#i know this because he is the patron of my province
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did you know that santa clausâ myth originated with the story of a brown man
san nicolĂĄs de bari was a bishop whose family was rich, and every year he used his money to buy gifts for the kids Â
#i know this because he is the patron of my province#and every year theres a huge party for him#how did santa become white idk#but anyway random catholic fact of the day
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The Tale of Napoleon Gerard, AKA Nips Garhunter
This post was available early to my patrons, so if you'd like to see stuff like this from me please consider joining my page!
I'm currently playing in a Curse of Strahd campaign in which every single player, independently, decided: "you know what would be amazing is if I brought a really stupid character for this horror  campaign," and that's how we ended up with a party of absolute idiots. It kind of makes things worse when stuff goes south...
Nips is just a big, sweet, dumb boy who speaks with a strong Southern Belle accent. He's very polite and friendly and just wants everyone to get along. His backstory is that he was mostly raised by his gramma, Betty--inspired by my own grandmother as a way to memorialize her.
Betty's daughter (Nips' mother) was a bit of a rebel and ended up becoming a mistress of the duke of their province, a tyrant named Duke Gerard. She fell pregnant with Nips and died in childbirth with him. The duke tried to take Nips from Betty, but she absolutely refused and visited the ducal palace every single day. Nips was such a handful and so stubborn with every nursemaid except for Betty that the duke finally gave up and allowed her to raise Nips as long as he lived in the palace the majority of the time.
The ducal family had a legitimate son after a few years, though, and Nips was ignored in many ways because of this. He spent his childhood running away to his gramma's house and baking bread and peach jam with her. When his younger brother reached inheriting age, however, the duke sent Nips away. He became a bit of a hero in a quiet fishing village for saving their waters from an overpopulation of gar, thus his assumed surname "Garhunter." "Nips" isn't what he was called growing up either--his grandmother called him "Leon."
He's worried about his grandmother and tries to sneak back to see her whenever he can.
In my current campaign, he's stuck in Barovia and wants nothing more than to get back to his gramma. I'm playing him as a paladin with a homebrew oath--the Oath of Family. His "spells" often involve him whipping up homecooked meals and his "holy symbol" is the sun hat his gramma gave him.
It's been a pretty rough campaign, though. Nips is very homesick.
He has grown to VERY MUCH dislike Strahd for both personal and general reasons--all I'll say is that our party adopted Vasili as our favorite NPC and brought him everywhere with us. Sooo when the party was invited to dinner at Strahd's mansion, Nips showed up in his full ducal regalia in order to try and show Strahd that he refuses to be cowed.
That patch on his chest is the Gerard family's symbol, a spear in an open field. The family specializes in spearfighting; thus Nips' proficiency with the spear for fishing.
It's been hard for Nips to face Strahd because Strahd reminds him of his own father; a tyrant. In a way, living in the fishing village gave Nips a way to avoid facing the damage his father has done and avoiding the responsibility ingrained in him since birth of protecting the people of the dukedom. The moral quandaries in Curse of Strahd are difficult for him. It's distressing to him when he can't help everyone. A part of his spirit is becoming bitter and hard.
Not to mention that our time at Strahd's castle didn't go well...
He actually has a playlist as well, if you would like to listen to it on Spotify đ >>HERE<<
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Also check out @birdlimes and @izuris and of course the DM ruining all our lives, @rookdaw, for more art from the campaign B)
#curse of strahd#dnd character#dnd paladin#dnd 5e#dnd art#why yes this is the campaign where the bard decided to hook up with strahd why do you ask#stares at bird
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DAILY BRAINROT
It's been a long day on account of work, so I've been thinking about things, but not really focusing on anything.
I'm glad I took philosophy of religion last semester because I'm trying to figure out the Links' different views and practices and stuff for the Guidemarks AU. I'm only partly done, but here's what I've got so far:
I think Sky's view can largely be summed up by the fact that he killed a god and is confident in his ability to do it again. He also knows Hylia isn't a real goddess anymore, either. This is a man who has Seen Things.
Legend, on the other hand, is probably at least a little more respectful, in my opinion. I'm not sure if he has much of a connection to the Golden Goddesses, but he at least has a working relationship with the local spirits, etc. because he's seen too much to not believe in something. Like, the Windfish at least. I don't know.
Twilight's a bit complicated because I am going with the adoption thing. He's been adopted into a culture that's not his by birth, so he doesn't really have the same understanding of Hylian religious practices as the others, which makes things awkward. He follows the same practices as Rusl and Uli, and it makes him stick out. I'm still mulling it over a bit, since it seems like each of the human provinces in TP have a patron spirit, which complicates things.
Also, the geography is just really bugging me because I'm smashing all the maps together. I know it probably doesn't matter a lot in the grand scheme of things, but I'm probably going to doodle it out later. Ordona is basically Canada at this point, and I don't know if that's a good thing or a bad thing.
Especially since Hyrule gives me more Canadian vibes than Twilight does for some reason? But I also feel like he could be from Australia or New Zealand. Either way, Hyrule deserves dual citizenship, and I'm working on getting him that.
SKY ALSKDKKSKSSKD OH MY GOD
I actually have sooo many thoughts about how Twilight was raised in a different culture and probably has different beliefs and traditions and such than the others
YKNOW WHAT I NEVER THOUGHT ABOUT IT BUT HYRULE DOES HAVE CANADIAN VIBES. I usually headcanon him as being French
THANK YOU FOR SHARING :)
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FFXIVWrite 2024 Day 2 - Horizon
Masterlist Fandom: Final Fantasy XIV Characters/Pairings: Original Characters (Final Fantasy XIV) Rating: Teen & Up Additional Notes: tw for a brief mention of suicidal ideation
"You want to know where you can watch the sun set?" Yezih taps her chin, and for once her face doesn't scrunch up in suspicion. She looksâŠthoughtful. "The crags near Florentel's Spire offer some of the highest views, and the trek ain't too arduous. But it's too far, the Adders will not approve it.â
âThat is your Captainâs problem, not mine.â
Yezih shakes her head. Her eyes slide past, landing on the table where a pair of leather cuffs lay in a neat pile. "You know you will need to wear those.â
âMmm.â
âAnd that I must accompany you."
"I do not care."
âRight.â Yezih pauses, fighting an unseen dilemma, before raising a hand to her linkpearl. Sheâd finally given up on abiding by every one of the Twin Addersâ rules. âI'll ask the Captain.â But not her superiorâs.
Their exchange lasts a while, and Deipo grows tired of waiting, slumping onto her bed. She'd stopped trying to run weeks ago, hadn't attacked anyone for longer than that. She even tolerates the conjurers, and their soft, limp words â if Captain Sanson wants her to open up, he could start by permitting her this.Â
She considers abandoning the idea; telling Yezih to leave her alone would be easier. But she's losing her mind in this damned cottage.
Sheâs fussed out another ilm of the frayed corner of her blanket by the time Yezih's done. âThe Captain said we must be back by the seventh bell. For safety.â Yezih retrieves her lance from the corner, before taking out the cuffs. âAnd that you are not to leave my sight. Understood?â
Deipo shrugs. When she holds out her arms for Yezih to place the cuffs, she does not complain or grumble; the leather is surprisingly tolerable, looser than anticipated. They wonât chafe her wrists.
The evening air is cool, and begrudgingly pleasant. Deipo had only gone as far as the Bobbing Cork the last time she was let out, when Captain Sanson and Lieutenant Guydelot brought her there to âacclimatiseâ (at which even the lieutenant had rolled his eyes). Her mind had refused to wander then, from the doorway, the patrons, the strangers on the road; at one point sheâd almost wanted to scream.
Her heart has calmed a little since, just a little, but enough that she can begin to take notice of her surroundings. The forest is unlike any sheâd ever seen in Ilsabard, but itâs still a forest, coming alive as night grows near. Insects rustle between boughs and in the cracked earth; larger creatures stir where the trees are densest, and old instinct has Deipo turning her back from the shadows as she walks.
Yezih takes her southwest, past the river and further down, where fluffy grass gives way to dirt paths and dark grey crags. From here, she can see what must be the Spire, a tall outpost that had nevertheless been dwarfed by the surrounding fangs of rock that jut out from the earth, curling in on the land. Like a maw to swallow us whole.
âNot much further. Come.â Yezih beckons with a short wave of her hand, headed for a curving slope that gradually climbs the tallest fang.
ââââââââââââ
In Garlemald, all soldiers are taught to fear sundown. Darkness meant the cold could bite harder, even in the neighbouring provinces; creatures of the night would set out in search of prey, and even with magitek armour, a pack of starved wolves still posed a mean threat when darkness was on their side.Â
When the sun sank, the Garlean soldiers were always the last to volunteer for the watch, and the first to retreat into their tents when the dead of night came, leaving the aan to take the most dangerous shifts. But Deipo would always volunteer for those hours; not because she saw better in the dark than anyone else, or because sheâd learnt to find her way without the sun ever since she could crawl, but because the few soldiers who were still awake would leave her alone.
And if a beast or a sheer drop happened to take her, she could let it take her, without some loathsome saviour or merciless centurion getting in the way.
The horizon stretches high here, past the mountains that circle the Shroud, and the setting sun is a line of green and orange that shines too strong when Deipo tempts its gaze. She shuffles her feet, poised to stand; Yezih has positioned herself less than fifteen yalms away, lance in hand as she keeps an eye on her while watching for stray banemites, but Deipo still feels too exposed on this empty expanse of rock, devoid of trees or even underbrush.
But it is quiet, closer to silence than the rolling waterwheels of Hyrstmill, and Deipo finds solitude in it, space for her thoughts to breathe in a way that she hasnât had for moons.
#ffxivwrite2024#ffxivwrite#kae scribbles#deipo mohltaka#yezih naharaf#in case it wasn't clear: yes yezih is a member of sanson's bard unit#she's a lancer with a lot of the same stiffness and discipline as sanson but quieter#she's also a cousin of moro'a's ex but that's not relevant for now
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Marshal Ney in Galicia
In 1902, an author named comte de la BĂ©doyĂšre (I do not know if and how related to the la BĂ©doyĂšre executed in 1815) wrote a book about Marshal Michel Ney, mostly about his trial and execution. But the appendix also contains several other documents, among them excerpts from the memoirs of a certain general BĂ©chet, Ney's aide-de-camp. The part I translated is about the first months of 1809, Ney's time in Galicia, after Napoleon in January 1809 had quit Spain for France and had left the task of conquering Portugal to his subordinates.
Marshal Soult was put in charge of this operation, in which he was to be assisted by Marshal Ney. The Marshal had sent me to Marshal Soult to discuss with him the positions which the troops of our corps would occupy as his troops moved towards Portugal. I found him near the place of Ferrol, which had not yet been surrendered (it was surrendered the next day). He didn't receive me too well, not because he resented me or even knew me, but because he wasn't on very good terms with my patron. I thought I would starve to death in that unfortunate town of Ferrol, where I had great difficulty in getting a bite to eat, as Marshal Soult had not invited me to dine with his officers.
Bad Soult! Don't kill the messenger (or in this case, don't let him starve) just because it's a messenger from Ney...
I'm unsure what the two marshals had agreed upon with regards to the placement of Ney's troops, who, as BĂ©chet says himself, had the task to support and thus to stay in contact with Soult's corps in Portugal. However, given the two marshals were "not on very good terms" with each other, Ney probably followed a primal instinct and tried to get as much distance between himself and Soult as possible, in going north to La Coruna, while Soult went south into Portugal. Communications soon were interrupted not only with Soult's expedition corps but also with Madrid. But it seems Ney & C. did not mind too much:
Our stay in this town was not without its pleasures. Sometimes we played whist at the marshal's house at one napoleon a card. One evening I lost twenty cards, I didn't have such a large sum with me and I asked the Marshal to give me credit; he sometimes demanded them back from me in jest, I replied in the same tone, and I ended up not paying him. The Marshal, who had only rare relations with King Joseph because the roads were interrupted by the guerillas, was regarded by the Spaniards as the viceroy of the province and had all the powers.
To which I have two remarks: 1) Some people were accused of wanting to make themselves king whenever they found themselves in a similar position. Just saying. And 2) Ney and his aides were not alone in regarding the interruption of communication by guerillas as a given, and to pay little attention to it. Joseph and Jourdan in Madrid, too, waited for an explicit order from an exasperated Napoleon before sending Kellermann to reopen communications with Ney in Galicia (with Soult in Portugal there was no contact at all).
And now comes a rather ... interesting story about what "viceroy" Ney was up to in this new domain of his:
He had the idea of visiting all the women's convents, and there were many, and of telling the nuns and novices that all those who had entered them against their will could leave if they wished. It was playing the role of the tempter, but such was the spirit of the time, and we thought we were doing a meritorious work by acting in this way.
I'm sure you did, you little prick...
In a convent where the nuns had the reputation of being very fanatical, a young novice, with a charming face, threw herself crying at the feet of the Marshal and addressed him in Spanish in a speech that we still only barely understood. Our hearts went out to her, and already more than one gallant knight was offering her his services, ...
Uh-huh...
... but our interpreter told us that, on the contrary, she announced to the Marshal that the Virgin had appeared to her that night, and warned her that that very day she would obtain the dispensation of age necessary to make her vows, and that she had no doubt that the Marshal was the envoy from heaven who had come to grant her the grace she was seeking. The Marshal replied that it did not depend on him, but that he would write to the court. So much for our tender feelings. In fact, I seem to recall that only one of these ladies took advantage of the freedom offered to her; she left the convent to marry an officer who took her back to France with him.
Must have been quite a blow to the self-esteem of all those "gallant knights" trying to free poor enslaved women, for utterly unselfish reasons, of course.
#napoleon's marshals#michel ney#peninsular war#jean de dieu soult#those two again#Coruna 1809#Galicia 1809#chercher la femme I guess?
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John 15:18-21
Solemnity of Saint George, Martyr
Saint George,
Sculpture by Donatello (1386-1466),
Sculpted between 1415-1417,
White marble
© Bargello Museum, Florence
Gospel Reading
Jesus said to his disciples:
âIf the world hates you, remember that it hated me before you.
If you belonged to the world, the world would love you as its own; but because you do not belong to the world, because my choice withdrew you from the world, therefore the world hates you.
Remember the words I said to you: A servant is not greater than his master. If they persecuted me, they will persecute you too; if they kept my word, they will keep yours as well.
But it will be on my account that they will do all this, because they do not know the one who sent me.â
Reflection on the Sculpture
Saint George, widely venerated as a Christian martyr and the patron saint of various entities including England, soldiers, and scouts, was a historical figure who lived during the late 3rd century AD in the Roman province of Cappadocia, which is now modern-day Turkey. Little is known about his early life, but according to tradition, George was a Roman soldier who courageously professed his Christian faith and refused to renounce it, even in the face of persecution. The most famous legend about him recounts how he heroically defeated a fearsome dragon that was terrorizing the city of Silene, rescued a princess and converted the city's inhabitants to Christianity. Despite the mythical elements surrounding his story, Saint George's steadfast devotion to his faith and his unwavering courage in the face of adversity have made him a beloved and revered figure in Christian tradition, celebrated for his virtues of bravery, chivalry, and selflessness.
Our Saint George sculpture is by Donatello. It is one of fourteen commissioned by the guilds of Florence to decorate the external niches of the Orsanmichele church in Florence. St. George was commissioned by the guild of the armorers and sword makers (the Arte dei Corazzai e Spadai). Saint George is sculptured as a young, brave, determined and strong man in armour. He is not standing in contrapposto, although his right leg is turned to the same angle as his shield, visibly his weight is on both legs. Even though he is fully clothed, there is still the sense of a muscular body underneath, typically Renaissance sculpture. His right hand originally probably held some sort of a blade. Drill marks on his head indicate that he probably also wore some kind of (bronze) helmet or (gold) wreath. St George's eyes are looking up and his face indicates some kind of anxiety and emotionality before attacking the dragon.
Article by Father Patrick van der Vorst
#christian blog#jesus#bible reading#christian doctrine#bible scripture#biblical#glorytogod#bible#faith in jesus#bible study#biblical art#artwork#art history#art#religious art#bible reflection#scultpure#biblestudy
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I am officially watching Misfits and Magic again and I do like kinda wish there was someone there to be like "this is weird even by British standards." like I know part of the point of the Magical Misfits is they were chosen for the pilot program because they were specifically The Worst Choices for the Pilot Program, but still they keep assuming the weird ass Magic Society is also British Society and sometimes just being Canadian, not even British just Not American, I'm like 'no, that's... wait. I don't know if that's a thing they believe or not.'
especially after that episode of Um, Actually where Brennan didn't know the capital city of Canada, which is, Geographically, *so fucking close* to New York by the way, and he said fucking *Calgary* which isn't even a capital city of a province, let alone in Ontario. which I know is apples to oranges but sometimes very smart people are very dumb about certain things. and it makes me wonder like. "How much do they know about daily life outside America???" which is like. extremely like. judgemental and patronizing but also sometimes I can't help but have like. this creeping dread that it's not actually a joke???? or something. idk. it's a weird thought that's not fully formed and like I've never been overseas so they're probably more travelled than I am but at the same time like. I'm pretty sure there are Black people in Britain. But also it's a commentary on Harry Potter which like sucked at representation and totally didn't or conveniently recast them when they became romantic interests. Also the whole troubling stereotype of the Weasleys still being like... *that*. and their expies are still *that*. idk. I'm reading too much into it, and the fact of the matter is like HP has more problems probably than like. fully anticipated. it's like an onion of bad ideas, you just pull back a layer and find new bad idea that you hadn't first conceived of and like. that sucks a lot because some aspect of it managed to capture so much whimsy and inspire so much creativity. But it really was mostly the fandom that made it good, it's returning to the books themselves where all the trash is, and since the fandom is gone for the most part except for the crazies it's like. 'oh. ugh....' but then like Misfits and Magic is like 'oh right this was the stuff that was actually *fun* about the series. it was the fandom and the fan interaction.'
like it's the 'oh right I remember, I used to love not having anything to do with the books, because I kinda started hating them after 4, I just wanted to roleplay with my friends' and usually they were better at lore and ideas, and that's what Misfits and Magic locks into because like, Aabria is way fucking better at lore and logic than JKR, because she's objectively better at all this shit and a better person obviously. like. fundamentally. so approaching stories with Aabria is more interesting and engaging. but sometimes it's hard to tell if it's like. a parody or if like. it's weird. because sometimes it's weird, and I'm weird. And like there's obviously Vietnamese people in Great Britain??? so that's a Magic thing. and sometimes it feels like the Misfits assume things are about Britain instead of Magic. and it gets a little. Muddy.
I'm a little buzzed. it's 1am. I don't have reasonable thoughts. My holiday hangover is hitting me very hard.
#seph watches misfits and magic#stoned ramblings#I'm also trying to draw again but it's weird and I'm distracted#don't take anything I say seriously because I have two brain cells and they're both very tired
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Of pandesal fame;
The corner of Chico and Anonas has always been the busiest part of this quiet neighborhood. There wasnât much to boast about this place but the one bakery that most people believe to have the best pandesal in the world. Thatâs an exaggeration but you wouldnât want to hear other people say it themselves. One other bakery in competition has dimmer lights and its metal gate closed all the time seemingly uninviting or at most exclusive to its patrons. I have no way of knowing. I have lived my life in these streets for three decades before I had to move away.
All my childhood friends have moved away earlier than I have. To where, they never told me. Half of them moved to the province. The computation of my friends moving away is easy because the actual half are siblings of 5 boys alphabetically named making it easier to remember their name. For some reason, I canât even remember any one of them. The other half are two more sets of brothers. A twin and another 3-sibling set all of which I remember the names of. Itâs not important to this story. There are at least two important things why I mentioned this: one, is that Iâm the only person in the friend group that doesnât have any sibling (I do, but weâll get there); and two, that for every about five years, my number of friends decline (from ten, to five, to two, to one, to none).
I do have siblings, though. One 10 years older and another 2 years younger. The relationship dynamics have always been weird and it was never discussed by our parents why itâs such the case. How could they have waited for 9 years before me and just waited one after. This made it harder for me to drag my brothers into the circle of friends I had growing up. One that my older brother is too old for us to hang out with. Another I felt has robbed the attention from me right away from when he was born. Given our age gaps, thereâs no order to our names unlike my other friends. My older brotherâs name is Denver, like the city in Colorado; the younger one is Neil. My name is John Paul. As boring as it sounds. In my years of growing up, I have thought of so many theories about our names as to exclude myself from the three of us, one of which: is that both of them are named after famous musicians, John Denver and Neil Young. But that includes one of my names, so itâs not as satisfying as what I aim it to be. These are just small instances of my urge to leave everything. The only problem is that everyone has left before I have, even if I have already been gone for four years. Denver left first, given his age and his readiness to start his family. (Was he actually ready?) Neil and his genius of a brain moved to Germany as an exchange student and has roamed Europe to his heartâs content only coming back home every couple of years or so. My parents are dead.
My father died when Neil was only 12 years old. I mention this first because I was 13 and I have associated this to my unlucky age number to have been the reason my father had to die. My mother has garnered a total of 3 step-parents in the span of another 13 years, another unlucky number that I have thought I have already accepted and let go of to not blame myself for my fatherlessness. Two of my early step-parents are men born out of poor choices until my mother discovered a never-thought-fork-in-the-road path of lesbian romance. Of course the men left. But my step-mother stayed for a couple more years until we decided to leave the house my mother died in. The adults will never be named in this story (I know their names unlike the childhood friends I lost way earlier in my life).
To where I left my hometown, a Chico street exists but not an Anonas. The pandesal is clearly not as good. I remember growing up having run the streets a million times playing games with the sibling-ful friend group I have with the lack of children in the streets of another fruit tree. It took me about 2 more years since my step-mother left the house even if I promised her I would leave when she does so we can finally complete the process of grieving from my motherâs death. It wasnât a complete break of a promise, though. I have packed a lot of the things I wanted to bring along from this now empty house. Boxes of plates that I know I will never use. Different styles of pants from my younger years that I said I will get to the size but may never will. Notebooks my family and friends have given but still had no pen ink in them because I was too lazy to journal. My yearbook. My old family pictures. My fatherâs favorite fedora. My motherâs favorite shawl. Neilleft me a few things. Denver took everything he could. In the two more years that I extended my stay, I have continued to be alone. I had no complaints but I have never thought that the people that I got too busy for have now moved on, from my life and from this world. I have no obligations anymore but those obligations have always been part of who I am as much as this loneliness is.
I bring up the bakery at the corner of Chico and Anonas because since I have left where I grew up from, I havenât been back until today, about 11 years since I left. About 13 years since my mother died, I just realized. I had no idea why because the son of the owner of the house carefully asked me not to ask about it until I came back. I respect his entire family a lot and I know they wonât ask for a favor if they could help it. A little sacrifice of restraint will not pain me so much in the 3 days that I had to wait. Having lived in an archipelago all my life, I never had the urge to aboard a plane to where I have spent a lot of time in, and spending more energy in the new place I uprooted my (inexistent) life made much more sense since I have nothing to go back to anyway. The family paid for my two-way plane ticket from their estate, I suppose. For my trip, I only assumed that he would just like to talk about the recent passing of his only remaining parent and that there have been some items left to my name. In a sense, I am not completely wrong. No matter what happened, they said, they would do anything to talk to any remaining members of their favorite tenant and family they have ever come to know. Long story short, the house I grew up, is not up for rent anymore but is now for sale. I missed the big sign on the gate, I told them. Might it be fortunate or not for me that the reason they flew back home was to offer me the house. I am not in any way heir to the home. Just, the heir to the first offer to be sold the house to. It is their parentâs dying wish. I got an offer price exclusive to me. All I had to do was agree to them. It turns out, I have enough savings to do so with just the right amount left to live comfortably in the next 5 years. As if they have asked my bank without my permission to know if their minimum was achievable by the offer heir.
