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xoxo-teddybear · 4 years ago

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Oh, The Lies You Tell - Bakugou Katsuki - pt. 2

Bakugou x f!reader

Warnings: angst, trauma, abuse, betrayal, fluff, slice of life, smut, cursing, manipulation, possible spoilers, physical harm, 18+

BAKUGOU’S MASTERLIST

Ep. Warnings: fluff, childhood trauma, cursing, Bakugou kinda OOC, DADZAWA

Summary: More Bakugou x reader interaction! And Y/N’s first time training with the students and showing off her “quirk.” How will the students react?

Pt.1 Pt.2 Pt.3 Pt.4 Pt.5 Pt.6 Pt.7 Pt.8 Pt.9

Once you saw the familiar blonde, you smiled. “.....hey back, cutie.” You said with confidence. Bakugou only blushed at the comment and sucked his teeth as he rolled his eyes.

“Soo...you’re my escort?” You flirtatiously asked. You can’t help it, it’s just your personality. Plus, after years of villainous work, you had to learn how to speak with a calm and seductive voice to get your way with your victims.

“Yeah, that means I’m stuck with your dumbass for the next few months. So try to keep up and don’t you dare hold me back.” He ferociously said. You just giggled and went to mess with his unbuttoned shirt collar.

“Whatever you say, Fiesty,” as you examined his clothes, you just had to speak up again. “Whattup with the clothes? No tie, no tuck, no....prestigiousness?” Bakugou scoffed at your question.

“Oh yea? Like you’re one to talk. You completely changed your uniform. You realize the girls in UA don’t dress this-“ you cut him off.

“What? Rebellious?”

“I was gonna say hot.”

“That works too.”

“Suits you real well.”

“Oh, I bet it does,” you smirked. During your time throwing spitfire replies to one another, you realized how close both your faces have gotten. You saw ruby eyes, perfect porcelain skin with the perfect amount of tan, soft but fluffy, spiky, blonde hair, and a smirk that copied your own. As Bakugou was too busy admiring your looks, you gently placed two fingers under his chin.....and flicked his head upwards at the sky.

“Hehe...let’s go, Cutie. You gotta show me my dorm, remember? Cant stand here forever staring at me.” You chuckled to yourself.

“I was not doing any of that shitty woman!” Bakugou yelled. As Bakugou did that, Rumor ran right across him making his balance go all outta wack.

“Heh..yeah, sure.” You said as you walked off with Rumor, petting his head. Oh, this is gonna be fun.

——————————————————————————

On the walk to the dorms, you and Bakugou got to know each other quite well. Just the basics though. Favorite music, favorite foods, personality types, likes and dislikes, all that good stuff. You also both shared a little flirtatious banter, not that you minded, however it threw Bakugou off. When the fuck does he ever talk like that? As you both walked up to the entrance you realized something.

“Hey, you never asked me about my quirk. How come?” You asked as you both continued to walk to the doors.

“Don’t need to. I’ll see all I have to see tomorrow during training.” Bakugou said.

“Makes sense.” You replied.

“Of course it does,” He said as he opened the doors to give you a tour. You were in awe. Growing up, you never really had a home before the league. You slept in benches, jail cells, or straight on the ground outside in the rain. But this? Basically luxury to you, but of course you kept up a chill persona.

“This is the common area, kitchens over there, everyone gets their own bathrooms, the showers are that way, and I’ll show you to your dorm,” Bakugou said, giving you the “grand” tour. As you walked up to your room, you saw how already filled it was...but this wasn’t any of your stuff.

“Didn’t realize you were into music like that.” Bakugou said. When you turned to look at your desk, you saw how large it was and how there was a control panel they used at recording studios on it. Set up with it was a microphone that artist used when recording their songs and there was a mini keyboard and acoustic guitar set up on the side. Then it hit you. You had gone over your interest with Mr. Aizawa, guess he filled up the room to make you more comfortable OR to make it seem like you were a normal kid who actually had stuff. In reality, you had nothing but your villain costume (which you demanded to be kept) and Rumor.

“Umm...not really. I just sing a little and enjoy writing little songs. Nothing special really,” you replied to him. “Uh, could you give me a sec? I wanna change out of this uniform and relax a little.” You said to him.

“Yeah, sure. Dinner starts at 6 so be down by then and come meet the rest of the morons.” He said as he backed out the room and walked on to wherever. You began to explore the room. Rumor took comfort on the soft bed, and you looked at the recording area. It was amazing. You strummed the guitar, taking in it’s beautiful sound and dabbled on the keyboard. You then realized.

“Rumor! What am I gonna change in to?! I literally have nothing!” You said as you ran to your closet, astound when you saw the large amount of clothes, along with a little sticky note.

Enjoy the gift, Y/N! Cant wait to have you in class!

- Ms. Midnight

“Midnight, huh? Then these clothes must be hot as fuck!” You excitedly said. Safe to say you put on a little fashion show for yourself and Rumor. As you put on the clothes and made new outfits, you noticed how she had gone for the typical “baddie style.” Lots of ripped jeans, plenty of casual heels, thigh high boots, leather jackets, bomber jackets, crop tops, tube tops, and of course booty shorts. You also noticed the massive amount of jewelry given to you. Plenty of necklaces and anklets. Very pretty.

Once done with your little show, you and Rumor looked at the clock. 5:30.

“I think we should stay in here. Who needs dinner anyways?” Rumor only growled at you. He knew better. You both needed food and you should go down there and make some friends.

“Oh c’mon! We’ve gone days without food before, why not now?” You saw how Rumor gave you this look of ‘because it wasn’t available then’ and you rolled your eyes knowing your friend was right.

“Fineeeeeee,” you reluctantly said as Rumor gave a happy bark and wagged his tail. You changed into some comfortable clothes and went to the common area.

When walking down there, you saw a spikey read head, a tall black haired boy, a girl with long greenish hair, and then you saw Deku, Kaminari, Uraraka, Todoroki, and Bakugou. While they were talking, the red head took notice of yours and Rumor’s presence.

“Oh! Hey L/N! Rumor! Come join us!” How sweet of him to include Rumor. As you both walked towards a single open seat on a solo couch seat, you saw how everyone had their eyes set on you with a smile.

“Umm....hey.” You nervously let out with a small laugh. As you tried to settle, Rumor placed his head on your lap to calm you down and Bakugou took notice of this.

“Would you idiots stop staring at her like that? She’s obviously kinda nervous.” Bakugou said with his head thrown back on the couch. The red head then spoke up to agree.

“Oh right! Sorry about that L/N!” He said kindly.

“No, it’s no trouble. And you guys can quit the formalities and just call me Y/N. I don’t mind!” You sweetly said.

“Alright then, nice to meet you Y/N! I’m Eijirou Kirishima, this is Hanta Sero, and Tsuyu Asui. I’ve heard you already met these guys, and I’ve also heard you got Bakugou as your escort!” Bakugou growled at Kirishima for mentioning that.

“Yeah! He’s kinda.....bratty?” You teased. Bakugou only looked at you with wide angry eyes and a small blush.

“Ha, yeah. Bakubro can be a brute, but when you get to know the guy, you find out he’s just a big ole softie with rough ways.” He joked.

“I AIN’T SOFT SHITTY HAIR!” Bakugou screamed. The group just giggled and watch the interaction go on. You guys talked and laughed and they got to know about you and Rumor a little better. Finally, a girl with a black ponytail came in.

“Hey guys! Dinner’s ready! Oh! And L/N, we made 2 steaks for Rumor. I hope you don’t mind.” She said.

“Oh not at all! Thanks you guys, that was really sweet of you.” Rumor understood what was going on just by the scent in the air and he was excited. As you all walked to the table and took ur seats, everyone got to talking again. Dinner went on and Rumor was enjoying his steaks.

“Man..what a lucky dog. Steak for dinner.” Kirishima spoke. Everyone chuckled and continued on. The girl with the pony tail, who you learned was nicknamed Momo, walked in with a final pot.

“Okay you guys! This is the final dish! Just some Miso soup to peck on. Kaminari, can you go and grab the ladel?” As the blonde walked away, everyone was excited for the dish.

“Sorry guys, the soup is a little too hot. You should wait for it to cool down before digging in,” Momo said apologetically.

“Oh hey, no worries, I have a solution!” You said as you made a tiny little tornado with you air bending and sent it to the pot of soup on the table to cool it down. The massive amount of steam was clearly decreased and everyone thanked you.

“So your quirk is tiny tornadoes?” Bakugou whispered to you as he was the one sitting next to you.

“No, you dummy.” You giggled until you heard a crack. Everyone looked over and saw Kaminari broke the one and only ladel. Everyone booed and sighed at the loss of miso soup and the poor blonde just apologized with a nervous smile.

“It’s fine you guys, we don’t need a ladel. Who wants some miso?” You asked and everyone raised their hands. So, you used your water bending to pick up the soup give some to all your classmates. Everyone was confused but impressed.

“Okay, what the hell is your quirk?” Bakugou asked in confusion.

“You’ll find out soon, Cutie.”

“Whatever you say, Princess.” He replied back.

It was safe to say the new nickname left you in shock with some blush and you noticed everyone stopped eating to look at you both.

“........huh?!” The group simultaneously said with blank and confused faces as Bakugou yelled at them saying they heard nothing.

——————————————————————————

The next day the students met up with Mr. Aizawa wearing any comfortable gym/fighting attire. Instead of meeting at Gym Gamma, the teacher took his students out to the Sports Festival Areana. The students all buzzed with excitement, most only wanting to know the new student’s quirk and fight style.

“Okay, today we’ll be doing sparring matches. We’ve paired you all up based on skill level and experience. One battle at a time. Whoever makes it to the top 3, those students are excused from classes tomorrow. Get warmed up, take your seats, and I’ll call up the first two fighters.” Mr. Aizawa spoke.

The students were ready. Everyone was, but no one was prepared for you. They never saw your fight style, never saw you use your quirk for battle, never even saw you pick a fight. This’ll be interesting.

“Okay bud, since it’s a 1v1, you’re benched.” You spoke to Rumor. He whined at the fact that he wouldn’t be getting any action but nonetheless, listened to his best friend. “Oh don’t give me that sass, why don’t you go talk to Kirishima or Bakugou while I’m in battle. Fair?” Rumor huffed at you, but you took it as compliance.

“Hey, Princess.”

You turned to who called you and saw Bakugou and what appeared to be his little posse following him. It consisted of Kirishima, Sero, Kaminari, and Mina.

“Oh hey guys. What’s up?” You asked.

“We’re all pumped up to see your quirk! Those tricks you did during dinner last night had us all coming up with ideas on what it could be.” Mina squealed. “I guessed substance manipulation.”

“Telekinesis,” Kirishima said

“Weather powers,” Sero guessed

“Food control!” Kaminari answered. Oh what a piece of work that one is. Everyone looked at the fool with raised brows.

“Heh...guess not.” The goofy boy said with a scratch to his head. You all laughed and you looked towards Bakugou waiting for him to answer.

“Well..what’s your guess, Cutie?” You looked towards Bakugou as he just stared at you.

“Elements,” he said calmly. That shocked you. Who knew someone was gonna guess. Well, he was still wrong considering it wasn’t really a quirk but yeah.

“Just a guess. I’ll figure it out once I see you fight.” He added on.

“Oh yeah! Mr. Aizawa pairs us up based on skill level and experience! We’ll get to know more about how you fight based on your partner.” Mina said.

As the group continued talking, Mr. Aizawa finally came to speak up.

“Okay, listen up. I’m sure you’re all curious as to what L/N is able to do, so our first match we’ll be L/N vs. Todoroki.” Everyone had their jaws drop. Shoto Todoroki?!? He was one of the top students in the class in both intelligence and physical skill. He is an excellent fight with a powerful quirk. How the hell are you supposed to win. You only smirked and walked up to the fighting area. As you walked, a pair of red eyes followed you.

‘What the hell can this chick do?’ Bakugou thought to himself.

As you and Todoroki met in the middle facing each other with Mr. Aizawa in between you both, he spoke up.

“Okay, here are the rules......there are none. The match will begin when you hear the buzzer go off. You’ll hear 3 beeps then a ring, then you can spar. You can use your quirk at any level, do whatever you may please, do whatever it takes to win. The match stops when one of you falls off the square or is knocked out and unable to continue fighting. Understand?” He said while looking at both of you and speaking loud enough for everyone to hear. You both nodded your heads but Mr. Aizawa looked at you with a more stern stare.

“Do you understand, Y/N?” He asked once more. You nodded your head and waited for him to start the match. He walked off the field and went to sit with the class. They all stared in anticipation. Bakugou focused his eyes on you.

Beep. Beep. Beep. Ring!

At the first second, Todoroki used his left side to throw some fire your way. At the sight of the burning flames you only smirked and extended your hand. Everyone watched you do, what they thought was, nothing. They only saw you stand there.

“Y/N DO SOMETHING!” Bakugou screamed in fear of you getting hurt.

When the flames came close enough, you used your fire bending to move them around your body and attack Todoroki. The boy had a quick reaction and sent an ice wall towards you. Perfect. You ran to the ice coming your way and turned it into water, which you used to push back Todoroki, closer to the edge. You sent fire his way and he ran at you, dodging it and attempting to strike you. You flipped away from him. Everyone saw how acrobatic you were. When he came closer once more to punch you, you turned to you side and struck his right shoulder, paralyzing his arm.

Todoroki screamed in shock and pain as he realized he couldn’t feel his arm. He sent more fire to you, in which you used your air bending to put the flames out. You used your earth bending to lift the area that Todoroki was standing on into the air, as he flew through the air, you blasted fire from your feet to get up in the air and blasted him with a gust of wind that knocked him out the area of the square. When he fell to the ground, he hit the field instead of the square, meaning he lost. You fell closer to the concrete but used your fire to slow down before you could crash. Once you landed you looked around for Aizawa.

Beeeeeeeepppppp!!

“That’s the match. L/N wins.” You looked around and everyone still sat in shock. Nobody even clapped. They just looked so....impressed? Kaminari was in the middle of petting Rumor and when he stopped, Rumor noticed the match was over and saw you standing. He howled to cheer for you as everyone ran down to say something. As the crowd came up to you, you were hit with compliments.

As the class continued to hype you up, you saw how Bakugou still just stared at you. You walked over to him.

“Impressed?” You asked.

“......you’re good.” Bakugou still said in slight shock. You only laughed at his answer. You knew he thought more, but you weren’t gonna push him. Every one saw Todoroki get up and limp towards you.

“L/N....that was a great fight. You’re incredibly skilled.” He complimented.

“Thank you Todoroki. And please, I told you to call me Y/N.” You kindly said

“Right, of course...ah.” He hissed in pain. You felt bad for how hard you went on him.

“Here..let me just,” you took the moisture in the air and took water out of it. You used it to heal up Todoroki’s injuries and soothe his pain. “Feel better?”

“Very much, yes. Thank you.” He said.

“No problem, but your arm is a different story. I temporarily paralyzed it with my dim mak fighting style. It’ll take some minutes for it to come back fully.” You explained.

“Okay. That was really impressive. I had no idea there was a fighter like you.” He said once again.

“Whats dim mak?” Kirishima asked.

“It’s the fighting style I use. It’s attacks a person’s pressure points with quick and sharp jabs. It paralyzes a person or just a limb for a good hour depending on how hard I hit.” You replied.

“Pressure points?” Kaminari asked.

“They’re the parts in your body where you’re sensitive and can be detained when they’re hit. With that, it means I know the human body like the back of my hand. Thanks to that I’ve come up with a skill called Chi Blocking.” You explained.

“What’s that?” Mina asked.

“Something you’ll all find out about the next time Y/N fights. Until then, let’s have Todoroki get to recovery girl and let’s continue the matches.” Aizawa said. As everyone went to their seat and Aizawa called up Iida and Aoyama, Bakugou asked you a few questions.

“What the fuck was that?!” He asked.

“What?” You giggled.

“The fucking fire, and the wind, and you moved rocks and you turned his ice into water!!” He spasmed out.

“Uh huh...” you said with a smile and raised brow.

“A-and the flips! You flip and did a bunch of acrobatic tricks, and the jabs, the “dim mak,” it was- I was- it was-.......HUH” he exclaimed.

“Not like Bakugou to freak out over a fight like that. What happened to Mr. Cool Guy?” Denki said.

“You shut your mouth, Sparky!” Bakugou threatened. “Look, all I’m tryna ask is..how and when did you learn all of this? Your quirk is crazy OP, and your fighter skill is insane! Appreciate that bullshit cuz I don’t say shit like that often.”

You just laughed and sighed. You weren’t sure how to answer his question. “Umm,” you started “I don’t really know...I just-“ you were cut off by a mouse. Principle Nezu, you remembered him.

“Mr. Aizawa?” The peppy mouse asked.

“Yes?” Aizawa replied.

“May I speak with you? Concerning your new student and her transfers. There’s been a few complications with her paperwork that need to be solved.” He politely asked.

“Yes, I understand sir. Class, free day. Head back to your dorms but be sure to get in an hour and a half of training today. That’ll be all. Dismissed.” The pro said as he followed the principle. As students gathered to leave and head back to the dormitory, Bakugou stopped you.

“Hey, wait. You still gotta tell me how you learned all this, Princess.” He said.

