#i love dante and jacks but like

[not-an-alien-i-swear]

caraval did something to my brain /pos

i will not be elaborating

k byebye

(there are slight spoilers in the tags so be warned)

[tallaxia]

He's just a silly little guy

[serien-grl-22]

I finished the Caraval trilogy and now I'd like to ask why we like Legend and find him attractive?

He was an annoying brat through the whole series.

[amrubrum]

getting pretty hard to defend legend rn ngl

[charlioak]

do you love me, love me, love me?

[somnoir]

Bats and Phantoms - Part 1

Prompt: All the Phantom/Fenton Siblings end up with one of the Bats and Birds. It's just that neither of the two families know that their partner is related to their siblings' partners.

Danny and Red Hood

Going to Gotham for university was a planned decision, mind you. It was one of their many contingency plans in case the reveal went wrong. Thankfully, it didn't but his parents were still trying to change their views on ghosts for the sake of their children. Last he heard from his parents, Jack and Maddie Fenton were practically harassing every ghost they could find on culture, history, and etiquette. (He's gotten one too many complains from Box Ghost and Poindexter.) Plus the mess that was the situationship between the Fenton Couple and Vlad Fucking Masters. (Dante was about to kill himself again for that).

Gotham had enough ambient ectoplasm for him to be stable. Everything was very normal. Absolutely...

If not for the fact that Danny loathed clowns. When a clown decided to try and attack Danny, what does he do?

He did what every self respecting Fenton would do when faced with something he absolutely hates. He came at him swinging, aiming for the face.

And maybe he put a little too much power into the punch and the next thing he knew, a body was flung against a wall and breaking it on impact. Danny stares at the toppled wall and—HOLY SHIT HE JUST KILLED THE JOKER.

Fuck, fuck, fuck, fuck—BATMAN WAS GOING TO KICK HIM OUR OF GOTHAM!

But this was the Joker... The last time that crazy fucker got out of Arkham, he threatened to blow up an orphanage. Okay, he could do this. Gotham Harbor it is.

And in typical Fenton fashion, his luck was shittier than ever.

"What the fuck..."

Danny whipped around, freezing in place when he came face to face with the Red Hood. The fucking revenant of Gotham that the city spirit seemed to really favor. Fuck.

"It's not what it looks like! I mean—It is—But, like..." He swallowed thickly, trying to offer a smile but he flinches away when Red Hood snapped his head from the corpse then too Danny.

"That's the fucking Joker!" The Red Hood was pointing a gun at the corpse now, voice distorted and everything.

Yeah. Well. Shit. Danny gulped, finally deciding that since he was already half dead, he might as well clean up. Not like the Red Hood could kill him—I mean, he could, but Danny wasn't going to die by a bullet.

"You—" The gun was now pointed at him.

"It's not my fault he decided to fucking jump me!" Danny immediately argued, grabbing the clown by the legs and dragging him forward before he winced at the trail of blood. "It's a clown! A fucking clown!"

He yelped when the crime lord slapped his hands away from the corpse, "The fuck is wrong with you? Don't fucking touch the corpse unless you want that shit to traced to you." The Red Hood grunted, shaking his head. He sounded... He kinda sounded giddy, in all honesty. Why the fuck was the Red Hood teaching Danny how to get away with murder?

"What were you even going to do with the body?"

Danny cringed away. To tell the truth or not? Such a difficult question... Okay, he's pretty sure most of the Bats were like detectives and lying to this one might get him shot.

"Gotham Harbor?" He squeaked out.

Danny was met with silence and the man built like a fucking fridge (but he's so damn sure that Dan was still the tallest person he knew) didn't move a bit. Then his shoulders shook. And then he was laughing. Fucking shit, the Red Hood was laughing because Danny was going to dump a body in the harbor.

What was Jazz going to say?!

(Meanwhile, Jason Todd finds a strange boy that makes him feel strange, warm—the same boy had killed his worst nightmare. He might just have fallen in love right then and there.)

Part 2 | Masterpost

[noxcheshire]

Back at it again with my Danny is mom coded au’s, but this time it’s because of Clockwork that he suddenly has a whole ass teenage kid.

Clockwork had been bored or maybe he was playing a game against an opponent, or even lost a bet, whatever it was, he stepped in right as Jason was searching for his biological mother.

The DNA that would have registered itself as one Sheila Haywood, confirming Jason’s mother, glitched a terrible green across the screens of the batcomputer.

In those few moments of chaos Jason’s heart beat rapidly as he tried to figure out why the computer wasn’t working, wondering if his only chance to find his mom — his blood mom — would never find success.

Then as suddenly as things went wrong the DNA settled and pinged.

Jason watched, his chest tight, as one Danny C. Works, formerly Danny Fenton appeared onto the big screen.

Danny looked a lot like Jason, short cut black hair more straight than the subtle curls of Jason’s own; deep blue eyes, tired in a way that spoke of long days and nights, but with a warm happiness that made the familiar smile — the one Jason would see on himself every time he looked into the mirror — even more striking.

Jason didn’t linger too long on the male identifying gender, nor the fact his mom leaned more towards a masculine name or clothing.

There were plenty of male to female, and female to male leaning individuals that lived in Crime Alley. He had seen it enough to not even bat an eye at it, even now. After all, in Gotham you minded your business least you find yourself in business you can’t leave.

On a different monitor information of Danny C. Works piled for Jason to quickly browse through.

Danny was a senior engineer, no intimate relationships, and with no close connections to family outside of the tentative calls from Jasmine Fenton.

Danny was estranged from Jack and Madeline Fenton, a falling out that had occurred just a little before Danny’s high school graduation. If Jason calculated it correctly that would have been — around the season Jason himself would have been born.

Okay, so no grandparents then but I might have a maybe aunt. Jason scrolled further and stilled.

Twin toddlers: Dante and Danielle Works.

Jason had baby siblings.

He doesn’t let the sting of younger siblings consume him, doesn’t allow the whispering thoughts of why he had been given up when his younger siblings had been kept and so very obviously loved.

Jason took deep breathes, he didn’t have time to linger here. He had a family to get to, and a family he would get to.

