#i know a lot of people don't look that deeply into it because they get stuck on shipping *sighs like a long suffering father* yaoi-brain...

[harmoonix]

S T A R G I R L

ʀᴀɴᴅᴏᴍ ᴀꜱᴛʀᴏʟᴏɢʏ ᴏʙꜱᴇʀᴠᴀᴛɪᴏɴꜱ

🧊 Those who are ruled by Jupiter or have Jupiter as a dominant planet have it easier in life since Jupiter grants luck, happiness, prosperity. This depends also if you have good aspects to Jupiter

🧊 if you are favored by Mars (Having Mars in a good sign like Aries, Scorpio, Capricorn) there is a chance to have less fights/arguments/drama in your life, depends on the aspects of your mars

🧊 Saturn ruled natives have dark aura, dark does not equal bad, is just darkness, their beauty relise in the dark, is always secretive and mysterious

🧊 Lilith aspecting the ascendant can be prone to attract toxic people, some people can also think that you can be 'toxic' or 'bad' with these placements

🧊 Mars can feel more lazy when is around an earth sign/house or degree, it moves more slowly than usual

🧊 Pluto/Moon or Neptune in the 9H can be attracted by occult, magic, withcraft, tarot, etc. These placements are also called 'bewitched' in this house

🧊 I find natives with Pluto or Saturn in the 11H to be very secretive around their friends and social circles, like nobody knows them truly

🧊 If Pluto is in the 10H and badly aspected can indicate 'power - hungry' doing anything to obtain what they want which is not good in most cases

🧊 Jupiter aspecting your ascendant can bless your appearance and looks, something about you is beautifully written in the stars

🧊 I know people who have lots of Virgo Placements that would like to work in fields where they can help others, like a therapist, a doctor, etc

🧊 If you have no aspects or empty North Node, it can indicate that your life is not that much impacted by things, like going flawlessly with your life

🧊 If you have Lilith aspecting the Sun, you can end up being blamed for things you never did, Lilith usually takes the bad part of the sun which represents the ego and turns it against others

🧊 I know by a fact that air and water placements can get influenced by the weather, it can influence their mood the most

🧊 Neptune/Chrion/Sun in the 12H/1H can make the native to be moody in a sense of getting into a depressed state easily than others

🧊 People with their Moons in Sagittarius or Pisces may like to sugarcoat others, in a way to be more 'indulgent' to others and to keep their hopes high both being ruled by Jupiter

🧊 I don't usually talk about synastry but looking at the Venus in a couple synastry chart can show how your partner gives/offers love to you

🧊 Venus in Sagittarius, Gemini, Aquarius can have the best luck in finding partners who will give them freedom in a relationship, since your Venus can show 'lovely' things your spouse can do for you

🧊 Saturn conjucting Lilith is one of the most painful placements to have in a chart. Everything that Saturn touches it becomes strict. It can strict yourself from your sexual energy

🧊 Lilith in your 4H can talk about breaking bad things from your family, like habits, addictions, trauma

🧊 I deeply wanna talk about Scorpio and Cancer Lilith because both of these have issues with their emotions, feeling safe/secure comforted, lacking love from parents or partners, both signs struggle in these areas and these are not easy signs to have Lilith in, especially if you have a traumatic history

🧊 Uranus and Moon in the 6H are planets which pay a lot of attention to their mental health, they always prioritize it

🧊 Libra Moon/Venus/Eros/Juno will feel dissatisfied in life if they don't have a sensual/romantic connection with their partners

🧊 a Scorpio moon/8h moon will value intimacy a lot in their relationships, beside being important, is also a healthy way to express themselves

🧊 Saturn in Virgo or in the 6h, or at 6° 18° may struggle with organization, finding an order in their lives, can be chaotic and the person may find peace in a chaotic environment with this placement

🧊 Saturn in the 12H/Pisces/ at 12° 24° makes a native to be confused, about their life, their career, job, family, relationship. Is like you live in a fog and you can't see the things you have around so these things can confuse you

🧊 Mars is a cruel planet, is not a sweet candy and will not stay to sugarcoat nobody in life, Mars will put action in your life

🧊 Sun harshly aspecting the Neptune can indicate 'hiding' yourself from the world, you can be anxious around others, not wanna be seen

🧊 Your 4H can talk about your home and the way you take care of it, having harsh aspects to your 4H ruler can indicate having a hard time to take care of your house

🧊 Scorpio Venus can be invested in their partners sexual life, your partner may not give the same energy back to you while you may crave it

🧊 Earth Signs in the 12H may deal with their subconscious more harshly, they can constantly judging themselves and being critical which is a pain for your subconscious. Give yourself a break from all the negative things

🧊 Jupiter and Venus aspects match so good if you're looking for a partner or a relationship, you can be blessed with a good marriage as well

🧊 I heard that a good time to look for a relationship is when you have your Jupiter Return or that most people find their love during one

🧊 Saturn in the 8H/Scoprio or at 8° 20° can struggle with their sexuality, in a way that they may feel shameful to be sexual or to be more opened about these topics

🧊 Capricorn Risings usually have better years with the time, you can actually observe that the next year can be better than the last one

🧊 Chiron in the 7H have the power to heal their partners and their relationships/marriage

🧊 Every time Mars has a transit in your 10H you may feel like people have something against you or that you may feel everyone around you is angry on something

🧊 The sad thing that comes with a Venus in the 6h/10h in a relationship may be that either you or your spouse may overwork and you will not have that much time to spend with each other, someone will always be more focused on work

🧊 'All night you gave me mad love' is an Aries Mars/Venus/Eros/Juno melody line, it fits with the Aries behavior

🧊 Pluto conjunct Lilith can make the native sexually powerful, your sexual energy is everything!

🧊 Aquarius Risings have an inner magic that not all the people can see, you need to be close to them in order to see their energy

🧊Aries/Scorpio/Mars/Pluto/Capricorn/Saturn in the 3H wont hold back from calling peolpe out, talking dirty, cussing, malefics are more in anger in the house of communication

🧊Earth Suns are so classic, so sophisticated, their fashion style is extremely beautiful, you should wear more gold to be in more earthy energy

🧊 I do not trust any uranus dominat/aquarius placements natives who are racist, sexist, homophobic, you know all these against the human right. (Usually i dont stand any people who are like this)... Like Uranus and Aquarius stand for being humanitarian and you are against it? JAIL and GOODBYE

🧊If you are Saturn dominant make sure to wear more black or dark colors because thats how saturn feels more appreciated by you, can bring you more benefits

Have a blessed day for everyone reading my astrology observations 💙💙💙

Harm💙💙nix

[girlcowboy1]

I think gen z ultimately lost the war against mental illness when they decided to adapt the older generations rhetoric of "mentally ill ppl who have noticeable symptoms are bad and evil and must be avoided at all costs, they deserve to be alone and die alone" which... most people are not saying that outright, but that IS what they're saying, whether they realize it or not, when they choose to discuss these issues based on personal concepts of morality and punishment instead of approaching it with a mix of empathy and an understanding of science, and how the brain operates.

"Having a mental illness isn't an excuse" is true to a certain extent, but I think a lot of people don't understand that to an extent, it also IS an excuse. The only reason people like to believe that it isn't in any capacity is because mental illness is an invisible disability, and if there's one thing that people love to dismiss the impact of, it's invisible disabilities. Because we can't see what's going on beneath the surface, we struggle to understand the issue, we struggle to empathize with the affected person, whom we may prefer to instead write off as being lazy or malicious, when in reality they are in pain and/or are missing an important tool that helps them function the way they'd like to.

