#i love ed & stede. i love that they got their happy ending. i love they got their own little place.

[bizarrelittlemew]

calling it right now that season 3 starts like this

[ohmyglobwhatthefrickamievendoing]

i feel like customer service is the worst job you could get into if your previous job requirements included maiming😭

[kingsofgaytham]

i have finished my ofmd rewatch and yes i'm happy i did it cause my love for this show and its cast grew even more since i noticed so many tiny details or background subplots i missed the first time, the whole cravat exchange between Stede and Ed...but now my heart breaks even more for them, especially poor Edward, manipulated by Izzy and pushed to his limits where he once again puts on the persona he detests but this time he's also mourning the life he already envisioned in his head with Stede :((((

their reunion is gonna be so emotional and i hope by the end of season 2 we get to see Ed embrace his true desires (like soft, silk clothes and eating marmalade at the sunrise with his dumb boyfriend) and i'm excited for Stede to finally experience mutual love, not an empty spectacle put on for the society even tho he really needs to work on his thinking and communication skills cause this whole drama could've been avoided if he told Ed he wants to fix things with his family first ANYWAY i'm sure s2 will make me cry and laugh and scream and i can't wait 💜

[bisexualmultifandommess]

I hate when people call Alma and Louis rude and out of order for how they initially treat Stede in episode 10.

Stede is my favourite character and I love him so much and I try to understand and explain his actions whenever I can but even if it was something he felt he had to do and he didn’t want to hurt anyone he still abandoned his children and hurt them a lot.

Alma has a right to be angry at Stede because this is a man who is supposed to love and be there for her and watch her grow up but he left her without any warning and only a letter to the family. I think she actually acted quite mature in her final scene even though she definitely earned the right to still be bitter.

Stede obviously loves his children and had a decent relationship with them before he left but that doesn’t change the fact that he let them down.

[piratecaptainscaptainpirates]

Okay. This sucks. This fucking sucks, and it's unfair, and this show deserved better, and the cast and crew deserved better, and we deserved better. I'm gutted myself and I feel awful for all of us right now.

But. Even with a 40% budget cut, we got an amazing second season. We got to see Ed and Stede choose to start an amazing life together, on their own terms, feeling more at peace with themselves. Nothing can take that away from them - never again will we have to worry Ed crying in a window was the last we'd see of him!

And, as if the fucking amazing show we have isn't enough, this fandom has some of the best people I've ever met. There are so many smart, funny, incredibly talented people in this fandom and I'm so happy to be a part of it. I love you all and nothing can take that away from us, either.

We got this show in the first place, that never apologizes for being weird and camp and queer. This is a show that had to fight uphill to get made, every step of the way, but it's made with so much love and it shows. We got it, and it's good - at the end of the day, we won.

[tvxqmylove]

Let's raise our glasses to Izzy and OFMD creators

I just have to get it off my chest, I understand Izzy's death came as a shock and very upsetting event for many, and a lot of people are going on and on about how he deserved a better fate and how he was not just some tool to serve someone else's story. Please try to calm down and see the bigger picture. 

It is now clear that he was always meant to die. It was foreshadowed in the first minute of the second season, a ridiculous, villain's death. Being the symbolic obstacle to Stede and Ed's happiness. 

Of course that was the wrong way for him to go. When he confessed to his crush Blackbeard he got shot by him, almost died, begged to be killed, and then he even tried to kill himself. Still didn't work. It wasn’t his time yet and that was the wrong way for him to go. When he learned that he was loved and cared for after all, just not in the way he expected, he changed. He became positive, he became forgiving. Then he stopped being miserable he started genuinely wishing for the happiness of others as well, instead of being bitter about it. His death might not have a point but his life did. He had the crew's and Ed's and even Stede's back, and they knew it. As David Jenkins stated, he played the role of a wise mentor that was passing along his life experiences to others. Then it was his time. Also, as foreshadowed, he symbolically took away Blackbeard, and opened a way for Stede and Ed as well.

A happy ending is not only walking off to sunset with a lover, taking up a new job or walking into a house of your family and petting your dog before you close the door. A good death, and a life well-lived is a happy ending. Leaving behind people that loved you is a happy ending. This was a happy ending for him. 

He lived the way he wanted, as a pirate, an infamous one that has received respect and recognition. Then he resolved the parts of his life that became problematic and toxic, he repaired the relationships

that was broken, he forgave the people he needed to forgive. After going through hell, he was basically a bubble of positivity, going around giving solid advices, encouraging people and partying. He was done. He gave the best damn speech of his life at a bar like giving his own eulogy and it was awesome. He died at the arms of the person he loved the most. 

Yes he could have had more, everyone that ever died could have had more. But he died gracefully and complete, surrounded by people he loved and cared about, knowing that they will be fine. That was his story. I am sad that he died, but he died beautifully, best you can hope for in a pirate life. And he will live on, in the hearts of the people he touched by his existence. 

