#i just wrote a novel

[happypeachsludgeflower]

Who wants to bet Peerless Cucumber has an entire fan base within the pidw’s fandom? Potentially even bringing in a portion of pidw’s readers who just want to enjoy shen yuan just loosing it in the comments.

Like sure, some of the fandom’s definitely there for the toxic masculinity and papapa, but I guarantee you there’s an entire section dedicated to gleefully watching the fandom sewer rat being feral.

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[spitblaze]

Anyway I didn’t say anything at the time bc I was stressed out but I will now. I changed my pronouns to they/them publicly, no he/they unless we're good enough friends. He/him in the way I like (as opposed to 'this stranger cannot possibly know at a glance what my pronouns are and it's still more correct than the alternative, so') is reserved for closer friends, who I know for a fact understand that I am not a man and do not identify in the vicinity of the gender binary. It's a bit of a 'don't bro me if you don't know me' situation. I feel like there have been a lot more instances in the last year where he/him was used to either malgender or degender me by people less close than a certain degree so. He/him privileges revoked. I'm they/them only and please do not call me a man, because I am not one. I'm nonbinary and genderfluid but none of the fluid genders are binary either. Thanks 👍

[lotussokka]

inspired by my own tags on this excellent post

[aroaceleovaldez]

Mark Oshiro confuses me a little bit not going to lie. In the press tour for the first book all they ever talked about was how Nico is their son and Will is fine I guess. Then they said like 2 weeks before TSATS came out that they didn't understand Will's character at all and it's one of the main reasons why Will has so little POV.

Possibly unpopular opinion but I don't think it's a good, encouraging sign when the writer admits to not really caring about the deuteragonist or not even having a sense of how to write them...

Yeah, no. If you have no interest in 1/2 of the POV characters of your book, you REALLY shouldn't be writing it (or at least, not have that be a main character). Especially when the main way TSATS could have been improved is if it was primarily Will-centric instead of Nico-centric. Will basically had next to no established character prior to TSATS! He was practically a blank slate! But all the new stuff we got for Will in TSATS was so clearly disinterested and had no regard for his previously established traits (or the established timeline/canon). Which is annoying because fleshing out Will would have been the PERFECT opportunity to actually incorporate a lot of the topics that Mark Oshiro specializes in as a sensitivity reader, which was the ENTIRE REASON THEY WERE BROUGHT ON AS A CO-AUTHOR!!!!

As TSATS stands, there is no reason for Mark Oshiro specifically to have been the co-author instead of someone else. It's so clearly just a PR move from RR following the huge backlash Rick received due to his response to criticism on how he wrote Piper and Samirah (and Reyna and etc etc). This was immediately following Rick saying he wasn't going to write what would become TSATS because "it [wasn't his] place to." Most of the topics that Mark Oshiro specializes in either weren't relevant at all to TSATS or written very poorly (to downright offensively) in TSATS, so either Mark Oshiro wasn't doing their job or was not able to do their job for some reason, but either way it basically makes the theoretical justification for Mark Oshiro being the co-author/sensitivity reader irrelevant.

With Will, it was HUGE fanon back in the day for him to be trans. Trans!Will and photokinesis!Will were basically the two biggest headcanons for him (both largely popularized by Cherryandsisters). We know Rick is aware of this old fanon because he canonized photokinesis!Will. If we had gotten trans!Will, that would have been great! And then made sense why we specifically got a trans co-author! (Instead, if anything, TSATS canonized Will being cis.) If we had gotten Will being latino, that would have been amazing!!!! And also then made sense as to why they chose Mark Oshiro for the job as a latinx author/sensitivity-reader, versus potentially choosing an Italian co-author since Nico being Italian/Venetian was emphasized so much in the book (and done poorly! Yknow what they could have done to fix that? GOTTEN A SENSITIVITY READER FOR IT)! Based on the themes and focuses actually present in the book, it would have been most logical to get a queer, neurodivergent, Italian co-author or sensitivity reader who specializes in those three topics at least. But we didn't! So why was Mark Oshiro chosen instead when they only specialize in one of those topics? PR reasons. It's blatantly entirely PR reasons and no actual thought or care was put into this book (or, likely, TSATS 2 either).

It doesn't help that we're also actively being told that the published version of TSATS was a rough draft. Or that their editor blatantly isn't doing her job. Or that "The Sun And The Star" was the working title that they just kept cause they didn't bother to make an actual title. And that the final version is full of explicitly last-minute scenes that weren't checked over at all (the final Bianca scene, for one). Or the ACTIVELY ADMITTING TO SOURCING IDEAS AND INFORMATION FROM FANS! That last one is kind of important because at this level of publishing that is a HUGE no-no for legal reasons. You can get into a lot of trouble for that and there is a reason why it is Ye Olde Fandom Law to never try to pitch your ideas or headcanons to the source creator(s) and keep fandom separate from the creators. There is a REASON why Rick Riordan is so distant from the community these days and it's for PROTECTION AGAINST LEGAL REPERCUSSION. Mark Oshiro being the exact opposite while also ACTIVELY ACKNOWLEDGING sourcing concepts from fans does not bode well! It has to do with copyright stuff.

