hair by darknightt (tsr warning) ☆ two ~ loretta hair by @simtric ☆ three ~ bahati braids by @sheabuttyr ☆ four ~ isonoe hair by octetsica ☆ five ~ binah braids by @sheabuttyr ☆ six ~ cornrows & curls hair by @leeleesims1 ☆ seven ~ indie hair by @sashima ☆ eight ~ loc petals by @shespeakssimlish ☆ nine ~ mnemosyne hair by octetsica ☆

mini dedication essay to black simmers and ts4 creators below! pls read if you have the chance! <3

this edit is a small homage to afrofuturism and the various unique black hairstyles (and especially the black creators of most of these hairs) that i have downloaded and admired over the years! some of these are old and some of these are new.

to me, afrofuturism means constantly honoring/reclaiming/challenging the past while constantly creating/dreaming of a better society/world/future. a society/world/future that embraces and empowers all of our differences, ingenuity, aspirations, and unique lived/cultural experiences. a society/world/future that does not limit us through the various systems of marginalization and oppression (racism, homophobia, transphobia, fatphobia, sexism, xenophobia, ableism, classism, colorism, etc.) that often affects how we, as black people, live today.

blackness is so diverse and intricate yet it's always been a struggle to find my culture within a game that's known for being so limiting, bland, and extremely eurocentric when it comes to hairstyles, clothing, food traditions/events, etc. black simmers have always had to figure out how to make this game more inclusive and make it resemble either more like how our ancestors lived, how our current lives are, or how we would want our lives (and even our children's lives) to look like in the future no matter how dystopian the real world look and feel now. fortunately, these hairs and their uniqueness bring a huge sense of culture and style to this game. they have always inspired me and made me feel extremely proud to a part of the lovely african diaspora (and the ever-growing black simmer community).

in a way, being a black simmer and cc creator usually means that we are often digitally creating our own worlds as afrofuturists to varying degrees (whether we know it or not) every time we open our game, make our sims, make houses, and/or make black cultural cc. also, now i know that cc making is not easy to do and is extremely time-consuming so this post is also just me giving all black cc creators especially those who create for free their well-deserved flowers! here are some other black cc creators who created cc that have greatly impacted my game since i first started playing sims 4: @/leeleesims1 @/simtric @/hi-land @/yuyulie @/sims4bradshaw @/ebonixsims @/xmiramira @/sheabuttyr @/qwertysims @/oplerims @/sleepingsims @/shespeakssimlish and so many more im forgetting probably (im too shy rn to tag ppl but i greatly appreciate y’all fr i hope y’all telepathically get this message somehow 😭).

last but not least, i am hoping that this inspires somebody to keep creating or start creating regardless of what they think their skill level is! somebody will absolutely fall in love with your work and/or your art/work will 100% change someone's game forever <333

[yeloenk]

grins mischievously and rubs my hands together like a fly

i think human ink would frequently get bored of his hair color and hair style, trying out lots of different things!! he would definitely forget to maintain the dyejob tho so his white roots get REALLY bad until he dyes it again LMAO

while his dads aren't japanese (zephyr is french and idrk about undertop), they enjoy ink showing them japanese culture and participating in traditions and such :-)

ink, since they're immortal, decided he would dedicate his freetime into learning a bunch of different cultures and languages! this always tends to surprise others, since ink's short-term memory is absolute garbage. nobody understands how he remembers EVERYTHING about EVERY culture 😭😭🙏 you CANNOT keep a secret from this mofo no matter what language you speak

i think they would keep a digital diary with a camera! he records important events/moments so they can always look back at them, since he forgets a lot. his camera is mostly filled up with memories with their dads 🫶

ink LOVESS to bake!! he enjoys trying out different recepies and pastries from all around the world, but his favorites are macarons. he enjoys cooking as well, but moreso appreciates baking because of the exact instructions/measurements. (he is autistic like me and needs clear instructions or he will combust real and true trust me on this)

he has WAY too many hobbies for a normal person to keep up with. flute, baking, drawing, painting, writing, dancing, crocheting, knitting, embroidery, singing, gardening, you NAME it. any form of art, they know how to do and are surprisingly good at it

ink struggles with keeping up with his own very very busy mind. they have so many projects he wants to execute, but can only push out a few at a time. he hates having unfinished projects, and will stick with something until the end—for better or for worse.

he loves to paint over his vitiligo spots, or just painting on himself in general. they think it's fun & interesting to see how the spots shift and change on his skin, never growing bored of them.

-> his spots shift whenever code for a new AU is created, soo it's never really consistent LOL

he loves all forms of music, but holds a special place in his heart for songs that include lots of different classic instrumentals, like violin. he loves artists like fish in a birdcage and sparkbird (yes im projecting and you can't stop me)

he sometimes will drink paint out of the blue in front of others just for their reactions. they are priceless to ink and ALWAYS make him crack up so bad.. and then he has to explain that "nonono my paint specifically is okay for me to drink guys im not gonna die dw" ☠️☠️

ANNDDD i should probably stop there.. this post is so long LMFAO 😭😭 honestly most of these are just my normal ink headcanons, human or not, so take these as you will 🗣️🗣️

[meemoop]

hi...

i have been loving every single of your comics and i am just enthralled by the way your characters are represented. I have applied for my institute's newsletter as a caricaturist. I have to submit comics depicting my life story for the application. I wanted some tips on how to design characters and make a compelling story. I know how to draw on paper but digital art remains a mystery . I don't have much experience drawing comics either. would love if you have some tips and thoughts .

hope you have a good day !!!

