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#i literally have less than a paragraph done on it
bellaboo2164 · 6 months
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I’ve been being a useless member of society for the last two weeks (being stressed and then away from my friends does that sometimes) but I have been brainstorming ideas for shorter Mia and Me fics (I’m trying to hype myself up to be able to actually write my first actual long fic) and I have a great idea for one.
The entire concept of one hinges on the idea that Mia would have gone to Centopia more than is shown and not just for the Trumptus; that she also occasionally just gave general warnings through the oracles. Such as, maybe… I dunno… warnings about battles and sacrifices?
It would also take place during season one (during Panthea times), which is why I decided to type this out. I’m really just half-asleep right now and I’m not sure if any of this was needed or even makes any sense but I’m posting it anyway because I feel terrible today.
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peachsukii · 7 months
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You carry Bakugo back to his dorm room. 『 ♡ - k.bakugo x fem!reader 』 -`✧ katsuki bakugo masterlist 
A quiet night at the dorms of UA, you're sitting in Midoriya's dorm room with Bakugo. The three of you are studying for an upcoming exam while sprawled out with notebooks and text books haphazardly all over the floor.
The time is slowly creeping up to 10:00pm - way past Bakugo's "normal" bedtime. He's leaning on his elbow while annotating a paragraph in his textbook, eyes slowly drooping shut. The pen in his hand grows looser as his arm rocks back and forth, about to collapse at any moment and let his head rest on the pages.
Midoriya shoots a glance your way, silently acknowledging how exhausted Bakugo looks. You both had attempted, multiple times, to get him to go to bed. He refused.
"I can fuckin' finish this. It's only a few more pages."
Bakugo was determined, and stubborn, to get his work done - just like anything else in his life. You peer out of the corner of your eye as he shifts, crossing his arms over the textbook and laying his head down on his forearms.
"Kat, you can go to bed if you're wiped out," you say, patting him on the shoulder. "Studying on top of sparring is enough to kick anyone's ass."
Bakugo grunts, sighing into the papers beneath him. " 'm fine."
You look at Midoriya and mouth, 'he'll be out in five minutes or less.'
And like clockwork, Bakugo passes the hell out, snoring atop the open textbook.
You gently stroke his back to get his attention. "Kat, come on. Let's get you to bed."
He doesn't stir at your voice or touch but rolls over on his side. You shake your head, chuckling to yourself as you cast a smile in Midoriya's direction. It's a good thing you're a hero in training or you wouldn't have the strength to do what you're about to.
In one fluid motion, you bend over and scoop Bakugo into your arms and lift him from the floor. He's much lighter than you expected him to be - you always assumed he'd be dense from the sheer amount of muscle mass that adorned his figure. He still doesn't wake and lulls his head against your arm, mouth hanging open and snoring peacefully.
'Wow, he must be exhausted if this isn't enough to wake him.'
Midoriya opens the door for you and follows you upstairs. He opens the door to Bakugo's room for you as well, considering you - quite literally - have your hands full. He waves and mouths 'good night!' as he shuts the door to leave.
Making your way over to Bakugo's bed, you carefully lower him onto the cool sheets and maneuver your arms out from underneath him. As you're pulling away, he sleepily grasps at your shoulders and pulls, causing you to come crashing down on top of him.
'Damn, even in his sleep he's strong,' you think to yourself, flustered and afraid you'll wake him up.
He swiftly turns over, snaking his arms around your waist, intertwining his legs with your own and nestling his head above yours.
"K-Katsuki...?" you mumble, confused as your cheeks flare with heat by the sudden close body contact. You hope that your face isn't as scorching hot as it feels when it squishes up against his chest.
"Mm...don't go," Bakugo slurs, still halfway in dreamland. "Stay."
"...did you let me carry you to bed just so you could cuddle with me?" you ask, perplexed. He grunts in response and squeezes you tighter.
"You son of a bitch," you curse playfully. "If you wanna be carried like a princess to bed, just ask."
" 'm not a princess," he murmurs as he's nuzzling into your hair like a cat begging for attention.
"You just didn't wanna ask to go to bed in front of Izuku, didn't you?"
"...Nuh uh."
You snort as you shimmy in his hold to get comfortable. By the time you settle on a position, he's fallen back into a deep slumber, chest rhythmically rising and falling with hushed breath. He looks so angelic when he's dreaming.
It's too bad he turns into a devil the second he's awake.
i just wanna hold him tight and squish his cheeks - ya know??
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byoldervine · 5 months
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Writing Tips - Beating Perfectionism
1. Recognising writing perfectionism. It’s not usually as literal as “This isn’t 100% perfect and so it is the worst thing ever”, in my experience it usually sneaks up more subtly. Things like where you should probably be continuing on but if you don’t figure out how to word this paragraph better it’s just going to bug you the whole time, or where you’re growing demotivated because you don’t know how to describe the scene 100% exactly as you can imagine it in your head, or things along those lines where your desire to be exact can get in the way of progression. In isolated scenarios this is natural, but if it’s regularly and notably impacting your progress then there’s a more pressing issue
2. Write now, edit later. Easier said than done, which always infuriated me until I worked out how it translates into practice; you need to recognise what the purpose of this stage of the writing process is and when editing will hinder you more than help you. Anything up to and including your first draft is purely done for structural and creative purposes, and trying to impose perfection on a creative process will naturally stifle said creativity. Creativity demands the freedom of imperfection
3. Perfection is stagnant. We all know that we have to give our characters flaws and challenges to overcome since, otherwise, there’s no room for growth or conflict or plot, and it ends up being boring and predictable at best - and it’s just the same as your writing. Say you wrote the absolute perfect book; the perfect plot, the perfect characters, the perfect arcs, the perfect ending, etc etc. It’s an overnight bestseller and you’re discussed as a literary great for all time. Everyone, even those outside of your target demographic, call it the perfect book. Not only would that first require you to turn the perfect book into something objective, which is impossible, but it would also mean that you would either never write again, because you can never do better than your perfect book, or you’ll always write the exact same thing in the exact same way to ensure constant perfection. It’s repetitive, it’s boring, and all in all it’s just fearful behaviour meant to protect you from criticism that you aren’t used to, rather than allowing yourself to get acclimated to less than purely positive feedback
4. Faulty comparisons. Comparing your writing to that of a published author’s is great from an analytical perspective, but it can easily just become a case of “Their work is so much better, mine sucks, I’ll never be as good as them or as good as any ‘real’ writer”. You need to remember that you’re comparing a completely finished draft, which likely underwent at least three major edits and could have even had upwards of ten, to wherever it is you’re at. A surprising number of people compare their *first* draft to a finished product, which is insanity when you think of it that way; it seems so obvious from this perspective why your first attempt isn’t as good as their tenth. You also end up comparing your ability to describe the images in your head to their ability to craft a new image in your head; I guarantee you that the image the author came up with isn’t the one their readers have, and they’re kicking themselves for not being able to get it exactly as they themselves imagine it. Only the author knows what image they’re working off of; the readers don’t, and they can imagine their own variation which is just as amazing
5. Up close and too personal. Expanding on the last point, just in general it’s harder to describe something in coherent words than it is to process it when someone else prompts you to do so. You end up frustrated and going over it a gazillion times, even to the point where words don’t even look like words anymore. You’ve got this perfect vision of how the whole story is supposed to go, and when you very understandably can’t flawlessly translate every single minute detail to your satisfaction, it’s demotivating. You’re emotionally attached to this perfect version that can’t ever be fully articulated through any other medium. But on the other hand, when consuming other media that you didn’t have a hand in creating, you’re viewing it with perfectly fresh eyes; you have no ‘perfect ideal’ of how everything is supposed to look and feel and be, so the images the final product conjures up become that idealised version - its no wonder why it always feels like every writer except you can pull off their visions when your writing is the only one you have such rigorous preconceived notions of
6. That’s entertainment. Of course writing can be stressful and draining and frustrating and all other sorts of nasty things, but if overall you can’t say that you ultimately enjoy it, you’re not writing for the right reasons. You’ll never take true pride in your work if it only brings you misery. Take a step back, figure out what you can do to make things more fun for you - or at least less like a chore - and work from there
7. Write for yourself. One of the things that most gets to me when writing is “If this was found and read by someone I know, how would that feel?”, which has lead me on multiple occasions to backtrack and try to be less cringe or less weird or less preachy or whatever else. It’s harder to share your work with people you know whose opinions you care about and whose impressions of you have the potential of shifting based on this - sharing it to strangers whose opinions ultimately don’t matter and who you’ll never have to interact with again is somehow a lot less scary because their judgements won’t stick. But allowing the imaginary opinions of others to dictate not even your finished project, but your unmoderated creative process in general? Nobody is going to see this without your say so; this is not the time to be fussing over how others may perceive your writing. The only opinion that matters at this stage is your own
8. Redirection. Instead of focusing on quality, focusing on quantity has helped me to improve my perfectionism issues; it doesn’t matter if I write twenty paragraphs of complete BS so long as I’ve written twenty paragraphs or something that may or may not be useful later. I can still let myself feel accomplished regardless of quality, and if I later have to throw out whole chapters, so be it
9. That’s a problem for future me. A lot of people have no idea how to edit, or what to look for when they do so, so having a clear idea of what you want to edit by the time the editing session comes around is gonna be a game-changer once you’re supposed to be editing. Save the clear work for when you’re allocating time for it and you’ll have a much easier and more focused start to the editing process. It’ll be more motivating than staring blankly at the intimidating word count, at least
10. The application of applications. If all else fails and you’re still going back to edit what you’ve just wrote in some struggle for the perfect writing, there are apps and websites that you can use that physically prevent you from editing your work until you’re done with it. If nothing else, maybe it can help train you away from major edits as you go
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dwaekkicidal · 4 months
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Any thoughts on daddy boyfriend Minho? x
DADDY BOYFIE MINHO?¿¿??¿?? 😣😣 many thoughts... i got a little (a lot) carried away and made this sugar daddy to boyfriend minho and a lot longer than i meant to lol.. hope you enjoy <3
warnings: gn!reader, last paragraph has pet play, daddy dom!minho
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For some reason I instantly thought of Sugar Daddy Minho, who is only <10 years older than you but is well off due to his job AND gives off the dominant vibes that make you respect him as an 'elder' right off the bat. He first sees you in a coffee shop he goes to with one of his friends, you're too pretty for him to miss out on so he strikes up a conversation with you. His looks mixed with the confidence he gave off made you instantly attracted to him. So much so that you fold embarrassingly fast when he brings up a 'Sugar Baby' idea.
