#i just wanted really to. think about the way that angel used to be because it's meant to be very different as to how she is now

[yarnabee]

THE DOCTOR HEADCANNON — BEING HIS PLAYTHING.

harley sawyer ( the doctor ) x reader

tags/warnings: sfw (15+), light gore, torture/impact, power imbalance, degradation, abusive behaviour, posessive behaviour, kidnapping i suppose

sawyer is a HUGE jerk to everyone, including to his own little precious plaything, you. of course, such a cold, dense body made out of metal wouldn't make sense if it had a heart, wouldn't it?

besides.. your timid reactions to his sick, little experiments were what piqued his interest in the first place. what a lovely sight it is to see a flesh roaming around his prison like a helpess, pathetic rat who lost its way home. whether you writhe, yelp, whine, sob, or scream.. it's all melody to his ears.

he loves purposefully letting you escape from his lair, making you think that there's still hope to escape his hellish prison. just as you thought you were free of his grasp, he'll pin you, his beloved trophy, down—his mechanical figure hovering over you, eyes daunting as it pierces towards your cowardly ones, squeezing your neck tightly with his iron first, making sure that you knew there's no use fighting someone much stronger than you are. oh, how he loves watching the glint of hope fading from your pupils—dulling them with fear instead. he'd purposefully taunt you, mocking you with his laugh as it echoes through the hallways, "you really thought you could escape me, hmm? what an interesting thing you are, little rat."

oh, how he loves turning every single thing into a game that he knew you'd lose from the very beginning. it's amusing to see how you'd react time to time, whether you try to fight back or whimper out of fear, he feasts on it nonetheless. he'll purposefully make you play hide and seek with him, taunt you with his creaking footsteps, then having his way with you once he got his fingers wrapped tightly around you—dragging you into his lair once again as your fights and cries means nothing to him. "don't try to fight, little rat. i know you're at least smart enough to understand why."

don't get him wrong, though. just because he's able to leave cuts and bruises all over your delicate skin doesn't mean any of those filthy creatures roaming outside has the right to leave a scratch on you, not even a single one. oh, how sawyer wouldn't even think twice to rip appart the limbs off those past experiments who still roams in the area, who dares to touch you without any permission. you're his plaything, and only his. no one else.

the doctor wants you to DEPEND on him, just like how yarnaby depends on him and obeys him like a God. he wants your pathetic self to see him as YOUR lifeline, as he purposefully brings the necessities you need such as food and medicines, his mechanical joints placing them gently next to you without saying anything. afterall, he needs his little lab rat on good condition to play with, no?

at times where he's not running any 'experiments' and 'games' on you, he always kept you inside of his lab—no contact is allowed without his permission. he'd occassionally let yarnaby roam around and get used up to your presence, but he won't let you or it get too attached to each other.

he barely speaks to you, his answers are either mockery or straight degradation. you never really ask him anything about his motives too, he never liked it when you were curious. "say, little rat, i'd be amused if you hadn't learn what happens to curious little rats who gets too nosy."

a little fun fact; the doctor can easily destroy you if he wanted to. he always lets you know through his grips—how he's controlling it steadilly, letting you know that if he puts just the littlest more effort into squeezing you, you'd have your bones crushed within seconds—and he makes sure that you always remember that at all times.

"now, little rat, go on and amuse me. let's see what else i can get out off you."

[r0-boat]

Satan NSFW Alphabet

Well shit You guys really wanted it...

Here you go.

Cw: rough sex, hitting, spanking, mentions of bruises and bleeding.

A = Aftercare (what they’re like after sex)

Am I surprising you, but Satan is actually pretty good with aftercare? Satan will press his lips and look at any injuries he gave you. He'll hold you close and snuggle into your neck. You hear a soft rumble from his body, which he adamantly denies. He becomes incredibly protective and clingy for a while. Any King or not tries to rip you away from his arms we'll have a one-way trip to Lucifer's office. If you try to leave to go to the bathroom or get some water, he will always have his arms around you to the point where he's following you around like a clingy cat.

B = Body part (their favorite body part of theirs and also their partner’s)

As much as he hates to admit it, He agrees with Mammon's obsession with your ass. Tight, pert, and soft; enough flesh to sink his teeth into and leave red with his handprints. He likes the way he jiggles when he slaps it.

C = Cum (anything to do with cum, basically)

Yes. In you, on you, breeding you, in your mouth as long as He gets to empty his balls with his favorite stress toy.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Every demon has at least one dirty secret. Satan is no exception. As much as he likes to take pride in being your protector. He can't ignore his sadistic desires. To really mark your skin red and purple. To see The fear and pain in your eyes as you try to squirm away from him.

How badly he wants to make you bleed and lick up your blood.

E = Experience (how experienced are they? do they know what they’re doing?)

The way his hands clench when he thinks about slapping you across the face when you're sucking him off.

Satan had had lovers before and after he met Solomon. But once he had you, he kind of ghosted all of them. They're pissed, but honestly,, he could care less. You're all that matters to him.

F = Favorite position (this goes without saying)

Doggy style, cowgirl, face sitting, Anything that frees his hands to do more.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

No, Satan likes to lose himself during sex; if you break his concentration, he will get mad at you. If you have enough energy to school off with him while he's fucking you then he's not doing his job.

Satan shaves once every month or two and then lets everything grow out.

Personally, I feel like Satan should have more hair than he actually does (happy trail, facial hair, etc.), mainly because depressed people go through episodes where they just don't care about how groomed they are for days on end. He's not like Asmodeus, who purposely doesn't was; sometimes, he just can't bring himself to. If he isn't working, he's destroying his own stuff or killing angels for fun.

