#i like the characters of the show

[plush-rabbit]

Dating Vox Headcanons

I have opinions again!! It's been forever!!

A/N: its kinda on brand for me to fall for a tv headed demon

It comes to no surprise that Vox is obsessive when it comes to things that interest him. Taking note of you, is both a blessing and a curse. It’s cute- He’s cute. When he attempts to speak to you in the beginning, he’s mauve, not skipping a beat in his attempt to make himself bigger and better than anyone you’ve ever known. However, the moment that you take interest in him- that you actually encourage him to talk more about himself- he might actually short circuit a bit. His screen freezes and he might even flash SMPTE colors on his screen. 

As cute as he can be in the beginning, his obsessiveness also leaves you with no privacy whatsoever. He needs to know what you’re doing. It’s almost more than a need. It’s a want. It’s a desire to check in on you no matter what he’s doing in the meantime. He checks on you constantly, and sometimes it's for the worst. Hearing you laugh with someone that isn’t him, knowing that you’re having a good time when he isn’t around, is enough to have him claw at the table. He won’t confront you about it- at least not in the beginning of the relationship. At some point, you just become aware that he’s there. That as long as there’s some sort of screen- a camera, a television, a watch, anything- he can be there in no time flat. 

He needs you close to him. He doesn’t want to wait a second more without you, so he’ll hire you as his personal assistant. It’s great pay and hours, and the benefits are reserved to you and only you. At first, you’re grateful- you’re in Hell and your partner is someone who holds power, honestly, it could be worse. He gets the benefit of seeing you everyday, practically 24/7, with you at his beck and call. You scurry beside him, take your lunches beside him, he takes up your entire time. The few times that you are allowed to go eat with others in the building, he’s keeping an eye on you. He needs to make sure that he can trust the others around you- that they won’t set you up for failure.

That being said, any relationships that you have outside of him and the other Vees, is monitored. Thanks to technology and addictive personalities, everyone has some sort of device on them at all times. He needs to make sure you aren’t with people who will whisper misguidance into your ear. He needs to make sure that you’re okay. However, the minute someone gets a bit too cozy with you, he’ll make sure to take care of the problem. Whether it's stitching an audio together to make it sound like they’re badmouthing you, or anything of the sort, he’ll do it. He just needs you with him. He can’t risk someone else starting to tell you how suffocating the relationship sounds.

It’s gifts here and there for you! Whatever you want- whatever you’ve even browsed online, he’s sending it your way via express shipping. It’s wonderful at first- you get what you want and all you have to do is tell the television demon how wonderful he is and how much you appreciate him and how you’ll never leave him. It’s sweet at first, you get nice things, but then you have an argument with him, and you realize that his gifts aren’t just that. What he gave you was expensive- would it kill you to just be a little kinder to him? You can’t just smile and admit you’re wrong at least once? Especially after everything he’s done for you?

Whether you’re tolerated by Velvette or Valentino or not, you’re stuck in every meeting that Vox has with them. Lunches, dinners, conferences, attempting to calm Valentino down after a tantrum, overseeing Velvette and her fashion shows- you’re right there, next to Vox. His hand claws over the top of your head, patting you, or raking his claws down your back or over your arm in an attempt to soothe him. The way he sees it, he soothes everyone else, and there’s no one to settle his nerves except for you. You’re an accessory at times- dolled up, perched at his side, and only speaking when you’re given permission to. You’re paraded around the office, following him close at his heels, making sure that where he goes, you follow. You can’t be left alone- what if something were to happen to you? He needs to be close by to make sure that you stay safe.

He hates getting upset at you. It breaks his heart- or whatever he has inside of him- to see you snap at him. You curl your lips, bare your fangs and with tears in your eyes, you tell him how you’re exhausted and how you don’t want to be some accessory to him, how you’re tired of being stuck inside the damn tower. You never listen to his warnings of it being so dangerous outside, and when you do make an attempt to walk away from him, you remember that he’s an Overlord, and you are not. He’s horrific, mean, and much stronger than you are, and he has no trouble putting you in your place if you even make an attempt to leave him. He really does hate yelling at you. You’re terrified of him days after, flinching and tensing when he reaches for you. But you’re just a bit dense and while you’re pretty, there’s not much going on in that head of yours, so you have to understand that he just has to be assertive sometimes. 

After an argument, he doesn’t necessarily say he’s sorry, but he is softer around you for quite some time. His hands caress yours, and he adorns your wrist in jewelry, letting the tips of claws bump over every bridge of charms and rings. His claw traces over your fingertips, and he mumbles sweet things to you. He tells you how pretty you are, and how sweet you are to him. He takes a day off to just spend with you, to make up for everything that happened before. An apology will never be spoken out loud, he could never admit that he went too far, but he would tell you that maybe you two can leave the tower, go someplace nice and see all that he doesn’t let you see alone.

Considering who he is surrounded with consistently, he needs attention that isn’t cruel. He craves your attention. He likes how kind you are to him. In those moments where everything is still, and the lights aren’t so bright, but coloring you both in a golden hue, he likes the quiet when it's with you. It’s interesting to watch him be so apprehensive with his movements. He slowly rests himself on his stomach, the back of his screen facing upwards, as your hand starts to scratch up and down his back. You can feel him shiver, you can feel his breath, the tapping of his claws against you- the stillness that he tries to hold just so you won’t stop. If your phone buzzes, or your attention is taken away, he buries himself further into you, a low hum emitting from him. It’s the few times you see him so mellow.

There are times when Vox can be sweet. When he has the time- usually during a lunch, or one of your breaks- he’s right beside you, listening to you rattle on about this or that, showing him a video on your phone. He’ll nod and laugh, be attentive and ask follow up questions so you know he’s actually paying attention. You’re pressed close to him, his arm over your shoulders, your legs over his, bodies pressed so close together, it’s a wonder you two haven’t melded into one. Even if his screen makes certain things difficult, it doesn’t stop you from seeking him out. Despite how malicious he can be, you return to him, you adore how he talks sweetly to you, how he calls you his one and only, his dear, his sweetheart. 

[kensatou]

(✿◕‿◕) die (ꈍ ꒳ ꈍ✿)

[shootingstarrfish]

psychic kiddies having lunch!

[infinitelystrangemachinex]

The stewards of the old world are always keen to give you a glimpse of their might... According to legend, the ancients built specialized chambers to seal away false prophets.

The Arcane is waking up.

[badjura]

you will get one (1) viktor from me

[starscream-is-my-wife]

LL Megatron gets transported to the G1 cartoon (pre movie) guns don't kill anyone, everyone is more focused on their one liners then battle, wizards are real, days dont mean anything, what a silly universe

Edit: Comic based on this idea here

[bean-spring]

Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.

Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.

You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.

"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.

"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.

I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.

Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.

Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.

[jouxlskaard]

elias in hades, perchance?

if tma were a hades-style roguelike I think it'd be entertaining to have elias just show up like a little bitch and give you tasks that eventually give you rewards. I don't think he'd show up as the final boss until much later on in the story (equivalent to the hades epilogue) where he'll become the eye's pupil and the player (presumably jon) has to kill him to stop the eyepocalypse or smth (don't question my thought process too much I haven't actually rationalised it all in my head yet lol)

[bisexualpercyjacksons]

pjo tv show episode 5 alignment:

[turtletoria]

i wanted to try drawing older Mabel and Dipper !

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[skullsandcorals]

"I'm dyslexic. I'm not stupid."

[cthulhum]

i lied theres no sex. were gonna sit down and watch supernatural while we analyze the way almost every character is queer coded especially dean

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.