Before getting on medication, I felt and (still sometimes feel) as though I existed behind an invisible glass that separated me from everyone else. I could not understand the point of a lot of mundane things, I couldn't relate to those around me, I felt like my existence was a mistake that should have never happened and the universe was attempting to expunge me by making my life so hard I would kill myself.

And then I got on medication, and suddenly I was able to see things that I had never seen before but had existed in front of me the whole time. I was able to be kinder to people, to be more patient, to talk myself out of bad thoughts I would previously ruminate about for days and weeks. I was able to communicate more coherently, to express my feelings in a way I couldn't before. I wanted to do things again. I wanted to dress up, look nice. I wanted to BE nice.

Of course, these are all still things I struggle with. Like with most tools for disability, medication is helpful in giving me the ability to function in a way that makes life more enjoyable— but it doesn't completely cure the issue. The point is. I tried so hard, time and time again, to change on my own. I tried taking supplements, I tried mindfulness, I tried changing the way I eat, I tried self-help videos/books. But I was a deeply depressed, deeply agitated person whose brain was not wired the way it should have been. So none of what I tried would stick. I would act out in ways I KNEW was wrong, but when you get into a certain state of mind, it's difficult to speak to yourself, to talk yourself down from doing or saying things you know you probably shouldn't. Especially when you feel so isolated from others, and struggle to see the point in anything.

It was only after medication that I made long-term improvements. It was only after my brain chemistry was physically altered in a positive way that my brain could begin to function better, and that my outward behavior improved.

How the anatomy of the brain effects a person is a crucial part of mental health that gets left out of relating discussions too often, I think, and its where I believe gen z unfortunately tends to overlap with gen x and boomers. The brain is an organ like any other, and if it is damaged, or sick, or lacking somewhere in its anatomy.... it will not function properly. The person whose body it inhabits will not function properly.

[akirathedramaqueen]

CBT and Exposure Therapy: Blitzø Showcase

An important (really, don't skip) disclaimer

If you are contemplating whether or not you would benefit from any kind of therapy, consider consulting with your medical provider first. While I did my best to validate all the points made using publicly available resources, I am not a medical professional. At the very least, I strongly advise that you do your own research and not take some amateur's opinion about a character from a silly demon show for granted.

"Everyone in this show needs fucking therapy STAT!"

We hear fans screaming into the void every now and then. Me too. I plead guilty and I willingly put myself in custody. But I am not taking these words back.

Especially often it is being said with Blitzø in mind, who, as hinted earlier and clearly shown in the latest episode, Ghostfuckers, is not doing okay. Not in the slightest.

Which is . . . yes. Indeed, trauma-ridden Blitzø is a major problem for both him and those around him. Yes, we see him reaching his lowest point now exactly because he left these gaping wounds untreated for so long.

But the tricky question is—how, though? What to do? Will a good talking to a confidante help? Or, maybe, some kind of shock would snap him out of the spiral?

I've been pondering on this topic for more than 4 months, and, as the Ghostfuckers came out, I finally got all the data I need to prove a point. The show did all the job for me and effectively made Blitzø go through improvised versions of two popular therapy techniques. And, before I even start, I want to say—I am so glad with what we ended up with. What they did, and, more importantly, didn't do, aligns well with how it would likely happen in real life.

So buckle up, and let's see where it gets us!

Therapy # 1. Cognitive-behavioral therapy, or CBT

This is, in essence and with some corrections, your good old talking. Here you can find more information about it, so, if you're not familiar with the topic, I recommend following the link first.

But, very shortly: CBT is an extremely common approach to be tried while you're dealing with anxiety, depression, and a number of other mental disorders. What it aims to do is to help you get past unhelpful thinking (distortions) and learn not to act on it.

Looks like it fits the bill, right? Blitzø has a lot of issues with self-fulfilling prophecies, infuriatingly stupid assumptions, poorly thought-out actions . . .

But he's not like, you know . . . w-we're not, like . . . we're not doing a . . . w-we . . . what's betw— It's a transactional fucking, you see.

If you don't feel like coming, that's OK! I'm sure I can do without it for one month. :)

Stolas only cares about having a rugged peasant raw-dog him into his matress! It's nothing, ya know . . . it's nothing else.

You . . . no longer have any obligation to see me, to touch me, to bed me . . . You are— you are free of me.

He sees things which aren't truly there.

It's not Stolas giving him space after the disaster in the 'Ozzie's.' It must be Stolas not needing him anymore, getting tired of him.

It's not Stolas caring about Blitzø. He is a royal, why would he care how an imp's day he happened to be fucking was?

It's not Stolas setting Blitzø free and putting an end to a problematic transaction they had with the hope for it to grow into something more. It's him getting rid of Blitzø.

As a result, he ends up hurting himself and the relationship he had with that one sad gay bird he happened to fall deeply for but literally trashed in his own house twice, acting on nothing more than frenetic fear of losing Stolas, but in reality, driving him away even more . . . for good.

I mean, you royal fucks think you can do this every time, like you can just play with our feelings because we're smaller and not as important!

Ha! I'm right, aren't I? You get off getting plowed by people you look down on!

And I can sorry more people, everyone but you! 'Cause I don't owe you dick! Everyone, but you . . .

So, the case's closed? Let someone—say, Millie—talk to him and tell him how wrong he was about himself and the others?

Well, here's the thing. Despite him being infinitely wrong about Stolas's intentions, we can't deny the fact that every one of his beliefs was not, in fact, a distortion. It'd led him to wrong conclusions, yes, but it was built on the information he received and legitimate experiences he had in his life. Here are only some of the facts connected to only this situation with Stolas, but there are other problematic behaviors and other reasons for him acting the way he does.

Fact # 1. The circus fire did happen, and Blitzø was the reason for it. Unintentional, and of course it wasn't his fault, but it still ruined the lives of many people—him included. Blitzø cannot act like it never occurred.

Fact # 2. Hell is divided by class and race. Their situationship with the grimoire was an embodiment of that inequality. A lot of Blitzø's outburst during the Full Moon and later in the Apology Tour was connected to it, to his beliefs that Stolas is the same as the rest of the privileged circle. Beliefs, I stress, justified by the real world. Stolas is more of an exception, and even then, his behavior is only different when it comes to Blitzø. He still acts the same toward other imps.

Fact # 3. We knew about Stolas's intentions all along, but before that fateful Full Moon, what Blitzø saw was Stolas avoiding him and not communicating the issue the Ozzie's date had raised. And before Ozzie's? Stolas did act entitled and inappropriate. He was baby-talking to Blitzø and used derogatory terms while addressing him. The dude literally called him an impish plaything in the Truth Seekers.

Fact # 4. Blitzø's heavily implied (though not officially confirmed by the show) existing conditions—ADHD*, BPD**, PTSD, and dyslexia/dyscalculia***—do affect his life, and while Hell seems to be somewhat receptive of neurodivergence, he still has to deal with it every single fucking day. He is going to be avoidant and afraid to be abandoned at the same time. He is going to hate himself. His learning disabilities are going to make his life harder. No way around it.

Note: *, **, and *** contain links to separate meta-analyses from @timkontheunsure and @tealvenetianmask about the respective conditions and how they show themselves in Blitzø's case.

