#i love his facial expressions during this scene

[lune-moon-nuit]

The fact that they spent an ENTIRE DAY shooting the van scene means that this scene holds significant importance—that every detail mattered. The lighting, the staging, everything was crucial. Most importantly: the shots, the perspectives, and the actors' performances were all vital. There was clearly a very specific intention behind showing Mike’s reactions, Mike’s micro-expressions, and the deliberate choice to focus on his face at certain moments in Will’s monologue. This was done to ensure the audience connects his facial expressions with what Will is saying at those exact moments.

According to Finn and Noah, this was the most challenging and exhausting scene to shoot in the entire season. I can understand that from Noah’s perspective—it makes sense, as he portrayed a Will delivering a desperate hidden love confession to his best friend, with no hope of reciprocation or resolution. It was a scene of intense emotion and resilience. But Finn? Out of all the scenes in the season, this was the most exhausting for him? Considering the fact that they weren’t moving during the scene, it suggests that the exhaustion came from the emotional toll it took. (I’ve been doing theater for almost ten years now, performing in many productions and taking on various roles, and I can confirm that staying in character and embodying intense emotions for an hour and a half to two hours is draining—so imagine doing it for an entire day.) Playing complex emotions, portraying subtlety while maintaining a neutral demeanor, and executing discreet micro-expressions to hint at a character’s inner emotions is an incredibly challenging exercise.

Recently, opinions have circulated on Twitter criticizing Finn and Noah’s acting, with comments like “they’re weak and ugly.” Let’s set aside the “ugly” remark, which sounds like something out of a grade school playground and is objectively untrue. As for their acting being called “weak” in season 4, this criticism seems to stem from the fact that their characters weren’t in the spotlight. But they can act just as well without being the focus of the story. For the material they were given, they did an excellent job.

Their roles were deliberately sidelined in the plot (likely a strategic choice by the Duffer brothers to place them at the center of season 5), but that doesn’t mean their performances were lacking. Finn plays a teenager who is completely lost—someone who has been hiding who he truly is and what he really wants for two seasons, out of fear of rejection from both his loved ones and society. He also carries the guilt of lying and hurting the girl who has saved his life, his friends, and his family multiple times. (This is a highly complex role, but I’ll summarize for brevity.) Finn portrays this perfectly, as he plays a Mike who is pretending to be someone he’s not. And because Mike is bad at pretending, some viewers misinterpret this as Finn delivering a poor performance. In reality, Finn’s acting is spot-on, as he conveys a character who is actively hiding something. The audience is meant to sense that something is off about Mike without being able to pinpoint what, because Mike is hiding it from both the characters in the show and the viewers. This allows us to catch subtle hints, like his micro-expressions in emotionally charged moments, such as when his best friend gives him a disguised love confession to boost his non-existent (or very low) self-esteem and make him feel loved in the way he longs for.

So yes, I highly doubt that the Duffer brothers would spend an entire day perfecting every detail of this scene—making sure nothing is overlooked—if it wasn’t important. I think this strongly reinforces the significance of the painting, this scene, and the confession. All of it will undoubtedly play a crucial role in season 5.

just remembered they spent the entire day shooting and working on the van scene so i'm sure that if they didn't want mike looking and reacting to what he was being told like this

or this

then they would've noticed it and would've absolutely told finn wolfhard to tone that down lmao

[purplelightsabers89]

Okay good morning we've slept we're "rested" we're seing Cabaret today but

Cole's Paul was MEAN. He is an incredible actor, something I don't think I've appreciated when he's on as Trip is how good he is at using his facial expressions to sell emotions. There was an almost snarl he did during JFT that chilled me, and the scene before the rumble? The way he delivered "Winner rules the park" was scary. I really enjoyed his take on the role, honestly.

This was my first time seeing Dan as Darry (have seen Victor and Brent before) and I really, REALLY liked his take. His Darry feels closer in age to Ponyboy and Sodapop, where Brent has always just felt a little bit older/distant to me (I think it's because Dan is like...actually younger than Brody and Jason ahaha). I almost never get emotional during Towel anymore but Dan GOT me with that one. I also really enjoyed his take on the final scene and I thought he and Brody had nice chemistry together there

Aramie is truly an incredible Dallas. i saw his debut and now a few weeks later saw him again, and he's settled SO well into the role. He's a really nice mix between Daryl's younger Dallas and Joshua's commanding, older Dallas. His Little Brother is an absolute standout.

Everyone else was stupid good as well lol. Emma added some flair in places I haven't really heard before and I thought Brody sounded particularly great-he'd opted down GE the last couple times I saw him but nailed it last night.

Anyway.

I love this show and I really, really love this cast.

[lisutarid-a]

[vanesycho]

kinktober day 15 [car sex]

|masterlist|

warning:smut, p in v, unprotected sex, riding

wc:1,1k

You watched Joshua as he finished his performance and came backstage. When the other members came in, you congratulated them all one by one, but your mind was still on your boyfriend. Normally, you had the chance to see his stage so closely many times, but today was different, more than usual...hot? His mood change during the performance, his serious facial expression, the way he licked his lips...It made you shiver.

As soon as Joshua noticed you backstage, a smile appeared on his face, he approached you and pulled you by the waist and hugged you tightly. "Was I good?" he whispered in your ear, you smiled, when you pulled back, you whispered the same against his lips "You were better than good...God, I had a hard time not jumping on the stage." he let out a chuckle, approached you and kissed you on the lips "I'm glad you liked it, my love." he held your waist tightly and squeezed it lightly and soon left the room to change.

Now you were in the car to go back home, he hadn’t missed the fact that you occasionally glanced at him and examined his side profile, he held himself back from laughing “I can’t focus on the road if you look at me like that, babe.” You turned to the front with embarrassment, you had unknowingly examined him too much but you couldn’t help it. The images of the scene that had come to your mind were constantly replaying. Joshua glanced at you briefly and then turned back to the road “What are you thinking? Tell me." He stopped at a red light, turned his full attention to you, he realized that you were avoiding answering, put his hand on your leg, you swallowed when his thumb started to caress your skin “Yeah?” Knowing that there was nowhere to run, you just gave in “I was just…I was thinking about how good you looked on stage. I mean, I already know you looked good but- today..You were so hot.” Joshua threw his head back and laughed. He didn’t know he had this effect on you but he honestly liked knowing it, he leaned in close and placed a small kiss on your neck “I like knowing you see me like this.” His deep voice made you shiver, he pulled back as if nothing had happened and continued on his way with the green light on. A slight smile appeared on Joshua’s face as he continued on his way, turning the car into a deserted alleyway, you frowned upon noticing this. “Are we taking a different route?” Joshua pulled over without answering and turned off the lights. Only the moonlight illuminated the interior of the car in the backstreet where not even the streetlights worked properly. He turned to you, gently placed his hand on your cheek, his other hand went back to your leg and squeezed it lightly. “If you look this affected after every performance..” he whispered, his eyes shifting from your eyes to your lips, he let out a breath, leaning in closer but not kissing you yet, just letting your lips brush against each other. “...We should have some fun off stage to celebrate this, right? Don’t you think your boyfriend is doing a good job? I think you should reward him.” Even before his lips had made contact with yours, he was driving you crazy, his thumb caressed your cheek, the slight smile on his face didn’t leave. “What kind of reward?” he hummed, pretending to think for a moment, then pulled back and unlocked the car door. “Get in the backseat.”

That was all he said and soon you found yourself in his lap in the backseat. Joshua leaned his head back and watched you while you continued to rub yourself against him. You moaned as his swollen cock made contact with your pussy, he tightened his grip on your waist "Shua.. Please, I want you.." you spoke needily, Joshua leaned closer and started to kiss your neck "I know darling, don't worry I'll make you feel good." You felt his cock inside you in no time, a loud moan filled the car. Your hips slowly moved down, trying to take it all in "Too m-much.." He grabbed your hips and made you sit on top of him, kissed your lips to quiet your voice, his tongue roaming around in your mouth as he waited for you to get used to it. He pulled back with a loud kiss "Are you okay?" he whispered against your lips, you nodded "Good. Now I need you to move those beautiful hips of yours darling."

You did as he said, your hips started to move on his hard cock, Joshua threw his head back in pleasure, his mouth taking in slightly spaced breaths, your pussy clenching around him and he loved the feeling so much, "You're so good baby- oh fuck you're gonna make me come early." You held onto his shoulders tightly, his hand not hesitating to roam all over your body. He looked at you, brushed your hair behind your ear and exposed your face, even though he couldn't see much in the dark, he knew exactly how good you looked riding him and that was a sight for him to see. His hand slowly moved from your neck to your breast, squeezing it gently, lingering on your nipples for a while. He pulled you by the waist and made you come closer to him. You felt his tongue on your nipple, he ran the tip of his tongue around it, sucking on your breast while his other hand worked on your other breast. He lightly bit your erect nipple, smiling when he heard your tiny whimper.

Your hip movements started to speed up after a while, Joshua's occasional whimpers and the sounds of your bodies merging drove you even wilder. You let out a whimpering sound as his cock hits your pleasure point, his hands returning to your hips and supporting you. He helped you move on him easily. The pleasure grew inside you, Joshua knew he was close too, your pussy clenching around him making him moan deeply. He smiled to himself and threw his head back again. “Ah- you always feel so good- and tight..I- fuck, I’m so close.” He swallowed hard, watching his twitching Adam’s apple, making you wet your lips. You couldn’t hold back any longer as each stroke brought new pleasure, you came in no time, your juices flowing down his cock, you pulled back and soon Joshua’s juices were flowing down his belly. He looked at you tiredly and let you rest on his chest before moving on. He kissed the top of your head. “I think you should reward me like this after every concert.”

[kinardsevan]

i wrote a whole ass psychology breakdown (for the first time in FOREVER) about the break-up. enjoy (if you so choose):

so I've been reading a lot in relation to Tommy's speech during the break-up (and have actually gotten through the scene several times now, mostly as a creative reference for these fix-it fics. I think one of the first things that I've seen completely tossed aside (that bothers the shit out of me as someone with over a decade of therapy treatment and a psychology degree) is whatever trauma Tommy carries.

