#i love the characters and the series and the worlds and the magic and the politics and the lore qnd the drama and

[recentadultburnout]

On to the silly Thai names of GMM series :)

ไหนใครว่าพวกมันไม่ถูกกัน (Head 2 Head)-Who said they don't get along?

Burnout Syndrome ภาวะรักคนหมดไฟ-The condition of being in love with a burnout person

คุณวาฬร้านชำ (Whale Store xoxo)-Khun whale (of/from) grocery store

That Summer ผมเจอเจ้าชายบนชายหาด-I met a prince on the beach

My Romance Scammer รักจริง หลังแต่ง-In love for real after marriage

A wordplay of a phrase รักจริงหวังแต่ง-In love for real and hope to get married

ความลับในบทเพลงที่บรรเลงไม่รู้จบ (Melody of Secrets)-The secret in the song that plays endlessly

รักครูเท่าโลกเลย (Love You Teacher)-Teacher, I love you the size of the world.

MU-TE-LUV โปรดใช้วิจารณญาณในการรักเธอ-Please use your discretion in loving her.

Mu te luv is from a word มูเตลู (Mu te lu), which means something involving with superstitious. The -Please use your discretion...- is that warning all Thai show fans are familiar with.

เปย์รักด้วยแมวเลี้ยง (Cat for Cash)-Pay for love with pet cat

Girl Rules กฎหลัก...ห้ามรักเธอ-The main rule is you can't fall in love with her.

เปิดเทอมใหม่ หัวใจหัดรัก (Boys in Love)-New semester, a heart that learns to love

ทำนายทายทัพ (My Magic Prophecy)-It’s a wordplay with ทำนายทายทัก, which means prediction, but they change the last word from ทัก (to warn/greet) to ทัพ (army), which is a character’s name.

หมาเห่าเครื่องบิน (A Dog and A Plane)-Dog barking at airplane

This one is a saying that means hope for something beyond one's means. It's a relatively new one (20 years? maybe???) (possibly popularized by songs. This one is in the teaser and later there is this similar phrase one (หมามองเครื่องบิน-Dog looks at airplane)).

มีสติหน่อยคุณธีร์ (Me and Thee)-Have some sense, Mr. Thee.<-kind of my fav lol

Ticket To Heaven เด็กชายไม่ไปสวรรค์-The boy did not go to heaven/The won't-go-to-heaven boy

[rambles-on-dragon-age]

The Veil Jumpers were founded by the Dalish but the Dalish aren't their only members. Did you skim past the literal intro to the Veil Jumpers when you were making your character? Arlathan Forest is riddled with reality warping magic and it's incredibly dangerous. They know it's incredibly dangerous and they risk their lives being there and exploring. There are still deeply mistrustful Dalish clans in the area re: the ones being massacred by the Evanuris that escaped that they're trying to help, that's just not the faction we meet. And if you forget, it is crawling with Tevinter Agents (the Venatori) as we have to fight them constantly.

I suggest you play the intro again because they don't meet Bellara and then walk into the bubble; they have already been in the bubble by time they meet Bellara. That's why her intro speech includes "hey, would love to go back with you to Veil Jumper camp, but we can't leave the bubble. Can walk in, cannot walk out. We are stuck." You comment on the funny fog you're walking through before you find her which is the "shell" of the bubble. You are already trapped in there with her, the resident expert, and probably only person that can free you. She has the upper hand in every respect and she knows it; she's just also, as a character, very open and curious and trusting through the rest of the game. You think it would be "more interesting" for her to act out of character and like she's still in a Dalish clan and doesn't like anyone she meets. You're projecting your personal desires at a character and situation that doesn't fit them. That's not the writer's fault, that's on you that you think all Dalish need to act the same. Then again, that gives you purchase to write all the fic you want to rewrite the scenes for your enjoyment.

Also, what proof would they give that they're from the Veil Jumpers besides the inside knowledge that Strife sent them (the name of their leader) because she's the best at elven magic (she is)? That stuff's probably not things that a massacring Venatori crew much cares about. Like what, a lil note from Strife that says "They're not evil." "Hey they're cool." "Trust me bro." or like a hall pass/badge that they give to their newest outsider friends? Arlathan forest has been long picked through of the best stuff and treasure hunters; what's left is incredibly dangerous and the Tevinter gits that try to steal it usually die in the process. Being a Veil Jumper is dangerous after all and the forest doing things it shouldn't is why the Veil Jumpers were founded.

