#i know it is quite obscure a fandom

[romances-not-tragedies]

Heads Up Seven Up

Thank you @winterandwords for the tag!

Time to switch gears from the usual, yes? Here is from my WIP (definitely still in progress) Jo Gar fanfic (I decided to add the last line because it is relevant):

Once out of the building and onto Escolta, Jo took a calesa that would take him inside of Binondo. While in the vehicle, he began formulating questions he would ask, search for streets to walk to ponder and investigate. Miguel Chua was being searched both by his boss and his family and it would have been difficult to find out who to tell any discovery first if he did accept both. But the choice was not difficult to make, for Adalberto Chua had the decency to show him how his brother looked like unlike his most recent boss. Jo Gar closed his eyes as the calesa wheels rattled to Calle Salazar, to the diner where the missing mestizo and his friend used to eat dinners, but he was not sleeping. His mind was awake. And he knew one thing: The game is on.

Tagging @avoidingcertaindoom, @laplumedemaureen, @radiowrites, and @kaylinalexanderbooks but this is also an open tag for those who want to participate.

Happy writing!

[nostalgia-tblr]

started reading about the shakespeare authorship thing and the first argument from a literary person to say Willy S couldn't have written them is "he didn't go to university," at which point i went "oh wow i didn't realise THIS was the level of 'evidence' people meant"

[demaparbat-hp]

Hiya!! 👋🏼😄 How's it going? Your fashion taste for Zuko in a Modern AU seems to be artsy, or maybe "formal" is the word. That shirt he wore when he gave Sokka romantic song advice looked Versace🧐. Anyway, I was wondering how you came up with it, he always struck me more as the type that didn´t care much about fashion, so I'm curious about other´s opinions and heacanons about it. And do you have any other fashion headcanons for the rest of the GAang? Also, their music tastes. How did you come up with them? Especially Katara's! 😍

Hello! As it happens, I have a lot of Thoughts and Feelings™ about this, so I'm leaving these over here, and the rest of my ramblings down below the cut!

Let us begin with the Gaang, shall we?

SUKI always struck me as that Pretty Girl from the Gym. She is so incredibly fit it isn't even funny. She could kick anyone's ass, and we'd all thank her. She has this casual gym style that somehow always looks glorious on her, as it should! Comfy yet fashionable clothes for a nice workout or a day in town.

Her music tastes are basically any and all power songs from the eighties and nineties. (Eye of the Tiger, anyone?) She also enjoys metal via Toph, and bands like BSB, NSYNC, or Boyz II Men with Katara. My girl has a very eclectic Playlist and we all love her for it.

SOKKA is That Guy™. Loose T-shirts and shorts everywhere he goes, no matter the weather. He's stupidly into fashion but it doesn't show! At all! And everyone teases him about it. His closet is about 90% Cactus Juice merchandise, hence the "it's the quenchiest!" shirt.

His fashion and music tastes are pretty much the same. He loves poetry but isn't really into lyrics. He'll misinterpret just about anything you place in front of him. His Playlist is mostly vibes and tiktok songs he kind of enjoys. He isn't really into music...at least not as much as his sister.

AANG owns exactly one hoodie, one pair of shorts, and one beanie (THE beanie). Oh, and the crocs—don't forget the crocs. Somehow, he's always wearing the exact same outfit. Every. Single. Day. Ancient Gaang lore suggests that the day Aang goes out without his beanie, it's the end of the world.

His Playlist is the poppiest, most bizarre thing ever. Every single song is Happy by Pharrell Williams levels of happy. Yet sometimes, among the bouncy dance-to songs, you'll find the strangest of things... (He does know what Good Day by Twenty One Pilots is about. That's the reason he likes it so much, actually. And it's so weird.)

KATARA is all about sundresses and loose pants. The epitome of comfortable loveliness. Light fabrics in blue shades, careful embroidery, delicate shoes, and little to no accessories—hers is a simple, yet quite adorable, style. She just needs to add more colors to her usual palette...

She is, first and foremost, a Florence + The Machine girl. It's the Dark Goddess of the Sea vibes, to be honest. Florence Welch is her idol and yes, she will fight you about lyrics interpretation, and win. It may not seem like it, but her music tastes are also very varied.

She draws a little from each member of the Gaang, so you'll hear her humming along to Gorillaz (where did you even find out about them, Aang?), The Weeknd (I...don't think this song means what you think it means, Sokka...), and Hozier (Zuko why did you dedicate Talk to me, Zuko WHAT DID YOU MEAN BY THAT).

TOPH...ah, lovely girl. I'll summarise everything about Toph’s fashion sense in two words: comfort and rebellion. Stuffy dresses forced on her by billionaire parents? No thank you! Give her tank tops with loose shirts and short pants. Bandaids shared with Aang, bracelets from Katara, and even piercings she got in tandem with Sokka. Shoes? What even is that?

Something I love about this fandom is our collective agreement that Toph is into the dirtiest, heaviest, most ear-splitting and soul-crushing death metal of all times. Her Playlist is full of the most obscure names to ever exist, and she can and will blast through your walls with the sheer volume of her speaker.

Zuko. ZUKO.

Even in a modern AU my boy must suffer. That being said, I envision Tales from the Couch as—well, exactly what it is: an ATLA modern AU. While there is not a war to fight, and a lot of plot lines are discarded or expanded upon, much about the core story remains the same.

This is my way of saying that Zuko still goes trough his redemption arc, and it reflects on his fashion choices.

The way you described it works perfectly because of one single reason: in this AU, Zuko is an artist. He had to suppress his love for writing and drawing because of his background and the expectations Ozai had for him (taking over the family company), and a very large part of his redemption arc directly affects his relationship with art.

In the Couch equivalent of S1, Zuko has fallen out of Ozai's graces, and is desperate to protect his place in the company and the Kasai household. He's pretending to be someone he isn't and trying to live up to his Father's image of a perfect heir while still being somewhat cut-off financially, and it shows.

He's all about imposing long coats and a semi-formal style, imitating what he knows Azula and Father would respect. He's striking and sharp and dark. But no matter how he dresses or carries himself (that air of cold superiority and arrogance)—it won't help him when he needs it the most.

In S2, Zuko has hit his lowest point. He's officially disinherited and tossed away by his father, and would be out in the streets if it wasn't for Uncle Iroh. He goes from sharp, high-tailored outfits to old second-hand clothes that hang loosely on his frame. He starts smoking and cuts his hair off, forgoing the undercut for the first time in years.

But then...Father accepts him back. When Zuko returns home, it's with respect to his name and a very high position in his father's company. He's finally the perfect Kasai heir, dressed in overly expensive suits and finery, even at home... But Father forbids him from wearing Lu Ten's earring, and Zuko can no longer recognize himself without the familiar glint of gold dancing on his peripheral vision.

When Zuko leaves the Kasai name behind him and goes back to living with Uncle Iroh...he's finally at peace with who he is, and what he wants in this life. The sharp edges aren't gone (they'll always be a part of him, after all), but now they're dulled by looser clothes and softer hairstyles.

He's an artist, and for once in his life, he is determined to pursue his own ambitions. Zuko's outfits may not be designer-made anymore, but he takes what he has and makes himself look like he wants to look, like the person he wants to be.

He doesn't read fashion magazines or keeps up to the latest trends like Azula does. He's just...Zuko. And his newfound confidence makes everything he wears look like it belongs on him.

As for music...well, Ursa raised a literature boy.

He loves lyric-heavy music and natural voices, be they soothing or powerful. Dissecting song meanings and possible interpretations with Katara is one of his favorite parts of the day. They're both very passionate and strong-minded individuals, so it stands to reason that their debates can get quite...heated.

Zuko's Playlist is both incredibly eclectic and somehow very...him. There's a common thread that binds together every song and artist he likes, and he's hilariously unaware of this. To take a look into his Playlist is a higher honor reserved only for those closest to him.

In the wide spectrum of things, it is no wonder that Zuko is, first and foremost, a Hozier man. But though Andrew is his God in all aspects of this life, there's someone else that has had a huge impact on him...

Two someones, actually.

Zuko refuses to tell anyone how he got into Twenty One Pilots, but it's kind of a moot point when the beginning of his obsession is nothing compared to everything that came after. They have just about the right amount of everything that makes Zuko...well, Zuko. The poetic lyrics, the soothing or raging music, the heavy, intensely resonant themes...

Up there, in the second artwork, I placed an album cover behind each period of Zuko's life. The election of these records is intentional, as I feel like their general themes work incredibly well with Zuko's arc and growth.

Blurryface in S1. For the demons within us. For giving a name to our fears and shame.

Trench in S2. For escaping the confined walls of a depression city, and fighting to understand the depths of the map of your mind.

Scaled and Icy in the first half of S3. For returning to places you had left behind. For convincing yourself and everyone around you that you're fine, that you're perfect, even though everything is crumbling inside...

Clancy in S3. For recognizing that you can backslide, that you can have fears and shame and pain—but you're shaping yourself with each step you take. For knowing that seeking help from others is okay. Nobody learns to walk on their own.

(And, in the end, you'll always be better than the person you were yesterday. If only because you're still here. You're still alive. You're still yourself.)

.

Overall, I rambled a bit too much, don't you think?

If you made it all the way down here—thank you so much for reaching out and being interested in this crazy AU! I hope you enjoy these ideas and tell me some of your own ❤️

[rebelliousstories]

Can I request suggestive headcanons for Remy, Logan, Wade, and poly Logan & Wade reacting to his shy gn s/o immediately covering their eyes while apologising profusely because they accidentally saw him half-naked because he was changing clothes please?

Walking in on Their S/O Changing…

Fandom: X-Men

Request: Yes by Anon

Warnings: Suggestive themes, Brief Strong Language, Fluff

Word Count: 1,043

Main Masterlist: Here

X-Men Masterlist: Here

Logan Howlett/ The Wolverine

* Okay, so keep in mind that this man has been alive for more than 200 years. He’s seen a lot. He’s done a lot. There is not much else that can surprise him in terms of learning new things

* However… You can still surprise him

* I completely see him as a man that would just casually steamroll past the fact that you were only in your undergarments. He’s not phased, nor does he care.

