#i know this doesn't interest anyone but i need it out of me

[tucsonhorse]

I am a teen librarian at a public library and all my coworkers seem amazed that I can "stand" to work with teens so much (even my supervisor who is very supportive told me not to get too narrowly focused because "teen librarians have a shelf life").

It took me a while to understand why because I'm not good at distinctions among age groups and basically just treat the teens like I do people my own age (yes,I do add some filters for appropriateness, that much I do get). I ask what they're interested in and let my enjoyment show when they tell me about it, I tell them they did good when they work hard at something, I thank them when they help out. What I think is often just as important, I give them choices, let them ask questions without criticism, and don't expect them to just do what I tell them and accept it.

Usually they have to get over an initial surprise and distrust, but they pretty quickly figure out that if I make a mistake I will admit it and apologize, explain the reason I'm doing things, and actually listen when they give feedback. And that makes a world of difference.

One thing I do with non-teens (as well as teens but it doesn't stand out to them as much) is thank them and tell them I'm proud of them when they take care of themselves. We're all so used to being expected to run ourselves ragged and when we finally say we need a break having it grudgingly accepted. But when a friend says they can't come to a thing because they are out of people points I reply with "thank you for taking care of yourself". When a coworker says they can't help with a project I thank them for knowing their limits. When a friend says they just watched TV all day because they didn't have the motivation to do anything else I say I'm proud of them for letting themselves rest.

It is so simple to encourage people to really take care of themselves, but you have to be aware. All anyone really wants is acceptance and appreciation, and it costs nothing for us to give that to them.

consider: teenagers aren’t apathetic about everything they’re just used to you shitting all over whatever they show excitement about

[honeygrahambitch]

"Even Will Graham has a better sex life than I do." Jimmy said, as if he had been holding that sentence inside for too long.

Beverly and Brian abandoned the blood samples they were working on and looked at him in disbelief as if they were trying to make sure they got it right.

"One question would be how do you know that?" Brian asked. "I doubt Will is the type to talk about stuff like that."

"That's easy, haven't you seen Hannibal?" Beverly asked rolling her eyes.

"I am not particularly into men."

"You don't have to be in order to tell that someone must excel in bed. It's the attitude."

"Stop that." Jimmy interrupted their banter. "I overheard a discussion between the two of them."

"Do we really need to know?" Brian said as he looked at Beverly for support. However, her opinion was different.

"Share."

"Alright but this doesn't leave the lab. It stays between us." Jimmy said. After all, Will was his friend and he didn't have anything against Hannibal. He was usually not the one to gossip but this felt like something that needed to be debated. "They are having a threesome."

"No way." Beverly said as she elbowed Brian who remained dumb.

"Who's the lucky lady?" Brian asked.

"Why did you immediately assume it's a lady?"

"For more diversity? I don't know how these things work?"

"Can you shut up and listen?" Jimmy cut them off. "I overheard Will asking Hannibal whether their plans for the night have changed. Hannibal had said that they did not and then pulled out this business card and handed it to Will. Will was like- a sport trainer? He will be a handful."

"I told you it's a man!" Beverly told Brian then turned back to Jimmy. "That doesn't prove anything though."

"Maybe if you two listened I could get to the point. So, Will said that and Hannibal was amused and said "I am confident we can handle him. Cannot be worse than the one last week. I was not proud of the way we left his bedroom"."

"Shut up..." Brian whispered. Beverly didn't say anything, her lips parted in disbelief. "And then?"

"Then Will said...damn, I hate that I have to repeat his words but he said..."He was bigger than either of us expected. I mean, for a finance guy, he was quite a challenge. My back still hurts."" Jimmy went on. "And Hannibal was like "the one we are having tonight will definitely be in good shape. I will be there, I am not letting him touch you.""

"Christ." Beverly said. "And?"

"And Will said "As if I need you to take care of me. Remember how the one from two weeks ago surprised you from behind? You were lucky I was there." Then they noticed me because of the stupid coffee machine who started beeping. And I swear to God, their surprised expressions indicated exactly the fact that I was not supposed to hear that."

"Wow." Brian said thoughtfully. "Every week. Good for them. That's how you keep things interesting in a relationship."

"I wouldn't have believed Hannibal would share Will with anyone." Beverly commented.

"Will might have a say in that?" Jimmy suggested. "Anyway, I couldn't believe it. I was afraid I took things out of context maybe?"

"Definitely not." Beverly said. "What else could they have been talking about?"

***

"Do you think Jimmy overhead us earlier?" Will said as he looked for their knives in the trunk of the car.

"I doubt it. It doesn't prove anything. We were quite subtle." Hannibal replied as he put his scalpel in his left pocket. "Ready? He must be home by now."

"Let's go. I don't want to spend the whole night butchering this guy. By the way, what did he do?"

"Insinuated I do not take my physical health seriously."

"He just hasn't seen what's underneath that suit." Will replied, making Hannibal smile.

[alexanderwales]

The soda jar predated me, so I gave it a wide berth, and didn't bring it up often. It was big and plastic, and had once contained cheese puffs, so more of a barrel than a jar. It said "SODA" in big block letters that had been shaded in. I didn't ask about it. Besides, I had switched over to only drinking water years ago, with a few rare exceptions, and game night wasn't one of them, at least not at first.

Whenever someone wanted a soda, they would grab it from the fridge, and then they would put money into the soda jar. There was a little sign below the big "SODA" on it, and I tried not to look too interested, because it would be weird to go to a friend's house and say "hey, what the hell is this".

But by the fourth night I was feeling like I belonged there, so I read the fine print. It was a list of sodas and how much each of them cost.

"You want a soda?" asked Roger.

"Uh," I said. "No, I have water."

"You want soda, just grab it from the fridge, prices are on the jar," he said.

I had a sense that this was a Social Encounter, and that I was on the verge of failing it, but I had to know, so I asked.

"Why?"

Roger turned to look at me, then he frown at the jar. "Just ... you know. Keep things fair?"

I nodded a bit. "But I mean ..."

"Yeah?" he asked.

"No, it's just," I said. "Like, how much does a soda cost?"

"It's on the jar," said Roger, pointing at the jar.

"Right," I said. "But we're all adults, we all have jobs, the cost is like ... a rounding error, right?"

Roger shrugged. "It's about being fair."

"Right, right," I said. "It's just ... if someone wants a soda, then they go to the minifridge, and then they have to have money on them, and have to look at the price, and then pay that price into the soda jar, which seems like ..." I held up a hand. "I mean, it's how you do things, I guess."

"Right," said Roger with a frown. "I mean, how would you do it?"

"I would just ... have people bring in soda?" I said. "I would go to Costco and get a big thing of it, and then just ... it's like, how much could it possibly be?"

"It adds up," said Roger.

"Right, but it also adds down, doesn't it," I said.

"What the hell does that mean?" asked Roger. He was frowning at me, and it was hard to tell whether this was good-natured curious frowning or if I was annoying him.

"There's like ... a lot of overhead, a lot of cognitive, social, emotional sort of friction, right?" I asked. "Having things for people to drink is casual hospitality, and if you're doing it this way, then you have to update the pricing sheet, and you have to have everyone be thinking about things, and ... I just think in the scheme of things it's just ... I don't mean to offend you by way of criticizing this system."

"People should pay their fair share," said Roger, like he was stuck in a loop, or like he was an NPC repeating his dialogue.

"I am suggesting a communist regime wherein we do not worry too much about that and, because the costs are nominal compared to wages, we do not track or worry about prices," I said. "I mean, I don't want to assume that other people are like ... comfortably wealthy, but if anyone is worried about a few dollars for soda, then yeah, I'll just pay their way and we don't need to talk about it or acknowledge it."

"You're offering to pay for the whole group?" asked Roger.

I considered that. "I'm saying that I would bring in a big cube of it and then someone else could bring in a big cube next time."

"Some kind of rotating schedule?" asked Roger. "Like, a roster of whose turn it is?"

"No," I said. "No, the whole point is ... I mean the point is that we shouldn't need a system, we're adults, soda is, in addition to being super bad for you, very cheap, and we shouldn't care about having any kind of system, we should just have faith that it'll work itself out."

"Okay," said Roger. "But like ... what if it doesn't? I buy soda, people drink all the soda, then no one gets more, so I get more, and people drink it, and then there's no soda again."

"I don't know," I said. "We could talk about it like adults?"

"Or we could just have a sign," said Roger.

And then our break was over, and I hated that I let him get the last word, but I also sort of knew that I wasn't going ever quite be comfortable in that group. Maybe Roger had been burned before, maybe he had been burned a lot, but the soda jar suffused the feeling of the whole group, and I could tell that I was never going to get them out of the soda jar mindset.

[alexthebordercollie]

oooo, if you're taking doodle requests for the dad ford au, i'd love to see something with Ford + Tate and or Stan + Tate.

Ford, cause it'd be interesting to see how he handles being a stepdad on top of Newt and Nick. Stan cause while he'd obviously be fiercely protective of the twins, i feel like he'd understand Tate's motivation the most between him, Ford, and Fiddleford

Thank you so much for my first proper ask/prompt. So you asked for Tate with Ford or Stan and I decided to give you both. Ford is a genius but he's not a pediatrician and Fiddleford still insisted on finding a real proper doctor to help with the twin's general medical care. But the person they found willing to help them with their alien babies without freaking out is out of town so these trips are a bit time-consuming and Fidds is the best at keeping the beans calm for their shots. Mostly I just needed to come up with an excuse for Tate to be stuck with the Stan twins for the day.

I imagine this to take place while Fidds and Emma are still in the process of getting divorced. Custody arrangments are still being worked out. This is Tates first time coming to stay in Gravity Falls with his dad's new family and he has a lot of complicated feelings.

Fidds generally is very clingy with Tate when he comes to stay with them. Showering his eldest with affection out of a mix of missing him and feeling guilty. As a result Ford and Stan rarely are put in the position of having to look after Tate and Fidds initially doesn't make much of an effort to actively include Ford in his father-son time with Tate. Again Fidds feels guilty and like asking Tate to give Ford a chance is an unfair imposition.

Ford makes genuine attempts however to get to know Tate when the opportunity arises. At first, Tate wants nothing to do with him. He's overheard his mom occasionally talking about the divorce when he's supposed to be in bed and the bits and pieces he has picked up basis him pretty strongly against Ford.

Emma isn't trying to turn Tate against his dad or even really against Ford. Don't get me wrong she really doesn't like Ford for obvious reasons but she doesn't want to expose her son to the adults interpersonal drama. She didn't mean for him to hear her talking about Fiddleford leaving them for Stanford.

I think you're suggestion that Stan would understand Tate in this situation better than the other two is pretty reasonable. Tate feels abandoned, and maybe even replaced by new babies. Stan knows better than anyone how it feels to be abandoned and he knows enough to reassure Tate rather confidently that that isn't what's happening here. Tate also finds it a bit easier to open up to Stan because he's mostly a bystander in all of this.

[sleepyparalysisdmon]

SVT helping a partner with trauma

Requested? Yes! (and they are still open!)

Genre: comfort

TW/CW: Implications of trauma

A/N: This will be less of a discussion about traumatic events themselves (if mentioned it’s brief only to give context), but rather the feelings and responses one might have afterwards. Trauma is varied and so is everyone's reactions to it, so I tried to include a variety of scenarios so there’s a little bit of something for everyone. 