And yes, you are missing the context. 10 years of in-world context apparently. Dragon Age is a mixed media franchise. There's an anthology of short stories, Tevinter Nights, that set up some of the factions and some of our companions and NPC friends and a four volume comic series, The Missing Collection, that details some of Varric and Harding's adventures before picking up Rook (that they picked up cause The Missing makes it obvious that Solas knows them too well and they need a new person that would throw him for a loop). You don't even have to buy them if you can't, you can find where people reupload them for free and share the download link. You can also read the wiki page and get a quick synopsis of each story instead if that's too much work. It'll give you a pretty good idea of the big themes and actions, though you'll miss the good little details. Dragon Age has never contained all of the story in the games. (see, setting up Celene and Briala and meeting Felassan in The Masked Empire or the fact that it's Fiona that's Alistair's mom and Duncan's old friend in The Calling.) Ruins of Reality (free as part of the Dragon Age Day celebration) shows Strife and Irelin getting involved with some of that dangerous awakening magic in Arlathan forest and can be safely viewed as a precursor to why they founded the Veil Jumpers. Between that short story and The Missing is when the group is founded.

But skipping all of that, we learned at the end of Trespasser that Solas was out in the world and has spent 10 years freeing slaves and spreading the news of his self and what he's working towards. He tells the Inquisitor much of the same information he's going to share with others when they catch up to him at the end of the game. Strife and Irelin are the ones that tell you the Evanuris were bad news when you meet them (Rook: OH joy I thought Solas was lying); safe to say, that means it's more likely to be common knowledge now between Solas and Morrigan running around then not. Bellara felt the fuckening happening with the Veil and the magic all starting back up again; it's an easy to accept explanation that that fuckening and the sky getting all weird a few days ago was Solas's ritual that went wrong and the gods busting out of their prison. Gods that they already know are bad news.

You're upset that the faction that welcomes anyone into their ranks with a common goal isn't acting like a Dalish clan when they are not a Dalish clan. It's not shallow writing, it's you getting an idea in your head of how you wanted their meeting to be and then calling it shallow writing.

We do, actually, see slavery in the slavery capital. Even though Neve tells us to our face in no uncertain terms that we are in the poorest part of the city and people here can't afford to have slaves. We walk through multiple homeless camps. There are people in cages and chains down by the docks. You have a mission to kill mercenaries capturing people to sell as slaves. You need to clean up the Blight in that tunnel under the Shadow Dragon hideout because that's a path they use to get slaves out of the city. There's notes about their other escape paths crumbling and needing work so they can keep going. "There's no slavery in Minrathous!!" you walked into a closet and asked why there's no toilet in this bathroom. There was slavery in Minrathous; they just didn't take us to the rich part of town and rub our faces in it to make sure people wouldn't miss it.

The Crows are putting on their best face to their new ally cause they would really really like help with their occupation problem. Crow!Rook and Lucanis have banters about how deadly and grueling and cruel their training was. Lucanis is the last of his family because of infighting slaughtering the rest. Illario straight sold him out to a blood mage, kills that blood mage before she can snitch, and then sells out the other crows and kidnaps/fakes the murder of his grandmother just because he wants to be first crow. There's more, I'm just not hunting it down. Someone else already compiled a post about all the banters showing the Crows are still a bloody problem. Again, the game didn't rub our faces in it so it's magically not there? It's there, it's just not in the limelight right now because of the whole "escaped gods trying to destroy the world" thing happening.

The factions themselves don't even interact until the final battle and only if you've helped them all. And things are kind of cut to the bone by then; it's do or die on a global scale. The cultural conflict does happen between your hired coworkers though. It's mostly in banter so you have to take the time to get to it (like most of the best details in these games tbh) but again not rubbing our faces in it doesn't mean it wasn't in the game.

Not everyone is super devout to their religion in real life either; we are in the North of Thedas instead of the South. Dorian never seemed as religious as the others, either. In fact he thinks they're going to think he's influencing you in terrible ways Inquisitor. Tevinter has never sounded as religious as the South seems and the South is where we've been. (Exluding Kirkwall, but they are operating like the Southern Chantry so it's safe to lump them in with Southern Chantry Behaviors.) How do you expect the writers to shoehorn the Black Divine into the game? Like, where would it have been appropriate? What would the Black Divine have to do with the little people and back alley factions we're working with here outside the Mourn Watch? Tevinter has long established that their Chantry is basically a figurehead and that the Magisterium is the ones that have the real power and do all the actual "work". We don't have any devout Chantry employed people like we have in past games, either, for them to bring it up and talk about it. How would you expect them to arbitrarily shove in and retread the exact same stuff for a fourth time? EA set them up for an impossible task, repeatedly hamstrung them and their team, and they still produced a good game.

