#i love both syaorans i love both sakuras

[kariachi]

Morning Thoughts: How OG!Yuui/Our Fai's whole 'all smiles good times not stressed' demeanor was started out of a desire to make other people happy. To repay Ashura for taking him in and preserving his brother. To make up for the sins he carries on his shoulders. How the only thing he wanted besides his brother to live and himself to die (not more, not for a long long time, but still on the short list) is the safety and happiness of the people around him. How much and how strongly he loves despite everything. How from what little we see of his brother he was the same damn way, loving his twin with everything there was in his little him.

Just, I have so many feelings about these two.

[completeoveranalysis]

[2]

OH SNAP FAI KNEW

I’ll have to go back and double check this but if I remember Acid Tokyo correctly he knew about Syaoran the whole time didn’t he? He could tell??

Which means HOT DAMN, right from the FIRST MOMENT in front of Yuuko Ichihara’s he knew they were both clones and just went with it. He didn’t have much choice after all, and he knew he was going on this journey anyway, but OHHHH

OHHHHHHHH THAT LENDS SO MUCH TOWARDS THEIR RELATIONSHIP????

We already saw in Acid Tokyo that Fai put his life on the line and almost lost everything because he went to bat for Syaoran’s soul. Fai said Clone Rights and felt so strongly that Syaoran deserved the soul he had been growing on his own that he lost an eye in the effort. 

And since Fai knew about Sakura it means the same thing - that he knew she was artificially created but that he never treated her any differently, she was Important and Incredible and Worth Loving every step of the way. He swore his devotion to HER, not the real Sakura, who he has never met. It’s THIS Sakura that was his daughter. 

And how much does it speak to Fai’s trauma that he saw these two struggling clones and couldn’t help but adopt them. How much of his own brother did he see in these imperfect twins tossed away by the world, used for other people’s plans, exploited and suffering and ultimately destined to die? These people who technically shouldn’t exist, like he thought about himself at the time? 

How much did it take for Fai to see these artificial twins fated for death and pick THEM over his own twin, who he thought had died because of him? 

How much did Fai later decide that at least he could save THESE twins? At least THESE unlucky souls he could help survive? 

And now here we are, Fai having a front row seat to Sakura’s soul disappearing right before his eyes? A second time? And JUST like he watched Syaoran’s soul disappear in Acid Tokyo? 

[hiddencarpet]

january 2023 — april 2018

Redraw time!!

[sentofight]

WHAT IS HOLDING YOU BACK?

the inability to see the good in yourself, therefore relying on others to provide it for you

your heart is so full for the people you love. it's sweet, but you've now forgotten how to care for yourself. you only seem to see great things in the people around you. they're wonderful, and you... you don't like what you're seeing in yourself, right? you need to be reminded that you're enough. that you're talented. that you're worthy. that's partly the reason why you reach out so much. you need to hear it from the lips of someone "better" than you. but afterwards, it makes you feel even more guilty and upset. you feel like your actions are self absorbed. you're aiming for perfection because you see it in others. you're failing to see the flaws in everyone else. i promise, you're no monster. i could say this again and again, but will you believe me when i say you need to find it out for yourself?

tagged by: @hiircgi [tysm!!!]

tagging: u see, u do

[miraculouslbcnreactions]

I wouldn't really agree that boys are just arm candy in magical girl shows and only there to look cute. Yeah, sure the girls' friendships are the focus, but the boys are usually very much involved in the plot and most shows do explore their feelings about the odd things that happen due to magical shenanigans even if they aren't in the know (It's why ML baffles me even more with how they screwed up Adren's arc when he's the deuteragonist, when all these boys are supporting cast and get well rounded arcs)

I'm not much of a winx fan, but the specialists were very much not arm candy. Did the girls talk about them being cute? Yes, it's what teenage girls do. Did the narrative suggest they were good looking? Yes, but that's standard for most love interests in any genre. But we still got scenes with them talking amongst themselves about how they themselves feel and they got a fair share of badass fight scenes even if they wield no magic. A large amount of episodes actually included the boys and girls working as a team solving a mystery or fighting a villain. The girls might deal the finishing blow but the boys were still integral to the plot.

I hope this doesn't come across as hate, it definitely wasn't my intention. I'm just a bit too passionate about the magical girl genre.

I do think you have a good point with ML having a problem choosing a genre or blending two genres successfully.

For the CCS fans, I will add though that Cardcaptor Sakura had both Tomoyo and Syaoran serve as sources of motivation for Sakura. And both Sakura and Syaoran collecting cards even if Sakura is the only one who could seal them and yet never made you question whether Syaoran was even necessary for the job the way ml does with Chat.

I wasn't trying to say that boys have no part to play in magical girl team shows or that they're always treated as having no lives beyond the girls, that's why I mentioned that the Winx Club boys - aka, the Specialists - have their own (mostly off screen) lives and occasionally show up help the girls:

the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship

Even then, this is certainly a simplification of the roles that they play in the story, but I kind of had to simplify their roles down to their base components for the original post's discussion as I was talking in broad strokes of how these stories are written.

In terms of those broad strokes, the Specialists are absolutely only there for shipping fodder. That's why each one is assigned to a girl from the start and why their main role in the narrative is supporting their assigned love interest or causing relationship-based drama for their assigned love interest. If it weren't for shipping, then the Specialists would not exist.

While the Specialists do have fleshed out characters and may even effect the plot, the execution of those elements is designed around the girls. A really obvious example of this is the character Timmy, who has character development as the boy's tech guy. Why is he into technology? Because he's the designated love interest for the fairy of Technology and we have to show why they're a good match. Along similar lines, the boys don't really get plots that are removed from the girls because this is the girl's show. Every episode features one or more of the Winx, but the boys are optional and often don't appear.

This is because, narratively speaking, the boys are just love interests and that brings us back to Miraculous' big problem. You can't have a show where Adrien is written like a Specialist while also being part of the Winx Club and where Alya is written like she's part of the Winx Club while technically being more of a Specialist in terms of power set and actual narrative role.

I'm was thinking back to my memories of various Winx Club plots to find one that really highlighted what I mean here and I remembered that one of the big dramas in season one was the reveal that Bloom's love interest - Sky - was in an arranged marriage and had just never told her. As it turns out, that's a great example of what I'm talking about re Adrien!

Is that plot line technically based around Sky and letting his life effect the plot? Sure, but the fallout of that reveal revolves around Bloom, not Sky. The story doesn't really care how Sky's feeling as the conflict progresses. Instead, it focuses on how it affects Bloom and her friends because of course it does! She's the main character. It would be really weird if that plot suddenly focused on her side character love interest and his friends during one of her darkest hours/biggest moments.