A/N #2/Warning: Please use caution when reading if you might find the topic triggering. This is meant to be comforting, but if you find that it isn’t, come back later or skip altogether. 

Seungcheol

Money is an interesting topic between the two of you. At first, he thinks that you just like to keep a tight control over your finances, and he respects it immensely, applauding you for being money-smart. But he notices that you deny yourself a lot of things in an effort to penny pinch, and flat out refuse when he offers to ease your burden on little things like needing to replace something around your apartment or pay a bill that has an upcoming due date. In a vulnerable moment, you tell him the abbreviated version of the story - you depended on someone financially and then they left you with nothing, and you refuse to be stuck in that situation again. From then on he encourages your financial independence and for the most part respects your wishes for him to not spend a lot on you, even if it pains him sometimes. But you best believe the moment you accept it he’s already sliding you his card or heading to the store himself. Wants you to know that you can rely on him, but knows he has to earn that. 

Jeonghan 

You’re a flirt. It’s one of the things that he loves most about you. He's kissed you a few times since starting to date, but he notices how you pull back sooner rather than later, putting space between the two of you. You feel safer with words than you do with touch. He’s okay with that. If you ever try to explain yourself - doesn’t matter if it's a simple ‘I want to wait’, or a more detailed reason - he’ll shake his head. “You come to me if and when you're ready,” he’ll say simply without an ounce of teasing. I do believe that if and when you do approach him, he’ll want to have a not-so-sexy but still very needed conversation to make sure you’re both on the same page and he understands your boundaries. 

Joshua

On the very first date, you tell him you don't drink and don’t really like to be around alcohol. Noted, he thinks, and doesn't order another drink beyond the one he already has in front of him. He also doesn’t have a problem not keeping it at home. However, there’s a social element to drinking that is sometimes unavoidable. He sticks to non-alcoholic drinks with you when you have to go to these events and takes you home before anyone you’re with can be too far gone. You’ll tell him that he can have a drink if he wants and that he doesn't need your permission - but he's supposed to be the one that makes you feel safest, so he’ll shrug it off. He doesn’t miss it. 

Jun 

Absolutely respects your work ethic and even admires it. But sometimes he’s concerned by how you always go in early and stay late, take on way too many responsibilities, and never, ever take a sick day or vacation. When he asks you about it, you simply say that you can’t lose this job. He can sympathize because it would be devastating to not be able to do what he does for a living, but he recognizes that it’s not passion, but rather fear, that drives you to overwork yourself. Does little things like driving you to work so you show up on time rather than super early, or making plans right after work so you can’t stay late. He’ll also book a vacation to somewhere that you just can't refuse. Anything to encourage rest, really. 

Hoshi 

Bless his heart, but he's trying to be funny. He hears you come in and hides behind a door, jumping out at you when you enter the room. Does not expect for you to cry and panic, and cries and panics himself, profusely apologizing. Once you both are calm, he doesn't press for details, accepting your explanation that someone that used to be in your life used to do that sort of thing, but that it wasn't all fun and games. Will never, ever be doing that again, and if you're ever around his group members and they get a bright idea, expect that he'll put a stop to it before it even starts. 

Wonwoo

You’ve lost someone close to you. Whether it was a shock or not, whether you were there or not, doesn’t matter. He’s sympathetic to the trauma of losing someone and knows there isn’t a ton he can do to fix it. But he’ll do the little things. He’ll make sure you eat, even if it’s a little and even if he needs to feed you. He’ll make sure you shower, even if he has to get in and wash your hair for you. He’ll make sure you find a balance between sleep and activity, even if he has to gently drag you outside for some fresh air or carry you to bed himself. Also knows you can't really acknowledge any of it right now, but he’ll keep doing it anyway. 

Woozi

You guys don't fight, well, ever. You both are too laid back. But something big happens and you both have had bad days. Jihoon’s not proud when he loses his temper a bit, shouting. Immediately does not like how you fold into yourself and back away. You’ve confided in him before that your home life involved a lot of arguing growing up. He kind of feels like he’s looking at a kid version of you in the past and it makes him feel nauseous. He takes a deep breath, apologizes, and says that you both should cool down. Later that night, you two sit on the couch, talk it out, and promise to call a timeout next time one of you gets upset. Will absolutely never raise his voice at you again.

DK 

He checks your phone for something, not trying to be invasive, but because you had something he needed. He accidentally stumbles across quite a few reminders that you're way overdue for a check up at the doctor’s office. He apologizes that he was accidentally nosy, but asks if you’ve been able to schedule it yet. He can tell that you’re uncomfortable, bordering on scared at the mention of it. You’ve told him before that you were sick as a child and spent a not-so-insignificant time in the hospital and have since then hated clinical settings. So, so understanding, but also so, so insistent that you should take care of yourself. He’ll take off work in a heartbeat to go with you and hold your hand if it will help. 

Mingyu 

You both are working on a grocery list and you ask him to add another case of bottled water. He looks at you quizzically because you already have an untouched case in the closet and the fridge is stocked. You pause, frowning. “But what if we run out?” You’ll say in a small, worried voice. He knows you’ve lived through a natural disaster or two before you moved here. You don't talk about it much, but he’s seen clips on TV before about what that can be like. He nods. “You’re right. I’ll get another one.” He gets two. That closet will never be empty if it makes you feel better. 

Minghao

You’re getting repeated phone calls from a random number. When you tell him this, at first, he nods, kind of shrugging it off. Spam calls happen all the time. (God only knows I get like ten a day from telemarketers.) Still, he watches your anxiety spike every time it happens and gently presses for a bit of an explanation. You tell him shortly that you’ve gotten harassing phone calls in the past and have had to change numbers a time or two because of it. From that point forward, if he's with you and your phone rings from an unknown number, he's holding his hand out expectantly. Doesn't matter if it’s a telemarketer or not. Will always answer the phone for you or simply get you a new number until you’re comfortable. 

Seungkwan

Listen, I think he's ready to fight any day. He’s kind of surprised when you ask if he wants to meet your parents and especially surprised at how anxious you are about it. He sees why immediately because they aren’t nice people. Tolerates very few negative or demeaning comments directed at you and certainly won't tolerate any displays of violence, so I expect this to be a short visit ending with him deciding it’s time to go. Also won’t accept any apology from you for how they behaved and after some consideration will encourage you to limit contact. 

Vernon

When you tell him early on that you don’t drive, he just shrugs. He’ll take the bus or walk with you any day. But one night, you guys have gone out. When you walk out to go home, you realize it’s raining and that you’ve missed the last bus. Vernon shrugs, saying he’ll just call an uber or taxi. You panic and he’s kind of surprised. Still, he puts his phone back up and waits for the rain to stop with you before walking home. You tell him you got into a car accident years ago and your injuries were minor, but you still don't like driving or riding in cars. You say it’s one of the reasons you live where you do, so you can just walk everywhere. Will always stick by you no matter what mode of transportation you choose. 

Chan 

You express that you don't like your new job and he’s surprised, mostly because you were so excited to start it. You tell him your coworkers are kind of cliquey, and you don't feel like you fit in. He understands, telling you that they don't have to be your friends as you can work with them. Still, you tell him you can handle a bit of rejection, but you're afraid that they might become mean or hostile, like the catty women in the last place you worked. He encourages you to focus on work for now and feel out the situation for a little bit longer. It’s not the end of the world if it doesn't work out because you still have him. Cheesy, I know, but it does make you feel better. 

[mixtapedoh]

hi hi this isn’t a request, more of a “i do not have anyone else to scream about this with” BUT ANYWAYSS, idk if you listen to keshi but i was listening to Soft Spot on repeat and I cannot get woozi out of my mind send help. might have to start writing for svt at this rate. anyways back to studying for midterms i go, hope you’ve been well olive!

NOT A REQUEST BUT I CAN'T CONTAIN MYSELF BECAUSE FUCK YEAH YOU GET ITTTTTTTTTTTT.

also, hi jen <3 how are you <3 i have been habitually away from tumblr and that is my fault because i saw this like two weeks ago and was going to listen to the song you sent and then. simply did not. forgive me, forgive me, i am unworthy of such correct headcanons and vibechecks, but thank you for sharing them regardless.

ʏᴏᴜ ᴋɴᴏᴡ ɪ ɢᴏᴛ ᴀ ꜱᴏꜰᴛ ꜱᴘᴏᴛ ꜰᴏʀ ʏᴏᴜ .⭒˚.⋆˙⭒.✮

.⭒˚.⋆˙⭒.✮

"so i was just talking to hoshi—" you opened the door to your apartment and set down your keys, tugging off your shoes and already mid conversation, as had become your habit, after moving in with jihoon. you paused for a half second, just long enough to wrestle off your other shoe, and from somewhere deep in the apartment, you heard jihoon's wordless sound of interest. i'm listening. "—and he is somehow under the impression that we are going clubbing with him and the others this friday."

you walked into into the main room, your steps soft and meandering, where jihoon sat on the couch, his guitar next to him and a notebook resting on his lap. he had a pencil twirling in his fingers, and when you caught his eye and asked, "do you know anything about that?" he looked down and pretended to write something.

"yeah, i told him we'd both go." his voice did it's best to feign casual disinterest.

"you told him? you??" the surprise in your voice was giddy and sweet, bubbling like a can of coke just popped, carbonation fizzing.

jihoon still didn't meet your gaze. "you've been saying you need an excuse to wear that new outfit you bought a month ago... and we're spending that night together anyway. i knew you didn't have any scheduling conflicts." he was mumbling this last bit, and the erratic twirling of his pencil did little to hide his nervousness. "two birds, one stone."

you had the buoyancy to laugh, warm as the late afternoon sun coming in through the window. "woozi. you hate clubbing."

he had to look at you, this time. if only to see how your face would melt further into affection and tender admiration. not that he was somehow any better — all the attention made his complexion rosy, and for the life of him, he couldn't wipe off this stupid grin. "but i love you."

"ji!!" the whole of you spun into a whirlwind of motion as the lovesickness hit you square in the chest. you covered your face in embarrassment, and when jihoon laughed, it only brought you somehow closer, now standing above him, your legs brushing the front of the couch. "you can't say that! makes me blush... makes me all stupid in love."

he managed to capture your pinky with his. "it's a good look on you."

you swatted his chest with your free hand, and jihoon pulled you closer, sitting you on his thighs and kissing you deeply. you intertwined your fingers with his, and after breaking away, kiss both of his cheeks. twice. for all that jihoon loves to claim he doesn't understand romance and doesn't believe in all the mushy stuff, he certainly always tries to get it right with you.

you kiss his neck, and jihoon sighs your name contentedly. you smile against his skin before pulling away to ask, "are you really gonna give up our inuyasha rerun night for clubbing with hoshi?"

his face contorts into a playful grimace, and you can't help but laugh at the expression. "that's when loving you becomes the operating part of my promise."

.⭒˚.⋆˙⭒.✮

[thehigherseekerastro]

Random Astrology Observations (Alternative Meanings Love Edition) 2 🤨❤️🤔

DISCLAIMER: I am in no way, shape or form a professional astrologer, modern or traditional.