I said Iâll think about it. I have a roundtrip ticket. Had they thought to just get me a one-way ticket (to which I wouldâve said no, or have booked a return flight right away) I might have said yes after a few more hours of reminiscing about the very same living room I knew growing up. They gave me a couple of weeks to think about it which they scrapped and extended to a month. Much like me, they have no reason to rush any more. So I will think about it. I promised them again, much like my restraint. This time, I am needed to let go of it.
The corner of Chico and Anonas has always been the busiest part of this quiet neighborhood. There wasnât much to boast about this place but the one bakery that most people believe to have the best pandesal in the world. I didnât buy.
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Nero Scaeva analysis and headcanons
Not a lot is known about Nero Scaeva before we meet him in ARR. He calls himself a âpeasant from the provincesâ and EE refers to the âsqualor of his poor villageâ. We know a bit about his early career at the Magitek Academy thanks to the short story A Display of Ingenuity. And EE tells us that he was offered a research position at the Academy but turned it down for the military and speculates that this is because of the availability of Allagan ruins to soldiers on the front lines.Â
For a long time I have slowly given thought to how I would like to flesh out Neroâs past in my personal WoL-verse without coming up with anything that I felt satisfied with. The obvious route is to assume he is, in fact, a peasant. Perhaps from a farming family. And thereâs nothing wrong with that assumption. But personally it doesnât feel interesting to me. Nero is such a man of contradictions and surprises that I feel his history should have a few twists in it as well.Â
Well, recently I happened upon an interesting bit of information. I noticed while looking up something else in EE that while Nero was styled as tribunus laticlavus, when Gaius was a tribune under Solus, he was styled as tribunus angusticlavus. This made me curious about what the difference between the two titles is. It turns out, in Rome where the titles come from, a tribunus angusticlavus was a tribune who came from the Equestrian class or Equites. Whereas a tribunus laticlavus was from the Senatorial class, the higher social class of the two. Not only that, but a tribunus laticlavus would commonly go on to run for political office. It was seen as a sort of unofficial first step on the âCursus Honorumâ, the succession of public offices an aspiring politician would generally follow.Â
Naturally, this leaves me wondering why they would choose that highly specific title for Nero if heâs supposed to be a âpeasant from the provincesâ. It could simply be a coincidence. It could be a joke. It could mean nothing. Or I could take it an run with it and no one can stop me.Â
Call me crazy, but I love the idea of Nero going around complaining about being a poor, disadvantaged peasant while actually being part of the aristocracy, but also not exactly lying about himself either. Â
So hereâs how I imagine the Scaeva family:Â
The Scaeva family is Old. They were there in the earliest days of Garlemald, one of its founding families with a proud history. But since the rise of the Empire, their power and influence have seriously waned and their fortunes have plummeted. They had to sell off their properties in the Capital and now live on their impoverished lands in the country. The family has not been blessed with fertility in recent years either. Currently, there is an ailing patriarch (name tbd), a couple of offshoot branches in various parts of the country which are âpollutedâ with non-Garlean blood (according to the old man), and Nero. Neroâs father was expected to lead the family back to greatness, but he died in the course of Garlemaldâs various military campaigns and his mother died soon after in childbirth along with the baby. Now that responsibility has fallen on Nero and his Grandfather raises him to feel the weight of it.Â
Unfortunately for the Scaeva patriarch, Nero was born with a rebellious streak and an innate love of technology. Fortunately for Nero, the Magitek Academy is the most prestigious institution of learning in Garlemald so his Grandfather encourages him to study Magitek and earn himself a patron, because technically they canât afford the tuition but nothing else is good enough for a Scaeva. But after graduation Nero is expected to follow the cursus honorum which means joining the military for about 10 years before running for public office. Nero doesnât mind joining the military, it gives him access to more Allagan technology than he would get staying in Garlemald. But the last thing he wants is to be a politician and he really couldnât care less about making the Scaevas great again.Â
I imagine that as 10 years in the XIVth come and go, Nero is increasingly pressured by his Grandfather to do his duty to the family and enter politics. Nero puts him off with excuses about his essential he is to Gaius and how important his work on the Ultima Weapon is. Then Praetorium happens. Nero recognizes it as an opportunity to cut himself off from family and duty completely and live his life the way he wants to. He doesnât look back.Â
Additional thoughts:Â
Nero has no love for his Grandfather, but if you met the old gentleman you would immediately see where Neroâs pride, arrogance and ambition come from.Â
When Nero talks about being a âpeasant from the provincesâ he is only being slightly ironic. His hometown is squalid and his family estate is only barely hanging on to some semblance of respectability. In the capital, heâs looked down on by the current crop of wealthy and influential families. And of course his Grandfather taught him to condescend to these ânouveau richeâ who have risen with Solus. Itâs no wonder he canât make friends.Â
Pertaining to my ship:
Nero does NOT want Severia to ever meet his Grandfather. He probably tells her his family is all dead. But the Grandfather hears rumors about Nero bedding the Warrior of Light and thinks to use their relationship to the advantage of the family. Grandfather instantly forgives Nero for deserting and wheedles him into bringing Severia to the family estate to meet. (Mostly he gives in because Severia is very curious and begs him.) It is a very awkward and comedic episode. Not sure when it happens.Â
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the moon listens in on our love | yuta
title:Â the moon listens in on our love pairing:Â samurai!yuta x black reader, samurai!shotaro x oc genre: slow burn romance, angst, hurt/comfort, fluff, historical!au, 1500s!au â Sengoku Jidai, The Warring States Period of Japan request: âI forgot I had this idea saved for when you reopened requests. Insert person here is a samurai in the sengoku period that frequents the restaurant that your family owns to drink alone. One night after closing up shop alone some bandits try to rob/harm you and your local lonely samurai happens to be in the area to help you and that begins the tumultuous relationship. I don't have a person in mind for once so surprise us please~â word count: 29k warnings: major character death, minor character deaths, mentions of death, physical violence, blood, wounds, attempted robbery/physical assault, vomiting/emetophobia warning, mention of suicide, illness/disease, symptoms of PTSD, mentions of class disparities, mentions of colonization/enslavement, familial conflict, gender stereotyping, some sexual tension a/n: there are some historical inaccuracies for the sake of the plot, and also because itâs difficult to find accurate &Â readily accessible info about the Sengoku online. some things here may apply more to the Edo period/Tokugawa shogunate that follows immediately after Sengoku rather than the Sengoku itself. however, if you see any discrepancies that could stand to be corrected, feel free to reach out to me
because i also remember how people scalped bridgerton after it first came out: black people existed in japan in the mid 1500s. if anyone isnât bored by history, thereâs this article thatâs behind a subscriber wallâhowever, there are some excerpts of that article and another academic paper on this blog concerning the 1543 nanban trade, which brought portuguese, africans, and some other foreign peoples to japan. thereâs also the history of yasuke the black samurai...so yea iâm not a historian but those are my lil receipts.
also take a look at the glossary for any unfamiliar terms throughout + any extra info thatâs helpful to know
June 1574 â Owari Province, Japan
Nakamoto Yuta is always sitting there in the corner of your familyâs restaurant, with his head either loweredâdeep in thought, maybeâor held in some kind of quiet, mysterious pride. But considering his ranking as a distinguished samurai of the Oda clan, itâs not hard to figure out why heâd exude that kind of unshaken confidence.
His black hair is long and brushes the tops of his shoulders, shining like a lake at midnight whenever it catches the light. Itâs always in that familiar topknot; youâve come to recognize him in the crowded shop by that signifier alone, even though so many other men wear it too.
He has a fascinating faceâone that persists in your memory amongst the many others that pass through your familyâs shop throughout the week.
Heâd started showing up at your familyâs restaurant in May. You remember it specifically because it was very recent, but also because this was not too long after the latest battle between the Oda and Takeda clans, close by in Mino Province. Like the other samurai youâd seen in the past, something in his face gave you the impression of a war-torn countenance, even if he wasnât visibly upset. He possesses the eyes of someone whoâs seen a lifetimeâs worth of death, and then some. You donât know if anyone else notices this on the faces of the warriors who come back from battles, but it has always seemed clear to you.
Yuta never talks to any of the other patronsâjust you, your sister, or the shopâs other employee Kichirou whenever any of you come to serve him. And even then, he only says a few wordsâwhatever his choice for that day is. Youâd think heâd get the same thing, as he seems to keep a routine with everything else he does, including sitting in the same chair on the same side of the table, visiting the shop around the same time every few days. But he usually tries something different. That faintly piques your interest. Heâs had almost everything on the menu by now.
Youâd like to learn more about him. Thereâs not much you know about Nakamoto Yuta except for the fact that heâs apparently prosperous enough to have his own farmland and a set of loyal vassals, provided to him by Oda Nobunaga. His skills as an Oda warrior are talked highly of, though youâve never seen him fight or train yourself.
However, you donât say much to him other than making the courteous small talk required of you when serving patrons. He is not mean, but just...closed off. You donât want to be known forever in historyâs ledger as the one to disturb his peace and gravely offend him, so you always leave your words at simple greetings.
You wonder about his home life, what his family might be like. Maybe itâs a little nosy, but imagining stories about the patronsâ lives makes the days pass easier. Ultimately, your mind always strays back to your own incomplete story.
Growing up in Owari and never knowing your parentsâ homeland of Mozambique had not been particularly easy; you always thought it was curious how you could miss a place youâd never seen. Even though there were several other families in your area who bore the same dark skin as yours, there was often a lingering sentiment of displacement. A sense of not quite knowing the full truth of yourself.
When you and your sister Subira were younger, youâd often beg your parents to tell stories about this long-ago, practically fabled place they hailed from. Although theyâd give anecdotes here and there, there was still much they would never tell you. Together, you and Subira would sit on the porch while retwisting each otherâs locks and use these bits and pieces of your parentsâ lives to try to weave a tapestry of what things mightâve been like before Owariâbefore either of you even existed.
Still, you accept your life for what it is, because there is nothing else you can do. Days spent working in the shop, completing errands, and using your free time for whatever other activities you can think of often bleed into each other, transforming into one long outstretch of time punctuated by some events a little more worth remembering than others.
Even Yutaâs frequenting of your parentsâ eatery doesnât do much to break up the monotony after you grow used to seeing him. But you donât yet know what the future holds.
The sun is almost completely gone now, its rays coloring the sky in fading hues of blazing orange and red against a navy backdrop as you complete the last of the cleaning inside the restaurant.
Youâve stayed back to close the shop yourself, though you arenât anywhere near happy about it. Kichirou, one of the other workers, was supposed to help you close up, but he claimed he had some businessâmore like funâto attend to with his friends and took off early. You shake your head as you think about it, angrily sweeping the last few crumbs off the floor. There is no point in hunting him down and making him do his part of the job, so you figure you can just make this as quick as possible and go back home.
As you lock the entrance of the shop, ready to head home after completing your duties, a hand grabs you around the bicep harsh enough to sting.
âOuchââ
Someone yanks you around before you even have time to move on your own, and you come face-to-face with a rough and stubbled man flanked by two other men. You donât recognize either of his partners, though he seems a bit familiarâmaybe someone youâve seen around the town once or twice before. His breath is hot and foul against your skin, and it makes you recoil, but you canât move very far away with him holding you in an immovable grip. âSay girl, what have you made from sales today? Hand it over.â
âI...I donât have any money.â You are surprised at your ability to say this without stumbling over your words, though you feel much less self-assured on the inside. The man squeezes your arm tighter, and you make a sound of pain, trying once again to fruitlessly pull away from him.
âQuit with the lies, girl. There must be something stashed in this pretty outfit of yours.â He eyes your body as he says this, and it makes your skin crawl.
âI donât have anything! Let me go!â
One of the other men speaks up now. âIf there really is no money, there is plenty else we can take. What do you say to that?â The three men laugh.
Your stomach twists at what theyâre implying, and youâre even more desperately angry at Kichirou for leaving you alone to close up the shop tonight. You try to shout for help, hoping anyone still lingering in the area would hear, but the man holding you covers your mouth with his other hand. He begins dragging you away to the darkened alley between your parentsâ shop and another building nearby, and you struggle as fiercely as you can against him, although one of the other men comes beside you to restrain your other arm.
âAre you that full of cowardice that you would bother a young woman?â
Everything pauses for a moment, and all of you look around to see who has spoken. The one remaining man who doesnât have his hands on you draws his ko-wakizashi, the blade of it sharp and bright.
âHave your turn later, bastard. Sheâs ours,â the man says, holding his sword poised to strike. Even with the moonlight and the light from the lanterns shining along the street, whoever just spoke is still hidden in shadow, but recognition has already started shaping itself within your mind. The voice sounds strikingly similar to one youâve been hearing for the past monthâŠ
The person finally steps out of the shadows, and as you thought, it is Nakamoto Yuta. You know he doesnât live around this particular area, instead residing at the further edges of town where many of the samurai tend to do, and you briefly wonder what heâs doing here at this time of night. He hadnât even come to the shop today.
âYou might want to rethink such crude words,â Yuta says, drawing his own wakizashi.
Yutaâs presence seems to incense the man beyond a regular sense of anger, and he gives a great shout as he charges at the samurai without a second thought. Their swords clash with a noise that makes your ears ring, and you worry this fight will be too long for your own good as the two men holding you continue wrestling you into the alley.
You scream once more, though itâs muffled by the manâs hand. Sweat springs up on your skin; by the time Yuta has cut the other man down, it might already be too late. The menâs bodies block your view, and all you can perceive is the sounds of swords striking each other.
However, it seems youâve underestimated Yutaâs abilities.
Thereâs hardly enough time to register whatâs happened before your bottom is hitting the ground, both of the men dropping you harshly. The first man clumsily whips around, groping for his weapon at his waist, and thatâs when you catch a glimpse of the long gash on his back and his torn clothes, newly cleaved open by Yutaâs sword. Thereâs not enough time left for him to react, thoughâeven as his partner draws his ko-wakizashiâwhen Yuta opens up another split across his neck.
From your spot on the ground, you arenât fast enough to shield your face when the manâs blood sprays across your body. You stare through bloodied eyes, horrified and shaking as you watch Yuta cut the man down like heâs an animal ready for slaughter. You try to wipe the crimson from your eyes, though your vision remains blurred from the mess. It makes an acrid burn rise in your throat, and though you donât want to vomit here, you canât keep the contents of your stomach down.
The only bandit left standing is busy trying to field Yutaâs sword as it bears down upon him, and he stumbles back, nearly losing his footing amongst the dirt and rocks. His low prospects of winning along with the slayings of his two partners is enough to make him decide that death isnât worth the trouble. He grapples to get out of range of Yutaâs wakizashi and flees the scene. Yuta moves like heâs about to follow after him but then pauses and glances to where youâre still sitting in the alleyway, bloodied and dirty. Wiping his reddened weapon on his hakama and sheathing it, he steps over the body of the man blocking the alleyway and stops in front of you, holding his equally bloody hand out.
âCan you get up?â he asks. He barely sounds winded or tired after just killing two people and nearly taking another. You nod hesitantly and take his hand so he can help you to your feet. His palm is firm in your own and slick from the banditsâ blood. âYou shouldnât be out alone at night. Iâll accompany you back home.â
He procures a small square of fabric from his clothing and holds it out to you. You take it gratefully, wiping your face with it.
âWhat about the bodies?â you murmur, casting your gaze to them. You donât think your parents will be ecstatic to find this mess in front of their shop in the morning. Yuta doesnât bother to look back at the men lying slain in the street.
âIâll take care of it once youâre home. For now, we can leave the refuse where it belongs.â
You can only nod, too shaken to say or do much of anything else. You discover heâs brought his horse with him, and he helps you get onto the animalâs back; once youâre settled, he walks beside it holding its reins. The trip to your parentsâ home is quiet, only punctuated by the sound of night creatures and insects. Yuta doesnât say anything else, which you donât really mind; youâre too busy trying to process everything thatâs just happened.
When you appear in the doorway of your home accompanied by Yutaâs intimidating figure, your kosode covered in blood, your family screams in terror. They are slightly more relieved to find out the blood isnât yours.
âNakamoto Yuta-sama,â your father rushes out and gives a deep bow, âwh-what happened here?â
âI found her at your restaurant alone. A group of men tried to attack her, but I dispatched them.â Yuta doesnât say anything more, but there is a question in his eyes, which makes your father bristle with embarrassment.
âDid Kichirou not stay with you?â your father asks you. You shake your head no, and he looks like heâll curse until he thinks better of it in the presence of such company. Taking a deep breath, he bows to Yuta again. âI cannot thank you enough. Your gracious actions have spared my daughterâs life; we are indebted to you.â
Yuta tilts his head in acknowledgement of your fatherâs gratitude. âThere is no debt to pay. I only did what was necessary, as any honorable man would.â He looks to you, and Subiraâs grasp on your arm tightens a fraction. âGoodnight. Stay safe.â
âI-I will. Goodnight,â you repeat.
Always a man of few words, he nods once more before taking his leave.
After Yuta departs, your parents and sister fuss over you until theyâre certain youâre not wounded anywhere.
âWhat happened?â your mother demands, her hands on your shoulders maneuvering you every which way as she looks you over one last time. She shakes her head at the blood staining your sclera, her eyebrows drawn together and lips turned down in a frown.
âRegardless of what happened, I should skin Kichirou alive,â your father gripes, still simmering with anger.
You recount the events of earlier that night, your family members listening intently. Telling them what happened with Yuta and the three men draws mixed reactions.
âHe did all of that?â your father asks, his voice booming all around the house in his panic, and your mother tries to quiet him with a hurried shush!
âHeâs a trained warrior father, itâs not that surprising,â Subira says. âThey were foolish to even challenge him at all.â Some of your sisterâs initial fear has begun to wear off, and she seems fascinated at you witnessing Yutaâs sword prowess up close.
Your father gives her a look. âYou cannot help but find it a bit terrifying.â
âWe all know who he is. Itâs his job to kill people. He saved Y/Nâs life,â Subira continues, her voice weary. âI wonât take issue with him. Thereâs no reason to. Maybe he could even be of more help to us in the future.â
âWhy are you always thinking of a way to get something out of someone?â your mother huffs.
Your father lowers himself to sit cross-legged on the ground, shaking his head and murmuring under his breath; the shock and excitement have tapered off, and heâs now too weak to keep standing.
âIâm fine, father,â you try to assure him, and youâre pretty certain that you are fine, at least physically. Your mind is a little shaken, but thatâs to be expected. You donât want to create more stress for your family than necessary. âDonât worry.â
âHmph. Everyday, I still wonder if it was a good idea to let you and Subira work at the shop. Itâs nearly impossible to keep anyone safe in this world.â
Subira sighs, and you and your mother exchange a glance. Your father always gets like this at the slightest inconvenience, wanting to lock you and your sister up and away from all dangers without acknowledging that it would also steal your freedom. âFather, please donât,â Subira protests, âitâs better than sitting at home sewing clothes or sweeping the tatami all day.â
Your father and sister start going back and forth about it, as they are often wont to do when this subject comes up, while your mother begins preparing water for a bath.
When the water is ready, you go into the washroom so your mother can help you get out of your ruined kosode. Afterwards, you carefully rinse all the blood off your face and body before getting in the wooden tub, curling your knees to your chest and watching the water ripple around you as the nightâs events circle through your mind.
You stay in the water until it grows cold and your fingers and toes turn wrinkly. When you finally get out, you dry off and slowly dress in your night clothes. Subira is still awake when you enter your shared room, and she looks at you with bright eyes in the warm light of the lantern.
âWere you afraid?â she whispers from the comfort of her futon.
âOf course I was, what kind of question is that?â You roll your eyes, getting into your own futon next to hers.
âI mean to say, were you afraid of Nakamoto Yuta himself?â she asks, reframing her question for your understanding. âYou know father is so easily disturbed and will be having a fit over it for a while. I think heâs just fine, if a little stoic.â You look at her and think back to Yutaâs bloody hand wrapped around yours, his blade glinting under the lantern light.
âPerhaps. But he saved my life.â You lie down then, your eyes darting up to the ceiling as you become lost in thought. âThatâs the only thing that matters, isnât it?â Subira hums a quiet response and blows the lantern out a few moments later. You close your eyes, the lingering smell of the burning oil coloring your senses.
Your parents try to convince you to stay home from the shop the day after the attack happens, but you decide to go back. You canât stay at home forever, and the longer you stay away, the more afraid youâll be about going back.
So, you push away the muted fear hovering over you and try to ignore the slight trembling of your limbs as you return to work that day. If you close your eyes for long enough, you can still feel the warm, stinking blood trickling down your face. You think itâll be a long time before that sensation disappears from your memoryâif ever.
Kichirou arrives halfway through the day as scheduled, but heâs subsequently cursed out and chased off by your father with a burning pot of water once he sets eyes on the younger man. Youâre still afraid and angry, but the sight gives you a small laugh. You donât think youâll be seeing any more of him after that.
Besides wanting to return to your normal life, you also go back to the shop because you want to see Yuta and properly thank him for his actions. In your fear last night, you had never thanked him directly.
You arenât sure if heâll even be there, as he doesnât visit the shop everyday; maybe youâll just have to talk to him another time. But to your relief, he shows up at his usual time that day.
Yutaâs eyes are already on you before you walk over to where heâs sitting, like two dark stars burning straight through you. âHello, Yuta-sama,â you say, your voice coming out more timidly than you intend.
âGood evening, Y/N.â
âBefore I serve you today, I wanted to thank you for the other night. It was really unexpected, but Iâm glad you were there. The outcome wouldâve been much worse without you.â
He acknowledges your thanks with a nod, his eyes remaining on you the entire time. You donât look directly in his eyes, but you might as well with how intently they are trained on you. âItâs part of my duty to protect those who canât protect themselves.â
âOf course,â you agree. You hesitate a moment before saying, âUmâŠthe bodies werenât in front of the shop this morning, so thank you for that, too.â
âYes, I took care of it. Iâm sure theyâll become some animalâs sustenance. Better served that way.â
The idea makes you wince inwardly, and you try not to show it on your face. On more than one occasion, youâd nosily peered into some ditch and spotted human remains youâd rather not have seen.
The one bandit whoâd gotten away pops into your mind, and you suddenly wish that Yuta had been able to take care of him, too. With him still roaming free in the streets, there is no telling if heâll try to come back to your parentsâ shop again, or if heâll bring more backup next time. Your heart beats a little faster, and you clench and unclench your fingers inside your kosode sleeves.
âI am reminded of the one who ran away,â you say, trying to keep your voice even. âItâs truly regrettable.â
âIâve already handled that one,â Yuta says. You raise your eyebrows in confusion, and he continues. âIt took considerable effort, but I eventually found him last night. Thereâs nothing worse than a coward who draws their sword and wonât even fight.â
This shocks you, as you canât imagine how difficult it mustâve been to find the bandit in the dark with little illuminationânothing but the moon and the lantern light to guide Yuta. âIâŠsee.â You give him a low bow. âThank you again.â
âI hope you wonât be left alone like that again.â Youâre a bit surprised at the gravity of his tone and his expression, and youâre not quite sure why he, essentially a stranger, would be so concerned with your well-being. Things like your attack and much worse incidents happen everyday; youâre living in the midst of continual battles, after all.
You hesitate, unsure how to respond in a way that wonât reflect badly on your parents or their shop. â...Iâm grateful for your concern.â You give him a small smile, putting your professional mien back on. âNow then, what may I get for you?â
For that week and the next, your father stays late each day to close the shop for the night, alternating with you and Subira. One evening, however, he and your mother have to leave earlier than usual to attend to some business mattersâa meeting between all the local merchantsâso you and your sister both stay to close the shop on your own. Your father is incredibly wary about it, and it takes some convincing to get him out the door, but he eventually departs.