Think of that and then consider how the ending of season five is written. Notice any similarities? Sure, this is Adrien's family drama, but because he's just a Specialist, the focus isn't on him. It's on Winx Club member Marinette and Adrien only shows up at the end for a kiss. That is the problem. That is what I'm talking about when I say that Miraculous will randomly write him as if we're watching a magical girl team show where Adrien is just the love interest.

In fact, let's really dig into this example because it's a good one.

You can have a look at the transcript for the finale episode of Miraculous season five here and see for yourself that Adrien doesn't even show up on screen until the final scenes when the big drama is over. The Winx Club wiki also has episode transcripts, so I took a look to see what happened in Winx land during the arranged marriage reveal plot (I love that this is a thing. It's so useful for fact checking myself!) This is the script for the episode after Bloom learns the truth. Sky does not appear even though his lies and family drama are the fuel for this episode's events, which are a major part of the season's arc. Note how perfectly that matches Adrien's writing?

Similarly, Sky's dialogue in the reveal episode is all about Bloom. He's worried about her learning the truth and thinking less of him. To match that, here's Adrien's only real dialogue in the penultimate episode of season five (full transcript):

Adrien:(Covers his ears.) I cannot transform... (Looks at his ring and tries taking it off.) Plagg: What are you doing?! Adrien: I'm not in my right mind. I'm too angry — at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm — Marinette, Ladybug... (Takes off the ring and hands it to Plagg.)

Switching back to Winx. After Bloom learns the truth about Sky, bad things happen because she's depressed. This results in her and the Winx going off on a journey to learn the truth of who Bloom is. After the girls share this big plot moment and Bloom gets her mojo back, the boys show up to be their ride home and to give Bloom her romance moment where Sky wins her back by declaring that he broke off the arranged married because he loves her.

Sky notably doesn't get an arc about choosing between his arranged marriage and his true love. We don't even know that the marriage is broken off until he tells Bloom because that was never really a conflict as far as the narrative was concerned. Of course he's going to pick Bloom! He's her designated side character love interest! He only exists to be with her. We don't need to treat this as a serious thing for him. The arranged marriage plot was never about him anyway. It was about giving Bloom a reason to have a darkest hour moment that moves the plot forward. Similarly, Sky calling off the marriage is nowhere near as important as him telling Bloom that he's called off the marriage to be with her in a grand romantic gesture.

This perfectly mirrors Miraculous' season five ending where Adrien doesn't appear until after Marinette is done fighting her big girl power fight against his father. As far as the writing is concerned, that fight isn't about him. His connection to the villain only really matters in terms of how it affects Marinette's actions during the final battle. Then, when the battle is over, Adrien shows up to give Marinette her big romance moment because, while the plot may be driven by Adrien's family, he is not a Winx club member. He's just a Specialist. Or, in the words of the head writer:

[image text: She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?] (The full, even more damning context of this tweet can be found here.)

What else can I say other than, "I rest my case."

Oh, and also that I didn't take this as an attack. I just thought it was a good opportunity to really dig into the nuances of this and what I was talking about in that original post as I never know how obvious this stuff is if you don't closely study story telling. As this case study hopefully shows, if a show is about a group of girl friends using the power of friendship, then their love interests may have important roles, but the boys are never going to be more important than the girls and most of the boy's screen time will be focused on romance and how their existence effects the girls because it's ultimately the girls' world. Without them, the show wouldn't exist. Without the boys? Well, then we just wouldn't have a romance plot.

[askkurofai]

After Sakura won the race, the CEO of Piffle Princess Co. forced her and her entire family to do a commemorative photoshoot: it’s their first Purikura experience, and Sakura would say it was unforgettable!

———

This was a collab with @zuzu-draws!! She drew Syaoran and Fai, and colored Kurogane and Sakura. I did the opposite. Can you guess who drew and who colored Mokona?

This was an absolute blast to do, please, I beg you all, go follow @zuzu-draws , she’s a treasure and her art is fantastic. Now that it’s over, I feel empty inside…. We both miss and love the Tsubasa gang so much…

[starberry-cupcake]

Something I find really amusing about CCSakura lore (as messy as CLAMP can be with consistency) is how Touya and Syaoran both have in common the fact that they inadvertently fucked over Clow's predictions and are now crucially inserted in whatever goes on whether they want it or not, having both insane unpredictable magic.

Touya derailed Clow's plans possibly just by being born and that he didn't consider that Fujitaka could have two kids. Him just existing and finding Yukito already changed everything. Yukito's independent nature from Yue's memories, born from the need of him to ignore his given purpose until the right time, gave him a clean slate of freedom of choice which he used to stick to Touya instead of Sakura, as Clow had considered would happen. Yukito fell for him without even knowing that he or Touya had magic. Then Touya gave Yue his magic, while acknowledging Yue as a different entity separate from Yukito but equally as valid and worthy of being saved, and as much as Yue cares deeply about Sakura, you can't convince me that magic gift in itself wasn't something that finally pushed him to start moving past his grief for Clow once and for all, especially at a time they knew for a fact that Clow was somehow lingering, because his magic was showing up.

Not only that but Touya ended up having even more magic, independent from Clow's own, and is one of the incredibly few people in existence who can control time magic and when asked by Kero, Spinel and Ruby Moon wtf is up with that he goes like 'what, like it's hard?'.

Then Syaoran, after losing his right over the cards, just decides to stick around, risking his life persistently to save and assist Sakura, and instead of feeling a sense of competition forever because of his bloodline and what he was taught to feel entitled to due to his upbringing, he just decides he'll give her whatever he can to help her if she asks, because he loves her. And Sakura also falls in love with him. And the cards become attached to Syaoran because Sakura is attached to him and their magic intermingles in a way in which not only she can lend him cards, they tag along with him out of their own free will without Sakura even knowing because they care for him too, out of Sakura's love and out of their own choice because hey, this kid is good.

And Syaoran develops his magic as a separate form from Clow's and it becomes powerful enough to break through insane powerful magical barriers to reach Sakura when she's in danger.

And neither of them really knew what the fuck they were actually getting into in the first place, because one was just vibing with a guy he met at school and the other one was sent at age 10 by his family to pick some cards in a foreign country and now they're magical beacons forever attached to Clow's legacy.

[matsuyorific]

I love the details in this piction of where exactly they're looking. Sakura, Tomoyo and Toya are looking at the cherry blossoms, but not Syaoran or Yukito. Syaoran is, of course, looking at Sakura, because he's more interested in this girl whom he wants to hate, but can't bring himself too, and he doesn't know why.