And my beef with CBT here is exactly that. CBT's goal is to gaslight you into believing your distortions hold no water and suggests you just ignore them. And, as I've shown with Blitzø, these reactions and assumptions aren't baseless. They are legitimate, and, in fact, sometimes help to get by. Even though it's a crooked crutch, you can't learn to walk properly by just throwing that crutch away. You're still going to limp, and oh, will it be painful.

This is oversimplistic and dismissive. Anxiety and depression don't come out of the blue, and with mental disabilities, it's even deeper. The class/disability stigma is alive and strong, and just slapping a "you're fine" bandaid on your traumatized self isn't going to help.

Therapy # 2. Exposure therapy.

Exposure therapy is another approach commonly used while dealing with traumatic past and its aftermath—PTSD, anxiety, phobias, and such. Again, if you're not familiar, there's the link for you, but very shortly—the therapist puts the patient in a safe environment and 'exposes' them to the feared object in question for limited periods of time. The goal is to eventually get rid of the targeted fear and decrease avoidance.

And Blitzø has got some phobias for sure.

The fear of letting everyone down. Again.

And the fear of abandonment. Again.

All of it is a result of self-hatred, sitting so deeply it rules his life and his vision of how others perceive him. Said it himself. Almost.

So, where and how does the show expose Blitzø to his traumatic past?

First, the most recent, and the most obvious one—Rolando and his slideshow of all traumatic events Blitzø ever had in his life.

Second—Blitzø's drug trip in the Truth Seekers. While it does not contain the events of the past as they were, it does force him to face his fears.

Are you worried I might have enough of it one day as well? . . . You're going to die alone! . . . You're going to die alone, Blitzo!

With some stretch, the third one is Verosika's 'Blitzo sucks' party. Where Blitzø was forced to see the consequences of his avoidance and rejection.

Note: to be clear, I do think the party does not show the true extent of Blitzø's actions and how much he'd hurt people. It was exaggerated by Verosika, and here I explain why this is the case.

So, what gives? Or, rather, what gives it not?

It might sound funny now, considering I brought it up myself, but I, once again, say this is not therapeutic, just as CBT kind of 'talking.' If anything, all these three events did more harm than good.

The D.H.O.R.K.S.'s goal in the Truth Seekers was to torture the information out of Blitzø. He was not supposed to overcome it. He was supposed to crack.

The Verosika's goal was to ruin Blitzø's reputation. She was working her ass off to prove he's just a heartless freak.

The Rolando's goal was to fucking kill Blitzø.

And okay, their motivations had nothing to do with helping him, but maybe it did, in its own twisted way?

No. The writers added this to push Blitzø past the breaking point, not to heal him, and to show us more of his lore. Each time he was forced to face his past or fears or consequences, he was only spiraling more.

The only thing which did him some good was . . . well, Millie finally seeing his bravado mask falling off. But the cost of it was way too high. Not worth it.

To the therapy's defense, some points why it would never work in the way it was done in the show:

Blitzø had never given his consent and was not ready to face it. I might be very rude right now, but go and try producing some explosion-like sounds in front of war veterans without letting them know first and see what happens.

The amount of fearful experience exposed was way too overboard. He couldn't possibly digest it in a healthy way.

The environment was not safe. It was straight-up retraumatizing, an intentional one.

So there's that.

But what helped then?

We've briefly brushed over the fact Millie did talk to Blitzø. While I did imply this might be an example of CBT, here are some key deviations from the classic therapy which made all the difference.

Millie didn't sugarcoat all the shit Blitzø did. He was hurting their business. He didn't pay her. He was reduced to Bethanie. It showed her opinion can be trusted.

Millie apologized for not being there for him sooner. She admitted she relied too much on Blitzø being bulletproof, unbothered by everything. She admitted she didn't support him in a way he always did.

While proving she could never hate Blitzø, she used their common story, one he knows and can recall. She used evidence to prove him wrong, not a "it's all in your head" bandaid. And more than that, later she proved it with action—not for one second did she believe Rolando and his shittalk about what Blitzø supposedly was thinking about her. Her unwavering faith spoke more than any words ever could.

Getting back to exposure therapy . . . Metaphorically, she reminded Blitzø he can handle a beating or two. And physically beat the infestor demon out of him, which, as we can see later, didn't really affect Blitzø that much. He wasn't even battered. So, apparently, when the said exposure is done by someone who genuinely tries to make you feel better and knows your limits well, it might just work?

And finally, Millie acknowledged Blitzø's pain. She didn't brush it away. She validated him.

What all of this is about?

Like every treatment, too much of a medicine can become poisonous. So are CBT and exposure therapy.

They might help, and lots of research shows they do in certain cases. But there are limitations to what they can and cannot achieve, and they have to be adjusted to each individual story, to each trauma, and they should not be applied as a way to mend the outcome of the trauma without taking into account the story it comes with. Again, legitimate concerns and experiences cannot be brushed away or ignored.

Actualy . . . we've seen where it leads in the show too. In the beginning, Millie was quite dismissive of Blitzø's worries—all of this over a . . . breakup?

And here it comes full circle.

Only when Millie started taking Blitzø seriously, did it help them progress. And look how quickly we've switched from a complete despair to a glimmer of hope! Isn't that a beautiful closing scene?

As a closing note—we do not need to 'fix' Blitzø. After all this shit he went through, there won't be a day where he wakes up and be like, "Hey, I don't hate myself anymore! And look, I'm not afraid to be abandoned or misunderstood!"

I'm sorry to break it to you, but this is a lifelong battle. Being mentally whole, healthy, and constantly happy is no more than a myth, and everyone has their own demons and skeletons to deal with.

What Blitzø needs is some good support system to pull him back when he's down.

And boy, do I hope that one particular owl will fill in that role of unyielding pillar for Blitzø each time our lizard will fall into that pit again. Look, I love Millie, but there's only so much she can do. She can't be always present, she has her own life . . . and her own disaster of a husband to look after (affectionate <3). Here and here @lost-romantique talks about Stolas's capacity of loving, with me occasionally nodding, ha-ha. But to be short—it's fucking immense. And since he loves words, I do believe he has all the energy to tell again and again and again how awesome Blitzø is. Even if Blitzø wouldn't believe it himself.

[ladyloveandjustice]

Someone's been in the Revolutionary Girl Utena rabbit hole for a bit 👀

I don't even know what it's about, I just see it and get happy

Mind telling me a bit on what it's about? I might watch it myself if it sounds like my thing, bc you seem to have great taste in anime and games

I do have good taste thank you! *flips hair* lol just kidding,

Revolutionary Girl Utena is a surreal and wild queer feminist deconstruction of fairy tale romance and shoujo tropes and it has a lot to say about systems of power, cycles of abuse, the ways people cling to an ideal of innocent childhood which may have never existed anyway, the concept of purity, fear of change and loss, and whether becoming an adult inevitably means being corrupted in some way. Lots and lots of gender, lots of queer characters struggling with compulsory heterosexuality... but over all, it's a deeply meaningful story about the human condition and growing up in an imperfect world.

But also people turn into cows sometimes, there are elephants of surfboards at one point, and one character has a very emotive pet monkey in a tie. at least we think it's a monkey. It can be very silly, is what I'm saying.

The basic plot is that a girl named Utena lost her parents at a very age, but a prince came and comforted her, giving her a ring and telling her to never lose her strength and nobility. Rather than taking that as an engagement offer and aiming to be his princess though, Utena actually admires him so much that she decides to become a prince who saves girls in trouble too. She's determined to find the prince who changed her life though, and her search leads her to a very fancy and phallic looking Ohtori Academy.

