#i live in tdr !!!!
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💌 sinegard four doodles from the dragon republic (i miss them)
#i live in tdr !!!!#the poppy war#tpw#fang runin#yin nezha#chen kitay#rinezha#rf kuang#sring venka#mine#the poppy war fanart#my art#sinegard four#venka with an ear piercing <3
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Tpw spoilers, mention of drug abuse/addiction
Isn't it sad how opium single-handedly ruined both Altan and Rin's lives.
I'm not gonna say that it was ONLY the drug's fault, ofc many other things came into play for their lives to be THIS shitty. But opium was the one thing that kept showing up, kept destroying them, continuously throughout the series.
Firstly, it's the reason that the Speerlies were annexed, enslaved, and ultimately massacred. Nikan bribed them with the only thing that could silence their god, and kept their people addicted to it for so long.
Altan was tormented by the drug, forcefully given the addiction by Shiro, and then restrained from recovery by Irjah and Daji. Going without the dose for too long caused him unimaginable pain, both from withdrawal and from the Phoenix.
Rin grew up with the drug. It was everywhere around her, she was an opium runner by the time she could count. Uncle Fang was addicted to the point where he became a useless sack of flesh. She describes in the first book the customers she saw, how they were promising young men, eventually turning into penniless addicts begging in the streets for their next fix. Eventually she herself became addicted, to the point where any longer than three days without opium put her in the same pain as Altan went through.
Both of them tried to quit, or at least take longer breaks between smoking sessions, but the damage had been done. Altan soon fell back into a void of addiction, relying on the drug several times a day. Rin's attempts of quitting eventually failed, and while she didn't do it as often as she used to, she described opium as "the only thing that kept her sane."
In conclusion, it's a tragedy how much shit these two went through, and even sadder how much of it could have been avoided without the existence of the poppy flower.
#tpw#the poppy war#tbg#the burning god#tdr#the dragon republic#altan trengsin#fang runin#these children :(#im calling them children#bcs they WERE CHILDREN#just kids#i hate it when ppl bash on rin and altan for being childish#like#no shit#maybe it's because they never had a chance to mature??#like their lives were so fucked#how do you expect them to be perfectly educated and sane#smh smh
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TDR & TBG SPOILERS
hello Rinezha nation i figured out DaVinci Resolve ☺️
listen with audio !
Forget Her - Jeff Buckley
i hate them so much they’re in the afterlife happy living in a cottage btw
#i cranked this out in two days#my hand#ouch#the poppy war trilogy#the poppy war#poppy war#fang runin#yin nezha#rinezha#rin tpw#fanart#r.f. kuang#digital art#tpw trilogy#tpw fanart#tpw#crowwart
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WoT Meta: 'Salvation and Rebirth'
One thing that is fascinating to me about The Wheel of Time is that, despite the fact that the two of the biggest influences on Robert Jordan's cosmology are traditional Hinduism and Protestant theology (in general but especially American Protestantism), as near as I have been able to determine on my 20+ re-reads his world has neither a concept of karma or heaven.
Karma- the belief that your deeds in your current life will impact your rebirth in your next life (to vastly simplify)- is very Big Deal in Hinduism (and several other related religions, such as Buddhism- another big influence on Jordan's cosmology) and yet it is entirely absent from anyone's belief system in the WoT. No one seems to attach strongly to the idea that terrible deeds in your past life might be the source of your misfortune in this one, or that the reason to do good things in this life is to ensure a better rebirth next time. People hope for rebirth into a better life all the time, but they treat this as a capricious whim of fate, not something their actions might reasonably impact.