Yukito, even though his eyes are clossed, you can still tell is looking at both of them His head is pointed strait in between them, as if he's watching over them. Fitting, as he is also Yue, who's meant to be her guardian. Even though this image uses the season 1 designs (yes, there's a subtle difference GOSH I love this show!), meaning Yue hasn't accepted Sakura as master yet, Yukito still subconciously watches over her. He still plays the role of her guardian, and highly prioritizes her happiness. And she's currently spending time with the person both of them already know will make her the happiest, even if that same boy doesn't realize it yet.

[meimi-haneoka]

Cardcaptor Sakura Clear Card Chapter 75: Comments + JP-ENG translation differences

Hellooooo everyone! Welcome back to my post with the commentary and translation differences for Cardcaptor Sakura Clear Card! We finally reached chapter 75!!! I'm glad to inform you all that even this month we didn't have any major (or even little) discrepancy between the ENG and JP versions, there's just some nuance here and there but nothing really impacting the correct understanding of this chapter.

Moreover, we still don't have any announcement for the last chapter of Clear Card, neither on the color spread nor in the editorial text at the end of the chapter (where usually the place for them to advertise stuff related to the next release is). We didn't even get an announcement on the twitter account...

Therefore, I'm confident enough to say that Cardcaptor Sakura Clear Card Arc won't be over in chapter 76, and they might really keep going till chapter 77 (double 7, lucky CLAMP number!). I know that this month we don't have translation mistakes, but if you still want to read my ramblings about some very important themes in Clear Card, then look at the gif of the month and follow me under the cut!! 😂

(my friends of a certain Discord server will be happy to see this gif, hahah)

The Color Page

The color spread this time is very special, not only because it gives us the opportunity to see the color scheme of ✨The Outfits✨ of the finale for both Sakura and Syaoran, but because there's an additional surprise too! Let's start with the color scheme, which as I strongly anticipated is the same of the costumes for the Alice in Clockland play (white - black - golden). Not only that, but also the poses and elements of the color spread are basically rehashing the color spread of chapter 64!

I absolutely loved this parallel. Especially because you can clearly see some kind of "the situation is very different now" message behind it. If Sakura looked somehow "lost" in the color page of chapter 64, she now looks confident, resolute, she gives off the aura of "leave it to me, I'll make things right!" and I really love it. I love this Sakura who's in charge because she finally found herself and what she wants to do with her powers: helping a beloved one finding her true smile again by bringing back the most important person to her! Syaoran is still looking cool, determined and serious (as opposed to 'snobby' before, but are we really sure that the one in ch. 64 was Syaoran? and not Kaito? 😂the absence of the body -which now is fully visible in the color spread of ch. 75- kinda suggests that that one wasn't the real Syaoran). The clock and clock gears of ch. 64 are now replaced, still in the very same position, by cool metallic elements, Kaito's pocket watch and a big Moon. Precisely the protagonists of this chapter! Now that I listed all the things I liked about this color page, I have also to point out that their expressions kinda look "weird" or "off-model" to me. I can't pinpoint exactly what's wrong, but it's something about the eyes: the irises are probably bigger or darker than usual. Not a big deal, anyway.

Off we go!

We start the chapter immediately explaining the big question that arised at the end of chapter 74: if this is a rewritten world and the Clear Cards have disappeared (and Sakura didn't have any recollection of them), what is the Dream Wand doing there? Kero asks about it and Sakura explains that when she went to open the jewelry box (remember it? It appeared in the very first chapter of Clear Card, and Sakura placed both the hairpin she received from Yukito as a present and the Star Key in there) before going to Yukito's house, she found another key together with the Star one. Sakura thinks that this key is the one that existed in their world before it was rewritten, and Kero can distinctly feel Sakura's power coming from it. Sakura agrees and says that for this reason, this time she'll be going with this wand.

So the Dream Key also survived the rewriting. Makes sense, it either survived on its own (and somehow ended up in the box) or Sakura must have left it at home in the box before the play, probably sensing something and listening to her magic intuition (that got even more refined in the latest period).

Tomoyo intervenes saying that the earcuffs of their outfits are actually transmitters: Sakura and Syaoran can communicate among eachother of course, but also send back audio and video to her device. Nakuru can't help but marvel at the hi-tec device and Tomoyo proudly announces that this is one of the hottest items of Daidouji Toys!! It made me smile to read that company's name again here in the finale, it really feels like tugging at our nostalgic heartstrings (because honestly Daidouji Toy's devices were the coolest thing in the old series!). Sakura can't really help but agree that this is a very special outfit, just like Tomoyo told her! Sakura does something that left me a bit speechless for a second: she summons the Fly Card using the Dream Wand! How cool is that? After all, the Dream Wand is still made of Sakura's power, so it really doesn't change much and she can use the Sakura Cards (also reborn under her power) with that magic tool too! Back with the Clow Cards there was a problem because the wand was made out of Sakura's power, but the Cards were still under Clow's, so that's why she had to make them be reborn under her name. Here we don't have this kind of problem anymore! Sakura supplies Syaoran with a cool pair of wings, and here I really have to say it: fandom, you complained so much about Kaito rewinding time and "erasing" cool winged Syaoran, and CLAMP heard you! Now you can have him back! 😂😂😂Honestly this one made me smile so much because I wondered if they felt guilty about that scene, or they simply had planned to revive it anyway since the beginning 😂I clearly remember Ohkawa said in one of their Spaces that they received quite a number of complaints about that particular scene 😆 Kero asks Sakura why she gave the Fly Card to Syaoran, and what she's going to do for herself: Sakura answers that Momo (how cute, she calls her Momo-san, just like that one time they met back in chapter 49 ❤️) told her that there are still Cards around that didn't disappear, and they used to help her before the world was rewritten (little difference in the ENG version: they made her say "they were by my side").

That said, she confidently calls for the FLIGHT CARD and the cute bow that we learned to love along the series appears on her back, all excited and affectionate like usual! Sakura thanks her for waiting for her and I found that so sweet....this is another one of those scenes that I feel like are catering to the fandom's wishes and preferences, since I've seen countless of disappointed/worried comments during the past months about Flight disappearing along with the other Clear Cards, and this is something that even CLAMP talked about (again in one of their Spaces) so they definitely were aware of it. Eriol and Kaho comment from England, impressed but nonetheless confirming that the Card definitely is made out of Sakura's power, just like the magic circle that appeared under Sakura when she used it (of course it's different from the one that appeared when she used Fly). Sakura walks to Akiho and as I imagined from what she said last chapter, she asks her to let her borrow the precious pocket watch for a while.

Akiho of course agrees. I loved the emphasis they gave to the "handover" of the watch, because it enhances the perception of how important that item is. Akiho is entrusting to Sakura literally the one and last thing she's got left of her most important person, whom she's missing terribly, and the fact that she's willing to separate from it and entrust it to Sakura just goes to show how much she believes in her. And the "handover" is watched carefully by everyone with a smile on their faces.

