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p4ranormaluv · 1 month ago

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SOMETHING RED — 윤아

you thought when yunah finally found you she’d rip your guts out— but no! turns out she just wants to be in your guts.

PAIRING: ghostface!yunah x f!reader

GENRE: smut, thriller

CONTENTS: g!p yunah, stalker ex!yunah, dom!yunah, sub!reader, autumn setting, murder, brief desc. of dead body, chase scene, dub-con, knife/fear play, blood/pain kink, injury, degradation/praise, petnames: bunny/sugar, rough sex, oral sex, yunah grips reader’s neck but no choking, hair pulling, spanking, size kink, orgasm control, fingering, squirting, over stim, creampie, one neck bite, passing out

WC: 5.1k

NOTE: sunghoon version of this fic here! this fic took away a lot of my writing virginities: knife/blood play and g!p (꩜﹏꩜)

WARNING: i posted a sunghoon ver. of this fic under this account! so if it looks familiar that’s why! i don’t have any other accounts i post my works on currently, and if i do i will add them in my navigation or bio. if you see someone stealing my works, please lmk.

you’re responsible for the media you consume! i tried to tag everything but there may have been things i missed.

“i had a really good time tonight, y/n.” your date smiles as you stand at your front porch.

“yeah, me too.” you reply, and you’re telling the truth.

after almost 4 years since you fled away from your hometown and your ex (yunah— or rather, ghostface…as the civilians like to call her), you’ve finally gone on a date. and it honestly should have been perfect. it was a simple evening, you went for ice cream and walked around a nice park to talk and feed the ducks, appreciating the beautiful colors the trees were turning. your date is absolutely adorable, she can’t stop smiling up at you thanks to her shorter stature, and she giggles at all of your jokes. an overall absolute sweetheart.

and yet, that’s the very thing that was wrong with the date— in your mind.

it was simple, perfect, sweet…

no tension or skip of your heart beat, no wondering what will happen next, there was just…no thrill!

you think yunah has really fucked you up. even after all this time, you’re still comparing people to your ex? your crazy, obsessive, killer ex?

god, sometimes you even catch yourself wishing she’d pop up in your life again. but after you found out it was her who was killing all of the people in your life and town, anyone who she deemed as getting in the way of your relationship, you panicked and immediately called the police.

and no one has evidently seen her since. you certainly haven’t.

but do you really wish you would? if she saw you again she’d probably want to kill you.

“y/n?” your date utters, breaking you out of your stupor as you blink at her in front of you, noticing how she’s gotten significantly closer to you than when you last noticed.

your porch light’s obnoxious hum is the only other sound as she gazes at you, giving you a hopeful, prompting look— as if she wants you to do something. you think you know what it is, but you suddenly feel like you’ve turned to stone.

“you’ll take me out again, right?” she whispers as her face inches closer and closer, fluttering her lashes at you.

“i’ll— i’ll text you.” you vaguely answer.

your date giggles again even though you haven’t said anything funny, standing on her tiptoes as she finally realizes she’s gonna have to take the initiative. puckering her lips, she leans into yours as she shuts her eyes. you don’t do anything except let your eyes bulge out of your skull, before at the last second turning your head, causing her kiss to land on your cheek instead.

she pulls away while blinking widely in surprise, before her cheeks bloom a pink blush and she giggles— again. it’s starting to be less charming and more annoying.

“you’re so cute.” she mumbles, thinking you’re just shy.

“goodnight, y/n. i’ll see you soon?” she says while taking a backwards step down your porch stairs.

“sure!” you lie. “goodnight!”

you wave before immediately shutting your door.

you sigh tiredly, appreciating the beautiful glow of the moonlight that gently illuminates your otherwise dark house.

flipping the switch that lights your stairs, wood creaking beneath your feet, you walk to your bedroom.

the night’s air is fresh, and the soft sound of rustling leaves always helps you calm down. so you open your bedroom window, letting the gentle breeze spread goosebumps across your arms.

moving to your dresser, you grab a tank and shorts pajama set, and some panties, before going into the bathroom to take a shower.

you sit your fresh clothes on the bathroom countertop, stripping off your dirty clothes and letting them pool at your feet.

when you get in the shower you feel your previous stress melt off of you with the warm water, all thoughts and worries forgotten— temporarily, at least. after about twenty minutes you step out, quickly wrapping a towel around you as the water dripping off your body and the chill in the air makes you shiver.

you move to grab your dirty clothes you left on the floor to put them in the hamper, but you don’t see your underwear.

“what the heck,” you mumble to yourself, shaking out the clothing items in your hands, checking if the item wasn’t just tangled amongst them.

“looking for these?” a voice— her voice— asks.

you jump with a gasp, feeling your heart spike in your chest as you look up to see ghostface standing at the bathroom’s open door.

she’s wearing her mask, signature big butchers knife in her hand as she twirls around your panties from it’s sharp point.

and…blood.

blood is on her hands and dripping off the weapon’s edge.

“y’know, i expected you to still be anxiously locking all the entrances of your house for a while longer, but you stopped only a year into moving here…” she wonders aloud with a fake whimsy to her tone, lifting off her mask to let her eyes drink in the image of you clutching your towel to your chest.

yunah lets your panties drop back onto the floor and steps closer.

she moves slowly, making your panic worsen as she corners you into the bathroom like prey. a small frightened noise comes from your chest when your back hits the wall, yunah’s face closer than ever as you watch her lips raise into a smirk.

“can you tell me why that is, bunny?”

your body trembles at the nickname that hasn’t been directed to you in years.

yunah started calling you that after one of the first dates you went on, the two of you watched a scary movie and you criticized the characters who were so easily killed.

“do you think you could do any better?” yunah had asked, smiling at you patronizingly yet fond.

“well, yeah? they always get killed cus’ they do something stupid, like lock themselves in one room or crawl through a fucking cat door.”

“and what would you do?”

“run.” you had simply answered.

“well?” yunah drawls, hot breath puffing into your face as she stands practically against you.

her knife is still raised, gently grazing the tip over your cheek as her eyes follow the movement.

“who’s blood is that?” you struggle out, feeling the crimson liquid trickle down your neck.

“drop your towel.”

“w— what?”

“i said drop your fucking towel, y/n.” she grits, moving the knife to apply harmless pressure to your neck— but it’s there, and it’s threatening.

the damp fabric lands with a thump on the cold tile floor, leaving your nipples to harden from the bite of the air.

“should have left that window fucking shut…” you whisper, but yunah obviously catches it with her close proximity.

she steps back just enough to run her perverted eyes all over your body, weapon moving from your neck down to your breasts.

you inhale shakily, yunah chuckling under her breath.

“yes, you should have. although it wouldn’t have mattered. i came in through the front door that you also conveniently forgot about.” she replies to your statement. “which brings me to my question that i asked first, why have you been leaving everything unlocked, y/n?”

you glare up into her eyes with wavering bravery, yunah finding you to look more like a scared, defenseless animal.

you don’t speak, trembling lips pursing into a thin line. yunah slides the flat of her knife over your nipple, spreading the leftover blood across your skin and causing you to flinch as a small moan escapes you.

“you missed me.” she states with suffocating confidence, seeing right through your facade— knowing how you really feel.

“you still love me. don’t you, bunny?”

she presses her chest against yours, the rough material of her shirt giving stimulation to your sensitive nipples as she moves the weapon back up towards your face. the steel blade swipes across your mouth, staining your lips red.

yunah tugs down your bottom lip with her thumb, rubbing slowly side to side before pushing inside your mouth. you take it without thinking, staring up into her eyes as you suck on her appendage, wincing at the steely taste of blood.

“still such a slut.” she marvels fondly, eyelids drooping as her breath gets a little heavier. you bob your head just slightly, like you would do to her cock, and yunah reacts with a groan. your pussy clenches at the sound.

“well, you didn’t exactly answer my question, bunny. but since you’re so cute and helpless right now, i’ll have some mercy and answer yours.”

she pulls her thumb back and you don’t release it until it comes out with a wet pop, yunah shuddering lowly before slamming her lips onto yours. she swallows your moans as her empty hand roams your body, fingers feathering over your bare pussy, trailing up to grope roughly at your breast before firmly wrapping around your throat.

you squirm. any shame has left your mind as you try and rub your cunt up onto yunah. she’s playing nice for now it seems, pressing her jean clad thigh between your legs and letting you hump against her. you whine into her kiss as the denim makes contact with your clit, biting on yunah’s bottom lip unconsciously in pleasure.

she grunts at the slight pain, slapping your ass before gripping it roughly and digging her nails into your flesh.

you lick her bottom lip and suck on her tongue in apology, yunah’s nails retracting to rub soothingly over the skin that now is littered with red crescent cuts.

“god, i love you, bunny.” she whispers. “it’s your date’s blood.”

“h— huh?” you gasp, eyes widening as yunah stares deeply into your eyes. “you…did you kill her?”

“do you care?” yunah quips back cockily, but you recognize the tinge of jealousy in her tone. “she was too quirky for you anyway— and small. you love it when someone makes you feel like the small one, don’t you? someone big enough to overpower you?”

she speaks in a dark tone, hand gripping your hip with possessiveness that’s sure to leave a bruise.

your breathing picks up again, suddenly feeling overwhelmed with emotions— though you’re not sure what any of them are.

“fuck you, yunah.” you spit, the girl maniacally laughing with clear amusement.

“yes, sugar, later. right now i think i’m in the mood for a chase.”

she says this as she steps away from you, leaving you confused as she stares at you expectantly.

“well?” yunah lifts a brow, lowering the mask to cover her face completely again, gripping her knife a little tighter. “run, bunny.”

fear settles its anchor in your stomach and you take off, water and blood dripping from your naked body as you run down the stairs. there’s only the sound of your panicked gasps of breath before ghostface’s heavy footsteps creak down the steps, coming right after you. it almost makes you unable to think.

your first thought is the front door, but when you open it, you're greeted with the massacred body of your date sitting in a bloody, gutted heap of pink and red mush.

you scream, immediately slamming the door shut as you choke on a gag that tickles up your throat.

ghostface makes it down the stairs, taking large but calm steps towards you as her knife gleams in the moonlight, black plastic eyes staring blankly at you.

“stop!” you cry, suddenly thankful for the wrap around layout of your house as you run right, out of the livingroom and into the hallway.

you can go to the kitchen, bedroom, or second bathroom.

everything is a dead-end except the kitchen, which has two escape routes to the outside: a latch window and the back door.

you quickly open the bedroom door to throw ghostface off, then quietly sneak into the kitchen.

risking taking the time to carefully open a drawer and take a knife out— just in case, you then hurry over to the back door and turn the knob.

there’s the sound of something slicing through air before you yelp as it cuts into your hand, forcing you to jump away from the door.

“i wouldn’t do that if i were you.” ghostface warns as she walks in, creepily melodic with how she speaks.

you look back at the doorknob, seeing her knife stabbed into the wood from the force ghostface threw it with, your blood splattered in a small area against the white paint.

“now look at that, you made me hurt you.” she says with mocking sympathy, her dangerous tone making your knees feel weak with fear.

you keep switching your eyes from looking at the window to ghostface.

she just stands, watching with undivided attention as she can practically see the cogs turning in your brain, waiting for what you’ll do next like she’s watching a mouse in a trap. (or a bunny in a snare.)

you suddenly run out of the kitchen’s second entry, ending up at the living room again and booking it up the stairs. you wouldn’t have had time to make it out the kitchen window with ghostface right there, but maybe you can escape through your bedroom’s window. it’s already open, and even though your house is two stories, there’s a tree right next to it that will shorten the drop— if you can reach a branch without falling off the roof.

when you get to your bedroom, ghostface is hot on your trail. you try to slam the door shut and lock it, but she presses against it from the other side right at the same time.

you push as hard as you can to shut the door, but ghostface has always been stronger than you.

busting the door open, your body is flung backward as you land on the floor, knife falling out of your hands and sliding away from you.

you scramble on the ground to get it back, just barely grasping it in your hand before ghostface grabs and flips you over onto your back, ripping her mask off and letting it clatter to the floor.

“s— stop it, yu—…yunah.” you struggle to get out from how your body and voice shakes, pressing your legs together in fear and ignoring the wetness between them as yunah cages your body with her limbs.

“oh, are you going to make me?” she challenges with no fear, the smile on her face clearly expressing that she doesn’t take a word you say seriously.

“go on then, bunny. take a stab at me.”

yunah drops her own knife from her hands, baring herself to your mercy.

your eyes widen, hands shaking as you pathetically raise the knife.

you look from her eyes to her vulnerable stomach that you could easily plunge the weapon into, and back up to her eyes again.

yunah slenders her gaze as if to say ‘you can’t do it, can you?’.

you burst into sobs, dropping the knife and hiding your face in your hands.

yunah leans down to coo at you, running her fingers through your hair and kissing your forehead.

“i knew you couldn’t do it, bunny. i’ve been watching you ever since you left town, and you know what i found out?”

you take watery gasps, wiping off your tears so you can look up at yunah.

you know the answer, even in your messy state. it’s apparent throughout everything in your life, after all these years and all the decisions you’ve made.

“i—…that i n— never stopped loving you.”

“that’s right, sugar. couldn’t even bear to kiss your date, could you?”

you shake your head, cries reducing to sniffles as yunah cups your face with her still bloodied hand, the liquid beginning to dry as it feels tacky on your skin.

“it’s okay, bunny. you were a good girl, so i won’t punish you…too much. as for her…well,” she laughs— and it sounds hollow, devoid of anything other than hate and rage. “she got what she deserved.”

suddenly yunah is picking up her knife and hoisting you up, your waist thrown over her shoulder as you gasp in surprise while she walks over to the bed.

yunah takes a handful of your ass, admiring how it jiggles when she jostles it in her hand before giving it a hard spank. you whimper and push back into her palm, wordlessly asking for more.

“slut.” she chuckles under her breath, throwing you roughly on the mattress a second later.

yunah places her knife on your nightstand as you sit up on your elbows to look back at her curiously. yunah practically devours your body with her eyes as she strips off her shirt, your mouth watering at the revealed expanse of her long torso and toned abs. you can’t help but whine when she slowly pushes the waistband of her pants and underwear down, her hard, huge cock slapping against her stomach wetly.

“missed this, bunny?”

you only whine, feeling like the deparate whore that you are for yunah as you blatantly squeeze and rub your thighs together, trying to bring any sort of relief to your needy pussy. you practically feel edged by everything that’s transpired so far.

“come.” yunah orders, pointing at the floor in front of her.

you know what that means, quickly getting off the bed and on your knees, looking up at her with pathetically begging eyes.

she only acknowledges you with a piercing stare, picking up her knife again as she moves it beneath your hairline, pressing the cold, flat side of its blade into the nape of your neck.

“now suck.”

you’re eager, enveloping her dick into your watering mouth and pushing yourself as far down the long shaft as you can muster.

you gag, yunah’s salty pre-cum making you salivate for more as you don’t pull off, only trying to push her cock deeper down your throat. even as your eyes squeeze shut, choking around her— you don’t stop.

not until yunah roughly pulls you off by the hair, a deep sound coming out of you as your mouth is suddenly empty, gasping and coughing while a string of saliva hangs from your lips.

“did i say swallow me whole? dumb whore. suck.”

you immediately do as she says, apologizing with your eyes and pliant little hums around her as just the tip is in your mouth, sucking on it like a lollipop.

yunah bares her teeth at the teasing pleasure, bares his teeth at the teasing pleasure, watching your lips that are glossy with your own spit, prettily wrapped around his big dick. you look so small and helpless like this: kneeling, naked, someone else’s blood drying on your body— as well as a little of your own.

yunah thinks you’re most beautiful like this. her slutty little bunny trapped in the snare she made just for you.

grabbing a painfully tight fistful of your hair, she slams your face against her pelvis. you’re reduced to choking sounds and sputters as you struggle to take the sheer size of her into your mouth, yunah continuing to catch you off guard as she starts bobbing your head up and down her shaft like a cock sleeve.

you cry and moan at the feeling of her using you like a cheap whore, your pussy throbbing with the need to be touched but being ignored— and it only turns you on that much more.

your scalp burns as yunah keeps yanking you by the hair, spit seeping out of the corners of your stretched lips and running down your chin.

“almost forgot what a dirty slut you could be, bunny. f— fucking shit!”

hearing yunah’s hard resolve crack, you’re hit with another wave of enthusiasm.

you swallow around her, doing your best to lick and suck whenever you get the chance between the harsh movements she controls you with. then you have an idea, and without a second thought you’re executing it.

moving a hand down to your pussy, you smear the generous wetness on your fingers, lifting them up to cup yunah’s balls, fondling them with ease thanks to your slick.

“god— fuck! good girl! that’s a good little whore. choke on my dick while you make me messy.”

you feel like you could almost cum just from yunah’s words, the tingly pain at your scalp, and the full mouth of dick you’re taking. moans almost rhythmically come from your throat as your free hand goes down to rub desperately at your neglected clit, hips making trembling movements at the pleasure that’s not enough while at the same time being too much.

“bunny, oh— damn. you really like me fucking your mouth, don’t you sugar?”

“mm—hmm,” you moan around her, yunah starting to snap her hips more aggressively. you feel her dick pulse in your mouth, a deep growl coming from her a moment later, signaling her soon release.

“you ready for me, bunny? you ready for my cum?”

please, please, yes— you want to say, but it only comes out as whimpers as her cock bruises the back of your throat.

your thighs begin to tremble as you feel yourself getting closer. yunah moans out, pressing her hips flat against your face as her dick throbs, pumping a huge load down your throat. that paired with the feeling of her knife pressing harder into your neck sends you into white hot ecstasy, shaking like a leaf and thighs clenching around your own hand as you ride it out on your soaked fingers.

yunah’s dick is dripping with your spit and her cum when she pulls out, still hard as a rock and catching her breath as she slowly jerks herself off, wincing at the painful pleasure after just cumming— but not able to stop as she’s mesmerized by how much of the both of you there is, mixing all together with each movement of her hand.

yunah then looks over at you just as you’re pulling your hand away from yourself, groaning as she sees the wet webs between your fingers.

“get on the bed, bunny. ass up.”

your movements are clumsy as you’re still weak from the hard orgasm, but you want more, so you do as she says. yunah gives you a helping hand, making sure you don’t fall as the both of you get on the bed.

yunah sits up on her knees behind you. your ass looks amazing in this position, and your legs are spread, completely unable to hide your dripping pussy from yunah’s hungry eyes.

you turn your head, looking back at her with fucked out eyes that ask for more. she smirks, placing both hands on either side of your hips before stooping low to go down on your sloppy cunt.

“oh— fuck, yu— yunah!”

you’re so turned on, and if you really think about it (which you’re trying not to), you probably shouldn’t be— not after what she’s done.

and yet, here you are, whining like a whore as the ghostface killer fucks your pussy with her tongue.

she can’t get enough of your taste, she went years without it after all, and she finds she’s going feral now that you’re finally in her mouth again. she delves her tongue as deeply as it can go, paying attention to what movements make you cry louder. yunah makes sure to pull out and suck your puffy clit between her lips, proud at herself with how it makes your legs quiver, before shoving her appendage back inside your core and fucking it in and out of you.

“yunah, please,” you beg, already needing release as you’re sensitive from your previous orgasm.

“no,” she barks, annoyed that she even has to separate her mouth from your pussy to speak, reconnecting with you immediately after.

you dare to whine defiantly at her, and yunah reacts by reigning her hand down on your ass.

the hit is hard, making your eyes widen and taking your breath away as the strength she uses on you is unexpected. you can feel your skin tingling and hot from where the slap landed, and somehow it just makes you feel even more needy.

yunah knows you liked it, she can tell by how your pussy is contracting around her tongue, making her smirk against you as she keeps eating you out with no mercy.

you wiggle your hips just slightly, side to side, unable to keep still as you just need more.

you feel yunah’s annoyed growl, the vibrations of it sending a shock of pleasure straight to your core. she spanks you again, right on the same spot as before. this time a sob is ripped out of your chest at the pain, your face burying into the bed.

“you’re a bad fucking girl, can’t even do what i want you to.” yunah grits as she removes her mouth and shoves two merciless fingers inside you instead, roughly curving them as her thumb rubs at your clit. the amount of pain and pleasure is equal now, making you want to pull away while at the same time push closer. the sounds your pussy makes as yunah quickly moves her fingers are loud and should be embarrassing— yet all you can think about is how good she’s making you feel and how badly you need to cum.

“yu, i— really i can’t— can’t take it!”

“oh you’ll take it, bitch. if you want me to fuck you with my cock by the end of this.”

“no— yes! please, want your cock!” you blubber, the thought of not getting it making you feel as if you could cry at any moment, that paired with how meanly yunah treats your desperate little pussy, fucking it like she wants you to squirt all over the sheets— yet refusing to let you.

“i’ll be good, yunah! i’ll let you do whatever you want, just— let me cum!”

the girl doesn’t say anything, fingers not stopping as you feel her other hand’s nails dig into the flesh of your ass again, leaving more claiming cuts into your skin.

“fine, filthy slut. cum.”

the relief and pleasure of finally letting go is too much, your hearing is reduced to a high pitched ringing, and you’re not sure if your eyes are shut or if your vision has blacked out.

when you come back to, you’re on your back, yunah’s hands all over your body as the look in her eyes looks like she’s truly lost it.

“yu, can’t,” you pant out as she starts lifting your limp leg to her shoulder.

but she doesn’t stop, her frantic movements continue, only looking up at you with pupils you swear are blown out.

“you’ll let me do whatever i want, remember?” she speaks out roughly, her throat scratchy either from eating you out so vigorously or from being so turned on.

“even if you didn’t let me, i’d still do whatever i want with you.” she cruelly chuckles, smirking down at you. the points of her teeth remind you of a wolf.

guess you really are the bunny.

you whimper— and you’re not sure if it’s from fear or twisted arousal.

tears fill your eyes as you watch yunah grab her huge cock, jerking it a few times to spread her cum. (not that she needs to— you literally just squirted.) you can only imagine how big the stretch will be inside your tiny little pussy to fit her huge girth. you’ve taken it before of course, but your insides are crying out in sensitivity, and your head feels foggy, like you could fall back out of consciousness again.

“please, yunah, please—“

you’re words are cut off by your own agonized cry as yunah’s cock feels like it’s piercing your guts, pushing and pushing until she’s down to the hilt.

then she starts thrusting into you with enough power that it pushes your head against the headboard, your hands moving up to brace yourself as your hiked up leg tightens around her shoulder.

despite everything, you can’t help the delirious moan you let out, feeling your pussy ooze more fluids you didn’t think you had at this point.

“my slutty little bunny, huh, y/n?” yunah almost coos, if it wasn’t for how her teeth are harshly bared.

“missed my big dick abusing your insides, didn’t you, bunny?”

you sob, tears racing down your cheeks as your hole helplessly clenches and suffocates on yunah’s huge, unforgiving length.

“admit it. admit you’re a dirty whore for me.”

“i am— i am, yunah!” you pant out breathlessly, each of her bruising thrusts feeling like they punch the breath right out of you. your chest aches from the big gulps of air you take. “m’a whore, such a dirty whore for you, yunah— fuck, please!”

yunah’s pants almost match up with your own, her body starting to tremble as she moves to lean down on her elbows against the bed, the new position forcing your leg to stretch even further— causing yunah’s cock to ram even deeper inside you.

“you’re mine. you hear me, bitch? you’re fucking mine! don’t ever think i’m gonna let you run away from me again.”

“oh god— i’m cumming!” you scream, unable to even ask for permission or try to hold back as your body convulses with the waves wracking over your body.

the only thing that keeps the darkened edges of your vision from completely taking over is yunah’s dick driving into you, chasing after her own high as your pussy spasms around her. you’re almost too tight, your core literally unable to take her huge size anymore as yunah forces her cock in again and again, balls slapping crudely against you.

when she finally busts inside, yunah clamps her teeth down on your neck, the sensations overwhelming her as she fucks you full of her cum.

she doesn’t pull out, even when your crying doesn't stop, she keeps your poor abused pussy plugged up with her full load by her huge dick.

once yunah catches her breath, she glides her tongue across her teeth, curious at the taste of blood in her mouth.

“yu, you bit me.” you whine, pouting at her as you try to look where her teeth left bloody marks into the junction of your shoulder.

yunah sighs, and you can tell by the noise and how her eyes flit over the wound excitedly that it turns her on.

her tongue licks over the bite in apology, cleaning up the blood before pressing little kisses all over it.

