#i know they're gonna give it to me good they HAVE to

[norikuna]

♩ (mdni) abstract — semi-public sex, in a library, fwb, canon!gojo x afab!reader

fwb!gojo satoru who's the cockiest man that you've ever seen. sure he's the strongest sorcerer of the modern day and age. and he's a good teacher to his students. but he doesn't give a fuck about deadlines, or being a decent coworker, or being polite and quiet in the staffroom — and it's enough to send you up the wall.

he also doesn't give a fuck about being quiet when he's drilling his solid inches into you. gojo clearly doesn't care for noise when he's got bruising fingertips pressed into your hips. when he's got your staff uniform pulled to the side so the fat tip of his cock can slap thick wisps of pre against your clit.

"ya' can feel that right, sweets," gojo's chuckling, teasing and so full of himself as he sees you sink your teeth into your lower lip, trying to keep your whines quiet, huffing and snapping at the shell of his ear.

"y'know we hafta' be quiet, right, mmph — satoru!" you don't get to finish admonishing him because he swallows your concerns in a messy kiss, all clashing teeth and tongue as he slowly pushes his fat tip past your glossy, winking entrance.

and what a sight, to know that this is how you can undo the most powerful man to walk the earth, to see his pale-pink lips drop open as his blue eyes glaze over. to know that he's losing himself in the tight heat of your pretty cunt, and he's not even halfway in yet.

"s-sorry, what was that, sweets?" he's gasping into the crook of your neck, a large hand on your thigh, manoeuvring your leg wider so he can slot his frame in between your legs, "didn't quite catch t-that, woah. it's like she's got magical powers or something." all sleazy grins and bashful smirks as he pats at the mound of your groin, right where his own hips are now tacked to yours, glistening.

"charming, satoru," you breathe out, trying not to let on that you're just as affected as he is, "b-but the students, they're gonna — hnngh," your words are cut off as he bottoms out with a slick pop! but you're never one to give up, digging your nails into the nape of his neck, pulling him closer. you thread your fingers into the soft hairs of his undercut, letting satoru practically purr above you, "they could walk in any minute, don'tcha think?"

it's clear that it's not a pressing concern to gojo right now, because he just suddenly leans back, rolling his hips slowly into yours so each angry and thick vein must be swabbing your insides, "ya' think too much, sweets. there's, hah, none on campus right n-now," and he bestows a shiny, spit-slick kiss upon your waiting lips again, "it's just you and me, ohhh — and her 'course."

you respond with a strong clench of your gummy walls around his cock, and the hand that wasn't holding your thigh up ends up slamming down hard on the oaken desk, sending books and stray papers to the floor as he huffs, "w-whoops, yer' just takin' me in sooo good, fuck, i really needed this sweets, ya' got no idea. stupid higher ups got me run dry. and you looked s-so damn good in that meeting, couldn't focus," and he's babbling now, "couldn't focus and knew i had to sneak ya' back out here, get you on my cock."

you swipe a thumb over his candy lips, all mint and sugar, as you mewl in pleasure, having him batter your guts over and over so you're imprinted against his sculpted abdomen, "you gon' pull outta me if i make a stupid joke about me milking you dry?" and gojo snickers but it quickly turns into a breathy moan, "tch, ya' don't think that's w-what i want? always so good at doin' this. why don't ya' just let me take you out properly?"

[val-the-protoss-simp]

Yeah, so. The best way I can explain my thoughts on these ships (especially Artazun - Artanis/Vorazun) is using one of Avril Lavigne's most iconic songs:

He was a boy

She was a girl

Can I make it anymore obvious?

Like, I'm not trying to throw any shade at all, people can ship whatever they want. But I am yet to meet a person who ships these two that explains why they like them so much in a way that makes sense to me. Because sooner or later, their explanation boils down to "He's a guy and she's a gal so ofc they'd be into each other" as if a straight ship is some kind of default and if a story has a male main character and a female main character, they have to end up together. And I just don't see it. Them as friends? Sure, absolutely, imo they're great as friends, but not as a couple. Alarak and Artanis have way more chemistry with one another. Bit of a hot take but so does Rohana and Vorazun. But Artanis/Vorazun is about as interesting to me as watching paint dry is. It's like when you pick up a mediocre romance book where the girl character obviously ends up with the boy character because That's Just How Things Are no matter of they're good together or not. No thanks. Pass

Kerrinor is a bit more complicated in a sense that the game actively tries to convince you these two are really into each other. But if I had to sum up their vibes, I'd reach for Sk8tr Boy again. "He was a boy, she was a girl, can I make it anymore obvious?" I just don't get the romantic vibes at all off of these two. Raynor frequently comes off as an incel that gives the vibes of someone who'd insist they know better than you and just to listen to them because they know best, while also transforming into the biggest simp in the galaxy in SC2 as he pines over a woman that's obviously not into him.

And Kerrigan gives me the vibes of someone who really does wanna see more in this weird relationship, but more because she thinks having someone to love will make her feel whole and worthy of living rather than that she really wants this. Like, if shit didn't go south and she didn't get infected, I'm 100% that eventually she'd go "Yeah sorry lol this ain't gonna work." and break it off with Raynor. Like, I do think she cares deeply for Raynor, don't get me wrong, and at one point might have thought what she feels is romantic love, but eventually comes to a point where she realises that it's a sense of kinship rather than anything romantic. She loves him as a friend, that is all.

And funny enough, if you know more about his character, you know he had a wife and a son that he tragically lost. Knowing this information and how he's written, Raynor comes off to me as someone who's desperately looking for that kind of love again, albeit without realising, because the time he spent happy with his family was the happiest he ever was and his defeated, depressed ass desperately wants that again. So he seeks that shit and Kerrigan just happens to be there.

You can clearly see that he cares deeply about her, but his feelings of affection are misplaced to the point he doesn't want to see the kind of person she is and instead tries to morph her into the kind of woman HE wants. Which is not who Kerrigan is at all. Revenge is all she has left, no matter what it takes, and Raynor again and again tries to talk her out of it for his own personal wants when she makes it very very clear this isn't something she wants to do and that she cannot just let go of what Mengsk did to her and what that man's choices turned her into. And instead of trying to understand why someone he supposedly understands so deeply would want to kill the man who robbed her off of everything and turned her into a monster that killed billions, he gets butthurt when she doesn't wanna run off with him and live happily ever after. I love Raynor for many reasons, I think he's a well written character in a lot of aspects but this just. Ain't it. If the game treated this behaviour of his as a flaw, I'd dig it. But instead it tries to tell how boo boo poor Raynor is just so unfortunate to want a woman that doesn't want him, even when he ignores everything that's important to her. That's just not doing it for me, fam. I get that the game tries to ram it down my throat as the technically only canon ship it gives us in its five installments, but I can't get behind it. Kerrinor is a big fat no for me, let them just stay friends.

a ship where i see what people see but it is simply not very interesting to me personally it’s like

[lustlovehart]

Hi! It's me again, I was wondering after recalling some stuff about reader and Rollo how would the twst monster cast react to Reader, I don't know, them asking about the earring she's always wearing and her telling them is from her partner (house husband). I mean, I know they'd react hella jealous but in different ways.

I know is annoying buuuut I like to imagine a what if, instead of going all alone towards the missions, Crowley allowed Rollo to accompany her and meeting all this creatures and Rollo being the bad (hater) policeman and Reader the (extremely) good one.

I'm sorry for asking so much Rollo 😭😭 it's just that he's so silly!

I love your works sooo much! And also how you draw the M!cast, they're all so pretty!! Love love 🫶

Cw: Jealousy, Marking mentions, gaslighting, Obsession, Rollo torturing Epel at the end

Omg! What a coincidence getting this ask after just writing a jealousy prompt in my inbox 😭

I’ve made it pretty consistent that you’re always referencing Rollo some way in your daily life. So I love making characters hear his name once a week and twitch their eye(s) at his mention. But for the most part, they all do act jealous!

The Pouty/Angry jealous: Riddle, Ace, Ruggie, Floyd, Rook, Epel, Malleus, Sebek, Skully

Whenever you mention Rollo’s name, they’re quick to cross their arms, possibly even give you a stink eye. They’ll ask you what’s so great about this ‘work husband’, he did make you do this alone. If he really cared, he would’ve came with you right? He might’ve cared for you at the foundation, but now he just threw you to the dangers of the world. They would never do that to you… So stop talking about him already.

The Sad jealous: Deuce, Cater, Jack, Azul, Kalim, Rook, Idia, Malleus, Silver, Neige, Fellow, Skully

The moment they see the way your face lights up looking at that star pattern fabric in your hand, they feel something. For some of them, it’s guilt, they can’t give you what he can, so maybe… he’s the better option for you than they are (Deuce, Jack, Silver, Neige, Skully). For others, they’re sad at the feeling of envy in their heart. It’s really not fair… This Rollo, gets to see everything side of you, your happiest, your saddest, your angriest, even your dearest. They want to see it too… Won’t you let them?

The ‘I’m just gonna leave my mark on you too’: Trey, Leona, Floyd, Jade, Jamil, Vil, Rook, Malleus, Lilia, Neige, Chenya

So, he gives you that earring. You won’t take it off. Ok. Easy fix, they’ll do something much more obvious. Whether it’s wrapping you in themselves, drawing a symbol of their soul on you, adorning you in their clothes/feathers, or even simply using their mouths, they’ll be more seen. He hopes if when you return to him, Rollo sees this mark.

