#i know a lot of you followed me when i was drawing a lot of aoex so thanks for sticking around still!

[love4myg]

early mornings

summary. when time seems to bend every morning and love speaks through tender touches and quiet reassurances.

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pairing: yoongi x reader

genre: established relationship au, tooth-rotting fluff

word count: 1k

content: yoongi and oc wake up in each others arms / they love each other a bit too much and they make it pretty clear / they kiss a lot :3

warnings: fear of abandonment (kind of? if you squint??), allusions to sex

notes: idk why i'm procrastinating the third part of 'stumble into you' so bad, but this is a result of me still wanting to write something. also, ignore the images at the top if they don’t go well together, i’m too lazy to actually put in effort today 😭 likes, reblogs, comments, and asks are all greatly appreciated!! i love you guys and i hope you enjoy <33333

main masterlist

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Amber rays spill across the room, seeping between the gaps in the curtains and kissing your bare skin with its golden warmth.

Yoongi stirs under the sheets, attempting to untangle his limbs from you, who lay beside him. But your arms only tighten around him, and he quickly gives in to the comforts of your touch.

With your head on his chest and his arm secure under your head, he can't help the lazy smile that draws across his lips.

He's always loved early mornings with you; when neither of you have to think about anything else but each other; when time feels like it ceases to exist; when nothing else mattered, because why would it when you had each other?

You were his home; his universe; his first thought in the morning and the most frequent visitor of his dreams. Everything reminded him of you, and it was maddening. But he welcomed the longing with open arms, because he was a fool.

Because he knew that it was worth being foolish if it meant having you.

Yoongi places a kiss on your forehead, his lips pressing against a few strands of hair that lay messily across your face. The scent of your skin, faintly sweet like the lavender soap you use, lingers in the air as Yoongi buries his nose in your hair, taking in the quiet of the morning, broken only by the soft hum of your breathing. He moves his hand to rest over yours, running the pad of his thumb over your knuckles.

He doesn't expect the gentle action to wake you, but your eyes flutter open. You hum, the sound quiet and laced with exhaustion as you stretch out your body.

Your eyes light up when you meet his gaze and the butterflies in his stomach erupt, fluttering around wildly.

"Morning," you whisper. You peck his lips with a soft kiss.

"Morning," Yoongi echoes. A faint blush paints his features, and a giggle tumbles from your mouth. Yoongi catches the sound with another kiss; then a third one that lingers for a few seconds longer than the others.

It is almost embarrassing to admit the effect you had on him. You've been together for years, and known each other for even more. He knows every dip and curve of your body and you have seen him through all of his highs and lows. Yet, a kiss from you still has him blushing.

"Missed me?" you tease, and he hums in agreement.

"A lot." He kisses corner of your lips and the curve of your jaw. "You're so pretty."

You laugh; a soft sound that rings through the air. It has always been Yoongi's favourite melody-the one sound that made his heart swell and his eyes crinkle into crescent moons to accommodate his growing smile.

He tucks a few strands of your hair behind your ear, letting his hand stay to cup your cheek so that he can bring his lips to yours again. He’s addicted to the way your lips fit perfectly with his, and no matter how often he kisses you, it’s never enough

And you can't stop smiling.

The feeling that courses under your skin is almost overwhelming. It still feels surreal—that kind of love, where just being with him made the world right

The possibility of losing Yoongi terrifies you, but it's a fear that follows you everyday. Sometimes, you expect to wake up one day only to realise that this is all a cruel dream, or to find the house suddenly void of his belongings and his presence.

Sometimes, the fear creeps in before you can stop it, a quiet panic that gripped you in the space between sleep and waking. You’d reach out, half-afraid to find the bed cold and empty. But then, your hand would meet the warmth of his skin, and the fear dissolved into nothing. Because every morning, he's here. Solid, warm, and real, wrapped up in the sheets beside you. His sleepy eyes, the soft curve of his lips, the way he pulls you closer as if you’re his anchor—it’s all so undeniably Yoongi, and it makes your heart flutter with a mixture of disbelief and gratitude.

