#i love how he's written as a character

[spiderlilywritings]

Ronin Beaufort Boyfriend Headcanons

Trigger Warnings: mentions of blood, murder, gore

Well. You're in for a wild ride with Ronin Beaufort as your lover. He's not a green flag by any means, but he cares and genuinely loves you, even if he shows it in twisted ways sometimes. (Hearts drawn in blood, maybe giving you an aorta, sending pictures of his gruesome murders in #killer_shit with the caption "this for You, baby" and oh would you look at that, it's the guy that's been harassing you yesterday—)

Never runs out of nicknames for you. Will probably come up with the cheesiest/sappiest nickname just to see your reaction. It cracks him up. ("Baby. Sweetheart. Darling. Pookie. Sweet apple crumble pop with strawberries—")

If you own a vehicle like a car or a motorcycle, he's your go-to mechanic. He'll take your money and maybe a little bit extra later. ("Aww, don't give me that look, darlin'. I just wanted a kiss 's all. Hahaha!") Shows off a little bit of that muscle if you hang around while he's working. His sweetheart's there, gotta impress them right? (And if you're the type to get embarassed easily, it's more fun for him.)

Speaking of vehicles, I'm not sure if Ronin owns one, but if you do, why not take your little Devil for a late night drive? I think he'll enjoy them. Just you and him, enjoying the night air, letting the scenery pass by.

We've already seen it in the games; he's perceptive and if there's something troubling you, he'll know. He's all ears if you wanna talk about it. Or if you don't, he might think of a way to get you to open up. It's not healthy to bottle everything up after all. He's had to deal with his own issues and being stuck in your own head can be... a lot.

Sometimes, you may have impromptu late night talks with Ronin. Trading secrets and all that. Sorting out some feelings and traumas of the past. Those talks can get heavy but things always feel a bit lighter at the end. That's good, isn't it?

He's supportive. He lets you do your own thing, lets you enjoy yourself and indulge in what you love. As long as you take care of yourself too. He might even join you. ("Aren't you a cutie with that smile on your face. Come onnnnnn, show me more, baby.")

I think he'd like those silly couple shirts. The ones with lines like one shirt has "If lost, return to the bastard" and the other is "The bastard" Or just matching things in general. Maybe you want matching plushies, or jewelry, etc. He's down for it.

Learning first aid is recommended if you haven't already. At least, you'd know what to do when Ronin comes to you injured. Victims don't just lay down and wait for their fate. Of course they want to live and some will literally fight for their lives. Ronin keeps himself in shape, but some injuries are just unavoidable. He doesn't like seeing your worried face, so he's quick to ease your worries with his usual bravado.

Horror movie nights are a given. And if you're the type to scare easily (ironic since you're with a serial killer), prepare for some light teasing. Here's a not-so-secret though: Ronin loves it when you cling to him. He likes being able to feel you. Whether it's small instances like your hands brushing against his to you outright hanging onto him like a koala bear. Make him feel your warmth, that you're there. That you'll always be there. (Not. Not like— well, technically they're still— but not there. Not here. Not anymore. Just a memory now that will always haunt him. They left his heart bleeding. And then, an  "Angel" patched it up. He still bleeds a little. But it's bearable. And now. Now, you—)

Tick... tick... tick...

The sheets rustle. The clock continues to tick. Ronin hears your sleepy little murmurs as you frolicked in dreamland.

He chuckles, one of his hands moving to play with a lock of your hair. The sight of you curled up on his bed, in his damn shirt, "Darlin', if this is your way of killin' me slowly, it's working. Juuust a little."

In response, you unconsciously snuggle into his chest. Really now.

Sleeping so peacefully with a serial killer? Maybe he got rid of your sense of self preservation; maybe got some screws loose in that pretty little head of yours.

Ronin pulls you closer.

This was nice. Makes him remember those times when it was easier. As easy as it can get back in Angelwood anyway.

He left that place behind, danced in hell's flames like the Devil he is, letting rot and decay follow him. He didn't mind. Let 'em haunt him till the day he croaks.

