#i know nothing about the different cultures in the film

[skelebab]

lol I feel like you’re the only other person on Tumblr who’s seen The Tiger Hunter, it feels good to meet someone else who also appreciates the film!

Sorry I took so long to answer!

I flippin love The Tiger Hunter :D

I wish there was a proper fandom for it because it feels like the kinda film where you'd learn so much from the fans and the ending is basically begging for fanfics

Also Sami is so slay and I want his wardrobe <333333

[airenyah]

now that i've turned thai drama into my bachelor thesis, the only question left is: how to turn thai drama into my master's thesis

[renthony]

On "Consuming Content"

Every now and then a post crosses my feed that follows the vein of, "you have to do things other than consume media or else you'll be a dumb person who doesn't know anything about how the real world works and does nothing but pointless fandom stuff."

I hate those posts for three major reasons, not counting the inherent ableism and classism of "you must have approved Smart People hobbies or else you're worthless" rhetoric:

You don't know what people do or talk about outside of what you see on their social media. Responding to fandom communities on a fandom-driven website as if all these people are one-note cardboard cutouts of people is asinine. In many cases this genre of post feels like repackaged 2012 tumblr "not like other girls" and hipster discourse. Yes, yes, you think you're better than everyone else on this website because your hobbies are less mainstream, more morally pure, and have greater intellectual merit, we get it.

What do you even mean by consuming content? As someone who purposely avoids using the phrase "consuming content" because I find the term too vague to be useful, please be more specific. Are you including every single form of media engagement and art enjoyment? Are you just talking about mainstream TV and film? What about novels? Plays and scripts? Nonfiction books and instruction manuals? Do you mean to imply that going to a book club is a worthless non-hobby? Are you including academic reading? Are you including going to the art museum? Going to the theatre, concerts, or other performances? Taped liveshows? Watching sports events on TV? Are you including news media? Are you including YouTube tutorials about how to do various tasks, crafts, or other hobbies? Are you including trade magazines? Are you including industry publications in various fields? What constitutes "content," and what constitutes "consuming" in this discourse? Define it. "Consuming content" is a nothing phrase that people use to mean multiple different things depending on what they, personally, judge as valid media. It's a buzzword at best, and when the same buzzword can be used to describe both "idly scrolling social media" and "reading and discussing a book," it's a meaningless phrase.

As an artist and author, if engaging with media is bad and worthless, am I supposed to conclude that making it is equally worthless? If "consuming content" is a bad, lazy, worthless, fake hobby, what makes creating art a worthwhile pursuit? If I am constantly being told as an artist that engaging with media isn't a worthwhile pursuit in its own right, and the people who want to engage with my art are just brainless fandom losers, what incentive do I have to make that art anymore? Furthermore, to everyone reading this paragraph and thinking, "that's not what content creation is," I refer you to bullet #2: If the phrase "make content" can be used to mean "low-effort posts made to advertise cheap and useless products" as well as "being a novelist" or "getting a gig as a writer on a TV show," it's a meaningless phrase.

None of that is even getting into issues such as the way influencers are preyed on by both brands and targeted harassment from trolls. Influencer culture has major issues, but boiling those issues down to "stupid vapid young people who are too lazy to make real art or get real jobs" (which is a mindset I see frequently online) is unhelpful. So many people pursue influencer deals because they're living in poverty but are skilled at various social media and advertising related tasks, and just like any worker, they're being exploited because they need to eat. Labor rights for influencers are a huge topic that entertainment industry unions have been actively discussing and working toward. (Related links for further info: [x] [x] [x] [x])

"Consuming content is not a hobby" is a worthless statement unless you define what you mean by both "consuming" and "content." Quite frankly, you also need to define "hobby," because if you're putting requirements on what is and isn't allowed to be a "real" hobby, you mostly just seem like you're moving goalposts and defining "worthwhile hobby" as "hobby I, personally, think is good." Use more specific language to articulate your actual problems with the entertainment industry, the art world, influencer culture, or whatever else you're actually upset by.

Media and fandom can involve any number of enriching, satisfying hobbies that take up a perfectly acceptable and healthy space in someone's life. If you aren't into it, go find hobbies you do like and stop policing how other people spend their precious free time in this nightmare hellscape of a world.

[gyuwoncheol]

Vantage Point | Meet the Characters & Series Masterlist

Status: Begins tomorrow (January 20)!

Pair: Mingyu × f.reader

Summary: Pulling off the "No Strings Attached" arrangement with his best-friend-turned-best-friend-with-benefits was easy, but when a new condition is added onto the mix, Mingyu didn't realise just how much he held onto you when you finally let go.

Genre: College au. BFFs to FWB trope. Fluff, Humor, Angst, Smut [chapters with smut will be indicated and will contain the necessary warnings]

Author’s Note: Please take time to read this before starting the series ☺️

Hello, my darlings! Finally getting round to posting this after missing the commited date last time due to covid. But welcome!!! 🥳 This is the first story to my Snap Shoot universe! Before you get into it, let me just point a few things. This is the first time I'm ever creating a universe with interwoven stories, and while I've done SMAUs before, this is the first one I've done for SVT and the first time I'm also this adventurous about it. It's definitely very different from what I post on here but I'm having lots of fun putting it together. I know it goes without saying, but I'll say it anyway, this is very much a work of fiction. This is an AU. While Korea may be the assumed setting for this series, it is not explicitly defined. I'm also trying to avoid using lots of Korean cultural references (maybe except for food) such as use of honorifics like "hyung". While many of my other works refrain from over-describing oc's physical features, you may find that in this series (and universe), oc's features will inevitably be defined. You'll find that the visuals of the characters and the aesthetic of the photos/social media posts will be Korean/ Asian. It's a SMAU, so i'll have to place photos and these photos must maintain consistent. I absolutely do not mean any ill intention of being non-inclusive (I don't even fit the same aesthetic as oc).

Again, it's a work of fiction, while I want you to relate to oc, kindly also allow me breathing space to build the character. If you feel uncomfortable at any point in the series, you are very much welcome to stop/unfollow. As mentioned, this is a SMAU, but it contains several chapters which are purely written narrations. All edits (texts, social media posts, etc.) were done by me, however some photos (esp those of Y/N) are from the web, if they are yours, please let me know so that I may credit you or remove the photo. The texts are all done on light mode. Deal with it. This follows a FWB trope, expect lots of smut and suggestive content— specific smut warnings will be available in chapters where they are present, along with other necessary warnings. This series will have lots of fluff and lots of crackhead nonsense humor. I hope you guys enjoy this as much as I enjoyed writing it.

Biggest shoutout to my dearest friend @wongyuseokie who has been nothing but supportive through all of this and through all my dramatic Mingy-induced meltdowns. I love you more than you’ll ever know ♥️

Meet the Characters

Mingyu: Sophomore, studying Film & Photography, yn/Camie's best friend since childhood

Yn: Sophomore, studying Film & Photography with Mingyu, Mingyu's best friend since childhood. Nicknamed "Camie" by her group of friends for her highly concerning camera collection/obsession.

Seokmin: Sophomore, studying Film & Photography, same friend group as mingyu and yn, Mingyu & Wonwoo's housemate

Soonyoung: technically a year older than the 3, but currently a Sophomore with Gyu, Cam and Seokmin after shifting into their major

Wonwoo: Junior, studying Film & Photography as well, Mingyu's guy best friend and housemate in The Man Cave, a brotherly figure to OC, Soonyoung's former classmate in highschool

The Man Cave: shared house near their university where Mingyu, Wonwoo and Seokmin live, and Soonyoung often crashes.

✨Other characters/members will come as the series progresses.

Series Masterlist

To be populated as each chapter is posted. There is no posting schedule. Chapters will just get uploaded as they come.

Teaser

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five 🔞

Chapter Six 🔞

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Tag List!

@strawberryya @idyllic-ghost @septemberskies @ladyblablabla

If you want to be tagged as each chapter comes out, do send me an ask or reply to this post so I could include you in the tag list 😊

[writertothemaximum]

Yuuji with a tall (pushing it at 198cm) scary transfer student from America who's kind of a punk but he's sweet sometimes (mainly only to yuuji) perchance?🧐(N/sfw)

ヤンキー・Yankee: Pt. I

Yuuji x tall delinquent male reader

content // Reader comes from a strict American family, canon-typical violence, reader is a juju tech transfer student, reader is a bit depressed, Reader is smitten™️, (yuuji is too), very wholesome, pre-relationship

note // read part two here! (nsfw)

-When your family moved to Tokyo for “business” related reasons, nothing could have prepared you for the culture shock. The language was one thing, but there were all these social customs that were just implied. No one said anything bluntly to your face, even if they did speak comprehensible English, which a lot of people did. Was it because you were an outsider? Was it because you were American?

-Maybe because of this, you found the life of delinquency easy. Maybe it was because you were 6’6” and no one was going to fuck with a dude twice their height, because nothing meant a quick trip to the hospital like getting into a fight with you.

