#i know i should hate him but really he's more complex than people give him credit for as much as he is sucky

[ghouldtime]

COD Camp AU Part Two

Follow up to this post

Just assorted characters who I have ideas for in it. And before anyone comes at me like "oh but but Graves tried killing them" or "König is apart of KorTac and they're enemies with SpecGru" I'm aware. This is an AU for a reason :D That doesn't happen here, I'm pretending like they're all not trying to kill one another and haven't because I can

Kate Laswell (Camp Advisor)

She's one of the few who doesn't go by her callsign. Instead she goes by Larkspur, her wife's favorite flower. She figured it was a little less creepy sounding to kids over "Watcher"

Kate can usually be found near Price or simply checking around camp herself. She's usually the one responsible for safety inspections and reporting anything that needs to be fixed officially

While she's not fond of it, she usually is the one handling all the paperwork and "official" boring things. It's not the most exciting job but someone needs to do it

That being said, she can make quick work of it. She's handled more complicated things in her life than the headache that is dealing with legal documents

She'd rather be out and actually active than stuck behind a desk all day. Which is why she does try to get around to all parts of camp. She's jumping in where she can and is quick to lend a hand where ever she is needed

All the campers love her. What's not to love? Sure she's a little bit intimidating at first but she's simply so used to having to put on a stern face to convey how serious she is and to please listen to her (dealing with stubborn operators and military personnel alike will do that to you) that by now, it's a habit. But she's understanding, empathetic, and proactive - she's trying to fix problems and prevent things from going south before they can

Since she's often popping in on activities, lending a hand, helping where she can - many campers easily recognize her and are usually quite excited to see her. Especially when it comes to things like team events (Listen to her, she WILL give you pointers to beat the other team) or crafts. Kate has a variety of skills up her sleeves and she's got a knack for showing them off

Usually though, she's far more involved with the counselors than the campers. She's the one making sure that everyone is working as well as they can together and things are being done properly. If not, they're being reassigned. She's checking in to help maintain the natural flow - and making sure there's no extreme drama or any other things going on

Adjusting to camp life and living in closer quarters isn't something that many can easily adapt to and she knows it. Plus, sometimes campers can be a handful and a half and it can be exhausting mentally and physically. It's important for her to make sure the counselors are okay because EVERYONE needs someone looking out for them. They might be looking out for the kids but she's looking out for them and has their backs

Especially when it comes to interpersonal counselor relationships. That stuff is no joke. Resentment and drama can easily build and divides can form and the last thing she wants to have to deal with is that headache - plus, she does care about everyone's well being. Everyone can't be well if there's quarrels happening, especially behind the scenes.

If anything happens, she's the woman you can rely on and SHOULD. Go to her first. She'll always be the one to lend a listening ear and will do her best to solve it or at least put something towards it

Or just go to her if you want someone to easily hang out with and chat to. Especially if you'd like a moment of peace and quiet. The world can be loud and chaotic out there but her office is usually much less of a shit show. You'll get bonus points if you're bringing her extra cookies from the cafeteria (even more if you remember some for her wife)

She's the voice of reason, sensibility, and a whole lot of calm compared to all of the craziness going on. And she's super cool, how does anyone not like her. She's got SO many cool stories, she's great, I love Laswell <3

Bonus: Her wife is the camp photographer. She IS getting all those cute pictures and it IS going to be an album and it IS glorious

Nikolai (Camp Supplier)

Technically he's not apart of the staff that you'll find constantly at camp, but that doesn't make him any less important. In fact, he's the main reason WHY they can keep running and functioning as they do

He's Price's absolute go-to and is the one who is bringing things in. Whether that be dealing with the food shipments, the general equipment and maintenance things they need stocked, or really anything they need brought in - he's the guy

Usually he's in around very early mornings or very late at night, it's a rarity for him to turn up when it's normal waking hours, which is very much on purpose

Partially because unloading/loading is easier when not dealing with campers - partially because just sometimes Price has things that prooooobably wouldn't be Laswell approved and shouldn't exactly be around at camp. And partially because Price loves shooting the shit with his old buddy, having a smoke and a light drink before he has to bid Nikolai farewell as he gets back on the road

Also because if Nikolai is left to interact with any of the campers, he IS pulling the cool/fun uncle move and giving them things that he deems as child appropriate (like a knife) and teaching them how to use it

"It's good they learn now! When I was their age I could already name all the types of blades and knew how to work them too. Will come in handy one day, no?"

Not Laswell approved in the slightest. And as much as Price agrees, and as much as the campers think Nikolai is awesome (he is), Price really does NOT want to deal with being chewed out by Laswell.... again. Rightfully so but he's begrudgingly accepted that his and Nikolai's ideas of what kids these days should know aren't exactly the same as theirs

Nikolai is still very much one of the coolest guys to meet at the camp, though. While he's been politely told by Laswell to maybe back off from the campers and giving them "Fun ideas", she never said anything about the counselors

Unsurprisingly, Nikolai is incredibly popular with the counselors. You'll have to compete to get picked to help unload trucks and unpack on the days when he's coming in because EVERYONE wants to see him

He's got a great sense of humor that strays a bit more on the almost-dirty side and will instantly treat you like he's known you for your whole life. He's already got a hand clapped on your back and is asking about how school or... whatever it is you're doing is going

He'll happily give you advice and what you should do - or more correctly what he would do if he were in your shoes, but you know, that's just him. He'll likely end up talking about some story of his childhood which honestly is starting to seem like its own movie franchise with the amount of things that have happened

Overall, for the short time he's around, he's always a welcome face and you're probably going to be one of the people going "WOOO NIKOLAI!" whenever you see that semi truck. He's got a fanclub at this point

König (Maintenance)

A guy as big as him is perfect for maintenance. He already knew how to work with his hands from childhood where he grew up on a farm - his parents taught him. It's an important skill to be able to fix things, so he learned how to do it well

He can very easily pick up whatever needs to be moved or reach the tallest of places. Carrying planks of wood and fixing that one leaky pipe in the ceiling is easy as can be for him. He only really needs assistance if it's an area too small for him to fit

Which isn't very often. Usually it's things like "Billy tried doing a cartwheel but ended up face first in the wall. Anyways can you come fix it-"

It's easy enough for him. The campers usually have to vacate the area anyways when he's doing work due to potential hazards anyhow, so he works all on his own, as happy as can be

He's working on his own and is usually all alone 9/10 times. He's not very social and would rather keep to himself. Plus, kids have little filter. He'd rather take his space from them because usually if he's around them, the things THEY end up saying make him self conscious more. Even if he knows he shouldn't be, kids can be brutal

If you want to get in contact with him, usually walkie talkie is the best way. Cell service is as good as gone around most of the camp. Its that or try to look for him in areas where people wouldn't be

He's on top of things and keeps the camp in working order, luckily. Being as organized as he is and on-top of repairs means he can often be left with a fair bit of free time

Which he happily uses to go on hikes or to spend some time out in mother nature, enjoying the outdoors without pressure from anyone or anything

He's very much his normally quite socially awkward self which is why he'd prefer to stay away from others, but you can occasionally catch him mid-job. Please, don't bother him while he's working - unless he specifically volunteers you as tribute to help him (it happens when he needs someone to hold things)

Don't tell him what to do while he's doing it, though. He knows how to do his job and knows it well, which is ALSO why he doesn't like usually working with others. His own self-assurance can be misinterpreted as arrogance but he knows he's good at what he does, thank you very much

You're really not going to find him around others, except maybe the counselors and the older groups of campers who know how to actually treat others with respect. That's on rare occasions and usually it's only when he's practically made to be social

Still, you can absolutely get in his good graces and try to befriend him. Offer to help him out, get to talking to him about himself, and maybe politely steer any campers away who stare at him because he's a moose of a man - and maybe bribe him with snacks, you'll eventually get closer

He'll still not be the most chatty but you'll find he has a sense of humor (as dry and as terrible as it might be at times.. and maybe a bit snarky), and just maybe you'll find yourself hanging out with him at the art pavilion late at night, working on your own projects

He loves to carve, it keeps his hand and his mind occupied. And for being such a big guy, he's quite dexterous and has a lot of skill manipulating a knife. Maybe a worrying bit, but look! He's made you a carving of your favorite animal, maybe don't focus on the knife but rather the work that he's done (and is proud of)

Keep that as a token and you'll surely have good luck for the rest of the year. Maybe even better with him if you make him one in return

Bonus: He's unofficially banned from campfire stories. Not that he particularly wants to be there to tell him, he just might if some kids seem distressed or are begging. It's just like how his mom did for him when he was little, so surely he can do it! Except they're uh... they're the German kind. The ones that usually end with someone dying, tortured, suffering - the ones supposed to teach lessons and morals. He loved them so surely they must too - wait why are the kids crying? Oh god, he made it worse. (Banned for a reason, he's just confused and a bit baffled, he thought it was a happy one :( why are they sad?)

Phillip Graves (Equestrian Director/Barn Manager)

Sorry not sorry, I'm never UNseeing him as anything less than the utter cowboy energy he puts out. Granted, he's not from the rural countryside or a poor family. He's from an affluent family who happened to have a home in the countryside, there's a difference

He just goes by Graves because being called "Shadow" ended up with too many "oh, like the hedgehog?" 's for his liking

You're on one of three teams when it comes to him. You either love him, hate him, or love to hate him. There's absolutely no in between. He's an incredibly polarizing person with how strong his personality is

Most of the counselors simply do not like him because he's absolutely a snake in the grass and will do what he can for his benefit. It's himself and his interests first, others second. Usually that just means any and everything to do with the barn, he sees it as his priority

He's really only kept around because of how damn popular he is with the campers and parents alike - and the fact he really has money and brings a fair bit in for the camp. A lot of other staff don't like him, but you can't deny his charm or that he's actually good at what he does. He butts heads with many because he's.... himself, but he's easy enough to avoid on a general basis

Phillip is many things but lazy? Hell no. He's opportunistic. If there's an easier way to do something, he'll do it. But he'll still be working his ass off for it. He's someone where if he sees something he wants, he's going to take it. He keeps things running and his ambition keeps them two steps ahead

He's got wit, he's got charm, he's got a smile that can disarm - seriously, the man can lay it on thick like molasses and it works. He's ended up with so many campers having the innocent crush on him BECAUSE of how suave he is. Doesn't matter if you hate him, can't deny the initial strong vibe he has - even if he is a bit of a douchebag later down the line, especially if you're against him

He really doesn't care for all too many of the counselors outside of those who work directly with him. If you're working under him as apart of the barn staff, congratulations, you're apart of his crew - he's looking out for you (at least on a surface level), and he'll happily sink his teeth into anyone who comes after you with a smile on his face

His group can certainly be a bit cliquey, as in you're not sitting with them or eating with them UNLESS you're apart of the crew. But to be fair, they're usually eating breakfast significantly earlier than everyone else and eating dinner later due to the horses - and that's also a biiiit of an excuse for it