You trust him pretty easily right away because he made you both sign a contract containing agreements for both of your safety and HE'S the one who puts the 'no sex' rule in place: only asking for your companionship and occasional dates (he doesn't tell you right away but he only did it for your comfort, he makes it VERY clear how into you he is both emotionally and physically). After you find that out, you tell him you don't want the rule in place and he immediately throws it out the window. (& you two fuck that night hehe) Everything is still the same after this but now you two are dating and the contract hold less meaning the longer you two date (until he inevitably brings up vetoing the contract because he trusts you that much c':)
On the outside: You two look like any other couple! The only time people bat an eye is when you "Daddy! Can you buy me this?? Pleaseee~" to him in public after they just watched you kiss on the lips (LMFAO). And let me tell you, Daddy boyfie Minho spoils you rotten. Even more so now that you two have known each other for a long while so he's no longer afraid of being 'scammed by a stranger'. Now it's just the love of his life who he plans to marry soon enough is asking for a well deserved treat. He leaves no space for any ifs, ands, or buts from anybody when he decides that you deserve a new present. The store is out of stock? Tough shit. Order it now or show him the nearest store that has it in stock. Oh, it's not for sale anymore? That's unfortunate. "I'll pay you triple if you give me the last ones you have in the back."
"Don't worry kitty. I don't care how many places I have to drive to, you earned this this so you are getting this. Nuh-uh! No 'buts.'"
Oh, and Daddy boyfie Minho absolutely folds the second he sees your puppy dog eyes and pouted lips, no matter what is for. Whether it be for him to do something for you that he wouldn't do for anybody else or go somewhere with you that he doesn't want to go or anything that his friends wouldn't catch him dead doing. For you? It's done the second the request leaves your lips. That concert that you want to go to with him but he's busy that day? Oh look at that, the meeting was 'randomly' pushed back a day. That pretty piece of jewelry he told you to 'wait' for? "Don't give me those eyes, kitty.. You know I- Ah. Fuck it. Excuse me, can I buy one of those?" That person hurt your feelings? Realistically nothing much he can do but he will stare holes into their head and do everything in his power to get them far far away from you while cooing at you and comforting you.
"Kitty... you know I hate crowded places.." Pleeeease Daddy! It will only last a few hours! And I promise I'll make it up to you~
Daddy boyfie Minho who is an ass man and absolutely LOVES to spank you in any scenario. You're cooking a meal? Should've kept your guard up. -smack- Oh, you're minding your business doing work at your desk? Will literally go out of his way to stand you up, land a smack to your ass, then sit you back down and walk away. There will be days where he doesn't hit you on the ass even once, but that always means that he has already or will grab a handful and just sit there. Also does this in public and in front of your & his friends. After a while nobody is phased, and everybody goes on with the conversation as if he isn't grabbing at your cheeks like a freak.
In front of my parents? Really? "Sorry Jagiii. (he's not) You know I can't help myself! You're just too cute~"
Behind closed doors: Daddy boyfie Minho who you can't help but submit to immediately every time you're in the bedroom. You did it the first time you had sex and you can tell he felt something awakened in him. Now, after many many sessions, you default to kneeling on the floor in front of him while he stands or sits in before you and pets your hair softy like his little kitty<3. Even on days you're particularly bratty, you tend to just submit the second he's in a position with space between his legs for you. He loves being in power both in and outside of the bedroom, so any time you're below him and oh so submissive he's weak in the knees and his chest is swelling with pride & horniess.
"You're always so good for me, right kitty? Just a good little pet for your Daddy~"
Daddy boyfie Minho who, I literally can't stress this enough, loooves when you submit it him with no struggle. That being said, on particularly stressful days when one of you is pent up and wants a harder scenario, he can't lie to himself and say he doesn't enjoy if you brat out and make him work for it. But on days like that, just remember that he's in MeanRacha for a reason😉 Likes having you lay across his lap so he can swap between fingering you and spanking you (or on particularly fiending days, will use a dildo and/or vibrator on you hehe). Coos at you and smiles at your strangled moans and pleads of "Daddy please! 'S too much" , only to then push the dildo even deeper into you or the vibrator harder against you.
"Awww it's too much? Too bad. Now be a good little kitty and take what is given to you." >.<
I'm a firm believer that Daddy boyfie Minho would love to put a collar on you and keeps a whole collection for you to choose from depending on your outfit/mood. Discreet ones (aka general "submissive collars") for when you're going in public and not trying to be uncomfortable with other people's looks. But then he has very obvious ones for the bedroom, specifically ones with a biiig hole in the middle or a space attached to it so he can attach a leash to it. When you're sitting between his legs he likes to wrap the leash around his hand a few times and hold you close against his thigh, stroking your cheek and just sitting there enjoying the comfort of the moment. But it only lasts so long before he uses the leverage of the tight leash to fuck your mouth onto his dick <3
"Which pretty collar will it be today, my love? The black one matches your outfit, but you know I do love that mint one on you."
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daisywords · 1 year
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I personally know there are multiple types of editing but I've never seen anyone explain it in a way that actually made me understand what the types of editing actually were (yeah cool that you say {}editing is different from []editing but *how*). So if you wanna explain, feel free to.
Your handy-dandy guide to different types of editing
disclaimer: writers, you can literally edit however works for you. these distinction can be useful to your process, or just if you're looking to hire an editor. Not all editors make distinctions in this way; there are various ways of dividing. But no matter what vocabulary you use, it's best practice to start with broad, big-picture stuff and move towards narrower issues. Some editors do all levels of editing, while some specialize.
Developmental Editing (Is it a good story?)
Developmental editing has to do with the content. For a novel, that means working on the bones of the story. The plot. The pacing. The characters. Do their motivations make sense? Can the reader understand why things are happening? Does the story drag in places, or seem to brush past important elements? Do all of the subplots get resolved? etc. etc. (At this stage an editor is mostly going to be offering suggestions, pointing out issues, and throwing out potential solutions. Beta readers can also be very helpful at this stage to get a reader's perspective on the story beats and characters.)
Line Editing (is it well written?)
Sometimes called substantive editing, line editing is zooming in a little bit more to focus on scenes, paragraphs and sentences. Once we've decided that a scene is going to stay, lets look at the mechanics of how it plays out. Does the scene start to early or too late? Does the writing style communicate the emotions we want the reader to feel? Does the dialogue match the characters' voices? do any of the sentences sound awkward or ugly? Is the movement being bogged down by too much purple prose anywhere, or is there not enough detail? (This can get pretty subjective, so it's important that the writer and the editor are on the same page with taste, style goals, etc.)
Copy Editing (is is correct?)
Copy editing is all about the details. Think grammar and punctuation. Do the sentences make sense? are they grammatically correct? Is the dialogue punctuated correctly? Any misspellings? Should this be hyphenated? Should this be capitalized? Should we use a numeral, or write out the number? etc etc. A significant part of copy editing is matching everything to a style manual (like Chicago or AP) a house style guide (individualized preferences from a publisher, for example), and a project's own internal style sheet (are the character's names spelled the same every time? if we used "leaped" in chapter 4, we shouldn't use "leapt" in chapter 7) Copy editing is still subjective, but less so than the earlier levels, so a copyeditor will be more likely to just go in and make a bunch of (tracked!) changes without consulting the author for everything.
Bonus: Proofreading (did the copyeditor catch everything? are there typos? formatting issues? have any errors been introduced?)
Lots of people say editing when they really mean proofreading. Proofreading is the absolute last thing to get done. It's the one last pass just before something is published. It's important, but as you can see, there's a whole lot more to editing than just checking for typos.
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routine vibe check: what’s the best starter pokemon and why are you right (pictures and long paragraphs of evidence welcomed and appreciated)
Gonna get a good grade in vibe check, normal to want and inevitable to achieve because I have objectively correct Pokemon opinions and will block naysayers
OKAY LET'S GO
I decided to do, like, a top 5 list or something, because I'm bad at picking a single favourite of stuff. And then even that overwhelmed me, so I found one of those tier ranking list sites and produced this:
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It was done in less than a minute, so if I wanted to get really picky, I don't know if I would be fully wedded to it (not sure if maybe Sceptile should be one higher) BUT it did help to highlight the important ones.