You press your forehead to his, noses brushing, as if the closer you hold him, the more real this will become. Yoongi's fingers trail lightly over your skin, tracing invisible patterns that make you shiver.

“You’re thinking too much,” he murmurs, voice raspy but tender, like he's always known your thoughts even before you speak them.

You let out a soft sigh, trying to find the words, but they dissolve on your tongue when his hand glides over your waist, settling at the small of your back.

“You’re here,” you whisper, more to yourself than him. It's a quiet confession of the relief that washes over you each time you wake up to find him still beside you. He smiles against your skin, a low hum of agreement in his throat. "I don't know what I'd do if you weren't here."

“I’m not going anywhere,” he promises, his voice carrying the weight of every unspoken assurance. "You know that I'll always be right here-right beside you, whenever you need me."

For a moment, the world falls away. There’s no fear of loss, no dread of waking up alone. It’s just him, his presence grounding you, his breath steady and warm against your neck. The intimacy of the moment swells between you, a shared heartbeat that drowns out the rest of the world.

Your legs tangle beneath the sheets as he pulls you even closer, his hand finding yours under the covers. His touch is gentle, tender, as if he’s memorizing every inch of you, and in the glow of the early morning, you feel more connected to him than ever.

You close your eyes, letting the warmth of his skin seep into yours, feeling utterly safe in his embrace.

And in that moment, you know—this is home.

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[anniflamma]

This isn't a question, but rather a love letter to your art<3.

Thanks to you, I've started enjoying Greek mythology and the Bible again (I mean from a point of artistic, mythological, historical, and theological analysis; my status with any kind of religion is being agnostic XD).

And I already enjoyed Epic the Musical, but I really love the designs you make, how you empathize with the symbolism and lore of the Gods when designing them, and how you make Odysseus so human with his crude expressions that makes me empathize with him (And he's one of the characters I hated the most from Greek mythology lol)

And then there’s your art about the bible, I have to admit that I tend to avoid the biblical religion because of the weight it still has on our daily lives, the damage it has done from the past to this day, and how they deny it with current hypocrisy (I live in Spain, there the official religion is catholic), but your lgbt drawings have really encouraged me to open the bible and see it from an objective and neutral point of view, and just enjoy it as another book and not as something I’m forced to follow.

Also I didn’t know there was so much LGBT content in the bible XD Seriously, thank you so much, if you had a patreon, I would pay you for the amount of happiness and culture you have given me (^///^)

By the way, reading your posts I found out that you recently experienced an internet drama that has become so popular lately. I just wanted to tell you that I'm sorry that both you and that poor artist had to go through this, that human hypocrisy has no limits or shame, and that I agree with everything you say. Just because we like a character or an author doesn't mean we agree with their crimes or ideologies.

I hope you have a nice day<3

Hi! I’m sorry it took me a while to respond! I mean it, I’ve read this over and over, and it makes me so happy. I’ve been thinking about how to respond, but sometimes it's hard to get it out into words.

It makes me so happy that my biggest interests make others interested in it too. Heck, when people ask questions, I get all giddy!

Talking about biblical/christian saints, greek myths, history, different cultural views and changes was kind of the whole point of why I started this tumblr blog. I have so many drafts filled with random info about LGBTQ+ saints..... Now… I post mostly thirsty drawings of greek gods with hairy chests... T.T

And I sympathize a lot when it comes to religious trauma. I consider myself lucky in these matters, my mom is Catholic, and she has her views that I don’t agree with and hurtful. Yet she still supports me in her way and watching my bible retelling animatics, everytime I post a new bible animatic, she writes me: "What have you done to Daniel..."

I also have my hurts and anger towards hypocrisies too, and I guess this is my way of countering that?

