#i love the details they put into the sets for the wall episodes

[offscreendeath]

[thexfridax]

D.E.B.S. at 20: a Queer Cult Classic

Bessie Yuill Photo: Sundance/WireImage

There is a secret film hidden within the shadowy sapphic corners of Letterboxd. Some call it escapist trash, some call it an underrated cult classic, fools call it a male fantasy. It calls itself D.E.B.S. As other early-2000s chick flicks like Charlie’s Angels and St. Trinian’s have been reevaluated and embraced for their candy-floss aesthetics and campy wit over the years, the lesbian community was quietly reclaiming its own equivalent with 2004’s D.E.B.S.

The precursor to contemporary high-concept lesbian films like Bottoms, the spy flick is filled with something that queer female moviegoers still often yearn for: fun. That includes Jordana Brewster and her era-defying eyebrows as the impeccably named supervillain Lucy Diamond, John Woo–style fight scenes that parody the action genre in the same way as Charlie’s Angels, and a cheerfully cheap aesthetic where spies run around in plaid schoolgirl skirts.

D.E.B.S. was written, directed, and edited by filmmaker Angela Robinson. While “unapologetically queer” might be an overused phrase, it does apply neatly to Robinson. The Chicago-born director’s first project was a short film called Chickula: Teenage Vampire, calling on the long history of vampiric queer women that began with 1872’s Carmilla.

Her love of playing with genre led her to later put a lesbian spin on the movie musical by writing the underappreciated Girltrash: All Night Long and exploring polyamory in a period biopic about the creators of Wonder Woman, Professor Marston and the Wonder Women. On the small screen, she also burnished her lesbian credentials by working on several episodes of The L Word.

When D.E.B.S. started life as a short film, Robinson described it as “a story about a trio of superspies who are all chicks. I love all the comic-book characters: Charlie’s Angels, Batman, Josie & the Pussycats … But I always wanted them to be gay and they never were, so I wrote my own.” Success at Sundance led to Sony snatching the short up and deciding that D.E.B.S. should be a full-length feature.

Two decades later, the joy of this movie lies in the details. The tone is immediately set by a gravelly voice-over telling us that there is a secret test hidden within the SAT to recruit young female superspies (and establishing that, like Bottoms, this is a film aware of genre archetypes and willing to push believability). Our main character Amy (Sara Foster) is an academic overachiever — like many lesbians overcompensating for their perceived failure to live up to social norms. Her perfect score on the secret SAT test makes it even more scandalous when she falls for the aforementioned supervillain Lucy Diamond.

Queer friend groups may delight over the nostalgic frosty eye shadow and lip gloss worn by the D.E.B.S. (which stands for “discipline, energy, beauty, strength,” naturally) at all times. Flip phones, CGI holographic screens, and Goldfrapp’s appearance on the soundtrack will also remind you that you’re watching a film made in the early 2000s. And many will squeal when they spot Holland Taylor, over a decade before she came out, as the academy’s head.

Admittedly, the special effects are goofy enough to cross over into comedy, especially when our girls are abseiling into a restaurant or climbing walls with plungers, and the lighting could be charitably described as resembling teen soap operas of that era. But the chemistry between Amy and Lucy is crackling enough that YouTube compilations of their scenes have racked up hundreds of thousands of views online. Their fun enemies-to-lovers plotline begins with the pair pointing guns at each other and quickly progresses to a whirlwind romance (the other D.E.B.S. think Amy’s been kidnapped and launch a national manhunt, just as many friend groups have had to organize rescue missions for lesbians on weeklong first dates).

You could argue that espionage serves as a metaphor for the closet and that Amy is such an effective spy because she’s used to lying to herself about her sexuality. But that almost seems like too much weight to put on this meringue confection of a genre spoof: Its campiness liberates the characters to inhabit a fun, exaggerated universe with no serious homophobia or consequences. Guns are used, but the so-called superspies have such consistently terrible aim that there are no real casualties. And Lucy Diamond’s supposedly nefarious crimes are all reversible — the murders pinned on her are revealed to be misunderstandings, and she returns all of her stolen goods in order to win Amy back.

When this live-action Totally Spies with a lesbian twist debuted, it only made $97,000 and was dismissed by critics. But there were enough moviegoing gays impressed by its snappy dialogue, fun romance, and stunning supporting cast (including Meagan Good, Jimmi Simpson, and Devon Aoki with a French accent) for its reputation to grow online over time. In forums and YouTube comment sections, young girls were asking, “Are there any lesbian films where they just fall in love and have fun and don’t die at the end?” Their answer was D.E.B.S.

[spinji]

I NEED TO YAP ABOUT THIS MOVIE MY GOD-

YOU'RE NEXT SPOILERS UNDER CUT

AAAAAAAAAAAAAAAAaaaaokayokay-

Can I just say I DO NOT recommend seeing this the same day as watching the new episode because I have had a DAY-

Unfortunately, the theater I went to didn't have the booklets or promotional cups but not a huge loss. It's the price I pay to have my boyfriend by my side; worth it. ♡

As with all my other MHA theater outings the screening was packed with delightful weirdos (dubbed, if you happen to care). One guy had an extensive set of custom MHA lego guys (very cool) and two very enthusiastic Toga cosplayers were so kind and kept me from feeling like a dork going out in public in a Deku wig. All the love to them, fr.

The movie itself though ohhhhh MY~

If I'm being honest this one didn't surpass World Heroes Mission or Heroes Rising for me, but also I don't know what you could do to beat out the movies that gave me such extreme brainrot it got me to be a part of this fandom in the first place. Personal rankings for the movies, best to "worst" is 3, 2, 4, 1.

Maybe it's because I had higher expectations instead of being given the best character in the franchise suddenly with no warning but I did still really REALLY love it. The highest point I can give it is easily the animation. Absolutely zero scenes in this movie feel like they fell to the standard of the anime. Everything was fluid and detailed and so fun to look at. And yes, of course it made every attack flashy as fuck. I was giddy every time Bakugou let out an explosion.

The premise did sound insane going in, and it is, but it's an anime side movie. Caring about the plot is a bonus, not a requirement. I guess my only real gripe is that it felt a little too fast? Very few scenes had time to breathe and unlike the other movies there wasn't really any slow establishing opening. If you come to MHA exclusively for the action, I think this one will be your new favorite.

Okay- I'm gonna just bullet point my highlights because I'm barely restrained enough to sit down and type.

First of all GIULIO!!!

Listen- I knew I would love this guy but oh my god babygirl~

He responds to literally everyone approaching him by pointing a gun at them. No comment this is just great

When Deku tells him to stop shooting at someone, he just pulls out a SECOND GUN and points it at him too

His motorcycle also has guns. Ngl I have expected his eye implant to also have a gun for a moment there.

He is SUCH an asshole to Deku in the first half and I love it. Their dialogue exchanges were so funny.

And in the second half he just,,,,cracks under the pressure so hard,, Man is having the WORST day of his life fr. It's really nice to know he and Anna are safe at UA rn. Poor things deserve it.

Anna and Giulio are really cute romantically, Giulio is definitely adult but he's going in the Deku harem anyway. You can't stop me, I am capable of worse.

Anna herself unfortunately doesn't get much time since she spends most of the movie mind controlled but she's harmlessly sweet and adorable. Anna they could never make me hate you.

I want to smear Dark Might across the side of a wall and given how much they overanimated his expressions, I believe this is the intended effect.

Am I the only one that hopes he sees the Mech Might livestream just to rub salt in the wound? Don't you dare let All Might's name fall from your mouth again, you bag of scum.

I really REALLY wanted Izuku to get pissed off and start naming off inconsistencies between how All Might and Dark Might look: "His eyes are SKY blue, not ocean blue, and while his broad features don't make it obvious, his chin was actually much slimmer, also you got the silver age colors wrong-!" alas... you know he was thinking it though-

Big tiddy mind control gf Deborah my beloved- she has pretty privileges for everything

Actually a lot of the lesser goons of the family were kind of dorky and odd. I loved the energy! Why was one of them literally a D&D nerd that put on a wizard robe OVER HIS SUIT. Most entertaining movie villian group for sure.

The personal dreams everyone had under the mind control? Kill me. Kill me right the fuck now!

Shoto literally just wants a happy childhood with his family??? Where Touya wants to play with him????? And Rei was still happy????? UUGAHWAAAAAAAA

Tenya and Tensei being heroes together STOP-

Shoji with the little girl he saaaaaaved,,,and he didn't have his face scars anymoooooore,,,

So glad they didn't show Ochako's because you know they would have just animated that what if pixel animation of her and Toga being childhood friends and I would have vomited in sorrow.

Absolutely infuriating they broke continuity to have Katsuki call Izuku "Deku" and not "De-Izuku". Never forget what they took from us.

"Beat it, cool side character!" is the best line in the movie. Katsuki does not forget what happened with Rody and he does NOT forgive.

Followed closely by "I'm falling down crotch-first!" And you wonder why I write the fics I do about you, Deku-

Deku being a legend as a jailbreaker hunter is so amazing?? Yes baby, they're so scared of you! You're doing amazing sweetie!

I might think of more but tldr: YOU'RE NEXT IS A REALLY FUN TIME AND YOU SHOULD WATCH IT!

[ghostfanwriter]

🎀🧰 𝐃𝐢𝐫𝐭𝐲 𝐇𝐚𝐧𝐝𝐬 𝐩𝐭 𝟖 🧰🎀

←Previous

🎀 Pairing: Joel Miller x Virgin!Again!Reader

🧰 Setting: Lincoln. It is 2023 but Joel, Frank and Bill are as young as they were when they met in episode 3.

🎀 Synopsis: Your suffering was too much for your father to handle, so he decides to make you happy again.

🧰 Warnings: Angst, fluff, smut (no details for spoilers but... It's mouths everywhere and very graphic descriptions), softdom!Joel, Joel talking her through, a few descriptions of reader's hair being long.

🎀 Word count: Sixteen thousand....? (I wish I was joking, it is actually 16.5k, I can't control myself)

🧰 A/n: Finally it is here and finally you can read it and I'm sorry it took me so long, (also sorry it is so long and wordy) but I hope you cry and smile a lot!!! Thank you all so much for the support with this series all this time. I don't deserve you 🩷 I'm really happy with it and really proud of it. I hope it meets your expectations and I hope you feel it is a good way to give closure to the last chapter.

Comments, reblogs and all that sweet love are as always so, so appreciated. It makes my day to read all the kind and sweet ways in which you all relate to this story and how it resonates with all of you 🩷🧰🎀

"Does she need anything?" Joel asks, almost panting as he ran to the radio. Whatever it is. Your dad just has to say it and he's gonna go after it for you.

He hates every second it takes Bill to respond.

It is another sunny yet slightly chilly afternoon, the leaves in the trees begining to fall as summer comes to an end.

You're on your porch, practicing the part you remember of the song Joel told you he used to play for Sarah, when someone walks close to you. You look behind your shoulder, finding Frank with a wide smile on his face.

"Hi, dad... Is everything ok?" You ask, smiling softly at him, a smile that — as usually now — doesn't quite meet your eyes.

"I got you a gift." He says, and you carefully put the guitar beside your chair, looking curiously at your father. He hands you a medium sized canvas, and your temples tense when you see it.

The view from your bedroom window, except this time the weather isn't the focus of it, nor the reason why he painted it.

It's the house across the street. With fences around the large and grassy front yard, the sheep, the greenhouse in the back, and a simple, black shilhouete of a tall man. Of him.

You feel a pang of pain looking at the scene you know is never gonna happen. It's not like the painting of a sunny day, that you know will happen again after the rain ceases. It's something you'll never have, something — someone — you want, you need, and you just won't get to experience. Your eyes burn with a mixture of sadness and anger — a feeling you've never felt towards Frank before —, but you hide them from him, a single tear betraying you and rolling down your cheek.

"It's nothing compared to the drawing I did over the photo, but..." You joke, forcing a smile, mentioning the polaroid you took and drew on top of as you quickly dry your tear.

He nudges your arm playfully, sitting on the armrest of the chair you're seated on. "Guess I still have a lot to learn from you." He smiles, wrapping his arm around your shoulders.

"Thank you, dad." You say, but you can't shake the confusion as to why your would dad gift you this.

So you could see it everyday as a reminder of what you could've had? Of what you're never gonna have?

About a week after you've hung that painting up on your bedroom wall — which is what you fall asleep to every night now, hoping to dream with it, with him—, you notice your dad working again on Sarah's painting.

"Why are you finishing it? It's too big for him to take it back with him." You say almost bitterly as you enter your dad's studio, startling him.

"Oh... I thought you were helping your dad in the garage." He takes a second before answering, seemingly nervous to see you. "You know I don't like unfinished work." He tries to sound nonchalant, a typical Frank smile on his lips. "Also maybe you could take a photo of it and gift it to him. Well... give, uhm, give it to Tess so she can give it to him." He corrects himself, his smile faltering. "I'm sure he'd appreciate that." Frank says, his face lightening up again with a smile packed with... Anticipation?

A glint of hope ignites inside you, combusting inside your chest, suddenly too big to fit inside you, but you kill it as quickly as it's born.

He's not coming back, don't nurture those roots any more.

"Alright." You sigh, your voice restrained. "Do you have anything here to throw away? Dad's gonna burn a few things from the garage, there's too much accumulating." You say.

Since the bonfire never happened — there wasn't really a mood for it —, the unusable wood and inflammable material started to pile up even more then they already were.

"A bonfire?" Frank's face twists with a mischievous smile, and you can't help but giggle.

"Not that dad will ever admit it." You smile softly, and he cheers.

He gives you a few broken or moldy frames, and you take them back to the middle of the street in front of your house, assembling them with the rest of the disposable wood your dad is gonna burn.

You sigh at the thought that this should've happened over two months ago. That Joel was supposed to help, to be there with you. To enjoy the bonfire, to play his guitar, to hold you afterwards...

Stop it. You promised you wouldn't cry over it.

You look at the house across the street and let out another sigh before drying a few tears from your cheeks and going to the garage to help your dad bring the rest of the things outside.

For the next two days your dad refuses to light up the bonfire, for whatever reason he didn't wanna tell you, and you didn't give it much thought.

"I think it's gonna rain." He said exasperatedly as an excuse while he covered the pile with a tarp, and you just went with it, despite the clear sky.

But today he came from a run for supplies with an urge to do it, and while he unpacked his truck, Frank took you inside to prepare a few pretty platters with some snacks for you all to eat at the bonfire.

"Now let's go get you ready." Frank says after you're done.

Your dad can't help but be performatic.

"Get ready?" You ask, confused, looking down at your baggy shirt and shorts, clothes you'd only ever wear on your period or when the weather was gloomy, and that since Joel went away became your everyday choices.

"Yes, sweetheart. Get ready. Take a shower, put on a nice dress, fix your hair and put some makeup on." Frank's face lightens up with his own words.

"You're still not over your doll phase, I see." You joke. Your dad always loved to dress you up.

You'd hop into the shower and come back to see your bed covered in different clothing options, and you were always amazed by how well he learned to do complex hairstyles just from teen and vintage magazines Bill found while outside. He'd dress you up in different outfits and you'd walk down the stairs in every single one of them while Bill judged them all.

Your family's very own little fashion show.

Needless to say, Bill always loved you in every single one of them, and your childhood is full of fond memories like that.

"I have a perfect doll at home, of course I'm gonna wanna dress her up." He kisses your temple.

"I don't... I'm not feeling it, dad. I'm sorry." You say quietly, looking down while you clean the counters, feeling bad for letting your father down on such a sweet tradition of the two of you, that always turns whatever you're doing into a special event.

And you can't help but remember how he helped you get ready the day Joel and Tess first arrived. How he said if they were to see you for some reason, you should be as pretty as you could. It makes you remember how Joel looked at you, how he smiled at you, how he said you were everything he thought he'd never see again.

"Hey, look at me." Frank says almost sternly, calling your attention, and you look up at him, your eyes watering already. "Darling... I want my daughter back!" He says, almost whining, frustration mixed with sadness making his voice shaky and his eyes watery.

"Dad..." You cry quietly, feeling bad. You know he is right. You can barely recognize yourself. But you feel powerless, you've just convinced yourself that there's no point.

He is not here to see your dresses, to smell your perfume, to praise your soft skin and hair. He's not here to see your smile.

"Honey, you gotta take care of yourself for you, even if he's not here anymore." Your dad can definitely read your mind. "Just like you always did. I want my sunny, giggly and happy girl back. I want you smiling, laughing, being silly. I want you in summer dresses and with your hair shinning, lipgloss on and smelling like our garden." He says, caressing your hair. "I know how happy all that makes you."

"I do miss it." You admit, with a pout and a smile, taking his hand in yours, intertwining your fingers with his and swinging your hands gently.

"Then c'mon, my silly doll. Let's get ready. Try to have fun. Even if it lasts for just a little bit." He smiles. "Then tomorrow we try again, fresh." He says, guiding you upstairs to your bedroom.

Frank went pale when he saw the pairs of lingerie Joel got you, but you told him what happened the night you put them on — that last night, and how Joel told you to get changed — and he sighed, telling you to put on a more... Simple one. You choose a romantic white and embroidered set.

You take a slow and warm shower, and leave the bathroom smelling like berries and roses, dressed in your lingerie and a robe. You walk out of your bathroom to find the dress Joel picked for you that day, carefully placed on the center of your bed, your dad smiling softly at you, his hand on his right cheek.

The dress is short, made of a light blue fabric with some small white and yellow daisies embroidered on the neckline, that has a lettuce trim. It has thin tie-up spaghetti straps and a defined waistline. It's supposed to hug your back and waist while having a more loose grip around your chest and thighs.

"He did choose the right one." Frank almost whispers, looking at you and then the dress.

"He did." You smile softly, your eyes watering just from thinking about that day as you run your fingers through the delicate embroidered flowers.

"Do you wanna wear it?" Your dad suggests, his eyes glimmering with both excitement and the glowy, warm dance of the flames of the bonfire — that Bill lit up while you showered — bouncing on the walls around your room.

"I don't know, dad..." You whisper, your sight blurry because of all the tears.

"You should wear the one the chose." Frank lifts your face. "It's a sweet memory you have with him." He dries the tears that roll down your cheeks.

You smile weakly, remembering him sitting down on your bathroom floor, his legs spread while he fixed your cabinet, talking about the QZ and thoughtfully helping you pick a dress even though he clearly had more important things to do.

You nod and Frank helps you in it, telling you how pretty you look while he ties the straps up your shoulders, before browsing through a few vintage catalogs after a simple and romantic hairstyle.

You sit in front of the mirror so he can start curling and doing your hair, and for the first time since Joel left, you have a sincere smile on your face. You've missed this, these simple moments with your dad, doing your hair, dressing up, talking about nothing, making up gossip (usually about your poor dad Bill) like you're in a beauty salon — or at least how Frank described women's beauty salons to be in the past.

After an hour of playful; "I heard Bill hasn't cut his hair in like... Three years" and "Oh, but they say he's so lovely under all that beard and grumpiness", your dad finishes up, his eyes watering as he takes a step back to take you in.

The romantic dress, your delicate white shoe and sheer socks, your soft hair cascading down your shoulders, with two delicate and small white ribbons on the back — a new addition he saw in a beauty catalog and begged Bill to find when your poor dad went out to look for supplies—, your rosey cheeks — courtesy of the beetroot blush —and glossy lips.

"You're perfect, my dove. You're the most gorgeous woman I've ever seen." Frank says, his voice tangled with emotion, and you smile.

"Got your good genetics." You joke, and he chuckles.

"I wish, my love." He whispers lovingly, running a hand on your hair. "But even though my blood doesn't run in your veins..." He starts, his voice thick and uncharacteristically serious as he takes your hands in his. "I guess all the time we've spent together passed some of my good looks to you." He jokes, and you laugh, giving him a hug.

"I love you, daddy." You say, and he tightens his embrace, his eyebrows furrowing at the sweet name.

"Long time since you last called me that." He smiles, his tears — that he tried so hard to hold back — now flowing freely down his cheeks.

"And now I love you even more than the last time I said it." You smile even wider, and you two only let go when you hear a gentle knock on your bedroom door.

"You're gorgeous, honeybun." Bill says from the doorway, his eyes red and watery, his expression soft and tender as he looks at you.

"I'm starting to think you two are gonna throw me in the fire as an offering." You say playfully, wondering why they're being so affectionate about the bonfire.

Maybe...

No. You're just hurting yourself.

"Well, now that you mentioned it... That's not a bad idea." Bill chuckles softly. "I think the Gods would love you. Probably the best offering they've ever had. We'd have good crops and healthy animals for the rest of our lives." He says, playfully looking at Frank, and you remember how Joel used to call you angel, the memory of his low and husky voice in your ear making your eyes wetter.

Bill nods at Frank, who nods back. "I'll be by the fire." Frank says, kissing your forehead one last time before holding your chin. "My pretty girl." He smiles at you, leaving your bedroom, drying his face with his sleeves before touching Bill's shoulder and giving him a peck on the lips as he passes by him on the doorway, whispering something to him.

Bill steps closer to you, taking your hands in his, caressing the back of them, his eyes lovingly roaming around your face. "You are my daughter." He starts, his voice proud and shaking. He has never let you doubt that you're his child, even if you don't share the same blood. "And you know I'd do anything to see you safe and happy. Anything. Even if it doesn't make me happy." He says, his eyes reddening, and you tilt your head, softly squeezing and caressing his hands, soothing him.

"Daddy..." You say softly, your heart aching.

"But that's not possible because if you're happy I'm also happy." He smiles, his voice barely coming out. "There's no scenario I can imagine in which you are happy and safe — his voice breaks — and I'm not happy for seeing you happy and safe." He says, tears rolling down his cheeks. "I love you more than anything, my love. You're the best and most important thing this life has ever given me, and I only am the man I am today because I've had you with me all those years." He says between tears, and you tenderly dry his face with your thumbs.

"And I couldn't ever ask for a better family. A better father. I know all you do is to protect me. Even if it hurts at times." You say softly, finally coming to peace with what Joel asked you.

How could you ever hate your father for doing that he thinks is best for you? For trying to protect you?

"I want you to forgive me." He whispers, his head tilted down and his eyes looking up at you. "Forgive me for not allowing you to experience love." He cries, and your heart breaks along with his voice.

"Daddy." You cry, squeezing his hands. "You love me so much, you show it to me everyday. I know love. I know your love, dad's love... And for a while I knew Joel's love too." You whisper the last part, but he doesn't react to it.

