#i love how invested in villainy this man is
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renthony · 5 months ago
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🏳️‍🌈
(Drop a 🏳️‍🌈 in my inbox and I’ll respond with a queer media recommendation!)
Everybody who follows me already knows that The Dragon Prince is my favorite TV show in the whole world. Created for Netflix by Aaron Ehasz (an alumnus of Avatar: the Last Airbender) and Justin Richmond, it's an epic fantasy series that kicks off with a trio of plucky protagonists who are determined to return an egg kidnapped from the dragon queen by a dark mage, because the kidnapping of the dragon prince (hey! the title!) puts the entire world at risk of war.
One of the fundamental themes is exploring the cycle of violence and abuse, and how that cycle can only be broken when people commit to it wholeheartedly. It also shows that, even when someone wants to break the cycle, there are others who are invested in continuing it, and peace takes incredible and painful work.
The worldbuilding is phenomenal, the character and creature design is incredible, the story is gripping, and the writing is...*chef's kiss.* Every season is better than the last, and the increase in animation quality across the years is unreal. Season six was utterly ethereal.
Phase one of the series spanned seasons one to three, and we are currently in the final stretch of arc two ("Mystery of Aaravos"), encompassing seasons four to seven. Season six just dropped, and according to the official Instagram account, it's been #1 on Netflix for the past five days! That's really great news, because they're trying really hard to get greenlit for arc three--so now is a really, really great time to get into the show! You want to do it, you want to do it so bad. Use the hashtags #TheDragonPrince, #ContinueTheSaga, and #GiveUsTheSaga if you do! Please, for the love of fuck! 😭😭😭
Currently there are six seasons of the tv show, several books (including novelizations, original comics, and art book, and in-universe guides), a tabletop roleplaying game, a board game, and a brand-new video game that launched this week. This world is huge, and it's so fun to explore!
Here's the trailer for season one of the show:
youtube
Here's a trailer for the most recent season, for those who saw the early seasons but didn't keep up:
youtube
And here's the trailer for the mobile game:
youtube
As far as why I'm recommending it as a queer show, there are so many queer characters. The show prompted some griping early on because it had a pair of tragically dead lesbian queens, but in the seasons since, they've introduced a gloriously alive lesbian battle couple who get married on-screen, a married pair of gay men, three different trans characters (one of whom joins the main cast in season 4 and remains a major character), and a general lovely air of casual queerness in a high fantasy setting. The tabletop roleplaying game has multiple canon queer characters, too, and the show's cast and crew have made it clear that they have queer people among them, they fully support queer people in the fandom, and they want to include queerness in their world. It's awesome.
(And I'm still sticking with "when one man looks at another man and says 'our baby was so cute,' that's canon enough for me." So there's some fantastic queer villainy that's, like, the perfect icing on the cake for me personally. The Dragon Prince: for all your unholy dark magic mpreg bug baby needs!)
Also, this show has my poorest, saddest, littlest, wettest meow-meow babygirl of all fucking time: Lord Viren, (former) High Mage of Katolis, the most turbo-divorced man in all existence. If you follow me, you've seen that motherfucker. You know who he is. You have seen his sad miserable little face. You know who I am and what I'm here for. This paragraph is not a surprise to you. You know.
Here's a picture of me in Viren cosplay, as both a shameless cosplay self-promo and a reiteration that, no, seriously, this is my favorite TV show ever:
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too-antigonish · 6 months ago
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The Great S7 Rewrite: 14 July 2024 Update
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So here's a brief summary of where we're at so far plus new ideas:
Bone of Contention #1: Opera Rules
So far: 
Keep and maybe even go a little crazy with Opera Rules 
Possibly feature more of the opera written for S7
Possibly include opera theme towpath murders 
NEW:
@oeuvrinarydurian
Throwing this out here because so many of these options are potentially hysterical. https://tropedia.fandom.com/wiki/Opera
I will also suggest looking at TV Tropes Opera page. I’d also recommend checking out the various tvtropes pages for individual operas by title.
Bone of Contention #2: Ludo and Violetta?
So far:
Give them an evil plan that actually makes logical sense
And also make them people that Morse would actually want to be friends/lovers with
Consider extent to which Violetta is “Unattainable Fantasy Woman” 
Make Ludo a music journalist, etc.
NEW:
Keeping Ludo and Violetta
@oeuvrinarydurian
Violetta works better as a character if we turn her more aggressively into a black widow, who is fully on board with whatever overall plan the two of them have
Could work fine in Operaville if the various lures Ludo throws out include Violetta and her magical vajayjay.
Part of the fun and engagement is finding a way to make them work. I think it is cheating if we get rid of everything we hate.
I’m leaning towards making them much more loathsome and true operatic villains.
@fanficrocks
Agrees we should keep Ludo and Violetta but ramp up their villainy… not necessarily in an overt way
Making them on the surface believable as friend and paramour respectively for Morse; but beneath, they are fully invested in their villainy
@astridcontramundum
Agrees that they could both be villains. 
That’s what she did with them in her “After-comers” AU. 
Violetta was actually more of the mastermind in that story, because Ludo tended to give the game away with his theatrics 😂
Specific Ideas for Ludo and Violetta
Fanfic
Loves Ludo as music columnist covering the premiere of a new opera in Venice for the first meeting/supposedly short affair between Violetta and Morse.
Maybe Ludo attends pretending to be a single man because that is the only way he stands a chance at a real coup - an interview with the prima Donna starring as the female lead in the opera (she is well known for brushing off all other women, esp younger & prettier)
Astrid
Likes the ideas we have for how Ludo, Violetta and Morse meet! (I do think we need to keep them—we need a damsel and a villain.
The trouble for me in S7 was that Violetta’s storyline made no sense. If she was really afraid, it seemed she had ample time alone in which she could tell Morse the truth. 
And I didn’t mind Ludo as a villain—I had too much fun having Ludo and Bixby go head-to-head in my AU, I think. 😂)
Ludo’s Outfits
Astrid
…Ludo tended to give the game away with his theatrics 😂
Durian
…not to mention his outfits.
mystifying sweater vest and patterned shirt combination that’s burnt into my brain that I find incredibly upsetting. It’s so horrible, even by 70s standards, and I can’t quite figure out what the point of it is thematically . Do you know the one I mean? It’s godawful.  I think it’s what he’s wearing when Morse goes over for “dinner“ and Violetta is there. I think M’s wearing his Emo Black Turtle.
Ludo’s outfits, one after the other, just get worse and worse and worse. We have to put together an outfit  montage of stills for our storyboard as we craft our villain s/l. Perhaps we can all drop some LSD. Whoever was dressing him clearly was taking psychedelic drugs.
Antigonish
We *must* now include Ludo and Violetta's increasingly obnoxious  outfits as a sign of their escalating villainy. Emo black turtleneck Morse should be oblivious and baffled by their fashion choices.
Durian
Elton John's fashion evolution
Bone of Contention #3: Towpath Storyline
So far:
Streamline very cluttered storyline
Focus mostly on is the murderer Carl or is it not Carl
Possibly make them opera related so it is universe within universe for towpath killings.  Deranged fan? Thwarted performer? Gives more scope for Thursday/Morse conflict.
Make conflict between Morse and Thursday believable by providing adequate motivation—possibly Morse’s increasingly reckless behavior and lack of care for his safety
While there was a reconciliation at the end of S6, Morse would have still been carrying resentment about having been pushed aside
NEW:
Morse/Thursday Conflict
Astrid
And as for the Morse/Thursday conflict—since Morse is having this affair, and since the case is veering towards the operatic, perhaps Morse gets reckless, putting himself inti danger?
Thursday might think of how he had just gone off to Wicklesham Quarry alone and feel angry that Morse has learned nothing from S6.
Fanfic
Likes the idea of Morse rushing into danger in a parallel with the S6 finale. It is sort of what he did at the very end of Zenana, but if it happens earlier like the middle of Oracle, it would give us a very solid reason for their increasingly acrimonious relationship
Bone of Contention #4: The Episodic Storylines
Raga: 
Fanfic
Simplify to story of intra-family tension resulting in the killing of an employee who is also a friend and thus has opinions on the matter. 
Move the actual killing to a street corner or alleyway so that the political backdrop (hate-fueled campaign, race-based attack on the Asian teenager) works as an effective red herring
Then leaves the gay wrestlers story to be woven in - potentially as a second red herring overlapping with the first one of race hate (as several of the wrestlers in the group were persons of color). 
Loves Thursday’s disparaging parallel between wrestling and opera, and can see how that will really rile Morse
Astrid
Glad you like the wrestlers! I was thinking maybe their falling out could be over who was getting the starring role? Over who would get to play the lead “face?” 
Between the wrestlers, and the family drama (love you all’s ideas for them!) and the Ludo/Morse/Violetta storyline, we could have a theme of jealousy and thwarted love and temptation running throughout all of the layers, linking them all together. And tying in to the opera, too, framing it all into one?
Antigonish
If we make the family Bengali, they would work with the idea of incorporating the political tensions in the lead-up to Bangladesh's independence in '71.
Durian
I love what everybody’s throwing out as far as Raga. 
I think we could get rid of the poker and debt storylines as well and completely concentrate on some iteration of  intra-family political divisions . 
If we’ve got to have a murder about money, we can come up with a better reason… Maybe funding some kind of Pro-Bangladeshi political or social cause? 
Zenana:
Fanfic
The only bit in the entire episode that has anything at all to do with the title is the Lady Matilda’s college theme… limiting it to women only, and the women looking after their own (so to speak) when they trap, or more accurately try to inflict vigilante justice on, the copycat towpath killer
Durian
I am fully on board with jettisoning the Lady Matilda‘s storyline. It’s awkward.  
Overall S7 Themes
Astrid
That quote from Ludo* would be great to use too! I had forgotten he said that...that also brings all of the cast of characters together.
*Ludo sums it up—while also perhaps referring to his crimes—by saying to Morse, “Life, death, rich, poor. It's all a roll of the dice, Morse. There's no reason to any of it. You're not responsible. Some people are just unlucky.”
Between the wrestlers, and the family drama (love you all’s ideas for them!) and the Ludo/Morse/Violetta storyline, we could have a theme of jealousy and thwarted love and temptation running throughout all of the layers, linking them all together. And tying in to the opera, too, framing it all into one?
OK. Next up: a strategy for actually getting this done.
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tunashei · 1 year ago
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First impressions of Animoprhs!
I'm listening to the Animorphs series while I work, through Animorphs Aloud - a fan made reading of the series. Here are my first impressions/random thoughts about them! Spoilers below if you haven't read them.
Book 7: The Stranger
I often think how you'd REALLY react if you were faced with something paranormal or magical, because it wouldn't just be the monster or ghost or superhero you have to contend with - but your entire knowledge of the universe flipping on it's head. Legit consider how insane you'd go if you found out monsters were *really* real. And they do this to a random person in the start of most books! Ha.
Kind of surprised they consider a human-alien relationship with any sort of seriousness. How progressive. But then there's been a few hints towards Rachel liking Tobias and he's...a bird. Rachel is very open minded.
Somehow I have my doubts Rachel will move away. The clue is the 47 books that come after this.
Man I feel for Tobias, having to spend the rest of his life as a hawk while potentially watching his friends move on. It's not like he can make new friends. Also how long does he even live? Does he have a hawk lifespan now of 10-15 years?
Rachel wants more firepower and she skips the POLAR BEARS? GIRL. Those things are fucking terrifying! Though I did do a bit of research and turns out when Polar Bears and Grizzlies compete for food it's usually the Polar Bears that leave.
Also I have a hard time believing a bear has more 'firepower' than an elephant. Bit easier to move around and get into places as a bear though.