Then, when this shitty popular guy makes her friend cry, Utena challenges a guy to a duel to make him pay (as you do). ONLY to find out that the student council of her school are all secretly dueling each other to be engaged to "the Rose Bride", a girl who is supposed to give whoever's engaged to her the power to revolutionize the world. As part of the student council, the shitty popular guy assumes Utena wants to "win" the Rose Bride too.

So next thing Utena knows, she's been dragged into a duel to "win" the "Rose Bride" (who is actually just Utena's classmate, Anthy). Utena thinks that fighting to possess a girl like she's an object is pretty screwed up, but on the other hand, she IS devoted to saving girls, and that shitty popular guy IS treating Anthy pretty badly....

Could be that she'll end up engaged to Anthy, whether she likes it or not....

It covers a lot of dark topics, from misogyny to abuse (sexual abuse included) to child predators to incest (never framed as healthy or okay though, in one case it initially comes off as a joke thing for a character, like the typical anime comedic brother/sister complex, but throughout this characters arc it becomes clear that no, it's really not, and it is not good for the character in question). It's not a graphic show by any means, it handles its subject matter tastefully imo, and the way it explores these things is very effective. It takes a while to build up to where it's going, but the journey is worth it.

If you're interested at all in queer anime or like...queer western cartoons even because odd are they'll have a Utena reference-- it's a must see because it was massively influential. It was made more than 20 years ago and really holds up still.

I also did a review series about it here a while back that people found handy!

[1toreyouapart]

The Lies We Tell

Summary that tells you nothing: Sometimes everything you ever wanted has been right there, within reach, all along.

CW/TW: Angst, fluff, swearing, friends to lovers, jealousy, smut, fingering, PinV, pet names, friends with benefits, more to come as I actually get things written out.

Masterlist

Why Do Men?

Quinn pushed the food around on her plate, barely listening to the man across from her. He was attractive enough, seemed kind. But good God, he was boring. From the moment she walked in he droned on and on about him and what he did for work, how much money he made. His big flashy car he had. Right now she was really hoping that Noah had asked her to stay with him instead. In fact, she had been sure that he would. Instead, he had rushed out of that bathroom and she hadn't seen him since. Not even when she knocked on his door before she left.

Him telling her she had shitty taste in men still stung a bit. Mostly because it was true. And who was it that picked up the pieces after every failed date? Every brief relationship that failed after three months? Noah. Always there to pick up the pieces and put her back together again. She was willing to bet he already had a whole thing planned for when she got home tonight, too.

"You're one of those goth girls, right?"

Quinn snapped out of her head. What the fuck was this guy on about?

"Excuse me?"

"I'm asking because you look like one. Tattoos, dark hair. Dark clothes." He leaned forward. "Bet you're into some kinky shit, too."

Her stomach turned. What the fuck? Did he really just say that? It didn't matter so much that she wasn't goth. Though, she definitely had more gothic tendencies than not. The sexualization of goth girls, however, was too much. It was vile. It was disgusting. God. Noah had been right.

"Mmmm. This date is over." Sighing, frustrated, she got up, pulling out her wallet. "Here's my half."

"Oh, come on. Don't be like that. It's just a question."

"Be like what? Bored out of my mind because you can't shut the fuck up about how great you think you are? Or irritated because you seem to think that goth women exist for your pleasure?" She threw the money down on the table, laughing. "See you never."

Satisfied she walked away, pulling her phone out. Everything in her screamed at her to call Noah, not an Uber. Noah would be there faster. But she didn't want to hear his "I told you so" just yet. That might set her off even more and she was trying not to cause a scene.

The cool night air hit her skin as the app told her a driver was on her way. 15 minutes until her ride arrived. Cursing she pulled up the text thread with Noah, debating texting him that he had been right. Just then, however, her date appeared in front of her, angry.

"What the fuck is wrong with you? You're not even that pretty, anyway."

Quinn's stomach churned, her palms going sweaty as she glanced up and down the sidewalk. There were people. Lots of them. She should be safe, right? Fuck. What had Noah taught her? He had tried so hard to teach her how to defend herself. Now that the time may be here she couldn't remember a thing. Steeling herself for what may happen she lifted her chin, meeting the man's eyes.

"I said the date is over."

"You know, you should be grateful I even gave you the time of day. I make more money in a year than you ever will in your life."

She laughed. Genuinely deeply laughed. This guy wasn't going to attack her. His ego might be bruised, but that's as far as it would go. The type of guy that used his wealth to get sex. If he even actually made that much money.

"Says the grown ass man crying because the girl that 'isn't even that pretty.' Do you even hear yourself right now?"

"Whatever. Good luck finding a man that'll put up with you."

She watched as he walked off, ignoring the tiny crack in her armor that last comment had made. So many failed dates. Nothing lasting more than three months in the last seven years. Maybe he was right and there was something just inherently wrong with her. Her track record definitely spoke to that.

Her phone lit up, letting her know her ride had arrived just as a vehicle with an Uber sign in the window showed up. Thank fucking God. All she wanted right now was her pajamas, a movie, and her best friend.

Tags: @collisionofyourkissmakesitsohard

[durtystars]

i agree with a lot, heavily on the fact that he was a good leader. one of the biggest arguments against him is that "he would get everyone killed" but.....he was already taking care of an entire group of people that were nearly 12 in number (if not that number in the first place) well before rick came into the picture. that reddit post could be right regarding the show, but the comic creator said that rick was asleep for an entire month (if not, i know it was said somewhere regarding the timeline of twd video games) so even if the show wanted to backtrack and say shane was a bad leader, they already showed literally in the first two episodes that start it off that he's not. in addition, if you read the official TV scripts of S1, in the scene of them in front of the lab and they don't have an answer after knocking on the door, daryl says "Everything was fine until this guy showed up." one of the weirdest and hardest things in twd to understand and accept was rick's sudden transferal of leadership, as if the group knew and trusted him better than shane the entire time. and during this time, rick is making horrible mistakes. but if you look in the deleted scenes of S1, rick heavily relies on shane for guidance on what to do, which ACTUALLY makes sense. i have no idea why these scenes were deleted. even if they were cut for time, they could have made some other scenes in S2 to show the rick/shane dynamic.

i don't agree that shane lied about rick. for one thing it doesn't make sense for him to save his life at the chance that he can come back and then lie about it, and as for why he never cleared it up is because he knew how bad it looked regardless, so he didn't bother. and of course as his character is deeply sensitive he was too ridden with guilt for loving lori so he let her believe it to make it easier to cut her out of his life.

i'm glad you brought up that shane always had rick's back. even in the scene when he had his gun pointed at him, i interpret it in the sense of him thinking of offing him because he's simply to weak for this world, but he couldn't bring himself to do it. i defend lori and give her a LOT of slack, but it must have been a special tormenting hell for him to face rick and her never supporting him when all he wanted was everyone to be safe. the rest of the group was affecting him as well, but lori and rick are something special to him, of course.

in my first watch (i think it was around covid days), i completely agreed with shane and was absolutely blown away that everyone was treating him like he was crazy. this was during the last stutter of the era of hating S2 as it was regarded as the most boring season, so when i looked around online to see if i was crazy i wasn't met with anything of the contrary. nowadays, S2 has been regarded in a much better light and has been for at least the past 2 years and while shane was always popular you definitely see more support of him in the ways of YT videos, and even if there's no support it's still in the breakdown of his character because he truly has so much to give as he is and through jon's performance.

