#i know this is a normal fandom experience

[pompadoriangray]

I understand what you're saying here and I understand where the concern is coming from. this is of course about tv shows and while those are not the fandom circles I run in anymore, the general idea does transfer to other mediums. in one of my fandoms, not even a year and a half had passed since the game's release when people were saying "oh, it's time to shut down [thing] because the fandom is dead," when it isn't and wasn't. which baffled me at the time. people were upset about it (understandably so) because there was no need to do this whatsoever. even if the moderation team had grown tired of dealing with [thing], they could have just as easily handed the reins over to someone else. just deciding that "oh, everyone is going to move on to [new fandom]" is such a weird, short-sighted thing to say. so I know that in today's modern fandom culture this is a genuine concern! younger fandomers are being exposed to fast fashion only to see that sort of thing translated into fast fandom. we're here for a few months after release and then everyone leaves! and that's awful.

but I honestly struggle to be that negative. because I'm still in fandoms for things that came out years and years and years ago. I spent the majority of the last year writing novel-length fics for an almost dead fandom. I'm now writing an effectively novel-length fic that is going to be an even longer coding project for a game that released in early February. even if young fandomers choose to adopt fast fandom practices (and don't get me wrong, this does sucks and does affect us!), we don't have to. and the majority of people my age have not done this. there are still people writing spirk! fast fandom will only become the norm if we all decide to adopt this as the standard, and I for one am not about to do so.

I will also say that this does have a positive slant to it. those people who are ready to drop fandoms after a few months of being in them were never really in them at all. we're all concerned about the increased commercialization of fandom, and that's extremely fair, but I think it is those fast fandomers that are most concerned about that kind of thing. those of us who stick with characters and storylines for the long haul just keep on trucking as they have been, even if the chance of the creator(s) seeing our work (be that art, writing, or meta) diminishes substantially. in those terms, I would even argue that those fast fandomers leaving is a good thing! it frees the rest of us up to really commit without fear of being told that we're not commercially friendly enough.

and just on a personal level, as someone who only ever gets into fandoms after characters have marinated in my brain for a while, I'm perfectly all right with not being super popular and instead being discovered by those people who are late to the party or in it for the long haul ♥

Is it just me or has consuming media started to feel like a chore? Sonic Prime is out now and I want to watch it and join in on the hype and the discussion, but since it’s a Netflix series I can’t just watch the first episode and be caught up right away, I have to binge 8 whole episodes.

There isn’t the fun of talking about a specific episode, gifing scenes and making inside-jokes about parts of dialogue, because all of the small details are lost in the deluge of the overall story. There is no fun to be had waiting for next week, because we are conditioned to just consume and then move on to the next thing.

I’m afraid to get into streaming shows. It feels like such a massive time-investment to binge it all, and pacing yourself is hard when the rest of the fandom is already caught up. You have to exclude yourself from discussion just to be able to appreciate single episodes. And this has started turning me off on TV shows in general, not just the streaming ones, because it no longer feels personal. It feels more like a cultural obligation to watch the latest show. And I don’t think it’s fun to feel like you’re doing chores by watching a show.

I miss the little jokes. I miss talking and theorizing about incidental characters. I miss people catching and commenting on little background details. I miss inside jokes. I miss complaining about release schedules and long hiatuses. I miss looking at upcoming episode titles and incorrectly assuming what’s going to happen. I miss theory-crafting based on details that turned out to be innocuous. I miss fanfiction that becomes outdated the moment the next episode comes out.

I miss having fun.

[funishment-time]

I'm so tired of getting into fandoms that half the internet despises. One of the people I follow was just like "I used to be into danganronpa but then I got braincells and media literary" and I'm like??? Why are you being mean??? Why are you so mean for no reason???

trust me, i get it. i do not know what folks' issues are with the franchise that makes some of them That Hardcore about it.

i can see not liking it, or of course, having bad associations with it due to having met jerks in the fandom or whatever. i can see finding Danganronpa annoying even. that's fine, that's normal. it is what it is.

but i have witnessed, like, grown men and women have meltdowns online about how much they despise Danganronpa and how bad it is and cringe and it's a plague on VNs and/or anime and it's like, their personal 9/11. and i don't even go out of my way to find this stuff! you give them a space to talk about it for a second and they throw tantrums in comment sections about it and write rant-posts on Reddit about having to block all DR-related things on social media. i have only ever seen this kind of Hatred leveled at like, MLP G4 back in the day, or Homestuck or Steven Universe.

i am biased, of course, as this fandom has been 90% a life-changing, heart-warming experience for me. nonetheless, i try and fail to understand the sheer Froth At The Mouth Nastiness some peeps have about DR, like Kodaka himself kicked them in the dick, took their credit cards as they writhed on the ground in agony, and puhuhuhu'd all the way home. completely inexplicable from my POV

[raven-at-the-writing-desk]

I didn't want to say that here since you love Leona now but I actually hate that lion guy😭😭 I feel like he would bully me for just existing!