I HAVE been studying astrology for a while now, and analysing charts available to me, as well as my own, and noticed a lot of the info you find online doesn't make sense in real life, because it is too reductive, stereotypical or lacks broader context. So I thought I'd share some of my personal observations to see if it resonates with anyone.

This is NOT the end all, be all. Apply it as it makes sense to you.

**************************************************

The 1st House 🙋‍♂️

The 1H in synastry is a tricky one, because the first house itself is related to our individual identity. It is the house of self. So, when it comes to having a love planet here, things can get really murky. You'll often hear that it indicates instant attraction, but also only surface-level. While that is not entirely wrong, it would be a disservice to reduce it to just that. Yes, first house ties back to your physical appearance and external impact. But what does that mean for someone else being impacted and impacting that? Does it even apply in synastry? The answer is: YES. And it goes much deeper than you'd think. It will talk about an immediate recognition. It talks of being mesmerized by someone's look and demeanor, but that comes accompanied with an obsessive need to know more about you, to be around you, to soak up as much of you as possible, as if to aggressively learn you. And that's because you will tickle all the boxes the person had been holding inside (and vice-versa).

(e.g.: having someone's planet(s) fall into your 1st house doesn't just mean they will be attracted to you, if it's romantic. It also means the person feels like you two share a vibe, share interests, ideas. It means they feel like you move according to their speed, and therefore, that could lead to a lot of trust and comfort on their part, because you feel like a safe place. Not in the same sense as the 4H, but in a more "this person will have my back, cause we're the same!" kind of way. It makes the person feel like you are enough, because you fit them. So even if everyone else disagrees with them or doesn't understand them, they'll sort of look over at you, and if you validate them, that will be enough for them. They'd rather have your approval – since you are someone who gets them – than to have the approval of a bunch of people who don't understand where they are coming from.)

It truly is a beautiful thing, but even positive planets with positive aspects can lead to unwanted side-effects. The house person could come to resent the planet person because of how much they like them. Depending on who the house person is – if they have a dominant or prideful personality, for example – they may come to resent and even become angry with the planet person at times, because they'll feel so strongly for the planet person that they could start acting out of character for them, and that can make them feel like they're losing control of themselves. And as human beings, what do we do when we feel out of control? Shift blame and start looking for culprits. This DOES tend to wear off, though, exactly because of how intensely the house person feels for the planet person, but it can burn hot for a minute or two, specially if they end up getting into an ugly fight and the 1H person tries to forget the planet person, but they can't bring themselves to hate them. They'll get angry at the fact that no matter how hard they try to hate the person, they still feel enchanted by them.

(this could also create an unwanted feeling of "nobody else is like them", so the 1H could panic a bit at the thought of losing the planet person because 1H synastry creates the immediate feeling of the "perfect person for me", so imagine thinking you found the perfect person for you... it can make you feel like if you lose them you'll never recover, because no one else will be like them or able to replace them as perfectly)

All in all, though, first house Synastry tends to usually show up good results, depending on the planets and aspects involved. Another aspect of this synastry that doesn't get talked about for some reason is the fact that they tend to obsess over and notice the tiny details in each other. So it creates this effect of falling for them over and over and over again, cause they'll keep finding little things about the other person that they find enchanting, and THAT'S what creates the physical attraction. It's not that the planet or house person are conventionally attractive to everyone – they might not even fit the beauty standards –, but to the house person, those little details will sort of build up the planet person's beauty step by step, and by the time they catch on, they'll be enamored with every part of them, so, to the house person, the planet person truly is the most beautiful thing ever.

(1H house synastry also brings a 1st house energy to the attraction. NO - NOT ARIES. First house. But it will sound like arian qualities because Aries does rule the first house, after all. What this means is that a big part of the attraction for the 1H person is feeling like the planet person is independent, self-sufficient, confident, self-assured and capable. Because it's taping into their 1st house of self, the house person can sort of see the best of themselves reflected on the planet person, which means they feel like all the things they are insecure to show the world, the planet person has and is not afraid to show them. So they feel like planet person not only embodies their attraction ideal, but also the ideal personality they wish they had themselves. Which they do, but they don't realize it until planet person comes along and brings it out of them.)

First house Synastry is a complex kind of Synastry that is much more psychological than it's given credit for. People often focus on superficial physical attraction and gloss over the fact that it's like somebody is literally stepping into your mind and making your inner fantasies come out. It can feel very vulnerable and intense.

The 7th House 💍

Oh, isn't this one a gem?! Perhaps one of the most sought after in synastry. But the idea here is to provide an alternative perspective, so here goes: if it's badly aspected, or there's other challenging factors involved (the person falling into your 7H is problematic themselves), you're gonna run into the issues people often attribute to 1st house synastry, such as superficiality and a "false love" because 7H Synastry, regardless if it's good or bad, creates somebody who's "perfect on paper". They say the right things, they do the right things, they seem to fit into your whole ideals. But that does not guarantee that that's who they truly are. That's just who you think they are. Remember – the 7H is the house of "other". So it's not about you. It's about the other. But it's rather how you act around said other, and also how you perceive them.

(It's tough to say this, but you gotta be real to help some people out there who might have had 7H Synastry and didn't understand why the relationship failed, since everyone online claims it's a guaranteed soulmate. It's because Synastry goes both ways. And all houses have good and bad. There is no such thing as the perfect Synastry. But in the case of the 7H, I'd say it's the real life case of "if it's good, then it will be amazing. Truly a soulmate. But if it's bad... it will be awful. Just not immediately.)

Going off of the previous comment, another grim way this Synastry can turn out is in its binding effect. And I don't mean anything spiritual or abstract here. I mean literally binding. Imagine a relationship going sideways like that AND you are also now married or share a business together. MESS! This is the house of contracts and long-term. Remember Saturn exalts in Libra, because Libra likes things that last, and Saturn is the planet of long-term, so the house of Libra will sprinkle that lasting effect over whatever it touches. And if you're in a 7H relationship, that relationship will last with you, whether good or bad. It will take A WHILE to break off from it, either mentally, emotionally, psychologically, legally or financially.

(e.g. somebody has their moon in your 7H, but it's a moon at fall, in Scorpio, and it's afflicted in their natal chart. Now, at the beginning they will seem like a gift from God directly to you, so much so that you decide to make it official... And then, one or two years in, living together, each day it gets more toxic and draining and the dark sides just oozes out of your relationship. But now you are legally married, and divorcing will take time, bureaucracy, money and emotional energy, not to mention you'll have to uproot your entire life, explain it to your social circles and families... And what seemed like your dream come true was in fact a bitter lesson to learn).

To veer away from the dark twists of the last ones, let's dissect the correlations people make with the 7th house, like "oh, your spouse will be interested in art, and beauty, and music, and sophisticated things!" Why? Are you marrying a Libra? A Libra rising? Somebody with a Libra Venus? No? Then that has nothing to do with 7H Synastry. Houses are not signs, signs are not houses. Libra is one thing, the 7H is another. Venus rules Libra, which resides in the 7H, but Venus doesn't rule the 7H. It merely influences the 7H. It would be a better guess to say you might have met your person while they (or you) were already in a relationship than it is to say you met because of beauty-related things, or art, or music, since the 7H doesn't talk of any of those things, but it DOES talk of committed relationships.

(e.g. you might have met the person right after they (or you) got divorced. They might be connected to an ex of yours. Or another possibility that isn't talked about is how the person you eventually end up with is someone you have liked for a long time, but never got the chance to be with until now. Since this is the house of long-term relationships, having placements here could indicate that the person you ultimately stay with long-term is someone you already knew prior to getting together, but you needed to experience other relationships before you united with them.)

Another final aspect of placements in this house is the fact that it doesn't just deal with your love relationships, but also the way you consciously present yourself with others. How you behave socially. But also the mirror effect of this house, speaking directly about love. This is, after all, the house directly opposing the 1st house of self. In that regard, this is similar to 1H synastry, with the exception that in this one, instead of you coming out of your shell subconsciously, you make a conscious effort to become your best for your person here. You want to live up to all of your potential.

The 2nd House 💆‍♂️

This one is a bit tricky for me, because I'm not materialistic AT ALL. I have a Taurus Lilith in the 2nd house, so, I express it on the other end of the spectrum. When you have that placement, you either put too much value on money and material things, or you are completely unattached from it, and that's me. So the whole "money this, money that!" vibe is not my scene. I don't see a price in life, I see value. With that said, let's get this going.

Yes, this is the house of money and material things. Yes, it will deal with your personal finances. But no, unless other parts of your chart/Synastry agree with it, somebody's placements falling here should not have a lasting effect. It might merely indicate you overspending on dates and gifts. The 2H is the house of YOUR money, which means that the whole "oh, they're gonna shower you in gifts!", "And this is a sugar baby aspect!", "Your person will want to spend all their money on you and buy you expensive things!" is probably not gonna happen, sorry. If it does, it will be you spending your money.

(And if you do spend your money, the whole "gifts" thing is also not that common, because normal people don't just go around buying gifts for others every other day of the week, unless they have some sort of imbalance. Such a consumerist mindset! Not everything is about paying for things or buying things. That's a VERY American culture of dating, specially for women. This nasty idea that a man has to buy you or he's not good. Which is what encourages habits like thinking the man always has to be covering your finances (how old are you, 5? Get a job and pay for your own damn self! You are an adult woman), paying for your food, buying you a house, giving you gifts all the time and affording expensive dates. You are not a product. If your biggest incentive to be with a man is because of how much he pays for you, then that's the world's oldest profession, not a relationship of love. So this should play out more like them helping you manage your own finances. Don't go around thinking a 2H love placement is gonna turn you into Cinderella.)

If you do happen to be a stay-at-home person in your relationship, which is valid, as long as it's not all about money, 2H love placements and synastry will talk more about other material aspects of things. It will talk of stability, sustainability, longevity and security.

(e.g.: it could mean that you allocate your resources towards creating a safe, stable environment for your life together to flourish, such as buying things for your home together, revising your finances to make life goals and plans together more viable, setting budgets to achieve milestones together... as well as the literal physical aspects of valuables, so using your resources towards nourishment (food, shelter, clothing and health). Things that will ensure your relationship lasts and endures through hardships and tribulations. In the 2H of values, Synastry could indicate the relationship itself becoming your prized possession that you take care of. All the Earth houses are about caring for things, just in different ways.)

Another poorly explored aspect of the 2H is values in the moral, spiritual and emotional sense. It's WORTH. Both the causes you find worthy as well as your self-worth. A 2H love placement or Synastry can and will directly affect that. Even if you do happen to be dealing with financial/material things too, that can affect your self-worth directly.

(e.g.: say you are married to someone who is constantly in debt, or say your spouse is the breadwinner of the household and you depend on them financially. That can really take a toll on your self-worth. It can bring feelings of poor self-esteem, can you make you feel undervalued, inadequate, make you feel like a burden, or make you feel incapable of caring for yourself. It can strike your self-confidence and make you VALUE yourself less. Or the opposite. Your spouse may open you up to new possibilities of making money, which in turn gets you into a new passion project that you succeed in and that can make you feel like a worthy person, make you believe in yourself, make you feel important and valuable.)