LGBT content in the Bible is something that really fascinates me. I think it's important to keep in mind that people from about 2,500 years ago had very different views when it came to gender and sex compared to how we see it today. In a way, the Bible does have strict social gender expectations, and if you didn’t fit in, then you weren’t considered part of that gender. But at the same time, it acknowledges that your sex. I think it’s in the Talmud were it discusses the fact that, throughout the Bible, there were about eight genders:

Zachar: male.

Nekevah: female.

Androgynos: having both male and female characteristics.

Tumtum: lacking sexual characteristics.

Aylonit hamah: identified as female at birth but later naturally developed male characteristics.

Aylonit adam: identified as female at birth but later developed male characteristics through human intervention.

Saris hamah: identified as male at birth but later naturally developed female characteristics.

Saris adam: identified as male at birth but later developed female characteristics through human intervention.

Some scholars even believe that Abraham and Sarah were Tumtum. A Tumtum is not considered to be very distinct but rather flexible between male and female sex/gender—"sometimes he is a man, and sometimes he is a woman." The simple fact that God said Abraham had a womb and from it, he would have children. Some say that this is why he is a Tumtum, while some historical linguists argue that ancient Hebrew didn’t have the vocabulary for male genitalia yet. Both arguments are valid, and I like them both!

There’s tons of stuff I could bring up—Joseph with his princess dress, Naomi and Ruth, David and Jonathan, and the discussions around whether Daniel was a Saris Hamah or a Saris Adam. We know he was called a saris, but we’re just not sure which. And then there's Jael, whose story is filled with a lot of phallic symbolism, and even her name is very gender-neutral.

I think I’m going to end here. I could yap about these things forever! But thank you again taking your time writing to me and I hope you also have a nice day! <3

[machveil]

Beautiful, cute, dulzura, A quick question, do you have any advice for drawing? I see your drawings and I just fell in love with them, I just started drawing again but it's difficult...

I don't know, sorry, English is not my first language, using translator jiji 🤎🍁

(note: this post is long, grab a snack lol) ah! no problem, don’t worry about the translator haha (pinterest link - this is my masterboard for human references! I’ll talk about it more below)

I think my best advice for anyone wanting to draw is to break down your piece into shapes! (also, depending on your style, using different line weights)

from my experience, while looking at the whole reference is good, it’s easier to break down individual parts! while some parts can look complicated, a lot of things can be broken down into triangles, squares, and circles (or half circles)

I focus on character art, so I’ll be speaking about that - but it can applied to scenery and objects too. a lot of characters clothes are broken up into colored articles already - in the top reference, Ghost has a red bandanna on his arm! that bandanna helps break up his arm: the top near his shoulder is triangular, the bandanna itself is overall rectangular, and the bottom of his sleeve is a square

of course, depending on how you’re posing the character it can change the angle of what we’re seeing - there’s also an accommodation that your art probably won’t be a 1-to-1 copy with your reference. Ghost’s right arm (bandanna) has a white rolled up sleeve - while the model’s sleeve is square, I prefer to draw rolled sleeves more triangular

I think line weight is also important depending on your style! I prefer thicker lines around the entire character, and defining qualities also get thicker lines

I like thinner lines inside the character to help define dimensional shape and form. I use thicker lines on the inside of the body if there’s a shape/area that’s more in the foreground - example: König’s chest and midsection have thick line art to help differentiate from his left arm (behind his body)

I know a common piece of advice is to use real life references, and I agree… but, I never hear people talk about how to use references in a way that actually helps (“just draw from real life”, or “drawing with a reference is good practice”). I experienced that and wasn’t able to take anything away for years!

within the past year or so I seriously took a look at how using references can help me, so I want to try and talk about that - if I had trouble learning from references I’d wager someone else has

here’s my best example of using a reference because I actually remembered to! I labeled the figure to make it a little easier to follow

(1) my first tip is using a reference to figure out how the body ‘flows’. the human body has a lot of soft, rounded lines when you look at a picture - very few things are legitimately straight and sharp. I used the reference specifically to figure out how men’s pecs are shaped (of course, this is just one reference… because this is my headcanon for König’s body type haha)

