do you have any fic recs?
yes!! so many!! please check the tags for each!
all time favorites:
way down we go: an absolute classic. werewolf harry, chronically ill utterly miserable draco, post-war in small town america. enemies to lovers slowburn with protective harry and hopelessly gay draco.
in hopes that you may drown: SO much of my art is based on this author's harry and draco. such a lovely fic. post-war, draco raising delphi and absolutely perfecting the stressed yoga mom vibe. harry is instantly smitten.
in our blood: about haunted houses, parenthood and growing to care for each other. I love this one.
you'll still find stone: arranged marriage. draco expects the worst and harry is an absolute sweetheart. angst but so heartwarming. (mind the tags!!)
ANYTHING by corvetteclaire! their blood link and in the mirror series are severely underrated and genuinely took my breath away. some of my favorite writing and plots.
inside grey eyes: so so beautiful. quite dark and yet exceptionally hopeful. all about draco's recovery from a nightmare situation and harry's unending support. (mind the tags!!)
anything by tessa crowley!! an absolute gem in the fandom with an impressive variety of works.
the mirror of ecidyrue series: perfection.
in your arms, rests my world: “You make me feel safe, Potter. You keep me safe.” yeah..yeah. (mind the tags!!)
anything by toxik_angel tbh..one of my favorites is infairitance even though it’s incomplete; fairy draco is a game changer
oxytocin: angst, angst, angst, and so much cuddling. slowburn in the best way possible.
Soup-pocalypse and The Great Curry Cataclysm: i read this some time ago but i remember adoring it.
Diffraction Patterns (I Don't Know How to Forget You): another incredible old read .
everything by beloved @rockingrobin69 !! this is one my favorites ever i never stop thinking about it
fluff/humor:
manlet: PLEASE read this one! so so cute and adorable and hilarious ft sweet giant harry and tiny angry draco and wickedly funny narcissa. will definitely open your eyes to small draco.
screw you: extremely funny and extremely hot.
like a star across my sky: SUCH a good fic! feels like a romcom.
title of their sex tape: as funny as it sounds.
flirt: really sweet. disaster flirty draco and awkward yet charmed harry.
married to a brute (ongoing): genius and hilarious
smut:
it beats me black and blue: absolute perfection. no notes.
let me roll it: so delicious. clueless mess draco and grumpy harry who hates everyone except draco.
his little something: size difference excellence
scenes of surrender: a combination of smut, love, recovery and caretaking
a perfect fit: hung harry and size queen draco
come up for air: veela draco
fawning for you: harry is completely obsessed with draco's videos. very cute, muggle setting.
burning the ground: creature fic
ongoing/other faves:
one elephant at a time (ongoing): i recommend this fic to EVERYONE. genuinely incredible. think yellow wallpaper, jane eyre, crush by richard siken, and the author mentions being inspired by my dark vanessa as well. so essentially a modern romance with a dark gothic backstory. every single sentence in this fic stands out to me. every characterization, every conversation, is just so honest and genuine. also!! draco has a cat called lady di!! and he loves to wear earrings! (mind the tags!!)
within the hollow crown: more of pre-drarry tbh. such an interesting plot!! harry grudgingly cares for an increasingly spiraling draco who is except under close and constant watch by the dark lord-every second of his sixth year. currently has an ongoing sequel.
imperfection (ongoing): another fic by robin! and another of my all time favorites, so so lovingly written and so tragic and lovely and heartbreaking. really digs into draco's psych and his manic mindset and constant spiral BUT there is light at the end of the tunnel and so much love surrounding him even though it's hard for him to see it. (mind the tags!!)
saviour series (ongoing): wouldn't necessarily call this drarry? more of a stockholm syndrome gothic novel type of fic but i recommend it all the same. the writing is truly extraordinary and the pacing is incredible. will leave you breathless. part one is complete. (mind the tags!!)
perspective series (ongoing): the original books with alpha harry, omega draco in gryffindor, and an adorable friendship dynamic between the golden trio and draco. really sweet, and super interesting. no romance as of yet but there are little moments.
tales of the potters: very interesting take on the arranged marriage trope! i recommend all of this author's works; they have a gorgeous way with words and their work really brings harry and draco to life.
the veiled boy (ongoing): one of the most intriguing recent fics i've read. really delves into character dynamics in such a realistic and refreshing way and draco is so endearing in it. every chapter has gorgeous illustrations.
never in extremity: reread this one recently. equal parts heartbreaking and heartwarming. (mind the tags!!)