The best of luck to you! I really hope you make it! I am very flattered to get asks and DMs like this—people wondering how it is that I’ve come up with my designs. I get a lot so I think I’ll make an entire post about why I’ve given certain features and so on. The most important thing, I think, is to draw as much as you can. A style develops over time and skill does too: LOOK AT THE WAY I USED TO DRAW and it hasn’t even been a year yet 😭😭 I was also sort of new to digital drawing! Just practice, practice, practice. Watch videos and tutorials!!!!

As for comics, personally, I write them like a script first, and as I’m drawing, it changes along the way. Watching sit-coms and reading books are a good way to get inspiration while also learning how to convey a scene without description. Just art and dialogue. Facial expressions too! In comics, sometimes, dialogue isn’t enough so you have to exaggerate the face to exaggerate the dialogue.

Exaggerate after you get the base features down so they don’t change into an entirely different person. The good thing about digital art is that you can take a face, reduce the opacity, retrace it with a different expression using your original drawing as a reference. It’s soooo helpful!! I’m by no means a pro, but we can learn together! I’m just sharing what I’ve learned as a beginner too 💗💗💗 much love!

[heretherebeturtles-comic]

How long does the process take you to get one (or more) comic page done? I love the idea of making comics but i suck at structure, you know with the script and posting/layout. I was wondering if you had any tips or what you wish you knew before you started.?

Sorry if this had been asked before

OOOooooo a fun question for me!! I love talking about comic creation :D

I do my best to keep the full process under 2 days (or 12-14 hours of work) per fully coloured page. I'm trying to get faster, but speed comes with time and experience.

Hmmm as for tips and things I wish I knew... so many things... I should let it be known that I am an artist and not really a writer, but your questions are focused on script/planning/structure, so I'm going to focus the advice on that.

Start with something small - Learn about making comics and find a comfortable style through making a couple smaller comics and then try your passion project. Writing and planning smaller comics with fewer pages takes a different kind of puzzle solving and thought process. Smaller page limits can force you to try new things which you can then apply to larger projects to save time; limitations breed creativity after all. Every attempt made (even an unfinished project) is knowledge gained that you can apply again for future projects.

Study comics! - It's hard to create if you aren't feeding the mind and giving it things to learn and create from. Read comics made by professionals and study how they handle pacing. How many pages are they dedicating to each moment? What do you think of their pacing and what would you change? Take a sketchbook and make small rectangles and draw out the panel layout from that comic. What are they doing that works and what don't you like about it? How would you do that differently? ... I think this is me assigning homework... i am so sorry.

Set a hard page limit - Try to get your story told within that limit, and then add more pages if necessary. More pages = more time you have to spend working on it. Most standard single issue American comics are roughly 24 pages. I try to work inside that limit using a rough 5 page per scene structure.

Condense or Cut - I struggle so hard with this one, but comics aren't written in the same way as a novel is. They have a slightly different plot structure and a much more limited amount of pages to tell the story in. Obviously it depends on the story being told, and what kind of scenes are important to that genre of story, but in general, unnecessary scenes should be cut out. examples...

CUT! Having the characters go out to get ice cream is cute, but you don't need to show them each ordering their ice cream unless the flavour they choose is an important plot point. Skip to the last one receiving their ice cream and turning to the others who already have theirs and are having that deep discussion. OR skip that scene entirely and have a quiet panel of them sitting in the park at sunset, already holding their ice cream, before delving into the deep emotional conversation they will be having.

CONDENSE! You can combine two scenes if you need to. If you have one scene where two characters are having a casual conversation and another where they are sneaking into a building? Stick them together. They can sneak AND talk and now you've only used up 5 pages instead of 10.

Comics take a LONG TIME to make!! - you have to make peace with that _(:Ⅰ」∠)_ Comics, especially full colour ones, are an extremely labour intensive and time consuming way of telling a story. If one page takes 1 day (8 hrs of work) and you have 24 pages, that is 24 days of working on one comic.

Thumbnails! - Draw the pages small and rough first! It's easier to plan things and mess around with the layouts when you don't have an emotional attachment to how the art inside looks. Once you have a layout you like, you can then draw it again in full page size and work on it from there.

Page and panel layouts are my favourite part of the whole process, I could talk forever about it, but I do not have the energy for it right now. I'll save panel/page layout for another time.

It doesn't have to be perfect!!! - IT DOESN'T HAVE TO BE PERFECT!!!! (shouted with excitement btw). Panels can be boring! A page can be extremely simple! The art can be messy! The dialog can be simple! The plot can go nowhere! In fact it is really really fun to make a messy imperfect comic on purpose. Destroy the perfectionist in you, because they will always and forever hold you back from actually creating things. "what if it's bad?" what if it's fun? what if you learn cool things?

Anyway, those are my tips/advice, idk if I actually answered what you were asking... sorry about all the time commitment ones, that is something I really wish I had figured out a few years ago lol.

Comics are fun to make and a lot of learning how to make them is just jumping in, encountering a problem, and then learning how to solve it.

[oozedninjas]

Hey, Tim! If it's cool, could I please request what it would be like dating the 2012 boys? If you don't do 2012, then Bayverse please?

By the way, keep up the amazing work 💜

Got some free time today! Hope to post the others soon too. Ily thanks for staying in tune!

2012 / sfw / kissing/ninja guys are late 20's

Leo

Prepare to be protected. At all costs? You can bet so. Against your will? Probably sometimes.

He'd value your safety above anything else.

He would probably plan all your dates, which would always be incredibly thoughtful and romantic. Like rooftop picnics overlooking the city.

Leo always keeps his promises.

He might introduce you to martial arts, meditation, or his favorite shows. It's exciting to share his hobbies with you!