“What’s there to say?” You awkwardly laughed out. “Uh..I discovered my...quirk.. while doing some work-“

“Work as a child?” Bakugou asked.

“Sorta. I discovered it there and then..I met someone who trained me how to fight like that.” You explained.

“Your parents must be really proud.” Bakugou slightly smiled.

“Umm..yeah, I bet they are.” You said kind of skiddish.

“I can imagine the look on their faces when they saw the pretty impressive quirk you got. My parents were pretty shocked too with mine.” He added on.

“Oh really? You can imagine their faces?” You laughed out nervously. ‘I sure can’t,’ you thought to yourself.

“I mean yeah. Parents usually....” you drowned him out. Parents...parents...parents...PARENTS. You snapped.

“Bakugou!” You said with tone. “I don’t have or know my parents....” you said as he stopped talking and dropped his jaw to the ground. Before he could say anything, you bit your lips, called Rumor to go, and left, leaving Bakugou in regret.

As you ran with slight tears in your eyes, you told Rumor to change into a giant wolf. He shifted and you hopped on him.

“Let’s go to the spot, Rumor.” You said as he took off.

——————————————————————————

When Rumor arrived at ‘The Spot’ you settled. The spot was beautiful. Tall trees, beautiful plants, plenty of adorable creatures, and a gorgeous pond right in the middle of it all. You layed against a tree as Rumor placed you down so you could stop your tears and he transformed back into his wolf-dog form and cuddled up against you.

“No parents...” you said aloud. Although sad you never really got to experience or meet your parents or what it’s like to have them or a family, you were conflicted. Yes it was sad not having parents or a family, but you never had one so it’s hard to tell how you feel about the topic. As the thoughts ran through your mind, your eyes glowed a bright white and when you opened them, you weren’t at the spot anymore.

“Hello....?” You said as you looked around. “Helloooo...?? Anyone there?”

“Welcome back to the spirit world, Y/N.” When you turned to your side, you were in awe.

“Avatar Korra!” You bowed to show respect but then went to hug your spiritual mentor. She embraced you with wide arms. She’s always been the friendly, open, optimistic type. “What am I doing here, Korra?”

“Why do you think you’re here, Y/N?” She said with a sly smile and hands on her hips, but beaming eyes.

“My parents?” You questioned but she only shook her head.

“Your path.” Korra stated.

“My path?” You asked.

“Yes. Or more so, the path you choose.” She corrected.

“I don’t understand.” You said.

As Korra continued to smile at you, you both stood still as the world shifted. You looked around and saw the LOV hideout.

“The league? I don’t understand, what does my path have to do with them?” You questioned, but before she said anything, the world shifted once more and you were infront of UA’s building.

“The school?....Oh, this isn’t some typa light and dark thing, is it?” You asked Korra.

“It is.” She replied back.

“Ugghhhh, we’ve been through this. I’m a bad person. I could never fit in with those goodie two shoes! I’m a member of the league of villains! Not heroes. My path is the darkness.” You stated.

“Is it? You weren’t born into darkness.” Korra said.

“What?....”

“Y/N, you’re not a bad person. Your a villain because of survival. That’s the life that you know. That’s the life that you were kidnapped into.” Korra began.

“Yeah but-“

“But nothing. You know in your heart you would much rather be a hero than some low life villain!” Korra exclaimed.

“No I couldn’t. They’re too good. I could never be that great. Hell, I’m on a plan to take down UA right now!” You said.

“And are you doing that because you want to? Or is it because you think the league is gonna torture you any less if you succeed......you don’t wanna take down the heroes. You wanna be like them.”

“I don’t.”

“You do.”

“I can’t!”

“But you can. You can be all these amazing things, but you’re just on the wrong path with the wrong people. All you have to do is make the choice to leave them. You want to be good, Y/N. It’s in your nature. You’re the avatar after all. It’s your destiny to bring peace to the world.”

Once Korra had said that, a flash came and you were back in the spot. You gasped as you returned and shook your head. You saw it had gotten dark now and figured it was best if you headed back. You woke up Rumor and asked him to become a giant wolf again. He shifted and brought you back to UA. Along the walk, you couldn’t help but think back to what Korra said.

“My path......light or dark...” you looked down at your palms and squeezed them shut in frustration. You huffed and looked ahead, and saw you arrived at the front of the dorms. Standing there, waiting for you, Mr. Aizawa.

“Welcome back.” He said to you.

“Hi...” you blankly said as you attempted to get past him. However, he stopped you from going in.

“Not so fast, we need to speak first before anything else.” He stated

“What about? Because I’ve had a really long and kinda frustrating day, and I don’t need some bullshit to fuck it up even more. I mean, I’m so aggravated that I-“ a piece of paper dangling in your face shut you up.

“What are those?” You asked the hero.

“Adoption papers. I’m now your legal guardian.” Aizawa stated.

“.........HUHHHHH?!?!???” There was no way this was happening. It couldn’t be. You??? Adopted??? By a pro hero??? One that you almost killed???

“Okay, I’m sorry but I don’t need a guardian. I’ve been by myself, on my own, the second I was born. No family raised me, no motherly figure, no nothing. It’s just been me, the spirits, and the villain who took care of me till I was, what, 5? And then kicked me out and left me stranded. I’ve been surviving on my own for over a decade, I don’t need you to look out for me.” You exclaimed.

“Yeah, don’t worry. I won’t be an annoying parent, I’m just your legal guardian. You’re still underage, meaning you’ll need permission for certain things to continue to move forward.” He explained to you. You thought about it, and damn it, he was right. If you wanted to go about this whole thing the legal way, you’d need this.

“.....Fine. Just don’t tell me what to do dAD,” you sarcastically said.

“I’m your guardian and teacher now, I can tell you whatever I want, brat. Now get inside, you’re past curfew.” He said but you only squinted your eyes at him in disbelief. Did he really give you a curfew?

“Student curfew. You live in the dorms, all students have to be in this building by 10:30,” he explained. You just scoffed and went inside with Rumor.

“Guess I have a dad now, Rumor.” You sighed. You never had a father before. It warmed your heart a little, but then you remembered he wasn’t really your dad. Just a guardian. As you walked into the common area, you saw the lights were out. The students must’ve been in their dorms. You walked to the kitchen to grab a snack before heading to bed but you saw Bakugou sitting there with a water bottle in hand. He seemed kinda bummed out. You cleared your voice to get his attention and when he looked up at you, you told Rumor to head to the room.

“Y-Y/N! Hey!..” he said to you.

“Heh..hi Bakugou...Umm..I’m sorry about the whole..running away thing. I just needed to clear my head a little.” You said as you took the seat next to him.

“No, don’t apologize. I’m.....i-.....I’m sorry for pushing you about the whole parent thing. I didn’t know.” He apologized. You only shook your head and stared at your hands before speaking up.

“It’s fine. How could you know? After all, I’ve only been here for 2 days. Besides, you didn’t really upset me, it’s just..I feel kinda outta place when the parent topic comes up. Guess I just freaked out,” you saw the look on his face. Disappointment. Is he that upset that hurt you? Or at least thought he did? “B-but don’t worry! I’m fine! For real! I’ve been parent-less for almost my entire life so it doesn’t sting like that. Hehe..wow Umm. Depressing. You know I feel like I’m rambling, am I rambling? Should I stop? I think I should shut up, or maybe I’m just gonna go now that I-“ Bakugou placed his hand on yours which shut you up real quick. You looked up at his face as he stared into your eyes.

“You can talk to me about it you know. It’s clear you wanna get some things off your chest and I’m really interested in you.” You raised your brow at that last sentence. He realized what he said and quickly tried to correct himself.

“I mean- uh- not like that, or um it could be like that! It could be, if you’re cool with that. But it’s not, or maybe, i don’t know, it’s not it’s, I was, it was, I- yeah I’m gonna stop talking now.” He cleared his throat at the end of that, settling down. You giggled and reassured him.

“No, no it’s fine. I really don’t mind. Umm, what do you wanna know. I’m fine with sharing anything.” You said.

“Okay, let’s just continue with this parent topic then....how were you raised?” He asked. This scared you. You had to be real careful with your choice of words or else your cover would be blown.

“Okay, let’s see. I was born in a place-“

“Oh really?” He teased.

“Shuddup,” you laughed and playfully hit his shoulder.

“And that place was..very private. Very unknown, but my parents Umm, i don’t really know what happened to them. The earliest thing I can remember is that..someone found me and told me my parents were gone, they weren’t my real family, they just took me in because they couldn’t let a baby die, and raised me till I was 5.” You said.

“And then?” He asked.

“You sure? It just goes down hill from here.” You warned. But he only nodded and asked for you to continue. You looked at your hands in your lap before continuing.

“I was kicked out. Left on the streets. I slept on park benches, in alleyway tunnels, on rooftops of buildings. I pawned for food and..” you didn’t know if you should admit the next part. But Bakugou held onto your hand and asked for more.

“And then?” He questioned.

“.....I did what I had to do to survive. I committed crimes, but I had to live. I was just a child and didn’t know what to do. If you look at me any different for what I did though, I won’t judge you.” You said. He squeezed your hand almost as if he was telling you he understood. He nodded and pleaded for more.

“After 2 years on the streets, a cult found me. An evil and dark cult. They used their quirks to torture people they kidnapped and made them slaves to create weapons. They kept us in cells and chains, working 24/7. It was there that I learned of my abilities. I found out I could control the 4 elements and their sub-elements. There, I also met a master. He was old and couldn’t fight anymore, but he saw the potential in me and taught me dim mak in the shadows. After a year of being enslaved there and secretly training, these people (the LOV) came in and killed the cult members and stole some of their weapons and destroyed the rest. Once I saw them taking down those horrible people, I used my abilities and they saw. I guess I impressed them and they recruited me to join their little family. I’ve been with them ever since. But then I met Mr. Aizawa and he asked me to join UA. Since the group I joined wasn’t really family, I didn’t need their permission. They were more like friends and they were even the ones who pushed me to come here.” You finished up your little story and saw Bakugou looked at you with worry in his eyes.

“And now I’m here! Sitting in a dim kitchen at UA with a cute boy at 11:00 p.m.” you said trying to cheer up the mood. “Bakugou...”

“You’re not..affected? By everything you’ve been through?”

“You don’t have to feel bad!”

“But I do! You’re here! You’re not...”

“Dead?” You teased.

“Basically!” You laughed at that.

“Y/N, I’m serious!” Bakugou tried to say.

“And so am I! You don’t have to be upset. I value everything I went through, all the good and bad.” You explained.

“Why?” He asked.

“Because it made me the kickass baddie that I am today!” You said flipping your hair and laughing. “Seriously though! Everything I went through made me who I am. It’s made me stronger, more independent. It lets me know I can handle myself. So I’m good, you don’t have to worry.” You said grabbing onto his hand again and reassuring him. He used his thumb to rub at your hand and enjoy the feeling.

“You are...probably the strongest person I’ve ever met.” He said calmly with a small SMALL smile on his face as he looked at you.

“I’ll also bet that I’m also the only “criminal” that you look like you wanna kiss.” You playfully said.

“Maybe I do...” he said with a smirk and soft voice as he leaned in closer.

“And maybe I’ll let you..” you said as you leaned in. As you two got closer and closer, your eyes filled with daze and the world around you two fell apart. It was just you and him in that moment. Until it was ruined. Just as your lips were about to touch, Mr. Aizawa came in.

“Hey!” He shouted

“GAH!” You both screamed and jumped away from each other with a blush adoring both your faces. Aizawa walked up to both of you, shoving the adoption papers in bakugou’s face.

“No smooching with my newly adopted daughter!” He said with a stern voice.

“I’m not your daughter! You’re just my guardian and it only happened like a few hours ago!” You stated.

“You can’t tell me who I can and can’t kiss, old man.” Bakugou said.

“Listen you little punk! I outta...” then Bakugou and your teacher were now going at it, yelling over each other and saying whatever, completely leaving you outta the conversation. You let out a little gust of wind to shut them up and get their attention.

“Okay, it’s late, tomorrow is Saturday, so you two won’t have to see each other, MAYBE, for 2 days. Can we just let this whole thing cool over?” You asked.

“We can, I’m just annoyed at the fact that this dynamite stick was gonna steal my daughter away from me!” Aizawa complained.

“I wasn’t stealing her, I was-“

“STOLEEEEEEE” Aizawa corrected and Bakugou just sucked his teeth and looked around.

“Whatever, can we just let it go?” You asked again. They nodded and you all went your separate way. Except for the fact that once Aizawa was outta sight, Bakugou went running right back to you and walked you to your dorm.

“Sooo..about that kiss.” Bakugou said. You just giggled and opened the door to your room.

“Goodnight, Bakugou,” you said but as you were about to walk in, he said something else.

“Katsuki.”

“Huh?” You said looking back at him.

“Katsuki. It’s my name. You can call me Katsuki.” He explained.

“Wow, trust me that much?” You teased.

“You trusted me enough to open up, this is the least I could do.” He said. You smiled and corrected yourself.

“Okay then...goodnight, Katsuki.” You said smiling. He pulled you in by your waists and held you close as he placed a soft kiss to your cheek.

“Goodnight, Princess.” He said and walked off.

A/N: Ok Cubs! That was the second part and in here we got to see the spirit world! We’re intorduced to Avatar Korra and we’ve discovered Y/N is the present avatar! How do we feel about this? Good? Bad? Let me know!!! I hope your enjoying the story so far. I know it’s kinda weird and all outta disorder but this is my personal day dream that I wanna bring to life that I’m hoping some of you enjoy. It’s just a jumble of avatar elements with a BNHA/MHA base. Please be patient with me! I know this is a Bakugou x Reader fic but it is also a story. It’s gonna grow and build and once we establish the basics, more Bakugou x Reader issues will show up along the way! I hope you’ve liked it so far! See you next time! 💗🧸

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dorky-thighchi · 5 years ago

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WHAT I LOVE ABOUT DAISUGA AND CANON MOMENTS

Let’s appreciate these two for leading the team to the nationals (long post ahead)

1. Their goals and hard work for the team:

They’re always shown together planning for the team. When Asahi stopped playing volleyball, Noya got suspended, former coach Ukai stopped coaching. I felt bad for these two, they went through hard times as their captain and vice captain it’s their obligation to unite and guide the team. During their first year and second year they were used to failure and called flightless crows. Their expectations crumpled but they did not give up. It’s Daichi and Suga’s job to bring back the name of Karasuno to the nationals with the help of coach Ukai and Takeda, finally they made it to nationals, that’s why their former captain was so proud of them because they followed his words. When they didn't have their coach yet, they behaved as Karasuno’s temporary coaches (thank goodness Takeda’s an angel). Daichi was shown coaching the team in the first few episodes and Suga helped Tanaka bond Kageyama and Hinata. Suga questioned Daichi’s plan about the weird duo (Daichi’s a matchmaker) but after what Daichi said he helped the two bond and honed their skills.

In the HQ light novel “Melancholy of the third year student”, Asahi stated “with Sawamura leading the team and Sugawara taking care of the members, what could i possibly do to contribute” he witnessed Daichi and Suga walking together in the hallway; Asahi was impressed because of their dedication to guide the team to the nationals despite they’re in college prep class still they gave their best in guiding the team. Tanaka also acknowledged his senpais hard work that’s why he extremely respects his senpais, he was always there supporting the two. Coach Ukai madly respects Suga because he gave his setter position to Kageyama for the sake of the team and Daichi because he’s the best in motivating the team.

2. They know each other so well:

Daichi has this proud mode when he talks about Suga. When he told the team that Suga’s an experienced setter he had this “Yes that’s my amazing setter” face and when Suga did that amazing spike he jumped like a kid. In the HQ light novel “Sugawara’s decision” this happened during the first training camp. Suga was anxious to tell Daichi of his plan to give his setter position to Kageyama. When Suga finally told Ukai about his decision, Daichi and Asahi overheard their conversation and promised to win any match as much as they can. When Suga stated “I think in order to win, the person we need right now is Kageyama” Daichi and Asahi expressed their concern because the three promised to step on the court together (i get so emotional when the 3rd yrs play together). Daichi was worried and he told Suga that they can do something about it. THIS IS ACTUALLY ONE OF MY FAVORITE HQ LNs because of what Suga thought after their discussion “He was glad to have sawamura who accepted him the way he is, as his teammate” AND I FUCKIN LOST IT HQ LN SHOULD BE ANIMATED. Daichi supported Suga’s decision for the team, “Daichi was very certain of Suga who had been with him for the past 3 years”, he even stopped Tanaka from interrupting Suga’s monologue telling him to listen.

Remember when Ukai announced the first lineup for dateko vs karasuno match and the shot was focused to Suga and back to Daichi; you can see Daichi did this weird eye thing glancing at Suga. Daichi’s proud moments of Suga were “I think you’ve revived too Suga” and “I’m glad you still want to fight” when he told Daichi “I do wish my tosses could’ve played a part in the victory”. When Asahi and Noya stopped coming to the team, the only members left were Suga, Daichi and the 2nd years. Suga also took the blame and Daichi was there for him. He was shown secretly listening to Yamaguchi and Suga’s conversation about the mop (and comforted him that he shouldn't blame himself. I’m kinda disappointed they didn't include this in the anime). These panels show their trust and respect for each other.