“you make me crazy, bunny.” she whispers lovingly, eventually pulling away from your shoulder to hover above your face.

you stare at each other silently, before you tilt your chin up, begging for a kiss with pouty lips and shiny eyes.

yunah smiles, those wolfish teeth still poking through slightly as she leans down to capture you in a slow, passionate kiss.

it tastes like blood and cum.

your blood and cum.

the realization frightens you only a little bit, the stronger emotion being some sort of sick arousal.

yunah might be crazy over you, but she’s definitely made you crazy as well.

REBLOG/COMMENT TO MAKE AUTHOR SMILE

NOTE: divs by adornedwithlight

#yunah ˚₊‧꒰ა ☆ ໒꒱ ‧₊˚#dark content ˚₊‧꒰ა ☆ ໒꒱ ‧₊˚#wlw #gxg #girl group #kpop gg #smut #illit imagines #illit smut #illit x reader #yunah x reader #yunah smut #yunah imagines #noh yunah #illit #gg smut #lesbian smut #lesbian imagines #ghostface

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marlenesluv · 3 months ago

Text

Lessons (LN) - Part 3

Summary: After Madelyn wakes up hungover, she remembers the night before and gets a little upset with her new roommate. Adjusting might be a little difficult.

Pairing: Madelyn Fewtrell x Lando Norris

Warnings for this part: Language, Mentions of sex, Not spell checked, A minor fight (barely)

Click here to go back to my masterlist for this series.

Click here to go back to my main masterlsit.

Note: As always, if you'd like to be tagged for upcoming parts of this series and you are not already on the taglist, leave a comment on this post! Also, sorry this part is shorter, I wanted it short and sweet :)

As Madelyn woke up with a killer headache and sweat dripping down her back, she picked up her phone to check the time.

12:34pm.

Groaning, she rubbed her temples and drank a water she had by her bed. Her room wasn't anywhere near done, so she made a mental note to start that after she showered, had coffee, and ate something.

While she was throwing some shorts and a shirt on, she started to recall the night before. Dancing with Heidi, drinking, more dancing, and- a guy? She faintly remembered a guy's hand around her as she danced but it was brief.

It dawned on her...Lando.

She remembered Lando ripping her away from the only guy that had made a move on her last night, leading her out of the club and back to the house.

He had literally cockblocked her. And from her first one as well!

She was livid as she walked out to the kitchen, pouring a cup of coffee and drinking it black to wake herself up faster.

Thoughts swirled in her head as she leaned on the island and took sips of her coffee.

'Why would Lando tear you away from this guy?'

'Did he like you?' 'Like...more than his best friend's younger sister?'

Shaking her head, she scoffed. Because, no, that would be impossible. Lando? Liking Madelyn? Someone he saw as, probably, a younger sister as well. The girl who constantly spilt juice on herself from drinking too fast to watch him race? 'Yeah, super flattering' she thought, taking a deep breath as she heard the front door open.

She heard Lando at the door, the sound of his bag dropping, and a bottle being set down. Followed by footsteps leading to the kitchen.

Lando then walked in, going straight for the fridge for a protein shake as Madelyn stood there watching him.

"You alright? You look like death, not to mention like you might want to murder someone." He asked, opening the shake and starting to take gulps.

"'M fine..." Madelyn set her coffee cup down, holding eye contact with Lando as he screwed the lid back onto his shake.

"Uhm, okay?" Lando looked confused now, biting his lip and looking at Madelyn as to figure her out.

"You suck, Lando. Seriously? You cockblocked me last night! What's wrong with you? Do you make a habit of cock blocking your friends?" Madelyn said, her tone laced with anger and annoyance.

"Excuse me? You actually were into that guy last night?" Lando asked her, placing his hands on the island as he stared her down with confusion.

"I mean, yeah! He was cute."

"So, you just fuck anyone that's cute? Really, Madelyn?"

Madelyn sputtered, growing frustrated and not knowing what to say. She couldn't even remember what the guy had looked like. All she knew, was that he had a dick. And that he probably wanted to fuck her, and that was enough.

"I was horny?" She said, but her voice cracked and turned it into a question.

"No, you were not. You were dancing with Heidi, and you didn't even acknowledge the guy! You literally ignored him." Lando shrugged.

"Not the point, Lando. You don't get a say in who I want to fuck."

"Mmm, my house, my rules. I'm not asking you to pay rent, I'm only asking you to not bring weird men around to fuck you, leave you unsatisfied and leave my house a mess." Lando left, walking to his bathroom to shower and not allowing you to get another word in.

Scoffing, Madelyn went back to her room, slamming the door as she put her music on and started to clean her room. She was angry, she couldn't believe he had just said that.

But cleaning relived some anger, so she cleaned...for hours.

She moved her bed, vacuumed the floor, rearranged everything, put her clothes away, put her pictures up, and made that room (and bathroom) her own.

Once it hit eight thirty at night, she was done. The room was perfect, it felt like home. Her bookcase was organized, nightstand was stocked, and her bathroom was cozy.

She only left her room two times. The first time was to put her coats in the front closet by the door. The second time was to grab the Chinese take-out she ordered as she ate in bed and watched Brooklyn Nine-Nine.

Halfway through her second eggroll, she heard a soft knock at her bedroom door. Sighing, she told Lando to come in.

"Hey." He said, opening the door and letting it click shut behind him.

"Hi." Madelyn answered, lowering the volume on her tv.

"Your room looks nice. I love the lights. Did you mount that tv by yourself?!" Lando asked, shocked as Madelyn laughed a bit and nodded.

"Thanks, and yeah. Got it up there myself."

"Wow, impressive..." He trailed off, feeling like he was interrupting her evening. "Well, I'll um, I'll leave you to your food and show." Lando sighed, turning around to leave as Madelyn stopped him.

"Wait...want to watch with me? I ordered extra spring rolls." She looked up at him, noticing he was in sweats and a tee shirt, already winding down for the night.

"You sure?" He asked, shifting from one foot to the other.

"Yeah, idiot. Come on." Madelyn lifted her blanket, Lando crawling in bed with her as she leaned on him, and they ate together. The show now turned back up as they laughed and talked about the show.

'Maybe I could get use to this' Madelyn thought.

'Maybe I could get use to this' Lando thought, his right arm now behind Madelyn's head as she leaned on his chest.

They weren't dating, they weren't anything at this moment but friends. But friends cuddled, right?

.・。.・゜✭・.・✫・゜・。.

(reposts, comments, and likes are appreciated!^-^)

note: wasn’t gonna release this part yet but it’s short soo, might as well!

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sparrowlucero · 2 months ago

Note

So what do we think Beebe's fish were then? I heard tell that the sailfin might have been a squid and that the angelfish was probably a comb jelly, but what about the giant dragonfish or the rainbow gar?

For those not in the know, in the 1930s, biologist William Beebe (who you (read: I) might know as the guy who predicted microraptor) and engineer Otis Barton (hollywood actor?? and designer of fucked up submarines and "jungle spaceships", ok otis) got into a fucked up submarine and went to the bottom of the ocean off the coast of bermuda (in what, iirc, was the first study of deep sea fish in their natural habitat), where he described several fish unknown to science. None of these fish have been identified since. (Side Note: to continue off of "audubon was unfamiliar with the bald eagle" in my last post, this one also has a theory I find a bit silly in "perhaps they just hallucinated fake fish from oxygen deprivation" despite both witnessing the same fish and a lot of his scary book about the dive that you can read here including many lucid observations of known species. It wasn't like he got down there and only saw weird fish and nothing else) The fish in order: Three-starred anglerfish, Abyssal Rainbow Gar, Pallid sailfin, Five-lined Constellation Fish

and yeah I do see why people think these might have been invertebrates mistakenly identified as fish. In his book, Beebe holds off on describing unfamiliar fish if he didn't see them well, but, you know, those little gars really do look like squid. I personally think the most likely one to be a real fish is the angler, since he saw it closely and was able to note several physiological differences in jaw structure that distinguished it from other angler fish.

The most notable one is the "Untouchable Bathysphere Fish", a giant 6 foot long dragonfish (largest known dragonfish is about 2 feet long):

Several minutes later, at 2100 feet, I had the most exciting experience of the whole dive. Two fish went very slowly by, not more than six or eight feet away, each of which was at least six feet in length. They were of the general shape of large barracudas, but with shorter jaws which were kept wide open all the time I watched them. A single line of strong lights, pale bluish, was strung down the body. The usual second line was quite absent. The eyes were very large, even for the great length of the fish. The undershot jaw was armed with numerous fangs which were illumined either by mucus or indirect internal lights. Vertical fins well back were one of the characters which placed it among the sea-dragons, Melanostomiatids, and were clearly seen when the fish passed through the beam. There were two long tentacles, hanging down from the body, each tipped with a pair of separate, luminous bodies, the upper reddish, the lower one blue. These twitched and jerked along beneath the fish, one undoubtedly arising from the chin, and the other far back near the tail. I could see neither the stem of the tentacles nor any paired fins, although both were certainly present. This is the fish I subsequently named Bathysphera intacta, the Untouchable Bathysphere Fish.

I believe this solely because it's really cool Though I want posit a theory I've never heard before: it's almost never remarked upon that he discovered these weird fish over a live (now lost media that no one is searching for, get on that) NBC radio broadcast. Maybe he just made up some cool sea monsters with a big climactic sea serpent for said broadcast, both because I would totally do that if it were me and also so he had a good excuse to sign off and get the fuck out of this situation:

#i looked through so many write ups about these fish and like none of them mentioned the live broadcast aspect #unless I'm totally misunderstanding his book it seems that they were live when he saw the fish

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yelena-bellova · 1 year ago

Text

Heartfirst: A Ted Lasso Story - Chapter Seven

Chapter Seven: Movin’ On Up

Plot: Y/n receives some surprise visitors on moving day, and Richmond suffers a shocking blow to their lineup.

Word Count: 5.9k

Warnings: f!reader, language, (16+)

A/N: I really don’t know how I’m managing to crank these out so fast. Maybe shorter chapters? Anyway, this one was fun. We’re getting into the meat of the story, so hold onto your butts, and enjoy!!

(Forgive any typos, I wrote the bulk of this one at midnight 🌙)

——————

If there was a magical force at play in Richmond, it had made Y/n its latest target.

Not only had she found the perfect apartment, she’d toured it, signed the lease and booked movers in the same week. In all her post-university years, she’d never seen real estate move quicker.

Y/n wandered the flat, directing the men and whatever piece of furniture they were holding to its corresponding room.

A knock sounded from the stairs.

“Oh, the dresser can go to-“ Y/n spun around to help guide the mover she’d just seen downstairs, only to find the last person she expected.

“Hey, there, neighbor,” Ted greeted, standing at the top of the steps.

Y/n quickly plastered on her Monday-Friday grin, “Ted. What are you…how did you…?”

“Well, you said you were movin’ into your new place this weekend,” Ted hopped a step inside the apartment to let one of the movers pass by, “Took a guess that the van that came through this morning was probably yours.”

Y/n tried to laugh off the intrusion. The safety of living thirty minutes away was long gone…

“Brought you a little ‘welcome to the neighborhood’ gift,” Ted held up a little pink box and set it on Y/n’s kitchen counter. It was the same one that he dropped on Rebecca’s desk each morning.

“Thank you,” Y/n replied while pointing one of the movers in the direction of her bedroom.

Ted stuck his hands in his pockets and took a look around the living room. He let out a whistle, “I wish you’d’ve told us you were movin’ in sooner. Coaches and the boys coulda saved you some money, get you settled ourselves.”

That was exactly why she hadn’t told anyone she was moving until the day before. She knew Ted would have assembled the Greyhounds and she would have had 15+ footballers funneling in and out of her apartment, invading the little bubble she had left.

“Oh, I wasn’t gonna inconvenience you guys,” Y/n replied, watching Ted as he maneuvered around the boxes, “Especially with the match tomorrow.”

Ted made a raspberry, “Pish posh, Oshkosh. Woulda been happy to help. Hey,” Ted swirled a finger toward the ceiling, “This place got A/C?”

Y/n nodded.

“Whew,” Ted exhaled, “I gotta tell you, biggest surprise comin’ over here.”

“You get used to it,” Y/n replied, a deep double meaning to her words.

“What about you? What was the biggest shock for you, movin’ here?”

Y/n thought back to when she was eighteen, fresh out of high school and starting a brand new life in another country. Even if it had only been a few years, it felt like a decade ago.

“I don’t know,” she sighed, “Probably the difference in English. Chips versus fries, that sort of thing.”

“Man, I still slip up,” Ted said, “Took me months to get the football lingo down.”

“I still call the pitch a field sometimes,” Y/n admitted, settling on one of her barstools.

“Well, now I don’t feel so bad,” Ted chuckled as he came to sit across from Y/n, “Hey, what’s the thing you miss most from home? Just a little thing, y’know?”

Y/n sighed, thinking about the region-specific foods she couldn’t find in the international section of the market or the channels missing from her television. Truth be told, there wasn’t anything she missed so much it could be considered missing.

“I don’t know,” she shrugged, “It’s been so long since I’ve been home.”

“When was the last time you went back?” Ted asked.

“Uh…” Y/n traced back the list of holidays, “My sister’s birthday…two years ago?”

Ted whistled once more, “That’s a long time. Bet your folks miss you.”

On cue, Y/n’s muscles tensed. Her smile returned to conceal her discomfort. “My sister visits,” she said, “Every year.”

“Aw, that’s nice,” Ted cooed, “For me, it’s gotta be good barbecue. I mean, don’t get me wrong, they do food dang well over here, but I miss a good southern BBQ, y’know?”

“I actually do,” Y/n admitted with a small laugh, “4th of July’s always weird.”

Ted smacked a hand against the counter. “Thank you,” he said loudly, “Last year, we had a game. Felt like Beard and I were betrayin’ our ancestors or somethin’.”

Y/n chuckled, Ted struck her as someone who went all out for Independence Day.

“Hey, truth time,” Ted continued, the humor draining from his face, “Yea or nay on tea?”

Y/n shrugged, “I like it.”

“Dang it,” Ted bobbed his head, “Beard, you…us ex-pats keep droppin’ like flies.”

“It takes some adjusting, I’ll admit that,” Y/n raised a finger, “Not exactly a frappachino.”

“Mm-mm,” Ted shook his head, “I have tried and tried with that tree piss. Warmth ain’t goin’ anywhere north on that one.”

Y/n snorted a little, imagining what that might look like, Ted sipping on earl grey.

One of the movers asked Y/n where she wanted a bookcase and she gave him directions. For once, Ted sensed the moment.

“Well, I’ll get outta your hair,” he held up his hands and hopped off the barstool, “But I’m just down the street so you ever need anything, don’t be a stranger.”

“Good to know,” Y/n watched Ted walk away, “Ted?”

He stopped at the top of the stairs, “Hmm?”

While Ted was still a lot, after all her years spent as the foreigner, it was almost…nice to talk to someone from home. Someone she didn’t need to explain her references to or rearrange her vocabulary for.

“Thank you,” Y/n said, quickly concealing the truth of her gratitude, “For the biscuits.”

“Anytime,” Ted saluted before heading on his way.

Y/n let out a loud sigh once she was sure he was gone. She wandered back over to the counter and opened the pink box, finding the signature biscuits Rebecca raved about. Out of curiosity, she broke off a bite and ate it.

“Shit,” she mumbled, they were better than anything she’d ever found in any of London’s cafés.

Despite his line-crossing, Ted was good-natured. He had a heart of gold and tried to make sure everyone he encountered felt like they had one too. Y/n could call it tolerance or simply learning to deal with him, but deep down, Ted’s efforts were starting to poke and prod a little harder at her walls.

—————————

That evening, after the movers had finished and Y/n had gotten the basics unpacked, she started on the non-essentials. She was stacking dishes when the doorbell rang.

Y/n was perturbed as she descended her stairs, there were exactly three people who had her new address, the absolute minimum. Lisa, who handled payroll at the club, Ted, who’d stumbled upon her apartment by sheer luck, and her sister.

Looking through the peephole, Y/n sighed. She’d forgotten there was a fourth on the list.

Jamie smiled smugly as Y/n opened the door, “You went with mine.”

Y/n rolled her eyes, “I didn’t ‘go with yours.’ I was the one who found it, you just deemed it worthy.”

“And I was right,” Jamie stuck his neck out and lifted off his heels.

She’d never give him the satisfaction of knowing, but Jamie was completely right. The night of the West Ham match, the two of them had stayed at the Crown and Anchor till Mae kicked them out, pouring over each apartment until they’d eliminated 75% of the stack. The one Y/n had settled on was also the one that Jamie had decided was the best.

Jamie held up a plastic takeaway bag, “Come bearin’ sustenance.”

Not only was Y/n tired, she didn’t want to entertain anybody else from work. But, starving as she was, she was in no position to turn down free food.

“Entry permitted,” she snatched the bag from him, “Barely.”

Jamie took an exaggerated step over the seal and passed Y/n. They’d gotten to know each other better over the last few weeks, Jamie stopping Y/n anytime he saw her to ask about the apartment tours she was taking on the weekends. They’d gotten many laughs out of the stories of Y/n going against Jamie’s advice and visiting the properties that did indeed turn out to be crap.

In another world, they’d almost consider each other friends.

Upstairs, Jamie swung his arms as he took in the living room, “Not bad.”

“‘Not bad?’” Y/n turned around from where she stood in the adjoining kitchen, “You pick this place out and then it’s just ‘not bad?’”

Jamie cackled, spinning on his heel and pointing a finger at Y/n. “That’s an admission.”

Y/n internally cringed, her sharp edge was dulled by exhaustion. She could usually keep up with Jamie. “If you want any of this,” she unpacked the styrofoam container of kebabs, “You’ll stay on my good side.”

“Can’t have any,” Jamie replied, coming to lean on the bar, “Diet, ‘member?”

Y/n shook her head, popping a stray piece of chicken into her mouth. “I still don’t get why you’re doing this.”

“You know why,” Jamie crossed his arms on the counter, “Gotta get back to being the best.”

“Yeah, but is being better than Zava worth missing out on things like food and sleep?” Y/n asked. She could appreciate Jamie’s drive, but this dedication seemed overboard.

“It’ll be worth it,” Jamie stated.

Y/n decided to play the asshole, sliding across the kitchen to wave the kebab box under Jamie’s nose. She watched his willpower waver ever so fleetingly.

Jamie glared up at her, “You’re evil.”

Y/n snickered as she went back to her spot, stealing a bite before going back to unpacking. “Why are you here? Shouldn’t you be with Roy?”

“Night before a match, I’m off,” Jamie swung around the bar to the kitchen.

“So shouldn’t you be resting?” Y/n asked as she un-bubble wrapped a stack of plates.

“I will,” Jamie shrugged, bending over to peel the tape off a box.

Y/n glanced over, watching as Jamie began to unpack various glasses. He didn’t offer, he didn’t ask, just went about it as if it were his business. It was slightly intrusive…and also kind.

Jamie Tartt, Y/n had come to learn, was nothing and everything like what she’d thought he’d be. He had more depth than he let onto and he’d shown a side of it by trying to help her find a place. And though she knew the Zava battle was a personal thing for him, she also knew how much Jamie cared about his team. He wanted to be at his best for them just as much as he did for himself.

Unlike Keeley, who announced her efforts to get Y/n to crack at every turn, or Ted, who went overboard, Jamie hadn’t tried to enter into Y/n’s life. He had simply occurred.

“Do you get nervous?” Y/n asked out of pure curiosity, “Before games?”

“Not really. I mean,” Jamie answered, lining up coffee mugs in a cupboard, “Sometimes. Depends.”

Y/n stretched on her toes to put away china she never used, “On?”

“I dunno,” Jamie replied, a particular trigger or two popping up, “Lots of things.”

“So what about tomorrow?” Y/n continued.

Any slip Jamie’s mind had made was caught with quick footing. “Nah,” he said confidently, “Nah, we got that.”

“Well, good,” Y/n exhaled, setting the empty box on the floor, “It’d be nice to get a win. And hey, if it doesn’t work out and you’re forced to retire after this season, I’m sure the reality tv world is still thriving with opportunities.”

Jamie managed to grimace while smiling, “How the fuck did you find out about that?”

“You thought the PR department wouldn’t know about that?” Y/n strode past him to get another box, “I also live in England.”

“You at least vote for me?” Jamie asked, a playful lilt to his tone.

Y/n hoisted another box of kitchenware into her arms and balanced it on her knee. “Yep, you caught me,” she sarcastically grunted, “I have a weakness for crap tv featuring mediocre footballers.”

Jamie set down the mug in his hand with a particular harshness. Mediocre footballer. “Now, hang on-“ he began.

“Less talking, more working,” Y/n cut him off, she stopped to check out the cupboard he was finishing. “That’s also not where they go.”

“What?”

“The mugs,” Y/n gestured to where her coffee maker was, “Disrupts the flow if they’re all the way over there.”

Jamie rolled his eyes, only playful annoyance accompanying. “God forbid we disturb the flow,” he lamented, grabbing a mug in each hand and heading to the correct cabinet.

They unpacked in comfortable silence a minute more before Y/n decided it didn’t matter if Jamie wasn’t nervous about the match. They needed all the encouragement they could get.

“It’ll happen tomorrow,” she said, referring to their recent losses.

Regardless of whether he was hiding any feelings or if they’d pop out the moment he stepped on the pitch, Jamie stopped what he was doing to absorb the kind words. Y/n was a recent addition to his life, certainly an unexpected one, but she felt…safe. Like even if they didn’t know anything about each other past their mutual taste in real estate, he didn’t have to act so much around her.

“Thanks,” he replied, making effort to meet her eyes.

Y/n gave a small smile, “It will.”

—————————

It didn’t.

Over the next month, Richmond’s lack of luck turned to a 7-game losing streak. Some weeks were better than others, but they all ended the same way: with the Greyhounds leaving the pitch with their heads hanging in defeat.

Luckily, Y/n was kept occupied on the eighth week. Jack Danvers was coming into the office for a meeting and Keeley had asked Y/n to be there as well.

“You’re all business-y,” she’d said, “You know way more than I do, plus, Jack really likes you.”

Y/n sat on one side of Jack, with Barbara on the other, as she and Keeley recounted the conversation and clash of opinions they’d had recently.

“I completely understand where Barbara’s coming from,” Keeley said, keeping a kind tone as she turned to her CFO, “But as I was explaining to you, I’m worried that by adding more clients that could mean less attention paid to the wonderful people we already represent.”

“And then,” Barbara chuckled, though she lacked any humor, “I reminded Keeley, as you’ve said so many times, Jack, that if it does get to the point where we feel we’re spreading ourselves thinly, then we’ll hire more people,” she grinned politely at Keeley, “It’s called ‘growth.’”

Y/n and Keeley glanced over at one another fleetingly, the tension was so poorly concealed, it was getting uncomfortable.

“I’m sure you can see that as well, Y/n,” Barbara gestured towards Y/n.

“Actually, Keeley’s absolutely right, in my opinion,” Y/n answered, spotting her boss a smile, “There’s big firms, there’s small firms. Both have their allure, but I think our personability is the biggest thing we have going for us.”

“Oh,” Barbara’s grin grew scarier, “Wonderful, wonderful…”

Jack looked sweetly towards Barbara, “Okay. Let me weight in here.

“Oh, please,” Barbara obliged.

“I agree with Keeley,” Jack finished.

“Oh, that’s great,” Barbara beamed.

“Being a small boutique firm is exactly what sets you apart, like Y/n said,” Jack went on, “You want a restaurant to look successful, you take out half the tables and you have a line out the door. I say, let’s go for it.”

Keeley and Jack shared a smile.

“No, that’s wonderful. Yeah,” Barbara forced out as she rose, “And instead of salaries, we can give away the tables we threw out.”

“Don’t worry, Barbara,” Jack called, “It’ll be great.”

Barbara mumbled some dishonest agreement as she left the room, leaving it open on her way out.

Jack turned to Keeley and Y/n, “Do you ever think sunshine gets jealous of her?”

The women shared a laugh just before a knock at the door revealed Shandy. “Knock, knock.”

“Hi, babe,” Keeley greeted her friend.

“Now that your little cool girls meeting’s done,” Shandy leaned on the empty chair, very visibly unhappy, “Just wanted to share the exciting news that I’ve started an app.”

“Oh,” Keeley replied.

