#i know its because of a video i saw but. thinking so much now

[catboyrightsdefender]

why am i randomly thinking about places

[bmpmp3]

Getting into stuff that has a lot of pre-announced release dates is really good for me like vocal synthesizer products and new love live etc franchise music releases....I'll be lying in bed at like 2 AM with ur usual 20-something's fear and existentialism over time and the future and then I'll remember a piece of singing software or a new song related to cartoon characters I like is gonna come out like next month and I'm like 😌

[the-jam-to-the-unicorn]

Because the week wasn't sad enough, there had to be a new Lenny interview that broke my heart a lot more. 🥺😭🥲

[cherriesformatt]

vlog day || matt sturniolo

matt x fem!reader

summary: you said yes to being in the vlog while spending time with ur best friends and your boyfriend.

warnings: none

word count: 1,1k

a/n: have a good day ily

“Are you filming already?” I asked sitting at the table and putting stuff in my purse.

I was cleaning it because I couldn’t find my favorite lipstick anywhere.

“Yes, you said it’s okay if we film the vlog with you right?” Nick asked me and I nodded.

“Yes, yes look guys!” I looked at the camera and brought a gift bag closer to me.

“So I said few days back that I wasn’t feeling that good lately like you know mentally because I had a lot of work and stress. I came in here this morning and this was on the table with my name on it” I showed the bag.

“Look what Chris and Nick got me” I laughed showing the camera the coffee cup with triplets photos on it.

“We know you love coffee so… you know you can look every morning at people who brings you joy in your life” Nick laughed behind the camera.

“Yes and you know what’s the funniest part? They only put one photo of Matt” I said and stood up when I saw Chris coming up with the new Dr Pepper.

“It’s finally here people let’s try it” he said.

“He is constantly talking about it let’s just get over it” I whispered to the camera.

“I found your lipstick honey… oh your filming already?” Matt came from his room.

“Aww Matt you’re not beating lover boy allegations ever again” Chris laughed at him but Matt only rolled his eyes and gave me the lipstick.

“Thank you Matt” I smiled and wanted to peck his lips but I didn’t.

I didn’t want to push that I was already in the vlog. But I was exited and I said yes because us four actually didn’t spent time together for a long time now. So I was excited for some fun with my boyfriend and his brothers.

“Ladies first….”Chris gave me the can.

“Okay because if I die it’s on you…” I say and I took a sip.

It wasn’t bad but also it wasn’t my favorite.

“Meh… it’s okay but I think you and Nick will like it” I gave it back to Chris.

He made his brothers try and they had a talk about it while I went to put my converse on.

When we got into the car I sat in the back with Nick so Chris could be in front of the camera.

“So we don’t know where we’re going yet” Chris said to the camera and we all looked at it surprised it’s on.

“What? I thought we can decide on camera…” he said.

“Let’s go to Melrose I want Happy Ice” Nick said and I clapped my hands.

“Yes! Happy Ice and pizza I’m in” I said and buckled my sit belt.

We were driving with Chris talking all the time and Matt crying about every dog we pass.

“When you explain something is impossible to know what you’re talking about… it’s like I spy game with 5 years old” I told Chris.

“Well I wanted to edge on…”He started.

“Oh you want us to edge you a little? Okay…”Matt said and I gasped.

“Matthew….”I hit his arm playfully.

“Don’t even start y/n” he said and looked at me in the mirror and I winked at him.

“Anyways… how much longer? I need to peepee” I said looking at maps.

“Oh my god you’re worst than Chris sometimes babe” Matt said.

I looked at him and laughed.

“What?” I asked.

“Guys.. that’s what y/n always does. 20 minutes before we left she said she needs to pee but instead going to the bathroom she did like 100 other things and she forgot to go and its like that every time we go out” Matt said.

“Woow sir what is this? Telling each other icks or what?” Nick asked looking at us.

“I would say about her hair in the bathroom everywhere” Matt added.

“Fair enough… I would say about your hair in the sink after you shave and we would be even” I laughed.

“And I would say your underwear under my couch when you guys forget you don’t live alone” Nick said and I covered my mouth with my hand.

“Shut up it was once” I said.

“Nah like three times” Chris said and I covered my whole face with my hands.

“We not putting this in the video and stop making her uncomfortable” Matt laughed.

“We were uncomfortable!” Nick yelled.

“Okay done with my sex life let’s talk about the weather or about how ugly is this persons outfit” I said when we stopped on red.

“Omg but look they are so cute having photo shoot together” Nick said and I smiled.

“Awww look how he’s holding her stuff for her” I said.

When we got to the pizza place I ordered for us and looked at the boys filming in the corner.

“Matt please don’t do that it actually sends shivers down my spine “I told him looking at him opening the water bottle with his teeth.

“Here I need to go to the bathroom” I gave him order numer and went into the toilet.

We ate in the car talking shit about people and than we got to the happy ice and I was holding the camera.

“Guys if he won’t take cherry for me I’m going to break up with him. I told him he needs to guess what I want” I whispered to the camera.

“Here I bought cherry flavored for you?” He came up to me with the desert and I smiled.

“Ah still need that anniversary gift then” I said to the camera when Matt took it from me and looked at me confused but I only smiled at him.

We walked around while we ate and then we came back to the car. While we were driving I saw a very handsome guy and me an Nick made a funny face in the same time looking after him.

“This guy was so hot!!” Nick yelled and I gave him high 5.

“ I knew you’re going to say that!” Chris said.

“y/n I’m not talking to you anymore” Matt said and I made a sad face.

“You love me Matty he was like 4 you are a 10” I said and he smiled.

“So technically you think I’m a 10?” Chris asked.

“Well yes but then you open your mouth” I said and everyone laughed.

When we came home I took my shoes off and sat down on the couch when boys finished up the video.

“Okay we’re done… that was fun thanks for coming with us and filming” nick said and he sat down next to me.

“I had fun too! I hope everyone is not going to kill me for being in the video” I said.

“They’re going to love you” he said and I smiled.

“Movie night?” Matt asked from the kitchen.

“Movie night!” I said happily.

He smiled and me and I hugged a pillow close to me. I was so relaxed after spending day with them. Nick was right. They were my favorite humans in the whole world.

[alphajocklover]

InstaJock: Going Viral

**Hey! This is my entry for @occamstfs Viral Transformation Challenge. Congrats on getting 2,000 followers, and thank you for beta reading this and helping me edit it. I hope I can get to 2,000 followers myself one day! For those who are new to my stories, this does connect to the plot established in my blog, but the concept is simple enough you should be able to follow along even if you don't usually read my stuff! I hope you all enjoy!**

When I talk about the InstaJock App Phenomenon – which I seem to do a lot. What is this, the 17th InstaJock related post? I need to diversify more – I usually talk about the transformation aspects and not the app itself. That’s partially because the transformation is the most interesting and hottest part, but it’s also because I haven’t been able to take a good look at the app. Even with all the protective spells and equipment I have, I can’t use a phone with InstaJock on it for very long without getting an urge to set up an account. 

Until now.

With some help from the devilishly handsome (and literally devilish) Nick, I’ve been able to get my hands on some better equipment and better explore the app. I was able to spend a couple hours on it before I needed to quit, and actually got some very interesting information, mainly about how the app works post-transformation. I had always assumed that once a user got transformed into a jock, they’d ignore the app from then on unless they wanted to change someone. I was very, very wrong, not just about that but about the purpose of the app itself. It’s not just for making people into jocks: it’s for finding the best ones.

The app generally works like any other social media app, with its members posting about their interests. It’s set up is a lot like Instagram, where pictures and videos are the main format used for posting, but what really makes it different from other social media apps is the content. You can probably guess what an app full of buff cocky jocks looks like, but I’ll confirm it for you: the app is a thirst trap paradise.

The entire app is stuffed with half naked –  and sometimes fully naked – photos of buff jocks, ones of all different kinds. If you can think up a jock related stereotype, they have a full hashtag dedicated to it. Just buff jocks playing sports, flexing and making out with other hot people, for as far. I know that doesn’t sound too different from normal social media apps, as most have a healthy NSFW side, but the posts have more in common then just showing jocks. Each and every post, every one that I saw, mentioned a Master. Some were talking about how they were getting pumped up at the gym for Master, some were talking about how they loved being jocks and were so glad Master had found them, and some were literally begging for Master to notice them, often wantonly describing how they’d debase themselves and be the sluttiest jock ever, all for him. Everyone on the app would post at least once a day about this mysterious Master. It doesn’t seem to matter if the jock is a dom, a sub, a top, a bottom, in a relationship, single, gay or even straight, all of them wanted this mysterious unnamed master – so much so they seemed to completely change personalities whenever he is mentioned. It seems instaJock has an additional side effect I didn’t know about till now: complete and utter devotion to their Master.

It took me a while, and some covert interviewing of a number of jocks in their DMs, but I think I figured out what's happening. The Jocks aren’t just posting for fun, they’re competing with each other. InstaJock isn’t really a social media app, it’s a sort of ranking app. Every day the jocks log on, post a picture of themselves with a caption somehow related to their Master, and leave likes on some of the other posts, usually the ones they find hot. If a jock’s post gets enough likes though, they get what every jock wants, what all of them are trying to get. They get to Go Viral.

Going Viral on IntsaJock isn’t like going viral on a regular app. It essentially means you’ve gotten enough likes, been reposted enough times, and have become popular enough on the site… that Master has noticed you. That's what the social media part of the app is really for. It’s just a way for Master’s jocks to organize themselves so only the hottest ones show up on his feed. If he really likes you, he’ll do more than just look too. Soon that Jock will disappear from his regular life, never to be seen again, whisked away to become a part of Master’s personal harem. This entire time the app has been about one thing: creating lovestruck sex slaves for the man who created InstaJock.

Like most actual social media apps, InstaJock jumps from one thing to another, and what's viral is always changing. But there are two tags that are always trending on InstaJock. The first, and most popular, is #JockMaster, which is only ever used by this mysterious Master when he makes a post. I’ve seen his account. He never shows his face on it, but from what little of his body that makes it into the photos, he’s… enchanting. As much as I hate to admit it, seeing just a bit of that creep almost made me drool. He usually only posts a couple times a week, as opposed to the jock who posts daily, but everything he posts goes viral on the app in moments. I’ll admit, there's something about his posts that is just… hypnotic. I almost set up an account after seeing one myself, and probably would have if Nick wasn’t there to stop me.

The other tag that's always trending is… more interesting, at least to me. It’s #MastersBoyfriend. It’s another tag used only by Master, and one he uses whenever he posts a picture of one particular member of his harem. 

Whenever he posts pictures… of my Uncle John.

I finally know who took my Uncle. I know who this Master is. I suspected it was him for a while, but now I’m sure. The man who made InstaJock and the man who turned my Uncle into a slutty buff himbo are one in the same. I finally have proof.

So now what?

**The identity of the person behind InstaJock AND the person behind my Uncle's transformation and kidnapping has finally been revealed! Been working up to this for a long time, and I'm glad to keep this story moving forward! Hope you liked it as much as I do! Thank you to @occamstfs once again for being absolutely awesome and inspiring!**

[youreverydayfangirl]

BAD BLOOD

pairing: max verstappen x singer reader

summary: the one where a private phone call gets leaked, no one gets the full picture and people are quick to judge

warning: online hate, mentions of cheating

a/n: after two months its finally here for you guys

face claim: sabrina carpenter (just had to because shes gorgeous)

f1 masterlist

main masterilst

series masterlist

yourusername has posted

liked by alexandrasaintmleux, francisca.cgomes and 1, 485, 921 others

yourusername SUPRISE!!! I struggled to keep this secret but now i can announce it. the bad blood mv is out now with some very familiar faces

tagged: oliviarodrigo

alexandrasaintmleux AHHHH MY BEAUTIFUL BEST FRIEND

-> yourusername SAYSS YOUUUU

francisca.cgomes I STILL CANT BELIEVE I WAS IN A MUSIC VIDEO

-> yourusername ANYTHING FOR YOU QUEEN

oliviarodrigo is this what we call a slay?

-> yourusername you know it sweet thing

chappellroan IM OBSESSED WITH YOU

liked by creator

milliebobbibrown ICONIC MV

liked by creator

leahsavajeffries I WAS IN THIS

-> yourusername YEAH YOU WERE

user1 MOST ICONIC MV OF ALL TIME

user2 LADIES AND GENTLEMAN, HER

user3 anyone find it weird that exbsf wasn't in it

-> user4 I WAS THINKING THE SAME THING LIKE WHAT

-> user5 go touch grass people grow and change and no ones seen them together for like months now

y/ngossip

liked by exbsf and 31, 859 others

y/ngossip SPOTTED! yourusername and landonorris in what looks like a very heated public exchange, could this be the end?

user1 tagging them is so messy 😭

-> user2 RIGHT

user3 NOT MY PARENTS

user4 whatever happened IK its y/ns fault

user5 not exbsf liking this 👀

-> user6 RIGHT

user7 idk what anyone says exbsf liking this speaks SIDES

-> user8 right cause she wouldn't like it if y/n hadn't done anything wrong

-> user9 this is such a bold accusation to make

user10 exbsf TELL US YOUR SECRETS

user11 THEY WERE TOGETHER FOR FIVE YEARS OMG 😭

--------------------------------------

THE PHONE CALL

a few months prior - during a conversation

Ex Bsf: Can you just support me for once instead of making it about you

Y/n: Support you? You cheated on Jacob how can I support you Ex Bsf

Ex Bsf: By being my friend instead of being all high and mighty

Y/n: I'm sorry Ex bsf but its true and I don't know if I can support you with this

Ex Bsf: What would you say if it was you who cheated on Lando

Y/n: Hypothetically, I say I cheated on Lando and be upfront with him

Ex Bsf: So have you cheated on Lando

Y/n: Of course not, I love him so much and he means to much to me, I don't ever wanna lose him

Ex Bsf: If you did ever, your gonna own up to it right

Y/n: Yeah of course I have to, but this isn't about me

Ex Bsf: Well you kinda did make it about you

Y/n: No I didn't, You asked me about it Ex Bsf

--------------------------------------

yourusername has posted

Liked by alexandrasaintmleux, francisca.cgomes and 11, 274, 964 others

yourusername and that marks the end of the wonderland tour! i can't believe everything that has happened over these past couple of months and i am so grateful for all the support i received from you guys over the past couple of months. stay tuned guys and ill see you at the grammys 👀

alexandrasaintmleux obsessed with you omggg

francisca.cgomes grammys this year are going to pop off

user1 SHES STUNNING STOP

user2 NEW MUSICC???

user3 girl we saw the article....

-> user4 what article????

-> user3 she cheated on lando

-> user5 WHAT

-> user6 source???

-> user7 theirs legit a voice recording of her and exbsf

-------------------------

Y/N L/N AND LANDO NORRIS SPLIT

Yes. You heard us right.

Fan favourite f1 couple, superstar WAG Y/n L/n and Lando Norris have reportedly split after L/n cheated on him. A leaked phone call between L/n and a third party has been leaked.

AUDIO RECORDING HERE

Transcript

Y/n: I cheated on Lando

Ex Bsf: You cheated on Lando

Y/n: Of course, I love him so much and he means to much to me, I don't ever wanna lose him

Ex Bsf: Your gonna own up to it right

Y/n: Yeah of course I have to

CLICK HERE TO READ MORE

----------------------------

yourusername has posted

liked by alexandrasaintmleux, francisca.cgomes and 1, 293, 950 others

yourusername 3 GRAMMYS!!!!!!!!! I CAN'T BELIEVE IT! TYSM GUYS FOR ALL OF THE SUPPORT AND FOR TAKING WONDERLAND AND TURNING IT INTO SOMETHING ABSOLUTELY BEAUTIFUL, WORDS CANNOT EXPRESS HOW AMAZED AND GRATEFUL I AM..........

alexandrasaintmleux WELL DESERVED

liked by creator

francisca.cgomes YAYAYAYAY OMMGGGGGG

liked by creator

user1 i used to have so much respect for you

user2 i can't believe u cheated so dissapointing

user3 your setting such a bad example for you younger fans...

user4 CANCEL Y/N

-> user5 yep #cancely/n #y/nisoverparty

-> user6 #y/nisoverparty

-> user7 #y/nisoverparty

-> user8 #y/nisoverparty

-> user9 #y/nisoverparty

-> user10 #y/nisoverparty

user11 🐍🐍🐍

user12 #y/nisoverparty

user13 🐍🐍🐍

user14 Ex/bsf deserves better

-> user15 her and lando should get together tbh

--------------------------------

Hi guys, i'm really sorry i am going to start posting more often but things have just been really busy as im starting grade 12 work which is insanely dissicult and family drama has been going on and i've been working on writing a book which is pretty exciting

anyways i will try to post more often - maybe once everyweekend or second weekend

------------------------

taglist:

@lyannesworld

@pippyth3hippy

@scorpiomindfuck

@syddddddddddddd

@paigem00

@toldyouitwasamelodrama

@lilsiz

@chelle1306

@sired4urmama

@stinkyjax

@kiyomisan

@hotgirlslikemax

@itsjustkhaos

@sid-is-gr8

@mastermindbaby

@akkklys

@reidsworld

@tall-tanned-tattoo

@mrsmaybank24

@m1892

@taliya8346282844eliviahdgdajs

@midnights-lily

@skynel09

[yu-huuuu]

Omg! I just read your Uchiha boyfriends and how they deal with their SO's period and I loved it! Sasuke's is hilarious!

Have you seen the video of a guy's gf teaching him and walking him through tampons via a tampon and a glass of water? That's ALL I was imagining during Sasuke's...XD

So, since that would be hilarious, could I ask for headcanons with the Uchiha bfs with that in mind? Or if that's too little context, maybe the period cramp simulators with how far they go before dropping to the floor in pain/how they treat their SO after that? I love your writing, binging all you have on Tumblr rn❤️👏🏻💙💜

[ 🌸 ] Lmaaao nonnie thanks and love u for asking this 😂😂

characters: itachi uchiha, obito uchiha, madara uchiha, sasuke uchiha, shisui uchiha

genre: fluffy with a touch of comedy

warnings: none, mentions of intimate moments, mention of tampons, menstrual cups, vaginas you know things from month to month, menstrual simulators, pranks, adult men somewhat traumatized by their girlfriends

…

Also add menstrual cups to the mix because I'm in love with them :>

oh, i think this video is the one nonnie is talking about! (It was also the first one that appeared to me 😂) ⭐️

…

…

..

.

Itachi Uchiha

— Several things will happen at the same time.

— His mind will go blank as his face turns slightly pale.

— And his eyes will open a bit as he watches the cotton transform Sailor Moon-style.

— Except there are no sparkles and cute outfits.

— No.

— Not at all.

— There is an abominable thing the size of his entire hand floating in the water.

— Itachi won't look at you the same way, especially when you're in the bedroom during one of those intimate moments.

— Even though you already told him it was just a joke, the poor man will be worried.

— He'll look at your hole wondering if it's okay inside (I promise it's okay, Itachi 💀).

— For your own good and for his... don't show him menstrual cups.

— He now knows that the tampon doesn't deform when it's inside you.

— But you have to fold a cup to put it into your tight hole and when it's inside it just... puff returns to its original shape and... are you okay…?

— No, bad idea.

— Just no.

— Don't show it to him.

— As for the menstrual cramp simulators...

— Haha

— You like to see him suffer, don't you?

— Look, pretty woman.

— There's something called being human.

— Itachi, despite being a shinobi, is human (a very cute one, by the way).

— And Itachi, like any other human, feels every sensation he experiences throughout the day. Sometimes he feels more than you, he just doesn't show it due to his perfect control over his emotions.

— But all that control goes out the window when you turn up the power on the cramp simulator.

— He stays like this: "😨," but it's so subtle you don't know if you're imagining it. Meanwhile, the poor man feels his stomach contracting with pain until his breath catches a bit.

— Itachi is a shinobi, but that doesn't mean he doesn't feel pain.

— He's used to a different kind of pain, not this one, you know?

— Poor thing.

— He won't look at you the same way after this... probably not at any woman.

— He'll drink his "respect for women" before starting or ending the day.

— He also now has some fear of touching you; sometimes you won't feel his touch completely when you're on those days (you tried to touch him to see if he was okay and all because you saw he was a bit pale, and he looked like he wasn't breathing when the simulator was at its maximum power. Don't worry, the poor guy was just too sensitive from the pain and now he thinks you get like that too, haha).

— In general, he won't change much. Well, now he brings you more sweets whenever he can and also makes bigger portions of food.

— He's also grateful to you because you've now given him a new experience and opened his eyes to topics or situations that, as a man, he never would have thought about, haha.

…

Obito Uchiha

—If your vagina is a muscle and it stretches with a tampon, does that mean you're exercising internally? (I don't think that happens, but good shower thought, Obito!)

—Pretty boy

—At first, he's very excited when you told him you wanted to show him something.

—He's like a little kid when you want to show him something.

—Except now it looks like you just told him Santa isn't real while taking away his Christmas present.

—He'll say something like: “Wait, that thing gets like that when it's inside you 😦?” while looking at the glass in horror.

—Congratulations, girl, you traumatized an innocent man, lmao.

—No, but seriously.

—Obito will now be distrustful of tampons.

—He might calm down, but then he'll get alarmed when he watches videos or reads about “how to insert a tampon in ten easy steps without pain.”

—And he'll be traumatized again when he sees how far you have to insert the tampon.

—What do you mean the string hangs out..?

—And then you have to pull it out?! Doesn't that hurt?

—Oh, don't get me started on menstrual cups.

—Just no.

—Never show your man the cups.

—No.

—Please, no.

—Just don't.

—At least he was excited when you showed him the period cramps simulator.