It's time. Sakura and Syaoran are all ready to go, not before saying "We'll be going, then (See you later)". A word I always loved from Japanese language is 行ってきます, ittekimasu, a word used to announce that you're leaving, but in the same word is also hidden the promise that you'll be back. And I think there's no other word that her loved ones, particularly Akiho, need to hear from her right now. I also love to bits the expression she's having while she says it. Confidence in the shape of a young girl ❤️

Convey your feelings

So off they go, high in the sky, with the big moon in the background and Kaito's pocket watch held tightly in Sakura's hand. Sakura takes the chance to thank Syaoran for coming with her. Her unwavering, loyal beloved boyfriend. He'd never leave her alone, facing something unknown and possibly dangerous like this one. And he takes the chance of their current privacy to thank her too: slightly embarrassed, with a sweet smile, he's grateful to her for saying that he's her most important person, shortly ago. ❤️ This is another thing that I've heard many people being slightly disappointed about last month, the fact they hadn't shown Syaoran's reaction after Sakura said that, and in one of the answers to my asks I said that I would've found it rather inappropriate if Syaoran and Sakura had that kind of conversation and started to be a lovey-dovey mess in front of a person who had just found out that the pain she's been feeling all along was because she was missing her own most important person, but not only that, also that her memories, family and all of her world had been rewritten, it was all a lie. Someone's world is literally crumbling under their feet and I didn't think it was the right moment to show a romantic scene between those two right in front of her. Thankfully CLAMP had already in mind to move that kind of conversation to later on. And since they work on 1/2 chapters ahead of what's been published, they were probably already drawing that scene before chapter 74 was even out.

Sakura, unrestrainable by now in her self-confidence, says something really precious that I'd say is my favorite line of the entire chapter:

JP: "When I've found out that this world had been rewritten, I've thought about it. If there's something I want to say, I have to spell it out. Even if the important words we say were to be rewritten, it's not like they'd be erased, because they'd be staying in our hearts"

Sakura understands that if she wants to make sure that her "important words", her feelings will STAY even after a major rewriting like that, she needs to spell them out. Remember Tomoyo, in the old series? "No feeling will come across if you don't say it aloud". And so in this way Sakura is making sure that the person who hears it will remember it even against the strongest of magic, because those words will never disappear totally. The brain might forget, but the heart doesn't. Syaoran of course agrees with that sentiment. And I really want to say that I think this same concept will be of utmost importance in reuniting Kaito and Akiho too. Their bond, their shared memories, the time spent together, the words that were said (Akiho worked so hard towards the end of the 'old world' to convey her feelings to Kaito in a way that wouldn't scare him), all of that surely stayed inside their hearts and it's only waiting for the trigger to make them remember and reunite.

We switch back to Yukito's home, where everyone goes back inside to spy to check on the flying couple from Tomoyo's tablet (while still in a videocall with Eriol and Kaho), but while Touya is going back in himself, he sees that Akiho keeps standing by the door, eyes fixed on the moon. Out of all of them, she's obviously the most stressed up one. She can't relax and wait like everyone else. Her heart must be in the grips of anxiety, hurt and probably fear too. So Touya, our big brother with a heart just as big as him, tries to comfort her and calm her down, telling her that Sakura might be a tad too impertinent and with a tendency to kick, basically a "monster" (I know in ENG they translated 足癖が悪い with "she got two left feet" and technically it might not be wrong but I've seen the same term used to indicate any kind of bad behavior that makes use of the legs/feet incorrectly, so included kicking - like, using this expression with a horse it would mean that horse kicks a lot. So when I saw that, I was reminded of how Sakura used to kick Touya precisely when he called her "monster" 😂), but she keeps true to what she says. "If she said she'll look (for that person), she'll do so. So let's wait for when she'll call you...together". And while he says so, he pats her head affectionately. Gosh, the way he behaves with Akiho is so different than what he does with Sakura, right? 😂 But that's just an indication of how special the bond with his true sister is...Touya gets tsundere and a bully only with her. 😂 I remember he patted Mirror's head too (while she was disguised as Sakura), back in chapter 38. He's really a kind onii-chan but he only gets stubborn with his little sister 😂 I found so moving the little detail of Akiho wincing for a moment when Touya patted her head....a sign that she isn't used to that kind of display of affection? Definitely. And the more I thought about this, the more the words from the chapter of her backstory came back to my mind, "there was no one who would pat her head".... And then, of course, I just couldn't avoid thinking about all the times Kaito tried istinctively to reach for that head too, to console her, or even to just hold her, and always stopped that hand hurriedly. Seeing Touya managing to do what Kaito always wanted to do on instinct, and sabotaged himself, hurt quite a lot. But it's also a proof of how different their situations are. How different their circumstances are. How different their feelings for Akiho are. No matter how kind Touya can be with basically a stranger that was somehow entrusted to them by another stranger, and how much he can empathize with her situation, he can never be the guy who literally gave all of himself for Akiho.

Still, I think this scene reinforced my idea that when they'll bring Kaito back, Touya will be waiting for him with his fist ready to land on his head 😂because he really just can't stand that he hurt his adopted sister this much. No matter if he did it for her. He'll really be merciless with the most important people of his sisters, if they make them cry! 😅

Akiho is finally reassured by Touya's sweet gesture (there's a lot of love in this rewritten world, my gosh! Everyone is so affectionate or displays affection in a more evident way!). But while here we have a poignant scene of brotherly affection, nearby the group of nosy people just witnessed the scene between the two lovebirds Sakura and Syaoran about the "most important person", so Nakuru sighs at the missed opportunity to see Touya's HP and MP go straight to zero, because he wasn't there with them to watch it! 😂😂Yukito of course doesn't skip a chance to join in making fun of his boyfriend, saying that he would've surely made a scary face. 😆The way the little group makes fun of Touya behind his back moves to compassion even Kero and Suppy, who say that they feel bad for him! 😂😂😂 I think all these little comedy skits of this chapter are probably here to defuse the tension a little bit, probably also because of what's about to come. Remember that sensei is balancing the narrative weight on the total volume, so adding more fun scenes now might make up for later, when it won't (of course) be possible or appropriate to insert any (yea, it'll only be time for tears later, right, sensei?).

Back to our flying couple, Syaoran asks Sakura more clarifications about what she said earlier regarding the pocket watch, that it'll "show them the way". Sakura says that she can feel magic power coming from that watch, and it doesn't belong to anyone she knows. The kids, in unison, say that if they trace the magic back to its owner, and they follow it, they'll be able to meet "the person who's missing". Syaoran got the perfect magic tool for that.