When he closes his own eyes, he sees Ther; a reminder of what he had. Of what he lost. Feels like they'll always haunt him too. There, but not there. A spirit? An illusion? No. Maybe just that lingering love he's always going to feel for his childhood best friend.

Ther's gone.

After Ther, came Maria. Maria. Sweet, sweet Saint Maria helped him heal and move on.

And now he's got another angel in his arms. Ronin thinks that's hysterical. The Devil attracts angels it seems like. Wings and all. Letting them decay till those feathers fall and the wings are nothing but bone. It's like giving the middle finger to the good ol' god those old fashioned folks at Angelwood worshipped.

How's that for blasphemy?

[grasslandgirl]

i'll never get over how fascinating eliot's characterization as a hitter. obviously he's trained- military, hand to hand, weaponry, martial arts- that's to be expected. but so often I think in media about like. the Best Hitters in this genre and etc they're characterized by like? not getting hit. they're sooo good that the avoid every punch and catch every kick in mid air and dodge bullets and etc and that's not Eliot at all. he lets himself get punched in the face. he gets kicked and bowled over and uses that shift in momentum to his advantage. he gets knocked to the ground and the guys he's fighting think he's down for the count for only one moment before Eliot Spencer gets back up. because he always gets back up- but that character trait is Only compelling IF he gets knocked down enough for it to MATTER. and he DOES! and his fighting skills- they're not innate, they're not a natural inclination to fighting, its training and knowledge- he can talk about details and styles at length, he can (and does!) teach the others how to take and throw a punch, which speaks even more to his skill and knowledge and ability. he's the hitter because he's been doing it so long. because he fights to survive and he isn't afraid to get hit and lose the fight to win the battle. god. Eliot Spencer. character of all time

[vaguely-concerned]

My two cents on how much of Mind!Varric is Rook’s mind trying to fill the blank space and how much is Solas actively talking through a convenient blood magic paper doll of the mind: I think it's a mix of both, a truly collaborative psychosocial horrorshow if you would, but waaaay more towards the second. It feels too directed and tactical at times to be anything else. Rook's mind is willing to go along with the denial phase as far as it can fucking carry them to not have to face the grief and regret and does its part in papering over details that don’t make any sense, the way brains will strive to create coherent meaning even out of deeply confusing input, but to my understanding it's a collaborateur in how that plays out, not the instigator or control center. Solas is using it as a path to agency and to gather insight into Rook as a person unguarded as he can't count on in his own guise. (That stoic option that leads to him being like 'oh I see you're cautiously denying me access to your inner life. well. at least you still have Varric to talk to. y'know as an outlet :)'. You absolute BITCH Solas! That alone convinced me that he HAS to have an active hand in it on some level.)

My guess is that it takes considerable effort on Solas’ part to make Mind!Varric do anything more involved or complicated than seeming to sit up in bed and give casual commentary, and that’s why he keeps having eerie five minute shallow pep talks with you before he announces he conveniently needs a nap aaanyway good luck kid you got this haha. When he’s just spouting NPC lines from his bedrest, I’m ready to believe that could be Rook’s mind being allowed to improv lines for him more freely because it’s less about Solas trying to get something out of them or working an angle and more ‘Still here! Still totally alive and fine and the mentor figure you know and love and trust :) don’t even worry about it! Thankfully there is no war in Ba Sing Sei, as we all know’ upkeep work lol. Rook’s mind is allowed to set the tone of Varric, the outlines, but not always the content. 