—The guy smiled until you turned on the device and he was just like.

—He asked you what level it was on, and when you told him it was on eight, he just said: “What do you mean eight? How many levels does it have?”

—You swear he's going to start crying thinking about all the times he had to run an errand or was called by the Hokage and had to leave you.

—He'll apologize almost crying as you increase the level.

—You can ask him what he means, but I advise you not to.

—You'll make him cry like a baby while he clings to you and apologizes for leaving you alone so many times, making you suffer all this pain *dramatic music starts playing*.

—Lmao.

—Obito will feel proud of you for facing this kind of thing every month.

—He might now say something like: “That's it, babe, fight those cramps!” while you're curled up in bed trying not to cry from the pain.

—It's not out of bad intentions, he's just trying to cheer you up the best he can, haha.

…

Madara Uchiha

—He will stare at the glass intently and then at you.

—Please do not interrupt his thoughts.

—He is imagining how the whole process happens.

—“Are you telling me that piece of cotton…”, and he can no longer continue while looking at the floating cotton.

—Just like Itachi, he won’t look at your little hole the same way.

—He will stay thoughtful, wondering if it returns to its normal form every time.

—It might kill the moment.

—Lmao.

—He might also offer his help to put a tampon in you.

—Just tell him yes.

—You will make him feel like he’s doing something important.

—With menstrual cups… mmm.

—He will congratulate you… for some reason.

—It’s not a big achievement, Madara, but we appreciate your words.

—He will look at you a little worried and at the same time proud while you fold the cup to insert it in yourself and he just…

—“That’s my woman, you can do anything, darling.”

—Uhh… yes, well,

—We’re talking about a man who grew up in a time of war, and don’t get me wrong, it’s not like he doesn’t know where the clitoris is.

—He simply doesn’t know and has no idea that the vagina is elastic, xd.

—Please explain it to him before he brags to someone about how you can handle everything.

—As for the menstrual cramps simulator:

—He is a strong man.

—Who said it would hurt him?

—Clearly, they’re out of their minds, he is Madara Uchiha.

—At least that’s what he thinks before you turn on the device.

—And he’s simply like: “What do you mean this is how you feel every month?”

—Madara is not dumb or forgetful.

—He has seen your naked body when you’re on those days.

—And suddenly it makes sense why your belly looks slightly more swollen when you’re menstruating.

—For Madara, it hurts slightly or at least that’s what he wants to imply.

—Maybe he will never tell you it hurt, but that’s okay.

—At least he took this experience as a lesson to know what else to do and how to act during those days of the month.

—“Madara, darling… why are there many more pillows on the bed?” “They’re for you to be more comfortable.”

—Poor man.

—At least he’s trying!

…

Sasuke Uchiha

—His worst enemy has returned.

—The tampons *dramatic music plays*.

—Ok, no.

—Anyway.

—You're so cruel, girl.

—He swears he'll burn all the tampons in the world while looking at the abominable thing floating in the water.

—He's like...

—Do you put that thing inside and it enlarge…?

—On the outside, his face will remain moderately calm (I'm joking, he already looks disturbed), but on the inside, his face is like: “💀”.

—Even if you tell him it's a joke, he won't shake that image from his head.

—For a whole week, he thought your vagina was filled with tiny cotton residues for some reason.

—Until you explained that was impossible.

—(He still thinks that to this day). Anyway!

—Ehh, cups...! They're fun and comfortable things!

—Until you see them from a man's perspective and things change.

—No, please, no.

—He can't imagine a CUP inside you.

—Out of curiosity, he looked up menstrual cups on the internet and now swears he'd burn menstrual cups too if he could (cups can't hurt you, Sasuke).

—Anyway.

—As for the simulators...

—He might refuse at first until he starts thinking about how he could benefit from this (you know, new knowledge, more power).

—So he decides to put himself in his girl's shoes to see the whole picture.

—He began to regret it when you raised the intensity to seven.

—His face might turn pale when you explain that some menstrual cramps feel like labor pains.

—He'll stare at the highest intensity level wondering if he's ready for that.

—Spoiler: he wasn't.

—At least now he buys you more ice cream and makes you hot chocolate with marshmallows on top, even though he hates the smell of chocolate.

—He'll also start reading more about the female body, looking for ways and methods to make it hurt less.

—So it's likely he'll now regulate the amount of black foods and drinks you consume (you know: chocolate, coffee, cola, etc.), all because he read in a study that black-colored beverages and foods are a key factor in intensifying cramps during the period.

—Good luck with your boyfriend being more protective than ever ;)

…

Shisui Uchiha:

—"Do you want to show me something...? Sure! What is it?" he'll ask with the most innocent and soft voice, that you'll wonder if it's too cruel to play this prank on him.

—Poor guy.

—You do it anyway.

—Lmao, I think there's no emoji that describes the face he made in those moments.

—When he composes himself, he'll be torn between looking at you and the glass container.

—Because gosh.

—Does that thING really react like that when it's inside you?

—Before, he was fine with seeing you use them.

—He knows it's much more comfortable for you, but now that he sees it in the container...

—He doesn't know what to think.

—The guy is still terrified.

—Poor thing, his soul left his body and greeted God before returning to you.

—He might laugh a little when you tell him it's a joke while trying to act normal.

—But eventually his imagination will fly and he'll start thinking: "What if it gets stuck?" "What if the string breaks?" (It's impossible for that to happen, Shisui).

—Of course, he's a smart guy.

—He'll practically run to investigate more about tampons until his mind is at ease.

—But accidentally he saw menstrual cups and...

—"What do you mean cups are also inserted?" he half yelled into nothing.

—Oops.

—You'll have to explain.

—"Cups are friends, not enemies, Shisui..." "But what if it gets stuck?"

—You swear he's about to cry.

—Luckily!

—He'll get over it in a few days (it lasted a week and another while he tried to recap what happened, and the new information).

—The cramp simulator is great.

—It can last quite a while, you know, smiling and looking handsome as always, until you raise it to maximum power.

—You think you broke something when suddenly it falls and you think you killed it.

—Oh.

—Don't worry!

—He's just suffering and recapping how all of this happened, also about all the pain you go through month after month and... Oh, is that an angel...? (No, Shisui, it's your girlfriend trying to motivate you to get up).

—Well.

—At the end of the day he thinks the same as Itachi; you've shown him the other side of the coin and he's grateful for that.

—He'll also be much gentler with you during these days of the month.

—And for some reason, if he finds out that Sasuke is not in favor of tampons and cups, they may secretly start a group against those things or something similar, it's also possible that they'll drag Itachi by force.

—Lmao.

lmao, guess who search and watch videos about how to put tampons in her for the first time... and it didn't work 😭

[redvdress]

SEXIEST HERO

A/N: do you think is there a ‘sexiest hero contest’ going on? because if there’s, we all agree that hawks would win it right? so how would it be like dating the sexiest hero of japan? pro hero hawks x hero reader

The afternoon sun was low, casting golden light through the windows of Hawks’ office. He sat casually in his chair, legs kicked up on his desk, scrolling through the usual flood of news updates and social media mentions. He’d gotten used to the endless buzz of being in the spotlight—after all, being the number two hero came with its perks and its downsides.

He was in the middle of sipping his coffee when a headline caught his eye.

“Interview with Pro Hero Y/N: Thoughts on Hawks Winning ‘Sexiest Hero of the Year’”

Hawks raised an eyebrow, intrigued. He clicked the video and leaned back, curious about what you had said about him this time. You rarely gave interviews, so this was bound to be interesting.

The video started, showing you seated confidently in front of the interviewer. As always, you had that strong aura, the kind that commanded attention without you even trying.

The interviewer was talking about your latest missions when they veered into more personal territory.

“So, hn” the interviewer began with a playful grin, “how does it feel dating the sexiest hero of the year?”

Hawks grinned at the screen, already amused.

You, as expected, rolled your eyes but chuckled softly. The sound made his heart skip a beat—it was rare for you to show amusement so openly, especially in front of cameras.

“I mean…” your voice was calm but teasing, your eyes glinting with mischief, “you can all see him in those ridiculous poses and maybe shirtless once in a while.” You paused, letting the humor sink in. Then, with a sly smirk, you added, “But I’m still the only one who gets to see the whole thing, if you know what i mean”

You delivered the line with such perfect timing, such effortless wit, that Hawks actually spat out his coffee in shock, immediately dissolving into laughter.

“She did not just say that,” he muttered, wiping his mouth with the back of his hand, still grinning like an idiot. He replayed that part again, loving how you had said it, how confident you sounded, and that little smirk that was so much like his own.

He knew you weren’t the type to flaunt their relationship, but this? This playful jab? That was pure Hawks.

You had nailed his teasing tone, and the fact that you’d said it in an interview of all places made it ten times funnier.

Leaning forward, Hawks paused the video, the image of your smirk frozen on the screen. He stared at it for a moment, a sense of pride swelling in his chest. “Damn, she’s good,” he murmured to himself, still shaking his head in disbelief.

But now, the teasing had officially been kicked up a notch, and there was no way he was letting you get away with it that easily.

Grabbing his phone, Hawks dialed your number. As it rang, he leaned back again, already imagining how the conversation would go.

When you picked up, your voice was cool and casual, as if you hadn’t just thrown the most savage line of the year on live TV.

“Hey.”

“You know,” Hawks started, trying to keep his voice steady despite the grin plastered on his face, “I was just enjoying my coffee, minding my business, when I saw your interview.”

There was a pause on your end, and he could practically hear you smirking. “Oh? And?”

“And?” Hawks chuckled, running a hand through his hair. “Oh, no big deal. Just you casually letting the whole world know that you’re the only one who sees all of me, and of my body”

“You’re welcome,” you replied, deadpan.

Hawks laughed again, loving how nonchalant you were about it.

“You know, yn, I’m flattered, really. But you’ve officially raised the bar. Now I gotta find some way to top that.”

“Good luck with that,” you shot back. “I’m unbeatable.”

“Oh, is that so?” His voice dropped lower, taking on that teasing tone you knew all too well. “Because I was thinking, since you’re the only one who gets to see the whole thing, maybe I should remind you of that next time we’re alone.”

He heard your breathe catch for just a moment, but you quickly recovered.

“You’re such a show-off,” you muttered, though there was a hint of amusement in your voice.

“Can’t help it,” Hawks replied smoothly. “I’ve got a reputation to uphold now, thanks to you.”

They bantered for a few more minutes, the teasing between them effortless and natural. Eventually, Hawks let his voice soften, the humor still there but underlined with genuine affection. “But seriously,” he said, “that was… kinda perfect. You know I’m proud of you, right?”

There was a brief pause on youe end before you replied, quieter now, “Yeah, I know. Same goes for you.”

Hawks smiled, feeling the warmth of your words even through the phone. “Alright, I gotta get back to work. But next time I see you, don’t be surprised if I repay that little stunt in my own way.”

“Looking forward to it,” you said with that same confident tone, and then hung up.

Hawks placed his phone down and shook his head again, still grinning.

He knew you weren’t one to show off or make bold claims, but that little glimpse of your playful side, the one that only he got to see most of the time, made him love you even more.

As for the world? They could keep fawning over him all they wanted. Because, in the end, there was only one person whose opinion mattered, and you had just proven once again why you were the only one who really knew him.

And, of course, the only one who got to see “the whole thing.”

[tan1shere]

I'm Sorry

Billie Eilish x female reader !

A/n: saw this video on tiktok of this girl accidentally breaking a gift her bf got her and her being so apologetic, and I can just imagine how bill would be with you:(

Summary: Billie reassures you when you accidentally break her gift.

Warnings: none just fluff ! Kinda angst tho ??

Masterlist

It was time again. Your birthday, just another year of getting older. You were currently laying in bed, half asleep as the sun was shining through the curtains. You then feel hands on your shoulders. "Babyy, its your birthday!" Billie sings as she says that. You cover your face. "Does it have to be." She plops down on the bed. "Oh come on, it's not every day you're 21!" You open an eye to see she had a few gifts. Your other eye opens as you look at her. "Bubba, I thought we agreed on two at most." She puts her finger up to your lips. "I couldn't help myself."

You sigh with a bright smile, sitting up to prepare for her little gifts. She hands you the first one, some clothes you had been wanting. Next up, some skin care. She was always so thoughtful of the things you needed. And lastly, maybe your favorite. You open up the wrapping revealing a glass red rose. You marvel at it. "I know how much you love roses and how upset you get when they start to die, but this way you can have it all the time." She smiles at you. Your eyes meet hers as you almost have tears in them. You leap over to hug her tightly.

"Thank you baby! I love it so so much." She smiles. "Knew you would." Her hands grab your face, thumb swiping over your cheek. "Happy birthday angel." She leans in to kiss you softly, so glad you like the gifts. "Some of them came from your mother. I put them in a vase already for you." You then kiss her cheek, placing the glass rose down on the bedside table. "Thank you babe, I'll go smell them soon."

A few days pass and you honestly had the best birthday ever, Billie was spoiling you like crazy. Took you out for a nice meal too. Today you were working from home, doing some needed chores along the way. Bill was at Finneases working on some stuff in his studio. You did take a small break though. Getting into bed and scrolling for a glass case to put around your new gift. Just to make sure it's safe. You go to grab your water, but as you do. Eyes glued to your screen. You hear a shatter. Uh oh. Your head turns slowly.

Panic rising within you. "Fuck. No no no." You say frantically trying not to freak out. You get on the floor picking up the pieces. Shit. It was really broken. You cry. Cry because you broke the sweetest gift, given by the sweetest person and you broke it. You curse at yourself. You feel so stupid. You're an idiot your brain tells you.

How.

Could.

You.

You grab the pieces, but as you do you accidentally cut your finger. "Shit!" You winced. How could this get any worse. You pick up any remaining shards. Standing up and contemplating. She was gunna hate you. You thought. You don't blame her, you had only just got it. Your hands go to your hair, all these bad thoughts rushing through. You were going to have a shower after you got the case. But now you don't even need the case because you stupidly broke the rose. So. Stupid. Your tears still streaming down your face, you felt so awful. The image of Billie being so hurt right after she was so excited giving it to you.

You get into the shower, sliding down the wall. All you could think about was how she was going to react when she comes home. The hot water ran over your crying form. You hadn't even heard the front door open and Billie calling out like she always does. Until you hear faint footsteps and the bathroom door open. "Baby?" Had she seen it yet...

"Y-yeah.." You reply, she opens up the curtain to see you in the position you were in. Confused as anything. "What's going on love?" She always knew when something was bothering you. "I'm so sorry." You pathetically cry out. "Baby, talk to me." She says stopping the water from running. You just shake your head, lip quivering. "Sweetheart, please." You take a moment. "Don't hate me." You weakly say. "How could I ever?" Her bewilderment made your heart ache more for what you are about to tell her.

"Go look on my bedside floor." Your voice was hushed. So incredibly worried as she goes to do so. Her eyes land on the last little bits of glass, looking at the shattered mess on your table. Her heart breaks, but not because you broke it and most definitely by accident. It was because you were so upset, she hated seeing you upset. She comes back in the room to you still in tears. "Bub, hey. It's ok." - "it's not. Im so sorry I'm so-" She stops your apologies. "Baby. We can fix it. It's fixable. And if not I'll just buy you another. I swear to you. It's all ok."

Her voice was tender. So soft and reassuring. Your crying settles just a bit. "Are you sure?" She nods. "So incredibly sure. I'm not mad my girl, never ever would be." Her hand extends out for yours. You take it and get out of the shower. "Are you hurt?" You pout at how sweet she was, you loved this woman to absolute death. "What?" She chuckles. You just shake your head. "Youre just so kind, I love you." She brings you in for a hug, you wrap your arms tightly around her. She couldn't give a single fuck that your body was dripping wet.

It lasted for a long time, before she pulls back and looks at you. "I did just a tiny bit but I'm ok." You state. "Where abouts?" You show her the red mark on your thumb, she grabs it. Bringing it to her lips as kissing it gently. "Like I said before if we can't fix it I'll buy a new one, this time with a case."

"Great idea."

[venomhoundfanworks]

Hazbin Hotel - Vox Kink Headcanons

Personal kink headcanons for my beloved tv man Vox. Not doing the more obvious/universally accepted kinks. Instead I'm writing about some of my more... niche takes.

My other work can be found on my masterlist >>HERE<<

WARNINGS: Gender neutral reader, but is AFAB for the last section; all the kinky shit obviously; Valentino mention (18+), MDNI, NSFW below the cut ˋˏ✄┈┈┈┈

Domestic Kink ₊˚ ‿︵୨୧

For those who don't know, a domestic kink is being turned on by doing everyday couple things. Things like cooking, cleaning, that type of thing. Vox basically gets turned on by you two being a couple and taking care of each other. The man is so love starved he just gets sent to another planet by those simple everyday shows of affection.

If you start helping Vox get dressed in the mornings, he will melt into a puddle. Every. Time.

It started simple enough, Vox was in a rush so you thought to help him put on his coat. Sliding it onto him, adjusting the collar, straightening his bowtie... You didn't notice how still he went until you went to fix his sleeves and you looked up into his wide, almost feral eyes.

Vox desperately crashed his lips against yours as he pulled your bodies flush together causing you to squeak. Only then did you feel how hard you had made him as he grinded into you... Needless to say, Vox had to reschedule his entire morning.

Vox will come home to you cooking dinner and just bend you over the counter. Whispering in your ear, 'Your so sweet doing this for me, Sugar. Now let me take care of you."

I have had the scenario floating around of you making Vox breakfast in bed one morning just as something nice to do for him. You dont think too much of it, he has been so tired and overworked lately so you figure any extra sleep he can get would do wonders for him

Vox however, absolutely fucking loses it. When you wake him up with tray in hand, he... just kind of stares at you. What do you mean you already made breakfast? Wait you have breakfast? For him? For him in bed?

You actually thought the man might have bluescreened. It takes you setting the tray down and grabbing his hand before he starts moving again.

Vox pulls you into his lap and starts peppering kisses all over you. He just cant believe that this is actually happening; that your here with him, that you did such a sweet thing, and oh god does he love you so much.

He actually is daydreaming about it the rest of the day and bragging about it whenever he can.

Comes home early that evening just to surprise you and spend a romantic evening together (totally not because he accidentally pent himself up gushing over you all day ABSOLUTELY NOT).

✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿

Recording/Being Recorded ₊˚ ‿︵୨୧

(This one might not be a niche take but I'm putting it here anyway cause I want to yap about it)

I wasn't quite sure if there was a specific name for this kink. But what I mean by this is Vox loves to specifically record you two having sex. Like an amateur porn thing. However. These videos are meant for his eyes only.

Vox would murder anyone who so much as tried to get their hands on these videos. God help them if they actually saw one. Its not even a matter of honor or anything, its a matter of only Vox is allowed to see you come apart like that. Vox is the only one allowed to hear you make those sounds.

Vox honestly isnt going to even bring this whole 'recording you two' thing up unless he trusts you completely. Even then he is super sheepish the first time he asks about it. Vox knows your going to be suspicious and, yeah, you rightfully are due to his association with the porn moth.

It takes a bit of prodding for you to get out of Vox that he sees it as a different way to enjoy you. To experience you. He will get to see your beautiful body at angles he never could while he plows into you. He can finally see the look of pure ecstasy on your face as he eats you out, diving his tongue as far into you as it can go.

Vox is over the moon when you finally agree to let him place a camcorder in your shared bedroom.

You viscerally notice how much more relaxed and strangely content Vox seems to be next time you two have sex. Vox always had this certain tension to him and its just... gone now.

What you don't realize is that 'tension' was Vox's underlying fear of how transient you were. He was always trying to absorb as much of you as he could, to memorize every part of you. But now he felt like he could truly let himself enjoy the moment knowing that he will be able to listen to your heavenly sounds on repeat, analyze every little twitch he causes, and fully see every expression you make.

A deep, deep, dark part of Vox want to tell Valentino to cancel every shoot he has for a day. To reserve the studio just for you two. To spend an entire day taking you in every way imaginable. Bringing you to bliss in every messy way he possibly can. Getting you to make every obscene noise that beautiful voice of yours can make.

But Vox knows that he could never trust Valentino to not make a copy of you two for himself. So he will stick to his amateur recordings. Anything to keep you safe and to himself.

Whenever Vox is missing you at work (or whenever he gets a free moment honestly), he starts watching back one of your now countless sex tapes. He will let the odd feeling of comfort wash over him as he sees the adoring looks you give him and hears you two exchange words of love. God, he can't wait to get back home to you.

✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿

Cock Warming ₊˚ ‿︵୨୧

OKAY. I think I've gotten the point across that Vox is a certified lover boy™ who basically wants to imbibe your very being. Whelp. This is just more of that.

Don't get me wrong, Vox loves sex. Sex is great. But having you on his lap, his cock inside you, the two of you as close as two beings can physically get, and just- enjoying that... It hits differently you know?

Say its due to his mechanical nature all you want, (insert joke about 'plugging in' here) but Vox loves to feel like you two are truly connected. When your bodies actually become one like this, he is just that much closer to perfect.

As stated previously, will let you sit on his lap and cockwarm him anytime you please. Vox's absolute favorite times are when he has to do work ironically. He can never stop the blissful smile he makes as he has you in his lap. Vox will gently hold you with one arm while the other tries to get work done. You always end up giggling whenever you kiss up the side of his neck or monitor and Vox lets out the most contented sighs.

Honestly, just start going to work with him, becoming his personal cocksleeve whenever he is in his monitor room. A blanket draped over the two of you to hide what's actually going on.

Since the poor guy has no choice but to sleep on his back; you can easily do the same thing for bedtime. Climb on top of him and delicately slide him inside of you. Vox will just look up at you with the most lovedrunk expression as you bend over him and nuzzle into his neck, your body draping over his, and Vox pulling you impossibly close as you both fall asleep.