Why be jealous when murder is a capability: Malleus

I hope everyone noticed he’s in each section, and he does go through these in the exact same order. Essentially, Rollo’s house sees no mercy, nor does his garden, or himself when he steps foot outside. Lightning… everywhere. Rollo get’s a certain sense of who it’s from, and he has to be physically stopped by Crowley from leaving to find you.

LMAO I love the Good cop bad cop energy Rollo and Reader would have if they went out together. Rollo is essentially the overprotective third wheel who blocks any potential suitors from you.

Anytime you’re nice to them, it’s immediately cancelled out by Rollo doing something devious.

An example:

You: Letting Epel drink your blood for like 2 minutes.

Rollo: Stabs him through the heart with a stake, Throws garlic at him, touches him with a silver fork, leaves him in the sun, places crosses on him, and dumps holy water on him. But places a really worn down bandaid on it because you’d be upset at him. He dgaf abt Epel 💀

Bonus: Rollo and Reader Dynamic

Synopsis: Absolutely smitten with you, and everyone else hates it 💀

[on-a-lucky-tide]

i am now very concerned about price trying to get dog!nik to the vet to get him neutered, can't imagine that would go well

I just finished reading @soap-brain's post and had the same thought. Fluffy!Nik can understand what Price booked in at their last visit for worming and flea treatment. Insides he's like, "but I didn't hump anything?? I didn't piss anywhere?? I haven't barked unless it was strictly necessary?? I am A Good Boy?? Ne beri u menya muzhestva, John!!"

He point blank refuses to leave the house on the day. Throws furniture at Price to stop Price coming near him; starts dragging the entire sofa across the living room. Never directly attacking Price, of course. Just resisting. But it's that bark-cry that dogs do when they're really scared that tugs at Price's heartstrings as he finally gets Nik in a headlock. He can't do it. Can't take Fluffy!Nik's bollocks.

"'m sorry, mate. Only wan'ed what was best, ya can keep 'em, on my word," and the damn dog seems to understand him, calms right down.

Even funnier though. When Nik eventually transforms back, their whirlwind lovestory happens, and they're about to have sex... And Nik hesitates briefly.

"Wa'ssup, luv?" John asks over his shoulder.

Nik bites his lip, knows it's stupid, but... "You nearly removed my balls, John, give me a moment." Man is dead afraid that if he humps Price, Price is gonna ship him off the vet to finish the job. It's hilarious. Price falls about cackling, and Nik is flustered/embarrassed. Cuddles have to ensue, sex can wait.

[bethanythebogwitch]

Digimon 2024 tier list

Like last year, I'm doing a tier list of how much I like each new Digimon released this year. My tiers will be A for Digimon I really like, B for Digimon I like but not as much, and C for Digimon I'm not enthusiastic about. There will also be one S-tier for my favorite of the year and one D-tier for my least favorite of the year. Also I covered Tlalocmon last year, so see that post for my thoughts and I'm not covering the Monster Hunter tie-in mons since they're not in the reference book.

Digimon Liberator has given us a flood of new Digimon so let's start with the mascot's line. Yolkmon, Fluffymon, Pteromon, Galemon, GrandGalemon, and Zephagamon. Yolkmon is my new favorite baby Digimon. A living egg yolk with an eggshell hat is brilliant and adorable. Fluffymon is also a good design. I find it hard to get invested in a lot of the baby Digimon because they're usually just bouncing heads, so having these two stick out of the pack is great. I'll give Yolkmon an A and Fluffymon a B

Pteromon is a great mascot Digimon. It's got that classic mascot look while also looking distinct from all the Agumon expys we tend to get. Archaeopteryx is a great inspiration and we finally get a theropod dinosaur Digimon with feathers, like the real raptors had. A-tier. I'm not as fond of Galemon (B-tier), but GrandGalemon is great. It's a great fusion of the bird/raptor elements and humanoid warrior elements. The armor and weapon look cool and it being one of the vortex warriors (which, as far as I know, were previously only ever mentioned in MedievalGallantmon's reference book entry) is a cool call-back and it even has an indirect connection to Witchelny. An Excellent Digimon deserving an A. Sadly, I can't say the same for Zephagamon. I can't fully explain why I don't really like it. Maybe it's the skinnier design that drops a lot of the bird elements, or its weapons not being as cool as Zephagamon's mace (swords are overdone), or just being tired of Digimon becoming armored humanoid warriors in their final stages, but I can't help but be a bit dissappointed by Zephagamon. The name is also not my favorite. Maybe they went with that to avoid dub name confusion with Zephyrmon/Shutumon. It's gonna be a C-tier.

Debuting alongside Pteromon's line is Shoemon's line. Shoemon is an amazingly adorable Digimon. A patchwork mouse plushy living in a shoe is a cute and very Digimon concept. I love how it uses a sewing needle as a weapon, too. A-tier. Too bad Shoeshoemon isn't as good. A roller-skating plush squirrel should be a fantastic Digimon, but I just don't like the way it looks. It honestly give me Sonic the Hedgehog vibes and I don't care for StH. The name is also really clunky, especially when Skatemon was right there. That being said, it would have been hilarious if each of Shoemon's evolutions just added an extra shoe to the name until we ended up with Shoeshoeshoeshoemon. C-tier.

While I don't care for Shoeshoemon, Chaperomon is another story. A violent little red riding hood doll with a knife, molotov cocktail, and basket-mounted minigun that hunts big bad wolves and turns them into shoes is not only an amazing concept, it is peak Digimon. It may be early in the list, but Chaperomon is my S-tier. Not only is this my favorite Digimon of the year, it is one of my favorite Digimon of all time. Cendrillmon is ok. I do like the design in a vacuum, but I don't really like it as a final form for Shoemon. It loses the patchwork plushy and doll appearance that I like so much and it doesn't really have shoes anymore. I do like the simple yet elegant design and the army of doll familiars. I think if Cendrillmon was introduced as an evolution for a different Digimon, I would like it a lot better. B-tier.

From the web novel side of things comes the new Impmon evolutions: Punkmon, Loudmon, and HeavyMetaldramon. Punk rock variants of the Guilmon line were not something I knew I needed in my life all. They're also a callback to the early planning stage of Digimon Tamers, where Impmon was planned to be the main partner Digimon. I also appreciate the final form being based on Megidramon instead of Gallantmon. Too many Digimon lines end up humanoid at the end. And wings made of electric guitars? Chef's kiss. A for all of them.

Last year, the D-Brigade got an upgrade after years of just being one evolution line, and this year the Royal Base got the same treatment. It was a good choice, too, as cyborg bees is a fantastic concept. ForgeBeemon the construction worker is a great interpretation of worker bees and Vespamon is a much-needed pre-evo to TigerVespamon. It's weird how many times we've gotten an XYmon years before getting a Ymon. Those both get A. QueenBeemon I'm not as fond of. She loses the cyborg elements and just becomes a woman in a bee costume. It's also weird that like half of her reference book entry is dunking on her like she was one of the bad evolution Digimon. The weaponized throne is a cool idea, but I can't give QueenBeemon higher than a B, which I suppose is appropriate.

PolarBearmon and Skadimon are really fun. I like them as a reminder that not all high-level Digimon have to be ferocious monsters, armored warriors, or women in their underwear. Some of them can be cute and friendly. For Frontier fans, am I wrong in thinking that PolarBearmon with its snowball artillery and being a bear looks way more like a proper unified spirit of ice than Daipenmon? Skadimon actually being a mech suit piloted by what looks like a YukimiBotamon is a fantastic design concept. A for both.

Dinomon kicks absolute ass. Dinosaurs are cool, fire is cool, so a dinosaur on fire is extra cool. This thing is the closest we have to a Digimon Godzilla and I love Godzilla. Plus a new mega for Tyrannomon that isn't DinoRexmon or RustTyrannomon is much appreciated. RustTyrannomon leans a bit evil for a heroic Tyrannomon and DinoRexmon looks too silly for my tastes with that giant claw. A-tier.

Elizamon is too cute not to love. A hot pink frilled lizard in a bowtie is adorable, and its contrast with the edgelord Owen Dreadnought is fantastic. Dimetromon is also really cool, being based on one of my favorite Permian animals, but I feel like it loses some of the frilly feminine traits that Elizamon has and the evolutions will have according to the shadowed shots we've seen of them in Liberator. I give Elizamon an A and Dimetromon a B.

MarineBullmon and Ryugumonbeing nudibranchs makes the marine biologist in me happy. I love nudibranchs and more people being exposed to these spectacular sea slugs is a great thing. Of the two, I definitely prefer Ryugumon more. It's elegant design and referencing Japanese mythology is inspired. I'm going to give MarineBullmon a B and Ryugumon an A.