So!
5. Bulbasaur
It's. Just. So. Nice.
Like you can find cooler, more beautiful, cuter, fancier... there's a whole bunch of ways for a Pokemon to be great. But you will never ever find a nicer Pokemon than Bulbasaur. It's so lovely. Look at it. Look at its face.
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I can't put it higher, because the rest of the line is fairly bland in terms of development. It's good and logical and fun, don't get me wrong, but Ivysaur and Venusaur just look like bigger versions with More Flower and Less Cute rather than creatures in their own right. To be honest, if it weren't a starter requiring a three-stage evolution, you could do away with Ivysaur. Something I don't like about a lot of lazy three-step lines is that the middle step just looks like a transitional mid phase rather than a Proper Creacher, like they were artificially inflating the Pokemon number count. Meanwhile it took us until Paldea to get a Girafarig evo that would actually make the giraffe tall. Madness.
However my first ever Pokemon was a Bulbasaur I called Daffodil, and I have traded him forward onto every single successive generation since. He is, quite literally, my First Ever Pokemon. I love him desperately. I still have him. Not many people still have their First Ever Pokemon. But I do and I love him. So, Bulbasaur gets the fifth spot.
4. Snivy
Again, a victim of the Banal Transitional Middle Evo, but both Snivy and Serperior are incredible, and as Meatloaf took such pains to tell us, two out of three ain't bad.
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But Snivy! It's so snooty! I was super lucky with mine, too, because I beat the 12.8% odds and got a female, and I loved her. Normally the initial baby starters are designed to be cute but Snivy has SO MUCH PERSONALITY, she's great. And the design of Serperior is utterly gorgeous. She keeps the expression, but rather than the Animal Crossing-style snooty-cute vibe of Snivy you get this thousand yard withering stare of an empress whose servant (you) has just turned up dripping mud in her throne room and asked her for money. Her green and gold colour scheme is exquisite. Her filigree design, including her high collar, give off the air of wealth and sophistication befitting her immaculate pedigree. And all this! In a simple snake. Incredible design work, 10 out of 10, no notes.
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Begone, you miserable peasant. Have him boiled.
3. Torchic
Now I'll be real with you, lads, but Pokemon design hit its stride with Hoenn and then got better.
It's partly a fashion thing, of course - you look at some of the Kanto designs and they are remarkably 90s, because that's when the franchise launched. Others are clearly a product of what the 1990's were capable of producing in pixels on an already over-stretched cartridge medium. Like we like to clown on Red and Green/Blue now, but my god, those game designers performed a miracle with Pokemon. Every single square inch of space was used to make that game, and complex designs weren't going to cut it.
(With that said, there is still no excuse for Dragonite.)
And then Johto came about and its Pokedex sucks ass. It's mostly new evolutions for existing Kanto stars, useless babies to inflate the dex number, or poorly thought out single-evos like the inexplicably short Girafarig and the unacceptably dreary Dunsparce (our greatest thanks to Paldea for fixing both of those).
BUT THEN CAME HOENN (trumpets intensify)
And we get habitats! Biomes! A different regional climate, gifting us a brand new area of Pokecology! And therefore a brand new flush of creativity in Pokemon design across the board; less dated, and more inclined to be unique rather than a rehash of Kantonian stuff.
Which brings me nicely to this lad:
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Now, I mean. Just look at him. Fucking hell. Cute starter stage, check. LOOK AT HIM FACE
AND THEN he became, at the time, a brand-new unique typing: Fire/Fighting. I realise that is now the norm for like, half of the Fire starters, but that's because of Torchic, actually. He was super popular. In fact if you ever play Ruby/Sapphire/Emerald and you do what my husband and I like to call a Mynci Dave run (use one Pokemon almost exclusively, meaning it gets all the experience points and therefore over-levels to a terrifying degree, allowing you to sweep the game; so named after the noble Primeape we first did this with, Mynci Dave), Torchic is the PERFECT Pokemon to choose, because almost everything is weak to either Fire or Fighting in that region.
Anyway, Combusken is, again, kind of mid (although props for the inverted colour scheme and the fact that it actually does look like a teenager.) But Blaziken, on the other hand... Blaziken is a six foot ninja chicken with wings for hair whose Pokedex entry describes it as able to leap tall peaks in a single bound, a feat it achieves after strengthening its legs by hoofing Geodudes down mountains like they're fucking footballs
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Also an impressive bulge.
My first was called Gilgamesh, and he was fucking great. For a long time, this mad lad was my actual favourite Pokemon, not just starter. Brilliant. Love him. Five stars out of three. King.
2. Fuecoco
It would probably surprise you to know I've not actually used one. I chose Sprigatito, and I do really like Meowscarada, actually. But pretty anthro cat boys have been done in Pokemon quite a bit at this point; cats, dogs and rabbits are over-represented in terms of Poke-taxa. Possibly this is another reason for a toad, a snake and a chicken being 5, 4 and 3 so far (ooh, basilisk ingredients, I've just realised.) They're new and unusual! I like an Eeveelution as much as the next person, but they're a whole family of cat-dog-rabbits, like.
However.
Nintendo has tried its hand at Pokecrocodilians three times (Feraligatr, Krookodile, Skeledirge), and they have gotten so much better at design each time that the three of them are basically a scale proxy for ongoing design improvement. Look, I've made a diagram:
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EXCEPT
(Strap in)
This one is that rare thing: a three step line that deserves to be a three step line. Let's talk Fuecoco first:
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SO CUTE. It's charming, it's charismatic, it's adorable.
It also has hints of its evolutionary end goal, but not like an undeveloped middle evo. It likes singing. The white face hints at the eventual calavera, and it looks a bit like a lil chilli pepper - a ghost pepper, probably in reference to the eventual Fire/Ghost typing. But the colours and shape right now also look a bit reminiscent of a babygro, because this thing is a cute starter. Lookit them teefs. That tuft. Its lovely smile. Beautiful.
And then, at the point you expect it to turn into just the awkward teenage version of the adult, instead we get Crocator:
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Oh boy. Oh there's so much to say. Okay okay:
The region it's from is based on Spain, but this thing is incorporating Hispanic elements from across the board. It's a mariachi in a sombrero, except the sombrero also looks kind of like a ring of Mexican marigolds and kind of like a Catalonian Easter cake called Mona de Pascua that has an egg (or egg-shaped confectionary) in the middle. Body shape and markings look kind of like a piñata. The white face is now on its way to a calavera, with the cheek and nostril markings more defined. And it sings, with its open mouth (also how crocodiles release heat, appropriate for a Fire type) and signified by the mariachi theme.
THAT IS A LOT.
And then it becomes Skeledirge. A Fire/Ghost crocodile.
Now the obvious design here is the calavera and the  Día de Muertos theming, which is part of it. But there are also many examples of crocodile figures in Spanish folkloric ghost stories: the Catalonian Cocollona, the Lizard of Magdalena from Jaén, or the Drac de Na Coca, or even the Cuca - that one is Portuguese, but turns up in both Brasil and the Iberian Peninsula including in parts of Spain. It's got a Gaudi vibe (like Barcelona). It's got an alebrije vibe (like Mexico).
And the bird! Nile crocs have a cleaning symbiosis with Egyptian plovers; it also sits at the tip of the snout where male gharials have a sort of bulbous bit to help them make sounds (the singing thing).
But this is what the bird does when Skeledirge uses Torch Song:
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It becomes a microphone, then grows in size and attacks the opponent in Phoenix form. Phoenix: Fire/Ghost. Resurrected from the ashes.
Quite simply, your fave could never.
5. Rowlet
My god. (My god)
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gasp
Look at this lovely creacher. He is so round and so soft and so lovely. He looks like that baby Yoda meme. He looks like that cat that someone's landlord said they would make an exception for because he looks very polite. Look!!! At his lil bow tie!!! He is a smartly dressed young man and he is kind and he is... well, a bit vacant behind the eyes. A himbo, if you will. But he is all the better for that. What a lovely owl.
He looks a little like a barn owl, perhaps, and those were imported to Hawai'i, where Rowlet is from. But I think he looks a little like a Pueo owl, and given that he will eventually be a Ghost type, that seems right - pueos are one of the physical forms assumed by ʻaumākua in Hawai'ian culture, as I understand it.
And then, hang onto your tits, lads, because this is another banger - THE MIDDLE EVOLUTION IS ITS OWN DESIGN!!! (confetti cannons)
I said earlier that boring middle evos are like just awkward teenagers of the adults. Here, I present to you, a very deliberate Awkward Teenager, in Dartrix:
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IT'S A DANDY
I love him I love him I love him
He plays with his fringe and if you touch it without permission he has a tantrum. God, he's so charismatic. Also, that fringe further suggests the pueo - they have pronounced outer rims around their facial disks like that. Look at his bow tie and tail coat. So smart and handsome
This one is so good that it could be the final evo. This is actually my issue with the Delphox line - Braixen is amazing, and then it becomes the bland boredom of Delphox. Braixen should have been the final stop. Here, Dartrix is much the same - good enough to be a high-quality end goal.