i always say that while i believe S1 to be a masterful display of TV, S2 is the one that really brings out the discussion with the viewers. you said you couldn't watch shane's death scene, on my first time i couldn't either. i had no idea he even died because i was so outraged he was being isolated the way he was. i literally skipped up to the end of the episode because i was so adamant on his obvious road to death. so instead i turned all the way back to 2x1 and asked my mother to watch it with me, just to see how crazy i really was. that's why i say S2 is the one that actually brings out real discussion. my mother did agree with me, but we still had interesting conversations while watching it. i told her that she didn't need to watch the rest of the show with me, but she decided to stay for the rest of the journey (now she's watched the entire show and almost all the spinoffs and it's completely in love with the daryl show). but the thing is, as some of these things will go, my mother was telling what happened with me to my father, and so she convinced him to also watch S2, for which he stayed with for 6 more seasons. S1 is the one that pulls you in, but S2 is the one that makes you stay. and you are not going to convince me that it's not because of anything other than shane's character and jon's performance. we talk of shane very casually in the twd fandom, but in the outside of things he's a character that died in the second season of a 10+ season show and was barely mentioned again. and yet in this context, he's THE most talked about and relevant character in the franchise. the twd creator just talked about making a comic prequel surrounding him, lori and carl this year as well. no other character died as early as he did and have remained at such an impactful level, not a single one comes close.

now, me and my mother still rewatch S2, and find new realizations about his character. S2 is the most viewed, most rewatched and most discussed season in my house. every single time, it's brutal to see shane's degradation. and yet he became the groundwork of the show. he also still lives on in the characters. rick, daryl, carol and maggie are alive because of him. whether the writers mean it, whether the actors mean it or not, they have manifested his harsh way of living within them one way or another. and yes, carl is gone but he's still worth a mention as he voiced his mourning of him and how much he missed him. yes, i would prefer if shane stayed alive for at least one more season. but it's his leaving the show so soon that shows how much his presence stayed deep in the cracks of the show.

I’d love to hear your thoughts on why Shane is the best character in TWD 😊

Cause he's my baby and he's hot and I love him and that's good enough of a reason 😂 

But if you want something more logical, perhaps for a lot of reasons people tend to overlook… First, something that always bugs me is how little acknowledge there is of him actually stepping into the role of a leader for months before Rick showed up. As far as I know, no one in that group stepped in like he did. For the few interactions we saw, everyone would come to him for answers, and while he wasn’t always very diplomatic, he had good survival instincts and kept the group safe for months. Perhaps staying at the quarry wouldn’t have worked in the long run, but it was a plan nonetheless. 

He was right most of the time. He figured out pretty quickly how things were after the infection, and adapted a new mindset. He had to make tough decisions nobody was ready for yet, and maybe he pushed too hard instead of giving people time to get into that same headspace. And we see in later seasons that almost everyone thinks in a similar way Shane did, they just have different approaches. 

and it keeps going under the cut...

I recently saw a timeline in a subreddit or somewhere else that said the events from season 1 and 2 happened in the span of 2 or 3 weeks and that's crazy to me. So they were seemingly doing good, and they found Rick, everyone automatically herd to him, and everything until that point didn’t really matter anymore. That really pisses me off that he was just killed a few weeks later because they couldn’t sit down and talk things over. All and that, and despite him being driven for his misplaced love for Lori, he was still loyal to Rick in his own way. Did he question Rick’s leadership? Yes, countless times. Did he also follow his lead every single time? Also yes.

Which leads me to my next point. He also kept Rick safe. In the hospital flashback, he went in and saw what was happening and amidst all the chaos he still tried to get him out. When he couldn't, he did the only thing he could, he locked the door and barricade it. Did he know that would keep him safe? Probably no. He had absolutely no idea, but he was driven by getting them all out, and when he couldn’t get him out, he did the best he could to get Lori and Carl out of town. If he hadn't lied about Rick, Lori wouldn’t have agreed to leave him behind. Again, tough situations led to hard decisions.

And one of the hardest decisions he made was killing Otis to save Carl. He didn’t murder him in cold blood, he was with him until the end, killing him wasn’t something that crossed his mind until the very last second when he had no choice. If he hadn’t, Carl wouldn’t have gotten the care he needed. BUT people tend to paint him as a murderer for shooting him in the leg. It wasn’t right, but it was the only way out at that moment. I recently revisited one of my fics and wrote that Shane sacrificed his soul to saved Carl that day and I still agree with that. I don’t think he purposely hurt someone before unless he was defending himself. And from that moment on, you could see it changed him and didn’t know how to deal with that, which led him to his own demise.

Was he an asshole sometimes? Yes. Did he do or say things in a way I didn’t agree with? Yes. Did I ever want to slap him? Many times. But there was something about him, compared to other antagonists later on the show, that made him more realistic to me. He wasn’t driven by wanting to be right all the time or even being the leader. His misguided love for Carl and Lori, was at its core the things that he cared the most about and that he wanted to protect at all costs. And while I cared for neither, I think it was beautiful of him. 

I can never watch his last moments. For me, he got the right idea at the beginning of season 2 when started considering leaving the group on his own. I wish he had done that, even if that meant leaving the show. 

I’m probably forgetting something here cause I haven’t rewatched in years, but I think that’s it. Like I’ve said, I didn’t pay much attention to him the first time around, I did agree with him most of the time, it was his manners that left a lot to be desired. It wasn’t until my love for Frank got me to go back and watch some of his previous performances that I got to see Shane in a new light. 

In conclusion, he’s still the best character to me, and everyone should love him like I do. Or not. More Shane for me if you don’t. 

[fallloverfic]

I love singNsong again reminding people in Side Story that Dokja wanted other people to read TWSA (he wrote reviews and comments! It was his first wish), and he only stopped bothering because people harassed him for it. He didn't gate-keep the story. When he's avoiding talking to Sangah about it at the beginning of ORV, it's because he knows what happens when he tells people about the story, not because he's gate-keeping it from her. He notes he's not proud of his hobby (likely because he's been bullied all through his life, including for reading the thing he loves): he finds it embarrassing to talk about, and better respects her studying Spanish in her free time (learning another language is a generally accepted thing in society). He assumes she won't care or will look at him funny (or worse) for when she learns about the novel he's into.

Basically anyone writing "let's gatekeep ORV" posts because of the anime announcement or because they dislike the manhwa or some other weirdness, y'all are the villains in the scenario.

The literal climax of the story is about sharing ORV with as many people as possible. What story were y'all reading?

[dreamingaboutsakuratrees]

Dear God how I fucking hate when people dismiss s character's traits because "that's just a facade! you as the reader have to see underneath it!!" like yeah no fucking shit Sherlock, a well written character has more than one (1) defining trait but that doesn't mean their most prominent one or the one most recognized by fandom ISN'T there

yes this is about people thinking dick grayson isn't actually a ray of sunshine, that it's just a mask. he's much more than the happy one, of fucking course, all batfam members (when written well) are, but that doesn't mean that being happy and bright is not a crucial part of his personality. he brings light to people's lives, he's a beacon of hope, that's what Robin was born for, as a light to Batman's darkness. That's what Nightwing is. He can be serious, sure. He's smart, an amazing strategist, incredibly good at fighting, he can be manipulative and morally gray and sometimes an objectively bad person. But he's ALSO funny and quippy and bright and sunshine. BECAUSE HE'S WELL WRITTEN.