He summons his famous compass, and asks Sakura to place the watch over it. In a very cool scene worthy of the next head of the Li clan, chanting the long and famous activation spell for his compass (which includes Chinese characters but spelled with the Japanese "on" reading), Syaoran traces the owner of the pocket watch....back to the moon. The poor guy is confused and thinks the pursuit failed, because he can feel the watch carrying moon power inside of it (yep, reminder that its owner's magic is Moon type, just like Syaoran! And the ENG said there are "traces of it", but the JP doesn't say it's only "traces", the whole watch might be imbued of Kaito's moon power), so probably that's why the compass is pointing at the moon.... But Sakura suddenly figured it out: the compass is correctly pointing at the moon, because that moon....IS NOT THE REAL ONE!

With a swift movement worthy of the coolest ikemen on earth, which startles even her boyfriend (😂 it's already full of comments about how Sakura is particularly handsome - yes, handsome - in this chapter 😂), Sakura summons Sword! Loooong time no see! So long, in fact, that I've been notified that the Sword Sakura is holding a few pages later is the wrong one! Yes, because when Sword was reborn under Sakura's name as a Sakura Card, its appearance changed slightly! 😅The one Sakura holds in this scene is the "Clow Card" version!

This is how Sword was supposed to look...will CLAMP notice the mistake and fix it in the tankobon? Anyway, Sakura jumps towards the giant moon (that at some point we can see it's literally flat, like a cover for something else), and splits it open!!! I mean!!! What did this girl eat for breakfast, today? 😂😂😂She's absolutely cool and keeps showing how much she's grown both magically and in her capacity to listen to her intuition. Eriol and Kaho immediately comment on that fake moon, and Eriol in particular said something that alarmed me at once: "It's something that was created by a considerable amount of magicians. And they used even an ancient magic ritual, at that." There's no trace of doubt in his speech, so my mind immediately runs to them, the real disgrace of this arc: the Association + Squids (Akiho's Clan). When you talk about lots of magicians, and ancient rituals, you can't just avoid thinking about them right away. But why, and how did they create that fake moon? Too soon to have clear answers right now, but our watchers from England point out that for Sakura to see through that deception as soon as her attention was brought onto it means that her powers really became considerably strong! But here comes the comment that sets this situation apart from what we have seen till now in Clear Card: this growth in power is totally intentional! Because Sakura now has something she wants to do.

You see, this task Sakura gave herself isn't only to Akiho's benefit. This situation also probably gave Sakura the key to not cause her powers to go haywire anymore. Because, as I always suspected (and this conversation gave me more elements to make me think I was right), her power previously went out of control because she didn't know what she wanted to do with it. She didn't find a purpose for it. She didn't figure out yet (nor probably even thought about) what she wanted to do with her natural gift... (and here we go back again to the thematic I talked about in my post of last month, the "what can I do with my innate capabilities?" and Sakura right now decided "I want to use it to make the people I love happy"). She used to look at it as some thing "remote" from her, something that she'd rather not use (remember when she had put her Star Key away in the box saying "it's better if I don't use it anymore"?) but magic is literally part of her, so rejecting it would only hurt her more and cause the mess that we have all seen in these 7 years of serialization. And so probably, no matter what training she might have gone through, the problem wouldn't have been solved anyway, unless she'd set her mind straight on what purpose give to her magic, stabilizing it once for all. I think this is a very important part of this story because it all goes back to the search of her identity, which is such a crucial thematic in this arc.

And you can really see it in how beautiful Sakura looks in this panel. This is the beauty radiating from a person who's confident and knows what she's doing, knows what she wants.

Sakura and Syaoran finally go inside the "door", let's call it like that, which originated from the split of the fake moon. They do not know what awaits them on the other side nor what will happen, but they both bravely proceed ahead.

And what they find in front of their eyes is some kind of very weird environment. Eerie, even. The space is completely white, and they're fluctuating among warped clockworks and what looks like disassembled clocks: I found that very fascinating and I can't wait to see how this space will look like once it'll be animated.... The compass' beam keeps indicating where the owner of the pocket watch is, and Sakura and Syaoran follow it diligently, till they finally reach their goal.

*Sigh*

And then they see it. Trapped inside what looks like a circular cage, sleeping peacefully, a black dragon. Yes. That dragon. The one we've seen in Sakura's dreams ever since chapter 2, the one that appeared on the cover of the book they used the day they engraved the artifact in Akiho, the one that appeared as a decoration on the last outfit Kaito wore till he disappeared, and the one that looked like the symbol that appeared when the Seal of D. manifested to engulf Kaito in chapter 70. And this is also how this chapter ends (of course!!! with the worst cliffhanger!). The editorial text in Japanese present on the left of the very last page says "Guided by the pocket watch, what is it that they found...? Next issue, Sakura will appear with a super luxurious furoku!!"

Now, I'd wait before giving for granted that that thing is really Kaito. CLAMP are absolutely no strangers to lead their readers to think something (especially at the end of a chapter) but then revealing in the following one that it was something else.... Moreover, this dragon appeared in such different situations, that it's really hard to pinpoint (and predict) exactly what it represents. So I'm not gonna go out on a limb and say that Dragon-chan is Kaito. We'll know soon what CLAMP have in store for us.

Sure, I keep missing Kaito like crazy, but I think one way or another in next chapter we'll finally see him. Especially cause it's almost certainly the second-to-last one 😅 On that regard, I enjoyed the content of this chapter and even though it might be normal to think "what are they even doing, wasting time and pages like this? get to the point!", I want to trust Ohkawa and let her lead me where she wants to bring me to. I want to appreciate the journey for how she created it, with the pace she thought for it. Once it'll be over, it'll be hopefully easier to see if this relaxed pace ended up producing a series that is easy and interesting to read, or if it caused things to be rushed at the very end. Moreover, I know everyone is somehow expecting a battle ahead, but I'd be actually surprised if it happens at all. If it does, I don't think it'll be against the Association (because they're simply too many and too powerful for Sakura to fight against them). It might be against the dragon or....it might just be that this will be about finding a way to free Kaito, and then putting him in the condition to choose to go back to Akiho's side. And at that moment, Akiho's turn will finally arrive. I think this finale will be mainly based on emotivity and important talks. If anything, the main "battle" they'll have to win will be convincing Kaito that he deserves to live a happy life too.

Chapter 76 will be published on CLAMP’s Youtube channel on August 1st, while the relative Nakayoshi magazine will be released on August 3rd!

Soooo it's time for me to wrap this post up (where I mainly talked about my thoughts and impressions on the chapter, how lovely 😆) and I'll surely be waiting for you all here once again at the beginning of August!! In the meantime, my inbox is open for your asks! 👍 See you!

[doumekiss]

Can I just say how much I love that Sakura/Syaoran, arguably one of the most iconic clamp couples started with them both having a crush on the same guy?