Like this part in book 3 when he made us fight his dorm members so we could stay in the dorm makes me look at him like this 😒 like sir I'm magicless and homeless and physically weak and you want me to fight your muscled dorm members + they have magic!😭😭 Why?! At this rate I would have slept in one of the class rooms instead 😞I mean it was Grim do the fighting but still! But that's not the only reason I have other reasons why I hate him 😭 (I'm scared of him lol)

I have beef with that lion guy😞

I don't see myself loving him any soon but who knows maybe one day I would feel in love with him like you 🫢

Lemme tell you this right here and right now: I have learned from observation that there are no bigger L*ona haters out there than L*ona stans themselves 💀 We They will say, "Leona Kingscholar is literally the fucking worst character not just in Twisted Wonderland, but in all media that has ever and will ever be conceived. Hate that guy, what a shitty scumbag," one moment and then turn right around and kiss our their lion merch with all the tender love and care a human could possibly lavish an object with.

ANYWAY, that's beside the point. I don't like this character of which you speak of.

Early main story Leona is definitely the type to bully the crud out of others 💀 To be fair to him though, honestly any dorm (other than Heartslabyul) would have been reluctant to house a pair that they have little to no personal connection with. The students at NRC are known for their pride and reluctance to help each other out, right? Night Raven College also has a culture of "the strong obey the weak", so to have Yuu and Grim "earn their keep" by demonstrating their strength makes sense. The other dorms would have probably demanded similar things of them, regardless of how downtrodden and dreary their circumstances are. It's not like Azul or the mob students showed Yuu and Grim any mercy before. Most of the student population is not nice or welcoming, especially if there's nothing in it for them to gain. In this case, Leona would be gaining two temporary students that aren't deadweights to him. Of course, that doesn't justify what he did/said in book 3 or any of the other things he did/said. It doesn't mean you have to like the guy for what he did. It's just that I don't know if that one scene is a specific-to-Leona asshole move. I do want to point to the Episode of Octavinelle manga too; in that, Leona doesn't make Yuuta fight mobs to sleep over, he accepts Yuuta's cooking abilities as a substitute. This loops right back around to what I was saying about "earning your keep" and how most NRC students won't want to help you out unless you have something to offer them in return. For Yuuta, that was his culinary skills. For in-game Yuu and Grim, it had to be combat prowess. Is it cruel in comparison to letting them sleep over in return for nothing? Yes, absolutely. But is it in character for them to be selfish about it? Also yes, absolutely. I think it's fine to have as a characterization moment--though whether you enjoy this or not is up to the individual fan.

I get that he's not going to appeal to everyone. Leona definitely comes off as intimidating and he has plenty of other traits to loathe. Every character will have people that dislike them or even outright hate them. That's completely normal and should be expected, since everyone has different experiences, tastes, and perspectives to bring to the table--each equally as valid as the last. Feelings can change over time, feelings can stay the same. Whatever happens, it's fine! No one decent is going to hold a (water) gun to your head and force you to like L*ona. Enjoy fandom in your own way!

That being said 💦💦 I will advise that you avoid sending messages of, "I actually HATE this character that you happen to like" into people's inboxes. It's okay to have a different opinion than the fan you're expressing the opinion to, but you should keep in mind that it's not always appropriate to voice it or to press the matter. I might be generally indifferent about discussing why we like or dislike certain characters, but others might not be so happy to get a message that could be considered bashing on their favorite(s). Again, just be mindful of others and their boundaries!

[chocolatepot]

Saw a post about how you need to read original fiction and not just fic to write books, and I had some thoughts but they're not so much a direct response so I figured I'd make my own post ...

You do need to be conversant with original fiction to write it, but also - that doesn't mean that your fiction diet as you write needs to be primarily original fiction. If you want to write a book, you've probably spent a lot of your life reading original fiction even if you're in fandom now. That all counts. (Assuming what you want to write bears at least some resemblance to what you've read.)