It felt shallow to you but it also sounds like you barely scratched the surface and didn't really bother taking the time to thoroughly explore what the game offered because you were so offended it wasn't what you, personally, wanted out of it. Which is fine, just say it's a bad game. But absolutely flying past what the game does have while you insist it doesn't have those very things?

a really cool part about dragon age veilguard is the first scene where you meet bellara, especially if you're a shadowdragon mage and you have neve with you

so to set the scene: bellara, the dalish elf who's devoted her life to the conservation, discovery and protection of her people's lost and ancient history, meets two strangers, two tevinter mages, in sacred arlathan. They tell her, hey your gods are back in the world but also they suck and we gotta kill them, and instead of telling them "fuck off you vile enslaving shem, you defile this land with your presence" like most normal dalish, not only does she instantly believe them that her gods are bad for some reason, they're back among the people and need to be stopped, she also happily starts telling them all kinds of secrets and valuable knowledge about ancient elven magic and is even so kind to, without question, take them on a grand tour of this very historically important and sacred ruin in arlathan to find a truly priceless artifact, a one of a kind archive of ancient elven knowledge thought lost forever, because really, what could these unknown tevinter mages possible want with that!

...

are these writers smoking crack?? is that it? theyre smoking crack??

[rootspiral]

hi, hello!! i absolutely adore your deep dive series into the aaa episodes, and i was wondering if you could/would feel like expanding further into agatha’s guilt towards wanda and all the emotion she shows in the first episode, when she sees wanda’s corpse? the way agnes seems to value human life is especially interesting to me, considering how much agatha has killed (and i understand agnes is a character in what’s supposed to be a very stereotypical detective series, but i remember how you said agnes is in some ways agatha at her most transparent). anyways, i thought i’d try to pick your brain a little more on the subject, because your takes are very interesting to me!

Hi hello to you, thank you for stopping by! And also thank you for your interesting question, consider my brain officially picked. I'm gonna ramble QUITE a bit because I want to talk about Agatha and misogyny first (as requested by @leoleolovesdc ) but hold in there, I'll get to wanda too.

To get to the point directly, I think that Agatha's actions are steeped in internalized misogyny, and I think it's something she inherited from her mother and the salemites. It's actually pretty common for marginalized communities or individuals to turn against their own and replicate the patterns of the oppressor, looking to ease their self-hatred or for outside acceptance or a sense of control. Think for example about super conservative wives voting against their best interests, think about all the homophobia and biphobia and transphobia and acephobia (etcetera etcetera ad infinitum) in the queer community.

The persecution of witches was essentially a war on a kind of womanhood that went again imposed gender norms. Witches (in the marvel universe and in real life) were more often than not women who lived independently, who knew herbs, who didn't marry, who worked as midwives etc. And talking about the salemites specifically and the way they treated Agatha: they did to Agatha what the external world did to them, they replicated a pattern. They targeted the odd one out, the woman in their group who was the most different, and called her evil and essentially tried to burn her at the stake.

We don't know a thing about evanora, but I would BET that a lot of her hatred stems from her own internalized misogyny / agatha being born female, and I honestly wonder if Agatha would have found it harder to love a daughter the same way she does Nicky or Billy, without any of her internalized bias kicking in. Since she was a kid Agatha had been hurt and persecuted by other witches, she's pretty much wired to mistrust and hate them. And it gets even more muddled and complicated because she hates witches but loves witchcraft, she hates women but is sexually and romantically attracted to them. She yearns to belong, but she ends up torturing and killing her own community. She allies with people like that disgusting prick who violated Jen.

Enter Wanda, who is essentially Agatha 2.0: she was born doomed by the narrative or, to say it like evanora, she was born evil. Evanora would have had a FIELD DAY with Wanda. The Scarlet Witch? The destroyer of universes? She would have tried to kill her on the spot. There is A LOT Agatha instinctively hates in Wanda, she's a woman, she's a witch, she's dangerous. Agatha does what the salemites did to her and what men did to witches: she replicates a pattern. She punishes Wanda for being too alone and too different and complicated and scary. And yes Agatha is doing it to get her hands on chaos magic and all that comes with that, but this is all the baggage she brings in.