More F/M couples should follow this format tbh

[pinkpinkmermayyy]

Nah but it's the way every time a story features or is about women or a woman's story, people always want to try to make it about men or say "what if there were men instead?"

My Little Pony: Friendship is Magic and Six: the Musical both have parts of their fanbase(although thankfully in Six it's not the majority) saying that there should be a version with all men or going "what if this female main cast had a male main cast instead"? Even though the point of both is to provide representation for women, MLP is about how there's no wrong way to be a girl and changing the way girls'/girly shows are seen as shallow and less good, and giving girls multiple strong female characters to see themselves in instead of just one token/cookie cutter archetype, while Six is all about REAL-LIFE women whose lives were destroyed because of misogyny, it is all about girl power(same as mlp) and women getting to reclaim their stories from a patriarchal society that shortchanged and silenced their voices throughout history, but no let's make it about men lol.

The same is true for Sailor Moon, I have seen some people say that it's sexist or "misandrist"(as if that's even a thing lol) because it's all about women and the women are more powerful and how Tuxedo Mask "always needs to be saved" like goddamn let the girls be the heroes who save the world for once.

And for that matter PRECURE. Unpopular opinion that will surely get my head bitten off by fans but I don't think Precure NEEDS male Cures and it's not "erasing" feminine boys or saying boys can't be feminine or "reinforcing gender roles" to point that out. Precure is a franchise about female characters being the heroes and main characters who are powerful while also being feminine, it's supposed to place the women center stage and give them the spotlight when most media doesn't do that, trying to fit boys in it is just ruining that message imo. Tbh I would be happy if there were no male Cures at all, idgaf about your "but let boys be feminine" shit cuz I mean yeah but like go watch Cute High Earth Defense Club Love or something, that show seems more your speed(@ sexist Precure fans who say this, not you). I once got my comments removed TWICE for trying to point this out to someone, to the point where I just blocked them lol. One person even went so far as to make a petition for Toei Animation to make an all-male Precure season, again, just go watch Cute High, bc clearly that's what you're looking for.

I also saw some people complaining about Project MC^2 being "sexist" against boys and making them out to be stupid just because it's about girls being smart spies and good at math/art/science, one review even said "teach girls that boys matter too!" oh rly like they don't know already??? Like the world doesn't already tell them that each and every single day??????? The second girls get the spotlight everybody acts like boys are being attacked, but when boys get the spotlight it's all crickets and shit bc boys are supposed to take center stage like no one cares about girls getting attention. Your seven-year-old son isn't going to enter a self-hating misandrist crisis because one wee show said "women do run the world!" we still live in a patriarchy ffs.

Also in Cardcaptor Sakura the main character is a girl and the story has many female characters and is very empowering to women in general(while also having a great deal of powerful men and even a canon m/m couple), and yet I still saw this one annoying guy write an entire screed about how Sakura sucks as a character and should never have been Cardcaptor, the cherry on top was them saying that Syaoran should be the Master of the Clow Cards instead...because it's not enough that this show has multiple representations of positive men/masculinity in addition to women/femininity, it's still not good enough if it's a girl power fantasy, it MUST make a boy the hero!

I also saw someone say that Touhou, which has an all-female cast, needs more men. Wonder if they'd say the reverse if it had an all-male cast(correct answer: they wouldn't).

And then there's the Encanto fandom's entire can of worms where they went through that phase of wanting the female-dominated cast to be all about Camilo and Bruno, sidelining the women in the process. Like bruh. 😕

I really do wish that people would stop this shit, female-centric media is really never allowed to exist without people wanting men to be prioritized in it and take away from the female representation even though men have enough representation already lol, people can't handle when not everything is about men. It's why I will never listen to or take anyone seriously when they complain about shows like these being "sexist against men" and say that anything I write is too female-centric. Like. GOOD. The world needs more female-centric casts to shake up the status quo! You guys love complaining about shows being gendered and wanting gender equality in fiction only towards female-centric works, because you don't want to see women playing central roles without men also being there. Sucks to be on the other side of the playing field now, huh?

Anyway, I was inspired to write this to you rather than make it an original post because of your comment about people wanting Jennifer's Body to be about men(with Miguel as Jennifer) and yeah that is so disgusting and irritating. 🤢 I didn't even know that was happening but I'm not surprised because nobody ever lets shows about girls just center girls first and foremost. It truly is everywhere and I'm sick of it. Not everything needs to be about men, just let the women have something. Please.

Sorry this was long lol. 😅 Thanks for reading this far lol. You're a trooper! Have a nice day!

THIS ASK IS SO REAL ON SO MANY LEVELS!!

this also extremely effects lesbians and trans women because with lesbian women you’ll have people being like “do they really have to be gay? Why can’t they just be normal?” And with trans women it’ll be like “why can’t we just have normal nonqueer characters” or even “why can’t men just be men anymore” it’s like they hate any and all women and girls no matter what we do and it’s so insane to me

also I talked a little about this same phenomenon happening with Jennifer’s Body (2009), where there were people making aus of that movie with mainly MALE characters which downplays the whole message and plot of the god damn movie and it’s so ughhh

anyways sorry I took so long to get to this ask but everything you said is extremely true and I’m glad you brought attention to it!

also btw RADFEMS AND TERFS FUCK OFF THIS POST IS NOT FOR YOU

[completeoveranalysis]

[1]

*appreciative gay sounds*

Ooooooh!

See now this fucks. 

It’s a bit of a treat to get a cover like this that’s so BEAUTIFUL and DELICATE and actually include characters not directly involved in the plot anymore. It’s like BONUS ART: Fai and Kamui in a tender and deadly gothic vampire embrace for no particular reason :D 

And we LOVE to see it!

I love the fragile looking archway behind them. It looks very Art Nouveau (I say, guessing. Please correct me) and the pose between Fai and Kamui could EASILY be on a romance novel. And in fact it SHOULD be!

We get some stunning visual contrasts, like the dark sweep of Kamui’s cape looking demonic in nature, like bat wings - which, like, vampire - but the thin white arch behind him ALSO spreads out behind him like it could be wings. Or even better, it forms more of a halo - a complete circle above his head in thin white lines. The contrast in the angelic and the demonic really speak to his role in the narrative a couple of times over; he protected Acid Tokyo but purely out of self interest; he's a dick to everyone, which is frowned upon, but he does it to protect Subaru, which is understandable; he killed Syaoran but he saved Fai; even the act of saving Fai was technically a bad thing, turning him into a vampire, but it was the only way he would stay alive, which was what we wanted! 