-But people did. And you busted their faces in. It’s what they deserved. One time you broke your fist on someone’s nose. It was worth it. You got suspended and grounded by your parents, but so what? You never provoked people, they just came at you, and it was within your right to defend yourself. Isolation wasn’t caused by ostracization, it was caused by defense, and in your opinion, there was a lot to be defended.

-One day, your parents told you that you were getting transferred to a select school a little bit outside the city. A strange man (who was surprisingly close to your height) came by the house, offered to fist-fight you, and for the first time in your life, you got your ass whipped.

-It was a this point that you realized that the “imaginary friends” you had been seeing since childhood were called “curses,” and that maybe there was a place in the world for your violence. It had just been an outlet, maybe now you had a purpose.

-Very quickly, you realized that Jujutsu Tech also wasn’t home. A part of you wondered if anywhere in Japan could be. Before you were even given your own dorm room, you were sent with another student for a “trial run.” He didn’t talk to you much, and it took two hours into the thing before you even learned his name. It was like your parents had sent you to military school, and in a sense, they did.

-That was until you met Yuuji.

-Yuuji wasn’t like the other students. In many ways, he was like you. To no surprise, many of the students at Jujutsu Tech were also former delinquents, Megumi included—But Yuuji was different. He had blood on his hands, but there was no way you could tell. From the moment you met, he actively talked to you, tried to get to know you, treated you with respect, that’s just how he treated everyone, that was Itadori Yuuji.

-It’s not like no one had ever given you the kindness of humanity before, but Yuuji was different. Why wasn’t he afraid of you? Why wasn’t he intimidated? Maybe he was and he just never let it on, maybe it was because he’d beaten up kids just like you when he was in middle school, you didn’t really know. But it wasn’t just that. He was sweet he was funny he was kind. You were a friend, just like anyone else.

-Yuuji liked watching foreign films, and would invite you to go watch them in the city if any theaters had showings (and since it was Tokyo, they almost always did). After the movie, the two of you’d walk around and discuss what you liked, what you didn’t. One time, Yuuji asked about your home. He asked if you missed it, and a part of you did. A lot of you did. You didn’t talk to your friends anymore since everything had changed. Would they even believe you, anyways? Fighting monsters, living in what felt like another world?

-Yuuji understood you, he always did. That’s what’s so charming about him, is that he can feel what you’re feeling. At that time, he gave you a hug, and told you that he can’t send you home, but he can do his best to make Tokyo your new one. Maybe there’d be a piece of home here, maybe you could find a quiet spot, surrounded by the greenery of your youth, and the two of you could sit and chat while the memories flooded in.

-That was the first time you had cried since you moved abroad, and you vowed to make it your last. Somehow, Itadori Yuuji had weaved into your heart, and you weren’t about to give him up anytime soon.

If you liked this story, please give the post a reblog, or send me another request :)

Thanks for reading!

// read part two here! (nsfw)

[olderthannetfic]

Hey. Maybe not the place. But people treat your ask box like a forum so 🙏 I thought I was ace because porn does nothing for me and I only like erotica/doujinshi if I like the characters. But I recently discovered watching wrestling does something for me. Is this really weird? How do I know where I fit?

--

I will gleefully embrace the identity of basement-dwelling gremlin who prefers horny fiction to actually dating or having sex with other people.

But porn tastes aren't what defines sexual orientation.

Neither is willingness to get off the couch.

Are you attracted to people, anon? That's usually how people define the various identities on that spectrum: no attraction, very occasional attraction way below what's seen as commonplace, attraction only when you know someone well, etc. (Which, of course, brings up the question of what level is "normal" and whether someone's judging based on Hollywood nonsense or on what's actually typical.)

For me personally, mainstream porno movies have actors I find un-hot wearing clothing I find libido-killing in ugly environments with bad lighting and camerawork. The scenarios lack the psychological depth needed to interest me, and there's little sense of intimacy.

This has nothing to do with orientation and everything to do with film craft.

Doujinshi of characters I'm already familiar with have a lot more context for what's going on, and this can add a lot of zing to kinks or increase the apparent intimacy.

Wrestling has plotlines. It has deeply charismatic stars. It has different body types than a lot of porn. There's nothing odd about finding it hot but not liking the porno movies you've been exposed to.

Plenty of people prefer all of the horny film festival favorites of the 90s to actual porno movies. It seems like funding dried up for those kinds of movies for a decade or two, but they used to be common.

I preferred the kinkier ones. Crash, for example, was a staple of my teenage viewing. Not the cringey one that won too many awards: the pervert one with the eight billion scenes of people licking each other's scars like they were performing oral.

It really digs into the psychology of kink... in addition to being far more visually beautiful and starring far hotter people than most of the commercial porn I've seen. Same deal with The Pillow Book or ¡Átame! or Maurice or Bound.

I've been seeing articles lately talking about a return to 90s levels of sex in arty movies. People point to the likes of Call Me By Your Name and Saltburn.

Live action commercial porno movies do vary, obviously, but it's just so, so, so common to find them tacky or boring while liking other forms of porn, even other live action sex scenes.

Hell, even for poorly shot stuff, I've never seen even amateur porn capture the vibes of this one long-deleted youtube video of a guy giving a lecture on anal massage and treating his subject like a prop while lecturing to a big group of onlookers.

--

Sometimes, people just aren't very into casual sex, and horny art where they can fantasize about people who actually know each other is better than horny art about the pizza delivery guy. Sure, there are pornos that try to have more plot, but porn stars are generally good at being porn stars, not at subtle and naturalistic acting.

Wrestlers are hardly subtle, but they do do different acting from your average porno, and there's more continuing plotline. Unless you mean... like... college wrestling? (In which case, Kink.com has or had some series where people wrestle to decide who gets to top. Wrestling is hardly a niche interest.)

For kinksters, the context and psychology often matter a lot. Showing an object with a lot of cultural baggage, like shiny black leather, can be hot, but the viewer might need more, and your average porno isn't geared up to provide that.

--

Anyway, if you want to determine your own orientation, your interest in art isn't necessarily going to help that much.

If you're only rarely attracted to people, and you have to know them well first, you could be demisexual, but you could equally well be shy or nervous or depressed or repressed or too busy and stressed to spend much time noticing your own feelings—or just surrounded by people who aren't your type. Only your personal interpretation of your internal experience can determine which it is.

But no, being horny for wrestling is not weird.

[fuckyeahisawthat]

thank you so much for that excellent chani post. i've seen some annoying takes on twitter about how not making her totally devoted and subservient to paul makes her 'unlikeable' and i'm like. buddy. i think that speaks more to how you see women. than anything about her. this chani is very dynamic and interesting to me.

i'll be honest and say i've not read the books. this is me speaking from what i've seen of summaries, but i think giving her a real cause to fight for yet also genuinely loving paul gives her an interesting struggle, and also plays into how the portrayal of the fremen (seems to me to be) more diverse and nuanced. as in, the fremen themselves seem to have more of a push-and-pull to them. the clarification of how different fremen believe differently (the south being more fundamentalist) is a very important thing to include in a movie where you can run into the danger of saying that all adherents to a foreign, islam-adjacent (in coding) religion are all fundamentalists. that can (in less nuanced hands) be a pretty irresponsible thing. so showing that there's also more secular/pragmatic/less dogmatic sectors of the culture seems a pretty good counterweight.

so yeah. this is how i processed it as a movie-goer. and having chani represent that aspect (believing in people over prophecy, action over religion) and having stilgar as the humanized face of the southern peoples (showing that yknow, regardless of being fundamenist beliefs, theyre still PEOPLE with the capacity for love, friendship, honor) makes total logical sense. you're not just "telling" us that there's different aspects to fremen culture, you're SHOWING us by showing different characters who represent those aspects, without demonizing either or turning either into a one-note stereotype.

Thank you! I'm not someone who was a long-term fan of the books before the movie came out (I tried reading Dune as a teenager when I was reading a lot of classic sci-fi but found it too boring) but I did read Dune and Dune Messiah after the first movie came out, both because I wanted to know what happened next and because I wanted to have an opinion on how the movies worked as adaptations.

(book and movie spoilers below and also I basically ended up writing a whole essay in response to this)

My single biggest frustration with the book is that after they arrive at Sietch Tabr and Jessica drinks the Water of Life and becomes Reverend Mother...the book up and skips two years of the story and when we next see Paul he's already got Fremen followers who are ready to die for him and he's in an established relationship with Chani. Oh I was SO MAD when I got to this part. I was like FRANK. FRANK!!!! Did you seriously just skip two years of the most interesting part of your own story???

The thing is, even though I know that Frank Herbert's intention was to write a critique of the idea that oppressed people need an enlightened external (white) savior to liberate them...if you don't provide an alternate explanation for what's happening then you end up falling into some Orientalist tropes anyway. And because, in the book, we don't see the process of how your average background fedaykin comes to trust Paul as a military and political leader, there is nothing in the text to counter the idea that the Fremen are a bunch of unquestioning religious fanatics easily swayed to do violence by belief in a prophecy.