"I'd be so miserable without you and your father, my love. You two are everything I care about. The only reason I'm still here. The only reason why I've made this place so good and comfortable." He says, his crying intensifying while his trembling hands move to tenderly caress your hair.

"And I know I'd be happy as long as I were with the two of you, no matter where we were. Even if we lived in a QZ, in the middle of the woods or anywhere. It's not this place that makes me greatful. It's the both of you." You smile, kissing his wet and salty cheek, and he smiles back.

"Damn good thing we have the fences though, right?" He chuckles playfully, giving you a side look as you kiss him.

"Absolutely." You smile. "The hot water and fruits may also make me love you a little more." You giggle softly, and he chuckles.

"I'm charming like that." He laughs, taking your arm in his. "I love you, I always will. And I love the woman you've become. You're strong, you're beautiful and you deserve all the happiness you can manage to have in what's left of this world." He says, for the first time — except while teaching you how to survive and defend yourself — talking to you like you're an adult.

"I'm only all that because I'm your daughter. Because you raised me." You whisper, your voice full of pride and love. "I love you too." You touch your head to his shoulder tenderly, your love for each other filling the air around you while he holds you for what feels like forever — but still not long enough.

"C'mon, your dad is waiting for us." He says after a while, and he fixes your hair before walking you downstairs, his arm tangled with yours.

He goes slowly, no rush as he sometimes steals glances at you and smiles. You don't understand why, but this moment feels special. If feels like you're gonna remember this feeling forever.

You find the front door open, and he guides you towards it. From inside you see Frank smiling by the bonfire as he looks at you, and you see his lips moving, whispering 'my princess', making you smile back at him.

You walk outside your house with your arms still tangled with your dad's, and as soon as you look at the bonfire...

It can't be.

"You. She needs you." Bill cried on the radio, inviting Joel to come back, to stay with you. To help him make you happy.

You eyes well up instantly, your mouth hanging open and your nose burning with the sudden rush of tears flooding your eyes, and you try to run, but your dad holds you back, taking your face in his hands.

"Honeybun..." His voice is shaking. "You know I love you more than anything in this life, don't you?" He asks and you nod emphatically, repeating 'yes' over and over as tears roll down your cheeks. "Promise me you'll always love me more than anything too?" He asks, his eyes watering as he smiles adoringly down at you.

"I could never love anything more than I love you, daddy." You cry, hugging your dad tight. He kisses the top of your head and gives you a reassuring look.

"I love you." He whispers, releasing your arm. You look at Frank, and he nods, his cheeks wet.

You turn back to the bonfire. To him. And you run.

You run desperately into his arms, open and ready to hold you. His body stumbles back as you jump into his embrace.

God, how you missed his arms, how you missed his smell, his warmth. You can't even speak, letting the tightness of your embrace speak for itself as you grip his shirt and shoulder blades tight and he almost lifts you off the ground, his heart beating so fast that you can feel it against your chest.

"Joel..." You cry in his ear, squeezing him as much as you can to make sure this is real. He is here. With you.

He cries your name back, holding the back of your head and wrapping his other arm protectively and tightly around your waist, his tears wetting your hair. Your hair that he missed so much, with the softness and the scent he craved so much, the scent of your skin, the feel of it, the glow you emanate, that seems to leave your pores and intoxicate him.

He pulls back slightly, his hands holding your waist and cupping your face — that way he always cups your face —, his thumb caressing the delicate skin underneath your eye, his eyes looking adoringly down at you, like you're the most precious, most special and delicate thing left in this planet. Like if you're the sole reason behind his wide smile, that seems to mimic yours. Wider than you've ever seen before.

Your presence gives him an instant sense of peace, a sense of belonging, of purpose. He wants to preserve this. Your wellbeing, your safety, your peace, your smile. Make sure you're well fed, healthy, taken care of. Make sure you're happy and loved.

It makes him want to forget about the old Joel. The sad and bitter, stoic and practical man that wouldn't want to get involved with you under the cowardice of not being good enough for you. He will be good enough. Vulnerable enough, open enough, romantic enough. He will allow himself to love you. He is gonna make damn sure of it everyday, he promises to himself. There won't be one day he won't do everything in his power to make you the happiest woman alive.

The old violent and deadly Joel will be preserved though. Kept quiet in a corner, always vigilant and attentive, ready to surface if he ever has to protect your town, your parents or especially you. Ready to not measure means to keep you safe.

You look behind him and see three big bags on the floor. "Are you... Are you staying?" You ask with a wide and contagious smile, almost out of breath, and he nods, his eyes somehow becoming even softer.

"Only if you want me to." He smiles, like you could ever say no to him, like if you could ever not want him to stay. Ever not want him.

Your smile somehow widens even more and you hug him tight again, like if any inch between you two could perhaps give him a chance to leave again. A chance he'd of course never take, never leave you again, never not have you again.

You enjoy his warmth for a little longer, remembering how soft and comfortable his embrace feels, how his fluffy flannel makes his chest feel like a pillow. How safe and special you feel in his arms. The arms that had no responsibility to love you, to choose you, but that did anyway.

And he holds you close. His strong arms keeping you shielded and protected, warm and safe. He never wants to forget what it feels like to hold you again. His heart seems to find a calmer pace as it feels your own beating against his chest.

A few moments later you remember that Joel isn't the only person last on earth and turn back to your parents, their arms holding each other's, Frank resting his head on Bil shoulder, with a smile that almost matches yours and Joel's, and Bill with a stiff expression that breaks when he sees the pure bliss and joy on your face. Any remnant of doubt or uncertainty leaving his shoulders as he sees the smile and the glow he missed so much these past few months.

You run to them, hugging both at the same time, your face nesting between their shoulders, and they hug you back, protectively wrapping you in their arms. You all share a silent understanding.

This is what life must be. Full of love and trust. Full of people who wouldn't hesitate before doing what's best for one another. Who wouldn't hesitate to protect and care for each other.

"He moves one finger you didn't want him to and you tell me, you hear?" Bill says as you pull back a little, still in their arms.

"Bill..." Frank laughs.

"You raised me, dad. You know I'd kill him myself." You joke, and Bill's eyes glimmer with amusement.

"That's my girl." He laughs proudly. "She's my daughter." He playfully nudges Frank, like it'd be news to him.

"Yeah, it shows." Frank laughs back, and you hug them tight again. "Go stay with him, love. Your dad and I are gonna bring out the food." Frank says, and you nod, walking back to Joel, who once again takes you in his arms, holding you tightly, as if trying to make up for lost time before letting go and sitting down at one of the benches your dad put by the bonfire.

You sit beside him, your body facing him, and he fixes your hair tenderly.

"The ribbons look nice." He compliments, and you smile. He notices the smallest new details about you, and it makes you feel special and pretty.

"Thank you." You purr, feeling your cheeks warmer than before.

"I got you something." He smiles at you, reaching behind himself to pick a bouquet he made with some wild flowers he found on his way back to Lincoln and some craft paper Tess helped him sort out in the QZ. It makes you smile, your eyes welling up.

"Joel... They're beautiful." You manage to say, your voice barely there.

"Some are already dying, but they are the ones closer to the QZ. The closer to you, the brighter they are." He says softly as he fixes the tie-up straps of your dress, and your heart melts. "Just like me." He whispers, his eyes red, and you smile lovingly at him.

You notice there's a paper amidst the flowers, and you take it in your hands, finding it to be a photo of Joel, that's all wrinkled, like he was planning to throw it away.

"When is this from?" You ask curiously, smiling up at him, his cheeks covered by a small blush.

"That's..." He clears his throat. "The photo I took when I got you the polaroid camera, to test it. I took it before eating the food you made me." He chuckles. "I thought it looked terrible, but then I thought you'd kill me if I ever told you it existed and I never gave it to you." He smiles, gently taking your free hand in his.

"I would." You smile, tenderly caressing his cheeks in the photo, feeling his thumb caress the back of your hand.

"Sometimes I'd doubt myself." He whispers, like he's just thinking out loud, his eyes traveling around your face, a small and silly smile on his lips. You frown, tilting your head slightly as you turn to face him. "I'd wonder if you were really like this." He smiles, and you feel your cheeks heating up even more, in a way only he can make them. "Not even the photo you gave me would convince me that you were this sweet." He says with an adoring smile.

"Do you remember this dress?" You ask quietly, and he gently plays with the fabric covering your thighs.

"I knew you'd look perfect on it." He smiles. "It's like it was made for you." He says.

"Just like I was made for you." You whisper back, a shameless smile on your lips.

His eyes are wet as he looks at you. "I missed you." He whispers, his lower lip trembling.

"I missed you too." You whisper back, resting the bouquet on your lap and cupping his face, bringing his forehead to touch yours.

He nuzzles your nose, fighting back the instinct to lean forward for a kiss.

"Guess we're doing it... The little ranch." He says instead, sniffing softly and beckoning to the house across the street, a single tear falling from his cheek onto yours.

"Am I still invited to move in with you?" You laugh softly, caressing his stubble, and he responds the laughter.

"Meh... We'll see how it goes." He playfully shrugs with a smile. "I wouldn't wanna do it without you. You're the most important part of any of my plans." He whispers, his tone soft and serious as he squeezes your hand and turns it to kiss the delicate skin of your palm. "We're gonna stay with your parents while I renovate our house — our house... — and then when it is perfect, we're gonna move in. We're gonna be patient until then." He says, and you frown. You know exactly what he means.

"Joel..." You half whine. Why does he has to be such a good man?

"I know, baby. But that's not what I want from you. And I promised your father I'd have everything settled before I touched you. So both of you know I want this." He sounds sincere, so sincere, so honest, it breaks your heart. "All of this. And mostly you." He smiles.

You've been through it, but your stomach freezes at the thought of your dad and Joel talking about whether the two of you did... That.

"Did he ask you if we had s-...?" You ask, your voice small and mortified, your always sweet eyes wide open.

"We didn't use the words themselves." He quickly says when he sees the panic in your eyes, caressing your hand soothingly. "But I assured him we haven't... Actually done it yet." He says. "And he made me vow to keep it that way until I'm settled here."

Your dads return before you can respond, with trays of kebabs, some savory oat muffins you made earlier that day, fruits and a few drinks.

You all start eating, and you notice how hungry Joel seems, how he eats like he's hiding his real hunger, and it breaks your heart. But as you cook him another kebab over the bonfire flame, you get a glimpse of what life's gonna look like from now on. Taking care of him, making sure he never has to go for a day without being well fed and loved.

"Only thing missing here is some s'mores." He chuckles, looking down at you with a full mouth and a silly smile.

"Oh, I've never had those...!" You gasp, almost whine, your eyes shining with the idea of it.

"They're amazing, you would've loved them." He smiles, cleaning a few crumbs on your cheeks.

You and Frank talk and have fun while Joel and Bill mostly just watch, both still testing the waters with each other. Bill tries to read Joel, noticing how his eyes shine when he looks at you and how happy you seem with him, how close together the two of you are sitting, with your thighs glued to each other's; and Joel tries to not be too invasive or physical for Bill's liking, even though he wants nothing more than to keep you close and his arms around you for good measure.

Bill eventually joins in the conversation, asking Joel about the path from the QZ to Lincoln. About what he saw, if he noticed anything different or concerning. Joel explains how he covered his trail and describes his encounters with the dead and the infected, and you worriedly try to check his arms under his flannel, making him laugh softly at your worry, reassuring you he's fine.

···

After you're all full, Frank asks your help to bring the dishes back inside, and you follow him. After you set everything in the sink he tells you to leave it to clean the next morning and takes you to his studio, where he hands you the finished painting of Sarah.

"He gave you flowers, right? Go give him your gift." He smiles at you, and you smile back.

You walk outside the house with the canvas behind your back, and you spot Joel and your dad talking to each other. There aren't any big smiles yet, but it's happened before, so you hope it's gonna happen again.

You go to them, turning the canvas towards him, and his eyes swell as soon as he sees it, his eyebrows moving and his lips quivering.

Frank captured Sarah perfectly. Her soft eyes, her hair, her freckles and dimples. Her silly smile is almost as bright as the real thing used to be. He can't help but caress the canvas, like he could feel the soft skin of her cheeks.

Joel cries like he's seeing his girl again, like she's there with them, and he'd be lying if he said he didn't feel a breeze pass by him when he saw the painting. Like she's by his side, present, approving of his much longed and deserved happiness. Like she's smiling from wherever she is, finally resting now that he has all this. Now that he has a safe and loving environment for himself. Now that he has you, like she knows you're gonna take care and love her father.

He hugs you, no words needed to express his gratefulness, how much he loved it.

"It's perfect. It's her. My babygirl." He manages to say between tears anyway, and when you pull back, Bill walks closer to Joel, looking at the painting, his own eyes watering.

"I know you're gonna be everything my daughter needs, Joel." He says. "Because you are a father too." His voice breaks. "You know exactly how much she means to me. I... I Promise I'll do my best to rebuild my trust in you. For her. We're gonna make this work." He whispers, and Joel nods, a determined look in his eyes. He knows it's not easy for Bill, and he wants to earn his respect once again. "And besides... She's my daughter. I know she'd deal with you before I had to step in." He chuckles, and Joel laughs.

"I know she would." Joel agrees, his eyes watering as he looks at you.

"You take good care of my little girl. You make her happy. You keep her safe. You keep that gorgeous smile on her face." He says, turning back to point at you and your wide smile, tears pouring from his eyes. "And we ain't ever gonna have a problem again." He tells Joel, who once again nods, offering his hand for your dad to shake.

He's not good at being vulnerable around others, but he hopes that's another feeling you might restore in him.

"That's everything I'll ever do." Joel says, and they shake hands, a mutual feeling of respect and trust being established between the two men. When Frank joins them, Joel offers his hand for him to shake.

"Oh, c'mon, I'm not Bill!" Frank laughs, pulling Joel into a hug that he happily responds to, feeling grateful for Frank's trust in him this whole time, and for the portrait he's still holding.

"Thank you, Frank." He whispers as they hug. "For trusting me even when I didn't deserve your trust. And for giving my girl back to me." He says, his eyes once again down to Sarah's painting.

"It was an honor to paint her." Frank smiles. "And she's not the only girl I manage to get back to you." He smiles back at you. "You take good care of my baby. Her father is a psycho, you know that." He jokes, and Joel chuckles.

"We all are to protect who we love." He nods, the old Joel speaking. Lethal when it comes to protecting you.

"You're part of our family now. Thank you for making our daughter so happy." Frank says, nudging Bill for him to say something.

"Yeah, yeah. Family." He says, his voice dry and choked in his throat. "We'll do our best to make her happy." He says, and Joel nods.

They all turn to look at you, and you feel like you could burst with love and happiness. Your parents and the man you love. All going out of their way to make you safe and happy.

"Love! Photos!" Frank tells you excitedly, and you run inside to get your camera.

"Frank..." Bill mumbles, but Frank shushes him.

"Bill today is a special day for our daughter." He says, his voice firm. "We are taking photos." He fixes Bill's hair tenderly, Joel smiling as he watches the two of them.

No wonder you're so special. Being raised by these two.

You come back with the camera Joel got you, and you first take a photo of the three of them together. Frank standing in between as they all give you their best smiles.

Then Joel takes a picture of you and your dads, smiling to himself at your bright smile.

"It looks perfect." He smiles, and Frank takes the camera from him.

"Go on, love. You two. Get the flowers, where are the flowers?" He says, and you and Joel pose together, his arm around your waist while you're wrapped around him, holding your bouquet, a happy and loving smile on your lips, and a wide one on his. "Beautiful. Now a kiss!" Frank says, and Bill shifts on his feet.

Joel is a little hesitant, but you gently cradle his face and touch your lips to his for the very first time since he went away, wanting to save the real kiss for when it's just the two of you. His arms tighten around you, and your dad cheers.

"Beautiful!" He says, showing you the photo.

"Our second first kiss." You smile, looking at the photo, then at Joel.

"You haven't kissed yet?" Frank gasps, and you shake your head. "Oh, and I got it on camera! That's so precious, my love." Frank says lovingly, and Bill smiles as he looks at the photo as well, your smile even as your lips are pressing against Joel's leave no room for him to doubt just how happy you're gonna be with him.

After a few more conversations and photos you all decide to get some rest. Your parents kiss the top of your head and go to their bedroom, Bill glancing at Joel one last before going inside, nodding at him.

All of the dishes are forgotten in the sink. "A tomorrow morning problem!", like Frank said earlier. And the bonfire, still burning its last flames, to be dismantled and cleaned the next morning as well.

You help Joel put his bags and the painting in the living room, only his backpack on him as the two of you go upstairs, holding hands, a peaceful sense of belonging consuming him as he thinks about how this is his life now. About how you don't have to hide, to lie, to suppress your feelings or worry about not having each other the next day.

And he doesn't have to worry about trust or boundaries. They're all set, and he wants more than anything to prove to your dads that he's not just after good food and a safe and comfortable bed with a pretty girl laying on it. He wants you. Happy and safe, his.

···

You reach your bedroom and open the door for him to walk in. He closes his eyes and smiles when the sweet, floral and citric scent he missed so much enters his nose.

He sets his backpack down and looks at you while you carefully place the bouquet on your dresser and fix your hair in your mirror.

"I forgot how good your bedroom smells." He smiles, walking behind you and looking lovingly at your reflection on the mirror, placing his hands on your waist. You turn around, wrapping your arms around his waist, inhaling his own scent.

"You smell good, too." You whisper, snuggling your cheek to his chest, indulging in his comforting warmth, in his presence, in his smell, the gentle rhythm of his heart, the rumble of his breathing.

"Your dad told me to shower when I got here." He chuckles, pulling you out of your trance as his hands trace gentle circles on your back.

"He made me get all dressed up." You giggle softly, certain that it was Frank that told him to shower, and he gently releases his grip on you, lifting your chin with his thumb so you look up at him.

"You're beautiful, my angel." He whispers.

The warm and now softer glow from the bonfire below your window casts a beautiful and intimate light on both of you, outlining Joel's face perfectly. All of his features; his big and sculpted nose, his big and soft brown eyes, his pouty lips, his cheekbones and jawline. His hair, that's still a bit wet near the roots, yet already fluffy and messy on its — now slightly longer — curls, his stubble — the tiny little white hairs starting to flourish —. Everything perfectly layed out for your eyes, making you remember exactly why the thoughts of him made you so breathless.

And when your eyes land back on his, you notice their softness towards you. A softness they only acquire when looking at you. A softness that seems to draw your eyes lower, to his lips, that makes you lick your own, anticipating feeling his touch again, his warmth... his taste.

Like you've rehearsed it, at the same time that you get on your tiptoes, he slowly leans down, gently cradling your face and touching his lips to yours. Intoxicating you with his hot breath against your nose, breathing the same breaths as the warm air that leaves his lungs fills your own, his gentle yet firm hands on your lower back and cheek, the roughness of his fingers on your skin, the softness of his wet lips caressing yours.

Feeling his beard tingle your face again makes you melt into his arms, it makes you melt and it makes you moan softly into his mouth, making him hold you tighter and gently tug on your hair, deepening the kiss even more and grunting as he tastes what he's missed for so long. The sweetness he thought he'd never have in his hands again.

Your tongues dance together in a passionate and intense display of intimacy. Intimacy that you've learned not long ago, that he taught you all about. An intimacy that makes him feel like you've known each other your whole lives, like your love follows you way before this life and these bodies. Like your souls have been longing to be reunited for much longer than just a few months.

You tug at his jacket, wanting to squeeze him, to make sure he's real and all yours, to try and make him feel just how much you've missed him, to have him as close as possible to you.

"Baby... We talked about this." He pulls back to whisper breathlessly over you lips when you start pressing your body against his, the kiss going from slow and romantic to hungry and needy, the sensations traveling from your tongue directly to form a pool between your legs.

"Please, Joel. I need you." You moan, burying your face on his neck, kissing the warm skin there.

"Baby..." He tries to protest, feeling that same vulnerability you always erupt inside him.

"We don't have to do anything we haven't done yet." You purr, looking up at him. "Please, Joel. I thought about you every single night." You say, and you see his nostrils widening, his chest expanding and his jaw clenching as you confess to have done what he also did.

Every single night after the first few weeks, when pain and guilt started to give space to the longing and need to be together again. Nights where he laid on his side and held himself tight, imagining what you'd feel like, remembering how warm your skin felt against his, how good you smelled, how much he missed your nails on his back, your fingers curling on his hair, your lips burning his skin, your warm and wet flesh around his fingers. Nights where he held your photo to smell the - fainter by the day - perfume you sprayed on it and to look at your sweet smile, remembering how your face contorted and how you cried his name, the sound still echoing in his mind.

"You're gonna kill me." He whispers, pulling away, leaving you whimpering softly as he walks towards your window, resting his hands on the bottom of the frame, looking at the house across the street. The one he chose to live in with you. To make yours.

You walk towards him, wrapping your arms around his torso and resting your head against his back. "It's ok." You whisper, feeling his back expand with his heavy breathing. "I can wait. I like that you want to wait." You say against his back, your hands caressing his stomach and chest, and after a few moments, he turns around, facing you, his eyes scanning your face.

"Did you tell the truth?" He asks, his voice low and quiet. "Did you think about me like that?"

"I did." You confess again, feeling your cheeks warm up as your gaze drops to his old and dirty boots and your delicate shoes and white sheer socks.

"Then why do you need my help, angel?" He asks with a soft smile, almost a smirk, gently cupping your face and pulling it up so you look at him, his thumb caressing your cheeks.

"Because I couldn't... do it without you." You purr, leaning into his touch until he removes his hand, making you whimper as he once again walks away from you. "Joel..." You whisper, watching him.

He hears it and chuckles softly before sitting on the edge of your bed and looking at you. His gaze just like you remembered it. Hungry and lustful but somehow still soft and lovingly, his dark eyes glistening with the flames of the bonfire that are weakly dancing around your room. The intensity of his gaze makes you shift on your feet while you wait for him to say something, your fingers nervously curling around one another.

He pats his lap, calling your attention. "Come here, angel." He calls, his voice as soft and demanding as always, and before you even process it, your legs are obediently walking towards him, earning an approving smile. "Good. Come here." He instructs again, this time pulling gently on your waist for you to sit across his lap.

"I missed the way you talk to me." You confess in a whisper.

"You did?" He asks, tucking your hair behind your ear while his eyes roam around your face, a silly smile on his lips.

You nod, your eyes catching his gaze as you just stare at each other in silence for a bit.

"I like the way you tell me what to do." You purr, your shaky voice betraying how nervous you are to be so close to him again.

"And I love how you trust me..." He responds quietly, like he's just thinking out loud. "... How responsive you are to me." He whispers.