10/10 Leo is respectful and courteous. You will always be treated with kindness, care, and consideration.

The type of boyfriend who carries you bridal style.

His kisses might start hesitant, like testing if you're willing, but quickly overflow with passion if he's reciprocated.

Raph

He's very intense in the way he communicates his feelings. Deeply committed and fiercely loyal.

While he's always there to protect you, he loves that you can fend for yourself and adores seeing you kick ass.

Dates with Raph would be thrilling, often entangling action-coded activities.

His brutal honesty always keeps you leveled on where you stand with him.

Raph loves banter and teasing, so be prepared to keep up with him.

He probably shared with you the story of Spike, and honestly, wtf.

He's the type of boyfriend who carries you like a potato bag. You can't change my mind.

His kisses are always deep and passionate right from the start, biting and sucking at your lips, a bit of growling against your mouth if it gets too steamy.

Donatello

Your personal problem solver: He’d build or fix things for you, always using his skills to make your life easier!

He'd equip you with several tech tools designed only for you, and they're always incredibly mindful: Oh, your charger isn't working? Here! A whole-ass sun-fed battery resistant to water, dust, and hackers.

Donnie would be super supportive of your interests, always eager to learn more about them.

Dates always have a hint of science: aquariums, planetariums, museums, and the best part is the thrill of breaking in the middle of the night. Good thing he has a device to fool security cameras.

He carries you on his back, piggybacking or bridal style when he feels a bit more romantic.

His kisses are sweet and shy at first, eager and needy right after.

He cups your face softly and sighs when you pull apart.

Mikey

Mikey holds your heart in his hands with such heart-warming love and adoration it's almost too sweet.

He would always make his best effort to make you feel loved in the exact way you'd appreciate the most.

He learns your love language by heart and tries to complement the others. He's best at words of affirmation and acts of service.

Always there for you when you need him.

Also incredibly protective!!

Dates with Mikey are always fun and creative! You follow each other into your current hyperfixations or hobbies like painting, skateboarding, and graffiti… we don't talk about this one in front of Leo, tho.

You subscribed him to a cooking master class and everyone in the lair thanked you for it.

He carries you like a potato bag sometimes, and other times he lifts you up so that you embrace him with your legs by the front.

He loves to brush his nose with yours.

His kisses are playful and steamy, with lots of smooches in between. He nibbles at your lips, tasting every corner of them.

[cy-lindric]

I wanted to vent, but also ask an honest question. Since I was a teenager, I always wanted to work on character design. And one thing that always caught my attention was how I always preferred male character designs over female ones. My first thought was that I was always more into androgynous fashion and more masculine styles. But time passed and I came to the conclusion that it wasn't just that, and it seems that male characters can always be different things: fat, thin, handsome, ugly, short, tall, young, old, etc. and female characters, for the most part, fall into two categories: cute or sexy. I wanted some tips on how I can make female characters with more interesting designs, without having to fall into those two categories. I love your work and you managed to make someone else like the three musketeers <3<3

Hello ! That's definitely a good question and something I think about a lot. The bias towards beauty is very strong in character design and it takes a conscious effort to diversify output in that regard.

That sort of advice might be a bit obvious, but one habit I picked up from the director on my first feature film gig was to actually "cast" characters. Without reference, we tend to go for the kind of symmetrical face and "average" features mostly out of stylistic habit. I like to look at character actors with distinct faces (I like this pinterest page that has a lot of faces in one place) but also just acquaintances or pictures of random crowds.

When designing a character, at first I'm always building a big reference board trying to decide what Type of Guy (gender neutral) I'm going for, trying use photos rather than other people's art, because I want to rely on automatics and graphic symbols as little as possible. Whether I'm designing a man or a woman or other, I use references of fashion styles and people across the board in terms of gender so I keep the scope open. Sometimes a character ref board for me will be a picture of one of my aunts next to a bunch of screenshots of Columbo. In my experience, a lot of the times, it's mostly about going with styles and archetypes the same way you would for a male character, and switching it up somewhere along the way by looking at real women in your life and beyond as a grounding mechanism. Sometimes that will mean changing almost nothing, because the borders between genders and how you characterize them is blurry and fluid, and sometimes it will mean using features that are uniquely tied to some sort of female experience.

I enjoy realism and I think getting more proficient at it did help me diversify my designs (I find that more difficult to do with more minimalistic styles). Still, I am mostly a fantasy artist and in my case that comes with some amount of stylization and idealization of shapes and looks. I'm far from perfect in my biases and I'm not going out of my way to draw "ugly" characters because that doesn't mean much to me ; I try to draw inspiration from the faces of every day people and I associate it with my love for fashion. It's also worth noting the work I post here for fun is a lot more hash tag aesthetic than the stuff I do professionally where diversity is much more important.

I don't know if any of that is relevant but that's definitely an interesting topic ! I'd love to know others' perspective and tips on the matter.

[the-cat-and-the-birdie]

Also don't think anyone has said this (thats a joke) but like, art styles aside:

The animation, expressions, movement, everything of ATSV is IMPECCABLE.

Like insanely, ridiculously, almost mind bogglingly good.

[This is a MEDIUM length post]

The main strength is the Emotion -

In terms of animation, the range of emotions Miguel is capable of expressing is like... crazy good. Gwen's emotions ARE UNSPEAKABLY IMPRESSIVE.

LIKE...ANIMATING HER FUCKING BREATHING???? AND BLINKS!! AS AN EMOTIONAL CUE. HELLO???!!

And the movie hinges on this - almost every scene has an emotional cue that HAS to hit. Whether is Jess's looks of hesitation or Peter B.'s looks of horror.

And this may seem like the most ridiculous comparison ever made but like...