He cant even dare to hurt Suga (but lets Suga punch him anytime) and he knows when Suga goes to overthinking mode. Also Suga knows Daichi so well i think i’m gonna cry. Scolding Daichi when he was not vocal during the game; Suga’s known for being the only one who can lecture Daichi. When Daichi told Suga and Asahi that it’s better to hand over the team to the 2nd yrs, Suga knew Daichi didn't mean that; Daichi felt hopeless because they lost again. He knew Daichi wanted to stay and play volleyball and step on the orange court.

He’s also used to Daichi’s stern mode. Daichi was also shown being the one who can keep Suga in control like “Suga please calm down”. Their relationship isn’t fully conveyed in the anime but i’m thankful that creators created drama cds, light novels, extras, spin-offs and haikyuu stage play to let us know more about the characters.

3. The team parents:

They always discuss about their team members like Suga asking Daichi about Kageyama and Hinata (kagehina bond ep) and Tsukishima. In the haikyuu drama cds “what if karasuno’s manager isn’t shimizu kiyoko” and “the reason behind the t-shirts” they were worried about entrusting the manager’s job to Tanaka, Noya and Hinata. When the team was hungry because Kiyoko wasn’t there, Suga told Daichi to take action so he assigned the weird duo to buy foods for the team and they were the ones who planned for the names of the shirts with the help of Noya, Kiyoko was pissed at the two because they were busy thinking of their own shirts. In the haikyuu light novel “the last summer vacation” (Sources: 1|2) Suga watched the team with worry on his face because it was so hot so he approached Daichi and expressed his concern that the team will get sick from the heat. Coach Ukai overheard the discussion and called a meeting. They’re usually seen together in every scene in the anime, stage play, haikyuu light novel, extras, manga, spin-offs and drama cds, scolding Tanaka, Noya, Hinata, Kageyama and Tsukishima; discussing volleyball stuffs; and buying pork buns for the team. In the lets haikyuu and extras (hq spin-off) it’s actually semi-canon they’re karasuno’s team parents. They also have this karasuno christmas bonding tradition.

It was also STATED BY THE DIRECTOR IN THE HQ MAGAZINE AND THE VOICE ACTORS THAT DAICHI AND SUGA ARE THE TEAM PARENTS AND TANAKA’S THE BIG BROTHER (here are the links: 1| 2|3)

IT’S CANON!!!!!! IT’S DAMN RIGHT CANON!!!!!TEAM PARENTS DAISUGA IS CANON!!!!!!

4. Teasing, bickering and just them being dorks:

Suga teasing daichi is my jam. In the HQ LN “Yachi’s delivery mission” (Sources 1|2), this conversation frickin made me squeal like a mouse with laryngitis. After practice the team was thirsty and wanted something cold to eat. “It’s indeed hot, lets get ice pops before we head home” daichi stated then frickin SLY/LIL SHIT SUGA JUST CASUALLY SAID THIS REMARK “Oh that’s not a bad idea, are you going to treat us Daichi-san” HE FRICKIN ADDED -SAN. So the team didn't let the opportunity go away they screamed with joy and thanked Daichi. After what happened Daichi just glared at Suga who was smiling at him. Daichi’s a softie when Suga’s involved. Suga got Daichi to buy ice cream for the team. I REPEAT HQ LN SHOULD BE ANIMATED.

Daichi knows when Suga’s about to do something stupid and his antics. They argued about this. When Suga was mad at Daichi because he was implying that the last year shrine visit was nothing; he was so pissed he started fuming at daichi. Suga also told Daichi that steak just being steak is better over diced steak. Hyped suga and daichi trying to calm him down is the cutest shit. In the HQ LN “Tokyo Expedition: Captains’ Meeting”(Sources: 1|2), Daichi warned Suga about Kuroo because he knows how to read minds and loves mind games and Suga was like ‘you need to chill Daichi’. When it was Suga’s turn to pick a card from Daichi’s deck he picked the joker and twitched his brows, Daichi whispered at Suga telling him whenever he drew the joker his brows twitch so Suga massaged his brows. I REPEAT AGAIN THIS SHOULD BE ANIMATED. The other captains and vice captains are competing against each other but look at these frickin idiots they are helping each other. DAICHI OBSERVING SUGA THEN WARNED HIM ABOUT HIS TENDENCY OF TWITCHING HIS EYEBROWS. IM GONNA FRICKIN DO A BACKFLIP. Also Daichi and Suga love to make fun of asahi but when you frickin hurt asahi these two will frickin punch you in the face. Frickin daisugasting dorks.

5. They are always together and in sync:

In the manga, anime, extras, stage play, light novel, drama cds and official art/merchandise they’re usually frickin together and always in sync, same reactions and thoughts. Remember when Daichi looked at Suga (S1 ep24) like he was asking for approval then Suga nodded. That was so cute ugh.

Extras:

Suga is 6 months older than Daichi. June 13 and December 31. Their birth dates makes me go WAIT WHAT.

Suga and Daichi’s name meanings are compatible.

During the christmas bonding time, Suga received daichi’s gift, a daruma. Daichi bought it as a gift because it weighs like a volleyball (he’s such a volleyball nerd) and he told Suga that they should draw the eye together. (Source link)

Suga thought that Daichi was jealous of his t-shirt because the phrase on his shirt was cooler than his. (Source link)

Suga’s first synchronize attack was a success and he tossed it to Daichi. Coach Ukai assigned these two along with Tanaka to learn synchronize attack.(Remember when Daichi told Suga he borrowed coach ukai’s tablet so they can watch the videos together)

The way they look at each other like there’s nothing else to look at.

What I truly love about these two is their relationship and trust for each other.They complement each other, which makes them a good combination. They went through obstacles and look THEY MADE IT TO THE NATIONALS, kiyoko witnessed their progress and asahi thanked suga and daichi because they welcomed him again in the team, remember when asahi was not sure if they’d accept him to the team but daichi and suga were just laughing and made fun of him.

Their vice captain and captain interaction isn't fully expressed in the anime and i hope that everyone will appreciate them more! They made it to nationals! And them being proud of Hinata and Kageyama in the hq time skip is one of the best treasures Furudate sensei gave to us.

Lets talk about these two. Daisugasting volleyball idiots.

I rest my case.

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sweetescapeartist · 4 years ago

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DBS COLORING BOOK CHAPTER 73 REVIEW

Alright... let's do this.

The first 4 pages are good. Good flow, not too many pages, no dialogue (thank God). Page 5 is where the paneling gets unnecessary. The last 2 panels aren't needed.

Page 6 is absolutely stupid. Goku & Granolah are flying at extremely high speeds, Goku is firing ki blasts that are moving at a higher velocity than he is currently moving, Granolah moves even faster in order to dodge Goku's ki blasts, then Granolah is using his scarf that is wrapped around a tree to swing around the tree & get behind Goku... A SCARF.

The scarf would tear apart instantly if Granolah tried to use it to catapult/swing himself around faster than Goku can perceive.

YOU: "The scarf is probably really strong tho!"

Sure let's assume that. In that case, the tree would be uprooted from the velocity Granolah is moving. Either way, it doesn't make sense. If this was early Dragon Ball and Yamcha did something like this when fighting Goku, then yeah it would be reasonable and look cool. With the power these characters are at now, it just looks ridiculous and inconvenient. It doesn't work here. Granolah could've easily dodged on his own and much faster that wraping his scarf around the tree.

So Granolah swings around and kicks Goku through tons of trees. (Saiyans killed his ppl but Granolah is killing his planet. Ironic)

Hey look! Another stupid page 😒

Page 7. Goku got sent flying back at a speed capable of easily cutting through tons of trees, but he slows himself down by grabbing a branch & swinging around it? Why? Again, at that speed, Goku would yank the limb of the tree clean off or uproot the entire tree. That wouldn't slow down his speed. He would be better off just stopping in the air on his own as if he applied the emergency breaks. Characters have done that plenty of times. Again, stuff like swinging around trees and tree branches is stuff they would had done in OG Dragon Ball.

Why is Goku blocking like that?? He isn't reinforcing his arm, he's holding his wrist whole his forearm gets punched. That would damage his arm and/or wrist.

*Boom boom! Bam bam!* They hit each other some. But are you ready for this? Pages 11-12...!

Why did Goku yell as if he is transforming? He is using Ultra Instinct, right? You don't yell to power that up. Remember the Moro arc? He calmly breathes to go into the state. Remember the chapter before? He calmly closes his eyes to focus. Why is he yelling then tapping into UI? Because Toyotaro can't write consistently. This page was...! just dumb...

Also... What is this SSB with Ultra Instinct then? You remember the SSB aura around UI Omen in the Moro arc? What's the difference between "Blue plus Ultra Instinct" & "Ultra Instinct plus Blue?"

Granolah says he can read Goku's blood flow and cell movements. That should come in handy later when he could potentially find a weakeness in Goku using UI. Hopefully Goku doesn't tell him he can't stay in the form too long. 🤞

SSB with UI is more focused that lower forms in combination with UI. Goku should be nearly untouchable. Pages 13 - 14 show how well Goku can dodge. Looks like ballet in a way, like Goku us dancing around him. I like that. Then he uses a point blank Kamehameha. Looks cool. But it turns out that Granolah simultaneously hit Goku somehow. Not a complaint here.

Pointless panels of Oil being blown back by the force. Pointless panels of Vegeta not paying attention to the fight and looking around. Pointless 2 panels of smoke clearing away. The entire page doesn't add anything at all. Page 17 could be omitted & it would flow better.

Goku is on the ground for the... 3rd time in this battle? I wish it would at least have Granolah say he didn't realize how difficult UI with SSB would be for him, but he barely saw an opening. That would be some sort of respect for Goku and did some clever foreshadowing. But we get Granolah insulting Goku instead. Whatever.

This "vital points" nonsense is so stupid. Everyone in DB has nearly identical vital points. Majin Vegeta knocked Trunks out by chopping at his vital point. These characters know what vital points are and know them well as we have seen when they were in combat since early DB. Granolah should be saying "My right eye will always find an opening." But maybe its a translation error or something. I won't be too harsh about this one.

Wait wait wait. Lemme get this straight...

Whis trained Goku, then Goku is able to use UI in the ToP.

Merus trains Goku to use UI Omen at will.

Goku later masters UI with silver hair.

Whis points out new flaws that didn't exist then trains Goku even further.

Goku has been trained by 2 Angels to the point of being able to go into Mastered UI at will and recieved further training after mastering the Angelic power. How is it that Goku has the gull to say "No, Ultra Instinct should have no weaknesses. If anything's lacking, it's gotta be my training."

And he's telling Granolah that he is vulnerable for some reason...? He's just foreshadowing for the reader that he will lose. The last 4 or 5 panels of page 19 isn't needed.

Whatever. Let's move on. So on page 20, for some reason, Goku has a confused look & a question mark in his speech bubble after Granolah blames Saiyans for killing his ppl. Maybe Goku doesn't understamd why Granolah is repeating himself for the 3rd or 4th time? Or he wasn't listening the earlier times. Can't blame him. Granolah's speeches bored me too.

Granolah copies Moro & makes lava rise from the core of his beloved home planet in order ro hurt Goku. Poor Sugarians. I wonder if there will be a "You're becoming the bad guy now, Granolah." type of story. Dont really care though. Goku escapes by teleporting. He mentions how Granolah has Moro's move. I guess Granolah is supposed to be like Cell and have others techniques... like Moro before him... They are both altered copies of Cell who is much cooler than both of them combined...

Well, here they are making Vegeta look capable (somehow?). Also its interesting that the bloodthirsty Granolah is allowing Goku & Vegeta to chat about their discovery of who his ppl are. The the ex-detective Vegeta quickly figures out that Maki & Oil fooled them. That was rushed. "But Vegeta was suspicious of them before." Yes, but there was no reason or anything we heard that would make Vegeta suspicious. The writing is bad. Also it's convenient that Oil has a drone all of the sudden to eavesdrop. The last 4 panels of page 24 are pointless.

GOKU: "Hey let's talk to him and clear things up."

VEGETA: "Nah. He's probably too stubborn. Just fight to move the story along instead."

Goku says he hasn't used his full power yet & Vegeta is surprised. How does Vegeta not realize Goku hasn't used his full power, Mastred UI? Then Vegeta says "Tch... Gotta resort to that in the end, huh?" Toyotaro is having Vegeta downplay UI in order to hype up Vegeta's fight next chapter. Bad writing. There's better ways to hype Vegeta up. Toyo chose one of the worst ways to do so.

Granolah... Just standing and waiting for Goku to come back. What a patient revenge fueled man.

UI Goku through the fog looked cool. (And his wounds heal? Ok...) But, seeing that made me realize something else. It would be much cooler if it went from page 22 then skip to page 26!

We don't need Goku & Vegeta chatting. The reveal of UI would not have had a pace breaker. It just happens & you see that Goku is serious now. Show don't tell.

GRANOLAH: "I can't perceive... any vital points?!"

That sounds stupid, so I do think it is a translation error.

GRANOLAH: "I can't perceive... any openings?!"

Now that reads much better! (I also edited the dialogue to "openings" in the pic above.)

Great... Goku conveniently exposed a weakness in UI that Whis had conveniently made up in CH 71. Although, in CH 59 Whis said that Mastered UI doesnt have the stamina issue that UI Omen has. Then in CH 64 it shows that the stamina issue is gone with Mastered UI during the 3 chapter battle with Moro. Goku never looked fatigued or weak in this form. Only time the form went away is when "planet" Moro drained Goku of his energy.

But now Goku & Whis say otherwise. How suddenly contradictory. Page 26 of this current chapter (CH 73) would be better if the last 2 panels were omitted.

Mastsred UI Goku easily takes down Moro- I mean Granolah. Also Goku tries to chat now after attacking Granolah. Should've said something before you start kicking ppl in the face. But this is shown to prove Vegeta is right about not being able to reason with Granolah. Even if it makes no sense.

Cool dodging & aikido type movement from Goku.

Goku using "the force" & stopping Granolah's movements was cool. Reminded me of Goku doing something similar to Broly in the DBS movie. Or more similarly, like Zamasu did in the manga.

I guess Toyotaro is suggesting that the quick flurry of punches is a Master UI kind of move. (Although it originated in the anime when UI Omen Goku was punching back against Jiren & when he did so to block attacks from Jiren in EP 129.) I hope this move isn't over used that it ends up losing its flare.

Vegeta pretends to be upset that Goku defeated Granolah while in the previous chapter, Vegeta told Goku to fight first.

Somehow Vegeta is able to sense that there are 2 Granolahs. You can say because he has spirit control, but Goku has been through that kind of training with Roshi, Kami, & King Kai (possibly some with the Yardrats too which helped him control Super Saiyan at the level he could). And with Instant Transmission, Goku must be an expert in detecting ki. He can feel ki in different realms and locate ppl from far across the galaxy Goku should sense this too. All this writing is doing is trying to make Vegeta appear as the more capable fighter & get Vegeta fans hype for his next battle. That's all.

The switcheroo (I think I used that wrong) of a fake Granolah was a kinda clever idea. But Goku not knowing what "split" means is asinine.

Goku literally says "Split...? What's that mean?"

Goku has seen firsthand when Tien split into multiple Tiens, Goku knows the Yardrats can split themselves into many ppl, he saw merged Zamasu split himself, & he saw Moro split himself. Why is he written so stupid? I need answers Toyo.

Page 40....

HOW IN THE HECK did Mastered UI get caught off guard?! Ain't it supposed to automatically grow sturdier as necessary?! Boy oh boy, this writing... A positive is that the punch looks like the 1 inch punch Goku did to Golden Freeza (inspired by the legendary Bruce Lee).

So if actual Granolah is twice as strong and can one shots UI Goku... Vegeta doesn't stand a chance. But the bad writing will make a way for Vegeta to look somewhat capable.

Granolah says UI becomes less sharp over time. Only problem is that Goku fought longer against Moro. This fight of UI Goku should have been longer. If the fight was longer when in the UI "transformation" then I would be more generous about Granolah finding an opening. Speaking of openings, Granolah says "opening" instead of "vital point." Must be a translation error.

Goku is in a near death-like state and Vegeta is like

VEGETA: "Leave that fool alone. Fight me instead."

Vegeta threatening Granolah is either stupid or smart. Smart = Vegeta provoking Granolah to get an advantage mentally. Dumb = Vegeta reverting to his Cell saga overconfidence that Toyo always does.

IN CONCLUSION:

STILL NO IMAGE OF FREEZA... I guess he isnt that important to the story after all. And this storytelling is so bad because Toyo can't stay consistent at all, he doesn't understand the characters, & he can't come up with anything besides "this form also drains stamina." You can say he & Toriyama write this together but I doubt it. Toriyama corrects his art & just gives the story a pass.

Recently it seems that Toriyama is more interested in the DBS movies being produced. Toriyama just writes an outline, Toyotaro & Toei write their versions of the story around that, Toriyama corrects Toyotaro's art & Toriyama also corrects or adds to what Toei thinks up. Example being when Toei created Kale & Toriyama created Caulifla in response.

I'm not excited for the next chapter. I don't care what Vegeta does. How is Vegeta going to win against someone who one shotted Goku in UI. Either the writing will be kinda smart or just plain stupid. I'm expecting stupid.