You look up at him, your eyes glistening behind a thin layer of blissful tears. "Responsive?" You ask softly, and he smiles.

"You'll see what I mean." He reassures you, carefully grabbing a fistful of your hair and pulling it above your other shoulder so he can kiss the soft and sensitive skin of your perfumed neck, earning a breathy gasp and a pleased frown from you. In response, he nibs and sucks on it, squeezing your thigh gently, his hands caressing your skin, going underneath your dress to caress the soft spot where your thighs and your hips connect.

"Joel..." You whisper, trying to give him better access and simultaneously wrap your arms around him so you can touch him back.

He places both hands on your waist and gently pushes you off his lap, and you're quick to turn and straddle him, just like you did that first night on your armchair, your hands going under his arms to tug at his shoulder blades while his go to your waist and hips, holding you firmly - squeezing you so good - and tugging at the soft fabric of your dress while his lips trail wet kisses from your neck to you shoulders as his rough fingers gently undo the straps of your dress, kissing his way back from your shoulders to your jaw, and from your jaw to your already open and inviting lips.

You moan into the kiss, his hot breath caressing your skin and his beard burning you and making you lean even closer to him.

He grunts as you tug on his hair, your hips instinctively rolling against his, and he starts pulling your dress up your thighs with the back of his fingers, caressing and kneading the tender skin of your thighs as he reveals them, his worn out and barely-there nails greedily digging in the soft skin of your hips and bottom in an eager attempt to make up for the time apart, to remember and to feel everything he thought about every single night, to never again forget how you feel like under his touch.

He continues pulling your dress up, and you help him by lifting your arms, allowing him to fully reveal your soft and perfect - somehow even better than he remembered - curves, your delicate white set of lace bra and panties... And he goes numb, his eyes locked on your body and his lips apart, his hands moving up your waist, his thumbs caressing your breasts and rolling around your clothed nipples, his chest moving deeply as he tries to catch his breath, lost in the sight of you.

"I missed you so much, my angel." He whispers, his gaze making its way back to your own, his eyes soft and watery, filled with unspoken words of love and passion, with the longing of all those weeks apart, all those nights where he'd have done anything to be by your side.

All the times he caught himself looking into nothingness, lost in thoughts about you, about how you must've been and how much he wished to be doing the same nothing, staring into the same nothingness, but with you. How much he missed all of you. Every single smile, breath and noise you make. Every wrinkle in the corners of your eyes when you smile, every mark, spot and stretch, everything you'd be insecure about if you've grown in a regular setting. Things he'd never change about you.

He couldn't think of a single thing to change about you to make you more special, more perfect for him.

"I thought about you all day long. And you came back to me." You whisper back, your eyes not as shy as his, your tears flowing freely down your cheeks and onto your neck, inspiring some of his own to make the same path, rolling down his cheeks and soaking his beard. "When my dad was dressing me up... I kept thinking that maybe..." You begin crying softly. "That maybe it was because you'd come back. But... Thinking about it, after so long... It hurt... And I kept burying these feelings down but..." You smile brightly up at him, your eyes leaking blissful tears. "But you came back for me."

"I'd always come back for you." He says with a smile, his voice thick as he once again wraps his arms protectively around you, cradling your face against his chest. "I'd never not come back for you. Even if not now... I'd come back for you one day. I'd never let you be alone, my baby." He promises as he holds you behind your right knee and the nape of your neck, standing up with you in his strong arms and effortlessly fliping you over so you're lying on your back, on the edge of your bed.

"I wanna be yours. For the rest of my life." You say, caressing his hair with both hands as he kisses the now salty skin of your neck and collarbones.

"One day." He promises against your skin before looking into your eyes, his face hovering torturingly close to yours. "The day our - our - house is ready for us. That day; or whatever day after that, when you're ready for me..." He says, his voice softer than the dandelions your father planted near your garden, the dandelions that for so many sunsets heard the name 'Joel' as you exhaustively called and cried for him, with the hope that that day he'd finally come back through those gates. "That day I'll make you mine." He whispers before kissing your lips again, a short kiss before his lips move to your cheeks, where he continues. "That day I'll show you what it feels like to be mine. What it feels like to be a woman." He whispers before kissing, biting and sucking on your neck, right where he knows your vein is.

"Joel..." You moan again, squeezing his bicep through his flannel.

"I'll show you what it's like to be my woman." He whispers, his voice now lower and raspier, huskier. "I'll show you what it's like to belong to a man. To belong to me." He promises, his eyes soft and filled with a possessive passion for you.

He kisses your lips again, a short and wet peck that makes you moan for more, tugging at his hair and looking down when he draws a wet path of kisses down your throat... your collarbones... your chest... his wet and warm lips kissing the outline of your bra before engulfing your clothed left nipple in his warm lips, a sensation that makes you ache between your legs and your back arch up into his touch.

You whimper when he lets go, but as soon as you open your eyes, he's leaning in for another kiss, his hands leaving your waist and reaching behind you to unclasp your bra and reveal more of you to his sore — hungrier by the second — eyes.

"Ahnn..." You moan, your back arching higher against his body when he takes your bare nipple in his mouth, the wetness and warmth of his mouth making your legs move in response to the growing warmth and wetness between them, your toes tugging at the sheets.

"You're so fucking soft, baby." He mumbles against your skin, his eyes closed as he rolls your nipple around his tongue, suckling on it.

"Joel... It... So... Good..." You moan nothings into the air, recalling the first and last time he did this to you, how good it feels to have him so close, how special you feel with how he takes his time with you, how he doesn't make you feel like this is about pleasing him, but showing you how much he can pleasure you too.

"I'll make you feel so good, my baby." He says before kissing the lower side of your breast, then your waist, stomach, your bellybutton... Then the skin above the hem of your panties, his hands reaching underneath you and holding and kneading your bottom as he kisses along the whole waistband of your panties, his eyes locked on yours as his fingers tangle on the delicate and thin fabric.

"I know you will." You whisper, making his eyes harden with lust before softening at the sight of your sweet smile. He stands up by the bed and gently pulls your panties down your legs, upwards his chest, and he smells it, closing his eyes and growling at your scent. He places both of your feet on his chest, caressing your legs as he admires the woman — the angel — underneath him.

Seeing you fully exposed to him for the second time, this time knowing he's not betraying your dad's trust, that he's doing it the right way... It makes him forget how to breathe, his hands caressing your thighs, his eyes travelling around your body, pure love and desire burning in their softness. It makes him allow himself to fully drink you in and shamelessly indulge in just how perfect you are, in how every curve of your body seems to have been sculpted in his dreams. Like you were really made just for him, exactly how he wants and needs you.

"You're perfect." He whispers in awe, more like just an observation for himself as he kisses your ankles — with those cute fucking socks — and then his way up your legs, simultaneously lowering himself back between them, kneeling on the floor at the edge of your bed, pulling you closer to the edge. "Mine." He says when his lips reach the inner sides of your knees, his hands squeezing the front of your thighs, his arms under your thighs. "Perfect for me. All for me." He possessively squeezes your thighs as he kisses their inner skin, making you moan when he parts your legs, the air once again leaving his lungs to be filled only with the awe of you.

With the scent of you, the wetness and the color, the softness and the taste... Dammit, he can't wait to finally actually taste you, to finally feel your tender and warm flesh against his lips, your wetness coating his lips and tongue, your muscles contracting underneath and around his tongue.

"I shaved for you again." You purr, removing him from his daydreams, invitingly spreading your legs wider for him, shamelessly offering all of you for him. In a way you'd only ever do for him, even if he never came back and someone else did. "I did all this time... Hoping you'd come back." And you did it, longing to see the same darkness in his eyes you saw the first time you said those words. The same darkness you're seeing right now.

"I'd have loved you either way, angel." He whispers, kissing your mount. "A real man doesn't care about that, baby. Certainly not in a sweet girl like you. But I do appreciate the view." He growls before kissing the skin where your thighs connect to your core, earning a surprised and sweet gasp from you. "I can't think of a thing that'd make me not want you." He whispers, kissing your folds before tasting you.

"Ahhnn..." You moan softly, almost laughing with bliss at the feeling of his tongue licking along your slit, diving onto your clit, swirling around the small nub. "Joel... Hmmm..." You moan, your eyes already closed and your breathing already heavy.

"I haven't even started yet, baby. And that's what I mean with responsive..." He smirks before exploring every corner and fold of you with his tongue, his beard deliciously scratching and bruising your skin. "You're so fucking responsive to me, to the smallest little touches."

You try to spread your legs even further for him, eager to give him as much as possible, and he notices your struggle with the need to give him more and to soothe yourself somehow, your hands desperately gripping the sheets, your whole body already overwhelmed by him and the foreign and delicious sensation of his mouth on you. He lifts your legs, touching your knees to your chest.

"Hold your legs for me, angel, please." He asks softly, and you hug your knees, one in each arm, your legs fully spread and your core in full display for his hungry eyes, leaking with need for more, the sheets connected to you by a thin streak of your leaking juices. He presses both his thumbs on each one of your lips, watching as the arousal seems to leak out of your core as he presses against your flesh, his eyes darkening and becoming hazed as he anticipates watching you come apart for him again.

Vulnerable, responsive and shameless, just like he remembers your outbursts to be like. Your eyes closed shut or looking desperately into his own, your lips curled downwards in whimpers and cries, your hands squeezing him.

"I'mma need you to be real quiet for me, alright, baby? Only for my ears." He whispers, looking up at you, and you nod. "Can you do that for me, angel?" He asks softly.

You nod, words are way past your brain's capacity now.

"Words, my sweet girl." He squeezes your thighs. "Use your pretty words for me."

"Yes." You say in a breathless whisper, your whole body is shaking in anticipation.

"That's my good girl." He praises before parting your folds with his thumbs. He grunts at the view and buries his lips underneath yours, his beard scratching you, only adding to the feeling as he sucks on every bit of flesh, slurping in your juices and pressing his tongue against your aching and pulsing entrance, circling it and teasing pushing in.

"Joel!" You urgently beg for more, your voice quiet and small. You need more. You feel like you're so close already, his teasing and the way he's almost worshipping you making your body run to the edge. Already so close from falling that you want to hold back just to feel this for longer. "Joel, I... I can't hold it!" You purr in delicious agony, begging for both his mercy and more of his touch.

"Let go for me, princess. We've got all night to recover and do it again." He says huskily before once again parting your inner folds with his thumbs, admiring your tightness. "You're gonna feel so good around me, baby." He licks the exposed entrance, indulging in the wetness and warmth of your aching body. His tongue lapping on the pool that's formed inside you.

"More, Joel. More, please." You plead, hugging your knees closer to you in a desperate attempt to soothe your even more desperate body.

He responds by taking your clit in his mouth, licking the bud and pushing the hood back with his tongue, the feeling of his soft and warm tongue on your most sensitive spot making your body jolt with a literal spark of electricity that runs through your flesh, the feeling making you desperate with need, like if you're coming already under his tongue, your eyes snap open.

You gasp as he does it again, your eyes now closing shut. He smirks and lets the hood cover your clit again before he begins sucking on it, the feeling burning, itching and aching, all at the same time as your legs tremble desperately against your chest, your eyes rolled to the back of your skull and your mouth open in a silent scream as you lose complete control, your body tensing up, your juices flowing freely from you to your sheets, and your mind going blank, not a single thought or feeling that isn't the overwhelming pleasure he's giving you crossing your mind.

Only him, his tongue, his hands holding you, his fingers digging into your flesh to hold you in place, his scent, his warm breath against your tenderness, his eyes watching you crumble. You feel an agonizing pleasure washing over you, your body melting underneath his touch.

You come back from your high with tears falling down your cheeks, your legs sore and shaking, your breathing heavy and your throat dry, a sticky pool on the sheets underneath you and Joel gently kissing your folds, trying to help you come down and gather some of the leaking juices that you've just released.

"Joel..." You try to whisper, but the sound half dies on your tongue, the sweetness and need still making their way to his ears, and he smiles up at you, once again kissing his way up from your folds to you mount, through your stomach till your breasts, stopping by your nipple before reaching your collarbones, then your neck... Your throat and jaw, then kissing a tight trail until he reaches the corner of your lips.

"You did so good, my baby." He praises, his voice filled with pride. "So intense but so quiet and sweet for me." He whispers, touching his forehead to yours, and you smile, your cheeks warming up even more.

"Can you do this to me again?" You whisper sweetly, an undeniable amount of innocence and love in your request, making him chuckle.

"Everyday if you want me to, my angel." He smiles, kissing your forehead. "I'd never deny tasting you, making you crumble like that." He kisses you deeply, and you can taste yourself on his lips, your taste mingled with his own making you moan and tug at his curls, needing more, all of him.

"I wanna make you crumble too." You say breathlessly when he pulls back, and he smiles softly.

"Baby..." He starts, and you know that tone.

"Please, Joel!" You furrow your eyebrows. "Please, it's not fair you do it to me and I don't do it for you too." You purr. "I want to do it for you." You reassure him with a smile.

Your eagerness to please him... Something most women did everything in their power to not do... Fuck. He's one lucky son of a bitch.

"Baby... Me doing it to you is one thing... But... You don't have to do the same. We can try something we've already done before." He says, and the honesty, patience and respect in his voice makes you want to ravish him. To make him feel so good for making you feel so comfortable and safe, that he's gonna forget his own name.

"The more you tell me I don't have to... The more I'll wanna do it." You smile, a hint of mischief and innocent curiosity to know what it feels like to finally taste him, to really have him in your mouth, his breathing heavy, his face contorting, his fingers on your hair... "Please." You purr, using the face that gets you everything you want.

And he knows it damn well. He knows you always get what you want. And tonight is not gonna be the first time he says no to you.

"Still trying to kill me, I see." He smiles, kissing you again, his hand once again traveling down your body, gently pinching your nipple and rolling it in between his thumb and index fingers until you whimper in response, then making a ticklish trail down your waist and hips, finding your core again, spreading your folds and pushing the tip of his middle finger inside your - even tighter after your orgasm - entrance. "So fucking tight, baby... Gonna squeeze me so fucking good." He growls against your lips before pushing the finger fully in, curling his finger to masterfully hit your sweetest spot with a precision that not even you have yet.

"Oh... Joel!" You moan, your eyes closed and your eyebrows furrowed as he continuously presses the right button inside you. "Joel?!" You say, your eyes snapping open and confused by the intense and sudden sensation, the feeling increased, as intense as it always is after an orgasm. "Joel I..." You struggle, your face contorted in a perfect display of the blissfulness he's washing your body and soul with.

"Keep saying my name, my sweet girl." He kisses your lips gently before going down and burying his face back between your legs, sucking your clit into his mouth, creating a mind numbing sensation as his finger still pumps your favorite spot.

"Joooel!" You cry out, forgetting to be silent, your upper body jolting up.

"Shhhh... No, baby... Be good for me, c'mon. Not so loud." He frowns before diving back in, his lips glistening with you. Your eyes roll back as your hips eagerly move against his face, making him grunt and squeeze your thigh with his free hand. "That's it..." He encourages, and you move even more intensely, your hands tugging at his curls, the sheets and anything at your reach as you feel another soul crushing orgasm building deep, deeper than ever before, inside your core.

"Jooooel!" You cry out again, more quietly this time, only for his ears, your voice strangled.

"Good girl." He praises. "Give it to me, angel. I know how much you love my attention, baby... And you're doing a really good job for me, so quiet and good for me..." He says before sucking your clit back into his mouth and inserting another thick finger in your tight insides, thrusting them in and out gently and pressing your sweetest spot between thrusts.

"Aaaah!" You whimper before it hits you suddenly and you're gone. Mind blank, legs shaking, body convulsing and hands almost painfully tugging at his hair as you have the orgasm of your life.

He groans when he feels your fingers pulling on his curls and your clit throbbing underneath his tongue, his eyes fixated on your pretty face all twisted and scrunched in almost painful pleasure as he breaks you apart. His fingers getting soaked inside you, your walls gripping him so tightly he can't even pump his fingers, just continuously pressing against your sweetest spot until you finally begin to come down.

"Joel! Joel! God! Joel!" You desperately pull him up onto you, holding tightly onto him, kissing his lips with more need and passion than ever before, tears flowing out of your eyes not only because of the overwhelming feelings he just made you feel, but mostly because you still can't process this is real.

You're not dreaming. This is not one of those dreams. He's here. With you. In your bed. His fingers inside you. He's finally yours again.

"Shhh... It's ok. I got you." He whispers when he breathlessly pulls back, kissing your neck, giving you time to recover and catch your breath.

"Joel..." You whimper against his neck.

"I'm right here, darling. You did so good for me again, my baby." He soothingly caresses your hair. "You always do..." He kisses your shoulder.

"That..." You say breathlessly. "I want you to do that again." You say, giggling a silly giggle as your brain starts to regain its shape.

He chuckles, pepering tender kisses all over your shoulder, collarbones, neck and jaw.

"I'm still gonna make you feel even better than that, baby." He whispers in your ears, his breath tickling your neck, making you laugh and get covered in goosebumps. "Over and over again. Until you get tired of me." He promises.

"Then you won't ever stop." You purr back, caressing his beard and his cheek tenderly, enjoying the feeling of having him in your arms again.

"We've got the rest of our lives for that." He smiles, leaning in for a sweet and slow kiss, his weight pushing you deeper onto the mattress, making you moan and pull him even lower onto you, your hands on his back, tugging at his shirt and squeezing his muscles.

"Can I do it now?" You break the kiss when you feel his bulge pressing against your thigh.

"Angel..." He says softly, kissing your jaw.

"Please, Joel... Just a little bit... I wanna see you again... I thought so much about holding you again..." You whisper, your hand moving down his stomach, testing his resistance.

He presses his thumb against your lower lip as is trying to shush you, pressing against it, caressing it. You don't hesitate in kissing it and licking it gently, swirling your tongue around his digit, and he presses his thumb against your tongue, pushing it inside your mouth. You invitingly part your lips and suckle around his thumb, swirling your tongue around it, watching his face; his eyelids heavy, his lips parted and his breathing heavy. He pulls his thumb back, a thin thread of saliva connecting his thumb to your pink and wet lips.

"Fuck..." He growls breathlessly. He just really can't say no to you. He sits down beside you, patting the mattress between his legs. "Come here, baby." His raspy voice calls, and you don't hesitate, quickly dropping to the floor between his legs. "Listen!" He warns softly before you reach for his belt, and you retract your hands, his hand gripping your chin firmly. "No mouth unless I say so." He sternly says, his mind reeling on the sight of your pink and wet lips around his thumb.

"Joel...!" You whine, frowning in frustration, sitting back on your heels, your hands resting on your thighs. He only looks down at you, his eyes serious and stern.

"No mouth or nothing at all." He says, and you frown.

"Alright." You mumble, making him smile.

"There's my good girl." He says, running his thumb on your cheek before placing his hands beside him to support himself. "Take my pants off, baby." He instructs softly.

You decide to first untie his boots, carefully removing them from his tired and calloused feet, hearing him groan in relief. You remove his socks too before undoing his zíper, your fingers curling underneath the waistband of his jeans and boxers down his legs before looking back up at his cock.

His throbbing, hard and aching cock. Aching for you. For more of you than he'd admit right now. For all of you.

You smile up at him, waiting for his permission to touch him, and he smiles down at you.

"Go on, baby. It's yours." He says, his voice affected by lust and affection as he gives himself to you.

"It's mine?" You whisper, shooting him a tender and playful smile as you loosely wrap your fingers around him, frowning when you feel how hard and warm he is, how tender his skin is despite how really hard he is in his center. Just like you remembered.

God, you missed him.

His pink and glistening tip, his thick and towering length, his vein that travels from his base all the way to his tip, his foreskin involving his tip, his balls heavy with everything you can't wait to begin craving.

"All yours, baby. It likes you. Missed you." He smiles down at you, and you can feel your cheeks a little warmer.

"I like it too. Missed it too." You whisper before stroking him slowly and gently, getting used again to how he feels in your hands.

"I can tell, baby..." He whispers, looking down at you. "Remember how you did it that time in the bathroom?" He asks softly, gently fixing your hair behind your shoulders.

"Uhum". You nod.

"Good. Do it just like that. Slow at first, then faster." He instructs softly, and you smile up at him.

You grip him a bit tighter and move your hand slowly, making him grunt. You watch how his foreskin moves along with your hands, covering and uncovering his tip, his precum pooling in his tip as he allows himself to be consumed by your touch. Your soft hands, your curious gaze and touch, how happy he is to have you again, to know you're his. To do this... And to see you everyday, to take care of you everyday, to kiss and hug you everyday. He moans and cups your cheek, tilting your face up as he leans in, his stomach pressing against your hand as he kisses you again. His lips desperate to never again forget what you taste like.

"You're so beautiful, my angel... You're so, so perfect for me." He says, his eyes travelling around your sweet and flustered face. "It's like you were made for me. Just for me, just so I could find you one day." He whispers.

The thought of being his, of your whole body belonging to him, your whole purpose to please and make him happy is more overwhelming than it should be, and it makes you purr in response. "Maybe I was." You say, making him smile and kiss your forehead before leaning back to give your hands more room to work.

"Maybe you were." He whispers tenderly.

You continue your steady movements, your eyes curiously watching him, and you feel your hands wet. You see his precum leaking out of him and you smear it all over his length, making him grunt as your hands slide easily along him, a wet sound filing your ears, making you lick your lips.

"Joel... Since it is mine...?" You ask sweetly, ready to beg for it if he says no.

"Guess I did say it." He sighs while he sits back. He's not strong enough for this. "It's yous, darling... You can do whatever you want with it." He gently pushes your hair behind your shoulders again, his cock throbbing with the ideas he knows you might have.

"I promise you wont regret it." You smile and lean in, smelling him curiously before gently kissing his very tip, your lips just ghostingly grazing his sensitive skin. He lets out a shaky breath when your warm breath hits his sensitive flesh, his eyelids fluttering closed.

"I know I won't, baby... I know I won't." He grunts quietly.

"Hmmm... Tastes like you." You purr, smiling up at him, your hand never stopping its slow and steady, tight pace on him.

"And is that good?" He chuckles softly.

"Uhum..." You lick it, earning a grunt from him. "Delicious." You purr before a long and firm swirl of your tongue around his head. "Hmmmm... Very, very delicious." You moan, twirling your tongue around him again, feeling how soft and wet the flesh of his tip is. Doing it just like that night, when he breathlessly called your name and let you taste him for the first time. "Better than I remembered."

"God... That's... Jesus, angel... Don't tease me like that..." He groans, and you frown.

"I'm not teasing you." You say, licking him again.