It took almost all night to reach, the starlight night sky slowly and surely fading into cloudy wine as the sun rose, but Jason made it.

And when the door opened to his hesitant but firm knock, Jason was unable to speak. His mom — dad, maybe? Did they want to be mom or dad? — stood in the doorway, brows furrowed in confusion.

It was when Danny spoke his vigilante name did Jason only just realize that he was still dressed to the nine’s in his Robin costume.

[charlietheepicwriter7]

Danny and Damien are twins au, but a slightly redeemed vlad makes Danny the CEO of Vlad Co and DALV and all his other shell companies. Danny is danny, he got pushed into this against his will and is very overwhelmed by CEO duties, so he reaches out to one of his father's sons, Timothy Drake-Wayne, for advice

-------------------

So, danny definitely knows his heritage in this au. He was the spare to Damien's heir, and while their relationship was strained by the constant competition, they still love each other, even when Danny started to show more proficiency in infiltration and subterfuge than assassination. Damien and Danny have a huge fight before Danny leaves, with Damien swearing to never forgive Danny for his betrayal, while Danny is like "what betrayal??? I just cant bring myself to kill someone outside of self-defense??"

(One of the things I hate about Danny and Damien Twin AUs is this depiction that, just because (usually) Danny is unwilling to kill, that makes him weak and a traitor. You think the medical staff in the LoA are assassinating people? Or the lawyers? He's not useless, he's just not good as an assassin)

He was sent to the Fentons at like... seven? eight? to study how the Fentons are purifying lazurus waters from Jack and Maddie, both of whom are partly sponsored by the League of Assassins. He's also learning more about spying from Jack, surprisingly, because no one would expect him of being a top tier spy. He has the occasional mission as a child, but it's mostly shadowing Jack to learn how to spy.

Danny sends letters to both Talia and Damien regarding updates on his training and the Fenton's research, but after a year of no reply from Damien, it's only to Talia. He's feels super hurt by this, and abandoned by the LoA, but the Fentons are kind and familial, and Talia visits once a year. She's unwilling to risk visiting more often, lest she risk getting the JL or the Spiders attention, but sometimes she even manages to visit on his birthday!

(Meanwhile, Talia starts sending birthday assassins to kill Damien so she can spend their birthday with Danyal. She's a really hot and cold mom.

Talia: You can choose me, and have a birthday dinner. Or you can choose your father and have a birthday assassin. You're choice. )

When Slade blows up the LoA, Danyal is given permanent orders to remain as Daniel Fenton until Talia, and only Talia, brings him back to the League. No missions and only one letter every six months. But when Ra's comes back to life and the League is back in power, Talia... never tells Danyal. Because she's seen how happy Damien is being a normal child with their father and wants that for Danyal too. Plus, she wants to continue to have a good relationship one of her children, sue her bruce.

So Danny is completely convinced that the League is mostly gone other than his mother, her zealots, and knows that his brother is living with their father. and he's... relieved. His brother is safe, and his mom told him their grandfather was avenged, so Danny can just enjoy his life. Which he does.

He sends out his six month report days before the portal accident.

Canon stuff happens until Danny is sixteen and Vlad, the fruitloop, steps down as CEO and strong-arms Danny into becoming CEO in his place. Jack and Maddie (who at this point know [or have always known in Jack's case, adn Danny didn't appreciate his dad using his his poker face against him like that] about Phantom) are thrilled.

Vlad is using his "foster son" (Dark Danny, but in this idea, he's Dante Masters) as an excuse as to why he's stepping down, since Dante needs all the attention he can give as a "troubled youth". Danny secretly hopes Dante kills Vlad in his sleep, but signs the papers away.

And there's so much work.

Danny has some idea of what he's doing (Vlad co is a tech company and DALV is weapons manufacturing, plus vlad gave him a crash course on CEOing). Sam and Tuck even help! But he wishes there was someone who could understand the pain of being a CEO while still a teen. But... his father's son, his brother, is one such person. And even though the other would never know, he really wanted to get to know his other siblings. So Danny reaches out for advice to Timothy Drake-Wayne.

Tim is immediately on guard when this Damien clone walks into his office claiming to be the new Vlad Co CEO. The clone acts nothing like Damien, but he still thinks this Danny Fenton is a league plant.

His paranoia doubles when Damien freaks out and confesses that A) Danny is apparently his twin brother and B) that he's been with the League of Assassins this whole time. Damien, who really doesn't want to admit that the reason he forced himself to forget his brother was because said brother didn't want to kill people, says "Tch. I didn't want to associate with the likes of him, so I put him out of my mind." Tim now believes that he's dealing with a master assassin with a huge grudge against Damien and Danyal showing no signs of malicious or aggression in their meetings only convinces him that Danyal is a master actor too.

Which, Danyal is a master actor. But all that other stuff is just Tim reaching.

[first-class-feral]

brad dourif scrungly feature analysis: eyes

from the “Boys” dourif-hottie supercut music video:

I’d love to see an artist break this down!

For now, let me write you a novel about Brad's spectacular eyes...

The Strangeness

(Skip if you want to preserve the mystery.) BD's right eye is placed a little higher, and turned up as if tugged from the outer corner. I think it's part of that subtle something that immediately sets him apart. This unique, catlike, romantic asymmetry snatches your attention.

.

The glow

His striking, chameleonic blues capture light — even in B&W — which directors loooooove to exploit by lighting him obliquely:

It's a great way to crank up the eerie vibe of any scene, and I respect Star Trek for trashing that option outright with all-black contacts. (Of course, he still served an incredibly compelling outsider.)

(Edit: I put up a post just about this effect because they seriously do it all the damn time) (...because it's awesome)

Set in shadows

He has hooded eyes, deep-set and accentuated by heavy eye bags. The shadows and textures draw you in toward those luminescent irises, like picture frames that amplify each motion of his eyes.

.

Contrast

Sometimes he pops them wide open, creating these huge, expressive magnets...

...Or squints lopsidedly...

...Or interrogates, challenges, threatens — alert but defensive, like a prey animal on the edge of lashing out.