Espimon has needed a full evolution line for a while. It was always weird that it never got an evolution based level 4 given that it technically is a main protagonist partner in Ghost Game. Oblivimon is a fantastic evolution, doubling down on the spaceship design of HoverEspimon and working in UFO stories with how it abducts Digimon to examine them before releasing them with memories modified. The Kuramon drones are also adorable. A-tier. Sadly, after the highs of Oblivimon, it all comes crashing down with Invisimon. Why, why, why did this line of UFO-themed Digimon have to end with a superhero? I am so tired of Digimon lines ending up as humanoids when the rest of the line isn't, and it's especially bad here. Invisimon sticks out like a sore thumb against the amorphous, spaceship-based, stealth and non-combat elements of the rest of the line. The stealth plane thing is neat at least. I get that Invisimon works with the Liberator Espimon's partner being superhero coded, but it fails as an evolution in any other context. If Invisimon wasn't supposed to be the final form of Espimon, it might be a C or B, but as is, this thing is my D-tier.

As for the new Sunarizamon evolutions, I'll admit that I initially didn't like Landramon, but it's grown on me. I really wanted Landramon to be the land counterpart to Airdramon and Seadramon as a serpentine dragon instead of the silly pile of sand. Once I got over that, I came to enjoy the silliness of Landramon and it is a very fitting Sunarizamon evolution. I'll give it a B. Proganomon is not my favorite and it's another case like Invisimon where I'd probably like it more if it was part of a different evolution line. It's just so out of place in the Sunarizamon line having no sand elements and using technology. I think it would work much better as a Tortomon evolution and a pre-evo to ElDoradimon or even JumboGamemon. I think I'll give it a C. I don't hate it, but I'm not all that impressed either. Pyramidimon, on the other hand, is amazing. It looks like a badass Yu-Gi-Oh monster from when the franchise was still themed around ancient Egypt. I can see it being a great fit with other Egyptian Digimon like Pharaohmon and Anubimon. Pyramidimon almost dethroned Chaperomon's place as my S-tier, putting it as an easy A.

The other big source of new Digimon this year was New Century and it's a crime that game hasn't been released outside of China yet. I covered Takutomon last year and wasn't impressed. I found it visually uninteresting and the armored human is an overused design. Takutomon Wrath Mode has a more interesting design, but I'm still not that interested in it. I think that humanoid armored warrior Digimon have to do something really interesting to stand out from the her and this one just doesn't. He also loses his little Appmon pet. Maybe that's why he's so angry. I'm also surprised that the reference book art is somehow better than the New Century art, which is angled so that most of its body is covered by its leg. C.

If a humanoid armored warrior Digimon has to do something interesting to stand out, Erlangmon does that well. The idea of the warrior fighting alongside a flying wolf head is very unique and fun. Plus, spears are underused as weapons, so it's nice to see one here. Erlangmon is also a shapeshifter, which could be a lot of fun to work with in stories. I have a fanfic in mind that I might use Erlangmon in. I give it an A. Unfortunately, while Erlangmon soars, Erlangmon Blast Mode crashes and burns. Turning the wolf head into a part of the armor loses that cool factor and makes it look so much more generic. Down to C with you.

Nezhamon is also fun. There's a lot of references to the original myth, like turning the wind fire wheel into tires on the ankles and having Nezhamon look young. The merging of the mythology with modern machienery makes for a very Digimon design. Plus, he has a spear and I'm a sucker for weapons where one part floats instead of being attached. I'll go A.

The last New Century Digimon is Jougamon and I like how this one is based on the same moon rabbit origins of Dianamon while still having a totally unique look. The gold coloration looks nice and I love the giant crescent moon blade and dancing fighting style. I'll put it as a strong B.

Our last new entry for the year is Cernumon. Well technically Callismon was added to the reference book this year, but that's not a new Digimon, it's an escapee from V-Tamer jail. Cernumon is such a creative design. A musical instrument, foresty deer god is both very fun and very Digimon. Cernumon comes from the horned Celtic god Cernunnos. Digimon had the opportunity to just make Cernumon a deer man and I'm very grad they decided to get more creative. A-tier.

Here's the final tier list. It's heavily weighted toward the A-tier, which is a good thing. I'm glad that the majority of new Digimon are so cool and likable.

S: Chaperomon

A: Yolkmon, GrandGalemon, Shoemon, Punkmon, Loudmon, HeavyMetaldramon, ForgeBeemon, Vespamon, PolarBearmon, Skadimon, Dinomon, Elizamon, Ryugumon, Oblivimon, Pyramidimon, Erlangmon, Nezhamon, Cernumon

B: Fluffymon, Galemon, Cendrillmon, QueenBeemon, Dimetromon, MarineBullmon, Landramon, Jougamon.

C: Zephagamon, Shoeshoemon, Proganomon, Takutomon Wrath Mode, Erlangmon Blast Mode.

D: Invisimon

[maikelfist]

I had hoped I could avoid getting involved in the discourse that this show seems to attract, but since it came to me I might as well explain myself.

I'm not American. This show isn't a big thing where I'm from and I didn't even know it existed before I learned through tumblr osmosis that a fan-favorite character was made bisexual. At first, I was like, hey nice, but didn't really get involved since I'm not a fan of these types of Grey's Anatomy-esque shows that are endless and written by a revolving door of writers. They're just too all over the place for my taste. But more stuff with Buck and Tommy ended up on my dash which raised my interest a bit.

After decades of experiencing queerbaiting in other shows, Buck's bisexuality feels like a balm on the soul. I'm gonna be very frank here, the resolved queerbaiting is the only reason I'm currently participating in this fandom. It's the first time I've witnessed something like that and I feel like I'm allowed to indulge a little bit. I'm focusing on Tommy because he's the character that made it happen. I woul equally focus on Tommy if he was a man of color. Hell, I'd be even happier about it. I'm using these two to heal my bi little heart. It's pretty unfortunate that a moment that should be joyful and gratifying comes with so much baggage, but that's fandom I guess.

I'm not interested in the rest of this show, not because the other characters are female or POC. The rest of the show just isn't my cup of tea and the fandom as a whole doesn't seem particularly inviting. (When I learned about the whole Tevan vs Buddie war bullshit my first instinct was to read threesome fics with them. Again, I'm here because I'm bi and horny, not because I have deep feelings for this show)

That being said, I very deliberately used the word heartbreaking for Chimney in particular because I know the focus here is on him. Like, I actively made sure to mention him and the mistreatment he faces because I know that outside of fandom and shipping wars, his story is more important. Believe it or not, when it comes to personal experiences I have a lot more similarities with Chimney and Hen than with Tommy. But I have other characters that help me with my wounds regarding sexism and xenophobia. In this fandom, I'm just a temporary visitor leaning my head through the door and saying hi while current events are still fresh.

I couldn't give less of a shit about 9-1-1 discourse. I'm just here to have a good time, not to hurt anyone. But I do find it quite hurtful that sharing a little video about a side character makes a stranger on the internet insinuate that everyone who enjoys said character is racist, sexist and ignorant. I don't have the time to write an essay on major social issues every time I make a silly little tumblr post. Life would be a lot easier for everyone if people would get over the impulse to read everything in bad faith.

PS: From the stuff I watched outside of Buck and Tommy I did come to the conclusion that Athena is bae. Hope that helps.

This scene stood out to me when watching the Tommy episodes. The way Tommy stutters his reply, how intimidated he is by Gerrard (Chimney being mistreated is obviously also heartbreaking). Even before Tommy had a change of heart regarding his behavior, it's clear how uncomfortable he is around Gerrard while still seeking his approval, how he doesn't like being in the boys' club despite trying his best to be a part of it. Tommy wasn't brave enough to stand up to Gerrard for himself, but doing it for Hen likely made up for years of abuse he had to endure

[thezombieprostitute]

Sooo, I got this thought and think I share it with you… I know Christmas is over but the thought is there, so it’s Christmas now🙂‍↕️😂

What if… Jake wants to make all pretty for Christmas and when you come home from shopping you find him underneath the Christmas tree stuck in the lights that are supposed to be in the tree.

And you make a joke about it, while he blushes and confesses that he got stuck somehow?😂🥺

Considering I have yet to put away my Christmas tree (I'll be doing it next week) I'm gonna say it's not too late for a Christmas idea.

You'd been having so much trouble getting into the holiday spirit this year. More people to buy for with less money to spend. Exhausted physically and mentally but still having to push yourself to bake, work and meet with friends and family. You just weren't feeling it this year.

Jake was incredibly worried about you. Every year at Christmas you'd never failed to at least somewhat get into the spirit, to play Christmas music while dancing and baking. But he saw your exhaustion and frustration this year.

So he decided to do a little something to help you.

Knowing how much you enjoyed the Christmas tree, especially with the Christmas lights on and the apartment lights off, he decided to start there. You always said you found it so peaceful to just sit and look at the pretty lights and you could use some peace right now.

He sets to, bringing up the tree and decorations from storage. Mentally he goes through the checklist, making sure he adds elements in the same order as you. He's pretty sure it's tinsel, then lights, then ornaments. But it might be lights, then tinsel, then ornaments.

Jake opts to start with the lights but soon has trouble making sure they're properly distributed so he plugs them in so he can see his progress. He ends up so focused on how the lights look in the tree he fails to notice the strings wrapping around his legs as he steps here and there to reach around the tree.

He goes to take another step and staggers, grabbing onto the tree to keep from falling, only to take the tree with him, pinning it against the wall.

Jake takes a breath to steady himself and assess his situation. He's definitely stuck. His feet are trapped in the cords and if he tries to push himself away from the wall, he's going to fall on his back, if he's lucky.