My second biggest frustration with the book is that we're given no reason at all why Chani would fall in love with Paul. While she has some memorable scenes, she doesn't have a lot to do as a character in the book, and she's missing from a whole chunk of the end...because she's in the south...because she and Paul have a baby, Leto II, who's then killed off-page when the sardaukar attack the south. (I'm honestly really glad they cut this from the film, because it never seemed to be given the narrative weight it deserved in the book.)

So you can imagine how happy I was when the Villeneuve movies figured out how to address both these frustrations by tying them together. The fedaykin don't just blindly accept Paul because of some prophecy. They come to trust him because he proves himself as a fighter, and because he starts out from a place of genuine solidarity and humility--which it is possible for him to do because he has no structural power over them at that point. And Chani falls in love with him for the same reason, in that heady environment of fighting side by side for a political cause, and maybe for the first time in a while starting to believe that you can win.

I think the Villeneuve movies improve a lot on what's in the book in terms of how the Fremen are portrayed...when we're with the fedaykin and/or Chani and Stilgar. There we see political debates and discussion and the fact that not all the Fremen think the same way. And we also see little humanizing moments of folks just hanging out, celebrating after a victory in battle and just shooting the shit and being friends.

I do wish the movie had extended this to more parts of Fremen society. If there's one thing I could have added, it would be seeing more of daily life in Sietch Tabr. It makes sense that when we're seeing things from Jessica's POV, she is more distant from and suspicious of the Fremen, seeing them as a force to be manipulated, but I wish we had even one or two scenes of people just being people in the sietch. It felt kind of weirdly empty and not particularly lived-in as a place, and I think they could've easily countered this, with scenes from Chani, Stilgar or Paul's POV, and that would have made it hit even harder when the sietch is attacked.

If there were two things I could have added, I wanted more exploration of the people of the south. Why are they more fundamentalist than the Fremen who live in the north? (We get one line about how "nothing can survive [in the south] without faith" but I wanted more than that.) While I think the movie did a fantastic job of humanizing and differentiating the Fremen we see around Paul, when we get to the south it does backslide a little into "undifferentiated mass of fanatics." Surely the people of the south also have some diversity of political views.

I think there are some interesting threads they could have pulled on in terms of how proximity to direct colonial violence shapes people's ideology. Sietch Tabr is one of the closest Fremen communities to Arrakeen, the seat of colonial control. They have probably had to mount some kind of armed resistance for generations just to keep from being wiped out. I can see that producing skepticism of the prophecy ("well I can't sit around waiting for a messiah but I do have this rocket launcher") as well as resentment at the idea of someone swooping in and taking credit for a struggle that you've put your life on the line for, and probably a lot of people you know have died for. There seem to be some generational differences, too, where young people of Chani's generation put less stock in the prophecy, while the true believers are mostly older. I can see faith in the prophecy coming out of despair--when you've been fighting for decades with no change, maybe you draw the conclusion that only an outside power coming to your aid will make a difference. While the people of the south are still under colonial rule, maybe being generally outside the reach of direct Harkonnen violence (the Harkonnens don't even know they're there) makes the concepts of both oppression and liberation feel more abstract and more receptive to being filled in with Bene Gesserit mysticism. It seems absurd to want more from a movie that's nearly three hours long already...but I wanted more of this.

Still, I do think they managed to improve on a lot of things that frustrated me or are simply dated about the book, while keeping the political thriller/war drama/epic tragedy elements that I think are the heart of the story, and in some cases drawing them out more clearly and effectively than the book did. The best kind of book-to-film adaptation imo is one that has a strong point of view in terms of what the story is About, on a large-scale thematic level, and is not afraid to change individual elements of canon in service of telling that story the most effective way possible in a cinematic medium. While there are always things I want more of, I feel like Denis Villeneuve really, really understood the assignment in terms of the overarching themes of the the story and he delivered so fucking well.

[pochiperpe90]

[Eng] Elle Italia - Daily Venezia: THE HISTORY IS US

Luca Marinelli is almost unrecognizable in the role of Mussolini in the series M. Son of the Century, directed by Joe Wright. Two greats together to tell one of the darkest and most criminal periods in History

Personal opinion: M. Son of the Century is one of the masterpieces of the 2024 Mostra. It's a shame it can't win, because it's a TV series, even if its director continues to call it a film. A seven-hour long film, which will be released in eight episodes on Sky and Now in the early months of 2025. It’s produced by Sky Studios and Lorenzo Mieli for The Apartment, a Fremantle group company, based on the novel by Antonio Scurati, written by Stefano Bises and Davide Serino. The director is Joe Wright, the protagonist is Luca Marinelli. It tells with historical accuracy the rise of Mussolini and our country's surrender to dictatorship.

Sensitive material, it reminds us that we invented fascism, and perhaps a foreign director, let's say, could have approached it with greater detachment, without our sense of guilt.  Wright looks at me almost with pity, in a good way: “But I share that sense of guilt, I reject national borders, there are no nations: the similarities between us human beings are more than the differences, I feel as responsible as you Italians…I was very careful to tell the truth without being didactic, I tried to understand without sympathizing, maintaining a critical distance... Mussolini was fascinating, he seduced a nation and many others. If I hadn't shown that charm then people might have thought that Italians were all idiots. That balance was my main concern... On a more personal level it's a series about toxic masculinity, which is like nothing else in us, we have it inside us. We have to understand our responsibilities and turn our backs on them, so as not to end up morally bankrupt".

Every day it took Marinelli two hours of makeup and hair to get into Mussolini's shoes. "It was something I brought home with me," the actor confesses, "in the same shape as on the set: the 22 kilos I had gained, my hair cut as you see it in the scenes.  The black lenses. were the things I could leave in the makeup van. Working with all the different departments was fascinating”.

It must not have been easy for him to shoot so convincingly in the fascist salute: “These are filthy and brutal things that the role required of me, but of course there is a big difference between what is considered right and what the role requires. I certainly did not take pleasure in carrying out certain actions or even in expressing myself in that way, but rather the opposite. What I had to face during the production of the project, as a convinced anti-fascist that I am, really cost me a lot. I did not come out of it intact”. But he was in the hands of an excellent director, a master in the cinematic transpositions of great books (Anna Karenina, Atonement, Pride and Prejudice).  How does he approach them? "The film," Wright continues, "is what happens in my head while I read the book. I'm dyslexic and so when I read I think I see beyond the words, I create the scenes and I edit, zooming in on small details that interest me. M. is a mash up between Scarface, Man with a Movie Camera and 90s rave culture." Tom Rowlands' techno music creates the right atmosphere: "I didn't want anything classic, kids have to see it too, they have to understand the roots of fascism." Luca Marinelli is monumental in the role of the "duce." "He's one of the greatest actors in the world, along with Gary Oldman. But, like Gary Oldman, he doesn't know it."

[mimicdive]

Proof of Concept?

Summary: Bi!Reader feels insecure in their sexuality and Spencer offers validation. Word Count: 933 Content Warnings: referenced/implied biphobia, no pronouns are used but reader is AFAB, mostly dialogue Author's Note: written for @imagining-in-the-margins's Pride Challenge! written as a combination of the bisexual prompts :)

-

As pride merch began to weave its way back into mass-consumer culture, large chains preparing for Pride Month, you couldn’t help the niggling of doubt in the back of your mind. Growing up, sexuality wasn’t an open topic of discussion in your family, and though you’d eventually been able to figure it out on your own with the help of the internet, social media, and several very attractive celebrities, it wasn’t uncommon for you to feel insecure in your sexuality. Bisexuality, despite its status as one of the most common sexualities in the queer community, was often overshadowed, both in your life and in the larger community.

Of course, it was easy to fall into stereotypes–bi with a preference for women, yet still dating a man. Not that you could complain about Spencer, he was everything you’d ever wanted and more. Yet, that doubting of your sexuality still bothered you from time to time. Were you really bisexual if you’d never been romantically involved with a woman? If the only kisses you’d ever shared with a woman were fleeting and meaningless? When the only romantic interests you’d pursued had been male?

It was difficult to articulate, even more difficult to say aloud. Many of your close friends were straight and were unable to offer more than comfort. And your boyfriend…well. You weren’t unhappy in your relationship with Spencer, far from it. Part of you was worried that a discussion about your sexuality would cause him to feel insecure in your relationship, and that was the last thing you wanted. Another more irrational part of you, built out of feelings of shame and doubt, feared that he would confirm your worries and invalidate your sexuality.

Logically, you knew Spencer wasn’t that kind of person. Armed with this knowledge, you brought it up after dinner one night as you were perched together on the couch, watching an old foreign film with a name you wouldn’t even attempt to pronounce.

“Do you think that it’s weird?” you blurted out.

Spencer furrowed his brow and paused the movie. “Do I think that what is weird?”

“That I say I’m bi even if I’ve never been in a relationship with a woman? Or even pursued one?”

Inhaling sharply, Spencer frowned. “Is this your way of telling me you want to pursue a relationship outside of ours?”

You shook your head vigorously. “No, no, not at all. It’s just…you know, Pride is rolling around soon, and it caused a thought spiral, seeing the merchandise resurfacing in stores. I mean, am I really valid in my identity if there seems to be nothing indicating that I am truly attracted to women?”