AND, on a (beautifully fucked up) character psychology level, I feel like Solas is indulging in actually getting to be the good supportive mentor figure to Rook with one hand to assuage the guilt he feels about what he's done -- and what he's going to do -- to them with the other. Same internal logic as he uses in Trespasser about the Qun. ‘Almost everyone is going to die from the course of action I’m doggedly pursuing eventually. But at least I can make their last years happier and freer and kinder than they would have been otherwise. and that kind of makes up for it right. a little bit. doesn't it. doesn't that make it better at least. I need that to make it better)'. Did I really take your beloved mentor and friend from you if you don’t know yet that I did? Some philosophers would argue not really! So it’s probably almost ok actually. Isn’t it even a little noble that I’m taking all this grief and guilt on myself and shielding you for now. With undertones that I’m not sure he would realize himself (and might be mortified by if he did) that he is so incredibly lonely, and even a dishonest and indirect emotional connection is more than nothing when you’re that desperate. In this setup he gets idk. Both the control he craves so incredibly badly in relationships and over himself, and the scraps, the fading afterimages, of intimacy and warmth and companionship, even second hand. The one thing Solas and Rook agree on deep deep down is that they really wish Varric weren't gone. They're handshake memeing this in the saddest and most creepy way possible.

I think an important element too is that Solas needs Rook and their team to *succeed* —  up to a certain point. He needs someone to hold the two other elven mean girls off until he can get out of here. Ideally, in a perfect world, even do all the hard work of killing them so he can swoop in at the end and do his thing when both sides are exhausted and out of resources to stop him, and then Bob’s your uncle! Same logic as he was using with Corypheus, and after that worked out so well, too! King of choosing to never learn from a single solitary mistake he’s ever made even though i fully believe he could have the capacity to Fen’Harel <3 The underlying idea isn’t flawed, you see, it was just unforeseen circumstances getting in the way. This time for sure it’ll all work out the way I cleverly imagined it in my head beforehand. Cue By Talos this can’t be happening etc. in the form of a statue almost crushing him like a bug. 

So he's providing guidance and forging Rook into a leader from two angles: one Rook might not trust, and one they probably will. Shaping them into what he needs slowly and carefully. He’s helping you hone your team into their most effective state, as he might have done with his own agents back in the day, setting up his chess pieces even if he has to squint through two glimpsed realities to do it haha. Pincer maneuver of an insidious stealth mentor you never asked for. Also… at one point mind Varric gives you a whole little monologue about how Solas' problem is that he’s always seen his interpersonal connections as flaws and see where it’s landed him, all alone and the worst part? it hasn’t even worked. it’s all been for nothing he’s back where he began with nothing to show for it but his mistakes. Like...that has such strong 'uh okay happy to play your therapist from two rooms away here what the fuck kind of traumadump is this' energy to me, I’m not sure Rook like. Thinks that much about Solas as a private person. So much of Solas' self-loathing and futile insights into his own flaws seem to shine through in Mind!Varric's dialogue all the time — I just can't believe that there's no guiding hand behind it as it were. 

Most of all. I feel like people underestimate the degree to which Solas is incredibly funny. As in, he has a very consistent and recognizable sense of humour. It’s one of my very favourite things about him. We must remember — it is crucial that we always keep in mind — Orlesian accent and wig Solas from May The Dread Wolf Take You (my beloved, the explanation for why I love this dude even with the. All of the everything else. No one does it quite like him). He is not at all above doing things or adding little flourishes for his own obscure amusement, in fact that seems to me to be one of his most consistent traits. The Randy Dowager Quarterly comment Varric has? The ‘Maybe this is the Dread Wolf’s revenge. Forcing us to house sit for him’ thing? To Me this is 100% Solas amusing himself in his boring Fade jail surrounded by the screaming hellscape of all his regrets. Source: it came to me as divine revelation through pure vibes trust me bro 

If nothing else I find it much more narratively interesting personally if the connection between Rook and Solas really is that defenselessly intimate and entwined (and so unbalanced!), and the sense of violation and invasion and betrayal afterwards consequently all the more nauseatingly intense. Even if you kept him at arm’s length in the open, he’s been under your skin the whole time, looking around, gathering what he needs to destroy you, wearing the face of a friend. Regretfully, probably, but choosing to do it every step of the way anyway. (Sound familiar, Inquisitor? Solas doesn’t have that many tricks when you actually look at it, he keeps returning to old tried and true ones like a dog with a bone haha.) Maybe he even genuinely meant some of it as mercy, which only makes it so much worse. It makes his sin against his own core principles of autonomy and the freedom of all beings in mind, spirit and body so much more juicily grave if it’s something he pursues actively and consistently, rather than it half-falling into his lap as a happy accident mainly orchestrated by Rook’s own subconscious. Solas, too, is at his very lowest point, the closest to giving in and becoming his own antithesis fully that he’s ever been, and it makes the choice of whether you still reach out your hand to him one last time or not all the more impactful and difficult.