"But you are." He pants.

"I just like kissing it." You whisper with a sly smile, and he frowns.

"Yeah, baby. I... God, I like it too. But I need more, I've waited long enough." He growls, trying to keep himself together, his body desperate for more.

"Teach me how to give you more." You whisper.

Jesus Christ.

"Suck on it, baby. Go slow, not too deep. Do it like you were doing with your tongue, but sucking on it at the same time." He instructs breathlessly.

"Ok." You say before wrapping your soft lips around his throbbing tip again, this time sucking and licking simultaneously, earring a grunt.

"Good, just like that." He praises. "Don't forget your hand." He says, gently wrapping his large ones around yours, and you begin moving it up and down his length, moving your wrists at slightly different paces to increase his sensations. "Good job... Fuck... Just like that." He moans, his hands moving along with yours, their warmth reassuring and comforting.

You continue giving him more, gently suckling on his tip, enjoying the feeling of it against your lips and tongue, the curves of the underside of it, the warmth and taste, how wet and how soft it feels. You lock your lips around it and swirl your tongue around the head, and he moans when the underside of your tongue slides over his aching tip.

"Holy shit... Baby..." He pants, trying not to stop your exploration, even though he wants nothing more than to hold your head and relieve himself. Instead, he looks down at you, reminding himself that it is you, your mouth, your first time doing it, and his hand tenderly tangle on your hair as you continue getting to know him once again.

The feeling of his hand in your hair is soothing and reassuring. It makes you go deeper, taking him halfway through and sucking with your whole mouth, closing your eyes at the feeling of him inside your mouth, your tongue sliding along his underside, exploring a vein that's pulsing against your touch.

"Oh, baby... Fuck, that's it." He moans breathlessly in response, his hand unconciously tugging gently at your hair. "Try hollowing your cheeks now." He commands with a smooth voice.

You do it and as he occupies your whole mouth, for a sweet moment it's almost like the rest of him is gone. All but his cock in your mouth and his hand in your hair. The feeling of his warm, tender and hard flesh in your mouth is foreign yet familiar, like you've imagined it for so long that it's like you've always had it. Like you were always meant to have him.

"You're doing so good, baby... So fucking good for me." He praises, looking adoringly down at you, his face slightly flushed and covered in a thin layer of sweat. He looks Godly, he looks happy and satisfied, and it makes you want to take him in even deeper, to please him even more, so you do, your eyes locked on his.

The sounds he makes in response and the way his face contorted when he hit the back of your throat made you wanna take even more of him, let him fill your mouth. And the way he pulled on your hair and growled when you did it made you wanna do it again, and again, and again...

"Baby...! Fuck...!" He grunts, his voice strangled, unable to tell you to slow down, his chest and stomach rising and falling heavily with every movement of your mouth on him. The sight of how you were affecting him made you hungry for more, it made you want to take him even deeper and even harder, so you go, and you accidentally gag around him, your vision going pitch black for a second.

His hands tighten around yours, pulling himself out of your mouth as you gasp for air. He looks down at you, his eyebrows furrowed and his lips pierced together in concern.

"Angel, hey, baby." He says softly, calling you by your name as well, holding your shoulders to keep you back, and you sit on your heels, looking up at him with red and watery eyes. "Hey, look at me, don't do that, darling." He says, shaking his head while cupping your face and using his thumb to gently clean the precum and saliva dripping down your chin.

"But I wanted to..." You purr, looking up at him, your cheeks burning at your own eagerness. "Did I hurt you?" You ask, your eyes wide with the innocent worry.

He chuckles in response, his gorgeous face lightening up. "You didn't hurt me, baby, no." He fixes your hair. "But you're not ready for that yet. You're learning and you gotta go slow." He explains softly, kissing your forehead.

"Slowly. Alright." You agree before reaching back for him, stroking him slowly and tight.

"See? That feels good already, baby... As long as it's you doing it... It'll always feel good enough." He kisses your swollen lips tenderly. "No going too deep for now, alright? Or I won't let you do it anymore." He smiles softly despite his warning.

"Uhum." You nod before leaning back in, stroking him and cupping his balls.

"Oh... Careful with those, baby..." He says softly, an you gently soften your grip, just rolling them around in your hand.

"Does it feel good when I touch them?" You whisper, and he frowns at the question.

"Yes... Yes, baby. It feels really good when you touch them." He breathes, his voice restrained. "It'd feel really good if you sucked on them too." He pants, giving in to his desires. "Nice and gentle." He instructs.

You smile and take one of them in your mouth, making him hiss, his hand returning to your hair. You suck gently on it, rolling it around your tongue and feeling how it feels underneath the skin, how squishy it feels, how you can feel their outline underneath the stretchy and cool skin. He grunts and moans in response, unable to hide how your curious exploration affects him anymore.

You kiss your way up from his balls to his cock, licking and sucking gently on his base, your hand working near his tip as you place open mouthed kisses along his length.

"Baby... God..." He pants, the way you're so curious to tasting and exploring him makes him feel like he's about to lose his mind and his self-control. "Lick it for me, baby. Suck on it." He groans.

You listen and slide your parted lips up his side, your tongue drawing a wet line across him, making him buckle his hips involuntarily. You begin moving the same way up and down, parted lips and tongue tasting him while your lips suck along his length, paying special attention near his tip.

You suck his tip into your mouth before sliding your lips down, his tip pressing onto the side of your cheek and popping off with a wet "bop" that makes him moan.

"Fuck, that feels so good, baby." He chuckles, caught off guard, and you notice how much he enjoyed it, so you do it again, taking his tip in your mouth an sliding your lips sidesways towards his base, his tip once again pressing against your cheek before popping off, making him pull at your hair.

You moan and suck his head back inside your mouth, whimpering around him, your mouth eager to make him feel good and get the same reactions and sounds out of him as you grow more confident with your touch.

You look up at him, watching how you're affecting him, his chest rising and falling heavily, his lips parted, his eyes closed and his eyebrows furrowed.

The sight is too Godly to resist, so while you suck and Bob your head hungrily around him, you let your hands wander up his stomach and chest, your fingers clawing on his shirt and trying to tug at his skin. Instinctively, he leans back, giving you more room to explore his body as his eyes open to look down at you and his fingers draw soothing and tender circles in your scalp, just above the nape of your neck.

Your hands reach underneath his shirt, touching his sturdy and large torso, gripping his skin and moaning at how good he feels under your fingers. How good his belly feels to hold onto.

He takes one of your hands and squeezes it, his eyes closed in bliss, his eyebrows furrowing every time you swallow what's building up in your mouth and squeeze him a bit in against your lips.

"You're perfect, baby... You're doing it so good for me... Making me feel so good..." He praises, and the confirmation that you're making him feel good ignites the same need that you had before, making you want to go deeper, harder, faster and make his eyes roll back the same way he makes yours. "Let some leak down and use it to move your hands." He instructs, and you let some of his precum and your drool wet his cock.

"So messy..." You mumble around him, looking up at him, and he chuckles.

"Messy is good when you're doing this, baby. Messy feels very good." He explains.

"Hmmmmm..." You moan around him, taking your hands back to his cock and twisting your wrists, his foreskin moving under your wet palms and fingertips as the friction of your hands along with your mouth tightly enclosing around his tip make his hips buckle up, a hiss leaving his lips.

"Fuck... You... You figured all that rest yourself, baby?" He grunts, trying to hold his sensations back and let you enjoy yourself as he shifts his hips, trying to regain some control.

"Uhum." You nod around him, your tongue twirling on his sensitive and leaking tip as you caress him with the underside of your tongue, seeking the same reactions.

"Holy shit. Baby... I'm... Trying but... You're... Fuck... You're gonna have to stop." He pants, the desperation in his voice as he tries to hold back and last more almost making you laugh.

The sight of this big and strong man crumbling under your touch is new and exciting, making you feel powerful and...

Like a woman...?

The realization that his pleasure, his release is under your mercy makes you slow down and harden your movements, exactly like you do to yourself to prolong the feeling of being on the edge.

"Baby... God..." He looks for divine mercy, his eyes locked on the roof as you test his boundaries and limits, as you see how far you can take him before he loses control. "Please, my baby... Just... I need it. I need you." He pants, his eyes now glued to yours, the vulnerability and the honesty with which he gives himself to you makes you fasten your tongue around his tip and stroke him tighter, slowly increasing your hands speed. "Arrnh!" He groans. "Yes, baby, just like that, feels so fucking good."

His response makes you grow more confident, closing your eyes and doing what instinctively feels right to you. Hands tighter and faster with each stroke, lips wrapped underneath his head and tongue twirling and moving up and down, pushing against his urethra.

"Aaaargh! Baby... Pull back... Pull back, fuck..." You hear him grunting almost like he's in pain, and as you open your eyes, the sight makes you moan.

His hair disheveled, his gorgeous face scrunched and pained, his teeth clenched together, his eyes heavy and dark, his neck red, that one vein one second away from exploding. You continue, doing what you think is gonna make him feel even better, hollowing your mouth and suckling on his tip, just like he taught you, and his mouth falls open with a silent gasp, his eyes scrunched together.

"Baby... Pull... Back..." His stern voice sounds more like a pleading as he tries to get you to back off so he can finally let go, but instead, you begin sucking even harder around his tip, almost like you're trying to drink from him.

And he can't hold back anymore. He snaps, his hand tugging hard on your hair, so hard you whimper and furrow your brows, making him tug at your sheets instead, his grip so tight that his knuckles turn white and he pulls the sheets from underneath the mattress, his hips buckling up against his will, pushing more of himself into your mouth as you greedily lock your lips around him and drink every last drop that he gives you, sucking and stroking him progressively more gently and slowly as he comes down from his high.

"Aaaaah!" He pants and gasps for air when you let go of his still semi hard but utterly worn out cock, his arms threatening to give up underneath him as he looks down at you, his eyes hazed and filled with satisfaction and awe. "Baby that was... Amazing... You did so good, my baby, such a good fucking girl for me." He praises, too weak to do much more, and you smile up at him, proud of yourself for making him feel like this.

You climb up his body, and he lays back down, his hands on your waist and hips as you lay your naked body on top of his clothed torso, looking up at his blissful face. All of his wrinkles and the usual stressed frown between his eyebrows gone with the attention you just gave him, his eyes closed and his lips parted as he catches his breath.

"I told you you wouldn't regret it." You whisper, kissing his jaw.

"Regret it? Fuck... Baby... I... Why do you think I've never let you do this before?" He chuckles.

"Why?" You ask playfully, playing with the buttons of his flannel.

"Because I knew you'd make me feel so good, baby." He smiles. "I don't know what I did to deserve you. But I'm also not about to start questioning it and make God realize he sent you to the wrong motherfucker and take you away from me again." He chuckles.

You giggle and snuggle closer to him, letting go of your weight and feeling his body moving with his heavy breathing, the movement soothing you, like you're swimming in a sea of Joel Miller.

"Joel...?" You say quietly as you two just breathe and enjoy the warmth of one another.

"Yes, baby?" He whispers back, his hands caressing your back and holding you close.

"We need to take a shower... And put some clothes on." You say softly, lifting yourself and looking down at him, his face relaxed and almost silly, his eyes as soft and happy as always when they're looking at you.

"Guess we do." He smiles, pulling you down for a kiss, tongue tracing your lips before you grant him entrance and he deepens the kiss with renewed passion and tenderness. "I love you." He whispers against your lips, the words rolling easily from his lips, as if he's said them multiple times when you weren't there to hear it.

You pull back, looking into his eyes as he smiles at you. "I love you too." You whisper, your eyes welling up. "I love you, Joel." You repeat, smiling widely, and he flips you both around, his body hovering above yours.

"I love you, my precious angel... And finally you're with me to hear me say it." His eyes water. "I said it so many times... Looking at the picture you gave me... With that pretty smile... I couldn't stop thinking about you." He says, his voice loving and vulnerable.

"I waited for you to come back. Every single day, until yesterday..." Your voice breaks. "... I spent the sunsets looking at the gates, hoping I'd see you walk in again." You cry softly. "And I'd keep doing it. Eery single day... I'd always wait for you." You purr, and he cups your cheek that way, his thumb caressing the soft skin underneath your eyes as his other fingers wrap around your ear, his gaze loving and tender.

"And I always asked Frank about you. When he was the one on the radio I'd always sneak in and ask about you. I always made Tess ask about you. She said you were always on your porch," He smiles. "looking beyond the gates, trying to see me... I felt so bad, baby." He cries, looking down at you, his lips trembling.

There's the vulnerability that only shows up when you're around.

"Joel..." You whisper, cradling his face, trying to soothe him.

"You didn't deserve to go through any of that... Any of that." He says, his eyes closed in shame.

"Joel... Baby... Look at me, please." You purr sweetly, gently squeezing his face so he looks at you. "I'll tell you what I told my dad." You sigh to calm yourself down before speaking. "I only hurt the way I did for you because I love you. Because you mean so much to me. And I don't regret a thing. Not even the pain I felt. Because now that I have you... The pain is gone, and I know what I feel for you is real, because the pain I felt was real. And I'll never feel that pain again as long as I have you." You say tenderly, and he kisses you again, his mouth silently pouring all the pretty words he can't formulate to express just how much he loves you, just how much he feels for you as he finally allows the roots and branches inside his chest to grow and flourish, to set themselves now that he knows you're his forever, and he can almost feel his chest expanding just to fit all these new feelings you're sowing on his heart.

"You're my everything." He whispers lovingly. "You make me happy in a way I thought I'd never be again. In a way I know I don't deserve to be." He says weakly. "But you make me feel like I'm worthy of it." He cries. "Because if such a sweet and special angel like you can see through me, can love me... Then I'll try everyday to be the man you deserve." He says, and you smile.

"You already are the man I deserve, Joel. You're the man I want. The man I love. And I'm so glad you were the one to visit us. I'm so glad you found me." You say lovingly, and he kisses you again, his hands squeezing and caressing your soft skin as he tries to convince himself that he's not dreaming with you again.

"I wanna hold you all night long." He whispers against you lips.

"You can hold me under a warm shower first." You whisper, smiling, and he smiles back, getting off the bed and pulling you up to your feet as well.

You gently undo the buttons of his shirt and pull if off him, seeing his strong and sturdy torso again, remembering how good he looked that day, the water droplets glistening in his chest and stomach. You slowly run your hands up his arms, kissing the little "v" shape between his collarbones, and he groans softly, the sound rumbling deep in his chest.

"Angel..." He whispers, gently tangling his hand on the hair on the back of your head and making you look up at him. "We've got the rest of our lives for that..." He kisses you gently, just a peck before he guides you to your bathroom, turning the shower on to let it warm up and watching you stand in front of the sink, looking at yourself in the mirror as you remove the ribbons from your hair.

He comes behind you, wrapping his big arms around your naked body and pressing his own skin against your back, just kissing your shoulder and caressing your stomach and your sides, his touch gentle but still possessive.

"It's gonna be good, I think." You smile, looking at his reflection in the mirror, caressing his arms.

"What's gonna be good?" He smiles, looking at your reflection, his chin resting on your shoulder.

"Spending the rest of our lives together." You say lovingly, and he chuckles.

"I couldn't make better plans myself." He kisses your neck before pulling back to check the water. "Come on. It's nice." He smiles at you, offering his hand, so you tie your hair up and join him.

He envelops you in his embrace, the warm and soothing water calming your muscles and soothing your mind as he gently washes your body, holding you with your back close to his chest, his touch feather light, careful around your most sensitive areas, and still your body jolts slightly when you feel his rough fingers.

Then you wash him too. His back, his neck, his chest, his stomach, his legs. He only doesn't let you wash his cock "To avoid not going straight to bed." According to him.

He wraps you in your towel and grabs one for himself. You both walk back into your room, and you put on a pair of pink pajamas with red hearts. He dresses something out of his backpack, just a plain t-shirt and some boxers.

You lay down and he wraps his arms around you, pulling you close to his chest and caressing your hair.

"Promise I won't just wake up tomorrow and this is gonna have been a dream?" You whisper, and he smiles.

"Only if you promise me I won't wake up in the QZ without you again." He says.

"I promise." You whisper. "You're not going anywhere, and even if you went, I'd go with you... You're mine." You smile against his lips.

"I'd never take you out of here, my angel..." He says lovingly. "But I promise I'd always find my way back to you."

You kiss him again, a more simple and intimate kiss, the type of kiss that says a lot without doing much, and he holds you close with his large and warm hand on the nape of your neck, not wanting to lose your warmth just yet.

"I love you, Joel." You whisper again. You're never gonna get tired of repeating it.

"I love you, my angel... my baby... my..." He finishes with your name, his voice as soft as ever, and you nestle even closer to him, feeling safe, loved and happy in the arms of the man you longed for so many nights. Indulging in the warmth you missed so much, a warmth that no blanket could replicate as you shivered, falling asleep with his name on your lips and your eyes wet.

"Goodnight, Joel." You whisper against his chest.

"Goodnight, my angel." He whispers back, kissing your forehead and sighing in happiness. His chest full again for the first time in... Twenty years.

Finally!!!

Finally I was happy and proud of this, and finally it is yours! I'm once again so, so happy and so grateful for each and every single one of you who supported me through this year and a bit that I'm around here. This story is over a year old, which just comes to show how patient you all are and how much we love Joel Miller 🤧

I'm really honoured and happy to have received every message, every comment, every like and every reblog in this series. I hold it really kind to my heart (I wish I could show it to my friends) and having you to share it with means the world to me.

I love you all and I hope this met your expectations 🩷

See ya 🩷🎀

Tags:

[fish-champ16]

spoilers for tdp s6

i just finished S6 of the dragon prince and all i want to say is that the writers and Claudia's VA cooked this season.

Claudia's wailing in the first episode when her father left her?? and then again in episode 9?? it was heart wrenching i felt so much pain and empathy for her. it was reminiscent of azula's breakdown (are we surprised tho) Raquel Belmont deserves AWARDS after these performances ohmygod.

Soren and Viren lore?? fucking insane. i actually cried when Viren revealed the details of the spell to save Soren. HOLDING HIS WIFE BY HER HAIR AND TRAPPING HER AGAINST THE WALL TO TAKE HER TEARS?? that shit was horrific to hear and the fact that we SAW some of it?? thank god we actually didn't get the entire flashback because i honestly think the entire rating of the show would've changed from that scene alone. im honestly glad that viren did burn his confession instead of giving it to soren because that would've affected the season's finale ENTIRELY and i cannot even think about how soren would feel about finally confirming that his father did love him less at some point in his life.

Viren did earn some sympathy from me, especially with how much emotion Jason Simpson put into his acting this season however i cannot forgive him.

LEOLA

HER WHOLE STORY. THAT FACT THAT THIS IS ALL OUT OF REVENGE FOR AARAVOS'S YOUNG DAUGHTER. the rage and the grief he felt feels was valid esPECIALLY FINDING OUT HIS PRISON WAS IN A SEA OF HIS TEARS?? IN THE CRATER OF HIS DAUGHTER?? SURROUNDED BY HER BONES?? HORRIFIC. personally i also would've gone on my revenge arc too, especially with Sol Regem. His bitch ass CAUSED THE EXECUTION OF A YOUNG GIRL. if i ever catvh Sol Regem out in these streets it's on site

that whole scene geniunely had me sobbing. both Erik Dellums and Ridley Simpson gave such an amazing performance for such a short and soul-shattering scene. the writers did fantastic with the script and story-telling this season because i never thought i'd feel empathy for Aaravos but here we are

my only complaints this season are that some of the dialogue or at least the emotion in the dialogue felt flat and it was weird because some scenes set up these big emotional turning points but the actors delivery weakened that. some scenes the animation looked a little flat too but tbh that's been a complaint of mine since the show has come out.

but im also just disappointed in the fact that they couldn't have drawn ezran and callum in sleepwear?? like hello why are they sleeping in their everyday outfits?? RAYLA has sleep attire (as she should tho love her) and ezran also should've been given some sort of formal attire for his aunts WEDDING TO THE QUEEN OF SUNFIRE ELVES. like what was going on there guys

[accio-victuuri]

August CPNs round-up ❤️💛💚

it’s bobo’s birth month! let’s start with this chaotic behind the scenes video 🫶🏼

• the letters yb was flashed in xzs vlog

• two people spotted in xz’s mountain drawing

• a hongkong politician posts about xz and wyb being good celebrities that will help promote HK

• 8/5 yibo’s day clowning part one part two - this year was too loud! the bday photo alone is enough to szd. 😂😂😂😂 part 2.5 part 3

• yibo and xz related hot search for bobo’s bday

THEIR VCRs for Han Hong’s foundation, a charity organization they both are a part of. We love them generous Kings!

• in the xinxiangyin live, we see an activity that they filled with things xz likes and will have something to talk about. you will notice a couple are the same as yibo’s. hotpot ( which i must admit is more general ), photography, fitness, tennis and films.

you can say that these are not unique interests, but when you put them together and another person has the same one seem sus. this is something i always say, even if you don’t believe that they are in a romantic relationship — these clues show that they have maintained that connection. no matter how many people cry about the “copying” agenda, we can’t deny that the coincidences are too much. this is why they get along, they can adapt each other’s interest. they have the same values. they are out here ticking all the boxes for a fruitful relationship <3

• the similarity 👀👀👀 right is xz in ELLE’s feature video for XZ.

• QUATRE BLUE 💙💙💙

oooohhhh i love jewelry. tho i’m kinda on the fence about this cause boucheron is a brand that xz is promoting and it makes sense that it will be used for a magazine. he is endorsing this line of rings but has never used this blue which just happened to be something wyb before. i understand why people are going 👀 because the photos were released days after Bobo’s bday.

• XZ’s Elle September issue feature clowning

• 8/10 yibo-official bts video clue

• yibo’s montbell shirt

• bobo shows some bxg bias @ pechoin live

• in the LINSY product launch conference, they were talking about a sofa and it had a special feature thing where you can put stuff in it & wyb mentions you can put chips. lol. that was so fast. he is not someone who likes chips, but we know one who does! i’d like to think that it’s a subconscious answer. he just thought of an important person in his life. 🫶🏼

• matching high school students hair 😂😂😂

• ANTA 🤝 LI NING

• their airport fashion looking so identical 👀 we could argue all day about how this is not unique and just about anyone can do this combo.. but does anyone else do this? no. it’s always these two. it’s harder to tell them apart when they are like this, which we guess is helping them when they visit each other on set.

the two of them doing couple wear!

• bottled joy x tsingtao collab 🍻

• xz’s heurueh boyfriend t shirt

• mengniu fan benefit featuring the boys

• handprints next to each other in the Qixi Wall

• this gif is gold!!!! pleaseeee!!!!! 😂😂😂😂 and it even went on hot search!