I would argue that most often, it's the 8H Synastry that will really have your partner's materials affecting you, because the 2H is the house of your PERSONAL gains, while the 8H is the house of OTHERS' gains and possessions. Most often, the biggest impact I'd say 2H love placements have will be dealing with self-worth, self-confidence, shared values and morals, feelings of belonging and acceptance.

General Things ✨

What I see most often is that positive and negative outcomes tend to happen simultaneously. It's not all doom and gloom, but it's also not all sunshine and rainbows all the time. Sometimes it's great, sometimes it's not so great, and those ups and downs come and go. That's just life. Both are there to be worked with, worked for, or worked through. At the end of the day, astrology will not mandate your life events, and you have to always be learning from your life, and working on yourself and the things that matter to you. Astrology is just a guiding light to identify possible themes to be mindful of.

**************************************************

That's it! Thank you if you've read it this far! I might have come off a bit harsh (I hope I haven't), but I promise I'm nice lol.

My whole goal is to try to discuss astrology in as realistically as possible, but while making it clear that any possible outcome is plausible. If most times all you hear are fantastic stereotypical descriptions of placements, such as 7H, the not so great ways in which it can play out will be explored here to help people navigate them. If all you hear are bad things about a house, then I'll try to show the positive ways in which it can come out.

The whole point is to try to bring a wide range of notions to these descriptions, together with the information that is already out there and available by many other creators.

At the end of the day, remember this is all POSSIBILITIES. Your personal life has to be analysed to know what's gonna ensue. And don't be discouraged, because the truth is that positive and negative effects tend to happen together for your best.

Hope you have a good day when you find this!

MASTERLIST

[libraryspectre]

I wanted to talk about the Black Parade uniforms and it kind of turned into an entire essay. My ideas on the intention behind each costume and their cohesion as a group really evolved over the course of writing this, and I think it brought into focus a lot of things I knew subconsciously but hadn't articulated. I also noticed a lot of details I had never seen before. This has futher convinced me that 1) costume design and what you can say with it is really fascinating and 2) this is S-tier costume design of all time. And it's really long so I'm putting the rest under the cut.

What I would have loved is a Weezer-style picture of the five of them standing side by side, full bodies visible, but unfortunately that doesn't seem to exist. They're either covering each other up, or posed in such a way that details aren't visible or cut is hard to compare, so I'll have to provide a variety of visuals. This weirdly blurry poster is the closest thing I could find to a Weezer picture, so take them in as a group and refer back as necessary. I want to start by saying, obviously, that they look amazing both individually and as a set. "Dark marching band of death" is a really fun concept that is very well executed. But this isn't their first time doing a look as a group - think back to Revenge for a minute, when they really started to think about their costuming as a band. Gerard has talked about how then, they were kind of closing ranks against the vitriol coming their way. They needed to feel like a team, a gang, and dressed like one. I think some of this mentality has carried over into the Black Parade uniforms - they're less defensive, (there's no bulletproof vests), but in taking on new, nameless identities they have removed themselves as individuals from the equation, which is protective in its own way. What's left are stage personas, and the more you look the more you see that these were designed by someone who is very familiar with the history of the band and how each member presents themselves on stage. It's absolutely genius costume design, because when everyone is in uniform, the little differences are more noticable and tell you so much about the intention behind each variation.

Before we really start, I have to confess that I have no history in costuming or even a lot of familiarity with marching or military bands. I can only say I find costuming interesting, so I've read a little about it, and I went to high school in America and almost all my friends were in marching band. Someone who is more educated in these things could probably give more specific insights and have a better vocabulary to talk about it, but do not underestimate me. I am deeply obsessed with MCR and got A's in English, so let's find some meaning in symbolism! But please remember that with all art, there is no one interpretation. And remember going forward that these costumes were designed by Colleen Atwood, based on sketches she was given by Gerard, so there's no telling what elements were brought in by her and what elements Gerard had planned originally. If anyone has sources on that, PLEASE let me know because I'm very curious about the design process.

Also, I'll be using the uniforms as they appear in the WTTBP video as the standard, with acknowledgements toward variations seen in posters and the FLW video. It's worth noting that in many live performances they wore different, less unique jackets, and often forewent the pants for black jeans. This is almost certainly because they were easier to perform in and they didn't want to subject the originals to the sweat and rowdiness of regular shows. Ok, here we go! Here are some pics to refer back to throughout.

Starting with the band as a whole, I want to point out two things: first, marching bands evolved from military bands. The individual costumes vary in how "military" they look, but you can definitely see the influence when you look at them as a set. I imagine they leaned into that a bit because of the military elements on the record - the suggestion in Mama that the patient was a soldier, maybe even a war criminal. We also know they've done military aesthetics before, in The Ghost of You music video, and that the band was formed in response to 9/11. Suffice to say, the military is on the mind, and this is a continuation of that.

They also look a bit like skeletons. Obviously they would occasionally do the face paint, but the uniforms themselves suggest a ribcage with the horizontal silver lines, and at some angles the stripes on the pants also really contribute to the image. I know most people have already realized this, but I wanted to point it out explicitly because it took me an embarassingly long time to see it.

Alright, I'm gonna talk about them individually now, going from my personal least to most favorite. Taste aside, they're all individually really interesting.

5. Bob

(I can't find another good Bob picture, just scroll up to the blurry one)

It's not just because I don't like Bob, I genuinely like this one much less than all the others. It might be because it's less tailored - the others look much sharper, he looks almost rumpled in comparison. The lose fit might be because as a drummer, he needed better range of movement, but I'm not a drummer so I don't know. The cut of his jacket looks kind of naval to me, which is interesting. His stripes are also very minimal compared to the others. Overall, his looks the least like it's part of a set. I don't necessarily think they meant to set him apart, but maybe they did, considering he's the only non-original member (I'm counting Frank as an original member) and the only one not from New Jersey (which, I only point out because they ALWAYS point that out to people who mention they're a Jersey band. We're from Jersey, Bob is from Chicago.) Maybe it was a subconscious thing, or maybe as the drummer his costume was designed to make the most of what would be visible sitting and partially obscured by the drum kit. It does have a very dramatic collar. That's probably also part of the reason they gave him a more distinctive haircut for this - I'm not gonna talk about hair much, but it's worth mentioning. Overall, I don't have a ton to say about Bob because I don't think of him much (sorry, but not really).

4. Frank

Frank's is really interesting. His is the least traditional-looking, which is why it's here in the ranking, but I like it and I think there's a good reason for that. Those stripes on the sleeve are a really strong look, and the material of the silver has kind of a tarnished/dappled look you can see better in other photos. I've seen people say it's a subtle camo pattern, but I'm honestly not sure - I think he's supposed to look a little less new and shiny. The blockiness of it widens him and gives him a lot of presence that might be lost if he was dressed more like the others, and it compliments his performance style well. That's particularly important in the WTTBP video - on that float, he simply doesn't have room to be as wild and energetic as his standard performance was at the time, so this uniform helps him stand out and draw attention to what thrashing he is able to do. As far as bucking tradition, he also is the only one without shoulder tabs (those little loops). There's something funny about that - those tabs are meant to hold loops and eupalletes that would signify rank, placement, or achievement, which apparently you could not give to Frank if you tried. I think this lack of traditionality is reflective of Frank's more punk sensibilities, having come up in the Jersey scene. His playing style evolved over time as he and Ray influenced each other, but at the start he was very much their punk guitarist and coming up in that scene continued to influence how he conducted himself as a musician. I think this uniform marks him as a non-conformist even within the group.

He also has that patch with a red cross on the sleeve, the only bit of color on any of them. I don't know what to make of that, maybe it's just for the Catholic vibes.

Honestly, Frank's feels the most like what people would expect from an "emo" marching band uniform. Especially considering the poster, where he's found a hole to stick his thumb through. I don't think he's wearing it in the video, but in that poster he has this belt with some kind of weapon?? Maybe?? We get it, he's a dangerous little man.

3. Mikey

Mikey's uniform is by far the most military - it's not just the medal, it's also the cut of the jacket. And he's the only one with a fun little belt, which helps keep the silhouette look nice and tailored even though the jacket flares a little at the waist. We all know the medal is a reference to his death in The Ghost of You video (there's no way they didn't know we would make that connection) and it wouldn't surprise me if the rest of his uniform looks more military because it was built around that idea. But also consider Mikey's stage presence at the time - due to his discomfort on stage, he used to be really stoic, standing in the back, getting the job done with little showmanship. I think that presentation lends itself well to a classic military figure. Mikey is also pretty thin, and the long jacket and it's strong, solid construction keeps him from looking too Victorian-orphan waifish (especially with how pale they all are), and more like a dead soldier boy.

Additionally, Mikey's costume leaning so hard into the military side helps them look more military as a group. It keeps the association in your mind when you look at the others. Also, he's wearing a little necklace here, which I've never noticed before, is he wearing that in the videos?? I think it's an anchor, which is fun considering he died on a beach.

2. Gerard

Yes, Gerard's is #2 in my ranking. I'm sorry, I might have a slight bias knocking it down from #1. But maybe not, let me defend myself when I get there. Anyway, Gerard's is the most classically marching band, which makes sense considering he's the frontperson. In fact, he has one of those braided loops on his shoulder we talked about earlier, demonstrating.....something, it seems to vary a lot, but we're probably meant to think leadership. He's not wearing it the WTTBP video, but it's there in Famous Last Words. He also has that fancy little star thing on the shoulder, which definitely seems to suggest rank. Otherwise, his uniform is very basic. He's the template that the others' uniforms are variations of. And it's a great look! He's also got nice big buttons compared to the others, three whole rows of them, which is a nice touch to make it look a liiiiittle more feminine. Because, of course, the back of the jacket is corseted, in a genious stroke of gender that puts the entire outfit in a new context. I think this is a good example of how Gerard likes to play with androgony by balancing masc and femme elements. The cut of his jacket makes his shoulders look wide and his waist narrow, but not so narrow it looks terribly feminine (just a little, taken on its own). A lot of this is achieved by the piping - notice how on Bob, Mikey, and Frank, the top row of piping (I might be using that word wrong but let's go with it. I'm talking about the silver stuff across the chest) is pretty much the same length as the bottom row? On Gerard, they start out wide way up on his shoulders and get progressively narrower at the waist. It's still a mostly masculine silhouette, but then you have the counter balance of the big buttons and his little white pixie cut, both of which lean just a little further toward femme than masc. It's an androgynous look that leans toward masc as a whole, until he turns around and, boom, corseted back. Showstopping. He also had those black leather gloves that give some nice formality, and maybe a touch of impersonality. They make it so that when he's in full uniform, the only skin you can see is that of his face. They're like an edgier version of the usual plain white marching band gloves.

1. Ray

Going purely by aesthetics, Ray's is my favorite. It's the fancy one, most obviously distinct by the flourishes around the buttons on his jacket. He Mikey are the only ones with pure silver shoulder loops, and Ray has more silver piping on his jacket than the others. In some pictures he's wearing this really ornate knotted tassle thing? You can see it in one of the group pictures above. He isn't wearing it in any of the videos, which makes sense as it could be really annoying while playing. The cut of his jacket at the bottom also looks formal to me, but I'm not sure why. Overall, the ornanamentation could be a reflection of his playing style - the same caveat here applies to Frank, in that they influenced each other through their parnership as guitarists, (and Ray has a lot of influences from different genres), but at the start he was their metal guitarist, and the guitars in metal are often complicated and showy. And he's their soloist, they need to show him off a little.