It's just. So. Sighhhhhhhh >->o <- me lying on the floor about all of this. It's sad being able to see the glimmer of what could have been at the very least a decent book underneath all this. If anyone involved in the process had actually cared just the tiniest amount.

[taylor-titmouse]

Coming in late on this one, but if you're saying you're not planning on your work being piblished... but isnt there a graphic novel coming out soon? There was a link to pre-order it at least via bookshop or barnes and noble (can't remember which off the top of my head). Were you able to get your blook distributed to them as a self-piblished creator? Or was the graphic novel trad-pub and you're just saying you can't see your prose writing/books getting published?

what a funny thing to gotcha me on

yes, i do have a traditionally published graphic novel coming out. under a different name. in a different genre. for a different audience. it's not relevant for me to bring it up every time somebody asks me here if my work will ever be physically printed because it's not the work they're asking about.

so yeah. the last thing you said.

[felix-lupin]

In Coraline, there’s a recurring theme with names and identity, and I personally don't think it's talked about enough. 

(As a note, this is dealing largely with the book, not the movie, although there are some hints of this theme in the movie as well)

Coraline’s neighbors constantly get her name wrong, calling her “Caroline” and not “Coraline”, to which she persistently corrects them. Despite her attempts, they never get it right, until chapter 10, in which Mr Bobo (Mr Bobinsky) finally gets it right.

"It's Coraline, Mister Bobo," said Coraline. "Not Caroline. Coraline." "Coraline," said Mr Bobo, repeating her name to himself with wonderment and respect. "Very good, Coraline."

It should be noted that, until this chapter, Coraline did not know Mr Bobo’s name either. In fact, it had never even occurred to her that he had a name. Up until then, she had just been thinking of him as “the crazy old man upstairs”, not as a person with a name. This moment, with her learning his name and him getting her name right, is a moment of genuine understanding and connection between the two, humanizing them both to each other.

Coraline’s other neighbors get her name wrong, which is representative of them not listening when she says anything, really, such as her telling Miss Spink and Forcible that her parents are missing and them literally not even acknowledging it at all??

"How are your dear mother and father?" asked Miss Spink. "Missing," said Coraline. "I haven't seen either of them since yesterday. I'm on my own. I think I've probably become a single child family." "Tell your mother that we found the Glasgow Empire press clippings we were telling her about. She seemed very interested when Miriam mentioned them to her." "She's vanished under mysterious circumstances," said Coraline, "and I believe my father has as well." "I'm afraid we'll be out all day tomorrow, Caroline lovely," said Miss Forcible. "We'll be staying with April's niece in Royal Tunbridge Wells."

Mr Bobo gets her name right after being corrected (only after being corrected alongside her using his name, mind you, showcasing her making an effort to listen to and understand him as well), which is representative of him actually making an attempt to listen and understand her. This point is further illustrated by a conversation Coraline had with the Other Mr Bobo in chapter 10.

As Coraline entered he began to talk. "Nothing's changed, little girl," he said, his voice sounding like the noise dry leaves make as they rustle across a pavement. "And what if you do everything you swore you would? What then? Nothing's changed. You'll go home. You'll be bored. You'll be ignored. No one will listen to you, not really listen to you. You're too clever and too quiet for them to understand. They don't even get your name right."

He equates those in the real world not getting Coraline’s name right with them not listening to her, and fundamentally not understanding who she is. So, somebody getting her name right, then, shows them actually listening to her, and being willing to understand who she is.

The mice in the real world know more than they should be able to know, and they also get Coraline’s name right.

"The message is this. Don't go through the door." He paused. "Does that mean anything to you?" "No," said Coraline. The old man shrugged. "They are funny, the mice. They get things wrong. They got your name wrong, you know. They kept saying Coraline. Not Caroline. Not Caroline at all."

They seem to know about the other world, somehow, on some level, and the dangers it presents. Them getting her name right represents them knowing more than they should know, more than they are told. Animals in general seem to have this type of quality in Coraline, actually.

The cat does not have a name. It says so in chapter 4, that cats do not need names. It says that this is because cats know who they are. But humans need names, because they do not.