Its times like this that Vox questions why anyone would even need heaven.

✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿‿✿°•∘୨୧∘•°✿

FURTHER READING ₊˚ ‿︵୨୧

One of my favorite posts that just goes over a evening being Vox's s/o can be found >>HERE<<, its by the talented @lqveharrington

Another really good post by @liveontelevision where Vox gets jealous of your work with Valentino and decides to start recording you can be found >>HERE<<

Then lastly, quick headcanons by @voxsremotec0ck where Vox is spying on the reader then catches you masturbating can be found >>HERE<<

[inkskinned]

no, but really, we need to talk about the casual objectification that has become the fallback discourse of the internet: if you're pretty and dressed nicely, you're a slut. and if you're even vaguely outside of their body standard, you're fucking disgusting.

too-frequently, people position sex workers as being "the problem". they sneer you're addicted to pornography, you don't know what a real woman looks like. but real women are in pornography. the real bodies on display are not the issue here: the issue is that other people feel extremely confident when commenting on someone's physique.

2000's super-thin is slowly worming its way back into the public ideal. recently i saw someone get told to "go for a run", despite the fact she was on the thinner side of average. not that it would ever be appropriate to say that: but it's kind of like sticker shock when you see it. people think that is fat? holy shit. do they just have no idea about things?

but what are you going to do about it? that's the problem, right. because chances are - you're a normal person. we can say normalize carrying fat on your body, but we are not the billion-dollar diet industry. we are not the billion-dollar fashion industry. we are just, like. people. who are trying to make content on the internet, without being treated shittily.

as someone who has been on both sides of things: you are treated better when you are thin and pretty. this is statistically correct. i am not saying that you cannot be bullied for being thin; i'm saying there are objective institutional biases against certain bodytypes. there are videos of men and women who lost weight all saying: i now know for a fact exactly how much worse you're treated. in the comments, some asshole inevitably says something akin to you deserved to be dehumanized when you were fat.

which means that ... the easiest thing to do is be pretty and thin. it is the path of least resistance, because of course it is, because any time you post a picture of yourself without a thigh gap, someone immediately comments something like you need to try a diet.

the other half is also dehumanizing though, huh, just in a different way. when i put on makeup and nice clothes, i am told i slept my way to the top as a professional. do you know how many women in STEM have told me they purposefully dress to "unimpress" because they already struggle to be taken seriously and if they're ever considered pretty - it for some reason takes away from their authority.

so they make it seem like it's your fault. you, existing in a body - it's your fault! if you didn't want shitty comments, don't have a body. they position us against each other like chess pieces; vying for male attention we don't even need.

and i can be an authority on this unless you think i'm fat and unattractive. when i am pretty and thin, i'm an activist. when i am just a normal person who makes a good point: i am immediately dismissed. nobody fucking believes you if you're not seen as attractive. you literally lose value. you cease to exist.

but the whole time, it feels like - is anyone actually grounded the fuck in reality? the line of "pretty and thin" keeps shifting. nobody seems to understand what "a normal weight" even looks like, because it's not something that exists - you cannot tell a person's health by looking at their body. even if you think you could tell that, even if you're sure a person is dangerously overweight - people are not your dolls. they do not need to be dressed up or displayed properly to soothe your aesthetics. you aren't concerned for them, you're stealing their agency. you don't get to say if they're "allowed" to take pictures and post them on the internet - you don't get to tell them how to exist.

people hide behind "the obesity epidemic" without any actual qualifications. they crow things about "normalizing unhealthiness".

but it's bullshit. i have visible abs. there is a pair of parallel lines on my body, even when i'm relaxed; where my obliques meet my abdominal wall. i am proud of this because it means i'm strong, because i overcame an eating disorder only to be ripped as fuck. it is genetic and physical luck that i even get any definition, i'm pleased as punch.

but it does mean that my abdominal wall sticks out a little bit. the other day i posted a video of myself dancing, and, for a moment, my shirt slipped. you could see a little bit of my stomach. i was cartwheeling to the floor. moments before this, i'd had my foot over my head.

a guy slid into my DMs. a row of vomiting emojis prefaced: you should really lose some weight before you think about dancing.

i stared at it for a long time. there was a time when i would have been triggered by this, where it would have encouraged me to starve myself. i would have ignored the fact i'm flexible, agile, good at jumping: i would have lost the weight for a stranger's passing comment. i would have found myself and my body fucking disgusting.

and for what? to please what? because why? so that he can exist in this world without an unchallenged eyeball? what would my self-hatred even accomplish? usually i write paragraphs. obviously. on this particular occasion, in this body i've been at war with for ages: i just felt exhausted.

it shouldn't be even worth saying. it shouldn't be hard to explain. all of this emotional turmoil when he cannot even comprehend the most basic truth: i am not an object on display for him.

[lacesoflove]

glimpses of you pt. 1 | hamzah x editor!reader

rating | slightly suggestive, nothing too crazy though

warning | semi-proofread! smoking of ganja lol

author's note | will be rewriting this slightly because i hate most of this but i wanted to put something out :) also my first series ayeeeee

YOU HAD FOUND YOURSELF IN THE DESPERATE PREDICAMENT OF EITHER KILLING YOURSELF OR TURNING TO ONLYFANS.

Both options felt equally unappealing, and frankly, a little extreme for what the was, at its core, a mundane problem: you were broke. Flat out. You were just another college student drowning in debt, tuition fees rising like clockwork, and your part-time gig at the campus café barely covering any of your basic expenses. Still, you didn’t fancy having your ass plastered on the internet, and suicide seemed a bit tedious if not dramatic. So there you were, perched on the rickety communal library computer, two minutes left on your internet credits, with the only things popping up on your screen were clearly scams or were posted by “Jessica” or “Alex” living 5km away who, shockingly, wouldn’t be resolving your financial crisis.

Then, as though God had decided to throw you a bone, you saw it: a post for a part-time video editor.

The job was listed by someone named Mandy, a vet who was working as a vet but also did YouTube on the side, and working full-time with animals didn’t leave much time for Adobe Premiere on her end. The pay was decent—more than decent, really—and seemed almost too good to be true. You clicked her socials out of pure paranoia, half expecting her to be some creepy guy with a burner profile and you realised then and there, in the library of your communal college, all the years spent in highschool doing edits would now finally pay off. Literally.

Without thinking twice, you messaged her and said you’d take the job.

The next day, she sent you a zip file with raw footage, and that’s when it all began.

Editing for Mandy became your saving grace. She sent you a few videos every other week, and you gradually got better at your craft. So much so, in fact, that Mandy stopped reviewing your work altogether. She uploaded everything you sent her without a second glance, calling your edits “art” like you were the second coming of Stanley Kubrick. 

Which was an odd thing really. The trust she had in your work - which she’d call ‘art’. It was nice how much she trusted you so much with something so important to her, yet she didn’t really you know you beyond your name, your availabilities and the fact you had a roommate and said roommate needed your help with schoolwork thus leading you to being a bit slower with the updates on a video.

It was kind of difficult not forming a weirdo pseudo-parasocial relationship with her, on your end - after all you’d edit her most intimate moments. Her videos consisted mainly of her and her boyfriend, who you’d come to find out name is Martin. You knew so much about her life - her quirks, her habits, her boyfriend, Martin. He was nice and easy-going. Funny even -  you remembered laughing when he noted his surprise that you were just some college student who did Justin Bieber edits back in highschool and not a certified editor. You laughed along, but his words stuck with you. You were just some college kid. And yet, you knew the most intimate corners of their lives—their inside jokes, their fights, the way Martin looked at Mandy when she wasn’t paying attention. Something about the love they had for each other stirred something ugly in you.

Eventually, she wanted to meet up with you. The message came a little out of nowhere. It was around 10am after you had just bombed a test, and you were bed-rotting in your dorm room when you felt your phone buzz and your eyebrows furrow when her caller-ID popped up. “I just feel bad,” she’d remarked in a over the call. In the background you could hear her dog Rudy, if you recall, playing in the background. “You’ve done so much for me, and I barely know you. Let me take you out as a thank-you.”  She followed up by saying she wanted to go somewhere downtown, cozy  - you rejected as, although it was sweet, but honestly being paid was a thank you enough (as well as the fact that you could barely afford some of the places she suggested) - but she was relentless in her generosity so you gave up, put on the most “I am not a broke college student and this restaurant you suggest will definitely not financially break me” outfit you could find in the depths of your, and your roommate, closet and met up with her. The dinner was…nice. Mandy was calmer than you’d expected, a bit blunt, but funny in a way that made you feel at ease. By the end of the night, after too many drinks and a waiter accidentally spilling pasta all over you both, you’d started to think of her as a friend.

You began hanging out at her shared apartment with her boyfriend, sometimes sleeping over with her in the same bed (her boyfriend, Martin, banished to the couch). You’d watch movies till the sun came up and helped yourself to breakfast without having the typical self consciousness of being a guest.

And then you met Hamzah.

You’d gone to Mandy’s to pick up a bag of clothes you’d left behind. She’d given you a spare key ages ago—it was easier that way, she’d said—and you hadn’t thought twice about letting yourself in. You figured you’d grab your things and leave unnoticed.

As you walked past Martin’s office, though, you froze.

Sitting in one of the gaming chairs was someone you’d only seen in clips before. Hamzah.

He was leaning back, scrolling through his phone, a dab pen loosely held in one hand as he exhaled a slow cloud of smoke. He hadn’t noticed you at first, not until the floor creaked beneath your weight. His head lifted, brows furrowing as his eyes landed on you.

“Uh, hey,” you said, awkwardly waving.

Before he could respond, the bathroom door opened, and Martin appeared, wiping his hands dry on a towel.

“Oh, hey, Y/N!” Martin grinned. “Here for your stuff? It’s in the bedroom.”

You nodded, eager to move past the awkwardness, but as you left the room, you caught the brief exchange of looks between the two men.

“Who’s that?” Hamzah asked, his voice low but not low enough for you to miss.

“Mandy’s editor,” Martin replied. “You know, the one I told you about.”

Hamzah hummed, and though you were already walking away, you couldn’t help but feel his eyes trailing after you.

After you left, you weren’t really sure how to feel about seeing Hamzah. You knew you had to get used to him, especially considering he was just as close to Martin and Mandy as you were, if not even closer. It was strange, weird even. You knew a lot more about him than you should’ve - you’d seen him before, of course—in Mandy’s footage, in the background of videos you’d spliced together, laughing with Martin, rolling his eyes at a bad joke. But seeing him in person was something else entirely. You wanted to know more about him though, you weren’t sure if that was weird. The memory of his gaze stayed with you longer than it should have. You felt weirder about the fact that you didn’t feel weird enough  about it, that you did sometimes wonder what he was thinking of when tying strings of footage together. You found yourself replaying footage of where he smiled more than other pieces of footage. Maybe you were weird.

Martin and Mandy were throwing a get together. It was small, Mandy assured you when she noticed you wavered, picking up upon your your reluctance. “Me, Martin, and a few friends. Totally lowkey.”

You should’ve realised that meant he’d be there. 

Hamzah wasn’t exactly thrilled about the idea of a party, but the thought of hanging out with Martin made it tolerable. That, and the unspoken promise of weed, along with the fact that it wasn’t going to be some huge, overwhelming crowd. Just Mandy, Martin, Chase, Claire, and a handful of their friends who weren’t part of their usual social media circle.

What bothered him, though, was the mention of a “special someone.”

Martin had been annoyingly vague, but Hamzah knew. It had to be you.

He’d caught himself that day, when his eyes lingered on you far too long as you stood in the doorway of Martin’s office. The second he let it slip, Martin noticed. Martin always noticed. And once Martin had something like that to tease him with, it was game over.

To Martin, it was probably exciting—Hamzah showing genuine interest in someone for once, and not just anyone but someone in their circle. Hamzah, on the other hand, was already bracing for the sly comments, the well-timed nudges, the not-so-subtle efforts to push him into a conversation with you. By the time he was on his way to the party, he already had a headache from overthinking. Worse still, he could feel another one building as he tried - and failed - to think of something, anything, to say that wouldn’t immediately come off as awkward or disinterested. And what if he did mess it up?

The idea of talking to you shouldn’t have felt so monumental, but somehow, it did.

You walked into the party with your roommate, Candance, who was dying to meet the so-called Mandy who, ever since entered your life, seemed responsible for your sudden ability to start paying for your own drinks when you and her went out. Candance was buzzing with the need to socialise and almost immediately departed from you to talk to Mandy’s female friends, one of which being a girl who believed was named Clara or Claire? You weren’t really sure, you tried to avoid Mandy’s other friends, Not for any strange or unkind reason—it was just how you were. Conversations with Mandy’s friends always seemed to trip you up, words slipping out of rhythm, leaving you stranded in awkward silences. Even Mandy’s good-natured attempts to bring you into her group couldn’t quite shake the feeling that you didn’t belong - that you were simply a girl who just edited her videos.

So, you’d drifted, quiet and unnoticed, until you found solace on the balcony. The Toronto air was crisp, a faint chill weaving through the hum of the party inside. You laughed as you noticed someone, Martin probably, had started blasting Nettspend. You leaned against the railing, fishing a blunt from your pocket, and lit it with practiced ease. The first inhale hit like an exhale—something uncoiling in your chest as the smoke curled upward, vanishing into the dark. 

Hamzah stepped into the party, the familiar rhythm of low laughter and muted music settling around him. He made a beeline for the drinks, grabbing a red cup filled with liquid courage (something he’d need plenty of).

It didn’t take Martin long to corner him, practically bouncing with thinly-veiled amusement.

“So, where’s this ‘special someone’ you mentioned?” Hamzah asked, feigning casual indifference. 

Martin’s smirk was immediate, sly and deliberate, as he gestured toward the balcony. “Out there.”

Hamzah followed his line of sight. You were leaning against the railing, the soft glow of the city lights flickering against the smoke curling from your hand.

“What do I even say, man?” Hamzah muttered, suddenly too aware of the weight in his chest, the too-familiar flutter of nerves threatening to undo him.

Martin shrugged, already stepping away, his grin widening. “I don’t know. Maybe start with hello? Or ask for a hit?” Hamzah sighed. Hamzah sighed, half-resigned, as he watched Martin retreat into the party, clearly pleased with himself. He really needed to get Martin to stop meddling in his love life—or, as both Martin and Mandy liked to point out, his complete lack of one.

Still, here he was, stepping out onto the balcony before he could overthink it. You hadn’t noticed him yet, your attention fixed on the glow of the city beyond the railing. It wasn’t until the soft creak of the door closing behind him startled you that you turned, wide-eyed.

“Oh, shit,” you exhaled, clutching your chest. “I didn’t see you there.”

Hamzah raised his hands in mock surrender, a small grin tugging at his lips. “My bad.”

“Do you do this often?” you asked, recovering quickly. “Creep up on people?”

“Do I look like I creep up on people?” he shot back, a flicker of amusement in his tone.

You tilted your head, pretending to consider it. “I don’t really know you.”

“Fair point,” he conceded, leaning against the railing beside you.

When he gestured toward the blunt in your hand, you passed it to him without hesitation. He took a drag, and something about the faint taste of cherry on the filter made him pause, his heart betraying him with a quick flutter.

“So,” he started, exhaling slowly, trying to mask his nerves with feigned ease, “what do you know about me?”

“Your address,” you said flatly, with a nonchalance that made him blink in surprise.

“What?” His eyes widened, and he gave you a look that silently demanded an explanation.

“In Mandy’s videos,” you clarified, smirking as you watched his alarm shift into sheepish realization. “When they visit you, the background gives away your street and house number. I’ve had to edit it out and censor it.”

“Oh. Damn.” He winced, scratching the back of his neck.

“You’re welcome for not doxxing you,” you said with mock seriousness, plucking the blunt back from his fingers.

“Thanks,” he muttered, exhaling a stream of smoke that curled into the cold night air.

For a moment, the silence between you wasn’t awkward. It hung there, fragile and almost weightless, like the smoke that lingered before dissolving into nothing. 

You both stood there for what felt like an eternity, the air thick with the smoke, your thoughts muddled by the high creeping through your veins. The party had been loud, the music had pulsed in your ears, but out here, on the balcony, everything felt quiet. Just the two of you and the low hum of the city below.

Hamzah’s gaze was steady, yet unreadable. You could feel his presence in the space between you—close, but not close enough. It was like you both were hesitant, waiting for something to shift, to give you the sign that it was okay to lean in further.

“So,” he started, voice a little lower than before, “this is where you come to hide, huh?”

You half-laughed, half-sighed, glancing down at the blunt between your fingers before looking up at him. “Yeah. It’s easier to think out here. Or forget, I guess.”

“Forget what?” His tone was gentle, but curious. His eyes didn’t leave yours.

You paused, biting your lip. “Stuff. Life. Whatever.” The words felt a little too raw, too honest for this moment, and you quickly added, “I’m not a big fan of parties, anyway. Too much noise. Too many people pretending they’re happy.”

“Yeah, I get that,” Hamzah said softly, his voice seeming to drop even lower. He stepped a little closer, and you had to resist the urge to step back. His proximity didn’t feel intrusive—it felt electric, like you were both standing on the edge of something. “I don’t really do parties either.” He paused, looking down for a second before meeting your eyes again. “But I like the quiet. The realness. The moments where you can just... breathe.”

You swallowed, suddenly aware of how dry your mouth was. “Yeah, me too.”

There was a moment of silence, and it felt heavy in the air. Your fingers brushed his, the contact brief but enough to send a ripple of warmth through your chest. Your heart skipped a beat, and you found yourself wondering if he felt it too.

“Y’know,” Hamzah began, his voice even quieter now, “I never really thought I’d be sitting on a balcony with Mandy’s editor, talking about life.”

You smirked, trying to lighten the tension. “And yet, here we are.”

He chuckled, but the sound was low, almost intimate, and you noticed the way his gaze flickered down to your lips before darting back to your eyes.

Your heart raced in your chest, and suddenly, everything felt a little too much. The weed, the energy between you, the overwhelming urge to close the space between you.

“I—” You started, but your words faltered. You didn’t know what you wanted to say, only that something had shifted, something that felt too important to ignore.

Hamzah took a step closer. His hand brushed the side of your arm, his touch lingering, just enough to make your pulse quicken. He tilted his head slightly, studying you, as if searching for some kind of sign.

You could feel the heat rising between you, the weight of his presence pressing in. “You okay?” he asked, his voice soft, but you heard the underlying question—something more than just your state of mind.

You nodded quickly, but then your nerves caught up with you. You could feel the anxiety building, and before you could second-guess yourself, you blurted, “This is weird, isn’t it?”

Hamzah smiled faintly,  “not really, I think you’re nice.”

The words hung in the air for a moment, and then, without thinking, you found yourself leaning in closer to him. Your lips were so close you could almost feel the heat between them, but then—just before you closed the space—your nerves overtook you. You stopped yourself, your breath catching in your throat.

Hamzah froze too, his eyes locking onto yours, both of you so close yet not quite there. The moment was suspended, hanging in the air like a breath waiting to be exhaled.

“I…” You pulled back slightly, the tension between you thick and palpable now. Your heart pounded in your chest, and you could feel your face flush. Fuck you hated being high. “Sorry. That was… stupid.” You stepped back a little more, suddenly feeling too exposed, too vulnerable.

Hamzah didn’t move right away, his eyes still locked on you. He looked like he was weighing something, deciding something. “No, it’s not stupid,” he said quietly, his voice steady, but you could hear the hesitation there too. He ran a hand through his hair, as if trying to gather himself. “I just—don’t want to make things weird.”

You nodded, but the knot in your stomach didn’t loosen. The air felt charged, and you couldn’t decide if you were relieved or disappointed. “Right.” You cleared your throat. “I should go.”

Hamzah didn’t say anything, just gave a small nod, his expression unreadable. You turned away quickly, as if running from the tension, and walked back inside. The party felt suffocating now, the music and laughter too loud, the distance between you and Hamzah somehow stretching even farther despite what had just happened.

You could feel your heart beating fast in your chest, the weight of everything swirling inside you. Your mind raced, replaying the moment over and over. What if you’d leaned in? What if you hadn’t pulled away? 

You asked Candance if she wanted to go home, and naturally, with her charisma she had become good friend’s with one of Mandy’s friends and was knee deep in a tea-spilling session.

You wished her goodbye grabbed your things and hurried out of the apartment, your pulse still racing as you made your way home. The high was still with you, the dizziness mixing with the anxious energy that had taken root in your chest. You couldn’t shake the feeling of his presence, like an echo, lingering in your mind.

As you stepped into your dorm, you kicked off your shoes and collapsed onto your bed, staring at the ceiling, unable to make sense of the mess inside your head. Why the fuck had you tried to a kiss a guy you only know through your friend’s videos? You wanted to scream and kick.

You rolled onto your back, eyes closing, but the image of him, that near kiss, lingered in your mind like smoke—unwanted but impossible to shake.

Would he tell Martin? Worse, would he tell Mandy? Would she be mad that you nearly kiss Hamzah? Would you lose your job?

You glanced at the clock. It was late, and you were so tired, but the restlessness wouldn’t let you sleep. Instead, you reached for your phone again, scrolled through your messages, then stopped.

One new notification.

It was from Hamzah. 

“Hey, sorry if I was too forward earlier. I was a bit high. You cool?”

You stared at the message, the screen flickering under the dim light. Was he apologizing? Or was this just his way of dismissing it, making it nothing?

Your fingers hovered above the keyboard. Was he expecting an answer? What were you supposed to say?

Finally, you typed a response, only to delete it a moment later. It was easier to just lie here in the silence, letting the unanswered questions fill the space. You weren't ready for any of this.

taglist: @xoxoange1l @sillyfungirl10112 @adiormoi @cheesecakeluver @homesick4la

[ddejavvu]

I saw a video on tiktok the other day of a man on his wedding day getting down to the level of his new stepdaughter and reading out vows to her about how he'll always love and care for her and I bawled my eyes out. Now all I can think about is Hotch and single!mom reader on their wedding day getting down and reading vows to each others children. I dont know if you write single! Parent reader, but if you do could you write something with this premise? Thank you lovely if you can

Your daughter is mildly confused when Aaron beckons her over during the ceremony, but at four years old, she's mostly obedient to her parents. Well- to Aaron. To you, she protests and screams and giggles maniacally, but you suppose you're the one that gave it to her, so you can't complain without sounding like a hypocrite.

You set a hand on Jack's shoulder, ushering the older boy into your own grip.

"You look so handsome," You gush, eyes teeming with tears that threaten to ruin your mascara, "Jack, I- I won't embarrass you by calling you a mushy nickname like CrackerJack, or JackAttack, or Jackers-"

"You're using them all right now-!" The teenager protests, but he doesn't shrug your hand off of his shoulder; his protests are for show.

"Sorry! Sorry," You sniffle, and you let the fifteen year old wipe a tear away from your eye before it ruins your makeup.

"Jack," You repeat, steeling yourself, "I- I just want you to know that I love you. It's not because I love your dad, it's not because we live together, it's not because you woke me up with breakfast in bed on my birthday. It's- it's because of you, sweetheart. I know you're getting older, and- and you might be going away to college soon," You poorly withhold a sob, thinking of an empty bed in the room down the hall, "-but I just- I need you to know that it's you that I love, just the same as I love June. Your mom was an amazing woman, and she made an amazing son, and I'm so honored that you've given me permission to be your stepmom. I love you- Jackers."

Perhaps its awkward for the teen to face such strong emotion head-on, but you won't tattle to his schoolfriends about the tears that well up in his eyes, or the red tint to his nose as he bites them back.

"Love you too," He supplies weakly, surging forwards to wrap his arms around your waist- but it's all you need. One of your photographers makes to readjust your veil where it's been momentarily crumpled beneath his arm, but damn the veil, your stepson is more important.

"They're gushy," Aaron accuses, holding little June in his arms and pointing at you, "Are we gonna be gushy, Junie B Jones?"

Her eyes are mystified as she stares at her mama and her brother, but she shakes her head dutifully at Aaron.

"Oh, go, you're sappier than I am," You tease Aaron, and it rouses a light chuckle from your guests.

"Loony-Junie," Aaron starts, and the girl in his grasp giggles at the name. Encouraged by her delight, he employs her favorite moniker; her most desired snack, "My little pickle. Thank you, for letting me marry your mama. And for giving her the ring, even if it fell in the eggs instead of the fully-baked cake."

The little girl roars with a squeal of laughter at the memory, and- now you know why the Lysol wipes were on the counter the night of Aaron's proposal.

"You were a super big helper to me and your brother," He continues, holding her close, "And I'm so happy I get to be your stepdad now. I know you're a big girl, and you can do pretty much everything by yourself now," He lets her pipe up, falling silent as her tiny voice rings out.

"-I can even put my own shoes on the right feet!"

Not every audience member manages to stifle their giggle, but the little girl doesn't look abashed for it. Aaron nods with a fond grin on his face, and Jack leans into your side where you've pinned him in a hug.

"She can not. I had to switch her mary janes before the ceremony."

"Stop," You pinch him in the side, snorting with laughter and concealing it in the warmth of his shoulder, "Do not make me turn into an evil stepmother, Jack. Let her have this." He concedes- oh, such a good brother.

"I know!" Aaron exclaims, one of his large palms spread wide across her belly as he holds her in his arms, "I'm super proud of you, baby. But. If you ever need help with your shoes, or with your hair, or with your friends, or with your teachers, or with your brother," He shoots a suspicious glance at Jack who sticks his tongue out at his father, "Or with anything at all, pickle, you come tell me. Okay? Even if it's a problem that I'm part of."

"Okay," She agrees easily, unaware of the dozens of painfully-swollen hearts watching the display, "Thanks, dada."

"Oh, pickle," He bites back a shallow, raw twinge to his voice as he hugs her and you hiss, 'Gushy.'

"I love you too," He promises June, "Forever, and always, and even longer after that."

"Infinity?" Her eyes shine; it's a concept her pre-k class came upon in a library comic book and she's fascinated with it.

"For infinity." Aaron confirms, and her teeth show in a grin as brilliantly white and gleaming as the beads sewn into your outfit.

Her response is two tiny, chubby arms slung around his neck, and a delicate face buried in his shoulder. Despite your no-photography request, you're fairly certain a camera shutter goes off that doesn't belong to the photographer you hired.

Garcia.

Oh, well.

"Alright you saps," You manage to blubber, your voice barely clear of the sobs creeping up your throat, "Let's get married before I cry and ruin my makeup. I paid so much for the stylist."

Jovial laughter rings through the tent you've set up, and Aaron sets June down, though she follows at his heels the same way Jack does at yours. They stand together, brother and sister, just as you do with Hotch, soon-to-be husband and wife.

"Don't cry." You command, "Or I'll cry."

"Don't cry," He repeats with a sheepish grin and a thick voice, blinking rapidly, as your babies join hands, "Or I'll cry."

"I'm crying," A faint voice from the audience rings out, but you can't manage to find any annoyance towards Garcia's repeated disruptions.

Aaron laughs, squeezing his eyes shut and letting a tear slip despite his best efforts. He presses his forehead to yours, and you do the same, feeling his breath fan over your face as he reels himself in.

"Come on, Hotchner," You urge, your voice wobbly, as your heart races in anticipation, the officiant stepping towards you, "Get it together, big guy. I'm not leaving this tent without your last name."

[jikooklove9795]

Love your blog and thoughts💜

So coming to the ask do you think jikook would throw the potato in the air and just stay together in jk's new fortress?? Is it true that they used to spend their life together in a house because we know that jk nearly lost his mind over jm in early 2023 in his lives. I don't think we was simply having those lives for fun. I do really believe that he was infact struggling or like distracting himself over his lack of jiminie time. We know that this has not happened prior to the solo era as jk in lives was completely different from jk in ot7 era

Hey there 😊

Thanks so much. It means a lot.

The first part of your ask, I'll answer that at the end of this post.

Let's start with the second part.

Do I think they were living together?

Yes. I do. I think the speculation about Jikook living together started when this video dropped:

Yoongi is teasing Jimin about watching their old videos. And Jungkook joins in saying he also watched the old videos. He says "I was at home with him". The him in question being Jimin cause it was Jimin who was getting teased.

But I think they were sharing living spaces (not exactly living together in a house of their own) since their shared dorm days. Have you noticed the video of the members packing before their BV Season 3 trip?

We see Jungkook sitting on a mattress in a walk in closet, packing for the trip. Then it looks like he walked straight out of that closet into Jimin and Hoseok's room.

This is the same closet where he filmed this video:

I think he was living in that walk in closet which is attached to Jimin and Hoseok's room. We have already seen countless times how Jimin and Hoseok tease Jungkook about how he's coming into their shared bedroom at nights. Jungkook even left his toothbrush next to Jimin's. Also, just keep in mind that Hoseok already bought his own apartment (Trimage) in 2016.

There's also this interesting fact about the timing of Jikook's apartment purchases. Jimin bought his first apartment in 2018 as an investment. It was getting rebuilt. Jungkook also bought his apartment (Trimage) in 2018 where Hoseok also has an apartment. And it was clear that Jimin was living together with Jungkook in 2019 and 2020 cause his apartment was not livable. This is clear from how Jungkook told in BV Season 4 that he only saw Jimin and Hoseok during their break in 2019. The trio was also often seen sharing car rides to official schedules cause they were coming from the same place.

In 2021 Jimin bought his Nine One apartment in the same complex as Namjoon. Now, Jungkook sold his Trimage apartment in 2020, handed over his Yongsan Apartment to his brother in Dec 2020 and bought a house in Itaewon in 2021 but it was let on rent. So, he had no place to live while Jimin had. So, probably they were living together in Jimin's apartment at this time. It actually slips out from Namjoon during this live:

Namjoon says "our house". Namjoon and Jimin are neighbors. But here its just him and Jungkook. So, the "our" implies that Jungkook's living together with Jimin.

Also, there's Bam being more familiar and comfortable around Jimin compared to the other members which we got to see in ITS Season 2. And Jimin mentioning how Bam used to fall asleep in Jimin's arms with his nose nuzzled into Jimin's forearms.

Now shall we revisit the times Jikook made it obvious that they were living together?

1) Jimin saying how both him and Jungkook were together at 4am (It was Jungkook's birthday) when they got the news of Dynamite being No. 1 in BBHot100

2) Jin calling Jimin on his birthday live where Jimin says he's with Jungkook

3) Jimin saying how waking up in the morning and seeing Jungkook's face makes him happy. Thus, implying they share a bedroom together

4) Jungkook wanted to make the LGO MV as realistic as possible so he showed him and Jimin to be sharing a room and also teased Jimin about his morning breath

5) In 2020 BTS Festa Jimin was talking about how he wants to be together with the members as BTS for a long time and Jungkook pipes in to add how Jimin told him the same thing the previous day

6) Jimin being super familiar with Jungkook's sleeping habits. Jimin explaining how Jungkook's face changes while sleeping in the behinds of Lights MV. Jimin imitating how Jungkook snores in ITS Season 1. It was very detailed too. Like how the snoring starts and then revs up. Jimin talks about this again in ITS Season 2

7) Jungkook waiting for Jimin in RUN BTS 127 even though he won the rock, paper, scissor game

8) All those times they jokingly complain about having to wait for the other to finish up so that they can leave for home

9) This conversation:

10) Jimin was Project Manage for BE and asked everyone to mail him their proposals to which Jungkook replied like this:

Cause why mail him when they're living together?

11) Jimin saying that Jungkook takes 50 mins in the shower. The other members seem surprised by this information (Radio Disney Interview 2019)

12) Jimin knowing how Jungkook's alarm sounds though Jungkook said that he keeps changing it constantly

13) Jungkook arriving together with Jimin spotting a hickey

14) Jikook arriving together late for the MBC Radio Show. They were also seen leaving together

15) BTS is gifted knives in the Run BTS cooking episode. All the members are gifted one each. But Jungkook says "We got 2 knives" referring to Jimin's and his knives together

16) Jimin says that he likes to be dressed down while at home to which Hoseok adds " And Jungkook's in charge of the music" to which Jimin completely stills for a second ( Jimin, Hoseok, Taehyung live where Jungkook also later joins in)

16) Arriving together at the airport for their flight (UNGA 2021)

17) Jikook and Jin return to SK after PTD LA. Jungkook and Jin arrives first. Jungkook waits for Jimin to arrive, but gets separated at the cars for quarantine (Dec 6 2021)

Jungkook posts a story on his Instagram (Dec 9 2021)

18) In 2021 Jikook were spotted several times by K ARMY in the district where Jimin's apartment is located at. Their voting district was also the same. They were also spotted taking covid tests at the same health clinic. Those tests are taken in the health clinic based on the district you live in (Jimin's apartment, Jungkook's apartment and Jungkook's house are all located in 3 different districts)

I'm quite certain there's more of these proofs some of which we haven't even seen.

All these basically is confirmation that Jikook were living together.

Now let's see what happened once BTS announced their hiatus in group activities in Festa 2022.

There's so much confusion among the fans regarding this news. And Jungkook comes live as a part of damage control on June 16 2022 from Brunnen apartment. This is the first time we get to see this place. This place is not under his name and had a few furniture pieces from their shared dormitory.

The next live happens on Sept 1 2022 (his birthday) from the same place. We know that its a tradition for the members to do a live on their birthdays. So, thats what this live basically is. He also promotes his photo book then continues the live by singing songs and talking with ARMY.

His next live is on Nov 21 2022 after his Dreamers performance at the World Cup. Its from his hotel room in Qatar.

So, after the hiatus was announced he did only 3 lives. 1st live to reassure ARMY, 2nd live a birthday live and the 3rd after his World Cup Performance.

And then its 2023. Jimin is super busy preparing for his Solo Debut.

Jungkook comes live on Feb 1 2023, midnight. He did this live by his own choice, not authorized by the company. He sings songs including Vibe. Namjoon and Taehyung leaves comments.

The next live is on Feb 3 2023, midnight. Jungkook lights up on seeing Jimin's comment. He invites him over to have chicken. But Jimin is busy, on schedule even at midnight.

The next live is on Feb 11 2023. This time its from his boxing gym. Jimin comments. Jungkook and his boxing coach invites him for boxing. From this interaction we get to know that Jikook have the same boxing coach. Later a stalker leaks a video of him at the same gym, training.

The next live is on Feb 28 2023, noon. He deletes his Instagram the same day.

In March, Jimin's busy schedule continues. Jungkook goes live again on March 3 2023.

Jimin flies to NY on March 13 2023 for his promotions. And the next Jungkook live happens on March 14 2023 (White Day). He does 3 lives back to back and something interesting to note is he wears a different outfit for each of these lives. A black jacket for first live, a white shirt for the second and for the last one a purple hoodie. He comes live a fourth time that night and reminds us to look forward to midnight cause something amazing is coming up at midnight. And at midnight Jimin's SMF pt2 teaser is released.

Now shall we take a look at Jimin's outfits in SMF pt2?

Yeah. Black jacket, White sweater, Purple Jacket. In that exact order.

On March 23 2023 a day before the release of FACE, Jungkook's live again.

So, he just had his first guitar lesson so that he could tease "Letter", Jimin's hidden track in FACE for which Jungkook's credited for his background vocals.

Jungkook's the only other artist who was featured for a song in FACE, Jimin's album which Jimin said is too personal and that's why he did not want other artists to feature in it. Guess this does not apply to Jungkook, right???!! Cause Jungkook's an important part of his personal life.

Jungkook comes live again on March 28 2023 to watch Jimin's Suchwita. This is the first time he's watching Yoongi's show. Cause obviously Jimin was the guest this time. He also watches SMF pt2 and other Jimin videos.

Jungkook changed his Weverse profile to Jimin for a split second

Jungkook's announced as CK's Global Ambassador on March 28 2023.

Jimin does a live on March 29 2023 and Jungkook spams it with 19 comments. This is where he says "I'm Hyung's fan".

At this point, all of Jungkook's March lives had only one intention, to promote his bf's Solo debut. He was so loud and obvious about it.

Jimin goes live on April 3 2023 from his house. If you watch the live you'll notice that there's another gaming chair next to his own (he panicked when he showed it accidentally on camera) which is the same one Jungkook has in his studio. And in my opinion Jimin was not alone at his house. Jungkook's also there with him.

Also, in this live someone comments "I'm Jungkook's wife" to which Jimin's reply is "I think Jungkook's sleeping". Why? Cause Jungkook's sleeping in the next room? I think thats why he's speaking in a low voice. So, that he doesn't disturb his bf who's sleeping in the next room.

On April 8 2023 Jungkook does a short live where he says he had no intention of doing it. He's seen folding his CK briefs and out of them a red brief is seen which is smaller in size compared to the rest. And in AYS we see Jimin wearing CK briefs. Jimin's usually seen wearing Armani briefs for special events and concerts. He never really wore CKs except for that one photoshoot where BTS collaborated with CK for their LY Tear photoshoot.

On April 18 2023, the day Hoseok enlisted Jikook hint about drinking together the previous day.

On April 25 2023 Jimin leaves to attend the Tiffany Event. At the airport he's seen wearing a Willy Chavarria T-shirt. Willy Chavarria is CK's Senior VP of Menswear Design

Jungkook comes live the same day Jimin leaves and the first song he plays is "I Really Want To Stay At Your House". During these days when Jimin is in NYC Jungkook posts about his food, attends LV after party with Mingyu, complains about stalkers sending him food on a Weverse post.

Jimin returns to SK on May 6 2023 and Jungkook disappears from social media.

On May 21 2023 Jungkook posts a pic of Bam. On May 23 2023 Jimin leaves for London. At the airport he is seen with a huge scratch on his arm which looks like a dog scratch. On May 24 2023 Jungkook comes live (not surprised right?)

And then we have Jungkook getting busy for his solo debut which again leaves them little time for each other.

We saw how Jungkook altogether avoids the topic of ms when Jimin brings it up in the first episodes of AYS when it was still uncertain if they'll be able to enlist together. And then he takes a 180, starts talking about ms in AYS Jeju when its confirmed that Jikook are enlisting as companion soldiers.

We hear from Jimin in AYS Jeju that he had a sleepover at Jungkook's house the previous day.

So, its obvious that Jikook who were living together prior to Jimin's Solo debut preparations were forced to spent time apart due to their schedules. However, I think they were having a lot of sleepovers at each other's house whenever possible.

I also think one of the main reasons Jungkook was letting us see his house was because he was gonna move out soon. We also got Jimin who let us us see some parts of his house during one of his lives. And then we hear that some of Jimin's furnitures from his apartment are seen at his Dad's cafe once he started his ms.

Anon, now as promised I'll answer the first part of your ask.

Yes. I think so. Because thats what they have been doing all these years. Living together and sharing a home. So, I assume that's what they're gonna do once they get back. Now let's wait and see what they'll do once they are back after having served their country.

Have a nice day Anon!

Credits to the owner of the video

[in1-nutshell]

How would the tfp autobots and decepticons react to the toy furby

Ooohhh! I remember furby's, granted they were a bit creepy in my opinion. These are a bit shorter than what I usually write, I was trying to get most of the characters in. Let me know if these needed more writing in them.

Hope you enjoy everyone's reactions to the furby's

Autobots and Decepticons reaction to seeing a furby

SFW, mentions of blasters

TFP

How did this all happen? One word to simplify everything: Miko. She thought it would be funny to start leaving these little menaces around the base and to get the bots reaction to it. How did she acquire these furbies, don’t ask any questions. Jack tried to stop her, but she successfully bribed him by promising to send him the video of Arcee’s reaction. Raf promised to edit the videos to be at their finest. Operation: Furby reaction is a go.

Autobots

Optimus Prime

He notices the first furby as it sits innocently near one of the control panels. At first, he thinks that one of those ‘birds’ had entered the base and tried to move the thing.

“Hello little one. How did you get in here?”--Optimus

“SSSQQQQUAAAAKKKK!”--Furby

“I see… Ratchet did you let the creature inside the base?”--Optimus

“Did I do what now?”--Ratchet

Then it suddenly started moving and squawking its native tongue that may or may not have startled the Prime a bit.

He doesn’t mind the furby too much… but does sense something about it.

Ratchet

He notices when he sees Prime slightly startled by something.

He goes to investigate and nearly squashes the Furby thinking it was a scraplet.

“Ratchet! Do not harm the creature!”--Optimus

“Optimus with all due respect, that thing is definitely some sort of scraplet! It might be a different type of mutation but look at it!”--Ratchet

“Ratchet—”--Optimus

“It even looks evil Optimus! I’m getting my wrenches.”--Ratchet

“Ratchet!”—Optimus

He does not care about Optimus’s code on not killing living being. That thing looked at him weird and he is going to end it before it eventually causes trouble.

Bumblebee

Nearly has a whiplash when he sees the little thing. He also thinks it’s a scraplet at first, but slightly calms down recognizing it as one of those human toys he saw on commercial with Raf.

Everything is fine… until it started screeching and moving by itself.

“SSSSSSSCCCCCRRRREEEEAAACCCHHHH!”--Furby

“BBBBBBBEEEEEEEPPPPPPP! (AAAAAAAAHHHHHHHH!)—Bumblebee

Does not like furby’s at all. Claims that they were trying to speak to him.

Arcee

Her encounter with the Furby is short.

Mainly because she saw something move out of the corner of her optic and blasted the poor thing to bits.

“Huh? What on Cybertron—”--Arcee

“SCCCCRREEECCH—”—Furby remains

Blaster firing intensifies.

She doesn’t know what that thing was, but it started it.

Bulkhead

He is running to see where Bumblebee is after hearing him screaming. He has his wrecking ball at the ready and ready to comm in back up if necessary.

“BBBBBBBEEEEEEPPPPPP! (AAAAAHHHHHHHHH!)--Bumblebee

“What is it!?”--Bulkhead

“BBBEEEPP BEP BEEEEPPP (THAT THING RIGHT THERE!)--Bumblebee

“SCCRRREEEAAACCHHH!”--Furby

“AAAAAAAAAHHHHHHHHHHH! SCRAPLET! SCRAPLET! SCRAPLET!!!”—Bulkhead

Absolutely loathe those things. It reminds him too much of the scraplet incident that happened. He would be swinging his wrecking ball if it hadn’t gotten stuck in the wall.

Wheeljack

He is running as soon as he hears Bulkhead and Bumblebee screaming. His katanas are out as is ready for some slicing and dicing.

“BEEEEEPP BEEEEPPPP! (PRIMUS ITS MOVING CLOSER!)--Bumblebee

“SCRAPLET! SCRAPLET! SCRAPLET!”--Bulkhead

“Where’s the danger!?”--Wheeljack

“BEEPPP! (ITS MOVING!)--Bumblebee

“SCRREEEECCCHH—”--Furby

“There, its sliced in half. Huh. You two where afraid of this little cute—”--Wheeljack

“SSSSSCCCCRRREEEAAAACCCHH!”--- The two remains of the Furby

Blaster firing and wrecking ball smashing intensifies.

Isn’t a huge fan of the little things. It’s a bit cute in a creepy way. Does remind him of scraplets if they had gotten some mold and gained some sort of upper-level sentience.