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The lack of caring about gojo's death in the latest chapter...kinda makes me a hope a little for his return...but that's probably not it, the lack of reaction from the trio irks me...like I was kinda expecting a big funeral the moment he died if it's permanent...but there is nothing...not even a mention about the gojo clan reaction on his death...not even a small flash backs panel from his "family"
like it doesn't have to be big...it could be just small flashback panel...and I think(?) I would be fine...
Like there are probably going to be another gojo mention in the last chapters...but I feel that another disappointment awaits
It pissed me off that the most beloved jjk character... barely get any love from the people he cares so much about... it's just so fucking annoying like he did everything he could...god I miss him so much
I would've loved gojo to come back if I trusted gege to handle his comeback properly, which I don't. Specially after all the slander and his incapability to do gojo's character justice. I don't mind the lack of family flashbacks because we know gojo wasn't close to them and his actual found family, closer friends and bonds were with people from jujutsu high. Their lack of response and emotion (except for yuuta) to gojo's death is what threw me off. I put that aside as to not having the time to mourn admist a battle, but after that? Still nothing. On the contrary you have kusakabe shitting on him and nobody opposing him. At the very least I wanted to see shoko properly mourn. She's lost two of her best friends, she was overworking constantly, healing everyone and upon that she had to personally cut open gojo's head to transfer his brain. I know it's only a wishful thinking but I wished there was at least one character who made us feel like we have lost someone important, someone whose impact on the story was immense, someone who was very vital to the plot up until now and that his death wasn't just another tuesday.
I totally feel you, it sucks but to what it's worth gojo isn't the only character that gege has done injustice to. This is a very rushed ending with so many loose ends and I think all of us can agree with that. It sucks but at the end of the day it is what it is.
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I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha
I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.
I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.
It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.
Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?
And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.
The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.
These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?
Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.
The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.
After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.
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Y'know, when they cut that guys head off in the show I really thought he would be ending up as a robobrain or something. I thought the McGuffin was him; his brain. That he had knowledge from his time working with the Enclave that he wanted to turn over to help regular wastelanders. I thought the thing he injected in himself was to help keep his brain alive if the rest of his body got destroyed by something in the wastes.
Instead he was just... a purse. A purse to carry a pre-war bit of technology/McGuffin that could have been gotten from anywhere else, because there's no real info on how he/the Enclave actually got that... They just... had it. And no info on why he would defect and want to hand it to Moldaver, or how he even knows her in the first place... (Sure, she was pre-war and Vault-tec bought out the technology... that doesn't actually explain anything and just raises more questions.)
Anyway... this is just leading into how the entire plot of this show and everything around Moldaver (IE, the entire show again) does not make one lick of sense. It all just... happens without cause. People just know each other. People just have shit. No explanations or backgrounds. No why or how. Just. Things happen.
Man, is my disappointment in this show immeasurable.
Not even touching on the guy's name. Don't need to. You all know.
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ohh what's your marble hornets sea au?
Im procastinating on studying so i'll take this as an opportunity to ramble lmao it's vaguely set in the age of sail but with a few tweaks and so.
My marble hornets sea au (name pending kekw) it's a psychological horror au focused on the isolation and paranoia that ravages a small ship (The Hornet probably lmao, I am NOT that original) after it's left stranded on the sea.
With the captain and most of the more experienced workers dead, Brian, Alex, Jay, Tim, Seth and Sarah are left adrift on the ocean for almost 5 months. The ship is eventually found by a whaling ship, however, only Jay is found aboard. passed out and hid beneath the deck between the empty wooden boxes that once held the cargo.
The only thing Jay is left with is the memories of the night before the incident that left most of the crew dead, a week of the isolation the new crew was left in and the incoherent ramblings of the logbook of the ship.
He remakes his life back on land, having gotten an intense fear of the sea for reasons he can't recall, and becomes a small journalist for a local paper in a whaling town. However, after 3 years and increasing curiosity, Jay decides to try and find out what happened to the ship, for both himself and in honor of the few memories he has of his friends.
However, as Jay starts joining different ships in search of the truth, following an old letter that claims to have been sent by his old friend Alex, he begins to feel increased paranoia and fear as each ship he joins has a tragedy happen upon it.
It's almost like he is being hunted by something...
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