He runs a tight ship and keeps everything moving. There's no room for error or for skipping past the times on carefully laid out schedule when you have as many animals there as he does. He's got a game plan and has everything down to a T, it's fast paced, but it's how everything keeps functioning like a well oiled machine

Graves isn't lazy, no, he puts in his work. He leads best by example and knows no one will respect him if he can't show that he's WORTH that. Plus, it helps build comradery if he keeps himself involved. Not to mention, he's a firm believer in "if you want something done right, do it yourself"

Usually there's other instructors and counselors who help teach campers and manage that, he's usually doing more so day to day important barn duties and working with the advanced equestrians. He knows his stuff, but he's very "my way or the highway". He's not a lenient instructor but he'll get results. And if you know what you're doing, great, he won't be over your shoulder at every given second and will even compliment you if you do well

He's a douchebag, he's full of himself, and he's got quite the attitude and arrogance but that's not all he is. Just work hard and be in his good graces, or avoid him at all costs, and you'll live. The Phillip hating team is quite strong so you have allies if you do the latter option

At least he's usually rather nice to his own counselors and is looking out for them. You can absolutely get closer to him if you work under him and work hard. He notices talent when he sees it, as well as hard work. He's not above appreciating it or at least rewarding his team and making them feel valued enough to keep supporting him instead of flaking to others

You can hate him all you want but you cannot deny how much he loves his horse. She's a dapple gray quarter horse named Carolina and she's probably his biggest weakness. She gets the fanciest and best of EVERYTHING, he keeps her pristine and proper. He's got a whole stash of purple shampoos and hoof and hair oils alike for her. Even their tack is blinged out, her halter has actual gems set in them. Yes, it's overkill, but so is all he does

[chiocchi]

If you don't mind answering, why do you ship Tom Riddle and Harry Potter? Besides the whole issue that they are enemies, and the age difference, both characters are heterosexual. It's canonical fact. If it's the dynamic you like... Have you thought about Tomione's ship? They have a lot of potential together. And in the right direction, they would be a couple that could make it in the books.

JDKLJKLFJSDLKFJA This kinda feels like people knocking on your door and trying to get you to believe in their religion. It's pretty funny.

I don't know why are you calling issues to a part of the pairing's appeal lkajdsjfs (And Hermione is Harry's age and they are on the same side too?). And not sure about that canonical fact. Harry can be read as bisexual quite easily and Voldemort|Tom... idk he seems more obsessed with power, immortality, and Harry. But even if that's the case, I don't see why it should matter. We're in fandom after all.

I don't know if I'll be able to convey why I like this ship so much. For starters, I'm really into the unique connection they share. There was a piece of Voldemort's soul inside Harry's; they had a mental link; a whole language they're the only ones to speak (for the most part); Voldemort chose him and marked him; and there's even a prophecy that linked them together. There aren't two people more connected than them. They're soulmates, and the fact that Voldemort didn't intend it and Harry hates it adds another layer of complexity.

But not only that, they're like a broken reflection of each other, which I find fascinating. In his second year, Harry was worried about the similarities between them. Both half-bloods, orphans, raised by Muggles, they both considered Hogwarts their first real home. I feel like they would have really understood each other in other circumstances. They would have been friends. Because one of their key differences is that Harry found friends and adults that loved him while Tom was probably bullied and, y'know, the whole Dumbledore thing.

Not to mention that Harry would die for everyone whereas Tom would kill everyone. They're insane in their own way. I love their similarities and differences, but more than anything else, I love when they're together. The fanfics and fanarts are awesome.

And the whole thing of being enemies feels quite gay sometimes klafjdlskfja. Harry can't help but think Tom is handsome and, despite everything Voldemort did, Harry wanted to give him one last chance to show remorse. I have no doubt Harry is crazy enough to actually forgive him.

I've thought about Tomione and I've come to the conclusion that I don't like it. pinktom has a really good post about it and I agree with it. Besides, Hermione liked Ron and had something with Krum, and they're nothing like Tom. Just because she's heterosexual doesn't mean she's attracted to any man, y'know? klajdlfkdjs I don't think they would have been a couple in the books, no matter the direction. If it's the dynamic you like, have you thought about Tomarry? More believable, more intense, and a wider range of wholesomeness to fucked up in the fics. It's really interesting. Unless you don't like men being together? Hmm? Suspicious (just kidding. To each their own. So no need to go to other people's asks to try to change their minds :kek:).

Also Harry is my favorite character and he's not replaceable. I kinda don't care about any other character tbh. Thank you for coming to my Ted talk.

[vanteguccir]

Hey guys! I actually spent long minutes staring at these reblogs and debating whether it was worth responding and talking about or not. But as I'm not the type to take hate and keep quiet, I decided to talk about it.

First of all, Reia, you really seem like a person who doesn't read many fanfics for the way you put it in your text, so I'll explain the meaning of the word. Fanfic, short for "fan fiction", is a story written by a fan based on characters, universes, or real people (like the triplets). Fans create their own narratives, expanding or reimagining everything, creating their own version, which in real life does not exist OR, as writers, we often draw inspiration from real-life events too.

And yes, you and Evangeline are trying to be "fanfic police" and even "sturniolo police", if you scroll through the thousands of Sturniolo Triplets fanfics, you will come across A LOT where Matt, Nick or Chris go through situations of anxiety attack, panic attack, OR where the "reader" herself goes through this, sometimes even involving situations way worse than that. Furthermore, there's thousands of fanfics describing explicit sex scenes with them, the famous smuts, does that bother you too? Because in the world of someone who writes a FANFIC in here, it doesn't.

And yes, I was indeed writing about the meet and greet situation, and this was nothing new to ANYONE in the fandom WHO READS THE FANFICS HERE. I even made a post the day before ASKING who would like to read the idea, and you want to know the news? All 200 people who voted wanted it.

I understand that you feel this story is disrespectful FOR YOU, especially because it touches on a real-life situation that may be sensitive or painful for some people. I want to assure you that it was never my intention to cause harm or disrespect anyone involved in that situation.

I myself am diagnosed with chronic anxiety, and even so, I didn't feel affected by the way I wrote. In fact, I described how I feel during MY anxiety attacks.

In no way did I make fun of the situation Matt went through, in fact, my intention in writing this story was to explore Matt's complexity and show how he deals with real problems, such as anxiety. It was a way to give more depth to his situation during the tour and highlight the importance of the emotional support he receives from "Y/N". It was not my intention to mock him, but rather to explore his humanity and the challenges he faced, and I know with all the certainty in the world that I did not mock him, much less affect the people who read the story.

Please, I ask you to reevaluate the need to throw hate at a person who has nothing to do with your outside the box opinions of what WRITERS ON THE STURNIOLO'S TUMBLR should or shouldn't write about.

There are thousands of posts on Instagram and TikTok from "fans" really mocking Matt and throwing hate at him about "their bad experiences" during one of the shows, these are the people you should be giving a piece of your mind to, not me. 🩷

[luminnara]

Feyd Rautha headcanons plsss

Like what was his upbringing and training like? How did he become what he is?

Okay I think about this A LOT and I just wanna say that I know people argue a ton about the original Dune book(s) vs the older adaptations vs the new DV movies, and these are just my thoughts! Frank Herbert was a great writer and he gave us complex characters with tons of subtext, but the original Dune was also published in the 60s and the other best known older adaptation is from the 80s, and both have some definitely outdated and not great stuff was used to show how bad a character was (like the Baron having an affinity for uh young boys who look like Paul 😬). I think that DV made some really smart changes to these characters that are more in line with contemporary thinking, while also remaining true to what Frank Herbert was trying to tell us about them—like the Baron is a Bad Man and Feyd is angry and impatient and definitely wants to kill him. ANYWAYS leggo, this is long and my thoughts jump around a lot but I hope you enjoy!

WARNING for some talk of SA! Also mentions of violence and murder and cannibalism, the usual stuff

The more serious ideas that are backed up by text and movie evidence:

Feyd-Rautha was taken from Lankiveil, a Harkonnen planet ruled by his birth father Abulurd (Vladimir’s younger half brother) by his uncle, Baron Vladimir. Feyd definitely knows this, and knows that Glossu Rabban is his older brother…so imagine all of the conflicting thoughts he must have surrounding his own position and future. On the one hand, he was taken and raised by his uncle so that he could inherit the title of Baron. On the other hand, he was taken as a punishment to his father. There must be resentment there, towards both his father and his uncle, and even his older brother. Even though Feyd was essentially chosen to become something more than Rabban, he grew up away from most of his immediate family. Even though he was raised to become Harkonnen royalty, imagine how he might have turned out if he had remained with his father, who had renounced the Harkonnen name.

He was brought up in a cruel and harsh environment. He was made into a killing machine, partly because of Harkonnen customs, partly because Vladimir enjoyed the carnage, and partly because it was the only thing a young Feyd ever knew. As a young man, he loves killing and shredding because it feels natural and is second nature to him, but does he ever wish he had known what it was like growing up in a softer environment? Food for thought.

He hates his uncle. In the book, he attempts an assassination. In DV’s part two, he mentions to the Baron that he should kill him, and the Baron laughs. Vladimir finds it amusing that Feyd would say something like that, because he knows he’s got Feyd under his thumb. Perhaps Feyd is even scared of him.

The Baron is, and was, cruel to him. In the book, after the failed assassination attempt, Vladimir tells his nephew that if he agrees to stop trying to kill him (lol), he’ll step down and let Feyd have his position. BUT he kills his darlings as a punishment (who in the book are female slaves, who act as his lovers)

I already have a ton of headcanons about his darlings in the DV movies, and I really think that Feyd cared for them. So imagine that your own uncle WHO YOU WANT TO KILL takes away the only things you care about?? That’s fucked up man

The Baron abused Feyd to some degree, very possibly sexually—I’ve seen a lot of people pointing out how heavily this is implied by the subtext in both the book and part two. Feyd is actually a complex character, but neither Frank Herbert nor DV really spelled that out, and you have to dig a little and think about it. While I obviously don’t want ANYBODY, even fictional characters, to experience something like SA, I think it does add to the depth of his character and gives more fuel to his rage. It also shows us just how terrible Vladimir really is. I’ve seen it suggested that this is part of what Margot Fenring means when she says that Feyd is sexually vulnerable, but I take that comment to more mean that he opens himself up to the possibility of harm a LOT in bed and that’s when he’s most emotionally vulnerable. BUT I don’t think those things are mutually exclusive

NOW THE MORE FUN IDEAS THAT I ENJOY (fun is a subjective term here lol)

Feyd-Rautha has a vulnerable side, and it’s very, very guarded. It’s buried so deep he may not even be aware of it.

He really does care for his darlings, and that’s the closest thing he feels to love. It’s a possessive, ownership kind of love that we would consider toxic irl, but they’re the only things besides his weapons and power that he cares about.

He doesn’t revere his weapons, but he respects them. They’re not personified, but he appreciates a good killing tool, and likes to take care of his knives.