“It’s like Bantr, but it’s better and cooler,” Shandy’s tone was even and icy, “And actually cares about helping people have sex with celebrities.”

Y/n kept her head down, sharing an awkward glance with Jack. This was strictly Keeley’s business to handle.

“What? Shandy-“ Keeley began.

“It’s called ‘Star Fuckr,’” she announced before looking to Jack, “And yeah, we are looking for investors.”

When Jack didn’t offer to write a multi-zero check right then and there, Shandy stood tall, shot daggers at Keeley and strutted her way out of the room.

“I take it she’s still angry about the whole Bantr thing?” Jack asked.

“Oh, yes,” Keeley nodded, “Shandy does not have a good relationship with rejection, or her ex, or with her workplace, or most nouns, really.”

“‘You are so passionate, but I have to let you go,” Jack said, pulling Y/n and Keeley’s attention, “‘I’m sorry, but I know someone as brilliant as you will land on their feet.”

Keeley struggled momentarily, “What did I do?”

“No, no, no, no,” Jack reached out across the desk, “Keeley, sorry. That’s what you say when you fire Shandy.”

Y/n and Keeley both exhaled forcefully, laughing after.

“Sorry,” Jack apologized.

“No, no, it’s fine,” Y/n’s hand was pressed to her chest, “I just saw my lease flash before my eyes.”

“It’s called a compliment sandwich,” Jack explained, “You give someone bad news, but to soften the blow, you slap it between two delicious slices of compliments.”

Keeley nodded, “But I can’t fire Shandy. She’ll hate me. And she really thinks she’s killing it.”

“I am sure she does,” Jack exhaled, “The worst people often think they’re the best. My dad calls it ‘talent dysmorphia.’”

Keeley laughed while Y/n stayed silent, knowing what was coming next.

“What do you think?” Keeley turned to her hardest worker, “Do you think it’s the right decision?”

Y/n looked down at her notebook, taking a deep breath to see if it would help the force of what she wanted to say dissipate. Jack was waiting on her too, and she couldn’t lie to her or Keeley.

“I think…” she started slow before shutting her eyes and letting it fly, “Keeley, if you don’t fire her, she will literally run the company into the ground and strut over its mangled corpse.”

When she opened her eyes, Jack and Keeley were leant back an inch or two as if to avoid the splash of her opinion. Before she could try and explain it more eloquently, the two women started laughing.

“No, no,” Jack chuckled, “Don’t hold back.”

Y/n exhaled with a small smile, turning to Keeley, “I’m sorry.”

“No,” Keeley reached a hand over and poked the back of Y/n’s, “That’s why you’re my best. You don’t hold back.”

It was ironic, they both knew, considering how withdrawn Y/n kept herself. But with Keeley, it seemed to be a bit of a joke between the two of them.

“You two wanna get some lunch?” Jack asked when the giggles had died down, “My meeting just got pushed.”

“Abso-fucking-lutely,” Keeley smiled, “Yeah, my stomach started grumbling when you said ‘compliment sandwich.’”

“You guys enjoy,” Y/n rose with them and collected her purse, “I’ve gotta get back to the office.”

“Oh,” Keeley reached back over her desk and handed Y/n a sheet of paper, “Give this to Zava. A couple more people called requesting interviews.”

Y/n glanced over the list she’d originally made, it seemed like the Zava craze still hadn’t died down. In fact, the more Richmond lost, the more people wanted to hear what he had to say. “Are we sure it’s a good idea to do so many interviews on a seven-game streak?”

“That’s the thing,” Keeley grabbed her coat, “The press eat up whatever Zava says. Can’t get enough.”

Quirking an eyebrow in understanding, Y/n tucked the list in her book and tried to imagine the ridiculous headlines that would be tied to Richmond this week.

—————————

Returning to the office after having taken lunch by herself, Y/n rapped two knuckles on the open locker room door. She still knew to wait for the all-clear.

“Everybody decent?”

A chorus of various ‘yeses’ were her key in.

“Zava,” Y/n turned to the star player, “Here’s your interview schedule. The press is really eager this weekend in particular. Let me know if there’s any changes you want to make.”

Zava pressed a hand to his heart and touched Y/n’s arm with the other. “Thank you,” he said softly, before looking to his teammates, “Men.”

Taking hold of both her shoulders, Zava guided Y/n to stand in front of him. “Okay,” Y/n stuttered as she was stood in front of the entire team. Seated in the middle of the room with Isaac, Jamie matched her confused gaze.

“This is what your hearts should be seeking,” Zava began to wax his odd form of poetry, “Brains, talent, warmth-“

Y/n’s brow creased, what the fuck had she walked into?

“Outer beauty will fade,” he continued, “But a smudge like this,” Zava smiled down on Y/n, “It will last forever.”

Zava patted her shoulders once more before throwing his towel over his shoulder and exiting the room. Not only was Y/n left with every Greyhound staring at her, contemplating Zava’s words, but with his schedule still clutched in her hand.

“Can someone make sure he gets this?” Y/n asked, failing to keep her tone even.

“Oh,” Dani raised his hand and climbed over Jamie’s leg to get to Y/n, “I will.”

Y/n willingly handed it off, “Thank you, Dani.” Not caring to spend another second in the room, she turned on her heel and left. She backtracked her steps quickly, “Is a smudge a good or a bad thing?”

Colin scrunched his face up, “It’s not…not…a good thing.”

Pressing a hand to her temple, Y/n decided she didn’t need to know any more about whatever conversation she’d interrupted and left the locker room.

—————————

The Man City match came about like every other one, but the air of anticipation heightened with each week. Would this be the day Richmond finally broke their streak? Or would they take another step towards double digits?

Not more than a second after Y/n had parked in the car lot, her phone rang with a call from Higgins.

“Hi,” she answered, “What’s going on?”

“Are you here yet?” Higgins asked, his tone nervous.

Y/n shut the door to her car, striding towards the back entrance to the stadium. “I just pulled in.”

“Could you pop into the coach’s office?”

“Yeah,” Y/n hung on the syllable suspiciously, turning in the other direction and swinging the door to the office building open. “Be right there.”

Y/n took long steps down the hall, passing by the locker room and heading straight for Ted’s office.

“Hey,” she said as she entered. Coach Beard, Roy and Higgins were standing around the desk clump, huddled together in conversation. Ted was already on the pitch. “What’s wrong?”

Beard kept his hand pressed to his mouth, Roy scowled at the air.

“It seems that Zava hasn’t showed up yet,” Higgins answered, “No one knows where he is.”

Y/n’s lips parted in confusion, “He’s just…not here?”

“Apparently so.”

Setting aside her annoyance, Y/n snapped into work mode and pulled her phone from her coat pocket. “Alright,” she scanned her contacts, “Let me get on the phone with some people. See if I can track him down.”

“He’d better fucking be here,” Roy growled at no one in particular.

Y/n raised her phone to her ear and pointed to Roy and Trent’s office, the former nodding for her to take it. She started at the top of the list of Zava’s personal team he’d given to her, Keeley and Higgins. Why a fecalist needed to be considered an emergency contact, Y/n would never understand, but she’d try whoever she had to…

Except the fecalist hadn’t heard from him.

Or his agent.

Or anyone Y/n dialed.

Defeatedly, and beginning to grow anxious, Y/n rejoined Beard, Roy and Higgins. “No one knows where the fuck he is,” she answered.

“Fuck,” Roy muttered.

“We got three minutes,” Beard shrugged, “What the fuck do we do?”

“Start Colin,” Roy resolved before looking to Y/n, “If you track that prick down, I don’t care, you fucking get on the pitch and tell us.”

Y/n gave a definitive nod, “You got it.”

With not so much a plan as a temporary fix, Roy and Beard left for the locker room while Y/n and Higgins headed for the hall.

“I told everyone to call me if they hear from him,” Y/n reported as they walked.

“What could be so important to make him miss a match?” Higgins pondered as they made their way to the stadium.

“I don’t know, but so long as his wife and kids are breathing and in possession of all their limbs,” Y/n practically growled, the cheering of packed house of Greyhounds growing louder with each step, “I’ll drag him onto the field myself.”

—————————

Rebecca took to the news…as expected.

“Who the fuck does he think he is?”

Y/n sat on one side of her boss, raising two fingers of the hand rubbing at her temple, in agreement.

“So just, no one’s heard from him?” Rebecca asked.

“No one,” Higgins grimaced.

“Well,” Rebecca let her palms fall against her legs, “There goes any chance of a win.”

“Let’s pray otherwise,” Y/n scanned her phone for the fifth time since she’d sat down. It was then that she realized there was a very vocal presence missing. “Where’s Keeley?”

Snapping out of her most likely violent thoughts, Rebecca unlocked her phone and held it up to Y/n. She found a text thread from Keeley including a message that said she’d be missing the game. Below it was a picture of a baby lamb standing on the table of the KJPR conference room, surrounded by its own feces.

Three months ago, Y/n might have had a question or twelve. Now, she simply nodded and sat back in her seat. “So Shandy’s gone,” she mumbled to herself.

The game went as well as the last ones had. Colin, though talented, couldn’t rival Zava’s skill. Jamie’s extra training wasn’t the solution either, and Man City walked away with a 4-0 win against the Greyhounds.

Rebecca retired to her office while Higgins and Y/n headed to touch base with the coaches. Trent met them along the way.

“No one heard from him?” Trent asked Y/n on their way.

“Not a single text or call during the game,” Y/n scrolled her phone as they walked, an Instagram notification popping up, “Shit.”

Higgins looked over, “What?”

Y/n stopped midway to their destination, hitting play on the video.

“Hello, how are you?” Zava spoke, dressed in casual wear, “I’m just - I have to share something with you, my friends. You are not my followers. You are my believers.”

Trent and Higgins came to stand beside Y/n, expectantly waiting for an answer.

“And so it— I have to tell you,” the man paused, “Zava has played his last match. I will now dedicate all of my time and all of my energy to my family and my avocado farm.”

The rest of whatever utter nonsense Zava had to spew, Y/n didn’t listen. She was infuriated, partially because of his actions, and partially because they’d all allowed themselves to think it was ever a good idea to hire him. He’d fed the Greyhounds to the wolves with no regret and it affected all of AFC Richmond.

When the video ended, Trent, Y/n and Higgins shared a hopeless look.

“We’ve got to tell the boys,” Higgins finally spoke, shrugging slightly.

The three of them made their way down the rest of the hall where the locker room door hung open. The scene inside was dismal, each of the men sat on the benches with their heads hung.

“Hey, guys,” Higgins greeted in an attempt to stay positive, “Good effort today.”

“Mr. Higgins,” Colin spoke up from his seat, “Is it true about Zava?”

Y/n cast her gaze downwards, avoiding eye contact with any of them.

“I’m afraid so,” Higgins replied.

Dani, cradling a towel to his face, began to weep into the fabric.

“Maybe some tissues for Dani,” Higgins muttered quietly.

“Hey, hey, guys,” Sam stood with his phone in hand, “Zava just posted a video.”

“Oh gosh,” Y/n grumbled under her breath as the Greyhounds circled up. Everyone except Jamie, who remained sat on the floor.

The boys watched the video, clinging to every last word at the start, and walking away with mumbled curses and shakes of the head. Any love or respect they had for their former teammate had been lost within thirty virtual seconds.

Y/n snuck a glance over at Jamie, expecting to see him struggle to keep his joy under wraps. She couldn’t have been more wrong. Even he was in shock.

“Gentlemen,” Ted said as he entered, quickly noticing Y/n’s presence, “And lady. That was a tough one tonight. Okay? Man City has still got our number. That’s all right. We gonna get another crack at ‘em later in the season. Uh-huh,” Ted looked to Beard, “Coach? No practice tomorrow.”

Beard nodded, “That’s right.”

“Okay,” Ted looked back to the team, “Well, I’ll see y’all on Monday.”

While the rest of the team began to talk amongst themselves, Sam looked up confusedly at Ted. “Hey, hey. Hey, Coach,” he called till the manager stopped in his tracks, “What about Zava?”

Ted glanced over at Zava’s multiple lockers, his empty chair.

“He quit the team,” Sam stated, as if it unheard news.

“I mean, technically he retired from the whole sport,” Ted clarified, “Which makes it feel a little less personal, yeah? You know, like if your girlfriend runs off with some dude and it turns out they were soulmates.”

The Greyhounds replied quietly in agreement.

“But look, look, look, look,” Ted redirected their focus back, “I hear you, okay? Zava is gone. And you know what? I think it’s a good thing.”

The boys began to argue back in shock.

“Well, I do. Okay, look,” Ted spoke over his players, “Do I wanna win? Heck yeah. But I also wanna do it with folks that wanna be here. It’s not like we could handcuff him to his locker and make him love us.”

“We could have tried,” a desperate Dani replied.

As the initial surprised faded, Y/n was beginning to match Ted’s opinion. Zava may have taken them for a temporary ride to the top, but this ultimate insult had shown that his heart was next in Richmond.

“Hey, guys. Guys, look,” Ted held up a hand, “We got a good thing going here. All right?” Ted’s eyes fell to his left, meeting Jamie’s, “We didn’t need Zava. Yeah?”

No one dared disturb the silence as the truth washed over each of them, including those who weren’t players.

“Yeah,” Ted said quietly, “All we need to win are the fellas in this room, right now,” he pointed to the men on the benches, “And all you fellas need to do is believe it.”

No sooner than when Ted had uttered the last two words did the bright yellow ‘Believe’ sign hanging over his head split itself down the middle. The Greyhounds jumped to their feet and cried out to various degrees. Even Y/n gasped a little, having learned of its significance.

“It’s a sign,” Bumbercatch called out.

“That’s it,” Colin held up his hands, accepting fate, “We’re doomed.”

As the locker room grew louder, Ted held up his hands and attempted to settle things down.

“Now hold on. Hey, knock it off, okay? We’re not doomed. No one is doomed. But Bumbercatch, yes, you’re right. It is a sign. I agree, Yeah.”

Ted turned around and removed both halves of his handiwork, folding them together. “In fact this, it’s just a sign.”

Without any hesitation, Ted tore the paper into four pieces, sending the locker room into chaos again.

“All right, guys, listen to me,” Ted commanded the room, “Belief doesn’t just happen ‘cause you hang something up on a wall. All right? It comes from in here,” he touched his chest, “You know? And up here,” he touched his temple before hitting his stomach, “Down here. Only problem is, we all got so much junk floating through us, a lot of times, we end up getting in our own way.”

Y/n had yet to be present for any of Ted’s locker room speeches, as she had no reason to be. But immediately, like some spiritual presence moving through the room, she felt his words take hold of her.

“You know, crap like envy or fear, shame,” Ted continued, seemingly speaking to himself as well, “I don’t wanna mess around with that shit anymore. You know what I mean? Do you?”

He wasn’t speaking to her, but the question still penetrated Y/n all the same. She could feel a familiar ball of anxiety beginning to build in her stomach.

“No, me neither,” Ted shook his head after the boys answered back, “Hell no. Well, you know what I wanna mess around with? The belief that I matter, you know? Regardless of what I do or don’t achieve.”

One blade inserted itself into Y/n’s gut, the omnipresent pain causing her heart rate to speed up.

“Or the belief that we all deserve to be loved,” Ted went on, “Whether we’ve been hurt or maybe we’ve hurt somebody else.”

A second blade settled in Y/n’s chest, this one causing the muscles to contract. She closed her eyes in an attempt to keep the rising emotions at bay.

“Or what about the belief of hope?” Ted asked, “Yeah? That’s what I wanna mess with. Believing that things can get better. That I can get better. That we will get better.”

Better, Y/n thought on the word. Better. Did things ever get better? Or did ‘bad’ just shapeshift into something else? Did it just wait along the road in the shadows, waiting for ‘better’ to come merrily on its way?

“Oh, man,” Ted sighed, “To believe in yourself. To believe in one another. Man, that’s fundamental to being alive. And look. Yo, hey. If you can do that,” he pointed to each player in the room, “If each of your can truly do that-“

Ted made one more rip down the sign’s tatters, walking to the center of the room. “Can’t nobody rip that apart.”

As the remains of the sign slapped against the metal bench, Y/n’s anxiety reached its brim. She placed a near shaking hand on Higgins’ shoulder to signal she was leaving before slipping out the back door. Blearily, she made it down the hall and outside, the fresh air of the parking lot slamming into her.

Once in the safety of her car, she allowed herself to weep.

Zava was the furthest thing from her mind. The incoming headlines, another loss on the scoreboard…all of it. She couldn’t have cared less if she’d tried. All she could feel was the crippling ache in her chest, the sting of her tears, the overwhelming feeling that came with being utterly alone. When a person became aware of just how much bigger the world around them was and how infinitely small they really were. The pain that could be remedied with a simple hug or a comforting word.

Y/n let out a silent sob, the familiar ache of all she wanted having taken a new form, once again. It would certainly kill her to allow herself her basic needs, to walk back in and hurt with the people inside. And it would break her all the same to continue hiding.

————

Heartfirst Taglist: @lalla-04p @optimisticsandwichgladiator @makingmunson94 @taytaylala12 @storysimp @sokkigarden @lightninginab0ttle @poohkie90 @alipap3 @verra-nerevarine @shineforever19 @spaceagechimera @burnafter-reading @qardasngan @cyberpvnk-enthusiast @sogoodtoheritsvicious @buckybarnex @angelsunflxwer @blueanfield @thewildestwonderland @sablecities

#ted lasso imagine #ted lasso fanfiction #ted lasso fanfic #ted lasso fic #jamie tartt x reader #jamie tartt imagine #ted lasso x reader #keeley jones x reader #rebecca welton x reader #heartfirst

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blackmistral · 2 months ago

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Alcina Headcanons

Hii! I have a bit of a writer's block at the moment so I don't know when I'll post the fic I'm currently writing, but I did this meanwhile. I think I'll post ten more tomorrow. Love you <3

1. How do they feel about people shorter/taller than them? I mean… I think we all have the same thoughts about this. In my opinion, she LOVES being taller than her lover. Besides, she’s so tall that no one can be taller than her anyway.

2. Their sexuality? She’s super duper gay. Like, we all know she hates men, so she’s definitely a lesbian.

3. Preferred weather? I don't think she really cares since she’s she doesn't get out of the castle much. But she likes reading in the library when it rains, though.

4. What’s their sleeping schedule? Before she has a lover: since she doesn’t need to sleep, I don’t think she actually sleeps every night but when she does, she goes to bed around 10-11pm (because of all the paperwork she has to do) and wakes up very early (5-6am). If she has one: she tries to sleep at the same time as them, so that depends on when they are tired.

5. Favorite song? My favorite romantic song is her favorite song guys. ‘At Last’ by Etta James. She also likes Frank Sinatra in my opinion (‘The World we Knew’ precisely). She just loves quiet and old songs (although I think she secretly loves Lady Gaga).

6. How’s their cooking? One word. Terrible. As she never had to cook because she’s had maids and servants her whole life, she probably never learned how to cook properly.

7. What’s their sleeping position? 100% the (big) spoon. She loves to have her beloved close to her when they are both asleep so they know they are safe with her.

8. Something small that they enjoy? I don’t know if it’s small but she looooves to know what her lover likes to do or what they did in the day. She’ll just sit and listen to whatever ramblings they tell her because she’s happy that they feel like they can share their day with her.

9. How do they feel about physical contact by others? It really depends on who. She likes to hug her daughters and beloved but if Heisenberg asked one (which would never happen lol) she would absolutely kick his ass. But like I said, she’s heavy on physical contact witch the people she loves.

10. How well do they take care of themselves? I’m not sure about this one. Like obviously she never leaves her bedroom without makeup on, but I don’t think she really takes care of herself. The only thing she does to “take care” of her skin is to take blood baths.

#alcina dimitrescu #lady dimitrescu x reader #resident evil village #resident evil 8 #resident evil alcina #headcanon

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accidentally-in-fictional-love · 7 months ago

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Susceptible - Jack Delroy/Reader

Warnings: Fully clothed grinding, very slight dirty talk, very light exhibitionism in a sense, no use of Y/N, female-hinted reader because of skirt/makeup mentions but other than that there's no real gender mention.

Wordcount: 4950

Summary: You spent a small fortune getting a ticket to Carmichael Haig's show on the promise of his new act showing his audience something the world has never seen before, as well as the possible attendance of one Jack Delroy, but will two hours of bullshit be worth the risk?