That contrast continues into Fai’s pose here as well. He’s within the circle of Kamui’s arms, which is traditionally a place of affection or protection, but here it’s almost predatory with Fai as the prey. There's a clear indication of danger laced throughout every inch of it. Kamui’s nails stretch out in front of Fai in a way that COULD be protective, but also form a cage he will never be able to escape from, and the nail of his index finger trails SO CLOSE to Fai’s throat it could kill him with a slight twitch. The nails of his left hand also trail across the wing of his coat, becoming the traditional veins that you would see in bat wings and completing the metaphor of the monstrous. Fai, too, plays with this dichotomy - his head is tilted upwards towards Kamui, neck exposed, in a pose natural for a lover, or for someone giving access to their neck, like the vampire’s victim he is. The clear shadow across his neck (The ONLY shadow in the cover) shows just how close he is to harm, indicates the exact danger this pose puts him in, and yet we can also see him clutching at Kamui’s arm - not hard but gently, coaxing, guiding. Then again the closer I look I think the line of Kamui’s arm is actually a little bit further to the left, which might indicate that Fai is actually holding his waist, which is even more intimate again. 

All in all it’s FANTASTIC, it’s GORGEOUS, I want this as a gothic creepy tapestry I hang in a castle somewhere while lightning strikes somewhere in the distance.

Oh and the splash text, where is that.

The flowing blood whispered

even if you'll defy your own destiny

protect that person --

Which slams home the theme on BOTH of these two - how much of their own intended fate they sacrifice for the people they choose to devote themselves to. But, when combined with the art, just how much this devotion and protection can actually add it's own inherent form of danger, even if they aren't aware. Kamui's protectiveness of Subaru is HARDLY balanced after all, and Fai's devotion to Sakura leads his curse to killing her. Then again, you could easily say the same thing for Sakura, who chose to put herself INTO that danger DELIBERATELY to save the people she cared for.

And so the complicated feelings and consequences that come from "protecting" someone continue to swirl around in the moral grey.

[wisemins]

OuGH howdy Starshine what is your favourite Sakura outfit out of the animated series??? I rewatched it again before the show was taken off net.flix (LOVE this show it's a comfort show for sure!) and would love to see your favourite outfit she wears ♡!

Santiago @tex-treasures

OMGGGG OSIAJSAODIJ i've been waiting my whole LIFE to be asked this!! You have great taste TRULYYYY omg ok to where do I even BEGIN???

I'm gonna do both opening, battle, and casual outfit faves!! I cannot choose one that's like picking between my children!!

This was tough but ultimately these gotta be my faves!!! I adore these outfits so so soooOOO MUCH GAHH i just wanna give her a big ol' hug she's so cute!! Sakura my BELOVEEDDD

TYSM FOR ASKINGGGG my heart is so full of love now, she gives me the comfort i need in this world!!! Just an overall cutie patootie moment. Ugh i need to draw her & Syaoran sometime!!! My ultimate otp i stg

[sailorstarr-chan4]

Okay, y'all. Let's talk about shipping, and I'll even expose myself, fuck it, let's go:

I don't ship or like Reylo or Dramione, and yet I am a slut for Anidala and Buffy/Angel, who are easily just as Problematique when you unpack all of canon

I don't ship or like SessRin, and yet one of my favorite "love stories" of all time is low-key the most Grooming one of all: The Phantom of the Opera

I don't ship or like InuCest, Kaname/Yuki, Elsanna, let alone incest pairings as a whole, and yet one of my favorite manga of all time is Angel Sanctuary. AND I also ship Cesare/Lucrezia!! (both in the TV show The Borgias, and the manga, Cantarella)

I generally don't do cross-species/monsterfucking ships, and yet. Ancient Magus Bride exists. Beauty and the Beast exists. ¯\_(ツ)_/¯

I generally dislike Adult x Minor pairings, and yet CLAMP's Chobits has one of the cutest side pairings that is incredibly fucked up in the real-world setting (Ueda x Yumi; ikyk). But then again, CLAMP created another Large-Age-Gap pairing in Cardcaptor Sakura that I absolutely DESPISE (Rika x Terada ugh), and yet, in the SAME SERIES ALSO wrote one of the most Wholesome Ships Imaginable (Sakura x Syaoran) AND one of the earliest examples of an Iconic Gay Pairing (Touya x Yukito)

Hell, despite my issues with Large-Age-Gaps, I have a soft spot for Amu/Ikuto from Shugo Chara!, and Nephrite/Naru from Sailor Moon. And yet, I'm squicked the FUCK out of Snape/Harry, Snape/Hermione, etc. Nope. Not my thing

I'm also generally not a fan of the "Male Love Interest consciously/openly threatening to harm/kidnap/assault Female MC" trope and yet!! My biggest guilty pleasure is Alice in the Country of Hearts!! Not to mention several other manga/anime titles I could name!! It's a common trope that I like in some stories, and hate in others!!!!!! Shocking!!!

My point is, you can dislike certain "problematic" ships/media all you like, but don't cast stones in glass houses. We all have our Problematic Faves, peeps, whether you want to admit it or not. Just because You Like It doesn't make it morally exempt from the ones You Don't Like. Ship and let ship, don't like don't read, learn to curate your fandom experience.

And honestly? As a former Puritanical Anti, embracing my trash without needing to justify it (however tame it is by comparison to some, or weird it is to others) has been the most liberating thing in my fandom experience. Give it a try; I highly recommend.

[harukirai]

Queer history of Final Fantasy

I am replaying all the old final fantasies(mostly psp psone releases), first time with english localization and not the original jp.

Now i get it.

It all make sense now.

I couldn't understand the wave of "why shove the gays in our face" backlash of 16(even though, the non homophobic felt it was lacking since they didn't want to 'push it in yall face'). Like apperantly moat of the implication or straight up fruity moments in the old game was completely removed, or changed to the point of it being a 'silly thing'.

So lets clarify -

*Cecil(iv), your homeboy- an Non-binary (language is the best indication, but yeah i think it was a decision made for both female and male players to be able to relate to them, but yeah funny outcome non the less)

*Bartz(v)- outright bisexual, they didnt even hide it- next person on this list gonna make it make sense.

*faris(v)- an ftm transgender( at least in the original version, i know in some new iterations they scrapped the whole concept, but left it in in others?)- mainly speak about himself with (ore/boku- which is conventionally usally by male speakers), after finding out soem of the cast either use a female pronounce on him, but bartz constantly either avoid it or use male pronounce(or the nonbinary version which is usually reffered to kidz) but yeah, bartz was crushing on faris where he thought he was a cis male and unlike the other guy didnt shy away.

Lets jump a bit to 8-

Irvine(viii)- even though considered very handsome to the point he could get with any girl hed want, was even flirted with by selphie i think i need to remember, but he usually brush it off.