Finally, never harass the creators. It is their hard work that gave us Izzy in the first place. Trust their creative process, and afterwards take it or leave it, do not harass them and try to put them in a box of your personal demands. If so, what kind of 3rd season can we even expect?

[thisflagmeanseverything]

Happy 1 year anniversary to "Mermen" and the series finale (for now 🤞) of the show that means everything to me ❤️

I'm alternating between crying that it ended and being happy that we got s2 and got what we did.

The beach scene, "I love you!" "I know, I know that" 🥹 BABE! Pete and Lucius marrying! Alex Sherman's ass! Fishing! Ed thinking Stede's dead. THE LOVELY LETTERS. We got sooo much and it's beautiful and lovely.

This post is a lovely letter to OFMD and how important and special this show is to me (us) still, even a year after it ended. Seeing these two older men find themselves and love after having rough lives is very special to me and gives me hope for the future.

But this lovely letter isn't just to the show but to all of you amazing, wonderful, passionate and caring and dedicated and talented artists, writers, fans and enjoyers of OFMD that helped carry the love of OFMD through two cancellations and to this special anniversary.

I adore all of yall and I'm glad you are still here ❤️

I'm going to tag a few people but this is to every fan of OFMD out there, it's been the best time sailing with you and I hope to keep going 🫡

🩵

@gentlebeardsbarngrill Abby, thank you for everything you've done, I appreciate you! @xoxoemynn you are one of the sweetest people I know @stedesbonnets thank you for accepting me and talking to me @romcomtelecom @follows-the-bees @celluloidbroomcloset I really enjoy all of your meta and ideas @lunarcryptidz you know 💜 @blackbeardsslutstrands thank you for being there to talk to after "Merman" last year @blatterpussbunnyfromhell @areyoudoingthis @saltpepperbeard @thescarvedinsect @spirker @soupbtch @merryfinches @xray-vex @piratecaptainscaptainpirates @bizarrelittlemew @blakbonnet @funforahermit @finethingswellworn @jellybeanium124 @naranjapetrificada @carmillas-girlfriend @teeny-tiny-revenge @jaskierx @scribophile @call-me-frosting-or-not-idc @forpiratereasons @ofmd-ann-main @captain-frenchie

I wish I could tag and give personal lovely letters to everyone (I have a bad memory and can't remember @ names) but just know yall are all appreciated and thank you 🥹🤗

[dragonlands]

There's so much negativity around Izzy's death so I wanted to address some of the points I keep seeing thrown around.

"Izzy's death was pointless"

No, he just had his big speech about how basically they can kill him but they cannot kill the movement. That is a clear paraller to a lot of real life protestors of unjustice. He died protecting the community, he died so the community could go on.

"Izzy's death made his healing pointless"

No it didn't. Healing is always good, feeling happiness and belonging are ALWAYS worth it. We never know how long we've got, doesn't mean we gotta stop trying to be better or happier. His healing was still real. It still mattered.

"Izzy's character arc was left unfinished, it's bad writing"

Oh my god. If you open any writing guide about how to write impactful deaths, and the first thing that comes up is to leave some part of their arc unfinished. And his arc did go through quite a beautiful line, sure there could've been more but his story didn't end like, mid arc. As a writer, of course you want to make the audience sad when a character dies. It's good storytelling. Good stories are supposed to make us feel.

"Izzy died on the arms of his abuser"

Where the hell did this idea come from? Ed and Izzy have been in a toxic codependent relationship way before this show started. You could argue that Izzy was Ed's abuser, but that is not the argument I want to make here. Yes, we saw Ed driven to madness shoot Izzy on screen, but we know Izzy's the one that forced him to be Blackbeart when he didn't want it anymore. There's turmoil all around them. But the final moment is them finally meeting as people, not as components of Blackbeard.

"Izzy's death was unnecessarily awful"

His death was sad, yes, but it was quite beautiful as far as deaths go. He was surrounded by family who cared for him. He was loved, and accepted as he is. He knew his legacy will be carried on.

"They killed off the only character that showed us healing is never too late"

Did we watch the same show? That begins with then unhappy 40+ year old Stede deciding it's finally time to reach for his dreams? Where we see Blackbeard slowly gaining back his humanity? Where Black Pete starts off as toxically masculine dude but ends up in a soft gay marriage? Where most of the crew wanted to mutiny but then they realized being soft is good, actually. Jim's whole purpose in life being revenge but them learning to let that go and instead concentrate on love and fun and family. And so on. Izzy's arc is beautiful, but he's not the only person healing who thought it was too late already.

"Izzy's death was bury your gays trope"

No, what, no. In a pirate show where everyobody is queer some queer people will die. Bury your gays is about only having one or few queer characters and killing them off while the straights get their happily ever afters. This is so far from that.