He’s said he chooses roles that "turn him on" (pretty clearly in an artistic sense); many of these blend menace and vulnerability, and our boy dumps emotion into every. single. line. This can manifest as an intense, wary, combative look, with eyes wide under neutral or furrowed brows:

.

Cry, baby

...And that's all before we mention the tears. He cries, of course, at will and liberally, and his eyes go red-rimmed and wet, highlighting them even more as he pins someone's soul to the wall with his gaze.

When he hovers right on the edge, they seem to shine in the dark.

.

Bared

At times, his fair eyelashes almost vanish, compounding his unusual look with a birdlike or reptilian tinge.

Obviously, the shaved brows in LOTR add to this effect.

A couple more things you'll notice here: he'll hold his eyes wide open for much longer than normal, drawing out these moments and making him seem even more alien.

And when he gets up-close in someone's face (which is often), he's constantly switching his gaze between their eyes — totally fixated, as if scanning for emotional feedback. In my opinion, it adds to that vulnerability: to the object of his attention, he must seem like a predator freezing them in place... but it's also desperate, like a prey animal trying to decipher the other person's intent, all senses tuned to pick up their slightest signal. (Gríma Wormtongue and Jack Dante especially have this pathetic air about them: grasping at sources of warmth while lashing out at the harsh, unintelligible world around them, allying themselves with uncontrollable destructive forces in an attempt to establish a place for themselves........)

.

TL;DR

The eyes — and how he uses them — are the standout scrungly feature, the main reason we can’t look away from this unforgettable weirdo.

The cat-eye asymmetry pulls focus;

His ice-blue irises are light traps, framed in textured shadow;

His full-bore emotional commitment ramps up the anguish and torment to an aching crescendo that's impossible to ignore.

Eventually I'll follow up on other contributing factors, but for now, I'll leave you with a couple of article snippets about The Eyes:

Imagi-Movies: Vol 1 No 2 — Winter 1993/94. Pages 11-13: "Traumatic - Brad Dourif". Link

SoHo News: November-December 1981. "Tension and mercy - Brad Dourif glowers for our sins" (an article all about his eyes! But they don't mention the asymmetry.)

[Gifs were mostly stolen from the GOAT, @exdeputysonso — with some of my own, mostly the square ones. Shout-out to @dragonsbloodsnowcone for inspiring this word vomit.]

Thanks for reading!

[lyra-kane]

Here are my ranking of characters in the caraval/ouabh world (it's long read at ur own risk)

1.jacks ..duh

The archer? The prince of hearts? Imagine having more iconic titles than these!

I really love his character it's very well written. He's not the typical morally gray who is always grumpy he has a really good sense of dark humor, which adds more to his character. Bro also literally dyed his hair blue after he got his heart broken, and he eats apple to stop his urge from kissing? I can't..😭 the way he teased eva? Hehehe, he had me giggling. I love sm their banter! Also, don't get me started on "there's nothing of equal value to me" bro just take my heart😔🫶 also him trying to teach eva how to defend herself then come saving her each time>>>

2.Evangeline

She literally the softest character and she didn't lose her feminine vibes and got cold because the world was against her she fought for what she believes in and LITERALLY THE FIRST FMC TO CONFEESS TO THE ML also she's vulnerable and forgiving she still had progress at the end ! She's the best example of coquette girl 🎀🩷 she isn't blinded by revenge like other mc she just want to live happily with jacks and she didn't sit and wish for it to happen she fought for love! She confessed to Jacks , and she kissed him herself! she's one of my favorite FMC!🥰💕

3.Scarlett

Scarlett is the most caring person she always put other needs above herself, especially if it comes to her sister since she was her only family I think when their mother left she felt like she had to fill that role since older sister kinda have a protective side to their younger siblings she even was ready to marry a man by his letters for that, I'm so glad she meet Julian because they just fit together! The way she was ready to make him hate her just so he can be free... I love that woman, a true empress indeed❤️‍🔥❤️‍🔥❤️‍🔥🤌

4. Julian santos

I will try to keep it short from now! I love that men the way he only had was following his brother's script, but he was ready to change it just for her , bro even gave a day from his life for her so she'd wake up to not miss the game. He got a crimson tattoo to not forget her😭 he was ready to fight to save her at the end ! They're literally my babies..😔💓also we're getting his pov in the spectacular hehehehe🤭

5. Lala

I just love iconic women who love fashion, ngl. I was mad at her when I learned she was responsible for the curse, but in the end jacks did worse things💀, plus she did save eva she also supported her till the end!girlie was ready to kill aurora for her! Also, I hope she can finally find love, and it lasts! I need a book for her with chaos, hehehe 🤭

6.chaos

Ok, i was mad when he killed eva, but I get it. I can't imagine being turned to a vampire, then had to wear a helmet for God knows how many years that prevent me from drinking blood. It's not like he had control on himself, but I'm sure he was traumatized when he realized what he did! I'm so curious to learn more about him too, and plus he did have iconic moments that made me giggle 🤭 I also have a thing for vampires ...😔💕

7. Dontella

Ok, to be honest, I'm neutral about her. I don't like her nor hate her. Yes, she was annoying sometimes, but do I think that she deserves to HATED ? No hate is a strong word. Also, I actually would defend her from the people who accuse her of not caring about scarlet.. I mentioned it before in another post..

8.legend

Ok, cool, sometimes , but ugh, I hate how he treated Julian sm...also the whole grandma thing...ik he's immortal and old, but why stephanie?😭

I'm not a fan of him. Also neutral although he does have moments I enjoyed, like when he visited tella Dreams or some moments as dante, i hope he grows on me in spectacular 👍

[xerith-42]

MCD Fighting Style breakdown

for @gonedreaminggg as a treat. I took your initial list, added a few ideas I came up with, had a breakdown, Bone apple teeth!

- Laurance: As seen in canon Laurance mainly uses a single large sword, though in his early appearances he uses a sword and a shield. I feel like Laurance has trained in multiple styles of combat to varying degrees. He's really good with a single sword of any size, and he can fight sword and shield. His dual wielding is lacking and he can tell every time he watches Dante fight. A lot of Laurance's movements are very basic forms of sword combat with slight variations and flare. Laurance is really light on his feet, so much so that when he really gets into a fight, it almost looks like he's gliding sometimes.