He views lives as very black and white. There are people who can be killed (slaves, servants, rivals, his uncle), and people who ABSOLUTELY cannot be (his darlings, an SO, his hypothetical children)

He views everyone else as weaker than him, and it’s partially because his uncle would never LET someone as important to his plans as Feyd be harmed, so Feyd rarely feels that his life is actually in danger. Almost everyone he fights in the arena is drugged, and it isn’t like his trainer would fight without shields. He’d be confused and intrigued by someone who could actually defeat him, and he’s so into the art of war and battle that he would respect it (but also be upsetti)

He spends a lot of time watching and calculating in silence. While he’s impatient and has a short temper, he likes to learn about things that interest him.

He’s up to date on Giedi Prime beauty trends and sets a lot of the standards himself. He gets massages and spa treatments regularly and has been known to undergo more serious procedures.

While he doesn’t partake as regularly as his darlings, he occasionally consumes human flesh and blood and doesn’t think it’s weird, because he views almost everyone as lesser than him, so eating them is akin to eating livestock. Alternatively, I could see him going down the “I feel so overwhelmingly deeply about you that I must consume you body and soul” road about someone special but I really don’t think he’s got that brand of romance in him lol

Like lady fenring said, he is, in fact, sexually vulnerable. In the bedroom, he can let out his emotions, and sometimes they’re ugly and sometimes he needs to not be in charge for the night. He leaves himself open to manipulation and harm. Man just really needs a good hug tbh

Canonically hypersexual as a result of trauma

Is harsh as a result of a harsh upbringing, one that looked comfortable from the outside but was anything BUT for him. Beneath the surface, he’s messy.

Aggressive because he’s always had to be to survive. His uncle probably wouldn’t have killed him because he was always integral to Vladimir’s plans, but did a young Feyd know that?? NO

is NOT well traveled. He’s lived on Giedi Prime his whole life, has probably seen Lankiveil, which is cold and watery, and has been on Arrakis, but I think he would NOT know what to do if he was on a lush green planet. All he knows is harsh, extreme environments. If you plop him down in a meadow, he will have NO clue what to do

As a child, he watched his uncle kill anyone who inconvenienced him. This definitely warped Feyd’s concepts of kindness and the value of life.

His childhood was just unbelievably strict and harsh and at the same time he was spoiled in certain ways, and that has led to him growing into a pampered yet still caged man

He would LOVE to slaughter his uncle and feed him to his darlings

In an arranged marriage, something about his spouse would have to suddenly intrigue him, and then he would be HOOKED. He would sink his teeth in and refuse to let go. Opening up to someone who isn’t one of his darlings would be strange and difficult for him

Remember how I said he isn’t used to fighting sober opponents? I think that once he gets a taste for fair fights, he becomes a little addicted to the thrill of it and the power that those victories bring him, and he loses interested in drugged fights. After a lifetime of living under this uncle’s thumb, the control he has over someone’s life and PROVING that he’s better and stronger and meaner than them is the most validating feeling he knows.

He never shows mercy, because no one has ever showed it to him.

[wildechildwrites]

Lucky Charms

Looney Tunes Part Two

Konig/Reader

Word Count: 1.4k

No use of Y/N

Summary: You have some more encounters with König, the mysterious man who lives in your apartment building.

A/N: König being unintentionally terrifying is so funny. He’s shy and he’s a giant murderer for hire, excuse him for constantly throwing off the vibe. Let me know if you want to be tagged in part three!

AO3 Link: Looney Tunes

You've got bags of groceries hanging from your arms, pinching at your skin, precariously balanced, a white knuckle grip on the laundry detergent that's determined to slip through your fingers before you reach your apartment. The man steps on the elevator with you, and you can feel your face heating up as he looks at you.

You haven't seen him since the night he'd kissed you, and you wondered if he thought of you everytime he rode the elevator. You certainly thought of him.

He makes no effort to disguise his staring, looking down at you with a flat expression, taking in your overflowing arms.

"I hate making more than one trip to my car," you say, answering the question he didn’t ask, shrugging as much as you can with your arms full. You swear you see his eyebrow twitch.

Amusement? Irritation? It's impossible to read him. Instead, you drop your gaze, feeling his eyes still on you.

"My name is König." He says abruptly. Your eyes jump back up to his face, and it's his turn to look away as you grin, introducing yourself.

When you go to get off the elevator, he plucks the detergent out of your hand, gesturing silently for some of the bags you carry. He follows you to your apartment soundlessly, placing the bags down outside of your door. You throw your 'thank you' at his retreating form, and he doesn't acknowledge it.

Later, when you're putting away your groceries, you say his name out loud, tasting it on your tongue.

One of the lights in the parking garage is flickering again, and you sigh in annoyance as you look up at it. The apartment complex took months to fix the last broken bulb, so you’re unenthusiastic about the prospects of a quick repair. It puts you on edge, affecting the visibility and giving the garage an eerie feeling.

“It’s just like a horror movie,” you mumble to yourself, attempting to break the tension you feel as you head towards the exit. It’s late, your workday running longer than it should’ve, and you can’t help the itch of anxiety crawling up your spine.

You pass an unfamiliar man, standing still in between some of the cars. His eyes are on you, and you grip your keys tighter in your hand, speeding up. You hazard a glance over your shoulder and find he's disappeared, and your eyes search the parking lot behind you.

Distracted as you are, unfocused on where you're going, you slam straight into a solid wall of a person. You let out a shriek, head whipping back around and nearly fall backwards as you attempt to scramble away. Two solid hands firmly grip your shoulders, preventing you from tripping. König is standing in front of you, and you sag against his hold in relief.

“You scared me!” you exclaim, a hand going up reflexively to your chest.

“You should be more cautious, häschen,” König responds, and you swear there’s the faintest trace of a smile on his face, the subtle quirk of scarred lips. “Most people look where they are walking to, not where they are walking from.”

You let out a sigh and roll your eyes with a smile, the anxiety seeping out of your body. “The stupid flickering light really freaked me out,” you say, gesturing at the ceiling. “And then there was a man staring at me, but he disappeared.” König nods thoughtfully. His hands are still on your shoulders, and there’s a beat as you both stare at each other.

König clears his throat. “I will speak to the complex maintenance about repairing the light. As for your mystery friend–” König pulls back and slides one finger across his throat. You laugh at the joke, even though he’s not smiling.

König insists on walking you back to your apartment despite your objections, and although you know you were just being silly, you’re touched by the gesture.

“Thank you, König,” you say, lingering in the doorway, and something in his eyes seems to sharpen when you say his name.

You're eating cereal on your couch, watching cartoons when you should be sleeping. It's a childish habit, but after a long day, you're feeling sentimental and too burnt out to process anything with substance. Scrolling through your phone, half paying attention, you almost miss the soft knock on your front door.

König is standing outside, his face obscured by something that looks like an executioner's hood. The gear he's wearing makes him seem even more massive, a mountain of a man standing in front of you.

"May I come in?" He asks, his accented voice low, and you're so caught off guard by the request that your jaw drops.

König stares at you and you stare back, contemplating the matter.

You probably shouldn't let him in, this hulking monster in a mask. You don't even know him really, only interacting a couple of times. He's kissed you, and it was a knee buckling, eye rolling kiss, but does that necessarily grant him access to your apartment?

Your logistical side loses when he lets out a sigh, a huff of air that borders on a whine. You step aside, waving him to the couch as you go to the kitchen to grab another bowl of cereal for him. You want to know why he's here unannounced, but you're unwilling to disturb the delicate balance between the two of you, so you say nothing. He pulls off the mask, eyes on the TV.

“Looney Tunes?” he asks, his voice amused. Daffy Duck lets out a shriek in the silence between you two, and you snort.

“Call it a guilty pleasure,” you reply. König’s eyebrow twitches. You offer him the bowl, and his large fingers brush against yours, shockingly warm and rough. His eyes seem to glint at the contact, an almost avian intensity that makes your skin flush.

You sit down a measured distance away from him, and go back to eating your cereal, attempting to display a level of casual that you do not feel. König seems unaffected, sprawled on your couch, crunching away like he does this every night. He's got his boots on still, tacky with a dark liquid you think could be blood.

"Uh… not that I don't appreciate the company…" you begin after a beat of silence, turning to face him. It's the first time you've seen him really smile, and a part of you is unsure if you like it, the almost predatory glint of teeth.

"I just wanted to see if you'd invite me in." He responds to your unspoken question, his voice rumbling deep from his chest, and there's a sharp edge to his words that make the hairs on the back of your neck prickle.

There's a beat, and your expression must tip him off to your discomfort because his eyes widen.

"I didn't mean– I am sorry I misspoke– sometimes my translations are–" he's stammering, and you instantly relax, feeling guilty for your involuntary reaction.

"No! No it's okay I was just… surprised. I'm glad for the company" You say in a rush, your voice unnaturally high. "You're always welcome to come over."

He smiles again, softer than before. His eyes haven't quite lost the cutting focus, but you smile back, relaxing a little as he takes another bite of cereal. You fall back into companionable silence.

It's late, and you're starting to fade, eyes drooping, curled up into yourself. König hasn't moved from his post on the end of your couch, his empty bowl still cupped in one hand, and you drowsily wonder if it's a military habit, the way he sits with perfect stillness. You stifle a yawn, and he glances over at you without moving his head.

"It's getting late," he says quietly. You watch as he rises in one fluid motion, large strides leading him with a seemingly practiced familiarity to your kitchen. He places his dish in the sink and reaches for the soap. You sit up.

"It's alright, I'll wash the dishes tomorrow," you call out, wiping your eyes, and he nods. You stand as he heads towards the door, your legs slightly unsteady.

"Thank you for the cereal," he says quietly, a hand on the doorknob. You think there is a light dusting of pink around his ears, but it's too dark to really tell.

You smile at him. "You're welcome."

König pauses, turning towards you.

You idly wonder if he'll kiss you again. He looks down at you with an inscrutable expression, bringing a large hand slowly up to your face, the ghost of his fingertips skimming your jaw. You let out an involuntary gasp at the contact, your skin electrified, and he drops his hand.

He opens the door, and you notice his fingers are still curled, as if he's cupping the sensation of your skin against his, holding it in his palm.

○○○●●●○○○●●●○○○

"Good night little rabbit," König whispers, a silhouette in your doorway. "Catch you later."

Part Three

Taglist:

All for you @whos-fran my beloved (the first person to ever ask to be tagged)

If anyone else would like to be on the taglist for part three reply or reblog this post :)

[jamandjazz]

I've been thinking a lot about Steve lately. I really like thinking about how situations and family dynamics shape people. These quotes specifically, "and Steve— his hatred for his father coming out in his soft, bitter voice and the violence of his temper" and "We never could tell who we'd find stretched out on the sofa in the morning. It was usually Steve, whose father told him about once a week to get out and never come back."

And I know how strange it feels to have parents that are shitty but give you a lot of things materially. He has a car and gets a lot of pity money but his dad never does anything but try to push him to the side and forget about him. There's nothing canon that shows his Dad physically abuses him in any way so there's a good chance he told himself to just be grateful he got so much and his dad wasn't 'that bad.' He's resentful and angry and impulsive and so damn complex and we should talk about that more.