Also, I want people to be aware of the phenomenon, where creators of diverse shows are subjected to more critism than those of non diverse shows. If this intrests you, Sarah Z on Youtube made a great video on it called Double standards and diverse media. Our flag means death has given us so much, queer love story with a happily ever after, finding community, nonbinary character. And the creators have always been so kind to fans, so let's show them tht kindness back. Because critizicing this one aspect can easily turn to seeming like the whole story is just unwanted. That stories like Ed and Stede's aren't worth telling. And I'm so aftraid that will happen, when just now for the first time in years we are finally getting queer stories.

Also, I understand people are sad. I am sad too - Izzy was an amazing character and his death was sad but that's just. Good writing. You can grieve, but trying to turn it into a moral or dramaturgy issue is just not a good look. And attacking the creators of this wonderful show is just horrible.

Remember - this fandom is a safe space ship 🏴‍☠️🏳️‍🌈

[blakbonnet]

Hello! I was wondering if you had any Gentlebeard fanfic you would recommend on ao3? Ideally a nice slow-burn with a few chapters but honestly anything you like would be great - just on the search for more fics to digest. Thank you!

I'd recommend everything by @xoxoemynn and @darcylindbergh if you're looking for some very soft and in character, kinda awkward but also canon compliant, ed and stede ❤️ they've both got a ton of shorter works too. My favourite ofmd fics are:

Witness Marks (unhinged smut, horny clock boys)

Where the Daylight Begins (long but so so good, slow burn, I've read this one 4 to 5 times by now, magical realism and lovable crew on top of lovable ed and stede)

Roll for Charisma (so fluffy and some top quality pining, the plot of the show is their D&D campaign)

The Devil's Panties by @adickaboutspoons (sex pollen but make it so fluffy and earnest that my skin melted off my bones)

Separating Salt from Water by @nonagethimus (one of the tags is homoerotic shark hunting, enough said)

You Belong in that Home By and By (everyone wants Stede, but Stede only wants Ed)

Two Birds @red-sky-in-mourning (very gentle romance tinged with good angst but happy endings)

Grounded (fluffy smut, stede is something else in darcy's hands, no one gets him this right trust me)

Your Name Like a Boat (the angst oh my god this one still hurts, another one I've read a bunch of times and a very fulfilling ending)

The Kraken's Sacrifice @trinityofone (actual kraken ed and they're so soft and in love, this one is a bit out there but it's so interesting, i finished it in one sitting)

From Gloom to Grace @bizarrelittlemew (pollen but it makes them cuddle is there anything better)

Stealing Romance by @skrifores (I prayed for a realistic jealous ed fic and this one is it)

Little Wonder @ofmd-alsaurus (stede has a tiny dick, ed is really into it, it's funny and sweet)

Only by the Grace of the Sea @palavapeite (hot priest stede, incredible writing, slow burn)

Leggy Blonde You Got in Goin' On by @palavapeite (stede joins a gym, most in character stede I've read in this fandom)

And I'd 100% recommend my own fic 😬 Moonstone Mage Championship (slow burn, fantasy, idiots to lovers)

[adickaboutspoons]

Happy sexual Sunday. In honor of Rhys announcing his upcoming substack by pointing at hand-written bulletpoints on a chalkboard with a screwdriver, I want to share the OnlyFans Stede idea that has been in my plot bunny pen for ages, but prolly isn't going to go anywhere. Stede's OF account was set up for him by Lucius, and is completely neutral content of him demonstrating basic auto maintenance and, like, how to tie a fishing lure, and a bunch of other Dad things, and he's completely oblivious to how unintentionally suggestive he's being. Like, he's filming himself working in the garden when it's super hot out, makes a "it's not the heat, it's the humidity" dad joke, strips off his shirt and uses it to mop his brow. He's on his hands and knees, pulling up weeds, and when he manages to pull up a particularly stubborn one, roots and all, kind-of-whispery/grunting-to-himself, "Aww, yeah. That's what you want, baby." Then he sits back and takes a deep drink from his water bottle, and accidentally holds it near his crotch while encouraging his watchers to stay hydrated. Ed is one of his subscribers and finds the whole thing just brain-meltingly hot. Eventually, they accidentally meet IRL, and Ed is trying to be SO COOL and not let it be known that he knows this guy and where from. And then they keep running into one another (by total coincidence - Ed hasn't become a convert to going to the farmer's market instead of just picking shit up from the grocery store on the off (likely) chance of running into Stede while he's there. Not at ALL.), and start becoming friendly. It's during one of these meetings Ed accidentally slips that he's a subscriber. He's mortified. For a moment he thinks Stede is going to get all weirded out. But Stede is just like "Oh! You like the feed? Why didn't you say so?! Always glad to meet my Only Fan!" (Stede has a v. healthy subscribership, but he thinks making the Only Fan joke is Hilarious) Stede asks for his username, and when he tells him, Stede is all "Oh! I know YOU! I can't tell you how much your feedback means to me. Always leaves me feeling all glowy for days!" Ed is all blushy and stammery and, "Uh... yeah, man. Me too." He offers Ed a hug, and Ed is internally combusting. Stede is all "If you've got any ideas for the feed, I'm always open to suggestions. Is there anything you'd like to see me doing?" There are MANY things Ed would like to see him doing. None of which are appropriate to give voice to in a crowded open-air market. Eventually eventually, after many instances where Ed is going crazy trying to figure out if it's a date or just a hang, there would be a v. thorough railing wherein Stede whispers all the tender, affirmational things Ed could ever have wished to hear. So! here's the only bit of it I've actually bothered to write:

The man on the screen smeared a little grease around the tight little hole, then inserted the cylinder into the gap in one smooth, gratifying motion. "There we are," he said, his voice a low, self-satisfied hum, "A nice, tight fit. And doesn't it feel good to do it yourself?"

Ed's breathing picked up pace a little.

"And that's how you replace a spark plug. Nothing shocking about it." He smiled a charming, little shit-eating grin and winked at the camera.

Ed's breath caught in his throat.

"So that's it for this one! Thanks, as always to my subscribers, and a special tip of the hat to this week's new friends," he looked away from the camera and put on a pair of gold wire-rimmed glasses. Ed swooned a little as he read out the names from an actual printed page.

At the end of it, he took off the glasses and looked directly into the camera again, his eyes soft and his smile genuine and kind. "Thank you for sharing this time with me. Lots of love!"

There was nothing explicitly sexual about the CapriSun_Erotica OnlyFans page. In fact, the most shocking thing about it was how roundly wholesome the content was. Just a man and his phone camera and a world of practical advice and dad jokes. An intensely hot man in the tiniest shorts or tightest jeans Ed had ever seen, who seemed allergic to doing up the top three buttons on his shirts, and that radiated so much DILF energy Ed was a little astonished the videos didn't just melt his phone screen. It was the most intensely arousing thing Ed had ever seen.

He eased himself out of his boxers and hit the replay button.

When he had cleaned himself up, he tapped out a quick reply. "Hey DaddyStede, great vid as usual. Really got my motor running. 😘"

[follows-the-bees]

Ned Low not only uses the violin as the instrument of torture but he uses humans as well. He strung the violin with the guts of his brother. And he uses torture — his victims — as "music."

Stede observes everything and learns not only about Ned but the crew (mercenaries) he hired.

We see both Stede's strengths and how his way of piracy is always superior then the old ways: in this case: Ned's way. This is something we've seen over and over again and through the crew: Jim's story at the end of S1 to make Fang feel better, the crew showing kindness and mercy to Izzy, etc.

First, Ned comes in and plays with Ed's hair, touching him without his permission, just like several others have done: Izzy and the person at the French party.

During this, Ed uses his experience and starts to get down to the root of Ned: family issues. We see how nonchalant Ed is (whether it's out upon or not), this is not the theatrics of Blackbeard, but rather Ed reacting to another pirate — one we also know he egged on by beating his record. (There's an argument to be made that those raids are also a love letter to Stede., but that's another thread.) He tries to protect Stede just like during the British squad, and earlier when the cannonball goes off.

When they are on deck again, Stede uses all of his strengths. Taking what Ed learned and his own observational skills. He first uses the disgruntled crew to turn against Ned. They bond and even tell personal things about themselves.

This is strike one of using humans — Ned's first instruments of torture — against him. He no longer has mercenaries but he also no longer has the Cat Bandits to torture.

The second strike comes when Stede throws the fiddle at Ned, sending him into the dark depths of the sea. With no humans to torture, the instrument could be useless, but Stede uses it to turn the torture around on Ned. No longer a victim but taking charge of his bullies. It's different than the Badmintons, who came to their own demise by accidental means, instead Ned's comes to his demise but his own hubris and Stede's decision to take his first kill.

This is similar to the French Party, when Stede uses the high societies not-so-classy secrets against them. The same thing happens, they set their own ship on fire. But Stede's reaction after both events is different. He has Ed to be there for him after both though.

I love this scene because we are the strengths of both Ed (not BB but Ed) and Stede together. How besides trying to protect Stede from physical harm, Ed is happy to let Stede take the lead, knowing that he's "got this." He knows from past experience (the French party) but he also trusts Stede and Stede's way of piracy.

[frooogscream]

David Jenkins said Ed x Stede were not supposed to have a real love story!

So not only where all the beautiful queer details not part of the original idea (Izzy being a jittered spouse instead of just evil lil henchman-because of how Con envisioned him, Jim being NB- added after casting Vico, Wee John doing drag- because of Kristian, etc.).

And even the main gay couple, the only queer thing remaining, was never supposed to end in a happy love story. 

This show was NEVER supposed to give us beautiful things and treat it’s queer characters with “kindness”! It was NEVER supposed to be for queer people!

Every thing I loved about ofmd was because of the queer actors involved in this show (+apparently a little thanks to Taika and Rhys seeing more of the beautiful potential this has as an actual love story then David ever did).