[prahacat]

when the horrors catch up and you take an evening off to batch-process

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[bunni-v1]

Lighter is sexy and all but what's sexier is just kissing his scars, even the little one reaching his buttcheek, this man should be caressed and needs to be pampered especially when he's naked non sexual nudity and intimacy is so underrated

No literally! I know I've been going on and on and on about how sexy Lighter is, and how good he is in bed, but my favorite thing is non-sexual intimacy. And I know that Lighter loves non-sexual intimacy too, probably more than most people might.

For the longest time, he was seen as just a body. Sure, sure it wasn't sexual, but that's all he was. Lighter's worth was how hard he could hit, how many punches he could take, and how long he could stay standing in a fight. Sexual intimacy, in a lot of ways, makes him feel the same way. Like he's just how hard he can fuck, or the only thing that matters is the size of his dick.

So when you gently draw your fingers over his scars, pressing feather-light kisses over the marred skin, he feels seen. He feels loved. He feels like a person. There's no motive behind what you're doing, no reason for you to press gentle touches to such ugly parts -- reminders of his past -- yet you do.

You do it because you love him, as a person. You want him to know how much you adore every part of him, even the ones that he finds ugly or disgusting because that's what love is. He just never felt it before now. He never knew what it meant to be loved, not until you were tracing the edges of his scars with your soft lips like he was something to be worshipped.

It makes him cry, hard. But then you come up and you kiss the tears away, whispering sweet nothings in his ears. He believes every word that leaves your mouth. Every praise, every declaration of love, all of it.

You take the time to show him, without a shadow of a doubt, that you love Lighter because he's Lighter. Not because he's the champion, not because he knows all the good spots deep inside you, but because he is your person. Because you are his.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[littlefankingdom]

Tumblr: You seem to like Bruce Wayne, aka Batman.

Me: Yeah, I do.

Tumblr: Then can I recommend you these posts tagged "Anti Bruce Wayne"?

Me: Why do you hate me so much?

[mariigoldzz]

No offense but I feel like a lot of those pretentious hunger games posts about how the fandom "continues to ignore the message!" and how the movies "are bad representations of a great series and Suzanne Collins is a poor misunderstood author😡" are written to make the OP seem smart. There IS some truth these posts, but don't forget that Sunrise On The Reaping's book and movie were announced the same day. She clearly has SOME sort of contract or wants Lionsgate to make movies on her books. If she was THAT "misunderstood and angry at the film industry." like some people in this fandom claim then Haymitch would only get a book, not his own movie to go with it. Sorry.

Of course, everyone is entitled to their own opinion. You don't have to like the movies, and you can be mad at the fandom. These posts are starting to get on my nerves though and I needed to rant. (More in the tags)

[bvckbiter]

fandom talks too little about hylla and reyna. reyna killed her father when she thought he'd killed hylla. hylla dragged them out of puerto rico and found them sanctuary and employment on circe's island AND became one of circe's favorites. then when they got captured by blackbeard hylla also got them out of that situation by out-pirating literal immortal pirates. then in a span of three years, they split up, found their own ways to the amazons and cj, and became the leaders of their respective factions. when hylla's queenship was being threatened by otrera in son, she plotted a counter-coup and defeated an amazon queen who couldn't die two nights in a row in one-on-one combat, THEN led her cavalry to camp jupiter. (ik this woman slept like a corpse for a week afterwards). hylla used reyna as an absolutely ruthless bait-and-switch to capture orion, and all reyna said in response to that was, "bet." reyna carries insurmountable amounts of both guilt and gratitude towards her sister. even though they havent seen each other in a while, hylla still drops everything and does everything in her power to save her baby sister when she knows reyna needs her.