"Please. What's your name?" Coraline asked the cat. "Look, I'm Coraline. OK?" The cat yawned softly, carefully, revealing a mouth and tongue of astounding pinkness. "Cats don't have names," it said. "No?" said Coraline. "No," said the cat. "Now, you people have names. That's because you don't know who you are. We know who we are, so we don't need names."

The cat shook its head. "No," it said. "I'm not the other anything. I'm me." It tipped its head on one side; green eyes glinted. "You people are spread all over the place. Cats, on the other hand, keep ourselves together. If you see what I mean."

This shows that, in humans, names are connected to our identities and who we are. Names are used to individualize and distinguish ourselves from each other. But cats do not need names to recognize each other, or be recognized.

"Oh. It's you," she said to the black cat. "See?" said the cat. "It wasn't so hard recognising me, was it? Even without names."

With or without names, it is still the same cat.

During the Other Miss Spink and Forcible’s performance, in chapter 4, they begin quoting Shakespeare. The specific quotes that they use are interesting to me when looked at under this lens of the importance of names, especially Miss Forcible’s.

"What's in a name?" asked Miss Forcible. "That which we call a rose by any other name would smell as sweet."

"I know not how to tell thee who I am," said Miss Spink to Miss Forcible.

Now, of course, this is just them quoting Shakespeare. But. Why these quotes specifically? They’re at the very least notable when discussing Coraline’s recurring theme of names. Especially the quote about the rose. It makes me think of what the cat said earlier, about how cats are sure of who they are so they don’t need names, about how Coraline didn’t need the cat’s name to be able to recognize it for who/what it was.

But, of course, this does not apply for humans. We need our names to be able to know ourselves, to be able to tell others who they are.

In chapter 6, Coraline wakes up and is disoriented. This disorientation is compared to the feeling one might experience upon being suddenly pulled out of a daydream. In this comparison, forgetting one’s name is equated with forgetting who one is and where one is.

Sometimes Coraline would forget who she was while she was daydreaming that she was exploring the Arctic, or the Amazon rainforest, or darkest Africa, and it was not until someone tapped her on the shoulder or said her name that Coraline would come back from a million miles away with a start, and all in the fraction of a second have to remember who she was, and what her name was, and that she was even there at all. Now there was the sun on her face, and she was Coraline Jones. Yes.

The ghost children have also forgotten their names, and with it most of who they were. In chapter 7, when Coraline is locked behind the mirror in the Other World, one of the ghost children says that names are the first things that one forgets after death.

"Who are you?" whispered Coraline. "Names, names, names," said another voice, all faraway and lost. "The names are the first thing to go, after the breath has gone, and the beating of the heart. We keep our memories longer than our names. I still keep pictures in my mind of my governess on some May morning, carrying my hoop and stick, and the morning sun behind her, and all the tulips bobbing in the breeze. But I have forgotten the name of my governess, and of the tulips too." "I don't think tulips have names," said Coraline. "They're just tulips." "Perhaps," said the voice sadly. "But I have always thought that these tulips must have had names. They were red, and orange-and-red, and red-and-orange-and-yellow, like the embers in the nursery fire of a winter's evening. I remember them."

The ghost children may have their memories, but they have largely forgotten who they were. They may remember their tulips, and certain strong memories, but there is very, very little left of them, and they have forgotten who they once were, they have forgotten their names.

"That is why we could not leave here, when we died. She kept us, and she fed on us, until now we're nothing left of ourselves, only snakeskins and spider-husks. Find our secret hearts, young mistress."

"She will take your life and all you are and all you care'st for, and she will leave you with nothing but mist and fog. She'll take your joy. And one day you'll awake and your heart and soul will have gone. A husk you'll be, a wisp you'll be, and a thing no more than a dream on waking, or a memory of something forgotten."

The Other Mother stole their hearts and their souls and their selves. She stole who they were away from them, their identities and names and the names of those they loved, leaving nothing in her wake.

The same ghost that talked about the tulips and the names of the tulips struggles to answer when Coraline asks their gender, as well, and when they do eventually give an answer they seem somewhat unsure of it, as shown by the word choice of “perhaps” and “I believe”

"A boy, perhaps, then," continued the one whose hand she was holding. "I believe I was once a boy." And it glowed a little more brightly in the darkness of the room behind the mirror.

(I personally take this quote, specifically it "glow[ing] a little more brightly" after coming to this conclusion, to mean either that the ghost is happy at realizing that he was once a boy, or even to mean that he has become somewhat more tangible upon this realization; upon remembering something about his self, and his identity.)

As an aside, it's noteworthy to me that we never learn the Other Mother’s true name. She is simply “The Other Mother” and “The Beldam.” Never is an actual name applied to her, only titles. We do not truly know who, or what, she is. Beings without names are shrouded in mystery (or should i say mist-ery). The ghost children are benevolent mysterious beings, the cat is an ambivalent-leaning-helpful mysterious being, and the other mother is a distinctly malevolent mysterious being.