In some way this almost makes it beautiful again, like we were never even supposed to have what we got, just another mid queer baity comedy, but then all these amazing people poured their fucking heart into it and changed it in a way that actually made it mean something to us!

link to the interview compilation post+link to original interview: https://www.tumblr.com/ladyluscinia/733134895182970880/what-exactly-did-david-jenkins-say?source=share

[brigdh]

Okay. My thoughts on the Our Flag Means Death finale. Obviously I'm not very happy with the ending, though I'm also not as upset as some people are. I would say I'm discontent. Unsatisfied. Too aware of how it could have been improved, and a bit bitter that we didn't get a better version, but I also don't hate what we did get.

I know a lot of meta has attributed the problems to a shorter season, and absolutely I would have loved to get 10 episodes instead. I would have loved 22 episodes! Why don't we do that anymore? But I don't think the 8 episode length was the ultimate problem. A) The showrunner and writers knew they had only 8 episodes, so they needed to choose a story that fit into that length, but even more importantly, B) my problem is not that they had too much story for too little time, but actually that they had plenty of time and chose to fill it with too little story.

As I've sat with it over the last few days and thought more about the season's arc, it feels to me like we got eight episodes of filler. Filler episodes can be great! Filler episodes can have some of the funniest lines, the greatest scenes, the most intriguing ideas. But filler episodes do not progress character arcs or major themes, and that's exactly the problem this season had.

The only characters who got arcs this season are Izzy, and to a lesser and more rushed extent, Lucius. Which sure is a choice.

Ed and Stede and their relationship did not meaningfully change from S1. (Okay, yes, they had sex, they said I Love You – but these are external changes, not internal. They don't represent character growth. Stede realized he loved Ed and was telling everyone back in 1x10. Ed clearly would have slept with him in S1 if they'd had a little more time.) Ed and Stede in 2x08 are not different from who they are in 2x01. If Ed had asked Stede to be innkeepers in 2x01, does anyone think Stede wouldn't have immediately agreed? One of the big moments in 2x08 is Ed reading a letter that Stede wrote in 2x01! Stede's exact words from the very beginning of the season! What better way to underline that none of the subsequent seven episodes had important growth or changes?

Another one of 2x08's big shippy moments is Ed and Stede running to each other across a beach – deliberately paralleling the dream Stede had in 2x01. What are we supposed to take from this parallel? My original thought was that we're supposed to see how different the real version is from the dream, but there's honestly not many differences. Neither one has a beard, now? The dream mocked how Stede knew they needed to have a conversation about their relationship that he wanted to avoid, but they don't have a conversation in the "real" version either. They exchange about two sentences (which includes Ed's I Love You, yes, which is a big deal but still isn't a conversation) and then they charge right back into the fight, without discussing anything like Ed abruptly dumping Stede to go be a fisherman, Stede killing Ned Low when Ed asked him not to, their differences of opinion on being pirates, if having sex was a mistake or if that's only a thing Ed said because he was panicking, etc etc. They have just as many issues to address as they did in the dream, but just like the dream they act like everything is magically okay without talking about it!

So I think we're meant to take the beach-run parallels as "here's what Stede's been wanting, and after waiting for so long he finally gets it". Which is fine, a very sweet take-away for a finale. But it underlines what I'm saying is the problem of the season: Stede has just been waiting for eight episodes for his dream to come true. Not changing. Not growing. Not doing anything to bring the dream about, other than trying to get himself and Ed into the same physical location. Just... waiting.

This is an extra surprising development, because the show was really good at giving Ed and Stede character arcs in S1! Ed and Stede in 1x10 are significantly different than they were in their first introductions. Also, just to preempt some criticism, by 'progressing' I do not mean 'wrap up literally every loose end and make a firm final ending' – S1's finale is an excellent example of both moving the characters forward and leaving a ton of room for future stories. I wasn't expecting for 2x08 to show us a Stede and Ed who were perfectly on the same page and would never again have a problem. I was expecting them to be somewhat different than they were in 2x01, and I just don't see that.

Instead of arcs, we got little pieces of single-episode growth here and there that never added up to an overall whole. The season brought up a ton of potential arcs for Ed – violence, piracy, guilt, suicide, daddy issues, self-loathing, apologies, redemption, his tendency to idealize escaping into a different life – but didn't do anything with any of these options. Stede had nothing resembling a season arc at all.

Stede works to improve as a captain! Stede kills someone and has regrets! Stede confronts Ed's dark side! <- All potential arcs, but none of which lasted for more than an episode or had consequences. We don't even know what the ending means for Stede: does he want to be an innkeeper because he failed as a pirate in 2x07? Because piracy was always just a displaced search for love, and now that he has love, he doesn't need piracy? What does the crew of the Revenge leaving mean to him? Stede's understanding of their new arrangement literally happens off-screen and we're left to fumble at guesses for its significance to him as an individual.