Interestingly though, some characters do subscribe to semi-related idea, not from Hinduism, but Christianity: Godly living. This is the idea that all troubles are self inflicted, and that if you just work hard, live virtuously, and embrace God ('walk in the light') nothing bad will happen to you ('you wont attract the Dark One's attention'). But their is no serious suggestion that this might be tied to past or future lives, and also the series takes great pains to demonstrate that it's wrong. Bad things happen to seemingly good people all the time (including Our Heroes), and if their is rhyme or reason to be found in it, it's usually the result of a working of fate so vast that the characters involved can not perceive it with their limited knowledge and view. This is one of those central themes of the series that I find so compelling and one Moiraine lays out in TDR (and during her confrontation with Logain in the show): The Wheel itself is not good or evil, it just is, and it weaves fate to a design so intricate and so massive that the human lives pulled about within it are given as much care as....well, as the loom gives to a single strand in a tapestry.
In the same vein the idea of a heaven- an enteral paradise, even just an intermediate one between rebirths, is also absent from Jordan's world building. Their is a belief that your soul will return to the nebulous 'Light' upon death if you where a good person and be taken by the Dark One if you where a bad, but no one seems to equate the 'returning to the Light' with being rewarded for good actions with a paradise where all their desires and needs will be meet, and where they get to chill out until, presumably, its time to be reborn. The idea of Heaven- that earthly suffering being rewarded after death with eternal salvation is a Big Deal in pretty much all Christianity but especially Protestantism, which fundamentally is/was about the idea that salvation could not be gate kept by earthly institutions and was solely the providence of God to deny or grant. The closest you get in Jordan's world any kind of afterlife is the World of Dreams, where the Heroes of the Horn (and only the Heroes) await their rebirth. But that can't properly be called a Heaven- not when nightmares walk it, and the conflicts of the living world can easily, and frequently do, seep inside. Not to mention any mortal can reach it without having to die- by just going to sleep.
And which, on that note, the very idea of the Heroes of the Horn is contradictory to the idea of an eternal salvation. In a system where their is salvation after death, the Heroes would be rewarded for their valor and heroism with eternal peace. Instead their reward is endless lifetimes of adventure, which means endless conflict but also endless legends and stories, as well as the chance to keep making the world better, righting wrongs and putting fate back on track. In this way the Heroes of the Horn are clearly inspired by the idea of the Dashavatara from Hinduism- mortal incarnations born specifically right the ship of cosmic order when fate/the world is getting out of whack. But interestingly, in Hinduism the Dashavataras (and the other avatars) are all Gods taking mortal flesh, and so inherently divine. This is an idea, once again, that many people in Jordan's world believe to be true (most notably the Prophet and his followers) but isn't- Rand isn't the Creator in the flesh, or a vessel of the Light. He's just a person, one whose heroic nature and kind heart earned him a place as a Hero of the Horn, but still mortal beneath all else that he is. And that fallibility, that reality that he isn't a God, that he can bled, be hurt, die, even turn to the Shadow- is a core part of understanding Rand's character arc.
One final thought on this (and the thing that started me thinking on the subject to begin with since The Fires of Heaven is where we are introduced to this idea for the first time in the books): there is something incredibly fascinating to me that to the characters in Jordan's world, the highest and most sacred oath you can swear is on 'your hope of salvation and rebirth'- which taken in the lens of our world are two fundamentally opposed ideas. For Christians salvation is eternal- the salvation of the immortal soul in Heaven free from earthly suffering. In Hinduism, rebirth by definition means continuation on earth, a chance to redeem past mistakes, to better the world, to make new good karma that will enrich your fate.
And yet, the characters in Randland don't view them as contradictory (or if someone does we never hear them voice that thought). Which makes me suspect that salvation and rebirth refers to the Prophecies of the Dragon and the hope they will come true. Salvation in this context is not the salvation of the soul, but the salvation of the world, the wheel, the pattern, fate- saved to continue on into eternity. Rebirth refers the hope you will get to be reborn again- which would only be denied to a person should the Dark One triumph and remake the world....or maybe even the hope that the Dragon will be reborn to save the world, to bring salvation to earth.
That would mean the oath came from a time when the Prophecies where fresh and new, before False Dragons tore countries asunder in wars and before hatred and fear of the Dragon had time to embed itself.