(1) looking at references can help you understand how muscles move. in the reference with the woman, you notice how her right arm (down) muscles are layered - the shape portrayed by the reference lets you see how an arm’s muscles might be laid out in that position

(2) my second tip from the König reference is to look at negative space! the highlighted red portion between the arm and midsection is roughly the same negative space as the reference. if you’re using a reference and something feels off with the placement of what you’ve drawn I’d recommend looking at the space your reference takes up

(2) the negative space trick helps me line up where proportions should meet up - the distance between her arms lets me gauge how the rest of her body should be proportioned

(2) while it doesn’t match up 1-to-1 with the reference when layered overtop, it doesn’t have to! the negative space between the arms was enough for the sketch to mimic what the reference looks like. art doesn’t have to be a 1-to-1, but negative space can help you figure out ‘why does that arm look funny?’, “that arm looks funny because, compared to the negative space of your reference, it’s too (far away/close) to the body.”

(3) my last tip is the simplest, so I’ll just be referring to the König figure! when using references I look to gauge the distance between different body parts - it helps me get more realistic proportions. the bit I specifically compared to was the man’s stomach placement compared to his waist. I didn’t copy it 1-to-1 because I like the idea König has more of a tummy, but the reference allowed me to figure out an anatomical placement for where König’s stomach would be compared to his waist

I hope my advice wasn’t terrible haha everyone’s art journey is different, but these are tips I would have liked to know a few years ago (specifically the reference material ones lol). I wanted to focus more on the reference material because when people say ‘just use a reference, it’ll help’ it didn’t do it for me

I personally needed a more in depth explanation on why I would use a reference, what should I be looking at - because just drawing a person doesn’t necessarily help, and how should I be learning from it - I accidentally taught myself negative space before I knew what it was

but uhm… yeah, I hope this wasn’t awful! good luck on everyone’s art journeys, just remember that you’re allowed to take your time and try different things

if you guys have any other questions about my art feel free to jump into my inbox; process wise, inspiration, etc - I’ll answer anything I can<3

[qin-qin16]

XPRESSO

I want to thank, first of all, @inkblottzz for drawing an fanart of this ship! Thanks to them, I have a favorite ship now! I will make a part two of this, I promise!

Okay, okay, what is xpresso? Simple: it's the ship name for Cross and Ccino— Okay, okay! You can stop booing and throwing tomatoes at me! I KNOW THEY'RE A RARE SHIP, I KNOW! BUT READ MY HEADCANONS FIRST BEFORE YOU START THROWING STONES TOO! (I mean, it's like a headcanon/oneshot/my version of how they met??? Anyway, enjoy!)

Cross met Ccino after Killer insisted a lot and dragged him to FluffyTale's Cat Cafe — with a line about it being a neutral universe that wasn't hostile to outsiders and other details that Cross didn't think were necessary to pay attention to;

What he didn't expect was to keep going back there again and again under the excuse of liking the cats — all just to distract Killer and get him to go to the café with him so Cross could admire the barista from afar.

Of course, Killer wasn't an idiot (he just took advantage of the excuse to play with the kittens), and he soon figured out Cross's scheme — especially since the skeleton never paid attention to the cats, always with his white pupils focused on following Ccino.

“So? Aren’t you going to talk to him?” Killer asked one time.

“ No.” Cross replied so quickly that Killer couldn’t hold back the laugh that came out through his nasal cavity.

For many days, it went on like this: with Cross following Ccino from afar with his gaze, like a dog wanting attention but not knowing how to ask (Killer could swear that Cross's little tail wagged much harder every time Ccino waved in their direction with a friendly greeting);

It got to the point where it was painful to see the two interact only with waves — Cross wouldn’t even place his own order for fear of stuttering in front of Ccino!