Ed and Stede's last big conversation in the season is their break-up fight in 2x07, which is a shocking way to send off your main couple in a rom-com. Yes, there's the I Love You on the beach (again: two sentences) and the brief 'let's try to be innkeepers' conversation at the very end, but that's it for them in 2x08, except for their inclusion in some brief large group conversations about their fighting skills and the plan for escaping the British. How can you end your rom-com with the main couple exchanging only a paragraph's worth of dialogue in the finale? None of the stuff was brought up in the fishing fight in 2x07 is ever addressed at all!

Again, I don't think this is solely a matter of time crunch. Instead of using the eight episodes to progress the two main characters, we got a bunch of filler episodes that used the time in amusing side tangents instead of forward progress. I don't think that's the inevitable result of having to work with eight episodes.

Look, I can come up with a better Ed/Stede relationship arc without needing more episodes, and despite only thinking about this for a couple days and not having an entire writing room to work with:

(Note: this only addresses the Ed/Stede relationship. It doesn't fix Stede completely lacking an independent character arc and Ed having about ten thousand of them, none of which went anywhere.)

In 2x05 to 2x07, I would make Ed's motivations in their relationship very clearly that he's pushing Stede away so he doesn't get hurt again. Basically play up Ed's comment about "I was all in" in 2x04, and make him determined not to get 'all in' this time around. This aligns the "let's take it slow" conversation in 2x05, the "sex was a mistake" in 2x06, and Ed running away to be a fisherman in 2x07 into a single arc. He wants Stede, but he's afraid of what that wanting will do to him. He's trying to find a way to have a relationship without making himself vulnerable. He keeps pushing off commitment and openness.

Then, in 2x08, I'd make it more explicit that Ed thinks/fears Stede is dead when he sees the pirate ships burning. I think it's subtext in the episode as-is, but give him a line or two to make it really clear. Ed and Stede still see each other on the beach, have their dramatic run to each other, and Ed says, "I love you". Now this moment is Ed acknowledging his love, exactly what he's been avoiding for the last three episodes.

Near the end of the episode, Ed and Stede have a conversation where Ed says something like, "I didn't want to get hurt again, I was afraid of the risk of falling in love and you leaving again, but thinking you were dead made me realize that never loving you would be worse" (but better written, ha, this is a tumblr post that's already too long). (Also possibly you could tie in Izzy's death here to underline both Ed and Stede not wanting to lose another person they care about, if we must have that plot point for some reason.) We actually get to see Ed asking Stede to come be innkeepers with him, paralleling asking him to run away to China (and paralleling NOT asking Stede to a fisherman), Stede voices some of his worries (paralleling him keeping them inside in 1x09, but also giving him a chance to explain what piracy and love mean to him and why he'd give up one for the other), but ultimately they agree that they at least want to try.

This both puts them into a much clearer place for a happy ending, has clear growth from S1 and the beginning of this season, but also leaves open a ton of room for S3, because welp, it turns out trying to have a relationship entails all sorts of problems! Especially with these two. It also would make me feel like they'd at least addressed some of the issues between them.

Right now I feel like S3 will have to spend at least the first few episodes running through exactly the same "don't talk – break up – get back together dramatically" arc that Stede and Ed have already done twice but have never discussed and never learned from. I liked it, but I don't need to see it yet again. That will – ironically – feel like yet more wasted time, more episodes that are just churning through beats without moving the characters forward. I wanted them to have new, different fights in S3, but now I don't even feel like they've made enough progress to have a fresh set of problems.

[the-fandom-finder]