Where they differ is that Decidueye is better again.
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IT SHOOTS ARROWS MADE OF ITS OWN QUILLS
Also, fun fact - This line is the only starter to change secondary typing. Dartrix is part Flying; but on evolving a second time into Decidueye, it switches to Grass/Ghost. In this evolution, it's definitely mostly a pueo, so the ʻaumākua reference is IN, but actually barn owls also have their associations with the dead in various cultures.
The crown of feathers around its head are also reminiscent of an ayaigasa - a hat worn by Japanese samurai archers. And yet! AND YET!
It still has its lil bow tie look. Bigger now, more of a cravat; but there it is.
A perfect Pokemon, and a perfect evolutionary line. No notes.
Anyway, thank you for this chance to waste three and a half hours writing this essay
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UNRELIABLE NARRATORS; THE FINAL FINAL
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Shen Qingqiu Propaganda:
The entire series is told from his POV and the story seems like a comedy. The side stories from other characters POVs make the story sound like a tragedy. He thought that Luo Binghe hated him and wanted him dead while everyone else knew that Binghe was in love with him.
the whole book he’s using his OWN interpretation of the world to explain literally everything, not knowing that his introduction into the world changed it so fundamentally that his prior knowledge of it is less than useless. he’s like “binghe is being sweet to me because binghe is sweet to people that wronged him before repaying their slight a thousandfold, and he only adds their acceptance of his sweetness to his tally of their sins!! i have to run away forever or he’ll tear my arms and legs off!!!!!!” and binghe in reality is like “wow the love of my life my beloved shizun is scared of me still :( i should act sweet and nonthreatening so he’s not scared of me :(“ and he literally doesn’t have this corrected until the end of the book. but even when that one thing is corrected he still is like “haha okay but these other six things-“ bro……. cucumber bro………….. you homosexualized the world just accept it
He examines the entire reality he's isekai-ed into as if it's still fictional and his inner monologue ignores any "character trait" of the people around him that doesn't fit into his perception of "canon" despite everything he's done to change reality from the canon of the novel he first read. He routinely mislabels his own emotions as well as making heteronormative assumptions about himself and the people around him before he finally realises he's in reciprocated gay love with a man. It's a book that benefits being read twice, so the second time around you can focus on the implications Shen Qingqiu blatantly misses.
Transmigrates into a novel he “hates,” assumes he’s doing a good job pretending to be the character whose body he got stuck in, assumes other characters will stick to their original paths. Lotta assumptions, lots of rationalizing, lots of incredible feats of misunderstanding/misinterpreting things. His internal narration is also hysterical.
Lemony Snicket Propaganda:
(I would like to preface this by saying that Lemony Snicket is the author's pen name, not a real person, and he exists as a character in-universe as well as being the one in-universe who writes the books!) I'd say he's unreliable because he spent time collecting information about the Baudelaire kids and then... wrote books about it. He has no idea what any of their dialogue actually was, what they were thinking, or even the whole plot, he's just doing research into the incidents and then filling in the gaps to make it a story. What ACTUALLY happened to the Baudelaires? Nobody really knows for sure
While the Baudelaire siblings are in potentially life threatening danger, he will randomly start talking about his own life and just leave the siblings hanging. For example, once Count Olaf was threatening to kill Violet, and then Lemony randomly began talking about how he met the love of his life at a costume party. This man CANNOT stay on topic. Usually when a new character is introduced, Lemony tells us right at the start that they’re either going to die or that the Baudelaire siblings will never see them again. Foreshadowing is not subtle in these books. CONSTANTLY emphasizes how miserable he feels while writing these books. At one point he admits that he had to put his pencil down and go cry for a while because of how sad it made him. Once he filled an entire page with nothing but the word “ever” to emphasize how dangerous it is to put forks in electrical outlets. He also repeated a paragraph about deja vu later on in the book to give the reader deja vu.
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aita for not wanting the zine I'm in to be explicitly pro-palestine / wibta for therefore not promoting the zine?
the actual problem is a lot more nuanced than that so don't judge just based on that 😭
I'm in a free fandom zine, and we've been working on it since january 2023. it's been a huge labor of love for me (I contributed three pieces!) despite me being less into the fandom recently. our zine is about to be published on social media for ppl to download for free, which is exciting! but the head mod told the group chat that due to the recent conflict with israel/palestine, they wanted to include a message in the promotional post stating that the zine was always intended to be free, and if ppl want to support us they can donate to humanitarian aid for palestine instead.
here's my stance on the israel/palestine conflict: I think it's complicated. obviously I don't support israel's government, but I also don't support things palestine has done. I think both sides are losing a lot of innocent people, and I want to be compassionate to both palestine and innocent israelis/jewish ppl who are experiencing very real grief rn. first of all, I hear abt the conflict so much in real life, I would like to not also have to think about it on my silly fandom app for the one hour I'm on here a day. but on top of that, I don't want to make my social media explicitly support only one side or another, because I think that takes away a lot of nuance from the issue.
anyways, most ppl in the zine chat said that message was a great idea. I personally didn't want to have that message on the main promotion post that I was planning to reblog a lot on my tumblr. so I asked if they could include that message in a separate faq post instead of the main post, and I explained my reasoning (basically that I didn't want to trigger my or other's anxieties about real world conflicts) and one other person agreed with me.
the zine mod said they understood but since it was just a one paragraph message, they wanted to include it anyway. atp I realized nothing I said would change their mind, so I just didn't respond. I get that it's not my zine and they can run it however they want, but it just sucks that now the zine I'm in is being connected to real world stuff that I didn't want to have to connect to my fandom safe space.
anyways, so now the zine is about to come out, and I don't want to reblog the promotional post or advertise it on my blog. when a month passes I'll post my piece (per what the mod has allowed us to do) but I don't plan on promoting the zine anymore. so my question is: was I TA for asking the mod to not include the pro-palestine message in the promo post, and WIBTA for not promoting the zine at all?
reasons I think I'm TA: this is literally not my zine, and I shouldn't be telling the mod what I want the zine to support or not. also it would be shitty of me to just outright not support the zine
reasons I think I'm NTA/NAH: I think my concern is valid, and I can do whatever I want forever
What are these acronyms?
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bruciemilf · 2 years
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"Estranged son Jason" "Estranged son Dick" you are all WRONG, TIM is the estranged son. Jason breaks down crying if Bruce doesn't send him a paragraph of a good morning text every day.
Tim is never home unless he physically can't avoid it. Tim doesn't visit unless everything's going to shit and he has to do damage control and run interference to make sure nobody storms off in a moody fit and drops off the map for months. Tim pulls the you're not my dad card immediately Bruce tries to parent him in a way he doesn't like (literally any way that isn't extremely hands-off) and Bruce can't even say anything to the contrary because Tim's emancipated and Bruce was his legal guardian for less than two years.
Jason comes home for the week before and after every holiday, no matter how much he grumbles, and goes all sullen whenever he doesn't have his pile of thirty-three or more gifts. Jason handmakes Bruce father’s day gifts and sulks whenever Bruce glances at anyone else's for a second more.
Tim has to be begged and bargained with and blackmailed into coming for even just the day of the holiday—left to him, he would just send gifts and be done with it. Tim says him even showing up to Father's Day itself is enough of a gift, and gives Bruce a store-bought card and Batman tie.
Tim's difficult for the sake of being difficult. Jason’s difficult because he wants attention. Tim would be happy if Bruce only made him do bi-monthly check-ins digitally and the occasional gala for the public. Jason demands Bruce’s time and effort but only in the way he wants it.
The reason is simple; Tim grew up an only child with no supervision as long as he got good grades and didn't cause any trouble his parents would have to deal with. Jason was the youngest child to an overachiever older brother for years and was used to everything being his way.
GODDDDD FOR THE LOVE OF OUR LORD AND SAVIOR BRITNEY SPEARS CAN I GET MORE SPOILED BRAT " i NEED bruce to pay attention to me 24/7/365 or I'll die again" JASON CONTENT?????
LIKE, GOD, I LOVE THIS; Listen. Sometimes older children are youngest sibling coded and it doesn't fucking matter Jason is the second oldest. This motherfucker gets away with more shit than DAMIAN and that says a LOT
LOGICALLY, (and this isn't me wanting Jason to act like the kid he never got to be, what are you talking about) the person he'd have MOST beef with would be Damian for stealing his spotlight as the youngest.
He'll absolutely act like the big brother we all know he is and love, BUT. he crosses the line at Bruce.
He sees Damian wear one of HIS old sweaters that Bruce knitted for him and they both threw a tantrum while Bruce sighed in the background till he passed out. " MY sweater."
" MY Baba."
" THAT'S IT-"
Tim????? Tim doesn't have a love language with a solid foundation yet, and he's just not used to (or expected) Bruce to be so attentive?
What do you mean you want to hear about my day? What do you mean you made a snack for me? What do you mean you love me regardless of my accomplishments?
AND YOU KNOW, I hear the " Dick drags his siblings to the manor because Bruce loves their company and loves seeing all the baby birds in one nest" crowd. I LOVE you people.
But I'm begging. Imagine you're Tim Drake and you get a furious message from your older brother crime lord about you missing family brunch.