"I thought of Soda and Steve. What if one of them saw the other killed? Would that make them stop fighting? No, I thought, maybe it would make Soda stop, but not Steve. He'd go on hating and fighting," Steve is described as hateful and angry but what else is there for him to do? He can't just leave, he's too attached to where he is but staying isn't good either.

He's mad at the world he was born into, who wouldn't be? Greasers get all the rough breaks but he can't fix that, he's just one kid. (Also he definitely feels like a character that thrives off of being able to fix things, cars, problems, anything that he deems needing 'fixing')

And despite his temper being a big part of his personality that's not all of it. He's friends with Soda, and likes to indulge him. He's got a dry sense of humor and cares so much about anyone that cares for him back. He's protective he's caring and sure sometimes that means he gets violent and angry but that's a lot of what he knows, he's so so so much more than just someone that's just mad all the time despite the fact that that's what he gets boiled down to a lot. In the fandom and in the book, honestly I think that's why he's so close to Soda.

Soda's good at seeing past that sort of thing, he's good and understanding and when your whole life everyone just dismissed you as the kid that was always mad for no reason that's so fucking refreshing. Being seen as more than just your flaws helps you feel human. Helps you remember you deserve just as much care and affection as anyone else, and seeing how the Curtis's treated their kids was honestly probably where a lot of the resentment for his dad started building up.

Anyways this is super long but basically Steve's super complex and I love him.

[mortarpestle]

ortolan

Short piece with professional chef!sukuna and younger kitchen porter reader. Title taken from the very brutal and illegal French delicacy of the same name, which one must hide their face to eat.

word count: 1.7k

*no curses au, age gap (chefkuna is in his 30s and reader is in their early 20s), employer-employee power imbalance, petnames ("kid", "brat"), Sukuna is intense, reader smokes right off the bat and is…a lil grim and unexpectedly Freudian?? Idk what happened here, suggestive themes ahead.

An angry red flake falls off the tip of your cigarette. It sways and loses some of its brightness on its way to the ground, succumbing to a puddle next to your feet. There's a couple more puffs left before you inevitably reach the filter, maybe double that amount if you're frugal with it. A few stolen breaths to catch until dinner rush.

You hate this fucking job.

You also know that by the time you clock out and return to your apartment, you’ll collapse on your bed with the prospect of a new shift working your nerves into a frenzy. Talk about an abusive relationship. Effectively stockholm syndromed by cutting boards and sous vides—and your boss.

Sukuna seems to have that effect on people.

Behind you, the back door creaks open. Heavy footsteps stamp down the stairs, coming to a stop by your makeshift ashtray. For a few precious seconds you’re content with counting the flour spots staining his black clogs (expensive brand, sleek, better than yours). He smells like his food; spicy, complex and a little smoky. The perks of working 14 hour shifts at a restaurant with high end cuisine and an even higher tax bracket among its customers, is that you’re afforded the luxury of smelling like a human being. No deep frier mystery oil notes clinging onto skin and clothes for you and especially him. You stifle a rather unsavoury thought about his cologne and inhale bitter smoke.

"You'll fry your lungs with that shit, kid."

Despite the distance, he sounds closer than you’d like, closer than you can handle having him. You don’t mean to shiver. Or for him to notice.

"That's the plan."

Every word coming out of your mouth makes you more conscious of your worldliness. Primarily your lack thereof. Speaking to your boss never ceases to make you seem like a peevish child in comparison. The little nickname he insists on using just for you doesn’t help either.

Sukuna doesn’t reply and your stomach churns.

"You don't smoke...why are you out here." You continue, painfully aware of your appearance.

"Don’t get it twisted. I should be the one asking you that. I can think of ten different things you should be doing before traffic picks up instead of getting cozy by the trash.”

The buildup sweat from the kitchen stovetops is slowly settling over your skin. Seated on one of the plastic crates left by your local produce supplier, you feel like a proper rat. What a picture to paint for the man singlehandedly responsible for funding your life.

Getting back to work is the lesser of the two evils you’re presented with. Still, one more smoke before shift's end sounds like a dream. You slip a stick out of the tobacco case tucked inside your apron pocket, taking his silence as permission to light it between your lips.

You smile.

"What's your vice, boss?"

Sukuna clicks his tongue. "Wouldn't you like to know."

He doesn't seem too offended. After working under him for nearly a year you've come to find that Sukuna is a man who is hard to surprise and equally as tricky to offend. Good at hiding it too, when he wants to. Which is why you ask again, be it a bad idea or not.

"Everybody has one. I've never met a professional chef without a few loose screws, so what is it?" Maybe you could've phrased that last better. You're too tired to care.

He mulls over your question without really giving into it. He’s awfully compliant today. Normally he would've chewed your ear off at the second cigarette.

Something’s off.

"I trust you include yourself in that crowd you speak of."

“Not really. I’m not a professional.”

(Ash stings your fingertips, but you refuse to let go.)

"You've got potential." He says, low and succinct.

You choke on your spit, laughing in earnest, "Sure.” Potential for cutting vegetables and cleaning after other people’s messes, maybe.

"I mean it, kid."

Sukuna leans against the railing, arms folding over his chest. One long glance out of the corner of your eye grants you with an intimate view of his tattoos. All these months you've been catching glimpses of the full design, unable to tell where it ends beneath the black fabric. Not a single hair is out of place. His uniform is rolled up just above his elbows, exposing tanned skin with tiny burn marks littered over hard muscle, no doubt from his early training years. He wears them like medals of honour.

The first thing you did after landing a position in his kitchen was googling his name. Ryomen Sukuna is fifteen years older than you and begrudgingly, the only thing standing between you and quitting as soon as tomorrow.

You’re no stranger to unwanted urges, the occasional intrusive thought. It’s human, you are human and therefore unjustly robbed of any sovereignty over your unconscious and its whims. You don’t think much of it. Even when you take your rare bathroom breaks outside peak hours, only to find that you’ve soaked through your underwear just from glances and strict instructions thrown your way. What does that say about you as a person? You don’t intend to figure it out today.

It's a classic case of treating the symptoms and not the source of your disease. Pretending he doesn’t exist outside of the physical place you both work at won’t get you very far. It won’t take long for the tide to turn over. Sukuna doesn’t play with his food. Only with the people tasked with preparing it.

You tug at a stray piece of lint on your chest, playing with the cotton ball over the flame of your lighter.

"If boss says it."

"Don't call me that." he all but sneers at you over your shoulder. His voice is grating when he wants it to be. You don’t flinch, not even when you turn around to catch the stare he’s drilling into your slouched back. On a second thought you don’t think he’s taken his eyes off of it since he he stepped out to join you. His stare is violence. He makes you want to crawl out of your own skin for comfort.

Working within a kitchen hierarchy is much like having a father; you get used to raised voices and empty threats whether you like it or not. With Sukuna creeping around the counters, you also learn to not talk back if you know what’s best for you. You consider yourself lucky to have never stood on the receiving end of anything more severe than a scolding. Then again, you’re not important enough in the grand scheme of it all, and you make a point to take advantage of that as often as you can.

"Are you not?" you sneer back.

"I'm quitting," Sukuna bares his teeth at you, "Expected to be gone by next week."

You bet he’s enjoying the look on your face. Surprised stupid.

"Pick your jaw up off the ground, s'not a good look on you."

You collect your thoughts and try to convince him that this doesn’t change everything for you. "Can I have your knives? The fancy Japanese ones you keep inside the office safe."

"You better keep your mouth shut and listen to what I have to say before I change my mind you brat." His voice commands you to look at him, "I'm not retiring. I'm opening my own joint and I want you to join me."

You feel nauseous.

"Why."

You've never been one to count your blessings, mainly because it's not worth doing so when you can do it on only one hand. Everyone says your early 20s are hell, the trenches of adulthood. No second-hand warnings and half assed attempts at lukewarm life lessons could've prepared you for the slump you hit after graduating college. Money is tight as it's always been, only now you've got twice the amount of problems and half the support.

The job advertisement was a beacon of good luck amidst a sea of bad decisions.

You had to fight tooth and nail to get through the first week (hell week, objectively the worst time in any hospitality job) without any power or warm water in your apartment after missing the payment deadline. Sukuna noticed—not like it was hard to, given that you looked like shit fresh into your employment—and slid you an early paycheck tucked inside an envelope on lunch break. A week's worth of dailies in an employment contract that only guarantees monthly wages.

You could cry.

(You did. In front of him.)

(He looked so distraught he almost snatched it back.)

"You're good, honest. Smart yet a little stupid, but even that's necessary to get by in the business. Like I said you have potential and I want you in my kitchen when you see it through."

"I think," you start.

Sukuna gives you a sly smile, mumbling a barely audible “Is that so” with his eyes narrowed down to slits.

"—You're only doing this out of spite. Stealing Gojo's staff is dirty work."

"Started that sentence on the wrong foot. You think I’d sabotage my own shit just to get back at that fraud? Most of the guys he's got back there working for him don't even know how to grill chicken without fucking up."

Yes. Yes, you do believe he’d do that, but opt to keep the thought to yourself. You’re sure Sukuna would kill the guy if he were guaranteed to get away with it. Gojo is an angel investor in name and nothing else.

"I'll give you a week, no more no less. Sit on it, let it marinade in that little head of yours and have your answer ready by morning shift." He pushes off the railing to take his leave. Halfway up the steps he backtracks to reach you, snatches the cigarette out of your fingers and takes a long drag, draining the leftover tobacco inside the poorly rolled paper. After he's done, he licks his lips and kisses his front teeth to taste your saliva, humming in satisfaction.

Kicking away the crate, you get up on baby fawn legs, half numb from being folded over yourself for so long. They tremble, a blink and you’ll miss it movement. Sukuna’s limp hand twitches by his side.

He’s about to leave for good when you speak again, moving towards him.

"You never answered my question.”

What's your vice?

Sukuna stumps your cigarette on the brick wall next to your head. His words are low, barely audible over the commotion slipping through the open door.

"Be good and I might just show you in practice."

[mixtpecas]

It's 2 am and I'm just thinking about how Cas and Eileen became such complimentary partners for Dean and Sam even when the show (slash Chuck) didn't let them have a happy ending.

Like, Sam wanted independence from his family and hunting. Not because he hated hunting necessarily, but because it represented everything his dad seemed to value over him and his opinions. And throughout the show he does make his own choices, but more often than not they end up with him getting possessed or some other kind of loss of autonomy. And with everyone he dates there seems to be that fear of losing control - not that he's controlling per say, but that he can't really let his guard down. Jess, Amy, Amelia, might know About him, but he doesn't seem to show much real vulnerability or deeper trust in them.