* Logan will definitely take the time to ogle if he gets the chance, but he’s aware there is a time and place for that.

* “Hey, we were out of beer so I took the truck to go get some… oh shit.” And with that, he was speechless. Logan’s eyes would trail up and down your figure, even though part of it was obscured by the tshirt that was pressed against your body

* Silently, he would stalk closer and closer to you, never once taking his eyes off of you. His hands would gently pull the shirt away so he could get a better look. Feather light touches would cascade themselves down your arms, and chest; all the while his eyes would drink it up

* Picking you up, he walked over to the bed while holding you and pressing his nose into the crook of your neck

* “What about the beer?”

* “Forget the beer.”

Wade Wilson/Deadpool

* Oh, the beloved merc with the mouth. How do I say this gently? He will both make you love and hate him walking on you. It all started because he had gotten you a new suit that he wanted you to wear.

* Wade had begged and begged you to wear it, but there was no appropriate timing to do so. It had gotten to the point that he had accepted that you weren’t going to wear it. But when you finally had been worn down enough, he got super giddy at the prospect of you wearing it. But you had taken too long in his mind which prompted him to take matters into his own hands.

* “What’s taking you so long, angel cakes? Oh, hello.”

* “Wade! Get out!”

* Throwing things does not deter this man, oh no, my friend. For when he gets a glimpse of you, half undressed with the suit on the bed, he’s gonna need his special sock. Wade is frozen in a state of bliss and was unable to move himself. Not until you forcibly pushed him out, and shut the door on him. When you had finally put the suit on and came out to show him, he was still unable to form complete sentences or even words at you.

* Safe to say, you had finally silenced “the mouth”

Remy LeBeau/Gambit

* Ah, Le Diable Blanc. See, I know, you want me to come on here and talk about how big of a flirt Remy is. But no! That boy is a southerner, and southern men are raised to be gentlemen. I truly, in my heart of hearts believe, that if Remy caught you changing, he would blush and book it out of there.

* Hear me out! Just, imagine it, okay…

* It’s late and Remy hasn’t come home from his night out playing cards. The hour was nearing one in the morning, when you finally decide to call it a night, but you’re unable to fall asleep quite yet. Fearing that you’ll have to spend another night watching horrible late night reruns in the motel, you began changing into one of his tshirts to sleep in when you heard the door open. Struggling to get the shirt over your head to have some sort of coverage, you weren’t quite fast enough.

* “Ooh, I tell you cher, it was a goo- oh lord have mercy.”

* And like that, the door was shut again. Maybe you let out a squeak, maybe a gasp. But either way, your ragin’ Cajun was outside the room, breathing heavily and holding it shut. After a few minutes, he pressed his ear to the door to hear inside.

* “Cher, you dressed yet?”

* “Yeah. You can come in.”

* When he does, you’re already under the covers with the remote to the tv next to you, looking at the door. Gambit just grabbed his change of clothes that didn’t smell like sweat, alcohol, and smoke, and went to change in the bathroom. When he came out, he assumed his place with you in bed. On his back with you tucked into his side.

* Although, the only mention he ever gave, was a whisper of, “You look real pretty under all that, cher. Like an angel sent straight to save ol’ Gambit.”

Poly! Wolverine and Deadpool

* Prepare for trouble and make it double! Two lovers with a regenerative healing factor that makes snarky comments? Sign me up!

* This is definitely happening after a morning food run. You’re living with them, and Mary Puppins, and Blind Al, and Wade decided that today was the day for donuts and good coffee. Logan was thoughtful enough to leave a note on his side of the bed stating where they were going and that they would be back.

* This left you and the dog to get ready for the day by yourselves. After a lengthy shower that you didn’t have to share, you had made your way into the room to get some fashion advice from the sweet little pupper.

* “Okay girl. Do we go with the yellow dress, or the red dress today?”

* There was a noise, and two men bumbled into the room.

* “Avert your eyes, sweet summer child. But you should just forgo the dress. And the under garments while you’re at it.”

* “Can you go five minutes without something becoming sexual?”

* Wade gave an mhm while shaking his head, and turned back to his partner. Logan had to do a double take at your state, but there was appreciation in his eyes.

* “Can you two give us girls some privacy?”

* Logan had to drag his counter part out of there even though he managed to break free from the mutant’s hold on a number of occasions. As he left, the Wolverine sent an affirmative grunt and nod towards the red dress in your hands.

[olderthannetfic]

hi, as someone who is tragically gen Z and only ever read AO3, can I ask: what was so great about LiveJournal? Like, I know that there were fics posted there (and I've even read about the "purge", so I get why it isn't used anymore) and that it was sort of a forum-type thing. But what I don't understand, wouldn't Tumblr fill in the latter function? How was that site any different? I see a lot of people reminiscing about it and I'm confused

--

A big factor in LJ's greatness is timing and nostalgia.

It was genuinely great, but it wasn't quite as great as all of the Lo, shall the Golden Age ne'er come again? posts suggest.

LJ arrived at a pivotal time in the development of the internet both in terms of technical stuff and how many people had access. Many fans who are now in their thirties to fifties first discovered fandom through LJ and many were at a time in their lives when they were feeling energetic and up to making lots of new friends—and to figuring out how to make a site work for them.

I got on LJ in 2002 when it required invites. Fandom arrived in droves in 2003, first via coordinated campaigns to get invites to key people and then when LJ opened up free account creation to everyone. Back then, LJ's features sucked. It was impossible to search properly, among other things. At its height (2005-7, let's say), there was a reasonable site search, and fans had developed all sorts of community resources for finding each other.

People often remember this phase but not the early days of suckitude.

This development parallels how Tumblr used to not have that private chat feature and how a lot of fuckyeah[whatever] type tumblrs have helped curate the site and make it much more usable for fans. Fandom draining away from LJ after strikethrough also parallels people draining away from Tumblr after the purge.

There are people who talk about Tumblr the way my cohort talks about LJ...

And to the shock of no one, they are people who came of age on Tumblr, who found fandom via Tumblr, who were on Tumblr during pivotal times in their lives and ones when they had energy to make friends and figure out how a site worked.

Those same Tumblrites are now making all the same geriatric-sounding posts we LJers do about how other sites lack the required features to be good for fandom while missing that 90% of tumblr's "features" at its height (2012-2016, let's say) were actually fan-created and were basically the same as any fandom newsletter or links page or all the versions of this kind of personal curation stretching back to long before the internet existed.

What life phase you hit a site at matters.

--

With all of that said, no, LJ was not a forum. It was a blogging site with threaded comments.

The key point to understand is that conversation was always happening in a specific person's space. Unlike on a true forum, people were in the comments on a particular post in a journal owned by another fan. (On a forum, there's the first post in a thread, but it's still more of a communal space with less of a hierarchy.)

Overall, the LJ format can have a feeling a bit like you're over at someone's house for tea. There's more of a sense of intimacy and also behaving yourself in front of community members.

Tumblr being obscure and impossible to find anything in does give it some of the same vibe relative to Twitter, but it's still part of modern social media that tries to shove every rando into the face of every other rando.

But it wasn't just vibes: LJ also had robust privacy features where you could lock a post to this or that group of friends. You could moderate your comments section properly. Tumblr has far fewer controls to force people to behave or leave on a technical level.

--

The biggest thing many people miss about LJ is the threaded comments. At least by late LJ and on Dreamwidth, you can expand and collapse threads, making it far easier to deal with a massive comments section. But more than that, things are properly threaded with multiple levels of hierarchy that are all easily visible in the same place.

On Tumblr, it used to be extremely difficult to find all of the actual commentary on a post. Nowadays, it's far easier, but you still have to scroll chronologically, and multiple versions of a post with a long chain of commentary may be much more divorced from each other than what would happen in a LJ comments section.

--

But could we use Tumblr pretty much how we used LJ?

We could.

I do.

--

The key things that people tend to miss about LJ, aside from the younger and more excited version of themselves or the friends they've lost since then, are:

Heavily text-based

It may sound odd on the modern internet, but there are a lot of people whose brains don't like or handle an image-heavy site well. They were everywhere in SF book fandom. They were everywhere on the early internet. Today, they're hanging out on Dreamwidth and still going to their SF cons. They're usually not on Tumblr.

You could follow the discussion

Threaded comments help, but a lot of it is about having some place you can check for updates. It wasn't actually that easy to follow big LJ discussions unless you were subscribed to comments and reading along as things were happening instead of coming along after the entire mass of comments had been left.

The tone of the discussion is intellectual and one's enemies are "idiots", not "problematic"

All this requires is a penchant for longwindedness and an itchy blocking finger to remove anyone slinging ad hominems from the comments section.

On tumblr, it's as simple as conversations happening in the replies on a popular account and that person not tolerating suibaiting and threats.

(And make no mistake, a lot of LJ discussion was in the comments on popular accounts, not spread equally between everyone's.)

It does require that multiple people like that tone and want to engage in that way, but lots of people do want to.

--

These days, I interact with tumblr by checking my askbox and reading my activity page. The vast, vast majority of my posts are ones where I'm the OP, so if I block someone, they're booted from the discussion entirely.

For me... yeah, Tumblr functions almost exactly like LJ.

Also like LJ, while I'm hosting the conversation, if you hang around, you'll see the same people again and again in the comments. They may or may not also host that kind of conversation in their space, and there's a larger pool of lurkers who have some notion of which people count as regulars. Other people are watching from the shadows, enjoying or deriding the takes of the usual crowd.

People presumably do like reading my lengthy commentary or they wouldn't be here, but my tumblr wouldn't be popular like this without a healthy pool of other people who chime in regularly. It's not just that there are more people: it's that you see the same people over time. There's a bit more sense of place and community than on some parts of the internet.