The Bee Movie and Across the Spider-Verse came out FIFTEEN YEARS APART.

THE BEE MOVIE...THIS MONSTRASITY that has plagued humankind - was made less than two decades from THIS:

The fact that we progressed that far as a society (pun intended) in that short of a time will never not baffle me.

I genuinely cannot name any other animated movie that:

Has multiple styles throughout the duration

Can seamlessly change styles without the viewer immediately noticing (like Gwen returning to her universe)

Show two or more animation styles on screen at the same time (and no, Roger Rabbit and Space Jam don't count - that's half live action lol)

Just off the top of my head - ATSV shows up to three styles in one scene: I'm mainly thinking of the scene that shows Hobie (customized - style 1), Peter B. (standard - style 2), and Miguel (a light stylized - style 3).

It can be brought to four if you want to count Miles/Gwen, though their style isn't visible.

I can think of a couple scenes that genuinely blew me away in terms of animation -

One being Rio's 'What-EVER?!' because of the little stance correction and head bob she does, because it's such a natural thing to do. And it adds so much to an already perfect line.

It's something someone would genuinely do IRL without even noticing.

Another I LOVE is Pavitr and Hobie roughhousing.

Like, I can't yell about these five seconds of animation more.

It's SO fluid it looks like Motion-Capture and I left the theatre googling is any Mo-Cap was used in the movie (and from what I can tell - no, it's all original animation).

The way Pavitr falls to the side and bumps them - This not only being a natural reaction to Hobie and his weight, but it also LOOKS natural. So much so you can see it affect Hobie's model too. The movement has kinetic energy on both models -

Which is AMAZING CONSIDERING THEY'RE ANIMATED ON LIKE FOUR DIFFERENT TIMES.

In this shot alone, there's the guitar, vest, AND Hobie, all of which have their own animation rules. Plus the outline on his guitar AND him. And then there PAVI too, who's running at a higher frame rate, touching and interacting with Hobie.

So much so that Hobie's model nearly wraps himself around Pavi. Pavi's hair is moving, Hobie's guitar is moving, there's movement in the background - and it looks GREAT.

PLUS THE CAMERA IS MOVING AND GOSTLING. IT'S NOT A STATIC SHOT. The models and camera are moving AS IF THEY'RE REAL when they're not.

That's - My..I CAN EVEN COMPUTE THAT.

But by far, I think the range of expression used on Miguel is like... Chef's kiss.

(of course I was gonna trick you into reading another post about Miguel. Uh-huh that's what's about to happen)

Like... are you kidding me?

NAH DEADASS ARE YOU KIDDING ME?????

The whole later half of the movie hinges on Miguel looking buckwild crazy insane and they NAIL that. And like-

Oh my god what the actual fuck

?????????????????????????? I........ I have nothing to add. After that picture......Nah... LMAOOO

(left: actual photo of Moche watching this happen)

But Anyway chile, This movie is like.. genuinely a modern marvel.

If Marvel gave Tim Gunn 4 billion dollars and five years, whatever live-action rendition he would have made would not even compare to ATSV on any conceivable level - that's how good it is so jot that down.

And like...don't even get me started on Hobie..his design..his representation...girl I will start crying in this Arby's do not play with me

I just felt that needed to be said.

you get what I'm saying yall know what I mean iight coo

Here's a picture of Hobie to cleanse your palette.

Bye.

[tuktukpodfics]

The Problem With "Dao Swords": My love-hate relationship with pleonastic translations

An essay that no one asked for.

A lot of fanfics call Zuko’s broadswords “dao swords.” As a Chinese to English translator, this phrase makes me pause every time. Here is my humble opinion on “dao swords” and other pleonastic translations:

What the heck is a pleonastic translation?

I’m so glad you asked! “Pleonasm” is a fancy term for a redundant phrase, like “black darkness” or “burning fire.”

A pleonastic translation is a phrase that puts the source language and the translation back-to-back. A common example is “chai tea” which literally means “tea tea.”

“Dao swords” is a pleonastic translation. “Dao” 刀 is the Chinese blanket term for blade. The phrase basically means “sword swords.” Sounds pretty silly, right?

Pleonastic translations are bad?

I think it depends on your audience, the text purpose, and how special the word is.

In advertising, pleonastic translations can help increase a product’s searchability. Ex: “Longjing Dragonwell tea” would appear in a Google search for either “longjing” or “dragonwell.”

Tourist destinations often use pleonastic translations to help foreigners navigate. Ex: “Nanzhan South Station” on a map helps foreigners know what the place is, but also gives them the Chinese pronunciation so that they can communicate with their taxi driver.

In literature, a pleonastic translation is a succinct way to introduce a culturally significant term without a footnote or distracting tangent. A lot of translators will sneak in a pleonastic translation the first time the word appears in a text, and then use the untranslated term alone every time after. Ex: "He slouched on the kang bed-stove. His grandmother sighed and took a seat on the kang too.”

Is "dao" a culturally significant word?

No.

Dao is a super mundane word used to describe any kind of single-edged blade, from butter knives to ice skates. It feels weird to keep such a normal word untranslated. Using the Chinese word emphasizes its foreignness. They’re not just swords, they’re special, Chinese swords. 

Yes, words take on different meanings as they pass from culture to culture. That’s how language works. But English is also a unique case. Because of imperialism. I think English speakers have an obligation to avoid exotifying every-day words.

Also, English is a global language. Chinese speakers are reading your translation, and…I dunno...“sword swords” feels off putting. Disruptive.

But I want to acknowledge the real-life culture behind the swords

Giving credit to the cultures that you're borrowing from is an A+ idea.