And Eileen gets that - she was written to mirror Sam, but it's not like she's his clone. While Sam seems more run down by everything that's happened to him by the time he meets her, Eileen still has that fire that leads her to do good on her own terms. And because she understands both the hunting and independence aspects of Sam's life, her and Sam can see each other as equals, instead of falling into that civilian/hunter or protector/protectee approach that relationships in the show usually lean towards. It's a real breath of fresh air for me, and feels a lot like how I'd imagine an ideal relationship for Sam - someone that isn't afraid to challenge him, but also encourages him to speak up for himself and value his own feelings.

Then with Dean, there's a lot of similarities to Sam (obviously, with their shared upbringing lol) but he can also be his counterpart. Sam wants trust placed in him and independence, Dean wants commitment and for someone to not leave him. But like Sam's relationships, Dean definitely falls right into the Protector role and what he thinks he should be doing, not what he actually needs or wants (like with Cassie and Lisa). And for him, I feel like it's less about not trusting them (Dean actually confides in people fairly often!) but more about his understandings about relationships and his own self. Dean has been treated (intentionally and unintentionally) as a blunt instrument, someone unchangeable, someone to look to for comfort, etc. even before Mary died ("It's okay Mom, I'll never leave you" comes to mind).

Cas reflects this in the extreme - any of his own feelings were lobotimized out of him and it was seen as impossible for angels to feel at all without falling. For him, he could see Dean as a smaller-scale mirror to what he was feeling. And Dean could see Cas as a more abstract, less intimidating way to see his own life. Like Eileen and Sam, Dean and Cas understand each other as soon as they meet each other. Cas tells Dean he has doubts! Dean prays to Cas after a lifetime of not believing in angels! Their similarities let them connect but their differences let them grow - Dean is so stubborn and full of feeling that Cas finally has the final push to rebel. Cas is the most powerful thing Dean's ever met when he saves him from Hell, so Dean feels safe to rely on him and trust someone to answer him if he asks (or prays). And again, their similarities are at the ground of it all, so they stay as partners and equals.

For Chuck (and the writers) this kind of healthier partnership dynamic goes against the kind of romance they love, that focuses on avoidance and saviour complexes. If Dean and Sam feel secure in their senses of self outside of one another, and are encouraged to keep that up, what happens to the Cycles of Family Trauma Show?? Plus, there's the added elements of Cas being a man and Eileen being deaf (resulting in Despair and the Blurry Wife). Sam and Dean both needed Eileen and Cas at certain points in their stories, whether that was to rescue them, motivate them, give them something to lose, etc. But even though plot development was the main intention for these relationships, they signalled something outside of the routine Cain and Abel story. Instead of just representing that kind of unattainable happy future, Eileen and Cas developed genuine relationships with the brothers that encouraged them to be more genuine people, and eventually led them to defeat God.

[fragmentedblade]

I think taking the kids to a park or something could make Kalpas a little better. Violent-playing with them may make him laugh. There's no cure for whatever Aponia, Vill-V, Elysia, Kevin and Fu Hua have going on. Su is on very thin ice and needs to chill. Pardofelis is kind of there. Mobius can stay I guess. Sakura is so bland she too can stay but for literally the opposite reason. Eden is on the same page as Kalpas imo

I can't believe Kalpas is literally the most normal and bearable person among the Flame Chasers

[shorlinesorrows]

okay, a couple things on alien stage/ivantill that I think some folks maybe need to consider and internalize.

Till does not "need" to return Ivan's feelings in the slightest if he doesn't feel that way. It's heart wrenching to see Ivan love him and have those feelings unreturned, but please remember that no one is required to return romantic feelings for someone else. You can't make yourself love someone, and you shouldn't. Especially out of guilt or obligation. That's Unhealthy 101, and would only set a relationship up for failure. (I do think Till cared about Ivan, and that he's going to have a Guilt Complex based on the fact that he didn't fully notice Ivan's feelings/care toward him until the guy died, but I've seen a couple of people tear into Till for not noticing/reciprocating Ivan's feelings??? Don't do that??? their situation is shitty, the fact that they didn't get to talk is shitty, but please don't blame Till for things he Can't Control.)

The kiss was not consensual. It wasn't meant to be portrayed as such. It wasn't even really romantic, it was a desperate, selfish act that Ivan used to get Till's attention (in more ways than one) and to give himself some sense of closure before he died. It was him saying everything that he felt at once, with no chance for Till to reciprocate or deny the affection. In a perfect world, they could have talked instead of this, maybe kissed knowing both wanted it, or given Till a chance to refuse. But they're both in the middle of an essential death tournament and one of them is going to be murdered sometime in the next few minutes. Neither of them really wants to live, but Ivan feels he has unfinished business before his sacrifice, so he finishes it. Their situation sucks. That doesn't mean the kiss was consensual. (especially considering the theory/implication that Till was/is being sexually assaulted by aliens, I wouldn't be surprised if this affects him badly in the future, for multiple reasons. Everyone should always get the chance to say "no" and have that fully respected. This also extends to the fact that Ivan died for Till without giving him a chance to stop it, which is probably going to mess with Till's head a lot. Then again, Ivan likely didn't think it would affect Till much because as far as he/we know, the feelings aren't reciprocated in this moment in canon, or are extremely repressed. Ivan might believe that Till simply hates him, or the kiss/subsequent "choking" may have been a way of trying to make Till hate him so that his death wouldn't hurt as much. Of course that thinking is flawed, because it would hurt Till no matter what, but still, it makes me sad)

Ivan... is kinda messed up. I adore him, but we've got to acknowledge that he has little to no emotional and relationship maturity due to the fact that he was quite literally raised as a pet and learned at a young age to do whatever his masters said to keep himself safe and pain-free. His fascination with Till appears to largely stem from Till's sense of rebellion. Ivan's examples of relationship dynamics and what constitutes as "love" is dangerously unbalanced, and he does not know how to build a healthy relationship. (Neither of them do.) This is also built onto the fact that the person he became dependent on only paid attention to him when they were fighting or Ivan was annoying him. Ivan cares about Till desperately, but he is also dangerously reliant on him to the point of self-detriment. Again, in an ideal world, they would be able to get out of this situation and gradually make a healthy relationship/friendship (depending on Till's feelings) over time while starting to undo the dangerous relationship patterns that they fell into when they didn't have any way to know better. But they're in a terrible situation, and Ivan really just doesn't get the chance to grow as a person and realize that his sense of possessiveness and reliance on Till's attention isn't healthy.

Basically, their situation makes me want to sob and its heart wrenching. Their circumstances have set them up for failure. Both of them are in the midst of attempting to survive an abusive situation and massive amounts of dehumanization. I beg, please try not to sanitize their complicated relationship or blame either of them for the pain the other is going through. I've seen some of that going around, and it's making me sad :(

[celaenaeiln]

C: Hi there! Even if I've been reading dick Grayson(and in turn batfamily) fics for a few weeks now, I've never actually watched/read DC stuff because even if I liked superheroes, I'm not invested enough to read the actual comics. The most I watched was the Teen Titans 2003 cartoon(which I love). I was brought into interest cause I was brought in through crossovers of other fandoms (which may be hated by some/many😅)

To give myself context, I tried to read around for Robin, and imagine my surprise there's more than one? Which, okay mantle thing I guess. But in the end, Dick Grayson caught my attention(not rlly for his looks and design, but more of his heroism and entire personality and affect in the DC world). Which leads to looking at other tumblrs and I love reading yours and when you answer the asks cause it's so much easier for me to understand the kind of person Dick is and how he interacts with the world.

Sorry for this long context, but I just want maybe your opinion, what if your opinion in the combination of how Dick Grayson should be written for him to Thrive

- Should he stay in Gotham, being in with the batfamily more? Soloing in Bludhaven? Staying with the titans? Or others?

- what about his romantic relationships? Who should be is one true one(based on canon gfs), or maybe stay single? (Just gonna be biased, but I've only knew about dickbabs and dickkory (but I heard he has other girlfriends and I've remember reading he was almost married...a few times??) but dickkory had always been for me)

- What about mentally wise? (Of course, I do think Dick needs a long vacation because of all the trauma that he has to go through), but even if I like the idea of Dick being admired for his looks because he deserves it, but I do rmbr posts that he is uncomfy with this(sexualisation, Def only staying true to the person he loves (then there's the whole...Tarantula and more thing)

Tbf, I do think is a little bit of all is what makes Dick, Dick. Haha

Sorry for the long ask, feel free to not answer because i just needed to get this out😅. I know it's actually bad I'm reading fics without canon knowledge for personality, but your posts makes me understand him more that I understand what's real and what's fanon in fics (that makes me..ugh.. but I read anyway for plot cause i don't know better)

But thank you anyway for reading this and I love your content!

(last one for this ask I swear: I've been seeing stuff where Robin name is actually Dick's mom calling Dick that. Then it's passed down as a mantle starting from Jason without Dick consenting. I tried to read at wiki, maybe I missed out but I can't find anything. Is it true? Does the other bats (except Bruce and Alfred?) know the actual meaning? Because as much as I love Dami, the whole bloodson, birthright to take the mantle of Robin beside Batman give me ugh feelings if it's true) :C

First of all, thank you so much!! I'm so happy to hear you like my stuff <333!!

I think it's fine that you started in the fandom since I sort of started out that way too lol. I had only watched Teen Titans Animated show and Young Justice before I got into fanfics and my first comic I ever read was actually Teen Titans (2011) which was Tim's run. It's been a journey.

Dick's personality was also what captivated me so here I am!

"Should he stay in Gotham, being in with the batfamily more? Soloing in Bludhaven? Staying with the titans? Or others?"

That's a really good question and a complex one. Ironically, for being such a people person, Dick seems to be doing best when he's by himself. When he's soloing, he has a sense of freedom and independence that he's been craving for a long time. The whole reason he left Bruce was because he felt like Bruce was suddenly treating him like a kid, like someone to look after, when he had been treating Dick like a partner the whole time. When Dick feels like his independence is being stepped on, it unsettles him. This is another reason why the Tom Taylor run and Dick's relationship pisses me off but that's for another time. As much as he likes Gotham, he loves Bludhaven. He thinks it's a dirty, crime-filled city, sure, but he loves it there.

He's a little crazy like that.

He doesn't have the same attachment to Gotham that Bruce does. Instead he feels that for Bludhaven.

The only reason I'm saying Dick is better off staying alone than with the Titans is because of his leadership mentality. There's a comic that I forgot the name of but Dick teams up with members of the Justice League and they trapeze through a jungle under the orders of this corrupt military general. He teams up with Arthur and automatically starts commanding people to which Aquaman tells him off, saying this isn't the Titans. Dick is genuinely sorry and backs off. For a minute. But immediately goes right back into command mode but Arthur lets it go, realizing that Dick's not conscious of it and that his behaviour is automatic. "Too many leaders" he calls the situation in his head. For Dick, the Titans have become a responsibility now. He loves them like crazy but they look up at him automatically for directions and order and he's gotten so used to leading them that it's his go to mode.

He just likes doing stuff without someone hovering over his shoulder or having to take care of others.

