#i know i've read more

[thursdayinspace]

btw sorry if you've already made a post like it but do you have any favourite parenting fic recs with any of those tropes? I've read a few but not that many...

i was gonna say i haven't read a ton of parenting fics, but i went through my library for you, and here are a few parenting or parenting-adjacent ones:

Shine On by @cecilysass - probably not exactly what you're looking for since they're not raising a kid together, but read it anyway if you haven't yet because it's *amazing*.

Terra Firma by Malibusunset - it's so sweet and will give you so many feelings of the good and happy kind.

All that is Dark and Bright by Malibusunset - be prepared to cry and laugh and cry angsty and happy tears. soooo good.

Three Part Harmony by @slippinmickeys - i mean hooooly shit this one will make you miss your bed time several days in a row. it's not fluff, if you're looking for that. but read it. do it. right now.

of our own making by @television-overload - pre-parenting, but if you haven't read it, definitely do so. i love this fic.

there are more but my AO3 is so slow this morning. @randomfoggytiger I trust that you can add on a couple more here?

[illusioncanthurtme--art]

Physically? I am sitting in my bedroom. Mentally? Spiritually? I AM DEAD ON THE FLOOR!!!!! THESE TWO HAVE KILLED ME!!!!

(Another drawing! This was originally attempt #1 at drawing stan, and then fiddleford just showed up. Kinda feels like them five minutes after the above acting like nothing happened though, so it works sdjkgkjfshj)

[originalartblog]

Apparently much-needed reminder that reposting artists' art (by saving the images or screenshotting them and reuploading them yourself) on other platforms without the artists' expressed permission and without credit is theft and an insult to their passion and craft. You are profiting (in views, in attention, in feedback) from someone else's work and ideas, who do not get that feedback for sharing their creation.

If you are an art reposter, you are a thief and I have no respect for you.

[armenelols]

I don't recall the books ever specifying what weapons Elrond primarily fought with and while he is usually given a sword by both the movies and fandom, I think it would be incredibly hilarious if he came out with fucking Dramborleg. They are getting ready for battle and he brings out this huge ass axe his gramps once killed balrogs with. Sir, you were discussing poetry 10 minutes ago, where did that thing come from

[sainz100]

2024 Brazilian GP | x

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[hedgehog-moss]

Pls give recommendations for Odd books 🙏

Here we go, a list of literary oddity :) This post contains majestic spheres, alien taxonomies, cruel subway polytheism, a fourth-dimensional cat, disturbing earthworms, infinite space football, existential mussel terror, a Parisian absurdist time loop, and a picture of a telegraph-pole-man-cheetah. I'm not exactly recommending these books, in the sense that I won't take any complaints if you find them more odd than good, and some of them transcend the concepts of good and bad anyway.

• The Other City, Michal Ajvaz. It's all like this:

• Contes du demi-sommeil, Marcel Béalu ('Half-asleep tales') —is the book that prompted my post about stories that have no ambition or justification beyond being odd. I'm sad that it hasn't been translated :( One of the tales is about a strange opaline sphere that rolls on the road. It doesn't accelerate when the road becomes a steep slope but continues rolling majestically. At one point it floats away towards the sky. Someone wonders if it was the moon. Someone else says authoritatively "It was an angel's egg." Everyone is reassured by this explanation. The whole thing feels exactly like remembering a dream you had. There is also a man who reads too much and whose body atrophies so only his head is left and his wife puts it in an egg cup for better stability.

• Leonora Carrington— The Skeleton's Holiday, or maybe the Hearing Trumpet. I've read them so long ago but I think the latter is the one with the old ladies and nuns? There's also a guy who was murdered in his bath by a still-life painter because he said there was a carrot in one of his paintings, but it might not have been a carrot? It's hard to remember details from this book without feeling like I might be making them up. Bonus Leonora Carrington painting which kind of feels like a short story:

• The Codex Seraphinianus, of course. I wish there were more bizarre encyclopaedias out there.

Also I love this review:

• Sleep Has His House, Anna Kavan —I really liked the way this book used language; making life feel like a fever dream even more than in Samanta Schweblin's Fever Dream (which I really liked too.)

The eye is checking a record of silence, space; a nightmare, every horror of this world in its frigid and blank neutrality. The actual scope of its orbit depends on the individual concept of desolation, but approximate symbols are suggested in long roving perspectives of ocean, black swelled, in slow undulation, each whaleback swell plated in armour-hard brilliance with the moonlight clanking along it . . .

• The second half of Michael Ende's Neverending Story, where things get stranger! I remember the hand-shaped castle with eyes and the city of amnesiac former emperors and the miserable ugly worms who cry all the time out of shame then create beautiful architecture with their tears...

• The Gray House, Mariam Petrosyan. This is the one I had in mind when I talked about a 'museum of the strange, but one you wouldn't want to be trapped in after closing time'. Another book that made me feel uncomfortable in a similar (good) way was Edward Carey's Observatory Mansions, the protagonist of which is a man who curates an odd private museum and can't stand the sight of his own hands.

• Oh, speaking of uncomfortable, and hands—He Digs A Hole, by Danger Slater. To me this book was in the more-odd-than-good category but I liked its refusal to have a coherent philosophical meaning. It's about a man who can't sleep so he goes to his garden shed and saws off his hands and replaces them with gardening tools. Then he starts digging a hole. And then it gets weird. (Read at your own discretion if you have a worm phobia; there's some body horror featuring sexually aggressive earthworms. And then it gets disturbing.)

• 17776 — Someone sent me an ask a few years back to recommend this online multimedia narrative to me and I really enjoyed it! Here's the summary, borrowed from the wiki page: Set in the distant future in which all humans have become immortal and infertile, the series follows three sapient space probes that watch humanity play an evolved form of American football in which games can be played for millennia over distances of thousands of miles. The work explores themes of consciousness, hope, despair, and why humans play sports.

• Saint-Glinglin, Raymond Queneau —the author admitted that this book presents some "internal discontinuities." I didn't like it much but I respect the talent it takes to write a novel where everything feels like a random digression, including the key suspenseful scene that matters to the plot. The one digression I loved had to do with the way the narrator is existentially horrified by various sea creatures. It's like he dreads them so much he can't help but think about them when he should be telling a story.

The oyster... This gob of phlegm, this brutal way of refusing the outside world, this absolute isolation, and this disease: the pearl... If I conceptualise them even a little, my terror starts anew. The mussel is even more significant than the oyster and even more immediately admissible in the domain of terror. Let us indeed consider that this little sticky mass whose collective stupidity haunts our piers, consider that it is alive in the same way as a cow. Because there are no degrees in life. There is no more or less. The whole of life is present in every animal. To think that the mussel, that the mussel has, not a conscience, but a certain way of transcending itself: here I am once again plunged into abysses of anxiety and insecurity.

Near the beginning he philosophises about what would happen if a man and a lobster were the only two survivors of the apocalypse. The lobster would break the man's toe and the man would say, "We are the only beings that remain on this devastated Earth, lobster! The only living beings in the universe, struggling alone against the universal disaster, don't you want to be allies?" But the lobster would disdainfully walk away towards the ocean, and "the sight of the inflexible and imperturbable lobster pierces the sky of humanity with its unintelligible claws." (I can't overstate how little this has to do with the rest of the book.)

• Autumn in Beijing, Boris Vian —needless to say the story does not take place in autumn nor in Beijing.* To the extent that it can be said to be "about" something, it's about people trying to build a train station in a desert with tracks that lead nowhere. (I just went on goodreads to check the title, and it's actually called Autumn in Peking in English. I also discovered that it was featured in a list of Books I Regret Reading. I liked this book, but I understand.)

(* French writers love doing this—like when Alphonse Allais said about his 1893 book The Squadron's Umbrella "I chose this title because there aren't any umbrellas of any sort in this volume, and the important notion of the squadron, as a unit of the armed forces, is never brought up at all; in these conditions, hesitating would have been pure madness.")

• The Library at Mount Char, Scott Hawkins—I fear this one makes a little too much sense for this list, but you can't say it isn't weird; and I loved it and recommend it any chance I get.

• The Eleven Million Mile High Dancer, Carol Hill —this book was so wacky and made me laugh. I've not yet managed to successfully recommend it to someone; its brand of odd didn't resonate with the people I know who've read it but that's okay. You could say it's about a woman astronaut whose weird cat disappears into the fourth dimension (or the quantum realm?) and she goes to space to save him—but that makes the book sound more straightforward and less messy than it is. Her cat leaves her a note before he disappears:

• The Bald Soprano, Ionesco —fun fact, there's a tiny theatre in the Latin Quarter in Paris where this absurdist play has been staged every night for nearly 70 years, with the exact same set design and costumes and everything, like the actors are stuck in a time loop. They celebrated the 20,000th performance this year! There's an actress who has been playing her character for 40 years and said joining this theatre was like joining a religion. I've been going to see this play as a New Year tradition with my best friend since we were 14, so I love it madly, though I wouldn't say it's good, necessarily—the author said it was about "absolutely nothing, but a superior nothing."

• Statuary Gardens; or Les Mers perdues (apparently not translated) by Jacques Abeille. This man is obsessed with weird statues. Unfortunately I find his writing style rather dull—I feel like he takes strange ideas and makes them feel mundane in a bad way...! But his books still have a nice, quiet, oneiric atmosphere, and images that stayed with me, like a solitary gardener trying to grow stone statues in the depleted soil of a walled garden. Here are some illustrations from the second one:

I'll look into some of the books recommended on my previous post! (and I agree with the people who brought up Cortázar, Borges, and Junji Ito. <3) Some potentially-odd books I have on my to-read list: Clive Barker's Abarat, Goran Petrović's An Atlas Traced by the Sky, Salvador Plascencia's The People of Paper, Jean Ray's Malpertuis; Jan Weiss's The House of a Thousand Floors; Brice Tarvel's Pierre-Fendre.

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[freetobeeyouandme]

I love that the last two episodes of S1 were like Senshi has been haunted for the past ten years by the possibility that he might have had to resort to cannibalism to survive in the dungeon and the revelation that he did NOT is an emotionally charged moment. Anyway, I think the best solution to our current issue is to eat my sister

[sunatsubu]

smitten reporter has no chance against the flirtations of brucie wayne

[waitineedaname]

i was thinking my little thoughts while falling asleep last night, and a concept occurred to me: what if binghe learned about the system not from shen qingqiu, but from shang qinghua

look, he likes shang qinghua alright. he's pretty disinterested in p much anyone who isn't shen qingqiu, but on the list of People Luo Binghe Tolerates, shang qinghua is relatively high. he gave him advice on wooing sqq, after all, and sqq likes his company, so binghe tolerates his shang-shishu

but the thing is, shang qinghua is a spy. has been for decades. binghe knows this. really, everyone knows this at this point, which isn't a great look for a spy, but still. and since shang qinghua is a spy for mobei-jun, who is a subordinate for luo binghe, then technically shang qinghua is also working for him, but you don't get to the position of demon emperor without a healthy amount of suspicion for everyone in your court

so he decides to test shang qinghua a little bit. nothing major, just a little poking around in his dreams. he starts out with a subtle touch, just sifting through his memories. most of it is what he expected. he sees his time on an ding as a disciple and then later as peak lord, he sees him working for mobei-jun. he sees mobei-jun in some compromising situations, which he files away for later, and then sees him in an entirely different flavor of compromising situations, and binghe immediately decides to act like he never saw that

then he decides to take a more direct approach and starts nudging the dreams in other directions, to see how he might react to certain scenarios, test his loyalty. he expects shang qinghua to act cowardly, or bluff his way through a situaton, maybe even draw his sword if pushed far enough

what he doesn't expect is for shang qinghua to frown at the changes luo binghe made and go "I didn't write it like this"

what

binghe is so bewildered by that response that he loses his grip on the dream for a second, and before he knows it, shang qinghua has spun the dream scenario back into the way the scene originally played out. he steps back and looks satisfied. "there we go," he says. "that's how it went. you know, if I'd known I'd be dealing with this scene myself, I would've written it differently"

what the hell does that mean?

fascinated, luo binghe continues to test him. most of the time, when he toys with someone's dream, they're completely unaware of the changes. shang qinghua, despite not seeming aware that he's lucid dreaming, seems very aware of how each scene should go. except for, strangely, many of the scenes that binghe himself was in. binghe pulls up one from his disciple days, one of the times he remembered shang qinghua coming to qing jing on some errand. he hadn't even changed anything yet, had just let the dream version of his younger self launch himself at shizun in a tacklehug, but shang qinghua tsks and takes the reins from him before he can make any edits. "sorry bing-ge, but that was just way too out of character," shang qinghua says. the dream copy of luo binghe's younger self is sent further away, watching the peak lords with a sullen gaze. he's skinnier than binghe remembers being at this age, and one of his eyes is swollen with a purple bruise. that doesn't make any sense, luo binghe thinks. he hadn't been beaten on qing jing peak for years at this point.

the shen qingqiu beside shang qinghua in the dream stands with his back straight as a ruler, and when his gaze lands on luo binghe, he sneers behind his fan. shang qinghua sighs. "cucumber-bro really wasn't as good of an actor as he thought he was. he's way too soft to ever seem like the original goods."

alarmed, luo binghe dispels the dream and steps out of it entirely. sure, he knows shen qingqiu's personality changed almost overnight when he had that qi deviation. everyone knew that. he avoided questioning it much, unwilling to look a gift horse in the mouth when it meant having a shizun that cared for him

but shang qinghua. shang qinghua seems to know something more about shen qingqiu's personality change. something he's not sharing. luo binghe didn't like the idea that one of his subordinates could be hiding something as vital as this from him

well, this had been a test of his spy's loyalties, hadn't it? perhaps he should make a visit to an ding. he had some questions.

[starry-bi-sky]

i've mentioned in a few past posts about an au where Danny is a variant of Jason Todd. I haven't made a post about it yet because I need a good rhythm flowing however i've been listening to Gladiator by Jann and I have been having thoughts.

but first, let me set the au:

Danny Fenton is Jason Todd, or at least, a variant of him. A him from a universe separate to the major Batman timeline - but still Jason Todd, down to the structure of his face and his name itself. The only thing that changes, is who picks him up - and, that he follows old Batman canon, and was an orphan. Jason Todd steals the tires off the batmobile and wallops Batman with his tirejack, and then runs off. Shortly after, he gets picked up by the Fentons.

(Customary line break,,,, word count check: 5k)

And his name changes from Jason Todd to Danny Fenton. He doesn't care much for the new name change, it stems from his mute refusal to share his name to the people that picked him up; an attempt to make him untraceable should he get away from them, and to keep something of his to himself. So they name him something new. He grows to like it enough as he acclimates to his new family.

(He hangs onto the name Jason Todd like a secret - he may be 'Danny Fenton' now, but he'll never forget his time on Gotham's streets. He'll always be Jason Todd.)

(Jazz is the only one who he tells his name to in the family - she affectionately calls him Jay whenever she wants.)

He becomes friends with Sam and Tucker and deals with Dash and his bullying. And when Danny steps in during a fight between Dash and another student, Dash gives him a bleeding nose and mockingly says, "Do you think you're Robin just because you're from Gotham, Fenton?"

Jason looks him in the eyes and he bares his teeth, "Why not?" he asks, spitting blood, "being Robin gives me magic."

The nickname sticks. It's supposed to be an insult; Daniel Fenton is not Robin, he'll never be Robin. Not now, not in a million years. Jason Todd has always wanted to be Robin, so he takes the insult and wears it proudly. He buys a school varsity jacket and painstakingly undos the stitching of all the school's motif on it. On the breast of it, he embroiders in a black circle with the Boy Wonder "R" on it instead. It's not good stitching, but the next day Danny wears it down to breakfast and into school.

In normal au canon, Daniel Jason Todd-Fenton (its a mouthful, just call him Danny) only meets the Waynes after he becomes Phantom - an event that leans more towards Daniel Fenton's accident than Jason Todd's death, but traumatizes him all the same. (Is it too much to want to be mourned? His best friends like to deny that he died - and Danny - Jason? - wishes they wouldn't, even if he did come back.)

(The accident embitters him, even more when his parents don't seem to pick up on it. He stops calling himself Danny Fenton - he's always been Jason Todd. It shows itself in his ghostly form. He doesn't want to wear the thing he died in, not in something that belongs to the Fentons, and his suit reflects that.)

In this timeline, Daniel Jason Todd-Fenton, aged 13, meets Dick Grayson and Bruce Wayne after a mishap with magic on the other end of the reality sends the three of them careening through time and space, and spat back out on the other end, in a world not their own. And together.

Danny is paired with a very confused Bruce Wayne and Richard Grayson. Luckily, there's a few heroes there to help them. Danny can hardly comprehend the idea that he's in another universe - he doesn't know why Dick Grayson and Bruce Wayne are seemingly handling it well.

On their way to a secondary base with the heroes, Danny turns to Bruce Wayne and asks, "So, is it part of rich-person training that you're just totally chill with being sent into another universe, or are you just weird?"

Bruce Wayne huffs at him, rather than get offended, and he smiles that dumb lopsided billionaire smile that Danny's seen on every vogue magazine he's been in. "I'm not so worried with these skilled heroes here to help us get home."

Danny silently concludes that he's just weird. At least Dick Grayson is biting back a smile behind him. "Riiiight..." He says, dragging the vowel out dryly.

When they get to that secondary location -- a safehouse that one of the heroes had set up -- the three of them are sat in a living room-like room while one hero, Zatanna, goes and calls someone from the Justice League. The other two heroes stay with the three of them.

Within a few hours, Danny is face to face with Batman - someone who he hasn't seen since he whacked him in the stomach with a tire iron - and Nightwing. For a moment, Danny swears that the both of them look almost spooked by him.

Batman stares at him for a moment when he enters, and then he goes to speak with Bruce Wayne. Danny doesn't care enough to hear what they're talking about, he pulls out his phone as Nightwing goes to speak with Dick Grayson.

"Are you a fan of Robin, little man?" Someone says, and when Danny looks up he locks eyes with Dick Grayson -- who is leaning around Nightwing to talk to him, the both of them are smiling. And considering who Nightwing was, Danny finds himself turning pink to the ears.

But he will not hide his jacket. He forces a grin through his embarrassment, "Hell yeah, man, Robin's cool." He says, and pushes his arms down to pull out the hem of his letterman, showing off the emblem. "I made it m'self out of a school varsity after the A-Listers started callin' me Robin."

"A-Listers?"

"Popular kids," Danny corrects, loosing his hold on the hem and brushing invisible wrinkles out of the embroidery. "They didn't like that I kept stepping in when they were bullying. Dash asked me if i thought I was Robin because I was from Gotham."

Dick Grayson looks intrigued -- and concerned, and he leans forward onto his knees and raises an eyebrow. "What did you say?"

And Danny grins a shark-like thing, straightening back his shoulders with a burning sort of smug pride and all the sharpness of broken glass left in Crime Alley. "I told him being Robin gave me magic, and then I punched him."

Dick Grayson's smile widens, splitting into showing teeth as he leans back into his seat. Danny isn't sure why he's so delighted - but Nightwing looks incredibly amused, and he suddenly remembers that the Robin himself was there in front of him.

Danny's face burns anew and his arms fold themselves in front of him once again.

"I don't think I ever caught your name, Robin." Dick Grayson goes, his voice thick with laughter, and Nightwing steps off to the side as Batman and Bruce Wayne walk over to join them both. They're just close enough that Danny can see Bruce Wayne raise an eyebrow at them both.

"It's Jason." Danny says before he can think about it, and barely stops himself from frowning at himself for the slip. He amends himself, glancing over at Batman and Bruce as they get closer. "But everyone calls me Danny."

Dick Grayson's head recoils slightly, and he looks a little surprised. "Why Danny?" He asks.

"Why Dick?" He shoots back, and Bruce and Dick both smile at him, with Dick Grayson shrugging with an expression that looks like 'you've got a point.'

In the end, the three of them - yes, three - get sent to this world's Wayne Manor, and Danny is bewildered by that decision to include himself -- he's not a Wayne. Why not just send him to the Fentons?

Batman tells him that the Fentons don't exist in this world, and Danny falls silent. "Oh." He says quietly, a pit growing in his stomach with an ill-kind of dread. He can't keep Batman's gaze, looking away with unease.

No Fentons in this world. No Fentons. Where was he then, in the grand scheme of things? Where was he in this world? What happened to Jason Todd? Was he even alive? He can't keep the worry off his face, and he jumps when a hand lands on his shoulder. When he looks up, Dick Grayson squeezes him gently.

Dick Grayson is steadily beginning to remind him of his sister.

-

They end up driving back in the Batmobile. It's such a shock to Danny that he momentarily forgets the lack of Fentons. He makes a laugh sound, actually, and immediately he covers his hand with his mouth and stares at the car -- tank? with his teeth sunk into his lower lip.

"Jason?" Dick says, and hearing his name being spoken feels like someone touched him with a livewire. It's weird, it's foreign - he hates, in some way, that it's foreign - and it's so nice. Yes, that's me.

He drops his hand immediately. "Sorry." He says, realizing he'd stopped in his tracks, "I -uh, was just surprised."

"It's not every day someone sees the Batmobile." Dick agrees. Nightwing has his back to them but Danny swears he sees his shoulders shaking a little.

"Yeah," Danny nods slowly, dragging his eyes over the batmobile as Batman opens the driver's side and gets in. He thinks for a moment, of what he should say next - whether to admit that he's seen it before, or to pretend that he's seeing it for the first time. Snd as Nightwing opens the door for him, Bruce, and Dick, he chooses the funnier option; "The last time I saw it, I was stealing its tires."

To his surprise and unsurprise, Danny only gets two pairs of eyes on him. Nightwing gets into the passenger seat as both Bruce and Dick turn their gaze onto him; Dick's eyes big like they were going to bulge out of his head.

"You what!?"

So Danny tells an amazed Dick Grayson that he hit Batman with a tire iron after he stole his tires - something he is very proud about and also incredibly embarrassed about when he retells what happened in the backseat of the batmobile, with Batman and Nightwing listening in from the front seat.

(Bruce Wayne doesn't ever tell Dick shit, he's going to lord this over Bruce's head the moment they are alone.)

"Please tell me this didn't happen in this world." Danny groans behind his palms as he sinks into his seat. Dick Grayson is killing himself laughing on his left, and he saw Bruce Wayne stifling a smile before he obscured his vision with his hands.

Much to his luck, its Batman himself who speaks next, (Danny was being mostly rhetorical). "It did." He says, and his voice sounds like the rumble of the earth before a stampede. It will never not throw Danny off every time he hears it. "It takes quite a lot of spunk to steal the tires off the batmobile."

He can't believe it. Batman is making fun of him. Fucking, Batman.

He wants to die with embarrassment. He groans even louder as Dick Grayson's laughter crescendoes. Danny risks a peak through his fingers, he doesn't know whether to regret it or not because he can just barely see Batman smirk very faintly from his position in the middle.

(His world axis tilts five degree leftways seeing it; like someone dunked a bucket of ice water on him.)

"He ended up being adopted by the Bruce Wayne of this world."

Danny's hands drop with his jaw into his lap. Dick Grayson on his left chokes on his laughter and careens into a coughing fit. Bruce Wayne on his right chokes on air, and quickly recovers himself with a cough behind a closed fist.

"What?" Danny croaks.

-

Apparently, Bruce Wayne's family is much larger in this world than it is in his. Danny can barely wrap his head around the idea that he ends up adopted by the man, but now he has to learn that Wayne had several children in this world?

He's still not wrapped his head around it when the three of them wind up at Wayne Manor, finally, or even when he's standing in front of him himself. For his effort, Bruce Wayne does a good job at looking unruffled by it.

God, he's weird. Danny's starting to quite like it, actually. How human of him.

He still can't wrap his head around it when he meets the rest of Bruce Wayne's children, all of whom are already aware of the three of them. Danny thinks that someone from the Justice League might've alerted them before they got here.

It makes sense, he supposes.

It helps that they are just as weirded out as he is. A boy named Tim Drake sees him for the first time and blurts out; "Oh wow, you're tiny." In a tone like he's just seen a two-headed snake burst out of the ground.

Danny is still offended. He's still growing. It's not his fault he spent twelve years of his life malnourished. "I'm gonna be taller than you," he tells him seriously, "and when I do I'm gonna kick your ass."

Tim snorts at him.

The other Bruce Wayne -- Mr. Wayne's -- youngest looks at him up and down with a face of carefully controlled judgement. His name is Damian, he's Bruce Wayne's only biological son. Danny can't believe that there's only one.

If anything, Bruce Wayne himself looks surprised too.

"Todd, yes?" Damian says, his green eyes narrowed at him.

Danny feels like the specimen under his parents' microscope, he feels like he's standing on a platform that's being slowly spun by scientists. He looks over at Bruce Wayne in confusion, and then back at Damian. "I- yes?"

Damian Wayne nods, and then leaves.

Danny does not once see himself. That is unsettling in and of itself - surely Jason Todd would have been told about another version of himself in this world, wouldn't he? How old is he here? An adult, probably. Danny doesn't know if he wants to see him. What does he look like when he's grown up? He pulls his Robin jacket around him a little tighter, like a cocoon, like a shield.

"It's weird to hear them call me Jason Todd." He says aloud to himself, and it leaves a weight behind in his chest that shouldn't hurt the way it does. It shouldn't be weird to be called your name. It shouldn't cobweb up your throat to hear your name being said. It was his name. It was his.

-

Danny acclimates to the manor slowly. The house is big, massive. He's never been in a house so large before, he feels like a stray cat being taken in for the first time, again. He and Bruce and Dick Grayson are all given their own separate rooms - one of many inside this mansion - and the sheer size of his bedroom is bigger than his living room and kitchen combined.

it's daunting. Danny sits outside on the balcony and stares at the stars he can see - Wayne Manor is far enough away from Gotham that its light pollution doesn't obscure the sky here like it did in the heart of it.

Danny finds the constellations he can find and wishes he had his books with him. He finds the library the next day and buries himself in the back, curling up into a comfy armchair next and inhaling each book he can get his hands on.

Tim Drake wanders past him at some point, Danny would have missed him if it weren't for the fact that Drake stared at him strangely when he saw him. He walks away when he realizes Danny was staring back.

It's a rinse and repeat for the next few days. Danny doesn't go to meals, he sneaks food from the kitchen afterwards, and then buries himself in hundreds of books in the library.

Dick Grayson, the one from his world, goes and finds him three days later. Danny's eyes hurt with strain by then, but he is furiously halfway through a Jane Austen novel when Dick sits down across from him.

"Have you been here all day?" Dick asks, he drapes himself across the side of his chair, contorting himself into a position that Danny doesn't think is comfortable when he looks up at him.

Not that he looks up at him long - he hums absently and goes back to reading. Frowning when he realizes he lost his place on the page.

Dick Grayson raises an eyebrow, "Have you at least eaten anything?"

Danny hums. No, he hasn't, and he hadn't thought about eating all day. Until now that is, his frown ever deepening as his stomach pangs with a deep hunger.

"That's not healthy."

"Mhm."

"Are you going to eat something?"

"Mhhh."

And this gets Dick to frown. He straightens himself up, propping onto his elbows to stare at Danny. "Jason." He says strongly. And it's that that gets Danny to finally look up from his page, jumping like he'd again been poked with a live wire as he stares at Dick with wide eyes.

"Yes?"

"Put the book down." Dick orders, gesturing towards the side table next to Danny with a nod. "And come eat something." There's very little room for argument in his voice, he sounds like Jazz when she's trying to parent him, but instead he actually sounds authoritative. Not bossy.

Danny still frowns at him. "You're not the boss of me." He says, sinking back into his chair with a thumb bookmarking his page.

Dick gives him a look and makes a decisive noise, swaggling his head side to side while he does. "I'm pretty sure that for as long as we're here, me and B actually are the boss of you."

He's never really liked authority figures, not ones that tried to boss him around, that is. Danny doubles down, his lips curling into a shadow of a scowl. "Just because you're my brother in another world doesn't mean you can act like it."

"That's not what I mean and you know it."

"I don't want to go eat."

"It's not good for you to skip meals."

"Quit talking like Jazz."

"Danny."

Danny sinks his teeth into his lip and scowls darkly at him, shrinking into the back of his armchair in hopes that it'll swallow him whole. The idea of going into that large fucking dining room fills him with a dread that makes him completely forget his appetite.

"Your fucking- dining room is- it's too big." He grits out, finally closing his book and hugging it tightly to his chest.

Dick blinks at him. "What?"

"You heard me! It's too big. This whole place is too big. It's- what do you even do with this much space? I don't know how this- other me ever lived here."

Dick Grayson surprises him, and his expression softens. "Oh," he says, "I get it."

"You do?" The tension bleeds slowly out of Danny's shoulders

"Yeah, I felt the same way when I first moved in with Bruce. I lived with the circus for most of my life, but I slept in a trailer." He says. And he talks more.

The end result of their conversation ends with Dick Grayson offering to let Danny sit across or next to him during mealtimes, and that he can talk to him if he starts getting uneasy. But he can't keep skipping meals - it was making them all worried.

Danny agrees, and Dick takes him down to the kitchens for food.

"They look at me weirdly too." He grumbles as they leave the library, Danny's book returned to the shelf where it belonged. When Dick looks at him curiously, he scrunches his nose up. "The - your other siblings. They look at me like I'm- I'm someone else. S'weird."

"Isn't that a good thing?" Dick asks, "You are someone else."

Dany shrugs, staring at the ground with a heavy frown. "I don't know."

-

Danny seeks out Dick more after that. And vice versa. Dick reminds Danny of Jazz, and he latches onto the familiarity like a leech. If Dick is bothered by it, he doesn't show it, whether he's talking to his other world's self, to the Bruce's, or to one of the other Wayne kids.

Damian Wayne seems particularly keen to seek him out, Danny finds. He thinks it means that they're close in this world, and that Damian wants to see more of what a young Dick is like. That's what he would do, at least.

He takes up on Dick's offer of seating near him during dinner, and finds an open spot across from him. Unless he has something to show him, then he sits next to him.

("You can call me Jason." He tells him one day when they're in the Wayne's massive, fuck-off gym and they're both climbing over the jungle gym. Dick's showing him how to be more flexible. It's the most Danny's worked out ever, he likes the burn it gives him.

Dick looks at him in surprise, "Really?" he's doing a handstand on the bars and Danny's more than a little jealous at his balance.

"Yeah, dipshit," he says, rolling his eyes, "I'll even let you call me Jay, it's my nickname."

Dick happily takes him up on that offer, and much to Danny's embarrassment, starts calling him Jaybird. All because of his stupid Robin jacket.)

Danny has yet to meet his other self still, it's scaring him a little. Where was he? And matter of fact, how long until he could go back to his home dimension? The three of them hadn't gotten any updates since they arrived.

Speaking of, he was starting to talk to Bruce more, it was just... strange. Even stranger than talking to Dick. Bruce Wayne in another life would have been his adoptive father, Danny can't wrap his head around it for the life of him.

Whatever did Bruce Wayne see in Jason Todd that made him worth adopting? He's too afraid of the answer to ask. They start talking more after they run into each other late at night. Danny had been hit with a bout of insomnia and was going to the library.

He ran into Bruce on the way. He was just.. staring, out the window, with a faraway look in his eye. He didn't even look startled to see Danny standing there.

Danny asks him if he wants to go to the library with him. It was out of panic. He isn't expecting Bruce Wayne to agree, and they walk there in suffocating silence. Danny keeps looking at him from the corner of his eye.

("You're staring?" Bruce doesn't sound upset, Danny jumps anyway.

"Yeah, sorry." his voice sounds stilted, "it's just..." his jaw wires itself shut for a spell, "...you looked like you were about to disappear."

"Ah.")

When they reach the library, Danny leads Bruce Wayne into the science section and takes out books upon books about stars. He leads him over to the armchair and fire and they both sit down on the ground.

"When I lived in Gotham I would stargaze." Danny says, it's the first thing he can think of. Bruce Wayne looks at him quizzically. "Well, I would try to. The sky's too polluted for that. Mostly I would just watch the skyline and try and spot Batman and Robin, was the same thing."

That cracks a smile out of Bruce. It's a small one, barely there. "I hardly think the two are comparable."

Danny is still serious. "Not to me."

He goes on, talking about how after he was adopted he got his hands on every star book he could find. He loves english and he loves to read, but something about the stars drew him in like a song. He rambles about every star fact he knows with Bruce Wayne.

Bruce Wayne surprises him by telling him facts he didn't know. Danny soaks it up like a sponge, listening intently to him speak. And when they run out of star books to talk about, Danny tells Bruce that it was his turn to find something for them to talk about.

Bruce Wayne smiles again at him, a sly little thing like Danny's challenged him, and gets up. He comes back with a stack of film books, and they spend the next few hours going through them. Bruce Wayne rattles off every single movie fun fact he knows, and there is so much that he knows.

Danny is in awe, and moves to press against Bruce's side to see the stuff he points at in his books.

"You're smarter than people give you credit for." He says at some point, when his eyes hurt from being open for too long and his head leans against Bruce's arm for support. It follows with a jaw-cracking yawn that he tries and fails to stifle.

"Thank you, Danny." Bruce says, his voice soft and soothing and not helping with Danny's weighing exhaustion. His eyes drift, and then jerk open. "Do you want to go back to your room? You look tired, chum."

He bites back a smile at the nickname, and fails to keep it bitten. "No, no, I'm awake." He mumbles, shaking his head slowly. "I wanna hear-" he yawns again, "-hear you talking."

Danny swears he can hear the smile in Bruce's voice as he speaks; "Alright. Now, where was I?"

In the end, Danny falls asleep on the floor of the library next to Bruce Wayne. He doesn't even realize it until he wakes up the next morning. But it's not to worry, Bruce Wayne fell asleep too, an arm thrown around Danny protectively like he was his own kid.

This becomes a thing for them soon enough. When neither of them can sleep, they go to the library and talk and talk about whatever comes to mind.

There comes the dreaded night after they've finished whatever book they were looking at when Bruce, the little shit, turns to Danny and goes; "You never mentioned what happened after you hit Batman with a tire iron."

Danny groans, big and dramatic, burying his head in his arms, and ignores the low chuckle. "I thought he was gonna chase me down for sure." He complains, his voice muffled by his arms.

"Why did you hit him with a tire iron?"

The look Bruce gets is one of pure disbelief. "If Mothman suddenly showed up behind you while you were taking the wheels off his ride, you'd hit him too!"

"Last time I checked, Mothman isn't real." Bruce told him amusedly, and Danny flops over onto his back to stare him down. His arms sprawl out like a starfish, intentionally hitting Bruce in the shoulder.

"You don't know that, Batman's a cryptid and he's real."

Bruce roars with laughter, and Danny preens like a bird.

That next morning when Bruce passes by him for breakfast, he reaches over and ruffles his hair. It's the same thing he does for Dick every morning. It's the first of many, and it gets many stares from the surrounding family.

Bruce has a newspaper tucked under his arm, and when he sits down Danny stands up and skedaddles over to him, leaning over the side of his chair to peer at the paper.

"Any cryptids spotted, Buzz?" He asks, getting a startled laugh out of Bruce, who looks up at him.

"Buzz?"

"Well, yeah," and Danny states it as matter-of-fact. He gestures his head at Dick Grayson. "Dick calls you 'B', and B is for bees, and I can't just call you Bees, that's dumb. So; Buzz."

He grins triumphantly when Bruce laughs quietly, his shoulders shaking imperceptibly. "I know," he tilts his head up proudly, "I'm a genius."

Now he's actually laughing, dropping his head into one of his hands and trying to quiet himself as much as possible. Danny is positively beaming, ignoring the stares of the other Waynes as he flounces back to his seat just as the other Mister Wayne enters the room.

-

When Jason Daniel Fenton Todd meets Jason Todd for the first time, they both just stare at each other.

Danny recognizes himself immediately in the library, and he freezes up. His tongue ties to the roof of his mouth, and he's unsure of what to say.

He doesn't need to say anything at all, because when Jason Todd looks up and they lock eyes, they both just stare. And stare. Jason Todd is a large, hulk of a man, built like a brick shithouse, with a tired, traumatized look in his eyes and a white streak in his black curls. The same black curls that Danny himself has.

He has no idea what to say. Or if he should turn back around and leave.

Jason Todd sighs at him, "I know they told me you and another world's Bruce and Dickie were here," he says, but it sounds like he's talking to himself. Even moreso when he mutters half-heartedly, "-but I was hoping I wouldn't run into you."

Danny feels small next to him. He doesn't know why. "Sorry." He says lamely, his one foot skips back, "I can leave if you want." It's unlike him to be meek, he thinks. Not after years of Gotham living and dealing with the likes of Dash and his Jerk Jocks.

But this also isn't the streets, and this isn't other kids being dicks. Jason Todd shakes his head, and gestures with one large arm for Danny to come over. "You don't need to do that, you were coming to read, right?"

He nods, and tentatively makes his way over. When Jason looks at him, he sees him cast his eyes over his Robin jacket - he wears it everyday. Danny sees him narrow his eyes, just slightly. But he says nothing.

It's... a strange conversation. Interaction. Jason Todd doesn't talk to him much, and if he does it's stilted and awkward, like he doesn't know how to treat him. Like he's holding him at arm's length.

Jason's getting tired of being treated like a ghost.

They talk about their books. They compare lives. Jason Todd was picked up a few days after he stole the wheels of the batmobile. He wasn't an orphan, he lived with his mom and his stepdad before he lived with Bruce. They both like to read, only Danny has an interest in the stars.

("What do your adoptive parents do?" Jason Todd asks him, one arm slung over the back of the armchair, he looks relaxed. He looks tense. Danny feels like he's back in Crime Alley again.

"They're 'ectologists'." He says, making air quotes over the word. He rolls his eyes, "Ghost hunters. They study the dead and all things afterlife."

Jason Todd makes a dry laugh huff, a sarcastic half-smile on his face. He doesn't explain why he does, Danny doesn't ask why. It doesn't seem like his business.)

Danny wants to ask him where he got that white streak in his hair. It doesn't feel right. It feels like his parents' lab, and that isn't right. Nothing ever feels like his parents' lab.

Jason Todd leaves first after giving him a few book recommendations. Danny isn't sure how to rate the experience. Being in Jason Todd's presence was like standing in a liminal space. An empty parking lot at night. When he leaves it feels like much the same thing.

He struggles to read his books afterwards, unable to shake the feeling of being haunted.

[flowersandfashion]

The opposite of a haunting is something very lonely, Katie Maria /// there's a little girl in my head, @heavensickness /// Little Girl Looking Downstairs at Christmas Party (1964) by Norman Rockwell /// Changing, Liv Ullmann /// found photograph with my words /// what they don't tell you, @tryworks /// Anne with an E, A Strong Effort of the Spirit of Good (3x07) /// Time Travel by Emhahee /// Second Wave (2023) by Amy Dury /// Katie Maria

[icantdothistodaybruh]

some silly doodles to take my mind off of things🕊

ref

[black-and-yellow]

The walk home from UA

[ricky-mortis]

Hatchetfield @femslashfortnight Day 1: Make It Sapphic AU