It wonât be much longer now until itâs time to close. The sun has already set, blanketing the sky with darkness. By this point, thereâs no one left in the restaurant except you and your sister. And Nakamoto Yuta. He sits at his usual table, looking down into a cup of teaâhis last one for the nightâas if studying it.
You are curious; heâs never stayed this late before. Though you have an idea about why heâs doing it, you donât intend on questioning him about it. However, your sister has no qualms about going up to ask him once she finishes cleaning up all the tables. You almost tell her not to bother him, but she always does what she wants anyway; and besides, you want to know why yourself.
âYou are still here quite late, Iâm surprised. And of course, weâre grateful for your patronage,â she tells him, a perfectly amiable smile on her faceâthe same one she uses for all customers.
âYou havenât replaced that worker boy yet, and I noticed your parents arenât around, either. I thought Iâd stay until closing tonight, just in case anything happens,â Yuta explains casually.
Your sisterâs smile widens, this time more genuine. âThatâs very considerate of you; thank you.â Her eyes drop to the daisho at his side, barely concealed wonder sparkling in her pupils. Still standing behind the counter, you shake your head at her unabashed admiration of his weaponry. âItâd be nice if we could all defend ourselves so efficiently like you do. It would make life less...precarious.â
The corner of Yutaâs mouth shifts in a slight smile. âCommoners are allowed to carry ko-wakizashi.â
âWe are women,â Subira says, her tone taking on a certain dryness though she keeps her same kind smile. This statement and the resentment crammed within it is hard on your ears, but itâs the truth. âThatâs what our parents say. We arenât allowed to. The sword is a manâs right, and as long as there is a man around to protect us, we donât need to know anything about the blade.â
âTheyâre just scared,â you say, speaking up for the first time. Your response feels uninspired; itâs often what you tell yourself to rid yourself of the lingering unhappiness of living underneath your parentsâ overprotective nature. âScared of usâŠhaving to defend ourselves, I suppose. And get killed.â
âNevermind the fact that you almost got killed anyway. See how well that idea serves us?â Subira huffs, and you want to tell her to shut her mouth, but Yuta speaks again.
âThatâs unfortunate. You may not know of it, but there are some female warriors who freely wield ko-naginata in battle. It pays for every individual to know the sword, or at least have the barest self-defense skills. Especially with bandits frequently on the main roads.â
âI didnât realizeâŠâ you murmur. Youâd heard rumors about these women before, but as noblewomen, most of them were of a higher class than even many samurai, and youâd never crossed paths with one.
âIt is unfortunate,â your sister agrees, âwhich is why Iâve always thought itâd be nice if we could learn how, through some miraculous turn of events...â When Subiraâs eyes slide down to Yutaâs daisho again, you immediately get what sheâs insinuating, and youâre embarrassed.
Yutaâs interest is piqued. âTo wield a sword?â
âSubira, you canât just ask anyone to teach you. Iâm very sure he has plenty of his own business to attend to within the Oda clan,â you blurt out. Your face warms when they both look at you; your sister throws you an irritated expression at your rebuttal.
âIs it a punishable crime to ask?â she argues.
â...It might as well be.â
âThatâs a considerable request,â Yuta remarks, tilting his cup of tea around and making whatâs left of the drink swish around the sides. âI see you are not afraid to ask for exactly what you want.â Subira smiles nervously at that, thinking she mightâve actually overstepped this time, and you hold your breath. âBut I wouldnât be opposed to it.â
âReally?â You and Subira echo each other.
âYes. But youâd be disobeying your parentsâ wishes for you,â he notes. His expression remains fairly neutral, but there is some amusement in his eyes. âNot much for filial piety.â
Subira casts a nervous look at you, and you shake your head in one last attempt to get her to stop. âNo, I suppose not. But following the rules doesnât always get you what you desire. AndâŠIâm tired of being treated like thereâs nothing else for me to do in the world but serve others.â
âYouâve already had experience with that life lesson, then.â Yuta chuckles. âAlright. Iâll teach you and your sister some things, but I canât predict what your parents will say or do if they find out. And if they tell me to never come around either of you again, wellâIâm afraid Iâll have to do just that.â
âThank you!â Your sister bows low, her locks brushing the edge of the table as she does. You belatedly follow suit, though inwardly you remain skeptical about this whole scheme. When you straighten up again, Yutaâs eyes are on you, and you think for a moment that your heart misses a beat.
âWill you be fine with that idea?â he asks you. âYou donât seem as enthusiastic as your sister about this. You donât have to do it.â
Subira glares at you as if to force you to say yes using just her mind, and you sigh. After a momentâs reluctance, you say, âYes, IâŠam also curious, despite what it may seem like. Itâd be an honor to learn from you.â
Youâre not lying about it; you do think itâs a rare opportunity, and surely anyone else in your position would be grateful for it. But you donât know if itâs the right opportunity for you.
Yuta accompanies you and your sister home after you close the restaurant. Your sister is more talkative than you, asking him questions periodically. Your walk this time is calmer than the last one you had with Yuta, without you being covered in someone elseâs blood and overcome with the fear of being attacked, though tendrils of nervousness curl themselves in your chest as you think back to it. You still havenât completely managed to rid yourself of that fear, often wondering if youâd be ambushed from the shadows.
Before you know it, youâre back at your house; your parents havenât yet arrived home from their meeting, and the shoji are still dark without any lantern light to signal their return.
âThank you again for accompanying us,â you say, you and Subira standing in front of the porch.
âBefore we begin, I must make some preparations; I hope you understand. I will let you know when Iâm ready,â Yuta explains.
âWe wonât have much unoccupied time until we can find another worker, so itâs perfectly fine,â Subira replies, and you give her a skeptical, silent glance.
âThen Iâll bid you goodnight here.â
You both echo goodnight as you slip into the house.
âYou have a gift for crafting the most ridiculous situations,â you mutter after youâve closed the sliding doors behind you.
âThereâs nothing ridiculous about it,â Subira whispers, irritated. âThereâs nothing wrong with learning to defend ourselves, despite what mother and father say. Are you fine with feeling helpless your entire life? I am not.â
âI never said I felt helpless.â
âYou donât have to say it, you act like it. Youâve always been too afraid to communicate what you truly want.â
You recoil, not expecting this conversation to turn into an analysis of your personality. âWhat I want? Iâve always had to think about you and our family first. There just isnât enough room for whatever it is you think I want.â
Subira puts her hands on her hips. âI know you are the exemplar eldest daughter, but you can choose things for yourself sometimes. You donât have to obey mother and father all the time.â
You shake your head, your lips thinning into an angry lineâbut you mostly feel too tired to keep arguing about this. You walk away from her, sighing with exasperation and deciding to leave before you say something that will make you both too upset to control your words. âYou donât know everything, Subira.â
âI know enough,â she calls after you, always one to get the last word in. Maybe there is some truth to her words, but thatâs the last thing you want to think about right now.
It takes another week and a half to find another worker to replace Kichirou, a young man by the name of Noboru, by which time you and Subira can finally get more free time again. Those open hours during the weekday plus the weekends provide the perfect opportunities for meeting with Yuta.
Near the marketplace that your parentsâ eatery sits in, thereâs a forest. Going through it offers a much longer route from the market back to your own neighborhood, and you and your sister have avoided traveling through it for that reasonâand because your parents have never allowed it. Not many other people attempt to travel through the woods because of its long detour unless they are truly desperate to escape a bandit. The forestâs foliage is not so dense that itâs impossible to navigate, but it provides enough cover to keep anyone hidden from sight if they want to be.
Which makes the woods a near perfect spot to practice self-defense without being seen by prying eyes. Though you canât help feeling like youâre being led into the jaws of a hungry animal.
The forest makes you apprehensive, but you realize it is ultimately a smart choice for the privacy it offers. You know thereâd be less outward judgment of Yuta for training you, because few people of lower rank would dare to purposely offend a samurai. But you and your sister have less leniency in such matters. There remains the chance of someone catching you and reporting back to your parents that youâve been wasting your free timeâand handling swords, at that.
But you donât get swords. You couldâve figured as much, but Subira is a little dejected about it. The way sheâd been eyeing Yutaâs daisho made it clear sheâd been looking forward to waving a real blade around, and youâre secretly glad you wonât have to deal with that any time soon.
Yuta gives you bokken to train with. They look like wooden versions of a ko-wakizashi, solid and smooth and gleaming dark brown under the sunlight. You slide your hand over the surface of the one youâve been handed, astounded by its careful craftsmanship.
âI made them,â he tells you, unconcealed pride coloring his features. âIt was a while ago, but theyâll still be useful now.â
This gives you a new sense of awe of the bokken in your hands. Itâs as finely made as can be, and youâre a tiny bit regretful youâll have to use it for practice. âItâs of a very lovely make,â Subira says, and you murmur your agreement.
âThank you.â Yuta smiles, and though it is a close-lipped expression, you think it harmonizes nicely with the rest of his features. âNow, letâs begin.â
You allow Subira to try the bokken with Yuta first, mostly because this was her idea but also because you are a smidge afraid and donât want to embarrass yourself in front of one of the Oda clanâs best samurai. You take the opportunity to watch their movements closely and try to be attentive to every word Yuta is saying so you can put those instructions to use when itâs your time.
âDonât hold it so tightly,â he tells her. âTry to think of it as an extension of your body. Be sure to keep it at this angle...â
When it is your turn, Yuta gives you similar instructions while Subira practices her stance. You donât know how he has enough focus to direct you while simultaneously correcting Subiraâs posture every few moments, but he does. Youâre distracted just by seeing her out of the corner of your eye, awkwardly wielding the wooden sword and trying her best to give balanced slashes with it.
It also doesnât help your distraction that you feel oddly nervous around Yuta. Youâre still chalking that feeling up to the terror of the incident weeks ago, because itâs the only explanation that makes sense to you. Death isnât unusual or uncommon, but you hadnât been privy to it that intimately before. It will take a little more time for you to stop associating him with that incident; that is reasonable, you figure.
That reasoning is what you keep in mind whenever your hands quiver as he puts his own hands on your arms to adjust you, or when his breaths tickle the side of your cheek as he stands particularly close to you.
You and Subira are sweating and unsteady by the time Yuta calls an end to your training session. You didnât think itâd be quite this strenuous, as he mostly focused on getting the two of you to try out stances and sword cuts, but attempting to get your body positioning correct was half the battle. Once youâd gotten your shoulders and arms into alignment, your hips and legs would be wrong, and vice versa. Thinking about it all made your head ache. You werenât sure how any of this could ever translate into something you could actually make use of. You dab at your forehead with your sleeve, tired and mildly irritated.
âWell, that was a bit disastrous.â Yutaâs comment makes your face heat with embarrassment, though he is smiling wryly when he says it. Youâre slightly taken aback by this more relaxed side of him in contrast to the stoic aura he has whenever he comes to your parentsâ shop. It makes you uncertain how to interact with him properly considering you are still of very different classes, and the only response you give is a brief, nervous smile before looking away. Your sister, despite the meaning of her name, has a lot less patience; she huffs like a kid, swiping her locks out of her damp face only for them to fall right back into place.
âI know we just began, but it feels like weâll never get it. How do you do this? Let alone in an actual fight?â Subira asks.
âI have been training since I was a child,â Yuta notes. âIt will take much practice, but I believe you can get to your desired level over time.â Subira still seems unconvinced, but she accepts this.
âWhat do we do with these?â you ask, referring to the bokken in your hand.
âTheyâre yours now, so you keep them,â he responds matter-of-factly.
âReally?â Subira exclaims, her eyes lighting up. You hadnât considered that Yuta was actually giving them to you to keep. You suddenly feel bad about your initial apprehension and complaints. Itâd be rude to give it back; you figure you might as well continue with training now.
You and Subira give the bokken back to Yuta so that he can tuck them away in the carrying bag heâs using for them; that way, you wonât have to carry them yourselves on the way out of the forest.
You let Yuta lead the way out of the forest as he led you into it. His eyes remain attentive the entire time, scanning through the trees, although thereâs really no one out there but you three. Again, you wonder why he agreed to all of this so easily and why he was going out of his way for you and your sister. Itâs all you can think about as you listen to his horseâs hooves scuff against the ground, the animalâs reins held tightly in his hand as he walks ahead.
âWhat will we do with the bokken once we return home?â your sister asks you. If she feels any nervousness about being caught by your parents or anyone else, itâs all eclipsed by the sheer elation in her eyes.
âJust hide them in the back of the closet, behind those old kosode we never wear anymore,â you mutter, your mind crowded with too many thoughts to count. âNo one looks there.â
You and Subira have trained with Yuta several times by now, which has mostly consisted of acquiring the basic strikes and stances and trying to refine the ones youâve already learned. Itâs never easy work, which does not make you particularly enthused about starting on the actual sword-defense moves, but it isnât all bad. The secret is surprisingly simple to keep from your parents after you surmount your initial anxiety; all you need to do is act natural and keep taking the hidden path in and out of the forest.
After the first couple of sessions, you must admit there is a small thrill in doing something your parents arenât aware of and wouldnât approve of, though you wouldnât dare say this to Subira.
But when you and Subira go to the woods to meet with Yuta when you both have a few hours away from the shop, someone else is already there with him that day.
âWho is that?â Subira whispers to you as you both walk up to the usual meeting place. She narrowly avoids stumbling over a tree root from how hard sheâs trying to catch a glimpse of the new stranger from the gaps in the greenery, her bokken knocking against her hip where it sits tucked in her obi. You grab her arm to steady her, sighing.
âHow would I know? I donât recognize them.â
The both of you quickly reach the small clearing where Yuta and a boy are standing. The first thing you notice about the boy is his face. He has a boyish and round face, plump lips, and a cutely-shaped nose. Your first instinct wouldnât be to think of him as a samurai, but he has the same topknot as Yuta. And then there are his eyes. His eyes have traces of the familiar battle-scarred shadows youâve seen from other warriors, but despite that, he seems fairly easygoing. Maybe the worst of war hasnât gotten to him yet.
You and Subira give him genial smiles, but you know Subira well enough to realize that she might have just become smitten with him at first glance. Her eyes sparkle a fraction brighter like they always do when she sees a man sheâs interested in.
âY/N, Subira, this is Shotaro. Shotaro, these are the two women Iâve told you about. I thought itâd be easier for both of you to have a partner instead of waiting to take turns with me.â
âThat is more convenient. And very resourceful of you,â Subira says, her interest thoroughly piqued.
Shotaro introduces himself to both of you with a bow. âItâs nice to meet you. I know youâve just started, but Yutaâs already told me some good things about you.â If possible, Subira is even more ecstatic after hearing this. Even though this whole idea of learning defense techniques was Subiraâs suggestion to Yuta, you can already guess that sheâs going to claim Shotaro as her partner if he doesnât speak up first.
As you predict, she does so as soon as the introductions are over. âWould you mind working together?â
Shotaro gives her a smileâone you find surprisingly bright for the context of the situation, but maybe heâs just a generally cheerful person. Or, like Subira, maybe heâs taken an immediate interest. âOf course not; thatâs fine with me. Yutaâs told me weâre the same age, so I think weâll fit together just fine.â
Which leaves you with Yuta, inevitably. You give him what you hope is a friendly smile, though youâre anxious. You wonder if you would not have been better off pairing with the younger man. Not to say that heâs inexperienced, but maybe you wouldnât feel as silly and unpracticed with him as compared to with Yuta.
âNothing we learn today should be particularly difficult for a beginner. But Iâll be gentle on you if you prefer,â Yuta says, a mischievous lilt to his voice when he notices the tension in your expression.
You shake your head, your neck heating up as you untuck your bokken from the side of your obi. âYou donât have to.â
And so it begins.
You spend those hours by first reviewing the stances and strikes and then moving onto some very basic defensive moves. You donât want to think about how many times youâve gotten your knuckles clipped by Yutaâs bokken by now, and how bloody your hands would be if you were using actual swords. Your grip on the bokkenâs handle is still a bit too loose, your swings uncertain. Sweat beads on your forehead as exasperation rises in your chest.
Yuta pauses in the middle of a move, his bokken held almost perpendicular to his body, and you follow suit, waiting for him to speak. âPretend as if itâs not me. Anyone else in Owari but me. Focus less on the person whoâs making the movements and more on the movements themselves.â
âNot you?â you say, puzzled.
âYour mood is affecting your technique; your mind isnât completely in it. Itâs easy to see I make you feelâŠafraid. No, maybe not that. Nervous.â
Your ears ring as you hear Shotaroâs and Subiraâs bokken clash together nearby. A drop of sweat rolls down the bridge of your nose. You want to refute his words, but thereâs no point. Heâs not a fool. You try not to let your grip on the wooden sword slacken as you search for a response.
âIâm not going to reprimand you for it, if thatâs what youâre thinking. Just focus on what Iâm doing.â
â...Right. Okay.â No time to dwell on it now. You steel yourself and readjust your stance, looking to him for his assessment of your body positioning until he nods.
Itâs a long afternoon.
August 1574 â Owari Province, Japan
At the beginning of every August in Owari, the townspeople work together to throw a festival that spans a few days, each day extending from daytime into the late night. You and your sister attend to see the puppet shows and eat the festival treats that are rare finds at any other time of year, and this year is no exception.
Being out at night still puts you on edge, but you try to convince yourself nothing will happen with this many people around to witness. Instead, you let yourself be immersed in the sights and smells of the festivities, your sister tugging you from one place to the next by pulling on your sleeves and you following her around like a loyal servant.
âI donât think weâve gotten to have fun like this in ages,â she says as you both watch a group of dancers perform under the burning light of nearby lanterns. The sun has already rescinded its glow, leaving nothing but the numerous lanterns to light the way.
âIt has been a while,â you agree, a slow smile taking over your lips.
After a while longer spent walking through the crowd, exploring the stands, and greeting regulars you recognize from the restaurant, youâre ready to call it a night until Subira tugs on your kosode sleeve once again, a soft gasp escaping her lips.
âLook whoâs here.â
Turning your head in the direction she indicated, you glance around for a few seconds, trying to see who sheâs pointing out amongst all the people. Then, you spot themâYuta and Shotaro a little ways off. âOh? Thatâs unexpected.â
Subira grabs your hand and begins pulling you over to them immediately, ignoring your protests for her to slow down for the sake of your hurting feet.
Shotaroâs eyes brighten when he notices the both of you making your way over, and he waves happily, which Subira returns.
âHey! How long have you been here?â Shotaro asks.
âA few hours,â Subira answers, which makes you sigh. A few hours? Itâs been the whole day. You already know what sheâs thinking, and youâll probably be powerless to convince her otherwise. âWe didnât expect to see you two here.â
âShotaro wanted to come,â Yuta explains. âHe hasnât been to this particular festival before.â
Subira is genuinely surprised at this. âIs that so? I could show you around if youâd like. My sister and I come to this festival every year.â
âAh, really? Iâd appreciate it. Letâs do it, then.â Shotaro nods to you and Yuta. âWeâll meet up with you later.â Yuta waves them off, chuckling at their enthusiasm.
Before you know it, youâve been paired off with Yuta again. Except this time youâre alone with himâas alone as you can be in a crowd of people, anyway.
âAre you enjoying the festival?â you ask him.
âI am; itâs lively. The performances have been quite memorable. Maybe I should come to these more regularly. Are you?â
âIâm having fun, yes,â you reply, trying not to think about how much you just want to sit down and give your feet a rest, especially as the two of you have started walking. Something youâve been pondering for a while comes into your mind yet again, and you decide you might as well ask him here and now.
âForgive me for asking,â you start, and he looks at you curiously. âI donât understand it. Youâve been very accommodating to me and Subira with teaching us the sword, and even securing the bokken for usâŠbut why? We are only acquaintances to each other at best. Iâm sure there are other things youâd rather be spending your hours on?â
Yuta cocks an eyebrow. âAre you suggesting that Iâm wasting my time?â he asks, his tone serious.
âN-no! I-I justâwasnât quite sureâŠâ You grapple for words for a moment, now wishing you hadnât said anything. Even if it was accidental, Subira wouldnât forgive you if you ended up putting an end to this arrangement.
Yuta laughs heartily then, which makes you stop in your attempts to try to save yourself.
âIâm only having a bit of fun with you, donât take it seriously.â
Belatedly, you realize heâs taking some enjoyment from you being flusteredâand being the one responsible for it. The expression he has now isnât like the other small smiles youâve seen from him so far; itâs completely carefree, showing many of his teeth, and it immobilizes you for a moment. You feel like youâve just gained an entirely new perspective of the manâcrossed a barrier you didnât know could be crossed.
Youâre grateful you donât have to think of anything else to sayâyour mind emptied itself for a few long seconds thereâbecause he speaks again.
âItâs just as your sister said. Itâs good for women to know how to protect themselves in this world. I have no reservations about lending my skills and time for anotherâs betterment when possible,â he explains.
Itâs a thoughtful answer, and it makes sense to you. âWellâŠthatâs an honorable thing to do, looking out for others.â
âYour parentsâ feelings about it are understandable; they want to protect their daughters from harsher realities. But if I can help in ensuring your safety, Iâm glad to do so.â
His answer feels more personal than him just trying to uphold the good of society, but you donât question him any more about it. Heâs made his case. âYour parents must be overjoyed to have a son like you.â
Yutaâs face changes then, his smile weakening. âMy parents died long ago.â
âAhâŠIâm sorry.â
âShotaroâs family took me in after my own parents died, and I lived with them for a while. After I left for my training, Shotaro and I lost contact for years. Heâd wanted to follow me, but his family didnât want him fighting.â
âI understand their sentiment. I suppose they didnât get their wish, though.â Yutaâs previous words of Not much for filial piety come to mind; they seem especially apt for this context.
Yuta nods. âI feel responsible for him since he wanted to become a warrior because of meâŠand left his considerably safer home to do it. Heâs the only family I have.â
A wistful expression crosses your face. âBeing an older sibling is hard work, isnât it?â
He nods with a slight grin, and you get the impression he relates exactly to what youâre saying. âCertainly.â
In that moment, you finally begin to make sense of him. You are glad to have more context for the seemingly lonely man who regularly visits your parentsâ eatery, widening your scope of his being.
You venture carefully into another question. âI do wonderâŠdid you ever feelâmisplaced? When you were living with Shotaroâs family?â
âMisplacedâŠâ Yuta ponders it for a moment. âMaybe somewhat in the beginning. But they treated me well, and I quickly felt safe with them.â
âThatâs nice to know. Iâm glad to hear it.â You give a smile that falls a bit short of being genuine in its cheerfulness, and he looks at you with a question in his eyes until he realizes.
âI take your crestfallen expression to mean you havenât been so fortunate in that regard?â he asks, his tone measured like heâs also approaching his question with much prudence.
âItâs not unbearable.â You glance away from him. âMany people have been kind, but of course some arenât. Maybe they shouldnât matter amongst the many, but...sometimes I canât help but feel wrong here, even though I was born here.â
Yutaâs eyebrows lift a fraction. âI didnât realize youâd been born in Owari.â
âOnly my parents arenât from here,â you explain. âIâm sure youâve seen the foreign traders around here. My parents mostly knew Portuguese when they came here with them. Only bits and pieces of the original language of our land remain with us.â
You donât really know why you are telling him all this, or why you feel free to talk about something youâve only ever discussed with your sister and parents. Maybe youâve gotten weary of always keeping it so close to the chest. Abruptly, you wonder if you are giving away too much of your familyâs business; maybe it shouldnât matter since heâs already told you his own, but you try to lighten the conversation. âAnyway, I suppose thatâs the nature of life. Sometimes you fit in easily amongst others and other times youâŠdonât. That is all.â
Yuta is silent for a few moments. âI canât claim to know what your experience has been like, but I hope that Owari will begin to feel more like a safe place to you one day.â
You glance at him from the corner of your eye, suddenly feeling too exposed to look directly at him. ââŠItâs appreciated.â
Eventually, Subira and Shotaro meet up with you and Yuta again, looking like theyâve had the most fun of their lives.