"Who are you?" asked Coraline. "I'm your other mother," said the woman.

"She?" "The one who says she's your other mother," said the cat. "What is she?" asked Coraline. The cat did not answer, just padded through the pale mist beside Coraline.

But in conclusion, names in Coraline are extremely important. I’m sure there’s probably more that I'm missing, and feel free to add onto this, but basically—

People need names to know and remember who they are, and forgetting one’s name is the first step to losing the rest of who one is. Names humanize a person; with a name, they are less shrouded in mystery, more clear.

Knowing somebody's name helps one connect to and better understand that person; it is the first step in getting to know them and see them as a full person, the transition from “the crazy man upstairs” to “Mr Bobo”. Names, to people at least, are one of the fundamental building blocks of who we are.

[atopvisenyashill]

Thoughts on the Alysanne is Maegor's daughter AU? I feel like it has some interesting potential, and it vastly recontextualizes different parts of Jaehaehae (I do not like him sjsjsjs) and Alysanne's relationship (such as Jaehaehae's treatment of their daughters) but I wanna hear what you think about it!

I’ve touched on this a bit before but since you actually want to hear my thoughts, allow me to present to you my Jaehaerys Is The Goddamn Worst, And Alysanne Annoys Me Too: An Essay lmao but my answer is basically “yeah all of what you just said.”

I think it makes Alysanne much more palatable (to me) as a character because as she stands, she just fixates on forcing her daughters through these fucked up marriages at too young an age bc it traumatized her to be married and pregnant at 15 too but she’d never admit that being a willing participant in her own kidnapping by her brother-husband was the single worst thing that ever happened to her, and because Alysanne doesn’t want to admit it (and Jaehaerys would never see it as wrong or a mistake) F&B really shies away from delving into the fact that Alysanne is as deranged of a mother as Cersei is. So as she stands, she’s very flat to me because she’s presented very flatly and inconsistently. She’s so in love with Jaehaerys, she’s maritally raped by Jaehaerys, she’s a loving and doting mother, she forces her daughters into marriages when they’re the same too young age she was, she accuses her teenage girls of being scheming whores then gets angry when her husband accuses their teenage girls of being scheming whores, and worst of all we are just told “Maegelle tells them to make up so they do” so we don’t know why Alysanne gets over all of this. What is the point of riding a dragon when you never use that dragon to protect your daughters from unwanted teen marriages? We’re just not given a good enough justification for why her behavior is so weird and frustrating towards her daughters.

Make her Maegor’s daughter though…most of her behavior as an adult makes more sense. Like a worse version of Rhaenyra’s childhood almost - a father desperate for a son, but lowkey obsessed with his daughter, who makes all his hang ups about his parents the problems of every woman around him, except Maegor is out here blood sacrificing and torturing and starting wars and forcing babies on wives he discards quickly and brutally. Then here comes Jaehaerys on a white horse green dragon to save her from the horror her life has become, and he loves her so much he runs away with her even though Alyssa says they shouldn’t marry because people won’t like it. And they have beautiful children, and a beautiful marriage, and build a beautiful kingdom.

Then her pregnancies start getting dangerous. Gaemon, then Valerion, die. Alysanne thinks of the shriveled up mutants she called brothers, if Maegor’s taint has passed to her. Her perfect husband ignores her no, and forces Gael on her. Alysanne remembers that he said nothing to Rogar when Alyssa died, merely wept. Then her daughters start to die. Daella, Alyssa, Viserra, all within a few years. Then Jaehaerys makes Saera watch as he murders her boyfriend, calls her a whore, and says Alysanne cannot follow Saera to Lys. Alysanne thinks of Maegor torturing the Harroways over Alys’ presumed infidelity. Jaehaerys says he’s sorry, and her daughter badgers her into forgiving him, and she remembers how she helped Jaehaerys badger Alyssa into forgiving Rogar. Not two years later, Jaehaerys passes over Rhaenys. Alysanne thinks of how she was never enough for her father, how she felt so superior to Rhaena banished to Dragonstone and resented by Aerea, yet there she is dragging Gael away from court because she can’t stand to be with Jaehaerys. How her father was surrounded by dead women and dead babies and how Jaehaerys is surrounded by his own dead daughters, but surely she did the right thing, surely Maegor was worse, surely the realm is better off? Is he right to pass over Rhaenys? Is she enabling a man just as monstrous as her father? She will never decide, because Maegelle will guilt her about keeping Gael isolated at Dragonstone, and Alysanne will do as she’s told, just like Rhaena, and Alyssa, and Jeyne, Elinor, Ceryse, Alys, and Tyanna, just like every one of her daughters.