Spencer visibly relaxed when you clarified that this was nothing about your relationship. He moved closer to you, taking your hand in his and interlacing your fingers.

“Love, there’s nothing wrong with being queer in a straight-passing relationship. And not having previous involvement in romantic relationships with someone of the other gender doesn’t mean that you’re not bi. Sexuality isn’t defined in concrete terms. It’s fluid, and it’s a different experience for many people. Plus, you don’t need to prove it to anyone. You can be attracted to women and never have been in a relationship with one. How you feel is how you feel.” He paused and cleared his throat. “Plus, I’ve seen how you look at the women in your favorite shows.”

Your face heated, and you groaned. 

“And in public, for that matter,” he added with a chuckle. 

You buried your head in your hands. “I was just admiring their outfits…”

“It’s understandable for you to feel the way you do,” Spencer stated, voice taking on a more serious tone. “Society places a lot of pressure on labels and certain boxes you have to conform to if you identify with any label. We’re told how we can and can’t present ourselves. But really, all that matters is that you’re true to yourself. And at the end of the day, you don’t need to have a label if it’s causing undue stress.”

“It feels like I had everything figured out about my sexuality when I was younger. I knew I liked men, and I knew I liked women, and everyone and anyone in between. I didn’t care what other people thought. But now that I’m older, it just feels like I’ve adopted a label that doesn’t matter. All people see is that I’m dating a man, and they make assumptions based on that,” you sighed.

Spencer brought your hand to his mouth and kissed it. “Like I said, it’s about what’s true to you, not anyone else. You’re no less valid for being in a relationship with a man than a bisexual woman would be for being in a relationship with a woman. Bisexual erasure is unfortunately common, even in the LGBTQ+ community, with people preferring absolutes–you’re either ‘gay’ or ‘straight’ or it’s too complicated. You don’t have to ‘pick a side’.”

You felt tears welling up as the burden you’d learned to ignore seemed to dissolve, lifting an immense weight from your shoulders. It’d been eons since you’d allowed yourself to open up and discuss your anxieties about your sexuality in this manner, and to find yourself supported and seen by one of the most important people in your life was ultimately reassuring.

“I love you, you know that?” Spencer whispered. “Your sexuality isn’t going to change that.”

“I love you too.” You paused, squeezing his hand. “Thank you.” 

He kissed your forehead as you settled back in, starting the film from where you’d left off.

[nattikay]

actually no wait holdup, I stumbled across some "Na'vi redesigns" recently, and while I don't want to make a stink about it on the actual redesign posts themselves because I don't want to antagonize the artists, who are clearly skilled in their own right, I do have something to say on the topic. While there is of course nothing wrong with re-designing characters or species for fun, there seems to be this condescending attitude surrounding Na'vi redesigns in particular, especially ones that make them significantly more monstrous/non-human, about how they're "better" than the canon designs for being less humanoid but....

y'all. Though there is a lot of cool speculative biology in Avatar, Avatar at is heart is not meant to be a speculative biology documentary, it's meant to be a story.

y’know, it’s interesting, there’s a section in Anomaly Inc’s epic eight-hour Avatar defense in which he’s refuting The Critical Drinker’s Avatar video. Paraphrasing a bit because I don’t want to dig through eight hours for this one line, but there’s a point where Critical Drinker says “if the Na'vi looked like this, or this, or this [showing images of much more monstrous alien designs from other movies], Avatar would be a very different movie”, and Anomaly Inc responds, “no actually, if the Na'vi looked like xenomorphs nothing in the plot would change, it would just be a whole lot less pleasant to look at.”

And you know what? They’re both right. Anomaly Inc is correct that giving the Na'vi a more monstrous design would not affect the plot itself, but Critical Drinker is also right (though perhaps not in the way he intended) that it would make Avatar a different movie. A WORSE MOVIE.

Yeah, I said it. Because plot is an important element to a movie, yes, but it’s not the only important element. Film is a visual medium, and therefore design is very important too, and it’s not arbitrary: the design of your characters should be used to support the story you’re trying to tell.

The story of Avatar requires the audience to empathize with the Na'vi. We’re supposed to be able to relate to them, to see ourselves in them. We’re meant not to see them as just “aliens”, but as people, because recognizing them as people emphasizes the wrongness of the RDA’s treatment of them. Blowing up the village of a clearly humanoid species is going to hit the audience much harder than blowing up the nest of scary-looking aliens, even if we know the aliens are smart and have their own culture etc. (not to say that blowing up the “nest” wouldn’t still be bad, of course it would be, it just wouldn’t invoke quite the same gut reaction in the viewers and yes that matters in a story).

A more monstrous design would not only not support the Na'vi’s narrative role, it would actively hinder it. Like it or not, general audiences would have a much more difficult time connecting with the Na'vi if they were depicted as hunched-over four-eyed hexapods with gaping jaws and the inability to make human facial expressions. Making them more humanoid makes them much easier to read and therefore to emotionally connect to. And no, Mr. Drinker, making your protagonists appealing to look at is not “lazy dirty manipulation”, it’s character design 101.

And don’t get me wrong, there’s certainly a place for more monstrous-looking sapient alien species in fiction! And if that’s your cup of tea by all means go nuts! Make that alien species! Flesh out their culture! That sounds awesome! I know I’ve definitely seen some cool and interesting ones out there!

….but I just don’t think that Avatar is that place. And that’s ok. There’s a place for “monstrous” aliens (sapient or otherwise), but there’s a place for humanoid aliens too, Avatar is the latter and there’s nothing wrong with that.

…all that to say, my stance on Na'vi redesigns is heavily dependent on the attitude behind them:

“Here’s a Na'vi redesign because I thought it would be a fun challenge and look cool!” Awesome, go for it, have fun! :D

“Here’s a Na'vi redesign because the canon designs are dumb and lazy and mine is way Better and More Original because it looks more like a movie monster, the filmmakers were so stupid for not making them look more like this, I’m just Fixing It” shut up

[nothoughts-onlywomen]

Pink Floyd’s The Wall

This BTS photo has really piqued my interest. Not just because it’s clearly a hint at something for season 5, but also because it happens to be one of my favorite albums ever. So, I thought I’d do a deep dive into how it might factor into the next season.

Full disclaimer: All these ideas I’m about to verbal vomit will make more sense if you watch the film here and/or listen to the album here. I truly recommend you seek it out. Far and away, it’s one of my favorite films/albums, and it’s stood the test of time. In fact, there are certain sequences that may be a little triggering in our current US political climate (I’m thinking of the “In The Flesh/Run Like Hell/Waiting for the Worms” sequence).

War. The Wall is about war; namely, the bitter uselessness of it. The film has a lot of anti-war imagery. Young soldiers wounded and vulnerable, doves exploding into crows, a bloody cross, etc. The film ends with a culturally diverse group of children picking up rubble from the war. There’s a beautiful image where a child pours out a Molotov cocktail. The meaning there is that children are taught to hate and kill, and once they are, the joy of youth is smothered by it. Now I can think of a few scenarios where this is relevant to our crew. This could have something to do with the war against Vecna, in that our kiddos are so young to be fighting this war, and that it will inevitably chip away parts of them. For some, it may take limbs, or even lives. There may also be an assertion that Henry Creel was taught to hate, rather than it being an inevitable part of him. El suggested this at the end of season 4, when she asserts to Vecna that Papa made him a monster. The nuance within the anti-war message of The Wall is that the main character, Pink, lost his father in World War II. Henry Creel’s father went to war (the exact same war, in fact) which is an interesting similarity, but I think greater parallels should be drawn between Pink and Henry Creel in terms of how their relationship with their father (or lack thereof) led to their emotional erosion. And when I’m referring to Henry’s father, I’m not necessarily talking about Victor, though their relationship may have been complex. I’m referring to Dr. Brenner as well. Now the major difference between Pink and Henry - at least, so far - is that Pink is shown to have a soft, gentle side to him. This gets smothered as his emotional wall grows taller. I don’t know if Vecna ever had anything of the sort, but we know that Will is nothing if not gentle. And if they’re going to draw parallels between Will and Henry next season, I have to think there’s some meaning in there somewhere.

Conformity. It should be noted that the film takes place during World War II, so the conformity themes were especially prevalent in those days - the days of Hitler and the Nazi regime. Pink attends a school where the children all wear masks and stand on an assembly line, eventually to be thrown into a meat grinder. All very heavy-handed symbolism, I know. But the idea is that society attempts to suppress individuality and corner the youth into becoming part of the mindless whole. Blessedly, toward the end of the school sequence, the kids all rip off their masks and rebel. Now, in reference to our friends in Hawkins, this could be a nod to how the group has never been afraid to be the “freaks,” and that conformity is meaningless to them. Stranger Things has always reveled in the beauty of being yourself in the face of societal labels. The Wall also utilizes hammers in much of its imagery, which is supposed to symbolize the hammer pounding a nail into submission. With the individual being the nail, and the oppressive whole being the hammer. To me, this hearkens back to the “hive mind” idea. The Mind Flayer operates from this hive mind, and so any deviation from this would be quickly and mightily suppressed. I also addressed the idea of the “hive mind” in my theory about the Wrinkle in Time Easter egg, and how the planet Camazotz adopts this same concept (read here if you feel so inclined). Will Vecna be this deviation? If not, who will? One of the kids? Will Dart break away from an army of demogorgons to save Dustin? I can’t see the Mind Flayer being thrilled about it regardless of how it manifests.