But by then, as often happens we are told, the origins, the why, where forgotten, even the tradition remained, and so no one realizes that, to this day, the most sacred of oaths, including the Three Oaths of Aes Sedai, are sworn in the name of the Dragon and on the hope of his coming.
#Wheel of time#WoT#WoT on PRime#Wheel of time on Prime#Wot Meta#Wheel of Time Meta#Rand al'Thor#Moiraine Damodred#I think about this series WAY to much#I don't think their are any spoilers in this so I'm going to leave it untagged#everything mentioned is either an idea the show has established or a vague allusion
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thoughts on the people of falme cheering over learning that the dragon has been reborn
1) their city was just getting blown up and now it's not. they're happy about this.
2) their city had been occupied by the seanchan for weeks (months?) and now it's not. they're happy about this.
3) the average layperson may not even recognize the dragon symbol; maybe they're just thinking someone's putting on a nice fireworks show to celebrate the attack being over.
4) but assuming they do recognize it, this is not unlike the immediate reaction to rand declaring himself in the stone in TDR. all the onlookers kneel before him and take up chanting "the dragon has been reborn!" it's not a celebratory moment, exactly, but it's far from a fearful one. it's only in the little coda afterwards that mat tells us the news is being met with both awe and fright as it's being spread; in the immediate moment, "awe" is definitely the main emotion.
5) there is book precedent for rand being welcomed into a city for whom he did a good deed, rather than being met with hatred or fear (illian). maybe the people of falme, in this immediate post-battle moment, care less about the vague future notion of the last battle and more about the fact that whoever's up on that tower did them a solid by helping get rid of the seanchan and the whitecloaks.
6) elayne noted that the people of falme act like they've been seanchan all their lives. perhaps their cheering for the dragon reborn who's just conquered their conquerors is meant to show a Series Theme about how the average layperson doesn't care about who's in charge or about what's going on in the world at large as long as their own individual life isn't affected too badly.
7) in the books, the idea that the general populace is afraid of rand/the dragon reborn really doesn't emerge strongly until TSR, after he's been publicly out as the dragon for more than 5 seconds. no reason to assume the show will never get to this idea just because it hasn't yet. this series has 1 million Themes and not all of them can fit in the first 2 seasons of the show. since everybody was going to be split up for most of this season, they chose "the vulnerability of isolation vs. the strength of togtherness" as the Focal Theme for the season and the big moment of togetherness in the final scene is the conclusion of this Theme. (and this was all necessitated in part by barney's departure; rafe said that the changes to mat's story are what made them decide to double down on the isolation theme for season 2.)
8) simple storytelling and Making Emotionally Satisfying Television reasons. season 2 was a very heavy season of isolation, despair, and loss (and i saw more than one mid-season critic review & show-only comment begging for some light because things had been so painful for so long). thus, they wanted to end the season on a note of unity, hope, and triumph, to give the audience some much-needed positive catharsis. the final scene being everybody screaming in horror and recoiling in terror from rand would've been, you know, kind of a downer.
9) even if the people are celebrating, rand himself is CLEARLY not happy. rest assured that the show is aware of the "it sucks to be the chosen one" Theme and is not going to make being the dragon reborn any less of a burden for rand than it is in the books (just in case the whole thing where he spent the entire season hating himself and having nightmares about killing everyone he loves didn't already give you that impression).
plus, just like in TGH&TDR, this season rand's inner struggle was only about being a male channeler because he had no idea his dragon reborn duties weren't over until the last few episodes. only now that he has officially taken up the mantle of the dragon reborn will it be time for us to see how much being the chosen one weighs on him. so, just the same timing as it was in the books. (and frankly, i think season 1's emphasis on rand having concrete plans for a future in emond's field which he now has to abandon already sold this idea more than the first 2 or 3 books alone did; as a show-only for s1 i was so upset about rand not getting to be a stay-at-home cottagecore dad, my show-only mom was so upset about it, and i've seen plenty of other show-onlys being upset about it too.)