" Literally how fucking hard it is to call and say you won't be there, fuck off Papi cut his finger trying to make that dumbass muffin you like, call home you piece of shit. Love you."
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fitgirlfemdom · 3 months
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Small dick anon here. When I was 185lbs it measured 5 inches, but by the time I was 270 pounds it was only 4 inches with all the fat around it. I never used to have any complaints about my size but once I got bigger it changed. I would only occasionally slip out of someone before and was able to get a good amount of motion. By my biggest weight I had two sexual experiences. The first was with a longtime fwb who loved my dick I was around 260 and my partner likewise. With the extra weight it never stayed hard for as long, and I realized unless I was like totally hard I couldnt stay inside them at all. Theyd guide me in, I’d thrust my heavy overly sweaty body forward and when id motion back it would fall out. I ended up feeling so embarrassed after a few minutes of this that I took my half hard dick and just rubbed it against their clit using my hand and eventually I thrusting my shaft against them. In the end they came a couple times.
The next time I had sex I was even more out of shape at 273 and it was with a girl who was at least 270 herself. I tried fucking them missionary the same as the fwb but our stomachs were both so big. The same thing happened as before but I got hard enough to stay in. I literally couldnt actually thrust it forward it basically was just weight shifting without any friction. This only lasted a minute before she asked me to fuck her from behind. Her ass was huge and I barely got any friction, also had to rest my stomach on her ass to even get inside a little. She put her hands on the wall and rode my dick and that was the only way anything happened. Id never had it happen before but after about a minute i told her I was going to cum. I meant this to mean “slow down” but she started saying “cum for me baby” and pushed her ass into me harder. I came less than 10 seconds later drenched in sweat and completely out of breath. Id barely done anything. I felt so embarrassed I didnt even try fucking her again. She definitely didnt cum and she barely felt it at all.
I also had an online relationship where I showed her my dick and asked if she thought id be big enough to fuck her from behind or if id need a strap and she said “definitely a strap.” Apparently the first time i sent her a video of me touching myself it started with me being flaccid and between how fat my fupa was, you could only see the head and she thought i had a clit until i got harder. I’m 240 now so its still a small dick but i remember at my highest weight when i was flaccid even peeing had to be done sitting down because i didnt have enough length to aim and id have lean over to get the job done and then wipe up after like a girl. I wish I could have stayed that weight for longer, I really wanted to find a thin girl for the first time in my life just so I could see how disappointing I would be. Ive trained myself to cum in under a couple minutes and someday i hope I can get to be over 300 pounds so I can truly be pathetic. I was so close to buried penis syndrome I know with the right guidance and support I could get myself there and be a bit pathetic neutered fuck toy for someone to abuse and humiliate lol
AGHHHHH i've got a lot to say about this.
this reads like a fantasy scenario i'd post on here. the slow degradation of your sexual nature from average dude to sexual degenerate gets me going.
i've also heard from multiple pigs in my DMs that sex gets very difficult at the 270+ size, with cowgirl being the only suitable position. i can only imagine how difficult that would be if your female partner was also fat. honestly i'm having trouble understand how that would even work, but i digress. the girl's ass being so fat you couldn't even penetrate? honestly i feel bad for everyone in this situation. her riding you and making you cum in thirty seconds surprised me, as if i was in that situation, there's no way i'm letting a pig cum that quickly. omg i would've rode your face for an hour til you calmed your horny ass down
the last paragraph GOT ME. having such a small, covered dick that girls think you have a vulva is crazy. as a thin woman, i've never seen a dick that small in real life. i think the smallest dick of one of my partners was 4 inches, and it was so unsatisfying i swore off sex for the past year 😭 i can only imagine going out with a loser, giving him a chance, and getting home to seeing a one-inch nub between his legs. would you be able to penetrate anything with that? you'd probably have to just get oral for the rest of your life. i wonder how crazy it would feel to have a way smaller surface area, but the same amount of nerves, as an average sized cock. do you think you'd be sensitive? do you think you'd be able to have a vibrator on your little cockhead for more than a few minutes without shooting ropes? do you think if a pretty girl just sucked on your little cock for a few moments, you'd start moaning like a pathetic gooner? you'd want so bad to just fuck her like you used to be able to, but your dick just isn't good enough. you'll probably just end up humping her ass with your gut on her back while you cum down her thighs.
so helpless at sex that you'd just be reduced to sitting under your girl's desk, eating out her cunt while you jerk off your little nub between your fingers. eventually, you might get quite good at it. she might never even let you fuck her again, binding you up in a custom chastity cage because it's not like you can use it anyway.
aghhh thank you for this message small dick anon. i wish more of my inbox messages were like this
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utilitycaster · 2 months
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Saw a post in the tags; did exandria historically have a thing abt persecuting ruidusborn? The post mind you was largely lambasting the gods along the lines of "these gods should shut the fuck up abt their extermination when their followers in modern day are going after ruidusborn" which... Doesn't seem like the same thing for a number of reasons but also I wanted to ask a wiki person because i didn't think that anyone was actually doing that
Hi anon,
I don't know if I've seen that post precisely - there's a very good chance it's from someone who I have blocked and haven't thought to check to see what wild stabs in the dark they're making now, to be blunt about it - but this is pretty much entirely incorrect and/or deliberately leaving out crucial context.
Exandria historically had a stigma about Ruidusborn. There has been no evidence of widespread persecution specifically for being Ruidusborn. What little negative responses we have seen and have evidence of has either not actually been specifically "this person is Ruidusborn" but rather "this person has uncontrolled and invasive psychic powers that are negatively impacting me specifically and so I am, understandably, put off"; or has been a mere acknowledgement that a stigma exists. Notably, this has not specifically come from followers of the gods. We haven't seen any information about the presence of religion in Gelvaan and Laura herself as Imogen has alternately said once that she did pray to the gods and multiple times that she didn't, so anything here is entirely presumptive. (We also know that Imogen literally didn't know what Ruidusborn were until it was told to her, so I think we can pretty safely say that prejudice against Ruidusborn simply for being born under the moon, rather than like, the invasive psychic powers, was not the issue there). Alma, Orym's mother, mentioned that the Ashari attempt to avoid having Ruidusborn by delaying birth simply because of that stigma (episode 3x66) and the Ashari aren't affiliated with a deity.
The Ruidusborn page on the wiki is here, and you can cross-check with the citations (I am flattered that you ask me as a wiki person, but a wiki is a public document anyone can edit - if you are wondering, and especially if you are trying to debunk something, please cross check citations for the source of truth). I cover the key ones below.
Per Call of the Netherdeep, page 6, the widespread superstition about Ruidusborn themselves is that they are "destined to bring suffering to others, or to experience great tragedy in their own lives". This is actually less harsh than the superstition about those who study Ruidus, who are believed to be "compelled to cause misfortune and woe". Estani, in Episode 3x19 states the following: "Many important, whether for honor or great sorrow, individuals of history have been claimed to have been born under such a ruddy light." We also know, from Call of the Netherdeep, that Alyxian the Apotheon was both Ruidusborn and a devotee of the Prime Deities, receiving blessings from three of them. Obviously Fearne lived a weird and sheltered life, but we didn't find out she was Ruidusborn until we met Birdie, and she never experienced any prejudice about it during EXU or early C3 or really after that, unless you count the fact that people attuned to the conflict on either side (see next two paragraphs) like Otohan and Groon noticed it. In short: the lore about Ruidusborn and the responses to Ruidusborn in history are varied and complicated.
Finally, just from watching the show: people who do not know Imogen is Ruidusborn nor related to Liliana and whom she does not use her psychic powers on tend to respond pretty positively to her now that those powers are largely under control. I've talked before but there is a certain type of fan of Imogen that leans heavily on the "stripped of choice" narrative in which she has never done anything wrong in her entire life and has always been a victim of cruel circumstance (and more generally tends to abdicate all responsibility for their blorbos - and, frankly, themselves - not realizing that people who squirm out of their obligations are loathed for good reason and they're only worsening the response to both their blorbos and themselves). Anyway, the idea that she was persecuted simply for the circumstances of her birth and not that those circumstances led her to do things that are genuinely extremely offputting, even if done involuntarily, is a relic of that "stripped of choice victim" false narrative.
Now: it is technically true that followers of the gods in Exandria in 843 PD are going after a large number of Ruidusborn. If you have been watching Campaign 3 of Critical Role and are not absolutely fucking stupid you may have noticed this is because the Ruby Vanguard, which heavily recruited from Ruidusborn, have instigated widespread unrest and are actively trying to kill the gods by unleashing Predathos. They are not going after all Ruidusborn; in fact, they've worked with several Ruidusborn prior to Imogen and Fearne and their main reason for suspicion was "you are literally the children of generals for our enemies, and also all other Ruidusborn we previously worked with ended up leaving to join the other side", not "you are Ruidusborn and so you are bad." They are going after the army that recruited Ruidusborn to kill the gods. The Ruby Vanguard shot first.