Emotional isolation. Pink undergoes a descent into emotional isolation. The wall itself is symbolic of the emotional wall he builds around his heart, insofar each negative event in his life is “another brick in the wall.” Once his emotional isolation is complete, he becomes callous and disconnected with others. He fantasizes about committing atrocities, even becoming a Hitler-like figure in his imaginings. Such emotional isolation is likely present within Vecna as well, as only someone with a real disconnection from their emotions could kill people in the ways that Vecna has. That scary face on the poster, in fact, is emotion, trying to break free of the wall. A scream of agony from within. Perhaps the Duffers will explore this within Vecna. Perhaps Vecna has some small shred of humanity left that the group will try to capitalize upon. At the climax of The Wall, Pink puts himself on trial in his mind with a judge that is a literal asshole (yes, it’s as batshit as it sounds), and the wall is torn down within him. The album ends with a spoken message that loops into the beginning track, suggesting that the conundrum of emotional wall-building will never end. Perhaps the group will attempt to tear down Vecna’s emotional walls. The Duffers are good enough writers to make us feel at least some empathy for Vecna, if we hadn’t already, and this might just be a continuation of this. There is also the possibility that one of our other kiddos starts to emotionally isolate. It could be any of them: Mike, Will, Lucas, Dustin, El, or Max. I’m less inclined to believe it would be one of the older kids, though they’ve all certainly got their own demons. None of them will become as twisted as Vecna, of course, but I could see them struggling against their own emotional walls. We’ve seen Max do a bit of this already. It would be a real shot to the heart if the Duffers utilized a deeply sad track like “Nobody’s Home” or a wistful, melancholic tune like “Comfortably Numb” to describe Max’s consciousness literally being absent from her at the moment. I think Will is also an ideal candidate for this concept, especially if (as I suggested earlier), we are going to draw similarities between him and Henry Creel. The ending song on the album, “Outside the Wall,” postulates that those who truly love you will walk up and down outside your emotional wall, banging on it, trying to tear it down and thus forge deeper connection. We’ve seen this happen with Max a bit, and I could certainly see it happening with Will, too.

Mental illness. Pink is suggested to have a mental illness. He’s not particularly easy to slap a diagnosis on (though based on the information we do have, I might have put him in the schizoid/schizotypal/schizoaffective territory. Depression with psychotic features at the very least). Mental illness isn’t a topic that heavily explored in Stranger Things, though season 4 definitely had some poignant things to say about depression. But I’m wondering - if they do decide to touch on this somewhat - if this will hint at a deeper dive into Vecna’s psyche. Killing small animals is generally a precursor to actual murder, and this was certainly the case when it came to Henry Creel, but we have yet to really unpack all of this. We’ve gotten hints. Vecna noting that he “never forgets a kill” and “they are always with me” is a very interesting concept I will be curious to learn more about.

I would love to hear any additional thoughts on this.

[feralgodmothers]

I think I cracked it you guys. A part of why Elvis (2022) has such a hold on me (and why you should watch it too if you haven’t already).

The first time I watched it, I didn’t really have any expectations - I wasn’t a fan of Elvis, because my mother hated him, and I grew up without any real exposure to him or his music. I also wasn’t a fan of Baz Luhrmann, because I found his directing style to be too over-the-top, chaotic, and truthfully - obnoxious. So neither of those two big names attached to it were a draw-in for me. And on top of that, I didn’t know Tom Hanks was in it, and I didn’t know who Austin Butler was - not to mention there’s been an abundance of music biopics lately. The only thing that captured my attention was how accurately the trailer portrayed the fangirl spirit. I was like ‘Yeah, that’s exactly what it’s like. I can relate to that’, lol. So with that being the only thing that held my interest, I put it on and just shrugged and thought ‘Who knows, this might be fun’.

I was completely blown away.

I had seen a few clips of Elvis prior to this at some point in my life, so I had just enough reference in my memory to go on while I watched Austin do his thing, and he nailed it. It took no time at all for you to feel like you were actually watching Elvis Presley, not just some guy playing him. Austin Butler was flawless - he’s received a tremendous amount of praise for his performance, and quite frankly - I don’t think there could ever be enough praise for what he was able to accomplish here. It is one of the best performances of all time, and that is no exaggeration. It was so exciting - the amount of movie magic (that’s been sorely lacking from films lately) was on full display here, and it gave me new life. I felt a real connection to a completely different era in our history, a connection to a whole other generation of people/fans, and to a music legend that I knew almost nothing about, and who pop culture had twisted into some mythical caricature of himself. This film accomplishes so much, and I was caught up in a whirlwind of something truly eye-opening and magical. The main takeaway I had from my first time viewing was pure excitement and adrenaline, from just being transported somewhere else entirely, both emotionally and spiritually, and from unlearning some misconceptions I had about Elvis Presley. And, as a bonus, I now had a new celebrity crush in Austin Butler (and we all know - stumbling across someone new to thirst over will always be a profound part of the fangirl experience, lol).

The second time I watched it, I was going in still riding that high that I felt - and I was ready to immerse myself into full, thirsty fangirl mode. And obviously I did thirst - but by the end of the film, I was so incredibly emotional. I cried so much, and felt so sad. Of course, I felt sad by the end the first time I watched it too - Elvis died tragically early, and the way the movie highlighted his final performance was so effectively heartbreaking and moving. But I think the more positive feelings I had experienced before had prevented me from sinking too low into my feelings. But by that second viewing, man… the dam just broke, and I was legitimately mourning this man. I’m not kidding when I say this is probably the best biopic I’ve ever seen, and possibly one of the best movies period that I’ve ever seen. I cannot express strongly enough how much it truly resonates with me.

Anyway, my whole point in saying that I cracked it, I say as a fangirl through-and-through - I think the two biggest impacts that can ignite a fangirl’s spirit into a full, dazzling and glorious blaze is: thirst and heartbreak. And this movie provided both of those things in spades. It’s so beautiful to watch - Austin’s beautiful, the storytelling is beautiful, the cinematography is beautiful, the care, dedication, and craft is beautiful. To me, it is absolutely perfect, and it has completely taken over my mind, heart, and soul. I cannot recommend this film highly enough. It is everything to me right now, and the more people who are willing to give it a chance and enjoy it, the better.

[captainclickycat]

So while we're on the subject, here are some other thoughts.

I found Neil Gaiman's online presence - and the more overzealous members of his fanbase - annoying. And please stay with me here, I promise this isn't me trying to be smug or claim I "knew all along" or anything. There's a huge gulf between finding someone a bit annoying and thinking that their behaviour online is less than stellar occasionally and suspecting them of being a sexual predator. I don't think there could have been any way of me "knowing all along" without reading everything in the worst possible faith, which I'm not willing to do and which I maintain is not a good or helpful approach in general. And to people who genuinely looked up to him and felt completely blindsided by the news, I'm really sorry. It wasn't your fault and I hope you can do something kind for yourself today.

Anyway, back to the subject at hand. I didn't like the way he handled criticism of his work, a lot of the time. I don't think creators are obligated to personally listen to and address every negative opinion of their work, or explain every individual aspect of it that someone disliked. But I felt like a lot of his responses to feedback tended to lean into and encourage praise, while being a little disingenuous and sometimes belittling towards criticism. (And really, why feel the need to respond to everything when you could just ignore it?)

I didn't like the way he always felt the need to weigh in on fandom debates or throw out "word of god" explanations for this or that thing, including when nobody even asked. (Want to know who inspired the "I don't care what the author said" comment in my bio? Take a guess.) Especially when some of them felt engineered to paint him and his work in the best possible light.

Again, I'm not drawing attention to all this in an attempt to claim any one thing was a blatant red flag or must have been down to some sinister motivation. That's not the point I'm trying to make.

But it is one of the reasons that I was always deeply uncomfortable by the culture of hero-worship and "touch not god's anointed" that always seemed to exist around him. Like regardless of whether or not you thought this or that criticism against him was warranted, the way people would treat him like some kind of messiah who deserved nothing but praise and lose their absolute shit whenever anyone said anything remotely negative about him was absurd. Nobody deserves that, regardless of what they've done.

But at the same time... you know, I liked his work. Not just "I liked the stuff he co-wrote with someone else" or "I liked the films and TV shows he worked on with a whole bunch of other people." I liked the books he wrote by himself. They had some parts worth criticising, sure, what doesn't. But overall I thought they were well-written and funny and thought-provoking and I enjoyed myself when I was reading them. Neverwhere is the first book I had a crack at re-reading in a different language, which should tell you how much I liked it. And I didn't even dislike everything he posted on the internet. I thought some comments were pretty funny and/or insightful. I even reblogged the odd post.