Fanfiction really doesn't teach you to develop characters and settings on your own, it's true. It particularly lets you be lazy about not describing them physically, and not having to do any work for walk-on characters who exist in canon. You also can get used to writing romantic short stories that would be completely unmarketable if they were not fic.

However, fanfiction still can teach you a lot of transferable skills, if you want it to. You can write novels to stretch your ability to plot a longform story and follow through on 60k+ words. You can consciously work to improve your prose, your pacing, and/or your physical/emotional descriptions no matter what your subject matter. You can write a story that focuses on how a character changes and develops, and you can focus on a minor character from canon and do the work to make them three-dimensional. If you're into AUs, you can also work on worldbuilding or writing a believable historical setting. Literally the only thing you don't really have the opportunity to do is create your own main characters from scratch.

And I feel like that's actually the easiest part of writing. Sitting down and writing a story that lasts over 80k words or so, is compelling all the way through, has defined character arcs, etc. is way harder than making up the initial concept. If you're in fandom, you clearly Do Stories whether they're on the paper or onscreen, and so you probably have a lot of character types in your head already to start messing around with.

There was also a point in the post about how if you don't read you're not going to understand where your story fits genre-wise, and you're probably going to think that it's new and genre-breaking when it isn't - and that leads me to two thoughts. One is that not feeling able to place your own story if it crosses genres might be more common to writers than you think: it just came up in a Bestseller Experiment podcast ep I listened to the other day as a normal thing due to the writer being too close to their story. I have good comps for my novel (there's a T. Kingfisher that is incredibly similar in concept and key characters) and I still feel like "oooh ... is it more fantasy or more historical ..."

The other is that fic makes it so you're more likely to actually write something that genuinely doesn't quite fit in the boxes. That's something I've been thinking about since Winter's Orbit. That book, if you don't know, was originally written on fail_fandomanon's spinoff writing meme and posted on AO3. It was always original fiction, but it has a fic-like sensibility: there's a strong political intrigue plot alongside a strong queer romance plot between a playboy who's not really a playboy and a smol bean with trauma. If you read the GoodReads reviews from when it was published, you can find many sf fans complaining that the romance takes up too much space and romance fans complaining that there's too much plot outside the romance. I think now with the rise of "romantasy" there's more tolerance for that, but that label feels like it's getting less useful as it broadens to mean "fiction written by a woman that includes a romance" (and it feels very m/f to me but we don't have time for that now). Because so much of ficwriting fandom focuses on stories that heavily foreground romance but don't hit the traditional romance beats and also writing the characters figuring out who's committing industrial espionage or whatever. In a romance novel, the romance is absolutely the A plot and the whatever is very much B plot (if not somehow C). In sf/f and thrillers, the whatever is the A plot and the romance is around the edges. Fic teaches us to do them both equally, because the point of the story is to see the characters getting together (often not like canon, when it comes to m/m and f/f) while having a plot to deal with (like they have in canon). Also, in a lot of cases of genre-mixing, determining which one it "counts as" is really determining which one it will sell better under, and that's not something a person outside of the industry can generally tell, regardless of what they're reading on their own.

[cuchufletapl]

It truly drives me nuts the way that a good portion of the fandom talks about Vi abandoning Powder, as if she is irredeemable for her actions right after the explosion that killed Mylo and Claggor and directly led to Vander’s (presumed, at the time) death.

For one, I think it’s a deeply uninteresting way of looking at things, because that scene is what kickstarts the conflict between Vi and Jinx, which is one of the driving narrative forces of Arcane (… during season one, at least, even though it is present in season two as well). Powder causes the explosion, Vi hits her and walks off to calm down, Silco approaches Powder, and Vi gets kidnapped and sent to prison. The main wedge between the sisters is the extremely traumatic experience that they went through right before being separated for seven years — during which they become different people than whom they used to know, and they struggle to accept that. Powder/Jinx reinvents her identity around the last thing that Vi told her, assuming the idea that she is only good for death and destruction (something that Silco incentivises by having her do his dirty work). Vi spends her entire time in prison berating herself for leaving Powder alone for even just a minute, betraying what she thinks is her duty as an older sister and their group’s leader (a value that Vander instilled in her). These things are at the core of who they are, or whom they perceive themselves to be, during most of the story; it’s what shapes their actions, it’s the starting point of their development. Thinking that Vi shouldn't have done one of the inciting incidents of their character arcs is a shallow critique in my opinion, because it's essentially wishing for the story not to exist.