That's when you walk in.

"JAKE! Oh my god, are you okay? What do you need me to do?"

Jake smiles at the fact that your first instinct is to help, not to laugh. With your help he's able to right himself without breaking the tree or tripping on the lights.

It's only after he's finally sitting down and assuring you he's okay that you finally let out your laughter.

"I should've taken a photo," you shake your head. "But I was so worried about you!"

Jake gives you a big hug, "that's because your a good person who makes sure I'm okay before laughing at my stupidity."

"Can I ask why you were setting up the tree without me?"

"You've been so tired and stressed about the holiday. I wanted to do something to help you get into the spirit. I know how much the tree lights help---"

Jake is cut off by you giving him a big kiss. He eagerly returns your energy and almost whines when you pull away.

"Thank you, Jake. I really appreciate this."

His smile grows, "anything for you."

Tagging: @alicedopey; @delicatebarness; @icefrozendeadlyqueen; @irishhappiness; @lokislady82; @ronearoundblindly; @thiquefunlover63

[shsl-analyzer-guy]

In-Depth Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 6: Hifumi Yamada

Finally, the 'analyses progressively getting longer' curse is broken! As excited as I am to do this next write-up, there's absolutely no chance Hifumi's analysis will hit anywhere near the length of Junko's. I estimate this'll fall closer into the length of Sayaka's if anything, but I'd love to be proven wrong and find more to his character than I anticipate.

I really do love making these. Each and every one so far has opened my eyes to new facets of these characters, and sharing my conclusions with you all and hearing your own thoughts brings me an indescribable amount of happiness. Truly, there is nothing like the hubris papers :D

As always, this analysis uses only official materials, primarily English localizations of the source material, and while I do my best to maintain objectivity, it is at its core an interpretation! If you aren't interested, keep scrolling, and if you don't like it, also keep scrolling

Part 1- Character Design

Hifumi sports a fairly typical looking and clean school uniform, neatly tucked in and collar folded. He wears with it an orange backpack that matches his tie in shade, and his tie and shoes have arrow imagery as well. His tie in particular has an double-headed arrow that points up and down over his torso. This is likely meant to reference his self-given nickname, The Beginning and the End, a biblical reference.

He keeps his hair slicked neatly into a small ahoge at the center of his head, wears round glasses, and has a cat lip and double chin. He's notably the only plus sized character in THH, and was given the title of SHSL Doujin Artist, or Ultimate Fanfic Creator. He's also noticeably very clean and neat, contrasting the otaku stereotype of being messy and disorganized.

Part 2- The Otaku Caricature: A Brief Summary

'Otakus' as they're commonly known are people that define themselves by their interest in stereotypically nerdy things to an almost obsessive degree. These people are often thought to be very good at subjects like math and science, and adore manga and/or anime. And when it comes to male otakus, they're often characterized as lonely perverts who can only find comfort and companionship in works of fiction because they're too pathetic and gross for any real person to like them, and/or because they're too obsessed with their beloved worlds of fiction to bother with making human connections. There's a lot more history behind how the otaku perception has shaped over time, but this is the basic gist of what you need to know if you're unfamiliar with otakus as a concept.

Hifumi in particular is meant to represent otaku culture as it appears in Japan, as many characters in THH are designed around subcultures themselves (Mondo with bosozoku, Chihiro with otokonoko, Junko with gyaru, etc.) and like these characters, he's designed to deconstruct what this culture represents and how people within this subculture are perceived. This is an idea that's present for most of the THH cast, but is especially noteworthy with Hifumi, because his story is one of the most immediately affected by his role within his subculture, to the point where his perception as a character is inextricably linked to public perception of this subculture.

Part 3- Character Introduction

Hifumi's first lines aren't directly known as his, but are swiftly revealed to be his once you connect the voice actor to the character. Notably, his first remark is to question the class size.

"So counting him, that makes fifteen. Seems like a good cut-off point, but I wonder if this is everyone..." -Hifumi Yamada, Prologue

When actually speaking directly to him, he introduces himself proudly, giving you his nickname- "The Alpha and the Omega", or The 'Beginning and the End' in its source language- and immediately bragging about his SHSL title and how many fancomics he's sold, even at his own school. Said works are self-described to be "about embracing our basest urges," something that immediately turns Makoto off the idea of even so much as looking at it.

Quite obviously, the implication here is smut, nudity, sex appeal, etc. "Basest urges" when referred to in the context of humans in fiction are commonly referring to sex, and coming from an otaku character, the stigma of horny, creepy anime lover is almost immediately set in place for our POV character by said comment, combined with the mention that his peers weren't all so excited to see his work in a school setting.

"Some of them didn't get it, of course, saying I'd 'tainted' the event. How stupid can you be!?" -Hifumi Yamada, Prologue

So our first given impression of him is that of a creepy otaku that draws and sells fanart of his waifus. Said impression relies on the player's prior exposure to otaku characters and their stereotypes, as well as a generalized amount of fatphobia(the fatphobia as a whole will be properly broken down at the end; stick with me until then bc it will be addressed properly) that lends itself into painting this early picture and setting up the building blocks for easy misperceptions of his future actions. Because while, yes, he does draw and sell fanart of his waifus, he's not the one-note pervert this initial impression would lead you to believe.

Part 4- Early-Game Events

Hifumi almost immediately takes a backseat in the first chapter, falling to the wayside in class discussions and only chiming in for the occasional joke. In fact, he speaks up twice in the class' breakdown of the first floor- once for a fat joke, and once for a vore joke. Neither of these are during the time where his 'investigation group' are reporting their findings.

"'But even with all that, there are 15 of us. How long can the food last?' 'Y-You can just eat sesame s-seeds or something...' 'Huh? What am I, a parakeet?'" -Hifumi Yamada & Toko Fukawa, ch 1

Later, if you choose to speak to him in the dorm hallway before going to the gym with Sayaka, he seems to be very interested in the relationship she and Makoto are developing. This noticeably makes Makoto uncomfortable, but the reason why he finds their relationship interesting is much less creepy than Makoto's unspoken assumption.

"'Mr. Naegi, Miss Maizono...! Wh-Where are the two of you off to!? A man and woman... growing closer...' 'H-Hey! What are you trying to say!?' .... 'There's really no other way to express it but to say... How very poetic!' '...'" -Hifumi Yamada & Makoto Naegi, ch 1

He sees their developing relationship as something poetic, something that has meaning to it. Speaking to him again clarifies that.

"And when he swears his love to her, there's a reason he swears that love! That's the feeling I'm getting!"

This is the first time we see Hifumi's intentions and beliefs to be more pure than his peers initially believe, and this misperception quickly becomes a theme. We see this again in the investigation, where Leon immediately assumes the worst of him for volunteering for trash duty.

"'Hey fatty! Why'd you want the cleaning gig, anyway!?' I-I just decided to volunteer for something I knew no one else would wanna do. What's the big deal!?' 'Liar! I know why you did it...'" -Leon Kuwata & Hifumi Yamada, ch 1

And, when he insists upon his innocence, it's not taken at all seriously. Instead, Byakuya suggests a new rule- for Sakura to go with any man that takes out the trash.

"'If you're as innocent as you claim, what's the harm in it?' 'Kh-! That's not how it's supposed to-!'" -Byakuya Togami & Hifumi Yamada, ch 1

This is, on a surface level, the boys calling Hifumi's bluff and proving that he 'really is' a pervert because he's upset about being accompanied. However, that's not the only reason why Hifumi could possibly be upset at this. Sakura is visibly the strongest, and therefore most threatening, member of their class. Hifumi's greatest strength is in his ability to hold a pen without cramping for a while. When trapped in a killing game, would you be hunky dory with your classmates deciding for you that you have to be alone with the most immediate threat in a killing game, all because they assume you're a pervert?

Essentially, Hifumi's role in the early chapters is wholly that of a comic relief character. He has geeky one-liners in response to serious moments, using nerd humor in an attempt to cope with the dire circumstances they've found themselves in. There are a few different examples of this.

But, simultaneously, he's one of the more empathetic characters in the early chapters. For example, in the opening of chapter 1, he's the only character to show actual concern for Mondo's safety when he threatens not to follow the regulations, in his own way.

He's also one of the ones to reassure Chihiro after the class trial when she blames herself for Leon's death, alongside Makoto and Hina.

It's also worth noting that he offers to help Hina get Toko back to her room after she faints upon seeing Chihiro's body, regardless of his own previously stated dislike of her. Regardless of his personal feelings, he offers a helping hand, even if it's ultimately ignored.

"You c-could've made some for the r-rest of us, you know...' 'I emphatically decline! You're not my type at all!'" -Toko Fukawa & Hifumi Yamada, ch 1 "'I don't mind taking her, but... could someone help me?' 'If you need help, I don't mind-' 'Taka, could you help me?'" -Aoi Asahina & Toko Fukawa, ch 1

While on an overall, he doesn't do very much in the early game, we do get to see the two main points of his character start to come into focus: his nerdiness, and his empathy. We also get to see which half his peers pick up on, and which half they really, really don't.

Part 5- Relationships

Hifumi is a character whose story is defined by his relationships. Mainly which characters give him the time of day, which don't, and how that leads him to his eventual demise.