Still can't get over the frequent use of the slang 'hooked up' to mean meeting. Very different meaning nowadays.
The mental image of them fitting pretty much a centaur into a dressing room is very funny.
Wow. Stopping time definitely blindsided me. This Ellimist is like a god?? Was not expecting that.
The descriptions when the Ellimist is showing off the beauty of earth make me very sad I will likely not get to experience it. It's so sad to know coral reefs exist out there, beauty unparalleled, and you can't simply go and see them. Not without money. It's a cruel joke that we're placed on such an amazing planet and yet how little of it we'll see.
Man this is a genuinely tough decision. I really like Cassie's perspective, that humans are now the endangered animals potentially rejecting the one thing that could save them. Honestly if what seemed like a literal god told me the fight is unwinnable I'd probably give in and tell them to take me to a new planet.
Aaaand now the kids are getting eaten alive. I LOVE the amount of traumatising scenarios in these books. Main reason I started em. Feel a bit bad for the Taxon, imagine eating some innocuous snack and it swells up and bursts you from the inside.
Ax has a thing for cutting off people's arms.
You're the second largest carnivore on land Rachel, Polar Bears got you beat.
Also Rachel totally just murdered a bunch of human people.
Now...time travel? Hm not a big fan of time travel.
Damn the Yeerks invested in free, superfast and wide-covering public transport? I'd vote for them.
This is why I don't like time travel. Is it deterministic? Can it be changed? Boggles the mind. The implication is they refuse the Ellimist's offer and stay and fight, and lose, and Rachel becomes a controller. But why would Ax being there mean the future has changed? Did future-Rachel lie about there being six humans to Visser-Three? Why?
PFFFF I'm sorry but as horrifying as the idea of them killing and consuming Tobias after being infected and turned into controllers is, it's also like Disney-level villainy.
If this is the future and it can be changed, why can't Visser-Three kill them? Sure he wouldn't have controller Rachel so the future would be different but the goal of invading would work?
Well this is looking bleak.
I wonder who is keeping Ellimists in check that they even need rules.
Surprisingly quick and efficient mission! And that's the end of that one. A bit confusing, but I wonder if the Ellimist stuff will get clearer later on.
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styrmwb · 6 months ago
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I beat Final Fantasy XIV: Dawntrail (for now)
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Just in case my tags didn't work there's spoilers here don't read if that scares you!!!
Critically acclaimed MMO returns! I took a break from the game for a good while due to burnout, but I've been looking forward to this expansion release since I heard the first trailer theme. While I might not be super into the MMO gameplay right now, XIV has always captured my heart with the story and the "first-time" experience. Not to mention, being an FF fan who's played all the mainline games, XIV's theme park setting is really fun for me to point and be like "yoooo that's from this game!!!!" Dawntrail was no different in this regard.
Obviously, since this is an MMO expansion, I know more stuff is gonna be released later down the line. This is just me writing for the base experience available on release day. I'm also gonna format this a little different than I usually do.
The Good Parts
Characters
I really did love everyone this expansion. When it comes to people we already knew, I loved how Krile and Erenville got more of a spotlight. Krile I feel has always been a sort of... There scion, which makes me sad (I also never finished Eureka so that's on me!), so it made me happy to have here there the whole time. I thought her story arc was really cool, and I was astounded, being all like "holy shit she's from another reflection???? what???????". I was skeptical on Erenville being a main character at first, cause he didn't really grasp me in Endwalker, but that quickly went away here in Dawntrail. I liked his sane man bit, and his arc in the latter half of the story with his home and mother really hit me hard (and I mean HARD.)
New people!
Wuk Lamat is our main character this time, and I really did love her from the moment I saw her. It was really nice to see a more silly character in the beach episode expansion, and I'm a sucker for the person who's power is heart, rather than anything else.
Gulool Ja Ja is the second person who really caught me. This man is a friendly loving mexican grandpa, and the game continued to show that he was like, the best dude ever (which is really funny considering his name! (this joke will be clearer later)). I want him to be MY dad, I swear. Unfortunately, nobody that cool and awesome can stay around, which makes me really sad.
Koana was unexpectedly great, and I can always relate to a loving brother.
Bakool Ja Ja was SUCH an unexpected role; I loved his initial cartoon villainy, but then for him to turn around to be something greater, and knowing his struggle, was really entertaining.
I HATE Zoraal Ja (in a good way), and the entire second half I wanted nothing more than to destroy him.
Sphene was interesting. I couldn't ever place what she was at any point in her story, but I did overall think she was a really cool character for the story. I felt for her.
Gulool Ja is a precious child who has done no wrong and I want the lizard baby to smile forever. He didn't deserve ANY of this.
Those are all of the major characters I think deserve individual talking points, but everyone else was really great in some way. I loved the Hanuhanu a lot more than I thought, especially considering that I didn't care much for the Vanu; Wuk Evu's stupid bit of freaking out then Immediately being fine always tickled me; The Yok Tuy were super cool, I loved their culture and role in the lore; Ketenramm was such an unexpected surprise, and since my character is also a Sea Wolf I get excited whenever one becomes plot relevant. Otis is Steiner, and we love him for that. Finally, I loved the unique energy Cahciua brought to the table, and she CRUSHED me at the end.
Gameplay
God damn! They showed up this time for real! All of the big fights felt like they were really bringing their all for mechanics; they felt harder than usual, and I felt invested in each fight rather than feeling like I was running the motions again. I'm very very excited to see what the future raids are going to look like, if the base dungeons and trials are any sign.
Story
Getting brought to a new place, and having the core of the story being "learn about new cultures" I thought was really cool, and very befitting of a "cool down after saving the world" expansion. I really loved the contest (or Amazing Race as a friend of mine put it) style of the Succession. The second half was absolutely insane; once you finish cowboys it goes insane, and I was IN for the ride. It hit me with heavy emotions for characters I hadn't even met yet, I got angry with the ones who instigated all of the needless pain; I felt Invested. Really though, to kinda bring it back to my first point, the coolest part about the story was
The World
Ha, see what I did there? Maybe not a great transition, but whatever. I think Tural is one of the coolest places in the game in the sense of it really ties together the planet, and completes a picture of representing our real life world in fantasy. I LOVE when games veer away from the classic European or Japanese into more cultures, and Dawntrail did that PERFECTLY. Having the main city and areas be inspired off of Latin America was super cool, and then once you go north you hit the southern US with American accents and Native American theming!? Dude! Every single zone was a pleasure to see its real world counterpart, especially since this time everything was closer to home to me.
Music
It's Final Fantasy XIV. I could literally end the section there. I think I'll make a full on list way later when the whole soundtrack is out, but from the first trailer I was hooked. Other than the main theme, a couple standouts for me personally are the Yak T'el day theme, which had a wonderful vocal track and melody, and Zoraal Ja's trial theme, which got me pumped with Metal Gear Rising vibes. I think this expansion's motif game was VERY strong overall.
Graphics and Visuals
I'm not much of a graphics guy, and hell, I had to play my game on the lowest possible setting cause my computer sucks, but I could STILL tell this expansion looked great. The colors, the textures, the models, and the visual design of everything captivated me. The realism/lower tech fantasy of Tural, and the futuristic cyberpunk/apocalypse of Alexandria; it was all so cool to look at. I was also amazed by the cutscene technology this time around! I feel like the animators hyperpowered up with Hildibrand, and they really showed their skills! The action, the transitions, it was all so so impressive and I can't believe that it's only going to get better from here.
Another very important part of any XIV content, that really ties into all of the above, is
The Soul of Previous Final Fantasies
Does that title make sense? I dunno. I really do think I might make a separate post on this one, but Dawntrail feels like two previous mainline games: IX and XI (really unfortunate to read out but let's ignore the obvious jokes yeah?) put together. The expansion as a whole feels like XI, more specifically Treasures of Aht Urhgan, and having knowledge of that story was something I could use while playing this story, and I had a blast to see how many plotlines I could predict. The latter half is where all the IX comes in, and since that's one of my favorite FFs, I am not complaining. From the literal presence of straight up Alexandria (holy shit!!!) to the themes of death and souls, it was a joy to see IX finally get a whole spotlight in XIV. VI got a little love with Pictomancer and Valigarmanda being in there, but that was really about it (still awesome though!) I'm very excited to get more XI goodness in the raid series.
The Not so Good Parts
Bleh. I usually like to be really positive when I'm writing about a game, cause we have enough negativity when it comes to talking about games (there's whole youtube channels where their identity is just to talk shit), and like, it's exhausting to keep doing that. But unfortunately, I do think Dawntrail suffers in some key areas that soured my experience.
Gameplay
So, like I mentioned at the start, I took a break from XIV due to burnout. Something that XIV noticeably has, is a pattern. This is a very formulaic game, which like... isn't by itself bad? But I feel for an MMO, you gotta have some shakeups. But here we are again, with an MSQ that's mainly dialogue, and walking. I feel like I'm a person that like, usually doesn't mind this! But even I could see the fact that there were places they really could have turned into gameplay segments, and could have gotten more risky with their quest design (XVI also had this same issue, and this was my same struggle with that game). Let me cook the tacos myself. Let me shoot the enemies on the train. Final Fantasy has stupid one off minigames, bring that into this. I think giving the story more interactivity would have done it justice. I know they can kill it!
Story
You might notice that I went pretty short with what I liked about the characters up top. I really, truly enjoyed the cast! But there is a glaring problem, and that is the balance of screen time. Wuk Lamat is the central, strongest focus, for the entire expansion. I love her! But like... maybe instead of always pairing me with her, I could get paired with my other friends? Maybe I could get Erenville for more than a zone and a half? Maybe Krile, who desperately needs more screen time, could have gotten... more screen time? (this is the one that REALLY gets me the most) I didn't hate anyone, but even I could feel that the balance of who was on screen getting focus was really off, and it hurts the story as a whole I think. They advertise us rivaling Thancred and Urianger, and the worst thing they did was block off a path before going right back to being friends with us, and I think rearranging how things were balanced could have helped that. Also like... why were the twins there if they barely got to appear? I wish they stuck back to grow (literally), while maybe G'raha could continue to stick around. The main thing this caused was fatigue, and that's something I hate feeling in a game that I love.
Estinien was fine though lmao he's so funny when he barely appears, absolute chad he's the best character in the game
Audience and Simplicity
This one... might be a bit more subjective. XIV has definitely been simplifying itself in recent years, which isn't necessarily a bad thing. But... I feel like in this expansion, simplicity is getting to the point where the story seems to be hitting you with callbacks and removing subtlety where I think I could have gotten the meaning of what they were saying myself? I don't think you need to keep repeating that the Milalla ran from snow. But... they did, and I feel as though this might be because the general audience of this game will complain when they do branch out, or will complain that they don't understand this, or that. It reminds me of how Pokemon Black and White were completely dunked on, and then look what we continued to get for years, and I think it's showing on XIV. I think the gameplay also suffers from this, as it almost feels like they're afraid to branch out because people won't like it. Sure, the fights are getting harder, but I can't help but wonder how many complaints I'll see on that, and how people are like "I only get 2 minutes a day to play I can't be thinking about where the sword will go".
I'm not great with being negative and critical I feel, so I'm sure my statements here are half-baked and lacking hard evidence, but these are posts about my feelings! Let me ramble. I really really do hope that the game can veer away from the path it's taking, because I think it'll be better in the long run, and it'll create a product that I KNOW can be amazing.
7.9/10. Amazing world, challenging fights, and incredibly impressive technology that shows how much the game has grown since the start, but also suffering from stale formulas, issues with balancing of characters, and writing struggles that make the great parts harder to appreciate.