--

So, in my opinion, the failure to just recreate LJ fandom on Tumblr was a skill issue.

Threaded comments were great, but LJ culture came from mailing lists, and mailing lists had the same issue as tumblr with the diverging threads.

We solved that back then by clipping out only the parts we wanted to respond to (you'd write "snip" around the quotation to show it was incomplete). We solved the smaller LJ issue by linking to other posts we were referencing and doing discussion link roundups. We solve it on tumblr by, again, linking to what we're talking about and even quoting multiple reblog chains in our own reblog of just one chain.

--

Tumblr's technical features and even general crap-ness aren't really the problem. 90s and early 00s sites regularly went down for periods of time unthinkable today.

The missing piece is people.

When one is in an active fandom with others who curate or with friends who let one know what's up, a site with imperfect features is easy to figure out and retrofit for fandom's needs. When one already feels out of touch and is between fannish passions—or at least fannish passions anyone else cares about—seeing the potential in a new site is hard.

--

Threaded comments are different and better.

LJ's built-in way to see everyone's blog in your own style was better. The automatic timestamps and the ease of seeing a paginated archive of an entire blog was better than tumblr's endless scroll and lack of clear date labeling. But some of that can be fixed with xkit or knowing your way around tumblr well.

A lot of it is nostalgia for the lj era and a refusal to take the time to figure out how to use tumblr in an oldschool internet way.

--

So by all means, people, weigh in about what made LJ great or how the culture felt at the time...

But if I see one more god damn response going "You can't have a conversation on tumblr!" in reply to my tumblr, which contains nothing but conversation, I am coming for you.

[wilcze-kudly]

Something I've always loved about atla is how it handled scars, particularly Zuko's facial scar and Aang's lightning scar.

I've probably spoken before about how, as a burn victim with a ton of skin grafts on my legs, torso and hand, Zuko really was the first character "like me" that I saw on TV. It was, as you can guess, quite a momentous moment for kid me. Which is probably why I'm so disheartened on the live action show shrinking and toning down Zuko's scar significantly.

Too often scars, especially burn scars are seen as gore or body horror and too graphic to be seen on TV that isn't horror or related genres. And often scars, especially facial scars are reserved purely for villains and are used as a signifier for 'evil'. A trope that you'll find is still alive and kicking even today even in big franchises.

And while Zuko does reinforce this trope to some extent, I think it was subverted enough for it to have irs own merit. Atla also steers away from the scars=evil narrative, by having a lot of "good" characters have scars too like Bato and Song. This helps destigmatise scars as a whole, making Zuko's 'scarred villany' seem like a more individual case.

In Atla, scars are more the trademark of victims rather than villains and this rings true for Zuko too.

Zuko is a victim of the Fire Nation in the sense that the Fire Nation's values of war, strength and honour facilitated Ozai's abuse of him, particularly the scarring.

Zuko's scarring does follow a very established trope of a son being scarred by a father, which is surprisingly prevalent, especially with burn victims. Seriously I collect these men like pokemon. This tropiness isn't a bad thing, since I think it leads to us very quickly sympathising with him. I certainly did, since his experience mirrors my own.

The scene of Zuko's scarring is also particularly special, due to it being rather unique, because it isn't quick or an action scene, nor is it shown as an overly gory horror scene, despite it being, well, horrific.

It's... tasteful. Or at least, as tasteful as the scene of a child getting scarred by their father can be, I suppose. It doesn't linger on the violence, but also doesn't sugarcoat it. The scene of Zuko's scarring, and the events leading up to it also give us a good exposition to his better qualities, like his compassion, and a good explanation for why these qualities stay buried.

I can understand why some people in the fandom believe that Zuko's scar symbolises his 'worse side', but I actually believe its the opposite. Very often, when a character has a 'split down the middle' type of scar, their scarred side represents their worse half, like with Two Face from DC.

Because Zuko's scar doesn't symbolise his allegiance to the Fire Nation, it symbolises the fact that he failed to live up to the Fire Nation's standards. It's a physical reminder of the time Zuko actively defied the Fire Nation's standards and mindset.

We get a lot of nods to Zuko's scar aymbolising disgrace and failure to uphold ehat the Fire Nation expected of him. It's literally a physical blemish upon his 'honour'.

This is especially noticeable when Zuko's appearance is contrasted with Ozai, who exists as sort of the human stand in for the Fire Nation's imperialism. For most of the show, we are not shown any of Ozai's features, his face being obscured by shadow or out of frame.

We finally see Ozai's face, it's when Zuko is seeing hik for the first time in years. And Ozai looks so similar to Zuko. An unblemished, perfect, complete Zuko, so to speak. In Zuko's fever dream, where we see an unscarred Fire Lord version of Zuko, he looks exactly how I imagine a younger Ozai would look. I also love that Zuko's adult design seems to lean into this similarity.

Furthermore, Zuko's scar is used time and time again as a way he connects with victims of the Fire Nation. People who don't know him, like Song and Jet, assume him to be another victim of the Fire Nation, citing his scar as the reason why. Which is half true, Zuko is a victim of the Fire Nation, just not in the way they think.

Jet: I think Lee would make a good Freedom Fighter. He's just trying to find his way in the world, like us. Smellerbee: You don't know anything about him, Jet. Jet: I know he didn't get that scar from a waterbender.

One person who doesn't connect to Zuko over his burn scar is Katara. I love the scene of Katara and Zuko in the crystal catacombs. It's a profound scene and one that always makes me a bit emotional, especially in the wider context of atla, a subject I've touched on in this post.

However, the handling of Zuko's scar in this scene is especially dear to my heart. I strongly remember that, when Katara offered to heal Zuko's scar, I actually got scared and upset. I was terrified of Zuko's scar being erased, of the connection I felt to him snuffed out and one of the best parts of his characterisation being erased.

But that's not what happened, and the scene is amazing on that front and all others.

We learn that Katara asscociates Zuko's face with the Fire Nation, which makes sense, since he's been kinda clingy for the entire 1st season. Katara denies it having to do with anything with Zuko's scar.

Katara: It's just that for so long now, whenever I would imagine the face of the enemy, it was your face. Zuko: My face? I see. [He touches his scar.] Katara: No, no, that's-that's not what I mean.

The Katara lover in me believes her. As a a member of the Sothern Water Tribe, she probably has seen many burn victims. And her pursuing healing would also probably lead her down the route of normalising and understanding burn scars.

However, I would not be surprised or disconcerted if the scar did have something with Katara perceiving him as a villain. After all, to a lot of people, scars and "ugliness" denote moral ugliness. The very obvious fire asscociation probably doesn't help someone traumatised by the Fire Nation too. It is a sad fact of life that even those who know better subconsciously react to people with scars and other "deformities" with disgust and distrust.

We also see Zuko explicitly give us the rundown of his previously unspoken struggle with feeling like his scar is defining him as a person.

Zuko: It's okay. I used to think this scar marked me. The mark of the banished prince, cursed to chase the Avatar forever. But lately, I've realized I'm free to determine my own destiny, even if I'll never be free of my mark.

This is something I can relate to as someone with prominent scarring and I'm sure we all sometimes feel defined by things outside of our control. Sometimes It's hard to seperate your identity from your appearance. And it's even harder to seperate yourself from events that influenced you so harshly.

As I previously highlighted, Zuko's scar relates strongly to his failure to adhere to the Fire Nation's ideals and conventions, his failure to be the perfect prince of the nation. And while to us, that is a good thing, to Zuko, at least at first, that is a very, very bad thing.

To Zuko, the scar is a symbol of his flaws, and a just, if not harsh punishment for his percieved transgression. He sees it as a brand, denoting his mistake and shame. He sees it as the physical manifestation of what his banishment and scorn from Ozai means.

It's only when he begins growing as a person away from the Fire Nation's influnece, that he starts to realise that the scar is just a scar. It holds no power over him. And while he relapses for a moment, "demystifying" his scar allows him to do the same to the event of his scarring. It allows him to look back at that moment and not see righteous discipline, but rather see it for what it was and go "hey wait a minute that was actually fucked up.". Which allows him to look at The Fire Nation's conquest of the world and go "hey this is also fucked up.", when the lessons he's learnt in the Earth kingdom finally click.

I believe this is why we see Zuko almost purely from the side of his scar in the scene where he confronts Ozai, especially when it's contrasted with Ozai's unscarred eyes.

Zuko's scar, like many scars in fiction, symbolises imperfection. But rather than an "objective" imperfection, as most fictional scars do, Zuko's scar symbolises his imperfection through the skewed and biased eyes of the Fire Nation. It's a nice subversion of the trope that usually encourages us to equate beauty with goodness and ugliness with evil.

Side note, I know I've been using the terms "ugly" and "ugliness" to talk about scars. I just wanted to note that I don't think scars automatically mean someone isn't attractive/scarred people are ugly. But in a lot of media, scars are seen as gross and ugly, which is why I've been using these terms.

I like that Zuko defies this trope by being drawn as very attractive with his scar, and even being seen as desireable in canon.

Even though it does loop back to the 'attractive=good' symbolism, I don't think it totally invalidates the story Zuko's scar is telling. Plus it WAS an ego boost to child year old me who thought no one whould ever love me bcs I looked like a burnt chicken nugget. So I'll let it slide.

I love Zuko's scar, and I love how it seamlessly fit into the story, while also subverting tropes and invalidating stigmas towards scarred people. It's probably one of my favourite, if not very personal aspects of the character.

I do however, also want to analyse and go over Aang's scar from Azula's lightning and I plan to go over it at a later date, since this post is getting a bit long and overwhelming.

Toodles!

[doyouremem8erme]

i need there to be more NEW amphibia fans so i can be the one to explain the ancient fandom things to them. arm/eye theory. in the episode commander anne, . true colors fiasco (i got here right afterwards but i still know the lore). pickle kebab marshmallow. the night. night!marcy. night!marcy being canon (darcy). ive never seen a fandom so obsessed with symbolic foreshadowing. the entire summer after true colors. knowing the prophecy wayyy before it was revealed in the show bc it showed up written in runes much earlier. november 13. king andrias cup size. canon barreleifdrias. "bisexuals wear denim jackets"/"stay tuned". darcycoreverse (ok that one is an obscure niche tumblr thing and im quite biased due to starting it but im still saying it). thinking marcy would get saved in fight or flight when we first got the summaries. you had to be there. you just had to be there.

[sgiandubh]

As a woman who devoured 6 seasons of Outlander in 3 months

I find that Sam was very brilliant in his performance in the first season

Look at him here, even his voice was different and masculine

I don't know why in the following parts he was pulled into the artificial performance style

Even his tone of voice was changed to a ridiculous tone

I find that Sam's creativity was killed and Jamie character was made ridiculous as they presented him to us

Yes they succeeded in that.. But they couldn't change him, he is the crazy chemistry between Sam and Caitriona behind the scenes .

Dear Creativity Anon,

Bearing in mind I distractedly watched the first episode of 7B and not at all the second one, I think this calls for a more nuanced approach.

I do agree with you S was stellar all the way up to Season 4, when things started to spiral downwards, somewhat. I think it's obvious and I don't think we do him - or ourselves, morally speaking - any favors trying to put on a brave face and ignore facts. While C was, in my humble opinion, the weakest link in Season 1, she slowly started to be more comfortable with Claire and have a better understanding and intuition of that character from Season 2 onwards, only to accompany S down the drain at the same above mentioned point on the show's timeline. I am sorry if that sounds brutal to some - blind, enamored fangirling never quite did it for me, but constructive critic is always my cup of tea.

We could probably spend the rest of the night debating reasons and consequences, Anon, much of which are well known - and carefully denied - by many in this fandom. And while many might ascribe the 'new', later seasons S to an older JAMMF character he doesn't seem to master as perfectly as young, fresh faced JAMMF, I agree with you that he looks perfunctorily disinterested too many times for my liking. But then so does C, a woman her Stans worship the earth she's treading upon all day long, while nastily belittling her co-star and - remember, ROFLMAO - Partner Everyday. In a nutshell, the older JAMMF is a formulaic shadow of the fascinatingly versatile younger self and the older CEBRF is a frowning matron, with a passion for ether and terrible, terrible pitch. This is why I have always said I would like to see them both being offered the opportunity to create totally new characters, in totally new projects that would send them out of their respective acting comfort zones. That would be the real litmus test, Anon: not the feisty matriarch in Belfast, nor the endearingly stolid paramour in Love Again. They can do better, that much we know and they deserve better.

When a good, gifted actor suddenly starts to mix things up and lose it, there might be other reasons at play. And I know I will irritate many and I don't care if I do, to be honest. I am still amazed at the complete lack of discernment of this fandom's Stans. They seem to ignore the crucial accountability of that increasingly ineffective army of scriptwriters, producers (we both agree them being Exec Producers is little more than an incentive, with little real leverage on creative decisions) and directors - Matt who? directors XYZ who? And God forbid we'd bring into the mix Gabaldon's increasingly verbose, mediocre output and questionable narrative choices. Her complete lack of historical sensitivity: painting a dull Paris background while she was sitting on a cultural goldmine. Her obsessively cheap sensationalism: raping and uselessly traumatizing ALL of the main characters (why? is happiness that boring? and if so, what does this tell us about their creator?). Her abusively interspersing the intrigue with uninteresting, obscure botanical references, while forgetting to properly tie in the narrative lines. So much so, that I began to increasingly find disagreeable to continue reading the books, from The Fiery Cross onwards. Throw rotten tomatoes at me, if you wish, but I think life is too short for bad literature. So many other formidable things to read, so many other worlds to discover - why would I, as a reader, give this contemptuous, megalomaniac lady my time and my patience, when I have Tiziano Terzani's wonderful travelogues begging for my attention, on my nightstand?

You might ask, with good reason and common sense, why am I still committed to watch the show. And the answer is simple, Anon: when I start something, I strive to properly or at least decently finish it. And despite all the #shitshow, the cruelty, the childish lies, the gaslighting, the traculas and xenas and trolls, I am still here for that love. This, Anon, is something that nobody could ever take away from Those Two, spare perhaps their lesser selves (and that is nobody's business). But I am not worried, in that department - just aware and perhaps a bit cynical, too.

[cilil]

Hi, do you have any advices for budding writers on AO3 or here?

Hey! :)

I've given this some thought and compiled what I hope might be some helpful pointers, but if there's anything else or anything specific you want to hear more about, feel free to ask again. Also I'm assuming this is about the amazing craft of fanfic and not, uh, building a platform or whatever (I wouldn't be very helpful with that, I'm a nobody x)).

Share what you feel comfortable sharing.

So since you're asking about budding writers on AO3 and Tumblr, I take it you're at a point where you feel comfortable sharing your writing online, which is amazing. Nevertheless, I feel the need to once again mention (just for anyone who may be in the same or a similar situation) that it's completely alright not to be comfortable with it (yet) or not to share everything you write. I share almost everything simply because I'm annoying and it makes me feel accomplished and since I've grown pretty comfortable with it, I might as well; but not everyone feels that way and feelings also change. It's completely alright to write just for yourself or a small circle of friends.

Don't worry too much about "being good".

I will be the first to admit that I deeply relate to struggling with perfectionism when it comes to writing (and other creative pursuits). However, as someone who's been reading fic for many years, tends to be into quite niche and obscure things sometimes and is rarely spoiled by big fandoms' abundance of food, I want all writers, especially new ones, to know that you don't have to write the most amazing, perfect, publishing-ready pieces. What matters is your passion and creativity, which will show in your writing regardless of skill level. Not to mention that fic is free and in fact a tool for many to experiment.

That's not to say you can't strive to improve or be good - by all means, I find it admirable if you want to hone your craft and make progress as you continue to write. Just don't let perfectionism ruin your fun and stifle your creativity.

How to get better without trying overly hard.

Aside from just writing, writing and writing (that is the most important part though), how do you improve without making it a point to do so? Well, if it works for you to read/watch guides or you enjoy specific writing exercises, that's great, but one thing that I find gets overlooked a lot in writing spaces is simply: Reading. Just reading for fun.

I find that I often discover little things in other people's writing that I really like and then I think to myself "wow, that's really neat how they did that, maybe I could take a page out of their book" (pun intended) and make it a point to pay attention to these things when I write. Essentially, it's like creating a nice patchwork blanket which is your style, made up of your own voice and preferences as a writer and cool stuff you picked up on the road.

Let me just name some examples, which, yes, are also an excuse to shamelessly blow some writer friends of mine a well-deserved kiss of appreciation. @sauron-kraut writes incredibly polished short stories with beautiful wording and atmosphere that have a lot of little hidden things to discover and dissect, and I want to steal her ability to set the stage and hide those easter eggs. @a-world-of-whimsy-5 is an absolute legend when it comes to writing medieval and medieval-adjacent stuff, and I learned so much from her fics. @i-did-not-mean-to has a way of writing with such esprit and wit that I always end up in a good mood after, a style of narrative voice I've adored for over a decade, and I've greatly improved my humorous writing in particular thanks to her. @crackinthecup has the marvelous ability to craft extremely emotionally evocative scenes, which have encouraged me to be more courageous and experimental in my sentence melody and structure. @tragedybunny has a way of writing that reminds me of coming home to a warm and comfy place, and I will find out how she did it and how I can do it as well.

So as you can see, it can be super helpful to compare notes with your fellow writers. Never be discouraged by someone else's ability; instead learn and expand your own.

Feedback, criticism and community.

Let me just get one thing out of the way: You don't have to take criticism from everyone. Or at all. As far as I understand, the fanfic community has come to to agree that we're doing this for fun and don't give criticism unprompted/when we aren't sure it's wanted or welcome. As a general rule: Take criticism from those you would also seek advice from. Ask for feedback if you feel comfortable, and if not, that's a valid boundary to have and I will gently smack anyone who presumes to pick apart writing that was made for fun and generously shared with the community for free.

The community aspect, however, should be taken into account on other fronts. While I won't tell anyone they have to interact and believe that, in an ideal world, everyone's writing would just speak for itself, it is helpful to engage with the community. Things you can do (both on Tumblr and AO3 if also applicable/possible) include: Respond to people interacting with your works, interacting with other people's works (for example while you're doing your reading sessions and looking at other writers' styles) and just overall being present, being talkative, going with the flow.

Again, this is not a must. But I will say that pretty much all of us want positive responses and interactions on their work and that just won't work if you expect everyone to show up for you all the time and never show up for anyone else. Engagement, passion and community are our "currency" in the absence of money and reciprocity is an important element of that. A lot of friction and complaints in the fanfic community regarding lack of interaction or entitlement are rooted in misunderstandings of this fundamental principle.

But don't take this in a cynical manner. Seek out what you enjoy, share the joy and passion and you'll make friends just accidentally - which is the part that I find makes fandom on AO3 and Tumblr so much fun! (I don't even want to be a "traditional" author anymore, I want this instead😁)

Find your groove and groove along.

Lastly, make sure your writing is fun for you or else it'll become a chore and eventually get ruined for you as a hobby. This is unfortunately a continuous task as your needs and interests shift - for example you might be in the mood to do an entire drabble challenge one month and during another month you feel so drained that you couldn't do another one. Or you might want to write something different for a change. Or whatever it may be.

Either way, one recent lesson I've learned is that I got too tied up in obligations and it left no space for spontaneous inspiration, so I never got to write what I wanted to write in the moment and it pushed me quite close to burnout. Do yourself a favor and always hold that space for yourself. In practice, this could for example mean that you do one event and on the side write this cool new idea you had, instead of doing three events - which is fun and games until it starts getting too much and you don't have time for your passion projects.

Finding your groove also includes the whole technical aspect, such as which writing programs you use, which device (or none at all), where you write, how to make yourself comfortable, how to get in the right headspace for things. I would also like to encourage all of you to be a bit crazy and whimsical about this: For example I've gone to the perfume store, picked out a scent for a specific character in a specific scene and sniffed it while writing the description several times now. Do what it takes. And say goodbye to your squeaky clean search history - you will research some weird stuff just to get that one line right.

So yeah, these are just my random thoughts on fic writing and what has been helpful in order for me to have lots of fun with this hobby. Happy writing!

[canmom]

Hello! I absolutely love your blog, everything from your festival recounts to animation analysis and programming (one of tumblr's recommended posts was the one where you made your own rasteriser, and I liked your attitude in what I've read so much that I'm gonna attempt to conquer my 3-year-long grudge against using opengl during college and do something similar now that I'm a bit older and have no deadlines :D).

But anyway, I have 2 questions (sorry if there's easily accessible answers, tumblr search is not helping): 1. During your animation nights, does the screen stay black while everyone watches their own video while you provide commentary? I haven't caught any yet but maybe someday! And 2. do you have any youtube channels or just one-off video essays that you like that also cover animation/directors? Or, even programming lol.

Sorry for the long ask have a nice day!

hiii! i'm very touched that you like my dorky eclectic blog <3

For the Animation Nights, I just stream the video over Twitch from local sources on my computer, typically by playing the video in mpv and recording it in OBS. This is obviously not ideal from a video quality perspective, but it's the easiest way to watch video in sync without making everyone download files in advance. Then we all chat in the Twitch chat box (in large part to crack stupid jokes, it's not that highbrow lmao). I've gotten away with it so far!

As for youtube channels, I can recommend...

anime production/history (i.e. sakuga fandom)

SteveM is likely the most sakuga-fan affiliated anituber. He makes long, well-researched and in-depth videos on anime history, usually themed around a particular director or studio.

Pyramid Inu might be my fave anituber - very thoughtful analysis of Gundam, obscure mecha anime and oldschool BL and similar topics. tremendously soothing voice too.

The Canipa Effect does excellent deep dives into the production of specific shows, both western and anime. I appreciate the respect he gives to the Korean animators of shows like AtlA in particular!

Sean Bires's 2013 presentation on sakuga is pretty foundational to this whole subcultural niche, and a great place to get an introduction to the major animator names to know and significant points in the history of anime. unfortunately a couple of the segments got slapped down by copyright but the rest holds up!

animation theory (for animators and aspirants)

I'm going to focus here on resources that are relevant to animation in general, and 2D animation. if I was going to list every Blender channel we'd be here all week :p

New Frame Plus is one of the best channels out there for game animation, describing in tightly edited videos how animation principles work in a game context and analysing the animation of various games. highly recommend

Videogame Animation Study is similar, examining the animation of specific games in detail

the 'twelve principles of animation' (defined by Disney's Ollie Johnston and Frank Thomas) remain the standard approach to animation pedagogy; there are various videos on them, but Alan Becker (of Animator vs Animation) has quite a popular series. I haven't actually watched these but many people swear by them! Dermot O'Connor expands the list to 21. Note that some of the terminology can be a little inconsistent between different animators - c.f. 'secondary motion'...

Dong Chang is an animator at Studio NUT, who produces a lot of fantastic, succinct videos on standard techniques in the anime industry, timesheet notations, etc. etc. Studio Bulldog, a small anime studio, are a good complement; they focus more on douga than genga and are generally a bit more traditional.

programming

big topic here, I'm going to focus on game dev and tech art since that's my field. but also some general compsci stuff that's neat

SimonDev - graphics programmer with a bunch of AAA experience, fantastic explanations of advanced optimisations and some of the more counterintuitive aspects of rendering

Acerola - graphics programmer who makes very detailed guides to a variety of effects with a very rapid and funny 'guy that has seen monogatari' editing style. When he's good, he's really good. His video on water is probably the best one I've seen (though I can recommend a couple of others).

TodePond - the most charming, musical videos about recursion and cellular automata you've ever seen. less programming tutorial and more art in themselves.

Ben Eater - known for his breadboard computer series, a fantastic demonstration of how to go from logic gates up to the 6502 with actual hardware. worth watching just for how clean he puts the wires on his breadboards like goddamn man

Sebastian Lague, Useless Game Dev - both do 'coding adventure' style videos where they spend a few weeks on some project and then document it on Youtube, resulting in a huge library of videos about all sorts of fascinating techniques. great to dive into

Freya Holmér - creator of the 'shapes' library, makes videos on mathematical programming, with gorgeously animated vector graphics. Her video on splines is a particular treat.

There are definitely many more channels I can recommend on these subjects, but I'll need to dig into my history a bit - unfortunately I need to rush out right now, but hopefully that should be good to be getting going with!

[bynineb]

What pieces of media are your biggest creature design inspirations?

ooh how fun! let's see...

Pokemon Crystal (Ken Sugimori)

(src: Bulbapedia)

I had a Pokemon Crystal strategy guide with all 251 Pokemon in it that I studied religiously when it came to making monsters of my own. I love Ken Sugimori's illustrations so much - the dappled paint makes it so soft, gives everything the feeling of being struck by light dancing down from foliage above. The subtle implied detailing with line strokes and shadow allows the imagination to run wild. They, truly, feel like creatures to have adventures with. And of course, Pokemon is a juggernaut of an RPG, facilitating those childhood fantasies, and then there's a TV show showing them playing and shouting their name and fighting... No wonder so many people got hooked on it!

Dragon Warrior Monsters 2 (Akira Toriyama)

(src: Dragon's Den)

Since they're designed as enemies foremost, Dragon Quest's monsters can get a lot kookier & scarier than Pokemon can. And Toriyama gives his monster designs so much charm and personality! You feel like he always has fun coming up with them, and it makes every Dragon Quest game more delightful for having them be your foes (and sometimes friends). Also, all the English names are puns and portmanteaus and other fun word things!

After Armageddon Gaiden (artist unknown - dev is PandoraBox)

(src: Bogleech, who also wrote a wonderful article on these critters: https://bogleech.com/halloween/hall18-aagolem)

Uniquely grotesque beasts from a deeply obscure Japanese RPG named After Armageddon Gaiden, the second in a duology about player-controlled demons fighting alien invaders. Some of the designs get quite gory or disturbing, fair warning. But in a cool way!! The sheer strangeness of these designs are something to behold!... And they have the best names ever, like "Barabumblebo"...

YU-GI-OH early card art (Kazuki Takahashi)

(src: Yugioh fandom page)

Yu-Gi-Oh's early monster designs are something I think about a lot. I don't know what that says about me, but I do know they're unbelievably cool, a blend of genuinely scary Egyptian-flavored horror and wacky, tropey, cartoony fantasy. The fact that these ridiculous designs are frequently art for a card that's completely worthless in terms of winning duels, combined with their randomly specific descriptions about how unbelievably powerful they are, gives them a certain mystique. It's as if the creature you see depicted truly exists as a part of some greater fantasy world...

Legend of Zelda: Ocarina of Time

(src: me, many moons ago)

Seeing properly scary monsters inside a strange virtual world in Ocarina of Time was quite the experience for my young self. For example, I had nightmares about the Stalchildren who used to burst, endlessly, from the ground of the strangely empty Hyrule Field. But that also made it feel like such an adventure! The thrill added to the experience. And even many of the game's races are quite monsterlike; Gorons, Zora, Deku, and so forth. This had me imagine turning a "bad" creature into a friend, a concept I cherish to this day... hence Love-Love here.

Well that's that! Thanks for asking, this was fun to write : )

[ckret2]

i’m admittedly obsessed with music/have music as a special interest so this question has been on my mind for quite some time now - if Bill (from your goldilocks fanfic) were to listen to any music, or have any particular music taste, what would it be? Any particular songs in mind that he likes? ( <—totally not looking for more/new songs to listen to hahahahaha…sweats)

half of me thinks he’d like 40s/50’s/60’s music (thanks to the vera lynn reference in the fic, but also bc he sings it in-show), but the other half of me wants him to like musicals (heathers, in particular) - i can’t explain why lol

alternatively, if you’ve answered smth like this already, i’d love to know what songs you enjoy/listen to!

Have a post about his tastes and a hideous-sounding playlist! And it even held up in the face of TBOB.

The only difference in my headcanons is that I said the peak of his his tastes centers on the 60s and I subsequently found an interview where Alex confirms Bill's tastes do indeed range from about 40s~60s; but I just got out of another fandom where everyone headcanoned a character is into 40s music ranging into the 50s and I'm pretty burnt out on The Most Popular 40s Jazz That Everybody And Their Grandma Knows so I still personally prefer to focus on the 50s for him lmao.

In fic he makes a reference to a band called Mysterious Mo's Average Joes; I imagine them as an in universe equivalent to Question Mark & the Mysterians, except more obscure.

Specific to my headcanoned music tastes of Bill from my fic rather than just Bill in general: coming in his tastes are all the same, but hanging around Mabel has given him an expanded palate for boy band music and kids music, although on the boy band front he prefers dance-y songs over ballad-y songs and on the kids music front he has to steer through a minefield of cheaply-produced 80s cartoons that use synthesized music to save cost on an orchestra.

So far, nothing else has happened to change his tastes.

Although eventually Robbie's introducing him to emo.

I listen to too much music for the question "what songs do you listen to," it's like asking "what words do you use" lmao, lemme look at my recent activity. Lately I've been getting into She Hates Emotion and the new albums by Zeal & Ardor and Fleshgod Apocalypse; I've been slacking in my metal education on learning the difference between black metal and death metal (I usually focus on symphonic metal & neighboring genres) so I'm looping back to the basics to learn more there; big fan of Saltatio Mortis's new album; I've been listening to the deeper cuts & newer material of mainstream early 00s alt rock & nu metal bands (Shinedown, Stone Sour, Staind) to see what I've been missing out on beyond their radio hits; and in general the past few months I've been trawling through playlists of classic 80s goth, dark wave, synth pop, & aggrotech to expand my library there. Very excited for the new Linkin Park lineup, love their new vocalist so far and it's heartening to see them releasing new material. Not so excited by the new Nightwish album, it has the nightwish sound but not the spark. This isn't even an accurate representation of my full musical tastes, I've just been really into metal recently. Current favorite bands of the last few years are Alt-J and Ghost. I listed some of my favorite albums on this post. It's too bad you can't just link your Spotify liked songs without sticking them all in a separate playlist—oh hold on I have a songs I can sing playlist, it's perpetually incomplete on top of being 3-4 years out of date but it's a starting point.

[syn4k]

hi

i have some ideas about halos.

so heres the idea: someone with a strong connection to their god (or demon or whatever it is that theyre worshiping) gets a halo from their affinity with said god. these are granted specifically by the god themself so not everyone has them. depending on their specific relationship with their god, the halo will appear in different places!

here's my expanded ideas for a few, as introduced in the drawing above:

classic halo

its your standard everyday floating above the head halo, nothing special about it

normally granted to priests

collar halo

hovers around neck

for followers who are Really, Really dedicated to their god. i mean really dedicated. "i will do anything even if i don't know what 'anything' actually is" level dedicated. you know how dogs are, right?

some wear it casually, some wear it like a noose, some wear it like a necklace.

basically works like a normal collar but can only be manipulated at the god in question's behest

armband halo

hovers around bicep, which arm it is depends on the follower's dominant (or preferred if they're ambidextrous) hand.

amputee followers are rare but in the case that someone doesn't have an arm the halo hovers at an angle above their shoulder instead

generally reserved for generals and other military leaders within the god's army if they have one

the hand

appears around the follower's dominant wrist

only seen on those who carry out the plans and will of their god down on earth. gods tend to not get involved in messy stuff so they find someone to do the dirty work for them down on the mortal plane. is also a play on the phrase "right hand man"

voice

appears around tongue

i feel like this one speaks for itself, really (HA).

not for proselytizers- only for those who speak directly for their god

the follower in question may be selectively or forcibly mute the rest of the time. it varies depending on the person and the god.

eyes

also quite self-evident. appears as a glowing band around the followers' irises (or iris). if they don't have eyes then the halo settles around the level of their eye sockets instead.

whatever they see, their god can also. this isn't a 24/7 thing unless said god chooses it to be. still, they tend to not get a lot of privacy

there have been a couple of blind followers designated their god's Eyes on Earth, which is pretty damn cool if you ask me (and also more than a little bit fucked up)

ears

halo manifests vertically around an ear

works the same way as the eye halo does but for hearing instead

the exalt

rarest

only seen with gods and possessed followers

appears as a filled-in circle of light behind the god or follower's head- if you're familiar with catholic iconography you'll understand what i mean. if not, just look up the wikipedia page for halos (religious iconography) and scroll the examples of christian art including halos

followers are rarely possessed by their gods because commonly gods have enough power to manifest a form on their own and need no vessel. a god in physical form may hide or obscure their halo at will. however, in the case that the god is too weak to assume a form of their own, they will sometimes take over a follower's body to intervene directly in a situation. the follower's body will assume the halo in this case and it cannot be hidden

shoutout to christianity for giving me the idea for this one. i got my problems with the jesus fandom but their character designs fuckin slap

some notes:

followers of one god can only have one halo at a time. polytheists can have several at once, one for each god, although this is extremely rare

followers with halos can naturally see each other's halos. those without have to look harder and nonbelievers (of any god) often cannot see them at all

i didn't intend the collar halo idea to be interpreted as a sex thing but if you want to do that then you can ig. im not a cop

yes the halos are customized depending on the god! some of them put time and effort into it. most don't though

[applestorms]

4 and 16 for the DN asks 👀

HEHEHE. ok <3 original ask game

4. who’s your favorite underrated or obscure character?

NEAR. we've got a pretty good community of near lovers around here but i'm counting him as underrated due to fandom-wide opinions. alternatively, kiyomi. <33

16. who do you believe is the smartest character?

i was actually considering writing a whole post on intelligence in DN, but didn't think i had enough to say for a full ramble so here's a (not so) brief overview of a bunch of notable characters. i'm of the opinion that trying to rank/judge intelligence by some kind of hierarchy or objective standard is kind of impossible (say it with me everyone, IQ tests are bullshitttt) and personality/temperament plays quite a significant role in DN's mind games, so. idk. here:

L: if you Demanded i choose one person to be the smartest character in DN, i'd probably give in and say L. that being said, i think L's intelligence mostly surrounds things like his logical reasoning/pattern recognition/memory for details/etc. his knowledge of people in particular is interesting to me, as while i don't think he intuitively Gets people very well, his ability to reason out their mindset/emotional character is one of his key abilities in the series (see: figuring out KIRA's mindset to confirm that he's even a real person at all)-- so, idk, it's kinda hard to judge if that could be considered Emotional Int or not. he's certainly also got great potential to learn more, esp if it's for the sake of a case, though his personality n picky, princess-y attitude trips him up a bit.

NEAR: while i don't think near has as much Collected Knowledge as L, if only due to not having the same amount of lived experience/time to get there, i do think he's got one advantage over him when it comes to his rationality. i.e. near is Chill where L gets very, very invested in his projects, which can at times cloud his judgement when it comes to things not directly related to said projects. near just seems more likely to be the type to take a step back n reflect on everything, perhaps even to a fault, though this grants him the Distinct advantage of allowing him to keep his ego in check. don't get me wrong, he's still cocky and fixated and kind of an asshole, but man's got hobbies. he knows how to take a vacation.

LIGHT: light is dumb as fuck. at the start of the story he's in a similar position to near, lacking the lived experience and Collected Knowledge of L, and his planning/judgements are screwed not only by his lack of intelligence, but his overwhelming ego n temper. light's real strength is his ability to manipulate people, knowing the exact type of mask he needs to wear to get what he needs, and his ability to keep (outwardly) calm in the face of stress. once/if he gets past his temper, he's very good at reacting in the moment n rolling with the punches. light is also an interesting case in that his intelligence will often backfire against him-- where L can sometimes get his view clouded by viewing Everything through the lens of the case and missing some of the greater consequences of his actions (see: granting KIRA god status through lind l. tailor), light gets fucked up in that his reasoning allows him to better Repress and Deny the facts of reality that he doesn't want to have to deal with (e.g. his own murders). also, Knowledge-wise, i think it's notable that one of the few academic subjects we see light being Really good at (in the anime, at least?) is english-- communication is light's biggest strength, you could say. ig he is a Warrior of the pen and all.

MELLO: i kinda see him as suffering from the same faults/strengths as light, but to a more extreme/overt degree. he Struggles to keep his temper and ego in check, especially since it is constantly being aggravated by his inferiority complex-- but when he can, he is similarly quite good at keeping calm and chill and reacting well to the circumstances. i actually think he's one of the better planners in the series, and his willingness to take action grants him the advantage of catching other people off guard. it always gets to me that what ultimately takes mello out is his kindness/courtesy, allowing takada her blanket and her chance to kill him. he seems to care about People in the most genuine way out of anyone to me in this series, which is both lovely and tragic.

MISA: anyways, onto someone who Does Not care about people. misa's biggest strength is her acting and YES, SHE'S GOOD AT ACTING. SHUT UP. i would say she's even better than light at this, since it's literally part of her job and also she apparently fools half the fandom into thinking she's a moron. i actually think misa has a similar strength to near as well in that she's capable of getting outside her own head and reflecting on the situation in a way that isn't purely driven by her own ego-- part of her fault is just that, like L, she often doesn't care enough to bother. misa knows what the fuck she wants, and pursues it successfully and rigorously enough to keep light in a stranglehold from the minute she meets him until the day he fucking dies. the question is whether or not this Thing she wants so badly will actually make her happy, or whether she will allow herself to drop the stubbornness for two goddamn seconds and chill out enough to actually consider other options.

KIYOMI: kiyomi is book smart and has quite good logic and reasoning as well, but she is Stifled by social expectations a way that i see as very much parallel to light. i think her biggest strength and weakness are knotted up together, in a way-- she makes the connections, but only rarely bothers to say them out loud. i actually think she might have a similar mix of self-doubt and ego as mello, though the way they express those traits are polar opposite. she's Aware of people in a similar way too, or at the very least conventional rules of morality/ethics, enough so to be horrified when light asks her to kill (but not enough to stop herself from doing it). i fucking adore the idea that she's a bit of a closeted sadist too-- etc. etc. horror at her actions, or her own capacity for them in and of itself? juicy shit.

NAOMI: taking from LABB murder canon for this one too-- naomi Definitely has strong logical reasoning, being able to keep up with/follow much of the mind game bullshittery of beyond and L even as ryuzaki is fucking with her irl. she's got a more blunt, brutal version of near's Don't Give A Fuck-ery too, throwing away the bullshit without a second of doubt or care when she recognizes it. her weakness is again in her kindness, though naomi's has got more of a maternal edge to it than mello's. remember-- what fucks her up, what causes her to separate herself from the FBI in the first place is not her own experiences with racism or sexism from her coworkers, but her inability to shoot a child. kind of opposite to kiyomi in that way, actually, horror at her inability to execute violence against someone that she sees as an inherently innocent being? perhaps part of what endears her to L as well, and light.

SOICHIRO: his greatest strength is his capacity for reflection, which i see as a side effect of his age. soichiro is not caught up in the throes of his own ego, he doesn't have much patience for the mind games, and why would he? he's got a job to do, a family to take care of and love. he's more cool-headed than a lot of the younger characters because of this, capable of reconsidering his morals and the nuances of his ethical stance as he comes in contact with new situations, not holding to some Static idea of This Is How Reality Must Be 100% (see: him softening his stance to say that the true evil is "the capacity to kill," in his hospital bed). yet this love for his family, the fact that he has kind of Made It, is also his greatest weakness-- he's got something to lose now, and especially in the second half, we can see that Fear really get to him.

BEYOND: is simply not that smart. worse, he's all ego and got a simultaneous superiority/inferiority complex. he comes up w/ dumb, overly convoluted puzzles n then looks down on other people for being too Pedestrian to get it, walking naomi through his reasoning bc he thinks she's too stupid to figure out the important shit. i don't even think he's on naomi's level of reasoning, he's just good at murder mystery-esque puzzle bs and lighting himself on fire.

[fluentmoviequoter]

Favors and Broken Promises

Requested Here!

Pairing: David 'Deacon' Kay x journalist!fem!reader

Summary: When you begin receiving death threats while writing an article on a dirty cop, Deacon Kay reluctantly agrees to protect you. He makes the situation worse before it gets better.

Warnings: angst to fluff; non-descriptive fight scene and injuries. the detective and dirty cop's names are a somewhat obscure book reference

Word Count: 3.0k+ words

A/N: I didn't proofread this, but I'll be back soon to do so!

Picture from Pinterest

Masterlist Directory | Deacon Kay Masterlist | Request Info/Fandom List

Deacon is attempting - and failing – to enjoy his day off. When his work phone rings, he sighs before answering.

“Sergeant Kay,” he greets, hoping this will be quick.

“Deacon, this is Detective Jeff Sherman.”

Smiling, Deacon is pleased that it’s not a SWAT call.

“What can I do for ya, Sherman?” he asks.

“I need a favor.”

“Anything for an academy classmate. Couldn’t have survived without you,” Deacon replies.

“It’s a big favor, Deacon. Big enough that if you say no I don’t have anyone else to ask.”

“What have you gotten yourself into? This LAPD business?”

“Yeah. It’s for a case I’m investigating. Dirty cop working in the academy.”

“LAPD academy? For how long?”

“Started around the time we were there.”

“We would have seen it, wouldn’t we? Is there any truth to the claims, Sherman?”

Sherman sighs, and Deacon isn’t prepared to hear, “You didn’t know to look, Deac.”

“Tell me what you need.”

“I’ve got a friend, a journalist investigating the cop, and she needs protection. She started receiving death threats last week, and she was being blackmailed before that.”

“Why call me?”

“It would be off the books. Our history and your time in private security make you the perfect choice to keep her safe while we find this guy, get to bottom the threats.”

“Of course. Like I said, Sherman, anything for you.”

✯✯✯✯✯

Investigating a dirty cop in the Los Angeles Police Academy isn’t as easy as one might think. After years in investigative journalism and a brief history in the criminal justice field, you found yourself drawn to telling the stories of the people who need justice the most but can’t get it for themselves. This particular story caught your attention because you know exactly what these young women are dealing with.

Walter Greener has been harassing, blackmailing, and assaulting female recruits since you were in the academy years ago. His history of mistreating women and the fact that he’s still at it with no record of any reprimands makes you eager to expose the truth.

You were likely one of the first. Greener harassed you constantly, and when he grew bold enough to assault you on numerous occasions, putting his hands on you or getting rough in the locker rooms after training, you began considering dropping out. Letting the actions of one man dictate your life seemed ridiculous, and you vowed not to quit without good reason.

When the first letter demanded something in exchange for your safety, essentially asking for a piece of your soul to keep your life, you knew you couldn’t keep going on the track you were on. You pulled away from your friends and family before dropping out and moving. During this time, completely alone, you began studying to become a journalist, refusing to let other women’s stories go unheard. Your classmate, Jeff Sherman, tracked you down and demanded to know what happened, able to see something that no one else could.

Years later, when you learned that Greener was not only a cop but was working in the academy, you had to return to the heart of Los Angeles and find the entire story; the good, bad, and ugly. Now that you have enough evidence, both past and present, you’re ready to write your article. There’s more than enough to get him fired and charged with harassment and assault if anyone else is willing to testify against him. The moment you began preparing the story, a death threat appeared in your email inbox. Within a few days, they were being delivered straight to your door.

The only relationship that survived your forced exit from the academy was with Jeff Sherman, so you called him and told him everything. He jumped to action, promising to find him and keep you safe. Believing him, you continue working on the story, unwilling to let Greener scare you away again.

✯✯✯✯✯

“This woman have a name?” Deacon asks.

“You’re not gonna like it,” Sherman says before telling Deacon your name.

“Are you kidding me? No way, Sherman.”

“You already agreed, Deac. C’mon, man, do it for me?”

Deacon pinches the bridge of his nose, wondering how he went from being suddenly abandoned by you to being responsible for your safety. While you were in the academy, you dated Deacon for several months. He was happy, and things were getting serious, and then, out of nowhere, you started pulling back before disappearing completely. You dropped out of the academy, and Deacon had to accept that he’d likely never see you again. You broke his heart without giving him any idea about what happened. Even today, he is hurt and angry that you didn’t talk to him about the unknown issue. 

Unaware of how you were forced to pull away from him and the career of your dreams, Deacon has remained clueless about the blackmail and harassment that targeted your personal life. Each threat included your family and friends, including your cop friends and Deacon himself.

You and Detective Sherman only stayed in touch because he realized something was going on with all of the women and found you, cornering you for answers after your disappearance. 

Deacon already agreed and won’t go back on his word, but he really doesn’t want to see you again. Doesn’t want to be that close to you, responsible for you, any of it. He was pissed when you left, and he’s still so angry and hurt that he can’t imagine letting you walk into his life, his house, without at least providing a few answers. The idea of someone threatening to kill you, however, makes it harder to say no (if he could).

“You said death threats?” Deacon asks. “Are they bad?”

“They weren’t at first. Progressively, yeah, they’ve gotten graphic and detailed. The blackmail was rough too, though. Greener knows a lot about her.”

“Wait, Richard Greener? From the academy?”

“Right, you didn’t know, I’m sorry. That’s who the article is about. He’s still harassing and assaulting young girls in the academy and she’s trying to get to the bottom of it, get him fired or indicted.”

Deacon wants clarification on the ‘still’ aspect of Sherman’s statement but decides that getting close to this is a bad idea. It’s a job, nothing more, so he can’t let you get under his skin. The anger and hurt are as powerful as they were years ago, so Deacon will keep you alive and then watch you walk away again.

✯✯✯✯✯

“Why won’t you tell me who my bodyguard is, Sherman?” you ask, approaching a back door.

“Because you wouldn’t have come,” he admits while knocking.

The door opens, and you find yourself face-to-face with Deacon Kay.

“Hi,” you whisper, shocked to see him.

He ignores you, looking at Sherman instead. “Check for trails?”

“Of course, Deac. We weren’t followed. Thanks for your help.” He looks between you to add, “Don’t kill each other.”

Sherman walks away, and Deacon enters the house, leaving the door open for you to carry your bag inside.

“Guest room is the second door on the right,” he says, his back to you.

“Thanks,” you reply. “I’m sure you didn’t want to do this, but I appreciate it.”

“Oh, yeah, I just live for protecting people who intentionally piss off the wrong people with their second career choice of journalism. Because writing will change so much.”

You try to ignore his hurtful jab, opting to find the guest room instead of staying close to Deacon. He’s already forgotten this is supposed to be a job, letting his emotions control him. When you reemerge a few hours later, he wordlessly slides a plate of food to you.

“Thanks.”

“Feel free to throw it away if you suddenly decide you don’t like it, since you seem to enjoy that,” Deacon snaps, taking his plate into his room and closing the door.

“I think I might prefer the death threats,” you say to yourself.

✯✯✯✯✯

“Luca, you don’t get it. She left me, took part of me with her,” Deacon says quietly, pacing as he asks for advice.

“Sounds like she may still have it,” Luca offers. “Maybe give her a chance to explain. Have you talked to her yet?”

“Um- sort of. Nothing civil though.”

“Deac,” Luca sighs. “You can’t attack her for something she did back then and expect her to feel safe, for one, but that’s also no way to move on, man. At some point you just gotta let go and find something else.”

“You’re telling me to forgive and forget?”

 “I’m telling you to remember that neither of you are the same people you were back then. Give her a chance, and maybe be a little respectful of the fact that the man who destroyed her life is threatening to take it.”

“Thanks, Luca.”

Deacon ends the call and exits his room, noticing your door is closed. He sees your shadow move in the light under the door and decides that Luca’s advice can wait a day because his hurt feels brand new.

✯✯✯✯✯

“Is that wise?” Deacon asks, walking into the kitchen the following morning. “Isn’t writing what got you into this?”

“Not exactly,” you answer, completing your outline.

“Well, it’s what got me into this, and it’s not my dream vacation, so maybe don’t do anything to make the situation worse, if you can manage that.”

You nod slowly, sad that Deacon seems stuck on what you did in the academy. If he can’t move on or at least give you a chance to explain after all this time, then it’s probably not worth trying, you think.

Deacon notices the sad, misty look in your eyes as you continue typing but exits the room before anything else happens. He’s not in the mood to give you pity or feel empathetic toward you; you got yourself into this situation, but you also drug Deacon into it.

Throughout the rest of the day, you don’t even react to Deacon’s jabs and outright mean comments. Whenever he sees you, you jump as if you didn’t know anyone else was around, are lost in thought, and ignore him, or stare longingly out the window. Even after stumbling upon you crying at two different times, he keeps pushing you, letting the past impact his current treatment of you. Deacon thinks you don’t seem to care, so why should he?

By the end of the first day, you refuse to meet Deacon’s eyes and try your hardest to avoid him. Deacon notices, of course, and realizes that something in your past must be affecting you, maybe even the same thing that made you leave him. Everyone seems to think Deacon needs to move on, but he’s not the only one.

✯✯✯✯✯

A few days into your nightmarish stay with Deacon, he wakes up in an especially bad mood, which shows in his snarky comments and low-aimed insults.

“Couldn’t make it as a cop so you sit behind a computer and judge those of us that answered the call to serve and protect,” Deacon mutters.

Tired and unable to take Deacon’s – for lack of a better word – verbal abuse for a moment longer, you snap. “Well, I am so sorry that I was harassed and assaulted so often that I didn’t feel safe anywhere, not even with you! Dropping out and pulling away from everyone I cared about was my only choice, and it hurt me just as much as it hurt you, Deacon, but I’m not trying to make you feel like a monster for letting me leave and not noticing that Greener was putting his hands on me every time you looked away!”

Deacon’s eyes are wide as you continue, “And if the panic attacks and trust issues get to be too much, I’ll just leave again, because I think anything would be better than sitting in this house, with the man who is supposed to be keeping me safe but instead is making a bad situation a whole lot worse.”

With your emotions raging, you can feel the panic attack building in your chest, and you storm away before Deacon can witness that level of vulnerability.

Once he’s alone in the living room, Deacon begins piecing together all of the little signs he missed before, growing more and more determined to make it up to you. From the academy to this moment, he has a lot of hurt to mend, but he can help you now, even if he didn’t back then. Your situation requires a reminder that there are good, trustworthy cops; despite his recent behavior, Deacon is one of the good ones.

✯✯✯✯✯

Deacon knocks softly on your door, and you harshly rub the tears off your cheeks before answering.

“I’m so sorry,” he says when you come into view. Staying in the hallway, Deacon holds his hands before him, his genuineness evident in his gaze and body language. “I’m here with you and I will protect you, I promise.”

You nod, and he sends you a small smile before retreating into his room. Your heart feels a bit lighter, and Deacon’s does, too.

✯✯✯✯✯

Over the next few days, Deacon’s heart begins healing. He’s casually protective, gently moving you out of the way when you’re blocking something he needs, calmly asking you to stay away from the window, and refusing to let you out of his sight for too long. When you spend too much time in the shower, Deacon knocks and asks if you’re okay. Your responding laugh makes Deacon smile for the first time in too many years.

Deacon does more than a bodyguard should, with evident kindness and concern underlying each of his movements and commands. When he speaks, his words are nearly parallel to his previous comments.

“What are you writing?” he asks when he finds you curled on the couch with your laptop perched on your knees.

“Working on the article,” you answer carefully.

“I’ve read some of your pieces. You write on important topics in a way that makes them relatable. That’s admirable.”

Later the same day, he encourages you to keep writing when you mumble that it feels pointless.

“Even if you help one more girl, isn’t that enough?”

He even walks you to bed, holding the door open as he apologizes again. “And I didn’t mean what I said – any of it – but especially the part about you not being able to be a cop. We both know you were on track to be the best of us. But what you’re doing now is just as important.”

“Still can’t help but feel robbed,” you admit. “He took everything I loved.”

Glancing up at Deacon, you think he understands your meaning when he smiles.

✯✯✯✯✯

“Sergeant Kay,” Deacon says, answering his phone. “I’m off this week… How bad is it?... Yeah, I’ll get right back to you.”

“You should go,” you say, looking over your laptop. “Sounds like they need their best.”

“It’s a major hostage situation, and they only called because it’s urgent. I shouldn’t leave you, though, they can find someone else.”

“Deac,” you call. “I’ll be okay for a little while. And I will call if anything happens, or I get worried or just want to talk. I promise.”

Deacon reluctantly agrees, gathering his things as he calls his team back and tells them he will meet them at the scene. As he leaves you, he feels like something is wrong, out of place, but maybe that’s just because he misses you after spending so much time together.

✯✯✯✯✯

Something scratches across the front door, and you’re immediately alert. It hasn’t been long enough for Deacon to return, so you rush to his room, but the front door slams against the wall before you can escape behind another locked door.

“An article about me?” Greener asks. “I’d be flattered if I didn’t know exactly what kind of woman you are.”

“Now, I’m the kind of woman that you can’t intimidate.”

“Intimidate?” Greener laughs as he cracks his neck. “We’re way past that, don’t you think?”

You step back as Greener lunges, glad you continued training after dropping out of the academy. You’re still a good fighter, and Greener underestimates you because you’re a woman. While Deacon deals with a tiring afternoon of saving hostages, you win a tiring fight.

Car doors close in the neighboring driveway, and an exhausted and injured Greener rushes out of the broken front door. You don’t want to call Deacon, not because you don’t trust him but because you know he will blame himself. Regardless, you dial his number and lean back against the wall.

“Hey, what happened?” Deacon answers.

“Uh, Greener broke in. I’m okay… mostly okay. We fought but he got scared off,” you answer softly.

Deacon hangs up, rushing home and patching you up. He covers your scrapes and bruises, apologizing as he goes.

“I will never put you in this situation again,” he promises as he secures the last bandage over your split knuckles.

“Stay by my side?” you ask, offering your less bruised hand.

Deacon takes it with a soft touch as he answers, “Through it all.”

✯✯✯✯✯

Deacon keeps his promise, staying by your side through the trial, the mixed backlash and praise over the article, and perhaps most surprisingly, your sudden fear of being alone again.

Standing by his door with your bags in tow, you can’t cross the threshold.

“You don’t have to go,” Deacon repeats. “Stay as long as you want. I’m by your side, remember? There’s nothing to worry about here. Other than me getting attached to you and clingier.”

You smile, glancing at the door before stepping closer to Deacon as he pulls you into a hug, and you wrap your arms around him before pressing your cheek against his shirt.

“I’m never leaving you again,” Deacon vows. “I lost you once, and after everything we went through to find each other again, what I put you through, I’m not losing you again.”

[on1occasionfork]

2024 fic roundup

Thanks for the tag, @brenna, and for making this, @cheeseplants

What fandoms do you write in?

Good Omens these days

How many words have you published in 2024?

153,615!

What is your greatest achievement this year?

Writing-wise, it's gotta be But, soft! It's the longest thing I've ever written. You know what sticks with me though? A lovely friend told me she saved chapters to read on days she had to have medical treatment or needed cheering up. I can't imagine a higher bit of praise for my silly fluffy cat story. On days that I get discouraged, that's what I remember.

I also bit the bullet after many years and got a tattoo, designed by fellow Goblin Catartkd. It might not seem directly fic-related, but Good Omens fic and the fandom have reenergized my creativity, and every time I see it, it's a reminder of the joy to be found in those things.

What are your favourite top three fics you wrote this year?

But, soft!

Thus Saith the Lord

Gen Az

What was your biggest pit of despair moment?

No huge pit of despair, but quite a few moments of panic when I was posting faster than I was writing! If there was any despair, it was around getting stuck on the first thing I started writing for Good Omens.

What have you learned?

More than anything else I've learned how incredibly kind, smart, and wonderful this fandom is. I've had nothing but lovely interactions with folks, and I'm always impressed that no matter how obscure a reference is...someone's going to get it.

Quite a bit about hyphenating compound adjectives

A LOT about US geography

What fic did you want to do but never made it off the ground?

Hey @dbacklot99 -- here's where we talk about Abide. This story is nine chapters in, unposted, and I got a) stuck with the plot and b) distracted by Nursing Home AU, cats, and many other things. BUT. There is suddenly light at the end of the tunnel, thanks to @spectrallydistracted, and it's gonna be one of my 2025 projects.

Did you beta any fics? Any favs you want to shout out?

Shake Like Hell and Spell Success, Experiential Learning, and Yield by @kneelbeforeyourdogbabylon

Currently betaing Good Works by @majnoonathelibrarian

Midnight Ride by @brenna

And several other fantastic stories, some of which have been posted and some of which are still WIPs and about which I am super excited.

What three fics have you read this year that you love?

Oh come on. Three? Ridiculous. Gonna pick a few that were only published this year and which I have already read at least twice.

Eerie Was the Way by @kneelbeforeyourdogbabylon

That Certain Night by @adverbian

Consenting Cycle Repairmen by @groovynightstrawberry

Honey, There Is No Right Way by @voluptatiscausa

Stuck on You by @zin-lynn-c

Terminus by @emotional-support-demon-crowley

The Best Part by @happynachohologram

tidal disruption (I love the world because I love you) by @chlorine-and-daisies

@firstvisittoearth's Poetry Collection

What ideas are percolating for next year?

Abide — a post s2 "All of us against all of them" story

More you can't take the stars from me — I haven't had much time, but I'm excited to combine two stories that I deeply love, and I've been so happy about all the Browncoats it brought to my attention!

In Plain Sight — a riff on Witness.

Who do you want to thank?

@nosferatini and the @goodomensafterdark mod crew, both here and on Reddit. Nos, I'm so glad you pulled me in. Mods, you have created a space that is so welcoming, so supportive, and I cannot tell you how much I value it.

Everybody who has read, commented on, or recced any of my stuff, but especially my first published GO work, Our homeward steps were just as light. Plus @nosferatini again who turned it into an incredible podfic and @daneecastle who created beautiful art.

All the people who have given me ideas of food, destinations, etc. for Thus Saith the Lord, but especially @moderndayklutz. All those above who have either betaed for me or let me beta for them. @isiaiowin for rekindling my love of poetry.

And most of all, to my @sexy-sheep, love of my life who, when I hesitantly said that I had started writing GO fic, said, “I wondered how long it would take,” and immediately gave me the idea for But, soft! — you are the best of wives and best of women, the best brainstorming partner I could ever want, and the person I’m glad I fall asleep (or stay awake and read until 3am) next to every night.

Anyone in my tags feel free to join in or in fact anyone at all.