The mind-boggling thing, however, is how many of the Vi haters resent the fact that Vi is a fully fleshed-out character with feelings and emotions of her own, instead of a mindless drone that exists for nothing else but to love and care for Jinx.

Vi was fifteen.

Vi had just seen her brothers and father die from an unforeseen explosion that went off right when they were about to succeed in freeing Vander and escaping.

Vi had just found out her little sister, whom she had told to stay out of the mission for her safety, was the one who made and set off the bomb.

Her reaction, realistically, could be nothing but grief-stricken anger. Maybe one could conceive of a character whose immediate reaction to something like this is truly compassion and comfort for the one who caused it — but that’s not Vi. That couldn’t be the child who’d already lost her parents before, who had spent her entire childhood scraping by and placing her self-value on her ability to protect her family, who was impulsive and brash and afraid of losing anyone ever again and thought her best bet at everyone surviving was putting her own body on the line. And even so, she loved Powder deeply, which is why, right after she hit her and called her a jinx, her mind cleared; she stared at her own hand in horror, wondering what the fuck she was doing, and then walked off to fully process and calm down so that she could later go back to Powder and be the older sister that she needed her to be. (Although she got kidnapped before she could do any of that.) But the point is that even while wrecked by grief and anger, her love for Powder cut through — just after her first reaction.

No, Vi hitting Powder wasn’t right, but it was a normal and (I’d go as far as to argue) understandable reaction. It was emotional, not logical. Even if she knew that it had been unintentional — and she did know it, although I don’t think it fully registered in her mind at the moment of the punch, because she was too caught up on “Powder did this, Powder killed Mylo and Claggor” — her emotions overwhelmed her and she moved before she could even think. This is honestly such an extreme situation that I don’t think judging it on the morality of the characters’ actions is a productive analysis — it’s kind of Kantian, in a way, in the sense that Vi is a bad sister for doing this if we take morality to be absolute, universal, and detached of context.

Interestingly, the discourse against Vi never considers: what if Powder hadn’t let her impatience and need to prove herself by saving her family override Vi’s orders? What if she had stayed home? (Which would also be an extraordinarily boring take that seeks to rob a character of their personality and motivations, by the way.)

No, rather, the quid is always: Vi should be devoid of emotion because Powder/Jinx’s trauma about this situation is more important than anyone else’s and therefore it needs more tending to.

At the end of the day, the Vi hate on this issue is just the classic “my blorbo was hurt by this other character’s actions, which means that they’re evil incarnate.” But it’s frustrating to see it posited as genuine, serious analysis on the show.

[cacaocheri]

i feel like i’ve reached a new level of degeneracy every time i’m like “oh boy time to think about The Scenarios” and it’s just me holding hands with a fictional guy

[hadesknockedupintheunderworld]

The world if people stopped applying their understanding of "conservatism" and "religion/christianity" through a very modern, deeply American view onto Death Note (a manga from the Early-mid 2000s which is very much set in the cultural and societal context of early-mid 2000s Japan and all that entails):

[sainteclectic]

and btw since I'm posting a lot of wholesoul content (intended as platonic but still), i do want to make it clear: my analysis of whole as a character is purely within the narrative of the story! while i am aware that behind the metaphors is whole is cj himself, that's never what i'm writing whole as in my work. basically I'm using the internal logic of the fiction (whole as viewed by the characters in the album) rather than the reason for the fiction existing (as a fictionalized version of chonny's mental state), just like i do with all the other characters. it's important to make that distinction when you're dealing with a piece of fiction so heavily based on the creator i think. I'll never use cj as a basis for how I write whole because I find that a little off putting tbh ^^;

basically I'm playing with touys. ok? play touys with me

[reginamillls]

I think the deleted scene is simply showing you how much Buck is cared for by the people he chose to be in his life, and from someone who craved that care and attention for so long I just think that's neat that Buck has so many people now that do, and idk I'm just happy for him

[alistair-blackwood]

genuinely don't understand people who gripe about someone getting into dunmesh for m/m pairings as opposed to f/f when none of them are even close to being the main point of the series

[biblically-accurate-dca]

KILL!!!!!!!!!