We know that there are issues with his dad. We know Lou's lore behind him is that he spent a lot of his childhood alone. We don't know anything in relation to his mom, but she may or may not be the cause of more trauma. We know that his way of dealing with abuse of authority is to shut down and follow the leader, which is likely a mix of his military time and growing up in his father's household (and when I say this, I mean from what we saw of him under Gerrard's command). This is a person who has put years into getting himself into some version of okay after all that he's endured, and we know he still generally does it on his own.

To that end, here, have my breakdown of the break up (roughly right about the time Buck says "I want you to move in with me"). (with pictures!)

Prior to the offer, we watch Tommy process through Evan's explanation about his relationship with Abby, things being transformative for him, etc. We have to bare in mind that this is where we also start to get what I've dubbed "starry-eyed Buck". He's so in the throes of what he's saying that I don't think he's really considering the connotation of his words. At the same time, Tommy doesn't know what lore Evan is about to drop him about this prior relationship. Remember that he now has to contend with the fact that they both have strong opinions on their relations toward Abby, and Tommy can't know if their feelings toward her as a person will be the same. I think Lou played this beautifully, appearing anxious and apprehensive as Tommy listened to Evan explain that Abby was transformative for him. Then he shifts into how Tommy has been transformative for him (which, he has, and we as the audience know this, but we understand it from a bigger POV than what Evan is saying with his words.)

There have been posts about Evan putting Tommy up on a pedestal throughout this speech (and really, possibly even sooner, but this is where we really get it expressed). Tommy tries to rectify this to a degree by countering "I wasn't always that way".

To that end, we then get Evan telling him "I know, and it just makes me admire you more." Tommy gives a bashful smile, clearly heartened by the statement, and even opening his mouth as though he's going to respond to it in some form. It would be interesting to know what was on Lou's mind of what (if anything) he thought would've been said there. Are there lines that were removed in this scene? Was 'I love you' actually going to come up? We can't really know. However, there's this part of me that thinks that Tommy thought that they were having a discussion on the depth of their relationship which would've possibly brought those 7 letters to the equation. Either way, this entire bit of facial acting is SO important, because it speaks volumes about how Tommy feels about how Evan feels about him.

From there we get the "I want you to move in with me, and this, THIS, THIS is such an important point for this ENTIRE scene. It's two seconds, but it holds SO much for the narrative. This man, who seems to be on the verge of ...something, clearly (who knows if I Love You was on his mind, or if it was just the fact that Evan was expressing how much he cares about him.) The reason this is all so important is THIS REACTION:

Now again, we don't know Tommy's trauma, but the joy literally drops out of his expression and shifts to panic. Now, speaking solely from the standpoint that these two haven't even said "I love you" yet, his boyfriend steamrolled over him from a possible declaration of love straight to moving in together without discussing semantics. Further, it's not even "I want to live together", it's "move in with me". We don't know much about Tommy's house (because these shitheads haven't built him a set yet), but we know that he has a HOUSE. With a GARAGE. Buck lives in a LOFT. Regardless of how much of an asshole this makes me sound like, it's crawling with red flags. It comes across as "fit more into my life" instead of "lets do this thing together". Further, if that's not bad enough, mention of getting engaged and married is thrown at Tommy as well, which holds two major bits of information: One, these are on Evan's mind. We've NEVER heard him talk about getting engaged or married to anyone. This speaks to the importance of their relationship to him, but the lack of I Love You also speaks on his own trauma. If we truly are getting the rom-com trope, at some point there's likely to be a conversation about why he lept over it (*cough* Taylor, his parents *cough cough*). Meanwhile, as he's continued in his starry-eyed speech, this is what Tommy is giving:

Now for those who don't know how to spot it, this my friends is a PANIC RESPONSE. The shift forward, the move to get up, the literal deep breath. He's having a panic attack. Now, obviously we don't know what brought this on, but god-willing, we WILL get the answers.

Now, to his own point, Tommy doesn't just straight up pop Evan's pink bubble. He does express that it's a sweet sentiment, but that it's a bad idea. To which point we get:

"Evan, that is so sweet. But I can't move in with you." "And why not?" Because. I know how this ends." "Uh, what-what's that supposed to mean?"

At which point, we clearly get the qualities about Evan that Tommy likes. "Incredible guy. Big-hearted. Hot as hell. Impulsive." I don't feel that the expression here matters as much as his tone of voice, because we can see on his face that he's expressing these qualities from a good place. The next point of reference isn't until Tommy's next line, when he says that Evan's reaction is out of things being "new and exciting".

To that end, the way Evan is talking to him makes this statement valid. He's not talking to Tommy like they've been together for six months and have built a relationship that should be moving in this direction. (For the tenth time I will repeat, he couldn't even dignify whether he was in love with Tommy when Josh asked).

Furthermore, I think when you consider this part of the scene, you also have to consider the strain in Tommy's voice. Something about those concepts (living together, getting engaged, married) is terrifying. It definitely gives the impression that Tommy has been faced with some version of this before and he got burned. Why is this important? Because of this:

"I'm saying no matter how bad I want it to be, I'm not your last." Those 9 words are important on their own, but when you couple them with the expression on Tommy's face and what we've just seen him go through, there's a clear point to the fact that he's been through this before. I also think that there can't be enough importance placed on the way he intonates "how bad". This is not a man saying no because he doesn't want to. He's backpedaling because he's sure that he's going to get burned. We get this point further driven home with this exchange:

"I'm your first." "But hey, they can be the same thing." "But, they usually aren't."

See this doesn't read to me as someone who's scared because he knows Evan has never been with another man. They're both fully grown adults who have had multiple relationships. What this speaks to me (now) as, is someone who has let someone convince him before that he would be their forever, that they were all in, and then broke him. When you include his childhood trauma and whatever abandonment issues it's left him with in correlation with all of this, yes, it's still an extremely biphobic set of lines. But in the context of what he's expressing and why, it's not about telling Evan he needs more experience, it's about telling him that he doesn't believe that he'll want to stay settled down with him six months, a year, etc., down the road. And THAT my friends, is abandonment issues 101. "Everyone else has left, so it doesn't matter that I'm in love with you, because you will leave too, and I need to protect myself from that."

Following that, we get this: "if I were to move in with you, you wouldn't mean to, you wouldn't plan for it, but you'd end up breaking my heart."

This line is SO important, right next to Evan's exchange with Josh about his relationship with Tommy. Why? Because even though neither of them have said it, it spells out that these two are in fact in love with each other, even if they haven't said it.

"I don't think I could deal with that." Tommy is fucking GONE on him. He's expressing that if he gave himself fully over to what Evan's referring to, losing him would break him. Again, we don't have the full picture on his trauma, but we know there's a mountain there. It's also worth noting again, that the intonation he uses in these statements clearly come across as someone trying to reign in their emotions and keep it together. That says to me that we're dangeously close to touching his trauma.

I don't feel like I have to include the final few bits of the scene in gifs because they're all over the site now, but the next line gives over the fact that he hasn't really been open about his trauma to Evan, given that his immediate response to expressing all of this is "I should go". This kind of reaction is generally brought on as not being accepted for having certain feelings. Now, obviously Evan is caught off guard by the entire interaction, the same way Tommy was (but for different reasons), so we have to take all of that into account when we think about the fact that instead of countering Tommy's logic, he asks instead if Tommy is breaking up with him.

Body language is also so important here for Tommy. His shoulders are hunched in, we see him wipe his face (meaning there are likely tears), and when he turns around, he's so caught up in whatever wave has taken him over that it takes Evan asking him for Tommy to state "yeah, I guess I did" about breaking up. Further, there's the fact that he states that he didn't see the break-up coming, which goes back to my point at the top of this post, that he clearly thought the conversation was going one direction, and instead it goes the other. From this point, we have Evan reeling, because he wants to create more of a life with Tommy, while Tommy is shutting down because of whatever is holding him back.

Finally, as I've referenced before, we get this line:

"Should've known that parking spot was too good to be true."

That line makes zero sense out of context, but in consideration of someone trying to lighten the weight they're carrying (which you can literally see by the way he has his hand on his neck, which you generally only see people do as a stress response). You can also double entendre this statement that getting to be with Evan was too good to be true. We get that little inhale with the smile, and I swear to God the only time I've seen that kind of reaction is right before someone cracks.

And then in closing, we get the "I'll see you 'round, Buck," our closing gut punch. Evan is still reeling, clearly. His face is very "what the hell just happened". Tommy is clearly not okay. This entire scene has opened an entire can of worms on them without a whole lot of answers.

Now, I've owned the fact that basically from the end of 806, I felt like this had to be a swerve, and that there has to be more to the story. I've also pretty much owned the fact that if the writers did actually just do this for kicks and don't have a resolution for it, I may not keep watching. However, in the context of the fact that, for the moment, I'm choosing to put hope in some kind of resolution, these lines make so much more sense. It is worth noting though, most people in the fandom, let alone the general audience, aren't going to psychologically break this shit down line-by-line. They're not going to lean into whatever trauma Tommy has that we don't know about yet. Its why the internet has been a mess since Thursday night. But it's also why I talk about how, when this situation gets resolved (because right now I refuse to say if), Buck has to give up the loft and give more of himself. Tommy, by the nature of the show, has fully immersed himself in Evan's life, but we haven't seen or heard mention of Evan doing so at all in Tommy's life. That doesn't mean he hasn't, but we haven't gotten any version of that. So when I say Evan needs to give things up... it's about matching what he's asking Tommy to give up. Because at the end of the day, when this circles back around, he's effectively going to be asking Tommy to trust that he won't break his heart like others have, and when you have a lifetime of abandonment issues and have learned to cope by being hyper-independent and alone, moving in the opposite direction is more terrifying than anything else. ESPECIALLY when you love that person, which we saw Tommy spell out. Evan has the ability to break him (and probably already is via this cut-off-at-the-quick break up.)

So, I'm really gonna need these shit heads to figure out that they'll be more miserable apart than they'd ever be together.