There's the other side of the coin: Agatha hates women and witches, Agatha loves women and witches, and Agatha hates and loves Wanda. She's been essentially killing and running away for the past two centuries, refusing to dwell on the consequences of her actions, but we know that she is no unfeeling psychopath, that's just a role she plays. We know all her actions weigh on her. With Wanda that sense of guilt is even stronger because Wanda is not a random witch she kills and abandons in the woods, she has to live with her and witness all of Wanda's pain up close, how lonely she is, how scared she is, the grief of losing Pietro and Vision, it's all there to torment Agatha. She cannot be a child about it, she can't close her eyes and cover her ears and go lalala until it's over, she has to take it all in order to get what she wants. And what's worse, Wanda is so similar to her that Agatha can picture exactly what she's feeling down to her bones, that's empathy to the max. And she goes through with her plan and does horrible things to Wanda anyway.

Knowing Agatha like we know her now, I'm convinced that her guilt about Wanda is especially hard to deal with, but Agatha has always refused to deal with any of her inner struggles, so Wanda just goes on the pile together with all the painful and complicated feelings she's pointedly ignoring, and which are not haunting her at all, thank you very much!

Except when she's Agnes, because all the feeling are still there but she doesn't know where they come from. I'd say that more than transparent Agnes is unfiltered, she doesn't know she should censor her struggles like Agatha does. Based on Agnes, we can plainly see what the biggest issues on her Inner Pile of Shit and Sorrow are: grief over Nicky's loss, anger and yearning for Rio, extreme loneliness, and guilt over those she hurt, with a particular emphasis on Wanda.

[jujus-bizarre-blog]

Some of my favourite Crooked Kingdom quotes :)

So I finished Crooked Kingdom and this post is gonna be a lot less articulate than my last one about the series because...

Who the actual fuck let the last 100 pages of that novel happen???

They were so entertaining but aside from that they had some of the most beautiful sentiments and prose. So I am going to share my favourites from each character's POV in Part Six: Action & Echo :3

Nina: Page 455

"But she hadn't been made for shame."

"Nina had grieved for her loss of power, for the connection she'd felt to the living world. She'd resented this shadow gift. It had seemed like a sham, a punishment. But just as surely as life connected everything, so did death. It was that endless, fast-running river. She'd dipped her fingers into its current, held the eddy of its power in her hand. She was the Queen of Mourning, and in its depths, she would never drown."

It's such a beautiful sentiment and moment to watch her fully come to love herself again and her new power. I love Nina as a deeply relatable character and this was just so perfect to see her come back to loving and finding herself.

Inej: Page 460

"But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren't chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway."

This gave me chills. Everything about this is utterly gut wrenching and feels incredibly relatable. I reread that line probably 4 times before moving on.

Jesper: Page 471

"It's not a gift. It's a curse. But when it came down to it, Jesper's life had been full of blessings. His father. His mother. Inej. Nina. Matthias leading them across the muddy canal. Kaz--even Kaz, with all his cruelties and failings, had given him a home and a family in the Dregs when Ketterdam might have swallowed him whole. And Wylan. Wylan who had understood before Jesper ever had that the power inside him might be a blessing too."

Jesper realizing that for all the shit luck he has at tables he has been lucky enough to have amazing people in his life. It's just very sweet.

Matthias: Page 483

"Unnatural, said the old, determined voice. Beautiful, said the voice that had spoken the night he'd helped Jesper and Kuwei escape Black Veil. It was newer, less certain, but louder than ever before."

I love this part because it shows just how much Matthias has changed through the two books. It's beautiful and sweet and heartwarming.

Wylan: Page 427

"Wylan summoned every bit of bravado he'd learned from Nina, will he'd learned from Matthias, the focus he'd studied in Kaz, the courage he'd learned from Inej, and the wild, reckless hope he's learned from Jesper, the belief that no matter the odds, somehow they would win."

Okay... I cheated with Wylan's it's from his chapter just before Action & Echo... BUT, I think this sentiment is much more telling than anything in his Part Six chapter. I love this quote because it shows just how much his found family taught him. They're messy, they're brutal, and they're awful, but they are everything to each other. They teach each other, they help, they care, they tease, and that's way more than Wylan ever had at home.

Kaz: Page 480 & 529

"'I also had her stop at the Menagerie.'

She smiled then, her eyes red, her cheeks scattered with some kind of dust. it was a smile he thought he might die to earn again."

"'That's the laugh,' he murmured."

The second quote isn't from his chapter, it's from Inej's final one, but it conveys the same thing as the first quote. It shows what Kaz could have been, that somewhere in there he wants to show Inej can take his armour off, that he is willing to do it for her and I think it's just really gratifying to see.

That all being said chapter 42 was so evil. It had me going from sobbing of joy to sobbing of sorrow and back to joy in the span of 3 paragraphs istg. What the actual fuck Leigh Bardugo???