- Garroth: An absolute tank. Fuck what canon says here, Garroth has trained exclusively in fighting with a sword and shield. It is his bread and butter. His ass would not know what to do with a second sword, and nobody really tried to train him in anything else because he's so good at what he does. Garroth can and will always take the hits, he's a barbarian who manages to suppress the rage until he's forced to multiclass into paladin thanks to the relic. Always on the front lines, so good at throwing himself into danger, he wants to die a warriors death and go to Valhalla and both Aph and Laurance are like "Garroth please stop."

- Dante: Dual Wielding jack ass my beloved. Dual wielding isn't a super common style of combat just because it requires so much coordination and there's definitely a quantity over quality problem with guards in Ru'aun. Dante studies an unconventional style of fighting to stand out, and it works. He's super limber and flexible, at least when he's a teenager, and he's fast as fuck. Dante will absolutely be the one getting insane hit combos and doing like 8 attacks per round. He loves bragging about this so much, even though he has to slow down a little as he gets older and his body can't quite move the way it used to.

- Aphmau: Oh Aphmau... Can I call you Aph? You poor thing. In my brain Aph is partially trained by Garroth and Zenix in her early days, but she also just has some really good instincts from being Irene's reincarnation. She learns basic archery from Zenix, and a lot of basics in sword fighting from Garroth. She tends to prefer one lightweight weapon, though she does learn to get comfortable with larger weapons. She's shorter than a lot of her opponents so she likes having a lighter weapon that let's her move fast and go for the fucking knees. She does not fuck around in a fight, she will go straight for the kill. All the guards have some sort of honor/respect for their opponents. She doesn't. She will fucking kill you.

- Travis: Travis is the jack of all trades. You put a weapon in his hand and he knows how to use it. He's not particularly great with any one weapon, and he never has a preference. He was taught to always have his guard up and always be able to defend himself, so Travis is much more comfortable with being given a weapon and using it instead of having a preference. He carries a long sword with him everywhere he goes, but that's just in case he can't get his grubby little paws on something else. He also uses potions a lot more in battle than anyone else thinks to, so he's able to make up for any shortcomings in his fighting.

- Katelyn: Punch people at the perfect weak points of their body. Katelyn has done a lot of study into human anatomy and medicine, and she knows all the weak points of the body for taking someone out in a certain way. Want a quick knockout? There's a pressure point on the back of the neck she can hit while blindfolded. Want to make someone winded? Hit them in the solar plexus. Katelyn has honed her body for this style of fighting, she is ripped as fuck, and while she isn't the fastest fighter, mostly due to her still wearing armor, her strikes are powerful enough to make up for it.

- Lucinda: Evil!! She uses her witchcraft obviously, which I have a lot of thoughts about. I think it's basically being a prepared/component caster, so how well she does in a fight depends on what components she brings into it. But Lucinda literally has like three bags of holdings, she can always whip up something to kick your ass. And if she can't, her staff is definitely made out of some ancient tree and she'll just sweep people off their feet with it and then concuss them with the giant curved end of it. She prefers to take people down non-lethally if possible, especially because witchcraft is very susceptible to accidentally killing people, but if you hurt her friends, it's on sight,

- Zane: Despite his high position, Zane isn't particularly good with any large weapons. I always envision Zane to be somewhat lanky in his stature, and definitely the weakest out of his brothers. He doesn't want to be seen as a threat initially, and as shown in the series, he'd much prefer to find a non physically violent way to kill you. If he has to, he's always got knives hiding on his person, in his robe, in his belt, in his boots, man's always has a way to kill just in case.

- Nana: Magic in this universe is spontaneous casting, where most spells don't need active prep work, and fewer components. Like she needs her dolls as vessels and some magical energy that's naturally present in her body and she's good. I don't think Tu'la was always a safe place, and she likely learned to defend herself from a young age. But Nana isn't really good with conventional weapons like swords or bows, no, she knows how to dent your brain with a frying pan. She doesn't like being violent, but if you threaten her friends or family, she will absolutely demolish you with a cutting board.

- Vylad: The archer!! I like to think Vylad tried to spar with Garroth like once and hated it so much. He hates eye contact and getting close to people, so instead they learn how to be an absolute master of ranged combat. Vylad knows how to stab someone with a short sword in a desperate situation, but he'd much rather be perched on a tree above the battlefield and rain arrows from above. Vylad is also incredibly stealthy and faster than anyone else. So people see his perch and try to get there to take him down or have their own archers fire back, but he's already gone.

- Sasha: Sasha moves so gracefully, so fluidly, and almost enchantingly. For her fighting is a performance, she's gonna kill several people and she's gonna look good while doing it. Even when she was a trained guard she made herself stand out with an affinity for smaller curved blades that naturally assisted her fluid movements. She makes fights into an endurance test, cutting people up and whittling them down. But if she needs to kill, she knows how to do it in a single swipe and knows the weak points that guards are taught to protect, and the ones they aren't. She's such a menace :)

[thealmightea]

🔁 reblog if you ship this couples like me...