âAre you finally satisfied?â you ask Subira, grinning at her air of happiness.
âWellâŠY/N, can we look around just a little more before we leave?â
âStop talking nonsense! My feet hurt, and Iâm not moving another step.â
âYou sound like an old lady!â Subira giggles, and you roll your eyes.
âWeâve walked all day, what do you expect?â
âIf you can walk a few more steps to the horses, you wonât have to stay on your feet at all,â Shotaro says cheekily. âLetâs go.â
The four of you go over to where the men have tied their horses up in a space separate from the thick of the crowd. Much like he did that night he saved you, Yuta gets you up on his horse and holds the reins so he can walk alongside the animal. Shotaro does the same for Subira, though she doesnât miss the ripe opportunity to pretend like she doesnât know how the stirrups work so she can receive extra assistance. You suppress the urge to roll your eyes again, though you giggle discreetly into your sleeve.
Youâre glad you donât have to walk any longer, the throb in your feet finally alleviated, and the view from up on the horse is nice. In this moment, you feel calmer than you have been in a while, especially after nightfall.
Itâs a satisfying end to a good day, and you fall asleep easily after you return home.
Your parents had overreacted a bit to Yutaâs invitation for you and Subira to visit his home.
âDonât do anything to dishonor us,â your father begs you both on the day ofâbut mostly Subira. The younger girl sighs heavily but nods her acquiescence. âItâs not everyday you receive an invitation to visit a samuraiâs home. Treat this occasion accordingly.â
âWe will be fine,â you try to reassure him, because you surely donât think Yuta is the type to dole out punishments to anyone who simply looks at him wrongâunlike some other warriors who freely lord their status over others.
âYes, you will be fine if you act accordingly,â your mother reiterates, still fussing over Subiraâs kosode and making sure every piece of fabric is in its rightful place.
âYou both have taught us well enough. We know how to comport ourselves,â Subira insists, chewing her lower lip with impatience.
Your father just shakes his head. âThat does bring some doubt into question.â Subira frowns at this, and you laugh at her expression.
When Yuta and Shotaro arrive at your home, your parents put on their most welcoming expressions and send you and your sister off with a more eager mood than they had shown to either of you all morning. Neither of you were surprised about that.
Youâre seated on Yutaâs horse now as he leads you all to the home he shares with Shotaro, which youâd only recently found out. You cannot blame the younger man; why stay in the military compound with hundreds of other men when you can live in a much nicer place?
You do your best to maintain your earlier calm during the ride, but you cannot help but admit to yourself that the heat of Yutaâs chest against your back has you slightly restless.
Yuta asks you if youâre alright every so oftenâitâs a fairly long ride to his land, after allâand it makes the inside of your chest flare up like youâve got something inside thatâs trying to beat its way out. Silently, you pray to the gods that what you suspect is happening is not really happening. It would not be very professional or appropriate to begin having affections for your sword-training mentor. Maybe itâs just too hot outside, and the heat is making your heart race.
Subira sits on Shotaroâs horse taking in all her surroundings in this part of Owari neither of you have been to before. Her eyes scan the landscape with childlike interest, bits and pieces of her conversation with Shotaro floating within your earshot.
Yutaâs home is surrounded by sturdy stone walls and protected by a wooden gate, the doors of which open into a main courtyard area, with a stone trail leading to the porch of the house. There is still much more beyond what you can see, with trails extending past either side of the homeâs front, flanked by the stone walls. Itâs clearly the type of home intended for a samurai, with its remarkable design and size. You momentarily wonder what just two men could do with all this, but then you remember Yutaâs vassals must reside here too.
âYour home is very nice,â you comment. Yuta chuckles behind you, and you feel the vibration of his chest against your back. It sets off a shivering twinge in your stomach, which you pointedly ignore.
The horses come to a stop in front of the house. Shotaro and Subira get off their horse, and Yuta does the same, helping you off.
âIt must feel like a blessing to own a house like this,â Subira murmurs.
Yuta takes you through a few different areas of the house, all of which have different things to show; some contain art, others are simply gathering rooms for entertaining.
Thereâs a courtyard at the center of it all that includes a colorful garden and a few sitting areas. You soon come to a part of the house that opens out onto a stretch of Yutaâs farmland; it looks well cared for, and there are several rows of crops. The nearest neighborâs land is a ways off and surrounded by its own set of walls, so thereâs more than enough privacy.
There are a few vassals out in the field now, tending to the crops. They glance up at your groupâs arrival and give their greetings, though a few of them are openly surprised at your and Subiraâs presence. The back of your neck prickles at their stares, and you canât help feeling examined. Scrutinized, even.
Shotaro turns to Subira with a kindly smile. âThereâs a small pond at the rear of the house. Itâs especially pretty when the sun glints off the surface at this time of day. Shall we go see it?â Shotaro suggests to Subira, helping to alleviate the taut atmosphere that was beginning to settle in.
âIt sounds perfect. Letâs go.â She grabs his hand excitedly when he holds it out to her, and you smile to yourself; they are truly a cute duo. Unbeknownst to you, Yuta studies your expression with similar interest.
âCome with me, thereâs something I think youâd enjoy seeing,â Yuta announces, making you turn your head to him.
âMore than the other things weâve already seen?â you say, following Yuta as he leads you away from the field and to another area of the house. âIâm interested, then.â
You and Yuta end up in what you discover is the practice room, complete with the intricate sets of samurai armor hanging on the wall and a surprising array of weapons other than swords. On the other side of the room is a set of shoji that open out to reveal the courtyard. You study the weapons on the wall, realizing that you donât even know some of their names. âThere are so many things here. I didnât realize your weapons knowledge was quite so varied.â
âYou have to be proficient at just about everything as a samurai,â he explains, walking to the middle of the room. âIf you are inclined to observe, I will show you some of the kata. Weâve been through many of the moves, as you know, but itâs a bit different to see it practiced cohesively and in succession.â
âIf I am inclined? Of course Iâll watch.â
You sit on a small pillow near the entrance of the room and wait for him to begin. Yuta stands in the center of the room and unsheathes his katana from its scabbard, pulling it free in one fluid movement.
If there was anyone at all who embodied the true principle of treating the katana as an extension of the bodyâof the soul itselfâit would be Yuta. Youâve seen him in action many times while training with him, but watching him do the kata alone is another thing entirely; something ethereal and otherworldly in its grace. The way his sword cleaves the air with each movement as if it were cutting the empty space itself leaves you breathless.
Your eyes alight on his hands and their grip on the sword, not too firm and not too light. Just enough to allow easy maneuvering of the sharp metal in his grasp. Then your eyes glide down to his feet, observing how precisely he positions himself to maintain his steady stance.
By the time he finishes demonstrating, his forehead is damp with sweat, though you think it may be more because of the heat rather than physical strain. His breaths are a little heavier, but still controlled enough to show the payoff of all his training.
âWhat do you think?â Yuta asks. Youâre a bit surprised that he wants to know your opinion of his display, and you say the first thing that comes to mind.
âIt was beautiful. I think weâre very fortunate to have a teacher like you,â you murmur, visibly awed by his sword-wielding abilities, âeven if we still have a ways to go.â The last part is spoken more quietly as you think about your training sessions so far and how chaotic theyâve been.
âItâs about the principle of it,â says Yuta. âThereâs no expectation for you to be the best swordswoman alive. As long as you do your best to understand and respect the practices and the art of the sword itself, that is what matters.â
âYou make a good argument,â you say, watching as he goes over to a low table near the back of the room. He carries it over to the center of the practice room before going over to a shelf that holds an assortment of containers with varying liquids, a stack of thin papers, and other tools you canât quite identify.
While he is busying himself with that task, you decide to go over to the sliding screen doors, stepping onto the porch to look across the courtyard. Birds sing in the trees overhead, flitting from branch to branch and sending some leaves scattering to the ground as they chase each other through the tree limbs. The only breeze you can feel is just as humid as the rest of the air; it stirs your locks slightly, and they tickle the sides of your face.
A few minutes pass, and the next breeze brings the smell of cloves strongly in the air. You glance around to find the source of the new fragrance, and your eyes widen when you see Yuta seated on the floor now. The top half of his kosode and juban are pulled open to allow him to cool down, exposing a considerable amount of his bare skin. He is busy carefully rubbing the blade of his sword with one of the thin pieces of paper. The low table from earlier now holds his kataginu and a few things from the shelf, including one of the containers. Sweat gathers on Yutaâs neck and chest from his earlier sword-practicing, and some of his hair sticks to the back of his neck and the sides of his face.
Youâre a little flustered for a few seconds, not expecting to see him in this state of dress when you turn around. Is it even appropriate to be in such close quarters with him like this? Itâs one thing among fellow commoners, butâŠ
Your parents would probably have conniptions if they knew. You momentarily glance back to the courtyard, your eyes darting around as if someone will walk up and catch youâcatch you doing what, really?âbut no one is around except for the two of you.
âWhat are you doing?â you ask Yuta, walking back around to his front. You notice your pillow is in front of the table now, and you sit down on it so you can see better. You try your best to appear unfazed since he is equally unbothered by his bareness. Youâve bathed with others fully nude in the public bath many times before, but most of those men werenât much to look at twice. And despite your parentsâ overly vigilant nature concerning you and your sister, youâd even lain with another person in the past; the human body wasnât some uncharted thing to you. But this was different.
âPolishing a sword with choji oil helps preserve it,â he tells you in a similar tone to the one he uses when heâs instructing you and Subira. âPrevents it from rusting and getting spoiled.â
âI see. Iâve admittedly never given much thought to needing to preserve the metal.â Despite your best effort, your words come out far-off and unfocused. You canât take your eyes away from Yutaâs hands and their careful motions on the sword. You try to tell yourself you are only impressed by his meticulous polishing and how attentively he cares for his sword, but you find yourself studying the veins in his hands, the slopes of his shoulders, the planes of his abdominal muscles that remain partly hidden by his clothingâŠ
âSword-polishing is not that interesting. Has something else taken your attention?â Yuta asks. When you look in his eyes, they hold a mischievous expression, and his mouth slides up into a conniving grin.
âForgive me,â you blurt out. âI didnât mean toââ
âThere is nothing to apologize for. Admiration of the human body is only natural.â
You smile slightly in return, though your skin is still warm from being caught. âYes, I suppose that is trueâŠâ
âIndeed, you might be surprised to realize that a beautiful sword and a beautiful body are quite similar in their attraction.â Your eyes widen a fraction. âThe way you can handle a sword or someoneâs body is truly not that differentâŠthereâs a certain satisfaction in caring for both. Making them respond to your actions.â His tone is casual as if he is talking about what heâs having for dinner tonight, though his words are decidedly not. His voice flows out like water, and you find yourself unknowingly wading into its depths.
It feels aggravatingly hot within the room, and not solely because of the sun blazing the land outside. A bead of sweat drips into the collar of your juban, and your mind is suddenly filled with the sensation of the fabric rubbing against your skin. âWell, you certainly soundâŠexperienced.â
âOne day when you have your own sword, I will show you how to care for it in the same way,â he murmurs, and your eyes fall back to his hand and the slow, measured way his fingers slide the paper across the metal.
Youâre curious at the thought of owning your own sword, though you also canât help but wonder if youâre getting ahead of yourself with your interpretation of his words. Is there another meaning hidden there? You swallow hard; your mouth feels dry. âI would appreciate it if you did.â
Yuta looks up at you like he has something on his mind, but before either of you can say or do anything more, rustling fabric and the sound of feet stepping on the tatami startles you. You turn your head to see Subira and Shotaro at the entrance of the practice room, returning from their walk.
âYou two are back so soon?â Yuta asks, casting his eyes up at Shotaro. âI wouldâve thought youâd try to show off and give a tour of every corner of this land.â
âItâs burning outside,â Shotaro answers, the corners of his mouth quirking up sheepishly. âWeâll continue looking around some more another time, when itâs cooler.â
âWhat are you two doing?â Subira asks, her interest instantly captured by the array of polishing tools set out on the tableâand also by Yutaâs loosened clothing.
You straighten your posture, as if your back can get any straighter than it already is. Your younger sisterâs presence snaps you back to reality, and you try to thrust your previous thoughts away in some inaccessible corner of your mind. âItâs sword-polishing,â you say. âItâsâŠdecidedly more interesting once you learn about it.â
âOh, that certainly sounds like fun.â Subira smiles at you with an expression that would likely seem normal to anyone else, but you know her well enough to recognize the teasing look on her face. You merely give her a warning glare before turning away.
You and Subira stay late enough to eat dinner at Yutaâs home with the rest of his vassals; the evening is filled with a lot of laughter and drinking. Maybe a tad too much drinking, because Subira reaches a point where she laughs at nearly everything Shotaro says, even if itâs not meant to be funny. You pinch her side in an attempt to get her to collect herself, but this only makes her retaliateâmaking you yelp out loud and then have to awkwardly pretend you only sneezed.
The horse ride back to your neighborhood afterwards is similar to the ride to Yutaâs place, except quieter since your stomachs are full and youâre more tired than you were earlier in the day.
Maybe you were sleepier than you thought, because at some point your eyes are blinking back open when you donât even remember closing them. You are awakened by something brushing the side of your face, which you now realize is Yutaâs index finger, the knuckle of it dragging across your skin in a tickling touch.
âAre you awake now? We are here,â he announces from behind you, his voice amused. You sit up straighter and shake yourself fully awake, rolling your eyes at the sound of Subiraâs giggles a little ways away from you.
âIâm fine,â you say, trying not to reveal your embarrassment in your tone.
When Yuta helps you off the horse this time, his hands linger around you for a few seconds longer than they normally would. âAre you sure you can stand on your own?â he asks, his voice and eyes still showing humor.
âYes, Iâm capable. Thank you for your assistance,â you say in your most formal diction, though you let a giggle slip at the end. Even though you were sleepy earlier, you feel light and happy now; your body is overly warm from how humid the night is, but your mind is so preoccupied that you donât notice it much.
At the sounds of your arrival, your parents come out to greet you and give their thanks to the two men for hosting you so graciously.
âDonât tell me you did something ignorant,â your mother murmurs as soon as she sees Subiraâs utterly giddy expression, and your sister sighs, a hole already poked in her mood.
âI didnât do anything, you always think Iâm up to no goodââ Subira mumbles before being shushed by your mother.
âThank you again for your gracious invitation; weâre truly honored,â your father says to Yuta.
âThank you for allowing your daughters to accompany us today; their company was pleasant.â Yuta replies.
You all bow to the two men before they leave. After watching them retreat, you and your sister head into the house giggling and talking in excitable, low murmurs, unaware of the curious look on your motherâs face as she follows you in.
November 1574 â Owari Province, Japan
Summer passes more quickly than you wouldâve ever liked, giving way to the coolness of autumn. Youâve always enjoyed summer, imagining itâs what your parentsâ home of Mozambique mustâve felt like year-round, and it made you feel a little closer to that land. Now, you are sad to see it go for another reason. You know once the weather turns freezing, there will be no opportunities to practice with Yuta and Shotaro until next year.
You and Subira have both markedly improved in your lessons over the past few months, even though there was a point where you felt somewhat hopeless about ever progressing. Youâre surprised and delighted at your improvements. You think it might also have something to do with you becoming more comfortable with Yuta, your mind less clouded with anxiety and your movements surer, which unnerves you to admit to yourself.
You and Subira end up visiting Yuta and Shotaroâs home a few more times during autumn. You didnât expect it to become this common, but you also arenât going to say no to Yutaâs invitations, or to the prospect of simply enjoying yourself for a few hoursâno responsibilities and no parents.
On an early November evening, you find yourself sitting at Yutaâs table drinking sake and eating dinner again, accompanied by Shotaro and Subira and a few of Yutaâs vassals. They are just a handful of the men youâd encountered on your first visit, the ones whoâd made a habit of joining the four of you for these occasional gatherings. Inwardly, you are grateful that none of them are the same ones whoâd stared so strangely at you and Subira that first day.
The vassals are humorous, if a little crude at times. The first few times youâd attended these dinners, you were surprised at how comfortably theyâd speak to Yuta when at the dinner table, but you supposed things were different in this more relaxed atmosphere. Plus, theyâd already known him and been close to him for years.
âLook,â Yuta calls out suddenly. You all are halfway through dinner now, fully settling into the fun and casual air of the evening. You watch as he places his cup of sake down and reaches for a small rectangular box sitting in the middle of the table, opening its lid. âI found these recently.â You peer inside the box to get a closer look, spotting an assortment of small yellow-ish rectangles that look to be made of large grains. A sweet smell rises to meet your nose.
âWhat are these?â you ask. âI havenât seen this before.â
âOkoshi,â Shotaro says, picking one of the rectangles out of the box. âItâs just millet and syrup, but itâs good. You two should try it!â He breaks a corner off and stretches his arm across the low table, holding the morsel out to Subira. She gives him a curious look and hesitates for only a couple of seconds before leaning forward to let him feed it to her, both of them giggling conspiratorially afterwards.
âOh, itâs good! Here, you take some too.â Subira takes a bit off the same square Shotaroâs holding and feeds him in turn, grinning at the way his nose crinkles with delight. Two of the vassals begin poking fun at Shotaro and Subira, which sets off a playful round of bickering between Shotaro and the other men.
Yutaâs eyes slide from the two younger ones to the rest of the candies in the box, and his expression grows sly. You watch with anticipation humming in your chest as he reaches in and pulls one out, breaking a small piece of it off like Shotaro had and holding it in front of you.
âTry it.â His statement is an echo of Shotaroâs earlier words, except his tone is noticeably lower, like itâs only for you to hear. You glance over at your sister and the younger man, but they are too preoccupied in their own little world, feeding each other pieces of the candy and talking happily about how it tastes. You try to ignore the amused expression of the vassal sitting next to you; he takes a sip of his sake in a poor attempt to pretend like he wasnât just watching you and Yuta.
âOkay,â you murmur, fruitlessly trying to settle your racing heart as you let Yuta put the candy between your lips. His thumb and forefinger press against your lips as he does, his eyes attentive to where his fingers and your mouth meet. Itâs not necessarily a lingering touch, but that brief contact is enough to make heat burst underneath the collar of your juban. You almost forget to chew the damn candy as he watches you, awaiting your assessment of the treat.
âI-itâs good.â
âYou donât sound very believable,â Yuta comments, still keeping his eyes on you.
âNo, believe meâitâs good,â you reiterate, though you canât bring yourself to say anything else at the moment. You reach for your cup and take a drink, turning away from him slightly, because you feel like you need to do something to hide your face with how intently heâs looking at you.
You arenât sure what Yutaâs intentions are with this. Maybe youâve gotten yourself too deeply involved by allowing yourself to become so casual with him. But you wouldnât have been able to do so if he hadnât invited it first.
âArenât you going to offer me some, then?â
Itâs not exactly the same thing as you pouring his sake, but of course you shouldâve seen this approaching. Especially after he just did the same for you.
You break off a piece of the candy, and Yuta leans across the table to allow you to pass it into his mouth. He lingers a little longer than he needs to. When you first saw him in your parentsâ shop those months ago, you did not expect that someday youâd become acquainted with the feel of his lips. Now, they are soft and warm against your fingers, still slightly damp from the sake heâd been drinking, and another flush of warmth sweeps through your body.
He sits back with a satisfied look, closing his eyes as if heâs just accomplished a massive feat heâd been waiting to conquer.
âHow do you like it?â you ask him, and itâs no small wonder that you can keep your voice from wavering. Youâre still trying to maintain some of your dignity here.
âI have had it before, so itâs familiar to me. A cloying flavor, maybe more than I prefer. But compared to all other times, it tastes better tonight.â Itâs hard to look into the darkness of his eyes as he says this to you, his voice smoothly subdued, and not feel like youâve edged slightly too far over a line or been pried a little too far open.
You give Yuta a smile that doesnât feel like a smile, but a mask. You assume he must absolutely be able to identify the thrill emanating from you right now, the way he had when youâd first begun training. The real question is, does he know that itâs for a different reason? ââŠIâm happy to know it suits your palate.â You respond as nonchalantly as you can with your face burning, the vassal next to you snickering quietly to himself.
Before the night ends and itâs time for you and Subira to return home, there is one last thing Yuta wants to do.
He sends two of the vassals out of the room, presumably to get something. The cloth-wrapped objects that they come back with have you immediately curious. You donât know precisely what they are, but you think you can guess by their shapes, and the idea sets your heart racing. Yuta stands then and goes over to the two vassals. Everyone else gets to their feet too, so you and Subira do the same, Subira coming over to stand next to you and the two of you shooting each other questioning and anticipatory glances.
âI know the past few months havenât been the easiest for you, but you two have done exceptionally well with your training. This is earlier than it would be on a standard training timeline, but after all your lessons, I believe itâs time for you to have your own swords. Youâve earned it through your diligent efforts.â Yuta takes one of the parcels from one of the vassals and walks over to you with it.
He places it in your outstretched palms, his hands brushing your own, and you take a deep swallow as you stare at the object resting in your grasp, your head lowered in a bow. All of this is so overwhelming. The contact of Yutaâs hands makes your head a bit dizzy, and youâre inclined to blame it on the sake that you mustâve had too much of. Your sister is practically trembling with excitement by the time her own sword is placed in her hands.
Unwrapping the cloth, you are greeted by the sight of a scabbard, and the recognizable hilt of a ko-wakizashi extending from the end of it. The characters of your name etched on the handle catch your eye. Gripping the handle, you carefully slide the blade out of its sheath, remembering the proper way Yuta had shown you and Subira to do it. The metal of it reflects the light from the numerous lanterns around the room.
A real ko-wakizashi, gleaming bright in all its beauty. This sword is special; itâs wholly yours. You almost donât want to use it and spoil its unearthly quality.
Subira is in a similar state of awe over her sword, her face lit up from ear to ear with a grin. The vassals show their enthusiasm for the both of you by giving their applause.
âWhat do you think of it?â Shotaro asks Subira.
âItâs amazing, I can hardly believe it. Can you? Now we can have matching weaponry. Did you feel this way when you first got yours? I think I might burst.â She carries on excitedly, Shotaro grinning at her all the while.
Yuta observes your face as you look at the ko-wakizashi like it holds all the answers to your lifeâs questions, tracing your fingers over the handle with your name engraved into it. A missing piece slides into place within his mind, fitting in so easy that he doesnât register it at first, and only when he realizes what has happened does the smile on his face fade slightly.
He turns away from you to pick up his forgotten sake cup, taking a long drink in an attempt to burn away the thoughts suddenly overcoming his mind.
There is no way he can afford to fall in love with you.
With the life he lives, itâs simply not something he can bearânot for the enamored, appreciative smile currently adorning your lips, not for your subdued but captivating nature that had called out to him in the first place, not for the sheer determination youâd shown in the past few months in your efforts to learn the sword. It feels foolish to even consider the thought.
âThank you. Itâs the most beautiful gift Iâve ever received,â you say, breaking into his thoughts, and he doesnât have to see your expression to know you mean that completely. He looks back to you anyway, because he wants to drink in the fullness of your countenance. Even if he knows he shouldnât.
âIâm honored to be able to bestow you with such a gift.â When you meet his eyes, you feel yourself smiling a little wider at him, your chest filled with a kind of warmth you canât describe.
âHow are we going to bring these back home?â Subira asks, still in a breathless state of pure euphoria. âEven if you wrap them back up, mother and father will surely be curious and want to see what they are.â
Yuta answers, âIâll keep them here for now, and Iâll bring them the next time we train. Itâll be easier for you to bring them to your house when your parents are working.â
Itâs a sensical explanation, so you and Subira agree to it, though you almost donât want to part from your sword.