[nonamenonamenon]

When most demons are asked about Solomon the sorcerer, most will have a remark about how he doesn't feel like he should be a human, but rather a demon instead.

If Solomon is told about this, he merely laughs, and says, "Do I, now?"

However, behind his cunning smile, lies a smidge of uncertainty on whether he truly is a human. At what point does he cross the line of human and demon? Or something else truly inhuman entirely?

He's conflicted. It's an idiotic thing to be worried about. He's human. He's always on the side of mankind, and always acts in the interest of humanity.

Though, at times, in the lonely permanence of the Devildom's night, Solomon wonders if he truly deserves to be called a human. He forgets whoー or what he is, being around so many demons in his time at RAD.

When you arrive at RAD, being a puny, weak, helpless thing compared to the other exchange students, his curiosity is piqued. Why send a normal person here, where they're bound to be mauled to death by a bunch of demons?

However, his expectations were exceeded when he learns of your pact with Mammon, the second born of the seven. He's not all too impressed, seeing how easy it would be for anyone to trick Mammon into forming a pact, but he's surprised nonetheless. He recalls having to wait a few years before he made his first pact. How nostalgic, he thinks.

As the year passed, and as you formed more & more bonds with everyone else, he was intrigued further & further. To have a pact with Lucifer, of all people? The one demon he's been trying to form one with? He laughs to himself, but he sees why, now. You've gotten through Lucifer's walls as well, hm?

When Solomon starts interacting with you, you're a bit scared. They call him a demon, but he looks safe enough. They say he's the strongest sorcerer in all three realms, but he doesn't look all that strong... you think.

You come to grow fond of the feeling of home he gives you. Though most wouldn't consider him one, he reminds you of your humanity.

He feels all too familiarー like home.

To Solomon, with each day he spends with you, a budding seed of love grows inside his chest, bit by bit. It's unnoticeable to him, at first, but comes to realize he's fallen when he dreaded you coming back to the House of Lamentation after a day together.

He notices it when you make him feel something he hasn't felt in decadesー maybe even centuries. He feels something human. He thought he'd shoo'ed away cupid a long time ago, but, it seems that he's been struck by his arrow again.

With this realization came something that, as the strongest sorcerer in the three realms, never thought he'd feel once more.

He felt fear.

Fear that you will be his weakness, and that you'll be put in harm's way, that every enemy he's made will come for you, to exact their revenge on him.

But most of all, fear that he'd outlive you, and he'll be left to mourn at your grave. He's a little too well acquainted with death, having seen all of his loved ones pass away, either of old age, or by something else entirely.

Solomon isn't sure whether he could take seeing you on your deathbed, though.

When he's with you, he rediscovers too many emotions he hasn't felt in years. Love, jealousy, fear... it reminds him that he's still human.

With you, he rediscovers his humanity.

He feelsー no, he is human with you.

And to you, he is a warm reminder of home.

One that you've been longing for, all this time.

[myokk]

[honeyspotpie]

Hey thinking about how in both timelines all Nick ever wanted was to make his father proud. Adapting and modeling his personality after his father, be it Glenn or Jodie. Because the only thing he ever wanted was his father's love. Thinking about how we can assume that Glenn did the same thing to appease Bill. Thinking about the fact that Taylor also wanted his father's love but never changed or remodeled his own personality and interests to receive said love. Thinking about the fact that he realized that his own sense of self is far more important than receiving artificial feelings of pride from a man who didn't even bother to get to know him. He finally broke the cycle. Yeah

[crimsonmonsoon]

The God Pleasing Prince, Xie Lian (with acrylic markers)

I hope I wrote that Chinese right, it is not even close to a language I have ever studied and I just have to believe I did it right.

[pepperpixel]

Initial drawings of that old man… I literally, I haven’t finished reading the book of bill yet!!! I had to stop and take a break for a week to feverishly draw fanart of myself petting fords floofy hair and giving him attention and shit…!!!! The urge was too great….!! I’ve literally. I had a crush on this guy the instant he was first REVEALED in the show, but I did not have the artistic prowess to draw good looking old men back then… but I do now… thank god… thank fucking god