#you can feel free to come back and say 'i told you so' if a few more seasons pass and the show still hasn't addressed these Themes#that have been called out as missing so far in the first 2 seasons#but for me personally i just think it's too early in the show's run to worry about them being missing just yet#there is still time for them to be given more attention (and i don't think they've been given NO attention so far anyway)#wot#wot show spoilers#wot book spoilers
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You are the living embodiment of nostalgia with all this slendytubbies posting, TDR
I will never not care how weird or 'cringe' anyone might view this game as. I have, and will always love it. And I'm so glad that many others are finding my art and feeling the same joy that I do for it!
Slendytubbies will live on. If it has 5, 10, 100, or 1 fan. I am still gonna be here. 🤘
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12 + 13?
12. list three ships you currently love
beetlejuice/lydia has occupied the whole of my brain heart and dick for two months now i am 10k into the ROUGH DRAFT of what was supposed to be a quick little oneshot pwp to post for halloween timothy burton you deranged fucking lunatic how did you manage to make me angrier than i have ever been in my entire life while also making my fucking dreams come true drop dead i mean it and also i owe you my life
sue/elisabeth from the substance but not in a traditional sense i guess!! there are people in the tag writing very sweet may/december sapphic age gap fix it fics and i spent a month writing about elisabeth molesting sue's dead body because i have never seen such a captivating, painful, horrific portrayal of self hatred on film it changed me for real
baby/otis because i just rewatched TDR with my friend and kept being like "oh my god did you see how in love they looked in that 0.2 second shot 🥹🥺" and it just made me remember again how in love they are in every 0.2 second shot... they really portray such a realistic bickering sibling relationship and then the sexual electricity with which baby says "or is my 𝓫𝓲𝓰 𝓫𝓻𝓸𝓽𝓱𝓮𝓻 gonna have to knock your fuckin' teeth outta yer head?" could start an irl chemical fire in your room if you aren't careful as could otis' "hoss, are you... staring at my 𝓼𝓲𝓼𝓽𝓮𝓻 and thinkin' bad thoughts? well, why not? you a faggot?"
13. list 5 OTPs from past fandoms
hannigram 5ever i'm extremely burnt out on the fandom and tend to experience a very specific type of source creep where i only remember the trash shit fanon version of will that exists on tumblr so i have to rewatch the show to remember that he is a dour, curt, cold, rude, isolated man who deserves every last ounce of hannibal's attention
joe/people eater/kalishnikov from mad max i am VERY serious about the warlord polycule that was and is real... the amount of lore i dreamed up for them in 2015 you would not believe the kind of work i was putting in
i'm gonna include a 3-for-one here but quark/odo garak/bashir kira/jadzia from ds9 which i genuinely do think are canon in a way that is fundamental to the series
on that note q/picard from tng which i also believe genuinely was canon and which from my unserstanding was like for real cemented as actual explicit canon in the picard series because all i do is win
house/wilson dude that fucking ship broke something deep within me at an extremely young and impressionable age i know this entire site went through its little house md renaissance and everyone loves to use the phrase "gay and homophobic" but unless you were an overtly dykey twelve year old living in a 24/7 fox news tea party household while that fucking thing was on air i need you to sit down and shut up because you would NOT get it
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wot rewatch: 1x1 - leavetaking
Rewatching as prep for season two! These are going to be pretty spoiler-heavy for the books (will note how far) and kinda live-bloggy - I'm briefly pausing to note down thoughts but won't be writing out entire paragraphs. Just little notes as I go on.
Spoilers for the entire first season and some s2 spoilers plus through maybe The Dragon Reborn in the books. Maybe only The Great Hunt.
1. Fascinating how Liandrin's perspective on men and the One Power is the reverse of the truth. It's not men who make the Power filthy but the Power that makes men go wrong (because of the taint). I do think she genuinely believes what she's saying here though.