On the ride back to your parentsâ home, Yuta keeps turning this new revelation over in his mind, his hands squeezing the reins a little tighter than necessary. The warmth of your back against his chest as you sit in front of him on the horse makes him feel somewhat untethered from reality. He finds it hard to stop his thoughts from straying back to the dinner and to the gentle parting of your lips when heâd fed you the candy. Though heâd been able to successfully manage his emotions in the past with your close proximity to him on these horseback rides, they are particularly difficult to ignore tonight.
In the back of his mind, that sign is enough to cause him even more concern. Getting any more emotionally involved with you could only spell peril.
âAre you well?â you ask him, keeping your voice low. Your words are almost lost amidst the noise of the horsesâ hooves and the errant whistling of the wind, and he has to lean forward to hear you better.
âI am fine. Why?â
âYou appear tense,â you answer, your eyes trained on how strongly heâs gripping the reins, the veins in his hands standing out beneath his skin. He makes an effort to relax his grasp when he sees youâve noticed the troubled state heâs in. No point in worrying you or burdening you with something you donât need.
âI am fine,â he repeats, wanting to steer the conversation away from himself. âAre you? If you feel like taking a nap again, I suppose Iâll have no choice in being your personal futon.â
Him mentioning that previous incident makes your face warm; he laughs from behind you. Though he canât see it, you smile to yourself. âI think Iâll manage.â
 It takes you a while to properly drift off that night, your mind immersed in thoughts of the earlier eveningâpretty, sharp, and fragrant. The texture of Yutaâs hands as they touched yours, the sincere quality of his smile, the soft feel of his lips. Itâs the type of memory that will last a long time in your conscience, etching itself into your dreams and resurfacing at moments when you most need the warm reminder.
December 1574 â Owari Province, Japan
Thereâs only enough time for one more late-autumn lesson before winter begins settling in, stripping the leaves from the trees as if it were attempting to beat a deadline. The four of you are unable to meet up in the forest once the freezing cold and snow become a hindrance. With no remaining foliage, the trees no longer provide any cover for you to hide in.
Youâre relieved to have that last lesson, because it affords you and Subira the opportunity to sneak your swords home when your parents are still at work. Training with the blade had felt so much different from using the bokken; your sword strokes were heavier from the weight of the metal, and more dangerous, which required you to adjust your stances and movements practically all over again. Still, your previous practice remained useful.
Even after the lessons halt, you still see Yuta at the shop as normalâand now sometimes Shotaro accompanies him to see Subira.
But Yuta is different lately. He is not as open and talkative as he was when you were all training in the woods together throughout the summer and autumn, or when the four of you were enjoying each otherâs company at his home. As if receding into himself, he withdraws from you; and if you didnât know any better, you think you could physically feel the separation somewhere deep within your being.
Itâs almost like youâre dealing with a different man entirely. With this new distance heâs created, heâs like he was when he first started coming to your parentsâ restaurant; your conversations are shorter, glances more fleeting. Just by looking at him, you feel like his mind must be somewhere far away from the present, locked away from you.
You canât help believing all the progress youâve made with each other has been undone. And you canât even begin to fathom what caused it.
--
Itâs inevitable that your parents would have noticed you getting more comfortable with Yuta, especially after him inviting you to his home all those times, though they still donât know about you and Subira training with him and Shotaro. Youâre quite certain that they still donât know, otherwise they never wouldâve allowed it to go on. Your bokken and ko-wakizashi still remain hidden in your shared room, tucked into the very back of the closet.
You didnât think theyâd be paying attention so closely, howeverâand not to what you mightâve expected.
âI would hope that you are not developing an affection for the samurai, Y/N,â your mother says one night while the four of you are eating dinner, âbut it seems Iâve spoken much too late.â This sudden statement makes you briefly choke on your water, and Subira covers her mouth in equal parts shock and amusement. Your father looks expectantly between you and your mother, like he already knows this conversation was going to happen and is waiting to see how it will unfold.
âWhatâŠgives you the impression that that has happened?â you ask, unable to fully meet her eyes.
Your mother shakes her head and sighs, her face weary. âIf only you could see your expression every time you go to serve him at the shop, or when anyone else simply mentions his name. I know that look.â
Your face burns as you gaze down at your food, lost on how to respond. Maybe it would just be better to stay silent rather than try to explain yourself and dig a deeper hole. âI donâtâŠâ
What could you explain, anyway? She is right.
Your mother reaches across the table to grab your hand, and you have to make an effort not to pull away from the contact. âWarriors form marriages with other families in the same class. I just donât want you to get your hopes up and begin expecting something that will not happen. His family will likely be looking for a match for him at some pointâand if not them, then the Oda clan will.â
You donât bother to tell her that he doesnât even have any blood family left. âIâm not expecting anything, mother,â you say, and a feeling of burning, squirming foolishness creeps up your spine. Why couldnât you have been more discreet?
âHe has treated us all very well when he didnât have to. But please, donât think anything more of it than that.â
For a moment, you want to disagree. You want to express the frightening thought forming in your mind and tell her it doesnât matter if she tells you to rid yourself of any feelings for himâŠbecause youâve already tucked Nakamoto Yuta deeply into a hidden pocket of your heart.
But then you pause, because you donât even know how he feels. His actions at the last dinner he hostedâwas he only toying with you then, and all those other times? Is that why he is treating you so frigidly now? Maybe he just viewed you as some naive and inexperienced girl all along even though you are the same age as him.
That doubt is enough to deter you from saying anything.
âI wonât. I hadnât thought about it at all,â you mutter, wanting this conversation to be over and needing all their eyes off you. Subiraâs gaze has turned from its former amusement into something sympathetic and unsettledâmaybe sheâs also anticipating her own developing romance with Shotaro being dragged out into the openâbut you refuse to meet her eyes.
âThe same goes for you. Donât assume I havenât noticed,â your mother says to Subira, which makes her tense up. âWhether or not Osaki Shotaro is of lower ranking, his ideal match still would not be a merchantâs daughter.â Subira is quiet for a long moment, and you believe she wonât say anything at all.
But then she says, âDonât say that like itâs the truth. You act as if Iâm no good for him. Am I nothing to you? You always treat me like a nuisance.â
You and your father freeze, but he quickly follows up with, âSubira, enough! Why do you never listen? Does it please you to vex us constantly?â
âI donât intend to vex anyone! But I canât understand whyââ Subira struggles for words. âY-you donât know who his âideal matchâ is. Why couldnât it be me? He loves me, and Iââ
You flinch away when your mother reaches across the table, not to hold Subiraâs hand like she did yours but to slap the younger girl across the face. Subira lowers her head, silent and mouth tucked into a thin line. Her locks tremble around her face from the effort of holding back tears. You glance at your mother, but there isnât anything you can do that wonât end in more punishment.
âYouâve lost your mind, girl. Donât speak another word of this nonsense. Youâll have to find out for yourself in the end,â your mother mutters, tucking her hands back into her lap and fixing your sister with a hard stare. âAnd donât even think about getting up. You will not let this food go to waste.â
The rest of dinner is tense and silent as you all finish eating, your sister teary and shivering beside you. You donât really taste the food. Your appetite has long fled.
--
Despite your heartâs desires, your motherâs lecture makes you keep your distance from Yuta to avoid arousing any more of her suspicions and being on the receiving end of another excruciating talk. You begin sending Subira or the other worker Noboru to serve Yuta whenever you can. When you do have to go to him, you keep your interactions as short as possible, even slipping into the more formal diction youâd used with him in the beginning.
If he notices the difference in your behavior towards him, he doesnât openly acknowledge it. Heâd been the first one to widen the distance anyway, and maybe he thinks itâs just a natural reaction to his own actions. Thatâs how you explain it away to yourself.
Yuta doesnât bring Shotaro with him every time, because he does appreciate the moments he gets alone when he can just sit and think to himself, but he also canât bring himself to tell the younger man no when he decides to accompany him to the restaurant. Plus, itâs the only way Shotaro can see Subira with lessons on hold due to the season change. On the rarer occasion, Shotaro comes alone.
âYou and Y/N seem colder to each other now, and I donât understand it.â Shotaro tells Yuta on one of his visits. The younger man could not ignore the brief and awkward smile youâd given Yuta, especially in contrast to the more relaxed expression youâd taken with him.
Yuta glances at Shotaro from where heâd just been watching you tending to another table across the room. Shotaro doesnât fail to notice this either, and it only stokes his confusion. âYouâre still young, there are many things you donât yet understand.â
Shotaro sighs. âI know, thatâs what you always say, butâŠI thought youâd taken a liking to Y/N. The way youâd been acting around her...â
âWhat are you insinuating?â
â...I am insinuating that you have romantic inclinations towards her.â Shotaroâs words are chosen carefully, somewhat due to his skepticismâas if he canât believe Yuta isnât getting the gist of his words. Or doesnât want to understand them.
Yuta doesnât respond for a while, busy thinking of an appropriate response. Shotaro has just resigned himself to not getting an answer when the older man says, âNothing will come of it. Having those kinds of ties just makes it harder when itâs time for battle. You know that.â
Shotaro slumps slightly, picking up on the subtext of Yutaâs last sentence. âI know. Thatâs not going to stop me, however. Iâd rather spend my last moments having known love than not having experienced it at all.â
Itâs Yutaâs turn to sigh. Deep down, he knows there is sense in Shotaroâs words, but he canât acknowledge it for himself. Itâs not his place to tell Shotaro what to do with his own life, so he refrains from commenting on the relationship between him and Subiraâthough he canât say for certain if he thinks everything will turn out fine.
Yuta doesnât have time to respond before youâre back over at their table with their tea. Shotaro smiles nervously and thanks you graciously, doing his best to alleviate the tense atmosphere. After you leave, Yuta cannot resist one more glance at your retreating form, his expression cloudy with deep thoughtâand so the younger man decides it best to steer this conversation elsewhere. He alone canât change Yutaâs mind.
At first, you think the entirety of winter will be uneventful to you. You feel distant from everybody, frozen inside a moment in time while everyone else moves steadily forward. You simply go through the daily motions at the restaurant and go back to daydreaming of your parentsâ home of Mozambique to tide yourself and your sadness over until the warm weather returns once again.
Then you notice a face in the shop you havenât seen before.
Though the restaurant has a healthy amount of regulars, thereâs still the occasional new person, just like when Yuta showed up for the first time. This new man has a dark scar across one of his eyebrows, though he doesnât have the samurai topknot, so you figure heâs not a warrior. You wonder who he could be. Maybe just someone around Owari who youâve managed to miss.
Yuta is also there today, though youâve so far managed to avoid speaking to him. You bow as you pass his table, keeping your eyes lowered away from his face.
âHello, how may I serve you today?â you say to this new customer.
The man pauses when the both of you lock eyes, and then he gives a zealous smile, which confuses you.
âOh wow, I didnât know this place had beautiful women, too.â
âEh?â Your face warms. âAhâŠthank you?â
âSorry, was that too much?â he laughs nervously. âI just came here from Mino. Iâd heard some good things about this restaurant in passing, so I decided to come see.â No wonder you hadnât seen him before.
âWelcome to Owari, then. Itâs always nice to have new residents.â
âMy name is Akio, by the way,â he says. âNot that you would really need to know, I guess, butâ. Um. You know. Itâs polite to introduce oneself.â He laughs again, and you can see heâs an interesting character. Definitely a nervous kind of person, with how his fingers intermittently tap on the table in an unknown rhythmâand you thought you were overwrought.
âItâs fine,â you smile genially and give him your own name. âWell, since you are new to the area, maybe youâd like to try our green tea? Itâs well-loved around here.â
Akio nods. âOf course, whatever you suggest. Iâd love to try it.â
Akio watches you leave his table with a tiny smile on his lips. He glances over to his left and is surprised to see the dark-haired samurai already looking at him, his expression hard to decipher; though if Akio had to guess, heâd say the other man looks slightly chagrined. He gives Yuta a hasty bow in his seat, which Yuta responds to with a raise of his cup before turning away and rolling his eyes.
--
As it turns out, Akio quickly turns into another regular, but youâre quite certain heâs not just there because of the food.
Displaced by the recent battle in Mino, he makes a home in Owari and begins working under a local blacksmith, as he tells it to you. And he does love telling you many, many things. He always has some new story to interest you with whenever he comes back to the shop, whether itâs something that happened back in Mino or in Owari itself as he adjusts to living in the region.
In the beginning, you are a bit resistant to getting close to him. His stories are compelling, even if some are a little embellished for your entertainment, and he has made it a habit to find a way to compliment you every time he visits. It feels like too much too soon, as youâre still unable to sever your heart from Yutaâs graspâand he isnât even privy to your struggle. You canât stop your eyes from sliding over to the other man occasionally, lingering on his form. You wish you could just make him tell you why his demeanor changed so abruptly.
But eventually, you relent when you realize thereâs no real need to keep Akio at armâs length. Yuta sees you as just another person. Your parents like Akio well enough. And perhaps most importantly, he wouldnât be such a âmismatchâ as you and Yuta. Not that that has much bearing on your feelings for the other man either way.
You donât see Akio in the way heâs beginning to see you, but perhaps it is preferable to pursueâŠwhatever this is becoming. Maybe it will help your feelings for the samurai fade away. You hope.
--
Your feelings are tested one evening when Akio visits your familyâs home, supplying some more firewood for the long winter ahead, which your parents are very appreciative of. He claims heâd had extra to give, which makes you skeptical; people always keep all the wood they can possibly collect for themselves. Not entirely out of selfishness, but survival. It isnât always easy to find good-quality firewood when itâs needed, and keeping warm throughout the winter is paramount to avoiding serious illness or death. But if he desires to go out of his way for your familyâs benefit, who are you to stop him?
âIf I knew we could get free things simply by you befriending men at the shop, I wouldâve told you to do it sooner,â Subira remarks, chuckling to herself as you both stand in the kitchen of your home, heating up water on a small fire. Your parents have asked Akio to stay awhile, at least warm up with some tea before going back into the cold. You almost want to tell them no, but you can do nothing but smile amiably when Akio looks at you hopefully, as if silently asking: Do you want my company?
You scoff and nudge Subira in the side. âOh, be quiet.â
âBetter to have something than nothing,â Subira responds, still smiling. âBut does this really mean youâve lost interest in Yuta? It might beâŠtroublesome when we begin training again.â
You have no idea how to respond to this. Subira had been just as confused as you by Yutaâs change in behavior, and from her brief talks with Shotaro, the younger man wasnât able to give an explanation for why, claiming to be just as unaware. âIâŠthink mother mightâve been right. Itâs better to move on, at least in the emotional sense.â
Subira clearly resents this statement, and you wonder if you shouldâve even brought it up considering how that dinner turned out for your sister. âAnd just like I have said, youâre always too afraid of displeasing mother and father that you never consider what you desire. Your self-sacrificial behavior tires me to no end. If you love Yuta, thenââ
You quickly open the pot, purposely scraping the lid against the side of the pot to drown out Subiraâs words. Little bubbles have begun gathering in the water, floating to the top and bursting every so often. âSubira, please. I donât want to do this today. Akioâs just in the other room.â You give her a look that you hope is pleading enough to make her stop.
To your relief, she sighs, crossing her arms and giving you a dry look.
âAs you wish. But this conversation isnât done.â
You sit with Akio in the dining room, where youâve served tea for the both of you. His face is still slightly red from the cold, his nose and lips pinker than usual, and you find the sight of it slightly amusing.
âHow have you been?â he asks you, enclosing his hands around his cup of tea for the added warmth.
âIâve been faring well. Iâm not fond of the cold, but thereâs nothing that can be done about it. Iâll be glad when spring returns.â
âSo, you like the spring?â
âI tend to like warmer weather, yes.â
âShould we see the cherry blossoms together once winter is over?â Akio asks you, and there is an amused lilt to his voice, though his eyes are genuine.
Youâre momentarily lost on how to approach his flirting and this suggestion heâs laid out for you. It would not be a bad idea. You arenât as delighted by it as would be appropriate, though, and you know exactly why. âIâŠthat would be nice.â You try to disguise your lack of words for shyness, looking from his eyes to your cup and smiling slightly. Heâs thoroughly captured by your act, a grin of his own taking over his face.
âIâd enjoy that. I havenât been able to take time to view the flowers properly in many years because of all the fighting, having to care for my relativesâŠyou know. The necessary things.â His voice lowers towards the end of his sentence.
âDid your family come with you to Owari?â you ask him, noting the shift in his tone.
His eyes darken. âNo. Theyâve since passed on for different reasons. My grandparents and mother died of sicknessâŠmy cousin and brother took up arms and went to join the battles and were killed.â
Now you understand part of why he seems so eager to get to know you; he truly has no one left in the world. A twisting guilt seizes your stomach. âIâm so sorry,â you whisper.
âSo you see, I wasnât exactly displacedâŠI just didnât want to stay in Mino. There were too many memories there. A bit cowardly of me, huh?â Akio chuckles, though itâs a humorless sound.
You shake your head. âNot at all. Youâre doing the best you can with what you have. Thatâs all anyone can do.â
âThank you for your kind words.â The way Akio looks at you, smiles at you, makes your chest tighten. He seems so taken with you already, and you have no idea how to reciprocate. You know as well as anyone else that love is not a requirement for a successful partnership, but you canât evade the guilt you feel about loving someone else entirely while accepting Akioâs affections.
You donât express any of this, of course. Not after heâs just told you something so personal and so heavy. You merely smile at him again. âIâm happy if you are.â
March 1575 â Owari Province, Japan
When the days gradually start becoming longer, youâve never been so glad to see the small signs of the return of warm weather. Before you know it, all the snow has melted, and the trees have regained their green hues.
And the return of spring means two things: the recommencement of your sword-training lessons, and your promised outing with Akio. Your feelings about both remain somewhat ambiguous. Part of you thinks itâs better not to expend any more energy thinking about either matter until you have no choice left.
Youâd been getting to know Akio throughout the winter months, and youâve come to find him quite agreeable. Because of this, you figure youâve begun to like him to some degreeâthough you do feel occasional doubt about it. These sentiments were similar to what youâd experienced with other men youâd favored in the past, so surely it had to be the same now? You were letting your self-doubt get the better of you.
But it wasnât as if you didnât have a justifiable reason. Even now, you spend an undesirable amount of your time trying not to think about Yuta, trying not to look at him in that same seat as always. At this point, you might not hate it if he decided never to train you again. Perhaps then you could have an easier time forgetting about him.
--
You and Akio agree to meet on a day when neither of you have many responsibilities to tend to. He comes over to your house dressed in a kosode and hakama of good quality, his hands clean and polished. Itâs a marked contrast to how they normally are, perpetually dusted with layers of soot from his work at the blacksmithâs. Heâs truly done his best to dress up for the occasion, and you wonder if these are his finest clothes. The thought makes the corners of your mouth lift in a small smile.
âYou look handsome,â you say, stepping down from the porch to meet him.
âThank you. I have to say Iâm likewise taken away by your beauty,â he says, bowing exaggeratedly low as you laugh. When he straightens up, he peers behind you at the house. âIs your family here?â
âAh, everyone else is working at the shop today. Shall we go, then?â
You and Akio have to take your familyâs horse to get to your destination, as he doesnât have one of his own yet, and the walk would be exhaustingly long without some assistance. You hadnât needed to use the horse in a while, with all your usual haunts being close enough to walk toâand with Yuta taking you on his horse anywhere else that was a distance away.
You sigh quietly as you bring the animal out of its small shelter behind your familyâs house. Your first attempt of the day to not think of the man has already failed.
âDo you know how to ride one?â you ask Akio, holding the horseâs reins in your hand and petting its side with the other. It turns to you and nudges your arm with its muzzle, and you bring your hand up to rest against its mane. Akio looks up at the creature with an apprehensive expression.
âI havenât had much experienceâŠb-but I can try?â He seems faintly surprised that you know how to ride a horse. You let him take the reins for the sake of his ego because you can tell he wants to impress you. Or avoid looking foolish in front of you. Ah, menâŠ
You sit behind him on the horse, clinging to his midsection and directing him how to guide the animal as calmly as possible so he doesnât make any sudden movements that will scare it. Itâs slow-going for the first stretch of your trip, but youâd rather take longer to get there than go tumbling off.
You and Akio go to Sakai River, which ironically separates both of your territories, running right between Owari and Mino Province. The cherry blossom trees are lush in their pink softness, many of the blossoms floating down on the breeze and landing in the river or on the fabric of your kosode, standing out against its dark hue. The water is thick with the tiny flowers; they create a pastel blanket on the waterâs surface.
There are several other people scattered about down the expanse of the grassy banks, some sitting underneath the trees. A few unsupervised kids chase after each other, weaving in and out between the tree trunks. You and Akio dismount your steed, and you pretend not to notice when he almost trips on the stirrup on the way down.
âThis is so pretty,â you murmur, holding your hand out for a few small flowers to land on your palm.
âIsnât it?â Akio sounds a little breathless, and not just because heâd been using all his energy to concentrate on guiding the horse. âItâs been ages since Iâve been able to enjoy the cherry blossoms. I donât know how I went this long without it.â
âArenât you glad youâve gotten to see it again, then?â You walk farther ahead, Akio following you.
âYes. It is even better to see them with someone you like,â he says, and you can hear the smile in his voice before you even look at him.
You try your best to match it, a slow smile of your own curling over your lips. âIt certainly gives a romantic impression. I suppose thatâs one of the best parts of springâŠthe newness of everything.â
A few of the small blooms land in your hair, a splash of pink against your dense locks. Akio looks at the tiny flowers with a grin, several of them stuck in the strands of his own dark hair. He doesnât look away after a few seconds like one might normally do. You take this stretch of time to study his faceâthe small mole under his left eye, the soft upturn of his lips as he smiles, the dark scar above his right eyebrow.
Akioâs proximity to you makes your stomach seize with nervousnessâsheer nervousness, not like the shivers of attraction you felt for Yuta. Even so, you remain still as he moves closer to you, allowing him to press his lips to yours. His lips are warm and slightly chapped; the kiss is brief. You canât deny that it makes your heart speed up, but something about it is not quite there. A flower floats down between the two of you after he pulls away, tickling your nose, and it makes an anxious giggle burst from your mouth; you donât know what else to do with yourself at the moment.
âIâm sorry if that was too sudden,â Akio murmurs, the tips of his ears just as pink as the flowers, âbut the timing feltâŠright.â
âSudden?â you repeat, your voice in the same subdued tone as his. âNo, it wasâŠfine.â
Akio slides his hand into yours, and you both continue walking along the river, listening to the sounds of people conversing nearby. This could be enough, you think to yourself. I could come to be happy with him, with time.
Yes, maybe a serious relationship could work. But only if you try.
âDid you enjoy your time with Akio today?â Subira asks you later that night, her face eagerly curious as she lies across her futon, hair framing her head like thick black ropes.
âIt was fine,â you say. âHeâs pleasant to talk to, and the cherry trees were pretty. You should come and see them soon, too. The blooms will disappear quickly.â
The younger girl scoffs. âThatâs all? You have more to say about the drunken and disorderly men we have to throw out of the shop every month! Really, how did it go?â
âIt was fine. What do you want me to say?â
â...That you are partial to him, maybe. That you are interested in being with him. Those are the things one would usually expect to hear. Or is that not true?â
You hesitate for a second, and you hope that delay in your response is not enough for her to question. âI could be with him. Itâs perfectly feasible, ifâŠthatâs what he wants. Which Iâm very certain he does.â
âWhat do you want?â
âFor you to let me sleep.â You pull the blanket closer to your chin.
âIâm serious. What are you seeking?â
âJustâŠhappiness.â
Subira is silent for a moment before saying, âAnd do you think your current path will get you there?â
âEventually. Isnât it better to avoid rushing these things?â
Subira closes her eyes then, rolling onto her back. âSometimes. But if you go too slowly, youâll miss what youâre wishing for entirely.â
The sword-wielding lessons donât exactly go the way you expect.