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thevindicativevordan · 4 months ago
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Comics this week? (Specially The Ultimates #4)
Anonymous asked: Comics this week ?
My Adventures With Superman #4 - I know the DCAU JLU Christmas episode is popular, but I've always been put off by it. I can't help seeing an air of condescension in how it treats Superman being a grown man who still believes in Santa, I get a "yes he's dumb and gullible, but isn't that wholesome?" takeaway from it all. Meanwhile I loved how Josie Campbell explored celebrating Christmas here as an expression of love and family. Ma and Pa adopted Clark as their son even though he wasn't blood, then the comic expands that to touch on how Lois and Jimmy have become "family" too. Even extends it right up to Amazo getting treated by Clark as a brother in a touching moment where Superman willingly shares his powers with Amazo so they both can kick Bloodsport and Deathstroke's asses, and Amazo tells Clark he thinks of Clark as family also. It's all very sweet right up until Deathstroke blows a hole in Amazo at the end. Bloodsport is the coolest he has ever been here, when he brings out the big guns I was hooting and hollering. I think this might be my favorite take on Amazo now too. I dug his DCAU incarnation but this is the first time I'm really invested in him as a character, and there's tension because he might not make it out alive.
Absolute Power #3 - Waid is trying to weave together the disparate threads of the past year into a cohesive whole, while simultaneously trying to shuffle the detritus of the past year off the board. End result is a mess of stitched together moments that don't work imo. Example of that is Nightwing "stepping up" as a leader, yet his push feeling hollow when his team failed to take the League's place. A number of other characters like Barda and Mid-Nite get written out of character so that Dick as the avatar of the Silver Age ethos can prove them wrong. Oh and if I have to read another issue of Waid going HEART is our REAL superpower, I think my eyes might be permanently stuck in a cycle of rolling.
Ultimates #4 - Ultimates #4 reminded me of reading Ruins. Exceptionally bleak from beginning to end, poor 6160 Reed. It avoids being nihilistic at least because there is a malicious bad actor in Maker who is making sure that everything turns out as bad as it possibly can, rather than it simply being the nature of the world. Sets up an Ultimate F4 book for sure, but given how Doom is outright skirting the edge of villainy with how he ominously says he’s adhering to Tony’s moral rules for now, I’m wondering if he won’t actually be a part of the team. Maybe he’s the one who gets captured and Tony creates an Ultimate F4 of entirely new people to go save him? Otherwise I see their failure to beat Hulk being the point at which Doom bails on the Ultimates team. I’d prefer Doom be part of the Ultimate F4 though, he’s simply too interesting as a Reed who is massively messed up but is trying to be a hero. If they do end up making him a villain that would be an utter waste of potential. Maker is already the broken Reed, Doom needs to be the Reed who is bent but not broken. Seeing him walk the tightrope is more interesting than seeing him fall off.
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x-neurotoxin-x · 9 months ago
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thoughts on the new BNHA chapter if you've seen it
Imma be so real, i haven't been all that invested in the recent chapters. I've kept up with them but I don't find them all that interesting to me personally. I'll share my thoughts, just fair warning i may have some unpopular opinions;
First of all Izuku losing is arms is crazy. That panel is brutal. I do think there's a possibility of it being reversed/healed/etc bc I don't see Hori committing much when it comes to maiming or killing off the students, so I think he'll be okay
I'm also 100% positive Shigaraki is not dead, won't be permanently possessed, and will be fine. He's basically the only safe villain that isn't going to be killed off and will be given a redemption no matter what.
Those two points are kinda why I find this fight boring. There isn't any real stakes imo because neither of them will die and they're just kinda doing the same "fight, talk, fight, talk" thing the whole time. I find it uninteresting.
I also have no idea why afo is here again. Didn't he reverse to a fetus? Why are you here? That being said, he's silly and dramatic and i kinda love his evil mastermind swag, he makes it a little more bearable between Tomura "woe is me" shigaraki and Izuku "I need to be Morally Right even if I'm killing myself to do it" Midoryia.
Afo being revealed to have a hand in literally all of Tomura's upbringing down to his birth is SUCH a dumb plot point imo. It takes away all of the responsibly factor from Tomura's villainy, shoots a HUGE hole in the "one bad day" theme with the rest of the villains since it wasnt his choice - something that makes every other villain relatable and complex, they all (Dabi, Toga, Twice, Spinner, etc) were dealt terrible hands and subjected to horrible upbringings too but they fell into these paths of villainy by their own choices, and let it shape them. It makes them all very deep while Tomura... Just kinda ruined that theme by making nothing his choice. It's lame and unnecessary, imo.
Speaking of the other villains and plotlines, I really wanna go back to them and I DO NOT WANT them to be pulled into the Shigaraki vs deku thing. None of them are in the place for that physically (they're all half dead), none of its necessary since Shigaraki *is* being saved and has been met with more sympathy from characters/narrative than the rest of the villains, and their character plotlines are still not finished. Toga's fight was rushed, the "acceptance" she received was forced, and we don't know if either of them are okay. Last we saw Dabi he was possibly dying while cursing the entire family and saying he wants to die, none of the todofam stuff is resolved at all and if it gets off screened for the main fight I'm gonna be upset because there's so many complex layers to everything there. Last we saw Spinner he collapsed on the ground somewhere, he may very well be dead. No villains arcs have been finished, properly handled, or wrapped up and it's unnecessary and stupid to have their stuff be tossed aside for "saving Tomura." THEY need to be saved. How about Shigaraki vs deku gets wrapped up and Shigaraki saves THEM. That would fit the narrative better then them being used for more Tomura man pain.
That was a rant wow
Uh what else???
Idk. Im hoping everything gets wrapped up in this chapter bc this war arc has been... Shitty tbh. I wanna hope the aftermath arc is better.
I know everybody freaking out that my hero is coming to an end but I think we still got at least another arc to tie things together and wrap up all the mess of the war arc.
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myfaveisfuckable · 2 years ago
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Rants under the read more
obi wan/grievous: Ok so this is a HUGE crackship and some people are not going to agree but like, Obi-Wan is what comes to mind when you think of the jedi and Grievous hates the jedi as a whole because he believes them to the cause of his mutilation and the suffering of his people, but the jedi are not the ones who did this. Grievous is a pawn in the game of the sith and he doesn't realize that his mind has been altered against his wishes or that he will be desposed of as soon as the war ends. Obi-Wan is a compassionate man and is able to consistently go toe to toe with Grievous, making him a rival Grievous can't help but respect in a weird way (his people are warriors, for all we know, fighting could be a method of flirting to his people yaknow? And obiwan genuienly flirts as a way to throw off his enemies, think of the comedic potential if Obi-Wan didnt realize how MUCH hes been a flirt or if Grevious acctualy gets flustered by it because obiwan is such a competent fighter and IF ONLY HE WASNT THE ENEMY-) If Obi-Wan knew what happened he would have tried to make amends and help his people, and if Grievous learned that it was Dooku (a former jedi turned sith) who turned him into a monster against his will, he'd probably be willing to team up with Obi-Wan to bring down Dooku and the Sith plans for Galactic domination to avenge and to protect his people, and they would be an absolute powerhouse since they are already familiar with eachothers way of fighting and from a writers point of view its filled with so much potential angst and drama, and hijinks, and even enhances the plot and creates parallels between the two that the franchise has never bothered to make and it has so much potential even if they don't fall in love they could be really good friends/partners/allies and if order 66 goes as planned they would be badass rebels its such an overlooked possible dynamic PLEASE 🥺
Sephitoph:
I made this one up as a joke but now i'm invested. ummm i'm just gonna c-p the rant I made on discord
ME:
they both have bright green eyes....
that's it, that's all i got ...
you probably won't like me for this, but i think it's funnier as a ship
SISTER:
...okay, explain 😂
ME:
er, not even funny, like i think they could make a good couple!
or at least an entertaining one
two ways you could take this, depending on whether you go w/ pre-breakdown Sephiroth, or post-breakdown, sadistic alien ghost who just wants to burn the world and torment cloud
for the latter, that's crackier but i'm just saying Toph is down w/ dramatic villainy and destruction
[insert: I AM MELON-LORD *maniacal laughter* gif]
(ok maybe not for real, but it would make a funny crack fic)
but pre-Nibelheim Seph (with the caveat that my understanding of his character is 90% from fanfic) he kinda personality of Zuko, circumstances of Azula
eh,,, ,that's not really on the mark
but anyways I know Zuko/Toph can be a great ship, i've seen it.
i think you'd could write a similar dynamic here
Sephiroth had his whole life laid out for him and he excelled at everything he was expected to do, but it's never been really about what he wants, like he's never really gotten to express himself. Or, like, develop a personality?? He's very isolated.
Toph also grew up very isolated, but she had kinda the opposite, where she utterly discarded the expectations people set for her (dressed up pretty helpless doll) and established her own person, wants, and goals very early on so they've got "coming from similar places but approaching things very differently", would lead to some very interesting interactions i think plus they're both down to work out emotional problems by sparring
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cloudsofbespin · 2 years ago
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15 Questions 15 Mutuals
Tagged by @dreamofme9
1. Are you named after anyone? Yep, after my maternal grandfather. My name is Romana (hence, Romi), and my grandpa’s name was Roman.
2. When was the last time you cried? Yesterday, over a Devil’s Minion post. Sometimes a girl reads, “Loving that man saved him in every way that a person can be saved,” and the floodgates open. 
3. Do you have kids? No. And I honestly doubt I ever will. I feel the same about having kids now as I did a decade ago.
4. Do you use sarcasm a lot? I don’t think so? I mean, except maybe the occasional “Yeah, good luck with that one.”
5. What sports do you play/have played? I used to swim and do gymnastics somewhat competitively when I was a kid. Nowadays, it’s mostly just stuff that would keep me in shape, like going to the gym and rollerblading. I love rollerblading!
6. What's the first thing you notice about people? Their eyes!!!
7. What's your eye color? Brown-ish.
8. Scary movies or happy endings? Both, I guess? It depends on the mood. But I prefer happy endings whenever I’m, like, too invested in the characters because I just really want my blorbos to be happy.
9. Any special talents? Slav squatting with a beer in one hand, a phone in the other, and a cigarette in my mouth??? Lmao. 
10. Where were you born? A wretched hive of scum and villainy, also known as the Czech Republic, lmao. No, I’m kidding. Here is a pretty cool place, actually.
11. What are your hobbies? Reading, writing, traveling, and thinking about insane scenarios that would never come true. 
12. Do you have pets? I have a border collie named Princess Leia. 
13. How tall are you? 170 cm or 5′ 7″ in feet and inches.
14. Favorite subject in school? Social sciences!
15. Dream job? I lowkey always wanted to be a pilot. I love flying and am obsessed and fascinated with how planes work. Kinda like Armand, lmao. 
Tagging: I feel like everyone’s done this already, but my darling moots, feel free to do it if you haven’t! @wheresbenni @bratpidd @birdisland @squirrellypoo @nativehueofresolution @shinka @aryastark-valarmorghulis @allegra-writes
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creativegenius22 · 2 years ago
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Not to mention all the mentions he gets by the other villains in their episodes, whether it be that he invented something for them or they’re just poking fun at him!
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Overall, Zach is definitely the main antagonist of the show and the self proclaimed leader of the villains!
I just mapped out all Wild Kratts Episodes that feature a Villain (118 in Total up to Amazin' Amazon Adventure) because I have to watch these for the Change your Mind AU and...
I crunched the Numbers, approximatley 50% (51 Episodes) of all Episodes include Zach Varmitech!