Additionally, the construction here is giving him an absolutely wild silohette. Like Gerard, the piping on his jacket gets progressively narrower to suggest a smaller waist, but without the really long stripes at the top to make the shoulders look broader. Those vertical lines across the front add to the effect because they're curved inward - which is interesting, because everyone else's uniforms are composed of entirely straight lines and sharp angles. And his jacket is cut REALLY high on the side. I can't tell if Ray's pants are more high-waisted than the others, or if it just looks that way because of the cut of the jacket. You see the stripe of the pants go all the way up his hip, and since he's already tall with long legs, it really accentuates that. It's hard to tell, but I think his pants are even a little more form-fitting than the others. The other day I saw people commenting on a gif of Ray in the WTTBP video about how they never noticed how long his legs are - this is why!

We talk about how part of what makes Ray such a compelling performer is how he moves, and I think this costume was designed to compliment fluid motion. The tailoring and curves of the piping avoid making him look too rigid or blocky, as a marching band uniform could easily do, and the high cut of the jacket lets the line of his legs continue uninterrupted. Honestly, this is a favorite look for Raygirls (gender neutral) for a reason - I think they knew exactly what they were doing putting him in a pretty, well-tailored uniform that accentuates his movement. (Caveat here that I'm a Raygirl (gn) so I'm definitely biased, and they all look great in their uniforms, but I do think Ray's is.....uniquely flattering, and I don't think it was an accident).

Conclusions

So now that we've talked about all of them, I think we have some interesting contrasts to make. Gerard and Mikey both have very classic looks, but Gerard's is more marching band and Mikey's is more military. Mikey and Bob both have very military looks, but Mikey's has a much more solid construction. Gerard and Ray are both on the marching band side of the spectrum, but Gerard's is classic while Ray's is ornate. My favorite contrast is between the guitarists - Frank's is blocky and rigid and tarnished, Ray's is curved and fluid and shiny.

The interplay between similarity and contrast is what makes this so compelling as a group costume - just by looking you can tell who's the leader, who's the tragic figure, who's the outcast, who's the rebel, who's being spotlit.

In closing, thank you Colleen Atwood and Gerard Way for designing these and the rest of the band for wearing them, I will never get tired of looking at them.

[ponyregrets]

I wanted to write about Buck and Eddie going in the ocean and I'd written most of it before I thought to check what the weather in LA is actually like right now (look, I'm in New England, I just think of it as Warm down there, okay?) and I decided to go with it anyway. as @frightfullytreeish said, get chilly, idiots

(806 coda, 1900 words, also on AO3)

"Hey, what brings you joy?"

Eddie is expecting some waffling in Buck's response. Maybe some suspicion. It's a weird thing to ask, obviously. Joy isn't a word he uses much, isn't a go-to. But even if what makes you happy is a more normal question, it's not right. He needs something deeper.

And of course there's the Tommy of it all. Buck hasn't exactly been mourning or anything, but he's obviously down. It wouldn't be unreasonable for him to say that nothing is bringing him joy at the moment. It's not a particularly joyful time.

But Buck doesn't hesitate, doesn't question. He just says, "The ocean," and doesn't even ask why Eddie wants to know.

"Really?"

"Yeah. I never saw it until I left Hershey. We never went to the beach or anything when I was a kid. The first time I saw it, I fell in love. It was the best thing I'd ever seen."

"I didn't know that."

Buck shrugs. "Doesn't come up that much. And I guess I always think I'll get used to it? But it's amazing every time. I never get tired of it."

He should have known, right? They've gone to the ocean together. Or--well, they've had calls near the water before. That guy who got struck by lightning. The shark.

The tsunami.

But they've never just gone. Buck has never tagged along with him and Chris on any of their trips, and he and Buck have no reason to just take a beach day together.

Joy doesn't need a reason, right? He can just do it.

"Cool," says Eddie. "Let's go."

"Now?"

"What else are we doing?"

It hasn't been a problem, exactly, their lack of things to do. It's just kind of new, the way they're hanging out in the last week. Usually they have Chris, or girlfriends, or boyfriends. They have some reason to stop being together, and now they just…don't. And Buck just keeps on coming over, hanging out on Eddie's couch, in his space, like he can't bear to be in his loft now that Tommy isn't there.

Or something.

"You got some trunks I can borrow?" Buck asks.

"Are we swimming?"

"You want to go to the beach and not swim?"

Most of the time, that's what he does. When Chris was younger he'd get in the water, but the last few years it's been Eddie supervising while Chris does his own thing far enough away that it doesn't look like he's being supervised.

But Chris is in Texas. And, yeah, it's November, but Buck doesn't seem to care.

"I'll see what I've got," he says and finds he has two pairs of trunks in good enough shape that he's not embarrassed about anyone wearing them. Small miracles.

He throws the bigger pair to Buck and then goes to change in his bedroom. Buck will be doing the same thing in the bathroom, not for the first time, but he's never been changing into Eddie's trunks before. Did Ana ever wear anything of his? Marisol didn't. Buck might be the first person since Shannon.

As long as they fit, it's fine. Not a big deal at all.

They take Buck's car, the podcast he's listening to about the issues with the keto diet resuming as soon as he turns it on. Hen has gotten tired of explaining why his diets might be a problem herself and is outsourcing, which Eddie can't blame her for, but he doesn't find the resources nearly as interesting as Buck does. He already knows he doesn't want to do keto.

"You don't need to cheer me up, you know," Buck says, about halfway to the beach, without bothering to pause the keto thing. "I'm doing okay."

"I know."

It's mostly true. Buck has seemed fine with the breakup. Not happy, but not heartbroken either. He's been a little quiet about it, more so than Eddie was expecting. All he'll say is that Tommy initiated it, but he understands why.

"I'm trying to be happier," he tells Buck. "For me."

"Is that a thing you can try? Like, aren't you just happy or not?"

"If that was true, the ocean wouldn't bring you joy, right?" He lets out a breath, his stomach tied in inconvenient knots. "Someone pointed out that when I had the choice between something that would make me happy and something that wouldn't, I picked the one that wouldn't."

Buck mulls this over for a long moment. "I always figured that's because you're more mature than I am." It's only half a joke.

"Yeah, that's one way of looking at it." His breath shudders more this time. "Anyway. I'm not doing that anymore. I'm looking for things that bring me joy. So I figure if the ocean does that for you, maybe it'll do it for me, too."

"I hope so."

They set up like Eddie would with Chris, towels and belongings planted in the sand, the only difference that they left their phones in the car since no one is staying behind. He keeps his back turned as they shed the layers of clothing they have on, but when Buck hands him a tube of sunscreen, he has no choice but to stare at the expanse of bare back. The motions are familiar, nothing he hasn't done a thousand times for Chris, but…

Well, he's never done it for Buck.

Buck makes him turn around so he can return the favor, a much less familiar process. These days, he usually leaves his shirt on.

But he knows Buck's hands. They're familiar, all heat and callus. Careful, incongruously so. Buck looks like he's built clumsy, someone who can't do delicate work, and maybe he knows that too. Like happiness to Eddie, precision doesn't come naturally to Buck. He has to put the effort in, and he does. Eddie's skin lights up with every stroke of Buck's hands, so he's sure that Buck gets every inch.

And then he keeps going a little longer. Just to make sure.

"Okay," says Buck at last. "We're good to go."

Eddie is expecting Buck to run into the ocean like an overgrown puppy, all bright enthusiasm despite the chill, but he's cautious. He dips a toe in, then his foot, then the other. He walks in slowly enough that Eddie overtakes him, even though he's not running. He's just eager.

"The first time I went into the ocean, I was in Virginia Beach," Buck explains without making Eddie ask. "It was May, and I thought it would be warm enough, it was a hot May. But I ran in and it was so cold. I ran right back out."

"Goes to show," says Eddie.

"What, exactly? I know how the water's going to be today. It's cold."

The water is probably around the same temperature as it was in Virginia Beach in May. Eddie shivers, but doesn't stop, not until he's up past his knees. He smiles at Buck, who's still just letting the waves lap his toes. "Yeah, it's nice anyway. It's hot out."

"Not hot enough."

"It's fine."

He's in up to his ankles now. "You're not getting the joy, though."

"I am."

"Eddie."

"I'm getting used to it."

"You're not supposed to get used to it. You're supposed to be be making choices that make you happy right away, right?"

"I am happy," he says again, and it doesn't feel like a lie. "It's nice, there's no one else here. And it's not cold enough for us to get hypothermia."

"Are you sure this isn't just for me?" Eddie cocks his head, and Buck clarifies, "For my benefit."

"Should it be?"

Buck kicks at a wave. "He said I wasn't ready. Tommy. That's why he broke up with me. I asked him to move in with me, and he broke it off instead."

"So he's an idiot," Eddie says. "Always knew there was a chance, but I was hoping I was wrong."

"Is he, though? Was he wrong? I didn't really want him to move in. I just wanted…" He huffs. "I want to be done with this, you know? I'm ready to be with someone. And I think it could have been him."

It's not like getting shot, or even like getting punched. It's like a bullet or a fist going past him, close enough to graze the skin. Close enough that he's thinking about how much it could have hurt.

"But that's shitty, right? Like, how long could I have kepg going just because I didn't have a reason to break up with him? He was…fun. I liked him. I liked feeling like I'd figured it out. Like that was the last piece. I like guys too."

"Maybe it was," Eddie says. The water is lapping against his legs, the surf gentle. He's used to the temperature where he's submerged, but it's only halfway up his thighs. Every time the droplets splash higher, there's this shock of sharp little pinpricks.

He's so fucking happy.

"Maybe that was the last piece, but that doesn't mean Tommy is it. Maybe you're ready, but you're not ready for him."

"I'm just tired," says Buck. "I'm tired of waiting for someone to want me enough, you know? I'm ready to settle."

"You shouldn't," says Eddie. "You shouldn't be with someone just to be with anyone."

"You can build it," he argues, like Chris angling for a later bedtime or more video games before homework. "Love. Like you and Shannon did."

Nausea roils his stomach. "We didn't. It wasn't like that."

"I know it wasn't perfect, but you two were working on it. You were going to--"

"She wanted a divorce. Before she died. That was one of the last things she told me. We weren't going to have another kid, we weren't going to get married again, we weren't going to be together." He's not crying, but in that way where he is very aware that he's not crying. Where Not Crying is currently defining his existence. "I think we could have been friends," he says. "And maybe we could have figured it out. Been together again, made it good. That's what I told myself. And that's…easy."

"Easy?" Buck asks, in a small voice. Like Eddie is telling him a fairy tale he wishes could be true.

Which Eddie is, actually.

"If she was the love of my life and I lost her, then that was it. No one else would ever measure up. Nothing else could ever be as good. It was never going to work."

"But she wasn't?"