[ come back for more to check for the newest because believe me when I said this will continue til the end of time ^^ because apparently I like collecting ships like collecting stamps or coins or cards. ]

[ there's canon and non-canon here, so if you don't like them as a couple/don't ship them/your ship is not here, don't come at me pls T.T ]

[ if there is good movies or series that you want to recommend to me and you think I should watch them, reply on my post down below at the end of this post or send me a message ;) ]

in alphabetical order

9-1-1 - Eddie and Buck (Buddie)

9-1-1 Lone Star - Carlos and T.K (Tarlos)

Addicted - Gu Hai and Bai Luoyin (Haioyin/Heroin)

Addicted - You Qi and Yang Meng

Alles was zählt - Deniz and Roman (Dero)

All of Us Strangers - Adam and Harry

Arrêstes avec tes mensonges - Thomas and Stéphane

Animal Kingdom - Deran and Adrian (Derdrian)

Aristotle and Dante Discover the Secrets of the Universe - Aristotle and Dante (Aridante)

As The World Turn - Noah and Luke (Nuke)

Brothers & Sisters - Kevin and Scotty

Call Me By Your Name - Oliver and Elio (Olio)

Casualty - Jez and Mickey

Class - Matteusz and Charlie

Cuffs - Simon and Jake

Days Of Our Own - Sonny and Will (Wilson)

Dead Boy Detective - Charles and Edwin (Charwin)

Degrassi - Dylan and Marco

Degrassi - Miles and Tristan

Degrassi - Riley and Zane (Ziley)

Demain Nous Appartient - Rayane and Jack (Jayane)

EastEnders - Christian and Syed (Chryed)

El Cor De La Ciutat - Iago and Max (Maxiago)

El juego de las llaves - Valentin and Daniel

Emmerdale - Robert and Aaron (Robron)

Eu Não Quero Voltar Sozinho and Hoje Eu Quero Voltar Sozinho - Gabriel and Leonardo

Élite - Omar and Ander (Omander)

Eyewitness - Lukas and Phillip (Philkas)

Fellow Travelers - Hawk and Tim

Firebird - Roman and Sergey

Fisica O Quimica - Fernando and David

Free! - Makoto and Haru (Makoharu)

Free! - Rei and Nagisa (Nagirei)

Free! - Sōsuke and Rin

Freier Fall - Kay and Marc

Glee - Blaine and Kurt (Klaine)

Goede tijden, slechte tijden - Lucas and Edwin (Ludwin)

Grey's Anatomy - Nico and Levi (Schmico)

Hannibal - Hannibal and Will (Hannigram)

Hawaii Five O - Steve and Danno (McDanno)

Heartstopper - Nick and Charlie (Narlie)

Hit The Floor - Zero and Jude (Zude)

How To Get Away With Murder - Connor and Oliver (Coliver)

Hunter X Hunter - Leorio and Kurapika (Leopika)

In The Flesh - Simon and Kieren (Siren)

Interview with The Vampire - Lestat and Louis (Loustat)

Julie and The Phantoms - Alex and Willie

Kuroko no Basket - Aomine and Kise (Aokise)

Kuroko no Basket - Kagami and Kuroko (Kagakuro)

Kuroko no Basket - Kiyoshi and Hyūga (Kiyouga)

Kuroko no Basket - Midorima and Takao (Midokao)

Kuroko no Basket - Murasakibara and Himuro (Murahimu)

Legacies - Ben and Jed (Benjed)

Les Misérables - Enjolras and Grantaire (Enjoltaire)

Looking - Eddie and Agustín

Looking - Kevin and Patrick

Looking - Richie and Patrick

Love and Deepspace - Sylus and Xavier (Crowstar)

Love and Deepspace - Zayne and Rafayel (Snowfish)

Love Simon - Simon and Bram

Love Victor - Victor and Benji (Venji)

Man In An Orange Shirt - Steve and Adam

Man In An Orange Shirt - Michael and Thomas (Berrymarch)

Mario - Mario and Leon

Matthias & Maxime - Matthias and Maxime

MCU - Steve and Bucky (Stucky)

MCU - Spiderman and Deadpool (Spideypool)

MCU - Wolverine and Deadpool (Poolverine)

Merlí - Pol and Bruno (Brunol)

Merlin - Arthur and Merlin (Merthur)

Merlin - Percival and Gwaine (Perwaine)

Mo Dao Zu Shi / The Untamed - Lan Wangji and Wei Wuxian (Wangxian)

Nadie Nos Va A Extrañar - Alex and Rafa

O Beijo do Escorpião - Paulo and Miguel

One Live To Life - Oliver and Kyle

Oz - Chris and Tobias

Please Like Me - Arnold and Josh

Please Like Me - Geoffrey and Josh

Prisma - Daniele and Andrea (Dandrea

Queer As Folk - Ben and Michael

Queer As Folk - Brian and Justin (Britin)

Queer As Folk - Drew and Emmett

Queer As Folk - Ted and Blake

Raw - Geoff and Pavel

Rebelde -Luka and Okane

Red White And Royal Blue - Alex and Henry (Firstprince)

Roswell New Mexico - Michael and Alex (Malex)

Rykter - Mathias and Erik

Salatut Elämät - Lari and Elias (Larias)

Sala Samobójców - Aleksander and Dominik

Schloss Einstein - Noah and Colin (Nolin)

School 2013 - Heungsoo and Namsoon (Heungsoon)

Sense8 - Lito and Hernando

Sex Education - Adam and Eric

Shadowhunters - Magnus and Alec (Malec)

Shadowhunters - Raphael and Simon

Shameless - Ian and Mickey (Gallavich)

Skam - Even and Isak (Evak)

Skam Belgium (Wtfock) - Sander and Robbe (Sobbe)

Skam France - Eliott and Lucas (Elu)

Skam Germany (Druck) - David and Matteo (Datteo)

Skam Italia - Niccolo and Martino (Martinico)

Solo - Oskar and Milo

Spartacus - Agron and Nasir (Nagron)

Spartacus - Barca and Pietros (Bietros)

Station 19 - Travis and Emmett

Suits - Harvey and Mike

Supernatural - Dean and Castiel (Destiel)

Tatort Saarbrücken - Adam Schürk and Leo Hölzer (Hörk)

Teen Wolf - Danny and Ethan

Teen Wolf - Derek and Stiles (Sterek)

The Eagle - Marcus and Esca (Mesca)

The Halcyon - Toby and Adil

The Magicians - Quentin and Eliot (Queliot)

The Maze Runner - Newt and Thomas (Newtmas)

The Night Shift - Drew and Rick

The Old Guard - Joe and Nicky (Joenicky)

The Originals - Aiden and Josh (Jaiden)

The Silmarillion - Melkor and Mairon (Angbang)

The Society - Sam and Grizz

The Walking Dead - Aaron and Eric

Torchwood - Jack and Ianto (Janto)

Verbotene Liebe - Oliver and Christian (Chrolli)

Voltron Legendary Defender - Keith and Lance (Klance)

Waterloo Road - Preston and Kai

Young Royal - Wilhelm and Simon (Wilmon)

Yuri! On Ice - Victor and Yuuri (Victuuri)

... to be continued ...