[witchthewriter]

is GoT or HotD good?

First and foremost - everyone has their own opinion on these series and books and it can get very heated in the fandom.

Do not let that deter you from anything! I think you should definitely watch both shows and form your own opinion! Nothing has to be so black and white.

However, for me, it's very nuanced ˚⊱🪷⊰˚

𝑰 𝒘𝒐𝒏'𝒕 𝒔𝒑𝒐𝒊𝒍 𝒂𝒏𝒚𝒕𝒉𝒊𝒏𝒈 𝒃𝒕𝒘!

Okay my friend let us begin 🌸˚˖𓍢ִ໋🌷͙֒✧🩷˚⋆

George RR Martin, the author of the Song of Ice and Fire world, is a brilliant writer. Amazing at worldbuilding, at expressing so many different points of view and so on. It was no wonder why/how the GoT show became so popular (George was apart of its creation on screen until the showrunners went a different way and ... 👎)

With the Game of Thrones show, I think the first 3 seasons are peak and then it just goes down hill from there. The dialogue was amazing, the physical camera work, the way you never know who could die next.

Dany, THE DRAGONS, Sansa, Margaery, the Hound, the magical aspects - that's what carried the show for me.

So then with House of the Dragon - we get to see SO MANY dragons and ... oh god, that was the best part for me. I'm sorry that I'm being predictable and a lil repetitive but I just love them! Also, watching Emma's face, they are just so gorgeous and I could watch them all day. Seriously.

Character-wise my favourites are Rhaenyra (both young and older), Helaena, Harwin Strong, Baela & Rhaena, Rhaenys, and Alys Rivers.

Plot-wise my favourite is that at times it feels Shakespearean. Especially in season two. I think season 2 is better; the pace feels better, I like a lot of the new characters but some parts are ... disappointing?

I do love the dynamic Rhaenyra has with so many ... people - that's something very interesting that I do not want to spoil.

And the costumes! Oh my god, I do think they're absolutely divine. Especially Rhaenyra's one in the first episode in the ending scene.

Also, the one thing I LOVE is the bond between dragon and their bonded rider. I could talk about it for DAYS.

If you ever need someone to talk to about this stuff, I would love to! Also, I would be so happy to be your ... guide through the shows per-say, if you didn't understand anything or maybe you want to vent etc. This goes for everyone!

[ecofear]

hi you're The rogue trader mutual to me so if it's not too much work could you tell me a bit about it :) i'm interested in trying it out and i did read the wikipedia article but i would like to hear something less formal

of course no pressure if you don't have time or energy for it

TAKES A DEEP BREATH

let me set up warhammer 40k a little bit.

this is a very rich with lore universe, it is full of things to consume and learn about, every warhammer 40k fan has their favourite things about it, and there's so many sub-communities based on these things. people who love the imperium, tech-priest fans, necron fans, all sorts, all in their little bubbles. it's fascinating! there's also multiple points in history people can fixate on! i know some people who only care about the emperor's sons (known as the primarchs) and the lorea and stories around them!

to give a very tldr rundown... warhammer 40k is a post apocalyptic world, long after humanity had left terra to explore the galaxy.

to start: people started to be born as psychic mutants, and that's how we got the first navigators, which allowed humanity to explore further than ever before, along with the creation of the warp-drive. this is when the imperium was first created. humanity thrived for a long time, but over time, psykers started to be born, think of them as humans who could use a form of magic. unfortunately, psykers are at risk of being possessed by daemons, or opening portals to allow daemons in, which caused the downfall of humanity.

and then, the emperor of humanity, started a great crusade, in simple terms, to save humanity. he formed the pact with mars' tech-priests to use their technology, and created the primarchs (his sons, which are just genetic clones of himself) as well as the space marine legions... thus the imperiums expansion began. and the start of the horus heresy... which is chronicled in like one of the longest book series ever... just consider it the imperium (humanity) waging war after war after war trying to expand and grow and save themselves, and losing, and winning, and dying, and... yeah. eventually this ends but - humanity stagnates, is probably the best way i can put it.

the game rogue trader is theorised to take place around 999.M41. this means it takes place in... warhammer 40,000! the horus heresy takes place in 30,000... but i think it's important just just set up that beginning part. humanity is fucked, lets put it this way. everything that happened has let humanity to be terrified of power. they cling to the emperor, cling to the past they've lost, much of their history, their knowledge, completely gone. but they are so afraid of things getting like they were, of someone gaining so much power like horus had, that they just.. can't allow themselves to advance again. to the point people who think about that or suggest it are called heretics and killed. to say the imperium isn't perfect as it is now is heresy - but without advancement.. humanity is going to die. they have stagnated and eventually they won't be able to continue - but they are so proud, they can't admit it, or see it.