That's all. Thanks for coming to my TED talk.

[dunmeshistash]

Does anyone else feel like they portrayal Kabru "cooler" in the anime than he is in the manga?

There's so many tiny differences that I feel like add up to a lack of the complex characterization he has in the manga. Small stuff like his facial expressions in certain scenes that to me reveal who he actually is behind his façade.

One of the ones that bothered me the most was this as he realizes Laios' true nature of a monster lover

In the anime he feels analytical/ thoughtful during this part but in the manga he's clearly more thrown off/disappointed with the realization.

And worst of all from the episode when he says bye to Laios

This is what we see of him as he says goodbye, his side profile from not too close and his EAR

And then he says "don't forget it next time" while posing and leaving as if it's an afterthought and not the main point he was making

This is how this interaction goes in the manga

His expression as he thinks about asking

His expression as he asks him to remember

He makes sure of it before even moving onto the exit. "Don't forget it next time, okay?" It's important for him and to me all these small expressions are important to realize that, it isnt some cool exiting phrase he just says, I thought thats what it felt like in the anime 🤔

And now on today's episode

Isn't this framed as Shuro seeing him as someone sinister? While in the manga this is framed as something lame edit: unhinged about him not something mysterious (Kabru looking at him moving away from Kabru vs Kabru moving away showing his back to shuro)

I might be thinking way too much into this but all these little details add up to me and make me feel sad that part of the complexity I love about Kabru is being lost. I was wondering if anyone else that read the manga felt similarly.

[obessed-with-fictional-men]

While zooming around the tower to get specific facial expressions from Gale during his romance scene i also got these lovely shots of details from Gales tower!!! I made sure to get shots of the opened books and look!!!!! Tara has two little bowls out! Is that milk I see?! Oh my gods Gale!

[cultven]

hii i love reading yor fics sososo much T_T<333

I'd like to request a fic where Logan dreams that he hurts the reader, almost killing them. The reader notices that he's having a nightmare and wakes him up, he's disoriented and in panic, but when he realized what just happened he is incredibly relieved to see that reader is ok and alive. Maybe he even breaks down and cries, which really shocks the reader cuz they arent used to seeing Logan like this 🥺 Then the reader comforts him and takes care of him until he's back asleep.

As It Should Be

Wolverine X Reader

Content: Comfort, crying, poor Logan cannot catch a break, but you're there to dig him out of his sadness hole, he loves you a lot, lots of fluff while comforting him

Word Count: 1.39k

Warnings: Some graphic violence during the nightmare segment

a/n: Thank you for the kind words! This one honestly got a little graphic in terms of gore, but nothing too bad, so hopefully that’s ok! This was fun to write, enjoy!

No. What had he done? 

Logan stood in a pile of debris and rubble, his white tank top and jeans now caked in blood that wasn’t his. Claws refusing to retract, Logan felt utterly hopeless against his own body. His actions weren’t his own as he trudged towards the only person left alive; you. You were scared, that much was clear by your facial expression and hasty movements to crawl backward away from the mutant. 

“Logan… this isn’t you, please.” You plead, eyes darting around the scene to find help, anyone that is still alive or conscious. All you could take in was the decimated mansion and the mauled corpses of your loved ones. What had taken over Logan? Why did he destroy the very things he risked his life for countless times? 

As Logan looked into your frightened eyes his heart clenched, knowing what was coming next. He just wishes he could stop it. Watching himself tear through his other family hurt like hell, but having to watch you die he didn’t think he could bear it. You were his entire world, the only thing that could ground him when he fell down the pits of self-destruction. He would forever kill himself before harming you. But this version of himself had other plans. 

He trudged over, claws glistening in the light of fire around them. “No, no no no…” You chant, still trying to escape the man but your legs are rendered useless due to your paralyzing fear. With one swift movement, Logan begins to tear through flesh and muscle, watching in horror as his hands mutilate his love against his will. You could do nothing but lay there, screaming in pain, your mutant ability keeping you alive for longer than you wanted to be. Logan wished he was the one being gutted. In a way, he was. Anyone else, anyone but you deserved his wrath. 

Tears clung tightly to his eyes as his hand retracted from your body, lining up for the final shot to the head. As the blade commences its soar towards your skull, Logan jolts up from a lying position and hastily takes in his surroundings. It was dark, he was under a blanket of sorts, and oh, he was in your bedroom. Had it only been a nightmare? No, it was far too cruel and realistic to have been. Even Logan’s mind wasn’t so callous to make him live through such a horror. So then, it must have been real? Logan begins to hyperventilate, raising his hands to eye level. His claws were away, and his rough skin was clean of blood. But, as he blinked, grotesque images flashed through his mind. Sick crimson blood, your blood, begins to stain his hands, drying in a disgusting reddish-brown. He immediately jumped out of bed, went into the ensuite bathroom, and scrubbed his hands raw. 

“No, no no no.” He chanted under his breath as he tried to scrape off the non-existent material. The cold water was not enough to ground him back to reality, Logan eventually gave up and put him back to the skin, sliding down towards the floor to cradle his head in his hands. Thanks to the sound of the water running in the bathroom and Logan’s hard footsteps, you eventually stir awake. At first, nothing seemed wrong, maybe he just had to use the bathroom. But after the sound of continuous water for five minutes you grew increasingly concerned. Deciding to confront the man you carefully walk up to the bathroom door and gently knock three times, not to startle him during whatever he’s doing. 

“Lo?” It was only one syllable, but your sweet voice saying his nickname out loud was enough to send Logan scrambling. The door eagerly burst open, and when it did the sight you were met with shocked your heart. There was Logan on the ground, clearly disheveled, eyes bloodshot and teary. “Oh baby, what happened?” You coo, going to take a step forward but immediately retreating seeing Logan flinch. 

“You’re- you’re real, right?” Logan tentatively asks, sounding scared. Of course, you were real, why wouldn’t you be?” 

“Yes, love.” You stay put in your place. You didn’t want to upset him further.

“No… I ripped you apart. You died by my hands.” You resist the urge to outwardly exclaim how ridiculous he sounded before realizing he more than likely had a nightmare. Logan was prone to bad dreams, but none ever shook him quite as much as this. The only good thing that came out of the consistent night terrors was that you now knew how to soothe him in times like these. 

“I’m right here my love. I’m not hurt. See? I’m perfectly okay.” Your voice stays calm and soothing, not wanting to startle him further. “Touch my hand. Feel my skin. I am right here.” Usually, the sensation of touch grounded him from this distressed state, but this time he seemed hesitant to even look in your direction. 

“I can’t. I might hurt you again.” Logan looked so small and it broke you. He was huddled into himself, still looking at you untrusting. The thought of himself harming you any further plagued his mind, twisting his stomach and making him want to vomit. You were his world, his everything. He curses his body for the immortality that was bestowed upon him because if anything happens to you he wants to follow right behind. 

Realizing you may seem intimidating due to the fact you’re standing tall over his curled-up body you lower yourself and sit criss-cross applesauce across from him. Putting your hand out in between your two bodies you silently sit there, waiting for Logan to take this at his own pace. After a few minutes, Logan seems calm enough to touch your hand. Fingertips only brush at first, then a loose handhold, then a firm grasp on each other. Before either of you knew it you were fully embracing, Logan nuzzling his head into your neck. He needed to take you in every sense, to prove this was real. His nose took in your intoxicating perfume, his hands gripped your curves, his ears heard your soft breaths release from your mouth, and when he pulled back his eyes took in the sight of you. You were as stunning as always even with your messy hair and tired eyes. You were real, you were here, and you were his. 

Seeing as your boyfriend has calmed down you decided to relocate to a more comfortable area. “Let’s get off this gross floor, okay love? Let’s go to bed.” You whisper, carefully tugging him along to your shared bed. Once you two got settled down you were instantly back in his strong arms, protecting you from the rest of the world. You thought all was said and done for the night until Logan spoke up. 

“You were so scared. I made you scared.” He hated seeing you that way. It hurt him. What hurt worse was that he was the cause of it. He now understands it wasn’t real, but your expression was so gut-wrenching he couldn’t shake it off. 

“Logan I know you would never hurt me on purpose.” You reassured him. “Except maybe when you squeeze me to death with your bear hugs.” Logan chuckled a little bit, your humor always lightens the mood. You lay in silence for a bit, almost dozing off until you hear a voice next to you. 

“Thank you for dealing with me.” You smile, leaning over and kissing the man gingerly on the cheek. 

“It’s what I signed up for my love. Besides, you could never be a bother to me.” He smiles back, a rare sight to anyone but yourself. “I love you, Logan.”

“I love you too.” With that resignation you two cuddle, arms and legs entangled with one another’s. Eventually, Logan is lulled back to sleep while listening to the steady beat of your heart. Instead of another nightmare, he is met with a blissful dream of the two of you living together on a mountain, away from all the violence and harm the world holds. Just as it should be. 

[actual-changeling]

This post is going to show you the EXACT moment that tear forms with indisputable evidence that consists of several screencaps, detail shots, and slowed down video proof, which will be at the very end.

The tear and I are getting married, her name is Trina and I love her.

Let's get right into it. Be prepared for uh. Very painful facial expressions! And tears (at the end).

We're going to look through the final fifteen chronologically with pit stops at important emotional points that I think would make sense to cause a tear.

As you can see, we go into this argument with mostly dry eyes, a little glistening here and there but those are NOT tears. Probably just the contacts plus the lack of blinking making his eyes a bit more moist than your usual pair. The tear will be obvious.

Obvious disbelief when Aziraphale tells him about the Metatron's bullshit, yes, but Crowley soldiers on through.

Now a scene that I personally thought would be most likely to cause tears - "tell me you said no". However - his eyes stay dry! Both before and after Aziraphale's non-answer. No tears.

The best spot to look at is his waterline, and as you can see it's free of any sad tears.

We have reached the "go off together" stage, Crowley is yelling, they're both emotionally perturbed, a very good foundation for tears. Yet when you look at his eyes during and right after, they're still dry!