Smokescreen

Like Arcee, his encounter with the Furby is short.

He accidentally stepped on one effectively crushing it.

“SCCRRE—Crunch!”—Furby

“Hmm? Hmm.” –Smokescreen

He is completely oblivious to the tomfoolery that is happening all over the base. He is too busy with looking at the latest relic they managed to find.

Ultra Magnus

He finds a Furby near his work area. He tries to speak to the Furby as he would to anyone else.

“Excuse me but you are in classified—”—Ultra Magnus

“SSSSCCCRRREEEEEAAAACCHHHH!”--Furby

“That was unnecessary and—”—Ultra Magnus

“SSSSSCCCCRRREEEEAAACCHHH!”--Furby

“Listen to—”—Ultra Magnus

“Ultra Magnus move!”--Ratchet

Furby is hit with 10 wretches in one go.

He doesn’t mind furby’s like Optimus. Mainly because he was trying to communicate with it and never got to finish his sentences with it.

Decpticons

No one knows how it was done, but the impossible was made possible. After Miko finished getting all the Bots’ reaction to the furbies she decided to do something else. Somehow, she managed to scatter the remaining furbies on board the Nemesis. How did she do this. Not even Miko quite knows how she did it.

Megatron

He finds the Furby on his throne. He doesn’t know what this thing is, but it is on his throne, and no one sits on his throne except him.

“You! How dare you sit upon my throne!”--Megatron

“SSSSCCCRRREEEAAACCCH!”—Furby

Blaster firing intensifies.

The furby would be gone whether he is on Dark Energon or not. Will not admit it but the furby noise sent a little shiver down his struts. Good thing no one saw that.

Starscream

He finds the furby in his habsuite. He is curious in how this weird looking organic thing managed to find his room. He takes the furby to the interrogation room.

“Who are you? Speak worthless organic!”--Starscream

“SSSCCCRRREEEEAAACCCCHHH!”--Furby

“How dare you! I am Starscream, Second in Command of the Decepticon Army! You will—”--Starscream

“SSSSSCCCCCRRREEEAAAACCCHHHH!”--Furby

“Two can play it that game!”--Starscream

“SSSSCCCCCRRRREEEAAAACCCHHH!”--Starscream

“SSSSCCCCRRRREEAAAACCCHH!”—Furby

He ends up staying in the room with the furby for a while. Takes the furby to his room and plays on doing a hostage exchange if it is needed.

Soundwave

Finds the furby on his desk. Lazerbeak deploys and flies around the small thing. Steps a bit closer to getting a good look at it.

“…”--Soundwave

“SSSSSCCCRRREEEAAAACCCHHHH!”—Furby

He immediately groundbridges the furby outside the Nemesis to have it fall and burn on reentry. He does however keep the screeching noise recorded and will use it if necessary… or if he is bored.

Knockout and Breakdown

The pair enters the medbay and finds the furby on the medslab.

Breakdown looks at it and thinks it’s kind of cute. Knockout on the other hand.

“OH, PRIMUS KILL IT!”--Knockout

“Knockout?!”--Breakdown

“THAT IS UNICRON’S SPAWN! KILL IT! BURN IT!”--Knockout

Breakdown smashes the furby to oblivion. Did he regret it? No, it was causing Knockout stress, and he was happy to get rid of it for him. Knockout knows the furby’s horrors, he knows…

Dreadwing

His time with the furby is short. He accidentally stepped on it as he was trying to get some creates to his habsuite.

“SSSCCRR—Crush!”--Furby

“What in the All Spark? Hmm…”--Dreadwing

He does wonder what the weird noise was, but he has other things to worry about, so he quickly forgets about the encounter.

Shockwave

He doesn’t know they exist. There were no furbies in the lab or in his habsuite. The two places he really goes to. He does hear from the others about the furbies though.

“They sound illogical.”--Shockwave

“You’re illogical!”—Starscream

He doesn’t care about the furbies, he has science experiments and war crimes to commit.

Predaking

He finds one near his kennel and does not like it. Sure, the Nemesis isn’t the greatest place, but that spot is his!

“You! Vermin! Who are you!”--Predaking

“SSSCCCRRREEE—”—Furby

Fire breathing intensifies.

Does not like the noises and is quick to end the furby.

Arachnid

She finds one randomly walking in the halls screaming. She just stabs it and puts it on her trophy case. She doesn’t have time for anything else. She has Arcee and Megatron to kill.

[thewadapan]

So why did Transformers One bomb?

Look, I'm just going to say it right off the bat: no, Transformers One is not the best Transformers movie of all time. I am (gritting my teeth) very happy for every single Transformers fan except me, who all seem to have liked it, and most of whom seem to have loved it. I agree that, as a production, it meets some baseline level of technical competence. It's a perfectly fine movie.

It's also the worst-performing Transformers movie Paramount has ever made.

Hopefully, now that its theatrical run has unceremoniously ended, people aren't going to try to rip me to shreds for theoretically threatening this multi-million-dollar film's box office revenue some miniscule amount by sharing a few teensy weensy complaints with my fifty followers.

Because I do just have a few little nitpicks, which I've tried my best to communicate, over the next 17,000 words of this post.

If you're not a Transformers fan, sorry, this essay is mostly written with the assumption that you've seen Transformers One. However, it might still be of some interest as a window into the current state of the franchise. I've written a basic plot summary of the movie to bring you up to speed, in that case. Because Transformers One purports to be the perfect introduction to the story, no homework needed, I've also done you the courtesy of elucidating background context as needed—think of this less as a review, and more as a history lesson, or maybe a "lore explained" YouTube video. After all, that's pretty much all that Transformers One is.

(And if farcically long posts aren't really your thing, you might prefer to listen to the special episode of Our Worlds are in Danger where my pals and I chatted about the film. Many of the hottest takes and silliest bits in this essay are shamelessly stolen from Jo and Umar.)

We've been waiting for Transformers One for a very long time. It's the first animated Transformers film to get a theatrical release since The Transformers: The Movie came out in 1986. It first entered development around a decade ago. Many fandom members I know online got to see it as far back as June. Its US premiere was in September; those of us in the UK had to wait a full extra month before seeing it, for no clear reason. This is a film which purports to show, in broad strokes, for the first time on the big screen, the origin of the Transformers: where they come from, who they are, and why they're fighting.

By the end of its runtime, Transformers One does not actually answer these questions. Don't get me wrong, it takes great pains trying to answer a lot of different, related questions—just ones which nobody was really asking in the first place: What does the word "Autobots" mean, if not "automobile robots"? What does the word "Decepticons" mean, if they're not actually deceitful? Why is he called "Optimus Prime"? Why is he called "Megatron"? If they were friends, why did they fall out? Why does Starscream sound Like That? Where does Energon come from? If "Prime" is a title, what were the other Primes like? How do Transformers transform?

Writer Eric Pearson, coming onto the project as an outsider to Transformers, describes having to go to Hasbro to ask these kinds of questions:

they had a script that outlined the story that they wanted to tell. I knew Optimus Prime and Megatron and I knew Bumblebee as well, or B. I had to ask about some of the other deeper ones, the mythology, “what exactly is the Matrix of Leadership?” Stuff like that.

See, Hasbro does in fact have the answers written down somewhere. The story as I understand it goes something like this. During the wild west of the '80s and '90s, Transformers "canon" was largely a by-the-seat-of-your-pants consensus-based affair between the freelance writers and copywriters the toy company would bring on to advertise their toys. That changed around the turn of the millennium, when late later-CEO Brian Goldner saw how Hasbro's licensed IP lines (such as Star Wars) were more financially successful and realised they could make more money by aggressively promoting their own in-house IP, which they didn't have to pay licensing fees for. (For the curious, a similar thought process at rival toy company Lego was what led to their creation of BIONICLE.)

The guy basically singlehandedly managing the Transformers brand at the time, Aaron Archer, eventually set to reconciling all the self-contradictory lore surrounding Transformers, an endeavour which dovetailed into the creation of the HasLab internal think-tank (best known for Battleship, the 2012 store-brand Michael Bay knockoff which was a failure critically and commercially but not in my heart) and ultimately the creation of the so-called "Binder of Revelation", an internal story bible which cost over $250,000 to produce and has strongly influenced nigh on every piece of Transformers media released since, but which we hadn't actually seen until it got leaked a week ago. As it turns out, the document itself (compiled mostly by marketers and toy designers) is patently useless to any writer: it's a typo-ridden internally-inconsistent wishy-washy mess that mostly describes the characters in terms of a made-up form of Transformers astrology that has otherwise never seen the light of day.

So although the Binder is the baseline story bible for most modern Transformers media, its influence isn't direct per se; it's more accurate to describe it as being an elaborate game of telephone between high-profile cartoons, comics, and other internal documents, with the Binder itself apparently just sitting in a drawer somewhere at Hasbro; Eric Pearson says that he never received a "binder", with the "script" he mentions either being the earlier draft from Andrew Barrer and Gabriel Ferrari (the guys who originally pitched the story), or some other unseen internal document. Director Josh Cooley, however, definitely seems to have been physically handed the Binder or its mass-market adaptation:

I knew that there was a lot of origin to be told, and when I first started, [Hasbro] gave me the Transformers Bible. I could not believe how big it was. I was like, "This is way more than I ever anticipated."

When trailers first dropped for Transformers One, a lot of my friends who are savvy were immediately like: "Oh, this is a weirdly faithful adaptation of the Binder of Revelation, huh."

I. The One True Origin of the Transformers

Half of the people reading this are Transformers fans, and half of you literally could not give less of a shit about Transformers, so if you're in the 'former group (so to speak), you'll just have to bear with me while I bring the rest of us up to speed.

Before the Transformers' civil war begins, Cybertron is being oppressed by the Quintessons. The Quintessons are a race of five-faced aliens (as in, not Transformers), who execute everyone they come across, first introduced in The Transformers: The Movie, presiding over a kangaroo court on a castaway world. In the followup cartoon five-parter "Five Faces of Darkness", writer Flint Dille established that, gasp, they were actually the original creators of the Transformers! But basically nobody else at the time was particularly compelled by this idea, it seems, with most fans preferring the more mythological origin story conceived by Bri'ish writer Simon Furman for the Marvel comics. I think people kind of just didn't like to think of the Transformers as being robots—mass-produced, a fabrication, programmed—as opposed to an alien race of thinking, feeling beings like us. But because the cartoon was important to many kids, a lot of early-2000s media tried to reconcile the cartoon and comic origin stories by stating that the Quintessons didn't actually create the Transformers; rather, they simply colonised the planet early in its history and pretended to be the Transformers' creators, until the truth came out and they got kicked offworld. This is how the Binder of Revelation ultimately paid lip service to the Quintessons. In Transformers One, the Quintessons are just sort of here, they're these evil aliens secretly skimming Energon from its miners, they don't speak English (or whichever language the film was dubbed into in your market region), they're just these nasty societal parasites.

Energon is Transformers fuel. In the original cartoon, it was these glowing pink cubes the Decepticons were always trying to produce using harebrained Saturday-morning-cartoon energy-stealing devices. There was a Cold War going on, America had just been through an "energy crisis", maybe you're old enough to remember any of that. Transformers are these big, complicated machines, so I guess the idea is they need this hyper-compressed superfuel to run off, and their homeworld has run out. By the time of the Binder of Revelation, the concept had been telephoned to the point where Energon is like the lifeblood of Primus or some shit.

Primus is the Transformers God—but not the kind of God you have "faith" in, rather this actual guy whose existence is objectively known in various ways. He transforms into a planet, that's kind of cool, right? Where does Primus come from? Look, it doesn't matter, he's like, the God of Creation, he was there at the start of time. He created all of the Transformers. All the other species in the galaxy, though, they evolved naturally thanks to "science". Actually wait, didn't that Quintus Prime guy go around the universe seeding all the planets with different kinds of Cybertronian life? That's why they're called Quintessons. See, now you know. Who's Quintus Prime?

Okay, so the Thirteen Original Transformers, or the Primes, are the thirteen original Transformers created by Primus. Most of them correspond to different kinds of Transformer: Nexus Prime is the god of Transformers who can combine, Onyx Prime is the god of Transformers who turn into animals, Micronus Prime is the god of Transformers who are small, and Solus Prime is the god of Transformers who are women. You might remember the Primes from Revenge of the Fallen, although there were only seven of them there for whatever reason.

Honestly, The Fallen was the only one who mattered for a long time. The whole reason there's thirteen of them is because thirteen is kind of an unlucky number, right? Twelve would've been fine. But throw in a thirteenth guy, and he betrays everyone, he's this fucked up evil guy. In the Binder of Revelation, though, the Thirteenth Prime is his own special guy shrouded in mystery, because they kind of liked the idea that Optimus Prime would secretly turn out to have been the Thirteenth Prime all along, and he just forgot or something, because that means he has the divine right of Primes. In IDW's 2010s comic-book reboot, the Thirteenth Prime was called "The Arisen"—in reference to that one line in The Transformers: The Movie, "Arise, Rodimus Prime!" (this margin is too narrow to explain who Rodimus Prime is). Towards the end of his run, writer John Barber did some actually interesting stuff with the concept, playing with the ambiguity over whether-or-not Optimus Prime was actually the chosen one.

All of Optimus Prime's immediate predecessors as Autobot leaders, Sentinel Prime, Zeta Prime, the lineage seen in "Five Faces of Darkness"... they're all false Primes. They're Primes in name only. In fact, IDW had a whole procession of these cartoonishly evil dictators thanks to a few continuity errors leading to the addition of a couple of extra narratively-redundant fuckers. Transformers One tries to simplify it slightly by just saying that Zeta Prime was one of the Primes for real—occupying that thirteenth "free space"—and it was just Sentinel Prime who was only a normal Transformer pretending to be a Prime, then Optimus Prime who's a real boy.

But if he's not a Prime from the start, Optimus Prime needs another name in the meantime. In the '80s cartoon episode "War Dawn", before he was called Optimus Prime, he was called "Orion Pax". Have you noticed that Optimus Prime is kind of an odd-one-out amongst all the straightup-English-word names like "Bumblebee" and "Ratchet" and "Jazz"? That's because his name was one of a tiny handful from very early in the franchise's development, before writer Bob Budiansky came onboard and came up with identities for the vast majority of the toys. Practically everyone Bob Budiansky named is called like, "Bolts" or some shit, long before the characters even know of Earth, which has always just been a contrivance of the setting you're not supposed to think about.

Presumably to create a parallel with Orion Pax's transformation into Optimus Prime, someone at Hasbro in the 2010s came up with a new name for the bot who would become Megatron: "D-16". In real-world terms, this was nothing more than a dorky reference to the Megatron toy's original Japanese release being number 16 in the line ("D" stands for "Destron", which is what they call Decepticons in Japan). But in-universe, the name "D-16" was drawn from the sector of the mine where he worked. I don't get the impression it was originally intended to be part of a broader pattern.

Which is why I'm baffled as to what the hell the reasoning was behind Bumblebee's pre-Earth name, "B-127". There's this bizarre situation in the Bumblebee film, where the name "B-127" first cropped up, where literally every other bot gets a normal cool name with personality like "Cliffjumper" or "Dropkick" except for Bumblebee, who is stuck with this clunky sci-fi name until he makes friends with a human teenager on Earth and she gives him the name Bumblebee. I guess I don't find it confusing that the writers would (correctly) realise it's a bit weird for Bumblebee to be called Bumblebee on an alien planet where bumblebees don't exist. What I find confusing is that they didn't extend that logic to any other character.

So despite everything else in the franchise's direction pointing away from "robot" and towards "alien", Transformers One ends up with this ridiculous situation where two of the most important guys are, for practically the whole movie, simply referred to as "Dee" and "Bee", I guess because the writers correctly realised the numbers sound fucking stupid.

And if you squint, "Elita-1" sorta fits this naming scheme. But the great irony of it is that the very same cartoon episode which coined "Orion Pax" simultaneously established that Elita-1 also used to go by a different name: "Ariel"! Like the Little Mermaid. Y'know, because an "aerial" is a type of electrical component- oh, forget it.

By the time the script made it into Eric Pearson's hands, it's obvious that he simply was not thinking about it that deeply. He describes the genesis of a scene where Bumblebee introduces his imaginary friends, "A-atron, EP 5-0-8, and Steve." A-atron was impov'd by Keegan-Michael Key as a reference to one of his own skits on Key & Peele. Steve ("He's foreign.") was literally just because Pearson thought it would be funny. It's true that Steve is an inherently funny name, and I guess if you're struggling to come up with jokes of your own, it can be handy to fall back on something which is inherently funny.

And again, our silly answers to these silly questions beget yet more questions. If he started out as "D-16", then where did the name "Megatron" come from? And if all the Primes have epic made-up fantasy names, then surely that one guy can't just be called "The Fallen", right? That's not a name, that's an epithet. Unfortunately, someone at Hasbro had the bright idea to answer both these questions at once: The Fallen's real name was "Megatronus". Later, for consistency, they threw on the title, and we get "Megatronus Prime", which sounds like what a thirteen-year-old on deviantART in 2014 would call their Steven Universe fusion of Megatron and Optimus Prime. So you see, Megatron actually named himself after Megatronus Prime, famously the most evil of the Primes. In Transformers One, this is changed slightly so Megatronus is merely the strongest of the Primes, as part of its overall effort to make Megatron not look completely insane.

Which, it must be said, is a tall order. Better stories have tried and failed. Back in 2007, Scottish writer Eric Holmes came up with Megatron Origin, a perfectly-fine comic miniseries which drew heavily from the miners' strikes that took place in the UK from 1984-1985, coinciding with the inception of the Transformers franchise. In that comic, Megatron is a lowly miner who, through a series of chance events, winds up at the head of a dangerous political revolutionary movement.

For some reason—I guess because nobody had ever tried to make Megatron anything other than a bloodthirsty cackling madman before—this take on Megatron as a guy who rose up against a corrupt system became the defining interpretation of the character, copy/pasted pretty much wholesale into the Binder of Revelation. Orion Pax also opposes the system, and bonds with Megatron over it, but they disagree on how to fix it: Pax believes in peaceful reform, Megatron just loves to kill. In Transformers One, the problem everyone has with Megatron is basically "whoa, this guy's a little TOO angry!" and there's a point towards the end of the film where Megatron suddenly starts jonesing to kill literally anyone who stands in his way, because he's irrationally angry.

The core problem here—and it's kind of the Magneto problem, the Killmonger problem, whatever better-known example you care to insert here—is that these guys all fundamentally exist just to be a big villain who loves to kill people and who ultimately gets defeated, but the kids who grew up on this stuff in the '80s are now adults who are no longer satisfied with cardboard cutout villains. People like a complex villain, they like a villain who has a point. They like to root for both sides. And in fact, it's easier to sell more toys to people who are rooting for both sides, if your villain is just another kind of hero. But you don't really need to take the same effort with the good guys: they're good by design, righteous by nature. They don't need to stand for something, they just need to stand against the guy whose whole thing is that he loves to kill people.

But again, we're starting from a place where the evil faction—who half the planet will ultimately align themselves with—are literally called "Decepticons". It's a name you'd only ever call yourself ironically, maybe reclaiming it from your enemies. In this film, there's some tortured logic that implies they're called Decepticons because they were deceived by Sentinel Prime. Like if you met a gang of guys who call themselves "The Robbers", but it turns out to be because they got robbed one time, and they actually have zero intention of stealing from anyone.

The Autobots are easier, of course. "Auto" is a prefix that just means, like, the self, or whatever. And the most agreeably American ideal of all is selfishness the power of the individual, the freedom to seize one's own destiny. Prime's original '80s motto, "Freedom is the right of all sentient beings," is bastardised in Transformers One into the slightly less rolls-out-off-the-tongue "Freedom and autonomy are the rights of all sentient beings," because (I can only assume) they forgot to work the word "autonomy" earlier into the script. If they ever greenlit Transformers Three, I suppose the motto would have ended up as something like "Freedom, autonomy, ruthless efficiency, and an almost fanatical devotion to the Pope are the rights of all sentient beings." Even though bodily autonomy is one of the most salient motifs present in the film—all but referred to by name—I suppose the filmmakers were worried that you might think, when Prime says "freedom", that he actually means something completely different. So now you see! "Autobots" is actually the descriptive name of a political movement which believes in obviously good things. Like "Moms for Liberty".

Okay, so the cannier among you have probably spotted the mean rhetorical trick I'm pulling with this encyclopedia-entry-ass introduction. By sarcastically relitigating all the storytelling choices I dislike from the last 20 years of Transformers lore, I can build up a negative association with Transformers One without even reviewing the movie itself! On a subtextual level, I'm deliberately misattributing these bad ideas to the filmmakers, conveniently ignoring the mountains of evidence to suggest that they were just trying to make the best of whatever Hasbro handed them from on high. If anything—you might think—the filmmakers deserve even more credit, for spinning this shite into something even remotely good on the big screen.

Like, you'd be wrong, but I can see why you might think that.

II. The Spider-Verse of Transformers

Okay, I can see that I've spat in your soup. I'm sorry. There are lots of good bits in Transformers One. I can even think of one or two of them off the top of my head, without really racking my brains.

Maybe halfway through the film, there is one specific moment where the story suddenly promises to get good. You can pinpoint it down to the word, down to the frame even. Our heroes have just discovered that their planet's leader, Sentinel Prime, is a complete fraud who's been secretly exploiting them ever since they were born—and worse, castrated them by removing their transformation cogs. They are all very cross about this. Orion Pax expresses that he wants to come up with a plan to expose Sentinel Prime. Megatron is too angry to listen. Orion Pax asks, "Don't you want to stop him?" And Megatron replies, "No, I want to KILL him!" And there's like, a little tint of red creeping into the glow of his eyes.