• analysis and details of wyb’s new song = somebody else’s arms

• wyb’s post YH concert weibo update 🟡🟡🟡

• i talked briefly about the cpf support during the concert and i have nothing more to add. i’m sure i can make another post that “shows” how wyb appreciated the cpfs indirectly during the concert but i won’t. there is no need for proofs of any kind — we know the truth. 😌😌😌 tho i will never be pro violence or insulting and being very mean to people in person just to prove a point. there’s a whole nasty situation that happened post concert which i have no energy for and i do not condone btw.

• their weibo 15th bday post 🌙

• the final episodes of exploring the unknown is on oct 5-6 because tencent has released the watching schedule. yes, wyb probably had a lot more input in this project but he was probably not alone in deciding when this would premiere and how the episodes are gonna line up. but i’m still happy with this coincidence. ✌🏼

what we wanna know tho is what will be the episode on 10/5 cause if it’s him in the desert i will — 🤯! cause his photo there was the one he used for his bday, which is eerily similar to GG’s from last year. so yeah. we will see!

-END.

<<< previous posts

See you all next month!!!!! 💛💛💛

[mysteryanimator]

Breaking down Castlevania Nocturne Season 01 - Episode 06 "Gulity Men to be Judged" Olrox and Mizrak scenes (almost) shot by shot!

With episode 08's breakdown (which you can read here), I'm deciding to tackle episode 06! I'm glad people enjoyed my last breakdown as much as I did writing it! While I will try to be as in-depth as the last, I will try to keep it concise because there is a lot I want to cover with a 30-image limit AND I am not just covering the "I'm not in love with you" scene. I will be covering their other scenes in this episode because I cannot understate how extremely important specific shots are.

To preface this again, this is not the end-all-be-all for these scenes. This is just me making observations based on my media analysis and production studies and a deep passion for visual storytelling/storyboarding. I also consider myself an amateur, so please take what you will from this. My terminology may flip flop, and I will be super casual and informal in this analysis. However, I hope I still get my points across well!

Scenes will not just be "the curtain is blue because it is." Heavy moments with character interaction are important. They have very little time to go over this scene, they have a budget, they have a deadline, so every choice matters and it needs to push out a very specific message.

What is this? A close-up to start off this new scene?

I've talked before about how establishing shots are used to establish a new scene, which often than not is a big expansive shot of the area and of the characters/plot we're following. This still does that. In fact, this shot alone is giving us massive clues to what type of story we're getting. We're getting a much more closed-off private conversation that we shouldn't be privy to. We're getting a view of Macheoul from Olrox's inn, as if we're pulling away from the bustle of life just for a moment.

I'm going to be talking a lot about windows so let me set up the foundations to start us off. Symbolically, windows are important to get a deeper view into a person. Freedom, transparency in conversation, openness, and connection.

We're also getting a close-up of Mizrak and his eyes are cut off. Eyes are another symbolic way to showcase connection and openness but we're not seeing that. Intentionally. Contrasting things are happening. This is already alerting us that this is going to be a tense private scene where things are being bared out for us but things are still going to be closed off from being shared. Also a-ha that curtain being pulled off to the side, which previously it wasn't in episode 04. It is as if we're unveiling a bit more about these characters.

Now we get this long shot.

Hey, so fun fact, you know in the fan-animatic (which you can watch here I'm sorry for the self-plug lol, I was also writing this analysis when making that animatic), I had put in an absurd amount of divider/window themes it might've gotten really over the top (whoops). I was directly referencing those themes from this. Naturally, this inn room references 1750s architecture and how there is a lot of vertical and horizontal detailing, however, I will be excessively pointing them out in this breakdown, so let me also lay the foundations of how important these vertical lines are as well.

In a scene, you can make characters feel at a distance, divided and such not only by using physical distance between other characters and objects but implying it by having vertical lines between them. It can create invisible walls and borders, separating a character from the situation at hand.

Even when characters are really close to each other, putting a vertical line between them in the background can make all the difference. Example, you can a close distance physically, but they cannot connect on a deeper level because there's a metaphorical border by putting a vertical line between them in the background.

These borders pop up a lot in previous episodes surrounding Mizrak and Olrox. The only time it doesn't is in episode 08, where they're out in the open and Olrox unveils something he has guarded up until that point.

The gap between them for most of this scene is HUGE. This has to be established from the get-go to help build upon later scenes where the gap gets closed.

Olrox and Mizrak are both presenting closed-off poses. Mizrak is fully faced away, arms crossed, while Olrox has his leg crossed over himself as he reads, also not in any form facing Mizrak.

By the way, I want to point out, Olrox has the book the Abott uses to turn people into night creatures, he's reading it in Mizrak's presence. Olrox STOLE the book and presumably, Mizrak has seen it being used. Which, this whole scene gets alluded to in episode 4 around the time Olrox passes Mizrak the head. They both were planning to conspire together or at the very least, feed each other information from their side. They're both reluctant players of their team, seeing flaws in the plans of their 'leaders' as much as they do in their enemies. So without overstepping a line, Olrox and Mizrak forge a temporary alliance, which that line gets blurred by simple human emotions.

Close upppp

Oh my god guys he said the episode title !!! I think this goes without saying that each episode title is a line said from a character in the show, and that it is super important

We're still noticing this MASSIVE GAP between Olrox and Mizrak. Also, check that divide there. The vertical divides that are happening are the wooden wall detailing, the candle, more notably the window, that vertical line the biggest/important divide in the scene once again.

Mizrak is shoved into the corner of the screen, he's not important right now so he doesn't take up too much of a focus and, therefore is smaller. Which also means when Olrox follows up with the line "he's threatening you", there's less weight to the line because it's not the main focus, it's a joke. There's no real threat.

Which establishes another thing- their dynamic. In episode 03, Mizrak scoffs and chuckles "and you expect me to believe you care, vampire?" By Olrox chuckling out "he's threatening you" it shows us that this dynamic is reciprocated. They both make jabs at each other, which they know won't actually hurt them. This also means they know how to jab at each other and make it hurt. Foreshadowinggggg~

From here on out, Olrox gets a lot of close up shots, that are framed to JUST focus up on his face (and hand but I will talk about that later).

I'm going to end up skipping a few of Olrox's close up shots in this analysis because I'll end up repeating the same thing, but this is important. We need to see Olrox emote up close because he doesn't ever emote in a very 'animated' lively way. Compare how Richter/Annette/The Abbott and so many other characters emote, their hair and body drag with their face. Olrox does that super rarely because he controls himself. So here, when we get a sliver of his emotions, we're getting up close and personal with him.

Mid....shot? I'm going to be less picky about my terminology because what's important here is the message being conveyed to the audience.

Mizrak turns away from the window (not fully yet) to face him. I need to point out- that Mizrak is super pushed off to the side of the screen, but then his reflection is crossing over that divide.

So as mentioned, having a vertical line is intended to make the characters feel separated from each other. Having a character cross the border can mean they want to overcome the metaphorical walls that are being set up. For better or for worse, it depends of on the character's motives and the context of each respective shot.

Mizrak is passing through a divide to get insight into Olrox. The curtain, again, pushed and tied off to the side. A window. A view into the past. Which I need to make clear, only Mizrak's reflection crosses over the boundary, as if to let his inner self connect to Olrox. While physically, Mizrak keeps himself guarded in case.

By the way, Olrox is fully in his own box. A frame inside a frame if you will. This helps draw attention to a character BUT also fully isolates them. Mizrak, by this question, is calling out Olrox. It's an isolated incident solely caused by Olrox.

Olrox indulges him in this conversation, but he's not fully facing him. He periodically does, but never fully.

I want to point out, that we have gotten Olrox from a front view, and now we're getting a 3/4 view. The next will be a side profile of him, as if he's turning inwards.

By the way, horizontal lines can act to lead someone in a direction. Because this is a western show made for a western audience, most of the audience will read left to right. So naturally our eyes will start left of the screen and move right (unless there's a major focus placed else where). This also just helps in general to move from shot to shot as it will imply for us where to look next, for the upcoming shot. This is also indicated by the massive empty space on the right of Olrox.

So this shot. His eyes are purposefully covered up and Mizrak turns around. Also it looks very similar to the third shot of this whole entire scene but with those key differences I mentioned. It's to alert to us the tone of the section has shifted.

Right now, Olrox is beginning to open up about a vulnerable personal matter from his past, but we can't see him emote—not yet anyway. He will choose and decide when to invite us into his emotions. We see Mizrak reacting to him though. Still giving him that space, but he's now engaged into Olrox's conversation.

Ok skipping a shot forward, but this close-up of him closing the book is basically telling us his mission to dig further into the Abbott's plans is unimportant now. As is closing off the current story he's reading to tell Mizrak a story of his past.

Also followed by the line "He was proud to be Mohcian, with roots deep in the land and forest" as he balls his hand into a fist against the book.

Hands are a superrrr common thing to use for symbolic purposes. It can represent connection. Humanity. Strength. Many more than this list, but a lot of human symbolism and motifs tie down a lot to what Olrox's previous lover is like- along with what Mizrak is like.

Pspspspsps in episode 3, Mizrak's introduction is with his hands, might be a stretch though because that intro is also cross-symbolic. Regardless I thought it was important to at least flag

CLOSE UP SIDE VIEW.

This cut from his hand to his face honestly makes it so gut-wrenching because you're suddenly slapped with Olrox emoting. Olrox's side profile here is acting here that he cant fully face his past, he can't fully face Mizrak as he talks about his past love. Sure he will here and there look over to him, but he can't hold it.

Also, this is what Mizrak would be seeing. While yes, a close up shot so its not entirely a one for one POV shot, we can argue Mizrak is only focused on Olrox's face. We as an audience are forced to be focused on Olrox's face and his face only because of this camera shot. Who is not to say Mizrak is also a part of the audience. Especially since the next shot is of Mizrak looking at Olrox.

Mid shottttt

So cutaway shots like this can help with things like avoiding to keep animating Olrox talking/moving because that will eat up your deadlines, budgets, etc (I think, I can be wrong). This also gives us insight into Mizrak because we haven't seen him for a few shots and oh my god, Mizrak is emoting too.

Right now, Mizrak is pulled away from the window divide. He's giving him the space to talk. Divides are not always bad, again it depends on the context of the shot and what you want to portray.

Also, we're seeing Macheoul behind him. People get to walk freely, poor and rich, sinners and saints and all the people who sit in the middle of those divides. Until Ezerbet's plan becomes finalized. There are a lot of colonization themes in this show and this show is about fighting for freedom. In order to show what freedom is like, the privilege to have it, we must acknowledge the opposite.

We're doing it through Annette AND Olrox.

Mid shot again, featuring Olrox instead.

Now this is supposed to be a mirrored version Mizrak's shot because now Olrox is turned towards Mizrak here as well.

Mizrak mirrors the traits of Olrox's previous lover.

As Olrox talks about his previous lover, we as an audience begin to notice how Olrox's previous lover matches the themes of the show. Revolution. Fight for freedom. This also foreshadows that Mizrak will end up fighting with the revolutionaries, Annette, Maria, Richter.

Skipping one of Olrox's close ups to where Mizrak begins to prod at Olrox's story. He is a little bit too invested in Olrox's life.

MIZRAK CROSSES OVER THE BOUNDARY. THAT DIVIDE. The window divide that keeps them in their separate boxes, he's crossing it over to call him out. He leans forward, then leans back as if to prod him and then go back into his safe zone. His box.

This close-up cut is in between Olrox and Mizrak talking. It's supposed to completely throw us off because its so sudden because we're not expecting this AT ALL. Sure we know Olrox would get riled by this comment, but it's so fast its a literal blur, and this shot doesn't last that long either.

He's also choosing to run. Which in a way, make its slightly more terrifying. He has the ability to float, and (please correct me if I'm wrong) would be cheaper/faster for him to just float really fast. So the choice for him to use his feet to get to Mizrak is a conscious choice.

Which I won't lie, it brings me to this line.

"She said to me, if you would love me as a man, then live as a man, Travel as a man." 

Said none other than Dracula himself in the first episode of the first Castlevania series. Olrox has a lot of times where he just chooses to walk/run, "travel as men do. Slowly." In turn, he's way more human still, despite his supernatural speed. There are also just a lot of parallels between Dracula and Olrox but I digress. It's pulling away from my analysis, but I thought it was a very important thing to note.

This is a low-angle shot. This shot is TENSE. Low angled shots are to make the character's seem powerful, larger then life because it puts the camera, in turn the audience, beneath what we're watching. At a lower place.

I'm here yet again to point out the divide. Mizrak even leans AWAY from the divide, as if to go back into his box. Olrox taunts the divide when he leans over. Not yet crossing it.

Until.

This close-up shot is so diabolical and it's so masterful.

Which, let's get this out of the way- It looks like they're about to kiss because they're that close to each other. We know they won't not, but it's the tension and the conversation we're having now just adds to it. We as an audience are now wondering what Olrox has planned for Mizrak because why is he that close? It is also not harmful bait either because we have them both naked in bed with each other prior. This is a set up for something bigger for season 2. (Or season 3... season 4... guys please stream Nocturne so we can get more seasons.)

Mizrak is pushed into his little box as Olrox stands over that divide and has an overwhelming huge visual weight over this scene. Mizrak, despite having very little of the screen, and being cornered by Olrox, is being very bold and questioning Olrox and his plans.

There are other ways to have someone feel like they have power over a scene besides a low-angle shot For instance, you can have them take an overwhelming amount of the screen so they feel big and powerful. To make someone appear weaker, you make them smaller in the scene (in other cases it'll make a character feel unimportant, like much earlier for that long shot, however in this case it is not). Right now, Olrox is trying to overwhelm Mizrak. This shot is suffocating, there is very little space between these two characters AND the visual breathing space for the eye to rest is almost nonexistent because Olrox takes up so much space. He's trying to read him and pull out his insecurities at this very moment. It won't work though. Olrox knows a lot about Mizrak. He has analyzed this man back and front, inside and out (I mean that metaphorically, but sure, you can take it literally too) but this is an impulse reaction, much like how Mizrak in episode 03 had an impulse reaction to pin Olrox to the wall.

Olrox feels threatened.

We don't know step by step what lead to the death of his lover, what drove Julia killing to him, but Olrox has opened up and Mizrak immediately begins prodding at his life the moment he mentions Julia killed his past love. How dare Mizrak tell him the person he would do anything for, that his death, was his fault. How dare Mizrak say Olrox would turn him. How dare Mizrak presume he loves him.

How dare Mizrak overstep the invisible boundary they've established.

Olrox moves off that divide back into his box.

BTW, side tangent:

I don't know if this was intentionally done but Mizrak's angle is really similar here, the key difference being his eyes and being shuffled into the corner more. Also, Olrox is there LMAO, but his eyes are cut off. It's like, in one truth being revealed, another one is being hidden. This is the very first shot of Mizrak we see in this section versus the very last time we see Mizrak in this section. Though this I'm a bit unsure about so I won't delve further than that.

Ok, tangent out of the way, the last shot for this scene!

This feels like a POV shot from Mizrak.

Front facing. Dead center. No fanfare at all. Blunt. Straight to the point. There's no hiding the truth. He is the subject of main focus.

Olrox is not lying, but it's not the full truth either, which is alluded to the fact the shot gives off the impression that it is symmetrical but it's not. Visually, the weight is so much heavier to the right, purely because of the bed, more of Olrox's face is exposed and the lights. The other side of Olrox is in the shadow and his hair covers up his eyes and parts of his body.

I'll split the shots into two without annotations just so you can see what I mean. Having this shot be split down the middle is wild because they feel soooo different from each other.

This one line is SO NUNANCED, there are so many layers to this (like an onion). So as we get a statement from Olrox saying he isn't in love with him. There is more then meets the eye, much like this shot. The front Olrox puts on.

Love is a very complex emotion, as is all emotions.

Regardless of love, the ending shot of this interaction is supposed to hit us like a brick wall. It forces us to face directly what Olrox is saying and we (including Mizrak) cannot turn away from what he has displayed. It feels heavy as Olrox's glowing eyes bore into us.

The scene concludes, and Lacrimosa, the song Edouard sings throughout the entire section, ends. I don't talk about music because I'm not well versed in that area, but I've gathered that Lacrimosa is a hymn sung in catholic masses. Lacrimosa literally means to weep. It's about mourning. I've seen it here and there about the Virgin Mary/Lady of Sorrows, things about mourning over sinners preparing to be judged for eternity.

We enter a scene, where Olrox mourns a lover, followed by Mizrak judging Olrox for what he did to preserve that love. His sin, his guilt.

Before we get into their later conversation, Mizrak and Olrox's reaction to the arrival of Ezerbet says a lot so I'll quickly touch on that.

Wow this mid shot honestly says a lot about the characters, how they pose and how they hold themselves, AND why they're even conspiring with each other in the first place. It's literally just for a second, its a still image except for the petals. You can recognise how, despite their very tense relationship with each other, they both share their disdain for Ezerbet's plan. No matter their differences. No matter the argument they had before.

Omg Myst what does this window divide mean? I hear no one asking, well, its almost like Mizrak is finally confronted with the vampire world, confronted that the vampire messiah is here, crossing over to look at what's happening. Crossing over to look into Olrox's world.

NOW, let's dive into their later encounter!

We're establishing a new scene, so this is our establishing shot. Looking onto the streets of Macheoul celebrating their Messiah, while we pull back into the private thoughts of Mizrak and Olrox once again. They're also back in their respective boxes, as you can see through the window's dividers.

We will never get to know what happened between the "I'm not in love with you" and this present moment, but they know to go back to their respective places, there's a much more pressing matter.

THIS SHOT IS SO IMPORTANT TO ME FOR A PARTICULAR CALL BACK.

I'm calling this out, it's a reference to episode 04.

When they're both behind their respective partners, they look at them so forlornly, while the other recounts the horrors of their lives LOOKING DOWN. They're both also put at the same heights. Like Olrox is really tall, but for the sake of having these scenes parallel, he's sitting.

Also, the way Mizrak's head turns to look at Olrox in episode 06 gives me unbelievable psyche damage because he's looking at him so gently and Olrox never gets to see and it makes me ache so bad. I love animation y'all.

A massive theme of these two looking at each other from behind with such worry and pain, like episode 08. It will probably appear again in later seasons because it happens A LOT with these characters, so this won't be the last time.

Here we have a high angle close up shot! God this expression he makes breaks me.

While not as extreme as other examples in episode 04 or episode 08, its still a high angle regardless. This high-angle shot looks DOWN onto Olrox and makes him appear more vulnerable, to feel powerless. Couple that fact he pushed further to the side of the screen, taking up the same amount of space on the screen as the literal bed. He talks gently, but talks about the horrific events he's witnessed in the past. He's sidestepping for now. The argument they had, that doesn't matter now.

What matters is that he's going to basically relive it again if nothing is done about Ezerbet. People will die for the sake of power, for the sake of amassing a paradise that only cultivates for their personal needs.

Olrox's eyes poke through without the 'glow'. It just pops against the dark interior of the room. This allows for us, the viewer to be drawn to his eyes. How distraught he feels.

Did you accidentally miss that shot of him where he looks forlorn at Olrox, BAM, you're getting a close-up of it. (Also another cutaway to into not animating Olrox talking.)

Also, the line that they cut to going "They said were they doing it for their god." GOES TO MIZRAK. They could've cut to any line but they chose this line. Mizrak has been convincing himself for this entire season he's doing this for God, horrors and sins committed. It was for God. There's a difference between the Abbott's and Mizrak's justifications to do these things, the Abbott's more plainly put out and explored in season 01, which I won't explore here because then this analysis will get too long (and I haven't fully analyzed him yet so I could be wrong) but the Abbott fears what he has built is being torn apart and will sacrifice others to keep his position.

Mizrak. He has nowhere else to go. The world has abandoned him and God has saved him from whatever trial and tribulation he's gone through. Therefore he will do the same for others, as God has done for him.

The people in charge of this scene knew it was important for us to see Mizrak's reaction here. We need to see a more gentle version of Mizrak because prior, Mizrak had just been a very closed-off yet fiery stubborn man, who would literally growl at the people who he saw as a threat and would continue to do so. Not that long ago we saw him tearing into Olrox, indirectly telling him it was his fault that his lover died.

Yet now.

He's listening. He's here. He understands.

Which by the way, Mizrak always constantly has this very specific eye highlights in his eye, which (in my personal opinion) makes me drawn to looking at his eyes first whenever his face is shown on screen. This a very good example of being drawn to his eyes first because, amidst the darkness of the interior, you're drawn to his eyes. Then you notice how softly, how concerned he looks. Which is the main premise of this very specific shot. Mizrak, despite being guarded, can be gentle.

This close up shot allows us to transition to the next scene, cutting off Olrox's eyes in the reflection as we look out into the streets of Macheoul. We're now being pulled away from their private conversation, as we will now not be allowed to hear whatever Olrox will undoubtedly tell Mizrak and Mizrak to Olrox.

We now close off episode 06's breakdown!

I am honestly such a sucker for the division lines in a composition to portray distance even when people are close to each other. I am also a massive sucker for call backs and parallels, I literally cannot get enough of them. Like a WHOLE mood will shift completely if you shift character and camera placements.

Hopefully, my own opinions on the matter didn't sway you too much, so I'm hoping this implores you to rewatch Castlevania Nocturne! Look out for those key details not only in Mizrak and Olrox, but in a lot of characters in the show as well! Each character within a shot is framed in very particular ways for a reason. So we must wonder why and question it. I also hope this gives you a deeper appreciation for the work that goes into shows like these!

Anyways, hope you enjoyed reading as I did writing this!