[saphflare]

Personal take on "Chayanne as a Glass Child Interpretation" that no one asked for

===

Apparently people have been using the "Chayanne has glass child syndrome" thing to rag on q!Philza, which I haven't seen, at least not overtly. Or at least not with the purposeful intent of labelling q!Philza completely as a Bad Parent. But I can get why ppl would feel like that is an attack on his character (*stares at DSMP*)

But I also kinda wish some ppl understood that when we interpret the fact that Chayanne is a glass child, it isn't necessarily to blame q!Philza and his parenting.

please

Because anyone that has a singular critical thinking brain cell can see that the man is trying so fucking hard to raise his two children, and that he loves both of them so much. And that is the sad thing isn't it. Because the thing about glass children is that practically always it is not intentional, and the parents never mean to neglect or force their more capable/older children to become so. That it is often just a consequence of the circumstances of their lives together, and it is something that isn't obvious most of the time until it of course becomes an issue. That for all the efforts of the caretaker(s), they sometimes need to focus on one child more because of their needs and that is perfectly understandable, especially if it is health needs. But as a result, there are gaps in the support and needs of the family. And so, other children in the family that are capable of helping just end up doing so because additional aid and care is needed.

And if you especially look at the Death family's circumstances, we can see those circumstances in play. That the island is dangerous compared even to "normal" society, with the government system provides little to no additional care for its residents & their families. If not downright making it basically punishing them because they have children, due to needing to work for additional resources for their kids (cookies, tasks, etc.) And then there are the monsters and external forces trying to kill and torment all of them. Now that is already fucked, but then you consider the fact that Philza has two children, as he is their primary caretaker due to q!Missa's frequent absence. Which not blaming q!Missa, as the family still loves him and like probable lore reasons, but regardless that adds to the circumstances of the family. That q!Philza is the only one, for the majority of the time, responsible for two kids instead of just one for most of the other parents.

Which again, I will say that other residents also help out with taking care of other eggs of their own and all that, I won't deny that. But they can't always know or be able to pinpoint all things that the two children specifically need or be reliable as the island limits their ability to help.

That at the end of the day, Philza in specific is considered the official guardian for Chayanne and Tallulah, and the one that they spend most time with in their development on the island.

That with the constant danger and additional circumstances surrounding them, it is no wonder that Chayanne ended up taking more responsiblity, becoming more mature in the process. That like any other kid that could see their family struggling and also feel it, he wanted to help his dad. And especially at first, when they had Tallulah and it was evident she needed support due to her asthma and health issues (aka internet issues). She needed not just the support of Philza, who was already lacking consistent support of a partner, but also her brother to help out in case. That it might not have been the intention for Chayanne to take on these burdens or have to grow up so fast, but it happened out of necessity.

That it was as a result of everything they have faced on that island, both good and bad, for Chayanne to have turned out the way he has now and before.

And, I want to stress this so fucking much that neither Philza nor Tallulah are responsible for this. No one in this family is completely at fault because for fucks sakes it isn't exactly like they fucking meant for Chayanne to be a parentified child. That yes their circumstances contributed to to the situation, but that is the same as saying the island has given them lemons and they had to just do the best with it. And that in some ways, they are still growing out of their original dynamics, even months now that they have changed so much and literally have been displaced onto a new place. That in this manner specifically, Philza sometimes still falls into the same mentality in believing Tallulah is still the same little girl that he needs to constantly look out for, when she has become so much more and grown to be able to defend herself. Honestly almost, if not, just as well as Chayanne. But I also acknowledge that he has improved quite a bit, and given her much more freedom and autonomy, especially since they all reunited after Purgatory. But he is still getting used to it, and even in these few months, he has learned to give them room to grow a bit.

Also, I don't blame him for sometimes falling back on the old habits considering you know the dangers he is so guarded against are real and most definitely out to get him and his eggs.

The whole thing of people having flaws and making mistakes yada yada ya, they don't know everything they need to do all the time, especially with things changing constantly and all that shit.

And in some ways, I look at Chayanne right now and I see he is more of a glass child healing from their early circumstances. That his family has acknowledged in some way that he had to take on so much more than what a kid should have. And while I don't think they have unpackaged everything, and that it something that will take a lot more time. Not to mention all the new issues that pop up every other fucking day (for void sake, let this family have a goddamn break). But the thing is they are improving. That they are definitely moving towards that direction in which they are looking in retrospect of what they had to deal with and realizing things. And then, they are having conversations about it together.