Yuta is still guarded around you in a way that he wasnât before, but he begins talking more relaxedly to you againâlike you are someone more important than just the girl at the restaurant. Youâre his friend, his mentee. His unpredictable behavior annoys and confuses you.
But to your immense dismay, you realize you are still as receptive to him as you ever were. You open up towards him like a flower once his attentions are wholly back on you, your chest warming whenever you hear the silk of his voice speaking to you.
Akio practically wilts in the back of your mind, though you still have enough of your senses about you to feel bad about it. You donât think he suspects your change in feelings, with how he still chats happily with you at the shop and flirts with you whenever he can. You intend to keep your emotions secret for as long as you canâwhich means not telling him about your training either, of course. You donât know his proficiency at secret-keeping, and you arenât interested in testing it.
You take in as much knowledge from Yuta as you can within those spring months, all while still going on weekly outings with Akioâvisiting the Sakai River, shopping in the market full of vendors, or simply watching Akio play card games with the other men who frequent the restaurant. He loses every time, but you find his enthusiasm and determination to impress you admittedly endearing.
The multiple sides of your life travel precariously on in that way until the sessions begin unexpectedly thinning out again after the arrival of May.
At the end of one of your lessons, Yuta tells you why.
You suspect that something is off immediately after laying eyes on him. His technique is as good as it ever is, but his mind seems less sharp than usual, his movements a bit too harsh at some moments and too hesitant at others. You want to ask him whatâs wrong, but he doesnât give you much time to think about it with how quickly he segues from one move to another. And though you are able to keep up with him fairly well in these training sessions now, today is difficult.
After he calls it quits, he brushes his sweaty hair away from his face with a dark expression, and your heart squeezes with a small dread even though you donât know why.
Shotaro comes to stand next to Yuta, his usually calm or cheery expression seeming uncharacteristically morose. When the older man speaks, there are no pretensesâhe goes straight to the point.
âThe Takeda clan has recently taken action against the Tokugawa due to a long-standing political grievance thatâs simply too much to go into here,â Yuta informs you, his tone dry. âIt is expected that the Tokugawa will call in Oda reinforcements, so we must depart for Mikawa Province soon. Which also means that these meetings will once again have to cease.â
Although he is speaking to both you and your sister, he looks squarely into your eyes. You stare back and hope that your expression does not appear too visibly shocked. This is expected of him. But between the lessons and the dinners and the too-close encounters that youâd convinced yourself meant nothing, you suppose youâd managed to forget that he is still a warrior whoâd be called on for battle once again.
âOh,â Subira says, a clipped noise that sounds like sheâs had the breath punched from her. âSo soon? WellâŠthatâs how things are.â She sounds immediately resigned to accepting this information, which is not a very common thing for her; but there isnât anything either of you can do to stop them from leaving, so why fight?
âDonât look so sad about it,â Shotaro says, giving her a plaintive smile. It doesnât reach his eyes. âWeâll come right back, and weâll all enjoy our time together again.â Because they always end up gravitating towards each other in some way or another, he steps forward and holds one of her hands in both of his, patting the back of it.
âI hope so,â she mumbles. She lowers her head to look at their joined hands and then abruptly looks up at Shotaro again, her locks swinging at the motion. âSay youâll come back. I just want to hear it again.â Sheâs playing a risky game, but Shotaro does not have the heart to deny her of this. So he acquiesces with a gentle smile, one that speaks of pure affection for your younger sister.
âIâll come back.â
They fall into a hug as easy as breathing.
Youâve kept your eyes on the younger two in your efforts to avoid looking at Yuta, but now you turn away to give them some privacy. You risk a glance at Yuta, biting your lip as you try to conjure up the right words. Sweat cools on your face. The advent of summer is still weeks away, but the weather is uncomfortably warm; everything is uncomfortable. âPlease try to stay safe.â
At those words, Yutaâs gaze breaks away from your face. His mouth parts as he makes to say something, but he stops himself for a long moment. Whatever he was originally going to say is abandoned as he settles on, âI will do my best.â
Your interaction feels lacking compared to the one your sister and Shotaro share; thereâs more you want to say, but the words are left to die in the corners of your mind. Though youâve already made contact with Yuta multiple times during your session today, you want to touch him with your bare hands, and outside the context of trainingâto press your palm against his or draw your fingers across his arm.
And yet you canât bring yourself to do any of it. Not just because of Akio, but because of your own fears. Youâve never been able to cross that last obstacle with him. What were you both missing that the younger two fully possessed?
You cast another forlorn glance at Subira and Shotaro, sad for them and yet envious.
Youâre merely left with the weight of Yutaâs hand on your shoulder before he and Shotaro leave, a brief and wholly neutral touch, but more than you expected at this point. You watch his retreating back, tracing your eyes over the wispy strands of that black topknot and wondering if youâll get to see it again.
--
You see Yuta once more before he leaves.
You and Akio are at a fabric shop in the market during the day, looking through rolls of fabric and him trying to help you decide which you should buy, when a figure catches the corner of your eye. You recognize him instantly. Heâs about to walk past you, and you think maybe he didnât notice you.
âOhâYuta!â you call out.
Despite your greeting, Yuta doesnât speak when he sees you. He only slightly inclines his head in your direction, which you mightâve just imagined. He looks dead at you, but his lips remain closed.
Itâs a small thing in the grand scheme of lifeâespecially with things like an upcoming battle to be concerned aboutâbut your heart twists. Heâs never done that before. Is he ashamed of talking to you out here in public like this? But he hasnât cared about that before. You think back to the mess that was last winter, and a swirl of irritation and hurt arises fresh in you.
You look down at the bundle of fabric youâre holding, and with only a split-second thought, you messily place it in Akioâs arms to free up your own hands. âCan you hold these for me? IâŠjust need toââ
Meanwhile, Akio stares at you with wide, fearful eyes, too flustered to address you dumping your items on him. âYouâre that familiar with him to call out his name so casually?â He probably thinks youâll be killed for your informality. You donât have time to assuage his fears.
Before you can reason with yourself, you are abandoning the fabric stand and following after Yuta, too restless to go without an answer this time. He knows you are following him, but he doesnât stop to let you catch up or even look back at you until he veers into a narrow alleyway. When youâre standing behind him, he turns back to you with a stony expression.
âI know you are very busy with preparations right now, butâŠâ Youâre unsure how to pose your next sentence without sounding too desperate or indignant. You like to believe you understand his position as a samurai, but his actions havenât made any sense to you in a while now. âWhy do you ignore me? I justâŠcannot understand you.â
âY/N, your kindness is better spent elsewhere. I canât afford to have any distractions right now.â His voice, like his face, is emotionless.
âDistractionsâŠâ Your mind goes blank, and you suddenly feel like a burden. âWe canât even talk?â
Yuta remains quiet for a moment, looking away with serious and withdrawn eyes, and you wish you knew what was going through his head. He seems to be carefully weighing whatever heâs about to say next. âNo, we canât.â Now he looks at you again, though you almost donât want to meet his gaze. âIâm afraid Iâve let this go on longer than necessary.â
âWhat do you mean?â you ask, uneasy.
âYou are a respectable young woman, and Iâm a man hardened by battle. In the long run, it wonât serve either of us well for our lives to become so enmeshed with each other. You and your sister have learned enough to defend yourselves by my and Shotaroâs teachings, and I think itâs best if we part ways here.â
Your mouth moves, but no sound comes. Itâs true that you and your sister have learned considerably since he and Shotaro began teaching you last year, but you never considered there would come a time when it all ended. Especially not now, and not like this. Not with him severing himself from you as if nothing of importance has ever transpired between you. Youâre left with even more questions than before. âButâŠyou saidâŠdonât you think we deserve a better explanation than this?â
Yutaâs eyes flicker away from yours for a second, and you try to parse some meaning from itâanything that will explain what is happening right now. âThis is the only explanation I can give. Forgive me if itâs not enough. Give my apologies to Subira.â He bows low to you in a formal stance, which you donât expect.
Once again, you are no longer his friend or his mentee, but a stranger whoâs worlds apart from him. When he straightens up, he turns on his heel and is quickly gone from the alley, disappearing around the corner.
âWhatâs wrong?â Subira whispers as you lie next to each other on your futons that night. She turns on her side to look at you. âYou have been quiet and peculiar all day.â
It takes you a few moments to respond. Your throat feels thick, and you donât want to think about what that means. âI saw Yuta today. I donât think he intends to teach us anymore,â you say, your voice low. âEven after the battle. He doesnât want to meet anymore.â
âWhatâŠwhy not?â Subiraâs voice radiates disappointment. âI thought lessons were only to be put on hold because of the battle? What happened?â
âNoâI donât know, it was, butâhe says weâve learned enoughââ Your voice catches on the last word, and you cut yourself off from saying anything else. Your sister looks at you questioningly, and you both lie there for a few suspended seconds before you abruptly turn your back to her and put your face in your pillow, curling into yourself.
âWait, are you crying?!â Subira puts a hand on your shoulder and leans close to you, listening to your irregular breathing. âY/N, what exactly did he say?â You shake your head at her questions, covering your mouth with the blanket and keeping your back turned to her. Subira eventually sighs and rests her chin on your shoulder, rubbing your side. ââŠI understand. You are still in love with him. Of course you are. I know you.â After a few beats of quiet, she continues. âI donât care what mother says, Y/N. You shouldnât either. Itâs not wrong for you to love him. Itâs simply human.â
You groan miserably in reply, unable to answer with words. During every moment spent with him, youâd fallen more in love with Yutaâdespite your common sense, despite your motherâs warnings, despite Akioâbut your sentiments towards him donât seem to matter anymore. You donât think theyâve mattered in a long time.
You cry until your temples hurt. Eventually, you fall asleep with your sisterâs arms around you, your head resting on her chest.
July 1575 â Owari Province, Japan
You give your best effort to avoid thinking about Yuta while he is gone, which is about as successful as you anticipated it would be. Your eyes always stray back to his signature seat in the restaurantâwhich, even now, no one sits in unless the building is truly crowded that day. You think about him when you dare to bring your ko-wakizashi out of its hiding spot in your room, pressing the pad of your thumb into the engraved characters of your name.
Subira is not faring much better about Shotaro, who she worries about from sun-up to sundown. Your mother quickly grows weary of the younger girlâs mood swings, and more than one argument sparks between them. For everyoneâs sake, you can only hope things turn out alright for both men, though you are also afraid to let yourself put too much optimism in that.
Akio notices your reticence as of lateâit becomes impossible not toâand you suspect he has begun to deduce the reason for it. He is not as easily fooled as you once thought he was. Not after all the time you have spent together getting to know the details of each otherâs lives and learning each otherâs habits and behaviors.
âYouâve been very withdrawn lately. Are youâŠalright?â Akioâs voice is quiet. Youâre both at the Sakai River again, sitting next to each other underneath one of the many cherry trees. Their blooms have long since fallen off, leaving the dark green summer leaves behind. For the first time, Akio doesnât hold your hand, and you feel guilty at your relief over it.
âI am fine,â you say, though thereâs the ghost of a shiver in your voice when you speak.
âYou arenât,â Akio counters. âYouâŠever sinceâŠâ He takes a breath, and you can guess what heâs going to say. Your body tenses as you wait for him to speak again. âEver since the samurai left for battle two months ago, youâve beenâŠdistant.â
âIâhadnât noticed.â
Akio heaves a sigh. âYou donât need to lie to me.â You glance at him but say nothing, and he worries his lower lip with his teeth. âI think there is something more to this that you arenât telling me. I wish you would just say it.â
Youâre silent for a few moments longer until you squeeze your eyes shut and put your chin on your knees, curling into yourself. âI am so sorry, Akio. I have tried hard to forget about it and move forward,â you whisper, your breaths coming fast and shaky. âBut IâŠI love Yuta. I always have. I donât know how to make room in my heart for another. Please, forgive me for wasting so much of your time.â
You think Akio will be angry, which you cannot really blame him for, and you find yourself subconsciously wanting to flinch away in anticipation of his response. You open your eyes again to look at him. He does seem indignant at first, with how his eyebrows crease together and his mouth tucks into a hard line, jaw clenching. His scar becomes more prominent when he makes this face, and it makes you ashamed to know youâve dealt him yet another hurt he couldâve done without.
But then, all at once, he simply deflates. He is defeated and maybe even a little relieved, which you donât understand.
âI think I always suspected your feelings for the samurai in some part of myself,â he murmurs. âBut I was lonely, and I had no one else to turn to after I came here, andâŠI like spending time with you. I didnât want our time to end, despite all that.â He looks up at you from beneath his lashes, shame coloring his expression. He looks away just as quickly, casting his gaze back to the river.
âStill, i-it was unfair of meâŠto play upon your emotions. You mustâve thought things between us would turn out differently.â
Akio shakes his head and gives a humorless laugh, rubbing at the scar above his brow with tired fingers. âFew things are ever fair in life. We both know that. I donât really see it as a waste, Y/N.â
You still believe Akio is too forgiving. Too gentle for this world of cruelties. You find yourself wishing that he had reprimanded you or done anything other than react this way. You arenât sure why. Maybe itâd just be another way for you to self-flagellate over this meaningless love you keep harboring.
âAnd what about him?â Akio asks.
âWhat?â
âDoesâŠdoes he feel the same way, orâŠâ
You think about your last encounter with Yuta, and shame burns across your skin anew. Another fleeting thought drifts through your mindâthat youâre throwing all of this with Akio away for nothing. âI donât know.â
You are quiet after that, the both of you staring into the river water as it rushes down the channel, ceaseless in its motion. After a while, you both rise to your feet, Akio offering you his hand to help you up. You stand face-to-face, your eyes mirroring a similar sadness back to each other.
âLetâs get you back home then, eh?â
You nod silently, walking back to your horse. The ride back is quiet; the silence stretches all the way up to when you step onto the porch of your home. You are glad no one is at home when you arrive. You donât have the energy to explain your sullen disposition.
Before Akio departs, he gives you a strained smile from where he stands at the bottom of the porch, and you raise your hand in a silent wave. Though you canât say it for certain now, it feels like a final farewell.
âI hope he comes back to you.â
You and Subira spend one evening in the middle of July sitting on the porch of your home. She looks up at the darkening night sky as you sit behind her retwisting her locks. You are both silent for a while, though both of you are restless with energy. It feels like something is on the verge of happening. Suddenly, Subira speaks.
âYou know they should be back soon. People were talking about it in the market today. It was a great victory for the Oda and Tokugawa, but do you think Yuta...? Shotaro?â Subira lets her words trail off, and that makes your stomach sick as if youâve eaten something bad. Many different endings could lie within that questioning tone. Did they survive? If they did, will either of you even see them again? Yuta made his intentions painfully clear before he left, but you still struggle to accept that as the end of everything.
You momentarily take your hands away from Subiraâs hair and press your hands to your face, feeling the heat of them from how the sunâs been beating down on you all day. The onset of night provides some relief from the fevered weather, but thatâs the only relief you can find. You shake your head and look at the ground, too afraid to meet her eyes even as she turns to look at you. You donât have any answers, but she looks to you as if you do. âI donât know. We should just wait for more news. Thatâs all we can do, Subira.â
Subira turns back around with a tremulous exhale, tightening her hands in the fabric of her kosode and looking off into the middle distance.
It has been over a week since the news of the warriorsâ return spread through Owari, but despite seeing other men begin trickling back in amongst the townspeople, you still havenât seen any hints of Yuta or Shotaro.
That worries you immensely. A foreboding you canât get rid of swells within you. And although you try to practice patience, try to remind yourself that Yuta intentionally separated himself from you before he left, you eventually reach a point where you can no longer sit and wait for an answer that might not come.
Youâre unable to sleep on the night you put your decision into action, but it doesnât much matter either way; you donât plan on sleeping tonight. After you are positive that your parents and Subira have all fallen into deep sleep, you slip out of your futon and go to the closet, pulling out one of your kosode and your ko-wakizashi as quietly as possible. Once you are dressed and your sword tucked into the left side of your obi, you slide the shoji open, listening for Subiraâs breaths to make sure sheâs still asleep, before slipping out of the room.
It takes some effort, but you quietly make it out of the house with a lantern in hand, slinking over to the small shelter behind the house to fetch your familyâs horse. Mounting it, you hold the reins in your sweaty hands and spur the creature on.
You have not been to Yutaâs home since last autumn, but you are certain you can still remember the way there. This late-night journey is incredibly risky, the kind of thing Subira would be more inclined to do than you, but you have to know if he survivedâif heâll be there. You try to calm your heart as it hammers inside your chest, memories of your attack last year washing back into your mind in a torrent. This time, at least you know enough to defend yourself if something does happen.
To your immense relief and slight surprise, you are able to make it to your destination unscathed, only taking the wrong path and having to turn around once. When you get to Yutaâs house, the gate is open a fraction, allowing you a hassle-free entrance. Though this is convenient, it immediately raises alarm in your mind and gives you pause. Thereâs no reason why the gate should be open and unlocked at this time of night, unlessâŠ
You tap on the shoji at the main entrance to see if anyone will answer. You can tell that itâs dark inside even from where youâre standing; no light shines through the milky translucent screens, and that does nothing to make you feel more reassured. You stand there for what feels like an eternity, and even when you knock a few more times, there is no answer. You donât want to stand out in the open for much longer, but you donât want to leave without an answer either; and part of you is afraid that someone might already be lurking on Yutaâs property, with the gate being unlatched as it was.
Shaking your head and exhaling, you hold the lantern up and tentatively slide the door open. No one is there in the dark, and nothing jumps out at you. You stand in the entrance for a moment and scan the front hallway before reluctantly moving on. As you move deeper into the house and peek into the rooms, one hand holding your unsheathed sword and the other carrying the lantern, you see there are still signs of life everywhere. A pair of zori strewn at the bottom of the steps leading to the courtyard. A lone sake cup sitting on the low table in the dining room youâd all sat around just months ago. A garment of fabric left abandoned near a doorway, which looks suspiciously like a kataginu. Some of the rooms you glance into are messy in a way that doesnât come from the disarray of everyday living; it looks like someone has been through and deliberately destroyed things, and that makes your stomach roil with fear.
You donât see a single person until you slide open the door to Yutaâs bedroom, which youâd never seen before, but an instant giveaway tells you the room belongs to him. In here, the shoji covering the window are slid aside to reveal the outside world. Itâs a half-moon night, and the glowing celestial body provides some light to see by. The moonlight along with the lantern is what reveals Yuta lying on the floor, curled onto his side and his hair obscuring his face. Your heart jumps into your throat, your ko-wakizashi clattering to the floor, all your training forgotten in an instant. Your knees weaken so much that you have to slump to the floor and crawl to him. You are shaking too hard to be able to tell just by looking, but he is breathing slowly; you feel the breaths on your fingers when you hold your hand under his nose. When you put your hands on his body, he is still warm. Half of his kosode is falling off his shoulders, and he wears no other layers underneath it; the garment has not been secured together, and the opening reveals a bloody set of bandages around his midsection. They are discolored with both old and new blood. Beneath them, you know there will inevitably be a new scar forming to add to all the existing ones.
You maneuver him as carefully as you can so his head is lying in your lap. Wisps of his hair stick to his forehead and his cheeks; he is sweating hard, and you donât know if itâs because of the relentless heat of high summer or something worse. You slide your hand across his hot forehead and try to calm your breathing.
âYuta?â you whisper. He doesnât respond for a few moments, and your worry grows. âYuta, please wake upâŠitâs Y/N.â
When he stirs, it sends some relief through you, though you are far from reassured yet. Your hand slips from his forehead to his cheek. âYutaâŠâ After a few more moments, his eyelids flutter and then open, but only slightly. He looks at you blearily, but it seems like heâs not even seeing you in front of him; his expression is dazed.
âYuta...whatâs happened? Where are your vassals? Where is Shotaro?â You have to wonder why his once-loyal retainers have left him in this state without doing anything to remedy his wounds. Your hand hovers over Yutaâs midsection and the ruined bandages; youâre afraid to peel them away and see whatâs underneath, but you feel like you need to do something. Yuta closes his eyes again at your questions and pushes his cheek closer into your hand; the movement is so slight you mightâve missed it if you werenât focusing on him so closely.
âShotaro is dead,â he answers. His voice sounds like it hasnât been used in weeks, and he winces when he speaksâfrom physical or emotional pain, you couldnât guess. Youâre in too much shock. âIâŠI watched it happen in just seconds. I could do nothing...it was my responsibility to take care of him, Y/N.â He doesnât explain anything more about why heâs lying in his own home wounded and sickly, because he breaks into desperate sobs. You gather Yuta in your arms as comfortably as you can and hug him to you, your own tears flowing out and thoughts of how hurt Subira will be racking your mind. In this moment, reality feels exceedingly painful and unjust.
You donât know how long the both of you sit there crying and clinging to each other like the world will cease tomorrow. Maybe in a way, it already has.
Eventually, you pull away from each other when the sobbing dies down to whimpers, looking at the tear stains on each otherâs faces in the intermingled moonlight and lantern light. You want to wipe Yutaâs tears away, but part of you is still somewhat hesitant around him; you donât know how he feels about your presence here from his last words to you, so you refrain.
âI have to go find something,â you murmur, feeling dazed. âThese need to be changed.â You gesture to his bandages. You help Yuta sit up fully, though the movement is slow and pained and pulls a rough grunt out of him.
Once you trust that he is adequately situated, you go searching for anything that will help treat him after he instructs you on where to look; even talking takes some effort. When you find the materials you needâalong with water, because he is clearly dehydratedâyou quickly return to him.
You cleanse the wound after taking the old bandages off. Itâs a long gash across his stomach, the skin around it inflamed. It doesnât appear to be very deepâat least not as deep as some other wounds youâve seen before. Again, you wonder why he or anyone else didnât try to tend to it more, but you disregard those thoughts as you apply the necessary herbs and re-cover the wound. You donât know enough about medicine to judge if the wound is more serious than it looks, but you pray your efforts help.
You sit the things aside and belatedly realize that your hands are shaking. Yuta notices also, and he takes one of your hands in his, slowly curving his thumb over the back of it.
âWhy are you alone?â you whisper.
âI sent everyone else away. Kicked them out. Youâve seen the state of this place.â
âWhy?â
âItâs easier to die when youâre alone.â
Your heart drops. âTo die?â
âShotaro is gone, and I knew after our last meeting youâd no longer be in my life. I didnât see any reason to remain here. But until the endâŠIâm still a coward. I couldnât gather the resolve to kill myself.â For a moment, he cannot meet your eyes. âInstead, I figured the wound would do it soon enough.â
Youâre at a loss for words, unable to draw up a response that could convey the abject pain youâre feeling. You finally stumble out with, âYou wanted to dieâŠpartly because I wouldnât be in your life anymore?â But you threw me away first, remains unsaid within your mind.
You examine Yuta as he sits in front of youâhis body bandaged up from where youâve tended to him, his kosode hanging off his shoulders, his skin glowing with sweat. You stare at each other silently, and once again, you wish you could see inside his mind. You have no clue how to read him right now. His expression doesnât reveal much to you; itâs returned to its usual closed-off demeanor, shutting you out from his emotions in a contrast to his earlier vulnerability. You donât know if heâs trying to protect himself from the hurt or from you.
However, youâre surprised when he lifts his other hand to your face and touches your cheekâlike the day he did the same after your first visit to his homeâthen cradles it. Itâs a surprisingly tender gesture from someone who wields a pair of swords like itâs the last thing he will ever do.
âThe whole time I was in battle...the only thing I could think aboutâbesides Taroâwas you.â He sighs and glances away again. âYou make me so weak, Y/N.â And now, you can hear it in his voice. The fatigue, self-conflict, yearning, and everything else he has been trying to keep from you for months. It all bleeds out without control, baring itself to you.