And I wasn't all that vocal about any negative feelings I had towards him, because... well, frankly because a lot of the negative feelings I'd seen expressed by other people about him tended to look like "he's the devil incarnate, his work sucks, he's the worst person alive and he secretly hates every marginalised group and people should feel ashamed for sincerely liking his stuff."

And I didn't agree with that either! I didn't want to be roped in with those people. I didn't feel comfortable around them, any more than I felt comfortable around the Neil Gaiman Defense Squad, Working Tirelessly Day And Night To Aggressively Stamp Out Any Criticism Of Our Lord And Saviour.

And honestly I'm not entirely sure what kind of broader point I'm trying to articulate here, or whether I'm just working through stuff in my head. But I will say that this kind of polarising, zero-sum-game approach to criticism is... bad. It's just bad. It makes it so people are reluctant to put forward any kind of nuanced stance, for fear that they'll end up getting pigeonholed into one oversimplified category or another, or it ends up pushing people towards one extreme stance or another out of sheer frustration or contrariness. And it makes it incredibly difficult to have any kind of actually productive debate when it comes to criticising media, or criticising creators. Inevitably people's hackles are going to be up whichever side they lean towards more, and a lot of people with valuable input will inevitably end up going "yeah, I can see how that's a good point, but also the last person who brought this topic up with me deemed it appropriate to send me a barrage of messages telling me to kill myself about it, so forgive me if I'm not interested in engaging any further."

Obviously a culture of hero worship inevitably makes it a lot easier for predators to operate, and I have no doubt that being inundated with messages about how wonderful you are and how everyone who's criticising you is in the wrong must make it a lot easier to rationalise your actions. But I feel like this tendency to paint everything in terms of "are they a pure uwu blameless smol bean angel OR the devil incarnate" is incredibly unhelpful regardless of what side you come down on. The "devil incarnate" crowd can be part of the problem too.

[princeloww]

The Real St. Judes: Gartloch Hospital - History (abridged)

The Scottish Lunacy Act of 1857 saw the creation of the Glasgow District Lunacy Board. The act, through these boards, aimed to establish and operate "district asylums", which would house patients unable to pay for the already existing "Royal Asylums".

In 1889, the Gartloch Estate was purchased by the City of Glasgow for approximately £8600 (~1 million today). The Glasgow District Lunacy Board were to turn it into an asylum for the mentally ill, and Gartloch Hospital would open in 1896.

In the early 1900s, a tuberculosis sanitorium was opened.

During World War II, Gartloch was temporarily transformed into an Emergency Medical Services Hospital; the psychiatric patients were transferred and housed in other hospitals. After the war, the tuberculosis sanitorium was shut.

Gartloch would fall into the hands of a different board (Board of Management for Glasgow North-Eastern Mental Hospitals), after joining the NHS in 1948.

Although there were 830 beds in 1904, by 1990 there were apparently only 530 - this being just under the amount available when it first opened.

In its last few years, Gartloch would fall under the Greater Glasgow Community and Mental Health Services NHS Trust. In 1996, the hospital officially closed, and was essentially abandoned, until 2003, when plans to turn Gartloch into a village began.

Now, there is a village, "Gartloch Village", surrounding the hospital. The main body, the iconic front we see in Donna Franceschild's TOTA, standing derelict and with boarded windows.

Oh, it's also apparently haunted, according to two nurses.

What was the hospital like?

I've nabbed these (like most of the other information - although I cross-referenced the rest (such as the years) from wikipedia and some other archives) from this article on hiddenglasgow.com.

I was born and lived at 2280 Gartloch Rd (East Cottages) of Gartloch Hospital. My Father, Bill Milne was the Bacteriologist at Gartloch Hospital Laboratory. My Mother was Helen and was the hospital hairdresser. My memories of Gartloch are the most wonderful memories ever. We had the most perfect childhood. The children of employees were involved in lots of differant ways. I remember especially the farm. Our house looked onto the busy fields and the Bishop Loch. We spent many happy summers pickinf tatties with the patients. And in the long cold winters, skating on the Bishop Loch. Christmad parties in the hospital involved all the staff, their children and patients. We got to know many of the patients who had been there most of their lives. Some had been admitted the the unit because of ''having a child out of wedlock'' I have so many stories to tell this page is not big enough! I would love to hear from anyone who remembers Gartloch or who lived/worked there.

Pattie Milne [04/02/2004]

I was talking with my gran t'other night about Gartloch (her maw died in there!) and she remembers these two women that used to walk about when she went visiting. One of them was about 4 foot nothing and the other about 6 foot. They walked up and down the hall, not saying a word to each other, but every now and then the taller one would repeatedly slap the little one on the head (that story seemed funnier when my gran told it!).

Crusty [30/01/2004]

There are a few more interesting stories on the linked article, so if you're interested, I recommend you check them out.

Finally: Takin' Over the Asylum (and other pop culture)

Takin' Over the Asylum aired on the 27th of September, 1994. The six-part drama was filmed in a disused wing of Gartloch, while the hospital was still open and functional. The hospital would close only 2 years after the airing of the show.

Gartloch's iconic, gothic towers would play a key role in the show, and be instantly recognisable to any viewer of TOTA.

Although it shut down in 1996, TOTA would not be the only media produced about the hospital. Wikipedia states that a film was produced in 2005, named (appropriately) "Gartloch Hospital", that covered the history of the hospital. This film went on to win an award in 2007, at the Scottish Mental Health Art and Film Festival, for "Best Factual Film".

Although hidden away, Gartloch hospital has an undeniably interesting history. Personal accounts from the hospital seem to paint it as a fun place, where patients and staff seemed to get along. Knowing the horrors of early mental health treatment, and the abuse many would suffer in these sort of places, we can only hope that these accounts are true and create an accurate image of life surrounding the hospital.

And I wrote all this because I really like David Tennant. Good night

Note the decorative peaks on the towers - they are absent from the rest of the photos. They were reportedly removed in the late 1930's.

SOURCES

Very interesting archive that goes into the history of Gartloch: (link) (source of above images)

Timeline and personal memories: (link)

Overview: Wikipedia (gartloch, Takin' Over the Asylum)

[wifelinkmtg]

There's "spaghetti western" and then there's whatever the hell this Chef Boyardee shit is

Hello! and welcome back to Wifelink. We're talking about Outlaws of Thunder Junction today, Magic's second product in a row set in a version of Nevada, and let me tell you something: I am not impressed. The mechanics are uninspired, the setting is undercooked, the story is overstuffed, and to top it all off the whole thing smacks of settler-colonialism. AND they yassified Vraska, the monsters!

WE WILL GET TO THE HOT WOMEN, BELIEVE YOU ME, BUT FIRST I AM GOING TO COMPLAIN SOMEWHAT, AS IS MY RIGHT AS AN AMERICAN, AS A HUMAN BEING, AND AS A GAMER

The mechanics we've discussed elsewhere, and I will skim over the main storyline except to say that very few of this Big Villain Heist Team-Up gets enough spotlight to justify their inclusion here beyond getting recognizable names on cards, and that Rakdos' presence on the plane alone ought to be an apocalyptic calamity. I appreciate Jace & Vraska going full blackpilled accelerationist, stealing a baby, and aiming to destroy the multiverse & start over (a novel hybrid of Raising Arizona and Doctor Strangelove,) but I also know, sure as the sun rises, that whatever happens with their villain arc will be a underwhelming let-down.

What I actually want to complain about, though, is the setting. Thunder Junction ain't real, and I don't mean it's fictional, I mean it's plywood facades on a backlot. It's the set for a cowboy film. You feel me? This ain't a plane, it's a god damned sound stage.

Lemme go over the facts: we know Thunder Junction has been settled for a bit over a year. A year! - and yet there's multiple towns, multiple railways, and an honest-to-god metropolis. Less than two years and we already have ghost towns! This is not the product of a bunch of people on various planes all individually deciding to seek a new life in the off-world colonies. All of this represents a staggering quantity of people, material, wealth, and labor, being moved between planes, directed and organized - but by whom? For what reason? How, even? The story is totally uninterested in these questions.

One of the few silver linings to the way the Phyrexian invasion storyline ended was that the Omenpaths had a lot of interesting potential! Different planes would come into direct contact with each other for the first time ever! Different technologies, different philosophies and religions, different kinds of magic colliding, coming into conflict, adapting and adjusting to each other. And after a couple of sets where the interplanar contact was limited to one or two particularly adventurous individuals, we finally get to see what interplanar contact at scale looks like here in Thunder Junction... and it just looks like a John Wayne flick. Did people not bring their culture with them? Is there a big rack of hats and boots and dusters right where people step off the Omenpath? Shuck off those old Ravnican rags, kid, get changed. You'll spoil the aesthetic. I mean, it's baffling.

Luxurious Locomotive (art by Leon Tukker). This is one of the few man-made parts of this plane that I can look at and know where it came from: this is a Kaladeshi design. More of this sort of thing would have made Thunder Junction feel more like a real place and less like a Sergio Leone joint.