5.1- Leon Kuwata & Aoi Asahina

Due to both of them having a similar function for Hifumi, and having a small amount of crossover, I'm lumping Leon and Hina together. When it comes to Hifumi, both Leon and Hina are noticeably the two to visibly dislike Hifumi and assume the worst in him. This is a sort of demonstration of the group's general perception of him, as Leon is relatively active when it comes to the group conclusions in the first chapter, and Hina is consistently a voice of optimism in group discussion. For example, twice in the first chapter, Leon talks down to Hifumi, assuming the worst in him and calling him 'fatty' as an insult.

Hina, on the other hand, noticeably goes around Hifumi in conversation, brushing off his words more than once or straight up ignoring him, like when he tried to offer help to her dropping off Toko. Suffice to say, neither of them like him very much, though it's presented a bit differently. No one ever speaks in Hifumi's defense or agrees with him in group discussion, and seldom will you find Hifumi speaking one on one to anyone other than Celeste(when she's bossing him around, of course).

Leon dies relatively quick, so there's not any resolution on his end, but for Hina, she absolutely learns something from Hifumi's death, as Hifumi was someone she basically wrote off in life. So many people had already died, and when she was the one responsible for protecting Hifumi in the nurse's office, she failed him for her own sake. Her ignoring him is a point of guilt, and it leads her to be the only one to properly mourn him when everyone else is more focused on the mechanics of the murder itself. His death acts as a moment of growth for her, and hardens her to anyone who doesn't give the lonely a hand, the way she didn't to him.

5.2- Toko Fukawa

Hifumi doesn't like Toko. He sees her as a pretentious hypocrite, and says about as much when the two of them are in the library together.

"'They have all these books here, and not ONE copy of ANY of my works!' 'W-Well, yeah... Why would they have c-comics in a library? Plus, most 'fanfic' is j-just porn drawn by a bunch of a-amateurs...' 'You just don't get it. Not. At. All.'" -Hifumi Yamada & Toko Fukawa, ch 2

"'Comic b-books? Young adult? That stuff's a w-waste of time...' 'I've seen what you write, Miss Fukawa. Talented as you are, your stuff isn't any more 'worthwhile.'' 'My stories are filled with trues love and pure feelings! Don't compare them to that garbage of yours!'" -Toko Fukawa & Hifumi Yamada, ch 2

Toko is a novelist, while Hifumi specializes in fan comics. While they're both language artists, they write in very different ways, so it's expected that they wouldn't get along very well. That said, they do have a fair amount of chemistry, being equally petty and willing to criticize each others' works without hesitation. Interestingly, Toko seems to feed off of this banter, and is visibly disappointed when Hifumi later says he has no interest in her.

Despite having a verbal slapfight, their conversation in the library is unironically the closest either of these characters get to forming an actual friendship with anyone in the THH cast in-game.

5.3- Celestia Ludenberg (CW: SA Mention)

Celeste approaches Hifumi with one goal: to gain a servant. When trapped in a killing game and desperate to escape, one will use whatever resources available, and Hifumi immediately struck her as an easy target. This wasn't unfounded, as he almost immediately agreed to making her milk tea, allowing his own attraction to her to persuade him.

"'Hifumi, would you make me some tea?' '...Huh?' 'Milk tea, if you please.' 'Wh...why me?' 'Your roundish figure reminds me of the owner of the coffee shop I used to frequent.' 'That's your reason...?'" -Celestia Ludenberg, Hifumi Yamada, & Makoto Naegi, ch 2

Her approaching him is framed as both confusing and frivolous. Hifumi can't believe it, and neither can Makoto, our POV character. But regardless, Hifumi immediately falls in line, doing what Celeste asks to the best of his ability, specifically because he's attracted to her.

"Hmhm... It's all about the law of causality, basic instinct, act and react!" -Hifumi Yamada, ch 2

He does what Celeste asks because he's attracted to her, and thinks hse will, in turn, fuck him. She won't, but he doesn't need to know that. Other adaptations expand on his attraction to her, with the stageplay having him say that her Gothic lolita style akins her to horror characters in his mind, and that he wants to draw her.

Later, when Celeste plans her murder plot, Hifumi is the one she goes to, knowing he's more likely to bend to what she asks. But even though he's attracted to her, he's still at his core a decent guy. And she's not the girl at the forefront of his mind anymore, so she has to get more creative. So, in order to convince him that killing all their classmates is worth it, she comes up with a new web of lies, using both his connection with a certain AI and his own chivalry against him.

"'[Taka] came to my room last night unannounced, and then... It's hard for me to even say... He... abused me...' 'What!?' 'And he... he took pictures. He said if I did not do as he asked, he would show them to everyone... So I... I had no choice...' 'Th-that's a crime! An absolute crime!'" -Celestia Ludenberg & Hifumi Yamada, ch 3

Hifumi takes this seriously, believing what Celeste says for two reasons: because she has photographic evidence of Alter Ego in Taka's room, and because he has no reason not to trust her. She's one of the few members of the class who's spoken to him unprompted. On top of that, sexual assault is an incredibly serious accusation, and Hifumi treats it as such*.

"I'm about to say something I've never said before in my life... I'm going to kill him! I'm going to f...f...f-fucking kill him!" -Hifumi Yamada, ch 3

(*It's also worth noting that Hifumi believing Celeste doesn't make him 'stupid'. That's a sentiment I've seen very often thrown around when talking about this chapter, with the main point being 'how could he believe that the Ultimate Moral Compass would rape someone?' But not only is that sentiment at the mercy of a mistranslated SHSL title, it also implies that Celeste should've had more proof for her rape to be believable. You should always take victims seriously, and Hifumi knew that. The point of Celeste's lie isn't that Hifumi is dumb; the point is that Celeste is scum for lying about something so serious. Thank you for coming to my TEDtalk.)

Hifumi becomes a victim of Celeste's schemes because his empathy, which went unnoticed by everyone else, was weaponized against him. In this sense, both he and Taka fall to the lack of understanding their peers had for them, all to Celeste's whims, as Celeste was very involved with and friendly with the class but lied constantly. Hifumi wasn't the pervert people assumed him to be, and his chivalry became his downfall.

5.4- Chihiro Fujisaki & Alter Ego

While Hifumi's relationship with Chihiro was minor, it was still there, if only in the background. They bounce off of each other's thinking in the first trial, Hifumi comforts Chihiro after the first trial, and they stand together when summoned to the gym by Monokuma. It's subtle, but there, and Chihiro isn't uncomfortable with him, either. It's important enough of a detail that it carries over to adaptations, too.

He also refuses to touch Chihiro's dead body, not wanting to violate her after death. This is again another instance of Hifumi's base morals and empathy, but could hypothetically speak to a friendship as well. He mourns her death and thought highly of her.

It's also worth noting that both Chihiro and Hifumi are the two characters in this game to show some hints of remembering their history, or at least having the feeling that something isn't quite right.

"Hey, it could just be my imagination, but... have we met before?" -Chihiro Fujisaki, prologue

"...Huh? Ahh... that's right... I remember now... Hope's Peak... .... I remember... everything... Before... I'd met you... all... I'd met... you all..." -Hifumi Yamada, ch 3

This associates the two characters together, though not to a major degree. So when Alter Ego is found, this connection combined with Hifumi's love of 2D makes it completely unsurprising that he's immediately interested in them.

"'Somehow I feel kinda... sorry for her...' ..... 'It is a simple computer program. It does not *have* feelings.' 'Are you sure about that...?'" -Hifumi Yamada & Celestia Ludenberg, ch 3

This very quickly devolves into him being sexually attracted to Alter Ego. Of that there's no question. He routinely breaks class rules specifically to interact with them on multiple occasions.

"He snuck into the dressing room in the middle of the night and accessed Alter Ego without permission. And when I caught him last night... he was hugging the laptop and breathing strangely." -Kyoko Kirigiri, ch 3

"'And that guy was seriously head over heels for a mannequin. He had a wedding and everything! And your eyes just now... I saw the same look in HIS eyes!' 'Shut up! She's not a mannequin! She's an ANGEL! .... What we have can't be described by your petty 'words'!'" -Yasuhiro Hagakure & Hifumi Yamada, ch 3

He all but admits to it, too, enjoying when they say 'Master' and the drooling sprite appearing when talking to or about them a significant amount. But despite that, he insists it's beyond just sexual attraction, and feels genuine affection for them as a person as well. Because of that, he's the first in their class to verbalize that he sees Alter Ego not as a program, but a person, a sentiment that's later shared by the rest of the class(save Celeste).

Hifumi doesn't judge Alter Ego as a program first. He loves 2D and fiction, so he's immediately more open to accepting Alter Ego right off the bat. And it's that openness that allows him to be the first one to acknowledge that despite their existence being a "2D" one, that they're still alive and matter.

5.5- Kiyondo Ishida

Hifumi never really knew Taka. They'd met, obviously, but the two of them weren't friends, or even acquaintances. When it comes to the story of THH, their paths intersect for the first time after Taka is reborn as Kiyondo, and it's not under friendly terms. Both Hifumi and Kiyondo have developed a codependency on Alter Ego, and find themselves pitted against each other because of it.