2. We get a lot of info from Moiraine and Lan here: we know there's an active prophecy, we know that the Dragon can channel, we know they should be 20 years old. We also see Moiraine's doubts and her wishful thinking both at play: she doubts/tests various parts of the prophecy but does not let herself believe he was gentled before he could ever be found.
3. The rumors in/out of the Two Rivers are interesting to think about - it sounds like the idea of ta'veren must be fairly widely known -- given that we know in TGH that at least one of Moiraine's eyes-and-ears is Tuatha'an, I wonder if the group of Tuatha'an near the Two Rivers that Egwene & Perrin run into (with Ila & Aram) is also the group that has Moiraine's spy, in the show canon. EDIT: we know from TDR about her spy, not TGH, lol
4. I am So Interested in whether or not s2 will get into the emotional details of Egwene not braiding her hair anymore.
5. It kinda feels like the show went more hardcore egalitarian for the Two Rivers than the books did -- we never hear anything about the mayor or village council and the women's circle is a rite of passage for womanhood as opposed to being a governing body.
6. Wolves! ❤
7. Some people apparently took Rand calling past-him a sap as him being... a Chad now? Very strange. He's obviously not being serious (and he brings Egwene a berry in this very episode).
8. The scene with the three boys is so good for establishing them as friends but also showing Mat is not supernaturally lucky here, and we see Rand and Perrin's concern and affection.
9. Enter our Mysterious Wanderers. It's a great dramatic entrance for our very Dramatic pair. Moiraine taking a good look around trying to clock all the twenty year olds.
10. So we get introduced to all the celebration and joy first... and then after Moiraine's intro, we get into the various emotional turmoils each of our younger cast are facing:
a. Perrin's marriage is somewhat troubled.
b. Mat's parents have created a troubled family life for him and his two sisters and he is basically the one raising his sisters even while having to deal with his drunk mom telling him he's a terrible person.
c. Rand and Egwene's relationship breaks up as they realize for the first time that they have grown into having incompatible life goals (a problem that will not go away even after their individual situations completely change).
Despite the idyllic scenery, the emotional undercurrents in the village are complex.
11. First we have Moiraine specifying that they need two beds and then we get the lovely non-sexual bath scene with Lan and Moiraine. I love how much we get to see Moiraine & Lan being platonic companions.
12. I like that Egwene and Rand truly care deeply about each other but that doesn't make their lives compatible.
13. Love how we go from the whistling background sound over the Fade to Fain actually whistling.
14. The next morning, we get Mat pawning the stolen bracelet -- this helps sets up why he steals the dagger later; Mat has an incentive to need money that isn't about being greedy. But then we also see in the later scene that his friends very much want to help him. And Mat shows deep emotional intelligence and concern with Rand as well.
15. Nynaeve gets knocked out as a Dragon candidate right away, due to being too old to be the prophecy baby. Sadly, in the process of figuring that out, Moiraine burns a bridge with Nynaeve (who already wasn't inclined to trust her).
16. The Wisdom cleaning the sacred pool fits very well with Nynaeve becoming a "servant of all" aka Aes Sedai (just like Egwene surrendering to the river is a mirror of surrendering to saidar). But also the Wisdom is really the only 'leader' that we get introduced to in the Two Rivers in the show.
17. I am very curious about if the issue of the Old Wisdom comes up again when Nynaeve is in the White Tower. Nynaeve does seem aware here that Listening To The Wind is connected to the One Power.
18. Again, I love how the Rand, Mat, Perrin friendship feels substantial here and not just because they're all the same age so they hang around together.
19. Love getting the themes here of rebirth and how the reincarnation aspect of the lore feels present in people's everyday lives.
20. Nynaeve being separate from all the other villagers so they can't see her pain. My heart!
21. Now that we've set up Life As It Is, it's time to break it so that the main story can start. Lan brings the news about the Fade & Trollocs and Moiraine confirms that she doesn't know which of the four kiddos is The One (a good thing, as it turns out).