There's a side story, No Tells, by Isaac Fellman, which I quite like actually: it's about guilt and betrayal and the inevitable regrets of having moved into a queer housing co-op, and one of the things that makes it great is that we know where Yuma came from (New Capenna), we know why he left (the limitations of "be gay do crimes" as praxis under capitalism), and we know what he brought to Thunder Junction with him (cocktails, pool tables, and his co-op's emergency funds). Fellman has written nothing else for Wizards and doesn't play Magic, and even so he's done more to make Thunder Junction feel like a real place situated in a real history than the rest of the story team combined - which goes to show, one, that we should only let trans people write magic story for the next decade or so, and two, that what I'm asking for in terms of worldbuilding is not unattainable, or even that difficult.

And all of this ties into the colonialism, right? Thunder Junction is being colonized, and asking questions about who benefits, who's sponsoring this breakneck settlement of the plane, what they're after and so forth would require the story to take a good hard look at the process of colonization itself, and Wizards is flatly unwilling to engage with anything that thorny in their products. So, just as Ixalan involved a limp-wristed slant reenactment of the Spanish conquest of the Americas - but it's fine because they're the bad guys and they're technically not even trying to colonize Ixalan and they don't win anyway so no one gets hurt! - Thunder Junction is attempting to present a Disneyland version of Western colonialism. Untamed wilderness! Bringing civilization to uninhabited deserts! How cool and heroic these hard frontiersmen and -women are! I'm told they brought in Navajo cultural consultants for the Atiin, a fantasy equivalent, and I hope those folks were well compensated! The Atiin seem cool, and the one Atiin character we spend any time with is well-written, but the Atiin are not indigenous to Thunder Junction. They're not being colonized. And if there weren't anybody being colonized, I'd probably still dislike the colonial vision of a wild land inhabited only by animals, just waiting for us to shape it to our will with railways and violence, but there is in fact a native race of sapients on Thunder Junction, and these cactus folk get no voice in the story, so if they have some kind of opinion on the rapid colonization of their home and the clear-cutting of their cactus forests, we don't get to hear about it.

Prickly Pair (art by Brian Valeza) Too much of the extremely-limited presence Thunder Junction's only indigenous sapients have on the cards is devoted to cactus-based puns like this one, which is pretty distasteful given, you know, the colonialism.

I'm talking about colonialism not because I think that replicating colonial myths in fantasy fiction is an unethical thing to do - although it is - but because you can see, right, that Thunder Junction's lack of verisimilitude is intertwined with the colonial vision of the world at play here, yeah? The story wants to have cool cowboy shootouts and train robberies and it does not want its cowboy fantasy to be complicated by uncomfortable realities, so it has to avoid all of the basic worldbuilding questions that would tell us who the colonization benefits and how they're profiting off the plane, and in the end we're left with nothing but an empty aesthetic, like a duster hanging off a scarecrow, blowing in the wind.

ANYWAY SO WOMEN

To be honest, under the circumstances I'm not really feeling like giving the fine women of Thunder Junction my usual more elaborate treatment, so we're going to lightning-round this shit, which is at least thematic.

Blood Hustler (art by Anna Pavleeva)

Vampire MILF.

Rattleback Apothecary (art by Loïc Canavaggia)

Snake MILF.

Wrangler of the Damned (art by Michal Ivan)

Cis lesbian haircut, good with a rope.

Obeka, Splitter of Seconds (art by Ryan Pancoast)

BIG

[sweetprfct]

Clandestine Meetings

Joseph Quinn x Fem!Reader

Summary: How big is your empathy for someone you love? When do you know when enough is enough?

Author's Note: This hurts soo... good luck! Inspired by Illicit Affairs and You're Losing Me by Taylor.

Wordcount: 3.2K

The rain poured heavily down the city of San Francisco as you fluttered your eyes open and watched every raindrop slide down the glass window in front of you. The city lights burned brightly outside with the sound of the rain pitter pattering.

One year. 

One year since you have been doing this. You knew damn well that this was illicit. You both have talked about this. You knew damn well that this was something that everyone would disagree on because you were nothing but just a normal girl from San Francisco. You weren’t known for anything else. You weren’t special, but he chose you. He chose to be with you. 

You two had met one year ago at a bar when you had gotten yourself a bit too drunk after a long day at work, and he had come and talked to you. At that time, he was also in town to film a movie. For some reason, you had caught his attention. Ever since then, you two had been seeing each other. You would facetime each other when he was back in London. He would secretly visit you in San Francisco whenever he had time. It worked. It worked really well. Though, no one else knew about it. Not even your friends nor anyone close to you. It was just the two of you. You both agreed to keep this a secret because he didn’t want everyone else dipping their opinions on the relationship nor wanted his team to ask several questions because then, they’d start having ideas of how this could be publicized, and he didn’t want that. 

You understood his decision. You supported his decision because you thought no matter what, you were important to him. That he cared for you and the reason why it was kept a secret was because he didn’t want to hurt you nor disturb your life in so many awful ways by the public. So, you agreed. But how far would you go? How do you know if enough is enough?

“Hey.” He whispered softly, planting a soft kiss on your bare shoulder. He wrapped an arm around your torso, pulling you close to him as he buried his face on the back of your neck, smelling your flowery scent.

“Joe.” You murmured. “I have to go.”

He hummed softly, his arm tightening around you. “Hm… no. Please stay.”

You couldn’t help but smile and slowly turned yourself around to face him. Your index finger poking the tip of his nose softly.

“You know I have to. We don’t want to get caught by Alex tomorrow morning, remember?” 

Alex was Joe’s manager, and he was coming to stop by Joe’s hotel room tomorrow morning to drop off some paperwork for him and talk about his next schedule after the movie. Usually, you would sneak out of the hotel room early in the morning but not this time. You didn’t want Alex to catch you just in case he’s coming in early. 

“Few more minutes.” Joe whispered, pulling you close to him as you buried your face on his neck.

You could never get tired of his minty fresh scent, and you had spent so much time with him that sometimes, your clothes were starting to smell like him or his scent would still linger on you when you arrived home. 

“You know you’d miss me when I go back to London.” Joe said, his fingers gently brushing your hair, and it made you feel safe and warm in his arms.

“You don’t have to go, you know.” You replied. 

You had told him that about a thousand times, but Joe loved his hometown, and he couldn’t just leave London just like that. You tried understanding that too because you knew it was hard for him to change his whole life and move to a different country with unfamiliar cultures that he wasn’t so used to. 

Joe didn’t say anything as he set his index finger on your chin, lifting your face up, looking into your eyes before giving you a small smile. His lips touched yours softly as you kissed him back. You didn’t know what it was when it came to him, but you tend to get lost in his touch and every kiss that he gave to you made you want to just melt yourself in his arms completely. 

“It’s raining, darling.” Joe made an excuse when you pulled away and swung your legs over the bed, letting your feet touch the cold wooden floors.

“You’re mental if you think I’m going to let you go out there in the rain.”

“Joe, I’m fine. I’m used to this weather.” You stated, slipping on your clothes. 

“I know.” Joe followed right behind you, slipping on his boxers before sliding his arms around your waist, hugging you from behind and planting repeated soft kisses on your cheek. 

“Joe!” You laughed as he continued to give you kisses all over your cheek and down your jawline and into your neck. “You always make it so hard for me to leave!”

“That’s the point, innit?” He laughed, letting go of you as you turned to face him, setting your arms around his neck.

“I’ll come back tomorrow night, I promise.” You grinned, leaning in to give him a chaste kiss.

“Alright, alright.” Joe sighed. “I’ll let you go if… you give me one more kiss.”

You laughed, poking both of his cheeks with your index fingers before sliding your fingers through his curly brown hair. You stared into his eyes for a moment before leaning in to kiss him deeply. Joe smiled through the kiss as he picked you up from the floor and twirled you around the air, letting out a squeal from you. 

Hood up and face down was what you told yourself as soon as you walked out of the hotel building later that night. Umbrella up as soon as you walked out under the rain and down the hilly streets of San Francisco. Your apartment building wasn’t too far to walk to, so you decided not to take the bus. As soon as you entered your apartment building, you shook off the rain droplets from your umbrella and coat and headed up to your place. 

“Shit.” You cursed under your breath as soon as you heard your phone rang and saw your co-worker’s caller ID. You hesitated for a moment before answering the phone call.

“Hey!” You answered with a cheerful voice.

“Where are you? I thought you’re coming.”

You gently slapped your forehead with your palm and scrunched up your face, trying to figure out an excuse as to why you have missed hanging out with them for the fourth time already.

“Yeah, I’m so sorry. Something came up and my sister needed help moving some stuff in her place. You know how she just moved in.” 

You were the worst liar ever because you have made the sister excuse for the third time already.

“Well, we really missed you. We haven’t seen you in a while, especially when you started working from home.” Your co-worker replied.

“I know. I’m so sorry, I’ll make it up to you all next time.” 

And just like that, they believed that excuse again, but you doubt they actually believed it because you had told them the same excuse over and over again. 

You know you wouldn’t. 

Entering your place, you freshened up and immediately slipped yourself under the comforts of your own bed. The thought of Joe had appeared in your mind as you stared into the ceiling. You knew that your situation was hard, but you had fallen hard for him. He had made you the happiest in a long time, and you would do anything just to be with him. If that meant by enduring the hidden clandestine meetings in his hotel room or his little midnight visits in your apartment, you’d do it. You’d do anything because you were deep in this already, and you knew he wanted you too.