...I don't know how to do this in a fantasy setting.

Zuko’s swords and fighting style is based on oxtail sabers (牛尾刀）and Shaolin dual broadswords (少林双刀). @atlaculture has a very cool post on oxtail sabers. But calling his swords "oxtail sabers" doesn't work because cows don't exist in atla. Shaolin is a type of martial arts that originates from Shaolin temple in Henan, China (Shaolin itself literally means “young forest”). But you can’t call them “Shaolin broadswords," since Shaolin does not exist in the Fire Nation.

It’s quite a pickle.

Maybe just use a footnote?

So what should I call Zuko’s swords?

I don’t know.

I think you can just call them broadswords. That’s what the TV show calls them.

Dao by itself could work too if you need to differentiate Zuko's dao from Sokka's jian (double-edged blade). Readers can probably figure out what dao means from context.

If it’s not clear from context what dao means? *sigh* ..."Dao swords" it is, I guess.

To end on a happier note, here is a video of Chang Zhizhao busting some sweet moves.

[silksongeveryday]

Drawing Hornet everyday until Silksong comes out - Day 200!!!

(huge thanks to this person for the art suggestion!! <3)

I genuinely can’t believe that I’ve made it to 200 days, it’s truly been wild how time flies by like that and the amount of doodles I’ve made during that time. Over 200 doodles (217 to be exact if we’re counting double pictures/extra doodles) have been made over the past 200 days. :0

And thank you all so much for the love and support! Not only have we reached 200 days but also 1400+ followers about a week ago! <3

But, having said that I’d like to make a few announcements—some good, some not so great—about a few things regarding the blog, myself, and other stuff.

Putting it all under the cut so the post isn’t long if you’d like to know more

______________________________

Announcements!

My pfp!

1.) I’ll be changing my pfp again!! I’ve officially decided that after every 100 days or so I’ll change up the pfp so it’s up to date with my doodle style (assuming it changed at all lol), but generally it’ll look relatively the same as the last!

Possibly more admins?

2.) As of right now I’m looking into the idea/possibility of having a second (maybe third?) person help me with daily doodles! As much as I’d like to keep doodling everyday there are some days that it can be tough or some situation might be happening. (i.e. recently got injured)

See, the problem is I don’t exactly have a proper way of trying this out??? My idea was to maybe do this through dms or more preferably Google Forms. I also don’t really know what form of communication afterward would be best either, suggestions to help me work this out would be great! (as you can tell I’m not very good at this stuff lol)

Commissions!

3.) After much consideration and a lot of thought, I’ve decided that in the near future, I’ll be opening commissions again for the first time in years. I don’t have everything set up quite yet, but expect more info in the near future!

About requests:

4.) You may have noticed recently that I haven’t been doing as many doodle requests recently. Sure, there’s usually quite a few in a row at once but you may have noticed I’ve also been doing “non-requested” doodles aka ones that I just do on my own.

Expect this to become a very normal thing going forward. I probably won’t be doing as many requests as before because frankly with the amount of requests I get daily when it’s open is a lot to handle sometimes. Does this mean requests will be stopped entirely? No, I’ll still do some occasionally, but not as much as I have in the past.

Also I’ll likely be doing strictly anonymous requests.

About Burnout:

5.) Alright let’s address the elephant in the room.

There have been quite a few instances where people have wondered if I would ever have burnout and have occasionally joked about “dying” from said burnout because “Silksong will never release, you’ll be doing this forever” etc etc.

In the past I’ve been fine, motivation has been great, but recently I’ve noticed it a little bit.

Unfortunately life has its own plans so it can be a little hard for me to make a doodle that day, expecially recently since I’ve been experiencing personal/medical issues. It’s part of the reason I’m hoping to get a second (maybe third) person to help me do daily doodles so I can take a little bit of the load off my shoulders.

So what does this mean for this blog?

Not much right now. But in the future, there may be some changes. My current plan is to keep going on daily doodles/posts for the length of a standard year, so roughly 365 days. After that, if things in personal life keep up the way they have, I may have to stop daily doodles and instead will post only if I have time. That likely means doodles every other day or every three days or something. At the very least I’ll still post a doodle once a week.

Not to worry though! I’ll still try my best even after I reach day 365 :)

I’ll discuss how things work a little more on my main @miizori later, but that’s as much as I can think to explain rn.

———————————————

Just a few more things I wanted to say!

This community has been so cool to interact with, so much tamer than some others I’ve been apart of in the past. I’m genuinely thankful for how much support and how nice everyone has been. I truly didn’t expect to get this far, I was fully expecting to have stopped like 10 doodles in lol. I especially love to see all your comments in the tags and people sharing their art. You’re all so cool :)))

I have a dtiys from back when I reached 300 followers that’s still available if you’re feeling up to it!

Also my main (again, @miizori) is where I make updates on doodle stuff, regular art stuff and so on if you’re interested at all in that lol

I think that’s all that I can remember wanting to say, so thanks!! I look forward to more doodles for you all :)

[maythearo]

I kinda accidentally been away :(

When I take a hiatus you'll see I don't announce it beforehand because it usually just happens instead of being a planned thing, so I apologize if I made people worry about me (again) but I'm doing fine! A plethora of things happened in the time being, and I feel like it's relevant to mention them here for some clarity. (I didn't intend to make this post so long, I'll crop here so it's easier to navigate)

First I feel like I have been falling out of love with art as a whole. My interest in a lot of stuff has been fading away, I haven't been keeping up with twst for one, and since a lot of my inspiration comes from the stuff I'm hyperfixating on I barely have been creating anything. My uni assigments so far were uninspired at best lol it sucks my mood relies so much on art and vice versa. The only times I feel actual joy is when I'm hanging out with my friends every now and then, I'm mostly alone through the rest of the week.