Idk if I'll review the next chapters. The bad writing was too much for me. I wrote this review last month right 1 day after the chapter came out, but I didnt want to read the manga again to get the images I need for this review. So I put it off for almost 1 month.

I wanna take a break from this bad manga...

#dragon ball #dragon ball super #dbs #dbs manga #dbs manga chapter 73 #review #Goku #Vegeta #Granolah

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alatismeni-theitsa · 4 years ago

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anti LO anon opinions

I am sorry for the delay. There were too many asks and too little time. 16 messages below the cut. Enjoy!

1) I like to mention that metis isn’t the mother Hera Demeter or Hestia rather she created them

2) Why is Metis being made into a fertility goddess? She's associated with wisdom and good counsel, she has no relation to fertility or agriculture. If RS wanted to be consistent with the fertility goddess=victory thing, then Hera fits that role just fine because she is literally a goddess of childbirth and motherhood!

3) The fertility plotline is already stupid by its own but also Metis who is the mother OF HERA DEMETER AND HESTIA( and not Athena because fuck it i guess) was already very stupid and but nowZeus ATE the mother of Hera and Hera still married him in the comic?????!?!?!?!

Just whyyyyyyyy

Why rachel

Whyyyyyyyyyyy!!!???

4) Let me get this straight... Zeus ate Metis to help him overthrow Kronos because she's a "fertility" goddess? How does a goddess of wisdom suddenly become a fertility goddess?? Also, for a comic that preaches "feminine power" all the time, there is absolutely no power for women when they are being consumed just for the sole purpose of defeating a tyrant.

5) One of many things that bugs me about lo leto is that not only she looks identical to hera(besides of eyes) she dress in same colors as her and same clothes style. In episode that leto was in they give hera more blue collors but that doesnt change that hera dont wear blue so often.

6) Apparently, Metis isn't their ( Hera, Demeter and Hestia) mother in LO. Which doesn't make any sense because if she isn't their mom, then where did they come from? Just because they were created doesn't mean that's not their parent.

By this logic, Demeter and Persephone aren't related in LO. This just seems like a poor way of avoiding incest.

(The evidence is that Rachel changed the sisters to friends in episode 119 and said that they weren't related herself (can't find this one tho)).

7) I remember seeing a instagram post criticizing LO for making Apollo rape Persephone someone in the comments said “Well zeus rape persephone in the original mythology so It only makes sense that Rachel made Apollo do it” ???Like???Sis What???

8) Probably unpopular opinion : I don't like when people criticizes Lore olympus by saying " It is bad because in the original myth * insert female figure in Greek mythology* is RAPED!!" because most of the time, even if exception exist but the great majority of the examples used in these arguments came from ROMAN version!!

So if someone want to criticize Lore olympus its should at least use exemples/argurments based from GREEK mythology not from the Roman version(which cames much later) and it is pretty easy to do that.

9) Off topic but the fact that Hecate in LO looks so generic in recent chapters (a nod to the recent anti LO anon submission posts and one person says Hecate looks badly drawn(, that there's actually an instagram art account who plays art of withe fanart or original content, and their OC Nadia looks more like LO Hecate than LO Hecate. Link

10) Hekate in those panels (where she is talking with Demeter in ep. 145) looks like LEGO figurine.

11) Now in lo besides of all this unneeded plot about persephones trail, apollo trying to overthrown zeus now Smythe thought that this romance comic didnt have enough action so now she add Kronos coming back and possible another war with him! This supposed to be romance comic not some action one, and this bigger plots fell so much unnecessary and like some 14yearold fanfiction that wich each chapter self insert marysue have more unreal things to do Thats why pilot lo was better it was just romance

12) Why couldn't zeus be the villain of LO? In the myth, everything is very explicitly his fault. He tells hades to kidnap persephone and he never tells demeter that he married off her daughter until she starts going on an agricultural strike and blights the earth. No more of this evil demeter/apollo/thetis/thanatos/hestia bullshit! I want the mother/daughter duo to beat zeus to the ground dammit!

13) The age gap in LO is weird because persephone's age isn't specified in the myth, her supposed youth is a product of modern interpretation due to her kore epithet and status as demeter's daughter. She could've went the route of young hades if she wanted a young protagonist, but we could've also had old persephone, which has worked multiple times.

14) Oh god, lore olympus is gonna become the new twilight/50 shades of grey.

15) one thing i don't understand about metis in LO - wasn't she an oceanid?? why is she brown w wings?

16) I personally don’t think RS has the majority of this planned, because if she did there wouldn’t be so much retconned stuff and these apparently major plot points wouldn’t be popped now, almost 150 episodes in! Like you said, they had to be built up and hinted at well before this to make sense. It’s either on the editor not helping her tighten up the story, or she, as she’s told us before, just writes it as it goes, and that seems far more likely. More so, let’s not forget the other plot lines that must be dealt with: Eros and Psyche, Semele and Dionysus, Leto now?, Persephone’s schooling (?), Minthe, Apollo, Thanatos, and Daphne (🙄), Hermes lying to hades, Zeus finding out about Hera/Hades, Persephone coming to justice, Thetis, Echo, Persephone even finding out about her powers (yes, almost 209 Eos in), HxP even getting together and married (+possible babies), and the ACTUAL myth with Demeter at a standoff! At current rate, it’ll need at least several more years to wrap up, unless most of those are dropped, in which case also proves she didn’t plan ahead, or else she wouldn’t have included them to begin with. How do you turn such a cut and dry story into such a convoluted mess. I’d be impressed if it wasn’t so aggravating.

#anti lo #answered #again i am sorry <3 #I check the messages right when you send them I just post them a bit later

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goldenkamuyhunting · 4 years ago

Text

Manga vs Anime: Episode 30 “Bad Sign”

So let’s start with Ep 6 of the 3rd series… which is the 30 Golden Kamuy animated episode.

Some data first.

This episode last 23:40 minutes and has an opening and an the ending. It covers 3 chaps and a half of the manga, chap 163, 164, 165, & half of chap 166 for a total of around 69 pages (I’m discounting the covers) basically covering half of Vol 17.

The episode is titled ‘Bad sign’, which is actually the title of chap 164, chap 163 being ‘Wanted poster’, chap 165 being ‘Flag bearer’, and chap 166 being ‘Request’.

NB: I’ve noticed the subs in this episode diverged in some points quite a bit from scanlations and official translation (like Yuusaku saying he was avoided by others in the barraks when it was more that OGATA was avoiding him or similar things). Japanese is often vague enough to allow for both meaning even if one is more obvious than the other to who knows the plot. I didn’t cover them in this analysis as I focused only on the animation and voice acting but consider yourself warned.

And now into the anime.

ASIRPA’S GROUP

Manga & Anime: Asirpa checks the wanted poster Ilya had, which matches with Kiro. Kiro tells her of his involvement in the facts of Saint Petersburg and of how Wilk was involved as well.

There are just some minor differences:

- In the manga we see Ilya throwing up blood before dying, while in the anime this scene is cut, possibly because they showed Ilya throwing up blood previously.

- In the anime, after Shiraishi says the guards were after Kiro, we see an image of a clearly dead Ilya. This wasn’t in the manga.

- In the manga Shiraishi comments how it’s not surprising the Russians are angry. In the anime this is cut.

My two cents: I’ll say this bit is well done. Not only the images are faithful enough to the manga but the way they’re presented gives the scene the right rhythm and atmosphere. The colouring, which gives in the idea of a flashback, is a nice touch and is also nice to watch and the final panning on the statue is a good idea. The background too is very nice. If anything the only thing is that apart from Kiro and Wilk people are absolutely still and will remain absolutely still. I get animating them would take more work but they really feel like dolls. On a positive side I loved how they handled Asirpa discovering Wilk was involved. The revealing of Wilk face alternated with Asirpa seeing the poster,

the rhythm of the scene, the music… well it was very good… and since they didn’t want to animate the people around them I think it was a clever trick to show all that smoke around Kiro as he carried away Wilk so as to cover the other people and make unnecessary to draw them. The panning on the statue was also a nice touch.

Oh, since the anime had sunset happen in the previous episode now the characters are shown with the colours implying it’s night. To be honest I should praise their eyesight as it seems pretty dark but I guess it was clear enough to allow Asirpa to see the poster.

THE OPENING STARTS HERE

VASILY KEEPING WATCH

Manga & Anime: It’s night. Vasily keeps on observing who he thinks to be Ogata but can’t catch him moving or breathing. Plus his hiding spot is bad as he could easily be seen, which isn’t a mistake he believes a veteran sniper like the one who killed Ilya would make so he decides to keep on observing.

My two cents: The anime well transposed this scene in animation. Not only it’s faithful to the manga but it gets you in the right tension.

KIRO’S GROUP IS WAITING

Manga & Anime: Kiro’s group is waiting for Ogata. Shiraishi, holding what was likely Ilya’s Mosin-Nagant, comments Ogata is late and wonders if they should go to back him up. Kiro says since Ogata told them to let him do it on his own they should just believe in him and wait.

My two cents: This is also well transposed. As Kiro’s talk was long they even redrew him in a different position and even had him move. Well done!

PREPARATIONS FOR THE HUNT

Manga & Anime: Vasily keeps on studying his opponent. Sunset comes and Vasily notices tracks near the body of his adversary. He follows them and see they lead to an Orok casket. He then assumes this means what he had been observing is just a scarecrow made using a corpse and Ogata is actually hidden in the casket therefore he shoots at it, the noise waking up Asirpa’s group. Only it turns out he was wrong, Ogata was really under the cape and now it’s his turn to shoot. He hits Vasily’s jaw, causing him to fall on the ground then tries to move but fall on the ground, panting.

There are just some minor differences:

- In the manga there’s an explanation about the battle of two snipers during the battle of Gallipoli. This is cut in the anime.

- In the manga Vasily shoots 6 times at the casket, in the anime only one.

My two cents: I would have said this is a beautiful transposition as not only it’s faithful (actually cutting the explanation allow the tension to rise more) but it pays good attention to the characters’ expressions and to the rhythm of the scene. Ogata moving slowly and then the shoot hitting Vasily is great as a choice,

the bullet hit Vasily in a scene that delivers what had happened without being too gory and even the splatter of blood work.

Ogata’s colouring hints at how he’s already feeling ill, well combined with the way he breathes.

They even darkened his eyes to make them more faithful to the manga

and his fall as well as the way he pants are also well done

so it would be a great scene if it wasn’t for an AWFUL mistake. Vasily didn’t shoot just one time to the casket, he shoot 6. The whole point wasn’t just to make him shoot first, but to make him shoot all his bullets so that Ogata, who only had a single shoot rifle could use that at his advantage. I really, really hope they’ll add the sound of those 5 more shoots in the dvd version because this is a pretty bad logical mistake. On a positive side this time, differently from the previous episode, you can see the traces in the snow and the colouring is very nice.

CHAP 163 ENDS HERE.

BACK TOGETHER

Manga & Anime: Asirpa notices Ogata is back to where the Orok/Uilta are waiting so they reach him to discover he looks really pale and has a fever. Ogata tries to wave him out as him merely eating too much snow when, looking at them, he hallucinates Yuusaku.

There are just some minor differences:

- In the manga Kiro says it looks like everything had been taken care of. In the anime this line is cut.

- In the manga Shiraishi crouches down to look at Ogata when he says Ogata looks really pale, his expression surprised and a little worried. In the anime he’s standing and looking normal.

- In the manga Asirpa isn’t in the panel when Ogata sees Yuusaku, even though she was standing right in front of him. In the anime she’s present.

My two cents: While the previous scene was good this one isn’t that great for various reasons. Shiraishi doesn’t sound really like he cares here, while in the anime he seemed to do so. While Tsuda Ken well deliver Ogata is not feeling well, the anime had Ogata raise his eyes before he finished speaking. It can work in the manga, where time works differently but in the anime we’ve the impression for 5 second he wasn’t seeing anything abnormal then BANG he hallucinated Yuusaku, combined with ghost sounding effect. The ghost yuusaku effect is nice but the worst thing the anime does which will be a mistake through the whole of it is that they add Asirpa to the scene when Ogata was instead hallucinating that Asirpa was Yuusaku (in fact even though she was standing right in front of Ogata till a moment before as soon as Yuusaku appear she suddently disappear and only Kiro and Shiraishi remain), something that in the manga ties well with the ending of Ogata’s fever dream but that doesn’t do so in the anime.

HALLUCINATION

Manga & Anime: Ogata hallucinates being on a sled trained by ghostly reindeers, Yuusaku leading it, turning to him and asking him if he feels cold. This causes Ogata to remember of the time when Yuusaku was alive and they went to visit a brothel together. Once he suggested Yuusaku were to have fun with the women there, Yuusaku refused, apologizing and Ogata let him go, making sure he wasn’t seen by others.

There are just some minor differences:

- In the manga, when Ogata asks Yuusaku to come with him, Yuusaku blushes. In the anime he doesn’t.

- The anime adds a scene in which one of the women caresses Yuusaku’s hand.

- In the manga Yuusaku sweats before answering to Ogata. In the anime he doesn’t.

My two cents: Okay so I liked the run on the ghostly sled, with that odd red colouring which I think was inspired by the cover for vol 17.

Even the idea of Yuusaku’s blood spraying all around is somewhat well done in it’s creepiness.

The transition to the flashback is well done with the camera moving on Ogata’s eye which close and open and then we see Yuusaku in the flashback.

Yuusaku’s voice is always very kind and the music, while not great, well underlines the mood of the scene. I like the choice to make a beautiful very starry sky, which seems to imply hope. Yuusaku doesn’t blush but his joy at having been invited is evident. The scene at the brothel sets up the atmosphere perfectly, with Yuusaku greatly uncomfortable as Ogata goes on. The first clenching, the lips trembling, the exhaling, everything is perfect.

THE OROK/UILTA CAMP

Manga and anime: Kiro’s group reaches an Orok/Uilta camp of a relative of the men that were with them. Asirpa helps Ogata getting down from the sled while Shiraishi observes. Once inside the tent she uses Ainu remedies to try to get Ogata feel better. An Orok/Uilta shaman also joins them trying with his music, to chase away the illness, with Asirpa and Shiraishi helping to make the healing music.

There are minor cuts and changes:

- The anime expanded the scene in which Asirpa helps Ogata, adding Ogata almost falling then slowly walking toward the tent, supported by Asirpa.

- In the manga Shiraishi merely observes the scene, his face shadowed, sweating a little. In the anime he also lowers his head and turns away his gaze, as if torn.

- The anime added an image showing Shiraishi and Asirpa listening to Kiro’s explanation.

- In the manga we see an image of Ogata sweating and, next to him, Yuusaku. In the anime we see Ogata sweating and then, among the steam, appears an image of Yuusaku all curled up, and then Ogata’s eyes.

My two cents: The scene of Ogata having troubles standing is well handled, they almost had him fall and then walk really slowly which is perfect. I also like how they delivered Shiraishi’s inner turmoil. It’s also good how they transitioned from Shiraishi and Asirpa listening to Kiro to them making noise as loud as they could. Sure, the scene of Ogata saying ‘silence’ is a bit less funny as Tsuda Ken delivers it in a sick yet creepy way but it works well. I’ll even go so far as saying that the way the anime chose to make Yuusaku appear during the music scene is better than the one of the manga.

THE SECOND HALLUCINATION/FLASHBACK

Manga and Anime: We’re back at the brothel, with Ogata sitting alone with one of the girls when he’s reached by Tsurumi. At this he sends the girl away and makes his best to look proper. Tsurumi comments the rumours on Yuusaku’s personality seem to be true, Ogata counters he was probably frightened by the atmosphere and insists he can manage to deceive him. Tsurumi says if he has a strong sense of justice it would be difficult to get him on their side, after all Yuusaku comes from a noble bloodline, which pushes Ogata to reject the notion of ‘noble blood’.

There are minor cuts and changes:

- In the manga Ogata’s face is deeply shadowed when Tsurumi says Yuusaku has noble blood. In the anime it’s not but they add Ogata’s eyes widening and then lowering.

- In the manga the shading on Ogata hinted at how he was in an emotional turmoil. No such hint there’s in the anime.

My two cents: This too is well done. I must praise Tsurumi’s voice actor because he’s great in delivering his quotes and we own to him most of the success of the scene but a good moment is also when the anime had Ogata’s eyes widen slightly at the mention of noble blood, showing how Tsurumi hit the mark and then lowering, showing how that remark hurt. Good is also the pause before Ogata delivers his quote.

THE ANIME PLACES HERE AN EYECATCH

SHIRAISHI, ASIRPA AND KIRO’S TALK

Manga and anime: Shiraishi leaves the place with an excuse and manages to lead Asirpa to follow him. Once she reaches him he tell her to escape with him. He believes Kiro took them there to try to get Asirpa to remember the key and that’s why Shiraishi kept silent but now he believes it’s too dangerous to stay in Russia. Shiraishi explains her his reasoning but Asirpa insists she’s staying. Kiro joins them, explaining them his old name was ‘Yulbars’, which was his past and why they killed the emperor. They’re fighting for minorities which includes his son and the Hokkaido Ainu. Asirpa says she wants to know more about her father and that she might remember the code then wonders if the killing to get the gold will continue with an even bigger killing once the gold is found and wonders if the gold really need to be found.