âYou pushed me away,â you whisper, and you canât help feeling angry. You still hurt when you think about it, a wound that was never given closure. It makes your mouth draw up tightly with the need to resist crying all over again. âYou acted like you wanted nothing to do with me.â
âI didnât know if Iâd come back,â he replies, though regret seeps into his tone. âWhen youâre in battle, you never know which breath might be your last. I didnât want us to become so entwined together and then you suffer me abandoning you in this world. You seemed happy with Akio, andâŠif I died in battle, I could be at peace knowing you wouldnât be alone. Youâd have someone there to do what I couldnât.â
âWhat you couldnât?â
He pauses for a while and then takes a shaky inhale. âShotaro wasnât constrained by those worries as I was. He simply loved your sister and lived as he wished. Iâve been nothing but a fool. Iâm sorry, Y/N.â
You furrow your eyebrows and shake your head, closing your eyes against more tears. They spill without your consent. This time, Yuta wipes them away.
âWill you finally allow me to love you?â you ask quietly, unable to look at him. âWill you love me?â
Yuta does not speak for a few moments, and you refuse to open your eyes, thinking you might somehow be rejected once again. But then you hear the fabric of his clothes shuffling, and his lips are suddenly caressing yours.
You kiss him back, and itâs a palpable relief to you. He tastes like sweat and sickness, and your senses are overpowered by the scent of the herbs, but you donât mind any of it as long as itâs him. A note of desperation colors the kiss in how his lips press so intensely into yours, his fingers grasping the nape of your neck with as much strength as he can muster in his weakened state. Youâre both overtaken with the need to be close after all this time of endlessly circling around each other. Even after you both pull away, he rests his forehead against yours.
âAfter what Iâve done to you, I shouldnât ask you to stay,â he mumbles, looking down at your still joined hands. âBut, IâŠwould like for you to stay.â Saying that requires some emotional effort on his part.
You both know your family will be terrified when they donât find you in the morning, but you also know itâs more dangerous to go back out alone at this time of night. Itâs no small miracle you made it there safe and in one piece, and youâre reminded of your ko-wakizashi lying on the floor.
It doesnât take you long to think about your answer, though you do feel bad for your family. âIâll stay.â And you kiss him once more. You reposition yourself so youâre sitting side by side, and he pulls you closer to his body as much as his wound will allow, his arm secure around you. For a while, you sit and listen to him breathe beside you, and even that simplicity is more than enough; it reassures you that he is indeed alive. Youâve never been so relieved just to hear someoneâs breaths.
When sitting against the wall becomes a strain on your back, you and Yuta carefully make your way to his futon and lay your tired bodies across it. A deep and dreamless sleep greets you when you manage to close your eyes.
--
The ride back to your village is long. The sun has not been up in the sky for more than an hour, but itâs already hot, burning rays beaming down on you without reprieve.
Even in his injured state, Yuta had tried to go with you. You didnât know if it was more because he didnât want to be left alone or if he didnât want you to journey alone. You promised to send someone by for him instead.
And you intend to make good on your word. Before you even return to your parentsâ home, you visit one of the few physicians in your area to tell him what has happened to Yuta. He barely believes you at first, but he finally relents to go visit the manâs propertyâand mostly because the physician has a good rapport with your father. You try to ignore the suspicion and unconcealed judgment in his eyes from the state youâre in, disheveled and coming from a manâs house early in the morning, and give him your utmost thanks.
When you finally reach your home, Subira is there with your mother, both of them sitting on the porch holding hands and looking sick with worry. Subira instantly gets up and runs towards you when you arrive, your mother following close behind. âY/N! Where were you?! Father just took up a group of people to go looking for you!â
âDo you have any idea of the worry youâve caused? We thought you decided to run away! And for no possible reason that we could discern!â your mother shouts, holding her head as if sheâll faint.
âI-Iâm sorry,â you say, dismounting the horse and nearly stumbling in your rush to get down. You give your mother and sister a sympathetic look, though you are already wincing away from the inevitable reaction. âIâŠI-I went to Yutaâs home last night.â
âWhat?!â your mother shrieks. Your sister recoils in shock. âYou went to the manâs house, and that far away? At night? Have you completely lost your mind? Has all sense escaped you?â Before you can think to move away, your mother slaps you across the face, the sound of it ringing across the yard. Your hands fly up to hold your burning cheek, and Subira watches the scene with surprise and horror.
âH-he hasnât come around at all. I had to see if he survived,â you stumble out, your eyes stinging with fresh tears. The pain in your chest and in your face causes some of them to roll free. Though she is currently seething with anger, your motherâs eyes finally catch sight of the ko-wakizashi secured in your obi.
âWhat? Where did you get this?â she asks, her eyes fixed on the weapon.
Youâd forgotten about the sword at your side until this moment. If your internal organs werenât already stirring with anxiety and fear, they are now. âHe gave it to me, mother. A long time ago.â
âGave you a sword? Tell me more nonsense and Iâll kill you.â
âItâs the truth,â Subira blurts out in an attempt to save you. âI have one, too.â Your motherâs head whips in her direction. âItâs in the closet. If you look in there, youâll find it.â
Your motherâs expression is marred by anger, and she sets off in the direction of the house to go look for the sword as if sheâll kill you both where you stand if she doesnât leave right now.
You remain rooted to your spot on the ground, your body tense enough to snap in two if so much as brushed against too carelessly. Subira steps forward then, clamping her hands on your shoulders and looking you straight in the eyes, and her actions break your stony demeanor.
âY/Nâdid you find him? What about Shotaro?â
You lick your dry lips, your stomach rolling. âYuta isâokay. HeâŠhe could be better. But I-I think heâll be okay.â You donât allow yourself to believe anything other than that.
Subira frowns with lingering worry, but some of the tension goes out of her shoulders. âAnd Shotaro?â
You throw your arms around Subira then, crushing her against you. You shake your head, burying your face in her locks and smelling the familiar fragrance of her hair. She instantly stiffens against you, part of her already suspecting what youâre going to say. âIâm sorry, Subira.â
âYouâre lying,â she argues, her voice furious and loud with denial as she struggles in vain for a few moments to be released from your hold.
âSubira, he didnât make it back. I wish it wasnât this way.â Your sister screams, shaking her head in protest. That tormented wail is enough to bring your mother back out of the house, panicked and trying to see whatâs happened now.
âI want to die,â she cries. The way she clings tightly to your kosode reminds you of when she used to do the same when you were only kids, usually sobbing because sheâd hurt herself while playing. Thinking back to that little girl with her tiny fists and big wet eyes, youâre pained that you couldnât do more to protect her from this world.
âIâm sorry,â you repeat, the volume of your voice dying. All other words seem useless to say.
Your heart is a strange knot of grief and love from one moment to the next, and you never know the appropriate way to feel. The only thing you can make sense of is taking care of your sister, which youâve always done, so you do that.
It takes you and your parents a few days to convince Subira to eat again, and not all of it stays down, but some is better than nothing. Though your parents are disgruntled by it, you donât reprimand her for it. Itâs the last thing she needs. You just let her lay her head on your lap in the lantern light of your shared room, listening to her cry and curse as much as she needs to.
Your parents had not been pleased about your late-night journey or the sword lessons you were forced to tell them about. Your father had been more indignant than youâd seen him in a long time, even as you tried to explain the reasoning for why you and Subira did it.
But they kept the swords. Not because they wanted to, but because they feared causing offense for discarding a gift from a samurai.
Even so, you doubt youâll ever be able to use your ko-wakizashi again. Both of them, along with the bokken, are currently locked away in a trunk in your home, and the keyâs whereabouts are unknown to you. This only adds on to the grief youâre already suffocating in, but thereâs nothing you can say to change their minds, and there are other matters that need your attention more.
To your relief, the physicianâs endeavors prove successful, and Yuta slowly begins recovering. You havenât had the time to visit him since that night because of caring for Subira and taking on extra work in her absence, but the physician comes by the restaurant to let you know of Yutaâs condition, already knowing how important the information would be to you.
It takes Yuta a little while to return to the restaurant, what with trying to heal his wound and dealing with the grief, but he comes back eventually. You only see Yuta when he comes to the shop, though these days he visits much later in the night; heâs usually one of the few or the only one left before it closes. Itâs easier this way. Whenever he shows up, you sit at one of the tables with him as he holds your hands tightly enough to make them sting and rests his head on your joined hands, keeping his eyes closed. Sometimes he doesnât say anything at all and just comes to sit in the stillness with you.
One night when he comes by, you give him some tea for free though he insists he should pay for it. Noboru is the only one still there with you, cleaning in the kitchen, and you know he wonât care about you giving out free goods. When you return from the kitchen, Yuta looks at you with nervous, almost fearful eyes, which makes you stop in your tracks. You have no idea what heâs about to say and whether itâll be something good or bad.
âWhatâs wrong?â
âWeâve been spending all this time together, and I havenât even asked you formally,â he says, his hands crossed on top of the table.
âAsked meâŠ?â
âWill you be with me?â he asks, his face imploring. His question makes your heart speed up, and your fingers clench around the teapot youâre holding. Before you can respond, Yuta continues with, âI say that to meanâŠmarry me?â
This time, the teapot slips entirely out of your grasp, and you both receive a shock when it shatters on the ground, spilling tea and broken clay across the floor. You try to stumble back to avoid getting it on your feet, but some of the hot tea splashes you anyway.
âOw!â
âY/N.â Yuta jumps up from his seat to help you sit down in a chair at another table. âAre you okay? Just stay here.â Carefully, he picks up the broken clay pieces though theyâre still hot and must be burning his fingers. After he discards them, he goes to ask Noboru if there are any medicinal supplies on hand and soon returns with them, kneeling in front of you.
The way his hand wraps around your ankle and his fingers brush across your foot as he pulls your zori off is one of the most intimate things youâve experienced. His hands are feather-light as he handles your foot, and you donât think youâll ever stop being surprised at how gentle his touch can be.
As you sit on the chair watching him bandage your foot where it was scalded, you realize that you wantâŠmore of this. More of Yuta tending to you so gingerly, more of him speaking to you in this soft tone youâve barely heard from him before, more of him entirely. As if your eyes are opened for the first time, it becomes a reality to you that you could spend the rest of your existence like this with him and be happy.
âIâll marry you,â you say, your words coming out breathless and rushed in your haste to make them known. Yuta looks up at you like he doesnât understand what you said, though there is already realization dawning in his eyes. âIâll marry you, Yuta. Just pleaseâŠstay by my side from now on.â
He stretches up to be eye level with you as he nods hurriedly, caressing your cheek as he kisses your lips. âIâll go wherever you ask me.â
May 1577 â Owari Province, Japan
The little bundle wrapped snugly in the sling on your back stirs intermittently with a soft babble, spending most of its time dreaming in a peaceful sleep.
âHe looks so content,â Subira whispers, peering at the babyâs small brown face where heâs tucked against your upper back. Her smile is wide, her eyes crinkling as she presses her hands to her cheeks.
âAfter giving us so much trouble, now he sleeps just fine,â you sigh, though you are also smiling. You think the walk around the garden has done the baby a lot of good, the gentle motion of your steps lulling him back into sleep after an earlier bout of wailing.
âEven when heâs crying or upset or hungry, heâs the sweetest little thing. I canât believe someone so precious exists. When will you two have another?â
âSubira, we just had this one!â
She giggles, separating from you to take refuge from the sun under the shade of a nearby tree but also so her laughter wonât wake up the baby. âJust a suggestion.â
ââŠIf we have another, then you have to stay here forever,â you say, teasing her. âYou donât even understand it, but all your help has saved my life.â
âForever?â Subira chuckles and shakes her head, walking a slow circle around the tree and tracing the bark with her fingers. âMy lovely sister. I greatly enjoy this little family youâve created, but donât you think Iâd want my own someday?â
âOf course you would,â you say softly, your heart twinging at the thinly veiled melancholy on her features. You try to give her a reassuring smile. âBut the longer you stay here means the longer you donât have to return home.â
Subira gives a half-smile at that. âCorrect.â
Subira has stayed with you and Yuta since you gave birth to your son five months ago, helping you care for him as if sheâd brought him into the world herself. She adored him as soon as she set eyes on him. Between the three of you, your babyâs feet hardly ever touch the floor, the small boy always being carried by one of you. You know heâll need the freedom to begin learning to crawl soon, but you are content to hold him close to you until then.
It surprised you at first to see how easily Subira took to caring for another person, with you always being the one caring for her. But then youâd had to realize sheâs always had her own way of caring for you. Not only that, but Subira has changed markedly from the young woman you knew her to be before Yuta and Shotaro came into your lives. She is more mature now, more thoughtful, less excitableâbut all of you have changed in different ways in such short time.
You and Yuta married in the autumn of 1575, preceded by a simple meeting between him and the rest of your family over cups of sake. Your parents had not been pleased with him teaching you and Subira the sword after they found out, and you wouldnât have been shocked to know if their high regard of him had shifted, but you were surprised at how easily they relented to giving you away to the very same man.
âIf youâre this adept at seeing him without our knowledge, then Iâve come to realize there is likely not a single thing we can do to keep you from him,â your father had said to you that day, a look of resignation on his face. âLetâs make this less difficult for everyone involved.â
You know your mother was somewhat embarrassed that the lecture sheâd given you ended up not holding any weight, though she would never admit it. She did not have much to say about the arrangement other than sullenly giving you both her blessing, along with your father. You never imagined any future marriage of yours being overshadowed by such unpleasant sentiments, but you tried not to care. It didnât matter. You werenât under your parentsâ care anymore.
Yuta could not continue serving the Oda clan and marry you, as samurai of his ranking were not permitted to marry commoners, so heâd relinquished his status as an Oda samurai and took to farming full time. In the beginning, this decision shocked you. Youâd asked him to stay with you, and you both understood what that implied, but you could not help feeling guilty for a while after. Heâd trained to be a samurai since childhood, and you knew how he loved the sword.
But heâd done his best to reassure you that staying alive to enjoy his new life with you was more precious to him than being able to wield his daisho. You had no choice but to believe him eventually.
Adjusting to living away from home took you some time. Youâd never lived anywhere but with your parents and sister, and realizing you wouldnât wake up to them everyday opened a pit of sorrow in your chest you didnât know you were capable of. Despite this, being with Yuta was enjoyable. It was wholly what you wanted. It wasnât without its pains, however.
Even now, Yuta sometimes has trouble staying asleep at night. Youâd discovered this soon after you moved into his home. Heâd jerk awake, sweating and trembling from a nightmare or crying out indistinguishable words, and itâd startle you out of your sleep. In the beginning, he wouldnât say anything to you when it would happen, but you could guess what heâd dreamt about. Over time, heâs become more receptive to telling you about what goes on in his mind during those dreams, even if his words are brief.
On those nights, you sit on the porch facing the courtyard and let him lay his head in your lap until he manages to get back to sleep, gliding your fingers through that inky black hair all the while. And when he canât fall asleep again, sometimes you make him tea, or simply stay up with him to watch the sun rise. He always expresses guilt for you not getting any rest on those days, but you have never much minded caring for him in this way.
Almost two years since the Mikawa battle has passed, it has become easier for him to talk about Shotaro again. A month after your son was born, Yuta began making a habit of telling you and Subira stories about his childhood growing up with Shotaro and their later adventures as adults.
The first night he did this, you were surprised; you had begun to think youâd never hear the other manâs name from his lips again. But you were also relieved. So, youâd observed silentlyâthe three of you sitting together on the floor while you breastfed the baby, the shoji closed tightly and the blankets piled up to keep out the winter chillâand listened to Yutaâs story of his parents meeting Shotaroâs family on a spring day many years agoâŠ
The stories remain a way for Subira and Yuta to keep Shotaro close. Subira likes to hold your son so that he can listen too, even if he doesnât yet understand, tucking him close in her arms and feeling the soft coils of his hair tickling her skin. Those times are some of the most content youâve seen her look.
--
Itâs a full-moon night, the round disc of white illuminating the sky as if it had been hung there by the gods. Through the open window, itâs the only other thing illuminating the room beyond the lantern light, and the aura of your surroundings vaguely reminds you of that now-distant day when youâd found Yuta sick and alone in his home.
You lie on your shared futon next to your babyâs own futon, his little curls smushed against the pillow. You hold one of his tiny hands in your palm, counting the small fingers over and over again as if to make sure theyâre all there. Yuta smiles at you softly as you do so, his eyes darting between you and your infant like he canât get enough of looking at the both of you.
âTaro...â you whisper, gently tapping the babyâs round nose and pouty lips. You watch as his face crinkles slightly in his sleep before relaxing again. âHow cute you are.â
âItâs because he looks so much like you,â Yuta comments, chuckling quietly.
You suck your teeth, though you canât help smiling at his words. âYou say that to flatter me. Anyway, he still has your eyes.â
âHmm, he does. But since Taro looks like you, the next one will probably look like me,â he says casually, and you roll your eyes.
âYou too with this ânext oneâ talk? Youâve been talking to Subira too much.â
He grins. âItâs not a bad idea.â He sits up with his arms across his knees. âAre you happy?â he asks, studying your face.
âOf course I am. Why not?â
âI justâŠâ Yutaâs voice trails off, and then he says, âYouâve told me multiple times about MozambiqueâŠhow you want to see it someday.â
Your heart pangs, and you glance back down at Taro, your smile fading a bit even as you look at his sleeping face. âI have.â
Thereâs a beat of silence before Yuta says, âIt was not particularly easy, but I got information from some of the active Oda samurai who have close ties to the Portuguese traders. I found out about what itâs like in Mozambique right now, if conditions could beâŠconducive to travel.â
Despite yourself, your heart jumps in your chest, and you sit up straight. Casting one last look at Taro to check that heâs properly settled, you come closer to Yuta and grasp one of his hands. âWhat did they say?â
âThe Portuguese are steadily taking over the land, and there is much ongoing conflict. Iâd say it may be even more dangerous there than here.â He sighs and squeezes your hand tighter. âThe other samurai have said itâs best if any Mozambicans who are living here donât attempt to return, as theyâre liable to be enslaved and transported elsewhere. Many native Mozambicans have already been separated from their families this way. Iâm sorry, Y/N.â
Your grip on his hand slackens a little, following suit with the rest of your body as you slump into yourself. â...I see. ItâsâŠworse than I imagined.â This is only part of the reality your parents had tried to shield you and your sister from for so long; and now that you are staring it in the eyes, you finally begin to understand why they did it.
The only thing you know to do is wrap your arms around Yutaâs shoulders and lean your head against his, smelling the scent of his hair and his body that are distinctly him. Your eyes sting; you close them against the burn of tears, though some drop down your cheeks anyway. âThank you for thinking of me. Of us. I am happy here with you, Yuta.â
Shifting to face you, he wipes the droplets away with his thumbs, cradling your face in his palms. âIâm sorry. I want to give you everything you desire, but...â
You shake your head and lean forward to kiss his lips. âYou already have.â
That night, you fall asleep with Yuta holding you in his arms and his heart steadily beating underneath your ear, the moon silently watching you from its position in the sky.
#yuta fic#yuta scenarios#yuta imagines#yuta angst#yuta fluff#shotaro imagines#shotaro fic#shotaro angst#shotaro fluff#shotaro scenarios#ambw scenarios#ambw#ambw imagines#ambw fic#ambw angst#ambw fluff#nct fic#nct imagines#nct fluff#nct scenarios#nct angst#nct au#nct 127 scenarios#nct 127 imagines#nct 127 fic#nct 127 angst#nct 127 fluff
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RYOMEN SUKUNAÂ || my little flower
anime: jujutsu kaisen
characters: ryomen sukuna
pronouns: she/herÂ
notes: historical!sukuna x reader, slightly sexual (no smexy time involved lol - maybe another day ;)), quite fluffy towards the end
also - Iâve been reading so many sukuna hcs and imagines of him when heâs in his prime or during the historical era - so like excuse me as I politely simp for the man that is ryomen sukuna >< thank youÂ
references:Â https://www.japanese-wiki-corpus.org/literature/Ryomen-sukuna.htmlÂ
Sukuna leans back into the futon with a tired sigh, two of his arms folded behind his head while the other two held you against him securely. His ruby red eyes glanced away from the ceiling to look down at the woman curled up in his embrace, sleeping peacefully against him whilst her own soft arms were wrapped around his muscular torso. He admired your peaceful features at first, but soon his eyes started to travel down your delicate neck and cleavage, your soft skin marked by dark splotches where he had marked you up for the world to see.
Just the sight of the hickeys and bite marks caused Sukuna to smirk once more, the feeling of pride traveling through him at the sight of the hickeys, both new and old, marring your skin. It was a sight he would never get bored of seeing, since it was a constant reminder to you that you were his and no one elseâs.Â
Many would question just how did this happen - how did a simple human manage to âtameâ the infamous Sukuna - the King of Curses, who spreads chaos and bloodshed in his wake? How did you, a mere human woman who looked far too kind hearted and warm, ended up with such a fearsome man?Â
Well, how this came to be was actually a cute story.
You grew up in a small village in Hida province, where many cities treated Sukuna as their patron deity. He was what people would call quite a cold ruler - one who would not hesitate to bring terror and bloodshed down on a town that had angered him. But at the same time, he was quite the generous man as well. He protects the people of the Hida and Mino Provinces, and many towns had florish and grow under his careful guidance.
Your town was one of the may towns that worshipped the Cursed Spirit, preparing offerings on special celebrations and always paying your respects whenever you go up to the ichinomiya on the weekends with your parents. It was because of one of these special celebrations that drew Sukusa to you.
It was one of the many days where offerings were given to him by townspeople, in hopes that they will still continue to get some form of protection from the unknown. He was their patron deity, after all. Even though many times he does all the things he does for his own benefit, it was nice to know that there are some who are gullible enough to think he does it for them. But he itâs one to complain - many of the offerings are things he does not mind indulging in. The best crops from the harvest, women for his ever growing harem, beautifully crafted weapons and clothes are the few he can keep in mind
Many times, he does not care to go through the offerings himself - Uraume goes through all of them and then gives him a general overview of everything. However, as he was walking past one of the neat piles of offerings, a particular garment box caught his eye; causing him to pause before he unwraps it curiously.Â
Sitting inside the carefully wrapped package was a beautiful dark blue kinomo made of the finest silk, the fabric so smooth that it almost felt like water slipping through his fingers. Packed along with the kinomo was a beautifully crafted haori, a simple yet beautiful crane woven into the haori in white, the details done so carefully that when worn, the crane moves with the shifting of the fabric. The packet also came with a matching hakama made from the luxurious fabric, and a beautiful kaku obi made from navy blue, white and silver carefully weaved together into in a beautiful talent.
It was because of the level of craftsman ship that had Sukuna curious - who was the mastermind of something so beautiful?
He had went to the town where the garment was from and after some digging about, discovered about you. A daughter to a family of tailors, you were quite well known for your talents in embroidery and your mastery of the loom. Having gotten such talents, you crafted many beautiful pieces, and one of them was gifted to Sukuna himself recently.Â
When he first saw you, he was struck by your beauty;Â how you had such a warm smile no matter who you were referring to. How your movements were graceful yet swift, your needle and threat embroidering the most beautiful depections of animals and flowers without a single mistake. How your voice was so sweet and calming that he can physically feel the tension from his body starting to unwind ever so slightly. If he could, heâd love to listen to your voice forever - which was what he intended to do.Â
The first time you two met was actually in the dead of the night; you had stayed up later then usual, carefully embroidering a water lily onto a long fabric for a personal tapestry you wanted to hang in your room. A candle was burning by your work table, casting the engawa of your home in a soft but comforting glow; enough for you to do your work without straining too much. You were so fucsed on your work that you didnât notice how the flames of your candle started to flicker in the glass holder; even though there was the air was still. Your eyes didnât trail up from your tapestry even as a large figure quietly entered the hallway you were in; only pausing when you felt a huge presence looming over you.