"Maybe she was. Or maybe--" He's Not Crying. "Maybe I don't just get one love, or even just one life. Maybe it doesn't have to be about finding her again. It can be about finding someone new. Someone who…"

He chokes then, the words dying in his throat. Buck is dazzling in the sunlight, his eyes as blue as the sea, his expression open, waiting. His whole existence focused on Eddie.

Eddie would marry him today. Eddie would marry him tomorrow, Eddie would marry him yesterday. Eddie would tie himself to Buck in any way Buck could think of, in every way, with wills, with contracts, with mortgages, with handcuffs, with string.

"Someone who brings me joy," he finishes.

"Joy," says Buck. He looks over the horizon, smiles, shakes his head.

Eddie's chest is too small and too big. He's never had so much in him.

"I've never had that," he muses. "Someone who makes me feel like the ocean."

"Like the ocean," Eddie says. "Yeah."

[usercelestial]

i would like to hear your thoughts ❤️

gahhhh okay no one throw rocks at me, this is buck x oc

adam has been a nurse for a long time. he's dealt with trauma after trauma, met so many firefighters and paramedics but none with a bigger heart than evan buckley. he's seen him around a few times, the station 118 is pretty well known in their hospital for being a bit a problem station. people are constantly getting stabbed and struck by lightning, evan buckley in particular seems like maybe he pissed off god personally. they exchanged a few words here and there, laughed at a few of the others jokes, but every time they lock eyes, buck makes quick work to look away and bite the inside of his cheek. adam specializes in hurt and believe him, buck seems... hurt.

it isn't until they bring in a young kid, probably 16 or 17, with bruises and cuts all over his body. he was beaten until- well, until it was pretty touch and go for a minute there. two of them hang back in particular, hen and buck. he's talked to hen before, back when she was going through med school, she told him about her wife and kids, how hard she was fighting for them, how draining it was. adam joked about that sounding familiar, he remembers med school well enough when he was single, he couldn't imagine it with a partner and a kid.

the two of them were standing together, watching the kid be carted away, both biting their cheeks and clenching their fists. hen whispered something to buck and patted his back.

"i know, it's just- god, that was brutal." buck wipes his face.

"that's why we look out for each other." hen squeezes his arm and walks away.

"does he have anyone to look out for him?" buck says to himself

interesting, he doesn't know the full story- just that that kid looked like he was in a hell of a lot of pain. and judging by the rainbow bracelet around his wrist, he's guessing he knows why.

he's about to work himself up to go talk to him. there's something about his eyes, wide and sad and so deep in thought he wonders how he pulls himself out.

they lock eyes again. adam gives him a tiny wave and an awkward smile. buck looks like he's been caught with his hand in the cookie jar and returns the nicety before bolting out the door. hen notices and looks back, processing something in her head. she smiles but it doesn't quite reach her eyes.

then buck shows up at the hospital later in his civvies, rubbing his hands together.

"hey!" adam says just a little too loudly, cringing.

buck jumps a little, like a scared deer, adam absolutely does not think it's the cutest thing in the world.

"uh, h-hi." buck is still whining his hands together.

"adam! sorry, i don't know if i ever gave you my name or if you remember-"

"i do." buck smiles, "yeah, i remember."

"good." and then he just stands like an idiot for reasons he cannot grasp before remembering he should probably speak now, "are you visiting someone?"

"do you remember that kid from earlier? the one had the um-"

"the kid that got hate-crimed? yeah i remember. he's stable now. he had a rough night, but he'll pull through."

buck visibly releases a weight off himself, "oh, good. i just wanted to check in on him. i don't know, it was a rough call, it was driving me crazy not knowing."

adam put down his clipboard, nodding, "yeah, i mean, that stuff definitely hits home for me, for sure."

"it doesn't for me," buck says and oh, shit, i guess he's not queer, fuck did i read this wrong, "i mean! like- when i came out, i had so many people that cared about me. my sister, my-well- my dad, my best friend, my boyf-" buck cuts himself off and deflates again, "sorry. i just hated the idea that he didn't have that, you know?"

"no, i get it, don't apologize. that's-thats really sweet. visiting hours are almost over but i can see if he's up for it, okay?"

bucks nods, and maybe adam is a fool with a dumb little crush but he swears he blushes a little. he feels his heart bursting a little about it. he came back to this kid, felt the need to check in and ask about him, because he didn't have something that he did.

"pull it together," he whispers to himself as he walks away.

buck keeps coming back, too. visiting the kid as often as possible, playing cards, and giving him fun facts from some documentaries he's watched. adam perks up whenever he hears one that he's watched. he lets it slip that he watched the same one, went on the same wikipedia binge. buck does that smile softly and look away like you're about to throw thing he does. adam occasionally joins in on the conversation whenever he gets a free moment. and then eventually, the kid gets discharged and buck is there to see him off. it turns out he has an aunt out in texas that's far more accepting than his folks here. he swears he sees buck tear up a little as he walks out the door, waving back at both of them.

and adam fully expects buck to go back to being a first responder he sees a few times a week and exchanging awkward, stolen glances.

but he doesn't stop coming. buck shows up the next day with two coffees in his hand. adam waves at him and buck breathes like he's psyching himself up and walks over.

"you said you liked chai lattes, so, um, i figured-i figured you would-"

"thanks!" adam decides to put him out of his misery, "are you visiting someone?"

buck ducks his head and scratches his neck, his smile looking less tortured, "hopefully, if you were free, you."

"i was about to go on my first break, if you wanted to go for a bit of a walk." adam suggests.

"that sounds great." buck clears his throat.

"great, gimme just a second, alright?" he walks away and hears buck mutter what he thinks, "i used to be better at this."

a few weeks pass by like that. buck hovering just on the outskirts of his life, very careful not to step too far in, but still present in a way that drives him crazy. he can't stop thinking about him but he only gets him for fifteen minutes now.

"do you wanna go out for dinner sometime?" adam asks, trying to sound as casual as possible.

buck gasps, like audibly, like a woman fainting after meeting the beatles, "i-uh, i should probably get back, sorry."

oh, he watches him go. and then stop in his tracks. and then turn back around, "can i get your number actually? or instagram or something?"

trying to contain his excitement, he nods, because of course he nods. when a hot, sweet as fuck, puppy dog eyed firefighter offers you their phone number, it's a crime to say no.

eventually, they do end up on a date- or at least he thinks it's a date. he can't be sure. the wine certainly feels date-eske but he really can't be sure because buck is barely looking at him in the eyes. he picked his very best "possibly a date" outfit and went in with low expectations for anything other than a really pleasant, really awkward evening. he decides though that if he gets to spend it with buck, it feels worth the awkward tension. especially because sometimes, he can coax him out of it and he looks so- vulnerable, an open wound. he's like a starry sky that hides behind a cloudy night.

adam doesn't remember what he says but eventually they start talking about things that should probably be save for the 40th date, not the maybe, jury's still out first.

but adam definitely knows he says, "you seem like you've been hurt." because the moment he does, he wants to punch himself in the face after buck gets this horrified expression like adam just said he likes kicking dogs in his spare time.

then, the moment passes, and he clicks his tongue, "i used to be better at hiding it."

"it seems like maybe it's a good thing you don't."

buck shakes his head, "i also used to be better at this," he gestures between them, "dating, flirting, having a crush," which does get buck to smile and adam gets to see that twinkle in his eyes again.

"oh okay, so this is a date, noted. and- you're not terrible at it, it's pretty adorable, actually. and i'm hardly one to judge. i'm very familiar with hurt."

buck keeps smiling, "well, my hurt is a 40 year old firefighter-pilot who broke up with me a year ago, so- i don't know how familiar you are with that kind of hurt."

"oh, i am all too familiar with that kind of hurt. does this hurt have a name?"

buck sucks in a breath, adam gets the sense that he hasn't said it in a while, "tommy. tommy kinard."

adam feels like buck is cracked open right now, "are you not ready to move on yet? cause, i'm okay with just being friends!"

"i really don't want to."

"be friends? damn, okay-"

buck puts on a hand on his for a second and adam's heart flutters, "no, i don't want to be just friends. tommy was- well, i loved him. i mean, i-"

"still do?"

"god, i'm really cursed to fuck up first dates, aren't i?"

"it's okay. i mean, i like you. i've liked you for a while, you know? and i've had my own tommy, the one that got away, one i'll never stop loving. i think-" it hurts to think about but he knows it would hurt more to forget about it, "i think what our tommys have in common is that we never let them go, or stop loving them, but we-" he sighs, thinking about his own heartbreak, his own first love, his own missed connection, "we take the love we have for them and we can let it grow into love for others too."

bucks bites his cheek. adam briefly wonders if the inside of his mouth is scarred of all the biting, "i guess i'm scared of giving him up. like if i stop thinking about it or if i like someone else, he'll disappear and everything we had will just- vanish," he chokes out.

adam hums, "it won't. that's the great thing about tommys, right? they stay with you, you never stop feeling that love. you just- build on it and give it to the next person."

buck has tears in his eyes now, adam thinks he might too, but god he's looking at such a beautiful man, with such a big heart and he can't help but thank whoever tommy is for giving him so much love that he's overflowing with it.

"sorry-"

"don't apologize, this got heavy really quick and we're only half way through the bottle of wine," they both laugh into their glasses.

"i guess i'm a little- hurt, like you said."

"i'm a nurse, buck, i kind of specialize in hurt. and if you're willing to try, i'd like another date, one that i actually know is a date beforehand."

buck really does blush this time, "i can do that."

buck leans in and kisses him on the cheek on the way out, oh god, he's a gentleman too, i'm so screwed.

down the line, when they're celebrating their engagement in the same park they used to walk through on adam's breaks, he thinks to himself, not for the first time, oh, tommy kinard, wherever you are, whoever you're with, thank you for loving our man, and thank you for letting me love him just as much.

[llamaisllama777]

TSAMS THEORY: THEY'RE ALL THE SAME//TIMELOOP THEORY!

Okay, you read the title. This is probably the CRAZIEST theory I've come up with up, but please let me explain.

Okay, so in this episode of The Sun and Moon show

Dark Sun visits Foxy and is trying to help him solve his F.c. problem. This was when F.C. got that red box in his chest that absorbs negative star power, and Foxy had no idea what to do, and "Sun" shows up to offer him some support and help... ya, that's not Sun, as you can probably imagine it's Dark Sun. Dark Sun, if I remember correctly, is basically telling Foxy to get rid of the kid cause he's too dangerous, and off course, Foxy tells him no. Dark Sun make some interesting comments that got me thinking. Dark Sun kept asking hypothetical questions like: If you could go back in time and redo everything the exact same way... would you?

Kept asking time related hypotheticals, and even after 7 months, my mind does wander back to this episode and what Dark Sun said.

Someone in the comments of this video asked "Wait is Dark Sun implying they're all stuck in a timeloop and only he knows?" And that BLEW MY MIND!

It does explain a lot of things about Dark Sun

How he seems to know how everything is gonna play out

How confident he is

How smart he is

It's cause he's been through ALL this before.

He's seen it all before

He's experienced it all before

And he's learned from it all.

There is a VERY popular fan theory that Dark Sun is actually OUR Sun just from the future!

I do think that theory is true... but allow me to add to it.