Really, it's the same nonsensical circular logic being put forth re Aeor and Ruidusborn. The people who specifically plotted annihilation of the gods first were Aeor (with the Factorum Malleus) and Ludinus and the Ruby Vanguard (with the Malleus Keys and the intended unleashing of Predathos). To be clear: I am not denying people may have had negative experiences with the gods, but in both cases, their response wasn't to spite them: it was to attempt total annihilation. It was to create something with the intent of destroying every single god. We do have a word for that, and people keep solely using it about Aeor while ignoring it was the instigator. The gods (and their followers) are in both the case of Aeor and the Vanguard responding to an attempt at their extermination, and then these people are like "um, why won't the gods just sit still and let themselves be executed? Figures that these horrible entities are trying to stop the firing squad that has their guns pointed at them. This is just more proof that they should die - what kind of terrible person doesn't lie down and let themselves be killed!"
For what it's worth, I do not think that if Bells Hells and the Exandrian Accord foil Ludinus and the Vanguard's plans they will then proceed to exterminate all Ruidusborn, because their intent is stopping people from unleashing an existential threat that would kill all the gods, not murdering people because they were born during Ruidus flares. The goal here is not extermination; the goal is their own continued survival which requires the painful and difficult choice of sometimes killing those who are dedicated to trying to kill them. This isn't like, a novel concept in fantasy, history, nor ethics, but we are not dealing with the brightest stars in the fandom firmament here.
I mentioned before that I have yet to see a post that posits all the gods should die or that sides with Aeor entirely that isn't riddled with factual inaccuracies from the lore, and that I wish we had "readers added context" options on Tumblr; sadly, we do not. I am happy to answer questions like these, but I do want to encourage people to check the actual text. If anything seems off? You can definitely ask me (and I do have all the CR sourcebooks so if you don't, I get it) but also we've got searchable transcripts that I highly recommend using. Don't take any posts - mine included - at face value if it doesn't line up with what you personally understand. But also make sure what you personally understand is supported by the text.
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idontknowreallywhy · 1 month
Text
Resurface 31 - Review
Happy Birthday Virgil 💚 I didn’t get you a present but I finally got you and your brother back on the path to Best Brodom. Just, um, bear in mind it’s just the start of the journey and maybe don’t read the last paragraph until tomorrow?
I hope this is ok, I have agonised because this chapter contains Virg headcanon that is dear to me and I just hope I did it (and his inner voice) justice. It’s probably too long but… well… here it is. Thanks to @sofasurf and @astranite for the encouragement / chivvying / poking with stick to just get this done and out there.
Story so far
They had to start somewhere… literally at the top is as good a place as any, right?
💙💚💙💚💙💚💙💚💙💚💙💚💙💚💙💚
“You’ve dyed it! You’ve dyed your hair!”
Scott blushed and his hand returned to his forehead, as if to hide the evidence.
“Uh, yeah… thought I might give it a go…” he cleared his throat awkwardly “I couldn’t find exactly the right colour it was kind of hard to tell on the website… who knew there were so many types of brown, huh?” He paused and grabbed a dishcloth to rub irritably at the gel residue on his fingers before glancing over at his brother. “I mean, obviously YOU would.”
Virgil narrowed his eyes. Scott wasn’t kidding, the former greys were a much redder shade of brown than the rest and on close inspection looked a little… odd… but he wasn’t about to make his brother even more self-conscious by pointing it out. He picked up his coffee with both hands and took a long sip to buy himself some time to work out what to say.
“You don’t approve?” The chuckle was more than a little forced.
“You don’t need my approval, Scott. I’m just… surprised, I guess? You’d always swore you’d never dye it. Didn’t you say you’d earned every last one of them and had nothing to be ashamed of?”
His brother snatched up his own coffee and feigned a sudden interest in the view from the window.
“Is no big deal… you were bothered by it so I just sorted it out.”
“I was bothered by it?”
“Uh, yeah. When… the other day when you were really… err…” Scott cleared his throat “… upset, you said so and I figured maybe you were worried I was getting old or… or maybe I was looking too much like… uh, well…”
“I complained… about your hair?” Virgil was baffled. The silver streaks were the subject of much banter in the Tracy household but for a long while had been a part of who Scott was. While in theory Virgil might have said almost anything in his state of confusion, he had still been himself even while his perception of the world around him had been faulty. He just couldn’t imagine being negative about a feature he’d always felt rather affectionately for.
“Well, not in so many words but…”
“Can you remember my exact words?” Virgil knew full well that if Scott had been worrying about this enough to break his avowed hair dye abstention he’d have gone over what had been said again and again and again. And then probably again just for good measure. Sure enough, the response was immediate:
“You said you didn’t want me to be grey. And then you literally begged me not to go grey. So I decided not to. It’s not a big deal.”
Virgil closed his eyes.
Ah.
Sometimes it would be handy to see the world in the simpler, more solid way other people did, as if everything was a hollow photograph existing in straightforward three-dimensional space. He’d never choose to live life without the full range of his sensory experiences and feelings overlaid in glorious technicolour… but he learned very quickly other people, even artists, did not see the same and thus he tended to avoid any accidental references to it.
Obviously he was less careful when he was out of his mind.
He suppressed the sigh and took a measured breath.
Virgil opened his eyes to see his brother had already drained his coffee and was almost vibrating with the effort of maintaining his fake casual stance leaning on the kitchen island. He’d have expected pacing by now except that this was his big brother’s way of showing that not only did he want to hear his brother out, he wanted to reassure Virgil he was, definitely, listening.
He grabbed Scott’s hand which was discharging some of the discomfort via quiet but incessant tapping on the work-surface and interlaced their fingers. The relentless movement continued more softly and for a moment Virgil allowed himself time to notice the vibrations travelling through his knuckles and up his arm and for his mind to quietly acknowledge the subtle shift in rhythm from need-to-explode to need-to-connect. He mirrored it back and Scott squeezed his fingers in response.
“Let’s walk for a bit?”
Virgil knew it was the right call even before the relief flooded Scott’s face and he made a beeline for the door.
They made their way down on to the deck and then up the stone staircase via the roundhouse and took the path towards the caldera.
“I didn’t mean your hair, Scooter.”
“You didn’t?”
“No, I don’t think so. I reckon I can explain but you’ll need to give me a minute and try not to be too… literal about it?”
“I can do that.”
“Right.” The path narrowed and demanded single file. Virgil gestured for Scott to lead the way and smiled wryly to himself as the steep incline accentuated the slight height difference between them to the extent that his current view of his brother was very much the waist region. Nevertheless, he could see from the slightly uneven movement of his hips that the leggier man was moderating his stride so as not to get too far ahead to hear.
Ha, he was so familiar with his brother’s body language he could even read his…
“So…?”
Oops.
“Sorry, got lost in my own head there.”
“It’s not a problem.” Scott’s hurried response betrayed his even-worse-than-usual anxiety for a brother and Virgil really needed to fix that asap. But first he needed to sort out the immediate confusion.
“Ok… you know I see a lot more things in colour than most people do?”
“Two makes forest green noise and One makes gold and light blue.” Scott immediately confirmed and Virgil experienced a little rush of warmth at the thought his big brother had felt the detail important enough to commit to memory.
“Yeah! Yeah, that’s the kind of thing. Well it isn’t just sound it’s… everything? Smell, taste, heat… and err… kind of… mood? Not exactly mood… um... The way people are? Their personalities, almost?” Virgil faltered a little, desperately searching for better words to form a neat box around the web of overlapping sensations in his head, but it felt much like the time he’d tried to explain to Alan why magenta made his teeth fizz. Some things just… were. Maybe if he tried to tie it to something easier to pin down:
“Ok, maybe the best way I can explain is - you know it was me that picked the colours of the birds? Well, One, Two and Four anyway…”
“I didn’t!” Scott was evidently curious “I never thought to wonder who did.”
“Well, it was me. Mostly. Well a bit. Brains was going to have them all in silver and I suggested that some form of colour coding might be a plan, for easier recognition compared with other organisations’ ships and machinery and bright colours are a more friendly sight for scared rescuees, you know?” Virgil paused to use his breath to navigate a particularly steep part of the track. Scott, possibly misinterpreting the pause for uncertainty sent encouragement over his shoulder: “Makes sense to me. Our public face needs to be unthreatening.”
“Yeah, exactly and in that time just after the… um, well it needed to be clear they weren’t military ships…” there was a grunt of agreement from in front. “It took a while to decide which would be which colour. For Three Dad picked red because in little Allie’s mind rockets were always red and it was his way of reaching out to the little guy I guess. But it’s not right really, Alan is light blues and bright purple. And of course One should have been primarily Cerulean to contrast with the Maya Blue but he wanted silver to represent speed and so… we had to compromise on her design but I did win with Four because he thought she should be orange, like a life buoy, you know? But I said no - Gordon’s bird couldn’t possibly be anything other than sunshine yellow. John picked his own so I didn’t get involved there but…”
“Virg, you’re losing me a little. Alan is… blue and purple?”
“Light blue. Bright purple. When he’s cheerful, yes. He gets steely blue when he’s angry same as you.”
“So we all have a colour?”
“Yeah. Well, a palette of them. Kind of. It’s… I’m sorry it’s the best way I have of describing the presence you have. Words can be a bit limiting sometimes.”
“Maybe you should try painting it?” Scott‘s voice lifted a little and he was looking at him intently. “I’d like to see us the way you do.”
They had finally reached the top of the volcano and stood together admiring the view to the east. A vigorous breeze, sharpened by the bright metallic tang of salt, dried the moisture from Virgil’s lips and he pressed them together with a doubtful hum.