And it's with this habit of going out that I fluctuated towards using less social media. I don't think I ever liked having a presence online, and that's something I've been doing since highschool for no reason that matters to me anymore. Just quitting isn't something I can do because first, I think it's important getting my news from it; and second, I still want to do commissions, and I'm aiming to turn my socials into something more professional in the near future, rather than the life diary that I had a tendency of building them as. Of course there's nothing wrong with making socials a personal thing, it's just not my style, and with my anxiety of being perceived I realized I can only handle so much of it lol

I also had some personal losses, and it feels like a lot of people around me were having a hard time with theirs coincidentally, so that made me kinda sad too. I won't specify much but I think that's worth mentioning.

The tldr is that I'm lost, I don't know how I got here, and I feel like it only gets worse the longer I stand around doing nothing but I prefer to think that sometimes things get worse before they get better, I know they will get better.

I'm writing all of this from the perspective of how I feel at the moment, the conclusions I'm taking with this kinda depressive state of mind, so I imagine things can still change once I begin to feel brighter again, who knows.

Thank you for everyone who left kind messages on my askbox after all this time, idk if I can reply to all individually but I did read them and I appreciate them very much! I hope everyone is doing well too and staying safe.

And on a side note I'm sorry to the people who asked other things related to my art/blog way before I took this break, I wanted to answer them in a fun way but they've gathered too much dust by now and my inspiration is long gone. I think I'll be cleaning up my askbox since the longer I leave it unnatended the more overwhelmed it makes me feel 😥 I messed it up this time I admit, I apologize again to everyone I kept waiting.

I have a few old drawings I haven't shared here yet, maybe I'll post them if I manage to remember it :)

[cabi-leodrann]

Cabi! Big fan Joffrey here!

I wanted to ask, every time I see your art not only am I stunned by the quality, but also by the sheer uniqueness in style and character design. I've never seen a lamb designed quite like yours, it's so perfectly yours. What went into the inspiration behind the characters design, especially facially? Did you try and mimick a real lamb, or was there a more fantasy-element that you veered toward?

I can't specifically put my finger on it, but it gives me vague Warframe vibes. It's such a beautifully odd design and I can't get enough.

Love your work, love everything you do, can't wait to see what's next!

Hope you're well, stay safe, take care!

First of all, your ask is one of the biggest compliments I ever had in my life, I will keep it forever. You're an absolute chad! Second of all, those are very interesting questions, and I will be very happy to answer to them!

It started more or less with this drawing I made *look at the date* 2 years ago apparently. Way before I even thought of an AU- I didn't had much in mind, beside doing something that looked cool tbh.

I was very happy with the flow of it, and how it came out. And when I drew the Lamb again, I would try to nail THIS design.

The thing is, with time, I had a really big problem: Lamb looked way too young when I thought of them more as an adult. I had too much of the original game design guiding me, making a Lamb that was too cute and childlike for what I wanted. (And also, the head did not go well with the rest of the body holy shi-)

Came those drawings! I was happier with the look, Lamb was older! And I found the colored design quit nice! (I used a sheep picture as reference, but I don't think I used it well, compared to now. I used the reference for details, when I should have gone for overall shape first.) I still wanted something simpler to draw tho. The colored design was nice for an illustration, a one time gig, but I got pretty annoyed pretty fast at trying to nail the face every time. And from those attempt, you get the sketches on the right. (I also wanted to get away from other artiste's interpretation of Lamb, and at the time of those drawing, I didn't felt like I was away enough)

From those previous sketches, the idea for THaB started to emerge. I also still had problem with Lamb's design. Especially the hair. I was inspired by black hair, which is usually not a problem, but I was never happy with how it looked on Lamb specifically. I can draw black hair, I can draw black characters, but this mother-fucker would never feel satisfying to draw or finish 👀

And one day, as THaB was solidifying in my mind, I made a series of sketches that I posted! And one of them was the most important in Lamb's final design. This lil guy! (this design didn't came out of nowhere tho, Lamb was evolving into this as I kept trying. But I wont show those sketches, because those are spoilers =3)

And soon after, I made a comic that was supposed to only be a one shot, just a POV of Lamb and there reaction to Nari' telling them to die for him. But you know, things got out of hand lol

As I continued the comic and doodles on the side, I finally made myself a reference board, with real life images that were close to the vibe of this head drawing. (And I cannot stress enough how those references solidified Lamb's design as a whole. Draw with references, it is life changing. The more reference you get, the more your visual library will get diverse, and the more interesting detail and shape you will add to your art in general.) (I'd also add this: understand what you are drawing, make research and stay curious for every bit of info on everything. You never know when these nuggets of knowledge will help you as you create)

As I kept drawing the Lamb, they evolved! Things changed, slowly, like the shape of the nose, the shape of the eyes, how the hair flowed. You see those change at the face, but also on the body! As the idea of THaB's Lamb got clearer, the design got more specific. (I also got better at drawing! This comic make me draw way more often then before, and it shows)

Something before I finish: the other Cult of the Lamb character's design are way more inspired by their animals, when Lamb is more in the human spectrum. I thought of changing Lamb at some point, to make it fair/coherent, but I loved the design too much to change it again. This AU is something I do for fun, and even if it would have been more logical to change them... I don't want to-

As for the vague Warframe vibes: I play the game! And I found the character design absolutely stunning. So I am definitely influenced by the game without knowing it lol

Thank you very much, again, for your kind words! I also wish you the best, and see you next post =D

TL;DR: Lamb design, at first, wasn't inspired by much, beside the game and my style at the time. But as I retried to make them, added more intent, they got more refined. What really nailed the idea was to have real life references on the side.