Notes: There is SO MUCH BUILDUP I'm so sorry I'm so weak for worldbuilding and plot I swear the other one I have planned will be shorter OTL I have never written a reader before but I am a huge fan of them, especially the DDverse ones I've been binging oop, so I hope this is a good first attempt! It's been a few years since I've written anything like this and probably a good decade or so since I last posted anything, so here's hoping I post more in the upcoming future~ This is also completely unbetaed so if you see any mistakes please let me know <3 The Manhattan Center is also real but didn't fit my needs entirely so I mashed it together with the theatre I went to as a kid lol

~~~~~~~~~~

Carmichael Haig was back in town and you had no idea why you were here.

He had left for what felt like both forever and not nearly long enough for a few months to do his tour, seeing his smug face everywhere you looked between both digital and paper news and making your distaste grow a little more each time. You had been fond of his trickery for a time, but his move from magic man to skeptic had sucked all the fun out of the act, his determination to not only find the real but humiliate the fakes way past annoying to straight up sickening to you by this point. Tonight’s show proved to be another big presentation of the latter you’d decided when it’d been announced officially, promoted by your favourite talk show host - and current celebrity crush - Jack Delroy; his smile was wide for the cameras but it didn’t reach his eyes, you could always tell between them by now and he did not seem to be as pleased as the two talked about it that night.

‘I’m going to show the world something they’ve never seen before,’ Carmichael had said, his usual smug look in place as he hammed it up for the cameras like he could really pull that off, Jack running with it like the patron saint of patience he had to be.

‘Big talk, you sure I can’t convince you to give our wonderful audience a taste tonight?’ he asked, the crowd cheering at the mere thought of getting to experience his new act an entire month early, but if there was even an iota of temptation within him to share he hid it perfectly. He waved the offer away to everyone’s disappointment, Jack pouting on everyone’s behalf and putting those big eyes on display as his own plea; the ratings, you imagined, would be wonderful for a segment like this when his show was already starting to slip down the line, but even that was no use.

‘You’ll all get a chance to see it on the 13th,’ he promised them as he turned to face the audience, the place and date scrolling across the bottom of the screen yet again, they’d been flashing it every single time it was mentioned to the point where you were sure you’d see it in your sleep tonight, rolling across the bottom half of your dream. ‘Or, those of you who’ve been able to get your tickets will, we’re selling out fast,’ he smirked with a tip of his glass, yet another thing that’d been brought up and hammered home; you’d gone to the Manhattan Center to check a couple days ago, just out of curiosity, the ticket price absolutely ridiculous to the point that you were convinced they’d never sell out, but now you guessed your distaste of him wasn’t as widespread as you’d secretly hoped.

Jack slapped his leg in mock disappointment, Carmichael looking back to him at the sound. ‘Guess you’ll have to tell me all about it the next time you’re back in town, I had asked Gus to pick one up for me but it seems he missed that call,’ he joked, Gus’ surprise at the blame of his absence being placed on him getting a big laugh as his face fell and he tried to explain himself.

Carmichael placed an understanding hand on Jack’s shoulder and leaned in closer, the other man leaning in in return as if to receive some kind of secret. ‘Well then, it’s a good thing my date canceled on me,’ he retorted, and when he pulled his hand back he revealed a ticket, Jack’s eyes going wide as he accepted the gift with a big smile, pointing to it before shaking Carmichael’s hand with a thanks.

Ah, so that was why you were here again.

You knew you’d never be able to get a seat on Night Owls because the thought of Jack seeing you in the crowd made you blush all the way to your shoulders, even on your bravest of nights you hadn’t been able to even call and see if there were any tickets left, but to maybe share an audience with him? To sit in the same room as him where you could steal glances if you were able to find him, with no risk whatsoever of him catching the way your eyes lit up when you looked at that handsome face, that dangerously attractive body? That was doable.

It had cost an arm and a leg to convince that scalper to hand over one of the tickets he was parading around outside the Center, but it was worth it as you stepped inside, your heart racing because, unless he wanted to risk the aftermath of Carmichael calling him out for not going, he was here; somewhere in this building was the man you’d been dreaming about since his debut a few years ago, the one you watched nearly every night without fail just for that hour where he looked at you, talked to you, noticed you even if it was through a camera, and that was all you’d needed until tonight.

You’d gotten a pretty shitty seat despite the price but you didn’t mind, it actually worked out for you considering you weren’t actually there to see the show but to look for someone in the seats in front of you, and you hoped that you’d be able to spot him from where you were in the far back corner. As long as he wasn’t, say, the exact opposite of you then you probably stood a chance of at least a glance, since his ticket came from Carmichael himself you guessed that it was probably close to the front if not front row center just to mess with him and prove that he’d come, and you felt all the hair rise on your arms and neck when Carmichael walked on stage early to very loudly greet someone who’d just walked in.

There he was, leaving his seat to meet the other man in the middle, and he was so much further than you expected but it was still him, big smile in place, hair perfectly combed, his crisp suit being wrinkled by Carmichael’s hands as he gave him a showy hug, and he was beautiful. You froze in the middle of the row, unable to finish the walk as your eyes stayed on him, the people trying to get by you not as starstruck as they attempted to squeeze past when you ignored their presence.

‘Sorry,’ you murmured as you sat as fast as you could, eyes still trained on him as he waved to the crowd to prove that yes, he did honour the gift and was there to see this big new act he’d been promised. You let out an embarrassingly needy whine when he sat back down and you became unable to see him again, the mass of bodies behind him obscuring all but a sliver of the back of his head from this angle, and you’d be damned if you had to spend the next 2 hours stuck like this at a Carmichael Haig show of all things. The person at the end of the row finally arrived and you made your move, hurrying down and taking one last glance before getting ready to make this whole thing a little more bearable. ‘Excuse me,’ you nearly stuttered as the person, a man older than yourself who definitely gave off the air of being a Carmichael fan, looked up at you, ‘would you want to trade seats with me? I was really looking forward to the show but I was too late to grab an aisle seat.’

It’s a blatant lie but the quick glance from before proved that you could see him better from there, and the chance of getting to look at him for the next two hours was worth the look the man gave you at the request.

‘Which one are you?’ he asked, looking down to the few empty spaces still waiting for their owners, and you pulled out your ticket to double check, seeing that it was R51; wow, you didn’t realize how far away R was from A until you saw it firsthand. He looked back down to your seat and considered it, looking you over midthought when he thought you weren’t looking, and he almost got away with it if not for the fact that you felt his eyes on you. ‘$100,’ he decided, the offer knocking the wind right out of you.

‘What? The seat was already $350,’ you choke, giving away the fact that you were really, really late to the party.

‘Take it or leave it, I had the sense to order on time,’ is all he says to that, and you looked back at your possible view before sighing heavily and reaching for your wallet; goddamnit, Jack, if only he knew how worth it he was. You hand over the money and step aside, the man pocketing his fee and leaving the seat for you as promised, and the view is just barely better but there he is again, perfectly in view due to what can only be a miracle, the hole in your wallet feeling a little less big as you watched him turn his head to talk to someone, giving you a perfect side view.

He really was handsome, captivating even from this distance, and you swoon a little as the audience finished filling out, the lights dimming and obscuring your view a little more save the grace of the stage lights that illuminate him from the front as Carmichael walked back out on stage and started the show. You’d never been one for spacing out but you couldn’t take your eyes off him, the $450 price tag of this shitty aisle seat all for him and not feeling so bad even as Carmichael charms everyone around you. He didn’t look to the side that often, you guessed he didn’t actually know his neighbour since the seat was a gift, but the times that he did, where he laughed or sighed at the theatrics or even put his face in his hand because he wasn’t having too much fun, were all cataloged away in your head forever, the perfect souvenirs to last you a lifetime of home viewing after this.

At about an hour in according to your old watch, Jack looked about ready to get up and find any reason to leave, which you couldn’t blame him for, the acts themselves were pretty damn good you realized in the times you actually paid attention, but it was getting so tiring to see Carmichael explain away all of their tricks, to see the joy leave their faces at being called a fraud or having all their mysteries revealed, and it was clear Jack felt the same down in row A. After a particularly rough walk-off from a woman who was trying very desperately to convince Carmichael that she could really read his mind and ending up with the humiliating reality that everything he answered to was false to get her to out herself, you noticed that when you looked back to his seat that Jack isn’t there, and you were in the middle of wondering where he went when the person coming up the aisle came into view so suddenly that it took your breath away.

It was Jack, his brow twitching slightly to keep a neutral face, his footsteps heavy as he tried not to stomp and draw attention to the fact that that last one really pissed him off, his hands already reaching into his suit pocket for something. You tried not to stare the closer he got but it was hard, years of being able to look all you want training your brain to look look look as he approached, and you forced yourself to stare straight ahead at the stage as he reached you. Your hands were clenched tight in your lap as he went to pass row R, and you were in the middle of thinking you were going to make it when he fumbled the small box in his pocket and dropped it with a low curse, the cigarettes he apparently smoked bouncing to the side and coming to a stop between your recently shined shoes.

Your head snapped down so fast you felt it in your neck as he came to a stop beside you, the two of you locating the box at the same time, and you stiffened as he reached for it before realizing how rude that would be despite his own sour mood. ‘I’m sorry, could I bother you for a second,’ he asked, his smile back in place despite being a bit tense, and you stuttered out a confirmation as you leaned down to pick them up.

‘I didn’t know you smoked,’ you blurted out before you could stop yourself, Jack’s hand frozen in midair as he reached for the box, his smile relaxing a little as he looked from your hand to your face.

‘Did I find myself a Night Owl in this sea of skeptics?’ he wondered aloud, your cheeks brightening in a way that really made you pray it was dark enough not to notice.

‘I wanted to see what all the fuss was about,’ you lie, and he crouched down so he could hear your whispers as the crowd reacted to the next act.

‘I take it you’re also not very impressed,’ he figured, hitting the nail on the head based on your expression alone. He chuckled at your silent confirmation and looked back down to the cigarettes, his fingertips just barely touching yours as you both held it, you didn’t even know when he’d grabbed it and you let go before it got awkward, but he didn’t seem to notice. ‘Well, if you don’t tell my producer that I’m smoking again, then I won’t tell Haig that you didn’t like his show, deal?’

You sucked in a breath as he moved the box to his left hand, offering up his right for a handshake this time to seal the deal, your heart pounding as you shook on it, his smile more genuine than you’d seen all night, you could always tell. He stood back up as the act finished and Carmichael went back to his disproving, his mood dropping again as his need to escape rearose. You both offered a look of disdain at the stage before he stood back up to move again, something stopping him midstep before he turned on his heel and leaned back down to you, a shiver running down your spine at how close he was so he could be heard.

‘Have you ever been to one of my shows?’ he asked, genuine curiosity in his voice, his warm breath accidentally hitting your neck and rendering you unable to do anything but glance at him and shake your head no. ‘You’d have a much better time, I’ve got some great stuff coming up,’ he pitched, either completely unaware of your predicament or just used to people acting like this around him, either way he didn’t react when your eyes couldn’t help but flicker down to watch him lick his lips so fast you almost missed it. ‘The next one’s already booked up but if you go down to the studio and give them this card, you should be able to get a spot for a night you’re free, I'd like to see you there.’

He pulled out his wallet and grabbed a business card, flipping it around to the blank side on the back before resting it on the arm of the chair. A pen was found next, and he scribbled a quick note to the ticket seller on it on your behalf, signing it and handing it over with that big showman smile of his. You took it and placed it in your own wallet, the previous hole instantly filled with its presence, his mood clearly raised by the interaction as he wished you a quick goodbye and resumed his journey outside, oblivious to the fact that you were about to disrupt the entire theater if you didn’t find a place to scream and fast.

You gave him a few minutes to reach the doors before jumping to your feet and making for the bathroom, your heels clickclacking on the tile the entire way until you found the correct door. The place was empty, which was great because once you caught sight of yourself you knew that it was bad enough he saw you this way, no one else should get the pleasure; your face was redder than you’d ever seen it, your pupils blown from the exchange and you could’ve sworn you could actually see yourself shaking you were buzzing so hard, your grin so wide anyone else would’ve assumed that Santa had just given you the toy you’d always wanted for Christmas early.

You tried to calm yourself as you ripped off some paper towels and dampened them, patting them against your cheeks and neck to bring your body temperature back down to a normal person’s, carefully avoiding your makeup that you were thankful you spent the time putting on just on the ultra rare off chance you’d run into him. When you were ready to go back - and after a quick internal debate on whether you should try and meet him outside for another, less hushed conversation already - you made sure to calm your breathing before heading back out there, taking a quick moment to look for him before making the trek back to your seat.

When you got back you noticed that no new act was on, Carmichael already talking to the audience and projecting himself up on the screens for all to see, you rolling your eyes as you collapsed into the rich red velvet and preparing for more of his bullshit until Jack returned, if he felt like it that was. Everyone around you was concentrating on his words, staring right ahead as the theater fell silent save for his voice and the sound of a ticking clock; ah, he was trying to hypnotize everyone, that must’ve been his big final act that he’d promised his audience. You weren’t impressed, you’d tried to be hypnotized before at a party in your youth, it hadn’t worked then so it wasn’t going to work now you knew, so you sat back and prepared to at least enjoy whatever he was going to make the audience do.

Your thoughts went back to Jack as Carmichael’s voice slowly got drowned out, the ticking a bit louder in your ears despite the distance, but you didn’t mind because it was nonsense anyway, ‘Now who’s the skeptic,’ you think to yourself as you sink deeper into your chair. You vaguely heard the words, ‘Your greatest desire,’ in your ear before you felt a hand on your shoulder, your eyes leaving the stage to travel up until you saw Jack standing just behind you in the aisle, his smile from before now more like a smirk as he motioned towards the doors like he wanted you to follow him.

You looked back at the stage as Carmichael invited someone from the audience up to stand with him, some poor hypnotized fool who was bound to be humiliated along with everyone else who stood with him tonight, and you decided that you’d rather not see that again before standing and following Jack. There was a small hallway between the theater and the doors on that side of the back wall, the two of you out of view from everyone else but Carmichael’s voice still reaching, and you were about to wonder if he was leading you outside to just leave or talk when he turned and pushed you against the wall with a muffled thud. Your back met cold paint as your chest met with his, your eyes locking as he cornered you where no one could see, a confidence he saved for the cameras now focused solely on you as he looked you over the same way you’d done to him a thousand times over.

‘I couldn’t wait for you to come to my show,’ he whispered, his voice impossibly low as he held you in place, a knee parting yours and making you gasp, ‘you’re the most beautiful thing I’ve ever seen.’

‘You’re just telling me what I wanna hear,’ you managed to get out, his eyes closing as he leaned in to grin against your cheek.

‘Is it working?’

You didn’t dare answer but you might as well have because your silence was enough to spur him into action, your head falling back against the wall as he started to kiss your neck, your hands grasping at anything because this was crazy. The man you’d wanted for years was kissing you not even 30ft away from a room full of people, anyone could come around the corner at any second and catch you, and you bit your lip at the thrill of it all. You’d had dreams like this before, ones that left you panting into your pillow when you awoke, but the real thing was so much better as he sucked a mark into your soft skin, your hand leaving his arm to cover your mouth lest you alert anyone within hearing distance to your current predicament.

You let him do as he pleased, let him ran his hands over your sides and down to the edge of where your lifted skirt was resting against his thigh, your legs shaking as your body tried not to grind against him; it was only due to him holding you that kept you standing as a matter of fact and he seemed fully aware of it as his nails scratched softly against your bare leg. He seemed to love all your reactions to what he did, he was in the entertainment business after all, every noise of approval that slipped through your fingers must’ve been like music to his ears but you had to hold back no matter how much you wanted to indulge him. Being denied what he wanted only made him work harder for it, the assault on your neck moving to your shoulder and collarbone instead of your covered lips, your mouth watering for just a taste as he started to move against you, one hand pulling your waist away from the wall by your lower back as the other moved up and under your skirt.

The first grind of his body against yours was decadent, you swore you could feel it in your soul the way he wanted you just as much as you’d wanted him, like he’d been watching you back through the screen for years and also craved this very moment, and now that he was getting it he wasn’t going to stop, you didn’t want him to stop. You’d never seen him act anything like this before in all his years on TV, a greedy flash of excitement running through you at getting to see such a new side of him quickly overcome by pleasure as he cupped your ass and pulled you even closer. You knew you couldn’t get undressed here, if you’d made it to the bathroom then maybe he’d be doing more but he hadn’t lasted even that long, but even with that desire being restrained you still wanted him here and now. Never in your life had you been this desperate for release but he was bringing out a demon inside of you that desired and needed and wanted so much that you were willing to throw your modesty out the fucking window for just a second of his hot skin pressed against your own, but this would have to do while the show still went on.

‘Jack…’ you moaned as your hand, moist from your panting, gripped his arm once again, Carmichael’s voice getting louder in the distance as you grew closer to your release.

‘Come home with me,’ he begged into your ear, his movements getting rougher as he also grew close, you knew you’d both have to leave before everyone saw you but it was worth it, god it was so worth it. ‘I want to have you all to myself, I need to taste you-’

You bit your lip and led his face away from your neck so you could look into his eyes, his mouth parted as he tried to control his own panting, he was coming apart at the seams for you right here in the hallway, the ticking in your ears either your heartbeat or a clock far away. You moaned his name again as you felt the heat build in your stomach, your back arching and pushing your body into him even more as the door to your right opened.

‘Dreamer, here, awake!’

All at once your knees gave out and you collapsed to the floor before that final wave could push you over the edge, your head heavy and your vision swimming as the body against yours vanished into nothing. ‘Are you okay? What happened?’ Jack’s voice from above asked as his worried expression came into view, the smell of rain and cigarette smoke invading your senses; the sound of the audience in a similar state of confusion drifted around the corner as Jack crouched down next to you, just back inside from his break from the show, the realization that you weren’t as immune to hypnosis as you’d thought hitting you like a bucket of cold water. You just panted in shock, surprise, and waning lust as Jack looked you over in concern, your hands moving to pull the bottom of your skirt down to cover your exposed legs in embarrassment, the scratches you were so certain he’d left behind not there, because he hadn’t been there.

‘I’m fine,’ you force yourself to say after you’d caught your breath, Jack believing you but still helping you to your feet like a gentleman, of course he would never act that way, that was only how you’d wanted him to act, you’d had dreams like that for god’s sake, the real Jack would never-

‘Is the show over?’ he asked as the roar of people applauding overtook the chatter, Carmichael now silent, and you avoided his eye as you started to edge towards the way out.

‘I think so.’

‘What was the big mind-blowing act?’

You put a little distance between yourself and him but he didn’t notice, Jack heading for the corner so he could look at the stage as he waited for your reply. ‘He hypnotized everyone,’ you answered curtly, his reaction big and full of surprise as he looked over the size of the crowd in an awe that wasn’t present for the first hour and a half.

‘Everyone? You should’ve come found me, I would’ve loved to see that.’ He was still looking at the room beyond, your eyes on him as he watched everyone else.

‘I got a little overwhelmed,’ you mumble, and he finally looked at you with that same concerned expression again, and it’s too much after what you’d just thought you’d seen, your eyes finding the floor.

‘What did he make you see?’ he asked, his curiosity quiet but still there under the concern, but you couldn’t answer him. ‘Do you need a ride home, or are you okay to drive?’

He’s too kind, he would never act that way, he would never say that to you.

‘I took a cab, I’ll be fine,’ you tried to say, but still you quickly found yourself being led to the front door as the audience swarmed around you, his hand on your back to make sure you stayed standing, a true gentleman. It had started raining while you were inside which explained the scent pairing with the smoke that covered up his cologne, and you just stood under the marquee as he hailed a cab for you as the sea of skeptics washed around you like rushing water. You hopped inside but he didn’t shut the door right away, leaning down in the rain once you were seated, and for a moment you wondered if he was going to get in when he spoke.

‘I do hope you come to my show, preferably Friday’s, it’s gunna be a good one, I promise,’ he said with that big genuine smile again, your heart pounding as your cheeks glowed red for a reason other than embarrassment as you gave him a small nod.

‘I’ll be there,’ you promised back, and he tapped the roof of the cab before shutting the door and letting you go. You looked out the back window as you drove away, the both of you waving as he ducked back inside and out of the rain, and as soon as you turned back around to face forward you found yourself reaching for your wallet. His card was in your hands as you looked it over, all in all it was an uninspiring, plain business card, and you flipped it over to read what he wrote for the ticketmaster on the back.

Wait for me by the back entrance at 11:00 Phil will let you in JD

Your cheeks turned red again as you put the card away, the cab driver giving you a look in the rearview mirror as you held your nearly empty wallet, now with one business card, to your thumping chest. Oh yeah, it definitely was all worth it after all.

#Ray's Readers #david dastmalchian #jack delroy #jack delroy x reader #would you believe I wrote this over a few hours listening to a dramatic cover of Dear God cause I loved the vibes lmao #completely wrong vibes but it's SUCH a good cover guys #it's pretty tame for this one but yeah full disclosure there's probably gunna be lots of hands focus in my writings #his are Beautiful and Perfect and Very Attractive and I am W E A K okay

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shikai-the-storyteller · 2 years ago

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Who is Luzu?

Luzu was just announced as a QSMP member, and since he's a very important character in Karmaland and a VERY important person to Quackity's character, here's a quick rundown of Luzu and his lore for folks who aren't familiar with him:

Luzu is played by LuzuVlogs, a Spanish Twitch streamer who's good friends with Quackity!

IRL, they're such good friends that Luzu once accidentally called his real life son "Quackity"

Luzu is bilingual and can speak English and Spanish.

Luzu's character used to be a very kind, friendly, and loving man who helped everyone

HOWEVER, during Karmaland 4 (the season before Quackity joined) when he campaigned to be mayor of Karmaland, he was betrayed and mocked by his friends and the person he loved (who then ran off with someone else)

Luzu before the elections vs. after the elections

These two animatics sum up his K4 lore pretty well if you want an even shorter TLDR: Lemon Boy, Karma (an animatic approved by Luzu himself)

As a result, Luzu is a very vengeful, distrustful, and all around tragic character

Luzu canonically has an evil side, and he made a deal with "dark gods" in the past to take revenge on the people who've wronged him.

Despite all his past heartbreak and lingering anger, he immediately took a liking to Quackity when they first met.

Luzu and Quackity's Karmaland characters are parallels to each other

Luzu and Quackity were canonically in love with each other, but they were too emotionally constipated to confess their feelings despite their many, many, many romantic and borderline sexual shenanigans.

Luzu warned Quackity not to trust anyone in Karmaland except for him. But despite Luzu's deep mistrust of other people, he trusted Quackity immediately.

Luzu is a very possessive man, and very protective of Quackity.

He calls Quackity "Quacks" (both in and out of character)

He and Rubius have a long-standing rivalry, and they normally don't get along very well.

Luzu and Quackity had 4 (adopted) kids together.

When campaigning for mayor of Karmaland, Quackity asked everyone what they wanted most, and Luzu's response was, "I want you to be happy, Quackity."

HOWEVER, the day of the election, Luzu joined as an opposing candidate at the last second and stole the election from Quackity, fearing that the position in office might leave Quackity with the same trauma he had in a previous life (a life which he can only half-remember).

Luzu says everything he did, he did to protect Quackity.

TLDR: Luzu trauma-projected onto Quackity, who then started a revolution that nearly destroyed Karmaland in retaliation.

For a good TLDR of the revolution arc, “I Can’t Decide” is a good one to watch.

Even though he was furious with Luzu, Quackity told Rubius not to kill him. He’s referred to Luzu as “My 100%”, and “the best person I knew in Karmaland”, and even expressed his gratitude that Luzu was always so kind to him to Luzu himself, despite the war and despite knowing one of them would probably have to kill the other to end it.

Luzu said the song that best fits his character during the revolution arc is Bloody Mary by Lady Gaga.

Edit: This isn’t about the character, but I just saw what Luzu said in response to people asking him if he knew about the invitation:

Luzu: A mi Quackity me invitó desde hace bastante, me dijo si quería participar, así que llevo tiempo calladito, calladito, para no spoilear nada, aunque yo soy invitado no sé nada jaja, lo lleva todo Quackity, así que veremos con qué nos sorprende nuestro querido Quacks.