"what about his romantic relationships? Who should be is one true one(based on canon gfs), or maybe stay single? (Just gonna be biased, but I've only knew about dickbabs and dickkory (but I heard he has other girlfriends and I've remember reading he was almost married…a few times??) but dickkory had always been for me)"

Yeah, I've actually loved almost all of his romantic relationships. I hate Dickbabs but every other one has been fantastic. Kori was great for him.

Action Comics (1938) Issue #618

Dick says it again here. He used to envy Roy's freedom. He's also said in another comic that he fell in love with Kori for her freedom.

Secret Origins (1986) Issue #13

You're right, he has gotten almost married a few times

The first time was with Kori

The New Titans (1988) Issue #100

But then

The New Titans (1988) Issue #100

their pastor gets vaporised and body-controlled Raven feeds the soul of one of Trigon's children into Kori and she goes crazy but she recovers but it's a whole ordeal. In the end they don't get a chance to complete their marriage. They were spectacular together though. The only reason their wedding didn't go through is because the Batfam writers wanted Dick back so they took him from the Titans' writers and they needed a big dramatic scene to cut him off from the Titans. Another reason why Barbara was deaged and created as a love interest- to gatekeep him in the family.

He's also gotten married to Barbara before the retcon though.

Batman Family Issue #11

But here they were forced to by Maze and they went along with it and tricked him. At the end though, they just grab a bite to eat.

Ngl I actually would've supported this marriage. I really love this Barbara. Yes the age difference is a bit much but whatever, I still like them.

Dick and Barbara have gotten married in an alternate timeline.

Convergence: Nightwing/Oracle Issue #2

yeah, definitely didn't like this one.

Dick's also gotten fake married to a woman because Batman and Dick thought she was killing her husbands after marrying them so Dick married her to see if it was true.

Nightwing (1996) Annual #1

I liked her. She wasn't the killer and Dick did a fantastic job raising her son but even though she loved him, he didn't love her and they divorced amicably. I wish I could see more of her and her son though.

To be completely honest, my favorites for Dick are Kori and Bea.

Bea was a fantastic partner. She was understanding, loving, caring, and responsible. She was there when he was Ric Grayson and just loved him for who he was.

Nightwing (2016) Issue #53

If Kori's truly out of the picture, then Dick really should've settled down with her.

Nightwing (2016) Issue #57

She and Kori, they don't tell Dick what to do or who to be. They let him be free which is why I loved them an extraordinary amount. I'm a sucker for soft moments and Bea and Dick are couple goals.

Nightwing (2016) Issue #62

They give him the freedom he craves.

"What about mentally wise? (Of course, I do think Dick needs a long vacation because of all the trauma that he has to go through), but even if I like the idea of Dick being admired for his looks because he deserves it, but I do rmbr posts that he is uncomfy with this(sexualisation, Def only staying true to the person he loves (then there's the whole...Tarantula and more thing)"

I think Dick does need a break. His life has been a series of unfortunate events but despite all that, I think he loves it that way. Dick loves the thrill of adventure. It's the heart of who he is and why he became robin. The excitement he gets when fighting or doing crazy stunts - he loves all of it and that is his coping mechanism. I guess in order for him to thrive, Bruce needs to stop dumping all his trauma and stop expecting him to be there for him at all times of the day. Dick keeps getting dragged back to Gotham to take care of Bruce and his problems and he would go in a heartbeat but he's much happier wacking his own goons in Bludhaven. But since Bruce is so codependent on Dick, this pattern's not gonna stop anytime soon.

Truth be told I also like Dick being admired for his looks. I don't like him being called out by it though. First of all why would you comment "hot booty" to someone? It's degrading and humiliating even if you think it's a compliment. Some things are better left untold. But regardless of what people think, Dick will always be pretty and everyone in the DC universe knows this. Heroes, civilians, villains - they're all attracted to him on some level because he's so beautiful. And honestly? I'm all for it! Because that boy is the prettiest human in existence and he deserves that recognition. Just not vocally or physically.

The best thing is that Dick's beauty has no bearing on his mentality toward people. This man will choose one person and stick with them forever. He values intimacy and trust and love in his relationships which is why he's so attached to each one. This plays a massive role in his relationship with Kori. He would never cheat. Actually in all the future comics, after his spouse passes away or leaves, he never remarries. The only one exception was Batman Beyond (2016). The only one and he remarries Barbara after his wife passes away. Aside from that he remains a single parent. That's how dedicated he is.

"I've been seeing stuff where Robin name is actually Dick's mom calling Dick that. Then it's passed down as a mantle starting from Jason without Dick consenting. I tried to read at wiki, maybe I missed out but I can't find anything. Is it true? Does the other bats (except Bruce and Alfred?) know the actual meaning? Because as much as I love Dami, the whole bloodson, birthright to take the mantle of Robin beside Batman give me ugh feelings if it's true)"

Yup Dick's mother called Dick Robin.

Nightwing (2011) Issue #0

Robin (1993) Annual #4

Here's a couple but there are more instances of his mom calling him Robin.

Dick had no idea Bruce passed on the Robin costume. He finds out through the newspaper because Bruce is pissed at Dick. Like he's so mad that when he told Dick to leave, Dick actually left.

You know how there's a saying about not being able to take back words of anger? Bruce is feeling that heavily. He already had suspicions that Dick wanted to leave but before Dick could tell him, he fired him so he wouldn't have to hear those words. But Bruce is super mad that Dick left anyway. So what does he do? He makes the first boy he sees Robin.

And Jason finds out Dick was Robin when he confronts Bruce why Nightwing knows Bruce's identity. And that gets Bruce more mad because he's now feeling guilty which is when Dick comes to confront Bruce.

Batman (1940) Issue #416

But instead of meeting anger for anger, Dick expresses his hurt. About how they were partners and then talks about his life after leaving Bruce.

And Bruce loves Dick. His best friend, son, brother, and partner for nearly 11 years. They raised each other and despite his anger, he smiles in pride and love.

Batman (1940) Issue #416

Look at his smile!! He's so proud of his son.

And that's when Dick stops pulling his punches.

Batman (1940) Issue #416

Bruce looks so wrecked. The guilt and sorrow is tantamount to his pain.

Then Dick asks Bruce why he choose someone new.

Batman (1940) Issue #416

So Bruce tells him. But Dick and Bruce's relationship go way deeper than just friends or family. They know each other. They revolve around each other so Dick calls him out.

Batman (1940) Issue #416

And out comes the truth

Batman (1940) Issue #416

But Dick has always been the bigger man and instead of letting Jason become some sort of spite move, he turns Robin into a legacy.

Batman (1940) Issue #416

He passes it down like it was meant to be passed down. Because let's be honest here. The Robin name and costume is Dick's. If he wanted to, he could've taken it back, Bruce be damned. And that was one of Jason's fears.

Batman (1940) Issue #416

But despite Bruce's words to Jason

Batman (1940) Issue #416

He's not sure himself.

Batman (1940) Issue #416

But it's only with Dick's approval that he becomes Robin which is what Bruce is thanking at the end.

Batman (1940) Issue #416

And this has been a sort of tradition.

Dick approved of Jason being Robin, he endorsed Tim, and he made Damian Robin. The only exception being Stephanie. This is why Dick feels a heavy sense of responsibility over the robin predicament. He created the tradition. He approved, supported, and mentored every robin that walked in his colors and name. That's why he feels the burden of it.

I don't think any of the other robins know the meaning behind the name. Maybe they do. But ironically, the one who wasn't robin is the one who knows the meaning of it.

Duke.

[arrephoros]

Lydia Deetz Character Analysis

This might not be the time or place, but I’ve seen many analyses about Betelgeuse that range in quality. However, I always feel there’s a lack of a good analysis focused on Lydia. Sometimes, it feels like we fall back into seeing Lydia as a passive element in the equation, or we simplify her into a single dimension like “she’s traumatized” or “she was just a kid.” Other times, we outright ignore her experiences and project onto her our own ideas about why she should or shouldn’t feel attracted to or repulsed by Betelgeuse.

Let’s start with the fact that Lydia has infinitely more screen time than Betelgeuse, and yet we ignore all the clues both films give us about her character development. From the first movie, Lydia is a complex character (yes, framed within the melodrama of adolescence) but complex nonetheless. She isn’t an innocent child; that’s not how she’s portrayed at any point. She’s a teenager who feels misunderstood, who doesn’t fit into her family, who feels alone in the world, and who seeks solace in the macabre and the unknown. These things attract her. You just have to look at her expression when she imagines what Barbara and Adam might look like under the sheets. She wanted them to be grotesque specters. It was almost disappointing for her that they turned out to look like normal people. For this reason, Lydia is never truly afraid of Betelgeuse (except for the snake form, but she was also scared of Barbara and Adam in monster form, so it’s fair to say both cases don’t really count).

The first time she sees Betelgeuse, she’s not even surprised to find a tiny corpse-like figure in the model town, she talks to him as if it’s the most normal thing in the world. Again, the world of the dead fascinates her, and Betelgeuse is part of that world. That’s why she has no problem turning to him for help the first time, to save Barbara and Adam. At that moment, the marriage is merely a transaction for both of them: she gets to save her friends, and he gets to escape his confinement (and probably whatever spell binds his name). The ones who make the wedding a big deal are Barbara and Adam. They’re the ones who warn Lydia about Betelgeuse and ultimately stop the wedding.

Fast forward 30 years, during which Lydia has likely tried to be “normal” and failed. Let’s assume Barbara and Adam eventually found a way to cross over. This would leave Lydia with a deep sense of abandonment. Her character is heavily marked by loneliness, and that remains true 30 years later. The Maitlands are gone, her marriage to Richard failed and he left, Astrid resents her and distances herself. This is why she clings so desperately to Rory, even though he’s clearly repulsive. Initially, I struggled with this because I couldn’t see how teenage Lydia could become the woman she is now. But it all ties back to her core personality: she will do anything to avoid being alone. She knows Rory won’t leave her, and she hopes that’s enough to sustain their relationship, even if it means compromising her principles by doing things like the TV show.

Meanwhile, Betelgeuse occasionally appears to her. He appears to her, it’s not visions or flashbacks. I’ve seen people interpret these “visions” as signs of PTSD, but Lydia doesn’t have PTSD from Betelgeuse. That’s impossible because he wasn’t an antagonist to her. Even if we consider the wedding a bad experience (which, knowing Lydia’s personality, I’d argue against), it only lasted a few minutes. The rest of Lydia’s interactions with Betelgeuse were, at worst, neutral. Let’s not forget that he literally helped her save the Maitlands. His appearances likely frustrate her because, while everyone important in her life eventually abandons her, this entity, warned against by everyone, remains. What Lydia experiences is cognitive dissonance regarding Betelgeuse. She knows she’s supposed to hate him because others have taught her to, but she has no personal reason to.