But the question kept repeating in your mind. How far would you go for him? How far until enough is enough? 

The next morning, you had received a message from Joe saying that he couldn’t see you because he was running a little late from filming and so, you understood the situation again. The day after that, he had some kind of convention to attend, so there was no show of him in your place again. You understood the situation again. Then, news broke out about him dating a certain Hollywood starlet and that pulled your heartstrings a little too hard that you had found yourself up in his hotel room, waiting for him to finish his night filming. You waited for him until 2am until he arrived in his room, stunned to find you in his bed. 

“Hey.” Joe furrowed his brows. “What are you doing here?”

“Is this true?” You held up your phone with the article on the screen.

“Baby.” Joe started.

“No, don’t call me baby.” You argued. “Just answer my question.”

“No, of course not!” He replied, walking towards you and sat at the edge of the bed across from you. He held your hands, his eyes staring right into yours. “You know how I feel about you. This is all just some kind of PR that Alex decided on.”

You looked into his eyes, trying to find the truth in them. You believed him. You really did. You saw it in his eyes that he was telling the truth and that made you relax a bit as you exhaled a sharp breath. 

“I love you.” Joe said sternly.

Those three little words took you aback because it was the first time that he had said those words to you. You knew right then and there that he was telling you the truth.

“Y…You do?” 

“Yes.” Joe smiled. “I love you. I love you so much that I can’t even explain how you make me feel whenever you’re here with me.”

“I love you too.” You smiled as he pulled you into a deep, passionate kiss. His fingers tangling in your hair as you smiled through the kiss and gently pushed him down on the bed, towering over him. 

You pushed his hips down as you continued to kiss him, while he tugged on your hair a little bit, letting you escape a soft moan from your lips. He quickly turned you around so you were laying under him as he towered over you this time, letting his lips touch and burn every inch of your soft butterfly skin. Your head spun just like the way it always did whenever he kissed you. Your body shook just like the way he always made you feel whenever you felt himself inside of you. Your hazy eyes stared into his as he paused for a moment and gave you a smile. You were so in love with him and god, look how much of a mess he had made of you, but you didn’t care. For him, you’d do anything. 

Burying your face on his chest that night, both of you still breathless and panting from the way you two had touched each other, you didn’t even realize that the next few weeks were going to be hell for you. 

One year.

One year of understanding. One year and you both had fallen for each other deep but how come in that heavenly year, you didn’t expect that hell was coming? Because for the next two weeks, you didn’t see Joe. Although, you have seen him in articles with her. He had told you that this was only for publicity, but you were starting to feel different about it. You weren’t comfortable, but you understood because he loves you and this was only part of his job. But how big was your patience? How big was your empathy because the more he was busier, the more you were seeing him less, it was starting to tug on your heartstrings a bit too hard. A bit too painful. 

It pulled your heartstrings when you arrived in the hotel lobby one night and an unfamiliar voice called your name. You turned around and saw Alex waiting for you in the lobby.

Uh oh. He knows.

“I knew it.” Alex scoffed, walking towards you.

You pulled your hood down and stood there frozen. You weren’t too sure what to say or do exactly. You and Joe didn’t talk about this. 

“So, you’re the reason why Joe would disappear from our sight all of a sudden or when he tells us he’d be at the bar down the street when he was really with you.” Alex stated. 

He looked furious, and you swallowed every bit of fear that was running inside of you right now. You weren’t too sure what to do in this situation, and you didn’t want to fuck it up by saying something that you might regret later.

“Alex.” You heard the elevator doors open and saw Joe walk out of it. “What are you doing?”

“We already know about her, Joe. Don’t try to cover it up.” Alex retorted back.

Do something. Say something, Joe.

“Alex, what are you talking about?” Joe furrowed his brows.

Lose something, risk something.

“We’re just friends.” Joe stated.

That stung. 

You didn’t say one word because you didn’t want to get in the conversation that wasn’t meant for you to be in it, but those words stung. One year of this relationship, and Joe was weak. He couldn’t even defend you in front of his manager. How would he defend you if one day, you were caught in public together? How far and how long were you two going to be like this? Will Joe ever one day risk something just for you? He said he loved you, but did he really? You watched as Joe explained to Alex that you two met at a bar, and you have been there for him whenever he needed a friend, and you didn’t want to stand there anymore. You didn’t want to listen anymore because every word he said shattered every piece of you, and you weren’t too sure if you were able to piece yourself back together again after this. 

As soon as Alex had believed him, Joe took you upstairs. You didn’t say one word to him in the elevator nor when you two walked down the hall. Your mind, however, was running a thousand thoughts. Your heart was beating so fast, and you just wanted to scream. Your face was starting to go gray, and you felt like you were going to throw up. The air between you two was thick, and you knew damn well how much it changed the moment he said those words. When you entered his room, your heart had stopped beating for him. He was slowly losing you. You were slowly fading from him, and Joe didn’t even realize it, didn’t he? 

“Hey, I’m so sorry about that.” Joe took your hands in his, but you were numb. You weren’t there anymore. 

Stop.

“Are you alright?” Joe asked, tilting his head at you. “I’m sorry I had to say that. You know how complicated it is.”

Stop.

He was losing you.

Stop.

You couldn’t find a pulse. Your heart had stopped beating.

“I can’t do this anymore.” You vomited the words. 

Joe stood frozen in front of you, and you could see the hurt in his eyes. Joe loves you, but he didn’t love you enough for him to learn how to fight for you. 

“I… I don’t understand.” Joe murmured. 

“How long, Joe?” Your eyes welled up with tears. “How long are we going to be like this? Until there’s nothing left in me anymore?”

“What?” Joe was confused. “No, of course not.”

“I gave you everything. I gave you myself, my patience and every bit of empathy that I have. I gave everything to you.” You argued, tears rolling down your cheeks now. “Even when it gets hard sometimes. I understood you because you said you love me.”

“I love you. I mean that. Things are just complicated right now, and I never want to hurt you like this.” Joe explained, taking one step closer to you.

But every step forward he took, you took a step back. Every word he said, you felt yourself and your soul faded with it. You have been trying to stay strong about this. You have been trying to be so patient, but for how long? 

“Then choose something!” You exclaimed, “Risk something for me for once!” 

Silence.

You shook your head. You knew what that silence meant. 

“I got nothing, Joe.” You murmured, wiping your tears away. “I can’t believe your words unless you also show it to me.”

You stood there and watched him sit at the edge of the bed. His head hung low, and he was shaking his head. No words slipped out of his lips and that made it even more painful because even with just the two of you, he couldn’t even fight for you. He couldn’t even lose something for you. He couldn’t choose you. 

“Goodbye, Joe.” You shook your head and turned to walk out the door. 

“Wait!” Joe immediately got up from the bed and stopped you. 

He wrapped his arms around you, hugging you from behind so tight that he didn’t want to let go of you just yet.

“I’m sorry, please.” Joe murmured. “Please don’t go. Don’t give up on me just yet.”

You could feel his tears on your skin, but you already had faded away. 

“Then choose something, Joe!” You cried out, pulling his arms away from you.

You knew damn well that this was going to break you, but you still risked it. But how far is enough? How long were you going to be an idiotic mess for him? 

“I love you so much.” Joe turned you around to face him, cupping your face and wiping the tears that won’t stop rolling down your cheeks. 

“How can you say that when I’m slowly dying over here?” 

Joe shook his head, “You’re not. You’re not going to because I will risk everything or lose everything. Just not you, please.” 

You stared into his chocolate button eyes. You saw the truth in his eyes. One year together, and you knew you could always see the genuine truth through his eyes, so you believed him. 

“I will talk to Alex first thing in the morning. I will tell him everything.” He caressed your cheek softly with his thumb. “I’m so sorry. I’m so sorry I didn’t realize how much shit you have endured because of me. Most of all, I’m sorry I didn’t realize it sooner until you were slowly losing from me.”

You nodded your head, sniffing as you wrapped your arms around his neck and embraced him in a tight hug. “Thank you.” You whispered.

“I’ll lose everything before I could lose you.” He whispered, pulling away. 

He kissed you softly and showed every bit of his love into that kiss, making sure that you knew how much he meant to you. Joe made sure that he showed every bit of his love for you in that kiss, and you knew. You knew he meant what he said. 

And he knew that for him, you had ruined yourself a million little times, and he would never let you do that ever again. 

The End.

Taglist:

@palomahasenteredthechat @sunvick @eddies-acousticguitar @demonsanddemogorgons @joesquinns @mmunson86 @ghostinthebackofyourhead @corrodedcoffincumslut @figmentofquinn @tlclick73 @browneyes8288 @bylermaxmayfield @ali-r3n @ficsbypix @capricornrisingsstuff @missonlypost @ali-in-w0nderland @amberolivia666 @lalalala-melmosworld @niallersfreckles @nanas-lasagna @emma77645 @indulgence-be-thy-name