We are now right before Crowley says "you can't leave this bookshop" and when he does BOOM the tear is suddenly there!

This is what our tear looks like, and we have a very narrow time frame during which it can appear. So it is time for the grand reveal because by now you're probably yelling at me "okay but WHEN does it show up??"

I will tell you. Or rather, I will show you first and then tell you what Aziraphale said right before that triggered it. Ready?

There it is. Left - no tear. Right - tear. (no i will not make the trivago joke again i want to but i wont.)

Come with me! To heaven! I'll run it, -> no tear yet. It appears after the next part.

you can be my second in command THAT is what causes the tear to finally show up. Right as Aziraphale finishes his sentence you can watch as it appears.

As promised, here is the video evidence, slowed down by half and zoomed in on Crowley's face at the end.

Alright, have you seen enough tears? Good! Let's look at the emotional reason. Because your question is probably what is so special about that sentence that it tips Crowley over the edge?

That one sentence, that one "promise" Aziraphale makes him, destroys everything. All of it in one go.

It is not just about Aziraphale choosing heaven over him, it's not about him saying no to running away (Crowley probably saw that coming anyway). What Aziraphale does is he takes them, their us and eliminates it.

Not just is he telling Crowley that he's an evil demon tm who needs to be an angel to be worthy of staying in Aziraphale's life, but "second in command" takes that even further.

Not "ruling together" or "ruling side by side" or any variation of those. No, Aziraphale is telling him that they are not equal and never have been. That Crowley has always been inferior to him and always WILL BE even if he stops being a demon and does what Aziraphale wants.

This is why Crowley no longer things of them as an us after all of that. Aziraphale took every single meaning it had and inverted it, crushed it up, and then threw it away.

Yeah.

Crowley is telling him he is gay and in gay love with him. Aziraphale takes that and says "you can be my employee at gay conversion therapy which i will run #straight besties".

Crowley hears "second in command" and it is the last puzzle piece falling into place. It's the final straw and that is when we get the tear. Before that he was saying we can be together, be an us, just the two of us, you and me. He was referring to them as free equals who don't need heaven or hell, who are happy with everything the way it is. An Aziraphale who loves Crowley no matter what his former occupation might have been.

We could have been us. (I wanted us to be an us)

And Aziraphale's answer to that is there has never been an us and we never will be. i don't love you the way you love me.

Anyway, see y'all on my next angst post or in the tags. Have another devastating screencap to wrap this all up nicely 💚

[edwin-paynes-bowtie]

Reasons George Rexstrew is an Absolutely Amazing Actor and Human: DBDA Cast Appreciation Week

He did a lot of independent research on the Edwardian era to ensure that his portrayal of Edwin was authentic.

He took ballet lessons to get a feel for Edwin's graceful movements so that he could portray him as well as possible.

He chose Edwin's iconic outfit based on his Edwardian-era research in collaboration with the costumes department.

His facial expressions as Edwin are on point. Like, this man is so incredibly expressive and I love to see it.

The little movements that he does, the stims and the adjustments and the posture, all served as excellent unscripted character building. He clearly put a lot into this.

He, along with Jayden, would correct little inconsistencies in the script and actions because of their knowledge on their characters. For example, they wanted them to trip over a stump in episode 6; George pointed out that they could just walk through it. The attention to detail is on point.

He was constantly thinking about and assessing Edwin's physical form in each scene, including his pain levels while in Esther's torture machine in episode 8.

That little tear during the love confession.

Edwin's more moderated screams while being tortured vs the bloodcurdling screams when Niko dies.

His sense of humour is absolutely iconic.

The way that he picks on Jayden in cast interviews is so adorable and funny. Clearly a very strong bond there.

He gave a long-form interview with In Creative Company and offered up so much insight into Edwin and his performance. That was 100% on him, Netflix had nothing to do with it.

He was so insanely generous with his time during Gameo week and made people videos between 2-6 minutes. Most celebrities only give people like 30 seconds! But not him. He spent hours every day giving us thoughtful answers to questions.

We all love him so much that he raised well over $10,000 for charity!

[acapelladitty]

NSFW Alphabet: Cooper Howard

Summary: A full NSFW alphabet for Cooper Howard/The Ghoul from Fallout (2024).

Fic Masterlist

Link to AO3

A = Aftercare (what they’re like after sex)

Pretends that he's not needing anything after sex but actually loves it when his partner wraps themselves around him like a second skin. Won't ever admit to it, but the way his arm snakes around to pull them even closer is hint enough to his real desires.

B = Body part (their favorite body part of theirs and also their partner’s)

Likes his hands because they're quick and dexterous, and can justbas easily gut a gulper as they can seek out and tease a clit. Not much pride in his own appearance aside from that. He's also a tit man and the pillowy softness of them is so opposed to his own body that he only enjoys them more, usually with his mouth as much as his hands.

C = Cum (anything to do with cum, basically)

Sterile as all fuck, he can do what he wants with his cum and it makes no difference. Enjoys the taste and likes oral because of it. He does love for his partner to hold onto his cum though, either by swallowing or by pushing it back up their holes with his fingers. They earned it so they're going to keep it.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Has experimented with his new abilities as a Ghoul in some interesting and intense ways. Usually pushing the edge of pleasure and pain as he tests his own limits. His leathered skin is less sensitive than most so he's spent some of his more boring nights doing things to himself that would have a normal man in fucking hysterics.

E = Experience (how experienced are they? do they know what they’re doing?)

He knows his way around a hole that's for sure. He slept with one or two folks before Barb but he was pretty monogamous after that despite the sleaze of his acting career. He and Barb did share a very healthy, vibrant sex life and he was eager to experience new things with her but nothing too outside of the 'vanilla' realm.

F = Favorite position (this goes without saying)

Seated with his partner riding his lap like any good cowgirl should. The close skin-to-skin contact, plus the easy access to their chest, makes it a firm favourite as he's generous with his tongue and teeth. Plus, it lets him enjoy their facial expressions and hold some eye contact as he drinks in their pleasure.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Never 'goofy' is a daft sense but isn't above using filthy talk and double entendres while cracking a wicked smirk. Lots of word play around his status as both a cowboy and a monster and he likes to remind his partner of BOTH of those facets of his personality.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Look at the poor cunt 😭 he's a great big baldy bastard with nary a pube on him. The only hair he has are the follicles that fall off the folk he occasionally scalps.

I = Intimacy (how are they during the moment? the romantic aspect)

Surprisingly romantic given how gruff and generally detached he is, but only with a romantic partner. A random fuck gets a casual pump and dump while sex with a partner has some meaning for him and he likes to feel his partner close and ensure that they have a good time with him.

J = Jack off (masturbation headcanon)

Not at the top of his priority list in the grand scheme of things. If he's feeling horny then he'll deal with it and leave the mess splattered on the ground where it fell.

K = Kink (one or more of their kinks)

Roleplay is a kink of his and he would be at his happiest role-playing a very traditional "cowboy saves a damsel and she's looking to repay the favour" type scene. His most 'out there' kinks include a mild touch of erotic cannibalism, ropework, and dom/sub dynamics relating to discipline and cnc.

L = Location (favorite places to do the do)

Strong enough to make any vertical surface a viable spot for a fuck, there are very few areas that Cooper can't turn into a good spot for sex. His preference is for a bed though because he can be a lazy fucker when it suits him but that's an indulgence he's very rarely afforded.

M = Motivation (what turns them on, gets them going)

Very easily motivated if he can sense his partner is down for a rough tumble in the sheets. All he needs is a WHIFF of a chance of hole and he'll be rubbing himself across you like a cat in heat. Hand straight to the groin like it was magnetic.

N = No (something they wouldn’t do, turn offs)

Sharing his partner? Oh no. He'd fucking kill any third party before they could do anything too untoward. He's jealous as hell and volatile with it as he claims so little in the shithole that is the wastelands. Will threaten to tie his partner up and leave them for the raiders and beasts but that's just a horny threat.

O = Oral (preference in giving or receiving, skill, etc.)

One leftover from his previous life is his love of giving oral. His wife loved it and he loved receiving it in equal measure. However, with things as they are, he'd rather get his rocks off in warm hole when the opportunity and time arose.

P = Pace (are they fast and rough? slow and sensual? etc.)

Normally? Fast and rough. However, in the quieter moments when the sun hangs low and he feels relaxed enough to enjoy some time with his partner, he takes great pleasure in some slow and sensual sex.

Q = Quickie (their opinions on quickies, how often, etc.)

Due to his circumstances, quickies are often the only option for some hole so if he and his partner are frisky then it's as and when the potential arises.

R = Risk (are they game to experiment? do they take risks? etc.)

I think choosing to fuck someone in the wastelands automatically qualifies as a considerable risk. But, yes. He's fond of risk and it's something that he'll continue to push and push until he's satisfied.

S = Stamina (how many rounds can they go for? how long do they last?)

Ridiculous stamina. The kind of stamina that will have smoke pouring from your hole if he's not careful lol. As a ghoul, his skin is slightly desensitised so he can go for longer but usually only lasts one good round.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Not really a big fan of toys (finds his cock and mouth MORE than capable thank you VERY much) but will use easy-to-access objects like his lasso and knife for some kinky play.

U = Unfair (how much they like to tease)

Only teases when it's a game he's playing. Most of the time, he's looking for some quick, rough action that he and his partner can enjoy in their limited, quieter moments. In terms of vocal teasing? He's very quick to spout off with some sleazy promises and demands.

V = Volume (how loud they are, what sounds they make, etc.)

Tries to be very controlled but does have a tendency to grunt and growl a lot which makes him more animalistic than vocal in terms of his speech when he's fucking someone.

W = Wild card (a random headcanon for the character)

Cooper would like to eat a little bit of his partner if they were willing and had the bit going spare. Most of his meals are a necessity but to have a willing offering would be quite erotic and a big deal for him.

X = X-ray (let’s see what’s going on under those clothes)

His cock is the same shade as the rest of his skin but with a slightly deeper tone in his cockhead. Very average length but on the girthier side with a slight lean to the right when he's fully erect. No pubes, obviously.

Y = Yearning (how high is their sex drive?)

Makes a lot of inappropriate comments and touches which would have you believing that he's constantly looking for some tail. That's only true because he tends to be hornier in high-stress situations which, unfortunately, is most of the time.

Z = Zzz (how quickly they fall asleep afterwards)

He doesn't sleep much and there's something possessive in him that makes him happier watching over his fucked-out partner as they sleep rather than sleeping himself.

[siren-nate]

The AvA crew are masters of body language

It might seem obvious, given how emotional the stories are despite being told with characters that don't have facial expressions or dialogue, but I never realized just how incredible the body language is in these animations until a recent rewatch with a friend (@butchpeabody) who really pointed it out and emphasized it to me.

I want to talk about it a bit using what may be my favorite scene across the entire series, that being the scene of King in the void during the climax of Season 3.

Even after the point in the story where we learned his sympathetic backstory, King is a character that lives up to his crown by being a villain of imposing presence and even an appreciation for finery. But after the moment where he cracks and tries to save Purple in the middle of a full-blown PTSD attack, this is the very next scene we see of him. He's haggard, hunched over, walking listlessly with none of the intimidation or class we've gotten used to seeing from him. For an antagonist defined by his determination and refusal to stop or slow down for even a moment, this is already striking even before he finds the memory of his house.

It's an incredibly subtle thing that lasts less than a second, but I love how he has to duck his head down to fit under the doorway due to his crown. It's symbolic of something important: this place was once his home, but now that he's finally returning to it with his descent into obsessive villainy completed, it feels alien and uncomfortable. He's no longer the man that lived here as long as that crown sits on his head.

The first thing in this entire scene that gets some spark of emotion out of him and breaks his listless walk is the chalk appearing on the wall.

And when that vision continues, reminding him of how this alien world took his child away from him, he doesn't move. His lack of reaction IS a reaction; you can imagine the stony look on his face as he silently agrees with his past actions to destroy an entire universe just to get revenge for Gold.

But then that finally changes when he sees all of the living beings that the drawing of himself is hurting. His head raises in shock, and you can imagine his eyes widening as he has to grapple with his actions for the first time. The moment his empathy cracks through, that crown is completely off-screen, reminding us of the caring man smothered underneath it.

And then, Gold appears. It makes sense that seeing the child he lost enter the vision gets the biggest reaction out of him yet...

...and that reaction gets even bigger when he sees what "King" is doing to his child's memory.

For the first time since he started on his revenge quest, his composure shatters. He starts beating on the wall, desperate to make the vision stop, to undo all of the harm he's caused, to take back all of the mistakes he's made wielding his memory of his child like a cudgel. He only becomes ever more frantic and desperate when Gold turns into Purple, and it fully sinks in for him that he's become the evil force he imagined in his head just to have something to take revenge on. He never wanted to cause anybody the same pain he went through, but not only did he dehumanize all the residents of this universe in his mind, his endless rage has even started hurting people that come from the same dimension as him.

The imagery of King desperately beating on a wall with everything he has is absolutely vital to this episode; it shows up twice in his backstory, and for the third and final time here. The first time, it represents how he couldn't save Gold. The second time, it represents how pointless his mission to avenge them is.

But the third time is different.

Because the third time...

The wall finally breaks.

You can see him standing there in shock. He expected it to be just as indestructible as every other time, expected his struggle to be just as futile as always. Because that's always been King's fatal flaw: short-sightedness. An inability to consider "And then what?", or to look at what he's doing and ask himself if it's worth it, or to think of something better he could do.

But when he raises his head and looks, he finally gets it. Now, the wall is breakable - because he does have something better he can do with himself.

It takes a second for him to get over his shock and put it all together, but once he does, he's not walking anymore. He's running like his life depends on it.

Purple's screentime in this scene is much shorter, but it's no less impactful or brilliant in its execution. They raise their head as they hear footsteps, but just like King seeing a false vision meant to show him the truth, Purple doesn't see him running at them - they see Indigo.

They stand up, but it's just as slow as how King walked earlier. They don't care that Indigo is back, not really - they've moved on from how their parent abandoned them. But they still care enough to stand up to find out what the hell Indigo wants.

At first, Purple almost seems like they expect to be attacked and hurt again. In which case, it's extremely powerful that they don't move to defend themself...

...and even moreso that because of that split-second vulnerability, King is able to practically tackle-hug them unimpeded.

Again, purely through body language, you can see so clearly how Purple has absolutely no idea how to react. Being held so tightly by someone who cares about them so much is something they haven't experienced in years.

But just as King can let go of his painful past to make a better life in the present...

So can Purple.

[sweetkpopmusings]

miserable (you & me) | h. jisung <3

a/n: jisung unlocks a part of me that is deeply emotional and romantic like ...... i love and cherish him so much :-( i really got in my feels with this one, and i hope you enjoy a glimpse into what i think being loved by jisung is like <3 also yes i gave him my favorite lyric of the song as a treat because his lyrics pull me apart and put me back together every time :,-) pics not mine~

content: angst, happy ending | wc: 1.3k | warnings: none really! | pairing: jisung x gn!reader | requests:open

˚ʚ♡ɞ˚

“i don’t wanna lose a part of me, you are my heart, you know?”

jisung couldn’t believe he was living out an overplayed scene in every book, movie, song, and tv show ever created. maybe some clichés were just universal experiences. if that were true, staring out blankly at flashing lights on the tarmac after the plane touches the ground must be a rite of passage for every modern human. his body barely registered the number of hours suspended in the air, as his mind only focused on one thing: you. if asked about the music he listened to during the flight, he wouldn’t know how to answer. truthfully, he didn’t listen to anything other than the internal chant of your name mixed with alternate beats of i’m sorry and i wish i said so sooner. 

jisung barely survived the past few weeks. existing with love and heartbreak in one body simultaneously sounds made-up, but that was jisung’s reality after he walked away that night. a reality he created and regretted more than anything.

it was classic. both of you were stressed from too many things going wrong in your lives, and the agitation bled into your conversations and actions. even your facial expressions were tinged with negative emotions not meant for each other. then, as it so often happened, one wrong sentence ruined everything. 

you knew jisung didn’t mean it when he said “if you’re so unhappy every time you see me, then why do you keep inviting me over?” 

but he said it, and you heard it, and it hurt. 

though jisung’s face fell at the sound of his words, all you could think to say was, “i think you should go. you have an early flight tomorrow.”

jisung stood there, mouth open, waiting for words–the right ones–to come out of his mouth. the silence hung in the air for too long. he saw your eyes glistening with tears, and he didn’t want his presence to be the reason the tears fell. again, out of exhaustion and fear of a fight, he said the wrong thing.

“okay, i’ll go.”

jisung’s heart broke when all you replied was, “safe travels.”

neither of you made a promise to see each other after jisung returned. both of you assumed you would see each other as soon as he was back, but both of you feared that the other person wouldn’t want to reunite. somehow words unsaid weighed on both of you more than the misspoken ones. but it felt too late. neither of you knew if continuing the conversation tonight was right, so neither of you said anything. jisung’s plane took him away the next morning, and you couldn’t find the courage to close the distance between you two any time soon.

that fear hung over jisung for the entire trip. it ate him up inside, yet he didn’t have the courage to face it. for weeks, he felt frozen. then, perhaps from the adrenaline of finally being in the same city as you again, he found the courage.

as soon as he unlocked his front door, jisung threw his bag on the floor, and, without a second thought, he turned on his heel and rushed to your place. he didn’t care if he had to wait at your doorstep all night and well into the morning. jisung could not, would not rest until he apologized to your face. you deserved that. if his words were what hurt you, then you deserved a million more kind words from him until you were healed. 

his heart was about to burst out of his chest during the seconds between his knock on your door and you pulling it open. you were so beautiful to jisung, and your beauty became more profound when he saw you again. he felt he could cry looking at you in your doorway. even he hadn’t realized how deeply he had missed you until you were within arms’ reach. 

everything had felt so far away for so long, but, with you, finally, jisung felt connected to everything around him. he felt like he could breathe for the first time when he heard your soft hello. he felt the world start spinning again when you said his name. he felt his heartbeat return to his chest, replacing the dull ache that had filled it since he turned his back to you that night. 

“i’m sorry.”

a small, instinctive smile flickered on your face at the sound of his voice, “come inside.”

jisung nodded, shaking from the desire to spill his heart out to you. thankfully, you sensed this, and you gave him the space to make things right again.

“i’m so, so sorry, y/n. i know i shouldn’t have left that night like that, and i know i should’ve apologized sooner. there are so many things to say to you, and you don’t owe it to me to listen. i just need you to know i’m sorry and i regret what i said and did that night. you didn’t deserve that.”

jisung paused. he held your gaze, eyes very clearly filling with tears. he waited for your permission to continue speaking, which you gave with a nod. he blinked, took a deep breath, and filled himself with equal parts courage and love for you.

“i also regret not saying anything, anything at all, sooner. i got in my head. i was so scared that saying ‘i’m sorry’ over text wasn’t enough, and i felt it was unfair to talk like normal when things clearly weren’t normal. i needed you to know how sorry i am. then, as the days passed, i realized a phone call wouldn’t be enough either. well, that, and i was so scared you wouldn’t answer my call. i would’ve deserved it, but a rejected phone call somehow felt more painful than a prolonged silence, so i didn’t call. i’m a coward, i know, and i am sorry for that too. that’s why i’m here.” 

jisung paused again, wiping his tears before gently holding your hands in his own, “you can kick me out as soon as i say my last word. i won’t fight you on it. i hate that i hurt you right before getting on the flight. i missed you so much that i lost my mind. i never want to feel that lost again. i never want to lose you. so i’m sorry. i will do everything you need me to, just so i can make things right again. you are my everything, and you deserve more than everything i can give you.”

tears fell from your eyes this time, which made jisung cry even more. the way you looked at him as you took in his apology gave him hope. he raised his hands to wipe your tears and then cradled your face softly. you were enveloped in his love and the relief that, despite the mistakes, he chose to come back to you. he kept his promise to choose you every time. that was more than enough proof that his apology was real.

your hands covered his, and you smiled despite sniffling, “i forgive you, jisung. thank you for apologizing, and thank you for coming here tonight.”

jisung felt as though he could sob and shout from the rooftops in joy. you forgave him. he hadn’t lost you. his heart would be complete again. 