“I’ve tried before and it didn’t really…” the glimmer of eagerness dulled and Virgil hurriedly sought to breathe life back into it “but I guess I could give it another go?”
His big brother smiled and lit up again for a moment before the cloud crossed back over his face and his eyes dropped from Virgil’s.
“And I’m… grey, then?”
“No! Not usually! You’ve always been blue, like the sky… there are so many shades of it, with hints of yellow or gold…”
“There’s a but coming, I can feel it.”
Virgil grabbed Scott’s hand again as if to reassure himself his brother wouldn’t float away before he managed to express this.
“Sometimes it’s like you fade a little.”
“I fade?”
“You try to be a lot of things, Scotty and it’s admirable, it really is, and you do it so well but sometimes I worry there isn’t enough of you left to be you.”
“Me?”
“Yes, you. You’re blue when you laugh at your own jokes, or smotherhen us and make a leaning tower of pancake… when you beat Gordy at his own prank game or act all melodramatic when you’re smuggling in the sweets Grandma doesn’t approve of. When someone says pie and your eyes gleam and when you randomly recite Shakespeare inaccurately and out of context or run up the stairs for no reason and surprise hug Allie… those times you’re a rainbow of blues. In the field when you’re problem solving at the speed of light and oh! That time you flew Shadow just for fun you came back shining so brightly…”
Yet again at the mention of Shadow, Scott had startled but recovered quickly and deflected:
“My Shakespeare is always in context.”
“Sure it is, Scott. And it’s very YOU.”
A flicker of resolve hardened his brother’s expression and Virgil was suddenly terrified as to how his clumsy explanation could have been interpreted by someone who was already chronically shackled to the ‘brave face’ impulse…
“But Scott, listen to me, this is important.”
He waited until his brother dropped his eyes from the horizon and met his own.
“I’m not saying it’s just when you are happy, you know? When you’re worried or angry or even sick or even… no, especially when you let yourself be vulnerable for one damn second, you’re you then too.”
“Then…” Scott sagged a little and an edge of indigo desperation coloured his voice “I don’t understand what the grey thing is meant to mean!”
“The grey thing… I guess it’s how my brain interprets the way I sometimes miss you when you are right in front of me. When you get hidden by everything else you think you are supposed to be. You lead so naturally, you do it without even trying but sometimes… sometimes you put on that damn grey baldric and it smothers you.”
“But the baldric is silver. My baldric is silver to match One!”
“It used to be blue though. Blue to match you.”
“Oh. And that’s what is bothering you?”
“No! No, I’m not saying the baldric needs to change. You can have salmon pink or zebra stripes if you like - that’s what I meant about not being too literal about this. I just… I wish you wouldn’t feel like you had to act like someone else. Just… be you, you know?”
A slight squeeze of the hand said message received but Virgil knew it might take a while to process. An unspoken agreement saw them taking the shallower broader path down towards the shore.
“Please don’t say that thing about the baldrics to Gordon, you know he’ll come up with something hideous.”
“He really would. It’d be burnt orange with pink polka dots within minutes.”
“I can just see it now.” Scott facepalmed melodramatically then ran his fingers into his hairline.
“So you weren’t worrying about the hair?”
“No, Scott. I don’t have any problem with your hair. I’m sorry I confused you. I just want you to be happy and be yourself. That’s literally all I would have meant by it.”
“I’m trying, Virgil, I really am.”
“I know. I’m proud of you.”
He really had been trying. Scott’s attempts to reconcile his past and present and figure out who he was again had actually been a source of real joy to Virgil. It had been so long coming.
Years of encouraging, nagging… in all honesty borderline-harassing his big brother to break out of his self-imposed exile from life, to take the opportunities to enjoy himself when they came… and finally, FINALLY there had been some movement. Previously there were deleted emails, invitation cards hidden in drawers… if it wasn’t for Penny’s sake or for the good of the business, Scott didn’t see it as worthwhile. But this time, Scott had pinned the gilded rectangle of card to the noticeboard with a hurried circle around the date and a carefully inked question mark.
It was bitterly ironic that after all that time… even after actually standing over Scott with folded arms and while he messaged his friend to RSVP in the positive… when he’d nearly actually succeeded in nudging his brother into the light somehow as a result Virgil himself had run headlong into the dark. A cold, slimy tendril of fear crept into his heart and asked who on earth Virgil thought he would be if Scott didn’t need him anymore…
He shook it off because it was ridiculous.
Not to mention selfish.
“Scott, I’m sor….” he began but his brother had not been party to the developing inner monologue and was still some way behind him, despite leading the way off the rocky track on to the beach.
“So I can get rid of this?” He gesticulated irritably at his own forehead
“YES, Scooter.”
“Thank heaven, I hate it. Will it wash out?”
“Eventually. I have to top mine up every few washes.”
“Yours literally obliterates light particles though.”
The affectionate shoulder nudge was brief but it heralded a return of the easy natural proximity he’d missed so badly. His brother was back by his side and Virgil realised with a shock that breathing was suddenly effortless again.
There were other things they needed to discuss, difficult things he knew were coming and no doubt even more difficult things he was still as yet unaware of. But for a few moments, Virgil was more than happy to enjoy the respite of their well-rehearsed haircare banter:
“That’s not the dye it’s the secret ingredient. I told you, quit the super shiny addiction…
“SUPREME shiny…”
“Pfft, you know it’s the same formula, you’re just paying for the fancier packaging.”
“Not true, it’s a far higher quality product.”
Virgil poked his brother in the side of the head “And yet by some miracle, chemically identical.” He made a show of wiping the tip of his finger off on Scott’s shirt while meeting the faux-glare dead on. His brother’s eyebrows said outraged, the sparkle in the blue said bring-it-on. “Ditch the dark side Scotty, leave the slimy stuff to the teenagers and join team pomade. More natural, less greasy. Best tip Dad ever gave me.”
His brother’s flinch was fleeting but sent a shockwave through the narrow pocket of air between the two of them. Scott’s eyes slipped from his, the pocket widened and the warmth suddenly drained out of the sun.
💚💙💚💙💚💙💚💙💚💙💚💙💚💙💚💙
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agender-witchery · 1 year
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It hurts
After talking with people in discord for the week that this has been going on, I think my feelings on the Project Moon situation are just. Like, this was a company I felt was "safe". Obviously corporations are not your friends, but this was a studio that consistently pushed out games with progressive - and at times even radical - messaging. This was a studio that has consistently written solid characters with gender as an absolute afterthought. Emma is a boy! Harold is a girl! That's how little gender matters, which, ironically, is something that matters.
I can't think of another franchise I've engaged with that just... writes women as people. I've heard George R.R. Martin is like that, but I never engaged with the TV series that introduced the US to the concept of filler or the book series it was based on. I'm gonna gloss over Lobotomy Corporation a bit here because the story only has 13 characters, but 12 of them return for Library of Ruina. In Ruina you have Binah, Angela, Nikolai, and Elena as assertive women that take control of the situations they're in. You have passive uwu smol beans like Hod and Eileen! You have characters who are war criminals and that's not a mark of a villain, that's just a part of their backstory! Some of the women here have just Done Crimes! One of the women IS a crime! And men are treated the same! There are characters with traumas and behavioral disorders who act like real people would! Lesti saw the aftermath of Love Town and started talking about food! Beef intestine no less! Philip saw his colleagues get murdered and physically manifested a mental breakdown! Xiao saw her husband get murdered and physically manifested literal burning rage!
All of the writing has been good! All of it! And it has consistently written women in a way that is flat out rare, even in 2023. And Limbus has been doing the same! Outis is assertive! Ryoshu is assertive! Hermann is assertive! Don is an idiot and Faust refuses to talk half the time! Heathcliff is assertive! Meursault is assertive! Gubo is assertive! Hong Lu is an idiot and Sinclair is/was a pathetic sop! Across the board, the character writing is just GOOD. As Lobotomy Corporation progresses, Ayin's shitty behavior becomes more and more apparent! And that all culminates with Angela being tossed aside like garbage once she's no longer useful to him, as you hear her desperate wishes to just be seen!
All of that, or at least most of that, was Kim Ji-hoon. But Kim Ji-hoon is also the person who hastily fired VellMori at 11 PM, over the phone, while he was out of office in Japan, because some incels accused his company of being sympathetic to feminists in 2023.
And it fuckin hurts that the source of those stories, the stories that I just spent three paragraphs praising, the stories that are so important to me, could turn heel in half a second like that. As if he was writing completely different stories than the ones I've been reading. And I hate that? I hate that. Because there isn't a replacement! I don't get Grandma War Crimes and Dumbass Justice Enactor in other stories! Like, maybe some will come close, maybe some will have the same exact character somewhere, but never all of it together. Never written as amazingly as the City is.
So it hurts. And the silence is loud.