Donita Donata comes next with approx. 25% (34 Episodes), Gourmand follows close by with approx. 20% (27 Episodes) and at the end of the line is Paisley with just approx. 5% (6 Episodes) of all apperances.
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The Writers definitely have a "Favourite Child"
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dishwater-blondie · 3 years ago
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Hi, I absolutely love your writing and interpretations of Gabriel and Nathalie's characters. I wanted to ask, what are your thoughts on the take that Gabenath is an abusive/unfeminist ship or that it's toxic because Nathalie is throwing her life away for a man that doesn't love her? I've seen these opinions floating around among the anti-Gabenath part of the fandom. Personally, I disagree with them, but I can't quite put my thoughts into words.
Interestingly, I don’t have as much to say on this as one might expect from me.
I’ve seen this backlash too, and while the vitriol bothers me, of course, I can easily understand why some people wouldn’t take to this ship and why they make the arguments they make. It’s just that, for me, those arguments don’t hold any weight.
Frankly, I don’t think that Gabenath is a healthy relationship. I think it’s a compelling relationship. Gabriel is an emotionally neglectful, over-controlling father, stewing in his grief and repeatedly terrorizing Paris to fulfill his own personal desires - and Nathalie enables this. Unhealthy.
She is actively endangering her health because she herself values Gabriel’s happiness both over her own well-being and the safety of the city’s entire population. Unhealthy is an understatement.
What I find compelling about Gabenath as a fictional relationship is how Nathalie isn’t supporting Gabriel because she expects to earn his affections. Though Nathalie loves Gabriel, reciprocity isn’t her priority, as is the case in the vast majority of unrequited romances. You end up with this undeniably destructive pair of people with a largely callous attitude towards the world around them…and an undertone of their relationship that is characterized by utter selflessness. You have these sparse moments of tenderness where Gabriel is almost repentant, and where Nathalie brings out the best that we’ve seen in him. I like Gabenath not because I can justify it as “healthy” but because I am fascinated by the contrast of cartoonish villainy and genuine affection. Gabenath humanizes Gabriel and Nathalie, characters I might otherwise be endlessly frustrated or bored with.
And, yes, I suppose it checks some of those “unfeminist” boxes if we’re talking Woman Being in Love with Her Boss and Woman Throwing Her Life Away For Man Who Only Has Power and Intrigue Going For Him, but this is where I have to admit that I truly do not care. First, because I believe Nathalie’s low self-worth is a deliberate part of her characterization and not only an incidental factor of the tropey power dynamic between her and Gabriel. But more importantly, I don’t measure my ships based upon how progressive they are, how morally or socially acceptable they are, etc. I ship what I think is telling a good story, and there is enough there with Gabenath that I have been invested for this long.
And if and when the show falls flat on it’s face, that’s what fan works are for.
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andromerot · 3 years ago
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Top 5 Mabel moments?
i tried answering this and i decided i will absolutely disregard the top five prompt and just say all of them. sorry.
episode four: the whole treasure hunt is amazing it really got me invested the first time i listened
episode seven: mabel's customer service voice moment. her going off at the king...amazing incredible i love her it was such a good introduction to her
episode eight point five: sometimes i think i would eat you if i could there was a witch in a story who ate a girl she loved and always there afterwards flowers fell from her open mouth i would swallow you up and you would be lobelia on my t
episode thirteen: when we and anna slowly realize who thomas is...ohhhh my god. heartbreaking
episode fourteen: don't you see? how cruel it is to be god?
episode sixteen: the answer is me. anna.
episode seventeen: the fig tree...ohhh my
episode twenty: i thought this is the girl who will eat my heart this is the girl who will come ruin me like fire
episode twenty two: literally EVERYTHING but particularly the "you cannot love me anna i am thorns and mist" monologue, the "all earth fears the purity of fire" "what" "I BROUGHT MY MATCHES WITH ME YOU STUPID USELESS BRANCH", and the moment where she chokes her
episode twenty three: ALL OF IT. ALL OF IT. ITS THE DEFINITION OF LOVE
episode twenty four: everything about ittttt ohhhh my. i've come to barter. one of us has to be the knife. youre the only one that doesnt bore me.we have different ideas of villainy im having a great time. anna and mabel fighting angstily. anna and mabel fighting playfully. and of course. a long time ago you said to me i will love you like a fire loves a forest i said you cannot keep me here and neither of them were true monolgue, one of the first insights into the king and mabels relationship. and ohhh the girls...this is the first time we see them actually together and its literally the middle of the podcast. they are so in love with each other!!! whhjfhj.
episode twenty five: VERATRINE MY BEST FRIEND!!! i love the anna mabel vera dynamic so so much i love themmm i love them. I AM A CREATURE OF MY OWN CREATION AND THAT MAKES ME GOD!!!
episode twenty six: LUNA THORNE. the man sees the girl this is the end of the world. also JACK MADRIGAL!!!
episode twenty seven: the HEARTBREAK the DISTRESS in annas voice when she finds out the extent of sallys cruelty + "it was not your fault, mabel martin" "right, not this time" "nor any other"
episode twenty eight: the whole luna and vera monologue back and forth but especially remember your own birth and is this what its like to be a mother is this what its like to be in love ALSO THE MORSE CODE <33
episode twenty nine: mabel going off at vera and anna being like whoagh i love my wife.
episode thirty: OOUGH. anna limon conquistador of my estate anna limon with the hand of god...and well. the spell anna did...ill never see her ill never know her not in this world. OH AND LUNA AND VERA RUNNING OFF TOGETHER...what then veratrine you i think...
episode thirty one: UAUAUAUAGH underrated fav. this is a nation haunted by its fictions for what do we eat if not history!!! what feeds our engines if not fairy tales!!! owning miss silver...
episode thirty two: UM EVERYTHING. the whole confrontation..."i name mabel martin my right hand my revolutionary my queen" "king"...the Acorn Of The World...brandon...and of course. this is you undiminished look at you.
infinity mirror: i love all of it but my highlights are the yew berries story, the phone call (heheh evil mabelanna moment) (farewell small girl), the way tressas isolation and dissociation starts to mirror late s1 anna and the way her tangents seem to imitate mabels, i sit with hares all unaware...the mourning dove story is heartbreaking...and then the bleeding doll house ohhhh...AND THE FINAL MONOLOGUE!! i unstitch myself from both of you...does the snake eat her own tail she does she does!!! ughh i just love im so so much
ok im gonna reblog this w s6 and s7 favs. because im getting close to the character limit. what am i doinggg
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necr0bvnny · 3 years ago
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Nuclear Fusion - Chapter 1
Pairing: Otto Octavius/Doctor Octopus x Original Female Character
Genres: Action, Romance, Friends to Lovers, Slow Burn, Mutual Pining, From Nobody to Nightmare, Mad Scientist(s)
Content/Warnings: Fluff, First Meetings
Summary:
Dr. Kali Kavanah, a timid woman with a genius intellect, works as the head biochemist at Oscorp Industries. Her sheltered life changes when Norman Osborn assigns her to create a special formula for him with the help of Dr. Otto Octavius. What follows is a rollercoaster of romance, betrayal, and their descent into villainy.
A/N: Hi there!! This series will basically be both a Doc Ock x OC fic and the origin story for my Spider-Man villain OC! I’ll be making art for some of the chapters (plus art for my Spider-verse in general) and adding content warnings to certain ones because I do plan for this story to get graphic at times. I hope you all enjoy!! 😊💚
Link to AO3 post
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“Do I feel happy in life? Um.. Let’s see. Well, I do hope I’m finding happiness. For me, if I can realise certain things in my work, I come the closest to being happy and I can say that also about my life. It only happens in moments, sometimes when I'm working and I’ll be able to fulfill a project successfully and then I think I'm the happiest. While I find it very stimulating to keep studying and working, I'm not just generally happy. If I'm generally anything I'd say I’m generally miserable, hehe!”
The white mice stared up curiously at Kali as she spoke to them in a tranquil tone. Of course, they said nothing back. She liked to pretend that they did though.
“.... I don't know.” She sighed.
Kali tended to work with animals more than people now ever since being promoted to head scientist. This was both a blessing and a curse however. She loved the animals dearly and valued them as lab partners, but nothing could beat real human interaction. While she was forever grateful to be given her position after years of hard work, she wished her boss would be a little more kind. Just because she has the brain power to complete every project he throws at her doesn't mean she should be doing it all alone. But she guessed this was his way of keeping her on her toes.
She lifted one of the mice up to her shoulder and rewarded it with a small piece of an apple that she had been eating, then made sure to give the others in the glass terrarium a few slices to share as well. Nobody went hungry in Dr. Kavanah's lab.
With her test subjects fed, she picked up the cage and walked to return them with the other animals. Within a few minutes Kali was back at her lab.
Upon entering, she was surprised to see her boss standing in the middle of the room waiting for her to return. Norman Osborn, CEO of Oscorp. Wearing a dark green suit so clean that it looked as though it was bought that morning, he stood tall and proud while opening a briefcase up on one of the tables.
"Good news, Kali. I have a new project to keep you busy." He handed her a document which she immediately opened with glee and began speed-reading the first page.
"Thank you, sir! What did you have in mind?"
"I’ve just struck up a deal with a veterinary pharmaceutical company. I was hoping you can create a sort of.. animal steroid for me. All of the effects they want to see are written down for you to go over later.”
Kali closed the documents and sat them down on the closest work table, sensing that that wasn’t all Norman had to say. “Of course, sir. I’ll begin as soon as possible.”
“There is one more thing you must know about this project. The company has requested that we use some benign radioactive ingredients in the formula. Seeing as how your specialty is biochemistry, I’ve hired you a lab partner that can help you with the more sensitive materials you'll be handling."
Turning around to face the entrance, Norman then half-shouted, "Come on in."
Suddenly all of Kali's attention was on the new company entering the lab. In walked Dr. Otto Octavius, head scientist at the U.S Atomic Research Center. She felt her heart get caught in her throat as he came right up to her and offered his hand with a smile.
"Good evening, Dr. Kavanah. It's a pleasure to be working with you."
"Oh, it is an honor, Dr. Octavius! I've read nearly all of your articles and interviews."
"Please, we're going to be working together for quite a while. Just call me Otto."
"Yes, sir! I-I mean Otto.. " After realizing she was still shaking his hand, she awkwardly let go, earning a quiet chuckle from him.
"Well, now that I have you two geniuses together I should be off. Good luck." With that, Osborn was out the door before anyone could respond.
"Please, make yourself at home! The office and bathroom are that way," Kali pointed to the door and window at the far right of the laboratory.
"Ah, thank you, dear. I'll be back shortly."
Otto walked off into the office and shut the door behind him, though she couldn't see what he was doing as the window had it's blinds drawn.
Kali stood alone in the middle of the lab, still trying to process everything that was happening. She couldn't believe it. Otto Octavius himself was going to be working with her, her of all people! She had seen him in person before but only from afar at a science convention a few years ago. At that time he was first introducing the world to the concept of his masterpiece, the four-armed apparatus that he used for handling nuclear material. He had since finished it but she had only seen it in pictures. She wondered for a moment if he was going to be bringing it to her lab, and the excitement at the idea forced a little squeal out of her.
Soon enough Dr. Octavius finally exited the office holding a magazine and chuckling to himself. Once he was back in front of Kali, he showed the front cover of it to her to reveal an image of himself standing proudly in front of a mechanical arm displayed on the table behind him. Kali's cheeks burned with embarrassment.
"I see you weren't lying about being a fan. I'm guessing you may know me better as 'Doctor Octopus' as my coworkers have grown fond of calling me."
"No, sir. I believe name calling like that is a petty tactic used by the weak-minded to undermine those they don't understand."