I do get why Alysanne is Alyssa & Aenys’ and not Maegor’s. The weird Targ babies, the line not descending from Visenya, Jaehaerys and Alysanne being held up as the perfect Targaryen couple specifically because they are brother and sister and dragon riders. I do even think canon Alysanne is likely traumatized by her time as a hostage on Dragonstone, and the ensuing war, and the trauma bond that caused with Jaehaerys, and it makes her idolize Jaehaerys, and then he isolates her at Dragonstone so he can swiftly and safely marry, groom, and knock her up. It’s not like,,,, a fun time, and it’s enough to make anyone crazy and weird about their daughters, but I think having her father be Maegor makes Alysanne herself much deeper because it gives her, as the most beloved Targaryen queen, a blood tie to the most hated Targaryen king, and a marriage to the most beloved Targaryen king. It fits better with a lot of the themes of the main series (again, imo) - forcing the spotlight on the outsiders to see how the affect the story from behind the scenes. The fall of Aegon��s sons, and The Long Reign, not told from the PoV or to serve the PoV of any of the kings or princes, but of the queen that tied them all together.

[justaz]

all this was to say that lance had the perfect set up for a deep, beautiful character arc but…well. we all know what happened. he’s arrogant, overconfident, and cocky and this ends up with him making mistakes and costing his team a pretty run with the flight sim. yet you can see in that episode with the yupper that lance has a deep insecurity that he buries and hides under smirks and quips and a whole lotta pride. (they also could’ve tied it to his family as well since they gave him multiple siblings which would’ve overshadowed his accomplishments which is the root of him striving for greatness and perfection so much that he gets tunnel vision and his team pays the price, but i digress.) with his competition/rivalry with keith, the star student who is effortlessly talented, it would’ve been beautiful for them to be equals as coleaders without them realizing. it wasn’t a conscious decision for either of them but lance’s little line from the first episode had more truth than he realized - “lance and keith, neck and neck”.

and then to lose that along with himself when kuron takes control of the team, to watch him struggle and flounder and fall deeper into his insecurities, his pride and ego wounded so much that he is unsure of his every move, his every word, his every breath. it would’ve been PERFECT for him to figure out that kuron was a clone and that the team was under galran command. lance being forced into the leadership role, much like keith was, and having to make decisions and choices for the team as black paladin - still being so unsure of what he’s doing and if it’s right. he full heartedly believes that the team needs keith back, they can’t do this without him, but keith is on the space whale and no one can get ahold of him so it’s up to lance. lance who slowly heals the deep wound within him that has him believing that he’ll never be good enough and grows his confidence back on solid ground. lance who becomes steady and sure of himself and leads the team almost effortlessly.

all this paralleling keith’s character arc which (ofc) happened off screen in canon. keith who was restless and explosive for years bc he never had a mother, his father died when he was young, he was bounced around from foster home to foster home, and once he found a permanent home, shiro goes missing and is presumed dead. keith who is constantly searching for something he can’t name and finding his mother and is forced to be with her for two years while glimpsing the past and future. keith seeing his parents meet and fall in love, watching as his mother practically tore herself apart inside as she left him and his father behind - feeling a piece of him settle within at the sight. she didn’t want to leave, she would’ve given anything to stay. watching his father and shiro raise him, their love unconditional until the day they left. krolia watching little keith rage at the injustice and being there for his older self and healing those wounds. settling every restless piece within him until he became the man who stepped back onto the castleship with a space wolf, an altean, and his alien mom.

keith and lance finding a shred of stability with one another as coleaders of voltron and best friends since they definitely grew closer during s3. they were attached at the hip, they did everything together, the line between platonic and romantic blurred so much that it wasn’t even there anymore, it was just them. but it was unhealthy how close they were, how dependent they were on one another. only to be torn apart and with their unhealthy codependency, they completely fall apart without the other there so theyre forced to rebuild the foundations of their beings. lance crumbles all alone as he and the team become distant and he rebuilds as black paladin. keith crumbles alone at the blade hopping from mission to mission and rebuilds on the space whale with his mother.

steady keith and lance meeting almost like for the first time after lance and the team took out kuron and keith and krolia found a hidden altea. together they turn on lotor and take him down too. since kuron has already been dealt with, lotor didn’t get away and all that other shit in canon didn’t happen so they get to remain in space until they take the empire completely. allura places shiro into the clone’s body and meets romelle and talks of freeing the hidden altea after the war is over and theyre not at risk anymore. keith and lance are unsure of how to proceed with the whole leader thing but there again pops up the coleader resolution. as steadier, mature versions of themselves, keith has really stepped into the black paladin position while lance had always been more suited for red. keith and lance, leader and his right hand, but they’re equals. theres no competition, no rivalry, no jealousy or envy, just respect and love.