Translation: My Quackity invited me a long time ago, he asked me if I wanted to participate, so I've been quiet for a while, so as not to spoil anything, although I'm invited I don't know anything haha, Quackity takes everything, so we'll see what our beloved Quacks surprises us with.

Other info posts:

Who is Spreen? | Who is Sapo Peta? | Who is Vegetta?

#Luzu #Quackity #QSMP #Luckity #Karmaland #karmaland talk #OK LISTEN REALISTICALLY I KNOW LUZU WAS GONNA BE INVITED #BUT IT WAS SO STRESSFUL NOT KNOWING FOR SURE #It seems like my Sapo Peta post helped a lot of people so I hope this helps folks too #Also here's my hot take #I know everyone compares Luzu to Wilbur but they're not alike at all #Luzu and Quackity are the two most similar characters #Wilbur and Quackity are each other's yin and yangs #but Luzu and Quackity are a mirror #qsmp talk #QSMP info

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kaus-quietis · 2 years ago

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BSD Fyodor Dostoyevsky: an in-depth character analysis

“Человек есть тайна. Ее надо разгадать, и ежели будешь ее разгадывать всю жизнь, то не говори, что потерял время; я занимаюсь этой тайной, ибо хочу быть человеком.” / “Man is an enigma. It must be unravelled, and if you will unravel it your entire life, then do not say that you have wasted time; I occupy myself with that enigma, because I want to be human.” – the writer Fyodor Mikhailovich Dostoyevsky, in a letter to his older brother, Mikhail (St. Petersburg, 16 August 1839)

The purpose of this post is to present and analyse information related to Bungou Stray Dogs’ Fyodor Dostoyevsky’s personality and methodology. Softer than shadow, unsolved and endless, Fyodor may as well “hide” his soul under our very eyes and we still would not know if that is the “real” him. This is my promised Fedya essay, an info-gathering analysis masterpost I hope you will enjoy and find useful for contemplating and coming to understand his complex character a little bit better.

Warning: merciless BSD manga spoilers. Literally spoiling everything. Also, this is an unbelievably long post (20200+ words). Have some lovely tea, listen to Rachmaninoff, and read in serene leisure or endlessly curious passion.

Last update: November 2022. 20.200+ words. The BSD manga reached ch105, the BSD anime completed season 3, while season 4 is announced for January 2023. Please refer to my original post (this one) in the future, as I could add updates periodically when new chapters release (or so I hope). Please note that I am using the official English translations for chapters 1-94 unless stated otherwise. I am eternally grateful for all fan translations. Lastly, please note that in this essay I will not focus on: 1) connections to F.M. Dostoyevsky’s Crime and Punishment or other literary works; 2) connections to F.M. Dostoyevsky’s biography / personal life; 3) possibilities of what Fyodor’s ability could be; 4) the philosophical and ethical side of Fyodor’s motives. All these would require vast separate posts entirely (who knows, I might write them too one day). My intention is to offer guidance in decyphering what Fyodor’s personality is truly like, as well as how his methods and tactics play a role into shaping said personality or BSD’s plot. Last note: in this essay, quite frequently, I am making references to other beautiful posts written by BSD fans, tagging them and linking to their posts. If you are tagged and want me to remove the tag, please send me a message via ask box and I will edit the tag out.

Sections:

A. Let the hand of God guide you: Fyodor and hand / arm symbolism

B. He understands human nature deeply, if not perfectly

C. He values independence and (most probably) his co-workers

D. No confirmation yet that he is brainwashing others and why this is relevant

E. He loves and lives for entertainment

F. Humble, not arrogant. Self-proclaimed god or servant of God?

G. A strange divergence inside Fyodor. Is he a singularity?

H. Soft, discreet, graceful, yet playfully dramatic. His body language in the manga, in comparison to the anime

A. Let the hand of God guide you: Fyodor and hand / arm symbolism

When it comes to Fyodor’s character, even choosing a starting point for our discussion about him might prove challenging. For all we know so far, he is a Russian man with a completely unknown past, he appears to be in his 20s, just a pinch shorter than Dazai (as @kaikaikitanmp3 showed here), elegant, alluring and ambiguously sickly (see section H for more on his self-proclaimed anemia and overall physique). Until we get more canon manga information on his personal profile, I propose we start from something that already has numerous ties to Fyodor’s character, a symbol we can present the many meanings of, only to abandon us to our roaming thoughts later. This symbol is that of the hand, and, before that, the closely-related symbol of the arm.

Embrace of all. A symbol of both power and protection, the human arm represents the instrument to apply justice and punishment, to rule and to guide. Not only that, but as a symbol of a human’s strength and capacity to act, its image becomes that of vitality itself. To open one’s arms is an act of invocation, raising them to the sky – an act of calling for divine blessing, but this welcoming gesture also renders a person wide-open and vulnerable, receptive and embracing. A certain humbleness and vulnerability is involved in this gesture, because only then one can wholly accept what stands before or above them, let them in, understand and feel them. This willingness to embrace alterity, when represented in art or various media, can be of different nuances, thus triggering different responses in the viewer: it can be soothing, heartwarming, comforting, just as it can be unnerving, constraining, intrusive even for even just suggesting such embrace. It is no wonder we see this gesture in how Ango apparently imagines Fyodor (ch78). While his arms are covered by his coat, his open hands, as of darkness, extend towards the viewer. This image appears as Ango concluded that Atsushi getting shot by Nathaniel, later falling unconscious in Anne’s room, was part of Fyodor’s plan. How this plan covered and embraced that outcome is portrayed as unsettling, therefore making good use of the negative values of such body language and symbols. Together with the ch63 panel where Fyodor’s faceless silhouette is shown with his open hands turned towards his chest, each finger pulling a thin string, this example, too, suggests the idea of Fyodor’s influence and interference being disturbingly omnipresent, this time with the hand gesture emphasizing the hidden character of his plans. A different example, of Fyodor conveying openness through body language, specifically showing his palms to someone while even opening his arms in a welcoming manner, is when he was negotiating with Mushitaro in ch55, offering to end his imprisonment in exchange for Mushitaro playing a role in Fyodor’s Cannibalistic Mutual Destruction operation. At that moment, Fyodor’s gesture conveyed the sincere character of his offer, made more impactful by being accompanied by much gesticulation on Fyodor’s part during the whole scene (more on Fyodor’s rhetorical use of expressive gestures in section H).

Honesty and harmlessness. The symbol of the hand also represents human ability to act, putting a start or an end to action, as well as having the freedom to act. Just like the arm, the hand is a symbol of power, justice and dominance, as well as guidance and bestowing blessings. Open palms, much like open arms, convey the message of having no ill will, no hidden secrets, thus presenting oneself in an open, vulnerable position, but also one allowing reception of the other, and, in the case of the open hands, showing willingness to share, as the hand’s different “powers” are almost as numerous as human actions themselves: to contain, to take away, to keep hidden, to harm, to mend, to unite, to divide, to guide, to give. The meanings of these, melted together, would all still accurately be applicable to Fyodor’s character, who, in the most general sense, just like Dazai’s character or even more so, represents the complexity of human nature, so rich in paradoxes, so ultimately impenetrable. Now, showing your hands, and especially showing your palms or inner part of your arms (interior side of the wrists and upper arms, for example), means showing you have no ill intent (based on how, for example, since ancient times, such a posture simply showed the other that you do not carry any weapons). Hence, in this line of thought, we can approach the scene where Fyodor showed his fragile hand and wrist to Ace in ch42. It has a double meaning in this scenario: firstly, Fyodor is indeed honest and open, he does not have an ill intent, because his hidden purpose, in itself, addresses the greater good of humanity; secondly, Fyodor’s intent becomes “ill” only when related to Ace himself, who saw Fyodor as a threat and was ready to deny Fyodor his personhood, as he did with all his subordinates, who became his slaves or, rather, his disposeable objects and instruments. In so many of BSD’s events and organisational dynamics, it is evident how relativity rules the verdict we as readers can give to various groups or characters. BSD features excellent examples of grey morality everywhere, and the problem of whether Fyodor is good or evil is no exception. It is all relative to a past and a future we do not know yet, while still maintaing a certain unnerving, dark side that undeniably accompanies Fyodor’s character at each step. The reader is then immediately reminded of this dark, threatening side of Fyodor’s, as he concluded the ennumeration of his physical and circumstational disadvantages with the abrupt “So how about this? I’ll kill you instead”. And while I did call this subsection “honesty and harmlessness”, everyone is conscious of Fyodor’s potential to harm at any time, most characters living in anticipation of being harmed by him, and yet we still have no clear idea how he applies physical harm (including death), despite having valuable depictions of how subtly he can exert mental and emotional harm, or simply influence, on others (more on that in the following sections). That being said, despite Fyodor calling humans sinful and foolish and expressing his desire to “purify” them (ch46, Fyodor: “Man is sinful and foolish. Even if they know it is all an artifice, they cannot help but kill each other. Someone must purify them for those sins”), we never see him acting like he hates or is disgusted by humans, nor like he forcefully wants to change how they behave. The latter reminds us of the thin line between plain manipulation (a thing Fyodor does when necessary for his larger strategic moves, as he has done in ch47 with fake Pushkin and the children or in ch75 with Sigma) and exerting oppressive corrective behaviour upon others (a thing we never see Fyodor doing, as he never changes the people he interacts with, who they are and what they value; see sections B and C). In fact, his openness to human nature in general is highlighted, for instance, in his interactions with Nikolai and in the way he talks about Sigma (see section C). Opposite traits blend perfectly into Fyodor’s character in most subtle ways, as I intend to prove by the end of this essay, so let us continue gathering such examples on the way, across all sections.

Bestowing blessings. In the manga, Fyodor was shown using a very specific hand gesture when using his ability on Karma, thus openly depicted only in ch42 so far. The same gesture, prepared but changed into one of covering Mushitaro’s head with its palm, appeared in ch56 in a hallucination, when Mushitaro was forced into a corner by Ranpo’s blackmailing, which for Mushitaro triggered images of Fyodor (more on this below). To me, this peculiar hand gesture is like a mixture of different acts I witnessed or experienced in religious contexts (to clarify my background, I’m slavic, Orthodox, and Eastern European, no “expert” in religions but fascinated by sacred rituals), and by this I mean specifically acts of blessing and chrismation done by priests. 1) Blessing marks bestowing holiness or invoking the divine will and protection upon a person (but also places, objects etc.), and is done in several ways: when one-handed and by a (consecrated) priest, using the right hand, with the finger positions spelling out the letters “IC XC” (for Ἰησοῦς Χριστός, Jesus Christ in Greek), the same sign being done with both hands when the gesture is two-handed; when one-handed and by a secular (also done between regular people occasionally), making the sign of the cross over someone or something using the thumb and index + middle finger stretched outwards, similar to the finger positions when making the sign of the cross on oneself. Fyodor’s hand position is most similar to the latter in this case, albeit with a sinister twist: Fyodor seems to use his left hand for the gesture. A different gesture for blessing, in this specific meaning mostly starting with the New Testament, is putting one’s hands over someone. There, this gesture is closely linked to the miraculous healings bestowed by Christ (as in Luke, 13, 13), and, after His ascension, keeping its relation to healing and bestowing the Holy Spirit, to the duty quite literally left in the hands of the apostles (as in Acts, 8, 17). 2) Chrismation is a Christian sacrament, where, in short, the priest anoints another person with the holy chrism, a ritualic ointment, while making the sign of the cross over specific body parts, each being a symbol of something, starting with the forehead (where the blessing of the mind is bestowed). Chrism itself, a common element in Mediterrean and Middle-East religious practices since ancient times, gained a particularly important role in Christianity, being used very often, in both baptismal and funeral rites, as well as sacraments (chrismation and acts of consecration). It symbolizes divine benediction, the gifts of the Holy Spirit, but also bestowing power and glory (in the context of coronations or such). Each time the author of the benediction is considered to be the divinity, whereas the one who applies the chrism on the other is a mediator between the earthly and the holy. Notably, this use in baptisms and funerals marks an associations with beginnings and endings, life and death. To me, Fyodor’s hand gesture when using his ability, particularly the gentle touch of another’s forehead, always looked similar to the act of anointing someone with chrism (though it is not usually done directly with the fingers, but with a little brush or one half of the ointment’s recipient), and in line with his canon dialogues, we could say what he bestows is “the great silence”, “the salvation of death”, which can turn into the blessing of a meaningful, peaceful death, bone-chilling nonetheless, such as in Karma’s case (ch42, see section B where I expand upon this). This gesture links Fyodor’s character to the image of a mediator, the role of “the right hand of God”, carrying out a mission that can be regarded as holy (based on Fyodor’s use of religious vocabulary), although we still lack canon material to fully establish whether that is only a trait of his way of speech or indeed a hint for his motives’ origins (see section F).

Threat and manipulation, relative examples. Later, in ch56, Ranpo hit Mushitaro’s most profound, personal weakspot by adopting Fyodor’s type of manipulation, in the form of a one-time bargain with emotional pressure, an offer he could not refuse (Ranpo would have releaved a truth Mushitaro did not want to make public if Mushitaro did not accept Ranpo’s terms; see also @looking-for-stray-dogs ’s post here). However, given that we already saw Fyodor offering Mushitaro a deal in ch55, there is a noticeable difference between Fyodor’s and Ranpo’s deal here, which, in my opinion, shows that Ranpo cannot immitate Fyodor completely (or refuses to) while he also imagines him as a much worse person than Fyodor can be deduced to be, in fact, strictly based on his interaction with Mushitaro. In ch55, it is shown that Fyodor simply offered to free Mushitaro from the basement he was locked in, in exchange for Mushitaro using his ability serving Fyodor’s Mutual Destruction plan once. This deal was fulfilled and their interactions ceased. I would call this a case of pragmatic manipulation, because Fyodor did not profit of Mushitaro’s feelings or past, he only offered freedom from Mushitaro’s cell. By contrast, Ranpo, assuming Fyodor works only (and especially) with emotional manipulation, simply blackmailed Mushitaro into turning himself in. Of course, Fyodor is capable of emotional manipulation (as in Sigma’s and Nikolai’s cases, see section B, but also section H below), but he can also manipulate others not even bringing their emotions into the discussion (as in Mushitaro’s case). By limiting his assumptions to emotional manipulation, Ranpo may be walking down a dangerous path, disregarding the full spectre of Fyodor’s methods. Assuming Fyodor is “the worst person possible” by default could also prove to be a wrong approach, as it is easier and convenient to conclude on that for others, but assumes too much about Fyodor and adds a rigid label on him, one that Fyodor can exploit later. In fact, we saw he already did once, by giving the worst relationship advice on purpose in ch64, in Meursault, when Dazai asked for said advice within Fyodor’s “All-smiles Problem-solving Roooooundtable” (and yet, this, together with Dazai’s lines, were shaped that way for the purpose of establishing the terms of their secret code, as I shall argue below, in section C). Meursault guards are portrayed monitoring Fyodor and Dazai, whom they consider “demons” of crime, expecting them to be exactly the worst souless manipulator and the worst flirtacious lunatic respectively. I would like to thank Eliott @stories-from-saint-petersburg for discussing this scene with me in-depth and putting this aspect of it into very fitting words I shall copy below. Besides the ideas presented here, see also section C for this brilliant scene’s actual meaning, according to what I could deduce further.

Eliott: “But also, they know they are filmed and that people are listening to them. So it would make sense to give answers that are more far from their characters, to confuse or not to give too much info to their jailors. Just like they switch to code when speaking about more serious things. That’d make sense in a strategy where you have to deceive your opponent, the opponent being Meursault. If they both give shit answers (and the answers that are expected from them), then the way they make up their plans will be still more difficult to find out by the prison.”

There is more to be inspected in Mushitaro’s ch56 hallucination of Fyodor covering his head with his palm. For this, I shall leave a different discussion I had with Eliott below:

Lav: “One difference is that Karma (ch42) actually experiences that touch. He sees Fedya's hand, he feels the touch of his fingers. It happened as an event in his life. In comparison, Mushi (ch56) sees this image when Ranpo blackmails him into turning himself in, as Ranpo makes a speech about using the methods of a demon to reach his goal (debatable, I will expand on this when the time is right). Apparently, Ranpo's speech triggers an emotional reaction in Mushi, who then imagines Fedya reaching towards him, making the same gesture he did to Karma, and the panels are white, while the end of this vision (Fedya placing his whole hand over Mushi's head) is in black.” Eliott: “Can’t it simply show the effect Fedya had on Mushi? A feeling of being oppressed and trapped, or something akin to control from a mind that’s greater than his? To me it looks like an allegory of manipulation, but not especially like an ability or something akin to it.” Eliott: “If Mushi saw Fedya use his ability, then he knows his touch means death. Anyway, he knows Fedya is dangerous. Touching someone’s head is a common symbol for either intimacy, fondness or manipulation. Mushi probably knows he can end up killed, and this is a fear that can explain this imagery, and even the manipulation he’s subjected to. The fear of dying is a good motivation for someone. Furthermore, he is still traumatized by the death of his dear friend, so it’d make sense this is very impactful for him, either death or being near / in danger of it? Also, Fedya here looks like how his friend is depicted graphically.” Eliott: “<So,> he doesn’t have to <have experienced this physically before>! Imagining someone threatening touch you is frightening, even if you don’t know they can kill you with one touch. And when speaking of being trapped / manipulated, it’s quite logical to imagine the person that has you trapped touching you, it’s an oppressive image either way.” Lav: “True. (…) One detail that supports this <that Mushi only hallucinated without previously witnessing Fedya’s gesture> is how in Karma’s case Fedya stretched out two fingers (index and middle) to his forehead, much like in a blessing gesture, while Mushi imagines a hand with all fingers fully extended towards his forehead. Also the death touch to Mushi is done with the right hand, while for Karma it’s the left hand??” Eliott: “I still don’t understand that gkflg, I’m wondering if the artist just forgot to draw one right hand ahah”.

Important unexplained details. Everyone’s ability in Dead Apple has an ability gem located on their forehead except: Atsushi’s tiger (nape), Akutagawa’s Rashomon (inside its chest), arguably Dazai’s No Longer Human (inside his chest), and most importantly here Fyodor’s Crime and Punishment (the back of his right hand). Another note, out of all the abilities, only Mori’s Elise, Fukuzawa’s All Men Are Equal and Fyodor’s Crime and Punishment are able to talk or heard talking. One detail unique to Fyodor’s ability and Mori’s ability, though, is that they each have real eyes with irises and pupils, as if they are human, and not just an ability with empty, glowing yellow eyes like in all the other cases, except Atsushi’s tiger. One could surely speculate on why exactly Crime and Punishment has its ability gem placed on its hand, but I want to move on to other topics in this essay. Lastly, on Fyodor’s motto, “Let the hand of God guide you”, see section G.

B. He understands human nature deeply, if not perfectly

Contrary to the popular opinion that Fyodor does not have an ounce of humanity in him or that he cannot understand nor feel human emotions, the canon presents evidence that Fyodor understands other humans and their emotions profoundly. Let us keep in mind the definition of empathy (“the ability to understand other people’s feelings and problems”), as well as the fact that there are different types of empathy, such as affective empathy or cognitive empathy (the latter applying to Fyodor the best). Instead of speculating that Fyodor completely lacks empathy (a lack psychopaths share, and Fyodor’s case proves to be much too complex to simply throw into that spectrum and call it a day; see @tecchous-thicc-buttocks ’s post here, where OP not only has a great post, but also a smashing username AND a superb N.V. Gogol reference in their blog description to laugh your heart out to), I invite you to explore exactly the opposite, namely the idea that he has capacity for perfect empathy and uses it instrumentally to make it suitable for his plans. The canon material showed us many situations that support this (too), as we shall see below.

Fyodor “connects” with others mentally, emotionally and / or spiritually in such an accurate way, that this skill of his is portrayed as bone-chillingly sinister, in scenarios holding starkly contrasting ideas. It is not just about analytically deducing what a person would do next or what would objectively motivate that person, Fyodor knows the depths of people’s hearts, as can be seen in his discussions with Karma, Shibusawa, Nikolai, and the way Fyodor talks about Sigma. I shall present each case in detail in what follows, made into a list of people whose problems Fyodor saw through and responded to adequately.

Karma’s problem was of intellectual nature: to die a slave or a free man, and how those are mutually-exclusive conditions, in regard to which Karma recognized himself trapped in the first condition (slave), but was later “transported” into the second condition (free man) by the circumtances and type of death Fyodor “granted” him. Frequently rationalizing each situation in his inner monologues, pondering each factor and possible outcome analytically and in admirable control of his emotions (as seen throughout the entire ch42), Karma explored, so to say, the “syllogisms” behind what was happening to him too: I want to be saved + I am a bad person + saviours do not save bad persons => I will never be saved; OR I am a bad person + I am not a free person + a saviour can free me by saving me + saviours do not save bad persons => I will never be a free person. Even if the concepts belong to morality discourse, Karma’s approach is straightforward and logical, therefore there is no scene of him begging Fyodor for help, freedom or vengeance, as well as no scene of him even running away from Fyodor: despite being frightened, he was able to withstand his irrational reaction and sought knowledge and clarifications through conversation even in the face of the Demon. Karma was a person who rationalized and accepted his personal condition, and he was all the more shocked that this “slave” condition was dissolved by the events caused by Fyodor. Although Karma had to be killed so that no trace was left by Fyodor, what deserves attention is, on one hand, the fulfillment on Karma’s dying face (dying as a free man), and, on the other hand, how Fyodor gave him privacy when he gave his last breath, as Fyodor is portrayed looking directly at Karma only after he passed away. The fact that Fyodor is portrayed as looking at Karma’s lifeless body afterwards at all can be interpreted as Fyodor contemplating Karma’s end, especially given how in ch42 all background elements vanish in this particular panel, deepening the solemnity of the moment (as @linkspooky noted too, together with Fyodor’s understanding and acknowledgement of Karma as a person, worthy of sharing knowledge with, here). And yet the anime (S3ep4) did not insist on this manga panel at all, skipping it entirely. The prayer that Fyodor offered for Karma at the end (“May your soul find salvation… released from the yoke of sin”), while facing him (unlike in the anime, where Fyodor does not look at Karma at all) was the conclusion of Fyodor’s solemn meditation, and I find it a shame that the anime did not linger on this aspect. This scene blends a merciful death with a necessary crime, such contrasts being typical to Fyodor’s character. This prayer for Karma may in fact not be the only one Fyodor offered to those he led to their death by necessity: indeed, Fyodor’s cello recital in front of a captured Katsura in ch47 may have served the same purpose. Given that Fyodor informed fake Pushkin about Atsushi and Kunikida’s arrival, via the telephone, in real-time, we can assume Fyodor knew exactly when the two Agency members clashed with the armed children and when the little girl triggered the detonation of her grenades. After replying to Katsura’s remark, meeting Katsura with the impenetrable grin typical to both him and Dazai, Fyodor recommenced playing with closed eyes and no smile (thus fully immersed), unlike in the anime (S3ep9), where Fyodor never stopped playing in order to talk with Katsura, yet him stopping to play the cello just for that is, in my opinion, very important, as I will try to show here. Fyodor’s cello recital ended with him offering a prayer, which at its end addressed specifically all children of the world (ch47, “Joy to the world… and blessings to all its children”). Therefore, the cello scene carries solemnity, thoughtfulness and emotion, contrasting with the violent sight of the dead children breaking Kunikida’s spirit, and in this light Fyodor’s recital (which Katsura himself did not understand the purpose of, as he was clueless about what was happening outside) becomes a musical prayer for the sacrificed souls. Once again, despite being terribly beautiful in animation and sound indeed, it is a pity the anime depicted this scene in a weirdly ecstatic and stereotypically evil way, giving Fyodor a demonic gaze and grin, as well as making Fyodor face Katsura while playing, despite Fyodor not being turned towards Katsura at all in the manga (ch47), given how he looked at Katsura over his right shoulder (Fyodor’s body position further supports the idea that the recital was not meant for Katsura). As a closing note here, the anime added a specific detail at the scene’s end, one I personally would consider mischaracterization: in the anime, Fyodor broke his cello after the recital, and yet this never happened in the manga, and now we can guess why (Fyodor prays for his innocent victims). See section H for more on Fyodor’s overall gentleness, as well as my previous post about the cello scene here.

Sigma’s problem is of emotional nature: for a man without a past, lacking life itself before he found himself “existing” directly as a young adult (I assume he is a young adult), he was most desperate to fulfill his most basic and primary emotional needs, i.e. having a safe place to call his “home” and belonging to people whom he can call “family”. These are exactly the things Fyodor offered to Sigma right from the start, as if anticipating his arrival in that state, but Fyodor also praised and described Sigma for Dazai (ch75) in a very positive, heartfelt way that also implies Fyodor’s admiration for Sigma, as well as acknowledges a certain superiority Sigma has, even compared to Fyodor and Dazai themselves. Depending on the true nature of Fyodor’s relation to Sigma, as well as Sigma’s true nature in itself, I assume this point here will change in nuance in the future, but in the present the canon tells Fyodor has read Sigma’s heart like an open book. I refrain from adding more to this paragraph until new chapters give me new ground for it.