“thank you, y/n. that means more to me than you’ll ever know.”

a comfortable, tender silence washed over you in your living room. you held each other, cherishing the distance disappearing. this was how things were meant to be. this was what you and jisung would always work for, no matter what got in the way, because the shared space between you was the strongest center of gravity you knew.

once all of the tears dried, jisung smiled brightly and confessed, “i really missed you so much. you are my heart, you know?”

familiar butterflies filled your stomach in response to jisung’s sweet, romantic words, “i missed you too, jisung. i’m so happy to have you back. more than you’ll ever know.”

the way jisung smiled at you made you think that maybe, just maybe, he knew exactly how happy you were.

˚ʚ♡ɞ˚

[miwiheroes]

Full Airport Scene Analysis

I've seen like, a lot of people do analyses of the airport scene, but they often do it in parts when I just want to fully hone in on the whole ass scene and give it a full run-down. So, get ready for this post to be extremely long.

So, the camera pans across from Argyle and Jonathan looking super bored and tired to both Will and El, and I think this is actually very clever. Before this scene, you're not really sure who Will is in love with or who he made the painting for. The fact that the audience may remember El saying 'i think there is someone he likes' and then see how Will is holding the painting so proudly means that they subconsciously realise, oh the painting is for Mike meaning -- Will has feelings for Mike. Note how the juxtaposition between Argyle and Jonathan's demeanour and Will and El's demeanour further showcases how they feel the same way about him (supposedly).

Also this is random, but watching this scene over and over again made me realise that Will's is literally shaking so much in this scene. (WATCH HIS HAND WHEN EL IS LOOKING FOR MIKE)

Now let's talk about Mike's outfit (yes this isn't just talking about how ass it is)

So in the amazing GQ video on youtube, the costume designer talks about how Mike probably bought this outfit at the airport. He's dressing up how he thinks he should in California -- the double meaning being that he is trying to 'be more normal' as Finn Wolfhard says in another interview.

In this scene we know that Mike's trying really hard to push down his feelings about Will, he's trying to seem like he fits in, and in the GQ video, Amy Parris talks about how 'it's bright, it's not a colour Mike normally wears'. Orange and purple? Mike usually wears blue..... and yellow........... i mean what

I guess you could say that in a more surface-y way, he's trying to fit in by wearing something less edgy than he would normally wear, but if you look deeper into the colour coding of byler, he's trying to disconnect himself from Will because of him trying to deny his feelings. Will is wearing blue in this scene, but Mike's wearing orange, showing the disconnect between them in the scenes with these outfits on. I know a lot of people say he's wearing yellow, but nah, it's orange and that's actually more proof that he's trying to hide his feelings for Will.

Also this is another quote from Parris: 'he's worn teal before, so it felt like orange was the best colour that was different from his closet that felt like he was trying to make it work in california.'

And it's not like they just forgot the colour coding for byler. I mean, there's blue and yellow in this shot of Mike when we first see his outfit.

Can you spot it?

Okay moving on

In the first and last Milkvan kissing scene, it is important to note that the directors of the show are very intentional with the extras and where they move to during the scenes. During the shot of them kissing, the camera is focused on them, yes, but it is very busy. Watch the shippers try to edit this scene, the duffers really said.

Firstly, Mike is wearing a visor, he's holding a bag so he can barely hug her, he's also wearing sunglasses inside?? You can't see his facial expression, further showing this season is not in his pov. Not only that, but people are moving in front of the camera, it's very very busy. It's supposed to be a little overwhelming. I could barely take a screenshot without someone walking in front of the camera... like that is not a coincidence, they aren't filming in an actual busy airport. So so many extras walk in front of them during the whole scene, not just the kiss, but while they are speaking as well.

When El goes to hug him, as soon as she does, he makes a little noise of protest or something and is like 'careful, careful' almost like he put the flowers in front of them on purpose so there's like an excuse for them to stop hugging? They then stop hugging and he finally takes off his glasses so we can see his face.

He is wearing sunglasses only in the parts where he's being slightly intimate with his girlfriend -- eyes are windows into the soul, no? Without them being seen, you wouldn't be able to tell what he is thinking, and he needs these in these intimate moments especially, in case anyone notices something's wrong.

Okay now we go onto the flower theory thing, and there are many things to unpack here, and stuff that I personally don't believe, and some theories that I do.

What is super clear to me is that these flowers are the exact same dead flowers that El picks up at the end of season 4 to signify that her relationship with Mike is.... dead (sorry if that's kind of on the nose). However, it is also key to note that Mike says that he 'handpicked' them for her in Hawkins, which on the surface makes it seem like he made more effort, but really this actually sets up the fact that they are the same flowers that can be found on the field. If he bought them in the shop, they may not be the exact same flowers in the last scene.

So Mike says 'I know you like yellow, but now I'm realising it's too much yellow'. The writers of the show did not have to put that in, let's just think about that for a moment. What was the reason for putting this line in? And the '70-30' split line is also very very specific.

Will's colour in the byler colour coding is yellow, it has been subconsciously put into our minds ever since they started colour coding them, for example the s3 netflix icons, the shirt he wears for the majority of s4 and the lights over his head in Rink-o-mania.

Personally, I think this might be a bit of a reach, but could Mike just simply mean that he was thinking too much about Will, in his opinion? Like subconsciously he kind of added lots of yellow because he was thinking of Will when he was thinking of El.

As for the 'So I sort of did a 70-30 split thing' line, I'm not really sure what this means. It could mean that he's putting in 30% of the relationship because he also added 30% purple flowers which symbolises what he's putting into the relationship. Meanwhile, El's favourite colour of flower has a 70% weight in the bouquet, meaning she's putting more into the relationship.

It's also worthy to see that El looks at the note which has 'From, Mike' on it right as he's saying all this stuff about the yellow flowers, and the music dies down from this joyful tone to a sombre one, kind of showing how the yellow flowers are a symbol for something.

Now, before this ^^, the only problem that we think is going on in Mike and El's relationship is the fact that El's lying to him about having friends and not being bullied. But now we have a possible reason. She is insecure about their relationship and how real it is. Her face says everything, she notices it, she then tries to ignore it and tells herself everything is fine.

The audience notices this, obviously, and is like??? wait what's going on? Why does it say 'from Mike'?

They get the answer real quick.

Because right after this, is when Will bounds over.

They shot it so that he's kind of in between them, subconsciously placing a thought or idea in the audience's head about what the problem is between Mike and El, even though it's very implicit at this point. The audience should also have the slight idea in this scene that Will has feelings for Mike, and they get reminded of this fact when they see Will in the background. They're then like.... oh so that's why they having problems? Damn....

Before El even stops speaking, Mike sees Will. We can tell from the way that he literally takes his eyes off El and goes 'oh,' before doing the second 'oh!'. I bet if this was shot so you could see his face, this would be way more obvious, but they shot it so that we could see Will's initial happiness at seeing Mike instead.

Awkward bro hug... um yeah so this is one of the biggest byler proofs to me. I mean, why would you need to hug your best friend like that? When you are perfectly fine at hugging your other male friends? (He hugged Dustin in the first episode btw).

Given everything that we know so far, that Will has feelings for Mike because he made him the painting that El said is for someone he likes; that there must be problems going on in the Milkvan relationship; that Mike is hiding his face and dressing unlike normal.... yeah he's trying to repress something. He won't let himself hug his best friend. Will is acting normal, they could have made him the one not to hug Mike because he is in love with him, but they didn't.

Also, unlike the Milkvan reunion, his face and his reaction can be very easily seen here. They literally zoom in on both their reactions to seeing each other because it is more important than Mike and El's reunion. This is what the scene is about!! It's main focus is on the development of byler and the breakdown of Milkvan. There are like very little extras passing across the camera because the directors want you to focus on their reactions here and how Will and Mike are feeling.

Obviously, Will is dejected but Mike's reaction is more telling. On the right gif, he looks down. Maybe he sees Will's painting and remembers what El told him, which was that it was for someone that Will likes. In my opinion, Mike does not know that it is for him. In Finn's words: 'I don't think he knows'.

After seeing that painting, he instantly looks to other people for their reactions to the hug, maybe being like, hey guys was that normal enough? Did anyone see that? Showing how he cares about the opinions of those around him or maybe that he doesn't want to look at Will for much longer idk.

After that...

Okay so now he's ready to ask about the painting. There's a beat, then he asks 'Uh, what's that' in this kind of breathy, panicky voice. It's not a casual tone at all, it's very tense, and the audience can tell, because this makes the audience tense too. When I first watched it I was like AHHH because oh shit. He asks it like he knows something is up with it, he knows that Will made it and it's significant.

The next shot is a slide-up from the painting to Will's face. This could be in Mike's pov to show that he was looking Will up and down, and this shot is inherently kind of romantic in that way. Either that or it's simply just to focus on the painting before showing what Will's going to say so that the audience know he's talking about the painting.

You can kind of see the cogs working in Will's head in the very little time between 'um' and 'it's nothing', as he realises that he probably shouldn't show Mike the painting based on how Mike didn't hug him.

Also notice how in the gif, an extra walks by the camera as soon as Will is not entirely truthful, so why would this not be done with El and Mike's reunion scene??

Now, this further pushes the agenda that Mike didn't hug Will because of his feelings for him. The audience already knows that this painting is supposed to be a gift for someone that Will 'likes' based on El's letter to Mike at the beginning. The fact that Will no longer feels comfortable with sharing that painting means that he is more unsure of Mike's feelings now that he's seen him irl.

However, the way that Mike goes cool is supposed to be weird. It's supposed to show the audience that he's pretending. I honestly don't know whether it's bias or the directors or the writers or the actors somehow made it this way but the speed at which Mike says 'cool' kind of just implies that he was not ready for that kind of confrontation. He was not ready to confront his feelings or enter into an interaction with Will about the painting. Because it means he can't deny the fact that he's jealous of Will having a crush on some girl. So he quickly shut it down.