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

[mae-i-scribble]

tonight i was thinking about orv’s theme about how yjh as a character, and to a larger extent people, will in some ways always be unknowable. (orv spoilers following, read at your own risk)

i feel like i’ve seen a few posts on here that somewhat take this theme to an extreme, leaning *hard* into that “kdj doesn’t actually know yjh like at all” which while on the right track, i feel completely misses the point. Orv goes out of its way to showcase that kdj actually understands yjh to a scary degree, even once they’re out of the early scenarios and the gap between kdj’s knowledge and yjh’s personhood grows larger, there are still things about yjh that *only* kdj can fundamentally understand. And I don’t think that the novel does anything to discredit that understanding, only says that there is much more to yjh. In the same manner, even if you’ve known someone for years, spent all your time with them, there can and will always be new things for you to learn about them. The danger that orv speaks of is trusting in that assumption, that your understanding will be enough and you don’t have to keep an eye out for more developments. That the person you know will forever stay the same. And this isn’t a kdj problem either, fundamentally a lot of the big disagreements that happen between kdj and yjh in the latter half of the novel are born from both of them misconstruing what the other is thinking, trusting that their understanding of the other is deep enough to base their judgements off of. (Post first murim destruction, divorce arc, yjh thinking kdj scattered his soul on purpose, etc.)

As always with orv’s themes, we can view it in a meta sense as well. Kdj’s understanding of yjh as a character is so complete that it’s nearly flawless- until the story begins to deviate and a yjh grows outside the parameters that kdj’s judgements are based on. Even before then, there was always more to yjh- but as readers, we can only understand a character as much as we see them. What you come away with from a story is your complete understanding, there is no growth outside of those boundaries because then it wouldn’t be an understanding of *that* character, you would be putting your own ideas and such into it. But talk to another person, and suddenly the same character you understand so clearly becomes someone else. Talk to the author, and they say something completely different. And can one truly claim to understand a character when the story will never talk about them in every conceivable way? What does it take to truly understand such a thing? Learning that 1863rd round hsy wrote ways of survival with such limited resources and knowledge on who yjh even is, and yet despite it all, still manages to write a story that captures so much of his essence. As orv readers, we know it isn’t everything- it could never encapsulate all of yjh, but the idea that even when one knows nearly nothing, you can still put on a facade of understanding.

We can get into a chicken or the egg argument with this, as 1863!hsy dictates how yjh acts with her writing, and that yjh in the 1863rd round is the one she comes to know before ever starting this story, but when it comes to this theme of the unknowable in the people around us, I don’t think this sort of debate is worth much. We know that yjh exists outside the story written, and how much of him is determined by hsy’s writing is negligible because no matter what, he always grows beyond it. Whether as 1864 or secretive plotter, it all comes back to that same point of there is always more to see within a person.

I don’t know quite where I want to go with this, only that I wanted an outlet for some of these thoughts inside my head, but one of the best things about this theme for me is how it answers itself. When the people around you become unrecognizable, what should you do? And orv says to reach out. To try. To understand. Kdj loses access to omniscient reader several times but always, always gains it back in orv (as far as i remember), because at the end of the day, he is not someone who stays trapped in his idea of who he knows yjh to be. Yjh too, even at the end of orv, is trying to learn more and more about kdj. Only when you are willing to hear out the other person, to learn about them every day, does this unknowable aspect become something less daunting.

[fictionadventurer]

I'm sorry, but if you call Fanny Price (or any female character) insipid, I don't want to hear anything else you have to say.

[sctumsempra]

going insane and i need to infodump about severus snape’s patronus being a doe for a second. i personally don’t think it changed, or lily necessarily influenced it- i think it’s always been a doe, casting the charm in dumbledore’s office was meant to show that he and lily were supposed to be viscerally aligned with each other and he knows he fucked it up and that’s why he’s spent almost two decades trying to atone for what he did. on a representative level, the doe symbolizes peace, protection, and innocence, and no three words could possibly represent severus snape more.

all he wants is peace: a peaceful life for himself, a peaceful world, a peaceful school. everything he’s ever done has been to create as much peace as possible. some of it can be considered misguided from a black and white moral standpoint, but it’s what created peace for himself. for example, aligning himself with the purist views of his housemates made him less of a target for bullying- he’s not a pure blood, and they’d know, and having powerful ambitious students on your side instead of alienating yourself from everyone means you have at least a semblance of protection from harm some of the time. he becomes a double agent for dumbledore to help bring about peace from voldemort’s reign. it might not have been peaceful for him per se, but it was still with the intention of peace in some form. he tries to give other people peace- he takes a vow with narcissa to protect her son because she’s crying and scared for him, and it gives her peace. he doesn’t throw draco under the bus to save his skin when voldemort accuses him of being the elder wands owner, giving draco and narcissa peace even if they weren’t aware. it’s either for himself, or for others.