[tshortik]

My random comic Recs #1

I've been reading more comics lately, so I wanted to share my love for them in the hopes that someone might give this medium a chance!

Note: I am not a fan of superhero comics, because I simply don't like that genre, so don't expect superheroes below. Gonna make these posts every now and then and they will always include 4 recs. 1.) The Many Deaths of Laila Starr

Death got demoted and sent to earth as a mortal! Some boy is going to figure out how to cheat death in the future, and our girl Death really doesn't appreciate that. The entire graphic novel is only 5 issues long, so it's VERY digestible and easy to get through.There is something so light and playful about the art style, and the vibrant colors really sell it.

For people that are completely new to comics as a medium, I imagine that this is actually an A+ book to start with for the reasons I just mentioned. The way paneling and the flow of time is done in here, is a great example as to why comics are so unique as a medium and why they should be looked at as its own art from, separate from movies or books.

2) Mécanique Céleste (Or "Mechanica Calaestium" in the German translation, or "Aster Of Pan" in the English translation)

An absolutely breathtaking French comic. Aster lives in Pan, a post-apocalyptic France where she scavenges for wreckage with her friend Wallis. After their people come under a threat by the Federation of Fortuna, they are given a choice —submit to Fortuna’s rule or beat them in a weird Hunger Games-esque version of Dodge, called “Celestial Mechanics”.

The detailed art pieces in each panel, the careful line work, the lively way the characters move and the stunning watercolors captivated me from the first page. This graphic novel (now 2 volumes) is one of a kind and truly unique!

3) Something Is Killing the Children

Note: Comic contains a lot of gore and violence!

Children are starting to disappear in Archer's Peak. The ones that come back tell impossible stories that no one seems to believe. Only one stranger trusts these tales - a mysterious girl named Erica Slaughter who seems to be able to see these creatures too. And she's here for business.

I loooove Something is Killing the Children. I haven't finished reading the ongoing volumes yet, but I am super fascinated at how well the pacing goes in this story. The rough art style with Erica's freaky large eyes is SO fun, and you start appreciating it even more the longer you read.

4) Mon Ami Pierrot ("Mein Freund Pierrot" in German, "My friend Pierrot" in English)

Another fabulous French comic! Cléa is to marry soon - a young man name of Berthier. Right before the wedding she meets the fascinating magician Pierrot though, who completely changes the course of her life. Entranced by his whimsical nature that makes her feel "free" for the first time in her life, she follows him and leaves her previous life behind. During her stay with Pierrot, questions arise, though. Who is he really? All the while her betrothed sets out to find her again.

The Ghibli influence both art- and storywise is easy to make out, and I personally really enjoyed that. I particularly love the colors and the facial expressions the characters are drawn with. Everything feels very whimsical and playful and I had a good time going through this chonker of a graphic novel!

No spoilers, but I expected toothrottingly-sweet wholesome stuff, and ended up surprised on several occasions. I think the colours and art style really help give those moments wham, because you don't expect it.

[veryoaki]

(pinning this for now)

hello there :))

I have been back for a while, but as you can see I literally died for like a good 6 months ToT

but…

Yeah, January had hit me like a train really hard. If you were to remember one of my last posts was on New Years xD

I got really busy during that time and I was dealing with mental health problems. I was put in a bad headspace and I lost a lot of motivation again to work on posting art. I had time afterwards, during the summer…but I guess I was mentally exhausted, then pushed my way back to posting again.

Before that time I gained so many followers from the start 2023 and so on. I progressively changed my art style and finally found a stable one. My motivation though, kept on going up and down. I didn’t really know how to stick with posting art in the first place but I think I got the hang of it.

I appreciate you guys so much, I would never thought that so many of you would like my art. I wished that Tumblr had a heart button for each comment and reblog with tags bc I would heart every one of your guy’s positive comments :)) They make me so freaking happy!

I have so many more ideas and projects in my head to come for the AvA/M fandom but it will take some time I have to get into the rhythm again. I truly love this fandom, there were times I wanted to drop it though. But seeing so many of great art and creators making this content made me motivated and inspired me. This community is so much fun, I love being in it.

Everyone is always so positive and supportive, and there are great artists in it. I used to be the kid in an anonymous profile without an account and scroll through many of the posts…but now I get to have this experience and I so glad that had the guts to do it.

I will continue to try to post. But every once in a while I might fall behind schedule. I live a life as a busy person but it doesn’t stop me from creating art for you guys. I can’t wait to release the next ideas to you guys! Thank you for all the support you guys have given me! <3

Again…

(Introduction Post here)

[whereismyhat5678]

Guys, the new year hasn’t started for me yet, I still got a few hours to go but I’ll mine-as-well make this post since I’ll probably go to bed anyways- 😂

First, I’d like to say

WE GOT A NEW BANNER LET’S GOOOOO‼️‼️‼️‼️

HELL YEAH! -I mean it’s just the characters but- HELL YEAH‼️‼️‼️‼️

SECOND. I want to show you something AMAZING and that something I’d never expect??

321 FOLLOWERS????

YOU GUYS ARE INSANE THANK ALL OF YOU SO MUCH MY GOD‼️‼️‼️‼️‼️

It really makes me think how all of you guys really like and appreciate my art, and the fact that so many people encourage me to keep doing it, it brings me to tears! 🥹

Every one of you are the best thing in my life!! The first time I got Tumblr I started in:

March 30?? That’s insane- 💀

And the fact that I’ve improved SO MUCH is just INCREDIBLE!

You wanna see the FIRST drawings of Peppino??