No one in the café could stand this tension anymore (especially Killer, who seemed to be the third wheel every time he went to the café!). Tired of it and wanting Cross to finally make some progress, Killer decided to give an ultimatum — of course, without informing Cross first;

“I’m going outside for a bit, stay here and order a hot chocolate for me, okay?”

“Wait, wait! You don’t even like hot chocolate!” But Killer had already left, waving too slowly to be considered friendly.

Surrounded by cats and nervously bouncing his leg under the table, Cross used all his self-control not to run away when Ccino started approaching the table — with a small notepad and a pen in his hand.

Cross actually did pretty well (at least he managed to order a hot chocolate without stuttering too much), despite his skull dripping with sweat and his hands clenched into a trembling fist. He was fine, seriously, everything was going smoothly—

“Alright, I’ll be back with your order, pup!” If Cross wasn't purple before, then his entire skull must have been vibrating in violet now.

Ccino wasn’t much different; the only difference was that his blush was orange. And like Cross, he stuttered as he apologized, saying he didn’t remember Cross's name and that he looked like such an anxious puppy every time they locked eyes.

“It’s Cross!” He might not have needed to almost shout his name, but it was enough for Ccino to smile again, repeating Cross's name as if he were savoring something sweet.

“I’ll keep that in mind, thank you.” And he went back to the counter.

Cross could have died of embarrassment at that moment, but he couldn’t help but notice his own tail wagging happily at this small interaction (Ccino knew his name! And he smiled at him!).

They seemed to have a long journey ahead, but apparently, they had already started off well.

[moeblob]

Someone pointed out "Alex is the glass half full guy and Shane is the glass half empty but he's working on it guy" and so true.

I think Alex is a finger guns kind of guy and I have nothing to support this claim but I'm gonna stand my ground on it. (Alex also just kinda lost on if the blushing or the tearing up is more important and did HE PERSONALLY mess up saying this because he sure as heck doesn't know.)

[figofswords]

i know ive made myself the #1 izutsumi stan in the eyes of all of my friends and probably some of you online people but what if i became a mithrun stan. there is something about him that compels me. i just want to *clenches fist* put him on the drying rack. lovingly stick him into a tupperware for later. make him into. a broth of some sort. do you understand

[deoidesign]

Hello I stumbled across your profile and I just say I love your art style! I've gotta ask, how'd your develop it? And do you have any advice for someone who can't decide what they want their art to look like?

Thank you so much!

To be entirely honest, I don't feel like I truly "developed" my style. I feel a lot more like I finally let myself draw it! But I am incredibly deliberate with my work, and I do have clear tendencies and preferences... So I'll do my best to explain how I got to where I am now as an artist.

It's important to remember that "style" is something of a nebulous concept. It changes with you as you grow as a person, and most artists can work in and emulate many art styles! Art really is a form of communication with yourself, and your "style" is a reflection of the tendencies and preferences you have. My art does not look how it looked 5 years ago, and my art will look different 5 years from now too. I've changed, and my art reflects that!

(2012, 2018, 2023; two pieces I remember being incredibly proud of and considered my best work up til that point, and then my most recent piece)

What you need to do, as everyone will tell you, is study the fundamentals (anatomy, perspective, form and structure, lighting and shadow, color, and composition) so you have the proper tools to make the most informed decisions possible about your art, and so you can deliberately break or follow rules as you please for your desired effect. I know it sounds silly to learn rules if you're not gonna be following them anyways, but they help you be much more consistent and intentional! More knowledge is NEVER a bad thing to have!

However, I know it's a bit demoralizing to just be told to study fundamentals. Everyone knows you're supposed to do that, but it takes YEARS to learn, and people want their art to feel how they want it to now (which is very very very normal to want!)

So on that front, I have 2 follow up suggestions that I personally find helpful (of course, everyone is different, so it's not like this is the only way to learn! But, if it resonates with you, it might mean it will work for you too.)