Your bright eyes flickered upwards and met with four pairs of ruby red ones staring right back at you; all four of them shining in amusement. âYou are quite oblivious, little one.â Sukuna hummed out with a soft grin, to which you just gave him a confused look as you tilted your head ever so slightly. âHow did you get into my house?â You asked quietly, not even acknowledging how the man before you looked very different from what youâre used to; from the four muscular arms sprouting out from underneath the dark blue haori, the very same one that you had made for him. to the extra pair of eyes he sported on his face. Or how the top of his head was clearly brushing against the simple weed roofing of your family home.
âIs that really the first thing youâre going to ask, little one?â
From that day onwards, things definitely went a lot smoother then Sukuna could have imagined. At first the lack of reaction from you confused him, but he found it quite amusing nonetheless. Even after finding out that he was the same deity that you had heard stories of since you were in diapers, you acted no differently around him. You still talked and laughed with him like he was any other human. which for some reason made his heart feel warm and fuzzy. It makes him want to gather you up in his arms, protecting you from the horrors of the world.
The two of you will continue to meet up in the night like secret lovers; many nights heâd just lean against one of the pillars of your family home, with you perched in his lap as you work on different projects every night; talking about things that happen that day, or the funny stories that the townsfolk would share with you whenever they drop by to mend and purchase clothes, or when they dropped off freshly dyed fabrics. During a few of these nights Sukuna had suggested if you can help him mend a few of his kimonos, which you agreed to without hesitation. Some days youâd ever create new kimonos for him as well, which he would wear quite proudly.Â
Soon these innocent nights of talking and laughter, him watching you do your work under the moonlight, to having you gasping and crying out for him as he took you over and over again in his grand bedroom; watching quite gleefully as he corrupted your innocence, ruining you for any other man. Ever since the first night you two shared in his bed, he knew that there was no turning back - there was no one else for him but you.Â
And there was no way he was going to let some puny human even try to get in between the both of you.
With that he whisked you away from the somewhat mundane and boring life in your town, making you his entire world. He showered you with the finest gifts and opened the more human side of him to you; one that he thought he had lost the moment he had decided to go down the path he did. But you pulled these emotions out from him with ease, making him realise that he can chase all the power he want till the end of time and that will never satisfy him completely.Â
All he needed was you, and everything feels right in the world.
âIâve lost you again, havenât I?â
Sukunaâs eyes snapped towards the direction of your sleepy voice, watching how you gave him the most beautiful yet sleepy smile as you carefully shifted your body so it was pressed against his. He marveled how your naked bodies clicked together seamlessly, even with the clear size difference between the two of you. âYou will always have my attention, flower.â
The sound of the simple nickname cause a small smile tug against the corner of your lips, remembering how that nickname came about. You have always love studying flowers, since you enjoyed embroidering different sorts of flora and fauna onto different tapestries that now adorned the walls of the home you two share. You had once told him about your love of flowers, and because of that, you had came home one day to the courtyard in your shared home turned into your private garden; with flowers from all across the country planted at every nook and cranny.Â
When you had asked Sukuna about it, he just shrugs and gave you an indulge smile - as if asking were you really shocked by his gift to you. When he realised just how deep your love for nature was, he had started to call you âhis flowerâ, and the name has stuck since then. âWhat a sweet talker.â
A chuckle rumbled deep within his chest as one of his hands found purchase along your back, starting to massage what he was sure were your sore muscles; watching in satisfaction as you melted more into his chest. âOnly for you.â He admitted quietly, to which you just gave him a loving smile as you rest your cheek against his chest once more; a soft finger started to trace along the tattoos on his skin. This action caused him to relax further into the futon, sighing softly in content. âSukuna? Can we take a bath?â
âIâm lazy.â Sukuna stated with a soft groan as he glanced down at you once more, only to be met by the soft pout that you just know gets him to give in. This caused him to scowl as he cupped your face in one of his hands, gently squishing your cheeks between his fingers as he pushes himself up into a seated position. âYou little minx.â He growls playfully whilst you just gave him a teasing smile, straddling his lap with your legs on either side of his whilst one of your hands wrapped around his wrist; causing him to loosen his grip on you whilst letting out a loud sigh. âHow annoying.â
His arms suddenly wrapped around you before he got up from the comfort of the warm futon, causing you to giggle as you wrap your arms around his neck. âLetâs go, flower.â He sighs dramatically before he walked you both to the bathroom, causing you to perk up before you lean over to press a loving kiss against his cheek; ignoring his soft eyeroll at your act of affection. As if he didnât enjoy it whenever you do so. âI love you.â
âOf course you do.â He teases before he started to walk you two towards the bathroom, one of his hands skimming down to the small of your pack where a beautiful black tattoo rested against your soft skin; a tattoo that looks similar to the black lines that adorned his own skin. âYouâre mine, after all.â He stated simply, causing you to roll your eyes at him playfully as he carefully sat you down on the wooden steps leading to the opening of the ofuro; watching as Sukuna started to prepare the bath for the both of you. âWouldnât it kill for you to just be a little nicer to me?â
Your teasing tone clearly didnât win any points with him, who narrowed his eyes at you and before you know it you were suddenly pinned down against the wooden steps. A soft giggle left your lips at the narrowed eyes that stared back at you, causing Sukuna to scowl softly at your reaction. âNow youâre just asking for it, flower.â He growled before diving down to meet your lips in a passionate kiss; not being able to mask his smile at the sound of your soft laughter just as you wrapped your arms around him once more.
"My little flower..â
© roscgcld â all rights reserved to me, rose, the author and creator of these works. do not repost/translate/claim my work as yours on any platform
#jujutsu kaisen#jujutsu kaisen imagines#jjk#jujutsu kaisen imagine#jjk x reader#jujutsu kaisen x reader#ryomen sukuna#sukuna#jjk sukuna#sukuna x y/n#ryomen sukuna x reader#ryomen sukuna imagine#ryomen sukuna imagines#sukuna x reader
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"Umh... I wrote some notes for the history class. I hope I got everything correctly but, of course, it can be I memorized something in a wrong way..."
"If someone wants to check it out, here are my sheets. Feel free to add more notes and corrections to it."
Yurikoâs History Notes
~The Sengoku Period~
The Onin War
The Onin War was a civil war that lasted from 1467 to 1477 and initiated the Sengoku period. Onin refers to the era when the war started while it ended during the Bunmei era. It was a dispute between a high official Hosokawa Katsumoto and a regional lord Yamana Sozen but it escalated into a nationwide civil war that collapsed the feudal system of Japan.
Daimyo to know
Oda Nobunaga - the first of the three great unifiers
Toyotomi Hideyoshi - the second of the three great unifiers and the man who ended the Sengoku period
Tokugawa Ieyasu - the third of the three great unifiers, the only one out of the three who managed to receive the title of shogun and created Tokugawa shogunate which ushered in the Edo period. The Tokugawa shogunate ruled Japan for 260 years.
Oda Nobunaga and Toyotomi Hideyoshi
Oda Nobunaga was one of the great three unifiers of Japan, the other two being Toyotomi Hideyoshi and Tokugawa Ieyasu. He was the second son of Oda Nobuhide and was born on 23 June 1534 in Owari Province. In his youth, he was known as the Fool of Owari.
Tanegashima, the matchlock guns, arrived in Japan by the Portuguese Empire and were used by the samurai class and their footsoldiers. The guns changed the way of the war in Japan forever. Oda Nobunaga ordered 500 of these guns to his army which gave him a huge advantage in the war. He was also interested in trading with the Europeans. He collected pieces of Western art but also arms and armor and was probably one of the very first Japanese who wear European clothes. He was also a patron of Jesuit missionaries in Japan and supported the rise of the first Christian church in Kyoto.
Before his death, Oda Nobunaga was the most powerful warlord (daimyo) in Japan. He died at Honno-ji when Akeshi Mitsuhide surrounded the temple with his army. Oda Nobunaga committed seppuku (suicide) and told his page, Mori Ranmaru to run. Mori set the temple on fire so that no one could decapitate Oda. After that Akeshi also attacked Oda Nobutada, the eldest son and heir of Nobunaga. Also, Nobutada committed suicide.
Akeshi Mitsuhide didnât manage to hold the power after his deeds because Toyotomi Hideyoshiâs army defeated him, and he was murdered by bandits when he was fleeing. That made Toyotomi as Odaâs successor.
Toyotomi Hideyoshi started his life on 17 March 1537 as a peasant. He became Oda Nobunagaâs retainer and sandal bearer but continued unifying Japan after his lord had died, finally ending the Sengoku period by thwarting the Kunohe Rebelion launched by Kunohe Masazane against his rival Nanbu Nobunao. The rebellion spread across Mutsu Province. Toyotomi Hideyoshi backed Nobunao along with Tokugawa Ieyasu, sending a large army to defeat the rebels. Kunohe Masazane was outnumbered, and he surrendered Kunohe castle. That was the final battle of the Sengoku period and completed the unification of Japan.
About Sengoku Periodâs Meaning for Japanâs future
After the Onin war, the feudal system collapsed, and the Sengoku period was constantly warring over the power in the country. The unification returned the piece and the Tokugawa shogunate ruled for over 200 years but was overthrown in the mid-19th century. The resignation of the 15th Tokugawa shogun led to the restoration of imperial rule. Japan has already started to modernize during that time and the less feudal form of governance was formed in Meiji Restoration.
~Other Notable People~
The Theory of Uesugi Kenshin
There is a theory about a great warlord Uesugi Kenshin that he was actually a woman. The theory is based on a report from the 16th century and is written by a Spanish person to King Philip II. In the report, Uesugi is referred to as an aunt of Uesugi Kagekatsu. The other evidence supporting the theory is that Uesugi Kenshin had stomach cramps monthly and his military campaigns were planned around these cramps. The cause of Uesugiâs death is recorded in Todaiki as uterus cancer.
Other than that, Uesugi Kenshin had interested in historical novels, poetry, and calligraphy aimed at the female audience. His appearance is rather feminine if you look at his portraits from the Sengoku period. He was also allowed freely enter womenâs quarters in the Kyoto Imperial Palace. He had no children, wife, or concubine.Â
Miyamoto Musashi
Miyamoto Musashi was born in 1548 and was a swordsman, philosopher, strategist, writer, and ronin who became renowned through stories of his unique double-bladed swordsmanship and undefeated record in his 61 duels. He was known as a sword-saint of Japan. He was the founder of the Niten Ichi-ryuu style of swordsmanship and also wrote books called The Book of Five Rings and The Path of Aloneness.
Izumo no Okuni
Izumo no Okuni was born in 1578 and was a shrine maiden in the Grand Shrine of Izumo. She is believed of inventing kabuki theater. She started to perform her new art style of kabuki (the art of singing and dancing) in the theater on the riverbed of the Kamo River in Kyoto. Her kabuki became popular and was known for performers who were often lower-class women.
While this was the start of the kabuki theater, female actors were later banned, and it became an all-male form of theater which it still is in these days.
#yuriko tsukino#diabolik oc#(( never i thought that it would bite me in the ass to make yuriko interested in sengoku period ))#(( yet here we are ))#(( sorry if it's not completely correct ))#(( it has been ages since i read this stuff ))#(( yet this was a short version of yuriko's thoughts ))#(( she was about write a long essay about the topic ))
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Obligatory Disclaimer: I don't know a lot of LoZ lore but I am a philosophy major with internet access.
OK so first of all we obviously have to assume that there are divine entities present in LoZ's reality due to the fact that they are literally characters that Nintendo shoves in your face. Are they gods? Maybe. They are pretty powerful. The most obvious examples would be "the golden three" and Hylia, but the patron spirit of Ordon Province is shown in the TP manga re-attaching Link's arm with no problem at all. WW, PH, and ST also have spirits. WW and PH have divine frogs that sit on clouds (among other things) and ST has angels, except they don't have wings and their legs were replaced by train parts.
Conclusion: Metaphysics is a bunch of scribbles on the wall. Reality is arguably pliable given the evidence provided above. Anyway, now that we can reasonably proceed under the assumption that this stuff is possible in the first place it's time to move on to what we're actually here for.
LoZ establishes multiple times that the undead are present. The Hero's Shade, for example, is a possessed skeleton wearing a suit of armor that we're 99% sure is either the Hero of Time or something ridiculously close to that. This guy is also featured in the TP manga and clearly is a person because of the way that he interacts with Link in the story. So you don't need living body to remain a person. This is backed up by Zelda's ghostly form in ST, which gives her the ability to possess bodies that probably don't belong to people or maybe she can just shove them into the backseat. I'm not sure.
Either way, this is a pretty clear case for dualism, which means that the mind and body are and can be separate. Hence, the ghosts. It also confirms that Fi and other spirits can be people without having bodies. Of course, this does mean we have to ask why redeads exist and if they're people, but that's a whole other can of worms.
So the obvious question is if a spirit is just someone's mind/consciousness then why aren't memories handed down from Link to Link? I have absolutely no idea beyond the fact that I think that's maybe a part of Buddhism. I guess that when Hylia said she and the original Link would reincarnate she also gave him the benefit of amnesia?
Anyway, personalities and character traits can be handed down from parents to children to some extent, so it's not unreasonable to assume that the same thing can happen with spirits. Something about genetic pre-disposition (the nature part of nature versus nurture). But if there's one thing psychology has concluded via their psychological studies, it's that memories are what people's personalities are based on.
I think the general process of growing/changing as a person is basically receiving information, processing that information, and then doing (or not doing) something about it. It's definitely more complicated than that, but that's the general idea. So if each version of Link has a different set of memories, then they're obviously not going to be identical. It's also probable that none of them are genetically related, either. I know a lot of people claim that The Hero's Shade is Link from OoT and the parent/grandparent/ancestor of Link from TP, but there's also a possibility that isn't true. In LU it's obvious that they're related somewhat distantly (see: the part of the comic where Malon meets Twilight), although that relation wouldn't have affected Twilight's development as a person until after he met The Hero's Shade if the theory that Time is The Hero's Shade is correct.
So long story short I have completely lost my train of thought, but I think it's safe to say that at the very least the probable hypothesis that the hero's spirit doesn't retain memories is likely the cause of character development in the different Links.
Weirdly enough this does also imply that if other characters in the franchise can also reincarnate, then they would also experience personhood and character development in the same way. So to indubitably confirm this via the scientific method I think you'd have to hunt down every single version of Beedle, Zelda, and other recurring characters to conduct a study.
But that's just my two cents on the topic and honestly if you've read the entire thing, then kudos to you.
I have a whole theory on how they all can have the hero's spirit but also be individual people if you would like to hear it and don't mind me attempting to explain.
SURE GO AHEAD :)
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30 Days of Deity Devotion ( Aphrodite ) - Day 8
Day 8 - Variations of this Deity ( Aspects, Regional Forms, Etc ) This topic is incredibly broad, and Iâve already somewhat approached it yesterday with my mention of Aphroditeâs Arkadian epithets. My knowledge of other local cults is very limited, but for the sake of this, Iâve decided to research another polis to get to know her other cults better.
Iâll be focusing on her cult in Aphrodisias, the provincial capital of Karia ( Modern day Aydın Province, Turkey ).
The cult of Aphrodite in Aphrodisias probably started off as the cult of another goddess ( Perhaps Ishtar? ), who became syncretized with Aphrodite at some unknown point in history. Not much is actually known about the specifics of the cult in Aphrodisias, but itâs thought from archeology that it wouldâve started around the Archaic period.
Aphrodite was, obviously, the main/patron deity of Aphrodisias. She was most likely thought of as a war deity in some way, as documents show that at some point, Roman general Sulla made an offering of a golden double-axe to Aphrodite ( âThis was dedicated to Aphrodite by the dictator Sulla, For he saw her in a dream, taking charge at the head of his army forming men of war, and fighting in full armor.â ). The double-axe was a traditional weapon to the area, and wouldâve therefore been something specific to her cult there ( Itâs also known that it was used in Zeusâ cult there ).
Other major types of offering that are attested include terracotta statues, representing different sorts of things ( seated women, heads of women, standing male youth, doves ) and pottery shards. We also know that Julius Ceasar sent a golden Eros there.
One of the main buildings in the city was a temple of Aphrodite, which was declared an asylum/sanctuary, and probably built around the 5th or 4th century BCE. A lot of its architecture is unknown, mostly because the temple was rotated when it was turned into a church, but the presence of a salt-water well, a common sight in Aphroditeâs cults, is attested. We also know of the presence of a thyepoleion deipnisterion.
We also know the presence of sacred trees somewhere around the city, most likely representing Aphroditeâs aspect as a fertility goddess.
We know of two sacred animals to Aphrodite represented in Aphrodisias: doves and lions. A flock of doves was kept at the temple, and it was forbidden to catch, keep or scare them. They were also shown a bit everywhere around the city, like on statues and coins. They were also probably associated with the foundation of the city, through the myth of Queen Semiramis, wife of King Ninos and daughter of the goddess Derketo. Derketo abandoned her at birth, and she was fed by doves until she was found by the royal shepherd. She is later said to have turned into a dove. Semiramis and Ninos were very important figures locally, who could be considered founders of the city, and were depicted alongside Aphrodite.
Her association with lions is a thing unique to Aphrodisias, probably linking back to her syncretization with an earlier goddess. A lion head, which couldâve been part of a fountain was found, as well as many coins depicting Aphrodite alongside a lion head, and stone lions. This is something I found very interesting, and might look more into to include it in my own worship of her.
Two festivals of Aphrodite are known for sure: the Aphrodiseia Philemoneia, taking place every four years, and the Aphrodiseia Adonia. We also know of a festival called Aphrodiseia Isolympia, mentioned at Rhodes, but itâs unsure whether or not it took place in Aphrodisias. Another one called the Callicrateia is mentioned, but we donât know if it was related to her cult.
Iâm sorry if this isnât exactly what the prompt was pointing to, but itâs what I felt inspired to do with it. Once more, please do not take this as a source, and I encourage you to do your own research or correct me on anything.
#aphrodite deity#aphrodite#aphrodite worship#30 days of deity devotion#30 days of devotion#hellenic polytheism#hellenic worship
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Lucius Tiberius is one of my favorite characters in all of TYPE-MOON I would like to talk a bit about him today, and what little bit of lore we have for him. I find that he is misinterpreted by some members of the fandom, because honestly, the content for him is hard to find, and those that do hold said content donât necessarily want to upload it onto the internet.Â
So the first point, is that he is a Roman Emperor in TYPE-MOON! I have seen others say that heâs technically not a Roman emperor because he never existed, but neither did Arthur Pendragon so unless weâre keeping that same energy for him, then I am going off the assumption that he was an actual Roman Emperor in Nasuverse lore.Â
He obviously fought Artoria as well, as Bedivere took up the name of Lucius during the Camelot singularity. But we donât know what that fight was like, or if they actually got along. Itâs unclear. If someone has a better idea, then please, link me to sources.Â
That being said, Lucius is an extremely strong person. He had allies that included the king of the Greeks Epistrophius, the king of the African people Mustansar, the king of the Hispanics Aliphatma, the king of Egypt Pandras, the king of Babylonia Micipisa, and the king of Bithynia Polydetes. He commands beasts, magi, mages from the Far East, and Shamans.Â
He is also a genius tactician, and can even fight hand-to-hand easily with the use of martial arts. He strikes fear into the Rakshasa, which tells me he conquered all the way into India. He fought Gawain and Bedivere at the same time without breaking a sweat as well.
Merlin even disappeared once she heard that Lucius was on his way. Saying, âIf thatâs the case, then see your dream through. You can probably win in your dreams.â
As far as Lucius conquering Britain⊠That is just standard practice as far as Rome goes. Arthur even states that: âThe great majestic roman empire who was proud of its power since the pre-era, was trying to further extend its evil influence from the lands of Galliaââââand it was the great continental empire that was starting to meddle with the Isle of Britain in the form of providing relief for the huge phenomenon called the racial transmigration of the Saxons.â
Gallia, or Gaul, was a province in the Empire for a long long time. Julius Caesar was the first Roman general to ever fully pacify Gaul. With that in mind, Britain, or Briton was also a Roman province for a good while until the Romans eventually abandoned it, as it was no longer profitable.
For Lucius to not go and confront Arthur would be considered odd. The empire probably heard of the Saxons moving into Briton, and thought it would be the best time to attack. Iâm not sure. We wonât know for sure unless Lucius someday gets put into FGO.
I have also seen others say that he is a discount version of Gilgamesh, because, and I truly believe, for no other reason than he enjoys fighting Arthur and he is arrogant. Ozymandias often gets hit with the same comparison, but that is another post for another day.Â
Firstly, at least, as far as I personally know, Gilgamesh was never a warmonger in the manner that Lucius or letâs say, Caesar or Iskander was.Â
Secondly, Lucius Tiberius thinks of himself as a god. He flaunts that he is Romulus-Quirinusâ descendant, with, quote: âMy divine ancestor Romulus was said to have died by disappearing into lightning! If thatâs true, then there is no question of doubt that I the current roman emperor can wield the lightning itself!â
If Lucius is a discount Gilgamesh, then I am expecting him to curse gods, not actively worship Flora, his patron goddess, or Romulus, his ancestor.Â
Thank you for coming to my ted-talk. Sorry if this post is a bit long.
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if you're still taking these, 2, 5, 18, 32 for our dear Severa! âš
Thank you!!!! <3
2. Dragonborn's preferred weapon and fighting style?
She mainly uses one-handed swords or her bow depending on the situation but she carries both of them with her when she suspects she might have to fight. Her fighting style revolves around which weapon sheâs using. Either way sheâs cautious and makes sure to keep a good eye on her opponent especially because she does not use a shield at all.
5. Dragonborn's favorite province and Dragonborn's least favorite province?
Severaâs favorite hold is Whiterun hold. Itâs where she started out and now itâs home to her. She wouldnât want to settle anywhere else. Her least favorite is the Rift, Itâs pretty but sheâs just not fond of it. It always seems like bad news to her. This is closely tied with the Reach.
18. Did your Dragonborn want to be Dragonborn? Are they a reluctant, begrudging hero, a jaded and bitter hero, or a stars-in-their-eyes "This is my destiny!" hero? Are they a hero at all?
No, she did not want to be Dragonborn at all. I would say she is a reluctant hero. She did it but begrudgingly. She was happy that at least she got to keep the world from ending, but she doesnât understand why it had to be her. She doesnât consider herself a hero really, she was just doing what she had to but others consider her as such.Â
32. How does your Dragonborn view the gods, daedra and deities? How do they view the Dragonborn?
Severaâs view of the gods is complicated. She grew up with parents who mostly worshiped Akatosh, Mara, and Kynareth and so had a positive view of them most her life even after she started worshiping Hircine. The other divines she never really paid much mind to. However, after finding out she was dragonborn and what not she was angry and seeing that it was Akatoshâs fault it soured her view of him.
 As for the daedra the only one she views in a mostly positive light is Hircine, given that he is her patron deity. The others sheâs not entirely fond of. After the Dragonborn DLC she really kind of hates Hermaeus Mora and avoids anything to do with him she can including his black books.
I donât know if the other divines would view her as anything other than just another person or just another dragonborn. Akatosh on the other hand may have more thoughts on her. What though is hard to say. Amusement maybe? Whatever it is Severa isnât thrilled about it. Severa avoids many of the daedra and has only done tasks for maybe three of them save for Hircine. She is Hircineâs champion and bears his ring and so she has his favor and she certainly worked for it. He views her in a more favorable light.
#sorry for the late reply my work schedule sucks#anyways i redid the last question three or four times and still rambled so i hope its like coherent rambling lmao#kas answers#severa viria#I wasn't sure if 5 meant like actual provinces or like holds so i just edited it put holds since it makes more sense for her lmao#if i need to fix it again i can
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