It think my main problem with some Izzy fans is they straight up lie or have extreme cognitive dissonance for stuff. “Izzy is more popular than ed/stede” no you were just around people who like is he more than them? I promise you the average person fandom or not does not like him more than the main characters. Also, just because he’s popular in the fandom doesn’t mean he’s a better character. You how many fandom I’ve been where they sent her around the white male character more than any other character? So often it’s a dime a dozen. He talks about how crazy Ed is before we even meet the character and when we meet him, he’s just a little suicidal at very least at that point. honestly even if he did survive, it would not make sense for him to be the captain of the ship. It’s canon that he’s not good at running anything and only really good at violence. he’s an interesting character meant to represent toxic masculinity at least in season one and how breakable and fragile it is. Honestly, him and Zuko have a lot in common when it comes to fandoms. These characters are both flawed and I’ve done bad things, but for some reason, some fans wanna make them look perfect like they’ve done nothing wrong and excuse everything that comes with the cost of completely miss characterizing everyone else around them. Man called the British, which are basically the cop because he didn’t get what he wants and view himself as knowing Ed more than himself which is messed up, bro. and the story portrays this as bad like it should be. Also, why are all the tags that were created to criticize Izzy taking over by Izzy fans like you asked for a specific tag and then take it over and then get upset when people use it. I also have seen fans on Twitter called themselves Ofmd hater and then spend all their time talking about the show. It’s OK to move on. It is not the Izzy show and never was. I have to rewash the show to remember Izzy‘s and actually interesting character because his fans have changed him so much that I can’t stand him if I don’t watch the show. There is a reason why people were being rude against the phantom for some stupid reason reasons or only a small group of people they named them and that weird little list they had. Now I don’t think any of the Izzy fan should be attacked or doxxed because that’s just weird and wrong. That doesn’t mean you can’t criticize them and how weird they are about this white man. I think it’s time for some of you who just have so much hatred of everything else in the TV show. Make an OC That’s like 2 inches away from that character and leave you’ll be much happier. Another problem I have is how some people treat David he’s not a perfect man nor perfect writer, but to go out of your way to say you understand the story infinitely more than him is crazy. He is shown multiple times he loves the character. This is just how he wanted to take him in the story not out of malice,, not out of homophobia not of hatred for disabled people, but because that’s how his story was always going to end he just got to die slightly less full of hate and may be a little happy. Izzy and ed had no chance of ending up together. The story basically states that pretty early that it was one-sided and not entirely healthy on either side. Also celebrating the show knocking a third season and people losing their jobs even though you were probably going to see Izzy again in some form is crazy.  I promise you your hate did nothing or brothers was just being a cheap ass and canceled other diverse shows so it definitely wasn’t because of you. Either way, I guess I win in the end. I still love the show and not full of anger at least about this. I got a lot of other problems lol. This post is probably way too long about something that doesn’t really matter too much but it feels good to get it out especially with finals coming around. If you read this entire thing and hate me well thanks for reading. I guess. Hope you have a nice day and I mean that genuinely life‘s kind of sucks right now for everyone lol.

[piratecaptainscaptainpirates]

I am genuinely so tired of always having to bend over backwards in fandom spaces to be like "yeaah I know season 2 had the budget slashed and it's rushed and the writing isn't quite as tight but I still liked it!!" because like. C'mon. It's just good. It's just a good season of television and I'm sick of having to add qualifiers. I roll my eyes at pretty much any TV show I watch with my family because even with insanely high budgets and more episodes nothing compares, it's like not even anywhere near close.

I wasn't ashamed or anything to show season 2 to my family and friends who loved season 1. Without any of the fandom expectations and discourse, literally none of them noticed a difference. 100% of the people I asked (like, at least ten casual fans) said they preferred season 2 to season 1. If you're super into fandom spaces like most of us are here, and you're analyzing all the little details and you have very high expectations, you're going to notice a difference, but it's still a good good show.

Season 1 of OFMD already changed my life. I couldn't help but have high expectations. And I'm so, so happy with season 2. They knew to prioritize Ed and Stede's relationship, Ed got a beautiful arc, and they were careful to end with everyone in a good place with so much hope for the future. Plus, even if s2 was cut so heavily for time, there's still so many little things to love - so many clever bits of dialogue, so many moments that add to rewatch value, so many background details to notice and love. It makes me sad to think about how much more the season could have shined without studio interference, but I don't regret what we have.

Season 2 was great. You can fight me on that 🤷🏾‍♂️

[londonspirit]

Our Flag Means Death’s season-two finale has it all. There’s a declaration of true love between our favorite criminals, Stede Bonnet (Rhys Darby) and Ed, a.k.a. Blackbeard (Taika Waititi). There’s also a heartbreaking death (RIP, Con O’Neill’s Izzy Hands), a pirate wedding that ends with the words “You are now officially mateys,” and some big-time fight scenes. “Mermen” packs a tight punch in only 30 minutes. The episode is both thrilling and satisfying, so even if Max makes the grave mistake of not renewing the series, fans will feel closure in a way that they didn’t with season one’s sendoff. And Our Flag Means Death creator David Jenkins already has some fun ideas brewing for a third season (and beyond!). The A.V. Club spoke to Jenkins about his plans to evolve Ed and Stede’s relationship, potential spin-offs, and how everyone on the show is handling its passionate fanbase.

The A.V. Club: First of all, how dare you kill Izzy Hands? Was that always the plan when you mapped out season two? 

David Jenkins: [Laughs] Yes. I felt that Izzy had reached a point where he broke through a lot of his major patterns. It was fun to give him a season where he got to do everything and where Con O’Neill got to do everything. Well, I won’t say everything, because Con can do light years beyond what I think he can do, and I do think he can do anything. We wanted to show the depth of that character. Izzy is one of my favorites. He’s like middle management who is in a sort of love triangle [in season one]. He got his wish at the end of the first season by breaking up his boss and his boss’ lover. He got punished as a result, and he had to come out on the other side, which felt like a good journey.

AVC: Despite everything that happens in season two, including Izzy’s death, the finale ends on a happy note with Ed and Stede living together. Why was it important for you to show that?

