#CLAMP out here producing the most extreme gender envy for free

[completeoveranalysis]

[1]

*appreciative gay sounds*

Ooooooh!

See now this fucks. 

It’s a bit of a treat to get a cover like this that’s so BEAUTIFUL and DELICATE and actually include characters not directly involved in the plot anymore. It’s like BONUS ART: Fai and Kamui in a tender and deadly gothic vampire embrace for no particular reason :D 

And we LOVE to see it!

I love the fragile looking archway behind them. It looks very Art Nouveau (I say, guessing. Please correct me) and the pose between Fai and Kamui could EASILY be on a romance novel. And in fact it SHOULD be!

We get some stunning visual contrasts, like the dark sweep of Kamui’s cape looking demonic in nature, like bat wings - which, like, vampire - but the thin white arch behind him ALSO spreads out behind him like it could be wings. Or even better, it forms more of a halo - a complete circle above his head in thin white lines. The contrast in the angelic and the demonic really speak to his role in the narrative a couple of times over; he protected Acid Tokyo but purely out of self interest; he's a dick to everyone, which is frowned upon, but he does it to protect Subaru, which is understandable; he killed Syaoran but he saved Fai; even the act of saving Fai was technically a bad thing, turning him into a vampire, but it was the only way he would stay alive, which was what we wanted! 

That contrast continues into Fai’s pose here as well. He’s within the circle of Kamui’s arms, which is traditionally a place of affection or protection, but here it’s almost predatory with Fai as the prey. There's a clear indication of danger laced throughout every inch of it. Kamui’s nails stretch out in front of Fai in a way that COULD be protective, but also form a cage he will never be able to escape from, and the nail of his index finger trails SO CLOSE to Fai’s throat it could kill him with a slight twitch. The nails of his left hand also trail across the wing of his coat, becoming the traditional veins that you would see in bat wings and completing the metaphor of the monstrous. Fai, too, plays with this dichotomy - his head is tilted upwards towards Kamui, neck exposed, in a pose natural for a lover, or for someone giving access to their neck, like the vampire’s victim he is. The clear shadow across his neck (The ONLY shadow in the cover) shows just how close he is to harm, indicates the exact danger this pose puts him in, and yet we can also see him clutching at Kamui’s arm - not hard but gently, coaxing, guiding. Then again the closer I look I think the line of Kamui’s arm is actually a little bit further to the left, which might indicate that Fai is actually holding his waist, which is even more intimate again. 

All in all it’s FANTASTIC, it’s GORGEOUS, I want this as a gothic creepy tapestry I hang in a castle somewhere while lightning strikes somewhere in the distance.

Oh and the splash text, where is that.

The flowing blood whispered

even if you'll defy your own destiny

protect that person --

Which slams home the theme on BOTH of these two - how much of their own intended fate they sacrifice for the people they choose to devote themselves to. But, when combined with the art, just how much this devotion and protection can actually add it's own inherent form of danger, even if they aren't aware. Kamui's protectiveness of Subaru is HARDLY balanced after all, and Fai's devotion to Sakura leads his curse to killing her. Then again, you could easily say the same thing for Sakura, who chose to put herself INTO that danger DELIBERATELY to save the people she cared for.

And so the complicated feelings and consequences that come from "protecting" someone continue to swirl around in the moral grey.