Like Jesus stop making him so sad and wrong all the time just because you want so bad to go against "fanon". It's not fanon if it's literally his core trait. It's not fanon if it's what the character was BORN AS. God.

[problemnyatic]

so does putting "men dni" in your shit actually reduce the number of shitheads you get or does it just filter out the dudes who actually care about boundaries in the first place

[vexingvorta]

Im not a fan of every argument made here on either side, so first I'll get a few things out of the way;

1, that abuse victims often go on to be abusers themselves if they don't put in the work necessary to heal from their own abuse, that's what people are talking about when they refer to the CYCLE of abuse. To deny that is... Also uncomfortable. Being a victim of abuse does not make you exempt from abusing other people. 2, I wish we'd stop equating toxic with abusive because there is a difference. 3, i don't think autistic coding is really a fair defense of said toxic traits I'm gonna be real. There's nothing wrong with headcanons and projection but just to focus on what actually happened in the series without using headcanon to excuse harmful behavior. I don't know what traits are being referred to as "autistic coded" here so honestly I'm not gonna touch that with a ten foot pole and just focus on what we see;

Its hard for people to accept, but abuse does not happen on accident. Abuse is an intentional choice one makes. And over all, no, Ford isn't abusive. He, throughout the series and due to a combination of his self-centeredness and being a victim of abuse (hell, his self-centeredness was weaponized against him as part of the abuse) was absolutely toxic for most of the time we've seen him.

The argument that he abused Fiddleford is so stupid I'm not even going to acknowledge it. The thing with Stan is, he frankly wasn't around him enough to actually abuse him. A one time event is not abuse. A single fight is not abuse. Abuse is long and drawn out and, as I said earlier, intentional. And, like what was already pointed out, Ford was in a bad state. He'd reached the point of Bill going fully mask off, so to speak, and the abuse now being at it's worst. He was fully isolated and sleep deprived and it made him crazy. Yes, his unwillingness to destroy the journals was deeply selfish and another mark of how self-centered he is. It's the definition of irrational. But, once again, he wasn't in a spot where he could think rationally. (Granted, even if he was, I still don't think he would've been willing to destroy the journals because his self importance and self centeredness is one of his biggest flaws and an important part of his character)

The closest Ford ever comes to being abusive is, yes, with dipper. He starts telling him a lot of the same things we know Bill told him at the start of their partnership; you're special, we need each other, these other people are only holding you back. Nobody understands you like I do. When Dipper expresses concern for Mabel, Ford is immediately dismissive. He looks at Dipper and all he sees is himself, and all he sees in Mabel is Stan. He is the one who pushed that dichotomy, because he really couldn't think outside of himself.

His greatest flaw is that he's self centered and self obsessed. But the thing is, is that he learns his lesson. It takes literal apocalypse to get there, but he does learn and he does reflect and he does apologize and try to do better. He course corrects. Gravity falls, ultimately, is about family bonds and breaking the cycle of abuse. Ford almost continued that cycle with Dipper, but he stopped before any permanent damage could be done, both to their relationship, and to Dipper and Mabels. He fixed his relationship with Stan.

He did in fact have abusive tendencies and toxic traits but ultimately he put in the work to fix them and be better. Ford is a well written and well balanced character. He displays how someone even with good intentions can unintentionally fall back into cruel and toxic habits, and can start repeating the abuse they were put through. He also shows that you can come back from that. That starting down that path doesn't mean you have to stay there. That it's possible to heal and get better.

None of what I'm saying is an indictment of Ford's character. The opposite: he is complex and well written and imperfect, and I love him and his character arc. He could've been so easily made into an irredeemable villain, a no good bastard who's just horrible and abusive. He had all those pieces laid out. But the choice and skill to actually have him go through the motions of falling into abusive tendencies and then getting better is amazing on Alex Hirsch's part, and a testament to his ability to write deep and complex characters.

(also this is just kind of my own aside but the use of "autistic-coded" as like an excuse for how a character acts is really annoying to me for a number of reasons? For one, just off the bat, it's an attempt to make your headcanon sound more canon than it is, but by nature of being a headcanon, it's not really a fair or valid argument here. Second, there are ways to make a legitimate argument and analysis of a characters actions in canon and debate criticisms of their actions without saying "they're autism coded so actually you must hate autistic people", like it's okay, you're allowed to make a legitimate argument. Also, "character did shitty thing because they're autistic" isn't the win you think it is, because let's be real, you're either implying that they have no autonomy over their actions because of their autism, or that you think autism makes people shitty or toxic, neither of which is the win you think it is. Ironically lack of media literacy applies in both cases here, just for different reasons. Okay side rant over, just wanted to throw that out there because holy hell it's something that is used so much in fandom and it gets grating after a while.)

The tldr here is that Ford isn't an abuser. He was abused, he had toxic and abusive traits, but he put in the work to heal and better himself. He's by no means perfect and that's okay, he's a good character, and he's actually trying to be better.

Today in "I hate autistic-coded abuse victims", this shitty take.

Ford did not abuse Stan. He did not abuse Fiddleford. He did not try to drive a wedge in Dipper and Mabel's relationship (he was doing what he thought was best for Dipper and thought Mabel would be fine).

Just admit you hate autistic people and have no compassion for abuse victims. And admit you have no media literacy.

Also, calling a canonical abuse victim an abuser is...uncomfortable, to say the least. Especially with how you're just making him out to be abusive for...not handling personal interactions perfectly. You're demonizing autistic traits. And you need to research how abuse can effect people.

(Also, I know Ford's not perfect. But you don't seem to know that he's flawed but ultimately a good person. You just want a "perfect victim" when it comes to abuse victims, and it's obvious)

[pepplemint]

I wonder genuinely how many people who think Vash is Right and Knives is Wrong is actually for peaceful information spreading as a protest of injustice vs direct action in real life matters.

There's a pretty clear comparison between plants and marginalized people in Trimax by who joins the side of the plants, so it's not a farfetched idea. I find the way the conflict is portrayed in the story with no correct answer really interesting.

[icewindandboringhorror]

*screenshots the highlights of my youtube to mp3 downloads folder as if it were some fancy aesthetic spotify wrapped image or whatever* 

[tempestmothstorm]

"I think I would have just deleted myself if you didn't show up."

Yeah this is just straight up canon. But i have more thoughts though. So.

Like if you look into her dialogue is like abundantly clear that she’s just suicidal. It’s different from someone like Sayori who’s actively suicidal because she feels she is worse than everyone else, or Yuri who I don’t know is suicidal but has self harming tendencies she takes too far in act 2, or Natsuki who isn’t at all and is like “wtf are you guys ok”. The answer is no btw.

Monika’s whole outlook on it is that she has a lot of passive suicidal ideation that she pushes aside because she has to be the best. Her issue isn’t centered around her specifically being bad but instead a feeling of pointlessness with existing and the fact that the act existing itself puts burden on the world.