❣ Give me some recs pls ❣

[tallaxia]

I always struggle when I have to draw his earring because what the hell is that blob supposed to be? A duck? I mean, his Daffy Duck impression in the scene with Scott was pretty obvious, but today I watched Looney Tunes in English for the first time and noticed so many more references. Now I'm pretty sure his earring IS a duck!

[fresne999]

Half way through the journey of our analyses

I feel like roughly half of the analysis I'm reading about OFMD S2 is folks who clearly fixated on a character (it's Izzy, it's always Izzy that inspires this kind of analysis) write analyses that cause the 2nd response of, "Um…did you ever study literary analysis in school."

Now I come at this from a slightly odd place in that I did study literary analysis in school (30+ years ago) where I learned it's possible to interpret anything about any way, because we're all bringing different lenses to the analysis. Which isn't to say that an author can't have an intended interpretation. 

Dante in Canto V of Inferno (Divine Comedy) would still like folks to understand fixating on the two damned-lovers and ignoring the details that the artist is putting in there for you to catch about how they are damned because they won't change the toxic patterns that got them there in the first place. Also, they can't because they are in hell, and hell is like that. That Dante-the-writer had Dante-the-character swoon over those same two damned-lovers (because Dante-the-character is on a journey of moral correction) is hilarious, but doesn't make it any less the point of that section of the work, but I digress.

As a career, I am very aware that folks love to misinterpret what is meant to be very clear instructions. Of course, I'm writing policies and procedures, which is a bit different from writing fiction, and is worlds away from creating a t.v. show. But that's the life experience that I always bring to literary analysis. Frequently, people choose their interpretations to fit what they want to see, and that's part of being human.

I've seen a fair number of folks interpret Izzy's redemption arc in S2 as one of a queer man struggling with disabilities and mental health issues whose struggle is made meaningless by his demise. Which sure, you could interpret it that way and in that it's coming from I'm sure an emotional place, I get it. And hmmm… I might give this interpretation more credence  if I hadn't read a lot of Izzy analysis for S1 that was wildly different than the text.

So let's take a step back. 

First, know the rules of the literary universe: OFMD is a show where the reality is not ours. It is either the Core Universe or something very close to it. BTW: If you've never heard of Core Universe or read the seminal BtVS+HtLJ "When Hellmouth's Collide" (https://www.ltljverse.com/index2.htm), a Core Universe is one where everything lines up. Row boats are magic, and where there is a Badminton, he will accidentally stab/shoot himself. 

Terminology more befitting of that fancy literature degree might be to say that OFMD functions along the logic of Magical Realism. Characters will appear briefly for the purposes of the story and then disappear not to be mentioned again (Nana, Calico Jack, Mary Read & Anne Bonny). Things align because they are meant to align. It is a universe where the Gravy Basket is a real place, and meant to be taken seriously.  It's also a universe where a man may become a seagull, because he loves the sea. You change for love, but the ways you change may be positive or toxic. 

They can result in a bird that never gets to know rest. Always flying over the sea. Or they lead to becoming a bird, who can float in the sea or land on a unicorn's leg. 

Transformation. 

Anyway, S1 - Stede commissioned a ship with secret passageways. It did not have a buxom mermaid on the prow, nor something more befitting a ship named the Revenge. He commissioned a unicorn prow and went off to become a pirate. 

A not particularly violent pirate. But a pirate who didn't have a problem with the violence of piracy. See Stede telling Lucius (hardest working man on the ship in S1) to take notes during a violent raid where the show's logo was literally carved into the chest of a dead man. 

BTW: The tone about violence is darker in S2, but the violence was there in S1. It was just presented in a more whimsical way. The nose jar was full of noses in S1. We heard about Blackbeard's violence. A man was skinned alive off screen, but we focused on the Prussian (but also sort of French) party. 

What Izzy needed to be redeemed from was established in S1. The problem is that folks who interpreted Izzy as a) the central focus of the show and b) a put upon manager just trying to do right by his crew (or as one Tumblerina referred to him as the man/father of the family going out to hunt - excuse me while I vomit - and support his family as men must do), are not going to understand what Izzy's S2 arc was all about. 

Ed and Stede are the main characters in a romantic story. There are other characters with their own arcs, but they are the main characters.

In S1, Stede created a safe space where characters had a chance to breathe for the first time. Possibly ever, and as a result revisited parts of themselves they'd lost. Wee John got back in touch with his roots as the son of a seamstress. Frenchie got back to what he loves, scamming the rich. The Swede sang like a siren of the sea, because it doesn't always have to be scary. 

Ed had his first good time in years. After expressing suicidal ideation to Izzy because of his terminal boredom in S1.E4 - Discomfort in a Married state, Ed found himself some balance. Some sweet marmalade. 

Ed and Izzy were in a toxic relationship that only reinforced their toxic behavior. And yes, I'm going to overuse the word toxic. While piracy is a place where you can go be yourself and shag whoever you want (whatever happens at sea stays at sea), it's not a place where you can be soft. Gentle. Emotionally open. Available. 

Ed's only path out that he could see at the time was to plan to skin the face of the man who built a ridonculous boat with a unicorn on the prow and wear it for the rest of his life. A plan to send Stede to Doggy Heaven. 

BTW: This is why Izzy uses the line in S2.E3 - the Innkeeper, that they put Ed down like a mad dog, so that Stede could reply that they sent Ed to Doggy Heaven. Reiterating this concept of piracy as violence, as taking away faces / identity / lives, but also losing one's own. Forgetting even what day of the year it is. Also revealing that Stede knew about Ed & Izzy's plan to murder him, send Stede to doggy heaven, and had moved on. 