[cookiescribble]

Something New

A/N: Someone asked me for a part two of this, and honestly? Don’t have to ask me twice, I’ve been thinking about it a lot 🫶🏻 sorry it took a little more time than I was expecting, we’re going on vacation soon so a lot of our time is being spent preparing for that :) - mod angel

Pairing: Spencer Reid x GN!Reader

Summary: Spencer has been spending a lot of time bonding with his new coworker, and they’re starting to realize that they might have more feelings than they were ready for.

~~~

     I was, admittedly, pretty nervous the first time I came over Spencer’s apartment.

     I’ve always been a really shy person, and new situations always seemed a little intimidating to me. But Spencer was… different, and that comforted me. 

     I walked up to his apartment that first day, fidgeting a little as I approached his door. I took a deep breath and knocked lightly. 

     He answered the door, smiling, gesturing for me to come in. 

     I smiled and looked around his apartment. I hadn’t known him very long but it seemed very… him. There was a bookshelf against one of the forest green walls that held a large amount of books; if it belonged to anyone besides Spencer, I would’ve doubted all the books had been read. But I guess if you can read as fast as he can, getting through all those books isn’t that big a deal. 

     He led me to the couch and motioned for me to sit down. He had taken out a DVD set of Star Trek: The Original Series that was sitting on the coffee table in front of the couch. 

     He took the DVDs and started speaking. “So, I know you said you’ve seen some of TOS, but I figured it would be better to watch it completely through from start to finish.”

     “Yeah, it’s been a while since I’ve seen any of it,” I replied. “Plus, I always like to watch things fully in order. I can’t just pick up a show in the middle. I have to start at the beginning.”

     He nodded enthusiastically. “Yes, I feel the same way! People have told me it’s not a big deal to start watching a show in the middle, but I could never do that.”

     I smiled. “Plus, there’s only 3 seasons of TOS, right? It’s not that hard to get through.” I could feel myself calming down as the conversation seemed to flow easily between us. 

     “There’s only 79 episodes. It’s really short, considering how many other shows and movies came out of it.” He seemed to hesitate for a moment as he put the DVD in the player. “… I have all the other Star Trek shows and movies too, if you want to watch them.” He cleared his throat and quickly continued, “of course, for now we’ll just stick to this and, um, we don’t even have to finish if you end up changing your mind…”

     I shook my head. “No, I want to do this. I think it’ll be fun.” I smiled reassuringly. “Plus, what I have seen I’ve really liked, so I definitely want to watch the whole thing.”

     He smiled back at me and sat on the opposite end of the couch. “I just didn’t want you to feel like you had to agree to this. Most people don’t really take my interests seriously…” he admitted, sounding a little sad. 

     I just shrugged. “Well, I’m here, aren’t I? Why would I come here if I wasn’t interested?” 

     “I guess that’s true,” he said as he picked up the remote. “… So, are you ready to start?”

     I smiled and nodded. “Yeah, I’m ready,” I responded before he started playing the first episode. 

…

     We fell into a regular routine after that first day. 

     I’d usually come over about once a week. We’d always start with Spencer recapping the last episodes we watched, recalling them in perfect detail so I could remember exactly what happened. 

     I really liked watching the show with him. A lot of times, he’d get really excited and talk during the episodes. He’d always apologize when I asked him to rewind so I could catch what I missed while he was talking, but I always told him I didn’t mind. And I really didn’t, I loved listening to him talk. He always had something interesting to say. 

     I found myself starting to watch him more than I watched the show. I was trying really hard not to admit it to myself, but I was really starting to feel something between us. I’d noticed the way we both started to get comfortable with each other as time went on, and how we started to sit closer to each other every time we hung out. I felt some kind of… spark, whenever I was with him. 

     I tried to ignore this feeling, but it was getting more and more difficult. I felt so happy to see him all the time; hanging out with him felt like the highlight of my week. I looked forward to it for days, and I couldn’t help but think of how much I wanted to be alone with him when I saw him at work. 

     But I kept this all to myself. It was just a silly crush, and I didn’t even know if he had feelings like that. Plus, there’s no way I could have a crush on a coworker. That could never work out well. 

     Right?

… (POV change)

Spencer wasn’t used to spending so much time with someone. Sure, he talked with his coworkers every day, but it wasn’t the same. No one shared interests with him like this. 

Since this was all new to him, he figured these feelings he was having were just normal when you made a new friend. This certain fondness he was feeling that he had never felt before now. 

But as time went on, and he kept spending more time with them, he was starting to suspect he was feeling a little more than friendly with them. He started spending a lot of time wishing they would hang out more. Eventually, he couldn’t help it, and asked them to come over even if he’d already seen them that week. He’d say it was because he wanted to keep watching the show, but really he was just excited to see them. 

Eventually, he couldn’t deny the feelings he had for them anymore. 

There was one day they came over, after there had been a particularly exhausting case. It just so happened to end on the day they had both been reserving to watch the show together. Spencer offered to switch the days and let them catch up on sleep, but they insisted that they still wanted to come over. 

It wasn’t a problem for a while, but eventually, as Spencer was talking, they stopped replying to him. He looked over to see they had fallen asleep curled up on the couch. 

He just stared at them for a few moments before pausing the show, not wanting them to miss what was happening. He wasn’t sure what to do; he didn’t want to wake them up because they looked so peaceful. They looked… really cute…

He shook his head as if trying to shake the thought out of his mind. He stood up, getting a throw blanket and gently placing it over them, careful to not wake them up. 

He walked to the kitchen, figuring he’d make something to eat in case they were hungry when they woke up. Really, he just needed an excuse to not be near them right now. It was taking every ounce of his willpower not to slip his arm around them and let them sleep on him.

He tried not to let his mind wander as he made dinner, but he couldn’t help it. He couldn’t stop thinking about them.

He kept trying to rationalize his thoughts, like he always did. It had never been a problem before; he had always been a logical person, so it had never been difficult to keep his thoughts in check. Until now.

He knew that he shouldn’t have feelings for a coworker. It just wasn’t professional. And besides, they probably didn’t feel the same way about him. No one ever had. It was new to him just to have someone willing to share his interests. Their feelings probably ended there: he was just a new friend to them.

Although… there have been multiple occasions where he thought he saw them sneaking glances at him. And the way they looked at him, he thought that maybe they were starting to have feelings for him too…

He was so lost in thought that he didn’t notice them waking up and walking into the kitchen until they spoke to him.

“Hey…” they started. “Sorry, I didn’t realize I was falling asleep.”

Spencer jumped a little before turning to look at them. They still had the blanket wrapped around their shoulders. They looked really comfortable that way. And the sleepy tone in their voice…

He cleared his throat. “That’s okay. We had a pretty tiring few days with that case, so I figured I’d just let you sleep. You seemed like you needed it.”

They smiled sleepily. “Yeah, I guess I did.” They turned their attention to the kitchen counter. “You made dinner? Was I asleep that long?”

He shook his head. “You weren’t out for too long, but I figured you might be hungry when you woke up, so…” He trailed off, blushing a bit.

They smiled. “Thank you. I am actually pretty hungry.” They hugged the blanket a little closer to them, rubbing their eyes a bit.

Spencer turned around and grabbed two plates, carrying them to the coffee table in the living room. They followed him and sat down on the couch, moving the blanket so it was laying across their lap.

They ate in silence, the show playing on the TV in front of them, though they both seemed to have trouble paying attention to it.

After a few more episodes, it was time to leave. Spencer took the blanket when they handed it to him, putting it back where it was before.

He walked to the door with them, like he always did. Today, though, they lingered in the doorway a little longer. Maybe it was the tiredness, or maybe they just finally found the courage they’d been looking for all this time.

“Um…” they started, looking a little nervous. “Thank you for making dinner tonight. That was really nice.”

He smiled warmly at them. “Oh, it was no problem, really. I was hungry too,” he laughed awkwardly.

They smiled a bit, but they had a concentrated look on their face. “Well, uh, I was wondering… Maybe one day you’d like to… go out to dinner?” They took a deep breath before continuing quietly. “Like… as a date?”

He blushed and smiled, all the thoughts of doubt he’d been having earlier thrown out the window. “Yeah, I... I’d really like that.” He tried to sound calm, but it was clear he was really excited about it.

They smiled back at him, the nervousness gone as they realized he was just as happy about it as they were. “Okay. It’s a date, then.”

They said their goodbyes, both of them unable to stop smiling as they thought about what their future together would hold.

[rueririn]

Pirating OPLA, thoughts

Episode 1

Garp being at Roger's execution is a nice touch

Really like how full Luffy's dinghy is-- crates of fruit, a barrel of fish instead of just one barrel of apples--- all makes sense. All the tiny details removed from manga that are just added onto opla for realism-- like the way the execution stand works, too, with the people cranking the manual lift to get roger up there. It's all very cool and makes the setting feel more piraty than mangapiece.

Our beloved Zoro tried to go to Sixis on a cruise ship. This is a good way to casually mention Zoro earlier (plus that's Ace's first island so it actually lines up on the One Piece map to be around Dawn Island--)

"it's worth more than the rest of our loot put together" a nika mention that can be interpreted as just a devil fruit mention

"You should never let anyone tell you what you can't do. If I did that, I never would have left my village to go find the One Piece." Luffy referencing Garp like this is so funny to me

Unlike mangapiece, Luffy invites Coby along before knowing his dream to become a marine. This makes me sad because now I wish la coby joined the crew

opla Shanks is weirdly more serious than mangapiece Shanks. Not necessarily in a bad way, just different. That's the attitude I'm takign for most of opla anyways.

Adding the Mr 7 and Zoro fight here is actually really cool

Beta Nami outfit aaaaa they moved the pre-orange town ship-stealing scene to serve as her introduction scene and that works so well for her.

I love that they all naturally congregated in Ririka's bar. Everyone congregates and chaos occurs. Really like how they switched things up while never really taking things off course.

"PIRATES SPREAD DISEASE" poster on the wall

Coby sliding under the table once a fight breaks outajslkdjalsijdsakj i love him pls

ADORE the barfight. It's Zoro vs Baroque Works but bite-sized and with everything we love about the most consistently badass member of the crew. Thank you.

Zoro really pulled a reverse on Helmeppo lmao. "Three swords? I only need one" proceeds to get curbed by zero swords

oh! Zoro introduced himself as pirate hunter. that makes him different from mangapiece where he explicitly says at some point that he never called himself that. But it fits the opla characterisation so fair enough.

Luffy popping out of the manhole to yell 'thanks' at Zoro just sends me. Makino taught him well.

Nami being the most independent and capable girlboss up until the second Luffy literally crashes into her life and ruins her plan is actually 100% compliant with the basis of their relationship.

Oh is this the ass naked Helmeppo scene everyone's been yelling abo--- oh it is. ok.

I've never realized how badly I wanted a Nami and Luffy fighting together scene until now. I just realized how little of those we get in Mangapiece. Holy shit.

Romance Dawn trio just has this really satisfying trio cohesion that I can't describe. They're forever my favourite trio in the strawhats and opla does a magnificent job of bringing justice to what the manga couldn't give them with its chapter and page limits, since their only trio time together without being dragged around by handicaps was in the gaimon arc.

Makes me a little sad that Coby's involvement in Shells gets cut down a little, but that's fine I guess, he got plenty of touchup in his introduction scene.

Luffy holding back laughter when he sees Helmeppo's hair. Zoro chuckling because "yeah I might've done that" and Nami just being speechless. They're so stupid i love them

Garp going silent when he hears a straw-hat pirate stole the map to the grand line. I like to think this could imply Roger also stole his map once upon a time, but for now I'm just laughing at Garp internally screeching "that STUPID GRANDSON it's been ONE DAY"

[wuntrum]

Oooh I just started rewatching Twin Peaks yesterday! The last time I saw it was around 4 or 5 years ago. Just putting on the first episode again made me realize how much like home this weird little show feels like to me. It’s been nice to see your enthusiasm for it on my dash :)

may I ask what you enjoy most about the show, or why it appeals to you, if anything comes to mind? I find it’s a bit of an odd one to try recommending to people - I love it, of course, but my taste is a little strange, and I don’t find other fans out in the wild that often.

oooh, that's an interesting question! i think theres a lot of aspects that appeal to me about twin peaks...on a very surface level i love the aesthetics of the show, as someone who lives in new england (pacific northwest and new england are connected pacman-map-style in my mind), the settings and fashion are all excellent. i also love its absurdity, i love the fact that no one talks like a real person and theres people with such weird and distinct archetypes and over the top emotions all colliding with each other---that, and the way it approaches the sort of worldbuilding going on, plus the importance of dreams in the narrative contribute to such an interesting and dreamy atmosphere. i think what makes twin peaks special compared to things that were made after it and were inspired by parts of it is that even when its confusing and strange on a literal level, its always emotionally resonant--you don't need to understand it, because you feel it. the way they're able to set up all the people and relationships in this town so quickly, you really feel like you're a fly on the wall in this living and breathing place, even when its strange. you rarely see how buildings and places connect, but you don't need to because its all so convincing as a woven together location (and of course thats for like logistical/filming purposes, but it creates an interesting effect lol). it uses the familiarity of americana tropes (and even television tropes) and distorts them to create meaning, while still keeping parts of their signifiers intact. even watching it for the first time in 2021 was shocking throughout, so i genuinely can't imagine how it felt catching it live when it was airing, like there was nothing else like it! the fact that david lynch helped to make a prime time television show is something that like logically should never have happened, but i'm so glad it did. i also think on a production/creative level, its so interesting to see how it sort of morphed and developed as the original run and fire walk with me and the return unfolded, like what themes were dropped versus what (at first) insignificant details were given meaning and expanded upon.

i do think it can be a hard sell to convince people to give it a chance--i've had a friend or two try to watch it and say its too slow for them, or it just wasn't clicking. but i've also had more friends really get into it, probably because i have a lot of weirdo artsy friends (i say that with love of course). but i think it's a great gateway into other weird and absurd stuff, or at least it was for me. i also enjoy a good ol "weird thing happening in small town" story, and so it was interesting watching twin peaks and then revisiting stuff that was clearly inspired by it, or at least partially (welcome to night vale, s1 of stranger things...s1 of riverdale. but also i think the return has its own sort of inspiration fuel, like season 4 of barry and beau is afraid struck me in the same way that the return did)

[accidentally-in-fictional-love]

Things I Noticed While Writing Light The Fuse: Part 10, Episode 4

It's Cop Night tonight!

I don't say this nearly enough, but I really love Ethan lol this is one of the funniest things he's ever said, no more fear of the Ghouls with this guy

Not Matty of all people coming in with the 'okay enough of that please don't start things'

He is thinking :] he just stares for so long trying to think of anything to say that wouldn't also start something and I love him for that

I was just gunna add this cause cute Matty and hot Johnson but as I was rendering this I saw Ethan's face for the first time fuckin lmao I have seen this scene SO many times and never once have I looked at Ethan

I really love soft, apologetic Matty, need more of this guy

I love how you can actually see the switch between Well Mannered Matty and his usual self when being polite doesn't work lmao no one else could've played him for REAL /)w(\ also the smug laugh he does afterwards will be the death of me

In case it wasn't obvious already I have a thing with being intimidated and this is the hottest thing I've ever seen in my entire life no one else could've played him

This exchange makes me insane. Matty is so hot here I can hardly stand it. This would've been such a good fucking fight, Matty just staring him down not scared at all, the implication of everyone else he isn't afraid of coming after him and he doesn't even care, his hand is shaking he's so strong and brave and I would fight Gary for him even though he could kick my 5'5 ass

Fucking. Same. Ethan.

I just really wanted to say this outfit fuckin eats, he makes me wanna buy him a very expensive beverage and sit with him while he drinks slow and talks about his day /)//w//(\ okay I'm normal again sorry about that back to the post

Hi Angel~ Been watching a few of Rhys' movies for editing and he does this little wave in like all of them and this is just him continuing the trend lol so cute, I might make a lil gifset about it at some point 🥰

Johnson standing there like 'Matty. Pinup. Matty.' like what is that look I'm going insane, he's surrounded by beautiful dancing ladies and he's always looking at Matty or Ethan

Like. Fucking same, Johnson. I am also looking at Johnson like that as well just so you know

lmao at Ethan but I love the amount of detail they put into all these sets like this bathroom is seen only once and they decked it out so damn cool

Whoa I was just gunna screencap this bit and say I could never use a urinal cause guys are just... dicks out next to each other and that's so awkward oh my god so I'm always like looking at the wall during this whole scene cause I'm shy /)~(\ but Matty actually has another moment of misdirection when Ethan gets all still, doesn't change the subject this time, just hammers it home, but he does it in a way that still gets him away from Ethan it looks like so he knows he doesn't have to freak out over being recognized

Serious conversation, dicks just out, all three of them, pissin' away, can't be me. Also love how Johnson isn't allowed in the scene cause there's only three urinals lmao he's saving their table for them it's all good

He's also watching Ethan and seeing how calm he is this time ;w;

Gross. Disgusting. Don't bring your open drinks into the bathroom you heathen Matty did too but at least he like leaves it there cause I saw it in his hand when he walked in and placed it on the top and then he never picked it back up, he's just littering

I think him looking at me like that might fix me 😌 also cop didn't wash his hands yucko everybody shame him aaaaaaaaand I just now realized I giffed Ethan fuckin shakin' it and Matty's just staring at him with that expression as he's doing it I'm going to jump off a CLIFF MEN'S BATHROOMS ARE SO AWKWARD

'Why?' Cutting Matty out of this part in the fic nearly killed me cause I couldn't do this exchange but I'm so happy with him realizing it himself ;w;

Him saying this to me would definitely fix me. Love how he gets one second to be so genuine, his voice is so soft, and then he just laughs cause Ethan has the best reactions and he's the most beautiful thing I've ever seen after Johnson

Nearly hit my limit again surprisingly so yayyy I get to talk about my favourite scene with Ethan and Meredith tomorrow, gimme all the friendships with her to talk about! 💙💛

[kimpossibly]

DON'T LOOK DOWN -> the last of us

AUTHOR'S NOTE: Hi...so I'm absolutely losing my mind over this show. I have some friends who have played the game that are head over heels for it as well, but as someone who's never played, I'm SOLD. I'm in love with the world, with the characters, with the set design, EVERYTHING. Ever since I saw episode one I've had an idea rattling around in my head for an OC, so I did what I always do — come to Tumblr to flesh them out! I hope you enjoy this and please let me know if you do through comments or reblogs!! Remember that if you like a fic or any post for that matter, you should like and REBLOG it, because likes mean next to nothing. Support your fellow artists and spread the love!! Enjoy, my lovely readers &lt;3

PAIRING: PLATONIC joel miller x fem!reader (I'm talking some SERIOUS found family stuff here) WARNINGS: Heavy use of guns and weapons, mentions of the apocalypse, DETAILED descriptions of violence, trauma, and death. Family member death. I definitely sobbed while writing this SUMMARY: After losing her family and getting found by the Fireflies, Y/n goes with Ellie and Joel on a treacherous journey to Salt Lake City.

"I spy with my little eye...something blue."

"Is it the sky?"

"No, dipshit, that's too obvious." Ellie said with an eye roll.

Y/n just scoffed, shaking her head. "Joel, you got any ideas?"

"How 'bout we start with making this the last round of this game?" he said gruffly. Ellie just gave him a glare and muttered something about him being a killjoy underneath her breath. Joel cleared his throat, looking around them — the open field to the left, the forest to the right. "You got me."

Ellie groaned, her head dropping. "It was Y/n's backpack, duh." she said. "Which, I'd like to add, has two guns in it. Not one. Two."

"Cause I actually know how to use them, genius." Y/n replied. "I'm kind of shit at aiming, but I can't point and shoot until the cows come home. If there's one good thing about the apocalypse, it's that it taught me some basic life skills really damn fast.

"Aren't you from Arizona? Hunting season's pretty much year-round down there. Didn't your dad take you out hunting or something?" Joel asked.

At those words, something in Y/n's eyes glazed over. "No. No he didn't." she said, her voice flat. After a moment, she sniffed and rubbed at her nose, turning her head away so as not to let them notice. But Joel saw. She coughed. "Come on, we should pick up the pace if we want to make it to Bill's by sundown."

With that, she sped up until she was walking a good ten feet in front of them. Joel watched her with confusion, which Ellie noted.

"She does that when she doesn't want anyone to see her cry," she explained quietly. "She's got some rough family stories."

"We all do." Joel replied.

But Ellie just shook her head, glancing back at Y/n. "Not like hers."

Ellie and Y/n huddled behind the hole in the wall, listening to the sounds of gunfire come and go. Pop, pop. Silence. Pop. Y/n could barely stand it. She flinched at the familiar sound of gunfire now.

Y/n popped out above from hers and Ellie's hideout and fired a few times into the open, not sticking around to see if she'd actually hit one of their attackers. She always figured it was better if she didn't know. Based on the number of shots coming from their end, she could tell that Joel was wildly outnumbered. They weren't FEDRA or Fireflies, but they had a big enough group to overwhelm one man. Glass shattered as a bullet from the other side shattered through the truck's windshield. Y/n peeked out as glass rained down on Joel. He was alone as the enemy approached. And Y/n couldn't let that happen.

Joel carefully made his way to the other side of the truck as someone stepped in through the obliterated doorway of the laundromat. Glass crunched under his feet. Every step he took brought him closer and closer to discovering Joel. They were running out of time.

Y/n turned to Ellie suddenly, startling her. She put her hands on either sides of Ellie's face, looking at her with an expression so serious that she knew it was in her own best interest to shut the hell up. "Listen to me, you need to stay here. Don't get up. Don't move. Don't even think about it. Don't get a bright idea and try to play hero, alright?"

Ellie gave a quick nod and Y/n stooped down, unzipping her backpack as quietly as she could and pulling out one of her pistols. She began to creep to the hole in the wall, but Ellie grabbed her sleeve before she could come into view. "What are you doing?"

Y/n turned back, trying not to let the fear coursing through her show to the younger girl. "I got a bright idea."

Y/n crept carefully through the hole in the wall as the man stepped closer towards Joel's hiding place. She held her breath, both hands wrapped around the pistol, her pointer finger on the trigger.

Crunch.

The man wheeled around, and Y/n, caught off-guard, abandoned the gun, placing a strong kick to the man's stomach. He stumbled back and the gunfire resumed, stronger now than ever. Joel used this moment to leap out of his hiding spot, jamming the butt of his rifle into the back of the man's head. He crumpled on the spot, blood pouring from the point of impact.

"I told you to stay there." Joel said angrily.

"I don't listen." Y/n said. A single gunshot whizzed past them and they crouched down to avoid it.

"If you go leaping into open fire, what's to stop Ellie from doing the same, huh?"

"She wouldn't follow me out here."

"How do you know?"

"Because I told her not to."

"I told you not to. And you didn't listen." Joel said, reaching up to fire. There was a yell as his bullet met its target, and the gunfire ceased instantly. He went to reload, but found the barrel had jammed.