He doesn't want to feel the disappointment that Will just basically confirmed the painting isn't for him.

In season 3, he is very interested in knowing who Suzie is, Dustin's girlfriend, but when he knows that Will has made a painting for a girl he likes, he doesn't bother asking at all what it is or who the girl is. He doesn't want to acknowledge it.

Also, the fact he wasn't ready to feel like this and is so focused on Will is shown by how startled he is by other people breaking the moment.

Now this next part is so funny given what we have already been presented with. We already know that Mike is self-conscious about hugging his supposed best friend, and that he does not want to confront his feelings about the painting. He is trying to be someone else because he is wearing unusual clothes for him, trying to seem like a normal person in California. He didn't want to hug his best friend because he wants to seem normal. He's out of character.

"Oh no, no. It's a shitty knockoff."

Laughing my whole ass off.

This ties the whole scene together. It makes the audience go OHHH right he's just been pretending this whole time (if they have any sense). It's genius writing. Without Argyle saying this, we might never really have full confirmation on whether he is really out of character or whether this is just how he has always been. NO, he is lying to himself. He is pretending.

They did not have to make Argyle say this. Ever heard of double meanings folks?

And Mike's reaction?

This reaction has always kind of been interesting to me. How would you assume how Mike would react to someone insulting him? Usually he would scowl or look annoyed but here he doesn't, he almost looks worried. Like oh no he's just been found out lmao

After this there's an awkward moment spurred on by Argyle Mike's like 'yeah this is so awkward'.

Now, since I'm literally Mike and he is me, I know what he's doing here by saying this.

I've done it before, it's where you kind of say that it's really awkward in order to make it seem like you're not the one making it awkward, like you're blaming other people (which he always does).

But Michael, it's kind of your fault?? Like, you didn't have to do the bro tap, you also didn't have to act that way around Argyle.

BRO WE ARE HALFWAY THROUGH NOW LMAOOOO THIS IS SUCH A LONG POST

Now onto the next part, where El is talking about Rink-o-mania and she starts lying again. I have watched this scene over and over and literally Mike barely looks at her once, while he glances at Will multiple times. I feel like audience members don't catch this explicitly, but subconsciously, they can sense that there is tension between the two because of the way that Will is placed during this scene…

I counted them up in this video and Mike glances at Will..

6 Times

Just want to say before we talk about each glance, this scene is extremely telling. It tells you exactly, through subtext, what the atmosphere between Will, Mike and El is going to be like throughout the season/ the beginning of the season. It's textbook foreshadowing.

Will is standing off to the side while Mike has his arm like really tightly around El. They could have had this scene be a cute scene between Milkvan because of how close they are, but instead this scene is about Will's sadness, about how he was ignored by Mike. He's still holding the painting, so the audience are still aware of its existence and what it could imply for Mike and El's relationship.

This scene is also about El lying! Not about how 'cute' Mike and El are.

Okay so here is me talking about every single glance <3

"Wha- Really?" -- Could Mike make it clearer if he tried? I think this is the most obvious one that the audience could easily catch, if they are watching without distraction. Which is important, because it is the first one. He stutters over his words when he realises that Will is looking back at him. Sound familiar? In a much more obvious scene, he does this with the triple take in the desert... It's also kind of clear that they looked at each other because Mike and Will look down/ away straight after Mike goes 'wha-'

"Trust me" "No I trust you" -- So this one's a little more subtle and maybe to the audience it could seem like Mike's looking at El, but then the camera turns to focus directly on Will and him looking at Mike with disappointment. I don't think he's upset about Mike completely ignoring him, but he's upset about this weird little awkward dance they're doing. The reaction from Will is because of the uncertainty. The fact they focus on Will with a single shot at all instantly makes this scene about his emotions primarily. This becomes a pattern.

"Rink-o-mania..." -- This one's also super subtle. I'm not even sure why Mike looked at Will here, but it is clear that he's not looking at El, if you want to slow it down then you ig. Maybe he sensed that Will was staring at him just a few seconds prior.

"Are your friends gonna meet us there?" -- Even though he is speaking to El, he looks at Will. This kind of shows that even when he is supposedly thinking about El and what they are going to do together, subconsciously, his mind is still on Will. This can then be seen in the Rink-o-mania argument when it is revealed that he has been focusing on Will's reactions all day when the audience believes originally that he was ignoring him: "You were! You were rolling your eyes, you were moping, you were barely talking, you basically sabotaged the whole day!" Mike, Mike, Mike. Your girlfriend being bullied didn't ruin the day, Will being pissy to you did? ANYWAYS THIS ISNT ABOUT RINKOMANIA JHDGASJHDG

"Friends what friends?" -- So this fifth one is kind of ambiguous because he has his visor on, hiding his expression and where his eyes are looking. But you can see with the way his head turned, that he was looking at Will because of the way he said "Friends what friends?" This is probably just Mike being confused on what's going on, then. BUT it is another thing that makes this whole scene not about 'uwu mike and el awww' but about Will's feelings or the fact that El's lying and the unstableness of their relationship.

"Angela?" -- This one is very notable. Firstly, here is what we know: Mike knows about the fact that Will has probably done the painting for a 'girl he likes'. Mike thinks that this 'girl' isn't him because Will says 'it's nothing'. Mike maybe thinks that El's friends are also Will's friends. AND Mike does not want to ask Will about the girl he likes because he doesn't want to know about Will liking someone else/ he does not want to confront his own feelings. So, The way that Mike looks at Will with that kind of dead expression, (and he actually does a little double take) is super duper telling. You don't know what he's thinking but if you read into it, he could be thinking that Will was feeling hopeful that Angela would come and is kind of nervous for it.

Finally, El says "I want this day to be about me and you!" which is meant to be ironic. The showrunners would not have put this little line in if it wasn't supposed to be funny tbh..... like this whole scene was about how El was lying and she's suddenly saying it's just about them.

Because of what she says as well, Will rolls his eyes and crushes his painting a bit. (HEARTBREAKING)... The fact that he rolls his eyes is probably just him being annoyed about what she said, because it further makes him feel like the third wheel. The scene ends with his eye roll, emphasising how this whole scene was about how Will is feeling, not the "Main Couple Of The Show tm??" But alsoooo, he crushes the painting :(((( meaning he was also feeling heartbroken a little by the fact that they are acting very coupley and Mike doesn't seem to care about him oops, since the painting is for him.

OKAY IM DONE LMAOOOO

In conclusion, this scene is about byler in the first half, and the flaws of Milkvan and Will's feelings in the second half. This scene is meant to foreshadow the arc between Will, El and Mike which transpires in the rest of the season. The bro tap is the gayest thing I've ever seen, and did not have to be included in this scene. It could have been Will that was awkward. It shows that Mike has changed. He has changed ever since Will moved away and he had that realisation. In season 3, Mike seems confused, unaware of his feelings. But now, in this scene, in only 2 minutes, we know for sure that Mike is in denial. He knows.

Anyways

Byler Endgame.

[dhorrl]

NSFW Alphabet-Feitan Portor

I never write headcanons really, but this is a great way to me to workshop information for my Janitor AI characters as well. Enjoy! Trigger Warnings: It's Feitan, is his own trigger warning. Mentions of blood, torture, etc...

A = Aftercare

At first, when Feitan just pays for sex, he doesn't bother with aftercare. In his mind, that's already been taken care of by the transaction. But when he meets you and realizes you have more needs than just physical, he begins to pay attention to your well-being. He starts by checking your body for any injuries or cuts and making sure they are taken care of. If necessary, he will bandage them up. Afterwards, he'll carry you to the bath and make sure all traces of blood and fluids are washed away. For less intense encounters without any kink involved, it takes a while but he eventually learns to enjoy having his arm around you and nuzzling into the back of your neck. He's not one for talking much, but this is his way of showing that he's there for you if you need anything.

B = Body Part

Feitan doesn't spend much time admiring his own appearance, so it's hard to say if he has a favorite body part. But on you, he loves your legs. From your thighs to your calves to the curve of your ass, he will mark every inch of them with his teeth or knife. Most likely both... definitely both.

C = Cum

Feitan may have a fit body, but that doesn't necessarily mean he eats great. Don't expect the taste to be great. It's quite watery, but there will definitely be a decent amount. He enjoys cumming inside you, but has no desire for baby-making, so his go-to options are either finishing on your face or your backside. It's clear this man has a thing for marking his territory.

D = Dirty Secret

I don’t think he has any secrets per se (well, maybe that’s not entirely accurate; he definitely HAS secrets), but scandalous secrets? He’d be transparent if you asked him about his history, and he’s probably been with both men and women. Maybe once or twice, Feitan and Phinks have tag-teamed someone – that's just the type of friends they are.

E = Experience

People tend to assume that Feitan is inexperienced or a virgin, but I believe the opposite is true. However, he has never been in a traditional relationship. In my opinion, both him and Phinks prefer to seek paid companionship when they feel the need, for their own personal reasons. It's simpler and faster, without having to deal with emotions. Feitan has specific "preference" and it's easiest for him to pay someone who is willing to indulge in his frustrations and kinks.

F = Favorite Position

It's hard to say what he wants more. On one hand, he loves seeing your face during sex – the way your expression changes when you climax or when he brings out his blade. But above all else, he just wants to make sure you're okay. He reads your body language and facial expressions, especially if you've taken on an intense scene. He has a safe word, of course, but he'll also stop if he senses that you're not using it properly.

On the other hand, sometimes he just wants to bend you over any available surface and fuck you until both of you are exhausted. These quickies usually happen when he's feeling particularly worked up or just needs a release. He'll grab your hair, push your face into whatever is nearby, and pull down your pants as he takes you from behind.