This is also why the respite in S2.E4 - Fun and Games is so critical. Mary Read/Anne Bonney are portrayed as direct parallels to Stede/Ed. They are selling what are, no doubt, the spoils of their piracy. But they've chosen a remote location with no community, but each other and a life where they are not actually communicating. Which on its surface is where Ed and Stede end up, and yet…the Revenge can sail back. They are on the shore facing the sea, not in a jungle lost from a clear view. I'll quote the relevant Dante in just a bit, never fear.

Ed and Stede's new inn has the potential for a solid foundation, because the unicorn has been planted firmly in the ground, and if we get an S3, I firmly expect the unicorn leg to have transformed into a tree, because I've read a lot of medieval literature and that's how that sort of thing works. 

Well, it could be a penis tree (this was a thing in medieval marginalia), but somehow I don't think it will be. 

 But I'm getting a little ahead of myself.

Back in S1, the plan to murder Stede and take his identity broke down despite Izzy trying to perform an intervention to get Ed back into the toxic soup, and ended with Ed curled up in a bathtub and opening up about murdering his father. An image the show chose to flash on the screen multiple times in S2 just in case folks forgot that this was a traumatizing event for Ed, and was itself the culmination of years of traumatic abuse at his father's hands. 

Just as Stede kept flashing back to the moment his father tells him what it is to be a man, and kills an animal, the blood splashing on Stede's wee little face. 

That this is the point of the show. Transforming past trauma. It's there. You always carry the scars. Sometimes, you decide to tattoo yourself with the image of the thing you fear, and then the thing you fear is always there, but you've got to keep moving forward. To stay in one place, to stay trapped in the same emotion/action, is hell. I've read a lot of lit crit of Dante's Inferno. Trust me, it's the same thing.

Izzy's redemption arc is firmly based in the events of S1E6 - Here Dragons Be, because it's where the pustule of his relationship with Ed breaks. His attempted intervention fails to get Ed to kill Stede, so Izzy tries to kill Stede. Not realizing that a) Stede is a main character and b) this is a Core Universe show. Where it's possible to win a duel by being stabbed in the left side of your gut and stay there for many hours and not die. So he loses the 1 thing that defines him, his job. 

Izzy's redemption arc is firmly based in the events of s1E8 - We Gull Way Back, where he enlists Calico Jack to lure Ed off the boat (with all the toxic masculinity that entailed) so that the British could show up and shoot the head off the unicorn, and kill Stede. So Izzy can crawl back into his old patterns / job / life. 

Izzy's redemption arc is firmly based in the big drama confrontation in S1E10 - Wherever You Go There You Are, when as a person whose entire identity is tied up in being Blackbeard's First Mate and after realizing that he couldn't cut it as a captain on his own, he does whatever the f- he can to get Ed back into the toxic soup so he can get his old role/job back.  

This isn't to say that Ed's off the deep end actions in S2.E1&2 aren't his own choices. He is a main character. His emotional arc is one of the driving forces of the show. But they are the choices of a man who wants to die. After a lifetime of violent action that had been increasingly drowning him, he wants to die in the violence of battle, but the enemy are never good enough. He wants Izzy to kill him, but Izzy won't. Until he does…sort of. He wants to die in a storm. He's carving notches on his wall hoping to lure Ned Low to him so that he can die in pain. But Ed is the devil and does not die.

Except Ed's not the devil. He doesn't have a head made of smoke. He's a man. Not a fisherman. Not a fisher of men, and what an interesting attempt to go Christ himself off into the wilderness only to be fired for not being that good at it, and then receive his letter from the deep. 

Because in a show full of magical realism, the bottles with messages will reach the intended recipient eventually.

"In the middle of the journey of our life, I came to myself in a dark wood for the straight way was lost. Ah, how hard a thing it is to say what that wood was. So savage and harsh and strong, that the thought of it renews my fear. It is so bitter that death is little more so. But to speak of the good that I found there, I will tell of the other things I saw…and like one with laboring breath comes forth from the deep onto the shore, who turns back to the perilous water and stares, so my spirit still fleeing turned to gaze upon the pass that has never left anyone alive." Dante, Canto 1, Inferno. 

Instead of dying, Ed goes not to Purgatory (sorry I'd quote the opening lines, but Inferno actually works better here), but to the Gravy Basket, where he confronts the spirit of Hornigold. Dead spirit. Aspect of Ed's self. Both. Neither. Hated. Self. Unkillable. 

Is saved by a goldfish incarnation of Stede. 

But just as the imaginary as Stede's vision of what / who he thinks he needs to be for Ed, this is not true. Life being what it is, Ed and Stede rush when they need to go slow. They break apart because they are saying words, but the other person is hearing based on their own interpretation. 

BTW: The clue Dante-the-writer gives the reader in Canto V of Inferno is how one of the damned lovers, Francesca, explains how she hooked up with her brother-in-law, Paulo. She describes reading an Arthurian romance. She and Paulo kissed when Gwenevere and Lancelot kissed in the story. Except the version they are reading (and Dante tells the reader which version this is) was intended as a cautionary tale. Also, Paulo and Francesca were real people who were murdered by Francesca's husband when he caught them together. So there is that too.

I always like it in fiction when characters misinterpret each other because they hear based on their life experiences and don't hear the things that are said/unsaid based on the life experiences of the other person speaking. That's good writing. It's also how we end up with wildly varying interpretations of works of fiction.

But I digress.

Izzy's S2 arc is that he must let go of his relationship with Ed and turn to others. He must learn to let go of toxic masculinity and let in softness. Not weakness. Water is not weak, but it is soft. Calypso, goddess of the sea, is not weak. Her birthday is whatever day you need it to be. She is vast and deep and soft and relentless. 

In Ro-sham-bo, it's a shame that there is not a gesture for water. Because it is not paper that defeats stone, but water that wears away the stone. Of course, scissors wouldn't do much to water either, so that would sort of break Ro-sham-bo, so I suppose it must stay as it is.

It is through a craft's project that the crew of the Revenge find healing. Turn Izzy into the unicorn. A unicorn that Izzy's own actions caused to be decapitated with a British cannon ball in S1. That Izzy rendered legless (drunk). But the Revenge is a boat. They just need to swim/sail. It is through a craft's project that Izzy is able to offer healing to Lucius, who in turn is then able to turn their art away from fixating on Ed, and the trauma that he's been through and back towards love, and Black Pete. 