DARK SUN IS SUN FROM A PREVIOUS TIMELINE

The theory is that every time THIS world ends, it gets reset (Kinda like Undertale), and everything happens all over again, maybe with one or two small differences, so it's not an exact copy but a close enough one. Dark Sun was a Sun who we know snapped and fought back against his Moon, killed him, and stole his intelligence... is what I would say if that was true. It was later revealed that Dark Sun lied about killing his Moon. We see his Moon barely alive in a cell where Ruin then puts him out of his misery. Ruin calls Dark Sun out on his lies, and Dark Sun just kinda brushes it off. He lied! He lied about killing his Moon! So, if he didn't get his intelligence, then where'd he get it? Dark Sun didn't steal it he gained it through experience. Dark Sun somehow found out he and his WHOLE WORLD IS TRAPPED IN A TIMELOOP! He probably freaked out about that for a while till he began to wonder if he could change the future, change his fate. So, he does. He becomes Dark Sun after many attempts and many timeloops and finally breaks free from the loop, but he realizes he's free, but the loop isn't over. It's still going. Just now, he's a watcher. He's on the outside looking in. He watches the loops play out over and over and over again, and it just keeps getting WORSE! Moon is still being an abusive butt to Sun, Sun still barely has anyone to support him, and they are still constantly messed with by people like Eclipse, BloodMoon, The Creator, The Astrals. It NEVER ends! Oh, sure, sometimes the loop is merciful. Maybe it gives Sun a new sibling to care for him or a new friend or heck, maybe even a kid... but it's still the same shtick! Sun even dies in some terrible ways in some of these loops! Or the siblings turn rouge and become evil. Dark Sun decided enough was enough and decided to try and break the loop once and for all, but in order to do so, he needs to intervene. He needs to start making things go his way. Pushing Nexus further to the dark side, putting things into place so Sun will lose his support system, and make it so the next few loops will have the Suns coming up on top. Basically, altering the timeloops so Sun doesn't die in 95% percent of them and instead Moon dies. (What's been happening in the show currently) Dark Sun is trying to make our Sun like him cause he believes he can't break the loop, so if you can't break it... change it. He's trying to turn Sun into another him because Dark Sun thinks becoming like him is the only way to break the loop. He's trying to make all Suns like him cause he believes he can help them.

So, that's Dark Sun's part of this.... how does Emperor Lunar and President Earth come into play?

Well, if the timeloop theory is correct, then you see what I'm saying, right? President Earth and Emperor Lunar ARE our Lunar and Earth! Just from different timelines. They're like Dark Sun sort of. They know about the loops but aren't really doing anything to intervene. Maybe they are, and we just aren't seeing it? Who knows?

Now, you might be saying Llama, Emperor Lunar, President Earth, and Dark Sun are from another dimension... not timeline... well... do we know that for sure? I mean, they say it's other universes.... but... dimensional travel is a tricky thing. Who's to say Moon when he built the portal didn't accidentally poke a hole through? Plus, other dimensions and alternate timelines are a term that's pretty interchangeable. So, what we think is an alternate dimension is actually a alternate timeline, part of a the loop.

Basically, what I'm saying is that Moon's portal is actually going in a giant circle poking through the past timelines and wrapping back around to ours and poking through ours to future ones.

Tl;DR The whole show is stuck in a timeloop, and Dark Sun, Evil Earth, and Evil Lunar are OUR Sun, Lunar, and Earth just from a previous loop and Dark Sun is trying to save all other Suns by messing with the timelines so they'll become like him and break free from the loop.

Does this theory have a lot of holes... yes. But gosh dang! Wouldn't that be something! Plus, I can see something like this happening in the show.

But hey that's just a theory...

A TSAMS THEORY!

Thanks for reading!

[rin-solo]

Let me release some character headcanons into the wild real quick, specifically about Odysseus and his family. And by headcanons I mean my canon-compliant (as far as I'm aware) interpretation of their characters and arcs.

Penelope: A quiet, gentle, book-smart girl underestimated by everyone and considered "plain" especially next to Helen. Odysseus was the one who saw her for the interesting amazing person she was, hence why she fell in love with him.

She's logical, introverted, a bit of a nerd, and a little shy; she prefers to remain in the background instead of the spotlight. When Odysseus is away for 20 years and she deals with the suitors Penelope grows to be more resolute and bold, having to step into a leadership role even if she doesn't prefer to do so. She can kick ass if she has to (both verbally and physically) but doesn't enjoy doing it herself (setting her apart from the usual Spartan.) Even over the years, she remains introverted, preferring her books and her son's company over politics, battles, and annoying strangers.

She admires Odysseus for his bold leadership, his talent for improvising and handling crowds and attention, his cunning, and his battle prowess, the fact that he has and would never diminish or humiliate himself to impress or please anyone (even her), as well as his undying loyalty. Moreover, his bold, adventurous energy has always made each day an adventure and without him, her life feels really empty and dull. She's always been the steady, level-headed one in the relationship who doesn't shy away from telling him when he might be making a mistake and grounding and supporting him when he needs it.

Odysseus: A bold, somewhat reckless, confident boy who grew into a decisive, cunning king. Penelope was the one who saw his good heart underneath his carefree and somewhat condescending demeanor, acknowledging him for the well-intentioned person he really is hence why he fell in love with her.

He's got the smartest mouth in all of Greece and can talk his way in or out of *almost* anything. He's more street-smart than book-smart, able to improvise, lead, and think on his feet. He's unafraid to speak up and talk back (even to the gods), which has gotten him in trouble countless times (not that he'd ever stop.) During his 20-year-long ordeal, he naturally became more ruthless, less over-confident, and more willing to do what was necessary to reach his goal, but he never actually lost either his good heart or his true values, only covered them up because he thought he had to. Before and after he was a natural leader and diplomat, a cunning and strong warrior, and someone who isn't afraid to be in the spotlight and take responsibility when he has to. If anything, he tends to blame himself too much. Although after his return his trauma and bad experiences leave him more hesitant and insecure in his leadership than he's ever been; it takes a while and a lot of support for him to grow back into it and stop seeing himself as the monster and the one who is to blame for the deaths of his entire crew.

In Penelope, he admires her intelligence, her steadiness, her undying loyalty, and the fact that she will always ground him, call him out, and support him in often the same breath. He's always been the decisive one in the relationship with better people skills, but without her reassurance that he's doing the right thing, he is only half as confident in any decision made. He finds strength and assurance in knowing that she would follow him to the ends of the earth, but also keep him from straying onto the wrong path without hesitation.

Telemachus: While inheriting his father's bold, fearless attitude, he has also his mother's gentleness and dislike for politics. Growing up seeing how dejected and miserable she was because of his father's absence, he has developed a positive, sunshine attitude, also to brighten her life a little.

He's both naive and not at the same time; being bullied by the suitors for so long, he knows human depravity very well, but being stuck in Ithaca, he doesn't understand the sacrifice and pain that comes with being a hero. He's somewhat of an ambivert—book-smart like his mother but also fearless like his father. Mostly he's just a kind, good person who wants to bring light to the people in his life that he cares about and will always choose to greet the world with open arms when possible.

When his father returns, he becomes the new light in his life as well, helping him to open his heart again after what he's been through and giving him new hope in the way that Polites used to. He admires his mother's intelligence and dedication, and her endurance and ability to step out of her comfort zone and confront bad people when she has to. In his father, he admires his leadership, his loyalty, his endurance, his battle prowess, and ruthlessness—his ability to do what he has to do. Telemachus sees his own inability to be so ruthless as a shortcoming, even though Odysseus is more than happy that his son is not like him in this regard and tries to shield him from anything that may change this.

[slay00ryu]

The Chaotic Duo.

A Ronin x Misaki fic

︻デ═一・・・・・・・・・・・・・・

Misaki was sitting on top of a building. Shotgun by their side, phone in their shaky hands.

<@hitmeupp>: Anyone wants to be my assassination support?

This was yet another time when they send a message like this to the server, they always did that when the target was either too dangerous or they had a very shitty day. This was the former, their clients hired her to kill a CEO of a big filming company who was also entangled with some shady mafia business. The amount of armed men around him was really getting on the poor assassin's nerves, they just wanted an easy kill, is it so much to ask for?

Well while they were cursing their client in their head, they heard a silent DING, someone dmed them!

<@goreboy>: heard you Needed some Support

<@goreboy>: what's up?

Well, that was unexpected.

Ronin usually doesn't text her when she sends a message like that, it's usually Angel who helps them. Maybe she sent Ronin because she's busy? Yeah, that's probably it.

"Dude oh my fucking God, I am dyinggg here. Like seriously, how guarded can a guy be?" They sent him a short voice message, if Angel really sent Ronin to the rescue then he wouldn't be surprised by the voice message, right?

<@goreboy>: heh seems Like the Best assassin in The Whole fucking japan is really Stressing over a small fry

<@goreboy>: who's The target btw?

"Oh shut the fuck up, I can get stressed!- oh shit he almost looked this way... oops" They send the message and then sent another one. "Some guy who worked with the mafia, the money for him is high."

<@goreboy>: damnnn alr Then maybe shoot him Before He sees ya

<@goreboy>: we Don't wanna our Fav assassin dead

They chuckled at his respone.

"Awh stop or you'll make me blush while i'm killing someone." They said jokingly, Ronin could hear them loading their gun in the message.

<@goreboy>: maybe I'd like to See ya All blushy hm?

Misaki didn't see that message until after they left the rooftop, Ronin's message really did make them blush.

<@hitmeupp>: Oh stfu

<@hitmeupp>: He's dead

<@hitmeupp>: Thanks for the help

<@goreboy>: when You need help Call For the devil and He Will help You out

Ronin chuckled after he sent that reply.

Would he really help the assassin the next time they need help? Never say never, he could as well replace Angel and take some of her worries off of her shoulders, right? Also it's important to keep the server's members alive and out of jail.

Misaki in fact did use Ronin's help, texting him directly to help her out and he was there every time. His replies were different from Angel's, well that was to be expected, they are two different people with very different personalities.

Ronin was encouraging them more in the devilish style, he was flirting with them to keep their mind off of the nerves, made jokes about the target and fed Misaki's ego about them being THE assassin.

<@goreboy>: hey Wanna Call?

<@goreboy>: i'm Bored

Misaki was surprised to receive this DM, Ronin wants to talk, and he wants to do this only with them. Weird? Maybe a little. But he could consider Misaki's interest piqued.

<@hitmeupp>: Ofc babes

Immediately after sending that on their screen was a pop up.

@goreboy is calling.

They picked up without a second thought.

Normally Misaki wouldn't show anyone their living arrangements, but only did they know Ronin for two whole years, he also was pretty open about being in possession of their IP address which meant that he knew where and how they live.

"Hey, hey. What does the big devil want from little me?" Misaki asked once the call connected.

"Not much, jus' bored, and you're quite good at amusing me." Ronin replied with a confident smirk glued to his voice.

"Woah, am I your clown now?" They asked with a fake hurt in their voice.

"More like my personal chaos maker." He was obviously flirting with them, and Misaki wasn't going to let him have his fun alone.

"Maybe we could make chaos together then?" They joked, there was no chance for them to do it together in real life, even if Misaki wished that they could meet up... Wait, what?