Y/n stood up, glaring at Joel. "She listens to me. She trusts me." she said. "You're just the guy in charge of taking us from Point A to Point B."

"Trust isn't the point here, okay?" Joel replied, standing. "You're not setting a good example for her."

"You're not my dad, Joel!" Y/n replied, her tone low and harsh. "Ellie is the closest thing I've got to family. Once we reach Salt Lake City, I'm going to be the only one she has, and I'll be damned if I take that away from her. I can protect myself. So worry about yourself."

Joel had no answer for that. Suddenly the silence they were surrounded by seemed impossibly loud. Either they had killed their attackers or frightened them enough to make them turn around and run. Y/n wasn't sure which she'd prefer.

"Are you guys done arguing so I can come out now?" Ellie's voice came out muffled.

Y/n gave Joel one last pissed off look and turned around. "Hang on, I'm coming to get ya!" she said, heading back to the hole in the wall. "Here, hand me your stuff and I'll—"

The sudden sound of the back door to the laundromat bursting open silenced her. There was a gunshot and a yell — whether it was from Joel or his attacker, she couldn't tell. Y/n didn't wait to see what was happening before she practically shoved Ellie back into the hiding spot to keep her out of harm's way.

Y/n turned as someone in dark clothing knocked Joel to the ground, scrambling on top of him pressing his rifle to his neck to choke him. "Now you're gonna fucking pay! What you fucking did, you fucking killed yourself, motherfucker!" the guy shouted, his voice filled with rage. Joel struggled against him, but his grip stayed firm, pressing harder and harder down on his throat. His shoes squeaked against the floor as he tried desperately to move away, but it was useless.

The gun weighed heavy as Y/n lifted it. Arms straight out, finger over the trigger. Joel's struggling was becoming weaker and weaker with every passing second. Beads of sweat collected on Y/n brow. This was no time for indecision. No time for fear. She grit her teeth and gripped the gun even tighter.

Bang.

The man let out a yell as he fell to the side, slumped against the wall. Joel immediately began to gasp and wheeze, taking in heaving breaths of air. Y/n stepped closer, the gun still held out, and she saw that she hadn't killed the man.

He was leaning against the wall, his chest heaving violently. When he removed his hands from under him, they were slick, coated with blood. He struggled to get himself up, grimacing at the pain, and Y/n realized with horror that he couldn't have been much older than she was.

He was just a kid.

"No, no, no, no, no! It's okay! It's okay. It's over. We're not fighting anymore." he shouted frantically, holding a bloodstained hand out to stop her. His voice had completely changed from before. What had been violent rage was now desperate pleading. "I'm gonna go home. I'll tell everyone you're good." he said, his voice choked with tears.

Y/n swallowed, refusing to lower her weapon as a lump in her throat began to form.

Suddenly he sobbed, his voice becoming high-pitched in distraught terror. "I don't know what to do. My legs don't work."

She had shot him in the spine. She must've paralyzed him.

"My mom isn't far, if you could get me to her." he cried.

Joel slowly began to get up, but Y/n was frozen in fear. She couldn't move, couldn't breathe. All she could do was watch this terrified kid beg for his life.

"We could trade with you guys. We could be friends. I didn't know!" he said, panting through tears. "I'm Bryan! I'm Bryan. What's your name?"

Y/n's throat constricted. Tears rushed to her eyes and she didn't stop them, but her body knew better. Tears were weakness. She pushed them away almost as an instinct, but something was still weighing heavy in her chest. Bryan.

Joel's hand suddenly reached out, grabbing the pistol from the top. Y/n suddenly became aware, her eyes darting to Joel's. He said nothing, but the look on his face said all she needed to know: You know what I have to do.

Slowly, she let go of the pistol and found that her hands were shaking violently. He turned back around, causing Bryan to panic. "Wait, wait, wait!" he shouted, doing his best to drag himself further away. all he was doing was backing himself further into a corner. Suddenly he reached into a holster and pulled out a large hunting knife, dropping it to the ground. "You can have it...It's a good knife." he said, his voice becoming even more ragged.

Joel bent down and took the knife from him. Y/n was feeling something she hadn't felt in a long time. Not since the time she watched her mother's eyes close for the last time.

Joel turned to her. "Get back behind the wall." he said.

"No, no, no, no! I'm sorry! Please, please. We could just talk! I'm sorry, I'm sorry!" Bryan shouted, holding his hand out as if to shield himself from them.

Y/n tried to speak, but choked on her words. She paused, not sure what to say. "Joel," she said finally, her voice coming out as nothing more than a rough whisper.

Joel's expression hardened. "Y/n. Get back."

But she couldn't leave. Bryan was crying out to her, apologizing to her, begging for help. There was nothing they could do to help him, and there was nothing he could do to hurt them. But he had seen their faces, and now he knew their names. And that kind of information was deadly.

Y/n just shook her head, her eyes glazing over just as they had earlier. Joel realized then that there was no convincing her. The damage had already been done. So he turned away from her and cocked the pistol.

"No, please! Please! I'm sorry!" Bryan's cries became even more frantic. "Please! You don't have to! No, no, no! We can just talk!"

He was babbling now. Y/n couldn't move. She looked at Bryan, and for and for one fleeting instant, she saw herself that one December night seven years ago. The night she lost everything but her life.

"Mom! Mom! Mom!"

Bang.

Two days. It had been two days since Y/n had said a word to Joel or Ellie. It had also been two days since Joel had put a bullet in Bryan's head.

She walked like someone possessed, eyes staring blankly ahead, face frozen with no expression.

Ellie did her best to goad her into conversation, but she may as well have been talking to a brick wall. Y/n never replied to her questions or laughed at her jokes. Ellie didn't scare easily, but now she was terrified. Nothing quite like this had ever happened.

The only time they ever heard a sound from her was late into the night, when she thought they were both asleep. That was when she allowed herself to cry.

Joel awoke on the third night to complete silence. As the forest floor came into focus around him, he saw Y/n sleeping bag laying flat on the ground, empty.

He sat up, images of the worst immediately coming to mind. He looked to his other side and saw Ellie, fast asleep in her bedroll. `That calmed some of his nerves, but left a lot of his questions unanswered.

The sun was just barely beginning to rise in the east when he got up, looking around himself for any sign of Y/n. There were none. So, after glancing back one more time to make sure Ellie was safe, he picked a direction and began to walk, hoping to find the elder Pain in His Ass.

He wasn't sure how long he had walked before he found her. She was sitting on the forest floor with her back against the thick trunk of a tree, her knees tucked up to her chest with Joel's jacket draped over them. She looked up when he came around, her eyes red-rimmed and swollen.

For a moment, neither of them said anything, merely accepting the others' presence.

"I'm sorry I took your jacket." Y/n said. Her voice was rough and gravelly, and Joel discovered with surprise that he had almost forgotten what it sounded like.

"Don't worry about it." he replied. "Mind if I sit?"

She said nothing, giving a small nod and turning back to stare off into the distance. Joel moved to sit down next to her, grimacing at the pain in his joints as he did so. Y/n continued to sit like there was no one else there, her blank gaze focused on the horizon.

Joel had a pretty good idea what was bothering her. She had shot someone. And what was worse, she'd left them in pain. He almost thought it would've been better if she'd have killed him with the first bullet.

"Y/n—"

"He was crying for his mom." she said suddenly, cutting him off. "He was crying for his mom and you shot him."

Joel went silent for a moment. He'd had to do things he never imagined himself doing — that had been one of them. "I couldn't take the risk."

She knew what he meant, of course. She understood why he'd done it. And, most of all, she was almost sure that if she'd been in his position, she'd have done the same thing. But seeing firsthand what it looked like to beg for your life reminded her of things she'd rather leave in the past.

"My father was a smuggler." Y/n said, her voice hollow. "We never asked what he did; we just knew that, because of what he did, we lived a lot better than a lot of other people. I'm not really sure what he did — if he had made a bad deal, or double crossed someone that shouldn't be crossed, but I woke up on Christmas morning to gunshots coming from my living room. I should've stayed in my room, I know. But I couldn't just sit there and wait. My whole family was down there. So, I went to see if my dad was okay. He was dead before I got down the stairs. My mom grabbed me and my sister as these three guys pointed guns at our faces. She was screaming at them, begging them not to take her children, begging them to take mercy on us. All three of them shot at once."

Her voice stayed firm and toneless as she spoke. "By the time the bullet hit, I had accepted that I was going to die. My eyes shut and I never once thought they'd open again. But..." Y/n pulled down the hemline of her shirt an inch to reveal a thick white scar just below her collarbone, "fate took pity on me that day. Marlene found me just before I bled out. She kept me alive. And when I woke up, I was in the worst pain I'd ever experienced. All I could do was scream for my mom, ask if she was okay. I never got a straight answer, but I already knew what had happened. I just didn't want to believe it."

Joel listened carefully, his and Ellie's conversation echoing in his mind:

"She's got some rough family stories."

"We all do."

"Not like hers."

She was only seventeen years old — he knew that from the beginning. But now that truly seemed to sink in as he looked at her, sitting with her knees tucked to her chest, huddled under his blanket like it was a coat of armor.

"You shouldn't have had to see that," he said. "No one should."

Y/n nodded in agreement. She knew that it wasn't fair. That none of this was fair. But that didn't change that it had happened, or that she'd have to carry it with her wherever she went. It never really got lighter — that was the thing. All the memories did was get harder and harder to hold.

Her glass expression shattered then as she turned to him, tears falling out of her eyes before she could stop them. "I'm trying so hard to hang on, Joel, I really am," she said, her voice finally breaking. She all but collapsed, leaning her head on his shoulder as hers began to shake with sobs.

It had taken Joel years not to see Sarah in every kid he met — but things always fell through the cracks. When he'd least expect it, a sudden laugh or sarcastic comment would take him back to Austin, back to his daughter, and for a moment he'd almost forget that she was gone.

This was one of those times.

"Oh, Y/n," Joel said quietly, wrapping an arm around her. This girl was not Sarah. No one would ever be Sarah. But right then, Joel was almost sure that she was the closest he was ever going to get at a second chance.

"I'm sorry I don't listen," Y/n said through tears. "I know I need to set a good example for Ellie, but if we lose you...I can't be sure I can get her to the Fireflies by myself. We need you. I..."

She stopped herself just short of saying I need you.

"Hey, it's alright. It's okay. You're not gonna lose me." Joel said. "And sometimes...sometimes you just can't listen. You can't take unnecessary risks, but sometimes the situation demands them. You have the sense to know when that is. The world needs more people like that. Like you.

"Don't even think about losing anyone, okay? You just can't. This whole thing, it's like walking on a tight rope. You look down, that's where you're going. So don't look down."

Y/n was coming back to her senses by now, her shoulders stilling and her tears coming to a steady stop. She nodded, wiping away at the last few stray tears and sitting up. "Don't look down," she repeated. "Is that why you're so grumpy all the time? Because you're always looking down?"

She sort of half-smiled in a way that reminded him so starkly of Sarah that he almost forgot to breathe. But he recovered, giving her a wry grin in return. "It's questions like that that make me want to throw you in a lake."

"Please, with your balance, you'd throw yourself in before anyone else."

[sshbpodcast]

Character Spotlight: Garak

By Ames

No one here but us plain, simple tailors this week on A Star to Steer Her By. We’re finally scrutinizing fan-favorite recurring character Garak, who’s definitely more complex and nuanced than even some main characters we’ve discussed before. As we assembled our classic Best and Worst Moments lists, we found that Garak has the most moments that somehow end up in both. That’s how morally (and physically) grey this guy is.

So let’s get our measurements taken as we spotlight DS9’s resident Cardassian spy, played so stunningly by Andrew Robinson (have you read his book yet? It’s amazing). Scroll on below or decode some ciphers with us on this week’s podcast discussion (jump over to 48:23). Of all the moments we’re spotlighting, which are the best and which are the worst? My dear reader, they’re all best moments. Even the worst moments? Especially the worst moments.

[Images © CBS/Paramount]

Best moments

Let us haggle Our very first introduction to Garak in “Past Prologue” sets him up as mysterious, sneaky, and downright sassy. It’s always nebulous just how far his covert information extends versus how much he’s ever just toying with Julian, but in this early episode, he helps the doctor uncover some shady dealings that the Bajoran terrorist Tahna Los has been engaging in. And it’s delightful.

Schemes within schemes Garak and Bashir team up again in the season two “Cardassians,” in which Garak sees through decades’ worth of Cardassian scheming (the best kind of scheming) to expose Dukat’s war orphan plot. The details are convoluted and Rube Goldbergy, but the tailor puts together all the pieces and concludes that Dukat is looking to undermine Gul Pa'Dar, some-freakin’-how.

Personally, I find this style a bit too radical Listening to Garak’s smoothtalking is always extra fun because he’s always saying more than is just on the surface. Even when he doesn’t have to! In his own way, he warns Quark that Natima Lang is in danger in “Profit and Loss.” By the end of the episode, he goes so far as to shoot Toran, saving Quark’s lady love and her students before they go “out of fashion.”

My best friend, Elim The first episode to appear on both lists is “The Wire” because it’s just so Garak. While he never tells Bashir the truth once, he’s at his most vulnerable when he’s telling his various Elim stories. In his own Cardassian way, he connects with his dear doctor and expresses things about himself that, though not empirically true, are him at his most real. And the shippers rejoice.

Major, I don’t think I’ve ever seen you looking so ravishing We give Major Kira major props for her role in the stunning “Second Skin,” but Garak plays a large part as well. When Kira and Ghemor’s backs are up against the wall, Garak comes through for the DS9 crew. And like when he killed Toran in “Profit and Loss,” he’s able to put his Cardassian patriotism aside to kill the hell out of Entek and quip about it at the same time.

The spy who loved me It’s no wonder people ship Bashir and Garak so much when there are episodes like “Our Man Bashir” to fan the fires. And when things go awry in the holodeck, Garak is able to quip his way through the Bond-style holoprogram that they find themselves trapped in, all the while mocking what Julian seems to think the spy world is actually like. And he pulls off a tux pretty well too!

Excuse me, my dungeon awaits So many times that Garak saved the day have seemed to just be convenient for the character, but he’s especially heroic in “By Inferno’s Light.” He fights through his fears to go into the claustrophobia closet in the Jem’Hadar prison and remote into the waiting shuttle. Without Garak doing what needed to be done, surely the Jem’Hadar would have killed them all.

I promise you I will come back While the relationship between Garak and Ziyal always seemed kind of one-sided to us, we must admit that it was good for both characters to have someone whom they could relate to on the station. We see between “In Purgatory’s Shadow” and “By Inferno’s Light” that they care about each other, though sadly Garak never understands why before her untimely death.

A very messy, very bloody business Another episode that belongs on both lists is “In the Pale Moonlight.” We already gave Sisko some guff for this one, so let’s start off by being impressed by the layers of Cardassian scheming Garak does. Sure, it’s unethical and kind of monstrous, but it’s also a thing of beauty watching all the pieces of Garak’s plan come together to trick the Romulans into getting into the war. Not only can he live with it, but he sleeps like a baby.

Alan Turing, eat your heart out Garak uses some of his Obsidian Order talents to do some code breaking for the Federation in “Afterimage.” His arc in the final season of DS9 is a hell of a journey because he knows the work he’s doing for Sisko and crew will hurt the Cardassia he loves, but he also knows it’ll be for the best in the end to rid the quadrant of the Dominion so they can start rebuilding.

We might have a revolution on our hands Speaking of the Cardassia that Garak loves, he joins Damar and Kira’s little resistance in “The Dogs of War” and goes down to the planet to incite a revolution against the Dominion. When even Damar has opened his eyes to the atrocities the Founders are commiting in the Alpha Quadrant, then you know that it’s got to be something worth fighting for.

The last Weyoun In the siege of Cardassia Prime in “What You Leave Behind,” Garak gets to be the one to shoot Weyoun 8 after the two chirp at each other first. Turns out this is the last of the Weyoun clones, which Garak has firmly put to rest as the Federation ousts the Dominion forces from Cardassia. Garak’s story finally complete, his exile has ended in time to return to the ashes.

—

Worst moments

Nothing to look forward to but having lunch with you We’ll also see later in the series that Garak isn’t one to prioritize his mental health, so his abuse of his feel-good wire in the titular “The Wire” portrays how bad he is at taking care of himself or getting help when he is at his lowest points. When he attacks his friend and doctor when he’s going through withdrawal, you just wanna see him get better because this isn’t healthy, Garak.

Initiating counterinsurgency program level four Though Garak apparently has access codes that no doubt Sisko revoked after “Civil Defense,” he still utterly fails to stop the station’s counterinsurgency program from locking out the Starfleet personnel. In fact, per the “Attention Bajoran Workers” protocol, he’s made things that much worse by insisting they have to shut down life support only for a laser ball to replicate in Ops.

You can’t waterboard a goo It’s hardest for us to forgive Garak from ruthlessly torturing Odo in “The Die Is Cast” just to get back in the good graces of Daddy Tain… but we’ll probably do so anyway. We see just what Garak is capable of with these glimpses into his Obsidian Order past. We can absolutely easily picture how he could torment someone with just his unblinking stare. His eyes. HIS EYES!

But have you considered… murder? I may have found it adorable for Garak and Bashir to play spies in “Our Man Bashir,” but he has no idea how holoprograms work. Garak is so fast to jump to the conclusion that they kill everyone that it leaves one’s head spinning. This isn’t real-life spying, Garak. This is Julian’s sexy adventure, so of course the answer is seduction, not murder, and you should’ve known that.

Is this a date or an assassination? Ziyal is looking for company and invites Garak to sunbathe on rocks like the lizards they are… and Garak spends the whole of “For the Cause” caught up in highschool drama of what Ziyal’s inventions are. Does she like him or LIKE him? Or does she just want to lure him in to present his head to her father later? It’s all below Garak, frankly, when he could just, I dunno, talk to her.

Something swift and painless and preferably bloodless I gave Quark most of the stink for this one, but I can’t let Garak off the hook either. It’s a complete missed opportunity for “Body Parts” to necessitate Quark asking Garak to assassinate him when instead he could have enrolled Garak into some even more nefarious scheme. Garak himself should have suggested faking Quark’s death and it would have been excellent.

They’re dead. You’re dead. Cardassia is dead. I always found Garak’s plan in “Broken Link” to be tenuous at best and contrived at worst. He tags along to the Gamma Quadrant for seemingly no reason, then it turns out he wants to ask the Founders if any of the Cardassians from “The Die Is Cast” are still alive (a possibility never alluded to before), then he straight up tries to destroy the Founders’ planet until Worf beats him into submission. Huh?

It looks like I’ve captured your last piece, Chief The pretty decent horror episode “Empok Nor” has got a lot going for it, but every single time they made the kotra metaphor more and more blatant, I started checking out. Dear writers, your metaphor stood on its own without you announcing it twenty-five times. Have a little confidence that your themes are working because it was a good one… until it wasn’t.

Do you feel lucky? Do ya, Chief? But that is far from the worst thing Garak does in “Empok Nor.” The psychotropic drug is mostly at fault here, but that doesn’t mean Garak feels completely innocent. He straight up murders the Cardassian sleeper guards AND crewman Amaro in cold blood, and then kidnaps and threatens Nog so he can get at the Chief, taunting him like a serial killer the whole time.

Star-crossed lizards The sweet friendship Garak strikes up with Ziyal belongs on our good list for sure, but frankly the romance between them never quite gelled for us. We see in “Call to Arms” that they kiss goodbye when she flees the station before the Dominion swoops in, and it just feels… unearned? Garak admits in “Sacrifice of Angels” that he doesn’t know what that was all about, and neither do we.

When the devil asks you to dance, you say yes I may have marveled at Garak’s precarious plan in “In the Pale Moonlight,” but that doesn’t mean I condone any of it. Even the writers make it clear in Sisko’s actions that he finds it reprehensible how many casualties there were to pull it off: the cold-blooded murder of Vreenak (and his innocent guards!), the assassination of Grathon Tolar, the deaths of literally all of Garak’s contacts. This one’s on Sisko’s list too of course, but he at least knows it’s wrong.

You’re not worthy of the name Dax One final episode that’s on both lists. Classic Garak, playing both sides. In this case, it’s more evidence that Garak does not seem to value his mental health because, when he’s suffering panic attacks and more claustrophobia in “Afterimage,” the first thing he does is lash out at his therapist, Ezri Dax, who certainly doesn’t deserve it! The poor thing.

—

Well I hope we got in some cutting remarks about the good tailor of Deep Space Nine. Next week we’ve got another frequent guest star of the station to spotlight: Keiko O’Brien! Stay tuned for that while also tuning in every week as we venture through Enterprise over on SoundCloud or wherever you podcast. You can also quip with us over on Facebook and Twitter, and remember: the truth is usually just an excuse for a lack of imagination.

[inkblackorchid]

So... about season 3 Aki.

Ok harsh contrast to my previous, excited post, but I did say I had more to yell about episode 75 and I need to get this off my chest anyway. Plus, I remember mentioning in a post that I need to talk about season 3 onward Aki anyhow, so might as well do that now! I am thinking Big Thoughts and I need to Scream.

Long, incoherent, unhinged rant incoming because I have 100 things to say and 100000 screenshots to post, but I am also tired and my brain is mush.

Can we please talk about all the jarringly unfulfilled setup the start of season 3 did for Aki? Because I'm starting to feel an urge to claw at the walls. I'm gonna go through this, piece by piece of damning evidence, because I need to vent my utter confusion and frustration somehow, I guess. Okay. So.

After giving us a bit of time to settle in after the timeskip into the pre-WRGP stretch of things, the itty-bitty portion of the story Aki occupies at this point starts off arguably strong. Yusei gets kidnapped, everyone's in a frenzy about it, but Aki's especially worried.

Then this. Funky new signer powers! Nobody's been able to do this before! I wonder if they're going to do something with that! (Spoiler: They're not.)

Then Aki "no sense of self-preservation" Izayoi gets herself in a bunch of danger trying to rescue Yusei and we get this:

Oh! Wow! Aki can control her powers now! (Which: how. Why did they never show us this. That alone could have made for a whole mini-arc. Why waste that????) That would give the writers so many cool opportunities to let her use them! I wonder if they're going to do something with that! (Spoiler: They're not.)

(Side note: I love this scene. I love it to death. They're both ride-or-die "who cares for my safety when yours is on the line" for each other and I love them.)

Of course, shenanigans then ensue, leading up to Sherry's marvellous introduction.

(Mwah. I blow her a little kiss.)

And it is at this point that Aki Has An Epiphany.

And to top it off, she gets some interesting interactions with Sherry, too!

So Aki resolves that she wants to become a turbo-duellist, too. And the thing is, this isn't a little one-off thing or something they never deliver on. They end up building this up for several episodes, bit by bit. First we get another mention of it at the pre-WRGP press thingy they all attend:

Then it's brought up again when Yusei accepts the first duel against Bruno/Antinomy:

(Also, side note again, but can I just mention that Aki also gets this moment the episode before:)

(Where she literally puts herself directly in harm's way in a public setting to protect people with her powers??? Like, I'm sorry, pinch me or something, but how does that not scream "badass good girl setup"???? HOW?)

So we get at least three episodes worth of buildup where Aki agonizes over becoming a turbo duellist to understand what her friends (but especially Yusei) are feeling when they duel like that, and then they finally deliver on it and episode 75 has her getting her license. And it's fantastic. Seriously. That episode is golden. Not just because it delivers on this promise, not just because it has a really cute moment between Aki and Yusei in it (regardless of how you read their relationship dynamic), and not just because it (as per my last post) showcases how much the rest of Team 5Ds cares about Aki (by literally building a runner for her and accompanying her to her exam and don't even get me started on Jack beating up those jerks trying to make her crash unprompted) but because it gives us just that smidgen more detail about Aki's character, too. Because the thing is, at first, she majorly sucks at driving.