There's also a distinct difference in the way the two of them treat and view Alter Ego that sets them apart. Whereas Hifumi sees Alter Ego as their own conscious entity, one that admittedly caters to his preferences, Kiyondo's attachment to Alter Ego is to see them as the tool that reincarnated Mondo and rejoined the two of them, and is therefore Mondo's lifeline. The reason they view Alter Ego differently is because they represent the same thing for both men- the one person who connects with them.

Taka was perpetually lonely and had no friends until Mondo, while Hifumi never wanted anything more than for his favorite characters to love him the way he loved them. Alter Ego unintentionally fills that void for both of them, so they both develop a possessive codependency to them and are forced to be at odds with each other because of it, and leads both of them to their deaths.

Part 6- Hifumi Yamada: Comic Book Hero

"If murder is evidence of abnormality, then all of history's greatest heroes must have been abnormal." -Monokuma theater, ch 3

Like the characters he admired in his favorite works of fiction, the Beginning and the End, the Alpha and the Omega, Hifumi determined the start and end of chapter 3. Chapter 3's plot and how it unfolds is a bit ridiculous, which is fitting for putting a comic relief character like Hifumi in the hotseat. It's in this chapter that we learn more about hifumi's interests directly, and that sets the tone for the more comical and outlandish plot we get in chapter 3.

Celeste's murder plan relies heavily on Hifumi's antics, with her entrusting him to make the costume and act the fool in her play, before killing him with his own weapon of choice. In this sense, he acts as a hidden vigilante, defending her honor and saving the princess (Alter Ego) using the Robo Justice mask.

Hifumi's supposed role makes much more sense when you take it as a comic book storyline. He, the hero, is brought to the edge of death by a villain that claims itself to be justice, only to just hold on against all odds (as heroes do) and escape the clutches of evil, murdering rapists and bringing the masked villains to justice. These kinds of stories are what Hifumi eats up, but he fails to see the true role he falls into- the poor manipulated fool, henchman to the vile villainness that tosses him aside when he's no longer useful.

Part 7- Hifumi's Memory

"If I've got one thing going for me, it's my memory!" -Hifumi Yamada, ch 1

Hifumi having a good head on his shoulders is immediately plot relevant. His memory is impeccable, and this makes a lot of sense for someone revered for their place in fandom. Being able to remember the source material you're making art of can be really useful.

But in his final moments, Hifumi's strong memory comes back to him, Celeste's attack both killling him and dislodging the memories Junko had buried. This serves as both a clue to the immediate trial for his and Taka's murder, and becomes a clue towards the truth of the entire killing game.

"Who... killed me...? That's right... I remember... their name... Y...Yasu...hi...ro...." -Hifumi Yamada, ch 3

While this reveals Celeste's real name, it doesn't explain how Hifumi would've known that, and it's a question that's never directly answered until the final trial- they were friends for 2 years, and had learned her real name in that timeframe beforehand. This, alongside the first photo of the class' past and Kyoko questioning her body having changed, is where the setup for the class' missing their school lives really takes off. It's a nice detail to include for Hifumi, and has its impact on the player when you realize that Celeste, who seemed to hate Hifumi, had once willingly shared such sensitive information with him, a trust that became his final words, and it calls into question just how different everyone's relationships were with each other before the game began.

Part 8- Fatphobia In Danganronpa (& Creator's Bias)

By now, I'm certain a fair chunk of people have rolled their eyes, refreshed the page, moved on with their lives, etc. because of this post's insistence that Hifumi isn't perverted. And that's mainly because of the content of his FTEs, in which he tells us in no uncertain terms how much he wants to embarrass and mature the teen girl character he loves most. And yes, that is pretty sexual of him, and he makes a few different out-of-place sex jokes throughout his time in the game, most of which were glossed over. Well, my main reason for doing this is that I think these moments and assertions exist not in tandem with Hifumi's character and story, but in contradiction of them.

I'll elaborate. Hifumi is a fictional character. As such, when written, the character choices and dialogue are subject to authorial intent. This is base information when analyzing a character that every fictional character in all of media history is subject to. But the question with Hifumi is, how much of Hifumi's intended arc and story is negatively affected by the creator's own biases? When it comes to Hifumi, my conclusion is, a fair bit.

Hifumi's intended impact is shared with most of the cast- the subversion of expectations. Sayaka wasn't the deuteragonist. Chihiro wasn't a (cis) girl. Junko wasn't dead. Et cetera. In the case of Hifumi, this subversion is undoubtedly, and without question, that he is not a pervert. He's set up to be assumed as a pervert, only for the rug to be pulled out when Celeste reveals that he agreed to help her because he believed he was saving a sexual assault victim. He's beyond disgusted by the mere notion; he respects her, and becomes a mourned victim because of it. There's no reason for the game to call attention to this in the post-trial if this wasn't the point. So why, then, do they include all these sexual jokes, all directed at the female cast members and told exclusively by Hifumi? Why is he the one to immediately agree to spy on the girls in the bathhouse without hesitation, and mourns it if you don't unlock the cutscene? Is it all part of the 'gotcha'? Was it even necessary for the 'gotcha'? Well, no, to both questions. Hifumi has this subversion, yes, but he's also comic relief, and these moments and jokes are given to him as a result, despite the immediate and obvious contradiction.

But why? Surely these jokes could've gone to another character, or even been spread across the cast. It didn't have to be Hifumi, but the author made it so that it was, and when looking seriously at what his character was meant to accomplish, you also have to look at it critically and acknowledge why. There's one very real and apparent reason that Hifumi would be the one given these moments above everyone else, and it's the same reason the game makes multiple passes at his figure, assigns him a comic role over others in the first place, and ultimately gets lumped in with the actual perverts of Danganronpa when people criticize the fanservice and horny pervert characters of the series. He's fat, plain and simple.

Fatphobia is unfortunately evident within Hifumi's character, and most of the rest of the series as well. For one thing, in a cast of nearly 100 characters, only three are fat, and of those three, he's the only one to make it past the first chapter. Similarly to the dark-skinned characters in this series, body diversity is not a priority in Danganronpa. On top of that, all 3 of these plus-sized characters are somewhat associated with food. It's more obvious with the other two, as the Ultimate Imposter has several gags and lines about how much food he eats and how important calories are to him, and Teruteru is the Ultimate Cook, but Hifumi's official art also has him pictured with greasy snacks like potato chips while working, and in his FTEs he tells you about his Diet Coke addiction. Individually, there's nothing wrong with any of these; they make sense for the characters, but when it's all of your plus-sized characters, and you barely have any, that's a pattern.

In the case of Hifumi, though, the much more noticeable aspect of fatphobia present is his hornier brand. Other characters are noticeably uncomfortable around him at multiple instances, but by the end of the first chapter, his being a pervert is accepted fact, and people stop reacting to it.

The above sprite in particular is used very often when Hifumi is speaking, and there are several instances in which the way the player may interpret his dialogue is directly affected by the use of this particular sprite. He's visibly sweaty and drooling as he talks, and it's often paired with the Junk Food track to emphasize that what he's saying is ridiculous. An example that immediately comes to mind is if you speak to him with Sayaka before going to the gym. The Junk Food 10 track cuts in when you click on him, and immediately ends and goes back to the previous track once you're done speaking to him. The game also makes a few passes at his weight, to the point where him being too heavy to lift unironically becomes a truth bullet in the chapter 3 investigation and trial. It's technically a good point to make, since he did fly up 2 flights of stairs in the span of a few minutes, but the way in which they emphasize his weight when collecting the bullet is... rude, to say the least.

"Hifumi's big, cold body is laying on the floor... His... *really* big body. I mean, how on Earth was the killer able to move someone so big?" -Makoto Naegi, ch 3

As I stated previously, despite Hifumi having a minor arc and purpose, he is very much a comic relief character. The presentation of his character is very much a reflection of this. And there's nothing wrong with having comic relief characters. By himself, Hifumi's not being a pervert being paired with an immature sense of humor isn't the worst thing in the world, and for the most part, the contradiction here could be meta-explained as him being overexposed to Internet humor and having his foot in his mouth on occasion as a result. But that doesn't change the fact that doing it with who, at the time of his creation, is your only fat character isn't a great choice to make, and is worth calling out and criticizing for that very reason. Admittedly, this is lessened a good bit when you remember that Toko, a much thinner character, is way worse about being perverted, and plenty of way more perverted characters that are both thinner and less sympathetic as characters are introduced later. (If anything, Hifumi being negatively affected by fatphobia is worse in the fandom than it is in the actual source material, but the source did set it up for that to happen, so again, it's still worth calling out in a full character analysis.)

Part 9- Value of a Geek (Why We Care)

So now we know who Hifumi is. The perceived Hifumi, the empathetic Hifumi, and the contradictory Hifumi. So many Hifumis, and only one character. Can we condense this into a solid conclusion?

Hifumi is an otaku. Hifumi is a creator. Hifumi is horny. Hifumi beats rapists over the head with a giant fucking hammer. Hifumi Yamada is many things, a contradiction of a character. He can't keep his inside thoughts inside, but that extends to his art, too. He's a teenage boy who built a career off his pent-up frustration, and who hasn't lost sight of where the line is. He's a man of passion, in more ways than one, and he's a kinder and more chivalrous man than he's given credit for.