warhammer 40k is a depressing series of watching humanity suffer, and not taking any chances to change it. they just keep trying to expand. to take over planets and systems. to control everything. they see every other alien species are wrong, villainous, antagonists, that must be put down. even pyskers are treated horribly, despite the fact that their own emperor they love so much, is a psyker.

in rogue trader, you play as a character chosen by the emperor to expand into systems much further out than the imperium has, lawless, dangerous... your job is to bring them under heel. to rule, absolutely. while also squabbling with other rogue traders in the same system who also want it - because personal power is just as important. rogue trader is a game where you literally don't deal with money mechanics because you have more wealth than you could possibly know. you have at least 25,000 people living on your ship, some who have never left it, generations of their families born upon your ship, with you as their almighty ruler.

it's a game where you can be the best ruler to your people you can be, either by following the imperium's law absolutely, or by actually doing the right thing - which is against the law, btw. you could even listen to the whispers of chaos in your ear, be a psyker who plays a little too closely to the edge, risking daemons and god knows what else. you are forced to make hard choices. you have weight on your shoulders that risks crushing you. are you going to lead your people to glory? are you going to protect them, and try to save them? are you going to lead them straight into the maw of a god who will consume them whole? rogue trader is a fun roleplaying game. warhammer 40k is a fun roleplaying tabletop game. being lawful good is being just another sheep in the imperium whos going to watch it sail to its death with a salute, being a bad character is actually wanting the best for people - for treating alien races with respect and not killing them on sight, and being evil is like becoming the chosen prophet of a god who wants to ascend you to their right hand like a bride...

and that's before we even consider the absolutely insane dynamics with your companions. your senechal who is so deathly loyal to you he will focus you into the maws of chaos? your psyker diviner who just wants to be loved and appreciated - and how terribly you can twist her in this desire? a sister of battle who finds a sick gratification in killing - but she's killing for her god, so it's completely just, of course. how about a tech-priest who borders on the heretical with such a tight rope that pushing him over the edge is too easy - as if he was already there to begin with? or a space marine - a wolf - who is exactly like what you'd expect a space marine to be. we even have some hidden companions... one of which who is so fascinating to me, a priest, a prophet, a chaos space marine....

and how genuinely interesting the romances are. do you want a classic period drama romance where you woo a noble lady who blushes if you hold her hand and thinks kissing it is too forward? do you want to melt the ice man who has so much trauma and you swear you can fix him? do you wanna seduce a woman by gifting her an entire planet while she broadcasts your sex across your entire ship so all 25,000+ people hear it? do you want to slaughter your own people for sexual gratification and torture your loyal subjects while engaging in bdsm with an alien who can be your dom or your sub but god forbid you try to switch - which also has an ownership branding scene? how about a 'me and you against the world' soulmates type romance with an alien who sees you as a primative beast but your desire to understand her and her people softens her to you - and the furthest this romance can ever go is holding hands within your minds as you meditate together? or how about a death cult assassin whos been slaughtering your enemies who hide upon your ship right under your nose who very much wants to become your right hand like a devoted paladin-assassin of blood and murder?

ok i've typed so much i've made my arms sore but i genuinely could go on if not for this limitation..... i love rogue trader. i love it. i love it so much. i get so sad when i see roleplaying game enjoyers having no interest in picking it up. it's life changing. it's everything. it's a roleplaying game where you are beautifully rewarded for roleplaying. there's so much freedom. it's delicious to be evil, to manipulate and twist people to chaos. its maddening to try and follow the right path and be punished for it. and its gratifying to follow the emperors will.

[aroaessidhe]

2024 reads / storygraph

Road To Ruin

start of a postapocalyptic fantasy series set in an Asian-inspired desert world plagued by dangerous storms

follows a courier who transports romantic letters between a prince and princess, who helps the princess escape across the wastes towards the prince’s safe haven

but they’re pursued by bounty hunters, and accidentally uncover some ancient secrets. and also she’s in love with both of them

dinosaurs, magical motorbikes,

bi MC, start of polyam triad

[alasy]

this book literally made me *blush*. i. blushed. my cheeks flushed. i looked at the mirror and my face was red. because of a romantic confession. i...... i'm beyond gone.

[acourtofquestions]

I OFFICIALLY ADORE NESRYN FALIQ

[coolxatu]

last night i had a dream that i dont remember very well that had a book series in it that i realized after waking up was actually the plot of another dream i had that i entirely forgot about, so im starting to think that i might have some sort of dream world memory that only functions while im sleeping

[vesperscas]

LOOK I HAD A VIVID DREAM ABOUT MAGICAL GIRL TRANSFORMATION CAS NOT TEN FUCKING DAYS AGO AND I'M HERE TO DISCUSS YOUR POST BC I THINK YOU SYNCED YOUR BRAIN WITH MINE BY MISTAKE

LMAOOO the castiel brainworms are working overtime to connect us to the same brainwave

it was the scene from 10x18 where cas gets his grace back and he rises slowly with his wings spreading behind him and im like. yeah cool but. what if he goes full sailor moon transformation. hovering in front of a sparkly pink background with his eyes closed and arms outstretched. his clothes manifest out of nowhere in glowy blue grace. his angel blade appears in his hand with a cheery ping! the same way magical girl wands materialize. he raises his hands above his head and says, "angel power, STARLIGHT!" in enochian as ribbons of glittery light surround him.

anyways. this is all to say that cas is our very own eldritch horror magical girl.

[spotaus]

Thinking about my ec-4o babies again and I like. I feel like I need to flesh out Reaper some more... like, I'm going one character at a time, but many of them already have basic motivation or plot beats they overcome. Reaper has that... but not enough

Okay, so I got thinking about Dust (technically a Main Character alongside Blue) and then Geno (a side character with a LOT of plot relevance). And I subscribe to DustedAfterDeath for this au, so next my mind went to Reaper. But like. Reaper never naturally got much extra depth from my working on the story...

Reaper's jist is that he was raised in a long, long line of folks who lived alternatively from the rest of society. He was raised to believe that society without tech would be better. That everything from convenient vending machines to life-saving medical technology, everyone would be better off without it. That Technology was choking out the natural and magical worlds it relied on.

And... the mindset wasn't entirely wrong.

Only, they weaponized that into an irrational fear they set upon their communities, and isolated them from the outside world. They doomsday prepped, for decades, abd when the war finally came, they were too well prepared. They largely survived.

Reaper, a fit man who could leave and not be swayed by others, ventured out onto the wasteland. He was armed with rudimentary tech which allowed him to over-load and disable any tech he came in contact with. He was cleaning up any loose ends. Killing bots, and anyone who dared to have modified their own body with Tech in any way.

So, off he went. He worked mercenary jobs for free, killing bots and semis that bothered organic civilizations. He gained a reputation. "Death". He stumbled upon Geno, and unable to kill him, it starts a whole journey of renouncing his beliefs and turning over a new leaf.

Quick Note: Geno's soul absorbed a lot of electrical energy, so while the war ended, he was one of the few power sources left in the world. Reaper couldn't disable the tech *or* kill Geno because of this overwhelming magic that would drag him back together DT style.

I never thought beyond that. The biggest factor here, his renouncing his old life, has very little prompting in the og tale. I'm going to try abd fix that here thru brainstorming lmao.

So, Reaper, as he lives, has a *very* strict moral system, as well as a loyalty system. As he sees it, there are personal grudges, and there are betrayals of his faith. The latter is what gets people killed. He also has a strict rule with trust. Certain people he registers in his mind as 'ally' and when they make that list, the only way they'll be harmed by him is if they go against his core beliefs.

Geno, aside from being unkillable, manages to *redeem* himself in Reaper's eyes. When he frustratedly explains that he was the one who ended the war and temporarily destroyed all the tech. This information is vital to Reaper. He thinks he can get a secret from Geno, a way to make his life's goal cone true. And so he allows Geno to live. In fact, Geno swears to him that when he finishes this last task of his, he'll tell Reaper what he did to make the EMP.

Of course, this is a beneficial meeting of two with completely opposing beliefs. Geno loves ectos, at least he loves some of them, and programming/tech have been his whole life. He lets Reaper join him willingly, because Reaper is obnoxiously good at being a bodyguard and warding off threats which Geno physically can't (chronic pain). Also, the secret he'll tell Reaper won't endanger anyone, because the only way Geno made an EMP that big was because he sabotaged the main power source. Now a lot of electricity was magic-infused and didn't abide by the same rules at back then. It'd be too late for Reaper to do anything.

Meanwhile, Reaper, of course, thinks he's getting a free way to destroy all tech if he follows this half-dead science guy. And, ontop of that, Geno is a useful beacon to discover wandering bots and semis. So of course he follows him. He's civil at Blue's when they finally arrive, because he's biding his time to simply slaughter them all later.

But. Geno and Reaper don't get along. The prejudice they hold for eachother gets in the way of most meaningful conversation, and they end up bickering. Geno once told Reaper he was no better than the bots after he slaughtered a group of Semis, abd after that neither of them could get a glance at the other without a hostile 'what?' Or a slur or jab. By the time they arrive at Blue's, Geno is so sick and tired of Reaper, and Reaper really, really wishes he knew how to kill him.

Then there's Dust. Dust was on Reaper's 'ally' list. Reaper taught him how to properly fight, and how to use manual guns, years ago during the war. Seeing Dust again was a treat. Seeing him harboring ectos and semis and a Techie was less than charming. Dust himself didn't break any of his morals, though, so they remained on shockingly good terms. Reaper was their ticket inside, and he was *only* amicable to Dust, and occasionally Horror when he came by. He often joked about short-circuitinh the bots or would fry one of Blue's or Geno's work stations. It happened so often that Dust had to chew him out for it.

And honestly, he wasn't giving up. Geno nor Dust could change his mind, and even the revelry around the base did nothing to persuade him to loosen up.

Until he met Saejun.

Saejun was an ecto made for farming and tending to plants, years ago before the war. He was never upgraded or installed with the virus, and Rust had found him out half-buried along a dirt road. When he was fixed up, Saejun insisted he could bring some life back to the desert waste they were stuck in.

He did just that. He tended to plants across the property, encouraged magical abd non-magical creatures to habitate the place (mostly bugs + small nature spirits) and he would grow green life again. Hydroponics lined the sides of the warehouse, and during Reaper's stay they just kept growing. It was once when he'd been out looking for Dust that he noticed Saejun tending to the garden and playing with little nature spirits. He'd approached, doubtful, but upon inspection found that the magic in the area really was thriving. So close to walls of machinery, amd running along the body of tech itself.

It was his first proof in his whole life that the two things *could* and *did* co-exist. That it was Tech which was now bringing it back. He wasn't even programmed for anything beyond basic crops, Saejun just had a passion for plants.

*that* is Reaper's turning point. Where he finally starts looking at everyone differently. Asking Blue about why he builds and repairs bots. Why the bots stuck around, their purpose, what they do now. And, eventually, he asks Geno to explain coding to him. Just a bit. <- This last bit is met with hostility from Geno, which perpetuates this social barrier between them. Meanwhile Reaper really did want to reconcile.

It takes Dust, seeing this change and noticing the effort, for him to force the two of them to sit down and talk things out.

And after that, Reaper understands a lot more about hinself, and the world, abd everything he's done. He doesn't really regret it, but he doesn't let himself forget to change his ways.

Also it's still that Reaper talking things out with Geno makes them both really vulnerable by the end. This weakness displayed breaks them past eachother's shells and manages to get them to hang out more often, talk about eachothers interests, be normal guys.

And then Geno and Reaper fall in love (Not a quick turn-around, I prommy), and after time amd discussion, Dust is pulled in (because he and Reaper have history and mutual Crushing, and Geno and Dust have an obnoxious amount in common). The three of them all get along.

But, yeah, finally fleshed out Reaper some more. His past was so isolating that all he needed was the little push to see that not everything was bad and horrible and evil <3

[petrikara]

reading threads of power and…

totally obsessed w the fact that the timeskip is about the same amount of time since i read the original series it’s like they’re real alsofidjskf

[lovelylovelyartist]

Reading Arcane Ascension Series again and uuuuuugh my children, my sweet sweet traumatized children, I just want to wrap each of the characters up in soft blankets and yell at any adult that tries to talk them into life threatening quest shit, "THEYRE 17, LET THEM BE KIDS FOR A LIL LONGER, FFS"

[purplecatghostposts]

HEAR ME OUT… Howl’s Moving Castle Marble Hornets AU. Brian as Howl, Tim as Sophie, Alex as Calcifer, and Jay as the fuckin Scarecrow Prince guy!

Tim is introduced to the world of magic despite Not Asking For Any Of This and just wants to go back to making hats but half of the magical brings he meets want to kill him and the other half are completely enamored by him. Brian as Howl’s dramatic ass. Jay is a funny little scarecrow dude who follows Tim around. Alex is Calcifer because of pure vibes tbh. Polyhornets maybe… Do you see my vision?

[marypsue]

Yanno what, I like high fantasy just fine, but the older I get and the more I read, the more I'm starting to think I like high fantasy better when it's in-universe fantasy fiction for a different story instead of like. Me, directly reading/watching/etc it.