There are minor cuts and changes:

- In the manga isn’t clear if they are or not but the anime showed how Shiraishi and Asirpa were still making noise, albeit more calmly.

- In the manga Shiraishi points out to how there should be someone watching them as Kiro killed the emperor 20 years ago yet the Russians were right there to wait for them and that the Orok/Uilta man had almost be killed. Plus he mentions how when in the past they asked Kiro what Wilk might want to do with the gold, Kiro said he didn’t know but it was a lie as he had to know Wilk wanted to use the gold to fight against Russia. Kiro had to know as they killed the emperor together so it’s possible Kiro’s aim is the same, which was what Inkarmat was saying. In the anime he says one Kiro is hiding things from them as he and Wilk were trying to steal the gold to fight Russia.

My two cents: I liked how they remarked Asirpa and Shiraishi were still playing for Ogata... not so much how Shiraishi’s entire reasoning got cut but I get the anime needed to cut here and there to save time. I also like the transition in which everything turns to blood which rises toward Sugimoto’s image as well. I was curious how the anime would have handled this and I’ve to say they did it really well.

CHAP 160 ENDS HERE.

BATTLEGROUNDS

Manga and anime: Russo-Japanese war. Yuusaku, holding the flag, encourages men to march forward. Later Ogata is alone shooting Russians who wanders on the now empty battlefield. Tsurumi approaches him telling him Yuusaku is brave and everyone loves him. Ogata summarizes he doesn’t have to kill him.

There are minor cuts and changes:

- In the manga the two panels showing Ogata during the battle show him aiming. In the anime only the second does and between the two there’s an image of Yuusaku.

- In the manga we see Ogata shooting then a Russian falling, Ogata recharging, then another Russian falling then Ogata recharging. In the anime we see a Russian falling, Ogata shooting, another Russian falling, Ogata recharging.

My two cents: The transition here is a tad abrupt. I’ll admit the anime managed to deliver the general madness of the war, with soldiers drunk on the belief they won’t get hit due to Yuusaku. Sure, I would have appreciated less still scenes during the battle but whatever, at this point I guess the anime thinks they’re cool. The transition from the battle to the empty battleground work well and the dialogue between Ogata and Tsurumi is well done. I’ve to admit I like very much the contrast between Tsurumi’s voice and Ogata’s but it might be just me.

AT THE OROK/UILTA CAMP

Manga & Anime: Ogata is sleeping, Asirpa cheeks his forehead and comments his fever has gone down. As Kiro thanks the shaman Asirpa is gifted with a protective charm for Ogata. They give a protective charm to Shiraishi too, for a child’s penis.

There are minor cuts and changes:

- In the manga a box explains what the headband is for. In the anime it’s Asirpa who does so, saying it seems to work.

- In the manga the protective charms are shown in a box. In the anime the shaman shows them.

- In the manga Kiro says that they’re going to give that charm to Shiraishi because he was staring at a woman’s breast while she was feeding a baby. In the anime this is cut.

My two cents: Not bad. They’ve to adapt some things as they decided not to use the narrator but I’ll say it works just fine.

THE LAST FEVER DREAM

Manga & Anime: It’s night and Ogata and Yuusaku are walking on the now empty battleground, ogata leading Yuusaku somewhere. Yuusaku worries they’ll get scolded if they’re discovered. Ogata shows him a prisoner of war completely tied, then points out since he got there Yuusaku had never killed anyone and wonders if he’s using his role so as not to get his hands dirty. At Yuusaku’s denial asks him to kill that man and Yuusaku explains him his father told him not to kill so he would become an icon that would give them courage because killing fills others with guilt. Ogata says nobody feels guilt, they’re merely faking it, everyone doesn’t and is the same as him. Yuusaku hugs him and, crying, tell him he’s sure Ogata feels guilt as it’s impossible for people who not feel guilty when killing to exist.

There are minor cuts and changes:

- In the manga Ogata’s face is shadowed as he asks Yuusaku if he had ever killed someone with a darker shadow falling on his eyes. In the anime it’s not.

My two cents: This too is a good transposition. It’s faithful to the manga, it well used the corpses around them to make atmosphere, the voice actors generated a nice contrast between Yuusaku being so emotional and Ogata so calm and flat… yet as if he had something bubbling under the surface. If I’ve to nitpick I can say I’m a bit annoyed at the anime using a still image again when showing Yuusaku in ‘action’ and that Yuusaku hugged Ogata a tad too slowly so it felt a bit odd. Also the background music is nice and fitting but it would probably work better if it was on a higher volume as otherwise it can go unnoticed. Still, this is good.

THE END OF THE FEVER DREAM

Manga: At the next charge Yuusaku gets shoot from behind, the implication being Ogata did it. Yuusaku falls. However he’s then standing again and turning toward Ogata. Only it’s actually Asirpa as Ogata has woken up from his fever dream.

Anime: At the next charge Yuusaku gets shoot from behind, the implication being Ogata did it. Yuusaku falls. However he’s then standing again and turning toward Ogata. Ogata wakes up and Asirpa turns toward him.

My two cents: And this is where the anime screwed up BIG TIME. The whole implication of the scene wasn’t that Yuusaku, despite the bullet going through his head and the fact he had fallen stood up again to turn and look at Ogata… it was that as Ogata was about to wake up he saw Asirpa turning toward him but at first he exchanged her for Yuusaku turning toward him. How anime viewers are going to understand Ogata’s meltdown on the ice if they aren’t told Ogata has subconsciously superimposed Yuusaku and Asirpa’s images? I could give the anime a pass for not figuring it when Ogata started hallucinating Yuusaku, as that one wasn’t that easy but this wasn’t so damn hard to get, the page with Ogata and Yuusaku and the page with Ogata and Asirpa are drawn so similar exactly because you have to get this point! Really, if it wasn’t for this single one mistake this episode would be SO GOOD! Why did they have to mess up this? When Asirpa turns and Ogata is staring he doesn’t look like he’s surprised to see her, it looks like he had been frozen there ages ago and isn’t defreezing yet. -_- Well… at least they understood the Yuusaku who turns isn’t real as he starts to have the red tinge of the hallucination. Ogata’s pose as he watches him though is a bit unnatural and if it was made in an attempt to mimic the one he had in the manga, in the manga his pose was hardly visible so it could work while here it feels off.

CHAP 155 ENDS HERE.

FORTUNETELLING

Manga & Anime: The Orok/Uilta divine the fortune for Kiro’s group using the shoulder blade of a reindeer. The result is someone is coming from behind. Shiraishi wonders if this is a good or bad sign and Kiro says it’s good then shows him the shape the crack should have to point out someone is going to die.

There are minor cuts and changes:

- In the manga they showed the various cracks all in a box, in the anime the showed them on the screen one after the other.

- In the manga Asirpa has a doubtful gaze (Asirpa has a long story of not believing in divination), in the anime she’s just serious, then seems to squeeze her eyes a little as if in thinking.

My two cents: It’s nicely done, except maybe for the lack of Asirpa’s disbelief but I fear the ones behind this episode might not remember it (or since they made that horrible prophetic dream at the end of ep 24 they want to retcon Asirpa as believing in this sort of things).

THE TRAVEL RESUME

Manga & Anime: Kiro’s group is ready to leave the Orok/Uilta. Kiro apologizes for the troubles then tells Shiraishi he’ll remain there as yes, staying with Kiro would put him in danger and he doesn’t need to escape from him. Ogata agrees they’ve no reason to stop Shiraishi and Asirpa thanks him for what he did and says goodbye to him. Shiraishi watch them leave, thinking a smart move would be to join Tsurumi but… ultimately ends up running after them as Sugimoto told him he was counting on him to protect Asirpa. Shiraishi joins them saying he thinks in Russia there could be many pretty girls waiting for him and that if penis were to hurt he can use his charm. As he says so the shoulder bone crack further, showing the sign that was meant death of one of them.

There are minor cuts and changes:

- In the manga Kiro looks a bit sad when he says Shiraishi doesn’t have to run away from him. In the anime he’s just serious.

My two cents: I really liked the way Asirpa greeted Shiraishi. Her expression was sweet and her voice actor did a good job. The musical background this time was more noticeable and worked better. They also took care to keep Shiraishi moving and expressive as he explains his plan. Shiraishi running after them is a beautiful moment (too bad the flashbacks aren’t up to the same quality but whatever, they’re from the second series) and Asirpa’s expression and voice as he sees him is beautiful. I like how they showed Kiro smiling too and the way he asked Shiraishi if he changed his mind. The ending with the bone cracking came out powerful so it’s really good.

TO SUM IT ALL

I think this is probably THE BEST GK episode of the 3rd series, if not of all the series. Not only it’s a good transposition of the story, but it’s one that’s not rushed and that uses the times in the right manner, with a good animation and a good care of the character expressions plus a good storytelling and an attempt to use the music that needs to be improved but shows an initial care. Really, a good work. So I really hate how they missed the tie between Asirpa and Yuusaku, which was an important part for the future developments. I could pass over how Vasily didn’t shoot 6 bullets, it’s not clever but whatever, it does no harm if Ogata tempts fate more than necessary or if Vasily is actually more careful than in the original but this.... this wasn’t meant to end here but be tied to the ice field scene and now... not it won’t be, which makes me wonder if the writers are regular readers of GK or just read the bit they need to transpose, and so it’s harder for them to figure out the characters and what they’ll do. Whatever, except for this, it was a good episode, I would love if they were to fix the mistakes in the dvd version though I don’t dare to hope they’ll do it in this case and now I really, really hope the series will manage to keep this standard and, if possible, to improve it.

And also that it won’t completely and utterly screw up the ice field episode. Really. Please, no.

#Golden Kamuy #Ogata Hyakunosuke #Asirpa #Kiroranke #Shiraishi Yoshitake #Hanazawa Yuusaku #Hanazawa Koujirou #Tsurumi Tokushirou #Sugimoto Saichi #Golden Kamuy Manga vs Anime

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annakie · 5 years ago

Photo

An Annotated Mass Effect Playthrough, Part Six

Wherein we get out into space and explore a bit, and complete our crew.

And post a lot of gifs, because screenshots were lost.

List of Posts: 0 1 2 3 4 5 6 7 8 9

So I use the NVidia Control Panel app to take screenshots and videos. Since it’s already running and it takes good shots it seems dumb to not use it.

I ended up being super busy this week and didn’t play much, just got through like, talking to Kaidan after the big speech on the bridge more or less for the entire week, and through Therum. I updated my drivers a day or two ago. And then I didn’t notice that for whatever reason, yesterday when I went to play for a few hours, NVidia decided to record videos just fine, but not take screenshots. I probably actually mashed the button several hundred times.... but all I got were videos.

Most of it wasn’t a great loss, it was a lot of talking to the crew, and a few planetary missions which... so I’m going to have to go back and redo some of it later for screenshots.

But I thought... hey, for posting on tumblr, I’ll just make it a shorter update and make a few gifs and most this a mostly-gif post! That’ll be fun!

...and then I spent several hours making almost 80 gifs, including a lot of what I also had screenshots for but thought making gifs would be more fun.

I mean I was watching the last few eps of the newest season of Great British Bake Off on Netflix, and a few other shows this morning so it wasn’t just gif time... but yeah I made a lot. So I might split this into two posts now because... that’s a lot of gifs. This post will still have a lot of screenshots, too. So here we go!

There are so many things to love about this moment. It’s such a great like, re-launch of the game... Bioware telling us “Okay, now you know the plot, you know all the major players, you know a lot about our world (galaxy) and how it works and who lives here, now, it’s time for you to go out on your own.”

First, it starts with being able to vent a little to Joker, which is a nice touch. Shepard might feel guilty about taking the ship over from Anderson, but Joker also assures us here, a great preview of the way he’s tasked with helping Shepard keep it together in ME3.

I love seeing Shepard’s words affect the crew. The swelling music, the same as the “you’re a Spectre now!!” music just underscores the journey, and what’s to come.

I used to always miss this scene by not picking the right speech option, and would be mad Kaidan was left out of this montage. My fault!

This moment is so beautiful and epic.

...and here we go.

ALOT, btw, makes the galaxy map so pretty. Sharper and clearer and more colorful.

We all usually just head to Liara’s Dig Site first, right? Unless you’re doing one of those “Pick up Liara last just to see what happens” playthroughs? I did that once. It felt weird. And sad, when you tell her “oops I killed your mom and I’m not sorry.” Seems like she shouldn’t have gotten over that so quickly, but well, that’s game design. The entire plot just doesn’t feel the same and more flimsy without Liara around from the start.

I usually do Therum --> Feros --> Noveria --> Virmire.

Well okay, first a stop at Edolus, since, you know, it’s on the way.

What a LOVELY day, nothing could possibly go wrong on this barren world. I feel like they gave us a pretty easy-to-get-around-on world to start out with.

I honestly love driving around in the mako 90% of the time? Once you’re used to the controls, it’s not that hard to get most places you want to go. Though I admit the Nomad in Andromeda is a big upgrade. I kinda miss it in ME2 and ME3, though I only do what driving is necessary in Overlord and skip Firewalker like, half the time.

First, let’s check out the map...

I’m pretty sure I didn’t realize you could mark your destination on the map and it’d put a handy arrow on your radar until I started playing on PC. Before then I was checking the map every 5 seconds making SURE I was going the right way. *facepalm*

Generally my scanning strategy on the planet is... just go to the things on the map, but do go to ALL the things on the map. If I see something along the way, stop and get it. I don’t go way out of my way to look for unmarked stuff. Usually the UNC missions can be completed doing that + complete planet / asteroid scanning.

Oh hey here’s a guy, let’s just grab what we can off him...

UGH. MINIGAMES.

Like I get that the minigame is a stand in for “looking for clues, are you successful in finding anything useful?” or whatever but it’s still just the worst. A minigame is fun occasionally, making it as a gate to something like looting a body is stupid. I guess I have to forgo actually putting points into things that keep Kaidan alive at the early levels so he can help me... loot bodies. Cool. Great.

Since I’m cheating in credits, all weapons and armor get medigelled almost immediately so that I don’t have to do the minigame later on when they get harder, like, ever.

The ME2 minigames at least make a little more sense than this moving puzzler thing. That’s at least an attempt to look like some kind of code hacking or rewiring/reprogramming. This thing is just... silly.

ME2 has a disable minigames mod... so there will be no talk of minigames from here on out. They don’t exist after the easy minigames early on in ME1.

So I ... somehow managed to not get video or screenshots of you know the ICONIC THRESHER MAW attack on Edolus? So please enjoy this gif I made of it back in 2013 instead.

It’s such a great fakeout and moment. Like “Oh man how easy my goal is like right in front of me! That’s great, so easy!” then OH HELL NO, FUCK YOU, GIANT WORM!!

These gifs are from another planet later on, but they’ll do.

My normal MO with Maws is to get out of the way, far enough that they can’t appear too close to or especially under me, but close enough that they do still show up, then stay stationary and jump over the goo while shooting at it.

YOU’RE FACING THE OTHER WAY HOW DID YOU SPIT AT ME?!

This is fine. EVERYTHING IS FINE. We’re just A LITTLE ON FIRE. Our shields are at full...

Oh hell, Kaidan slap some medigel on it, please.

Even though we don’t know who Cerberus is yet, FUCK YOU CERBERUS. I always bring the VS to any Cerberus mission because THEY WERE RIGHT NOT TO JOIN YOU IN CERBERUS. Let’s keep a FUCK YOU CERBERUS count going to remember all the horrible shit we SAW Cerberus do in ME1 to remind ourselves why Ashley or Kaidan is the only SANE ONE for going “No, sorry, I’m not joining you in Cerberus.”

Deep breath

OK, let’s go get Liara.

Wrex comes with us to Therum.

Dear Lord, Therum is gorgeous.

This is real nice just a pleasant day on this thresher maw-less planet and great scenery, we’ll find that asari scientist in no ti--- WHAT THE HELL IS THAT?

Have I mentioned how everything is fine lately?

Well it’s time for how I deal with most of the geth while in the Mako...

Armatures are worth five points each!

Rocket troopers are only two points, but I got a lot of them!

Stopping and fighting in the Mako takes way too long. Push on through all the way til we’re stopped.

Hm, this is the one I should push, right?

*crickets*

Fine.

Just... real pretty.

I love this part of Therum right here. A really great, scary fight that feels so dangerous, but winnable. Great level design, too.

Then this happens.

Does everyone’s hair do that in this cutscene, or just mine, or this hairstyle?

Also, ME3 has a mod now that lets chracters use their correct weapons in cutscenes, my eternal devotion to the modder who could do that in ME1. None of these characters use assault rifles in-game!!

I’m fairly certain I have played and replayed this fight more than any other in ME1. AKA RUN FOR COVER OH SHIT AVOID THE BOMBS AND LASERS FLYING AT YOU AT ONCE PLEASE DON’T DIE COMPANIONS PLEASE KILL SOMETHING I CAN’T DO THIS ON MY OWN AHHHHH!!!

This time around, I died my first time, actually did really well the second time, and decided to go back and record the fight for gifs and... won, barely. The gifs would not be good. Wrex and Kaidan didn’t last long.