Whoa. Chills. Up to this point in the film, Megatron has been kind of surly at times, but he's otherwise a generic kids' movie protagonist. He's often chipper. He makes quips. He has this banter with Orion Pax where he's always complaining. It's literally that one "Optimist Prime"/"Negatron" comic, committed to film. Like I'm not even being facetious, one of the film's few obligatory "emotional moments" has Elita-1 sit Orion Pax down and say, "You know what I love about you? You always see the bright side. Like you're some kind of OPTIMIST or something." And then later completely unrelatedly God gives him the mandate of heaven and says "ARISE, OPTIMUS PRIME!" Y'see, as originally conceived, "Optimus" is the word "Optimum" if it was a name, which is why people sometimes localise his name as "Best #1". But it's genuinely kind of cute to reverse-engineer the etymology as coming from "optimist", I guess. Like, it's stupid, but it's cute.

Argh, I got distracted with naming minutia again! Entirely my bad. That's the last time, I promise. Where was I? Right, we'd just found out that Megatron is kind of scary. Brian Tyree Henry's line delivery as he growls "KILL" is his crowning achievement in this film.

Where Optimus Prime's character arc in this movie sees him change from a funny, rebellious spirit to a complete personality vacuum, Megatron's character arc is kind of the opposite. When we're first introduced to him, it's weirdly hard to get a handle on who he is. He's a fanboy for Megatronus, the strongest and most morally-unremarkable of the Primes. He looks up to Sentinel Prime. He likes sports. He doesn't like breaking the rules. In fact, we get the sense that, were it not for his friendship with Orion Pax, he would be literally indistinguishable from the legion of silent crowd-filling background characters he works with. But the moment he starts to become Megatron, it's like everything starts to click. Gears catch, where once they ground and idled. There is something in this guy that was made to fight, made to kill, made to rule. It's sick.

And the underlying tension in his friendship with Optimus suddenly snaps into focus. Megatron is mad at Sentinel Prime, but Sentinel Prime isn't there, he's somewhere else, far below... and he can't help but turn that anger on the next closest thing to an authority figure he has in his life, which is his peer-pressuring bestie, Orion Pax. There is a part of Megatron that wishes he'd never learned the truth, and he blames Orion Pax for his cursed knowledge, for constantly leading them into predicaments on his stupid flights of fancy. Now that he knows, he can't go back to how he was. He can't stop thinking about it.

I'll be honest, it rules. Obviously it rules. It's complicated and toxic and darker than this movie was marketed to be. In interview, Josh Cooley describes the draft of the script he was presented with when he joined the project as having been far more jokey, light-hearted, glib—and it seems we can credit him for saying "Look, this ain't right, the minute the credits roll these guys are going to be at civil war for millions of years."

So, they started talking about it in — what did you say, 2015? I came on board in 2020, and when I came on board there was the first draft of the script. So I don't think they'd been working on it that entire time, but they'd been thinking about it, for sure. And the script that I read was a little more comical? But it was clear that that wasn't the right tone for this film specifically, because we know there's gonna be a war, civil war on Cybertron, you can't have everybody making jokes and then all of a sudden there's a war. So, um, the stakes were really important for this film. And because our characters at the beginning are a little naive, and just on the younger side, not as experienced, it allowed more freedom for them to be a little looser and have fun really getting to know these characters. But once they realize something's going on and things are getting real, it needs to get real.

Cooley also describes his "in" on the film as being the brotherly relationship between Optimus Prime and Megatron (they're not literally brothers in this film, though they have been in the past), which perhaps explains why Megatron and Optimus Prime get to be characters, instead of just like, guys who are there.

That was always the goal from the beginning and what got me on board. It was this relationship between these two characters that was very human and brotherly. I thought about my relationship with my brother and how I could bring that in. It’s not like we’re enemies, but we grew up together and then went down our different paths, but we’re still brotherly. I became a writer-director and live in a fantasy land, and he became a homicide detective who deals with reality, so we’re two very different mindsets. I have always been fascinated by the idea of two people who come from the same place but end up in different ones. From the very beginning, I was like, ‘That’s something I can relate to.’

Anyway, things I liked, what else. There's that joke at the very start, after the excruciating lore powerpoint, where Orion Pax does a fake-out like he's going to transform, the music briefly swells, and then it just cuts to him legging it down the corridor. In a similar vein, I liked the idea behind the Iacon 5000, where Orion Pax has them run in the race. I felt like the execution of the race left a bit to be desired—the only other participant who matters is Darkwing—but it's still honestly the best big action setpiece in the film. There's also that bit at the end where Megatron and Optimus Prime are both changing into their final forms simultaneously, and it's basically a Homestuck Flash (what would that be, "[S] OPTIMUS PRIME. ARISE."?), so obviously I liked that. Oh, and I really liked the environment design where the planet's landscape is constantly transforming, that's brand-new, someone had an Idea there, and it creates visual interest during the initial Energon-mining scene... even if I wished it had actually paid off in a more meaningful way than "the planet's crust opens as Prime falls to get the Matrix"—like, someone really should've gotten eaten by the planet, that's a cracking Disney death scene and they left it on the table! I also liked getting to see my blorbo, Vector Prime, on the big screen.

I think, as a Transformers fan who's had to sit through a lot of really quite sexist, racist, and plain bad films, you're well within your rights to come out of this one ready to give it a fucking Oscar. You should be ecstatic! It has none of those pesky humans clogging up the frame. It has plenty of robot action. It has jokes which- well I struggle to call many of them "funny", but they're at least trying to be funny in a different way to Michael Bay's films. The film is obviously a massive love letter to... honestly every part of Transformers except the live-action movies. It is an incredibly faithful and earnest adaptation of all the lore and iconography that has randomly accumulated the way it has over the last forty years of bullshit.

My main point of contention, then, is with the overriding sentiment I'm seeing from pretty much everyone else in the fandom: that this is not just the best Transformers movie, but that it's a great animated movie period, that it does for Transformers what Into the Spider-Verse did for Spider-Man, what The Last Wish did for Puss in Boots, and what Mutant Mayhem did for Teenage Mutant Ninja Turtles. That, in effect, this film will make you "get it". That it's better-looking, better-written, and more meaningful than a silly toy commercial has any right to be.

I think you can definitely see some loose influence from Spider-Verse in the overall look of the film—particularly in its color grading, and in the design of its main setting, the underground city of Iacon, where the upside-down skyscrapers hanging from the ceiling evoke the iconic "falling upwards" shot from Spider-Verse. Like The Last Wish, it's an animated franchise film that spent much longer than you'd think in development, only for the release of Into the Spider-Verse to have an immediate impact on its visual style... without actually affecting the basic story to the same extent. Both Transformers One and The Last Wish, in many ways, feel like stories concocted using an older formula; in particular, Transformers One bears startling similarities to a similar toy-franchise-prequel, BIONICLE 2: Legends of Metru Nui, which was released twenty years ago! By contrast, Mutant Mayhem—which had a much shorter development period—is a direct reaction to Spider-Verse in both aesthetic and narrative, and it has a much more distinctive creative direction as a result.

If you look at how all these titles have performed in cinemas, I think you can make a pretty strong case that audiences are perfectly willing to go out and see this kind of flick. A glance at Wikipedia tells me that Mutant Mayhem, The Bad Guys, and The Last Wish grossed double, triple, and quadruple their budgets respectively. In terms of the pre-existing cultural cachet they were banking on, we're talking about Teenage Mutant Ninja Turtles, a children's book series I'd never heard of, and fucking Puss in Boots. You cannot tell me that Transformers, as a brand, is on the same level as any of these properties. Meanwhile, Transformers One hardly broke even, while The Wild Robot—another DreamWorks film based on a children's book I've never heard of, which it ended up competing with in theatres—grosses three times its budget. My friends who've seen The Wild Robot say it made them cry.

Face it: Transformers One has not lit the world on fire. I've seen a lot of people cope with this by suggesting that it's to do with the film's staggered release, or even by claiming that the film's marketing was somehow misleading. I'll be honest, upon seeing it, it did not strike me as being at all dissimilar to the trailers. You can maybe say that the trailers undersold the depth of Orion Pax's and Megatron's relationship—which is its best aspect—but honestly, I think if they'd taken a lot of those scenes out of context and put them in early teasers, audiences would've laughed it out of theatres. Like, c'mon, it's toy robots, stop pretending it's Shakespeare. And otherwise, what you see is what you get; it's exactly what it says on the tin.

I wonder how many Transformers fans, on some level, have noticed that even when we're supposedly "eating good", and watching "peak cinema", our films just aren't as good as everyone else's. They're something you'll enjoy if you're already highly predisposed to enjoy them. But otherwise, they're not turning heads. They're not as funny, or as heartfelt, or as complex, or as exciting, or as charming, or as memorable, or as beautiful as these other films. Unlike with Spider-Verse, there's no word-of-mouth amongst normal people to say that this is a film worth seeing.

What I perceive in studios hoping to recreate the flash-in-the-pan success of Spider-Verse is a misunderstanding of what made people go crazy for that movie in the first place. Yes, it changed our conception of what an 3D-animated film could look like. Yes, the multiverse is very cool and all that. Yes, it had a huge IP attached to it. But on a more fundamental level, that movie has a fantastic story underpinning it. The script is razor-sharp. The story is beautifully complex. The vision of New York City it presents is a living, breathing place, populated by real people. It has the kind of craft to it that can only come from truly obsessive creators cultivating an absolutely miserable professional environment for a legion of passionate animators.

In interview, Transformers producer Lorenzo di Bonaventura actually spoke surprisingly candidly about his view on crunch:

I probably shouldn't answer this question, because I'm not exactly PC on my answer. I think the nature of filmmaking is, we're really lucky to work in a business that's about passion. Passion doesn't fit really well into a timeline, so inevitably you come to a crunch time. It's just true in the live action, it's true in every movie, and authors always tell me that about when they're writing their books — it's the same thing happens to them! There's something about the creative process that's not — it's unruly. So, I think if you're enjoying it, you need to recognize that. Like, you know, I don't wanna abuse anybody, and y'know — if you get into that period where people have to really work too hard, you gotta help them in that situation, then. 'Cause it's gonna come. It does on every movie. I've never seen it not come, no matter how well you plan, et cetera. 'Cause it's not a science what we're doing at all, and there's all these discoveries that happen near the end, which makes you go "oh, let's do some more, come on!". We discovered that on this movie, where we're calling ILM going "we've got a few ideas, you know, do you have enough man-hours?". [...] Like, you gotta be conscious of it — in live-action, for instance, there are some studios that are so cheap that when you're on — sort of medium location-distance and you're shooting 'til midnight, they don't pay for a hotel room. It's like, well, no-no-no, you pay for a hotel room. You protect the people.

According to everyone who worked on Transformers One, everyone who worked on Transformers One was very passionate about it. But there are parts of this film where I think you can say, pretty objectively, that it's falling short of its intended effect. So I guess maybe they weren't that passionate. I'm not saying that to be mean! It's just... isn't that better than the alternative—that this was the best they could do?

III. I did not care for The Godfather

At one point in the film, the gang's magic map leads them to a scary cave, which looks like this:

Bumblebee fills the dead air by saying, "A cave, with teeth. Nothing scary about that!" The joke here is that this is a cave that looks like a mouth. But as depicted, it's a cave that looks like a mouth that doesn't look like a cave! I get that this is an alien planet, but stalactites don't grow that way on Earth, so when you see the cave onscreen, your gut reaction isn't "oh my, what a frightening cave!". No, this is a cave that makes you say, "that's not a cave, that's some kind of alien monster".

(It's not like "cave turns out to be a monster" would in any way be a fresh twist. In BIONICLE 2: Legends of Metru Nui, there's a bit where a character swims into a scary cave, and it turns out to be the mouth of a massive sea serpent. In The Empire Strikes Back, the Millennium Falcon briefly hides in an asteroid tunnel which turns out to be a giant space worm. So I'm definitely not saying Transformers One would've been a better film if it had used this stock trope.)

Then once the heroes go inside, we're whisked off to an entirely different set of concept artwork, for this lush organic underground paradise. There's no danger there. The cave itself is reduced to a strange little footnote. Maybe it's only in the story because a concept artist drew it before they'd worked out the finer points of the narrative, and Keegan-Michael Key just ended up ad-libbing the "teeth!" line when he was told to vamp for a few seconds. Or maybe the teeth gag was fully written into the script from the start, and the environment artists just interpreted it way too literally.

Like, I'm sorry, I don't mean to start off on the wrong foot here by harping on about the cave thing—it's not a perfect example anyway—but to me it's a microcosm for my frustration towards what I perceive to be a lack of creative vision in this film. So much of the film feels like it's not there to be entertaining, or meaningful, or narratively load-bearing... it's just obligatory, something they threw in for the sake of having anything at all. It's colors and sounds. When you see the spiky shape onscreen, you think, "ooh, this film was pretty bouba earlier, but now it's more kiki!" They get the comedian to improvise a few one-liners while the characters walk from place to place. And it's like, yes, this is a film for children. Of course the heroes have an adventure map with a big red X on it. In many respects this is a glorified episode of Pocoyo, or the modern equivalent, which I guess is "Baby Shark | Animal Songs For Children".

Nowhere is this sense of "we are obliged to put this in the movie" felt more strongly than in its supporting cast. When you look closely, you notice that Bumblebee and Elita-1—placed prominently in the film's marketing and being technically present for much of its runtime—don't actually do anything of narrative significance. They don't make choices that impact the story; they're just there, and it would not take much rewriting to excise them entirely, so it's just Orion Pax and Megatron on their little adventure. In fact, I'll just come out and say it: I think Transformers One would have been a better movie if Bumblebee and Elita-1 were not in it.

It helps that, from a Doylist perspective, the motivations for their inclusion are perfectly transparent. Firstly, think of the merchandise! Secondly, in Bumblebee's case, it's fucking Bumblebee, he's the whole reason half the kids will be watching, you can't not have him in there. Whenever Bumblebee's not onscreen, all the other characters should be asking, "where's Bumblebee?" Also, I think the creative team felt that they could use Bumblebee tactically to balance some of the darkness in the story.

In the G1 cartoon, Bumblebee just has the default Autobot personality—good-natured, a little sarcastic—with the dial turned a little more towards friendliness. There's this iconic anecdote from the production that cartoon, where writer David Wise found himself in exactly the same situation Transformers writers are finding themselves in forty years later: he was told to write a story about something called "Vector Sigma", and he had no fucking clue what Vector Sigma was supposed to be. So he asked story editor Bryce Malek, who also had no fucking idea. Malek in turn asked Hasbro, and was told that Vector Sigma was "the computer that gave all the Transformers personalities". Upon hearing this, Malek said, "Well, it didn't do a very good job, did it!" Vector Sigma, in case you missed it, does actually appear in Transformers One, as the polygonal shape that transitions into the Matrix of Leadership in the opening powerpoint; I guess they're one and the same now. Some things never change: in Michael Bay's Transformers movies, there is again just a single default personality that every single Autobot shares, a braggadacious action-hero facade over genuine bloodthirst. Who can forget that iconic moment in Revenge of the Fallen where Bumblebee rips out Ravage's spine in grisly slow-mo?

Aside from the fact that he's small and yellow, Bumblebee in Transformers One bears very little resemblance to any incarnation of the character kids might be accustomed to. Instead, he occupies a stock comic-relief archetype, he's a zany guy who goes "Well, that just happened!" If anything, his one joke in the third act—wanton murder—reads like it could maybe be a reference to his many Mortal Kombat fatalities in Bay's films. Beginning in 2007's Transformers Animated, Bumblebee has sometimes possessed deployable "stingers" that flip out from his hands, as a fun action feature for toys. Clearly someone on Transformers One saw this and thought it was the funniest fucking thing that Bumblebee has "knife hands", because the character spends the third act of the movie just shouting "knife hands!" and cutting people in half like a medieval terror.

(In the UK, Bumblebee's lines were re-recorded at the last minute so he says "sword hands" instead. This is because in the UK, we generally aren't able to kill each other using guns, so it's knives that are the big armed-violence boogeyman. Everyone's always talking about how all the kids have knives. And look, I'm not someone to indulge in moral panic, but genuinely, when I look at Bumblebee chasing around people with knives, saying, "I'm gonna cut these guys, watch!", I'm like... what the fuck were they thinking when they wrote that?)

Frankly, whatever is going on with Bumblebee is just an entirely different movie to everything else that's happening. When Bee shanks his twelfth nameless lackey in a row, the movie's like, awww, you're sweet! But when Megatron tries to kill the one (1) evil dictator who's just fucking branded him, who's still lying to his face while his people continue to die to the guy's fuckin' honor guard, Optimus Prime is like, HELLO, HUMAN RESOURCES?

Bumblebee is solely here to be funny, but there's a point in the film where it needs to become a war story, and the best they can think to do with Bumblebee is to have him kill people but in like, a funny way.

As for Elita-1... look, to put it very bluntly, she is in this movie to be a woman. Transformers has had a long, long forty-year history of boys'-club exclusionism, if not outright misogyny, and each new series usually has a token female character, as a kind of fig-leaf for the fact that really, the only fucking thing Hasbro cares about is that the boys are buying the toys. Beginning in the 1986 movie, it was Arcee who got to be "the pink one" for many years of fiction—but not toys, y'see, when parents want to buy something for their beloved young lad, they don't buy "the pink one", no sir. In the 2010s, wow-cool-OC Windblade took over for a stint as leading lady, decked out in a commercially-non-threatening red color scheme. Recently, though, it's been Elita-1—Optimus Prime's girlfriend from the original '80s cartoon—who's been the go-to female character, and she's increasingly allowed to be pink.

There is a lot of love for these characters amongst creatives and fans alike, and especially in the last decade, female Transformers have been both more numerous and better-written than ever. Unfortunately Transformers One, which depicts Elita-1 as an arms-crossing career-obsessed buzzkill, whose arc sees her learn her place in deference to a less-competent man... well let's just say it struck me as a significant step back in this regard.

There's this great interview with Scarlett Johansson, voice of Elita-1, where she's trying to describe what makes her character interesting, and it's like she's drawing blood from a stone. She's like, "yeah, so Elita-1, I would say, she's on her own journey, because at the start of the film it's sort of like she's working at a big company, you know, and she wants to get a promotion, but then later on she learns that she can't, y'know, get a promotion". Look, it's not that Scarlett Johansson does a bad job—in fact, considering the material she's working with, she practically carries Elita-1 entirely on the back of her performance—it's just that I can't shake the impression that the filmmakers would rather pay Scarlett Johansson god knows how many thousands of dollars than try to think of a second actress that they know of.

As I've already complained, Transformers One has a pretty thin cast, but it effectively only has two other female characters who do anything. Airachnid is a secondary antagonist, Sentinel Prime's spymaster/enforcer, and it's clear that some concept artist really fucking popped off when designing her. She has eyes in the back of her head, and it's ten times creepier than that makes it sound. Her spiderlegs also create some visual interest during fight scenes. As a character, Airachnid has zero internality and is not interesting, but she is cool, so you'll get no complaints from me there.

The film's other other female character is Chromia, who wins the Iacon 5000 race at the last moment. She really comes out of nowhere to clinch it. It's funny, because the leaderboards show this one guy, Mirage, hovering near the top of the rankings for almost the whole sequence. And Chromia's character model really looks suspiciously like Mirage's. In fact, there's a different character who stands around in the background a couple of times who looks much more like Chromia. Funnily enough, that background character is even called Chromia in concept art! So if you connect the dots, it really seems that the "Chromia" who is the best racer on Cybertron was originally meant to be Mirage, a guy, until they switched the character's gender at the very last minute, and didn't bother changing the leaderboards to match.

There are two possible explanations for this. The first is that Mirage was the dark horse of Rise of the Beasts, and for some reason they felt like his depiction in Transformers One would've gotten in the way of their plans for the character somehow. It's plausible, I guess. The second, infinitely funnier option, is that at some point someone working on the movie realised that they only put two women in the film, scrambled to look through the feature to find a suitable character to gender-swap, only to discover to their horror that they'd forgotten to put in any characters whatsoever. Fuck it, the racer guy! He can be a girl. Diversity win, the fastest class traitor on Cybertron... is a woman!

In case you were wondering about the Transformers One toyline leaderboards, by my count, Orion Pax has ten new transforming toys currently announced or in stores, Bumblebee and Megatron have six each, Sentinel Prime has four, Alpha Trion has two, Elita-1 has two, Airachnid has one, Starscream has one, Wheeljack has one, and the Quintesson High Commander has one. In fact, one of Elita-1's toys—the collector-oriented high-quality Studio Series release—isn't scheduled for release until some undetermined point later next year, and she was entirely absent from leaked lists of upcoming releases, which to me smacks of "we realised last-minute that it would look really really bad if we didn't bother to release a good toy of the one woman in the film". Oh, and obviously, Chromia has no toys—but there is an "Iacon Race" three-pack consisting of Megatron, Orion Pax... and Mirage. Go figure.

The thing is, all of the stuff I'm grousing about here is pretty much standard fare for kids' films targeted more at boys. Hell, even The Lego Movie—which is basically the gold standard of toy commercials—gave supporting protagonist Wyldstyle a pretty similar arc to the one Elita-1 gets here, which was probably the weakest element of that film. Evidently conscious of this, Lord & Miller redeemed themselves by devoting the entirety of The Lego Movie 2: The Second Part to deconstructing common narratives surrounding gender roles. I guess I just wish the young girls who presumably comprise some portion of Transformers One theatergoers could actually get anything out of Elita-1 as a character. Ah, what do I know, maybe it's still considered countercultural simply to depict a woman punching people.