Otto smiled wider at her words.
"Y'know, I've done my own fair share of reading about you as well. Your work is nothing short of brilliance."
Kali perked up a bit at his compliment, her cheeks burning for a different reason now. "Really?"
"Of course! I've been meaning to get in touch with you even before Osborn hired me. Seeing as how we have some free time at the moment, I'd like to get to know you better if that's alright? We are lab partners now after all."
He pulled up two chairs, sitting down in one and offering the other one to her. Kali sat down across from him with an awkward smile and thanked him.
"Um, well… I don't know what to say, hehe. I suppose you can ask me anything you're curious about!"
Kali couldn't remember the last time she had sat down with someone and talked back and forth for who knows how long, laughing and simply enjoying each other's presence. Otto asked her many questions about herself, though none too personal. Everything he wanted to know about her seemed to be trivial, things such as 'how do you like your tea?' and 'do you have any pets?'. Things Kali didn't think anyone would ever care to know about her. And yet here he was, wanting to know and seeming fully invested as she spoke about herself.
Hours passed and eventually Otto checked his watch, realizing that it was time to go home. Kali was genuinely surprised, as it only felt like minutes had gone by. As they said their goodbyes for the night, her world seemed to fade back to grey as he left the laboratory. But knowing she would see him again the next day brought a toothy smile back to her face. Moving into the office, she fell back onto the couch on the right side of the room and let out a joyous sigh. Rats may have been adorable companions, but they couldn't ask you how your day was or flash you a genuine, debonair smile like Otto could.
Her heart swelled within her chest as she spent the rest of the night thinking about her new friend.
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catstailtavern · 4 years ago
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Genshin impact characters as gamers
Characters: Abedo, Kaeya, Diluc, Childe, Zhongli, Jean, Hu Tao, and Lisa
content warnings: Childe being kinda an asshole lol.
authors note: I might do more in the future! These are just my headcanons so if you don't agree that cool! Feel free to let me know what you think they're like as gamers!!
Albedo:
what they look for in a game: Albedo seems like the type to enjoy games with vast worlds that involve lots of exploration and puzzles. I also feel like he like more quiet gameplay- if that makes any sense. Very much "Show, don't tell." Likes walking simulators!
things that turn them off from a game: He dislikes when games over-explain themselves/their plots. He likes to be able to unfold the mysteries and plot threads himself instead of being spoonfed. He also dislikes voice chat bc people are mean. If there is a VC he mutes basically everyone even if it makes teamwork difficult.
how much time do they devote to videogames: Albedo really only plays videogames on days off or when alchemy research has hit a lull.
a game or games that I think they'd like: outer wilds, shadow of the colossus, and journey.
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Kaeya:
what they look for in a game: Story-rich games with unique art that explore heavy topics or philosophical themes! but also really likes multiplayer games where he can troll lol.
things that turn them off from a game: If he dislikes the art he finds it hard to play or pay attention to. This doesn't mean he demands picture-perfect graphics! He's mostly into unrealistic and eye-catching graphics/art he likes games with style and flair!
how much time do they devote to video games: Kaeya likes to play after a long day of work to unwind and relax!
a game or games that I think they'd like: Disco Elysium and the persona series!
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Diluc:
what they look for in a game: Diluc is a very busy man who likes to be in control of his life and the things that affect it. Therefore I have come to the conclusion that he likes simple and sweet games with low stakes where he is mostly in control if not basically god haha.
things that turn them off from a game: Games that involve him to be emotionally invested or have lots of stressors are not his thing. Games are played to relieve his stress, not make him cry over character death.
how much time do they devote to video games: He likes to play a little bit on his break when he gets the chance or a little bit after work. Doesn't like to play for too long each day or he feels unproductive!
a game or games that I think they'd like: the sims, planet zoo, my time at Portia, stardew valley, and ANIMAL CROSSING!! (I dont care if this is OOC okay. Diluc plays animal crossing on his lunch break. His favorite villagers are the bird ones. His favorite fruits are apples and cherries, and he loves terraforming his island. He finds it therapeutic.)
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Childe:
what they look for in a game: loves gacha games, he's a total whale, and loves to flex his pulls. Also loves games with intense competitive multiplayer and couch co-op games. Absolutely a sore winner who everyone hates playing jack box with.
things that turn them off from a game: Dislikes the story mode of most games bc they usually fail to keep this attention. He'd much rather be making yo mama jokes and shit-talking n00bs over the mic like the little asshole gremlin he is. The only exception so far is "The Last of Us," because of one time when the internet was shitting out on him during matchmaking. He decided to play the story while his connection got itself together and ended up liking it.
how much time do they devote to video games: Stays up late playing them at night a LOT. They're usually the reason he's tired the next day.
a game or games that I think they'd like: mario kart, smash bros, arknights, mortal kombat, apex, and dead by daylight.
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Zhongli:
what they look for in a game: Zhongli likes simple games with cute graphics and easy controls. Mostly a mobile gamer as he finds most console game controls confusing. Loves virtual remakes of classic games that he used to play with other people physically.
things that turn them off from a game: Really dislikes first-person shooters. He finds them loud and disorienting. Poor old man.
how much time do they devote to videogames: Barely ever plays, might play while having a cup of tea or to pass the time while waiting for something!
a game or games that I think they'd like: mahjong, solitaire, candy crush, and those lumosity games for training your brain.
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Jean:
what they look for in a game: At first when jean thought of video games the only thing that came to mind was "a waste of time." As the acting grand master of the knights of Favonius she rarely has time to socialize or even date. That's when she decided to maybe just maybe give dating sims a shot. She's a bit insecure about it, but they give her butterflies without the strain of a real relationship.
things that turn them off from a game: Really dislikes games that glorify villainy or have you play as the bad guy. She also really hates horror games. Fun fact, she played doki doki literature club but missed the warning somehow and WOW she got really upset-
how much time do they devote to video games: As mentioned previously Jean is a busy gal. So she really only gets to play games on her rare days off or maybe just a little before bed.
a game or games that I think they'd like: I don't know a lot of sweet and fluffy dating sims but I feel like the sweet and fluffy ones are her favorite! I've really only played one dating sim before and that was monster prom so I'm gonna use that for the example lol. I know there's a lot of mischief in that game but she always chooses the more moral upstanding choice even if it cost her a date haha.
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Hu Tao:
what they look for in a game: Hu Tao is partial to games with gothic aesthetics and horror elements! Specifically really loves psychological horror and unique creature design. Enjoys difficult gameplay and feels a sense of accomplishment when she succeeds!
things that turn them off from a game: When a game is too easy to play she gets bored rather quickly.
how much time do they devote to video games: Frequently plays really late at night while listening to a paranormal podcast or other spooky content.
a game or games that I think they'd like: Dark souls, Darkwood, The cat lady, rule of rose.
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Lisa:
what they look for in a game: Like Childe, Lisa likes competitive gameplay. But she's more into fantasy MMO RPGs! She just really loves fantasy things it doesn't have to be multiplayer. Also really likes games with lots of lore and digs strategy turn-based combat! Other game types she likes are visual novels or anything with a good story-driven narrative. Loves being able to discuss fan theories online in forums.
things that turn them off from a game: Mediocre writing, poor/inconsistent world-building, or a lack of lore. She needs a story to sink her teeth into or she just won't play.
how much time do they devote to video games: Probably plays a lot. Really only pausing to correct people's behavior in the library!
a game or games that I think they'd like: World of Warcraft, Hearthstone, League of legends, Darkest dungeon, and slay the spire.
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cybernaght · 4 years ago
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Guardian rewatch: Episode 3
First of all, wow. When I decided to post those online, I was expecting that they would be read by two people, both of whom I personally know. It was in equal part surprising and terrifying that so many of you ventured here. Thank you for reading, I really appreciate it. 
Episode 3 is probably my favourite case. It’s not perfectly strung together, there is little actual investigative work in it, but it’s a beautiful story of boundless love and devotion, which echoes through the relationship between our protagonists
Professor Shen is looking at some materials that are looking suspiciously like research into something supernatural, when Zhang Ruonan makes an appearance at his office, claiming that she is absolutely fine, while clearly being very far away from fine. This is something Shen Wei can certainly relate to, because he is the king of hiding his ailments from others. 
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Zhu Hong’s one-sided affection for Zhao Yunlan starts to show already in this episode:  while he has the cold, she nags him to take care of himself, shoves tissues into his hands, and presses him to drink his meds. It’s easy to imagine even this early on that she will be the woman drunk dialling him one day. 
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I know this could be seen as straightbaiting, but I honestly thing that the actual purpose it serves in the show is the opposite; I’ll talk more about it when we get there.
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Zhao Yunlan spends a lot of this episode in Shen Wei’s office, starting with this scene, in which is obviously flexing. Not only does he sneeze all over the office, he goes to eat Shen Wei’s cake after specifically being told not to eat it.  He also takes his opportunity to mix questioning with flirting, as is his usual way. He keeps eye contact while spooning cake into his mouth, as he explains, jovially, that another mysterious death on his campus cannot possibly be a coincidence. And, to be fair, he is not really wrong. We are meant to believe that this is all set in motion by Zhu Jiu, aka the least scary villain in the history of villainy, and an owner of your staple baby goth wig. I will not mention him again until the plot makes it impossible for me not to do so. 
Zhang Ruonan comes in, and Zhao Yunlan introduces himself as Shen Wei’s good friend. Which is half-way between a flex and an act of kindness. On one hand, he could have said he was from the police - which would be absolutely true - and risk tarnishing the professor’s good name. On the other hand, he could probably look less pleased with himself. Shen Wei, at the very least, looks neither grateful, nor amused. 
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Zhao Yunlan asks her if she new the victim and she looks incredibly shifty as she flees. He is right to think that something is up, and he correctly assumes trauma, rather than guilt. We can now start to see that he is very very good at reading people. It must be equal parts thrilling and disconcerting for him to have met something who he decisively cannot read. Shen Wei vouches for the woman, partly, surely, because his Hei Pao Shi sense is tingling, letting him know that someone is eavesdropping. 
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Despite feeling uneasy, Shen Wei still offers Guo Changcheng, who is left to collect various paperwork from his desk, a little smile. He has a reason to like Xiao Guo, of course: he was the one to see the young man’s kindness and understanding, and he is already growing protective of him, way before he will start seeing members of the special unit as his people. This reminds me of how many months later, he will subtly, but decisively stop a barrage of verbal abuse against Xiao Guo by dropping a pair of chopsticks. 
Zhao Yunlan is taking Xiao Guo with him on the case rather than anyone else, partly, supposedly, because of Guo Changcheng’s familial connections. The young man looks more sure of himself, asking correct questions, dutifully records answers. He also tries to look after his Chief by asking him to go home and rest. He does phrase it badly, but Zhao Yunlan has a thing against his own health and well-being, so he reacts extra poorly.
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Soon after, Zhao Yunlan’s at Shen Wei’s office yet again, as Shen Wei tries his best to ignore him, in the hope that he… well, maybe not goes away, but does not ask him anything that will require him lying. Instead, Zhao Yunlan is asking Shen Wei why he is bad at reading people, which is a very strange thing to ask. Shen Wei answers his question with a question, “Will seeing through people really lessen the hurt and disappointment?” Adding, “Many tragedies were destined from the beginning”. He looks well.. like this as he says it. 