Anyway, It’s a great cutscene, but hoo boy I wish it were skippable.

Okay but what were these ruins *for*. Also, real lucky that they had the boss fight way up here instead of down where Liara was.

Speaking of Liara...

Hello Doctor T’soni!

I have a lot of questions like... how long have you been in that bubble? How are you sustaining it that long? How long has it been since you’ve eaten? If I didn’t come get you until after Virmire, would you have been holding that bubble up for the weeks in between then and now?

Ah well, you’re here now, and I suppose I’m going to owe you my life later so... welcome to the team.

You gotta admit that’s one badass entrance, though uh, if the forcefield is still up, where did he come from? Doesn’t matter. Wrex, let’s kill us one of your brethren (sorry.)

I’ll just *assume* that Liara is too tired from holding up her stasis bubble she was in to actually be USEFUL.

I love the chaos of running the fuck out of there.

Texture popping is still an issue even with a decent computer and texture packs, but at least it’s quick now.

Also I really feel the loss of this conference room in the future games. The awkward oval table never quite feels the same. But also, uh, this is a lot of room taken up in this small ship for eight chairs and a holoprojector. You gotta think there’s more uses for this space than just that.

But yeah, I love these check-ins, it’s a chance for everyone to get together and really hash out what’s going on, as well as reinforcing the plot to the players in a more natural way. Having Liara this early will let us understand the Protheans better at an earlier stage, even if it turns out she’s wrong about some stuff (though at the time this was written, she was right for all everyone knew.)

Wrex and Garrus don’t talk much here, probably because you can make it through the game without one of them. I did a “didn’t recruit Garrus” playthrough in ME2 once. They change like one or two lines then Garrus goes back to talking about Old Times. So like you CAN, but you really shouldn’t not recruit Garrus, because Bioware didn’t do a great job changing anything aside from your initial greeting during the Omega Archangel mission.

Not recruiting Wrex, though. Wow that’ll have consequences later on.

OK! So the gang’s all here, and this post is already very long. Next time: Let’s go talk to everyone for awhile, and do a few more sidequests because we can’t go back to the Citadel til our persuasion is high enough to grind Mikhailovich’s arguments into the dust!

#mass effect #liara t'soni #urdnot wrex #kaidan alenko #ashley williams #garrus vakarian #annakie's mass effect stuff

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espbee · 6 years ago

Photo

i wasn’t originally going to post this since i’ve seen several other (perfectly valid) mob psycho timelines out there but you all wanted to see it so here it is!

this does not include pre-canon or the reigen spin off. the first b/c i didn’t really care lol and the second b/c i haven’t read the spin off for reasons i’m sure you already know.

almost every single one of these dates is based on canon evidence (see notes below) but a few are speculation. i go into depth under the cut so if you want to know, say, exactly what day mob buys the monkey shirt you can find out. if you want to see a specific panel hmu!

feel free to use as reference when writing fanfics or meta or whatever else you might want to use it for :D just please don’t repost

Spring of Youth Arc

it’s not super important how many days pass in ep 1 but i think it’s all within a week. might be some overlap with ep 2 (tunnel exorcism on same day takenaka quits club? according to the manga it happens later anyway)

going by anime here: takenaka quits the club monday or tuesday, tome asks mob to join the club wednesday if i remember right (also the day he goes to the girl’s high school) and he joins the body improvement club friday)

(LOL) Cult Arc

not much to say. it’s literally an afternoon and the teru arc starts the very next day

Teruki Hanazawa Arc

happens basically immediately after the cult. like mob knows dimple for like 3 days before he’s “exorcised”

fight on a friday bc it’s on weekend news

aftermath: mob in pink hoodie probably on saturday, mezato interrogates him monday

Big Cleanup Arc

shigeo mentions in the divine tree arc that student council meetings are on mondays. however only having weekly meetings would make this arc take a really long time so i’m guessing it’s semiweekly. i’m guessing the other day is thursday because ritsu says he has a meeting on the thursday that mob confesses

same monday as end of teru arc: student council meeting where ritsu suggests a big cleanup, mitsuura gives ritsu his card

thursday: big cleanup plan submitted, mezato and onigawara look for mob (for totally different reasons), ritsu in the street w/ tokugawa

next monday: student council plans to get rid of onigawara

awakening lab might be on the same day as above but i’m not sure, mob also goes on a “date” with tome that day and sees koyama for the first time. that night is when shinji’s family gets after him for not being perfect and he decides to go apeshit

i’m guessing the recorder scandal happens the next morning (wednesday?). it doesn’t actually say if ritsu awakens that exact day but i’m just going to say it does

a little bit of time goes by (about a week?) ritsu’s becoming popular and he develops his psychic power. teru vs ritsu happens somewhere here. people are complaining about the big clean up

the day that ritsu and kamuro confront onigawara in the body improvement club room is the same day that ritsu first attacks the delinquents from the other schools (monday)

im guessing a day goes by before kamuro is beaten up (tuesday), then another day before he’s beaten up again (wednesday)

kamuro is absent from the student council meeting the next thursday

ritsu only has his powers for 9 days before announcing that he’s obtained loss

7th Division Arc

one month before touichirou arrives in japan. this makes sense because it’s not like the day he arrives he’s going to attack. touichirou probably arrives in late september or early october, prepares things for a couple weeks

mob goes to shinji’s house on sunday, ritsu and mob talk on the swings monday, shinji apologizes to onigawara tuesday. the kageyama parents know about ritsu’s power by tuesday night (what was that conversation like)

Mob’s Girlfriend Mini-Arc

2 weeks long: one for the elections and one for the dating

sidenote: psycho helmet cult has gained 700 followers by now and it’s been about a month according to mezato (and the timeline!)

mob works the monday after his brother’s kidnapped jeez reigen give the kid a break

going to say it’s wednesday when shinji resigns

mezato talks to mob about running on thursday

one week later: elections! (going to say they’re on a friday). emi asks him out that afternoon

mob and emi “date” for a week. im guessing she “breaks up” with him friday and he fixes her torn up story on monday since there’s enough time for everyone to react. i think the anime has all that happen on the same day though. either way is good

Urban Legend Arc

reigen complains about four days without customers

kuchisake-onna: it’s the weekend b/c mob’s wearing a sweater instead of his uniform and also b/c i doubt mob skipped school

reigen makes his website overnight and mob’s wearing his uniform the next day which means the trip to the urban legend town has to be on sunday

the first trip to the ghost house is on a sunday (what a busy day!), and the second trip is on monday

Keiji Mogami Arc

literally the day after the ghost house wtf (so… tuesday?)

if it feels like 6 months for mob would that mean he’s almost a third year in the dream world? or already is a third year? oh no…

uh technically there’s an aftermath the next day but really the arc is one day

Separate Ways Arc

kumagawa’s birthday is in late september btw. idk if there’s any kumagawa stans out there but now you know he’s a libra

kijibayashi’s birthday: 10/5? (also the day mob finally cant take reigen’s bs anymore)

mob doesn’t show up to work for at least four days pre-birthday (probably five days since kijibayashi’s birthday needs to be on a school day)

reigen’s birthday: 10/10 (also i’m assuming this is either the day of or the day after he defeats the video game thing)

he has to have enough time to offer classes and become a local celebrity… i’d assume he offers that course at his office that friday night (10/12). he’s interviewed that day too. a few days later he goes on tv (i’m going to say 10/15)

goes to bar 3 days after the tv show (wednesday 10/17)

thursday 10/18: reporterless-day

friday 10/19: press conference, “my master… he is a good person” *sobs*)

World Domination Arc

mob has 10 days to prepare for the marathon

marathon on friday (11/2)

teru fights shimazaki for the first time saturday morning, mob doesn’t wake up until sometime in the afternoon, and rei-gun is in the evening

mob sleeps like 18 hours… oof

the kageyama parents return home monday evening

Yokai Hunter Mini-Arc

this isn’t listed as seperate from the Divine Tree Arc according to the wiki but i’m calling it a mini-arc because the broccoli isn’t really the focus

mob mentions the future prospects assignment is due in a week

seri starts working at spirits and such a few days after the wd arc ends

going to guess there’s some overlap with the future prospects assignment and that it’s due sometime during culture festival preparations because otherwise the timeline breaks

okay everyone i know culture festivals are usually on or around november 3rd but according to all canon evidence there is absolutely no way that can happen on time. there’s literally no time. it has to take place at least 2 weeks after the wd arc

going to say the culture festival is nov. 18 because that’s all that makes sense (the previous weekend is too soon, and the next weekend is after the divine tree arc

Divine Tree Arc

Friday: Tsubomi sneezes — why dont u stop doing bad things

Saturday: buys The Shirt

Sunday: Psycho Helmet

Monday: Teru, Ritsu, and Reigen all brainwashed, Mob vs Dimple part 2

Telepathy Mini-Arc

finally a nice long break :D

find out about takenaka about one month after Divine Tree Arc

aliens on New Year’s Eve/Day

inukawa’s abducted by aliens for 10 days

???% Arc

inukawa has to be back by the time school starts

Mob finds out Tsubomi’s leaving the day he gets back from winter break (monday) :(

i think he calls her two days later?

the day after that mob is hit by a fucking car (also student council day so… thursday)

Epilogue + Omakes

we all know the epilogue is on 10/10/2013

the summer omake has to be after the ???% arc but i’m not sure what day. probably july

idk what else to say other than i can’t believe i spent so much time on this

#this took a really long time wow #i wrote this before ep 13 so anime things might be a little different #telepathic signals #mp100 #mp100 manga spoilers #ask to tag

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2020recommendanime · 5 years ago

Text

Toilet-Bound Hanako-Kun and the Power of Visuals

Unique animation and background art can be selling points when it pertains to whether an individual decides to watch a new series. Although great story writing and characters can create an amazing series, it is difficult to know these two qualities without first watching the anime itself (as well as reading the light novel or manga). The easiest way to impress a person into watching a show without any prior knowledge is to have an interesting art style. This sort of technique is used in more than just Japanese animation, but also in other countries such as The United States with Spider-Man: Into the Spider-Verse and Loving Vincent. Spider-Man: Into the Spider-Verse brings a comic book to life by using frames and onomatopoeia words, while Loving Vincent was hand-painted using stop-motion. With these concepts, movies that would have been a simple crossover and a documentary would be dull and not cause more people to watch and marvel at what is to come. The anime and manga of Toilet-Bound Hanako-Kun do just that; the animation and background art draws people in to enjoy what is to come.

Figure 1 Persichetti, Ramsey, Rothman, “Spiderman: Into the Spider-Verse”

Figure 2 Kobiela, Welchman, "Loving Vincent"

The Impact of Visuals

As with other art forms, anime has its general groups where you can expect a certain art style to go along with the concept; seinen (mature themes) are often done with more darker schemes and muted styles, shounen (aimed at boys) is brighter and smoother, hentai (animated porn) focuses on exposure and shojo (aimed at girls) is bubbly and sparkly. While there are these general groups, there are subgroups that contain their own styles, and even then, there are always exceptions. As mentioned before, Toilet-Bound Hanako-Kun is one of these exceptions.

As stated on Mangakalot, Toilet-Bound Hanako-Kun is a shounen that includes comedy, supernatural, and school life themes. With these themes, the first thought would be to compare this to shows such as Noragami and Natsume's Book of Friends. Both Noragami and Natsume's Book of Friends are stereotypical looking anime with thin lines, dry colors, and standard scenery. While these shows are impressive with their storytelling and inclusive to supernatural myths, the amount of uniqueness and creatively put into the art style does not instantly draw the viewers in.

Figure 3 Tamura, "Noragami"

Figure 4 Miyake, "Natsume's Book of Friends"

Although I can go on and describe Toilet-Bound Hanako-Kun’s animation and background, James Beckett from AnimeNewsNetwork summaries it perfectly: “The environments feel hand-crafted, like they were plucked out of an especially evocative picture-book, and the way the show uses overlays of comic panels to break up some of the gags and establishing shots makes everything even more painterly.” This kind of exceptional work is common with the producers and directors of the show. As reported from AnimeNewsNetwork, Studio Lerche employed director Masaomi Andō, writer Yasuhiro Nakanishi, character designer Mayuka Itou, and animation producer Yūji Higa. Both Masaomi Andō and Yūji Higa have previously collaborated for a child-like show, Hakumei and Mikochi. With this team, they would go forward to produce another amazing series.

Figure 5 Andou, "Hakumei and Mikochi"

There are three important factors that go into making Toilet-Bound Hanako-Kun series’ art special: manga frames, vibrant colors, and creative lighting.

Manga Frames

When discussing this subject, it is important to remember its origins. When reading manga, the frames and panels are outlined boxes stacked against each other that contain drawings and words. This concept is common across manga and comics alike but employing this type of style of boxes containing drawings is not common in anime. As referenced at the beginning, the American movie Spider-Man: Into the Spider-verse uses the same notion with it being a parody towards superhero comic books. Toilet-Bound Hanako-Kun does this in a similar fashion with its manga-inspired animation.

(Below will be images for this example) Episode 6 of Toilet-Bound Hanako-Kun features many examples of manga frames, but for this example, we are focusing on a screencap from time 3:42. The screencap has two visual planes, in the background is an open book with a red page reading “Future” while in the foreground is Yashiro Nene’s, the main character, face being shown within white manga-panel borders. This image shows an interesting way to convey Yashiro talking while still being able to see what she was talking about on-screen. This scene is comparative to the one drawn in the manga. In the manga, the panel that has the book and “Future” is read first, then the next frame has Yashiro talking about what she is looking at. The way the producers decided to adapt to this scene is interesting; they were able to see the original concept and impact, but also integrated the feeling of being able to still see the first image while also continuing to read/watch on.

Figure 6 Andou, "Toilet-Bound Hanako-Kun" Ep 6

Figure 7 Aida, "Toilet-Bound Hanako-Kun" Chp 11

Vibrant Colors

Different anime may use color schemes to enhance themes, specific events, or symbolism. Color is everywhere in anime, and it is important for the animators to place certain colors in places to bring meaning or impact to the watchers. A popular example of this is in JoJo’s Bizarre Adventure where the color scheme inverts at random yet important times during the episodes, which brings about the weird and unique flare that this series holds. A series does not need wild color changes to be recognizable.

The very first noticeable feature of Toilet-Bound Hanako-Kun is how bright and lively the art looks. James Beckett’s description that this show looks like a picture book is accurate in this sense. Children’s books often have bold and contrasting colors to allow for easy viewing and longer attention spans. Rachel Pancare wrote a Sciencing article title, “How Do Bright Colors Appeal to Kids?” which states, “Bright colors catch young children's eyes because they help kids to distinguish objects from one another in their field of vision. Children spend more time looking at bright colors as opposed to looking at muted shades or pastels.” While this is true, some of the tones and circumstances within the show are not child-friendly, and even then, the coloration and art style are still able to bring the fear that is needed.

Figure 8 Andou, "Toilet-Bound Hanako-Kun" Ep 1

Figure 9 Andou, "Toilet-Bound Hanako-Kun" Ep 1

Creative Lighting

Lighting can be used in many different forms; it is used to brighten a landscape, a special character or object, or to create a certain atmosphere. In the average anime, lighting may not be diverse but may be only used to brighten the landscape so that the viewers can watch. There would be no major variation or casting that would change the mood of the scene. At times, there is seemingly no direct light source, but just everything is filled with brightness by either the sun, indoor lights, or for no reason. If the setting is at night, a streetlight may light up a character but that is seemingly the only option. Incredible anime typically takes a dive into using light sources and shadows dynamically, especially when there is a dramatic scene or an object that needs to be emphasized.

Toilet-Bound Hanako-Kun possesses the traits of having various light sources and accurately placed shadows, but there is another layer that is added. An integral part of the art style is that light can take a variety of shapes, but usually hexagonal. The pictures below demonstrate this; a light that emanates from the lamps and the lenses flare are hexagons, providing a creative change other than the usual faded circle of light surrounding an object. The other light sources are the light blue, glowing gems and the sunlight from the window. These two light sources provide the rest of the scene to be lit but within proportion to how bright the source is. Shadows are used accurately as well, causing darkness on the two character’s backs as well as slopping downward on the stall doors. These small additions can contribute greatly to the finished product and can transform how a scene is seen and the feelings that are derived from it.

Figure 10 Andou, "Toilet-Bound Hanako-Kun" Ep 6

Figure 11 Andou, "Toilet-Bound Hanako-Kun" Ep 1

Conclusion

The three essential components to Toilet-Bound Hanako-Kun are creative lighting, vibrant colors, and manga frames. Analyzing and discovering what goes into a series can improve your experience and create a deeper devotion to the content. With this being said, not all shows that have the typical animation style and dull background are bad, but that they need to be analyzed in other areas and be appreciated in those. Toilet-Bound Hanako-Kun deserves praise and attention for its art style, and studios should look after this show and put forth the effort to make more series like this.

When considering what new series, you may watch or if you would want to stop watching a series, stop and think for a moment, “Does this art style impress me? Was the effort of the animators shown?” If the answers to the questions is “yes,” then I recommend that you follow through and continue watching that series. While storytelling and character development are important aspects to a show, there is more to the story than that. So, take a minute, turn the volume off on your favorite anime and watch—does the art tell a story? Does it make you laugh, scared, sad, or any emotion? Looking out for these feelings is important, and so is analyzing why this show may look so wonderful, because the smallest details matter the most, and it shows the dedication and love the creators have for the series.