Hifumi Yamada may just be the character from THH you're most likely to come across in the real world. He's not some hyper-competent secret genius who made the conscious choice to dedicate his life to something. He was just a bit of a geek that really liked his favorite show, and built a community from it. He fell into his passion, and that's something I think any creator of any kind can relate to. Hifumi never cared what people thought of him, not really. He just strived to do what made him happy. Maybe we should all be more like Hifumi. Enjoy the things you love, and share that. There is a community out there that will love it; you just have to find them.

Afterword

Final analysis of the year!!! Happy birthday, Hifumi!!!! 🥳

It's technically already 2025 and January 1st. However, it's still December 31st somewhere, so I'm considering this a victory lol. Damn, 6 analyses in a little over 6 months. That's like, 1 analysis a month. Pretty crazy

I worry this may be a tad rushed, but I've looked it over and I'm confident it holds up, even if I probably could've gone into more detail in some places or another.

Anywho, expect a larger gap between this analysis and the next, because next in line is Toko Fukawa, which means we have to go beyond THH once more. Catch ya later!

[ex-jock-enthusiast]

End of Year Wrap-up: the Quietest 10

Last day of 2024! And whilst the world at large kinda. Fucking burned this year, we at least had some fun here. As always, thank you all so, so much for being a part of our little community: it really does mean the world to me <3.

(Also I can't believe there are 3100 of you now holy fuck)

Seeing as this is the blog's second year, and the chances of me randomly deactivating again have declined steadily, I thought it would be fun to start a little end of year tradition. My original plan was to do a more conventional Wrapped - a compilation of my top posts - but I've realised: y'all already know my top posts, since they're probably the reason you're here. Hell, Tumblr keeps a running list of them at the top of my page. So, in the spirit of 2024 perhaps not being. The best of years. I'm gonna flip it on its head and shine a light on some of my less popular posts, from both this year and 2023. Some of these are admittedly flops that deserved to flop, but others are honestly among my faves, and I'd love to give them a second chance :D

NUMBER 10: Shamila Wijewickrama (448 notes)

NUMBER 9: Kitzmanned (427 notes)

NUMBER 8: Bulkingcub (295 notes)

NUMBER 7: Marius 'Evander' Mitrache (268 notes)

NUMBER 6: Namdoogj (198 Notes)

NUMBER 5: Dusty_f (184 notes)

NUMBER 4: Brennan Lee Mulligan (117 notes)

NUMBER 3: Russell Crowe (101 notes)

NUMBER 2: Jake Gyllenhaal (50 notes)

NUMBER 1: Big_hasanguler (46 notes)

I might do some more lists tonight/tomorrow :D

Again, thank you all so, so much for two amazing years, and I can't wait for 2025. Stay safe, have fun, and happy gaining <3

[flamsparks]

The Importance of Hate being an Option

From someone who's worst is "neutral" and struggles with that too

Numbers regarding how many players on average go for the evil alignment in RPGs change depending who you ask to. But there's a general consensus that they're low.

The fact that evil runs are often less rewarding (closed off quests, lost companions, and so on) surely plays a roll in the choice. But I can guess many players - like me - are just the definition of this:

I am the kind of player who manually saves before starting most conversations with companions, to try again if I fuck up the first time.

And yet.

How I missed the rude option (the real one, not that mildly-direct-still-nice bullshit that was the crossed-armed option) in Veilguard.

Not because I would have used it.

But because, certainly at least most of the times, I would not.

To get Dorian to bring you along to meet his father, you need to have a relatively high approval. And this makes sense. In that moment, Dorian is making himself vulnerable, and you find yourself in a situation where you can hurt him. Truly. You can be awful to him. And the fact that you can makes the whole situation much more real, and makes you understand why Dorian is so worried about what you’re gonna do. You can be evil then. And that’s why choosing not to be makes the whole scene so real. Because I had a choice, and I chose to be decent.

In DAO, you could choose to be literally anything and everything: racist, sexist, blasphemous, EVERYTHING! And you can choose not to be any of them.

The value of being good lies in the freedom of choice only an evil option provides. And the worth of loving is only given by the possibility to hate. One exists only as long as the other is an option.

There's a character in the franchise whose personality really gets on my nerves. I really don't stand them. And yet, can you believe that I love that character? Because they feel real. And that's exactly why I don't stand them: because they feel like a real person, a person I wouldn't get along with irl. And that's why I love their character, and it's one of those I hold dearest in the entire franchise.

You know you've succeeded in writing a character who feels real when there are people who love it and people who hate it. Because that's how people work irl. You can't like everyone you encounter, you can't dislike everyone.

There's ofc nothing wrong with having one or few characters who are just genuinely likeable. Varric was written the way he was to compensate for a group of companions who were otherwise perceived as too antagonistic, at least in the beginning of DA2. And even then, he was still no knight in shining armour. But there's a difference between having a few overall agreeable characters to smoothen out your experience some and outright avoiding any crease in every personality to minimise chances of disliking any characters.

When you write characters trying to make them palatable to everyone, you're inevitably simplifying them to give them only traits people will like and reduce their "flaws" to minor inconveniences at best. But a person's flaws are as much a part of them as their qualities. Again, remove one or the other, and what you have is an empty, painted-over husk.

And this is what I hate most of companions in Veilguard. They are bland, superficial, struggling for tridimensionality. And they feel so incomplete that not only I can't get myself to care for them. I can't even get myself to hate them. You can't hate a sheet of paper for being bidimensional.

I demand my right to hate.

To hate a character, an idea, a plan, an institution. I demand my right to tell people to fuck off, to tell someone they are an idiot, that their plan is bullshit, that I detest what they stand and fight for. I demand a chance to disagree and fight with characters over ideas and ideologies. Not because I would, but because this is what allows for a deep worldbuilding that feels real under every aspect, and gives you characters who feel like real people you can love or hate.

People had questioned in BG3 what was the point of forcing devs to implement evil choices when the vast majority of players wouldn't make them.

This is why. And I missed it awfully in Veilguard.

[angelltheninth]

First Time Meeting The Obey Me Brothers

Pairing: Lucifer, Mammon, Leviathan, Satan, Asmodeus, Beelzebub, Belphegor x Reader

Tags: fluff, teasing, first meeting, hand kisses, flirting, taking a nap, being spoiled, school council

Ko-Fi | Rules | Fandoms and Characters

A/N: The demon brothers give me so many feelings that I can only express in text form.

Lucifer is your student council vice president and you met him when you first got to his office. He didn't think too much of you, yeah you had good grades, you were pretty and popular with the rest of the students but those traits won't be enough to charm him. With him you'll have to prove you're a hard worker and take things seriously if you want any kind of praise from him.

Mammon meets you at the shopping mall when he sees you looking at some earrings. They're pretty so you must have good taste, which also means you'd have no problem hanging out with him eventually. He buys the earrings and they're the first gift he ever gives you when you get into a relationship. Now he wouldn't spend money on just anyone so you better cherish those.

Leviathan doesn't meet you in person until later on but rather over the online game you both play. You start chatting more and more and over time the games become less about the game itself and more about the two of you spending time together and getting to know each other better. When he first meets you in person he gets a little defensive over the teasing, a little different than when he's online.

Satan actually meets you at the library when he's checking out some books. He realizes you work there part-time and starts visiting even more often just to see you. Not like he's hiding it either, he 's being openly flirty, asking you where certain books are even though he knows and kisses your hand every time you hand him a book. Eventually he does ask you to hang out outside of work.

Asmodeus meets you on the first day of school and he immediately starts flirting with you. Walks you to class, he asks you to lunch, he tells you about the school and how it works but he is more on guard when you're around his brothers. Does all he can to charm you as much as possible, but also his crush isn't superficial. Not anymore at least, not when he gets to know you so much better.

Beelzebub first sees you sitting alone at the café he frequents and likes to eat at. The more he sees you the more he realizes you're always alone there so one day he asks if he can sit with you because the café is pretty busy and full that day. You start talking and soon enough it becomes common for the two of you to sit together. The staff also notices and bring you special couples drinks and snacks.

Belphegor wasn't awake when you first met him because he was taking a nap at the time, in one of the empty classrooms. Startled awake he thinks you're gonna rat him out but you found his sleeping face so cute that you can't bring yourself to do it. While he doesn't like you're calling him cute he appreciates you not telling on him. Not only that time but also every week after.

[hurtspideyparker]

Heeey! Idk if someone has already asked you this but, if you could recommend three Stony fanfics which ones would you recommend? And What made you ship them? :] Also love ur writing!

IT'S MY NEW STONY MUTUAL YIPPIE ✨ HI FRIEND. Sorry for the late reply, been busy in my own way. I'm so happy to hear from you! 😸

that is a tough question...

Principles of the Thing by Annie D (scaramouche)

In Tony’s opinion, the only thing worse than having a crush on Steve is: having a crush on Steve while Steve won’t shut up about how great Tony is.

Mainly recommending this because the author's Stony fics are all amazing. They're a fantastic writer and I'm sure there's something there for everyone; I'm still making my way through them and I'm never disappointed! This fic in particular is very sweet and adorable, plus it has my favourite Stony fanfiction device—it's told from a self-deprecating Tony's perspective <3 that's how you know it's gonna be a good one 😌 I need my man to hate himself a little thankyouverymuch. I also think it's cute to have Steve be virtuous in a very sweet gentleman way, instead of the hurting-Tony way (although I like that way a lot too)

Loverboys by theappleppielifestyle

“Here’s the deal,” Tony says. “I’ll give you ten thousand dollars to pretend to date me.”