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This is loaded. On first glance, it’s a pretty good set-up to the way this story will unfold, as a tragedy of two individuals who let their devotion to each other nearly ruin each other’s life. A fragile human and a dangerous powered Undergroundian: what else is that, but a tragedy, waiting to happen? But this story - this one right in front of us - will not end tragically, at least not for the two people it enters around. It could do so, but it will not. Maybe, this truly is the first hint that this entire narrative, so carefully set up from the very first time Zhao Yunlan and Shen Wei meet, is destined to be a tragedy. Moreover, that it must be one, for some cosmic reason. 
(… I apologise while I go have a little cry in the corner. Damn you, Guardian, why do you make me hurt so much?)
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Da Qing inexplicably morphs from black cat to a human in white t-shirt while doing night shadowing, and promptly falls asleep on patrol. Why is he being sent to stake anyone out? He is least suitable for it.  He is literally a cat. He sleeps 16 hours a day. 
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Surprisingly, when pressed, Zhang Ruonan comes clean very easily, revealing that she was a victim of the three students she failed (two of which are already dead and one one standing right next to them), who lured her out at night, which left her vulnerable to be attacked. Zhao Yunlan listens to this story, and instead of… oh I don’t know, perhaps asking her the identity of the third student, leaves to go find that out for himself. It is heavily implied that he does it on purpose, which is definitely not okay.  
Moreover, he goes and... asks Shen Wei. This makes me suspect that he’s not really thinking with his head at this point. As he does so, he is brandishing a letter opener. 
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Shen Wei is looking even less impressed with him than he did during their last few conversations. 
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Zhao Yunlan is a little bit flippant when it comes to students’ lives this episode. And yes, they have done something really quite horrible to another human being, but that's not a very good excuse to let the last of them just die. As it happens, the situation Yunlan created - perhaps on purpose - did lure out Zhao Ruonan’s murder girlfriend, but it also cost a student his life. Which is far from ideal, but is somehow never even mentioned. Instead of being aghast, he sits on the table as he goes into full interrogation mode. (As he will continue to do a lot. Sometimes he crouches on tables instead. There is no further point here, apart from: I like this character quirk. It’s a nice character quirk.)
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He brings some of his team in at this point, and asks Zhu Hong to continue interrogation. It would be a nice gesture is he did not interject two questions in. 
“How do you regard your relationship with Wang Yike?”
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“We are family.”
They are definitely, decisively not going for sisterly bond here. Which is kind of incredible. This is one of the moments the amorphous being that show is looks at the censors, wiggles its battered low budget eyebrows at them, and then proceeds to flip them off. Well done, Guardian. 
Wang Yike calls Zhang Ruonan, saying there is one more victim she needs to take care of, and Lin Jing traces the call back to campus. Zhao Yunlan, who did not even bat an eyelid at a dead student earlier, now looks decisively worried  
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“Oh no. Professor Shen.” 
The only reason Shen Wei is attacked is jealousy. Wang Yike does not know this of course, but trying to kill him is a bad move, because a) he has long ago given his heart away, and is definitely not interested; b) this is probably the only thing she could do to make the man on the case very very upset; c) Shen Wei’s immune to her powers. 
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“Someone like you will never understand what she means to me!” Wang Yike shouts eventually. “As long as I can protect her, my life has worth!” And, even as Wang Yike has no way of knowing it, these are the words that ultimately save both her and her loved one. Because Shen Wei does in fact understand what Zhang Ruonan means to her. His own endless and ultimately self-destructive devotion is his main driving force.
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Shen Wei pretends to be hurt, again, which earns him a half-hug from the object of his devotion. If Zhao Yunlan does notice that Shen Wei should really come out of this attack grey haired and dead, and not just mildly inconvenienced, he chooses not to say anything. 
Worried about her murder girlfriend, Zhang Ruonan rushes in and accidentally touches her. Zhao Yunlan Freaks The Hell Out. Shen Wei does, too, but in his own, reserved, way. They are both emotionally invested in those two people, although for very different reasons: Shen Wei is acutely feeling resonance of his own past in their story, and Zhao Yunlan, I think, wants to fix it, he wants to be able to make it better. Instead, Shen Wei fixes it for him, turning the tide on this tragedy, and giving it a happy ending. He heals Zhang Ruonan right in front of the officers of SID, albeit with much subtlety. (“Have someone saved her right under our noses?” Zhu Hong will snort the very same evening, and she will be 100% correct.)
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Shen Wei also lets Wang Yike go despite the undeniable fact that she did kill three people. Here, he is looking at the picture of this human/Undergroundian couple, surviving despite all odds, and touches his only reminder that Kunlun really was in his life. 
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He then burns the picture as the only evidence that Wang Yike was not punished by him for her crimes. 
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In the end, Guo Chengcheng is making first of his many diary notes about the events, recounting a conversation between Shen Wei and Zhao Yunlan we had not witnessed, in which Shen Wei mentioned a relationship based on devotion that can last a thousand years, and Zhao Yunlan called such a relationship “guarding”. Finally, Guo Changcheng hopes that he can become a guardian of all. 
And this is making me think that this absolutely should be a set-up for him becoming a wick of the guardian lantern, as per every single other decision that was made prior to the last two episodes. Right? This is a perfect foreshadowing, and mentioning it here, so early in the show would not make any sense if it were a deliberate subversion. So, was Guo Changcheng meant to become the wick after all before... what, some rewrites happened? What made the final episode be what it was in the end?
(This is a genuine question by that way, if anyone has any insight on the matter.)
The episode would end here, if this was a western show, with a familiar monster of the week structure, but it does not. At least, the way it ends is reminiscent of a cliffhanger, with Zhao Yunlan catching Shen Wei in a middle of a crime scene, and looking betrayed. 
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Next episode: Lynchian Nightmare, aka people without faces. 
PS.
I did not have a seamless way to stick this in anywhere but... Shen Wei’s technological ineptness at the max: he does not know how to use a Polaroid camera. Help him, he is so lost.
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——
Second point of housekeeping to say a few things: 
I don’t think I will be consistent with certain things being transliterated versus translated. I am more likely to use Hei Pao Shi rather than Black Cloak Envoy (because the later reminds me of Tuxedo Mask, which makes me inwardly giggle every time) but at the same time I am also more likely to use Underground/Undergroundian rather than Dixing/Dixingren. I am more likely to use Xiao rather than Little, but have called Chu Old rather than Lao before. I hope that’s not grating, but do tell me if it is
My recaps are Shen Wei-heavy. I have no real explanation for this, apart from.. I like Shen Wei. 
I realise that there will definitely be things here that are head canon and speculation rather than flat observations; this show is a work of fiction and a work of art, which cannot be interpreted objectively. If you have alternate takes on anything I write in the future, let me know! 
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yaboigamerghost · 4 years ago
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Imperfection Is Beautiful: An Analysis of Hordak From Netflix’s She-Ra
       Before I start I’d like to preface this by saying that I’m normally not the kind of person who really becomes attached to the villains in the media I consume (Zuko from ATLA being an obvious exception). However, leading into She-Ra’s final season I found myself asking one question “Why do I care about what happens to Hordak?” In the back of my head while watching the final I was constantly wondering where he currently was, and was even more invested than I already was during scenes featuring him, during his reunion with Entrapta, and later when he turned on Horde Prime to save her I was cheering the whole time. While I still completely agree with those takes I had while watching, this made me decide to try and take a deep dive into why I and many other fans felt that way. Specifically, what did lead writer Josie Campbell, her team, and the rest of the staff do to turn a character once presented as likely being the shows final boss into a sympathetic and understandable one, and how did they turn Entrapdak, which was once and still partly is viewed as a crackship into one of the stronger presentations of the shows themes of love, and the power of friendship. My hope is that by the end of this essay people who are fans of Hordak’s character can understand better the possible reasons as to WHY they feel that way, and maybe try to explain to those who really don’t like him why so many people do. Now without further ado, let’s get analyzing.
         To begin, let me talk about how he’s used in the first season, and how the writers chose to position him in the viewers’ heads. For those who haven’t taken a marketing class before, positioning typically refers to how companies try to position their brand in comparison to other brands in the minds of consumers, and the same concept can be somewhat applied to how storytellers position their characters in regards to each other in the minds of their audience.With that out of the way how is Hordak positioned in the audience’s head during season 1? By the first time he appears on screen Adora has been established as the show's protagonist, her and Catra were friends who have went their separate ways in a tragic scene where Adora pleads for Catra to join her, and Shadow Weaver has been established as a uh… well a giant asshole. So by the time Shadow Weaver brings Catra to Hordak for judgement on not bringing Adora back we are already inclined to sympathize with Catra and likely already dislike Shadow Weaver, Hordak himself has been mentioned in passing but never really anything specific about him, so when we see him for the first time drenched in shadows with red eyes and teeth we’re likely expecting the worst for Catra, a character we probably are sympathetic to at this point in the story. However something interesting happens here, Hordak essentially sides with Catra in this scene. He makes Shadow Weaver promote her, and tells her to stop focusing on finding Adora. So while the show had to this point presented the idea that the endgame for the show is defeating the Horde, and Hordak being the assumed leader of the Horde… he’s still not presented as the character that’s the most hated based on his interactions with other characters. Throughout season 1 the basis of his screen time is telling Shadow Weaver to stop wasting resources trying to bring Adora back, and then at the end of the season assisting Catra’s plan to use the Black Garnet. Essentially every time Shadow Weaver tries to make a move against Adora and Catra; the characters we’re sympathetic towards; he tells her off on it and when she makes an open act of defiance against Catra's plan he throws her in prison. What all of these acts do to the audience is kind of present him as not being as bad as Shadow Weaver. Let me frame it this way. The character who at this point is thought to eventually be the final boss is not the most hated of the antagonists. To me that seems fairly telling, and retrospectively to kind of foreshadow the direction his character would eventually go.
Season 2 I would say is the most he’s ever played as a straight up villain. He’s patronizing to his subordinates and he uses intimidation tactics and light forms of torture on Catra which I think might be the biggest reasons as to why some fans of the show despise him even now. However, this is also the season where the most important relationship he has throughout the show starts to form. One of the scenes Entrapdak fans bring up a lot is when he catches her in his Sanctum (classy) working on the portal machine and he yells “Get out!” in what is pretty obviously somewhat a callback to Beauty and the Beast when you think about it. It’s what I’d call being subtle by throwing subtlety out the window. Sure it is a line from BatB but it’s also just something an angry person says to someone trespassing and considering at this point we know nothing about their relationship and we likely aren’t thinking that these two characters would have an arc together. What I’m basically saying is that while on multiple viewings this scene pretty obviously foreshadows them as part of a beauty/beast narrative, someone watching the show for the first time may not notice that during this scene. At the end of the day however season 2 Hordak is the most purely villainous he ever is during the show, he suffocates Catra in one of his contraptions as intimidation, he starts off disparaging all of Etheria to Entrapta in their initial conversation about portals, he plans to send Shadow Weaver to Beast Island (although the viewer may not care about this one), and if not for Entrapta convincing him otherwise he probably would have had Catra executed. Again, this season is him at his worst and at his most high and mighty. The way the insecure clone of Horde Prime WANTS to be seen, a façade that gets broken down in front of the audience for the rest of the series, in fact it partly gets broken down in this season during the scenes of him without his armor.
The way Season 3 chooses to frame Hordak actually starts in an episode in which he’s not present. During the season’s first episode Adora has a conversation with Bow and Glimmer after Shadow Weaver is found in Bright Moon. During this conversation she talks about how she changed for the better after having been in the Horde all her life, and she says she chooses to believe that if she can then maybe everyone can, even Shadow Weaver. Subconsciously many of us probably thought during this scene “Even Hordak?”. Essentially what this scene does is have the show’s protagonist make a case for not demonizing the show’s current antagonist like many would, it plants the idea that in the viewer’s head that maybe he isn’t too far gone. The previous season showed him growing to trust Entrapta enough to spare Catra because of her advising, which could be enough to show that to be true. While always rough around the edges and teeming with anger he’s never presented as someone incapable of seeing reason, and with Adora’s monologue about believing in the ability of anyone to change that makes us think that maybe he could be given reason to turn away from his presumed history of villainy. Additionally, when Shadow Weaver talked about her motivations for defecting she said “I want to destroy Hordak”, Shadow Weaver being a character that most viewers of the show likely already hate from seeing how abusive and power hungry she behaves seemingly on instinct. The fact that she’s the one bringing up the concept of killing him coinciding with Adora’s monologue may make the viewer sit back and try to reframe how they view Hordak as a character. This idea is what gets played with in his screen time for the rest of the season.
The very next episode is the big one (the holy grail for Entrapdak shippers). During this episode he blocks Entrapta from the blast of a failed portal experiment, she discovers his physical condition, he tells her about his past with Horde Prime and why he’s doing what he’s doing, she builds him new armor while saying one of the most inspirational quotes of all time (Imperfection is beautiful), and he awkwardly tries to properly thank her while getting help from his clone son Imp… Okay so let me just get to the biggest thing I want to talk about for this particular episode. The reveal of Horde Prime as the leader of a Galactic Horde has a huge impact on how Hordak himself is presented as a character. Firstly it presents the idea that Hordak himself won’t be the final boss of the series, thus opening up the audience to be more inclined to sympathize with him going forward. Secondly him literally being a clone brings forth the idea that he never really had a choice in how he turned out, and in a show that to this point has largely been about characters feeling trapped in terms of who they’re supposed to be by their familial figures in itself is likely to make the audience start to sympathize with him in realizing that war and being part of dictatorship is all he knows. Finally, we have him calling himself a failure and a defect in this scene. I feel as though this was done to draw forth parallels between Hordak’s relationship to Prime and Catra’s to Shadow Weaver. Prime called Hordak defective, Shadow Weaver called Catra worthless. Most people watching the show to this point will sympathize with Catra in one way or another and by having another villain in your show be paralleled to her is a way to invoke the audience to sympathize with them as well.
Now, for his interactions with Entrapta this particular episode. First we see him; a man with what seems to be muscular deterioration; using his body to shield her from an explosion. This would seem to show him as someone capable of putting others before himself, which as we learn in season 5 is something completely separating him from being like Horde Prime. After this we have him opening up to her about being a clone, having a defect, his feelings of being a failure, and him awkwardly trying to thank her. This whole sequence of scenes in part reveals a deeper truth about his character, namely the fact that he was for the most part programmed. All of his awfulness of season 2 and from presumed acts from before the show was pretty much what he was made for. He is someone who was literally engineered by an intergalactic dictator and essentially was born into a cult environment. When the only way he can thank her is by awkwardly saying “I acknowledge your work here, it’s very… technologically sound” and after some coaxing from Imp continuing with “No matter what you say, you are not a failure. And any who underestimate you are utter fools” we can gather one kind of tragic fact. Hordak before this point had never felt a positive emotion from anything not related to conquering and technological advancement, in all his time he had never before this felt love or companionship. While the line itself is funny and kind of endearing, it also reveals the underlying tragedy of his backstory. That tragedy being that realistically there was no alternative way for him to turn out up to this point, the fact that this comes from being born in the Horde and the indoctrination and abuse from a familial figure adds another parallel to Catra, and how the abuse cycle of what Prime did to Hordak set him in a place to start up his own empire, bring Shadow Weaver into it, and then she does the same thing to Catra that Prime did to Hordak. Essentially the source of Hordak’s stress and likely trauma is the first domino to fall in causing the events of the show to happen, Prime’s own ego and perfectionism is what eventually caused his downfall.
But I’m getting ahead of myself here, as I still have more to say about this episode. I haven’t even really gotten into specifics on his defect, or his physical disability. Hordak would seem to have extreme muscular deterioration, he seems to have no tissue on his forearms leaving the bone exposed. The reveal is that his armor and technology are holding his physical body together. Most of the time a reveal like this regarding our presumed main villain would be a “The villain is more machine than man” type of trope like Darth Vader in A New Hope, however that’s not what’s done here. The armor and later pseudo-cybernetics aren’t so much to make him truly powerful and intimidate others as they are to cover up a vulnerability, and vulnerability is a very humanizing trait. The way this show chooses to completely subvert a trope here is interesting to me and says something about the series as a whole that I’ll probably extrapolate on later. What this decision says to me is that this show is one that cares about its characters, all of them, even in its villains they will ask you to look at and consider any vulnerability or redeemable quality in your judgement of them.
The next major scene involving him is the conversation between him and Entrapta having the portal machine almost ready. During the conversation they both seem sad about the prospect of being separated when Hordak rejoins Prime and they ultimately decide that they’ll wait to try it until the portal is absolutely perfect. This plan being ended by Catra coming back with the sword of protection. The reason for all he had done up to this point was rejoin with Horde Prime and he was now willing to slow down with trying to return to his brother, perhaps at this point if Catra hadn’t returned he might have scaled back the war efforts and settled for just continuing scientific pursuits with Entrapta, this isn’t guaranteed but it’s something that left open enough in the text of the show to where it can read as an aspect of his character.
The next major scene is when Catra lies about Entrapta betraying him and letting the princesses into the Fright Zone. This scene sets forth where his emotional state is during season 4, he falls to believe that; in spite of their work together and her telling him to not worry so much about being a failure and telling him that imperfection is beautiful; she never really cared about him and was just using him for his own destruction. The end of this season is probably Catra at her absolute worst. Entrapta outright told her that the portal would destroy the planet and then sent her to Beast Island after she used the words “Adora was right”. Having Hordak be another character hurt by some of Catra’s actions at a time when he may or may not have been on a trajectory to become a better person is an interesting interpretation of this scene to me (especially in light of her continuing by pulling the lever of the portal machine) because I feel like it was a great way to show Catra’s continued fall deeper and deeper into desperation and lashing out in anger and her potentially having at this point outgrown Hordak in terms of villainy (expressed in her Azula moment early in season 4). This idea kind of more puts Hordak on a similar level as the other characters, he’s no longer the untouchable ruler of the Etherian Horde if this bad kitty can come in and cause him to have what boils down to a broken heart. This scene is the final piece that to the audience completely breaks down the façade he had been putting on for so long.
Season 4 Hordak is a bit hard to explain. This season is when we see him committing the most on-screen villainous acts of the entire series, however largely he was being manipulated by Catra into actually setting foot on the battlefield. While this season has him being his most morally wrong, we also see this at a time when we’re somewhat newly aware of his vulnerabilities and insecurities and while he’s doing this we also see characters like Catra and Glimmer also falling further and further into behaving immorally or unethically. This kind of puts the audience in a really unique seat where we’re seeing the characters that we’ve grown to care about since the beginning of the series start to fall into something resembling tyrannical behavior like we’ve assumed from Hordak for so long. So while he’s at his worst at this time so is everyone else and in his case many of his actions here stem from believing that Entrapta betrayed him so there’s an extra layer of folly to what’s going on since it all stems from a lie. When Catra is trying to get him to step up the war effort to conquer all of Etheria she succeeds by pulling out the crystal that powers his armor that Entrapta gave him. When it’s removed he essentially collapses powerless. The crystal says LUVD (not that he or Entrapta knew, but the audience can learn it). Essentially this says that he is weak without love, when Entrapta was there, and she made him the armor he was made strong, when she’s gone and the crystal is removed he’s weak. 
There’s a scene where Hordak is talking to Catra about how their success would mean that he’d return to Prime’s side triumphant and worthy. When she hears him talk about this she kind of gives a look that shows just how much she actually understands the motivations. The audience knows this as well, we all saw the times when Shadow Weaver called her unworthy. This scene is the show itself basically telling us that any similarities between Hordak and Catra we gleaned from the reveal of his backstory wasn’t just us seeing something that wasn’t there. This scene essentially asks the audience to look at these two characters through similar lenses. It doesn’t tell you exactly HOW to view them, but asks for you to take a step back and measure any hypocrisy regarding how you view their various actions and then leave it at the door. The show asks you to sympathize with Hordak based on similarities with Catra;a character whom the audience probably sympathizes with from the very beginning; and having them both commit similar actions for similar motivations. 
Skipping ahead we have this sequence late in the season where Double Trouble cleverly tells Hordak that Catra sent Entrapta to Beast Island and the subsequent battle he has with the cat. The absolute rage and sadness in his eyes as the background completely fades out and we’re just focused on his face with tears starting to come out of his big red eyes while drenched in blackness, and then he just fires off his arm cannon around the room in anger. There’s just… so much to be said about this little sequence right here, it was beautifully done. What this scene expressed more than anything is that even if he didn’t know it, he was totally in love with Entrapta. He heard she was sent to beast Island, a place where he has sent people to DIE. He likely thinks she’s dead, and his first reaction was tears and to destroy part of his lab and then try to kill his second in command in revenge. I don’t know about you but this is something one would pretty much only do if they were in love with someone. Additionally I think the stylization of having the whole background fade to black during this scene is an interesting one. I think one meaning that could be taken from it is that with him believing she was dead he was sinking deeper into the darkness, that his ability to see the lighter side of the world was gone, the one person who could understand him was gone forever and he had spent all that time angry with her while working with her killer. A man who already was prone to self loathing and feeling like a failure now had nothing to lose. I think this is probably why early in season 5 after seeing Catra he goes to get his mind wiped again. Seeing Catra and her calling him by his name brought back some memories, memories that at this point only bring him pain. 
Speaking of Hordak and mindwipes though, the next major scene in my reading is the first time we truly see Horde Prime in his full glory. I’m going to focus less on Hordak saying that he did all his conquering for Prime, but more how Prime winds up seeing through him, and the horror that being part of the cultish Galactic Horde actually is. Prime is able to see into Hordak’s thoughts, he brushes his hands against the slot where the LUVD crystal once was and says “There was a time when you wished I wouldn’t come for you” confirming what everyone knew about his feelings towards Entrapta. After that Hordak seems to get basically reset to factory settings so to speak. Horde Prime immediately turns to Glimmer and apologises for his defective brother, she asks if this means he’d leave them alone to which he expresses that he’d have to destroy the planet to cover up the failures, he would have done it if Catra hadn’t brought up knowledge of the Heart of Etheria. What Horde Prime’s introduction does most of all is tell the audience that if they thought Hordak was evil then they really hadn’t seen anything yet. Hordak was but a child lashing out compared to the insane cult of planetary destruction and forced hegemony that is Horde Prime. If the brutality of the mindwipe of Hordak was anything to go off of it probably isn’t pleasant to be a clone either, but it’s their purpose for creation. “All beings must suffer to become pure” after all. 
This helps me segue into talking more about the rest of season 5 and get into detail about the Galactic Horde itself. Based on everything from the language used by Horde Prime and his clones, the fanaticism of most of said clones, the obsession with the color white, and the ideology it would seem as though the Galactic Horde is one thing. A cult. Horde Prime is a souped-up version of Shoko Asahara. He presents himself very charismatically and uses that as a way to mask the constant manipulation he does to everyone from his own clones, to any “Honored guests” he may have, and even his adversaries. He does all of this in a self serving effort to further his own perceived greatness. He is something that no other antagonist in this series ever was, a being of pure ego. Shadow Weaver, Hordak, and Catra even at their very worst were always shown to be affected by the histories and relationships they formed with other people. Even when they committed evil acts there was something recognizable about it, you still knew that this was a PERSON. Horde Prime, while being in the body of a man is surprisingly more reminiscent of something Lovecraftian than your typical supervillain. He’s ancient, his origin is never even hinted at, as though he’s been around forever and no one really knows. He can transfer his consciousness into any being within his hivemind, he has presumably hundreds or even thousands of his former bodies around for him to be able to check their memories, that means he has entire parts of his life he doesn’t remember. Horde Prime may have a humanoid figure, but as a character he’s much more like Cthulhu than Palpatine…. This is the being that created and essentially raised Hordak. A Lovecraftian style cult leader who either conquers planets, assimilates them into his hivemind, or destroys them all for shits and giggles. Hordak never stood a chance of being a good, well rounded person out of that environment. It all puts the Hordak of seasons 1-4 in a different context, shows just how deeply rooted indoctrination was for him.