1: Separate study from application

I believe this is beneficial for a few reasons:

If the goal of every piece is learning, it can become frustrating, overwhelming, and boring

It's harder to self critique when there are multiple variables to investigate. I like to study one fundamental at a time

Study (usually) works best with a large quantity of output, whereas application of knowledge (finished pieces) is often more satisfying and effective when you get to take your time

Deliberate practical application of what you've learned in a finished piece helps cement the learning in your mind, and also lets you get satisfying finished pieces with noticeable improvement after a good study session!

I've found that keeping these things separate helps me improve faster and more deliberately, and it takes a lot of the pressure off of both aspects! I'm not worried about my studies looking beautiful, they're just to learn! And I don't feel pressured to critique my finished pieces, cause they're just for fun and to make something pretty. I personally find this helps me have a much healthier relationship with my art.

When studying, copy! Copy things as best as you can, all the time. It gives you something to compare to for self critique (and of course, if you're copying someone else's work and you share the study, ALWAYS give credit, share the original, and say it was for study.) In application, don't copy: reference. Make it yours!

2: Let yourself do the things that feel "easy" or like "cheating"

This one is simpler: nothing in art is easy.

If something feels easy to you, most of the time it's not because it's actually any easier... It's because it's part of your natural tendencies and preferences! This took me forever to realize, but as long as you're actually doing some study, then you're learning. You don't need to learn All The Time. When you're doing the "application" portion, you should let yourself do whatever is actually the most fun and feels easiest! This is where your style will start to come through, and where you get to learn about yourself. Take the pressure off, and have fun!!!

The only cheating in art is theft. If you're not stealing, then it's allowed!

My whole life (and yes, still!) I'd get regular criticism about both my style and my subject matter. You will too. You'll see a thousand different styles, and a hundred different things to admire in each. Your heart will ache that you don't draw like others do.

But art is a form of communication with yourself. It's like your voice, or your accent; just something that's a part of you! It can be fun to mimic others', but when you sit to have a conversation you speak naturally. (I know some people want to and do change their voice, but this is a metaphor and metaphors aren't perfect)

Don't stress so much about what you want your art to look like, especially if you're not sure. There's a lot of value to be had in constant experimentation, I think it'd be rather boring to only draw one style the rest of my life. What I draw is what I want to see, right now, for who I am now! It's a part of me and comes naturally, if I let it!

I hope this helps!

[kaidanalenkosprmanager]

THE BEST OF PRIORITY: THE CITADEL (PART 2)

Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, and Maj. Kaidan Alenko With: Councilor Donnel Udina, Councilor Tevos, Councilor Laiel Sparatus, Cmdr. Armando-Owen Bailey, and Kai Leng And a Special Guest Appearance by: The Illusive Man But sometimes the way a thing goes down does matter, Sophie. Later- when you have to live with yourself. Knowing that you acted with integrity- then it matters. Mass Effect 3: Legendary Edition (2021)

[royaltea000]

Teutemp having their medieval wedding dance to Dancing and the Dreaming hit post

[melverie]

Aaaaaaahhhhhhhh today I've been constantly experiencing the urge to un-private today-in-the-devildom & start writing for it again

[eirelis]

a little belated but happy 3rd season!!

[todayisafridaynight]

I’m fairly new to the fandom, but I do have a question if you can answer it! Why do people ship Daigo with Aoki / Masato? I tried looking to see if they’ve interacted before, but couldn’t find anything! Sorry for asking I’m just </3 dumb AND I LOVE YOUR ART OF THEM!!! Nerd looking ahhhhhh

hi ! welcome to the community i hope you're having a lovely time so far and ty for enjoyin my stuff :) no need for apologies it's a very fair question to have :]

i cant speak for everyone (all. ten people into masadai anyway) but Personally To Me i just think the idea of them together is very funny. thats quite literally it im afraid..

[bbq-potato-chip]

i can't think about drawing right now I HAVE THINGS TO DO!!!

[moeblob]

Windy at my house + power flickering = no comm work = quick laptop doodle

[radlegowaffle]

i love digital painting! i wish i understood how to do it