And not only is this realistic to a degree (learning to drive is hard, regardless of what you're learning to drive), it's also great, because you know what Aki's response to it is?

She keeps going. She doesn't let it get her down, she gets back up and tries again. (And from a writing standpoint, this is lovely because that stubbornness is great in situations like this, but you could easily turn it into a weakness in a different scenario if you wanted to.)

And not only does Aki learn driving the hard way here, she also finds herself confronted with jerks who don't want her to succeed,

(Ruka, sweetie, I love you.)

and she makes an absolute rookie mistake during her exam by trying to play a speed spell when she doesn't have the necessary speed counters.

And feel free to disagree, but I think this is also great. Because honestly? While driving a really damned fast motorcycle that I'm not super used to yet, and being expected to make solid tactical judgements in an overcomplicated card game—the rules of which are slightly different when you're playing it on a motorcycle—at the same time, I would likely also mess up like that and accidentally try to make an illegal play. But the thing is, the episode rewards her for sticking it out anyway by letting her pull off a really complicated driving manoeuvre to save herself from her envious turbo-duelling-license colleagues' cheap tricks, and by letting her score a really nice win from a tight spot, much like any of the boys would have in her position.

(Take that, you jerks. Dumbasses only get blurry screenshots.)

So Aki gets her license and is welcomed by the team as a fresh turbo duellist. Hooray!

(I love them all so, so much, help me.)

And we also get this:

Wouldn't you know it! Sherry's been watching Aki get her license with interest! And she seems to be mighty pleased with the result!

So. After all that, I don't think you could blame anyone (it's me, I'm anyone) for getting really excited about what Aki's gonna get up to from this point outward. Aki can control her powers now! And she got her turbo duelling license! And we've got a new, enigmatic side character who seems like she could have super interesting interactions with and play off Aki! I wonder what they're gonna do with all that.

*deep breath*

Sigh.

Seeing as I already know this show like the palm of my hand, I kind of dreaded getting past this episode because I know exactly what happens to Aki from this point out: Nothing. A whole lot of nothing. Okay, well, no. See, I went back and checked all the episodes I have left, just to make sure, just in case I forgot something (very likely when you've already watched the show three times, I know).

From here on out, during the entire pre-WRGP, WRGP, and Ark Cradle arc, Aki gets exactly three things to do:

She uses her shiny new turbo duelling license to fill in for Crow at the Team Unicorn match because he got injured. Which, on paper, is a perfect way to let her have the spotlight for a moment. Except, the only thing she gets that spotlight for is to last a hot four turns in the duel before losing spectacularly to Andre and literally never turbo duelling again for the rest of the show. (Like, yes. The moment where she summons Stardust Dragon is chefs kiss and legendary. But in light of the surrounding circumstances, it feels like a consolation prize to make up for the ensuing character trainwreck.)

Since Crow is technically still injured when they're meant to go up against Team Catastrophe, Aki trains to fill in for him there again. Except! They intentionally make her crash right before the duel, putting her in a short-term coma! And as the icing on the cake, when she wakes up, it also turns out she lost the powers she was only just able to control for absolutely. no. reason. None. They never bother explaining it, they don't even try to hint at why they might have vanished. (I have my own theories for why they had to let her powers vanish and they all start and end with the words "we couldn't be bothered to figure out how to write this character".)

At the very end of the show, the very end, after temporarily fridging Sherry, too, they dig both girls back up in order to let them participate in a three-way final boss duel with Crow. (Which is a fantastic duel, I love it to pieces. Genuinely.) You could argue that they tried to cash in on all the intrigue they set up between Aki and Sherry here, but—come on. At the end of the show? Seriously? Oh, and did I mention that for some reason, Aki's powers mysteriously reappear after this duel? For no reason? Again?

I just. It does not compute. They went as far as doing all this setup, letting Aki get the hang of her powers, letting her get her license, making her part of Team 5Ds, even giving us a new character that seemed like the perfect fit to let her bounce off of—and then, like some sort of kafkaesque reverse-miracle, they somehow managed to take a sharp left into "whoops, don't care about this character" and nearly wasted the entirety of that setup in one fell swoop. If it weren't for that finale saving at least a smidgen of it, I'd be holding a torch and a pitchfork over here. (Hell, I might, even knowing that Aki's final duel in the show is kickass.)

Please tell me if this is just me (15 years after the show released, I know, leave me alone), but this feels like they were literally loading Chekov's gun directly within view of the audience, only to later procede to toss the damned thing into the sea instead of firing it.

Okay. Okay, I think I'm done. For anyone who actually bothered with the whole post, first of all, thank you for your attention, secondly, sorry, but this does, indeed, still bother me ten years after I first found this show, so I had to get it out or it would have eaten at me forever. God damn it.

Anyway, if you'll excuse me, I'm going back to writing fics where Aki actually gets something to do right this second. If anyone's interested in giving a fic series where Aki gets a separate character arc that tries to stay mostly canon-compliant after the defeat of the dark signers a go, you can find my stuff here.

[bloodbuzz-ohio]

What set abuse allegations did Rachel Bilson brush off?

Here's a rough timeline... sorry I went maybe deeper into detail than you were expecting

Mischa to E! on May 14, 2021: "[...] sort of general bullying from some of the men on set that kind of felt really shitty. But, you know, I also loved the show and had to build up my own walls and ways of getting around dealing with that and the fame that was thrust specifically at me. Just dealing with like the amount of invasion I was having in my personal life, I just felt very unprotected, I guess is the best way to put it.”

Within I want to say a week or two, Rachel and Melinda are asked about Mischa's interview on their podcast (or Danny Pellegrino's, it really doesn't matter, it was uploaded as part of the show podcast for 106) and they both say they never saw bullying on set. And they both extend an invitation to MB to come on their pod to explain herself? It's maddening.

RB says, trying to be funny, "I mean come on, clearly she was having fun. I mean, this episode she’s just making out with Ben McKenzie. What could be so wrong? And listening to Rooney.”

And because we know now that Ben and Mischa dated during s1, that's extra salt in the wound. Rachel of all people was aware of their saga, even if it was 20 years ago. As if dating someone and listening to live music..... means there was no mistreatment?

So then the show's mysterious entities speak to Page Six on June 2, 2021, probably mad that Mischa's interview is now costing them money because the podcast purports the show experience to be sunshine and rainbows and that Mischa herself was the problem, not them.

Their set source (I repeat, this is a 20 year old show with a random set source talking to Page Six) says, “So now she wants to go say that she was bullied,” the source continued. “It wasn’t that she was bullied. People didn’t appreciate waiting for hours for her to show up.”

The source also added that Barton — who played Marissa Cooper until she exited the series in Season 3 — had a momager who was “annoying.”

“It was a mess,” the source sniffed.

And that's its own POS mess. They also try to throw MB's mother under the bus in the book by saying she...... advocated for her daughter? By working as her manager and being on set? Nuala is on my shit list for a 1000 reasons and none of them are because she was on set advocating for her child/client. They really thought they did something with this Page Six hit job.

But Mischa responded to it with this kickass statement, "There was a lot going on. Whether I was late or not doesn’t excuse certain behavior from individuals in powerful positions. Everyone experiences things differently and where I acknowledge some of my past behavior may not have been helpful in certain instances, I will tell my truth when I feel ready.”

Then on June 11, 2021, Mischa published this op-ed in Harper's Bazaar UK.

There's radio silence on the issue until Adam Brody appears on the podcast for 126 in November 2021 and the pod women tell him (poorly, I may add) about the E interview from May. He says he didn't see any bullying but that he rarely worked with MB. Says he feels good about his own behavior with her. He does say that set is not a protective environment and several other nice things about her that put him in my good books forever.

Then there's true radio silence until Mischa finally agrees to be on the podcast during a weekend fandom convention she attends with Melinda and Tate in August 2022. They film the pod ep in December 2022 and it's posted in January 2023. None of the bullying allegations are discussed.

The allegations are also never mentioned in the celebratory book that is published in November 2023.

MB is asked about on-set bullying on CHD in February this year and in her answer mentions backtalk with some people behind the scenes, and brings up friction with guest stars.

Since then, Mischa has posted photos on IG that Rachel has commented on and Mischa replied to one of them in kind so I'd say things between them are... decent.

[canmom]

Last season's anime: Frieren episode 7-10

Shit I guess I'm full on liveblogging this one now.

This time we have episode 7 dir. Naoto Uchida (known for work on Mob Psycho 100), episode 8 dir. Tomoya Kitagawa (who also directed ep. 2), episode 9 dir. Kōki Fujimoto (key animator on a whole buncha stuff, this is his debut as an episode director), and episode 10 dir. Nobihide Kariya (who debuted not so long before as an episode director on Bocchi).

So at the end of the last post about Frieren, I commented that I found the demons underwhelming as antagonists, and hoped they would have their motivations fleshed out some more beyond 'ontologically evil baddies'. Well.

lmao.

So Frieren and the gang are travelling. We get a lot more on the Great Mage Flamme, who is Frieren's mentor figure. At this rate... she's probably gonna turn out to still be alive or some shit.

They roll up in another ridiculously picturesque town. The backgrounds in this show are apparently based heavily on the concept art paintings of Seiko Yoshioka, who gets credited under various roles including 'layout designer' and even 'worldview illustrator'. She did a crazy amount of work to design all the different settings, giving them distinctive cultural motifs and architectures and colour palettes and so on.

Since this town covers a whole four-episode arc, we get a number of different views of it. There's definitely a reasonable amount of historical care put into the design of those city walls - even sketchy and in the distance you can spot the hoardings and appropriately narrow crenellations, as well as the machicolations on the tops of the towers. (Though unfortunatelly some of those details seem to get forgotten in the later episodes.)

The streets in the town seem kinda wide and clean but it fits the austere vibe. The main thing I'm wondering is what exactly they eat in this town - it's triple-walled in hostile territory without much in the way of farmland in sight, or indeed roads that aren't tiny.

I'm pretty sure they built a model of at least parts of this town in 3D, because as well as certain 3D tracking shots (unfortunately hampered by the lack of any parallax mapping on the floor)...

...we also get shots like this one, which feature a crazy 3-point perspective:

I wouldn't say it's impossible to draw this, but it would be a hell of a lot easier to block it out roughly in 3D and then paint in the details.

Mind you, that's not even the wildest perspective we get in this episode. Check this out:

Absolutely bananas. I love it.

But tbh the praise I have for this arc is pretty limited to this kind of technical stuff. Let's get into the story. (Though you can be sure I'll have more to say about the animation!)

At this point the story shifts gears from this fairly low-key exploration of grief and the passing of time, into more standard action anime territory.

Shortly after arriving in this town, our heroes discover that it has been infiltrated by demons in the guise of peace emissaries. Frieren attempts to attack immediately, but she allows herself to be subdued rather than harm the guards, so off she goes to jail.

Luckily, wizard jail still has pretty generous visiting hours, so she's able to explain the deal with demons to the gang. Frieren declares that demons always lie to gain an advantage over humans, illustrated through a flashback in which a young girl demon begged for mercy, only to betray the townspeople a bit later. Having been proven right, Frieren summarily executes the girl.

I think it's worth comparing this storyline to a couple of other similar storylines in other works of fiction.

First of all, in NieR Replicant/Gestalt, there is the story 'The Little Mermaid', which was adapted into a segment in the game in the remake. A postman takes pity on a girl on a shipwreck, not realising that she is a terribly powerful monster who is struggling to maintain her human appearance. The girl starts killing people to try to maintain her connection with the postman. Eventually, the player shows up and discovers what's been going on. Their intervention provokes the girl to revert to monster state and there's a big boss fight. However, at stake in the fight is the girl's identity. Depending on how you play the boss fight, there are two possible endings, and both of them make overt parallels between the monster girl and your party member Kainé, and one portrays the grief of the postman who cannot let go of his affection for the monster.

Secondly, the second episode of last year's Tengoku Daimakyou features a woman who is trying to protect a monster which she believed to have taken on the consciousness of her son after it ate him. The monster has been curiously non-hostile to the woman - she persuades our protagonists to back off, and they agree. Then it abruptly kills her! Oh shit. Fight scene, they kill the monster, etc.

But as they depart, the protagonists are left discussing whether the monster could really have had the son affecting its actions, whether it was just drawn to prey etc. The monster's motivations are left distinctly unclear, and the protagonists conclude there's no way to know the truth. Throughout the rest of the season, the exact nature of the monsters remains an open question.

In both cases, we either know or it is strongly implied that the monsters are fundamentally human, or derived from humans somehow. A certain amount of effort is spared to try and at least raise the question of the monster's subjectivity, and even if a monster has to die, they play it for tragedy.

So, let's return to Frieren. We're introduced to the demon girl. She ate a kid, but she staves off execution by pleading for her mother.

The villagers decide to give her a chance to atone. Before long, she kills the village chief who took pity on her. Frieren's party show up and she does small Shaft head tilt...

She's no longer pretending and talks in a much more level voice. She explains that she wanted to give a replacement daughter to the family of the girl she ate, by removing the village chief, for the sake of living in peace. This goes down about how you'd expect. Frieren goes ahead and kills her. As she's dying, Frieren asks why she called for her mother when demons don't raise kids. The answer she gets:

She is surprisingly forthcoming on this front, and honestly, self-preservation is something like an understandable motivation. The impression you get from this flashback sequence is a being that is amoral, and encountering humans as something alien and, honestly, kinda threatening. Why she killed the girl in the first place is an open question - they explicitly say that the demons don't have to eat humans. Even if she kinda felt like it, you'd think she'd be able to figure out it would be an unwise move.

But as far as the show is concerned, the point of this flashback is to establish one thing: demons are lying liars who lie. Frieren is the only one who knows the truth, which is that you must shoot them on sight.

You might think the show would leave some doubt about whether Frieren is justified in having such a severe attitude towards the demons - is she just prejudiced? But nah we go pretty much straight into the demons saying 'Frieren is right about everything, now let'ss discuss our evil plan'.

Props to this guy (he has some longish German name I can't remember) for making this random bench feel like a throne though. Like on some level he's just soft-voiced evil anime aristocrat guy but he does pull it off.

Anyway, one thing definitely doesn't seem to add up. Frieren says that demons are solitary creatures who speak in a human voice only to deceive, but the demons seem to be pretty happy to natter away to each other when no humans are around and express all sorts of thoughts and even express (fairly reserved) emotions. The boy is arrogant, the girl is protective of her boss, etc. The guy is a smooth liar and manages to wriggle out of being killed by the earl by playing the 'we're the same, let's put an end to this' card. But we're constantly reminded it's fake, he's a lying liar who's ontologically evil.

I think the super-deceptive adversary with no qualms about telling any lie is something that can be done well to create an incredibly paranoid scenario. I can't believe I'm mentioning ratfic again in the space of two posts, but this is something Worth The Candle performed very effectively. Though honestly the fantasy of the perfect manipulator who plays everyone like a fiddle is a recurring device in fantasy.

Here... the acting is strong on our main sussy demon dude. But as a worthy adversary, he's not super convincing. He lets his underling run off and get killed, and his response when the jig is up is to reveal that he's super OP and kill everyone nearby, except the governor, who he tortures. So the manipulation angle seems questionably motivated, like he wants the earl to lower the barrier so the demon army can come in... but you're kind of left wondering why he didn't already just go and kill everyone in the city since nobody who isn't Fern or Frieren can touch him. I guess he's trying to get that low chaos route.

I won't continue the beat-by-beat summary. There is a cool fight scene in Frieren's jail cell though, which has some well-integrated 3D. Frieren totally no-sells the boy's attack and cuts his arms off. Lotta dismemberment in these episodes! The main demon guy has some tasty blood-based powers, lots of monofilament whip slicing imagery (also a thing in Tengoku Daimakyou oddly enough). In general the action scenes in this show continue to be super tight. There is a pretty cute bit where Stark is trying to free the earl and can't cut through the rope holding him to a chair, the earl is going 'leave me', and I was sitting there going like 'why not destroy the chair', and then Stark does. So props for that.

Towards the end of ep 8, we learn that Frieren is actually a suuuuper scary battle mage. She was the one who researched the demon killing spell. OOooooohhh.

Seems our demon guy hasn't changed his style in 80 years lol.

And she did not think it too many.

So we already knew that Frieren was part of the party that killed the demon king, the last living person who knew Flamme, etc. etc., so it's not exactly surprising to see once again that she's kind of a big deal. What we seem to be setting up here - or at least maybe I'm just hoping for something more than 'only our hero is wise enough to know coexistence is impossible and a war of annihilation is the only option' - is to suggest a parallel between Frieren and the demons. They're incredibly long-lived, they love to obsessively study magic, they both have a very cold affect, they're calm under fire. If it turned out that Frieren is a demon that would be a fun angle, but I don't think it really tracks. Rather, the framing is suggesting that, when confronted with demons, Frieren is not so different...

We get a title drop in any case - turns out the anime title is an in-story title for its main character. In Japanese: 葬送のフリーレン Sousou no Frieren. 葬送 is translated by jisho.org as

attending a funeral procession; seeing off the deceased; burial of someone's remains; observing a burial​

The fansub I'm watching translate it (when used for the character) as 'Frieren the Elegy', which has about the right vibe! In the context for the show title, they translate the same phrase as Frieren: An Ageless Elegy which involves a little more interpolation, but I think it works. The official English title is Frieren: Beyond Journey's End, which is very direct but not a bad subtitle at all. Then again, maybe the bar is in the floor since 'Delicious in Dungeon'.

Anyway, after all that setup, we finally get the big fight episode. Because you see, in contrast to the earlier story which skipped over decades in a montage, this arc spans a whole four episodes. It's not badly done, but it's definitely feeling much more like a standard fight-driven show at this point.

We also meet Aura, one of the demon generals. She looks like a youngish girl and has a habit of doing the sanpaku eye smirk.

Her schtick is that she has magic scales that let her dominate people. Then she cuts their heads off and walks their corpses around. This is represented by a big army of suits of armour, mostly rendered in CG. They've done some kind of filter to make the linework less even, but the difference in shading style is quite noticeable.

From there it's a lot of 'my gambit vs your gambit' and 'who has more mana'. The fights are, without doubt very nicely animated, although the CG castle set used for the big camera moves feels a bit... lacking in detail compared to the gorgeous painted backgrounds. Anyway, Stark wins his fight by the power of GUTS and DETERMINATION, and Fern wins her fight by being a fast analytical type who can stay cool under fire and also knows Frieren's special demonbuster spell. Though a lot of Fern's fight is just kind of both participants standing still with impassive expressions shooting either blood or big laser beams at each other or zipping all around the castle.

Of course, the major turning points in the fight hinge on flashbacks to moments with mentor figures. This is an anime, and more specifically, it's Frieren.

One thing that is interesting is that the 'point of view' indicated by internal monologue often moves from Fern to the demon guy. We get to see him try to think through how to beat her, unsuccessfully. By contrast Stark's fight takes Stark's POV. I don't think we're expected to sympathise with the demon exactly, it's a way of underlining just how badass Fern has now become thanks to Frieren's levelling up regime.

I admit Frieren has lost me a bit by this point. It's not that it's bad at being a fight anime, it hits us with a whole series of stylishly composed and strongly animated cuts. Not novel necessarily, but absolutely well-executed. But it's not a very interesting direction to take the story! I don't care about this town, we'll be leaving it in an episode or two anyway, and the only named character in it is the earl. I wanna know more about the demons but what we get is kinda just a succession of Guys With Powers. He can make his blood fly around and stab people. She can copy anyone's moveset. He has a monofilament wire. She has a magic scale that mind controls you if she has more mana.

So how does Frieren beat the magic scales? ez. It's kind of spelled out as soon as they introduce the scales, but they spend a whole episode explaining how she's been using a relentless mana retention regimen for the last thousand years to hide her power level so that demons underestimate her. It kinda belabours the point lol. Like it kinda has to because if it doesn't try to make a big deal out of the mana hiding thing, you're just left with 'Frieren wins because her number is bigger'. But... Frieren wins because her number is bigger.

I don't hate fight-driven anime. They can be a ton of fun. But honestly, after the emotional impact of the first few episodes, taking it this way seems like it's wasting the early show's strengths. But, I hear episode 11 sees the return of Keiichirō Saitō as enshutsu, and it's said to be one of the best episodes in the show, so I'm not gonna drop it! It's certainly more than pretty enough to be worth watching through to the end.

There is a good amount of nice stuff in this last episode. The pseudo-Roman town is a cool depiction of a different material culture a thousand years prior to the main story. The 'field of flowers' magic is called back as a specific invention of Flamme - Frieren's whole deal is to kind of go around doing things to commemorate dead people and it turns out the flowers thing lets her do it twice over! We get to set up some parallels - Frieren could intuit that Flamme was a super OP mage, and Himmel could do the same for her.

We also get some worldbuilding stuff about the demons: they have to constantly display their power level to determine their place in the demon pecking order bc they're soooo individualistic. This seems a little dubious to me - like are the demons really so dumb? Is 'hide your power level' such an incomprehensible concept? It seems like it would lead to some kind of Diplomacy-like situation where other demons would team up to take you down.

Honestly, I think what bothers me about all this is like... I don't like the concept of an ontologically evil monster at the best of times, but the demons are obviously not mindlessly malevolent with no inner lives. They talk and scheme and feel things (such as 'proud of their magic'). They have an honour system. But the narrative doesn't quite seem to be able to acknowledge that this is what it's doing. Besides levelling up their magic, we have no idea what the demons want, still, except that it seems to involve killing humans sometimes.

Anyway! kvin has an article about this section, so if you'd like to read about who did which bit and how they worked together resourcefully and where the storyboard creates imagery of separation and so on, there ya go! It sounds from this article like the manga gets a better handle on what it's trying to do with the demons later on, so I'll hold out hope.