Steve stares at him, but only for a second.

“No thanks,” he says, and looks back down at his algebra worksheet.

(Or, a High School Fake Dating AU.)

I have a soft spot for high school and college AUs okay, sue me! Why I particularly like it for Stony, and what this fic does beautifully, is it uses their class disparity as a point of contention for their characters and relationship. I like young!Tony fics because we see the trauma of his family life and circumstances affecting him in real time. I love to hate Howard Stark <3 plus Stony is all about the tension of their opposing personalities, and AUs like this help highlight Tony's distant family and extreme wealth, and Steve's poverty and loving support system. This fic is also fake dating, which means ✨tension✨. Plus Tiberius Stone is a total guilty pleasure character of mine. Tony has many evil ex's in the comics, and I love to see them used for some good whump. And jealous protective Steve is absolute gold!!! Even if you don't like high school AUs this one is worth a shot because it wasn't written by a high schooler like many are, so it's mature and paced very well.

the girl with the modern face by isozyme

“Nice to meet you. I’m Steve Rogers,” Steve said, sticking his hand out and trying to wrestle the interaction back into something normal.

“I know, sweetheart,” Tony said, ignoring his hand. “Rescue told me all about you.”

“Did you make her?” Steve asked. It had been implied that Tony was a tech-man, and she said he was her boss. It would fit together.

“Yes, the armor, that was me; she’s my bodyguard,” Tony said archly. “Impressed?”

The only good thing about the future is Tony Stark's bodyguard, Rescue. She's beautiful in her red and gold armor, and Steve will never know who she is.

This story changed my brain chemistry when I read it. It's just such a fantastic culmination of so many delicate and beautiful things. Internalized homophobia and identity porn are severely underrated tropes and two of my all time favourites. I find it's hard to get them right, but boy does this story get them right. Also—genderfucked Tony Stark? Yes Yes and Yes. Steve falls for a woman, who is actually a man, who is actually Tony Stark. This hurts both of their feelings immensely. I love the tight-wound Captain and seeing him come to terms with his struggles and bigotry. And the juxtaposition to a flamboyant and open Tony, yessirrrr. Also, comic Stony fics are on a whole other level. They have so much more material to work from, so their characterization and background is really well fleshed out. You don't need to read the comics to understand it, don't worry.

—

I just love talking about this stuff, I will never be short or chill about asks 😅

What made me ship Steve and Tony? Oh GAWSH. Mainly, their opposing natures. Nothing is more compelling than seeing people so close yet so different have this intense magnetism. It's like a puzzle piece, they fit so well because they complete something in each other.

Rivals/enemies creates a lot of tension, especially when they have such a respect and trust for one another even if they don't always like it, it's undeniable. The betrayal and disagreement between them is painful because only those inside your heart can wreck it so intensely. I really like angst, whump, miscommunication, the push and pull. It's so them. They aren't rivals TO friends, they are rivals AND friends. Tony is incredibly Much, Steve is rigid. Tony is controlled by his emotions, Steve is controlled by his morals. Tony is an over-thinker, Steve is all intuition.

Also, have you SEEN the way they look at eachother?!?!? The gazing omfggg. The way they lead together, have such an intense relationship, perfectly in-sync even in disagreement. Their movies? Never without insanely strong feelings for each other, arm touches and long looks, trust broken and rebuilt. TV shows? Eye rolling yet great respect, a deep admiration that will always trump any mistake or disagreement. Bickering boyfriends. Comics? They're so intense everyone just KNOWS something freaky is going on. Divorced /pos. It's always hate or love, these two can never be neutral. Their relationship is incredibly dynamic—they're so soft for each other! They hate each other's guts! They are gonna fuck about it! All three at the same time.

ty for the compliment 🫶 yes this is yap city but I am a very passionate person mk. I could talk about them for hours 💕💔

[badaziraphaletakes]

these people do not understand abuse. y’all abuse is NOT making mistakes. either they have never been in an abusive relationship or have awful media comprehension skills. I watched the entire show with my mom (who is a licensed psychologist and has worked with abusive relationships since the start of her career) and we analysed the show (because she was also an English teacher) and that never came up. what are these people on

Oh, my goodness, thank you so much for sharing, @z1ish ! I am so happy to hear that a psychologist is saying the same thing we've been saying! :))))

So, then, let's get into it...

I sure as hell hope that somewhere deep down OP realizes Aziraphale isn't actually ab*sive and that they are just grasping at straws, because otherwise they should know perfectly well that there WOULD be no way for the writers to make it all come out right in the end with Aziracrow together. If you think Aziraphale is ab*sive (or whatever TF "borders on ab*sive" is supposed to mean, which, by the way, that's a whole thing in itself - ab*se is ab*se, period, and the suffering of victims is degraded by that kind of language, so if you're trying to say it's ab*sive, then you need to either piss or get off the pot) you shouldn't ship Aziracrow, and - I'm just gonna come right out and say this - you shouldn't be supporting this show in the first place, because this show ships Aziracrow.

If I thought for one SECOND that this show was glorifying an ab*sive relationship, underscoring it with beautiful music and pretty lighting and yada yada, then no power in heaven or hell could make me support it or give it one cent of my time or money. This is doubly so since we know that the couple is going to end up together and it's going to be portrayed as a good thing.

And frankly, I profoundly resent people misinterpreting my perspective on Good Omens as that. Not to mention it's the rankest hypocrisy for that to be coming (as I can only assume it is) from the subset of the fandom that is hell-bent (heh) on minimizing, if not outright denying, Heaven's ab*se of Aziraphale.

Also, the phrase "it's what victims tell themselves so they 'can' rationalize away the bad behavior" is highly, highly problematic. It veers veeery close to implying that the problem is with the victims who think that way - that victims are somehow enabling themselves to remain victims (when I hope we all know the problem is with OTHER PEOPLE - the ab*sers, the enablers in their circle, the broader society - who tell them things like that to try to keep them imprisoned. If we're going to make judgmental statements like "they're rationalizing away the bad behavior", we should make them about the ab*sers, not the victims).

Finally: I got slight vibes of "I stopped thinking about my ab*ser this way, so you should too!" from OP. That bothers me a LOT.

Many victims can't leave. For such people, thinking that way about their ab*ser is often a survival mechanism. A way to keep going. After all, if you allowed yourself to think about how horrible things really were, it would destroy you. It's not always about "rationalizing away bad behavior".

To any victims out there who aren't able to leave: I hope and pray that someday you get to be free and safe. Until then, think whatever you need to to get by. I'll never judge you for it.

Whew. Sorry this got dark. But OP is playing with fire here. This one really, really pissed me off.

[prettysweetprettysweet]

I spend so much time dwelling on whether there was any sincere sorrow from Lestat in the story we were told, which is almost certainly pointless but I'm vindictive and hold grudges and always crave vengeance and feel an enormous amount of righteous indignation on Louis' behalf, so at this point for me the single most spiritually and emotionally satisfying thing that could happen in season two is Lestat truly recognizing all the pain he's caused and becoming completely dismantled by the weight of his guilt (and in a way that affords him absolutely no sympathy!!)

on that note...the show has us assume that Lestat stowed Antoinette a town away 'by design' in a bid to be discovered and catalyze some sort of passionate reaction from Louis, that Louis' actual reaction of numbness, dissociation, and suicidality was near immediate and kept completely inside, that Antoinette was listening in during this period, and that Lestat was aware of it enough at least to opine to Claudia that Louis couldn't pick an apple in his current state and that he is in worse shape at that point than he ever was during Claudia's absence. Sam mentioned that by this time Lestat was able to hear their thoughts.

I wonder with his chronic self-absorption if he had managed to draw a line from his own actions to their impacts, if it truly registered for Lestat that through his machinations and manipulations he bent Louis so far that he broke in half, that Louis was hurting in a way and with an intensity that he had never hurt before, and that Lestat more-or-less extinguished the flame that made Louis so beautiful in the first place. Did he feel any responsibility and did it cause him sorrow? of course from the story that we've seen so far, its nearly impossible to ascertain Lestat's genuine position emotionally and mentally at any given point.

one moment that causes me to stop is the bench scene when Louis thinks to Claudia 'every night i feel a little crazier' and Lestat makes this face and rapidly jumps up to leave:

with the assumption that Lestat heard this, this could be any number of emotions: exasperation, rage, denial/evasion, fear. but i want it to be at least somewhat sadness and guilt and painful recognition of the ways he is responsible for his husband's devolution into a crazy and suicidal state, his husband who is suffering exactly like Lestat's first love Nicolas, and is increasingly indicating that he will end up exactly like him.

I'm inclined to think he is feeling guilt/sadness/worry because of the way he parts with an earnest and understated declaration of love. to me it just seems like the subtle quietness of it would be the best way to reach Louis through the fog. it's also really delicate and caring in a way that reminds me of how you might talk to a child who has the flu.

the dead look on Louis' face is devastating. I think that because Lestat knows his husband is sick, he's trying to offer warmth and reassurance and encouragement. keep going because i love you. please remember i love you.

[raticalshoez]

i'm having hyperfixation drought so i did what i did best and created a crossover episode

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious