#i know i'll be adding more to this cause i've got so much to say about it

[kari-sims]

My 𝐓𝐨𝐩 24 𝐒𝐜𝐫𝐞𝐞𝐧𝐬𝐡𝐨𝐭𝐬 from 2024🎉

Thanks @theplottdump for the tag, mwah! <3

-> tagging @kissalopa @sharona-sims @limeysims @mosneakers @eurosimmer @waaneco @pixelshary @pudsim @polarmoon @butteredfrogs @simsfvr @whyeverr @buildbuymode @zorteh @philodendrontrait @kazroze @marcishaun @nervousgnome @charsimsalot @enchantsims (sorry if you've been tagged/done this already! and no pressure if you dont want/can't do it, just have fun ˙ᵕ˙ ) and anyone whose my dummy brain forgot, please feel free to do so if you want too ♡

I don't have screenshots for every month unfortunately, (i took an almost two year break and came back to the game for real around april of this year) so this will be just 24 random screenshots i love (in no particular order). Not much happens in my game because i don't interfere that much, but i hope this isn't too boring heh

The usual Realm of Magic shenanigans: distracting Simeon from his job, fangirling over L. Faba, and old man being old.

Ellie's house renovation was my favorite thing to decorate over the months. I'm always adding things to it, and by things i mean frogs. All of the frogs.

Her garden is also my favorite place to be. Sometimes i just like to watch the bunnies running around, the grass moving, the birds chirping... and then i remember the game is running. It's really nice though.

Change doesn't happen very often in my game, but something cute sparked between these two after i decided to stop constantly ignoring and re-rolling her wants. I'm not gonna say much about it cause - and i know it's not that serious - i'm still processing it two months later lol, maybe one day...

Life and Death was so much fun, Ravenwood is now my favorite world to visit! I had no plans of getting the pack anytime soon, so i still can't believe i got to play with it when it released (thanks little fairy ♡)

Some of my favorite edits i've done this year. Apart from Ellie's shot (which was taken with no reshade on a day the game had some crazy good lighting), the others were done while i was trying to learn some stuff from one of my favorite editor's (strange-townie) speed edit videos. I hope i get more time this year to practice and learn more! (before & after album)

Favorite pictures of Ellie's best friends: old goofy lvl. 1 wizard relaxing in his new home & the unbothered rebel sage.

This year i also got to play with my favorite nerdy gamer boy. He was just a sim from a cas practice thing i did. I don't usually get attached to random sims i make, but for some reason he was just very special to me ( ꈍ ᴗ ꈍ ) ♡

I wanted to end this by saying i'm very grateful for everything i have experienced this year, and the warm welcome i've received. I'm really happy some people like my silly saturated pictures :D i promise next year i'll annoyingly fangirl and obsess over other people's lovely creations even more, so thanks for making this place such an inspiring one to be ♡ Happy holidays!◝( ᵔ ᵕ ᵔ )◜₊ ⊹₊ ⊹

[bluetimeombre]

・❥ ‘Are you Hugh down under?’

You and Hugh were the stars of the biggest movie, Wolverine and Ladypool, and fans love the two of you.

[not proof-read, some sexual innuendo, just Hugh being hot af]

part two

You and Hugh Jackman being in love for twenty-five minutes (part one)

Puppy interview

Did you take any props home with you?

'Yea, I took Hugh home,' you said, letting a puppy climb over you and onto your shoulders as Hugh laughed. 'In his suit as well.'

'In the suit,' he said, stroking the puppy in his lap.

'Yep. Great in the house, goes with all my furniture. He's well trained.'

Hugh nodded, enthusiastically. 'I'm not toilet trained, but I'm trained in other ways.'

You raise your brows and the crew laugh. 'I want to know what the other ways are now.' You smirk.

Hugh smirked back, shrugging his shoulders as he held up the puppy. 'Well, maybe you'll find out.'

What was your favourite scene to film?

'Any scene with the incredible talent sitting next to me,' Hugh started. 'Every scene was such fun and never felt like work when I got to work with her. I've never had so much fun playing a character. The whole movie at first, you know, the idea was up in the air for me about coming back but just to get the chance to work with such a talent- an honour and a privilege and I can't wait to do it again.'

Your lips pout into a smile as you listen to him. You focused on Hugh as he smiled at you. 'My favourite scene to film was when I touched his abs.'

He laughed.

'No, seriously it's been a dream of mine to work with Hugh and I can't talk about it too much cause I'd probably get emotional and that'd be embarrassing. I've grown an emotional attachment to him now,; you added.

Hugh looked around at all of the puppies. 'Is there more puppies here than usual?'

'Oh yea, there's more!'

'Someone's been making out,' said Hugh.

'Not us,' you said, leaning over.

He laughed. God, he was always laughing with you.

With Alison Hammond

The two of you sat next to each other, legs bumping into each other repeatedly to tease each other. At times you'd just throw your leg over his thigh and he'd bounce his leg. (Fans ate it up)

'Alright you two,' said Alison.

'Sorry,' you laugh. 'He's taking up too much space.'

'The Wolverine spread,' he said.

You laughed.

Alison gave her a loud laugh. 'Well, is it true, Hugh?' she asked. 'Are you huge down under?'

The three of you laughed, rocking back and forth and hitting your knees.

'I started the rumour,' you said. 'So, take that as you will.'

Hugh showed Alison his shoe as she fanned herself off.

You took another card she offered you and fanned yourself off as Hugh sat back, throwing his arms behind his head.

'So, we should probably talk about the film,' said Alison.

'Let's just talk about Hugh,' you said, leaning back just like he was. 'Ever won an Oscar, Hugh?'

He pulled a straight face at you.

'Now, can I say, Y/N, this is a bit awkward as usually it's just me and Hugh. Last time we had a date, so I've brought champagne, but only two glasses,’ she pulled off the cover that showed off the bucket.

'I'll take the bottle,' you said, reaching over the two of them. 'I can leave you guys, don't worry.'

Hugh grabbed your arm as you tried to leave. 'No, no, you can be our mediator.'

'Your intimacy coordinator more like,' you said as Alison laughed. 'I've seen how these interviews go Alison, I've never had Hugh feed me chocolates.'

Hugh reached over the table as Alison talked about 'a throuple' and he opened the box of chocolates, throwing away the thin layer of film covering them with his teeth. You only realised what was going on seconds before he fed you chocolate from his mouth. You tried to stay calm the closer you got and took the chocolate, chewing down happily.

'Feel like I'm interrupting something,' said Alison.

You stole the box from Hugh. 'Your turn, Alison!'

'So how tough was it working with Hugh, Y/N?'

You slapped your thighs dramatically. 'The toughest ever. You know sometimes I'd actually have to look at his face and I mean, have you seen this-' you frame his face, holding his chin. 'How can I work with this?'

He stuck his tongue out.

(Almost this whole interview was the two of you flirting)

Hot one's interview

'You're watching hot ones. It's the show with hot questions and even hotter wings. Today we're joined by Y/N and Hugh Jackman, the stars of Wolverine and Ladypool.'

'I only let Wolverine come first so we could use the greatest showman in the movie,' you said. 'For Hugh.'

First wing and first question.

You and Hugh cheers with Sean before taking a bite. You nod, 'Good wing, subtle, nice.' You went in for another bite, surprising them.

'Oh, you're going for another bite,' said Hugh, eyes watching your lips (comments couldn't let it go).

'Yeah, I like things hot,' you tell him, giving him a dramatic wink.

'What was the movie that you watched of each other that made you realise you needed to work with each other?' asked Sean.

'As soon as I saw the first Ladypool,' said Hugh. 'I knew these two characters had to be together on screen. I was like these two characters had to be together and I'd literally announced my retirement three days before.'

'Mine was probably when I saw the first ten minutes of Australia,' you said, referring the first ten minutes in which he turns up shirtless and sweaty. 'Knew I needed to see it real-time.'

Hugh huffed out a laugh.

'Or Logan. That was, a masterpiece of a film.'

The next couple wings went down well, getting through the questions. It was the fifth when things started to get heated.

'Yep, that's a step up,' said Hugh as he went for the milk.

'Can you recall the most takes you've had to do for a scene requested by a director?' asked Sean.

'Our steamy scene in the car had quite a few takes,' you said, Hugh agreeing with a nod. 'Kept messing up, you see,' you said, winking.

'That was a difficult scene,' said Hugh.

'Why cause you had to kiss me?'

Hugh shook his head. 'That was the easiest part, I'm laughing, I'm not crying cause of the heat. But doing some of those... positions we had to do in the car, it was hard to work around.'

'I got cramp in my leg.'

He laughed loudly at the memory.

The next wing messed the two of you up, the heat creating sweat. All Hugh could do was laugh and you laughed at him as he went red.

'Look, look at this!' Hugh puts his arm up, showing his bicep.

'What am I looking at? Your raging muscles?' you ask, looking closer.

'No, the sweat.'

'Oh, sorry I was distracted.'

On the next wing, Hugh repeated he took too big a bite, how it was too big and all you had to do was give him a look with raised brows.

You and Hugh take a lie detector test

First hooked up was Hugh, you watched in glee as ties were wrapped around him.

'This is a new kink,' you said, smiling all too widely as Hugh laughed at you.

You started by asking him some simple questions that were easy answers, like his name and where he was born. 'Are you really Australian?'

'Yes.'

You looked to Louis. 'Tell me it's a lie.'

'Truth.'

'This Australian bit has got so far,' you say.

'You love it,' he said.

'We'll find out when I'm hooked up.'

'How you seen all my movies?' you asked.

He thought for a moment. 'No.'

'Deceptive.'

The two of you looked at each other with amused looks and big eyes. 'You can tell me you've seen them all, you can be a fan, I don't mind.'

He shrugged. 'Maybe I have.'

'You're a fan it's fine.'

'I'm wearing my I heart Y/N underpants today,' he said.

You looked wide-eyed and hopeful at Louis.

'Deceptive.'

You cheer.

'In 2008 you were said to be the sexiest man alive-'

'Said to be,' he scoffed. 'Pretty sure the right word is elected.'

'The question is how many copies of the magazine do you have?' you asked.

'How many do you have?' he threw back.

'I'm not the one on the fucking monitor right now.'

'A standard of fourteen hundred?'

'Is there any more to life than being really, really, really, really, really ridiculously good looking?' you ask, leaning back in your chair. 'That's not on the cards, I just want to know.'

'No.'

'Truthful.'

The two of you cackle. After a couple more questions it was your turn to swap. Hugh took delight in seeing you get tied up.

'Starting to sweat a bit,' you said. 'This really is scary.'

'Yea.'

Again, Hugh started off with some simple questions.

'Last one,' he said. 'Are you single?'

You pulled a straight face as he turned red and watched you. 'Yes, I am. Thank you for reminding me of that fact, Hugh.'

He shook his head. 'Don't worry, we can change that, we can change that.'

'Only if you're offering, bub,' you tease.

'Would you rather have had an Andrew Garfield Spider-man team up than Wolverine?' he asked.

Your jaw dropped as he showed you the question on the card. 'That's not fair I love spiderman and Andrew.'

'But do you love him more than Wolverine?' asked Hugh, feigning seriousness. He waited as you thought about it, head in his hand.

'True,' you said.

'That's a lie.'

'Ha!' Hugh shouted.

'I've shocked myself, man, I must really fancy you,' you said.

Hugh slid over a paper, showing you a picture of Channing Tatum. 'Do you think he would make a good Gambit?'

You try to act cool, he was already in the movie and Hugh knew it. 'Yes, I think he would. It's a shame his movie wasn't made. I feel bad for the guy.'

'Truthful.'

You pick up the picture. 'I love this guy, he's a great guy,' you stare down at the picture, 'He'd made a great Wolverine. I mean, I'm just getting lost in his eyes right now, looking at him.'

Hugh reached over. 'Ok, enough of that,' he took the picture and ripped it up, chucking it behind him.

You and Hugh at the premier

The camera snapped shots of the two of you wearing each other's colours. You were wearing a shimmering golden outfit while Hugh wore red. You had agreed to swap.

The two of you took pictures together, his arm wrapped around your waist, yours going between reaching up to hold his shoulder or holding his hands. You didn't stop for many interviews together, but you spoke a lot on the carpet. That tiktoker, the one good at reading lips had a field day on tiktok when she worked it all out.

Hugh: 'You look great in yellow, you know.'

You: 'You should see the colour of what I'm wearing under here.'

Hugh smirked and laughed. 'You look beautiful tonight.'

It was your turn to blush and tug him along the carpet.

[pleasantlycrazyworld]

Hi , I was wondering if you’d like to write something with Logan where reader is a barista at a coffee shop and he’s started being a regular because of her, and then one day a costumer is rude to her and she’s crying . I just thought of it cause it happened to me at work the other day 🥲. Sorry I’ve never done a request before so sorry if it makes no sense

Thank you for requesting this, it made perfect sense! I hope you like it! And I'm so sorry that happened to you!! I did this with Worst!Logan in mind I hope that's ok!

Logan started visiting your cafe almost every day, the first time he stumbled through the door was about three months ago and you still giggle when you think about it. He was pulled through the door by Wade and forced to pay for the merc's coffee. "it's the least you can do for me Wolvie! You ruined the couch after that last fight, the blood stain still won't come out." Logan cringed not only from being reminded about the most recent fight that took forever to heal from but also from hearing what Wade ordered. "that's just sugar" he mumbled to himself before ordering what would become his regular coffee order. "a black coffee"

You nodded and asked, "What size sir?" He finally looked at you and he visibly relaxed, Wade was off to the side ready to fangirl over seeing how dilated Logan's eyes got just from a glance at you.

Now he's a regular at a stupid coffee cafe, something he never thought would ever happen but when he walks in and sees you, he's happy that it happened.

The bell chimed as he walked through the door and his eyes immediately went to find you. He huffed when he noticed you were already helping a customer but there was only one separating you from him. He was trying to figure out how to text Wade back to let him know that yes, he will order him his disgusting cup of pure sugar for him but before he could he heard your voice crack.

His head snapped up from his phone to your form behind the counter, and he focused more on what the customer was saying.

"How incompetent do you need to be to get this job? A toddler could make a cup of coffee and a muffin better than what your sorry excuse was! Thanks alot for just ruining my-" The man was cut off by Logan's hand coming down on his shoulder.

"Leave" Logan growled as he felt his claws to start coming out, the man started to try talking back, completely stuttering. "Leave." Logan said one more time before pushing the customer to the door. The man nodded and stumbled out of the door but Logan didn't care about he did, Logan cared about you being close to tears.

"Oh darlin'" he cooed before going to the counter. You sniffled and wiped your eyes gently as you gave him a wry smile. "What can I get you, Logan?" You asked while clearly choking back tears still. He shook his head, almost upset. Honestly, he was upset. He couldn't believe you were treating him as just some other customer.

"When do you get off, honey?" He asked, already knowing the answer. You looked at the clock hanging behind you before answering, "Ten minutes...why?" He hummed and looked towards the back. "Ain't one of your little coworkers already clocked in?" You nodded, still confused as to what he was trying to say. He hummed again and copied your nod.

"Go clock out. I'll order us something, maybe we can share one of your amazing muffins you've been talking about all week and go sit in that corner you like so much." The way he said it left no room for argument. You smiled more joyful...more yourself, you nodded quickly before turning around and going to clock out.

Your coworker came to take over the counter and gave Logan a knowing look, "So what can I get you two?" Logan looked over the menu and ordered what you usually recommended for him to try for you to have, a muffin for you two to share, and his usual black coffee.

(Below is an authors note and taglist lmk if youd like to be added!)

A/N: thank you all for reading, commenting, reblogging and sending requests I've been loving posting and writing for you guys so much. I'm so sorry I haven't been posting as much this semester is really kicking my ass and a lot has just got hectic but I think I should be getting more time soon to start writing again! Thank you for all the love and support it means the world <3

Tagging:

@userchai

@mahi-tamashi

@100percentlazybonez

@lanassmarty

@western-pyro

@misscrissfemmefatale

@marit332

@navs-bhat

@fluffy-b33z

@chaimshelii

@aoi-targaryen

@eyes-ofhell

[butterflyslinky]

It's been seven months. They've seen each other on calls, but they keep up a mask of stiff professionalism if they have to talk at all.

But now Buck's sitting in a gay bar, looking for some fun the same way he does on every 48 off. His expectations are low. No one seems to want a real relationship, not that he's really trying for one, ad the sex is mediocre at best.

Because none of them are Tommy.

He's two drinks in when he hears a familiar laugh and turns. There's Tommy, sitting four stools down and talking to the bartender. Buck wonders how he missed him entering the bar, but it doesn't matter. What matters is Tommy is here, so close, and Buck...

Okay, he'd jumped the gun asking Tommy to move in. And everything he's said before that had been...not great. Thinking about it, it's no wonder Tommy had hit the brakes. Though he maybe could have asked to just take a break instead of ending it completely.

Though it would have gone the same way, probably.

Buck knocks back his last drink and stands. He's steady on his feet as he makes his way down the bar and plops himself into the empty seat next to Tommy

Tommy doesn't look shocked to see him. Not happy, either. Just kind of resigned. "Buck?"

"Don't," Buck says. "I don't want..." He grits his teeth to force back tears. "I think we need to talk."

"Why?" Tommy asks.

"Because I have things to say to you," Buck says. "And I'm not going to let you just walk out again."

He's said all those things, in texts that sat unanswered, voice messages that were probably deleted without being heard. This time, he wants to make sure Tommy hears.

"I don't have a lot of time tonight," Tommy says.

"Then I'll say it fast. You broke my heart, Tommy. You said you were my first but not my last...but you weren't my first. I've dated and broken up before, I know what relationships are. Just cause you're a dude doesn't mean it was any different. As to not being my last, well, I've had plenty in the last seven months and none of them are going to be my anything. I told you they can be the same thing, and I mean it. I don't want to be in love with anyone the way I'm in love with you."

"Evan..."

"And if you don't want me, fine, but just say that instead of giving me some bullshit about not wanting your heart broken. Because I can't break your heart, Tommy. Maybe it's been seven months, but I'm still in love with you, and I don't see that changing any time soon." Evan looks down for a moment. "So...I know I'm a lot. I know I said some dumb shit. And I know there's a lot I still don't know. But I do know I want you to come home with me, and you don't have to stay, but...I want to try again. Now that I know a little more."

Tommy's eyes are bright when Buck looks up. "I can't."

"What?"

"Evan, I can't come with you tonight. Or any night."

Buck's stomach sinks. "Is there someone else?"

"No," Tommy says. "No, just...I got a new job. In Seattle...they offered me a command. A chance to be captain...don't get much more brave and trailblazing than that, do you, being an openly gay fire captain." He swallows hard. "I'm leaving on Monday."

Buck stares. The world seems to be tilting, even though he hasn't had that much to drink. "Oh."

"I thought you would have heard," Tommy says. "It's been kind of big news around the department."

"Everyone's been extra delicate with me," Buck says. "They don't talk about you where they think I can hear." He forces a smile. "Congratulations...you deserve it."

"Yeah?" Tommy says.

"Yeah. I'm happy for you." Buck waves to the bartender. "Put his drinks on my tab."

"Evan..."

"Least I can do. Since...since it's really over."

Tommy nods, but he looks sad. "Yeah," he says. "I guess I can just...start again. And I guess you can, too."

"Yeah," Buck says. "I guess I can."

--------------

It's a stupid idea, but Buck's full of those. He knows that it'll probably end in disaster, that he'll end up crawling back with his tail between his legs again.

But he has to try.

The airport looks just the same as it had when he dropped Abby off all those years ago. The same was it had been when he'd watched her walk out of his life, only to be seen again when it was unavoidable.

He's not doing that now.

Tommy is easy to spot, in spite of the crowd, standing in the check-in line. Buck thinks it must be kismet, that he's on time. There had been several flights to Seattle today, and he just took his best shot.

"Tommy!"

Tommy turns, and his brow furrows when he sees Buck. "Evan?"

Buck pushes his way through the crown, suitcase heavy in his hand, until he reaches Tommy's side. Tommy looks him over, then down at the bag. "Evan, what..."

"I know you said it's over," Buck says. "And that you don't want to try this again. And if you tell me to leave right now, I will. But I couldn't take the chance that I'd never see you again, even if you don't want to be in my life. And don't worry about work, Bobby transferred me to a different station than the one you're commanding, and I have a place to stay until I can find an apartment, and I'll get a new car since I gave the Jeep back to Maddie, but..."

"Evan," Tommy interrupts. "Did you just upend your life to follow me to Seattle?"

"Yes," Evan says. "If you'll let me."

Tommy stares for a minute before he pulls Buck into a kiss. And this time, Buck really knows it will be forever.

[goingmerryfics]

Previously Betrayed/Cheated on w/ Killer, Zoro, & Mihawk

Content: Gender neutral reader, SFW, mentions of past cheating/betrayal in another relationship

Notes* Added a few more characters here! Thanks for the great prompt @juinewasbonker !

Killer

Killer is very calm as you explain your past to him, even while you’re a mess as you do it.

Offers physical comfort; he’ll hug you or hold your hands while you talk, never interrupting you even for a second

His patience also knows no bounds- he will wait there while you half to calm yourself in-between sentences as the painful memories and feelings begin to surface. He helps you by guiding your breathing by example

The great thing about Killer is how stoic he is here. You know he would never turn it around and make you feel as if it were your fault like your narcissistic ex did- in fact, he’s the opposite, and when he does speak to you, it’s so validating.

"I'm sorry you had to go through that. You deserve so much better than someone who would betray your trust."

He pushes your hair out of your face and wipes your tears away so gently while going on and on about how it wasn’t your fault, and praising you for coming to him and letting him know so the two of you could become closer in your own relationship. He tells you that it's normal to feel hurt or distrustful after such an experience, and that he doesn’t take it seriously when you’re apprehensive about certain things with him.

Being who he is, he does get a little protective and asks if there is anything you need him to do. You know what he means by that, and it makes you laugh a little at the notion of him beating down your ex for something that had happened ages ago. He’s already a criminal, but you still shake your head at his offer and let him know you’ll keep it in mind, though.

"I promise to always be honest with you and to never do anything to hurt you. You mean everything to me, and I'll always be here to support you."

Zoro

Zoro is very direct, even to the point of that being a bad thing sometimes. So as you explain your past to him, you search his face constantly for any hint of a reaction, as if you’re trying to prepare yourself for him to tell you that you must have done something to cause the betrayal- that you were too much of a prude, or maybe it’s the way you speak

But he doesn’t say anything like that at all. This isn’t the time for his problem solving, and he knows that. He hasn’t experienced a betrayal like you have, and that’s all the more reason why he knows that this is an active listening situation

When it is his turn to talk, he knows exactly what to say and doesn’t hesitate for a moment

“You're better off without someone who can't stay loyal. You deserve someone who respects you."

In this situation he would be talking about himself, but it comes out so fast that he forgets he’s your current boyfriend for a moment

The both of you share a bit of a laugh at that, and you let him know that you hope he can be patient with you while you learn how to trust your romantic partner again. He understands that you need some time for that, and he’s not worried about having to wait.

"You're not alone in this. I've got your back, always. If you need anything, just say the word."

He’s not big on initiating physical contact, but he gladly returns it when you pull him in for a hug and a kiss.

You let him know that you appreciate him, and the two of you go off for a nap to regain the energy from the exhausting reveal

Mihawk

His strong suit does not lie in handling big emotions, so this conversation takes a while. 

He keeps asking you what’s wrong, knowing from your actions that there’s something you want to tell him, but you keep mentioning that you don’t want to talk about it yet- and he doesn’t want to push you, but he’s getting worried

Finally, you two sit down to have this talk over a glass of wine. You keep yourself calm while you explain, and you talk about how the situation had destroyed your self confidence in the past and your ability to trust. He listens to every word, and even sets his glass down so you have his full attention.

"I admire your resilience in the face of adversity. Remember, you are not defined by the actions of others."

The way he leans forward to take your hands in his and kiss your palms is so romantic that you can’t help but to swoon and break into a smile. He can be so sweet very suddenly, and you were glad that this wasn’t something he would find as a waste of time, or a nuisance

He shares that he has gone through this before, too. He understands your feelings of hurt, and he understands the malice towards the person that destroyed you just as he felt to the person who destroyed him, too

He urges you that dwelling on that hurt will only keep you stuck in that time of pain, and even offers to guide you back into self-love in many ways. He asks if you’d like more insight into his life, like coming with him to warlord meetings, or if you simply would like more compliments, which he is always happy to do

Whatever it is, if anything, he commits to doing it for you if you say it will help you to feel better in your relationship with him

"Should you ever require guidance or assistance, know that I am here to offer what counsel I can.”

[jakeyp]

GRID + TORN PAPER + RAINBOW LAYOUT TUTORIAL (yeah, i'm sorry, but that is the title i came up with)

Hi everyone! This tutorial was requested by an anon, and we're going to make a gifset like this. You need, as usual, basic gifmaking skills and basic photoshop knowledge, but i'll try to explain this as easily as possible!

You'll also need a torn paper brush, which you can download here.

And here are the links to download the fonts used in my gifset: x, x

Okay let's start!

→ First you're going to create a new canvas, and it will be 540x540 px. Make sure to click on create video timeline (if you dont have a timeline, go to window > timeline. We'll leave this canvas there waiting for us :)

Then, onto our first gif. We're going to make the small square gifs first. All i do is resize the image and make it 120 px high, and you'll see why in a moment.

Make sure to remember the number of frames of this gif!! All the gifs we're going to put in the same canvas should have the same amount of frames.

Okay, so we have our first small gif:

As you can see it's a smart object, and I added some brightness, but so far that's all. You can sharpen it, but i like to sharpen until i've colored it. Now onto the important part:

Most of the gifs i worked with were mostly blue (aside from the skin color), which is recommendable, because you can create lots of colors starting from blue, using the hue/saturation adjustment, or camera raw filter. I also recommend you to use a gif that doesn't move a lot, so it'll be easier to color the background:

For the tutorial, we have our predominantly blue gif, but we are going to make it yellow, which is the opposite color, so it's the hardest to get. I hope you can see how i manipulate colors, and do it yourself :)

Here, you can use camera raw filter (filter > camera raw filter) to turn the blues and purples greener, like this:

And click ok to exit the camera raw filter. Then, we're going to use hue/saturation (image > adjustments > hue/saturation) to turn it yellow:

Since it was cyan, i changed the cyans, but if you got a much greener result you'll have to use green (duh, right? i dont know i just dont want anyone to get confused akjsdhs)

And you can also add a selective color adjustment to make those yellows more yellow:

The reason i don't directly use hue/saturation is cause it might look ugly and lose quality, or it wont pick up all the colors i want it to but they're also very small gifs so if you wanna do that, do it :)

I sharpen it until this point, but if you already have that's okay.

Now we're going to color the background! For that, you just add a new layer, and set the blending mode to color.

Then you'll use your brush, set it to 20px and 0% hardness, and pick the color you're using for this gif, you can use the eyedropper tool. This is why it's important that the gif doesn't move a lot, so you can color the bg like this:

I colored carefully around the edges, and that's the result. In some gifs from my gif set I colored Jake's jacket too because i was too lazy, but this looks cleaner :)

You might want to select the color layer and the gif layer to convert them both to a smart object, just to make everything easier. So, be careful, because after that you won't be able to change anything!

But let's say you have a scene that you want to include, and it moves too much and has no blue and it's going to be a nightmare to color it.

Well, don't worry, you can! Simply, instead of manually coloring everything, you can just choose to add a gradient map to it (image > adjustments > gradient map), like this:

And this is the result:

Just remember, it has to be the same amount of frames as the other ones!

You repeat the process, until you have 10 small gifs. I made around 5 manually colored gifs, and 5 gifs with gradient for each gif. That's a confusing sentence but i hope you get it.

We are going to start pasting the small gifs on our first canvas.

(You can paste them one by one but i did this so you can see my 10 gifs)

You're going to create a square that has to be 108x108 px, using the rectangle tool. You can remove the default white background.

And you may be wondering, why did we not just crop the small gifs into those dimensions? Well, you can do that, but to me it's much easier this way, because sometimes cropping isn't accurate, or it's tedious.

Place the small square on top the gif you're going to crop, right where the face of the character is (or whatever objects you're giffing), and while holding ctrl, click on the square. It will select it:

You're going to create a layer mask:

And then drag that layer mask to the gif:

And voila! It's now the same size as the small square. Once that's done, right click on the layer and convert it to a smart object, because we have to remove that mask. Make the square layer invisible, and start placing your gifs where you want them:

You're going to repeat that process with the rest of the gifs, and then place them all together. Don't forget that if you're making the first gif, they will all be at the bottom of the canvas, if it's one of the middle gifs, one row should be at the top and the other one at the bottom, and when you're making the last gif, they should all be at the top. Here we're making the first one, so they will all be at the bottom:

If you forgot to check that all the gifs had the same amount of frames, you can fix it here, just make sure no gif is past this little guy:

Okay! Now, to create the gutter, we're going to add a layer mask to each small gif, so that we can cut some of it.

The gutter has to be 4 pixels, (i recommend you to REALLY zoom in). What i do is make sure the width of the gutter takes 2 pixels from the edges of the gifs, since they are all together. As you can see in the image above, there's no a single empty pixel between the gifs.

This is a close-up of what i'm talking about. I select two pixels from each gif, and go all the way down to create the gutter:

(I hope I'm not over or underexplaining)

I usually use this tool when i have to make so many selections:

But that was just an example :)

(Another way you can do this, is by changing the size of the small square from the beginning and make it be 104x104 px, but i don't know why that seems more complicated to me ajsdks)

Anyway, this is what we have so far:

Now we're going to create the big gif. Its normal dimensions are usually around 1920x1080, unless you have different dimensions and have to crop it, but whatever it is, we're going to resize it and crop it to be around 550 px wide, and 400 px high:

We'll do the same thing of adding an adjustment of gradient to it to make it the color we're using. For this, i usually add a brightness layer before, because sometimes the gradient is a bit dark.

And using a 600px brush with 0% hardness, you can add some "light" on a new layer, like this:

Selecting all the layers, right-click on them and convert them to a smart object. Again, be careful, because once its a smart object, you wont be able to change any of it!

Then we paste our big gif on the canvas with small gifs, and add a layer mask to it. Using the torn paper brush at 600px, remove some of the gif to shape it like the torn paper. Make sure you're using black, otherwise it won't work correctly:

To make the effect better, add a layer UNDER the big gif, and using the torn paper brush, with the same size, you can paint under it:

Yeah, I covered some of jake's face, but that's how it supposed to look so the effect works!

And finally for the text! I used Granesta, at 150 px, and at -10.00º to make it a bit askew.

We're going to double click on it and give it a color overlay, set to normal, and give it a solid shadow if you want, then place it right here on the corner:

But as you can see, it's too big for the gif. So we're going to add a layer mask to it, and again, shape it the same way that we did with the gif. Make sure they're exactly the same shape, like this:

And that's it! This is our final result:

As always I'm sure there are easier ways to do many of these things, this is just how i do it but if you know an easier way to do it, go ahead. I hope this was at least understandable enough so you can apply the logic of it any way you want :)

If you have any questions you can send me an ask and i'll clarify!

If you found this helpful i'd really appreciate it if you left a tip on my ko-fi!

Happy giffing!

[aceyalonso]

sera's tracks - 1k celebration

AHHHHHH 1K!!!! thank you so much, i honestly can't believe that I've reached a milestone like this because this blog started out as a joke (I wanted to see how long it would take my friends to find my blog), but here we are 🥹 I am so grateful for every single one of you 💗

similar to my 500 followers event (i swear i'll actually do this one!!), I'll give a list of songs and you guys can request.

These songs are some of my personal faves so there will be a good mix of genres for requests! there's a total of 10 songs + lyrics that you can use as a guide for what the fic/story will be (2 are songs I already have planned, the rest are up for grabs)

a/n: to my wonderful moots who i absolutely love and feel like i’ve known my entire life, @nepobbylver @iamred-iamyellow @cleopatrick-123 @emchante, i just want to say i love you guys!!!! mwah mwah mwah (I love my other moots too I swear, I just haven't had the opportunity to interact with them 😖)

how can i request?  send an ask, pairing a driver with the available songs!

↳ example: “hi! can i request [driver] + [song]? also can it be [choose from smut, angst, fluff, or a combination of any of the 2]?”

can i be added to the taglist? of course, just fill out the form below :)

↳ click me!

guide!

smut - [s] fluff - [f] angst -[a]

fics i have planned!

piano man - billy joel [f] - charles leclerc x fem!reader

butterflies - denise julia [f, s] - lando norris x fem!reader

open for requests!

guilty as sin? - taylor swift [read here] taken - oscar piastri x fem!reader - [a, s]

i keep recalling things we never did, messy top lip kiss, how i long for our trysts

these fatal fantasies giving way to labored breath, taking all of me, we’ve already done it in my head

without ever touching his skin, how can i be guilty as sin?

be with you - the ridleys taken - fernando alonso x fem!reader - [a, f, s]

someday i’ll make a home with you, it may be big, it may be small

but if the dreams don’t happen right away, that’s okay, i just wanna be with you every single day, for the rest of our lives

I'm gonna work on my temper, while you learn to speak your mind some more, i'll be more of a shelter and less of a storm

best friends brother - victorious cast, victoria justice taken - daniel ricciardo x fem!reader - [s]

i don’t know what i’m thinking, but is it wrong if i see him this weekend?

i kinda think that i might be his type, 'cause when you're not around, he's not acting too shy

i really hope i can get him alone, i just don’t want her to know

bags - clairo taken - ollie bearman x fem!reader - [f]

can you see me usin’ everythin’ to hold back?

i’m not the type to run, i know that we’re havin’ fun, but what’s the rush? kiss and then my cheeks are so flushed

can you see me? i’m waitin’ for the right time, i can’t read you, but if you want, the pleasure’s all mine

mad - ne-yo taken - franco colapinto x fem!reader - [a, s, f]

so both of us are mad for nothing, fighting for nothing

but baby, can we make up now? cause i can’t sleep through the pain

we can fuss, we can fight, long as everything’s all right between us before we go to sleep, baby we’re gonna be happy

superman - taylor swift taken - max verstappen x fem!reader - [a, f]

he’s got his mother’s eyes, his father’s ambition. i wonder if he know how much that i miss him

i watch superman fly away, you got a busy day today, go save the world, i’ll be around

something in his deep brown eyes has me saying “he’s not all bad like his reputation”

if ever you’re in my arms again - peabo bryson taken - charles leclerc x fem!reader - [a, f]

now, i’m seeing clearly how i still need you near me, i still love you so

the best of romances, deserve second chances, i'll get to you some, 'cause i promise now, if ever you're in my arms again, this time i'll you much better

it all came so easy, the lovin' you gave me, the feelings we shared, and I can still remember how your touch was so tender

guy.exe - superfruit taken - lance stroll x fem!reader - [s]

where all the boys at with financial security? a doctor, a model, a man of possibilities

oh, he’d pick me up at eight, and not a minute late, ‘cause i don’t like to wait, no

i need a man who don’t get jealous ‘less i want him to, a gentleman to take care of me in the bedroom

[autismprotocol]

TMAG Theory Board Update (EP 11-12)

Hi guys sorry about the late posting I've just started a new quarter of college and its been pretty hectic. also got into my school design BFA program so pretty stoked about that! Anyways lets get into the Episode Breakdowns because even though not a lot of lore related things happened I still have a lot to talk about

For the breakdown I'll separate each by episode in sequential order

What Happened in Episode 11: Marked

Celias Rude Awakening- we jump right into the weirdness straight away with Celia waking up on the side of the interstate. she indicates that this is not a weird occurrence and ends the scene by telling someone named Jack that she's "on her way." If you remember episode 8 after Celia and Sam talk to Gerry and Gertrude, she mentions stuff about wanting help with her own mystery. When Sam asks about it she says she's looking into Time travel, other dimentions and teleportation. Many people have theorized that maybe Celia is just a super heavy sleepwalker, but I think the she teleports random places out of nowhere. This could be a side effect of her reality hopping if this Celia is originally from The archives universe.

As for the identity of Jack I'm not quite sure about that yet. I cross referenced the name Jack with past episodes of TMA. The only thing that came up was Jack Barnabas from the statement about dating Agnes Montague (aka an avatar of the desolation and Jesus-like figure for the cult of the lightless flame) So Unless Celia is secretly Agnes of Agnes reincarnated , I can't find any way to link Barnabas to Celia. (if anyone has a theory feel free to send it my way.)

Sam Lore- this one is pretty minor story-wise but I thought it was interesting. Before the statement for the episode is presented we get some classic Sam and Alice Banter ™ most of it is pretty lighthearted but I noticed Sam mention something that could indicate he might be an amputee.

These could not mean anything and I find it weird that it hasn't been mentioned until now but thought it was kind of cool and I will probably be drawing sam with a prothetic leg in the future cause I really like this head-canon. It also begs to question if he is missing a leg. it might have anything to do with his past as a Magnus institute test subject but then again could just be a fun character detail added by Jonny and/or Alex .

The Statement- Getting into the statement we get another Ink5oul appearance. Also possible Ink5oul identifying as she/they. (and lets be honest being a fear avatar is pretty non binary core). I found this Episode gave me a feeling of a hybrid between the Vast, Buried and the Flesh some people are theorizing that is might be a new entity called the Deep but I think that the fear of the ocean could easily apply to the vast or buried. Not much to say about this story though pretty standard Magnus horror that also gave us a hint to what Ink5oul's goal could be/which entity they serve.

Post Bonzo- Gwen has a debrief with Lena after her first Externals Liason assignment and her meeting with Mr. Bonzo. Undoubtedly Gwen is still pretty shaken from her encounter, even arriving late to work due to sleeplessness. Gwen is able to ask Lena a few questions mainly she wanted to know who's name was written on the letter given to Bonzo

Lena is largely unhelpful but tells Gwen she should have worked it out by now and if not to pay close attention to the case load for the next couple of days. before the latest episode my guess was Klaus because that is the only person mentioned so far that the OIAR intends to kill. but more on that later

Marked- Now were getting to my favorite thing about this episode. This episode title can have two meanings. The first is the more literal interpretation. Tattoos are marking of the body and the case this episode was all about tattoos so easily a good name would be marked. But I believe this is a red herring meant to misguide listeners who have not consumed all 200 episodes of TMA because if you know the world of Magnus Archives the term Marked takes on a entirely different meaning.

In TMA the term marked is used to indicate that somebody has been influenced by one or more or the fears and are one their way to becoming an Avatar. I think this could be a coded way to tell the audience someone in the OIAR has been marked. I have two potential candidates

Alice Dyer- Alice has been having dreams about the Institute after her and Sam's adventure into the ruins. also she mentions feeling like someone's watching her (common to people influenced or fed upon by the Ceaseless Watcher/The Eye) My guess if she is marked it would be by the Eye.

Gwendolyn Bouchard: Probably the most likely culprit. The main way an entitly tends to mark people is through encounters with other avatars. Gwen has just had an encounter with Mr Bonzo last episode who I strongly believe must be an avatar of some sort.

What Happened in Episode 12: Getting Off

Aww Sam!!- Sam asked Celia out and it was adorably awkward. not much to say I just loved this interaction and I'm longing for a new Magnus brand office romance hopefully is wont be an agonizing slowburn that ends tragically like a certain pair of morons from Archives (I love you Jon and Martin but Jesus christ)

It's Bonzo time bitches!!- Probably one of the most gruesome Magnus statement I've ever listened to (good work Alex) Mr Bonzo completely annihilated some poor dude at his bachelor party. Based on the date of the Incident the I can confidently say that whoever Baz (the groom) was he was our mystery person the OIAR sent Mr Bonzo to get rid of. Along with some of the bloodiest imagery we learned a few things about Bonzo. The most interesting detail is that Bonzo has to be summoned by playing his theme song I think the CD of his theme song acts somewhat like the tapes did in TMA by materialising out of nowhere. Also fun fact you know that torn seam that is right down Bonzo's middle? that is actually is his mouth lined with rows sharp teeth so I guess I know that now (so fun) Moral of the story dont f*ck with Mr. Bonzo

Alice knows something: Theres been this recurring audio glitch throughout TMAGP thatnks to a few extremly observent fans we have started to relize that these glitches are not at all random and are actually letting the audience know when a character is lying (i actually reposted somones deepdive into all the istances of this glitch so far if you guys are intrested in knowing more) why i bring this up now is becuase since we know when any charater is lying we also know when they are being truthful if there is no glitch when they say somthing and at the end of this episode this interaction occurs

Alice goes ahead and makes a joke about this to annoy Gwen but the fact theres no audio glitch when she says "I know" means she does actually know who is behind the OIAR and is activly refusing to share it with Gwen or the others. What do you know Alice!?

and that's about it im already loving these next batch of episodes and am so excited to learn more (ERROR has to show up somtime )

thanks to everyone who resonded the poll on the last update I will continue to include drawings into the breakdown even if it takes me a little bit of time to post. anyways I wrote this all in one sitting and I'm about ready to pass out so thanks again and the ask box and comments are always open for discussion and theory crafting.

-Echo

[wosowffc]

New gunner

Part 2

I woke up early as usual and began my moring routine, but to day katrina was up and getting ready first. I gently nod at her as she says good morning and I make my way to the bathroom.

After a bit of getting ready and packing my last things for tonight I start getting shoes on when she speaks up.

"Imma come with you on your walk" she says trying her own shoes. I don't even get a chance to say no before she's waiting at the door.

We walk towards the beach as the sun starts to rise and I sit on my usual rock slightly uncomfortable, I know she's nice to me but I don't know what to say and worse I don't know why she wants to be here or what she wants to say.

"So yesterday got tense, I understand your trying I do but, your making it really really hard to see" she says truthfully looking into the ocean like I am.

"I've never been good to people, people haven't been good to me kat." I answer back this is the most honest and open I've ever been.

"I'm dropping myself from the mitildas, I'm not playing for country anymore" she turn to face me eyes with a sad look.

"Take a break if your finding it hard but please , please don't quit your too good for that." She says which makes me start to think about it more.

We sit for another half an hour before she has to go back to get back home, my flight isn't for a bit yet so I have a little bit more time here.

I've just landed off the second plane into Heathrow quickly getting my things and driving back to my apartment. Settling down with some subway take out and a movie on I make the mistake of going onto my phone. I see the comments coming in, tags, stories and so much more. I'm not weak. Sure ok I'll keep telling my self that so I swap the food out with wiskey as I scroll throught. I'm not weak.

The next few days seem to blur together a mix of drink and spirits for breakfast lunch and dinner and now it's time to go back to club. Great.

From the minute i enter the grounds I just know I want out already, I won't show that though. I walk through getting looks from every single person, as I arrive in the dressing room there's a few girls slot of the England girls their conversation dying as soon as I come in.

After a min of silence and me putting my boots in the cubicle Lucy speaks up " what u did was fucking disgraceful" not this early Lucy, I take a drink of my water (Malibu) and turn to her.

"Mabey if Leah wasn't doing shit the whole game then pulling that stunt on my she wouldn't have got hurt" I retaliate with a calm face.

"Ur a fucking bastard" she spat back leaving the room to catch up with the group she was talking to.

I continue training not showing that I'm annoyed by anythign that was said. I get the normal pushing and dirty takles but it's ok, training goes on like this for the next 3 days but each day is getting worse than I've experienced before like on Tuesday I was tripped down the stairs by Sam and busted my nose or when I was out on the pitch and Millie tackled me putting studs in my head.

Today was probably going to be the same and I most likely have a concussion but whiskey and beer is holding back them symptoms. I make my way into the canteen to grab a cereal bar before the gym when people started saying shit I can't even make out what it is through drunken haze but I just walk away adding "can u all just fuck off"

I make my way to the car taking soem breaths and gettign my water bottle. The next thing I know I'm on the phone to katrina hoping she will answer.

"Hey, how are you" she answers cheerfully I can hear harper in the back watching some cartoon.

"Umm yeah normal, I wanted to ask if mabey, and it's ok if not I'd understand. Could you help me find a new club?" You know cause of everything this last week alone with you being you in general she mightn't want to help.

"Of course , has something happened you've been at chlease for a good few years?"

"It's time for a change." I answer short and sweet.

"Listen I'll contact my agent and get him to look around for h and let you know ok, I'll get back to u soon byeee" she hangs up and I start to drive not even thinking about coming back to this place im done here my cubbie doesn't have anything in it anyway that I need to come back for as my boots are in the boot of the car.

[sonkitty]

The Food Curse

Here is my currently forming head canon based on little clues from the Good Omens story of seasons 1 and 2.

Crowley either does not eat food at all or Crowley is never allowed to be seen eating on camera.

There's more to it than that because he can eat indirectly, but that's the core thing I'm going to ramble on about in this post. It's going to sound like one of my theories, but that's force of habit from how I come up with questions and check my own theories.

I'll acknowledge that I've seen more than one Good Omens fan post about food being equal to sex in Good Omens and say that you're not going to find that kind of discussion here. It's my head canon, and I prefer my incoming approach to it.

I don't talk about my religious background much because it's personal, so you'll have to make do with me saying I have learned the following from reading Good Omens posts and not being well-versed in biblical references already. I don't remember if any sources I read this information from expressed a similar theory or head canon though you would think that's where I got the idea.

I'm under the impression the GO universe favors the New King James Version of the Bible, and according to a quick Google search, that one says of God addressing the serpent who tempted Eve:

Because you have done this, You are cursed more than all cattle, And more than every beast of the field; On your belly you shall go, And you shall eat dust All the days of your life.

...

An interpretation of this curse is that it means the Serpent of Eden cannot eat food, or, if he does, it will turn to dust.

Let's examine the clues provided by the story, for fun and/or curiosity.

In season 2, episode 1, during Before the Beginning, we see Crowley's wings are graying, indicating to us that his Fall was a process. It was not an instant thing. It started with this questioning and frustration at learning the fate of the universe ending in a mere 6,000 years.

In season 1, episode 5, Crowley is found getting drunk and talking about his Fall. One of his remarks is, "Oh, hey, the food hadn't been that good lately."

These described events would be from before the temptation that caused this curse, but I noticed them all the same because I'm looking for such things.

We catch glimpses of other supernatural beings describing events before the Fall, but I don't think any of them ever mention food for that time period.

From the scenes we have of Eden in the first two seasons, the story skips over God saying such a curse exists to the serpent. We see Crawley slithering on his belly and then able to rise, transforming into a man-shaped demon with black-feathered wings. He's not eating dust.

Well, even though we never see God curse the Serpent of Eden, the story leaves clues that something resembling this curse is active with Crowley. You know, in case you want to form a head canon about it.

In 2500 BC, Crowley successfully tempts Aziraphale into eating food, and he looks very pleased with himself at his success.

My head canon at this point goes that Crowley himself is feeding off the success of his temptation. Crowley feeds off Aziraphale when Aziraphale eats. This feeding does not last for only this one session. It can and does happen from that point onward. Crowley feeds off Aziraphale this way at least when the two are near each other by some unknown distance.

In Rome, 8 years after 33 AD, Crowley says he's never eaten an oyster. Aziraphale quickly goes into saying something about letting him tempt Crowley into...oh wait, that's Crowley's job. Crowley was successful at this job with Eve and later Aziraphale, for getting each of them to eat something while he himself did not visibly eat anything.

In 1601, Crowley shows up while Aziraphale is ordering food at the Globe Theater. The two have a conversation, and Crowley, as usual, expresses no interest in eating the food himself. He can still be feeding off Aziraphale eating.

On and on it goes. In season 1, episode 1, Crowley and Aziraphale reference Paris, 1793. Aziraphale says, "We had crepes." Well, if Aziraphale ate the crepes, and Crowley fed off Aziraphale eating the crepes, that's a way they had crepes. Aziraphale doesn't feel the need to rephrase it in that way. It's a thing they did together nonetheless.

Crowley plans a heist in 1967 at the Dirty Donkey. No one is having food at that meeting. The other three with him are all humans.

When Crowley meets up with Hastur and Ligur at the graveyard for the "11 years ago" of season 1, episode 1, Crowley departs, saying, "Ciao." Ligur asks what that means, and Hastur answers, "food." No one ate food of course, but since we're looking at Crowley with a possible food curse, it's a curious thing to be there, just like him mentioning "food" when drunkenly talking about his Fall.

When Crowley convinces Aziraphale to go with him to the Ritz for the "11 years ago" time period, Crowley does not have a plate of food. He has a cup with a spoon a saucer, presumably for a drink. He strokes his chin to show him enjoying himself, feeding off Aziraphale eating.

In season 1, episode 2, Crowley and Aziraphale go to a cafe. Crowley is not shown to be enjoying himself feeding off Aziraphale eating, but Crowley's side of the table definitely lacks a plate while having a cup. That indicates he's fine with drinking something, not bothering with eating something, just like when they went to the Ritz 11 years ago.

In season 1, episode 3, Crowley meets up with Shadwell at a diner. Crowley has no drink and no food while they meet. Neither does Shadwell.

In season 1, episode 4, Crowley is found mostly alone in a theater with a container of popcorn. We never see him eat the popcorn, but we at least know he was holding it, and Aziraphale is not around. That could be for show since he considers it part of the human experience being in a theater. I could just be wrong, it's just a head canon after all. He may have done it anyway and just eaten the dust that formed once it went into his mouth. Or, maybe he can eat, but the silly rules of the Good Omens story are that he's never allowed to be seen eating on camera due to his food curse.

In season 1, episode 6, Aziraphale, while pretending to be Crowley, orders them some ice cream and passes one to Crowley, while Crowley is pretending to be Aziraphale. We don't see what became of Crowley's ice cream, but it disappears from the framing very quickly once the camera moves away from him, then back to him. During the actual kidnapping, his mouth is even taped shut. Much like the popcorn in the theater, the ice cream could have been for show. He may have endured eating the dust. He may have devoured it very quickly when the camera wasn't looking.

Later in the same episode, at the Ritz, the table has plenty of food though actually both Crowley's and Aziraphale's main plates where you would expect food to be are empty.

Whatever happened to that plate of Eccles cakes in season 2, episode 1? I don't know. We may never know, but this head canon offers something.

Aziraphale is implied to have ordered those Eccles cakes for Crowley in the hope that they will calm Crowley down with the news about Gabriel being in the bookshop. We know that those Eccles cakes are shown untouched and uneaten before Crowley stormed out.

Crowley is shown to angrily walk away in the street after shooting out lightning that traps Maggie and Nina in the coffee shop. Then a scene in Heaven happens. By the time we get back to Earth, Crowley has calmed down. He's still upset, he's tired, but he's calmed down. So, maybe, very very big maybe, Aziraphale ate those Eccles cakes, Crowley fed off it or felt it, and calmed down. Even if that's true, that suggests some allowable distance with thresholds between them for this magic to work.

Obviously, things happen to get Crowley worked up again with being summoned to Hell, but he had calmed down. When Crowley returns to the bookshop, the plate of Eccles cakes is no longer there.

Over the course of season 2, we don't see Aziraphale eating as much as what we saw in season 1. To my recollection, he only visibly eats one time during the present day storyline, and it's a travel sweet while driving Crowley's car. We learn that Crowley can feel his car despite the distance between them. He can feel quite specifically that Aziraphale eats during that drive and even what Aziraphale is eating. My head canon figures that's part of Crowley's demonic power able to feed off Aziraphale when Aziraphale eats.

In season 2, episode 5, Aziraphale passes a platter to Crowley saying, "Have a vol-au-vent." Crowley is left speechless and eventually drops the platter in annoyance, never shown to have eaten any of the food on it.

Aziraphale sometimes seems aware of this curse and sometimes doesn't. That would be part of the curse's own magic. The more caught up Aziraphale is in what he is wanting or doing, the less aware he is of the curse itself being there.

Another thing about this curse is that if Crowley touches food or the container holding the food, it's usually a bad omen for him. When he has the popcorn in hand, Hastur shows up on the screen to threaten him. When he's holding the ice cream, he is kidnapped. With the plate of Eccles cakes, he is confronted with Gabriel being n the bookshop. For the vol-au-vent platter, that one's a little different since a threat is already known with him on alert, and it takes a longer amount of time for something as dramatic as the brick through the window.

So, with all these little clues that Crowley can feed off Aziraphale eating food, the next question for a silly fangirl like myself is, "What does that mean for all of humanity?"

Crowley tempted Eve into eating the apple. Did he feed off that? Does he feed off humans whenever they eat anything or just apples or just giving into temptation?

Well, the story doesn't say so much as it leaves room for something to be imagined. If Crowley is on screen, humans might be seen drinking and they might have food near them, but I am yet to find any scene of them putting actual food into their mouths to confirm that they can and will clearly eat when the camera is watching as Crowley is on screen with them.

So, what do I imagine?

Well, my instinct is that Crowley himself would flicker in visibility if the camera were watching since we're not allowed to ever see it.

That's just my instinct.

From there, I just go with what I like of fantasizing him as a powerful demon. He feels it. It affects him. And yes, he feeds off it. We're not allowed to see it happen, but he does. He is a very well fed demon.

...

Oh, and another little oddity with this idea is that during the big food fight for Warlock's birthday, party, the food definitely does not land on Crowley, even if it gets on the kids, on Aziraphale, and some of the other wait staff. That could be Crowley's own magic in guarding himself, just not wanting to get messy, as some other explanation, if I wanted to venture that way with this head canon. I'll stick to it being part of this food curse since it's part of the broader group of little clues.

...

I have a generally good memory of events in the show by now, but things still slip between trying to remember it all. So, if I remember something worth adding or noting or correcting, I will do whatever seems best for those options.

Edit: I now have a Food Curse Part 2.

[skitariiposting]

Skit's Mini Painting Journey Pt. 3

The Admech one.

C'mon, you all saw this one coming.

Back when I was painting my nurgles purple, I wanted to do a similar color scheme for my Admech army. I slowly moved away from it however, as I didn't quite like the way it turned out. The green and purple look took to Nurgle well, but purple Admech on desert planets didn't make a whole lot of sense. Didn't stop me from trying though, and while they certainly didn't look bad, I'm glad I didn't stick with it.

The Mars Pattern Family

This little fella may look familiar! Here was my first attempt at a more traditional mars pattern skit, and a jawa-esque one to boot! This was a kitbash of a proper galvanic rifle and backpack being added to The Makers Cult's Lil' Recruit.

I mean, Jawa admech is so amazing, but I had to have my little guy properly equipped!

Continuing the Mars linage is a technopriest and engiseer, both TMC printed minis. I love the way these two look. The face-shield on the technopriest looks amazing, and I'm incredibly proud of the reflection on it. The OSL on the hand isn't very visible in the picture, but it also looks really good.

This Thallax bot was supposed to be a Kastellan Bot for @elnubnub, however I got the two mixed up and picked the smaller one. I'm going to eventually remedy that, but he still looks good nonetheless.

This is by and large one of my best pieces in my opinion. Back when @cannibalcaprine had a bird face, this model was more applicable. Dominus Hera has so much soul and time put into her I don't know if I'll ever be able to replicate the state of mind I was in that let me get this mini to look this good. The cloth effects are fantastic, the OSL from the gun is fantastic, the molten axe is fantastic, the color choices and layout is fantastic, the cables are fantastic; I don't know who painted this mini, but it certainly wasn't me. It couldn't have been.

And the most important member of the Mars Pattern Family, the fan favorite: Goober. A kitbash gone wrong gone right. A broken mini finally becoming whole. The legend himself. What more is there to say?

Finally: The Submechanicum

Penelope, the Ocean Queen. My first model I painted for the Submechanicus. I'd love to say that this is my magnum opus, considering I made a whole video about her and everything...

However, I must rip the band aid off and say that this is the first version of Penelope...

Because what immediately followed her was this beast. This is the Krabaphron, another contender for one of my best models. This sucker was so genre defining, that it set a new standard for the rest of my Submechanicus army and would cause me to re-do my color-scheme and paint job planning going forward.

I based all of my future Submechanicus models off of it, using it as a template. The Skits and Techpriest both got the same treatment and I've got to say, I'm in love with the way it looks. I've continued using this style so far and I haven't had to make many modifications.

As such, Penelope... didn't quite fit the bill anymore. She stood out from the rest of the models.

So... after a livestream of planning and base layering...

She was finally given the paint job she deserved.

And that's just were our story begins fair traveler... With the rise of the Depth Guard, a proper protector of the Submechanicus will be needed to combat the forces of Nurgle... And coming late April, there will be such a machine surfacing, with a video to present it.

Of course, this is quite an older photo. It's far more painted than that. I've teased photos of it so far, however I'm saving the proper display of it for the video, so be on the look out if you want to see the completed product!

And that's about it! Hope you've enjoyed this little walk down memory lane and gallery of my mini painting endeavors! I'll be making a website for easier viewing once I've gone through and gotten some more professional looking pictures done. Thank you for reading and viewing!

-Jerry

[ddwcaph-game]

Update Previews!

Today's update post has three new changes/additions:

New Character Development Variables for F6E

New Difficulty Settings

Trait and EXP Updates

Before I show the previews, I just wanna say that after this update, I'll try to focus more on the story, and less on the gameplay stuff. I've actually gotten a bunch of breakthroughs with the story recently, so look forward to the introduction posts of the other two crush options soon!

New Character Development Variables for F6E

I'm thinking of adding a second set of character development variables for F6E! While the primary purpose of the first set of variables is to determine how major story branches will play out, the second set is intended to be less impactful, and only affect flavor text and dialogue.

New Difficulty Settings

Instead of the starting twin relationship traits secretly modifying your NP cost and NP recovery stats, I decided to add new difficulty settings to the last choice in the prologue.

Here are the difficulty modifiers:

🟢 Slice-of-Life Difficulty: +10% Overall EXP, +25 Max NP, +12% NP Recovery, -20% NP Costs when retconning stat checks, Stat Penalties from 🤯 [HEADACHE!!!] are capped at 25% 🟡 Adventure Difficulty: Normal EXP, NP Cost, and NP Recovery modifiers 🔴 Superhero Difficulty: -10% Overall EXP, -25 Max NP, -12% NP Recovery, +50% NP Costs when retconning stat checks 🔥 Apocalyptic Difficulty: -33% Overall EXP, -50 Max NP, -12% NP Recovery, +100% NP Costs when retconning stat checks, Stat Penalties from 🤯 [HEADACHE!!!] are 25% Worse

It's important to note that the difficulty settings DO NOT change the stat check requirements, so this wouldn't really affect you much if you don't use NP very often. Your Max NP is now also tied to your Total EXP gained (you gain 1 Max NP for every 2,500 EXP gained instead of gaining Max NP every chapter), so that's why the settings give EXP Bonuses/Penalties. Of course, these are all subject to changes later.

Trait and EXP Updates

As I've said before, I'm reworking the "bucket list" idea to be much simpler. Some traits/passives will now give a small amount of EXP when you pick certain choices.

I'm adding these bonuses to make picking traits more impactful, make gaining EXP more meaningful, and to add a sense of progression/character development for your MC. For example, Troublemaker MCs will now gain a small amount of EXP when picking Sensible/Disciplined choices.

Here's the full list of additions:

The EXP bonuses are minor enough (most choices will only give around 10-30 EXP), so you won't really miss out on much if your Troublemaker MC wants to keep causing chaos anyway. The bonuses do stack however, so we'll see if the numbers need adjusting in the future.

The EXP Notification won't appear if you gain EXP this way, so don't worry about extra clutter! Speaking of, I actually found a bunch of bugs that made certain Traits give more/less EXP all the time while coding, so whoops! 😅 It's not really game-breaking so I'll just include the fix with the next update.

Anyway, that's all I got for now. Let me know what you think of the new changes!

[nightmaretour]

I hate to do this, and it's a long shot I know, but things are getting desperate and it seems like I'm going to be waiting WAY longer than I should be for something that's fairly urgent.

I'm a disabled trans man living in the UK. Recently I was found to have severe anemia, and came up with my FIT test (gastrointestinal cancer screening) a few months ago, and was referred for a colonoscopy to find out the cause, since it looks like I'm having a slow but constant bleed through my GI tract. However, my referral has been awaiting review for over three months now. I'm not even on the waiting list, I'm waiting for someone to decide if I need to be on the waiting list. Since then I've started having GI symptoms such as pain, intermittent loss of appetite, etc. as well as my anemia worsening significantly.

This is of course pretty urgent, but it looks like I'll be waiting months longer once I finally get on the waiting list too. I really have no choice but to get it done through a private hospital, because of the time sensitive nature of, you know, potentially having cancer. I managed to put some money away out of the backpay I got from PIP, but it's not enough.

[ID: A screenshot of an email that's says:

Dear Mr (name blocked out in red),

Thank you for your website inquiry. For your information, the cost of an initial consultation with one of our consultant gastroenterologists is £280."

It then lists the names of 3 doctors as links, all blocked out in red. The email continues,

"The guide price for a colonoscopy is £2,339. For further information, including appointment availability, please don't hesitate to contact the medical secretaries (followed by three names redacted in red) directly on (phone number redacted in red) or call the private patient team on (phone number redacted in red). End ID]

Currently I have around £1,400 stashed away from PIP backpay I got after they royally fucked things up (however I may need to dip into this at points if I find myself struggling). Together the consultation plus the colonoscopy will cost £2,619, which leaves me about £1220 behind. I know I'm most likely not going to get that much from this, but I honestly have no choice but to try my luck here. I really don't know what else I can do.

I really don't like asking for money from people for nothing, but I have a Ko-fi store where I sell handmade screen printed patches, and I'll be adding more designs to it over the coming weeks when I have the time and energy to make new screens. I'm also offering commissions for custom band patches! (Due to Kofi's TOS I can't officially offer patches for bands without their permission.). Below are a few examples of my work:

[ID: 5 images of patches printed in white on black fabric, all sewn onto a worn looking black denim jacket. All are sewn on roughly in red floss, aside from the last one. The first says "only dates I want are tour dates". The words "dates" and "tour dates" are larger than the other text. All of the letter As are replaced with spade symbols. The second is the logo of the band Cop/Out, which is the band name with rough, jagged edges. The third is the logo for The Prodigy, which is the band name in sharp. Zig-zagging letters. The fourth is the logo for the band Subhumans, a stylised skull shouting into a microphone. The fourth is the horizontal silhouette of a crutch. With the words "Talk shit" above it and "get hit" below it. Unlike the rest it is sewn on in black, and the edge of an embroidered back patch is visible just above it. End ID]

I know a lot of people aren't doing well financially right now, and that there are people in far, far more dire situations who probably need your help far more than I do, but I would appreciate any purchases of patches or help you can offer so, so much. Even just sharing the post would be enormously appreciated.

Current progress:

£115/£1220

And of course as pet tax, here's Cynder :)

[ID: A photo of a female wild type leopard gecko laying spread out on a smooth rounded rock in a glass fronted tank. Her head is sideways and raised, looking at the camera with one eye. She looks relaxed and curious. Behind her a large piece of thick tree bark and a plastic cave can be seen. End ID]

[wolfiesmoon]

Irregular heartbeat

Riddle Rosehearts x gn!reader

We learned about disney in film class this week and my mind was infected by images of twst boys lmaoo this game is a disease

I've had a turbulent week but its finally time for the holidays which means.... more schoolwork because our school doesnt subscribe to mental health

Lately, Riddle has been unfocused in class. This is very much unlike him, and he realises this. For him, being this distracted is like a death sentence to his perfect test scores.

He needs to get to the bottom of this, and quick.

Classes are over for the day and he's returning to his dorm to check up on the rose maze. Soon, it will be time for an unbirthday party and he must make sure everything is progressing smoothly.

Especially the painting of the roses, which was started a little late this time.

Ace and Deuce ended up complaining to you about the workload and since you have nothing to do anyways you decided to join them in painting the roses. Grim opted out of it this time since he "has better things to do".

You hummed to yourself as you painted the first rose on a heart shaped bush by yourself.

"What are you doing here?" a strict voice stopped you in your tracks. You'd recognise that voice anywhere. You probably should have asked if it was fine for you to help out beforehand, but you've helped without his permission before, even if it was on account of a certain first year's stupidity.

"I was bored and Ace and Deuce were complaining, so I decided to join. Don't tell me you're mad about free labour from the good of my own heart?" you added the final spot of paint to the rose, pouting back at him dramatically.

"I am thankful for your help, I don't know why you would make such an accusation." And yet, he still looked pissed off for some reason.

You stepped off from the stepstool, moving closer to him and humming. "Then why do you look like an old grumpy persian cat right now?"

"What- I do not!" he defended himself, cheeks turning a little pink as he crossed his arms.

In reality, he's angry that you're doing more work than you have to. He knows how horrible it is to be overworked a little too well and he wants you to be well rested and happy under every circumstance, not helping out when you really don't need to.

"I'll paint the roses. Don't bother yourself. I am much faster because I can simply transform them with my magic anyways." He moved past you, stepping up on the stepstool (which was unnecessary since he can use magic from a distance).

He doesn't really know why, but he gets the urge to protect you sometimes. Even from a task like painting the roses.

"If you say sooo..." you sat down on the soft grass, watching Riddle paint rose after rose. You have to admit, the slight smile on his face is quite adorable.

You could get used to watching this.

"Hey! Get back here, you stupid weasel!" you heard Ace's voice from somewhere in the rose maze. Weasel...? There's only one weasel you know.

And sure enough, in a few seconds Grim was running past you with a mischevious look on his face and a magical pen in his mouth, which you presume belongs to Ace.

Seems he got bored of "all the better stuff he had to do" and decided to cause trouble for poor Ace again. You got up, trying to grab him but ultimately failed in doing so.

"Wait right there!" Riddle yelled after Grim, attempting to stop him with his magic but he was a moment too late with Grim dissapearing behind a corner.

A few moments after him, Ace came running around the corner. "Where did he go?!" he asked frantically, whipping his head around at all the paths where Grim could have gone.

"That way." you pointed casually, already used to their shenanigans.

Ace quickly ran past you, accidentally moving the stepstool in the process and making Riddle stumble and fall over.

You quickly caught him, softening his fall. Thank god you were standing so close to him.

"Wha..." he whispered, cheeks turning red again. What in the world is this feeling? It feels like his chest is tightening, but it feels... good? Being caught in your arms is strange.

"Are you okay?" you asked, concerned by the look on his face.

"I umm.... I am completely fine." Riddle cleared his throat, straightening up and taking a singular step away from you.

"Are you sure? Because you look pretty shaken up to me." you moved close to him again, inspecting his face up close.

"You must be doing that on purpose." he felt like his heart was about to explode out of his chest. Now that he thinks about it, this feeling is similar to the one he gets during class. The one he can't get rid of for the life of him.

"What do you mean?" you asked innocently. You really want to kiss his red cheeks right now, but with Riddle you never know if they're red from anger or... something else. You don't want to take any chances, but it's hard to hold back around him sometimes.

"Nevermind. Just do something about those two!" he huffed, turning his head away, face now completely red.

Oops, looks like you ended up painting the housewarden red instead of the roses.

[king-mera]

what are your thoughts on frozen empire? What are its failures?

Oy Vey…

I've already ranted my thoughts both in posts and in private, so what can I say that hasn't already been said? I'll just try to summarize my main gripes.

The cast is bloated with too many characters and none of them have enough screentime to properly showcase or develop their personalities. It's honestly a shame too, because Afterlife set up Phoebe, Trevor, Lucky, and Podcast as the new main four Ghostbusters to parallel to the OGs, who could be their mentors. Instead we got the Spengler family, along with Nadim, and lars. It's not as tight and focus as it should be, in my opinion. I don't hate Lars, but his inclusion bothers me in particular because his role could easily be filled by other characters. I don't know why he's being pushed as "the new Egon" either when Phoebe was already shown to have so much in common with him.

Speaking of Phoebe, what the Hell were the writers trying to do with her? In her first appearance she was funny, clever, and brave. She had a temper sure, but only when she was pushed to her breaking point. She also knew how to be a team player, working with her friends and family to prevent the apocalypse. In just her second appearance, suddenly she's snapping at her parents, recklessly causing damage, arrogantly taking all credit for saving the world, and preferring the company of a ghostly stranger over people. Disturbingly enough, she develops a morbid fascination with becoming a ghost herself. Where did this come from? She behaves more like Rowan North from the 2016 film. What happened to the determined young girl who stood up to the god of destruction and refused to die? Now she's locking herself into a metal box and painfully electrocuting herself in a scene that resembles self-harm or suicide. All this to separate her soul from her body just to be closer to this girl she's hinted to have a crush on.

Phoebe never needed a love interest of any gender, explicit or implied. It doesn't serve her story when there were so many other interesting things about her that could've been explored instead. How does she live up to the legacy of her grandfather? Is she worried about repeating his mistakes? Does she struggle to be taken seriously as a child doing an adult's job? There were already two other romantic subplots that deserved focus anyway: Callie with Gary and Trevor with Lucky. Adding a third one at this point just comes out of nowhere. Not to mention all the other elements of Phoebe and Melody's relationship that make it weird, like the age gap between the actors or the fact that melody is DEAD. Even if you ignore the flirty undertones and interpret their interactions as platonic, it's still a toxic situation because Melody is only manipulating Phoebe to release the real villain Garakka.

Garakka fails to impress me, too. He has little in the way of personality or motive. His visual design has a striking silhouette at first glance, but it's rather plain compared to other ghosts in the series. There’s nothing about him that suggests the culture he’s from (what was a frost giant/lich doing in India?). I don't understand why they make such a big deal out of his horns either, they're the source of his power yet he's able to do things without them. The horns are also conveniently locked in the same room as his orb, so he's able to quickly retrieve them. They might as well have stayed stuck on his head the whole time! What's so scary about this guy anyway? He's cold, naked, and skinny. That's not scary, it's just me stepping out of the shower.

Well, I guess Garakka deserves some credit for killing that random store clerk. The only on-screen kill in GB film besides Shandor in the last movie, and it’s some poor innocent bystander. Normally I wouldn’t mind such a thing, but it sucks that Phoebe and Nadim are indirectly responsible for this dude’s death through their irresponsibility. All the characters seem incompetent here. The Firehouse and the new lab don’t have adequate safety measures, and apparently Egon never thought to plan ahead for if the containment unit got full. That last point is a non-issue that just wastes time since the lab has backup units and Garakka breaks the main one from the outside anyway.

There are several moments that come across as mean-spirited and cynical, from Podcast crushing the old lady’s watch (that belonged to her late husband) to Lucky and Trevor cracking sex jokes about Nadim’s dead Grandmother. I complain about Phoebe’s attitude, but it’s not like she has a good support network. Her parents are dismissive of her and Ray doesn’t ask her what’s wrong when she asks if he ever wondered what it’s like to be a ghost.

We get a happy ending when Garakka is trapped and Melody crosses over, but it rings hollow when nobody acted as they should. They only acted how the convoluted plot demanded them to.

Oh and those mini-pufts, how I despise them. They were fine in Afterlife but now they’ve overstayed their welcome and become the new minions.

This whole movie feels like a bad dream and as far as I'm concerned, it's not canon.

[cheerfullycatholic]

So I'm currently a pro-choice Christian, but I'm starting to lean towards pro-life recently? But I'm worried about the implication of banning abortions.

I'm worried about how abortions don't stop our even slow down when illegal, the same amount of them happen just dangerously.

I'm worried about miscarriages and how they're sometimes treated as a murder case in abortion illegal places.

I'm worried about doctors refusing to give life saving abortions to those who need it in face of persecution.

I'm worried about young children who can't give birth safely being forced to.

I'm split about the 1 baby vs 100 fertilized eggs question, where if the 100 fertilized eggs were really as sentient as a baby why would we save the baby every time instead of the 100 fertilized eggs.

I think it's best to give out birth control and sex education and make it easier to be a parent and I don't think abortion is what you should run to automatically, but idk. I got suggested your blog to help, what do you think?

Hi! I think your concerns are important and I'd love to talk about them (I'll number them all so nothing gets jumbled up) (my answers are below the cut because they're long)

1. Firstly, it's been reported many times that abortion rates do fall when made illegal or hard to get, while birth rates rise. Illegal abortions are much more dangerous, but I do not believe that is a good enough reason to allow abortion, because no matter what someone dies, which isn't good in any situation. More help for pregnant women and their babies is essential no matter the circumstances, but especially after abortion is made illegal so that women don't have to feel like they have no other choice but to have a dangerous back alley procedure. And to me at least, it doesn't feel right to say "abortions will happen anyway so we might as well keep them legal so they'll happen safely" because what else could that apply to? Murder? Driving drunk? Doing drugs? They'll happen anyway, after all

2 and 3. In America at least (where I'm from), there is no law that has made miscarriage illegal. One that caused a lot of ruckus was the Texas Heartbeat Law. People claimed that the law would criminalize miscarriage care and would lead to a bunch of investigations, but they rarely happen, and if they do, it's usually either because the police have reason to believe illegal activities were involved in the death of the baby (like illicit drug use or the baby being left to die or killed after being born alive) or because authorities don't actually know their own laws. There was one case where authorities got their own laws wrong in Texas, but the case was dismissed quickly. And just from everything that I've read so far, it seems to me that any legal action taken against someone for procuring an abortion would be taken against the abortion providers themselves, not the women getting the abortions

And this is what the heartbeat law states this, which mentions "life saving" abortions (emphasis added);

“Abortion” means the act of using or prescribing an instrument, a drug, a medicine, or any other substance, device, or means with the intent to cause the death of an unborn child of a woman known to be pregnant. The term does not include birth control devices or oral contraceptives. An act is not an abortion if the act is done with the intent to: (A) save the life or preserve the health of an unborn child; (B) remove a dead, unborn child whose death was caused by spontaneous abortion; or (C) remove an ectopic pregnancy.

"Spontaneous abortion" being a miscarriage. So at least in Texas and the other states with similar heartbeat laws, any doctor who refuses to treat women for fear of being prosecuted is wrong and should lose their jobs for medical malpractice

4. For any high risk pregnancy but especially for cases which involve young girls, there are steps in place to keep them safe which include increased monitoring, bed rest, certain medications, and early delivery. Young girls in the past have been able to give birth prematurely safely and without ending the lives of their children, but sometimes delivering their babies before viability is necessary and their babies die, but this is different than abortion and is not illegal. Again, if a doctor refuses to do an early delivery in order to try and save their patients, they are guilty of medical malpractice

5. I hate that thought experiment because the goal of everyone who asks it is to try and get you to say a born baby is more valuable than embryos and it's dumb. Whoever you choose to save in this made up scenario does not determine who is more valuable. All human life is valuable, choosing to save a born baby over a preborn baby doesn't diminish the value of the preborn baby, it just means you made a choice to save the born one. Which arguably (inarguably?) saving the born baby makes more sense because what are we supposed to do with the 100 frozen embryos after we get them out? They'll start to thaw and die pretty quickly if they haven't already from the fire in the ivf building

All around we can definitely do better in making sure women don't feel like their only choice is abortion like so many do (Silent No More has a ton of stories from women who felt like they had no choice or were forced into getting an abortion if you want to read them). I think our focus should be on addressing why women get abortions and doing our best to remedy their problems instead of killing their children. That's why I really like Let Them Live, an organization that raises money through community supported fundraisers for women who ask for their help. They have so many cool stories of women who accepted their help and are so glad that they chose life. If we really came together as a community that offered life affirming love and care, no one would have to be killed, and I think that's something that God would like, too. He did say after all that He hates the shedding of innocent blood (Proverbs 6:16-19). I can't think of anyone more innocent that little babies

(The first two links lead to Secular Pro Life, who have a lot of good resources and studies)

I really hope I was able to address your worries well enough (I'm still a bit sick so apologies if I didn't make much sense). If I forgot or missed anything or if you have questions please let me know, and if anyone has anything else they'd like to add (kindly, leaving your stinkiness at the door. Refer to my blog's title quote if you're confused), please feel free to!