22. Some good character work during the fight:
a. Nynaeve trying to protect and heal her people.
b. Fain just sauntering off without a care.
c. Mat going back into danger to save his sisters.
d. Perrin doing something to make him terrified of the violence inside hinsrlf.
e. We see that there's more to Rand's dad than meets the eye.
f. Rand defeats the Trolloc but at a cost (his dad getting horribly injured).
g. Egwene & Nynaeve both willing to fight back, even when they just have belt knives.
h. Once Moiraine and Lan are able to turn the fight (and we get some lovely choreography of then working as a team and seeing how Warders aid their Aes Sedai), the villagers take heart and really together against the Shadowspawn.
23. Overall just a good job showing how traumatic an attack like this would be.
24. Anyway, it felt clear to me that part of the reason our kiddos don't argue much with Moiraine after the battle is because they're all pretty shocked and traumatized. None of them have ever experienced anything like this!
25. I hope the implied flashback for Moiraine & Siuan in s2 has us getting the prophecy onscreen but it was still cool to hear Moiraine telling them about it here.
26. There's a great shot here of Moiraine facing Egwene and Rand and we see all three of them in shades of blue. Meanwhile, when we swap to Perrin and Mat, Mat has a tiny stripe of blue but the two of them are more earth-tones. Channelers vs non-channelers? Rand puts on an earth-tone coat as they leave - because he's going to be in denial?
27. Right now, Moiraine is saying they need to get to the protection of the White Tower (meaning Siuan and her attempts to ready the Tower). And that's a wrap on episode one!
#wot#wheel of time#wot on prime#wot rewatch#wot book spoilers#wot s2 spoilers mentioned briefly#the great hunt#maybe the dragon reborn
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Just finished TDR!! I actually didn't enjoy the second season too much (what do you mean I have to go to Brazil and leave Adil in Sefer) but s3 and the ending was so worth it.
Thank you everybody who answered and made sure I didn't end up dying 😅
Also baby Nafisa is so cute😍😍. Dad! Adil just seems so precious.. Now I have to write a fanfic with Nafisa getting into trouble and living up to her namesake. Noor's (MC) genes definitely won.
This family.. 🥺🥺
#the desert rose#rc tdr#rc the desert rose#tdr#romance club#romance club the desert rose#rc adil#rc adil badawi#adil badawi#rc yasmin
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Hey there! So I sorta dropped out of the comic fandom after TDR was finished as was wondering if anything of note has happen with Timbern since?
Absolutely nothing anon 😔 we Timber fans are fighting for or lives because of no new content
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rin and nezha by the river 🐉
#this is set some time during the dragon republic#nezha is talking about boats (probably) and rin finds it endearing (ofc)#i live in tdr !!!! no.2#mine#im never drawing a background again#the poppy war#tpw#fang runin#yin nezha#rinezha#rf kuang#the poppy war fanart#my art#the dragon republic#book fanart
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TGH/TDR vs WoT season 2: what's in and what's out pt 2 (worldbuilding)
This time we're doing concepts and settings introduced in TGH/TDR (or introduced in EoTW but not in S1 of the show).
Introduced in EoTW but not S1 Caemlyn Andoran politics inc. Tigraine's disappearance
Tar Valon was substituted for Caemlyn in S1 but I believe it has been confirmed as a setting for S3. In terms of information viewers need to remember, Andoran politics only *really* start to matter when we kick off the Succession plotline & I expect will be scattered throughout future seasons until we get to the main event in S5-6 or so. If Slayer is in S3 (I think this has also been suggested) then we could start to get some infodumps about the whole Tigraine & Luc disappearance drama there. (Side-note: I think show-only people are going to find it hilarious if Rand has an uncle Luke (Luc).)