he’s the most protective teacher at the school- would mcgonagall have thrown herself in front of three kids facing a wolfsbane-less werewolf? would flitwick take the burden of an unbreakable vow to protect draco malfoy from voldemort? would any of the DADA teachers have run towards the sound of a screaming woman? he consistently vows to protect everyone and everything he can. and, leading into his innocence, when he realizes he’s only been protecting harry for him to die, it breaks him.

he’s not necessarily innocent in that his hands are clean and he’s never done anything wrong in his life, but he’s innocent in that he’s naive. he trusted voldemort enough to be drawn into the death eaters, he trusted dumbledore enough to be manipulated into his bidding. it feels like he forgets that dumbledore screws him over constantly, dangles things in front of him and takes them away, makes crude assumptions, and has left him to fend for himself essentially their entire relationship. the times that dumbledore abandons him- physically, mentally, metaphorically- he gets very upset. like it’s new information to him that dumbledore treats him like shit. from an abuse perspective, he probably had to spend his childhood mentally erasing what his parents and home were like so he could feel safe and normal, so the constant ebb and flow/back and forth of his and dumbledore’s relationship is familiar to him. when dumbledore draws him back in with whatever method, he’s right back to behaving as dumbledore wants, doing what dumbledore wants, and believing what dumbledore believes. the times that he remembers that dumbledore doesn’t care that he let the guy who’s tried to kill him or assault go, or that dumbledore thinks he wants only lily saved because he desires her romantically or sexually, or that dumbledore has only been using harry and, by extension, him (as he’s been the one protecting harry) to play the long game of destroying voldemort are the times that he’s emotional in the books. he cries, he’s vulnerable, he raises his voice, he begs and he pleads and he defers. he doesn’t do that any other time, other than when he found harry watching his memories. he trusts and he forgives (or he forgets, or he feels safer pretending he doesn’t care what’s been done to him/how he’s been treated.) a doe is perfect for him. reducing it to something like tonk’s patronus being changed as soon as she’s in a relationship with lupin or that it’s only a doe because of lily evans completely erases his entire way of thinking and behaving and being.

also, in a self indulgent addendum, it’s a very feminine animal, and severus is consistently aligned with femininity. hermione calls the half-blood prince’s writing feminine. he wears his mother’s clothes as a child, and lupin encourages neville to dress his boggart as his grandmother. he’s quiet and docile and tries to be non-violent unless he’s pushed to his breaking point, and even then it’s screaming or crying or getting animated. he’s emotional and frequently painted as hysterical. he gets the “woman character treatment”: to the average viewer who doesn’t think about him long enough to understand otherwise, he only desires lily. the consensus is that he chases her, he only thinks about her in the context of attraction. the line about looking at her greedily is constantly understood to be lust, and not a desire for love or a desire for a peaceful relationship for once in his life (and a relationship that only ever seems to be platonic at that). he even backs off and all but disappears from her life when he’s asked to, while james (the one with the stag patronus, the classic triumphant male character) harasses her and pursues her and behaves in a way that makes his son decades later wonder if he forced lily into a relationship. he’s behaviorally aligned with what femininity in the eyes of misogyny is supposed to be. he keeps to himself, he’s quiet, he sacrifices every bit of himself for students and coworkers and superiors and expects nothing in return, he pushes his students to be the best they can. (i’d say nurtures with my whole chest, but as the narrative comes from harry, we can’t really be sure. in my view, his house won the house cup for several years in a row which was only interrupted by dumbledore awarding a fuck ton of points to his gryffindor prize pony, his classes are seen as high performing and advanced by even dolores umbridge of all people, he only tries to punish students albeit a bit violently after several attempts of getting them to understand why what they did was wrong, which seems to be pretty nurturing in comparison to what other teachers allow and do). whether he’s trans, or had been influenced more by eileen, or he was intended to be deeply complex and contradictory and that meant that he had to have these traits, or any other of the multitude of reasons for snape being an inherently feminine character, it’s there. his patronus wouldn’t be a stag, he wouldn’t be anything overbearing and he wouldn’t be anything aggressive. it doesn’t make sense with his soul and his personality and his life. the peaceful protective innocent/naive doe, however, does.