DJ: Season one ends on such a tough note for them. As you said, after what they’ve been through, they should get a moment of happiness. I won’t say however fleeting. They are going to have challenges ahead. They’re both not the most mature yet. I think that’s the fun of it, to leave them in a place where it’s a good kind of stasis. They’ve sent the kids off in the car, so to speak, and now they’re going to have to really grow if they’re going to start an inn. It won’t be easy, but I like that they’re going to try.

AVC: “Mermen” has all the elements necessary for a season finale. Did you partly add all that as a way to provide closure in case this is the end for OFMD?

JD: What’s important to understand is that you never even know if you’re going to get a second season. Maybe if you get picked up for two right away, and even then, but especially right now, who knows? I think with season one’s end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn’t want us to make more, I just didn’t want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished.

AVC: I actually love that about Our Flag Means Death. It reminds me of Schitt’s Creek in a way because the love story just exists and is perfect; there’s no questioning it as right or wrong.

JD: That’s such a nice compliment because I also think Schitt’s Creekdoes that really well.

AVC: You’ve previously said you want Our Flag to have only three seasons. Is that still true or do you feel like the show has scope to continue beyond that?

JD: I feel like Stede and Blackbeard’s story is a three-season story, but the world of the show could go beyond that. It’s a really rich world with so many stories to tell and really good performers to tell it. I do want to see how Ed and Stede become a mature couple in the next season. They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one.

AVC: So if OFMD continues in some other form, are there characters you’d like to focus more on or other historical references you’d like to include?

JD: Yeah, a lot, because it’s such a rich ensemble. How do you not want to see more of Joel Fry, Samson Kayo, Ewen Bremner, Nathan Foad, or Vico Ortiz? Any one of them could carry their own show. It’s fun to think about that and the storylines we can do with them, mixing and matching all our characters. Vico is incredible, for example, and I especially love watching them in an action sequence. This is a weird comparison, but there’s a Harrison Ford and Sigourney Weaver vibe they put out. I’m such a fan of what they do.

AVC: You also really like parallels and coming full circle as a storyteller.

JD: Yeah, I do.I knew I wanted to start season two in the Republic of Pirates and end by coming back there. Stede goes on an amazing journey between the episodes. He’s thrown out of there initially, but then he comes back as a hero. I like the symmetry of that. And then the Republic of Pirates gets destroyed; it dies. It’s not just Izzy; it’s the place too. It was important to have a home, this stronghold for everyone, be destroyed. But the characters are not crushed. They’re going to try to move on.

AVC: One of season two’s new characters is Zheng Yi Sao, played by Ruibo Qian, who quickly becomes an integral part of the crew. What was the casting process like for her?

JD: Ruibo is an amazing find. One of our incredible casting directors, Cindy Tolan, she had Ruibo in mind immediately for that part by the time it got to her. And we had looked and looked before talking to Cindy. Ruibo has her own fascinating story because apparently, she had a couple of strong premonitions that she’s going to play Zheng Yi Sao. She had a modern take on the part without it being strained. She’s incredible. She’s a trained theater actor with a lot of chops. She has to go toe-to-toe with Taika and Rhys. She did it with such grace.

AVC: Season two takes Blackbeard on an interesting turn of denouncing being a pirate. But in the finale, it’s almost like he’s reborn as one, especially with that gorgeous shot of him coming out of the water. What was the thought process behind this arc?

JD: Thank you. Blackbeard is a guy in recovery when he comes back to the ship when he’s wearing the jumpsuit. He’s trying to hang on and find some kind of footing. Who is he if he’s not a pirate? Meanwhile, Stede is on his way up and wants to experience the rockstar life of a pirate, while Ed as Blackbeard is over it. It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What’s wonderful about a mature romance, and what I’d want to see more of in season three, is Ed and Stede making these tough decisions.

AVC: Stede and Ed’s relationship has led to a passionate, vocal fandom, which you didn’t have as you were writing season one. While working on season two, how did you avoid doing fan service and focus on meaningful storytelling?

JD: I never anticipated the strong reaction to season one. It’s incredible it happened. Everybody is buoyed by it in the cast, crew, and the writers’ room. To be perceived on that level with such enthusiasm makes us want to make more of it. A lot of the things the fans love are not different from things the writers love. We are fans of the show. We’re writing fanfic, but it’s called fic when we write it. The big thing for us is to make sure we’re writing beats for the characters that feel true and have moments where all of us go, “Ooooh, we have to do this.” If the beats stay true, it won’t feel like we’re simply pandering.

AVC: How do you break down those beats for Ed and Stede’s relationship as they go from wanting to take it slow to sleeping with each other this season? And where do they go next?

JD: It’s challenging with them because most rom-coms end with couples getting together. They don’t then stay with them and say, “We’re together now, but it’s turbulent; how is that going to work out?” We thought, “Okay, let’s look at our relationships in the room. What have we encountered? Who’s been dumped? Who has had to forgive somebody?” These questions were fun for the second season. I think for the third, it would [be], “Okay, who’s had a relationship for over 10 years? What things do you have to work on?” It’s fun to watch two people like Ed and Stede go through this experience.