Introduced in TGH Cairhien Daes Dae'mar Illuminators The Choedan Kal (not named) Ogier politics and culture The search for the Car'a'carn Seanchan/the Hailene The secret of the a'dam/sul'dam The Black Ajah The Accepted test
Still missing from the show but first introduced in TGH: Ogier politics and culture(differences between steddings), the existence and location of the Choedan Kal, and the Illuminators. The Ogier stuff may or may not EVER be relevant. The Choedan Kal can & should be introduced to up the stakes from Callandor when it proves too dangerous, although may get easter egg mentions prior, quite possibly as a Lanfear back-up plan. The Illuminators - again only necessary when gunpowder and its potential for weapons start to become relevant. They could be introduced in Tanchico if the plot goes there or as refugees from the Seanchan. (NB: I think show-only people are also going to be REALLY sideswiped by that whole plot, gunpowder weapons are so rare in the popular perception of epic fantasy. It's going to make WoT really stand out.) Another note: in the show the fact that the a'dam can be used on sul'dam remains a secret from the Seanchan and was not presented as an empire-shattering discovery, and the lore has changed so sul'dam are just very weak in the Power. I think there's a chance that in the show it becomes something known but suppressed in Seanchan rather than a genuine/complete rediscovery. Given how long channelers live that would check out; the books never make anything of it but Alivia is old enough that when she was born there were still a few free channelers in Seanchan. The 'Consolidation' was not a short victorious war but a multi-century period.
Introduced in TDR Tear (the city/Stone), Illian, and Ghealdan Darkhounds Wolfbrothers losing themselves Wolves and the Dream/prophetic wolf dreams Wide-scale ta'veren effects Tel'aran'rhiod Forsaken controlling nations (including specifically Illian, Tear, and Andor) Grey Men Callandor/the fall of the Stone Mat's luck Set-up for the Tower Coup Egwene as a Dreamer/Egwene's prophetic Dreams Balefire Fireworks as weapons
As with characters, there's a lot of worldbuilding from TDR that hasn't come into play yet! I think this is mostly for pacing reasons. On the other hand, we actually got a lot of Tel'aran'rhiod in S2 which aligns with TDR, a book where characters spend about half their time having prophetic dreams (or so it feels like).
Mat's luck and Egwene's Dreaming abilities - these are solid/obvious S3 arcs for these characters that they didn't have time for in S2. No question we'll see them next season, I think, although Mat's luck might have more of a slow-burn introduction than just suddenly working.
The Forsaken - have only just all been released! We'll certainly see them taking over nations in the next season or two.
Darkhounds, Wolfbrother lore, Callandor, fireworks as weapons - I think this has all been held back for pacing. Famously Perrin's plot needs to be spread out to give him stuff to do in later seasons. He might not get prophetic dreams though since it's a bit of a repeat of Egwene's Dreaming and never goes anywhere much.
Similarly, it's a Big Deal when Rand gets Callandor and then it...stays where it is for five books, that's not good TV pacing. I suspect he will pick it up just in time to try using it and fail against the Seanchan. And we don't need to think about fireworks as weapons until Mat is in a place to take advantage of the possibilities.
Balefire, widespread ta'veren effects, Grey Men - these are all things which pose the question 'why aren't they being used all the time' once they're introduced, and the latter two will be quite hard to effectively and efficiently do in a visual medium. We'll get balefire eventually but at a much higher power level for our characters, and the other two we might never get at all.
Tear and Illian - genuinely no idea when we'll get to these cities! Illian we may never visit as not a lot happens there that has to happen *there*. We'll go to Tear (the city proper) at SOME point but...depends on a lot of things exactly when.
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Do you think there is a significant difference in the character writing between Danganronpa 1-2 and V3 ?
You see very contradictory opinions about this, some claiming that the V3 characters are more stereotyped (in the more general argument that the writing is "bad on purpose" to serve the final twist because TDR are bad writers) and some saying the opposite, that they are more developped and human.
V3 discourse having every possible opinion on the spectrum is nothing new but I wonder if you see some internal consistency/principle in the writing of each cast as a whole and wether that differs between each game
Sorry for not having an answer that's longer than the question. I just don't feel filling this out by going character by character would add much to anything. But the internal principle is that each game has different themes and character writing is done in service of those themes.