She’s also the type to make jokes about it, which I think is telling about her attitude about death, especially when compared to the others where the idea of dying is still terrifying and scary and something to hide. Meanwhile Monika acts casually as if people’s lives actually don’t matter. We all know her “left her hanging joke” and her general nonchalance with the other girls’ deaths, but the secret poem “A Joke” is probably written by Monika too, and the punchline is another reference to sayori’s death. The special poem about cutting is also by Monika, which shows that she would self harm if it weren’t for her needing to be the ‘responsible one’, and that she’d only do it again if she killed herself. She writes it as if it was a quirky relatable diary entry and not something deeply concerning, which in of itself is also deeply concerning.

There’s also the iiiiiiiiiiii.txt file that has her say that it would be “really easy to kill (herself) right now”. Reasonably the easiest way to do it would be to delete herself. While her constantly reminding the player how easy it would be to delete her is supposed to be a hint on what to do next, it does say something about her when she constantly fixates on it, almost as if she’d thought about it. Like a lot. She thinks about suicide and mental illness just as much too. Also a lot. And existential philosophy a lot. And death too. Again. A lot.

Her friends aside, she clearly just thinks about these things on her own, which implies some real bad things about her mental health considering literally everything else we know about her. Like it’s pretty obvious she’s not ok base game. And yet she doesn’t go through, in fact actively avoiding getting deleted because she still wants to see you. Because you are her only hope.

While her attachment to the player has like a dozen factors influencing it, I think a lot of it is also connected to her more suicidal ideas. She does emphasize that you “saved her” a lot in act 3 and while it mean saving her from her reality, knowing some of the other talks, it also could have saved her from giving up entirely.

Not to get too repetitive about how her life sucks, but like she really has no reason to exist in her eyes post epiphany. Nothing outside the literature club exists, there’s no past or future, everything is fake and has no consequence on the real world, and worst of all she’s completely alone with whatever connections she could have being fake. I think this one quote from her “introverts” talk basically sums up her situation:

"You know, I really do think you literally saved my life by being here with me, [player]."

"I can't imagine having been able to keep myself mentally stable, knowing that nothing here is real."

"I think I would have just deleted myself if you didn't show up."

"Sorry, i don't mean to sound dramatic or anything."

"Ahaha!"

"But I'm sure you understand yourself after spending so much time in the club."

"I mean, if you were forced to abandon everything in your life and spend your eternity with a few game characters..."

"...You'd probably find some way of killing yourself, wouldn't you?"

But yeah something something the connections you have with others gives life meaning and when the relationships she did have turned out to be false, she reached out to you, whose love could be real and whose existence as a real person is the only thing that could give her life meaning.

Another Monika talk that’s relevant would be the “No reason to be alive” talk. I’m not posting the entire thing here because it’s too long but the entire thing is pretty relevant. In it she talks about how living is pointless because you probably aren’t special and your existence alone takes up dozens of resources that isn’t worth wasting.

This highlights two factors that I think influence her thought process. One is that she feels like existence is worthless and likely won’t affect society at large, and with the whole being a video game thing the connection is obvious. The other is that she worries about how much of a burden she is on society. She wants to earn her right to exist in this world. When her reality doesn’t exist, this specific framework doesn’t seem that relevant, but when it comes to being a burden to others this ends up becoming a lot more alarming (and also creates another Sayori parallel yayyyyyyy)

Notably she mentions the key to happiness is to live selfishly and just look out for yourself and your friends. This can’t really apply in her own reality when she can’t see her friends as sentient, but when it comes to you, she can deliver just fine. She says she want to “live (her) life desperately striving to pay back (her) lifetime's worth of consumption” and with her own reality being pointless, paying back the people around her (you) is the next best thing.

But what if she failed to

"Of course, even if I fail to do that..."

"I think I would be too selfish to kill myself anyway."

"So much for being a good person, right?"

Sure thing buddy.

Another thing i want to mention is that it’s implied that these thoughts aren’t new. Like with some of these talks it’s ambiguous whether these ideas came pre or post epiphany. With her whole nihilistic thinking in base game contrasting side stories, it wouldn’t be that surprising if her thoughts got a whole lot more cynical over time. But she does seem to talk as if she’s thought about them for a while, while the epiphany was apparently recent in her memory.

For example in the “Dying” talk:

“It's something I used to think about pretty often..."

And in the “No reason to be alive” talk

"But the older I get, the more I realize that it's an immature frame of thinking."

Uh yeah these ideas aren’t new.

Of course it was probably taken to an extreme post epiphany and thinking about existential topics is normal. By itself it’s probably not some secret sign of mental illness, or at least not anything severe. (Sure she talks about a lot of stuff like mental health issues but it doesn’t really reflect on her, it just shows she can understand others perspective. Like she can talk about the introvert experience without being an introvert. Idk she’s just very empathetic and reflects a lot on the world. Makes her epiphany a lot more ironic though. So.)

But her post epiphany persona was very much built on preexisting ideas she had before that. It might not be that serious, but the fact that it’s there at all is concerning knowing what we do. The implications that come if this is all true is facilitating tbh and it honestly makes the side stories more interesting too. Like her whole “i have to be the best” attitude is probably connected to all her worries about being a burden or worthless.

And her whole thing in trust becomes a lot more layered too. The standard she holds for herself are not carried over to Sayori, who she sees as deserving of life just by being herself. She doesn’t want to be a burden or distract from Sayori’s problems, because her own true self isn’t good enough. Sayori is reassured that her existence is valuable and that she isn’t being a burden, something that goes against Monika’s entire act 3 talk yet is some she believes wholeheartedly.

This is also contrasted by base game where she straight up jokes about her death because death barely matters to her either. In base game, Sayori doesn’t matter, she isn’t special or even sentient, just a pile of code that gets in the way of Monika’s plans to reach the player. In base game Sayori is worthless and a burden, where Monika’s worldview has extended to everyone else. Yet in side stories she doesn’t think that, her standards only applies to herself because she loves her friends, they are what give her life meaning. Of course they deserve to live. They don’t need to prove their worth.

She’s a hypocrite because she values her friends more than anything. Again, the Sayori parallels are obvious from this angle, she has these exact same thoughts, with the only difference being that base game Monika projects her fears of worthlessness onto everything else while sides stories has her a lot more similar to Sayori.

Now the difference between side stories Monika and base game is really just how far their ideals reach, because normally Monika is like ok mentally , while in base game she’s suicidal along with everything else. Forget her saying she’s too selfish to do it cause it’s heavily implied she does do it in other universes.

Speaking of which I never hear people mention the MES emails in this cause a singular line puts into perspective how influential the player’s presence is on Monika and just how bad her mental health is. She is the MES’ guinea pig that everyone wants to see suffer (actually I don’t know how common knowledge this is I just got here and mostly stick to tumblr so idk)

So with the Side Stories MES email i think with all the lore drops we sorta forgot some of the more self explanatory info, including the fact that they have multiple VMs of ddlc and that there were “3 or 4 of them created and then destroyed by Monika”

While most people conclude this is just a reference to base game i think a lot of people dismiss that fact that these aren’t the game VMs, these VMs have no access to a player. Yknow. The player she relies on that supposedly saved her life.

Yeah i think she just deletes everything including her in apparently 4 separate universes. She kills her self in 4 universes.

She deletes everything in act 3 too but specifically because they get in her way between you, and the only reason she doesn’t delete herself there is that she still wants to see you. When the idea of reaching you is crushed, she gives in. By act 4 she ends up like all the other VMs, deleting everything knowing she can’t have you, can’t have reality. I mean the only thing keeping her going is the dream of reaching reality and finding real connections to people, and the idea that her existence will forever be meaningless probably pushed her to the extreme.