And look, for all the things you can say about Death Family, they are all trying their best. That yes perhaps their family is dysfunctional due to fact that it is literally IMPOSSIBLE to cultivate a healthy stable and safe environment for them to grow up in. And yes, of course there are interpersonal issues and current trauma that they need to work through because of all the things they experienced on the island, there are issues in every family, small or big that needs to be worked through. But that doesn't negate the fact that they are trying so hard to the best of their abilities because of each other. That it is undeniable that they have sought to improve and grow and become who they are because they love their family, and hold each other closely in their hearts. That they are still people actively trying to discover things about themselves. And it will always be a struggle in their places as the family they are, but they do so out of love for each other.

But yes whole point is, "Chayanne has experiences that can be comparable to that of a glass child" and "q!Philza is a flawed person that is trying his best" and "Death Family is dysfunctional but also loving of each other" are all statements that can exist together.

Death Family isn't perfect and I love them for that <3

[kayvsworld]

i cant believe there was a time in my life where i was IN THE MCU MARVEL FANDOM i was INTO THE MCU i was considering catws one of the best movies in the mcu and yet. i was not interested in bucky barnes

[alagaisia]

Hey if you’re still enjoying and engaging with Harry Potter in any capacity you can unfollow me 😊 please and thank you

Like. I get it. I was super into it as a kid too. I did not have the social context to pick up on the antisemitism or transphobia or sexism or fatphobia or bioessentialism or racism or anything else. I also picked up on surface-level language of Fighting Back Against Evil and ascribed my own values onto what that meant and thought we were all on the same page. I remember when the original kids who grew up with the books started becoming adult fans and picking up on the (blatant!) antisemitism and everybody was still mostly willing to give JKR the benefit of the doubt on it. (“She was writing kids books!” They said. “She didn’t know she was penning a global phenomenon! She picked a common literary trend in European fairy tales (antisemitic caricature) and didn’t examine it closely. It’s a mistake anyone could make,” we said. “She would probably do things differently now. After all, she word-of-god confirmed the vaguest hints she dropped that Dumbledore might be gay,” we said.) There was actually a span of several years where biases inherent in the actual real content of the Harry Potter series were coming to light and even the people pointing them out still seemed mostly to think it was an unfortunate accident.

That time has passed. Years ago! We are long past the first months of “maybe she doesn’t realize this seemingly-feminist tweet she liked was made by a noted TERF” and then “how could she not realize that these many veiled TERF-y things she’s retweeted have implications for the many queer fans of her work” and finally “oh wow okay JKR just dropped an entire transphobic manifesto on twitter. I guess the transphobia was the point.”

Yeah, there were a few months after that where people were still processing and still working through how they felt about Harry Potter and all of its flaws with the context of the now open transphobia of the creator. I was there for that. Remember how I was one of the kids who built it up into something noble and worthwhile based on my own beliefs about what messages it was probably trying to convey? Turns out it wasn’t trying to say any of those things, and when you take the time to examine all of the terrible shit that made its way into the text whether JKR intended it to be there or not, the whole series falls apart. It’s weird to discover that there’s a room in your house that’s rotten to the core, but eventually you figure out you can’t live like that, still going in there and holding your nose and pretending it’s still the same room you thought it was when the termites were only inside of the walls and hadn’t yet started chewing their way through the furniture. Because what’s going to happen is that they are going to infest the rest of your house. If you decide you can ignore transphobia and antisemitism and everything else just because you liked the color of the wallpaper, the rest of your principles are going to crumble too. You get rid of that fucking room. You put those books on a high shelf in the back of your closet behind other outgrown clothes and interests and you move the fuck on.

JKR uses the money made from her transphobic antisemitic children’s books to actively funding hate groups and to lobby for legislation that will and has actually affected the actual lives of trans people in an entire country. We are past the point of grieving something you were wrong about in childhood. Kids are wrong about a lot of stuff. You grow up and you learn new information and you change your behaviors based on it. You have to choose. It is transphobic to pretend there is not transphobia where there is. It is transphobic to support the work of someone who is using those funds to take rights from trans people with every fucking dollar. It is hateful to continue to engage positively with a story that at its very core is rooted in hate and bigotry and prejudice. You can choose to do all of those things but you cannot claim ignorance of them and you cannot choose those things and still pretend that choosing them upholds the values we convinced ourselves that Harry Potter stood for over a decade ago as uninformed children. You cannot choose to do those things and pretend to still support your trans and queer and Jewish neighbors. I do not want you in my neighborhood. Leave.

[tkbrokkoli]

cant believe that after driving the car, riding the train, booking a hotel room, having a nightmare, visiting the father in law, visiting a hospital, making a friend, and escaping an assassin, the incomprehensible Horrors™ are back at it again and harder to bear than ever 🐻