YEAH THAT’S ME I DID THIS-

And you’re telling me that this was in what- THE START OF MARCH?? (Or February I don’t remember-) But this is just the PINNACLE of how much I’ve changed in terms in art style and experience.

I bring this up because I think Tumblr is the REASON why I improved so much! I experimented with brushes (digitally) and I found my brushes!! I learned how to EXAGGERATE AND ACTUALLY DRAW CARTOONY LIKE I’VE WANTED TO FOR SO LONG!!

(And NEVER took an art class. That’s fucking what- 💀 I need to take one I actually need to at this point-)

Also also also- I’ve learned a lot of things! Anatomy, exaggerative expression, stretchy cartooniness, ALL OF THESE ARE JUST- I can’t believe I’ve learned all this because one day I decided: “Maybe I should ACTUALLY get a social media for my art? 🤔” AND I DID IT AND CHANGED MY LIFE‼️‼️‼️

YOU GUYS CHANGED MY LIFE!-

My followers!- My mutuals/friends- I NEED TO SAY HOW MUCH I APPRECIATE ALL MY MUTUALS, ALL OF YOU 💖💕💖💕💖💕💖💕

Everything about Tumblr has changed me in SUCH a positive way in not only terms of art but with how many people (TALENTED PEOPLE) I’ve made FRIENDS with AND ACTUALLY got to know!!!

I already said it but you guys are absolutely AMAZING and I just CAN’T FATHAM how much this year has just been a BLAST.

My mutuals:

@noodletime @moon9931 @marclef @margarita-the-pizzeria-worker @lucia-the-mii @lovestryke @lord-yiikes @ijusthavefun @linhfoxmoive @kate-bot @nomlioart @boogiestronic80s @zedortoo @jarroyave4637 @atlaslovesedm @alaskacoolkid1 @remaking-machine @average-amount-of-chaos @cherryxsapphic @dingle-dee @eyeballdrawer @tailsdollsnewlife @radaverse @gongustheawsome01 @fluffygiraffe @qwertykeyboard045 @w00den-h3ad @the-little-knight @oddpizza @misdreavusplush

(OKAY- I may have added some people on here that I think ARE REALLY COOL, I may not talk to you much but I’ve seen you guys like my art and I think ya’ll deserve to be on here 🫶💖✨)

AND IF I MISSED ANYONE PLEASE TELL ME I’M SO SORRY BUT JUST KNOW I LOVE ALL OF YOU THE SAME (Platonically) I HOPE YOU GUYS HAVE A WONDERFUL NEW YEAR AND HAVE A GOOD ONE 🎉🎉🎉

GOOD NIGHT TO ALL YOU LOVELY PEOPLE YOU GUYS MEAN THE WOLRD TO ME AND HAVE A GREAT NIGHT 💖💖💖💖

[gillanfryingpan]

For The Forgotten Ones is completed, I haven’t read the final chapter yet because I wanted to finish this first

Buddy thank you so much for this wonderful story, I know I keep saying it but it genuinely changed my life. I hadn’t been in the Undertale fandom since about 2017, it was my first fandom experience so it was very special to me, but I left it far behind. at the start of this year I stumbled upon Calcium-cat’s comic based on the first chapter, and I found my way to this fic and read I think seven chapters in one night LOL. I had to stop because it was so late, but afterwards I sat in the dark of my room and just, felt. this fic felt like the peak of the old Undertale fandom, it was almost overwhelming (in the best way). all these emotions and this energy that I hadn’t felt in years all came rushing back it was like magic. like rediscovering the meaning of life. I know that sounds ridiculous and cheesy but Undertale genuinely made me who I am, it was my first fandom, drew my first fanart and wrote my first fan fiction and went to my first con and made friends and discovered this whole community that made me feel like me. and this story is interwoven with all of that. it feels like Home.

because of this fic I gained the motivation to create SO MUCH art, my skills have developed so much and I genuinely love my art now when I didn’t really before. I’ve found my style bc of you :) I’ve also gained an actual following now that continues to grow which is a dream come true since I first joined the internet. and I’ve made so many wonderful friends, I’ve got a group that came together bc of this fic and they’re all such wonderful people that I may never have met otherwise.

I’ve still got so many screenshots and ideas to draw for this fic so I’ll be appreciating it for a long time still, but this is a thank you, a gift and an appreciation for all that you’ve done. you consistently uploaded a sizeable chapter EVERY WEEK which is INSANE, your dedication is so inspiring. you created a beautiful world and characterized all these popular characters so well, especially when mischaracterizations have become the fandom canon atp (looks at Swap Sans,,,) you did so much. you created a family we all adored, we laughed and cried and prayed and joked and created this wonderful community within a wonderful community just to appreciate your words. truly effing masterful. I love For The Forgotten Ones, I will print it out into a book someday soon, to put it on my shelf where I can see it always. Thank you thank you thank you I’ve said so many words and still I feel I have not expressed the depths of my feelings

oh well

I gotta post this sometime lol

ok bye :) 💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖

(and to anyone else who reads this, this art is also going to be my dtiys event but I’ll make a separate post for that !!!! it’ll be going on until the end of November)

For The Forgotten Ones by Im_Sorry_Buddy

Ink!Sans and Aster by @comyet

Nightmare!Sans and Dream!Sans by @jokublog

Geno!Sans and Error!Sans by @loverofpiggies

Killer!Sans by @rahafwabas

Cross!Sans by @jakei95

Blue/Swap!Sans by p0pcornpr1nce

Dust/Murder!Sans and Phantom!Papyrus by @ask-dusttale

Horror!Sans by @horrortalecomic (Sour-Apple-Studios)