The player is the only real person who can give her life meaning and value, and in a world where the rest are seemingly fake, you’re also the only human connection she has. Again, the things that keep her going is her life being valuable in some way and the people around her. Post epiphany she only has you to care for with everyone else being thrown to the wayside without consideration of their own wellbeing.

So of course in act 4, where her connect to you is severed and she is suddenly aware of the harm she’s caused, she’s the lowest she’s ever been. Her reason for living is to be there for her friends and somehow pay back reality for how much she’s taken. And yet she let her friends die and let herself use them for her own selfish gain. She failed them, and has therefore become someone she see as not deserving of life. And with her last hope of the player rejecting her reach, she has no reason to keep going. So in the Easter egg where the player tries to bring her file back after deletion, she refuses to follow. She doesn’t deserve to intrude on their happy ending. She doesn’t deserve to come back.

And she doesn’t.

In future games she’ll probably return though, and with all the secret files and her motivations in the normal ending, I feel like it’s going to be for redemption by finally being there for her club.

She sticks around because no matter how much guilt she feels about just existing, she still wants to be there for her friends. Because while a lot of the act 3 dialogue was not meant to be something people agree with, there was one thing that I feel like is good if you look at it in the right way. Maybe people can’t pay back for the lifetime of consumption they’ve done just by living, but people can pay back and be worth existing just by looking out for their friends and those closest to them. Even if there can be doubts about life and existence as a whole, it doesn’t matter in the end when there’s joy to be found in the people you care about. Even if you make mistakes or hurt them, you can still find a way to make it up to them, to still deserve happiness in the end. The one thing that makes life worth it is the bonds you form with others. Because the people around you are what give life meaning.

She can’t let go and she can’t give up because she still has people she loves and wants to protect. So she’ll keep living for the people she loves. That’s all she needs to do in this world to make it worth living.

I hope she succeeds.

(Side note i took a lot of the Monika talk examples from this post. I did have my own ideas even before i read the doc and I already knew about this stuff anyways i just don’t wanna scroll through the entire wiki again to see all the Monika talks and this is pretty comprehensive. The extra imput is also useful so yeah)(anyways thanks for reading this really long tumblr essay. Good job and drink water ;D)

i would like to bring up that monika has probably considered deleting herself before

like staring at a high cliffside and getting the urge to jump

[megroha]

peeping the horrors (thinking abt how long this ongoing fight with body image and dysmorphia and physical health has been going on and how long it will go on!)

[cleoselene]

here I am, trying to get people to care about a Senate race that is only 4 points apart at the moment but the national media refuses to act like it's competitive

look, I am under NO illusions about what Florida is. I am not here to tell you it's full of the best most well-meaning people who by-golly-goshdarn-shucks have the misfortune of living under Republicans, because that picture of the South is pretty rosy for reals. It's gotten more deeply Southern culturally in the last two decades especially. The Florida of my teen years when Lawton Chiles was governor feels like a very distant memory.

But look: Debbie Mucarsel-Powell is a GREAT candidate. You know how Tim Walz is being praised for representing a quintessential midwesterner? Mucarsel-Powell is a quintessential Floridian, in that she's an immigrant and a Latina and she's very smart and accomplished. That is the best of Florida that so rarely gets represented, or gets twisted in representation to ghouls like Marco Rubio and Ted Cruz whose families are Cuban conservative. Rick Scott is one of the most unpopular members of the Senate.

Ron Desantis has gone too far in this state, warping our education, our human rights, our very freedom of speech, and he's done NOTHING to fix runaway housing and home insurance costs in a state that is acutely aware of climate change.

Abortion is on the ballot. So is legal weed. I am by no means saying I think Harris will carry the state, but there's SO MUCH that is really important on the ballot for me beyond that AND including it. But it's one of those funky years where turnout for the good guys will probably be higher because of the ballot initiatives and there's a lot of angry moderates in this state pissed about what Desantis did to education. So. Please consider sharing and spreading the word that there's a really important and more to the point: COMPETITIVE senate race in Florida. But if we ignore it, neglect it, don't spread the buzz and don't donate, then Florida just becomes another self-fulfilling prophecy.

[bi-writes]

i NEED to know how simon would react to his mail order bride getting all pretty one night.... like maybe the night of their wedding... and she's all nervous because she thinks he expects sex and she's so paranoid about offending him or making the wrong noises or just being a nuisance

mail-order bride

simon and mail order bride did not having a wedding; they are married before they meet. have a peek into their first evening together. (18+)

simon laid your suitcase down onto the floor of his bedroom. you look around anxiously, eyeing the bedroom that is supposed to be your own. there's a king-sized bed in the middle of the room, matching dark-wood nightstands on each side. there's one that's clearly being used, a phone charging there and a half-full glass of water.

there's a dresser on the far wall, littered with picture frames and small trinkets, seemingly from other countries. little russian dolls and different fabrics from different places, wooden elephants and small dishes of wonderful patterns. there's a few drawers open there, and when you make your way closer, you can see it's because they're empty. he must've emptied them out for you to use.

there's one picture frame that's face-down. you pick it up to peek at it, and you smile when you look at the picture there. it's simon and a few similarly-looking people. simon is in uniform, face clear of scars. there's an older woman on one side of him, and then on the other side is a little family of three, a sweet couple and a little toddler on the woman's hip. you put it back down facing up before turning back to your suitcase.

you were supposed to just put your pajamas on. simon had been cleaning up the kitchen, and you figure that meant it was time for bed. you rummage through your suitcase, going to reach for your pajamas when you see the little lingerie set you packed.

it still has the tags on it. it's a red pair of lace panties with a matching bra, complete with little crystal bows and lots of detail. you clutch the lace in your hands, looking towards the door. simon doesn't seem like the kind of man to ask you to do something you wouldn't want to do. but you don't know what his expectations might be. you don't know how he intends his wife to behave.

you stand and take the undergarments with you to the bathroom. you change into them, sliding the pieces on and adjusting them until they fit you nicely. you swallow hard as you look in the mirror, smoothing your hands over your body; your tummy, your thighs, over your breasts. you don't know if he'll even like what he sees. you don't know what he expected you to look like, if he got to choose, if he knows what you are underneath and wanted you because of it or in spite of it.

when you come out of the bathroom, simon is rummaging through one of his drawers. when he turns around to face you, he immediately turns back around.

"fuckin' christ--what the fuck are y'doin'?"

you flinch at the bite of his voice. you wrap your arms around yourself in an attempt to self-soothe, your eyes tearing immediately as you take in his reaction.

"i..." you stutter. "i...i-i thought--"

"you thought wot?" he snaps, and when he turns around to come closer, you panic, taking the straps in shaking hands and starting to pull them down your arms for him. "no, fuck, stop that--"

he puts his hands over yours before your breasts can spill out of the bra. he narrows his eyes at you, shaking his head, and you start to cry softly.

"s-simon, i'm sorry--i-i thought--"

"shhh," he shushes you. "just...quiet."

your bottom lip trembles as he takes the lace straps of your bra delicately and brings them back up, smoothing them back onto your shoulders. you close your eyes when he cups your cheeks, big thumbs wiping at your face as he soothes you silently.

when simon emerges in the bathroom, he tries to be subtle as he cups himself through his boxers, sighing deeply as he flicks the light on. he jumps a little as he steps back, the cat sitting on the edge of the sink and staring at him knowingly.

simon gives it the finger before shooing it back outside.