Go do a DR1 character's Free Time and there's a high chance you'll find them expressing concerns for their future because DR1 goes big on the idea of the fear of leaving high school because it's hard to find hope after graduation. Go do a DR2 character's Free Time and there's a high chance they'll expose a major vulnerability of their past because this game's whole cast was designed to be victims of manipulation who did horrible things when their weaknesses were prodded. Go do a DRV3 character's Free Time and there's a high chance they'll reveal an unverifiable belief or lie that played a big part in defining who they are because V3 is about the fictions that enrich our lives.
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random check in.
reading tdr, rin needs a hug, i knew moag was sketchy, desperately need rin and kitay to make up, annoyed by how chaghan judged her for mugen when he and qara broke that dam. daji is hot as hell, sorry. vaisra and rin’s relationship is kinda icking me out ngl. predicting that hesperians are gonna become the new villains somehow. and nezha’s so cute gushing about arlong.
ok good i have your attention
the bombing continues. casaulties are up to the three thousands last i checked. 45 gazan families, not people, families have been removed from the gazan census. humanitarian aid still can’t make it to people, they’ve ran out of food and now electricity. and oh yeah, information abt the crisis is being purposefully shrouded while israeli propaganda is readily available. asking alexa or chatbots abt how the palestinians are faring results in bs abt it’s to sensitive for children (alexa) and it’s a complex issue that can’t truly be explained (chatbots) but if asked how israel is doing, it’s bs abt how the country is just protecting itself. we are living in a literal dystopia. it seems history isn’t learned for avoidance, but rather inspiration. i hate it here. free palestine.
#free palestine#from the river to the sea palestine will be free#for organizational purposes#haddie reads:#the dragon republic
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hey uh sorry to bother but what’s ur music setup? (computers, monitors, midi pads, keyboards, instruments, software, etc. and what brands for them?)
i really want to get into making digital music and have been looking at what my favorite artists use. i’ve been very hyperfixated on making digital music lately…
thanks :]
i can't possibly put down everything i use in one post so here are some essential thing i use
mac mini m1 (2020)
novation sl mk3 49 key
ableton live 11 suite
scarlett 8i6 interface
sm7b microphone
shure mic arm
sennheiser hd600 headphones
and the main plugins i use outside of ableton's included ones are
vital, every fabfilter plugin, serum, every valhalladsp plugin, and tdr limiter 6 for mastering stuff
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I finished The Dragon Reborn three weeks ago and there is this one thing Robert Jordan choose not to do that i keep wondering about. Of course some stuff pisses me off and some makes me quite happy/glad. But this aspect makes me wonder if i'm missing something or-?
We spent a huge deal of time in Perrin and Rand's head and how they deal with major change/transformation of their lives. But also trauma or just self-loathing or confidence issue. Which I do like (to spent time with this thoughts)
And so in TDR we've got a bit change of character in how Egwene behave with other people compared to book 1 for example. And because we didn't spend much time in her head in Book 2 we just have to deal with this complete change. We see her being afraid of seeming belittled or being insecure or being less powerful than...
And I'm like, as a reader,. I see how R. Jordan keeps making his character refer to major event of Book 2 that has impacted Egwene and we are supposed to accept her behavior. (or comprehend her behavior through that lense)
But much of what we have seen was actually through Min, Nynaeve pov. And tho, there is absolutely not way to finish book 2 and not feel any sorrow or pain for Egwene, in book 3 I was again and again reminded of the fact that I just wish we also had long moment of Egwene's inner thoughts and struggle at THAT time (end of Book 2)
I don't dislike being in Egwene pov chapters but also I just can't seem to care as I should.
#robert jordan#thoughts on the dragon reborn#no spoilers#the dragon reborn#the great hunt#egwene al'vere#i do be an emotional mess but is this me or?#trauma talk#or absence of talk rather#the wheel of time#wot books
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