That’s why she doesn’t hesitate to ask him for help with Astrid. Lydia is smart; she’s probably read the Handbook a thousand times and knows plenty of ghosts from her ventures into the afterlife. Yet, the first thing she does is go straight to Betelgeuse, because she knows he’s the only one (ghost) who’s never let her down. Not her family, not Richard, not the Maitlands—Betelgeuse is the only constant in her life.

This is why Lydia has “unresolved feelings”, because how do you reconcile the fact that the being everyone says is dangerous, a threat to both the living and the dead, the one you’re warned never to summon, is the only one who’s never abandoned you?

Betelgeuse will never leave her—that’s a fact. He’s tethered to her like a ghost to a house. If you ask me, I’m almost certain the reason Betelgeuse latched onto Lydia in the first place was to end his own loneliness. That’s why he makes so many references to Lydia “getting him.” He’s also alone and hates it. Look at how clingy he got with the Maitlands after two seconds of meeting them, or how he tried to make conversation in the waiting room until he realized they were ignoring him. Yes, he’s intense, a liar, and unpleasant, and his methods are all wrong, but at the end of the day, what Betelgeuse seeks is companionship. Meeting Lydia and realizing she needed the same was enough for him to become stuck on her for years (and probably for eternity).

I’m sure Lydia knows Betelgeuse will always be there, and her internal struggle is likely reconciling the part of her that wants him out of her life with the part that doesn’t want to lose that constant presence. Ultimately, no matter how much she’s buried it under years of rationalizing and adopting others’ narratives about how harmful and dangerous Betelgeuse is, Lydia will never lose her fascination with the grotesque, the macabre, the strange, and the unusual.

[rfpetals]

Why I think Ramattra deserves a redemption arc

OKAY HEAR ME OUT. First of all, what I mean by “redemption arc” is a bumpy journey of self-discovery and inner peace akin to Zuko’s. I don’t think Ramattra will ever forgive humanity or join Overwatch. The end goal of a redemption arc that I want to see is one where he finds inner peace and forgives himself for his sins.

Exhibit A: It would parallel Zenyatta which is really cool because I love characters that are foils of each other and follow a similar path with an outcome opposite of the other’s and-

It’s implied that Zenyatta didn’t have the best circumstances before joining the Shambali. When Ramattra found him, he may have saved his life, as the “nearly got him killed” line in Ramattra:Reflections seems to allude to a dangerous situation. Ramattra also set him on the path of the Shambali, where Zen found belonging, purpose, and perhaps inner peace. Ram gave Zen a second chance and he turned his life around because of it.

(Side note: This may be why Zen was so adamant in helping Genji. He knew from experience what a second chance can do for someone. This makes Genji and Ram’s hatred for each other even funnier.)

It’s clear that Ram is not in the best mental state right now. I don’t think normal people attack the planet and subjugate their own people. I believe if Zen successfully reaches out to Ram and (somehow, idk we’re too early into the plot) gives him a second chance to go on a journey of self-discovery, and he does end up finding inner peace because of Zen, it would be a very satisfying payoff and poetic parallel. It would also lean into the implied thesis of Ramattra’s character arc: “You didn’t have to fight alone”.

Exhibit B: Throwing him in jail/killing him off would be a waste of potential

Yes, Ram needs to face the consequences of his actions. Yes, throwing him in jail is a realistic and satisfying punishment. But you know what else is a realistic and satisfying punishment?

Facing worse discrimination from the humans who hated you and hunted your kind to near extinction and also being cast out and feared by the very people you tried to save and now you’re left with the guilt and shame of your ultimate plan to help your people having failed and you’re left with nothing and nowhere to go. Seeing Ram struggle with these consequences, try and fail to be better, and finally achieve inner peace for himself despite everything, would be ten times more narratively satisfying than watching him rot in jail for 10+ years.

Exhibit C: The seeds are already in place

There’s already a lot of foreshadowing and word choice in Overwatch official media that implies that this is the direction that Ram may be heading towards. Hell, even Ram himself has literal redeeming qualities. In one of the Ram Dev Updates, it’s stated that the Narrative Designers wanted Ram to be “exciting, felt understandable, dangerous, and someone you wanted to get to know better”. In the iconic Invasion cutscene, there is a lot of stuff that Mondatta says to Ram, and his reply, “Perhaps, one day, we truly will be together again”, implies he once had hope for peace, which could be a key motivation in his arc, or could lead to a realization he needs. In a 2022 Polygon article, it’s explicitly stated that “players should not think of Ramattra as a villain, but an ‘antagonist’”, again, alluding to the possibility that he’s meant to have an arc. There’s also the fact that Talon is clearly being set up as the bigger, actual villain, and they’re cooking up some sort of plot that leads to their betrayal of Ram. Why else would Doomfist send Mauga, Reaper, and Sombra to steal Ram’s technology instead of just asking him for it? (maybe he did and Ram told him to fuck off)

Ok so, Ramattra gets a redemption arc. What happens? I DON’T KNOW! YIPPEE!! Exhibit D is that Ram is already such an unpredictable and complex character that his journey could go in any direction.

He could try to regain his following, he could atone for his sins, he could return to the Shambali, he could try to reconnect with humans again, he could be an ally of (not join) Overwatch and get to know them, he could wander the world and find the answers somewhere out there, he could see the errors of his ways and try to rebuild the world he destroyed knowing full well that it wouldn’t make people forgive him and he does it because his journey has led him to a path where he finally chooses to do things for himself and achieve the life HE wants and thus fulfilling the sacrifice and wish Aurora made for him, meaning he accepts his own sentience and finds inner peace! What makes the possibility of a redemption arc so fun and exciting is that anything can happen. It’s what storytelling is all about!

Why wouldn't you want that? And why can't I be a little delusional sometimes? If Ramattra ends up being thrown in jail or nuked or whatever, I will definitely be disappointed, unless I am horribly wrong and the foreshadowing is actually pointing to that fate instead.

Anyway Bliz please stop dumping the budget into collabs and pay attention to the lore more thanks farewell

[ultravioletqueen]

I love hazbin hotel but....nerdy prudes must did MANY things BETTER

I currently have a love-hate relationship with Hazbin Hotel, because whether I like it or not it was part of my adolescence since I saw the pilot, but I must admit that it has flaws that irritate me a lot and I know that it irritates others too:

my main problems are:

1) the humor is too immature to be a program "for adults" (there are fans who are not even older, I'm not saying that, the conventions say it💀),its the humor of a teenager that recently learned what swear words are.

They pretend this show is more complex and deep than it really is,they want us yo believe that this is how an adult show works when,NO???? THERE'S PLENTY OF ADULT SHOWS THAT WORKS WITHOUT CONSTANT SWEARING AND SEX JOKES! like My Aventures with Superman, Moral Orel, Bob's Burgers and others!

The audience of Hazbin Hotel and Helluva Boss are mostly teenagers, not even adults.

2) the villains have no depth nor are they intimidating, I'm talking especially about VALENTINO and ADAM (as much as I love Adam, I don't feel intimidated by his presence) and they don't feel like a real problem for the protagonists.

ADAM is the biggest villain of the first season but i never see him as a threat,the characters don't feel in danger,he is not a bigger evil they should care about. Adam had a lot of potential to be the big villain they tell us he is,he in fact had the potential to be the best character of the series but they just make him a douchebag just for the sake of being one,he has no motivations besides being a sadist that enjoys killing his descendants and fucking around.

VALENTINO is just a petty manchild that is intimidating in just one scene and after that there is no other moment where that threatening persona shows up again,he is not a real threat even if he is important to Angel Dust arc,they could put travis in his place and is just the same shit, nothing changes.

3) the characters have no variety, the lack of diversity and other colors that are not red is so annoying to me as a person who likes to find variety on colors and shapes, but all, i mean ALL characters have red in their clothing and it makes that they mix with the background in a way that gives me the ICK.

In the part of body shapes is the same problem, the only characters that are not skinny twinks/voluptuous chicks are antagonists or villains, they just make the fat characters annoying just to make the audience like the skinny ones more.

The women and men bodies are practically the SAME FUCKING THING:

Vivziepop only knows hourglass and twink bodies.

And as a fashion lover i must say that the lack of variety in clothes,especially for men is KILLING ME, every man in this show uses suits, shoulder pads and bowties, even if some characters looks good it make my blood BOIL no seeing other look more than this.

4) They rush the story to the point that they waste possible arcs for the characters (SIR PENTIOUS'S and ANGEL DUST path to redemption),they make the war to heaven the priority instead of the real premise of redeming sinners,they ignore it and not even make real attemps to let the audience know there is a real progress and the ways they use to "rehabilitate" are so childish that makes me cringe,if CHARLIE really wants to help them she should make REAL REHABILITATION PROGRAMS instead of kids excersises.

ANGEL DUST was a prick from day one,not only in the pilot but also in the series,he is a pos that DESERVES ALL THE BAD THINGS THAT HAPPEN TO HIM, and he was not only an addict to drugs and sex, he was a MOBSTER, HE KILLED PEOPLE FOR A LIVING AND HE SHOWED NO REMORSE, his sudden caring for the other cast feels so out of character and rushed that makes me ANGRY.

The redemption of Sir Pentious was so rushed that makes me feel NOTHING AT ALL because we dont see him get better, we dont see him chance and we dont even know how sacrificing himself redeem him, i dont know, maybe he was very selfish in life??? Its not that hard viv.

Now, what does this have to do with Nerdy Prudes Must Die? It's very simple, Nerdy Prudes Must Die takes several of Hazbin Hotel's flaws and makes it BETTER.

1) the humor is universally funny, it is not sold as something for adults because it has swear words or sexual jokes, it is not shown as something more mature or profound than it is, they know that it is not the eighth wonder of the world and they make the most of it doing comedy, improvisation and very funny situations.

Their songs, for example, are very fun and bring weight to the plot. Each song shows a perspective and the thoughts of the characters that cannot be expressed in words. Each musical number enters the minds of the protagonists, from the beginning to the end.

2)MAX, the villain of the story, is the nightmare of every teenager who has gone to high school, a bully who gets his way and makes everyone's lives impossible, and that makes him SCARY AS HELL.

When MAX enters the scene you can see the fear that everyone has of him, he feels intimidating and inspires fear and respect among others, everyone knows that if he is around there are SERIOUS problems and he acts like a true threat.

and MAX is deeper than he seems, unlike ADAM or VALENTINO you can notice that he has certain qualities that make him charismatic such as being naturally funny, appreciating when people do good things for him, having a genuine interest in GRACE CHASTITY and that his family life not being the best means that you can have even some affection for the character without leaving aside his actions against others.

All the characters represent the average 17 year old teenager and that makes them friendly, they show the reality that adolescence regardless of who you are has its problems especially in an environment like high school.

The protagonists are sympathetic, it's easy to get attached to them, I still haven't get over RICHIE'S death and his "im not a loser" because we saw that in fact he wasn't just a loser, he was a someone who, although he had his problems, was a good boy and he didn't deserve the ending he had(and his dead showed how sadistic Max could be).