Nikolai’s problem is of philosophical and spiritual nature: the very fact that Fyodor could understand Nikolai’s core problem, his central existential dilemma, not to mention how quickly Fyodor grasped it, is something that both elevated and destabilized Nikolai. Fyodor rightfully explained that Nikolai fights God “in order to lose sight of himself” (ch78), which, theologically-speaking, is very much accurate from a Christian perspective: a human’s highest and final goal is to “see God”, to return to where man was exiled from (heaven, the Fatherland or patria in Latin, the future heavenly Jerusalem etc.) and, once there, to contemplate God eternally, finally reunited with their Creator and seeing “face to face” (see 1 Corinthians 13:12). That is, because there is where man’s real nature lies, where it came from and belongs to, but also man being created in the image and likeness of God (see Genesis 1:26), together with a Platonic and Neoplatonic philosophical legacy, led to a tradition of interpretations (part of our overall cultural heritage) where man’s divine part (or God himself) resides deep within the human soul: therefore, introspection or contemplating one’s own self holds incredible importance. Nikolai fighting God “in order to lose sight of himself” is a very well-chosen line for Fyodor and a great way of presenting (a glimpse of) the depth of Nikolai’s soul to the readers, one that opens many possible interpretations, not just the one offered above. Nonetheless, Fyodor’s response is particularly disturbing, because he calmly stated what frightens and enrages Nikolai the most: the fact that the sight of God is, in the end, the sight of himself, his true self, and “fighting against God” inevitably becomes “fighting against himself” too. So what is left when Nikolai fights against this truth? What is left must be what is unique to Nikolai as a being, if there is anything like that at all. So far in the manga, it seems Nikolai struggles desperately with the concept of the “omniscient God”, who possesses knowledge of past, present and future as well, which opens the particular Pandora’s box of “predetermination vs human free will”, a monstruous philosophical problem as old as time (or at least heavily discussed ever since Ancient Greek philosophy and Early Christianity too). One must note that, by answering like this, Fyodor essentially denied Nikolai the success of his mission, but granted him the rare gift or rare curse of being fully understood by someone else. One truth too much, the resulting emotional impact on Nikolai was disastruous, as Nikolai appears to be a person of high sensitivity, very susceptible to the power of words and how they plant ideas in his mind. Even if Fyodor’s response is not malicious in words (see, however, section H, about the meaning of the tilt of his head and how this scene is an example of intentional emotional manipulation), this interaction was profoundly unhealthy and destabilizing for Nikolai, which I would argue is well in the spirit of N.V. Gogol’s characters, having their spirits frequently broken by the most mundane things which nonetheless go beyond what they are capable to live with (read The Overcoat, Nevsky Prospekt first half, even Diary of a Madman).

Shibusawa’s problem was of personal nature, linked to his past: not only the Mayoi cards, but also the entirety of the Dead Apple movie make it clear that Shibusawa and Fyodor were long-time acquaintances before the fog incident in Yokohama happened. The most objective proof on this are Shibusawa’s words themselves, when telling Fyodor (in the Draconia room, in Dazai’s presence) that it was thanks to Fyodor selling information to Shibusawa that the fog incidents could happen, and in Yokohama too at such an impresive scale. Since Shibusawa told Dazai he did not find “having friends” necessary (since everyone was like a open book to him), I will refrain from calling the personal relationship between Fyodor and Shibusawa “friendship”. Now then, later on, despite being surprised by the ability-gathering Dragon event triggering after he approached Dazai’s “ability gem”, Shibusawa was not angry nor shocked when Fyodor cut his throat: Shibusawa immediately realized he found his most important personal memory as a consequence of Fyodor killing him or, rather, Fyodor “granting” him death once again. Here, too, two contrasting images combine: 1) Fyodor offering “death” as a “gift” or “blessing” that gives Shibusawa exactly what he needed most, and 2) Fyodor essentially killing his old acquaintance, but with the twist that Fyodor was aware Shibusawa would not die yet, quite the contrary – as a result of Fyodor putting a fragment of the crystal that gathers all abilities on the skull’s forehead (as a “small gift”, as Fyodor called it), Shibusawa was revived and enjoyed one last “epic battle” and then died a truly fulfilled person. In fact, Dazai predicted this outcome in the very first scene with the three of them at the table in Dead Apple, telling Shibusawa he is the one in need of “salvation”: Shibusawa then asked Dazai “And exactly who do you propose could save me?”, to which Dazai answered “Who knows? An angel, perhaps? Or, maybe, a demon” (then Fyodor enters the scene; note that I cite the dub version and that, at the end of Shibusawa’s and Atsushi’s battle, Shibusawa’s last words to Atsushi were “(…) The meaning of that man’s <Fyodor’s> words. I understand all of it now. It’s you! You must be the angel who has come to save me”). Anyway, the movie leaves several interesting questions unaswered: could Fyodor have granted death to Shibusawa, and therefore give him his most important memory back, at any time, or was the whole Yokohama setting necessary? If the latter, was it necessary for Shibusawa or necessary for Fyodor, and Fyodor acted only when their distinct goals aligned? In any case, allow me to expose something very intriguing in the next lines. After Fyodor granted Shibusawa death by cutting his throat in a single swift knife attack, the moment Shibusawa’s memory of his first death returned overlapped with the moment Atsushi’s memory of the same event returned to him as well. In the flashback, Shibusawa stated that he conducted those ability extraction experiments on Atsushi – specifically, Shibusawa pressed the switch – because “a Russian man” told him Atsushi’s “power was coveted by every gifted in the world”. Later, Shibusawa added “the Russian’s name was Fyodor”. This makes all events align in such a way that one could speculate Fyodor was leading Shibusawa and everyone involved with him (Ango and the government) down that precise path we see reach its end in the Dead Apple movie. This makes Fyodor’s words from ch42 all the more relevant: “People can be so simple… They truly believe they are thinking for themselves. (…) They don’t want to think they’re being led by the nose”; or, in S3ep4’s dub: “People are eager to believe that they are acting with free will, that they know best. (…) We all loathe to believe we can be controlled”. One last thing to note and analyse here: as Fyodor walked away alone on the hallway and the Dragon got unleashed, he had a “conversation” with Shibusawa’s skull:

Fyodor (sub): “I’ll tell you an interesting fact, in celebration of you finding a friend in me.” Fyodor (dub): “In thanks of our newfound friendship, I’ll offer you a bite from the apple of knowledge.”

Fyodor and his ability then delivered their famous “I am crime. I am punishment” dialogue. While there are significant wording differences between the versions cited above, how Fyodor referred to “friendship” here is mocking and ironic, so the nature of the bond between him and Shibusawa (beyond that of “informant and information buyer”) remains debatable. It is beautiful how the dub version of the line offers a splendid example of godly and demonic imagery blending in the character of Fyodor. In a Christian cultural context, two precise ideas come to mind simultaneously when hearing Fyodor’s line: 1) it was God who created everything, including the first humans (Adam, then Eve) in Eden, amongst all the fruit-bearing trees, giving them rules as to what they could consume or not (the power and authority “to offer” something rightfully was God’s, being the one to give and take away, to reference Job, 1, 21), but also 2) it was the Devil who “offered” Eve such a bite, tempting her through suggesting she should eat from the forbidden fruits of the tree of knowledge of good and evil (the infamous “suggestion” was the Devil’s, making a forbidden “offer” that was actually a transgression). It is unclear to which of these two ideas Fyodor is closer, and it may as well be possible he is equally close to both, further encompasing contradicting traits. Nonetheless, given that Karma himself introduced the yet unresolved theme of “transcending human nature” and “transcending good and evil” in relation to Fyodor’s character (ch42, Karma: “Ace was evil, but this guy isn’t even that. He’s some kind of nirvana. Something that transcends mankind itself…”), this particular line from Dead Apple supports Karma’s observations and how Fyodor’s character combines the ideas of creator and destroyer, like @looking-for-stray-dogs put into beautiful words here. This only becomes more interesting when we consider the archetype or role of the “servant of God”, which Fyodor consciously claims to fulfill (see section F below).

Kunikida: Yes, you read that correctly. While Ivan and Nathaniel are, as of now, total wildcards and I do not have enough information as to objectively describe their situation or how Fyodor won them over or “read their souls”, Kunikida’s case is the perfect example of Fyodor’s understanding of a person being so deep and accurate that he knew exactly what actions would cause them to break and render them useless for a significant period of time. Moreover, Kunikida’s case becomes even more intriguing if we remember that Fyodor successfully read his nature without even meeting him. Well, that would be the introduction to this minisection about Kunikida, but frankly I did not have enough time nor energy to dig deeper into this as of now. Perhaps in the future I will update this part with information and links to several great analysis posts I am sure Kunikida fans wrote out already, with their whole heart in them.

These examples share the fact that Fyodor accurately reads the intellectual (Karma), emotional (Sigma), philosophical and spiritual (Nikolai) layers of the human heart, as well as is capable of perfectly adapting to one’s personal baggage on the long term (Shibusawa). This means he posseses an extraordinary capacity for empathy, but, as he never loses his composure (except for small instances of surprise or adrenaline rush, like in ch46 and ch53), his willpower controls every single gesture and reaction he makes, which makes him a terrifying foe who has complete control over himself, never overreacts and thus seems soulless (ch42). His understanding of human nature fiels his skill to deduce future actions and thoughts of other people, which in turn may deepen Fyodor’s individualism or trigger his eventual alienation (paired with perceiving humans as “boring” because they are predictable, to which Dazai disagreed in ch77, albeit it must be noted that this is only an assumption Dazai made about Fyodor, that is not entirely supported by the canon dialogues; see section E), as well as encourage Fyodor to use others as predictable (and therefore reliable) pawns in his plans. Again, Fyodor’s character combines two very contrasting yet interdependent things in his strategies: acknowledging others as humans (with individual problems) firstly, and using them as instruments when necessary, on that basis (as Fyodor becomes their problem-solver). This shows both how versatile and accepting Fyodor is as a thinker and leader (see also section C). Theoretically speaking, could Fyodor use Dazai as a pawn, if Dazai is completely alien from being human? But that would open another massive collective essay on what is going on inside Dazai’s soul and mind, as the fandom so often and so admirably tried to figure out already. Personally, I am a firm believer in Dazai’s humanity, and if Fyodor can indeed understand it all the way to its core, then one may wonder if Dazai’s humanity will be his downfall.

C. He values independence and (most probably) his co-workers

Continuing on the previous paragraph’s line of thought, here’s the catch: it is important to keep in mind that Fyodor nevertheless seems to treat certain “pawns” differently, perhaps considering them closer to him in some regard. People Fyodor refers to as “his staff” (and, in ch64, the faces of Ivan and Pushkin appear as examples) may be a matter of genuine concern to him, enough so that Fyodor asks Dazai how to make his subordinates less dependent on Fyodor: “My staff show no independence. All they do is wait for orders. How can I make them into good workers who take the initiative?” (ch64). To me, this question, even just as a light-hearted example for the sake of their shared prison mindgames, is plain shocking coming from someone always thought of as using people like tools and discarding them like broken puppets. As a first thought, to my stupefaction, Fyodor really took into consideration the independence of even his lower-ranking “pawns” as something worthy of a question, and valuable enough as to lament its lack. However, on later inspection I came to understand that Fyodor’s entire “roooooundtable” session from ch64 is in fact more like an icosahedron with razor-sharp edges (I mean, complex and slick), and can be taken both or either literally (like in this section I took Fyodor’s words literally) or figuratively, assuming Fyodor and Dazai’s answers as being each a substitution for something else entirely. Until I reach that point further down this section, there are more examples that refer to Fyodor’s perception of his co-workers (note: for the manga, my points of reference are the official English translations):

1) in Dead Apple, Fyodor celebrated what he called the “newfound friendship” between him and Shibusawa in Dead Apple, thus calling Shibusawa a “friend”, which is further supported if we take into consideration certain BSD Mayoi card descriptions (“Dragon Head Feud” card description, or “Bundled up” card quote: “Oh my, it seems that Dazai-kun and Nakajima Atsushi-kun have managed to evade us today. Well, if Shibusawa-kun is happy, then I'm happy. I'm his friend, after all.”); however, if put back in the larger context, the benevolent character of this statement is debatable (see section B);

2) in ch42, Fyodor told Ace “My friends have taken over the outside corridors”, thus directly referring to his Rats in the House of the Dead as “friends”, even if the fact itself was a lie to pressure Ace towards his suicide;

3) in ch95.5, silently agreed to considering Nikolai a friend when Dazai complimented Nikolai’s prison game idea. There are two instances where Dazai mocked Fyodor about having a nice friend in Nikolai, both of them in this chapter, and only in the second one Fyodor played along, agreeing to Dazai’s claim, but one has to bear in mind that the two could have been mocking each other in both instances:

Nikolai, ch95.5 (fan translation): “The wish to save my friend is indeed very difficult to falter. That’s why I need to shatter this determination, such to prove the free will of homo sapiens!” Dazai: “Seems like… you have a nice friend…” Fyodor: “…” – Nikolai (after a few lines): “From now on, you two will be participating in a jail break duel!” Dazai: “You indeed have a very good friend.” Fyodor: “I know, right?”

Leaving the debate open as to whether Fyodor is genuine when using the term “friend” overall (see also bsd-bibliophile’s post here, further inspecting Fyodor and Nikolai’s interactions, as well as mentioning one instance of the term “friend”, used by Fyodor for Pushkin, being present in the fan translation, but not in the original Japanese text per se), all this information nonetheless supports the fact that Fyodor himself may not be oppressive towards others, and that his methods rather rely on communication, negotiation and manipulation. Indeed, strangely enough, for example when approaching someone new with the intent to work with them, Fyodor’s ways are all “clean talk”: no torture, no physical abuse, no threats, no intimidation or humiliation, no blood as of now (on the possibility of brainwashing, see section D below). Instead, Fyodor becomes the ideal smooth-talker and deal-maker when first recruiting others, perfectly reading into their soul and appealing to their most intimate desires (see section B above, as well as @gold-pavilion / akai-koutei ’s post here /oldhere, and there was a beautiful addition by @/goddessesofeverything here, but all reblogs of the original post were deleted and I cry). When approaching a clear target, however, there can be freshly spilt blood, for example 1) Mori getting stabbed (ch46), 2) Katai getting shot (ch49), and 3) Shibusawa getting his throat cut open (Dead Apple), in each case the action being done directly by Fyodor (firing the gun or holding the respective knives with his own hands). Lastly, if we take into consideration how Fyodor played along with Nikolai’s puns in vol.14’s omake, and how highly and affectionately he spoke about Sigma in ch74 and ch75, Fyodor’s actual dynamics with his subordinates or fellow Decay of the Angel members could potentially surprise the reader in future updates, because his polite and discreet nature do not seem to be a mere façade.

Another point needs to be addressed here, and it is whether or not we can safely use the word “care” to sum up Fyodor’s relationship towards his close co-workers (thank you, Sel @oddeyesight, for your questions that led me towards considering this aspect in more detail). First of all, one needs to acknowledge there are persons Fyodor worked with and then disposed of in the most indubitable way, like the mafioso he forced information from in ch51, indirectly all children in ch47 and directly the little girl with the grenades, whom he talked to via telephone prior to the events. Secondly, compared to them, there are characters that are closer to Fyodor, which Fyodor refers to as “friends” (so far, this applies to Pushkin, Ivan, Nathaniel, and indirectly consenting to calling Nikolai a friend; see the paragraph above). Looking at definitions of the noun “care” – “the process of looking after someone” and “the process of doing things to keep something in good condition and working correctly” (Longman dictionary) – the first definition I give as an example here can imply affection, whereas the second definition does not, and refers to an impartial instrumental approach. So far, from what I gathered, there is no canon basis to claim Fyodor cares about someone else in the first definition’s sense, only in the second. Until future manga chapters may or may not change this, I propose looking at Fyodor from another viewpoint: in relation to the antonym of “care” (neglect), and a closely-related noun, indifference. For this task I propose starting with the following scene from ch74, when Dazai deduced the Sky Casino’s origin and purpose:

Dazai: “It was made for two goals. As a base for the next terror attack and as “payment” for the use of Sigma’s skill. …Never waste a thing, do you?” Fyodor: “Our boss does hate to be wasteful.”

By saying “Never waste a thing, do you?”, Dazai implied that Fyodor executed all the steps he deduced, yet Fyodor shaked this claim off, directing Dazai’s remark toward someone Fyodor called “our boss”. We, as readers, naturally think of Fukuchi, who is the leader of the Decay of the Angel in title, but I dare say the entire fandom does not buy this, as in everything else Fyodor still acts like the puppeteer determining the actions of all the group’s members, whether they know it (Nikolai and Sigma) or not (Fukuchi probably and Bram). Fyodor humbling himself and downplaying his importance is a recurring behaviour of his, in varying depictions such as in ch46 (Fyodor to Dazai: “I will not be the one who will bring down your two groups. It will be you yourselves”), in ch73’s cover artwork of Sigma holding cards (where Fyodor is not an Ace, not even a King, he is but a Jack of Spades), in ch77 (Fyodor to Dazai: “Me? I didn’t do anything. I just sat here and prayed… and those prayers were answered”; see section F for more). This aside, hiding the identity of Fyodor’s “boss” had at least two purposes: 1) keeping Fukuchi’s double identity hidden (both the Hunting Dogs leader and the Decay of the Angel leader) and 2) redirecting not only Dazai’s, but our attention too. Since Fyodor and Dazai imagine their actions as if within a mental game of chess, let us reconsider the fates of Fyodor’s pieces so far, which include both the Decay of the Angel members and the Rats in the House of the Dead:

1) Pushkin was apparently captured and eliminated from the “chess game” (lost piece, used and then captured by the enemy in ch53), and yet he is alive and well, even shamelessly spilling information to Ranpo to save his own skin, while being interrogated (ch54), providing him with the lead on Mushitaro. Despite leaking information, so far nobody was sent to “clean” Pushkin off the table (as in Mushitaro’s case, whom Nikolai said he was assigned to kill off at the end of ch56). Pushkin leaking information may be intentional as part of Fyodor’s plans, which means Pushkin’s role likely did not meet its end yet.

2) Ivan was apparently captured and eliminated from the “chess game” (lost piece, used and then captured by the enemy in ch53), and yet Ivan survived and is probably held somewhere alive; also, Ivan’s loyalty and “happiness” never wavered, not even when in Rashomon’s tight grip (ch53), which means his trust in Fyodor remained unchanged and he did not abandon his role of Fyodor’s servant and “head chamberlain” (ch52).

3) Mushitaro was, most probably, really supposed to die (sacrificed piece, used and then disposed of: died in an exploding car after Nikolai’s surprise attack in ch56), yet he is still alive, last seen (iirc) safe in Poe’s mansion in ch78.5 (vol.18 bonus chapter at the end). Since Fyodor sent Nikolai to dispose of Mushitaro, it is rather clear Fyodor was not indifferent to Mushitaro staying alive, and now this is a loose end, one where Mushitaro survived and we do not know if this scenario has already been integrated in one of Fyodor’s larger schemes or if it will serve against Fyodor somehow later.

4) Nikolai was apparently supposed to die (sacrificed piece, used and then disposed of: sawed in half in ch58), and yet he is very much alive and already influenced the current events of the manga drastically. Furthermore, in ch95.5, when Nikolai started explaining his prison game, Fyodor replied “So that’s what you’re planning”, as if the two already agreed upon Nikolai doing “something”, and apparently that “something” remained a surprise to Fyodor, hence his reply was phrased as a conclusion. Note how Nikolai’s action remaining a surprise reinforce Nikolai’s freedom and agency, and Fyodor allowed this and played along, despite how accurate to his character it would be to have deduced Nikolai’s possible actions already. Then again, it could be that Fyodor knew that Nikolai had to hear precisely that kind of reaction, in order to continue playing a role Fyodor secretly predicted for him. Later, in ch98, after Nikolai’s prison game started, when Fyodor was waiting for Chuuya to arrive, Nikolai asked him “It’s been five minutes since the game started. You aren’t gonna move? Can I take that to assume… your pieces are already moving?”. If Nikolai’s prison game is an independent consequence of him independently choosing not to die, then why would Nikolai smile as if in agreement with Fyodor, supposing that everything went as planned? The problem of free will remains unresolved and tightly knit into Nikolai’s character even in the current events.

5) Sigma was apparently supposed to die (sacrificed piece, used and then disposed of: shot by Nathaniel in ch76), and just like Nikolai he is very much alive and playing a crucial role still unknown to us (in a conversation with Alex @vampireonastick I suggested that Sigma being on Dazai’s side of the prison game might be a well-disguised infiltration strategy already planned out by Fyodor, with whom Nikolai cooperates on this, despite Nikolai’s “sidequest” to kill Fyodor); we have an important hint as to how Sigma’s death was never required by Fyodor’s plan: the “roooooundtable” from ch64. It is indeed highly probable that the entire “all-smiles problem-solving rooooundtable” session proposed and moderated by Fyodor was his masked suggestion (masked from the guards!) of creating a unique substitution code that only he and Dazai would be able to communicate in, as @fantastic-rambles analysed more in-depth here. And just like @mydearestt noticed in this post here that, through his reply, Dazai in fact referred to his plan to make the Agency move, the same can be assumed in Fyodor’s case. To remember the dialogue, I shall copy the revelant part here below:

Dazai: “Me next. “I tried asking the café waitress out, but she won’t bend an inch. What should I do?” Fyodor: “Make her lose her job and home, trick her family into disowning her and she’s bound to come crawling to you.”

I propose reading this sequence as referring to Sigma entirely, because: 1) Sigma, much like a waitress, was contained and bound to his workplace, the casino, unwilling to leave once there, no matter who asked; 2) Fyodor set up the entire scenario of making Sigma lose his job AND home in the most literal sense by completely destabilizing the casino; 3) by doing unbecoming irreversible actions, Sigma secured his own family rejecting him, and all ties were cut with Sigma’s “death”, yet Sigma survived – equally destabilized, he ended up in a situation where, if Fyodor would have granted him another wish, Sigma would not have refused, naturally seeking the one person who may still have power to grant wishes as grand and Sigma’s, and that is still Fyodor, who both gave and took Sigma’s home. This being said, like Alex @vampireonastick theorized in their post here, I strongly believe Dazai strategically manipulates Sigma in the prison game, “shaping” him to defy Fyodor, the person he would otherwise “crawl back to”. However, since Fyodor chooses his words with utmost care all the time, no matter if truthful or deceiving, I personally doubt Fyodor would carelessly share his strategy (disguised as the grimest relationship advice) without it already being implemented into a larger scheme, in which Dazai acts upon the words he hears from Fyodor (and Dazai already did so twice in this arc, firstly by choosing Sigma, secondly by “building up” Sigma for his eventual refusal of Fyodor). What Dazai perhaps does not expect is the fact that Fyodor himself already talked to Sigma in ways that reinforce Sigma’s agency: for example, in ch73, Fyodor directly told Sigma that, should the Hunting Dogs attack the casino, Sigma should run as he would have no chance of winning; Sigma, on the contrary, remembering Fyodor’s words – not once, but twice in the chapter –, was pushed only more vehemently to defending his casino, thus acting on his own and defying Fyodor already, a reaction Fyodor most likely anticipated when making Sigma hear his “advice as a co-worker” (in Fyodor’s own words, ch73). In the end, regardless of the content of Fyodor’s words, it seems his kidnapper from ch42 offered honest advice to Karma: “Watch out… If you talk to him, he’ll pluck your mind out”. Despite how there is no proof of an actual “plucking of the mind” action yet (see section D), Fyodor’s words (often, if not always) twist the minds of those around him in a way that, paradoxically, both acknowledges and denies them their free will, encouraging decisions that seem free to the agent, but are already predicted and known to Fyodor (and in this, I must admit, Fyodor bears a resemblance to an omniscient god; however, his canon dialogues often convey a different role, a tension I discus in section F). In this light, I wonder if Dazai had this behaviour before too and acted upon words he heard from Fyodor in previous instances, such as the Mutual Destruction arc.

6) Nathaniel was apparently eliminated from the “chess game” entirely (sacrificed piece, used and then disposed of: captured in Anne’s room of no return in ch76), yet this does not imply he is dead, which begs the question if Anne’s room, the Agency’s only true safe space, is now compromised, as me and Alex wondered here (see also the reblogs and replies to their post).

One thing I want to remark here is that, despite how clear it is that Fyodor “moved” all these “chess pieces” already (only number 3 to 6 are relevant in this case), in ch76, right after Nathaniel got captured, as Atsushi and Lucy were celebrating their victory, Ango explained to them how the events at the casino were no victory, and how instead everything played as Fyodor has planned, claiming that Fyodor has not made any move yet:

Ango, ch76: “We lost because you let Sigma die. Now we have no leads to the Page. And… the Hunting Dogs saw us try to rescue him. In their eyes, that likely looked like the Detective Agency helping their terrorist allies. Our plan failed and we’ve only sowed more doubt. This is likely exactly as Dostoyevsky planned. Frankly… I can’t stop shaking. Until now, he moved none of his pawns and gave us no room to deal with him. (…)”

As I shall leave Ango analysis to Alex @vampireonastick like in this post here, I will return to the fact that so far the only true “chess piece” that Fyodor ever truly let die was Shibusawa. Then, to sum up, when his co-workers fulfilled their purpose and no use nor entertainment can be obtained from them anymore, Fyodor’s pattern seems to be leaving said co-workers with apparent indifference to their well-being, often abandoning them in a state or situation that is destructive to them (Shibusawa is the clearest example, but it applies to all other aforementioned characters as well). However, the twist is that none of these characters did reach the end of their assigned roles yet (and we may wonder if they will ever do that), given that Pushkin, Ivan, Nikolai, Sigma, Nathaniel and even Mushitaro are all alive and healthy. Consindering all this, the way BSD is narrated becomes even more interesting, because the reader would naturally project treating others as expendable on Fyodor, where in fact it is more accurate to Dazai’s character to act this way (and he did and does act that way, as @linkspooky pointed out in detail in their post here). Back to Fyodor’s “our boss does hate to be wasteful” line, while still just an interpretation, it would make sense that Fyodor refers to himself or his ability (if it’s a separate conscious being, see section G) as “our boss”, because all this information suggests that Fyodor himself hates to be wasteful, and that, excepting Shibusawa, Fyodor never wasted even a single pawn of his. That means Fyodor never neglects his co-workers (whom he calls friends!) and is never truly indifferent to them, albeit in an instrumental way, given that there is no proof yet that Fyodor’s care towards his co-workers is affectionate in nature. Let us close this section with a treat, though: in ch51 and ch53, there are two panels of a teacup with three teaspoons to its left. Differing greatly from the anime, albeit delivering the same subtle deception, these three teaspoons help in fooling the reader into thinking that Ivan poured tea in Fyodor’s cup, placed the teacup in front of him and then Fyodor consumed that tea, together with the jam that filled all three teaspoons at first (ch51). Given that 1) Ivan prepared the tea with three teaspoons of jam and 2) at the restaurant, Fyodor drank his tea exactly like that, with three teaspoons of jam, from this we can deduce Ivan is very familiar with Fyodor’s tea-drinking habits, which in turn leads us to the very likely idea that Fyodor and Ivan (if not also together with other members of the Rats in the House of the Dead) frequently had tea together, or Ivan prepared tea for Fyodor often enough to memorize his precise habits. The latter would support Ivan’s self-proclaimed status as Fyodor’s “head chamberlain” (ch52), suggesting that their group lived as family and / or nobility in the same house, if the definition of “chamberlain” is taken into consideration (Longman Dictionary: “chamberlain, an important official who managed the house of a king or queen in the past”).