After the second “purification” he undergoes one might wonder one thing regarding Hordak. Where could he possibly go from here? He’s had his mind wiped twice, he’s on Horde Prime’s ship, even if he did have his memories he believes that the one being who ever cared about him is dead, it really seems like he has nowhere to go… and then he sees the LUVD crystal lying on the floor near some rubble after Entrapta helped with rescuing Catra. He picks it up and looks into it for a second before letting out a somewhat surprised “Entrapta?” he may not fully remember who that is at the moment but they definitely mean something to him. There may be hope for Hordak after all. The audience knows this, especially since earlier in this same episode it’s revealed that Entrapta is keeping a list of clones that could be Hordak, she’s still looking for him.
Later he has another few scenes where he starts to remember some of his past. The cloning tanks with Prime’s former vessels reminding him of Entrapta and when he revealed who he was to her, he doesn’t have it all yet but the pieces are coming back slowly. They come back faster during Failsafe. When he finally sees Entrapta again he’s confused. “Why do I know your face?” She knows that it’s him. He’s not entirely sure he wants to remember, he considers his memories imperfections. As Swift Wind drags her away from the encounter like an idiot she reminds him “Your imperfections are beautiful”. Later in the episode we see her looking him up in the chip network and show a sweet smile on knowing that it really was him. At the beginning of the season the LUVD Crystal was tiny, but now it covers almost the entirety of the palm of his large clawed hands. His love has grown, and grown him as a person, this sets what happens next. 
During the two part finale he makes the most important decision of his life. Entrapta gets teleported up to Prime’s ship, directly in front of Hordak. As the rebels start making ground in the battle she starts making noise, telling Prime how he can’t win, he doesn’t know what makes them strong. Prime orders Hordak to kill her. He has a blank, confused, scared expression as he points the arm cannon at her at his brother’s command, tears start to form in her eyes. Is this because she’s afraid to die or because possibly the only person to truly understand her was lost and would be the one to make it happen? Hordak makes a split second decision to turn on his brother. He’s finally able to break through the abuse and indoctrination of Prime’s borderline Lovecraftian cult, throwing Prime’s body down a pit in the ship… Until Prime takes over Hordak’s body temporarily to once again try to intimidate the Etherians. 
There is one final scene involving Hordak that is important, that happens right after Adora purges out Horde Prime. We’re given a flashback of Hordak out in a meadow where he’s holding a baby Adora. He likely detected portal activity thinking perhaps Prime had come for him. Instead it was this helpless child, lost from her home and now on this strange world. Perhaps in a quick decision this man starting his own empire saw a piece of himself within her and would take her in. A small piece he forgot about in the many years later, but in this moment of her purging his creator from his mind now remembers. Adora looks at him with no derision or spite, but a soft smile, as though after all these years she finally is starting to understand who he is on a deeper level.
She-Ra and The Princesses of Power is a show that started airing on Netflix in 2018 and finished its run in 2020, and it is a show that is ostensibly about the connections we form with other people and how those affect us moving forward. On top of that it goes out of its way to say that in the end those connections are a positive that we’re better off for experiencing. Horde Prime is the show’s main antagonist and he is a being of pure ego, he views the connections the Etherians form with each other to be a weakness. Meanwhile, time and time again in season 5 those are exactly why he gets defeated. Adora can get through to Catra to break her from the chip, Netossa does the same with Spinnerella, Seahawk and Perfuma slightly do that with Mermista and Scorpia respectively… But where does Hordak fit into this? In s5e3 Corridors Hordak goes to Prime to be “Purified'' after seeing Catra and she calls him by his name, a name being something clones of Lord Prime shouldn’t have. After the painful ritual Prime refers to him as “The purest among you” to the other clones surrounding the ritual. But in the end the connection he had formed with Entrapta led to even him turning on Prime anyway, that purity meant nothing because the bonds we form with other people supersedes all of that. If Hordak doesn’t turn on Prime like he did, for the reason he did then the messaging and themes of the show would have a place where they didn’t follow through as strongly. We’d have a victim of abuse that wasn’t able to get past their abuser, and a flawed person who didn’t wind up doing the right thing because they wanted to do right by the person they love. Without a positive ending for Hordak it makes the rest of the show’s positive endings weaker because it has a blatant exception to those victories, and while that could be poignant in some shows, I don’t think SPOP is that kind of show.  So you might be wondering… Why write all this? What made me think that writing a wall of text about Hordak of all fictional characters would be worth it? Part of it is because I wanted to explore why I care so much about this character and look into how his arc worked from a storytelling standpoint. I think the other part of it is simply seeing a lot of people not really seem to understand him as a character. There seems to be a very vocal group of people who hate him, or the Entrapdak ship for one reason or another and use that to kind of call those of us who do enjoy it bad people, so part of writing this is to maybe help some of those people who just flat out don’t understand how we could possibly be fans of the character get to know a bit of the reasoning behind it, and maybe show that the show specifically wrote him to be sympathetic. And maybe if you can see how it would be possible for us to love this character, maybe you can learn to appreciate him too. I can't force you to, but hopefully I can at least help you see where I’m coming from, and if you made it this far all I can say is thank you for reading. 
TLDR; Hordak is a very deeply complicated character who’s arc is more important to the themes of SPOP than you might think. 
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rist-ix · 4 years ago
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Shadow and bone afterthoughts, spoilers for show and books beneath the cut
Ok, first some rambling. I felt a bit disappointed directly after watching the show, with how prettied up Malina was and how underdeveloped Darklina felt, but after rewatching, I really don’t know where I got that feeling from. If anything, it’s the other way round, but all in all I feel pretty good about the show.
I never liked Mal in the books, but show!mal? A sweetheart. Ride or die for Alina. The mutual yearning had me awwing a lot, Archie’s performance is wonderful. I hope he lets his locks grow out next season, he really deserves fancier hair.
I’m still not invested in Malina, but I know I’ll feel much better about their endgame in the show than their ending in the books. I get what the stans see in them. The show is obviously saving some of their more important moments for the next seasons, but more on that later.
Darklina too is very different from the books, and at first I felt a little underwhelmed. It goes hard fast, with less build up than expected, but their intensity is spot on and I love this new version of them. Book!Darkling is more aloof and composed, and whenever Alina makes him lose that composure, he is angry about it. Show!Darkling though? Loves her and has no regrets about it. Cries every time Alina looks at him. So happy to have her. A jealous bitch, and valid. Gets his girl flowers and steals dating advice from his rival.
Ben Barnes is an artist, when he improvised that second kiss in the war room?! I died.
Alina herself takes more action in both relationships than her book counterpart, which I love. She’s DETERMINED, whether it’s about following Mal into the fold or snogging her dark prince. Her soft, tender looks are to die for, I get why Kirigan tears up every time. And, ahem. That look she gave him during her performance at the fete? Hot.
Points I didn’t quite like:
They made Malina a little too ideal, in my opinion. I feel like there’s too little room for development, especially if the next season keeps the course of the second book. I like that they took away some of Mal’s worst moments, like his jealous little fit at the fete and all that, but they glossed over most of his other flaws too. His wariness of the Grisha is dropped pretty quickly, and most of his character now revolves around Alina. They took away the parts where Mal is more promiscuous, and oblivious of Alina, which makes his “but I see you now” line feel undeserved. His tryst with Zoya was given to Kirigan instead, and his popularity and charisma compared to Alina’s mousiness fell a little flat. They’re taking away a lot of possible conflict material, which makes me scared they’ll go stale and stagnant too soon. He also didn’t have any emotional arcs of his own, his side plot is pretty boring save for the final moments. I do like how they are setting up his heritage and skills already, though, and there’s still time for development in the next season.
It’s been a while since I read the book, but I do think Alina and the Darkling communicated more about amplifiers and the stag, back then. The hunt for it was a mutually wanted thing, not something the darkling did behind her back. I liked Alina’s ambition, I don’t want the show to make her all pure and humble. The drama about it felt too sudden and random, but that’s just my personal opinion.
I felt bad about the Darkling’s changes at first, mostly because it seemed the show wanted to nerf Darklina before it got too powerful. Alina’s parents falling to the fold instead of the Tsar’s constant wars screams unnecessary, his lack of the Darkling title and openness with his name disappointed me a little. Then again, this darkling is less of a cold commander and more of a respected leader here; I like how he interacts with his Grisha. It really hammers home how much he cares about them, his interaction with David made me crack up.
The name reveal was too little, too soon, but it’s consistent with Kirigan’s “openness” and I’ll get over it. I talked about the amplifier thing here, so I’m not gonna go into more detail again.
Something makes me wonder though, and it’s his dialed down evilness. The Darkling in the books was cruel and impersonal in battle, and Novokribirsk demonstrated that perfectly. Which is fine! I like the darkling villainous too, but that’s not what we see here.
In the show, Kirigan doesn’t... do all that much evil stuff, actually. He keeps the hunt for the stag from Alina, I guess? I would have liked more emphasis on his exact plans there.
He reads and keeps her letters too, but that’s petty manipulation and not grand-scale evilness. His great sin, the fold, was an accident and later a safeguard for his kind, and his attack on Novokribirsk felt kinda justified in the shows context.
Book Novokribirsk was a starving village full of innocent civilians, and its destruction was a calculated sacrifice to the darkling. I felt bad for their deaths.
In the show, however, it’s an industrialized city and military headquarters of an enemy who tried to kill Alina, and would have tried again if the skiff had docked as planned. That’s just not as tragic, it doesn’t garner as much sympathy.
It’s destruction isn’t just for show and effect, it’s not a needlessly cruel “sacrifice”.
It’s an act of war against a scheming general and his forces. The innocent rest of the city perished too, sure, but the only real connotation the audience has with that city is general Zlatan and his supporters. That waters down the evil-level of it, from a narrative perspective.
The antler thing looks... uncomfortable, but Alina got rid of that pretty soon so there’s not even the lasting reminder of the book!collar. Alina takes Kirigan’s hand and stands up to receive it, giving her a bit more agency too. (Probably wouldn’t have mattered if she had refused, but that’s not what the audience gets to see)
Kirigan doesn’t plan to execute Mal or to make Alina watch; another one of the Darkling’s villain moments. He’s pretty soft actually, compared to his book version.
Which gives me both hope and apprehension.
Either they’re doing that on purpose, in order to divert from the books, which seems unlikely but not impossible. Maybe they’re planning to let him live at the end of the third season, he gets revived in later books anyway.
Or his downward spiral has only just begun, and they’re saving the big things for later.
I hope they decide early on whether to keep the darkling redeemable, by mainstream standards, or to go all out with his evilness, because I don’t want a middle path. If he’s a better man than in the books and still dies, I can’t handle it. If his death is still what they are aiming at, I have to feel like he deserved it and there was no other way.
No more “redemption in death” scenarios please. Either embrace the villainy or give him a happy ending, just be decisive.
My heart can’t handle more tragedy, I’m a crybaby.
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