But it's not possible to see Izzy's S2 arc, if you didn't interpret S1 Izzy as needing to go through his own gravy basket. 

That Izzy dies because his transformation is necessary. He can't leave Ed, and if he doesn't leave Ed, then Ed can't stop being Blackbeard. The kracken. He literally tells Ed this as he chooses to transform. To free the world of Blackbeard, so Ed can be Ed. Yet, I've read so many posts by folks saying, "But why did he have to die?" Which sure, you can choose not believe what the character says while dying.

Which is a narrative privilege. To get a good dying speech. "There he is" get to be transmutted from an attack to an actual seeing. The larger than life concept of a smoke headed pirate can waft away.

Stories are hard to kill. They live on long past us, and as long as someone is remembered, especially in a universe like OFMD, we live. 

Though always reject the gift of a clock. That's someone telling you that you've only got so many hours left of life. If you are a character in a story. 

Thus the other parallel in this season is Izzy to Auntie and Ed to Zheng Yi Sao. Auntie must allow Zheng softness. Izzy must go through a sea change to something new and strange. Also, this would be a case of Doylistically the writers needed to line up Olu with Stede for that to work, and thus the new configurations of Olu and Jim's relationship, which, shrug, could be poly. Could be friends to lovers to friends.  Woulda, coulda, had more time, but that's on Max for not giving us 2 more episodes.

Prince Richard was trying to become a concept, but was too in love with the mechanics of it. Stede was trying to become a concept too. Found his fame, and all too quickly the toxic end of that particular route. Magical Realism was on his side until he tried to face down Zheng Yi Sao, the Queen of Pirates, and then the rules of the story weren't. Because those clocks were ticking. Everyone was in a very dark wood. The memory of blood splashed on Stede's face as a little boy was a warning. It was a reminder. It was the wrong lessons we take from our childhood and must unlearn to become whole.

Having the final shot of the show being Buttons landing on the unicorn leg as a reminder that this is a show about transformation. One thing becoming another thing. Somewhere the dead are dancing in Calypso's court. A dance below the sea and on the sea and with the sea. While the living keep sailing on their magic ship to do…I don't know. 

Because the Golden Age of Piracy is coming to an end. They'll go create new worlds and new places to be. Transforming.

If we get no more of the show, this is a resolution.

Since I've been quoting Dante, I'm going to end this with the final vision in Paradiso. Because folks who haven't been reading my analysis for the last 30 years / read it, may not realize that the Divine Comedy (a story that begins in sorrow and ends in joy) ends with the vision of a 3 way rainbow. 

"In the profound and shining Being of the deep Light, three circles appeared, of three colours, and one magnitude: one seemed refracted by the other, like Iris’s rainbows, and the third seemed fire breathed equally from both. O how the words fall short, and how feeble compared with my conceiving!…Power, here, failed the deep imagining: but already my desire and will were rolled, like a wheel that is turned, equally, by the Love that moves the Sun and the other stars."

[eyedrateanatomy]

dude dude DUDE I have a a really funny episode idea

you know that one amazing world of gumball episode where it shows the characters’s dreams? Imagine that but Spooky Month

obviously Eyes would be the narrator, but a funny idea I had is that Kevin has a lucid dream that somehow allows him to find Eyes so now they’re BOTH narrating.

also Ignacio’s dream would be about him beating the ever loving god out of cute tiny little versions of everyone else

TT and FT would impact each other’s dreams due to what they are doing in real time, it ends with TT’s actual body getting crushed by FT’s since they DEFINITELY have a bunkbed.

Lila is sleepwalking since she thinks Skid is out and about, probably walked out of her house with her ruler and is now accidentally beating people up

the only person who has a good dream is mayor and even then it’s like an acid trip

I NEEDED to share the is idea with you it was so funny in my head

HELP THIS IS SO FUNNY i love the idea of the Eyes narrating. it could be in Kevins dream and thats what causes him to hear it and they end up both narrating cause Kevin never gets a fucking break. guess hes watching all these dreams too

Lila is beating the crap out of everyone. yes. Jaune and Aaron have to wake her up. turns out Skid and Pump are actually out and about entering peoples dreams somehow and are currently annoying Kevin

Evermore's having a Great dream cause everyones dressed in rags being forced to clean his house and shine his shoes and make everything in his image. we see him tie a handkerchief around his neck before cutting away at a life-sized edible version of himself

Roy was having a good dream where he gets to do something stupid like. idk. mess up his parents bedroom. but of course Skid and Pump interrupt it and he wakes up screaming. his parents rush in and are like "ok no more video games past 10" and they walk back to their room to go back to sleep. Carmen dreams about being pampered by dozens of beefy men on a beach, and Richard is having another Star Trek dream

Frank has a dream where hes on a date with a wad of cash, Gregor has a Dantes Inferno type dream where hes hanging out with God and Jesus in heaven, Candy Dealer's dreaming about using Kevin like the ball of a paddle (Kevin narrating is like "what the fuck?? thats my boss??? WHAT IS HE DOING"), Jack is having a lucid dream where hes in the void sitting on the comfiest vibrating chair ever while trying desperately to hold a glass of milk, John isnt sleeping, Patty also isnt sleeping. shes with John. they both look like shit

Susie dreams about her and her demon OCs going on adventures and being edgy before Skid and Pump run in and Pumps like "awww why do you never let me see your cool characters Susie" nd Skid says "CAN YOU DRAW ME NEXT PLEASE I WANNA BE A DEMON" and Susie yells at them and pushes them off screen

Radford has a dream where hes. watching a movie. Skid and Pump sit down to watch some of it with him before getting distracted and running off, completely ignoring Radfords yapping. he eventually wakes up and yells at himself for forgetting the entire movie

Rick isnt dreaming about anything. hes just standing there. Skid and Pump run in but are like "uhhh wheres the dream?" and Rick just says "didnt feel like it."

[charlioak]

backlog of jack/dante doodles and art because I LOVE these guys