"About that." Ronin's voice cut through Misaki's thoughts. "I just happened to get my hands on a plane ticket to Tokio, was wondering if you could be my guide." Ronin's words made Misaki's eyes widened.

"What!" They fell from their chair. "Ouch... wait, wait, wait! What do you mean you have a plane ticket? And to Japan?"

"Don't ask so many questions, you don't need to know." Of course Ronin wouldn't answer, he has to be a fucking mystery. A hot mystery who's really helpful...

"Yeah sure whatever, so you want me to be your guide?" They crossed their arms over their chest.

"Who's better to show me around than the best assassin the whole Japan ever saw?"

"Are you seriously feeding my ego just to get me to agree? Wow Ronin... Why does this actually work every time?" They whined. "Of course I will show you around." They smiled.

"Great, I'll be there next week."

"Wait, what-"

Aaand he hang up.

Yeah. very Ronin style.

"He's coming here? Oh fuck! Ronin IS coming here! Oh my god..." Misaki's voice was mix of stress and excitement.

They started to feel something for Ronin a while ago, but they didn't really know if it would work out. But with him showing up so randomly? Maybe it was a sign?

"Oh my god! Why does it make me so fucking excited?" They groaned and fell on their bed, their face buried in a pillow so they could scream their excitement out.

A week had passed without Misaki even noticing it.

They are standing near the airport exit with the most cheesy and cringey welcoming cardboard ever: "Here stands the devil's servant" written in English, with some edgy stickers all around the words.

It didn't take Ronin long to find them and he was barely keeping in his laughter when he approached Misaki.

"Damn, such a warm welcome. Makes me feel like royalty." He said with that cocky smirk of his.

"...Why are you even hotter in person?" Misaki asked bluntly.

"You're not too bad looking yourself, quite on the contrary, you look so much better in person." He said, Misaki didn't know if he was genuine or if it was just the regular teasing, but their poor heart still took the damage.

"Uh um, yeah! We need to get to your hotel!" They changed the subject, which was answered with Ronin's chuckle.

"Sure, lead the way darling."

The assassin couldn't say that their time with The Butcher was boring. It was anything BUT boring.

Not only did they spent some fun time at the local karaoke, ate some amazing food or did other fun activities. Ronin also made sure to do some illegal activities together, going around abandoned buildings, setting trashcans on fire, Misaki watching Ronin kill a guy, or Ronin waiting for Misaki after their assassination.

They had a good time together. And undoubtedly they grew closer. Close enough that Misaki stole Ronin's shirt from his hotel room and he let her do her thing.

"You're drowning in it." Ronin's voice came from behind Misaki who just put the t-shirt on.

"AH!" They yelled and turned around. "Man learn how to walk and make sound please?" They said and glared at him.

"Yeah, yeah. Anyway... You can keep it." He came closer to Misaki. "Suits you." He smirked.

Misaki's face turned red.

"Uh.. um... thanks?" They weren't sure how to interpret his words, but oh lord even without a proper interpretation their heart went crazy.

"Told you, you're my chaos maker." He whispered into their ear. "And we can just bring chaos to the world together."

Was that really the Devil's confession just now?

[margindoodles2407]

You guys were asking for the Fives And Echo Dissertation so here it is. Courtesy of @seeking-elsewhither, who first asked the question, "Do you think Fives or Echo is older?" and then patiently listened as things got out of hand.

(Author's note: this is written in my own sort of weird style, where I have a point to prove but to prove it I use almost a kind of narrative style. A great previous example of this is The Crosshair Dissertation, which I published whilst watching The Bad Batch. I hope this style doesn't throw anyone off. Thank you for your time.)

@whyoneartheven You may be interested in this and @kitty-i-swear-to-gosh I know you asked me where the thesis was so I'm tagging you. I hope you don't mind :)

Tube twins are incredibly rare within the ranks of the GAR. Very few of them survive gestation due to lack of nutrients or other complications, and the few that do are often… taken care of by the Kaminoan scientists. The reason for this is that (based on prior tests and research) tube twins, more than any other clones, have a tendency to become dangerously codependent. They will often prioritize their twin over the rest of their squad, which means missions get failed and battles are lost. And Force forbid a pair of twins get separated, whether it be through simple reassignment or, worse, death- it can cause severe mental depletion to the point of a psychosomatic response, a full-on breakdown, and too many other problems to count.

Neither Fives nor Echo knows the real reason they were allowed to survive. They both doubt it was a show of mercy on the parts of the Kaminoans, and even less likely is the idea that they somehow slipped through the radar unnoticed. They agree, though, that it's better not to pry. For their own sake.

Now, with this knowledge in mind: let's examine the fact that, in my mind, Fives is the elder twin. To make sense of this, you may need to take a brief refresher on my characterization of Fives. He's a silly guy, yes, and we love him for it. He also takes responsibility incredibly seriously, he does NOT tolerate those who abuse their positions of authority, when he sets his mind to something only the Force itself could possibly hope to stop him, and he is willing to literally fight and die for the people he loves.

Now, Fives is not the eldest of his vode. He has Hevy, Cutup and Droidbait ahead of him, and only Echo directly under his care. Echo his twin, Echo his closest brother, his best friend, his confidant, his better half.

And he, Fives, is his older brother.

On Kamino, he keeps his head down, as much as deep in his soul he wants to lash out against the Kaminoans and their standards of genetic purity, because if he were to act out on Kamino he could get himself and his entire squad in trouble. And he has a responsibility not to do that. But he also has a responsibility to protect them- ESPECIALLY ECHO- in other ways.

He… becomes a little bit overprotective of Echo. He has a tendency to constantly pull "older brother status", but he's not doing it out of a sense of inflated ego or superiority, he's doing it out of a genuine sense of duty. He's doing it because he knows the danger tube twins are in, the fact that most of their twin brothers died as tubies or newborns. He's doing it because he knows Kamino is a harsh world, a dangerous world, a world of scientists so pragmatic that they speak of human beings as "units" and discard anyone who doesn't measure up to their standard of genetic perfection. He's doing it because he loves Echo, he loves his brother more than anything in the galaxy and he genuinely wants him to be safe. But Echo, especially as a cadet, doesn't fully understand this. And he does resent Fives, just a little bit (mostly as a cadet), because in his mind Fives is only being needlessly overprotective. He feels that Fives won't let him fight his own battles, he feels that Fives thinks that he's weak and incapable just because he's the youngest and the younger TWIN and the straight-laced rule-follower who would never willingly go seeking out a fight. As cadets, they get into a LOT of arguments about this, and it's not until right before their graduation that they both finally seem to fully understand each other.

Now-- the Kaminoans are absolutely not justified in their termination of tube twins. But they aren't exactly wrong about the dangers of codependency. Especially after the Rishi Moon, Fives and Echo really feel like it's them against the galaxy. That's not that they don't love and care for their other brethren, but they begin to cling to each other in somehow an even more intense way than they did as cadets and as shinies. It's a good thing they both end up going to the 501st, they both end up in Torrent Company, they both enter ARC Training and both graduate ARC Training. It's a good thing they're assigned on the same missions. Rex and Anakin recognize that they do seem to work best as a team, their movements seem to be in tandem and it's almost as if they can communicate between each other without saying anything, which makes them both utterly fascinating to watch and entirely lethal on the battlefield.

So of course it's only natural to assign them both to the Citadel mission.

Such a shame no one knew there was a bomb in that shuttle.

Fives spends the next few weeks after the incident completely out of it. He's a sobbing, hysterical, sleep-deprived mess, and everyone begins to wonder if the stories about separated tube twins having broken minds are true. But Fives is not a fragile man. He's devastated, he's lost the person he loves most in all the world, he's experienced the worst tragedy in his short life… but he also knows that he has a responsibility. To his Captain, to his Company, to his brothers. So he pulls himself together and goes back to war. But there's something markedly different about him after the Citadel. He's still warm and friendly and kind, but he's not as quick to smile. He's slower to laugh. His gaze holds a kind of sadness and emptiness to it that brothers unfamiliar with the story of his life don't fully understand. (Even the ones who are familiar don't fully understand. Only the Captain, and the men who were at the Citadel, really get it, and even then… none of them had a twin.)

When he first meets Tup and Dogma, they kind of remind him of the old days. They aren't twins, but they share such an incredibly close bond that they could be. He sees a lot of himself in Tup. He sees even more of Echo in Dogma, which is why the whole debacle with Krell breaks his heart so much. (People ask him if he hates Dogma, for everything he did. For trying to execute him. Fives always looks them hard in the face and simply responds, in clipped tones, "No, of course not. How could I hate my brother?" The recipients hardly wonder if his words might have a double meaning.)

He ends up taking Tup under his wing, the way Rex took him and Echo under his. (If Dogma had stayed in the 501st, he'd be there too.) And part of the reason they're such close friends is because of the way that Fives sees so much of himself in his younger brother (and so much of Echo in Dogma). It's one of the reasons Fives fights so hard against the chips.

It's the reason that it's not just blasterfire that shatters his heart.

Echo is rescued from stasis a few weeks later. He doesn't ask where Fives is, not at first. There's the whole shock of getting off of Skako Minor, then there's the stress of the Battle of Anaxes, then there's the joining of an entirely new squad.

But he knows there was a reason, and not a good one, that the arms he woke up in were Rex's and not his twin's.

He finally works up the courage to ask the Captain where his brother is.

Rex tells him Fives is gone, and he screams.

He screams, horrible sobbing tears, because the one and only thing that kept him going through those years of horrible torture and pain and absolute agony was the fact that he HAD to stay alive, because he HAD to see Fives again. He HAD to get back to Fives his twin, Fives his closest brother, his best friend, his confidant, his better half.

Was everything he went through for nothing?

Should he have just… let himself die? On Skako Minor, should he have just… given up?

No. No, he tells himself, when he's finally calmed himself down (which is… not after a short period of time). That's not what Fives would want.

And that's why, when he has a chance to go with Rex, when he has a chance to go and finish what Fives started- rescue their vode from the prison in their own minds- he grabs it with hand and scomp and doesn't let go. He loves Clone Force 99, he loves Omega, he loves them all more than he's loved anyone since he was first separated from his brother.

But this… this is why he didn't die. This is why he didn't let himself give up. Rex told him the stories, the stories of Umbara and the tragedy of the Chips. And Echo knows that, if Fives were alive, he'd be right there too, fighting the Empire under its very nose.

How could he possibly do anything else?

(And, years and years and thousands of rescued Clones later, as he lays, an old man, struggling to take his final breaths, surrounded by his former Captain and the squad that took him in and the little girl with star-colored hair who has grown into such an incredible young woman-- out of the corner of his failing eyes he sees a bluish figure with unruly curls and warm, grinning eyes and a supernova smile, eternally twelve-twenty-four and crystal clear against the grey fuzz of everything else. And finally, it's the twin he lived his whole life in memory of who's the first to welcome him into the afterlife.)

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[silusvesuius]

n*loth not being able to bag anyone over the (human term) age of 25-30 at most is the only logical and real conclusion to me because it can be just explained away as him wanting to prove and control everything and anyone (Cus he's a man!) but being stuck in that demographic because his unbearable and vile personality is a force that nobody can look past once they've outgrown the possible fear and idolization period of anyone but also n*loth in particular.