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s-brant · 2 years
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okay for my steve girlies i’m just having some thoughts abt him as a boyfriend rn that i cannot get out of my head so you’ll have to put up with this.
as a partner i feel like he’d be the most touchy person on the face of the earth. constantly having his hands on you in a casual way whether it be holding hands, pulling you onto his lap to sit there even when there’s a spot open right next to him, standing behind you with an arm wrapped around you, playing with your hair/clothes/jewelry, and so on. he’s probably very touch-starved so i feel like he would be on you 24/7 and very shameless in terms of PDA because he’s just dying to have someone to love. robin and dustin would fake gag in the background but he could care less. also he gives me the vibes of someone who is just constantly warm. like the human incarnation of a furnace, so cozy and inviting in terms of cuddling.
boyfriend steve in season two was very cute to me (i.e: him coming to apologize with flowers even though he literally didn’t even know what he was sorry for because she was the one who hurt him, trying to cut her off when she was drinking too much/take care of her) so i can only imagine he’d be an even sweeter boyfriend in the later seasons with his character growth. i picture him being chivalrous for some reason, like always opening the car door for you, wordlessly taking off his jacket to put it over your shoulders when it’s cold and you stubbornly didn’t wear one, and not wanting you to pay for dinner even though his salary at family video is probably not that great. long story short he is a simp and very romantic. i feel like that’s just canon at this point but i digress.
anyway for the sexy stuff you’re gonna have to go under the cut
okay here we GO
i personally feel, despite my love for the kinkier fics, that steve is pretty vanilla in bed. at least, until he’s exposed to something new by a partner? like i feel that he would be open to trying certain things with you because duh you’re you and he loves you and why wouldn’t he wanna try slightly freaky shit with you, but it’s not something he just thinks up himself if that makes sense? but that doesn’t mean he can’t rock your world, let’s be 100% clear on that. this man eats pussy like it’s a five course meal and i will die on that hill. he’d get so into it, his eyes would close and he’d make soft little noises into you every time you pull on his hair UGH. you sitting on his face is probably his favorite thing you two have ever done because, honestly, suffocation between your thighs is a great way to go as far as he’s concerned.
also, it’s canon at this point that he’s hung right? did that originate from joe keery’s bulge in those tight ass vintage levi’s? probably, but it’s a steve thing now and i wholeheartedly agree with the fandom’s unanimous decision that he has unparalleled big dick energy. that being said, i also feel like he knows how to use it. a lot of well endowed guys aren’t that great because they’re like “oh i have big dick so sex with me is good already and i don’t need to do anything” but steve is a ladies man. he knows what he’s doing, and he doesn’t even need the buffer of kinks and shit to fuck you stupid. and he would be soooo cocky about it. i feel like he would be into degradation and dumbification a bit. he loves the fact that you are basically rendered useless when he’s fucking you open with his thick cock, caging you in with his arms by your head and cooing at you while the room is filled with the wet sound of him pounding into you. the filthiest he gets is whispering stuff like, “look at you. hardly even fucked you yet and you’re already a dumb little slut for me, huh?” like he can get nasty but i feel like it wouldn’t go far beyond dirty talk like that.
then there comes the hopeless romantic in him that cannot resist the opportunity to make love to you. i fully believe he is one of the people who seeks out that type of intimacy more often than the type in the paragraph above simply because he is so needy to be loved. his parents literally have never been in the show and never seem to care, he hasn’t had a steady girlfriend since nancy, and he doesn’t exactly get affection from other people in his life, so he would be absolutely insatiable with you.
his favorite kind of lovemaking is that slow, barely conscious morning sex when the two of you wake up right as the sun’s rising and he is faced with the realization of how much he loves you in those quiet moments. he’d be so sleepy, most of his weight would be let go if he’s on top of you, but you don’t even care because you’re caught on that hazy line between being asleep and awake as well, and the pleasure of him fucking you is heightened by it. it’d be full of sloppy kisses and heavy-lidded eye contact, both of your noses brushing with every deep thrust he makes into you. sometimes you’re on top though, and for those times he’ll just wrap his arms around your back to pull you down so you’re chest to chest while you do the work, albeit very lazily, and enjoy the sight of you. his favorite position for this lazy morning sex is when he’s spooning you tho. it happens the most often anyway, when he wakes up hard and naturally starts grinding into you from behind, which then escalates as normal. he’d keep a hand on your face to keep it turned for him to kiss your mouth and cheek though. just because he’s behind you doesn’t mean he won’t long to see your face and kiss you during.
i also feel like there would be a natural dominance to him that’s unrelated to any actual bdsm or dom/sub thing but rather his default disposition with you. he could definitely get down with being in a more submissive position sometimes and allow you to take care of/worship him—which would probably leave him with teary eyes by the end because of how overwhelming it is—but he gives me a lot of casually dominant energy. he loves sneaking into your bedroom in the middle of the night and fucking you with a hand over your mouth right across the hall from where your parents are sleeping, whispering to you that you have to be quiet and good. he also loves manhandling you, it turns him on unlike anything else to just toss you down on his bed and rip your clothes off because he can hardly wait to be inside of you. it’s also little sfw things like knowing what you like from your favorite take out place so he just orders for you or stopping to tie your shoe when it comes undone because he just loves taking care of his girl in the most innocent ways as well as a sexually.
he has a breeding kink by the way. it’s not something he acknowledges as a kink officially or even fully realizes, but considering that the man wants six children in canon, i feel like the idea of getting you pregnant, or even just coming inside of you whether or not you’re on a contraceptive, definitely gets him going. and if you are pregnant eventually once/if you two decide it’s what you want, forget about it. my god, he would be on you all the time. he’d love having you ride him with your breasts bouncing and a bit fuller from the hormones, your belly protruding with a bump as an undeniable piece of evidence that you’re his. it just checks all the boxes for him. i also believe that his chivalrous behavior would increase tenfold when you’re pregnant. in the later months, you physically cannot tie your shoes so he is right there to help you. he’s always extending his hand to hold while you walk, walking with his body closest to the street and yours closer to where it’s safer, and in general being even more of a simp than usual. if you thought he was a gentleman before, when he knows his baby is inside of you, he’s literally trying to do anything and everything he can for you.
now don’t even get me started on him as a dad. this has gone on long enough.
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echodrops · 3 months
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I am really struggling to understand the thought process of some of my students right now, and I don't even know what can be done to rectify the issue.
The last unit of my five-week summer literature class is on a personal essay from Joan Didion, called "Goodbye to All That."
Somehow, despite the unit literally being called "Creative Nonfiction with Joan Didion," me providing a PDF copy of the reading titled "Goodbye to All That" by Joan Didion, and even having an entire interactive video lesson on Joan Didion herself...
Somehow a student still turned in a reading response about "Good-Bye to All That" by Robert Graves. A nearly 400-page-long WWI autobiography.
So not only did this student not do the actually assigned reading, he also actively ignored every single Canvas page in the entire unit, completed a video-based assignment without listening to a word of it (apparently), and then, realizing that he had to find something to say about the unit, frantically googled "Goodbye to All That" and made up an entire two paragraph response based on a book he absolutely did not read.
When I asked the student how this mix-up could possibly have happened, he insisted he did read the PDF file from our class (weird, because Joan Didion's essay is not about WWI!) but just mixed up the author's name in his response.
I... What...?
At what point do you just have to start thinking "This is an aggressive refusal to read anything put in front of you"? Like, come on. Couldn't even read the name of the unit? Couldn't even engage with a Youtube video long enough to see a picture of Joan Didion and realize the writer for the unit is a woman definitely not named Robert Graves?
And at what point did common sense just not kick in? This is a five-week class; each unit is 3-4 weekdays max. Could the professor possibly be expecting the class to read a 400-page autobiography in three days, when everything else we're read has been less than 30 pages?
This is actually so concerning to me. How can we have college students that literally can't read?
Please... someone save me...
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it's 1 in the morning, i have watched about 8 hours worth of hermitcraft content in the past 5 days, and i'm almost caught up! so it's everyone's favourite time: hermitstats!!! (i'm so tired)
the oldest video on the playlist is Smallishbeans ep.28 from August 29th, putting me at just under two weeks behind! the whole playlist is 7 videos long, and 3.75hrs(!!!)
now for the episode stats, as usual in no particular order!
Joel: 2 videos (ep.28-29), 43 minutes Etho: 1 video (ep.10), 58 minutes (why) Scar: 2 videos (ep.24-25), 53 minutes Grian: 1 video (ep.25), 43 minutes Mumbo: 1 video (ep.27), 26 minutes Tango: 0 videos (he's on here because he's on my list of POVs too)
commentary and rambling underneath the cut as per usual. there's like 5 paragraphs down there i apologize in advance, i'm tired and rambly
fucking. etho ethoslab why are your videos so SPARSE and so LONG. don't get me wrong i love his videos he's one of my favourite POVs but also. man.
also i am SO CLOSE TO CAUGHT UP i went from over 2 months behind to less than 2 weeks behind in the span of 5 days. i'm back on the grind. look at me go. i'm gonna get caught up this time i promise you and then we get to the FUN stat tallying for seasonwide shit (talked about that in this post)
i think the last time i was entirely caught up was literally in like march which is fun so i'm looking forward to actually knowing what people are talking about on this hellsite any of the ever
also i need a more standardized format for these posts. they're so all over the place good gods man
also also, hi, if anyone has suggestions for the statblocks please feel free to share, i already have ideas but i'm curious what people would want to see. i'll make a proper post about that at Some point idk man
okay by the time i'm done with this it's like 1:30am so it's time to send this post into the aether thank you for reading
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