If anything he is either asexual, or gay(its very subtle, but its what called queer coding, and well see that allot from now on cause japan caught up to westerns norm on media)

Quina Quen (ix)- literally, a nonbinary- but i think they kept it in eng as well cause they are not human, but like black mages they have no sex, but unlike black mages they are 'genderless' and dont care for human norms.

Kuja(ix)- either gay/intersex/both.

Look at him.

Seriously that character confused a whole generation sexuality.

Like sephiroth, but unlike sephiroth he also have effeminate mannerisms, and until it was revealed by text it wasnt so obvious.sephiroth in jp have a confusing language because he himself is possed by jenova, so evem though i love this headcanon, sephiroth isnt trans actually.

Auron(x)- ahh yes, your favourite broody guy and probably where im gonna get tons of hate.

Auron is very subtle, but once you notice it its hard to deny.

I think Auron is gay, unlike jecht or braska- he did not have kids, denied arranged marriage, and followed jecht to dream zanarken just to save jecht only son- it was pretty obvious that auron loved jecht. He also loved braska but not as much, and it shows- that for auron it was more than friendship. You can see it with his attitude towards yuna vs tidus- with yuna he is nicer, politer. Liem you act when you babysit your friends /cousins child.

But to tidus, he is a full father figure.In their journey together they grow, and i think if he wasnt the boy of the man he loved he wouldn't treat tidus as his own. With all the scoldinngs in mind.

Paine(X-2)- qlmost forgot her, but yeah she's pretty gay for riku

I dont remember much though because if the mission structure of the game.

Larsa(xii) - ohh i see you boy, i see u. He is sus as hell. He is a kid so its pretty innocent(and relatable to us queer kidz)

Its pretty obvios that he is crushing on basch, innocently though. I know some ppl who shipped him with penelo, but canonically by spinoffs at least she and vann are an item.

Also they made sure it was obvious cause japan have this thing that a young character is crushing on a teacher,mentor , older characters in general(aka cc sakura- her friend crushing on a teacher, syaoran & sakura crushing on yukito, also happens in tons of pop culture media at that time, so im not surprised, but im happy this time its one sided, THANK GOD)

But yeah if you reached the ending its pretty obvious.

Fang & vanille(xiii)- the first lesbians couple! Terra(VI) was supposed to be the first but they were afraid it will make her less marketable so they scrapped her gf. They made them clear, but at the same time they tried to make sure pple wont be fetishizing them(they tried, at least).

I want to explain their story more but i think ill mess it up since i tend to mix up 13's lacie, falcie and all that jazz.

So ill just say that basically there are 2 world in 13, pulse and cacoon. Pulse is basically earth and cacoon is the moon. There is a god for each world called a falcie.

Few of them but ine for each major ones. Our main gand from cacoon, branded by a falcie to be slaves(lacie) vanille and fang are from pulse, and slaves of pulse lacie, so basically they are with the task of creating Ragnarok which is like the end of time and but limw they dont know cause the gods in this game is like 'yeah imma give you a mission but wont tell you beside weird non undersandable feaver dream and you need to figure out and fast or youll become this universe version of zombie, and if you do complete it you become a ceystal living forever but like, sleeping beauty style. So lose lose situation.

The focus of them both is different from the gang, caus the falcie of cacoon is evil so he gove them focus destroying cocoon while if fang& vannile mannaged to ruin that falcie and bring ragnarok theyll become a crystal, and they used it to save coccon from falling and crushing killing all the people in it, basically became a pillar in eternal sleep when they hheld each other.

But they are saved in later game only to... Lightning return which we wont talk about cause i hate timers.

I love the story of xiii, big part of it is vanille & fang, i havent played in english yet, but i will say, their story is one of the more meaningful on this list, very well developed and i will do it disservice if id try to explain it in few sentences - so do yourself a favour and play or watch the playthrough.

Ignis& gladio(xv)- here is when localization ruimed it. I know cause i palyed on jp dub with eng sub and heard the differences live- first of all gladio and ignis are completely different in jp, as individuals and as a pair- they were supposed to be the first dion& terrence moment, but it got scrapped and they went the vannile& fang route, only that bec they are men, the localization team missed the mark.

Gladio got pissed at noctis in the train because of ignis.

In jp its clear their bond is beyond friends, and not mention the fact that their AI is always stuck together, and that gladio isnt a womenizer in jp at all, and there is no fiancee/girlfriend.

In jp he said suggested there is someone he wants to be with but bec of the state of the world and them both being constantly in the battlefront he couldnt ask.

(and ignis clear his throat when everyone is like oh great, very subtle but it was leading to that)

Every stop of the train or erea post blindness gladio was with ignis not leaving him .

Also tabata san also said that they are more than friends. So there's that too.

But its no secret 15 localization is tereible, the massacared prompto, he is so cringy in english, in jp yeah he is funny but like he says more stuff then random pop colture references, he breaks the 4th wall occasionally but not on the same level of the localization. Also, jp noctis is a little shit because he can and will, in localization he is more relatable while ignos and gladio are kimda mean. In jp its the other way around and up until chap 13 (when he is alone) noctis is a bratt. He has some moments when he is nicer, but when struggle shows he is a bratt about it- and its done purposely since he is a spoiled pronce who never done anything alone in his life.

Thats why in chap 13 he has a change of heart, because he was alone and learned to appriciate his friends when he was stuck alone in the dark with no weapons and i think it was a good call storytelling wise, but yeah the english localzation ruined it and made the whole chapter pointless .

Those are the implied/canon gays of final fantasy up to 15(we got a kiss so its obvious).

The series has always been kinda Fruity and i know some of yall will be like, 'but there's no proof'. Well, japanese speakers(who arent homophobic at least) will agree with me that we tend in media that is not specified like BL or GL to make things subtle. So what in the west is called 'queer coding' is very common in japanese media and it comes in way more shape and forms.usually implied with a desper conncetion relationship or linguistics.its funny cause in the 80's and very early 90's gay pple wasnt hidden in jp pop culture (no kisses or anything but it was straight out told to the viewer/player)

And only later 90's there was a trend of removing us completely from the media, but around that time a specific genre was created so it wasn't out completely.(like yaoi/yuri as erotic mangas existed aince the 80's but usually only love stories or main gay characters were mixed in with the straight media, kimda like what netflix does today, but around 96, 97 the shounen ai and shoujo ai genres rose in popularity(mainly cause of clamp) and things got seperated. In games- because it became a bigger deal in the west square took caution with how clear they gonna make stiff not to piss of the christians after the backlash of Pokemon (idk how it was really but through japanese media and news it seemed at the times that the american patents were pissed so game companies started sensoring their games from all things might piss off christians/monotheistics ).

*also i dont live in japan but i am mixed so i grew in a jp speaking house and family from there always sent games on holidays and birthdays+nhk was always running in the backround to check on the motherland😂