#hanako-kun #toilet bound hanako kun #WINTER 2020 #anime #mini essay #manga

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ptw30 · 6 years ago

Note

So you're saying this theory about Shiro being bp in pre-production, it expanded upon s7 to s8? I thought it'd be just the scripts but there're so many inconsistecies with lion color and lines it baffles me. If they had almost two seasons ready, why would they put effort in remaking them, wouldn't that make up for a higher budget? why would DW EPs change their minds about the former version? (also, I'm sure this means there's no alt s8, just a s8 over a s8)

So which of the four people I started to explain this theory to are you?

To clarify - no, they didn’t change the Black Paladin role from Shiro to Keith in pre-production. According to this -

(Keith’s panel is double the size of everyone else and off-center, thus taking over Lotor’s panel.)

- the EPs changed Seasons 7 & 8 in post-production.

The Theory: Seasons 7 & 8 were a mess because essentially, we were watching different parts of Seasons 3-6 that were re-purposed following the insertion of the clone subplot.

After watching Voltron: Legendary Defender Season 8 and seeing how Allura and Kuron’s struggles paralleled, I realized - they don’t parallel. These struggles match. Honerva invades Kuron’s mind just like she invaded Allura’s, is connected to Kuron and Allura through some sort of mind-link, and eventually is able to override Kuron’s mind while Allura receives visions in hers.But why would the EPs and writers do the same fight over? Why would they choose to redo parts of the story, rather than advancing the plot?That got me thinking about other theories about reused episodes. Coupled with “Knights of Light” being Shiro’s paladin journey sans Shiro - it occurred to me – Seasons 7 and 8 are, in part, Seasons 3-6. And thus – here’s what I think the original order of the episodes were, heavily influenced by interviews and foreshadowing, and most likely, a bit of bias, too.

Season 3 (released as Seasons 3 & 4)

Season 3 up to “Hole in the Sky” was originally plotted and shown as is; however, we know from EP interviews that “Reunion” was originally slated after “Hole in the Sky” and “The Legend Begins” was a two-parter.

After the clone subplot was conceived, “Reunion” was pushed back, “The Legend Begins” cut to one episode (but footage reused later), and “The Journey” inserted. The reused footage of Lotor’s ships and Shiro being added after the fact (where he barely interacts with the rest of the paladins) puts most scenes from “The Road Home” and “The Way Forward” in Season 3.

I also want to add in here – while the EPs said they wanted Shiro to die at the end of S2, they originally said earlier that the execs told them Shiro couldn’t be out a full season. That means Shiro was slated to return – my guess within 26 episodes, a full production season, not a full release season (which is 13 episodes).

So I surmise Season 3 originally looked something like this:

Changing of the Guard

Red Paladin

The Hunted

Hole in the Sky

Reunion

Matt and Kuron’s Keith’s reunion in “Black Site” with parts of“Trailing the Comet”

The Legend Begins Part 1

The Legend Begins Part 2 (with the flashbacks we saw originally in “Knights of Light” Part 1 and 2)

Code of Honor (switching out the scene with Kuron for a scene with Kolivan; Keith returns to save the team) and/or The Journey Within

Fight scenes from “The Road Home” with paladins being captured/Zethrid and Ezor torture scenes/Black Site ending

The Voltron Show

Begin the Blitz

A New Defender

Just want to add – I wonder if originally, the five paladins stuck their bayards into their lions in “A New Defender” to give Voltron that extra punch, rather than Allura powering up Voltron with a deus ex machina. Then Lance seeing Shiro in the Void would have been the cliffhanger, not Keith almost dying. That would also explain why Keith’s near-death experience was never addressed by the team - cuz originally, it didn’t happen.

Season 4 (released as Seasons 5 & 6)

An early theory by @sol1056 was that Keith was the second son of Zarkon, born in the rift. It makes sense, particularly since Krolia had no bearing on the plot other than birthing Keith. Sure, she found the Blue Lion on Earth, but as the Galra Empire was originally announced to be misogynistic, and thus having no female warriors other than Lotor’s generals – then Krolia was never meant to be a Galra soldier and therefore, could have not found the Blue Lion.

I surmise – from Zarkon’s seemingly infiltrating Shiro’s mind in the pilot episode, to Haggar being able to hack Black and Shiro’s bond literally, and Red being on Sendak’s ship, where Shiro also spent some time – Shiro helped the Galra, perhaps inadvertently or unwillingly, to locate the Red and Blue Lions.

Also, please note - Cosmo was originally inserted into this season, and as you know from previous posts, Cosmo most likely took the place of Shiro in the script, seeing as Cosmo and the Black Lion have the same teleporting abilities. (Yes, I believe the paladins were going to go all AtLA and get powers.)

For this season, I start to get a bit creative since the blanks are gaping here, as the clone subplot came to a head:

The Prisoner

Blood Duel (with Haggar remembering Keith)

Postmortem (if not in the last season finale, then here is where Shiro would yell to Lance and Keith wouldn’t have been in the Void, seeing as he’s not the Black Paladin OR Allura missing from the Void and Keith in Red’s position)

Kral Zera (a bit different, with Keith and Lotor going to Kral Zera; also, there would have been fallout from the team finding out Shiro may be alive)

Bloodlines (Lotor and Keith finding out they are related)

White Lion

Omega Shield (Allura having issues, not Kuron)

“The Colony” – changed as Keith doesn’t find Romelle (potential deletion all together)

Black Paladin redux but this time with the team finding Shiro’s body being drained by Lotor - Lotor and Keith fight

Knights of Lights Part 1 – team goes to find Shiro with Allura feeling for Shiro’s presence, not using the entity; minus the og!paladins flashbacks, which now aired in the third season; Keith says “you’re back to Shiro,” not Black.

Knights of Lights Part 2 – Keith meets Zarkon surrounded by the paladins; found family trope achieved; Shiro’s history in the arena revealed or even “A Little Adventure” flashbacks

Defenders of All Universe - Voltron vs. Sincline

Please note: “Knights of Light” is a bit of anomaly. I feel it would work better as a mid-season climax - perhaps set in Season 7 - but if Shiro was to return prior by the end of the original Season 6 and Allura was having issues due to Honerva going to Oriande, then KoL would have to be in this season.

Also, since “The Colony” was literally an eight-minute scene inserted in the middle of an episode and later, the Alteans become pawns - there’s a chance the Colony could have been deleted all together and Honerva, as Empress of the Galra Empire, still could have completed her plan.

Season 5 (released as Season 7)

This season originally had Shiro back in Black with Lance and Keith going back to their original lions. Allura would be the one on the Atlas bridge by the end of the season, not Shiro.

Considering this - as well as the re-purposed parts from Season 3-6 - here is where budget question comes in. Moving “Prisoner’s Dilemma” here so Shiro unlocks his bayard and seeing as Pidge should have gotten her bayard upgrade after Olkarion, the original Season 5 may have looked something like this:

Shiro and Keith parts from “A Little Adventure” (originally written for “Across the Universe”)

The Ruins (Shiro teleporting him and Keith)

Battle Scars

Prisoner’s Dilemma

The Last Stand Part 1

The Last Stand Part 2

Know Your Enemy

Heart of the Lion

Trial by Fire

Lions’ Pride Part 1

Lions’ Pride Part 2

Adding in here “Monsters & Mana” and “The Feud” - you have thirteen episodes overall, but my guess is these filler episodes were added to take the place of content that eventually was ejected from the plot - such as Lotor’s redemption and Shiro’s history, Lance and Blue getting back together, etc.

Season 6 (released as Season 8)

I’m not even going to guess how this season originally looked, though we can assume “Genesis,” “Uncharted Regions,” “The Zenith,” and “The End is The Beginning” were all in the original rundown but with Allura in Atlas, Lotor returning to help Voltron, and the team back to its original line-up. And seeing as Allura went to Oriande and helped build Sincline, the natural progression of her storyline would have been to change Atlas on the fly in Season 7 and then in Season 8, merge Atlas and Voltron.

But more importantly, here’s where the budget was really made up -

Launch Date (filler)

The Grudge

Genesis (maybe the White Lion wasn’t supposed to die originally)

Day Forty-Seven (filler)

Clear Day

Uncharted Regions

The Zenith

The End is the Beginning

There are only eight episodes created here - not thirteen. Coupled with using this season’s budget for “Razor’s Edge” and some of the scenes from “Bloodlines,” that brings the total to ten. By injecting the clone subplot and choosing to redo the storyline for Black Paladin!Keith, the EPs were able to cut-and-paste together the remaining episodes of this season.

There are also short cuts in production you can see, such as leaving errors in animation and/or post-production. If the EPs and team were truly making sure VLD was the best it could be, we wouldn’t have:

Shiro calling for the MFE pilots to be ready to launch, and the Iverson doing it again less than four minutes later in “Uncharted Regions”

Atlas saying that it would cover the lions and then Keith saying they were giving Atlas a shot (A shot at what? Atlas was just supposed to help) in “The Zenith”

Quintessence colors that aren’t uniform, considering Keith’s bayard now changes to the same color of Black’s tail when Shiro pilots (There is a gentleman whose sole job at DreamWorks is make sure the colors align.)

Luca coming back from the dead, Lance in Blue, Yellow having Red’s fire power in “The Zenith”

Reused dialogue lines from previous seasons and perhaps even recorded dialogue with Shiro as the Black Paladin - Shiro as part of the field team in “Day Forty-Seven,” Shiro standing in for Griffin in “Prisoner’s Dilemma,” almost Shiro’s entire dialogue from “The Grudge”

Lance and Allura’s conversations with the original paladins not making any sense in “Knights of Light,” seeing as Allura isn’t overlooked. In fact, Honerva wanted to recruit her.

Pretty much - VLD cut corners in the last seasons to make up the budget and delivered us a torn-apart story with offensive message and yet another set of ridiculous wings.

TL;DR - Who really knows what happened with VLD, but what DreamWorks delivered wasn’t the original episode rundown, seeing as the team was supposed to be in their original lion line-up by the end of the series with Allura and Lotor being alive in Atlas and Sincline, respectively. And tbh - it hurts to see what we could have had and know there was an incredible story the EPs and DreamWorks not failed to deliver but refused to.

#Voltron #voltron critical #vld season 8 #vld #shiro #it's a marketing thing #it's a business thing #meta #allura #atlas #sincline #honerva #lance #keith #voltron legendary defender

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lost-in-yujikiri · 6 years ago

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LN info compilation: Eugeo’s relationships with his family & Rulid village

Manga panels: Eugeo & his family when he was 11 years old

I wanted to make this compilation of novel details to be a helpful reference for myself & other people (especially anime-only people) to understand Eugeo and what he went through in his life better.

Eugeo’s family includes his father Orick, mother, grandmother, 2 older brothers and 1 older sister Celinia. His grandfather, who passed away when he was 9, used to share countless old tales with young Eugeo, Kirito & Alice, including the tales of legendary hero Bercouli. His family doesn’t have wealth or importance so they have no family name. Eugeo really was at the bottom of the bottoms in terms of social standing, which made him develop an inferiority complex towards others.

1. Eugeo’s family was a barley-farming family, except for him whose Calling was a woodcutter, and for a number of times he was treated unfairly for it. His father was disappointed with his Calling even though it was not his choosing, his older brothers looked down on him for it, and most of his earnings went to his family for the farm. Since he was little because of these experiences he had developed some hidden anger, frustration & jealousy. These feelings were usually suppressed and controlled well, but they would come out whenever he was truly provoked or upset.

- Eugeo’s father first mention in the LN:

Eugeo’s father, Orick, raised a barley field on cleared forestland to the south of the village that had been in the family for generations. He made a show of being delighted when his third son, Eugeo, was chosen to be a Gigas Cedar carver, but inwardly, he was disappointed. They’d be paid his earnings as a carver from the village treasury, of course, but that didn’t make it any easier to replace that extra set of hands to work in the field.

Novel excerpt: Volume 9, Prologue I part 5

- Memories of Eugeo’s family that Quinella showed him during her manipulation to invoke his inner frustrations (which unfortunately was cut from the anime ep 19):

It was the spring of his tenth year, the day that all the children in the village were brought to the clearing so that the elder could assign their callings. He watched nervously as Elder Gasfut glanced down at him from the podium and announced a significant surprise: “Carver of the Gigas Cedar.” Still, some of the children around him made envious comments. The carver was a prestigious, hallowed position that had existed since the founding of Rulid, and while he wouldn’t get a sword, he’d at least get to swing a real ax. Eugeo wasn’t disappointed at the time, by any means. He raced back home, clutching the parchment roll tied with a red ribbon, proud to show it off to his family. After the initial silence, it was the middle brother who spoke first. He clicked his tongue and complained that he thought it was going to be the day he didn’t have to shovel the cow poop anymore. Then the eldest brother noted that this threw off their plan for the year’s planting. His father grunted and asked Eugeo when that job would end and whether he would have time for the fields after he got home. His mother disappeared into the kitchen, wary of their wrath. In the eight years since, Eugeo’s role at home had always been small. And yet, the earnings he made as carver went into Father’s care and eventually turned into more sheep and new tools for the farm. Meanwhile, Zink the apprentice man-at-arms got to spend all his salary on himself, feasting on white bread with thick slices of meat and showing off his fancy hobnailed boots and his sword with its smooth leather scabbard. Meanwhile, Eugeo drudged around on his worn-down shoes, with nothing but stale, leftover bread in his lunch sack.

Novel excerpt: Volume 13, Chapter 11 part 5

- One scene that took place during Eugeo’s childhood & after a confrontation with Raios & Humbert that showed his inner anger:

Eugeo knew about the phrase temper tantrum. When he was young, his father had given his eldest brother a wooden sword from the school, and Eugeo was so jealous that he took his own sword, one his father whittled himself, and struck it against a rock outside so hard that it broke. His father explained that this was a temper tantrum, an act of misplaced anger, and was something to be ashamed of. After a good scolding, Eugeo never did such a thing again.

Eugeo turned and left the room, while the other boys laughed and urged him to go ahead with his plan. Once the door had shut behind him, he clenched his fist, ready to smash it against the wall—but he knew he had enough strength to put a dent in it, thus damaging the life of the building. Intentionally destroying school facilities or property clearly violated the rules and would be an example of that “temper tantrum” he’d been warned about. For a moment, he wished for that Gigas Cedar again, its bark so tough that he could smash all his frustration into it without consequence.

Novel excerpt: Volume 11, Chapter 5 part 2 & 3

2. Due to lack of food & resource, to manage population in Rulid Village the oldest sons will take over the house, the younger sons most likely can not have their own family.

- Eugeo’s monologue right before Tiese’s love confession to him:

Because the harvests in little villages like Rulid were limited, the population had to be carefully managed. Almost without exception, it was the eldest son who took over the house and fields, so (depending on their callings) the later sons were typically forbidden to marry and were bachelors into old age. If he hadn’t met Kirito, Eugeo quite possibly could have led a life of nothing more than chopping at the Gigas Cedar every single day. Just like Old Man Garitta. Now he was living in Centoria among nobles of every stripe—but what would he do if he failed to be school representative after graduating? He could try to get a position within the Imperial Knights or a garrison in some other large town. He could even go all the way back to Rulid to work for his brother. In any case, he’d never need to concern himself with a noble estate.

Novel excerpt: Volume 11, Chapter 5 part 3

- Eugeo’s recall of his life and how he would live a monotonous life of a bachelor woodcutter if Kirito didn’t show up:

Until two years ago, his entire life, as far as he knew it, was to be vainly swinging an ax into a tree that would never fall down. His only sentiment would be to reflect on the memories of his long-lost golden-haired friend as he led a lonely life without marriage or children, dwelling deep in the forest until the day he grew old and handed the ax to a new generation and passed away with no one to tell his tale.

Novel excerpt: Volume 12, Chapter 8 part 1

3. The incident of Alice breaking Taboo Index and arrested resulted in a part of the village & his family ostracizing him for being close friend with her. Coupled with Kirito’s existence getting erased from everyone’s memories, the situation pushed Eugeo to a lonely & depressive state for 6 years that followed. Only after meeting Kirito again at age 17, Eugeo became lively and smiled again.

- Selka’s view of Eugeo’s depressive state and Kirito remarked how different Eugeo was with him:

Selka was quiet for a few moments. She eventually mumbled, “I see…So the reason Eugeo doesn’t smile anymore…is because of Alice.” “Eugeo…doesn’t smile?” “Yes. When my sister was around, he was always beaming. It was hard to find him not looking happy. I was still young, so I don’t remember it that well…but ever since she was taken away, I feel like I never see Eugeo smiling anymore. In fact…even on his days off, whether he stays inside or goes into the forest, he’s always alone…” I found this statement to be a bit strange. Eugeo was rather reserved, it was true, but he didn’t seem to be hiding his emotions from me. During our chats coming to and from the forest and on our break times, he had even laughed, and more than a few times.