Still, to give credit where it's due: Transformers One doesn't remotely touch the gender-essentialism prevalent in the Binder of Revelation, treating female Transformers no differently to their male counterparts in lore terms. Solus Prime is, it seems, just a Prime who happened to be a woman, rather than the mythological Eve after whom all women are patterned. There's a scene where our heroes are gifted the Transformation Cogs of the fallen Primes, and the Primes named thankfully bear no particular relation to the characters; in other words, Elita-1 isn't given Solus Prime's cog. As Alpha Trion puts it: "What defines a Transformer is not the cog in his chest, but the spark that resides in their core." Dude really remembered nonbinary people exist halfway through that sentence huh.

(Actually, the bigger mistake would've been with Megatron: if he was given Megatronus Prime's cog from the start, then this would've created the unfortunate implication that his descent into evil was only the result of Megatronus Prime's fucked up and evil cog, rather than a choice Megatron made of his own free will. The film instead has it the other way around: Megatron's radicalisation into a "might makes right" philosophy is what causes him to covet Megatronus Prime's transformation cog, to steal that power from Sentinel Prime, who stole the cogs of both Megatronus and Megatron in the first place. That's cool! This does create a bit of unfortunate narrative dissonance with Alpha Trion's words, alas, as it does seem like Megatronus Prime's cog really is more powerful than the others, because it gives both Sentinel Prime and Megatron a powerup.)

There's just something that I find so dreadfully mercenary about this movie's cast—honestly, everyone except Orion Pax, Megatron, and maybe Sentinel Prime. Take Darkwing, for example. Bro was clearly designed from the ground up to fill this stock character role of "bully who pushes our guys around and later gets his comeuppance". For a more interesting take on that exact same archetype, look no further than Todd Sureblade from Nimona, a bigoted knight who gets a whole damn character arc in the background, which directly complements that film's main themes.

Again, I'm not playing some kind of guessing game here, the authorial evidence is right there: Darkwing didn't even have a name until Hasbro designer Mark Maher was shown a picture of the character and asked, "If this was a Decepticon flyer, who would it be?" This is actually par for the course with ILM; most of their concept art is labelled with very basic descriptions, with the exact trademarks being picked in conjunction with Hasbro at a later point. Darkwing just stands out in Transformers One because he's the only recurring speaking character who's an OC in all but name (unless you count Bumblebee), he's the one guy who's been invented from scratch with total creative freedom, and he's boring as sin. It's like the filmmakers just couldn't conceive of a children's movie without that stock character—and they clearly had no idea what to do with him once they'd invented him, because he disappears entirely from the film at the start of the third act, when Orion Pax throws him into an arcade cabinet, which they have in the mines on Cybertron for some reason.

In a film with as painfully few named speaking characters as Transformers One, there's really no excuse for having this kind of one-dimensionality in their portrayals. Genuinely, I ask—who are Orion Pax and Megatron fighting to liberate? Jazz, one of the biggest personalities from the original G1 cartoon, who gets all of two boilerplate lines here? Cooley seems to think so:

As you’re designing them the background characters are almost like Lego pieces where you put different heads on different bodies just to fill in a crowd. But some of them would be brought forward and be painted specific colors so that it represents a character that I didn’t know was such a big deal. But there was stuff—like Jazz, for example, has a pretty big role. It was important to have a relationship with a character that we know gets to be saved.

To me, the idea that casual cinemagoers would be invested in any of the Transformers as characters is laughable. Michael Bay's characters are famous for being hateful non-entities. In terms of the films, Jazz is best remembered for dying at the end of the first one, seventeen years ago; he looks completely different here. The one breakout character in recent years—Mirage, as played by Pete Davidson in Rise of the Beasts—was, as I've already mentioned, written out so that the movie could reach its girl quota... not that he would've had any lines anyway.

And I just don't buy the idea that the complete dearth of compelling characterisation in this film is just an unfortunate side-effect of its clipped one-hour-thirty runtime—that, given even half an hour longer, the film would suddenly be crowded with rich portrayals of all your Transformers faves. Bumblebee and Elita-1, ostensibly two of the most important characters in the film, are not in this movie because the movie is interested in telling their stories. They are in this movie for the sake of being in this movie. It insists upon itself.

IV. No politics means no politics

In fact, putting aside merchandising considerations, Elita-1 and Bumblebee serve one very specific purpose in narrative terms. The trait Optimus Prime and Megatron have always had in common is that they are both leaders—and what is a leader, without anyone to lead? Without Bumblebee and Elita-1, you'd have this farcical situation where the only person Optimus Prime ever gets to boss around is Megatron, until the very end of the movie when God makes him king of all Cybertron. The High Guard, Starscream's gang of exiles, serve a similar narrative purpose for Megatron; they're a ready-made army who've just been sitting around waiting for him to show up and take charge.

Towards the end, the movie does actually take care to show both Orion Pax and Megatron rallying groups of Cybertronians: in Pax's case, he reveals the truth to his legion of interchangable miner friends, while Megatron riles up the High Guard mob. Again, there's a bit of that narrative sleight-of-hand, a bit of a thematic cop-out, where the question of "how do Optimus Prime and Megatron come to be leaders of their factions?" is answered only in the most literal possible interpretation. Yes, we technically see the exact chain of events that lead to this point—but both characters are portrayed as born leaders. We don't see them grow into the role, except physically. The moment Megatron decides he wants to rule, he's able to take charge. Likewise, Optimus Prime just gets divinely appointed by God. At a key point, Megatron loudly declares "I will never trust a so-called leader ever again", and the movie plays a fucking scare chord like this is supposed to be ominous. Like, oh no! Optimus Prime is a leader! And they're friends! Whatever will Megatron do when he finds out his friend, Optimus Prime, is a leader?

I don't think the movie has given any real thought to what a leader actually is. It seems to take a stance that power cannot be taken, i.e. through violent action, as Sentinel Prime and Megatron do. That one scene with Elita-1 suggests the most important trait for a leader to have, above and beyond any particular competency, is simply hope and optimism. What I just can't wrap my head around is the fact that the counterpoint the movie presents to Megatron, in the form of Orion Pax becoming Optimus Prime, does not support a belief in collective action or basic democracy—rather, it's a boring sword-in-the-stone divine-right-of-kings fantasy.

Except I do have a theory for why the film is like this. Let's look again at that interview with Eric Pearson, who came onboard in the "late middle" of production:

One of the first things that I did was a big pass on Sentinel Prime. I just felt like he was too obviously telegraphing his wickedness in previous versions, and I felt like, “No, he’s a carnival barker.” He’s got to be a big salesman. He’s a bullshitter, honestly is what he is.

(Honestly, if this is Sentinel after a "big pass" to make his villainy more of a twist, I shudder to think what the earlier drafts were like.)

Now, let's see how WIRED introduces their interview with Josh Cooley, titled "Transformers One Isn't as Silly as It Looks":

He liked the script, which traces how Optimus Prime (Chris Hemsworth) and Megatron (Brian Tyree Henry) went from friends to enemies. But as the world went into lockdown as Covid-19 spread, Cooley found his story changing, if only slightly. Trump was still in office when Cooley started working on the film, and he was having meetings with the producers and they’d “start these meetings off on Zoom just going, like, ‘Holy crap what is going on in this world?’” he says. Ultimately, the infighting they were seeing between Democrats and Republicans in the same family became an undercurrent in the film’s friends-to-enemies storyline, “because that’s what Transformers is.”

So it's like, oh, this is a 2016 election thing. This is just that one election that broke everyone's brains. Of course this movie about a made-up political struggle on an alien planet being developed from 2015-2020 wouldn't be like, hey, you know what might fix our society's problems, is if we had an election. Of course the main villain is a "big salesman" "bullshitter" who says things like "The truth is what I make it!". Wow, guys, your film is so-o-o politically-conscious, and very pretty.

The fantasy is more or less that Donald Trump's army of reactionaries is marching on Washington to seize power through violent means, and on the way he drops Joe Biden into the Grand Canyon, but just before Joe hits the ground a giant fucking bald eagle swoops in to catch him and squawks, "God finds you worthy! Arise, President Biden!"

In our escapist little morality play, our best friend slash allegorical dad gets made king of the planet, and we all get jobs in the government. As in, one of the funniest lines in the movie is straightup Bumblebee exulting, "This is the greatest day of my life. I get to work for the government!" When Prime met Bumblebee—an hour ago—the dude was talking to imaginary friends, and honestly the only fucking skill he's demonstrated since then is cold-blooded murder. We have this dissonance in the storytelling, where it's mostly a story about four friends going on an adventure (are they even friends? Most of them hate each other!), but it's also a founding-fathers political origin story, which means there comes a point where our hero just suddenly starts bossing his friends around in a deep voice, and they're like, "Yes, sir!" It creates this unhinged situation where the "good" faction on Cybertron is ruled by the biblical chosen one and his nepotism buddies.

Per that quote from WIRED (or are they just putting words in Cooley's mouth? I can't help but notice they don't give an exact quote!), the film is ultimately sympathetic to the bad guys (the Republicans, I guess). It deliberately suggests that there is really nothing that should divide the Autobots and the Decepticons: their political goals, it claims, are identical, and they only disagree on the means by which to achieve them. The Decepticons, who are angry and hateful, have simply been misled by a power-hungry liar with charisma—first Sentinel, then Megatron—and so the tragedy is that they are artificially pushed into conflict with their fellow men, when really they should be uniting to stand against their common enemy, the foreigner illuminati trying to steal Cybertron's wealth.

Now, I know I've just handed you a get-out-of-jail-free card. My political allegory here is chock full of holes. What, are Sentinel Prime and Megatron both Donald Trump? Get a grip. Obviously any real-world commentary in Transformers One was only intended in the loosest sense imaginable: things like, "people should be free to change into whatever they want!" I'm being unfair, I'm reading too much into it, this is a cartoon movie for children, and if I want politics, I should start reading some fucking books. Also, come to mention it, my whole argument about that cave earlier really didn't hold water, and- I know, alright? I know.

V. Place / Place, Cybertron

I'm not mad at this toy commercial because its politics don't quite align with mine. I'm not mad at it for having a boring-ass supporting cast. I'm not mad at it for reheating a bunch of half-baked lore I didn't care for from the early 2010s. I've actually spent a lot of time mad about Transformers media that I've thought was bad. There's Transformers: Armada, where the English translators are fully asleep at the wheel and render even the most basic cartoon plots incomprehensible though constant mistranslations. There's Transformers: Micromasters, where two white guys wrote a downtrodden race of tiny Cybertronians who greet each other like "Wattup, my micro!". There's the recent series of Transformers: EarthSpark, where there's an episode that I can only describe as "the Wonka Experience but it's an episode of a children's cartoon", with a plotline that mostly revolves around our child heroes straightup robbing a Onceler-looking businessman of his most valuable possession. There's Transformers: Age of Extinction, with that one scene, and also the rest of that movie. In fact, I would go so far as to say that most Transformers fiction is some combination of bad, offensive, and offensively bad.

So even though I've just spent thousands of words whinging and moaning about how I didn't like Transformers One, the truth is that I had a perfectly nice time at the cinema. I got to go see it with five of my pals who love Transformers just as much as I do, and we had a blast. It is easily in the top 50% of all Transformers fiction.

Unfortunately, for whatever reason, I guess I've always given a lot of thought to what Transformers looks like from the outside. Maybe it's that I'm compelled to spend so much time and money on it, that it somehow compels me to vomit up these kinds of essays, and all I want is to be able to make it make sense to anyone in my life. It would be so, so nice if I could just sit down in the cinema with a friend or family member for a couple of hours, and at the end of it, they'd be able to walk out and say, "Okay, I guess I see what you get out of it." Rise of the Beasts was kind of that movie for me, but Rise of the Beasts is also the seventh instalment in a blockbuster franchise. It kind of takes for granted everything about Transformers.

It doesn't answer, "what the fuck is a Transformer anyway?"

For many years now, fans have noticed a marked aversion to using the word "transform" as a verb, or even as a noun. Optimus Prime no longer says, "Autobots, transform and roll out!", he just says, "Roll out!". Transformers no longer transform, they "convert". In fact, Transformers are no longer Transformers at all: they are "Transformers bots", the italics here serving to distinguish a registered trademark. This is because the worms in suits at Hasbro are worried that, if they continue to use the word "transform" by its dictionary definition—that is, to change—then rival toy companies will be able to make the case that anything that transforms can legally be described as a Transformer. It will become a generic trademark, like Velcro, or Band-Aid, or Dumpster.

Yet in Transformers One, "Transformers" is not just the noun by which the characters are referred to—rather, it's used in a descriptive sense to specifically mean "Cybertronians who can transform"! Characters are constantly talking about whether they can or can't transform. Prime gets to say his catchphrase in full. It's a miracle. Not only that, characters even get to say the word "kill" instead of "defeat" or "destroy".

Transformers One has a level of unrestricted creative freedom not seen since the 1986 animated film. This is a film unconstrained by location shooting, or licensing deals, or uncooperative actors; through the magic of CGI, for every single frame of its one-hour-thirty runtime, the filmmakers can put literally whatever they want on the screen. They were given the assignment, "Make an animated prequel set on Cybertron telling the origin story of Optimus Prime and Megatron", handed an estimated $147 million and a blank page, and told to go nuts. Like those born with transformation cogs, Transformers One had the power to become anything it wanted to be.

The 1986 animated film took that carte blanche to do whatever the fuck it wanted, and basically singlehandedly defined the direction of the franchise ever since. On a lore level, in terms of tone, I would say that Transformers owes practically everything to The Transformers: The Movie. Cartoons, comics, films, and video games have adapted every single one of its scenes countless times over. I'm not necessarily saying that it's a good film, or even that it's a particularly original film—much of it is ripped off from Star Wars—just that it took the franchise somewhere it hadn't gone before. It was looking to the future. As in, literally, it was set in 2005, at the time two decades into the future.

What gets me down about Transformers One is that—like most major franchise media released since The Force Awakens—all it can do is think about the past. Swathes of it are devoted to painstakingly recreating or setting up the various bits of iconography which have arbitrarily come to define the franchise. Even when it appears to be taking things in a new direction, it's not long before it course-corrects back into familiar territory: Steve Buscemi invents a surprisingly fresh take on Starscream's voice, and then Megatron half-strangles him to death, saddling him with a post-produced rasp to emulate Chris Latta's iconic performance from forty years ago.

The very title of the film, Transformers One, is an allusion to the line, "Till all are one," which originates in The Transformers: The Movie. In an early script for that '80s feature, it was actually "Till all life sparks are one", referring to a literal metaphysical process in that draft whereby one Transformer's life force could be passed on to another, presumably with the belief that they would all eventually be merged into a single afterlife. In the finalized story, it's just this kind of mystical phrase vaguely evoking concepts of togetherness and unity.

Transformers One brushes up against the phrase a couple of times. Alpha Trion almost says it at one point, when passing on his dead siblings' transformation cogs: "They were one. You are one. All are one!" Whatever that means. Later, Orion Pax starts a chant amongst the miners: "Together as one!" And finally, at the very end of the movie, during his obligatory film-ending monologue, Optimus Prime again goes: "And now, we stand here together... as one." (Half of Cybertron has just been banished to the surface forever.) "[...] Here, all are truly... Autobots." (Again, half of Cybertron- Optimus, what the fuck are you talking about?) Regardless, this is inexplicably the one instance where the movie doesn't twist itself up into knots trying to nail the exact phrasing.

Actually, there is one other sideways reference like this I can think of. Early in the film, Orion Pax is chatting up Elita, and he remarks, "Feel like I have enough power in my to drill down and touch Primus himself." To which Elita replies, "You don't have the touch or the power." This is kind of a nonsensical retort unless you know that in the 1986 movie, one of the most iconic songs on the soundtrack was "The Touch" by Stan Bush, which had the chorus line: "You got the touch! You got the power!" It's a banger. Anyway, remember when I said Darkwing gets chucked through an arcade cabinet? Well, here's Cooley revealing why that arcade cabinet is in the film:

I actually wrote [that exchange between Orion Pax and Elita] because I love that song. [...] And we had this one version where D-16 and Orion were playing a video game, like a stand-up old arcade game—it was inspired to look like that, but a Cybertonian version of that. They’re playing that together like friends and the song, like the 8-bit song that’s playing is ["The Touch"]. But that scene got nixed. And so I wanted to work it in there somewhere. And I just felt like a natural place for it. But that was one where I’m like, "I just love that song and those lyrics and that’s Transformers to me so I want to get that in there."

(I've had to amend that quote to fill in the blanks where the article has redacted "spoilers" for the movie. Spoiler culture is an absolute pox, I swear. Can't have the audiences knowing about one (1) mid joke in advance—the movie barely has enough jokes to fill a "Transformers One Funny Moments" compilation as it is!)

This actually isn't the first time Hasbro has "nixed" a reference to "The Touch" in major Transformers media. In the Transformers: Cyberverse episode "The Alliance", a character references "The Touch" right before a training montage which is clearly supposed to have the track playing, except instead it's been replaced by a generic rock instrumental, presumably because they couldn't afford the license. And in Daniel Warren Johnson's Eisner-award-winning bestselling comic run, there's one panel where he clearly wanted to include the song's lyrics as a sound effect, but wasn't allowed, so the final sound effect famously reads "YOU KNOW THE SONG". But that's a random episode of a bargain-bin cartoon, and an indie-darling comic series—not a $147 million blockbuster. You really have to wonder if it came down to money, or if it was something else. God knows Transformers One would not actually be improved for having a chiptune remix of "The Touch" in it, anyway.

The most egregious misplaced bit of fanwank in the film isn't even in dialogue. In the 1986 film, there's this one iconic moment when Optimus Prime arrives at the besieged Autobot City, drives through a crowd of Decepticons in truck mode, then fires some afterburners, launching his cab up into the air, where he transforms mid-leap, drawing his blaster to shoot a couple of Decepticons before hitting the ground. It's a fantastic bit of original animation. It's the Akira slide of Transformers. And, surprise surprise, it crops up in Transformers One. In the climactic final fight, Orion Pax shows up to save Megatron, and he does the thing.

But the problem is... he's not in truck mode! The film just cuts to him standing there in the middle of some anonymous mooks, then he does a standing jump into the air, the movie momentarily goes into extreme slow-mo like he's doing a fucking quick-time event, then he shoots a couple of guys and drops to the ground. There's no momentum. It exists purely to create that simulacrum, to take the single most iconic frame from that bit of 1986 animation, and stretch that one frame into infinity. The context is discarded, irrelevant. All that matters is that brief moment of recognition: "I know what that iiis!" God knows Transformers One has precious little in the way of impactful fight animation of its own; the choreography is stiff and uninspired, while the shots themselves are nauseatingly cluttered. Often, the best it can do is pilfer from older, better stories.

"Did you clap at any of the new moments and memorable characters?" "Were there any?"

Look, I get it. Transformers One is a prequel. By definition, it can't change the future. It has to play with the characters that are already in the toybox. But I do think it had this really special opportunity: to show theatregoers where the Transformers come from. To show us Cybertron not as a distant star or a barren scrapyard, but as a living, thriving alien world, unlike Earth, something special and worth protecting in its own right. Something new and memorable. In Rise of the Beasts—probably the best Transformers movie by default—when Optimus Prime is at his lowest, he wants nothing more to return home... but home is something we've only ever seen as a cold dystopia, ruled by Decepticons. The version of Transformers One I had hoped to see was one that would have imbued Optimus' homesickness with greater meaning. I wanted to feel his loss, and to hope that one day the war will end, and Cybertron can be restored.

I think Transformers One sincerely tries to achieve this effect. The concept artists have clearly put a great deal of time and thought into Cybertron as an environment. When the artbook comes out, I'm keen to see how much stuff didn't make it into the finished film. You have to assume most of it got cut, because there's next to nothing left!

At the end of the film, battle lines are drawn, the civil war is about to start... but strangely, the movie's setting does not convey the sense that anything beautiful is being lost. Nobody is unwillingly turned to violence, innocence-lost; they're all too eager to get to killing, friggin' Bumblebee is gleeful about it. There's no beautiful, iconic landmark, which gets tragically destroyed, like in some kind of Transformers 9/11—"What have we done! Where will this war take us!". There's no part of Cybertron's natural ecological environment to be ruined by the war, because the surface world is already turbofucked by the Quintessons to begin with. No, rather, we have the total opposite: Optimus Prime finding the Matrix (which was just, like, hanging out in the core of Cybertron or whatever) actually restores Energon to the planet, removing the unnatural scarcity which was the entire impetus behind the film's dystopia. He made Cybertron great again. So again, Transformers One fails to answer one of the most fundamental questions one might expect of a Transformers prequel: "When did things on Cybertron get so bad?" The movie ends with the planet in better shape to how it started!

The big original idea that Transformers One has is that Cybertron, the planet itself, should be in a constant state of transformation. I've already talked about the beautiful shapeshifting landscapes, but it's also the moving buildings, the complicated mechanisms, the roads and rails that magically lay themselves between the vehicles and their destinations. I've already mentioned how odd I find it that none of these environmental transformations have any significance to the story; the closest it comes to some sort of payoff is when Orion Pax falls into the hole that makes you king.

What I find most perplexing are the deer. When the gang makes it to the surface, the idea is to show the natural beauty of the surface, which the cogless have been denied their whole lives. The mountains glisten as they move. Nebulae glow in the night sky. The surface is blanketed in organic (?) plantlife, like a watering can forgotten in a garden. And, most strikingly, there are deer: mechanical animals, just like those found on Earth, being hunted for sport by the evil Quintessons. When the cruisers near, their glowing horns turn red with alarm, and they prance around in fear.