G = Goofy

Contrary to popular belief, Feitan is not as serious as he appears. While he may have a stoic demeanor, it does not mean he lacks a sense of humor. In the bedroom, his behavior can vary. When he takes on the role of Dom, he is completely focused and aware to avoid unleashing too much of his torture skills on you. However, during more casual moments like a quick morning romp, he may crack a smile and playfully nip at your skin in an attempt to make you laugh.

H = Hair

Feitan isn't a very hairy person, with smooth skin all over his body. He has a slight trail of hair that leads down to a small patch of black hair. While it may not be perfectly groomed, it doesn't bother him much. When it comes to his partner, the amount or style of hair they have is of no concern to Feitan; he enjoys them regardless.

I = Intimacy

If Feitan is transitioning from paying for sex to pursuing a relationship with you, congratulations - you have reached an intimate level. For him, this is already a huge step, so if there is anything specific you want, you may need to communicate it clearly. As his feelings for you deepen over time, he may start to appreciate the softer moments between you, even though he might never say so out loud.

J = Jack Off

I don't think he masturbates frequently. It's not because he lacks interest, but rather because he is very self-aware and in control of his body. However, if you were to ask him to do it or even let you do it for him while he lays back on the bed and watches, he would absolutely be up for it.

K = Kink

It goes without saying, we all know he's a dominant, but not in the conventional sense. He craves control and isn't afraid to use restraints. But for Feitan, it's about more than just physical pleasure. He wants to leave his mark on you, carve his symbol into your skin, use ropes that bite into your flesh. The feeling of your blood on his skin is intoxicating to him, and he would savor the opportunity to cut you open and bathe in it. It would be even more thrilling if you possessed a Nen ability with enhanced healing capabilities. He enjoys blood but is not interested in any other bodily fluids. His marking kink would involve carving his name or number onto your skin; in my imagination, you have a "2" engraved somewhere on you.

L = Location

Feitan is not one to hold back; when he wants you, he takes you. However, his preference would be in a bed or a special room akin to the one he uses for his victims, where he can unleash without worry of making a mess.

M = Motivation

Before you came into his life, he would only get in the mood after a demanding job or if it had been a while since his last encounter. But with you around, even simple activities like washing dishes or reading a book can make Feitan ready to go. Just one look from you and he's all fired up.

N = No

I don't believe he has any interest in anything involving feces or urine; it's just not his type of kink. It's not that he finds it disgusting, it's just not something he enjoys. But with almost anything else, even things he initially may not like, I feel like if you persist enough, he'll eventually give in and try it.

O = Oral

He's a giver, through and through. He will bury his face between your thighs, losing himself in the moment until he's dizzy and gasping for breath. Even then, he won't pull away. He'll lick, suck, and maybe even bite if he feels like it. By the time he's finished, every inch of his face will be slick, and his eyes will be wild and primal as he looks at you. And if you try to tell him to stop, it will only fuel his fire. Keep that in mind before you ask him to ease up.

P = Pace

It's always a 50/50 gamble with him. I wouldn't say it's sensual, but he definitely likes to take his time. If you agree to a rougher scene, where he can let loose and show off all his skills, be prepared to be tied up and at his mercy for hours. He may even leave you there, tied up and sweating, before coming back to start the whole thing over again.

But all of this is just the warm-up before he even enters you. When he's finally ready for the final round, he will take you hard. The bed will shake on its rails and the headboard will slam against the walls. And it's absolutely incredible.

Q = Quickie

Feitan doesn't mind a quickie, especially when you're in the middle of a mission and there isn't enough time for a longer session. He has impressive self-control, so if you're not feeling up for it, he's okay with that. However, he also knows that you can't resist him when he asks.

R = Risk

Risk? Feitan doesn't even comprehend the concept, especially when it comes to sex. So what if the other Troupe members might overhear or walk in? Who cares if they fuck during a job and the target might catch them in the act? Feitan would simply eliminate any witnesses and continue as he pleases.

S = Stamina

Oh dear, your body is in for a rough time. When Feitan gets riled up, you'll be in for an extended bout of physical activity. Thanks to his rigorous Nen training and natural stamina, he doesn't tire easily. You'll probably lose consciousness long before he's finished, but even then, he'll likely continue on without missing a beat.

T = Toy

If by toys you're referring to the collection of knives, ropes, and gags he uses for his regular torturing sessions, then yes, those are his "toys." However, I have a feeling that once you explore his kinky side with him, he would have a separate set of these items just for personal use. Some people headcanon that he's dirty or gross, but in reality, he's canonically a germaphobe. He wouldn't want any blood or fluids from his victims to touch you. In fact, I bet he would even invest in a high-quality vibrator for other types of "torture."

U = Unfair

This is Feitan's domain. He takes pleasure in teasing you in every possible manner. He considers himself a master of all forms of torture and you are his favorite subject for experimentation. You better not cum without his permission, or there will be consequences. I can't help but wonder if there's a hint of masochism in him, deliberately prolonging his own orgasm until it becomes unbearable.

V = Volume

Feitan's voice is naturally soft, so he doesn't make much noise during sex. But that doesn't mean he's silent; his words are like whispers in your ear, filled with degrading comments and descriptions of what he plans to do next. He watches closely for your reactions to his words, using them to gauge your pleasure.

W = Wild Card

Feitan may not even realize it, but he’s a tsundere with yandere tendencies. He is fixated on you and will go to great lengths to gather information about you. He sees it as a way to bond with you. Your past and relationships with others hold little importance to him unless he can use them to manipulate you. He pays close attention to every detail about you for his own gratification. While this can lead to unexpected surprises, there is a fine line between showing affection and being overly possessive.

X = X-Ray

Let me begin by saying that size isn't always the most important thing. However, that doesn't mean Feitan is lacking in that department. He may not impress when flaccid with a modest 2 inches, but he definitely makes up for it with a solid 5 inches when fully aroused. "Size not matter in fight… or in bed."

Y = Yearning

Feitan has an above average drive and libido, but an even higher level of self-control. He can easily suppress any desires he may have, but when the opportunity arises, be prepared for him to let loose. After finishing a job, it's best to take a few days off because you won't be able to walk afterwards.

Z = ZZZ

I can hardly imagine him getting any sleep at all. I'm sure he does, but as a long time Spider, he has likely trained his body to function on minimal rest. Those rare moments after sex, when everything is calm and still, may be the only times where he truly lets himself relax, though. Even then, it's probably only momentary.

[chigirizzz]

↳ ❝ teddy bear ❞

megumi, fluff, post argument, wrote this when i was sick lol

the plushie that was once in your arms was suddenly kicked by you, resulting in hitting the wall and falling on the floor, its face staring at you as if mocking you. the scene perhaps would be comical if it weren’t by your annoyed mood. no matter which plushie or pillow you hugged, no matter how many times you turned around in your bed, it seems that sleep wasn’t a thing you’d accomplish tonight. no matter which plush or pillow you hugged, nothing could replace the warmth of your boyfriend’s embrace…

it was your fault. it was your fault that you and megumi had an argument and now he’s on the couch just so he could give you some space.

your mind replayed the moments before and during the argument, hoping to find comfort in the pillow that you just grabbed. none of you raised your voices to the other—that is something neither of you could ever do—, but you still disrespected him.

you needed to apologize. he didn’t deserve to sleep in any other place that wasn't your shared bed.

megumi couldn’t decide which was more annoying: his arm going numb because his head was on it, or the stupid background laughter coming from the series on tv.

he couldn’t sleep. he didn’t want to anyway. the male pretended to not be affected by the argument earlier, however, knowing you were in your shared bedroom without him made him feel cold and lonely. the words that came out of both your mouth and his made him feel like his heart was being squeezed.

the facial expression you did when he offered to sleep on the couch described regret. it meant that, despite the stupid and unnecessary fight, you wanted your boyfriend to be by your side the whole night. however, he felt like this was the best option; to give you space and time to clear your head (and his too).

arguments between you two had happened before. it's a normal thing in any type of relationship, after all. but they still hurt.

a shadow appeared by the corner of his eye, making his fight or flight mode activate.

“oh.” it was all it escaped from his lips. it was you, not far from the couch, with your hands behind your back. it was hard to read your emotions, mainly because of the fact that the only source of light was from the tv. why were you still awake?

“did i scare you?”

“yes, you did.” the dark haired male scratched the back of his neck and fixed his posture. “need anything? did you have a nightmare?”

“no, no. i’m fine,” you answered, shaking your head. your voice and body language were way more calmer than earlier. “uh… actually, i came here to give you something.”

he frowned, confused. “what is it?”

you sat close to him. really close. your arms and knees touching, making his cheeks get painted by a light shade of pink. it was a nice and warm sensation.

megumi was never the type of physical touch until he met you. in fact, he's still getting used to it. he always appreciated his friends in silence, but never hugged them or anything (even a simple ‘i miss you’ or ‘i love you’ couldn't be heard from him). that was until your presence was written in the book of his life, adding a new chapter that completely changed his story.

“here.”

it was a teddy bear. a teddy bear holding a red heart and…a piece of paper taped to its arm?

megumi recognized the teddy bear. he offered you on valentine's day the previous year. he was all shy, scared that you were gonna think the plush was too corny. but all you did was grab his cheeks to pull him closer to you so you could kiss his forehead. i love you no matter what present you give me, is what you told him.

he caressed the bear’s ears. good memories flew over his mind, his heart now untangled and warm.

your arms were now around his arm, head resting on his shoulder. “read the note.”

sweet words could be read from the note. the handwriting was pretty and the choice of words was well done. you did you best to describe how sorry you were and how you wanted to fix things.

“i’m sorry megumi. i really am.”

“no… i should apologize too.”

“come to bed.” you tugged his arm so he could get up. “i'm tired but i can't sleep. today was tiring.”

“i don't know, the couch is actually really comfortable.” an attempt to hide his smile was made after telling you his joke.

“is this how you wanna play?”

he chuckled at your reaction. his laugh was music to your ears especially because it wasn't a very common thing from your boyfriend.

“not funny.”

all he did was ignore you and walk towards the bedroom. pretending to be offended, you jumped on his back to scold him. however, only laughter could be heard from you, making him smile even more. you will never let an argument ruin another day. you prefer moments like this one.