Novel excerpt: Volume 9, Chapter 1 part 3

- Eugeo’s recall about his relationship with the village and his 6-year depressive state:

Everyone in the village, including his family, refused to discuss the Integrity Knight’s arrest of the village elder’s daughter, as though even acknowledging it was a taboo of its own. In fact, they’d even begun to shun Eugeo for having been close to her in the first place. But just as the villagers avoided him, so did Eugeo avoid others, as well as his own memories of the incident. Unable to admit his weakness and cowardice, he descended into the murky swamp of resignation, hoping to ignore both his past and future. But then, two years ago, a boy who wandered into the forest without a single possession to his name had found Eugeo and dragged him out of that bottomless swamp.

Novel excerpt: Volume 13, Chapter 10

- Memories of some village people that Quinella showed him during her manipulation to invoke his inner frustrations (which unfortunately was cut from the anime ep 19, again):

Two years after Alice was taken away by the Integrity Knight, in his eleventh summer, Eugeo remembered Zink telling him that now that the elder’s daughter was gone, there was no girl left in the village who would care for him. The look in his eyes made it clear that he thought Eugeo deserved it. He’d been best friends with Alice, the prettiest and most talented girl in the village, and Zink was delighted at his downfall. Ultimately, no one in Rulid ever repaid Eugeo’s sentiments. He had the right to receive what he offered in a fair exchange, but instead, he was denied that privilege.

Novel excerpt: Volume 13, Chapter 11 part 5

4. After Eugeo cut down the Gigas Cedar, his father still wasn’t proud of him despite him completing a task the village considered sacred. His family expected him to stay to work for them, so they were disappointed with his decision of leaving the village. Eugeo still felt guilty for leaving them that way and sometimes thought about helping them, only for all of his considerations to turn to ashes after the Raios & Humbert incident.

- The scene when the village chief called forth Eugeo’s father to commemorate the cutdown of Gigas Cedar:

“I call forth the one who achieved this feat—Eugeo, son of Orick!”

He beckoned to a corner of the square, where a nervous-looking Eugeo stood. The short man next to him must have been his father, Orick. Aside from the hair color, they looked totally unalike, and he appeared more confused than proud. Eugeo proceeded forward at the urging of the other villagers, not his father.

Novel excerpt: Volume 9, Chapter 1 part 5

- Eugeo’s guilt of leaving his family and his thoughts of helping them:

It would be a lie to claim that he had never given it a second thought. When Chief Gasfut asked him what he wanted his next Calling to be on the night of the village festival, he had first considered his family. Up to that point, Eugeo had given his family his entire salary as the Gigas Cedar carver. They were traditionally a barley-farming family, but their fields were small, and the recent run of poor harvests had left them little income. Eugeo’s steady monthly wages were a minor bedrock that he knew his parents and brothers relied upon, even if no one wanted to admit it. Once the Gigas Cedar was felled, that salary was gone, naturally. But if he chose to be a farmer, like his father, they would receive preferential choice of the large, sunny stretches ready to be tilled to the south. Standing at the pulpit amid the excited villagers, Eugeo looked into the hopeful and anxious faces of his family members. His hesitation had lasted only an instant. On one end of the scale was a reunion with his childhood friend, and on the other was the livelihood of his family. The scale tilted, and Eugeo announced that he would leave the village and be a swordsman. Even as a swordsman, he could choose to stay in Rulid and be one of the men-at-arms, ensuring he’d still have a salary. But leaving the village meant leaving his family. The money that Eugeo made and the possibility of new, fertile fields would all go up in smoke. He hastily left the day after the festival because he couldn’t stand seeing the suppressed disappointment and unhappiness in the faces of his parents and brothers. There had been more opportunities to choose a life that supported his family after he and Kirito left Rulid. They competed in the swordfighting tournament in Zakkaria and won the right to join the garrison there. After hard training, they were given a recommendation to North Centoria Imperial Swordcraft Academy—but the commander also offered to keep them around, with the promise of promotions and maybe even a future place as the garrison commander. If he’d accepted that steady salary in Zakkaria and had sent some of it back to Rulid on the regular trading caravan, it could have made things so much easier for his family. And yet, Eugeo had turned down the commander’s offer and accepted the letter of recommendation instead. Along the way to Centoria, and even after joining the academy, a part of Eugeo’s mind had been busy making excuses. He’d be named school representative, win the Four-Empire Unification Tournament, and receive the prestigious rank of Integrity Knight—and then his parents would have riches and comfort beyond their imagination. When he made his triumphant return with Alice, riding a dragon and outfitted in silver armor, his parents would be prouder of their youngest son than anyone could ever be. But two nights ago, when he had drawn his blade against Raios Antinous and Humbert Zizek, Eugeo had betrayed his family for the third time. He gave up on the very real possibility of noble rank in his future…and chose to violate the Taboo Index, sacrificing his common status in the process.

Novel excerpt: Volume 12, Chapter 8 part 1

5. However, Eugeo’s relationships with some members of his family & village people were not all bad. After recovering memories of Kirito & broke free from Administrator’s manipulation, Eugeo realized there were still some people he had loved, which include:

“Old Man Garitta, the previous carver. Sister Azalia from the Church. Selka the apprentice sister. Grandfather, who told me stories of the past. My elder sister, Celinia, who cared for me when I was little...”

as well as many other good people he met on their journey, so he didn’t have to be so fixated on the lack of love from his parents & others anymore. (Volume 14, Chapter 12 part 2)

#eugeo #sword art online #alicization #sword art online alicization #novel excerpt

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justgotham · 6 years ago

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It may not have actually been Valentine’s Day in Gotham this Thursday, but Jim Gordon’s love life sure took some interesting turns.

At the close of an episode in which the decrepit city’s top cop squared off against his old Army buddy, Eduardo Dorrance (who it turned out had found Lee and was holding her hostage), Gordon realized in the nick of time that his ex had a mind-control chip in her noggin, just like the one they had plucked out of Nygma. Alas, no sooner was Lee made right and she and Jim began reconnecting, Barbara showed up at the GCPD to not-so-discreetly share some news:

“Do you remember the good time we had the other night…?” she said to Jim, with a nod to where they enjoyed a stress-relieving rogering. “I’m pregnant.” (Oh, and in the name of proper manners: “Good to see you, Lee. Long time.”)

What is to come of this reveal? “A baby, probably!” laughs Barbara’s portrayer, Erin Richards. “That’s usually what comes out of a pregnancy.”

But seriously….

“What happens is actually pretty unifying in a way, which is I guess a bit of a shock,” Richards tells TVLine. “Because that incident could either completely break everything, or unify [people].”

While many Gotham viewers have patiently waited for Lee to resurface during the Fox drama’s final season, others have steadfastly held out hope for a rekindling of the Jim/Barbara romance, off-kilter as his original fiancée may now be.

“I think a lot of people have [wanted that],” Richards ventures. “I think that for a while it was not in the cards, but for Season 4 and 5, we wanted Barbara to have a redemption.” Her recent and tentative alliance with Gordon, coupled with this pregnancy news, will not only pave the way for that, “It sort of leads to a Barbara/Jim/Lee triangle — and a kind of coming-together of Barbara and Lee that wouldn’t have otherwise been possible,” says Richards.

Barbara Kean winding up on the right-ish side of things as Gotham wraps its five-season run would mark but the latest turnabout for the character, who at first was conceived as simply Jim’s socialite sweetheart (albeit one with sapphic secrets). But as showrunner John Stephens shared this month at Gotham‘s farewell TCA panel, during those early episodes “we were like, “Erin is so much more interesting than the character we’re writing…. So we let her energy really inspire us.” Added fellow EP Danny Cannon: “We got an ounce of what she could do, and it was being limited just by being Jim Gordon’s girlfriend. So when it was floated out there, ‘What if she was a villain?,’ it was a moment of silence where everyone just went yes.” (Responding to her bosses’ words, Richards beams, “It’s always nice to hear stuff like that, because nobody ever feels like they’re as good as other people see them.”)

How far has Barbara come since the pilot? Following her first breakup with Jim and then a near-death experience, Babs by Season 3 “was batsh–t crazy. It was the pinnacle,” Richards reflects. “I’ve been so grateful for that journey of hers, because on any TV show where you’re playing the same character, there is the danger that there isn’t that kind of progression or an arc. I’m really happy that they write that way for me, because I love change.”

Richards laments that she hasn’t cued up those very first episodes “in a long while,” but said, “I look back at pictures of me with that long blonde hair and I’m like, ‘Who is that?!’ It’s weird.”

And yet Richards does suggest that in that vision of a Perfect Wife, one could have spied hints of the rebellion to come. “I think there were elements of who she became in that first version of her — but it wasn’t like anything I imagined!”

#Barbara Kean #Erin Richards

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houseki-no-suffering · 7 years ago

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The Lustrous’ writing system

(contains minor and major spoilers from the manga!!)

Writing and reading are recurring elements in Houseki no Kuni. Phos’ first job is to write an encyclopedia and we know that the gems possess a vast library. Writing is so important that Peridot’s main occupation is making paper for other gems to use, just like Alex’s job is being a scholar and writing about Lunarians.

Also, while Admirabilis, Lustrous and Lunarians seem to share a common language, they do not share the same writing system (when showed a dépliant of the Moon facilities, Phos is unable to read it). So which script do the Lustrous use?

Since it’s sensei that educates the gems in writing and reading, we can assume that he taught them a type of script that humans used when he was originally created, so we can try to identify it starting from the scripts that exist today.

First of all, there are many types of writing systems, each with their own conventions, and they are classified according to what the different symbols of the system stand for. While linguists still kill each other in their sleep over classifications criteria, for the sake of this post I’m going to adopt a simplified version of Daniels’ classification. So we have:

Logographic: like Chinese, each symbol is a morpheme (a single unit of meaning, like 王, king)

Syllabic: like Japanese kana, each symbol is a syllable (け, か and こ, ke, ka and ko)

Alphabetic: like our Latin alphabet, each symbol is a distinct phoneme, vowels included (like A, B, C etc)

Abugida: or alphasyllabary, it’s in between Alphabetic and Syllabic, sequences of consonants and vowels are written as a unit like in Devanagari and Tibetan ( क् + प/ पे = क/ कॆ, K + a/e = Ka/Ke)

Abjad: like the Alphabetic, but symbols are only for consonants, like in traditional Hebrew and Arabic (ב‬ ,ג‬ ,ד‬, B, G, D)

Featural: the shape of the symbol resemble that of the sound, like in Korean Hangul (like ㅁ, M, that looks like a mouth)

Another thing to account for is the direction of writing: when the gems write they go top to bottom, vertically and right-to-left like we can see from these pictures:

Pic 1 is of one of Alex’s drawings: the paragraphs align on the right side of the paper, while there’s room left on the opposite side of the sheet, at the end of the second paragraph. The second pic is of Rutile: while it looks like they’re taking notes left-to-right, they could also be editing what they just wrote because the entire page is already densely written. Also notice how they write with a stylus, not a brush, because this detail will be important later.

Similarly, here we have Ghost, Sensei and Phos reading right-to-left, starting from what would be the last page from a Latin script user’s point of view. Notice how the titles of the books are on the left of the binding. Sensei is also reading right-to-left: this is from the panel where he’s teaching a new book to young Phos so he’s reading the first pages, the ones on the right.

So we have a top-to-bottom, right-to-left script, which hints at the gems’ writing system being based on an East-Asian script, since they’re the ones most often written vertically&RTL.

It would make sense for the Lustrous writing system to be Asian-based: the story is highly influenced by Buddhism and the mangaka is a Japanese woman. Yet, while I do believe that the script the gems use is Asian (or, well, similar to known Asian scripts) I don’t believe it’s Japanese. Let’s look at some examples:

(Lustrous script vs Chinese/Japanese cursive)

(regular Chinese/Japanese vs cursive form vs Lustrous script)

The gems’ script does resemble Japanese and Chinese cursive, but there are a few issues. First of all, cursive is hardly intelligible even for skilled readers, because it is regular writing that was drastically simplified and smoothed out to create a beautiful and abstract appearance: it’s more of an art form than an ‘actual’ writing system. Also, cursive is created by the movement of the brush never leaving the paper, so we would expect the gems to write with a brush when we know that they actually use a stylus.

Finally, since cursive is just a type of calligraphy, we would expect some of the writing we see in the series to look like regular Japanese and Chinese, like the script on the left in the first picture, yet it never does.

(Lustrous script vs Traditional Mongolian)

What we do have examples of are the tidy and geometrical vertical lines that characterize the Lustrous’ script. They write vertically in a continuous swirl of characters that is similar not only to Chinese Cursive but also to another East Asian alphabet, with whom the Lustrous script also shares a lot of other characteristics: Traditional Mongolian, a script derived from the Old Uyghur alphabet, a distant relative of the Egyptian hieroglyphs.

I have a couple of examples to raise my point and they have to do with the few images of single letters/symbols that we see in the series, like the one below, from ep.12.

I couldn’t find a higher resolution picture, but look at the paper sheets on the wall of Alexandrite’s room: the one on the left is about the different types of Lunarian apparitions, while the one on the right is about the island where the gems live.

If you squint your eyes a little, you can see that, above each portion of text in the image on the right is a symbol, probably a letter or a number to classify the different types of information. Same thing for the left image: there’s a symbol next to each ‘model’.

When Alex tests Phos’ knowledge, they do refer to numbers to classify the different types of models, so let’s say for a second that those symbols are numbers. Even if the picture is not super clear they are not angular enough to be Chinese/Japanese numbers: 一十二三四五六七八九十 (1, 2, 3, 4, 5, 6, 7, 8, 9, 10). Now look at Mongolian numbers:

They look swirly and rounded like those in the picture. Also, remember how Mongolian writes top-to-down? If you stack these numerals up in vertical sequences (like in dates or two+ digit numbers) they will acquire the same length of the ones showed in the picture.

Finally, we must also take into consideration the type of script. Remember that very long list at the beginning of this post? Well, how do the gems differentiate among symbols and sounds? Do they use an Alphabetic script like Mongolian or a Logographic one like Chinese? Do they use something different altogether?

Thanks to Phos’ never-ending curiosity, we do have one example of how the Lustrous’ write sounds and it’s from when Phos tried to speak with the Lunarians and heard them saying ‘fu’ and ‘a’:

When they write those sounds down, they use two different characters: one for ‘fu’ and one for ‘a’.

Now, the manga is written in Japanese and Japanese uses a syllabic script, so it can’t write single consonants. Instead, it attaches the vowel ‘u’ (or sometimes ‘o’) to a consonant to suggest that it should be read by itself. So we could think that the ‘u’ in ‘fu’ is mute and that the Lunarian said ‘f’ instead of ‘fu.’ However that ‘fu’ is used to make a joke just a couple of panels later, suggesting that it could also exist as a syllable on its own, not a single consonant.

This would change the type of script the Lustrous use, because if Phos wrote down ‘f’ and ‘a’ (instead of ‘fu’ and ‘a’), then it would mean that the gems use an Alphabetic script, like Traditional Mongolian. On the other hand, if Phos heard ‘f+u’ and wrote down the syllable ‘fu,’ then the gems’ script could be Syllabic, like Japanese or an Alphasyllabary like Tibetan.

As for other types of scripts, I don’t think they are using a Logographic one (like Chinese), because if they were, then Phos would have written all the different ways in which the sound ‘fu’ could be represented, just like when Japanese speakers tell each other which kanji to use to write their name correctly. This is because each symbol stands for a morpheme (a unit of meaning), not a phoneme (a single emission of sound), so the same unit of sound can be written in different ways.

Phos is looking at the sounds they just wrote to come up with an idea about what they could possibly mean: it would make sense for them to write down all the possible combinations of sounds for ‘fu’ and ‘a,’ not just one.

What we can say for sure is that the Lustrous’ script is not Abjad, because the vowels (like ‘a’) have an independent symbol. And speaking of independent symbols, if we come back to Mongolian for a second, we can see that the symbols for ‘initial fu’ and ‘independent a’ do look a little like what Phos wrote down:

If this were true, then the Lustrous’ script would work like Mongolian: an alphabetic script where letters have different forms depending on their position in a word (initial, medial, final or independent).

There is one problem with Mongolian, though: it’s written vertically, top-to-bottom like the Lustrous’ script, but left-to-right rather than right-to-left. So if the gems are indeed writing in some sort of descendant of the Traditional Mongolian script, then it was modified to allow right-to-left vertical writing, like in a mixture between Chinese cursive and Traditional Mongolian.

For example, the two Lustrous letters above look like a mirrored version of the Mongolian letters below, and that could explain how one system writes RTL and the other LTR.

Among all the existing writing systems that I have analyzed, I think that Traditional Mongolian and Chinese cursive are the ones that resemble the way the Lustrous write the most. Among the two, I believe Traditional Mongolian shares more features with the Lustrous script than Chinese cursive, except for the fact that Mongolian writes left-to-right.

If the gems really did write in a parent script of Mongolian, then it would be interesting to know if they also spoke a descendant of the Mongolian language or if sensei taught them Mongolian script because he was created in Mongolia, but this post is already long enough.

I’d love to hear what you think about the Lustrous script though, and if I made some mistake or forgot to mention something, feel free to add to this meta.

#houseki no kuni #land of the lustrous #hnk #meta #long post #writing #writing system #script #hnk headcanon #mongolian #linguistics #lustrous writing system #meta tag #best

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