D. No confirmation yet that he is brainwashing others and why this is relevant

Speaking of his methods of acquiring new collaborators, so far, it is most certain that Fyodor is not brainwashing people: not Fukuchi, not Nikolai, not Sigma, not Karma, not Pushkin, and certainly not the little girl with the grenades, even though the anime depicted the scene differently (in the manga’s ch47, a flashback appears where Fyodor talks to the little girl via telephone, thus he does not simply appear in her clouded mind like in the anime’s S3ep9).

But two characters Fyodor works with are in a very ambiguous position as of now: Ivan and Nathaniel. To begin with, Ivan’s case is very tricky at the moment. In ch53, he openly told Akutagawa that “my master cut out all the parts of his brain that feel unhappiness”. What can I say except our dear Vanya here is a lil’ crazy. I find his replies rather unreliable at the moment, because he is the only Fyodor-subordinate who is behaving like an intoxicated bacchant for now. While the ch53 quote is singular and, therefore, I cannot make anything of it, there is another thing that needs to be considered: in ch52, as he was walking away from Akutagawa and Atsushi, Ivan told them “I will not forget you. …No… You will now serve as part of my master’s joyful order”, but immediately after that he added “after 10 more steps, I will most likely forget your faces”. Apparent self-contradiction aside, whether he meant “forget your faces” literally or not, Nathaniel, too, went through an apparent mind-reset, as he did not recognize Akutagawa in ch46 and appears to have lost his entire personality except for his devotion to Margaret Mitchell and his determination to save her life. Now, mind-resetting and brainwashing are not the same, and removing a part of one’s brain or mind that is responsible for a specific emotion is, likewise, something entirely different. The manga did not give us further examples of similar things that Fyodor apparently had a role to play in, so I cannot present anything new here, only speculation. We also do not know if these effects are caused by Fyodor himself (without using his ability at all, much like he could simply talk Ace into his own suicide in ch42) or Fyodor’s ability specifically. This simply limits my current analysis of Fyodor’s methods to the beforementioned “communication, negotiation, manipulation” trio, which is not dependent nor related to his ability, and I will update these parts if the manga later reveals that Fyodor did indeed mold the conscience or minds of other people into whatever shape or state he desired. Until then, he is literally just a genius smooth-talker, and I refrain from making rash affirmations or going into more speculation here.

E. He loves and lives for entertainment

So many canon lines convey Fyodor’s love for entertainment. It is more specifically entertainment in a “good literature” sense, meaning conflict, tension, intensity of will and emotions, devotion, despair and generally human beings fighting for their needs or to solve their problems of many different, often opposing kinds. Let us take Fyodor’s own words as references. First of all, at the beginning of the Dead Apple movie, as younger Chuuya destroyes the entire building in which he and Dazai found Shibusawa the first time, Fyodor watched the scene from a safe distance, on top of a building. All he did was “absorb” the whole event with utter satisfaction, concluding the scene with his line “This is too much fun”. The motif is repeated several times in the Dead Apple movie, linking his own enjoyment of whatever chaos unfolds to “fun” and “entertainment”, so this line is not the sole evidence that entertainment is greatly valued by Fyodor, as it is the thing opposed to boredom, which constantly eats away at his and Dazai’s hearts because of their superhuman intellect. As Fyodor was getting the two most important ability gems ready for his and Dazai’s plan, Fyodor tells Dazai “Would you not agree that the more entertainment there is, the better?” (dub); moreover, at the end of the movie, his lines highlight the privileged spot of “entertainment” in his understanding of the world around him again:

Fyodor (sub): “Everything is but entertainment. But in order to end this world, rife with crime and punishment, I do need that book. The blank novel sleeping in this town.” Fyodor (dub):“Everything is just entertainment. However, this world is so rife with crime and punishment… In order to finally end it, I do need that novel. This special book that sleeps somewhere within this city.”

However, paying close attention to his words, we need to consider the possibility that in this instance Dead Apple either contradicts or deceives the watcher greatly, because in the manga Fyodor’s goal is clearly referring to “saving the world”, not “ending the world” (see also section G, near the end, for more on Fyodor’s possible motivation).

Now, in the manga (ch63), Fyodor stated that he openly refused to devise a perfect plan (as demanded by another Decay of the Angel member, possibly Fukuchi) because perfection is boring (Fyodor, ch63: “A Decay comrade asked me for the perfect plan… but perfect is so boring. I won’t be able to view the karma of humanity like this”). While at first glance one could be surprised by this statement, especially considering that “God prefers perfection and harmony”, in Fyodor’s own words from ch77 (see section G where I expand on this specifically), both lines (perfection is boring + God favours perfection) could potentially be extremely deceiving: since the Agency knows Fyodor is involved in crafting the Decay of the Angel’s plan, it is probably this implication that leads, for example, Kyouka in ch63 to tell Atsushi that their plan is “extensive and flawless”, and Atsushi’s inner monologue, as a response, appears together with a panel of a faceless Fyodor pulling strained strings in the darkness. If everyone expects Fyodor to be perfect and to create flawless strategies, an opponent like Dazai could include unpredictable, irrational or impulsive actions in his own strategies to outsmart him, as Dazai describes his appreciative acknowledgement of this behaviour he finds in other people (Dazai to Fyodor, ch77: “What’s driving the world are those in the storm of accidental events who scream, run and spill blood. Faced with their souls, you and I should be petrified with fear”; more on this specific dialogue in the next paragraph). But knowing this reaction would be triggered, Fyodor could always integrate imperfections in his plans, leaving his opponents with the impression that they act in the right way, on their free will, when in fact nothing they do has not been already considered by Fyodor (holding true to his lines from ch42). Personality-wise, the “perfection is boring” line becomes relevant if (and only if) Fyodor really, truly means it literally, and 1) does not say it just to tell what his opponent(s) (or the reader themselves) would want or expect to hear, without meaning it, or 2) does not say it as some kind of reverse-psychology, without personal attachment, to trigger predictable reactions in his opponent(s) (again, see section G for a continuation of this particular discussion). As a last example to support the idea of Fyodor loving entertainment, finding both fun and beauty in it, when a very shocked Dazai was asking Fyodor about the reason (“for what?”) for his stupefying strategic moves (the coin bombs, staging the casino as the battleground etc.), Fyodor only replied “Isn’t it more beautiful that way?”.

Now, ch77 presents us with a dialogue between Fyodor and Dazai which seems easy to understand at first, but becomes increasingly complex the more one dwells on it. To remember the full context clearly again, I shall sum it up and add the full relevant quote here: after Fyodor told Dazai that “God favours perfection and harmony”, after which it is confirmed that the Page was also used for changing all the world’s police and investigative agencies not to act upon evidence of someone framing the Agency, a parallel is shown with Tachihara who, inside his heart, decided to finally identify fully as part of the Port Mafia, exiting the inner state of being a Hunting Dog (military police force), thus existing the Page’s influence. Tachihara’s situation exemplifies what Dazai then explains to Fyodor:

Dazai, ch77: “Ha-ha-ha-ha-ha-ha-ha-ha-ha! Siding with God sure didn’t teach you much!” Fyodor: “…Let’s hear it.” Dazai: “‘Perfection and harmony’? To God, those amount to a hill of beans. I saw it many times. All HE offers is happenstance and absurdity. A weakness… shared by the two of us… For all our ingenious plans, in the end we’ve wound up here, in a deep-level prison. What’s driving the world are those in the storm of accidental events who scream, run and spill blood. Faced with their souls, you and I should be petrified with fear. (after POV change to Tachihara) You’re right. People are sinful and foolish. But… they aren’t as boring as you think they are.”

In Dazai’s dialogue, I put in bold two quotes that need to be inspected. The first one refers to Dazai pointing out a weakness the two geniuses share, which refers to the primacy of the accidental in reality, as opposed to the predictability both Fyodor and Dazai operate with in all their plans, which can make the world seem trapped in an inescapable causality rationally-accesible to those with an intellect such as theirs. Dazai “bets” against Fyodor on this cruel primacy of “happenstance and absurdity”, where reason fails to follow the exact consequences of each event or human action, and yet the nuances and risks of this “bet” I already exposed in the paragraph above. In this context, Dazai seems indeed to talk about this weakness in an admirative, even hopeful tone, despite the fact that he shares it; for a brilliant exposition on Dazai (both the author and his BSD counterpart) in relation to sin and weakness, I wholeheartedly recommend reading Kat’s (@pompompurin1028) essay here. When Dazai stated this, a flashback to Odasaku’s fight with André Gide is shown, which can be interpreted as that one time Dazai’s predictions held true, yet still Odasaku chose to fight Gide, fully aware of the end, driven only by what I would call here human subjective drive. Such human subjective drive, independent from reason and logic, is what awakened in Tachihara as well: if Odasaku served as an example of “defeating” Dazai by exploiting his vulnerability to the (uncontrollable) accidental, then Tachihara served as an example of “defeating” Fyodor’s precautious plans by unexpectedly exiting the Page’s influence. In the end, this parallel can become unbalanced if Fyodor already included this kind of variables in his plans and works not ignoring, but embracing human individuality and spontaneity, which I would argue is (paradoxically) more likely the case, for what I exposed in sections B and C.

As for the second quote I put in bold, there are at least the following examples that render Dazai’s assumption (that Fyodor considers people boring) untrue: 1) in ch75, Fyodor openly praised Sigma, carefully examining his personal torment, placing him not only above the Hunting Dogs, but also above Dazai and himself, as well as “all of creation” ; 2) in ch78, in a flashback, as a reaction to (presumably listening to) Nikolai’s inner struggle, Fyodor replied “That’s wonderful”, smiling and tilting his head (see section B, as well as H for the significance of the tilt of the head); 3) in ch80, Fyodor described the Agency “as beautiful as the evening sunlight (…)”. If people are indeed boring to Fyodor, he would not find their struggles and states worthy of deeper consideration, lengthy speeches of praise or expressive, poetic comparisons (admittedly with a dash of pity and sarcasm towards the fate of the Agency). So far, Fyodor is never shown expressing boredom in the presence of other people, quite the contrary: he is shown expressing sincere interest, as if each human is a case study, an enigma to be unravelled, much like Fyodor himself is to me, and to us within the BSD community (therefore I chose that specific fragment from F.M. Dostoyevsky’s letters to start my essay with, as a motto; there is much more to be said about that, but I reserve that for another possible future essay, where it would be necessary to discuss Fyodor’s character in light of his corresponding author’s biography, personality and literary works as a whole). And so, I would argue that to Fyodor humans are not boring, but providers of entertainment worthy of attention and inspection, even more so when they play a role in his plans (and it seems everybody is playing on a stage set by Fyodor so far).

Fyodor is also quite fond of not only perceiving events or circumstances as games (like his mental chess game with Dazai in prison, starting in ch63, always mirroring the course of everyone’s actions outside), but also proposing this approach to others (his rooooundtable in ch64 and his card guessing contest with Ace in ch42), albeit not carelessly, as each time such – yeah, I cannot avoid it at this point, I’m a gamer myself, here it comes *inhales deeply* – each time such gamer approach has a multifaceted utility and never strays from serving Fyodor’s two main purposes, achieving his plan to cleanse the world of abilities, and having fun (yes). Killing boredom via playing games, especially when in the company of a person on the same level, seems to be the first move Fyodor does when faced with monotony (even in vol. 20’scredit page, where Fyodor said “I’m bored. Let’s play twenty questions”, even if Dazai immediately delivers the final answer “Snow White”, and thus Fyodor retracted his idea with “Actually let’s not”, as Dazai’s superhuman intellect killed the fun too fast).

To look into two examples just a bit more, in ch64, during his roooooundtable with Dazai, Fyodor suggested “Next, let’s ask a question at the same time”, which appeared to be innocently fun, because it challenges two persons, in this case a native and a non-native speaker of Japanese, to coordinate their spelling just for the amusement of simultaneity; then, in ch97, as Nikolai’s deadly prison game was about to start, Fyodor lamented the outcome he was confidently foreseeing: “Yet losing a chess opponent in the next 30 minutes is still quite sad”, saying this teasingly, still talking as if in the context of his and Dazai’s mental chess game. On a last, entertaining note, because why not, this entire section might as well serve as proof that Fyodor is cat-coded, just like Dazai (see @wintertaurus ’s post here, where they scientifically prove this, I don’t make the rules), despite being the leader of the Rats in the House of the Dead, and so one more fine example of a fictional INTJ further strengthens the definition of INTJs as “human cats”.

F. Humble, not arrogant. Self-proclaimed god or servant of God?

Starting with the latter half of this section’s title, that is a very tricky subject, in fact, because we as manga readers can observe both 1) one line that established a connection early-on between Fyodor and calling himself “a god” if God is dead and 2) many lines by which Fyodor is actually displaying behaviour and speech akin to a self-aware servant of God. Let us begin with the first one. So, in the first chapter dedicated to showing Fyodor to the readers in more detail (ch42), and only in the original Japanese version and the fan translation, the first page of the chapter together with the last page feature a quote from F.M. Dostoyevsky’s Demons. The quote put together is “If God does not exist, I am a god”, which is part of a dialogue by the character Alexei Nilych Kirilov (“Если нет бога, то я бог”, see Part Three, chapter VI, II). Perhaps a beautiful coincidence, but in this exact wording that the fan translation chose, the quote also appears in Albert Camus’ The Myth of Sisyphus, chapter “Absurd Creation”, subchapter “Kirilov”, where the French author discusses F.M. Dostoyevsky’s Demons and the mentioned character, Alexei Nilych Kirilov. There, Camus calls that line “Kirilov’s premise”. In retrospect, this is a very puzzling line to appear associated with Fyodor, or rather appear as spoken or thought by him, giving the ambiguity of the quote’s placement on the pages. It is also puzzling because until now BSD gave us a character who seems like a better candidate for using that quote or being a reference to Kirilov, and by that I mean of course Nikolai. Moreover, the way Fyodor talks about or mentions God in dialogues that are clearly spoken by him later (I shall discuss examples in the paragraphs and sections below) very much conveys the message that Fyodor does not think God is dead, invoking him over and over (whether he is referring to the Judeo-Christian God or simply “a god” is not yet addressed in the manga). Still, the most striking information about this quote remains the fact that it is not featured in the official English translation at all. For comparison, I shall put an image with the last page in both versions below, and you can see the scan of the Japanese first page of ch42 here.

As we are walking on quicksand with this one, let us move on to the second point I mentioned at the beginning of this paragraph, about Fyodor as a servant of God. Because of his mission, of which he speaks as if it is of a higher calling, of divine nature, Fyodor also appears to see himself as a servant, namely a servant of God (servus Dei). He has the mind and the skill to carry out a mission of divine proportions (for us readers still an ambiguous goal: Fyodor, ch46: “And I will use that Book to make a world free of sin and skill users”, where “skill” means the same as “ability” and “gift”, as the fandom is used to these terms more). This, in turn, could have made him develop a strong sense of responsibility and a feeling of authority. As we are currently following the “servant” train of thought, these (sense of responsibility and authority) are not to be confused with what is called a “god-complex”, a slang expression which loosely corresponds to different actual psychological disorders such as narcissistic personality disorder, a thing Fyodor does not display core traits of. As of now, Fyodor remains surprisingly humble, discreet and respectfully formal both in speech (see @looking-for-stray-dogs’s posts here and here) and in gestures (see section H, on Fyodor’s body language), he acknowledges the possibility of imperfections and even welcomes them (ch63), he was never portrayed as becoming irritated at others (except his eyes expressing either anger or furious determination, as Dazai attempts to drown him and Chuuya in ch101), he is not a show-off and is indifferent to being adored or agreed with, and he knows how to take criticism elegantly when Dazai holds different opinions or outwits him. It is true that his grandiose “divine” goal, his frequent use of manipulation, and his apparent omnisciency and unbreakable composure give enough space to speculate regarding an underlying “god-complex” in his character (together with the ambiguous use of the quote discussed in the paragraph above), but the reader must acknowledge that, in all his replies, Fyodor refers to himself as if to a servant of God par excellence, as is the most evident in his ch77 reply to Dazai: “Me? I didn’t do anything. I just sat here and prayed… and those prayers were answered”.

This direct self-characterization, too, plays against him having an actual “god-complex”. I would say that, by building on the humble yet powerful servus Dei image, if at all intentional, Asagiri presents us a far more complex character in Fyodor. For example, one of the many important subjects in Biblical exegesis, since the beginning centuries of Christianity, was how Jesus Christ, the Son of God, took upon himself the role of servant of God (see Philippians, 2, 6-7), but also of all humans (see the Washing of the Feet), and so humility and divine power become two closely tied ideas. In the manga’s context, Fyodor’s own humility can also have an added disturbing effect on the reader because of the implied power that coexists with it.

On the topic of the “arrogant villain” stereotype, I myself cannot find instances where Fyodor is, per se, arrogant. Longman Dictionary defines “arrogant” as “behaving in an unpleasant or rude way because you think you are more important than other people”, but we know for a fact that Fyodor behaves far from rude and unpleasant to others. Quite the contrary, he is humble and considerate, as can be deduced from his way of using the Japanese language (see the references linked in the paragraph above). He is never portrayed denigrating, humiliating or belittling someone else thus far. What is true is that Fyodor considers his goal (and not necessarily himself unless the manga reveals the opposite in the future) superior to anyone and anything on Earth, and this accentuates his heavy use of smooth manipulation instead of inflating his ego, actually hiding his true self behind more and more layers of words and actions he uses out of necessity to reach his higher goal. If we speculate that Fyodor is indeed (Orthodox) Christian and familiar with this doctrine, then it would be no surprise why Fyodor would cultivate humility instead of pride in general, as pride (superbia) is the beginning of all sin (Sirach, 10, 15) and when pride comes, then comes disgrace, but with humility comes wisdom (Proverbs, 11, 3). To sum up, I cannot find any manga panel where Fyodor is acting in an arrogant way, so I reached the conclusion that anything related to his arrogance, his stubbornness, his rudeness or, by extension, his superiority-complex is headcanon-territory at least for now. Only in chess did Dazai mention the “maliciousness” of Fyodor’s move while playing mental chess with him (ch72), and this malicious trait can refer to the bold and shocking way in which Fyodor attacks by directly using his King instead of other chess pieces (for a detail exposition of their chess moves, see @blackandwhitemusician ’s post here). Interestingly, Fyodor does indeed reply with “Malice is the greatest fruit God ever gave to man”, yet from what I gathered so far we still have yet to see a true act of malice from Fyodor, that is, an malicious action done for the sake of malice itself, and not for the sake of his higher goal demanding sacrifices or attacks on rival organizations. Lastly, from the current content one can safely deduce Fyodor is individualistic (in contrast to Dazai who seems to learn to rely on others, but once again I shall point to @linkspooky’s post here to underline how, as they said, “Dazai doesn’t work together with others, he manipulates for the greater good”, emphasis in bold mine), but it would take more manga updates to make a step further and pinpoint Fyodor’s egoism or narcissism if he has any of these traits at all in himself, and not in how others portray him when they think about him (how Atsushi imagines him in ch63, or Ango in ch77, or Ranpo in ch95). Not only does Fyodor break antagonist stereotypes with these traits, but – still keeping the quote analyzed in the beginning of this section in mind – he continues to embody shockingly contrasting ideas all within himself, which takes us to the next section of this essay.

G. A strange divergence inside Fyodor. Is he a singularity?

Before I reach the point I want to present here, I suggest we reflect once more upon that unforgettable scene. Continuing in the atmosphere of the ideas from the paragraphs before, it is also important to remember how, in Dead Apple, Fyodor said “I am crime”, whereas his ability said “I am punishment”, and none of these imply Fyodor is seeing himself as a god incarnate who applies punishment, only that there is an open possibility that his ability, if it is an independent being/soul, might see itself as such, i.e. a force to punish others and/or to punish Fyodor himself. This would assign Fyodor himself the role of an agent serving someone or something else (presumably his own ability). About this, a quick note must be made here: since this is a piece of Japanese media, the word “god” can end up referring to something else rather than the Judeo-Christian God (whose name I always capitalize in this post, to emphasize the difference). We do not really know to what god Fyodor refers to all the time, who or what it is, or if said god’s identity remains the same throughout the manga. In this post, I chose to work with the assumption that Fyodor is Orthodox and refers to the Judeo-Christian God. Despite this assumption, I find the relationship between him and his ability truly intriguing, even more so if we put this discussion in the context of “singularities”, also known as “self-contradictory-ability-types”. Now, so far there are two clear instances where self-contradictions are implied in his dialogue, one of them being this scene from Dead Apple, the other one becoming evident when we connect Fyodor’s replies in ch63 (left) and ch77 (right).

Fyodor, ch63: “A Decay comrade asked me for the perfect plan… but perfect is so boring. I won’t be able to view the karma of humanity like this.” Fyodor, ch77: “You pulled the strings of conspiracy yourself, no? But God prefers perfection and harmony. Thus, I followed the heart of God and added one line to the page.”

By openly giving contradictory information, to me this is exactly an occurrence of a stark divergence within Fyodor, so let us give it our complete attention in what follows. Firstly, there is the possibility that Fyodor could choose to say something intentionally if he would directly benefit from the receiver hearing those exact words, even if Fyodor’s own belief lies somewhere else entirely (so the question to that remains open: what does Fyodor truly think about perfection, imperfection and God?). Secondly, in Dead Apple, we see Fyodor and his ability merge back together, from two bodies back into one single body, and this action seems completely voluntary on their part, thus opening the possibility that Fyodor and his ability could manifest separately when they will it. This makes me wonder if each of them can take over their shared body (in turns) when they will it, so that one of the lines reflects Fyodor’s way of thinking, and the other line reflects his ability’s way of thinking, thus the two statements are made in separate frames, resulting in no contradictions being made if, and only if, Fyodor and his ability control the shared body in turns. Even so, because they coexist, the ingredients for a singularity are already there within Fyodor, given this example and the Dead Apple scene, because Fyodor and his ability each identify with a term that contradicts the other (“crime” and “punishment”), with a possible implied superiority or “victory” on his ability’s part (the “punishment” bringing the “crime” to an end, lastly “killing” it on a conceptual level, in a succession that implies a linear flow of time). It would be all the more logical, in this context, for Fyodor to desire victory over his own ability at all costs. How his goal is worded in the Dead Apple Official Guidebook, as pointed out by @aja154ever here, could also indicate a suspicious tension between Fyodor and his ability: “To create a world without Abilities is his desire, and it is a mystery if this has any connection to his Crime and Punishment Ability” (see the quote’s full paragraph on his ability in their other post here). For important references from the light novels on what singularities are, how they come into being and how they can manifest, as well as a wonderful theory on the possibility of Dazai being a singularity himself, see @beans-beneath-moonlight ‘s post here. To close this chain of ideas, indeed on the open possibility of Fyodor being a singularity too, I want to mention what @beans-beneath-moonlight observed in their post too, namely that in the BSD light novel 55 Minutes, there is also “Gab”, Jules Verne's ability that took over and killed him, continuing to live on its own as a separate being, so abilities existing separetely from their user’s bodies, as well as malicious abilities that can turn against their users, both can exist in the BSD universe. Lastly, I put just one useful, but short reference below, on a singularity’s cause and terminology:

Professor N in the BSD light novel Storm Bringer: “By causing a logical conflict with your own ability instead of with someone else’s ability, you can create a singularity,” as he said that Professor N raised his index finger and twirled it around. “That sort of ability. The German researchers who first discovered this, had named it ‘self-contradictory-ability-type’.

There is one last relevant dialogue I want to analyze here. Below are all of Fyodor’s words from his first appearance in ch12:

Official translation – Fyodor, ch12: “It’s all as I predicted. No matter what happens, we reserve the right to do as we please. Just as the hand of God and demon wills it…” Fan translation – Fyodor, ch12: “Everything is going as expected. In any case... you are now given free reign... as indicated by the right hand of God and the demons.”

Notice how the official translation says “the hand of God and demon” (demon is singular), while the fan translation says “the (right) hand of God and the demons” (demons is plural). I asked @popopretty for their advice as to how to understand this line better and, according to them, the Japanese quote allows for the noun “demon” to be translated either way. I shall put their answer below:

@popopretty: (…) according to the Japanese version I have, the original phrase for that last sentence is “神と悪霊の右手が示しす通りに”, which directly translates to “as the right hand of God and demons show/point to”. There is no word to indicate that the word demon is singular or plural, but looking at the context, I think it is safe to assume that its plural. It says “right hand” here, which I believe because the phrase “right hand of God” is used a lot in Bible. It doesn’t make much different compared to the “hand of God” though, so I think the translation you quoted is close enough.

I agree that the chapter’s context, as well as the two coated shadows behind Fyodor, allow for an undertanding where “demons”, in plural, refers to Fyodor’s co-workers within his organization, Rats in the House of the Dead. However, since the official translation opted for “demon” in singular, I want to explore the other possibility here: what would it imply if “demon” is indeed meant to be singular here? I would connect this to what is stated to be Fyodor’s motto in the Dead Apple Official Guidebook “Mist Records”: “Follow the guidance of God’s hand”, as translated by @looking-for-stray-dogs here, or “Let the hand of God guide you”, according to the BSD wiki. It seems Fyodor’s character is connected once again to the symbol of the hand, specifically the manus Dei or dextera Dei, which, in art history, indicates divine intervention, divine approval, divine acceptance, as well as God’s – the Creator’s – omnipotence (see, for example, Acts, 7, 50: “nonne manus mea fecit haec omnia?” – “was it not my hand that created all these <things>?”). The hand of God can not only refer to God (the Father) himself, but also to God (the Son), appointing him to his right hand’s side (as prophecized), which means divinely appointing him as both his “representative” and “equal” (“sede a dextris meis donec ponam inimicos tuos scabillum pedum tuorum”, which, mot-a-mot, would go something like this: “sit to my right hand’s side until I put your enemies as the footstool of your feet”, which is Psalm 109, 1 in the Biblia Vulgata, a verse invoked by Christ himself in Matthew, 22, 44, marking a fascinating continuity between the Old and the New Testament). So, considering this information, the expression “the hand of God and demon”, referring to the subject or entity who “wills” whatever it wills, establishes not only a connection, but a shocking equality between the nouns “God” and “demon”, as the hand belongs to both of them. By definition, the two nouns cannot be synonyms, under no condition, thus the subject of the action makes no valid sense and cannot be an actual conceivable “being” without an external reader’s interpretation (like this one I am trying to unfold). Following on that, what can exist or be conceived in the human mind is someone or something whose “being” implies the contradictory yet inseparable coexistence of someone / something that possesses godly traits and someone / something that possesses demonic traits. Therefore, I interpret the expression “the hand of God and demon” as referring to Fyodor himself, or, more precisely, Fyodor’s existence, which implies him and his ability together, where one represents the “god” and the other the “demon”, although it is still unclear which is which. Given all this, I propose the theory that Fyodor is a singularity, just like Dazai (continuing in the spirit of @beans-beneath-moonlight ‘s theory post I referenced before).

Moving on from the singularity discussion, based on Dead Apple’s “I am crime. I am punishment” scene once again, one can only be certain that the link between “sin”, “ability” and “punishment” becomes even stronger, but apparently so does the link between “human” and “crime”. It is no surprise that the famous nouns of the literary work are used for this scene, nouns that can refer to both the active and the passive component of the implied action (commiting a crime vs being the victim of a crime; applying punishment vs receiving punishment). This begs the questions: would freeing the world of abilities also liberate Fyodor of his own punishment (whatever it is, if it exists at all)? does “freeing” the world of abilities even imply “killing” the gifted, and if yes, would that lead Fyodor to a final act of self-sacrifice (or, closer to the etimology of the word “sacrifice”, an act of making the offered thing sacred – himself in this scenario, together with all the gifted)? If we take into account how Fyodor concluded that he and newly “scouted” member Nathaniel Hawthrone “will cover this land in the blood of the sinners” (ch37), together with what Fyodor said as he and Karma looked at Ace’s hanged corpse (ch42, Fyodor: “Thinking is a crime. Breathing is a crime”, or, in the anime’s dub, S3ep4, “Crime starts with thought. As natural as breathing”, emphasizing the naturality of whatever Fyodor identified as humanity’s “crime”), as well as what Nathaniel chanted as he was on his assassination jobs (ch46, to Fukuzawa: “Death! Death! Death to the skill users! An eternal underground sleep with no awakening!”, as well as ch46, to Akutagawa: “Death! Death! Death to the skill users! … To revive my beloved, I must execute the contract of death”), then we have canon ground to believe the death of all gifted is necessary after all, yet Fyodor never uses such expression. It is always “freeing”, “offering the salvation of death to the evil” (note how he does not say “the gifted”), “granting the great silence”, like in how Fyodor talks to Karma in S3ep4: “All evils that plague this world will receive the mercy of death”, “I will do you the honour of granting you the great silence”, “May you be free from the shackles of your crimes, and your soul be salvaged”. This raises another problem: Fyodor himself, as he says, applies cleansing, purification, salvation, liberation, but his ability clearly refers to these acts as “punishment” instead, which is a completely different concept in a religious context as well. So far, once again, this marks a divergence between Fyodor and his ability, another clear moment when the ability seems to behave like a different entity than its user, with a different perception of what the ability itself does (one possibility being, what to Fyodor is “freeing”, to his ability is “punishment”, or that his ability’s “punishment” is a “cleansing” or “freeing” in a corrupted sense of the words). As a closing remark regarding Fyodor’s goal in general, there is still a lot of room to speculate on its true nature if we consider the possibility of Fyodor opposing not the Agency, nor the Port Mafia, but first and foremost the military and different governments who 1) already have a bloody history of using ability users in the war (as implied by Yosano’s backstory and the bits of Fukuchi’s backstory), 2) had (and might still have) special laboratories researching and even artificially creating ability users or researching ways to exploit singularities (BSD Storm Bringer), 3) may have massproduced abilities of specific destructive types, according to one war story of Fukuchi’s past merits (ch82, when we are told he led an operation to eliminate 100.000 “skill-based ‘werewolf’ test subjects”, with Teruko and Jouno visible alongside Fukuchi in the panel describing this – one hundred thousand “test subjects”! for what?), 4) was aware of or working according to an entire skill doctrine, already developed and, I assume, generally-known at the time Mori used Yosano, a mere child, as his slave to achieve his Immortal Regiment plan, meant to prove that abilities are indeed suitable for use in war (ch65). In relation to this, we could take into account the possibility of Fyodor being repulsed by Ace’s behaviour in ch42 (as suggested by certain expressions of Fyodor in the manga), given that Ace represented the perfect example of someone using other people without any consideration of the weight of their lives, their personhood and their inner world. If this is the “evil” that Fyodor wants to purge from this world, and if making abilities disappear, one way or another, would make him accomplish this “greater good” (ending the use and abuse of ability users worldwide), then we are all the more justified in weighing the morality of anyone involved in this large scheme, starting with those implied in Natsume’s Tripartite Framework, supposed to maintain peace in Yokohama (the Armed Detective Agency, the Port Mafia, and the Special Division for Special Powers together with the military police). Besides this, how he phrased his goal in ch46 draws attention to how he identifies at least two different “sins” in current mankind: 1) that they consciously ignore the fact that they are controlled, and 2) that they keep killing each other regardless of said knowledge (ch46, Fyodor: “Man is sinful and foolish. Even if they know it is all an artifice, they cannot help but kill each other. Someone must purify them for those sins”). Based on this, one can assume he wants to stop people from killing each other, by itself a noble goal, but a backstory is much needed to understand the real nature of it before applying judgement. Personally, based on the current status of the manga, I am neutral on this while keeping it in mind, because Fyodor’s higher goal is still ambiguous, and one should not sugarcoat him, nor paint him as a pure demon just yet. After all, all BSD characters are extremely nuanced, and tastefully so. If we also take into consideration his profile page from the BSD Season 3 guidebook (see @ahli-stuff ’s post here) and how he considers his strength “wishing for world happiness” and his favorite type of person “someone who loves all humanity equally”, we can further wonder if Fyodor will be revealed as a character who genuinely cares the most about all of humanity, with a love that may or may not have become dark till present time, or a love that demanded and still demands the cruelest sacrifices.

H. Soft, discreet, graceful, yet playfully dramatic. His body language in the manga, in comparison to the anime

There are many differences between the manga representation and the anime representation of Fyodor’s body language, not to mention the representation of his character overall. I suggest we treat the manga and the anime (this includes Dead Apple) separately and leave the creation of a clear list of the converging and diverging points for another potential post. I shall begin this section with the following statement, in hope of leading anime-only BSD fans to the truth: soft Fedya is real, because canon Fedya is soft. In the manga, Fyodor’s postures and gestures convey gentleness, discreetness, grace and fragility, in multiple instances I shall present below, in a random order.

MANGA. Being considerate. Speaking of discreetness and being considerate, let’s list a few examples of that. In ch42, when Fyodor’s ability activated to kill Karma, causing blood to shoot from Karma’s face, Fyodor did not look at the dying child, turning to face him only after he died, which can be interpreted as an act of respect for Karma’s intimacy during his final moments (see section B for a more in-depth analysis of Karma’s demise). Another occasion when Fyodor’s consideration was evident is in ch49 and how he took off his shoes and coat when entering Katai’s house (basic common manners, even though we must admit this is still bizzare in the context of breaking into a house to shoot someone, but read on), while the anime portrayed him fully-clothed, with his boots on (S3ep10), thus (what can I even say) disrespectful and uncaring of the cleanness of the (nonetheless wild and messy) house of his intended victim (in the end, not too surprising coming from the man who calls even his vampire slave with honorifics, “Chuuya-san”, in ch101, but also his abducted prisoner “Katsura-san” in ch47; for BSD uses of honorifics and nicknames, check this post here, but keep in mind that it covers info till ch87). His consideration of cleanness is also supported by the fact that Fyodor hid his ushanka in a clean, empty wooden box during his mission to stab Mori and infect him with Pushkin’s virus (ch46), yet the anime replaced the wooden box with a dumpster (S3ep8), setting the fandom down a cursed path of tasteless spamjokes basically.

Gentle touch of minimum intrusiveness. In the manga, the hand position when Fyodor is about to use his ability on someone also conveys gentleness and minimum intrusiveness (barely touching the forehead, using the tips of his index and middle fingers). Even the movement towards the forehead appears slow and elegant, thus even more sinister (for more on this hand gesture and its meanings, see section A). In the anime, however, this hand gesture is replaced by one that makes more physical contact with the other person, obstructing their view and breathing while being uncharacteristically intrusive: instead of Fyodor discreetly touching Karma’s forehead like in ch42, in S3ep4 Karma’s face is fully covered by Fyodor’s palm, which looks uncomfortable, unnatural and oppressive. Another revelant portrayal here, one that also conveys Fyodor’s overall gentleness in gestures, is present in ch64’s cover art: in contrast to Dazai, who holds his white pawn between his thumb and index + middle finger, Fyodor holds his black pawn between his thumb and middle + ringfinger, which, if reenacted, distinguishes itself by how Fyodor is using the least amount of pressure possible to lift the chess piece (thus very graceful), and so we have Dazai, who “takes” the piece and moves it insisting on a more secure grip, contrasting with Fyodor who “guides” the piece, letting it gently hang between his fingers as it is swayed following Fyodor’s movements.

High physical endurance. Despite his frail body, we can safely assume Fyodor has high endurance and vitality, given how he did not even flinch when Ace smashed a full wine bottle in his head (ch42) and how he let himself get captured and be kept in harsh prison conditions at least twice (ch42, ch54) before ending up in Meursault. There is also how he ran away from Mori and Elise (ch46) without gasping or showing fatigue afterwards. More canon material is still needed in order to establish how accurate or severe his self-proclaimed anemic condition is (ch42, “My body is weak and anemic”) or his low blood pressure (BSD Season 3 guidebook, but I only had access to this info via this post here and would greatly appreciate someone confirming this).

Oratory skills and expressive hand gestures. In the manga, Fyodor is always highly expressive in what regards his hand gestures during speeches, yet in a practical and elegant way, implying he has great oratory skills or training, besides excellent communication and manipulation skills (discussed in section C and pretty much all others). In ch42: Fyodor clapped as his card game with Ace ended, thus expressing joy through words and action; Fyodor pretended to be taken aback by Ace having listened to his and Karma’s talk, scratching his head in a wide-open gesture, conveying surprise and acknowledgement of Ace’s skills; Fyodor put a hand to his chest when telling Ace he has trained himself for “battles of starvation”, this gesture emphasizing the personal aspect of the information he offered, which this gesture implies is wholehearted and sincere. In ch46, while explaining his strategy and his way of thinking to Dazai, Fyodor uses various hand gestures to illustrate his phrases as well: extended arm explaining; hand pointing towards Dazai; explaining his higher goal with open palms in front of him, but close to his body, suggesting solemnity and confessed determination; sadly, all these gestures were replaced in the anime with Fyodor just holding his ushanka to his chest, conveying the same type of message as when he held his hand to his chest in front of Ace in ch42, as I described a few phrases above; still, at least in S3ep4 anime Fyodor gesticulated a lot while talking to Ace before the latter’s suicide, following ch42 pretty closely). In ch55, after entering Mushitaro’s basement prison cell, as Fyodor was revealing his intention behind freeing Mushitaro, he raised both hands to his chest, his fingers resting on each side of his heart, a gesture meant to suggest utmost sincerity. After that, still in ch55, when informing Mushitaro on the change of his condition (Mushitaro was captive, “but that ends today”, as Fyodor said), he held his right index finger to his lips, in a mischievous display of secrecy and child-like playfulness. This same gesture can have sinister undertones as well, given how it already appeared in ch47 in this way, where it is suggested, in a flashback background, that Fyodor did the same gesture when asking fake Pushkin to convey the “No changing the rules” message to the Agency, and they found this out after the death of the children. Lastly, these oratory skills can be used in playfully dramatic ways too, like in ch64, when Fyodor switched to the discourse of an overly-expressive, lively host of a (talk)show, as he suggested Dazai to participate in his “All-smiles Problem-solving Roooooundtable, hosted by yours truly, Dostoyevsky”, tilting his head further and further to his right as Dazai expressed growing confusion at first. About Fyodor tilting his head and what it means, see the paragraph below. So, all these scenes point to the fact that Fyodor gesticulates a lot, especially for emphasis and expressiveness during speeches or conversations, or for the fun of the dramatic effect.

Curiosity and tilt of the head. In conversational circumstances, we often see Fyodor tilting his head to his side. In his case, this is an expression of curiosity, in the sense of being (or wanting to appear to be) genuinely interested in the other person’s answers. Note that the simple tilt of the head to one’s side can also express endearment towards the thing one looks at (in genuine concern or admiration of something beautiful or dear, for example), but, combined with oratory skills – which Fyodor possesses as a master of communication – this can be a very effective tool that translates into non-verbal emotional manipulation. To give a few examples, Fyodor tilted his head 1) when he asked Sigma if he wished for a home (ch75), 2) when he replied to Nikolai capturing the essence of his inner conflict (ch78), 3) when greeting (and even bowing to) Mushitaro in the basement, just before offering him a deal to escape (ch55). In all these cases, the persons Fyodor was conversing with were already in a vulnerable situation (Sigma wandering in desperation, Nikolai presenting his inner struggle, Mushitaro being held captive), and thus Fyodor made sure to bind each of them to himself, planting the seeds of dependency by offering them validation and emotional response. Moreover, as a gesture of (apparent) trust, if someone tilts their head to the side, they present themselves in a vulnerable position (the neck area is open), subtly conveying the message that the other person is in a position of superiority, deepening the trap that, in Fyodor’s case, ends with the other people becoming dependent on him as the “benign” manipulator. Still, because of the display of vulnerability, the tilt of the head in itself is a gentle, humbling gesture, very fitting for Fyodor, whose character presence builds on the inexplicable tension between the terror and apprehension brought by his vast intellect and unknown powers, and the humility and gentleness of his speech and body language. The fact that, as of now, we still cannot draw a firm line and say from where to which point Fyodor’s gestures and words are genuinely benevolent or actually malevolent, so he remains beyond good and evil, and fascinatingly so, until more of his character or backstory is revealed. As a last example of Fyodor tilting not his head, but his entire body as an expression of curiosity, in ch42, finding Ace’s vault, Fyodor did exactly that and approached it together with a curious look (eyes opened wider, eyebrows raised), asking Karma something to which Fyodor already knew the answer probably anyway (“Oh, is this it? The vault where ace holds his jewels temporarily, to prevent a price collapse?”) and still Fyodor asked Karma because, I assume, having a conversation made the discovery simply more fun for the moment.

Biting his fingertips and nails. In ch42, Fyodor is seen biting his fingertips in three different panels, and yet the anime (S3ep4) never shows him doing this. Later on, we never see him biting his fingertips “on screen”, but “behind the scenes” he has been continuously doing so even up to the most recent chapter. Looking closely, you can see how his fingertips and nails are damaged and rough even at Meursault, for example, in ch95, when Fyodor is passing Dazai the salt, or in ch101, when Fyodor is inputting security codes to unlock prison doors. Of course, among other things, this habit indicates a Crime and Punishment novel reference, which should be discussed in a different post, and has in fact been discussed in nice posts by other BSD fans already. This aside, unlike his depiction in Dead Apple, manga Fyodor consistently keeps his hands ungloved.

Surprise and adrenaline rush. Other than the moments when his face shows curiosity, in the manga Fyodor’s composure appears to break rather often to express surprise, usually when 1) an brilliant move was made by an adversary team or someone else, but more recently also when 2) the enemy team made a move faster than Fyodor expected. In several of these occasions, his shock is accompanied by what seems to be delight, and I would interpret this as Fyodor enjoying the adrenaline rush of near-death situations (Nikolai’s prison game, introduced in ch95.5 / ch96, to which both Fyodor and Dazai reacted in a grimly ecstatic way) or general “end of the road” scenarios (Dazai and Fitzgerald “catching” him in ch53, although Mushitaro revealed that Fyodor’s capture was intentional in ch54: “And I… can never be forced to reveal the reason Dostoyevsky let them capture him!”). Now, for the second type of surprise, the clearest examples are Fyodor’s ch101 reactions to being cornered by Dazai and the prison room starting to get filled by heavy water. His expressions there do betray true shock, as much as his stare at the end of ch101 expresses true boiling anger and determination, but one must note that, despite letting his composure break, Fyodor may have already anticipated Dazai’s moves, and the true source of his surprise was Dazai executing said moves sooner than anticipated by Fyodor (for example, when the code input device explodes in front of Fyodor’s face, after an initial shocked expression, his eyes regain a look of steel, rationalizing “he got the circuit already”). In any case, for most insight on the whole ch101 situation and the in-context implications of this “already”, I recommend checking out @videogamelover99 ’s post here on, well, basically Dazai being too Dazai for his own good, or @vampireonastick ’s post here for more discussion on the whole ch101 situation).

ANIME. The anime went with a different characterization of Fyodor entirely so far (as of now, November 2022, the anime has 3 completed seasons, and the trailer for January 2023’s season 4 revealed enough to see the anime’s characterization for Fyodor has not changed at all). In the anime, instead of being soft and discreet, Fyodor is confident, audacious and, I would say, stereotypically evil and creepy, whereas in the manga his sinister side comes to the reader’s eyes as a result of all the subtleties his behaviour and schemes imply, as well as a result of the contrast between his gentle appearance and his unnerving actions and plans, as I already wrote above. For example, in S3ep8, anime Fyodor smirked daringly at Mori after he stabbed the Mafia boss, seemingly enjoying it, yet in the manga Fyodor kept a blank face. Since various other differences between the manga and the anime were already discussed before this point of my essay, I propose an analysis of Fyodor’s body language in Dead Apple specifically, which goes hand in hand with his portrayal in the anime, and therefore differs significantly from the soft Fyodor we get to know in the manga.

Secrecy. In Dead Apple, in the first scene that reunites Shibusawa, Dazai and Fyodor, we see Fyodor approaching their table with confident steps and hands in what appears a rather tight grip, as opposed to letting his fingers comfortably open on each side of his body. This could express repressed or hidden intentions, as his fingers, in a fist, cover his palms and do not allow a completely relaxed stance. Next, unlike Dazai, Fyodor does not cross his legs when at the table, he instead positions both his feet firmly and perpendicularly on the ground, which conveys confidence as well, and is meant to assert total control of the room. When putting his arms on the table, he intertwines his fingers and rests his chin on his joined hands. This is a meditative position, suggesting a serious thought process going on behind his puzzling smile (again, suggesting confidence), as well as careful planning, or simply waiting for things to happen as he planned beforehand. His closed eyes shut down the world outside him, we could interpret this as logical in this situation if Fyodor has already predicted and planned everything through, which the movie suggests was indeed the case. The outside world is not as necessary to see in that case, plus he is surrounded by people who will not act impuslively and threaten each other out of the blue, so a sense of blind trust stays between the three strategists. One last thing to note about this scene is the fact that only Shibusawa and Fyodor are facing each other, while Dazai is facing no one, which may subtly suggest the personal bond between Shibusawa and Fyodor, one that Dazai does not share with anyone in the room, or (arguably) anyone at all after Odasaku’s death.

Confidence. In Dead Apple, Fyodor’s pose conveys confidence when Shibusawa shows Dazai the Draconia room (Fyodor is seen with his left hand on his waist, in contrapposto); Fyodor’s pose conveys having hidden motives when he and Dazai entered the Draconia room in secret (Fyodor has his back turner to both Dazai and the viewers, with his hands in his coat’s pockets; Fyodor’s pose conveys confidence AND having hidden motives when Shibusawa surprisingly stabs Dazai, followed by Dazai asking Fyodor “Didn’t you lock the door?” (Fyodor has his hands in his pockets, but also smirks and chuckles at Dazai while looking down to him, with Fyodor’s chin slightly raised).

A playful mind. As to what regards Fyodor’s playful mind, it is made more or less evident through Fyodor’s play of words and sharp, intelligent replies (see section E for his love for entertainment specifically). In Dead Apple, as the singularity event unfolds, Fyodor told a shocked Shibusawa that he will “fill in all the blanks” for him: Fyodor added “I’ll even tell you what was cut out”, proceeding to cut Shibusawa’s throat immediately after. This is a splendid play of word and action, coordinating them in a twisted sense of playfulness, indulging michievously in living a life entertaining for himself. But seriously, for more on Fyodor and his sense of entertainment, see section E above, it would be superfluous to repeat ideas here.

– – –

11 November 2022. At last, we arrived at the end of this essay. The end for now at least, as I could technically add more analysis and external references in the future, if my irl schedule allows it. Since January 2022 I’ve been working on this “thing” I jokingly called “marriage proposal PhD”, because why not, this is an accurate example of how an ENTP proposes to an INTJ, where understanding the other (or continuously trying to) is peak intimacy and love. I guess. However, I “yeeted” my emotions out while I was writing this, because nothing would have angered me more than my appreciation of this character clouding my judgement or making me err in my pursuit of the many subtleties that lead to his many paradoxical traits. Whether I will update this post or not in the future, I cannot promise. This post is intended to be my last contribution to the BSD fandom, but my ask box remains open for futher discussions on BSD or other media analysis. I doubt fans will read everything I wrote, and I am certain the fandom will perpetuate the cycle of Fedya’s mischaracterization despite my best efforts to bring many canon scenes showing different sides of him into the spotlight.

Yes... Despite everything, I am at peace. I thought no media could revive my passion for analysis anymore, no character could make me draw fanart again, and yet... and yet!... Fedya is exactly the type of character one can analyze ad infinitum and feel thrilled at each discovery, at each little possible implication of a word or gesture. No matter how tranquil he may seem, no matter how certain we may be at first of his exterior serenity, for everything his character encapsulates, for everything we know and don’t know about him thus far, Fyodor’s soul is likely vessel to an incredible inner tension, origin of his determination. As I was writing more and more, I discovered he is intense, so truly intense, and that intensity has brought me… and brings me... and will bring me

boundless bliss.

Happy birthday, радость моя.

#bsd #bsd fyodor #bsd fyodor dostoevsky #bsd analysis #bsd meta #bungou stray dogs #bsd fyodor dostoyevsky #bungou stray dogs fyodor #bsd fyodor analysis #fyodor bsd #bungou stray dogs analysis #bsd character analysis #character analysis #analysis #unsolved and endless #beauties and gentlebeauties this is Lav's Fedya essay #please note that with a single reveal in the manga Fedya could make this entire thing come crashing down and I love this possibility #truly in-character till the end #Nov2022: my only regret is that I still had 100+ bsd analysis posts saved to read through and perhaps add more in-fandom refs to this #even when my and OP's analysis align only regarding 1 idea or 2 I find it highly valuable to cross-reference and communicate #I've seen both crueler takes and softer takes on Fedya's character - and some takes that have no solid canon ground as well #I value them all because discussion is important and it builds our minds - but mischaracterization should be recognized as such #I hope that in the future I can update this essay with more references to express my gratitude towards the analysis part of the fandom too #till then I hope the readers of this enjoyed it and know that I am open for discussion in the replies or ask box #even if it will take me a while to answer

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