Unlike Sir Pentious and Angel Dust we were able to see more of Richie, we were able to see that he was the one who felt the worst about what they did to Max, while the others are worried about going to prison he talks about how he feels about it (" i think im gonna throw up"/"oh my ashtma is back"), we can see that he wanted to be accepted as someone important on the team and when he finally feels valued Max kills him when he feels his kingdom crumble, in my opinion his "im not "a loser" is a way of giving himself confidence or courage to confront his bully from years ago but obviously it didn't work and he ended up dying in a horrible way, what makes it sadder is that he probably tried to run away from max and ended up in the bathroom because every victim of bullying knows that it can be a safe place (locking yourself in a cubicle until the bully leaves) but Max being a ghost didn't work:(

the characters are empathetic almost without wanting to, even MAX can be empathetic if you analyze enough.

3)there are more diversity here than any other series of vivziepop, i know is different because is a live musical with real people but they make sure that EVERY CHARACTER IS MEMORABLE, every character has his own quirks and clothing that makes them stand out.

We see variety of colors, races, faces and more! They make them iconic and easy to remember in all scenes, no character is left behind and they all are unique in clothes, personality and depth.

4)The story doesn't feel rushed, they take enough time to tell the story without making it too long or shortening it either, each arc is resolved in a way that goes well with the plot and doesn't feel forced.

My god, STEPH AND PETER have more chemistry than CHARLIE AND VAGGIE and they achieved it almost effortlessly. Their arc is not the best in the world, but I love their dynamics and chemistry more than CHARLIE and VAGGIE (and I like Chaggie in concept) and the story advances without the need to focus only on one character, everyone has their moment to shine and that fascinates me about this musical, each one is in the spotlight at the right and necessary moment.

In conclusion: Vivienne should learn from starkid, who were able to make a story that, although it begins superficially with a teenage drama, over time becomes deeper and talks about hard topics such as bullying, murder, death and the occult. way that we can feel connected with the characters and with the story in general, they give us a story with soul, something that unfortunately makes the hotel fail completely, it also helps me accept that I can like a series and still recognize its mistakes and see That others can get it right where Hazbin Hotel went wrong.

[juniperpyre]

I don’t want it to seem like I’m trying to be hateful towards you. I don’t think it’s fair to blame James for his and Lily’s death: whole victim blaming isn’t right. Voldemort was winning the war and the walls were closing in. Peter wasn’t just some friend - and it wasn’t only Peter that James was trusting. Lily and Sirius agree to Peter. Sirius was the one who came up with the plan. I feel like that goes beyond James and his moral views. His brother and wife also agree to Peter, wouldn’t that greatly impact James’s opinion? Yes, Remus, years after and harden by grief, thinks James was too blind, but again, Peter is wasn’t just some person - he had earned their trust, kept their secrets, and fought alongside them. I understand James had his flaws and I’m not denying them, but it wasn’t arrogance or black and white thinking that brought James down - love did. He loved Sirius and Peter.

this is about this post.

hi okay, i don't take this as hate lol, i am a bit frustrated bc i almost put a qualifier like "(of course their deaths are the fascists' fault)" but it felt unnecessary.

the idea of james' trust being a reason his family dies is thematically interesting to me. dumbledore's fatal flaw (fatal for a bunch of people, not just him) is not trusting people. he thinks lily and james trusted the wrong person. and they did.

but if just a few more people had known about the plan sirius never would have gone to azkaban. maybe peter would've been too afraid to go through with turning them over to voldy. so there's a narrative tension between trusting too much and not trusting enough. dumbledore is egotistical and should have created a more cooperative resistance rather than being the ultimate head.

i very much reject the idea that love brought james and lily down. again, this is bc it weakens the narrative. i really stand by:

his high self-regard and his loyalty meant he couldn't fathom someone he considered a best friend betraying him. if he sees someone as good, they must be good. he'd never been wrong before!

i have a lot to say about james potter and black & white thinking that's in drafts, so that's for another time.

the responsibility for james, lily, and harry's deaths falls on voldemort, peter, and arguably dumbledore. jily shouldn't have been having to make choices to save themselves from being murdered!!! however, that doesn't mean james and lily's choices had no impact.

giving james flaws that are normal, human flaws and relating them to his canon positive traits (trust & loyalty) and then seeing how the mix of those traits contributes to his and lily's death is interesting. it is complex and tragic, because no one is perfect, and that shouldn't be a death sentence.

i hc that james struggled a lot with how to be a husband and father since (in my hc) his dad died before he and lily married. i imagine that, as a man in the 70s, he feels like it's his job to protect his family (he doesn't think lily is weaker but damn these gender roles have hands) and not being able to do so bc his wife is in a group that is being genocided and they're both fighting a war eats him up

so i do imagine him making the call. he knows peter better than lily does, and sirius obviously doesn't get final say. so james makes the call that results in their deaths, and sirius comes up with the idea that results in their deaths, and lily is passive and allows these "wrong" choices.

this isn't a fair way of putting it, but it's how each character sees themselves. this isn't a real-world cause and effect, it's exploring themes present in the og books thru character analysis and hc

i talk fairly often about the DE being fascists so honestly i don't think i need to qualify my posts with "of course the DE are the villains and the order are just trying their damnedest"

[bennie-jerry]

My Beef with Wanda Maximoff - An MCU Rant

Sorry not sorry, I will ride the Wanda-ain't-shiitake train till the wheels are worn out. I do not care what her fangirls say. And if you're legitimately going to be so overly offended just from me disliking a FICTIONAL character, I highly suggest you click off, make some tea, and watch a Ghibli movie.

How many times does it need to be said? Just because someone suffers from some form of (small or big) trauma, IT DOESN’T GIVE THEM A PASS TO DO EVIL SH—

I really REALLY sincerely hope there's lore or bits I'm missing here (and if so, PLEASE tell me because I WANT to be wrong so BAD). But from what I know and remember, I feel as though I have every right to be disgusted with who Wanda is as a person.

It frustrates me so much how this carmine-colored narcissist will whine about people being scared of her, but she does stuff only a scary person WOULD do.

Purposefully setting the Hulk off so you could use him as a wrecking ball on innocent civilians in Johannesburg during Age of Ultron? Seems scary as heck.

Literally warping the universe itself to hunt and kill a teenager who did nothing to you during Multiverse of Madness? Seems scary as heck.

Brainwashing an ENTIRE town JUST so you can live in delusion about your man not being dead during Wandavision? Seems DOUBLE scary as heck.

Don't even try to defend what she did in Age of Ultron. Even if she supposedly didn't INTEND to have civilians killed, she sure as HECK didn't seem all too sorry that it happened. She wasn't ‘regretful’ that she did it. She was only ‘regretful' when Bruce confronted her on it. She has the nerve (the utter AUDACITY) to hate Tony Stark for the same CRAP that she does (if not worse, which let's be honest—it’s worse).

At least Tony Stark DIED out of an effort to save everyone, whereas Wanda usually tends to only help others when it benefits HER.

Wanda is nothing more than a Multiversal brat with a god-complex and no one can tell me otherwise. If something does not go 100% her way, she completely acts out and throws a reality-warping tantrum.

“Oh, but she tried to fix everything in Wandavision!”

Yeah, only after finding out she was BRAINWASHING people!

How the FREAK do you reality warp an ENTIRE town (especially at the large radius she used her magic) and expect NO one to be under mind control? Would you NOT try to fly around the premises to see if ANYONE else was there?

Once again, even if this was an example where she didn't INTEND for it to happen, then that proves another great flaw that she has.

Wanda hardly (if ever) thinks through her actions. And then when her actions bite her in the butt, she has the nerve to be surprised. Wanda almost never (and I'm being generous here) considers how her actions harm or affect others until it turns around and affects HER.

She did not deserve Vision, he was too good of a man for her, sorry not sorry.

Just the stuff she did BEFORE Multiverse of Madness ALONE is enough to not like her.

Let's not even get into the fact she never ACTUALLY apologized to Bruce Banner for everything she put him through. All she said at most when he confronted her is, “I know you're angry…”

Oh wow, REALLY? I couldn't POSSIBLY understand why Banner would EVER be angry at you for essentially brain-raping him (going into his mind and memories without his CONSENT) and using his worst fears against him to trigger Hulk so you could use him like a personal killing machine, further lessening the very few support systems he already HAD. She should feel grateful Banner didn't immediately throw her through a wall upon seeing her.

“But she became an avenger and helped them in Endgame!”

I could not give less of a DOOKIE about the fact she did that. Wanda fighting Thanos was literally the ONLY option she possibly had if she didn't wanna turn into dust along with the other half of the population. Sure, she also did it because she was forced to kill her boo BECAUSE of Thanos, but let's be honest—she would've had to fight him regardless. Her handing Thanos’ butt to him (while a very cool scene) doesn't prove JACK about her character.

The fact she ever BECAME an avenger after effectively traumatizing the MAJORITY of them is mind-boggling to me.

“Oh, I'm sorry I weaponized all of your traumas against you for my own personal gain because I wanted to work with a genocidal robot, can I join you guys?”

“Sure, Wanda! Come into the team and we'll pretend like you didn't do a darn thing!”

(The fact this isn't even ALL that she's done is absurd, I can still keep going—)

Don't even get me STARTED on Multiverse of Madness. And before anyone tries to say, “She did it so she could have a reality with her children!”

BRO, HER KIDS WEREN'T EVEN FREAKING REAL—

Wanda Freaking Maximoff wanted to murder a TEENAGER all for some children that were not even ACTUAL people. And when she did have them, didn't she make them FIGHT against the military in Wandavision or am I mistaken (which I VERY MUCH hope I am because what the he---)?

I do not care whatsoever what her reason is or what trauma she went through. Attempted murder of a minor (ESPECIALLY in this case, a minor who didn't even do anything) is inexcusable to me.

There is no way in frog fingers you guys are ACTUALLY trying to justify and/or downplay a grown ADULT trying to murder a CHILD (because that's what America was—a CHILD).

(Her and Miguel O'Hara would get along GREAT, when's the collab--)

And by then, she had ALREADY brutally murdered a whole bunch of people and probably corrupted the multiverse even FURTHER than she already had.

It wasn't until an ALTERNATE version of her (who ACTUALLY had her kids) told her to sit the [BLEEP] down (I'm paraphrasing here, but you get my drift).

Wanda is NOT a victim. Is she a good villain? Yes. But this witch isn't a victim. Not anymore at least. She doesn't apologize for her actions. She doesn't take responsibility. She doesn't reflect on what she does.

And even when she DOES finally do ANY of those things in ANY capacity, the damage is already done. In fact, it's not JUST done, it's also BURNT inside the oven causing smoke to go everywhere.

There is no rhyme or reason you could pull out that will convince me to be anything short of angry with this character and I'm so tired of her fans trying to defend her just because she was a lab rat and lost her man.

Once again, it's not bad to like a character that does awful stuff. But please, for sanity sake, STOP acting like they're a lost little angel BECAUSE you like them. I know they say "hurt people hurt people" but that still doesn't justify doing bad stuff just because bad things happened to YOU.