[abirddogmoment]

I love seeing Rory run in the field!! Bird dog doing bird dog things!! You said in the tags you had different training and priorities with her vs Mav re: offleash running like that. What kinds of things did you do differently with Rory to be comfortable having her offleash at a distance with reliable recall?

I was writing a whole novel but really it boils down to this chart. Under the cut because it's (vertically) long.

In short, it's just as much about what I didn't do with Maverick as what I did do with Aurora.

(Edited to add: I am extremely fortunate to live in the prairies where the kind of visibility I need is easy to find. Use my experience to inspire your own training if you like, but don't use it as a recipe. I have my own goals and my own priorities and those are likely different than yours.)

Maverick:

🔵 Supremely confident from day 1

🔵 Came home in August (extremely good and exciting time for outdoor adventures)

🔵 Prioritized specific sports behaviours over foundational building blocks like engagement and cooperation

🔵 Learned bad habits from my older dog at the time (prey drive > recall)

🔵 Was indiscriminately prey driven. If it moved, he wanted to kill it.

🔵 I phased out treats too fast and didn't want to use an ecollar or long line

🔵 I focused on "social media dog behaviours" (think like walking extremely close to me on trails) and got frustrated when we couldn't meet these rather than meeting my dog where he was at. This created a lot of frustration in our dog adventures.

🔵 I practiced recalls constantly when I didn't have to, making them a tedious behaviour for him. I would recall him 20-50 times a hike for everything from "you're too far away from me" to "I want to take a photo".

Aurora

🟣 Came to me a little insecure and looked to me for reassurance

🟣 Came home in December (a cold and relatively boring time for outdoor adventures)

🟣 I prioritized engagement, cooperation, and name recognition from day 1

🟣 Practiced good habits by walking offleash in the snow either alone or with Pike (amazing recall)

🟣 Is extremely birdy, but is very very focused. She easily calls off deer or people/dogs in the distance because she mostly cares about birds.

🟣 Literally always gets offered a high value snack for recalling or voluntary check ins (I will never phase this out, I will carry chunks of cheese on offleash walks for the rest of her life)

🟣 I never practice recalls if I don't need them. This one is hard to explain, but once Rory understood that long whistle = come back as fast as you can, I don't whistle unless I really need to. I recall her an average of 0-3 times per hike (*based on visibility or wildlife*) and trust her to make good decisions otherwise. I keep my eyeballs on her 100% of the time and choose areas with good visibility, but I don't recall her just for being far away.

🟣 I limit hikes where I have to nag her often (think, in the woods where I dont have a great line of sight and have to remind her to stay close to me) to a few times a month or less so she doesn't start getting frustrated about it.

🟣 I trust the training I put into her and choose to run her in areas with (relatively) reduced risk if she makes the "wrong" choice. I don't nitpick everything she does and I let her make her own choices, within reason.

🟣 I have an interrupter cue to ask her to stop doing something before I call her back (if she's digging a hole and I want her to move on, I use "Rory, enough! Here!") instead of whistling at her.

🟣 I don't force her attention on check ins. If she runs back to me and doesn't want a snack and wants to run straight back out, I let her run back out.

🟣 I have anticipatory cues for the end of a walk so I don't have to recall her when we get to the end of the field.

I want to say that it's nerve wracking to watch my dog sprint at full speed hundreds of yards away from me. I have to fight the impulse to recall her just because she's far away. It's an exercise in trust because I'm always worried about her going over the horizon, or running into a wildlife, or falling into a hole, but it's an important thing to work on if you have a dog that needs that trust to thrive.

Mav and I were a good team, but I never fully trusted him outdoors. I always had my finger on the ecollar buttons ready for him to do an evil and need to be vibrated. It was exhilarating to watch him in the field, but it wasn't really fun or relaxing.

Rory and I built a much stronger foundation of trust (I personally never would have been able to do this if I had more than one dog). She doesn't know any tricks yet, but I'm super confident in her recall and ability to take direction in the field, even when she's sprinting as fast as possible.

[dseval]

Hello audience. Unfortunately, I am still on my break. However, I am happy to announce that I am still alive and kicking. In fact, I decided to make use of my unemployment and revisit HTML, CSS, and JavaScript to create... A visual novel.

Good News: code is 100% reusable because I used a JSON (i do not know how that works, someone can kindly explain to me...)

Bad News: this code sucks ass, and NOTHING works except playing the story. Transitions? Doesn't work. UI/UX? Ass. Effects? Hell no... Also, 70% of the features aren't present yet I'm gonna do it later.

Oh, this is CrossDust, if you can't tell.

Dust Sans by Ask-Dusttale, Cross Sans by Jakei

I'm gonna respond to asks and do requests later (After my break is over). This is just a small update teehee.

[orcboxer]

a fair assessment