I'm reminded of a brief gag from the third season of Transformers: Cyberverse—one of very few shows to have devoted any serious effort to Cybertronian worldbuilding—in the episode "Thunderhowl". Bumblebee and Chromia stumble across a "singlehorn" (read: unicorn), and when it senses danger, it neighs, transforms into a rocket, and blasts out of frame. And apart from being really cute and funny, it's like, oh, of course that's what animals are like on Cybertron! Everything on this planet transforms. Why not the animals?

For whatever reason, the deer in Transformers One are like the one thing that don't transform. Why the hell not? If Cyberverse could find the budget for its split-second sight gag, surely this blockbuster could, I don't know, have them turn into dirt bikes with antler-handlebars. That would've been something, right? If not, then at least could we maybe see some other animals on Cybertron, to really get across that alien biodiversity? Of course not. See, the deer exist to communicate one very specific story beat: a single moment of trepidation, where the heroes know there's danger nearby, but they don't know what. And all you need for that is a single kind of prey animal, with some kind of warning light to let you know, hey, there's danger! Once this purpose is fulfilled, the deer have no further significance to the story.

We need only look to BIONICLE 2: Legends of Metru Nui to see this exact same beat play out with a modicum of competence and creative flair. Also in the second act—in fact, at practically the exact same timestamp—our heroes, the Toa, have a run-in with the bad guys, and they're nearly captured... but then there's this sudden rumble of danger approaching, we don't know what. It turns out to be a herd of giant Kikanalo! They send the bad guys packing, except they nearly trample our heroes too! But then, Toa Nokama's mask begins to glow, and she discovers that her mask grants her the ability to talk to animals. They learn some vital information from the Kikanalo, and are able to ride the creatures for the next stage of their adventure. Finally, when they can go no further, the Kikanalo cave in the passage behind the heroes to ensure they won't be pursued. Holy shit, that's like, five different story beats with just that one type of creature!

It's not just that Transformers One struggles with that kind of basic narrative flow, where a single element serves multiple purposes. It's that often, it wastes precious time creating redundant setups to achieve the same effect twice.

For example, Megatronus Prime's face happens to look exactly like (what we know will be) the Decepticon insignia. At the beginning of the movie, Orion Pax mollifies Megatron by giving him a rare decal of Megatronus Prime's face. Traditionally, Megatron wears his insignia in the middle of his chest—but in this film, nearly every character has a big hole in the middle of their chest, where their missing transformation cog should go. So Megatron sticks the decal on his shoulder instead.

Later, he gets a cog, and the hole in his chest is filled. When Sentinel Prime captures Megatron, he notices the Megatronus sticker, and rips it off. Then, he re-applies it on Megatron's chest—purely so it's in the "right" place for the iconography. And then, he uses his gun to crudely brand Megatron with a tracing of Megatronus' face, inadvertently creating the Decepticon symbol. Finally, in a post-credits scene, Megatron has fashioned a proper Decepticon brand with which to brand himself and his followers. So in effect, there are four separate moments where Megatron gets the symbol! Orion sticking it on his shoulder, Sentinel moving it to his chest, Sentinel mutilating him, and finally Megatron branding himself. You can make an argument that the symbol starts out meaning one thing, but ends up meaning another thing, which has a kind of tragic significance—but I think you would struggle to distinguish subtle shades of meaning from all four of these brandings. Considering the movie only has an hour and a half to work with, I find this lack of narrative economy to be honestly embarrassing.

(My friend Jo also points out what a misstep it is to just have Megatronus Prime's face perfectly resemble the Decepticon symbol from the start. Had it been a looser, more stylised—that is to say, original—design, the moment where Sentinel Prime roughly carves it into Megatron's chest could be a shocking reveal, as the basic outlines are abstracted and simplified. Gasp, that's the origin of the Decepticon symbol! Instead, from the very moment that sticker first shows up, it's like... oh, well, there it is I guess.)

In a similar vein, both Optimus Prime and Megatron undergo two different transformations at different points in the movie: first, when Alpha Trion gives them transformation cogs, and second, when respectively they obtain the Matrix of Leadership/Megatronus' cog. The gun that sprouts from Megatron's arm in his intermediary form bears a much closer to resemblance to his iconic "fusion cannon" than the triple-barrelled cannon he ends up with in his final form. Again, in such a short film, can we really say whatever subtlety this brings to Megatron's arc is worth all this fanfare? Now, Redditors ask: "What is the EXACT moment D-16 became Megatron?"

In fact, probably the only point of criticism I've seen levied at Transformer One from within the Transformers fandom at large is that Megatron's arc is maybe a little "rushed". He starts out being best bros forever with Orion Pax, and by the end of the film, he's ready to drop the guy into a bottomless pit. The film takes a lot of time to justify his anger at Sentinel Prime, but the deterioration of his friendship with Orion goes much more unspoken, and is framed more as a point of irrationality: psychologically, Megatron comes to conflate his bossy friend with his oppressive ruler. I liked this, personally. I liked that it's as if a switch gets flipped in Megatron's head. But you do just kind of have to buy into it. The film itself does not put in the work to really sell you on the friendship souring, because again, it's too busy fucking around with two (2) magical girl transformation sequences for each of them.

Everything in the film is like this. They go into the cave and meet Alpha Trion, then leave the cave so they can watch a FMV cutscene with Sentinel Prime and the Quintessons, who've coincidentally arrived at that exact moment, basically just to rehash what they've just been told... and then they go back into the cave so Alpha Trion can resume his infodump, and then they end up clashing with Sentinel Prime's forces once that's done. At the beginning of the movie, they're at the very bottom in the mines, then they get banished to an even lower level, then they banish themselves all the way up to the surface, then they return to Iacon, and then Megatron gets banished to the surface again so he can be mesmerized by the beauty of the world and/or get gunched by Quintessons depending on what the film wanted me to take away from this. Compare to Minecraft but I survive in PARKOUR CIVILIZATION [FULL MOVIE], where the theme of class struggle is pretty efficiently depicted in the vertically-stratified setting.

I just find it so wasteful. Outside of the one scene where they're introduced, the Quintessons—ostensibly the true architects of Cybertron's oppressive status quo—may as well not exist. If not for Orion Pax addressing his closing remarks to the Quintessons, almost as an afterthought, I'd assume the film wants us to forget about them entirely, as it knows full well that its paltry runtime does not give it time for a second action-climax against the aliens. Even as sequel bait, it feels halfhearted at best; Josh Cooley is clearly already bored of Transformers, and seems unlikely to come back for another round unless the money is really really good (which *glances at the box office* it's not). So what the fuck are the Quintessons here for? Was the idea that Sentinel might just have pulled off his coup singlehandedly really so hard to stomach? Could the conspiracy not have been simplified to just involve Sentinel and his Transformer cronies? Hang on, are all the Transformers seen at the start of the film in on it, or just some of them? How's it decided who keeps their cogs and who doesn't?

VI. Into nothing

Why does this movie, where the main selling point is ostensibly that we're getting to see Transformers civilization for the first time, mostly focus on all these guys who can't fucking transform? Surely the entire thing that makes the setting fun is the Zootopia angle of, look, they're all different animals! Or the Elemental angle of, look, they're all different elements! Or the Emoji Movie angle of, look, they're all different emoji! Or the Cars angle of, look, they're all different cars! This is a Transformers film which features several significant sequences involving these cool trains, and there is absolutely zero indication that these trains are themselves Transformers. This is a Transformers film which extensively focuses on miners, and none of them transform into mining vehicles; they're holding, friggin', space jackhammers. Even the premise of "isn't it sad that these ones can't transform" is kind of undercut by the fact that all the miners get to wear fucking jetpacks, which is a frankly much cooler and more effective method of locomotion than driving.

I'm just sick of Transformers stories having zero interest in the basic premise of Transformers, which is to say, they transform into something. I also think this is the biggest dissonance between casual audiences, who think "oh yeah, Optimus Prime, that guy who turns into a truck", and Transformers fans, who think, "oh yeah, Optimus Prime, the messiah or something". Normal people love to know what the Transformers turn into. They ask, "Wait, is there a Transformer that turns into [insert silly vehicle here]?" Of course people are interested in that angle! Vehicles are such a huge part of our daily lives—honestly, for those of us living in cities, more so than animals, the classical elements, or emoji—but the closest Transformers One comes to engaging with this lens is that aforementioned Iacon 5000 race sequence. By and large, it presents a world which is made for standing up and walking around. And personally I do think that's an insane approach to take?

Is the excuse that cars can't emote? Nonsense. If you've ever seen a traffic jam, you'll know that cars can sure as hell emote. Pixar, where Josh Cooley cut his teeth, famously spent a lot of time working out how to put a facial expression on a car. No, the problem dates back to the very start of the franchise.

In the 1980s, two main people were responsible for writing the comic stories: American writer Bob Budiansky, and British writer Simon Furman. Budiansky approached the premise of the franchise from an external, human perspective, writing about culture clash, and taking delight in the Transformers' mechanical alien nature as "robots in disguise". Meanwhile, Furman wrote the Transformers as giant people: he focused on their own internal conflicts and motivations, and the grand history of their war. Pretty much every Transformers story ever told can be boiled down to one of these schools of thought: Budianskyist, or Furmanist.

Budiansky quit the comic after fifty issues, allowing Furman to take the reigns as sole writer, and Furman basically got the final word on what the Transformers are. They did not evolve from naturally-occurring gears, levers and pulleys. They were not designed by a supercomputer, or built by an alien race. They are the chosen sons of God. The Thirteen are, of course, an invention of Furman's. And Transformers One is perhaps the most Furmanist story ever told. It's the culmination of years and years of lore building up, ossifying into something you can no longer describe as the history of a universe—no, this is a mythology. It's the most perfect form of brand alignment imaginable: this is not an origin story, this is the origin story. It's been the origin story for a better part of the decade—and now that everyone's seen it in theatres, it will be the origin story forever.

It's not just the fiction, either, by the way. These days, if you go into the store to buy a Transformers toy, chances are it'll turn into some misshapen made-up futuristic concept car with unpainted windows and wheels that don't even roll—and that's terrible.

There's truly a lot to hate about Michael Bay's Transformers films, but with each new entry that's released following his departure from the franchise, I feel like I only find myself appreciating them more. In the 2007 Transformers movie, we see the Transformers crash-landing on Earth in their "protoforms", and their movements are animated like they're shy, like they're naked until they scan an Earth vehicle and adopt a disguise. The visual impact of Megatron, meanwhile, is that he doesn't adopt a disguise in that movie: he's a horrible metal skeleton that turns into a jet made of knives. It's weird and alien and it rules.

In the 1980s Transformers cartoon, and in the last-minute Cybertron-set prologue added to Bumblebee, and now in Transformers One, the Transformers look basically the same on Cybertron as they eventually do upon their arrival to Earth. Optimus Prime turns, unmistakably, into a truck. He has windows on his chest, and smokestacks on his arms. He doesn't have these features because he disguises himself as an Earth truck. He has those details because that's just what Optimus Prime looks like. They're his "essential brand elements", or "trademark details", which "identify the must-have elements in character design to be carried across all creative expressions". Prime may take any form he wishes, so long as it looks exactly like himself. A mask of my own face—I'd wear that.

What I find fucked up about the reception towards Transformers One is that a lot of people seemed very invested in its success—and not its popular success, certainly not its artistic success, but rather its commercial success. They wanted this to be the first film to make one bumblebillion dollars. They wanted Hasbro to line its fucking pockets and make movies like this forever. So if you express any kind of negativity towards this film online, which might theoretically affect some other person's decision of whether or not to go and see it, which might theoretically affect the profit it makes at the cinema, which might theoretically affect the future of the franchise in some unknown way, then you're some sort of fandom traitor who oughta be executed.

If you're so worried about the future of the franchise, the fandom really isn't where you should be looking. Like, c'mon, the Transformers fandom has been good as gold, we buy so many toys. Meanwhile, Hasbro just got finished laying off around 100 employees with no warning to make their books look a bit better. Transformers designer John Warden—who'd worked at Hasbro for 25 years, is widely credited with inventing the modern paradigm of Transformers toylines, and ultimately became the creative director of both Transformers and G.I. Joe—was on assignment to a convention in the UK with the rest of the Transformers team when he heard the news. Suffice to say, he did not end up making a public appearance at the convention. With his work's health insurance snatched away without notice, he's had to resort to crowdfunding to pay his family's medical bills. As a well-known figure in the toy industry, he will presumably find a new job and land on his feet, but the same cannot be said for all 99 of the remaining employees we're told have been unceremoniously dumped.

The Binder of Revelation, which has been something of a holy grail of behind-the-scenes material for over a decade, has finally been leaked—presumably by one of these guys, presumably out of spite.

Now, I'm not going to pretend to have been paying particularly close attention to Hasbro's financials, but from where I'm sitting, it sure seems that ever since the sudden death of then-CEO Brian Goldner in 2021—credited for saving the company in 2000, and overseeing the explosive growth of its intellectual property ever since then—his replacement, Chris P. Cocks (or "Crispy Cocks", as we're all now calling him), has been dead set on gutting the company for all it's worth. The Power Rangers franchise, which the company acquired for $522 million in 2018, is dead in the water, with huge quantities of physical assets being flogged at auction for quick cash. In 2019, they acquired the entertainment company eOne for $4.0 billion, and now they're selling off the whole shebang (except the cash-printing Peppa Pig franchise) for just $500 million. I guess maybe they just fucked it big style?

Because now, Crispy Cocks has proudly announced that Hasbro is going to stop financing movies altogether.

I'm sure that in the wake of this announcement, many of those aforementioned fandom pundits will be drawing a correlation between this announcement, and the box-office figures for Transformers One, and the fact that you personally failed to convince your Mom to go see it with you or whatever. "Ah, you see! They didn't make enough of their money back, and now they're consolidating. Simple economic cause and effect. Market forces." And look, I'm not going to sit here and claim these things are wholly unrelated. Of course they're very related. But I am going to make the case that, in truth, nobody at Hasbro really cared how Transformers One did. Unless it turned out to be some pie-in-the-sky runaway hit, I don't think the future of the Transformers film franchise would've been particularly different if only the film had done better.

With Paramount, Hasbro has been making these movies and having them underperform ever since 2017's The Last Knight—which apparently lost Paramount $100 million—and that's because at the end of the day, what they're most interested in isn't making movies. It's making toy commercials. And on that level, the Transformers films have clearly been a success so far.

Now, Crispy Cocks' skinsuit fashions itself as a gamer, so he can personify Hasbro's hardcore pivot towards digital and tabletop gaming. While we await the release of the assuredly-dogshit, assuredly-hell-to-have-worked-on, assuredly-never-coming-out Transformers: Reactivate, the brand has been whored out to a procession of mobile games you've never heard of, glorified gambling machines designed to hack the monkey part of your brain with bright colors and Things You Recognize. The exact content of these games is irrelevant; all that matters is the announcement, on every single pop culture news outlet simultaneously (naturally—they're all owned by the same company, talk about Monopoly), of New Collaboration Between Transformers And Goon Warriors Free To Download Now. Your daily, weekly, bi-annual reminder to think about that thing you can buy.

That's all any of this stuff is.

All these words spilled about what a good movie Transformers One is, and how bad it is, and why the marketing failed it, and what the next one might be like, and- none of it mattered! It does not matter. From the beginning, this movie was always going to be too preoccupied with its own mercenary interests to be something anyone would ever be able to seriously talk about as a work of art, even corporate art. The actual content of the movie is irrelevant; I've spent very little of this review talking about it, because there's nothing there to talk about. It is the mere fact of the movie's existence that serves its purpose. Like the Optimus Prime Fortnite skin, it's enough for it to occupy our attention.

Maybe that's why they staggered the film's release date: because some marketing exec watched the rough cut and realised, if everyone saw it at once, we'd be done talking about it within a fortnight. And in ten years' time, after it has been paraded around whichever streaming services survive 'til then, and nearly every last cent of revenue has been squeezed out of it, the kids will be able to watch it on YouTube with ad breaks, and decide what they want for Christmas.

To the Transformers fans reading this, I am begging you, unless you happen to own shares in Hasbro for some fucking reason, to disabuse yourself of the feeling that you owe any kind of loyalty to a toy franchise. It shouldn't matter to you one jot how Transformers One did in theatres. The people who actually make the product you care about, the friendly faces paraded before you on livestreams and press tours, don't see this money anyway—they too are merely assets, who can be fired and replaced with cheaper, inferior equivalents.

I'm sure many of you will have, from the very start, seen this review for the foolish endeavour it is. I've wasted all this time criticising Transformers One for its lack of artistic vision, when the truth is, Transformers One is playing an entirely different game. Like the Disney Channel running "Fishy Facts!" segments to subliminally get kids interested in fish a full year and a half before the release of Finding Nemo, this is not a product—it's an ad for a product.

...

Okay I'll be honest, I don't entirely love where this review has ended up. It ends on kind of a "bummer note", I guess you could say. Flashing back to sections I. and II., I feel like things started out so fun. We had that whole bit at the start where I was telling you about the Transformers, remember that? We learned so much together. And there were even a few moments where I was able to express some kind of sincere joy and appreciation over this thing that I supposedly adore so much. Sure, I did a lot of complaining, but it was fun complaining, right? It had like, a sarcastic edge to it, sort of.

What happened? Why am I suddenly talking like I want to cut someone's head off? As I grow more bitter, I type this essay with increasing difficulty. The massive gun that's sprouted from my forearm keeps colliding with my monitor.

Hasbro descends from on high to reward @TFHypeGuy, a grown-ass adult who has spent untold unpaid hours fearlessly replying to every single viral tweet to tell people to go see the film, somehow netting himself 80,000 followers in the process, with a crate of toys, which was probably his end goal from the start. He and I duel. We trade blow after blow. Finally, he clobbers me with a Walmart-exclusive light-up Ultimate Energon Optimus Prime figure. "It didn't have to end this way," he says. Then he banishes me to the surface world to think on my sins.

VII. The Wrong Trousers 👖 | Train Chase Scene 🚂 | Wallace & Gromit

When Eric Pearson came onto the project,

It was late middle of the game. They had a script that had the outline of the story, which is still very much the structural bones of the story now. But what I found interesting about animation is there are certain things that were far along in the process. The train escape to the surface was very far along, so that was just kind of locked. Maybe you could change a line here or there. Meanwhile, the opening, the whole first 10 minutes, was all storyboards and sketches, which changed a bunch of times.

And I do think that's a really difficult position for a scriptwriter to be in. Sure, the parts of the screenplay I feel able to attribute to Pearson, I wasn't particularly impressed by. But I think this anecdote goes to show how unnatural the constraints can be on a story like this. When you think of like, a scene that's key to Transformers One, you're probably imagining something like the Megatron/Optimus fight, or the scene in the mine—not the train scene, which is basically a bit of arbitrary connective tissue bridging the two main locations in the film.

Josh Cooley, the film's director, the face of the film on the press circuit from a creative standpoint, came onboard after five years of previous development work was already done. Writers Andrew Barrer and Gabriel Ferrari, who originally pitched the film and presumably wrote the early drafts of the story, might have already left the project by that point. Aaron Archer and Rik Alvarez, the creative forces behind the Binder of Revelation, left Hasbro years before the film was even pitched. It's no wonder to me that the final result feels incoherent, disjointed, and oddly stilted. It's certainly no wonder that nobody at Hasbro today really seems to care about the film; it's not their baby. If any of the people credited with bringing the project to completion had been given full creative freedom to make whatever Transformers movie they wanted, it would've looked completely different.

Luckily, there are still plenty of areas of the franchise where creators have just been allowed to go ham. Over in Japan, TRIGGER has taken a modest budget for a music-video and produced one of the most visually-striking bits of animation in the franchise, a true love-letter to all the weird parts of its forty-year history. And in America, comic creator Daniel Warren Johnson is halfway through his Eisner-winning new run on the title, which is the kind of thing I would basically recommend to anyone without caveats as being a phenomenal story, period. If that comic can be said to be an advert for anything, it's for Skybound's other, nowhere-near-as-good comic series, or for the unofficial unlicensed copyright-infringing Magic Square Optimus Prime toy Daniel Warren Johnson apparently used as reference the whole time.

I dunno, maybe Hasbro stepping back from financing these films is a good thing, in the long run. Maybe we can do without Transformers movies for a while. And however many years down the line, maybe Paramount or some other studio will put together a new team of talent, and they'll get to do whatever it is they want. And maybe the movie they make will be the one that knocks everyone's socks off.

Truly, I don't know where the road leads from here. It hasn't been built yet. It could turn out to go anywhere.

If you made it this far, I hope some of what I've said has been entertaining or interesting. Thanks for reading!

Time to for me to come clean. There is one other reason why I've waited so long to release this review... and that's because I have a special announcement to make. Last month I set myself a little challenge: to write something that's at least as long as this review, but which isn't another negative-nancy tirade. It's a story.

The working title is "Ice Road Transformers". It's like an episode of that one reality TV show about Canadians driving trucks across frozen lakes—except the truck is Optimus Prime.

Early reviews say it's good! It'll be going through several rounds of revisions, to turn it into a well-oiled machine, hopefully in time for a seasonally-appropriate wide release in February. I'm very excited for you to be able to read it. You can follow me here or on Bluesky to be the first to find out when it's ready!

I'd like to thank my friends Jo and Umar for their work interviewing Cooley and di Bonaventura during the film's press circuit, along with Viv, Callum, and Omar for allowing me to enjoy this film much more than I otherwise might have. I wouldn't have been able to express many of my feelings about this movie nearly so cogently if not for the conversations I had with them. Additional thanks go to Chris McFeely, as his Transformers: The Basics videos (linked throughout this essay) refreshed my memory on a lot of the Aligned stuff, sparing me from having to read The Covenant of Primus again.