I = Intimacy (how are they during the moment? the romantic aspect)

He only started to care about grooming when you started living in Gehenna. Depressed Satan starting to grow a beard and mustache because you spent two weeks too long in Hades. Only to shave it all off and be happy as a puppy when He hears you're coming back.

Satan has no idea what intimacy even is. He practically froze up when you cuddled up against his body. Even if you tell him what to do what you probably have to He will be extremely hesitant out of fear of screwing up somehow.

J = Jack off (masturbation headcanon)

He doesn't jack off; I know it's surprising, but hear me out. He rather just have a body to fuck; He breaks all of his sex toys in minutes when he's using them and his hand just makes him even more pent up and pissed off.

K = Kink (one or more of their kinks)

Other than spanking, Satan has a massive sadism/masochism. Kink, You better hurt him like he hurts you. He doesn't want to have it any other way.

A huge brat tamer, if you try to tease him, he'll take that as an invitation, and trust me, you don't want to know what he's about to do to you.

Fucking loves Free Use

One time when you told him how big his cock was, he instantly came; he came so fast and so hard it bruised his ego, and he was staring at the ceiling thinking about what just happened.

New Kink unlocked🔓 Praise Kink

L = Location (favorite places to do the do)

Anywhere he damn pleases; He's the fucking king. In fact, he'd rather it be in public so he can give a message to other devils to fuck off.

M = Motivation (what turns them on, gets them going)

Anger, His anger feels him up so full that it goes straight to his dick.

Teasing, he'll take it as a challenge. Satan always takes the bait, hook, line, and sinker. He can't help himself. You send one obscure image of yourself; he doesn't care where he is, in the middle of a war or in a meeting. He will be there in 10 minutes, approaching your location rapidly.

Satan 🤝 Levi jealous sex

Unlike Levi, Who stews in jealousy before acting; Satan just immediately explodes.

N = No (something they wouldn’t do, turn offs)

Get that softy fluffy sex shit out of here.

O = Oral (preference in giving or receiving, skill, etc.)

Sit on his face... Don't put 10% of your weight down; sit on it. SIT ON IT! MAKE SURE HE DOESN'T BREATHE!

P = Pace (are they fast and rough? slow and sensual? etc.)

Fast and rough till you can still feel him for days.

Q = Quickie (their opinions on quickies, how often, etc.)

Anywhere; everywhere; anytime, if he sees that ass and he's horny it's free real estate.

R = Risk (are they game to experiment? do they take risks? etc.)

Oh yeah, of course, he'll experiment. It's not that he takes risks; it's that he doesn't care for them.

S = Stamina (how many rounds can they go for? how long do they last?)

As long as he damn pleases. Even if he is sore,, he'll keep going.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

No fuck those pieces of plastic bullshits; if he catches you using one, he'll use it till it breaks and then say. "I'm not replacing shit. You should be using me; I'm your dildo!!"

U = Unfair (how much they like to tease)

Satan doesn't tease, and Satan does not like teasing. Teasing him is considered a challenge. Satan rather just fuck you till you stop pissing him off. If you really want to tease him you have to tie him down and pray the bindings don't break.

V = Volume (how loud they are, what sounds they make, etc.)

He growls like a feral animal; if Asmodeus fucks you like an animal in heat, then Satan fucks you like an animal with rabies; Yes, he does bite.

W = Wild card (a random headcanon for the character)

As possessive as Satan is he actually doesn't mind sharing you with only a few people.

The kings if he's in a good mood;

Sitri; but he can't touch you; he must sit and watch.

Amy; Sitri must also be there for free entertainment; Satan will happily stir the pot and let Amy touch or fuck you just to watch the Sitri seething in jealousy and anger.

X = X-ray (let’s see what’s going on under those clothes)

Satan is a shower, not a grower; As pale as mayonnaise, when his cock is hard, his tip flares so red. It's kind of fun to watch.

Y = Yearning (how high is their sex drive?)

His yearning for sex grows with the wrath inside him. You guys can do the math.

Z = Zzz (how quickly they fall asleep afterwards)

Very rarely he will ever feel exhausted enough to fall asleep but usually you guys are doing it all the way till morning.

[mysteryanimator]

Breaking down "Even the Iron Still Fears the Rot" (almost) shot by shot!

The fan-animatic can be viewed here!

HEADS UP: This is a fan-made content. I am a fan. I just love Castlevania/animation a lot and I love storyboarding nuances and making people cry over character dynamics. Also apologises for any grammatical/spelling mistakes!

I wasn't planning to do another breakdown of my own work, simply due to imposter syndrome but I genuinely put so much love and care into this animatic! I want to talk about it! Also, people have been really open to hearing about my inspiration and notes, and why I take the directions I do for my work, even if it's fan-made, so here we go!

(Also the reciprocation of my animatics has been so kind and uplifting, and I'm really glad that there's a lot of love for them as much as I love doing them! I learn and grow with every single board I make, it's been really fun! I hope I get to shine this much passion in the future in actual work!)

Since this is also an adaptation of a fan one-shot by Aquila, (which you can read here!) I knew I wanted to evoke what they had written and interject some of my own nuances/personal readings to their story to elevate what they had! In turn, kind of created this monster (positive) of a fan creation haha. There are some changes/rearranging the placement of aspects of the one-shot to strengthen the existing tension going on!

With this out the way, let's begin!

(heads up, for any shots I completely skip over, it is because I'm reaching image limits here)

I wanted to evoke that strong halo light you see in a lot of media. Often than not, this visual is used to depict the character as a divine force of nature and/or when a character is bobbing in and out of death. It can also be a very very terrifying image, as, for example, s02e8, Mizrak is literally all dark with a brightly lit background. It is scary- BUT people will say hot because it's Mizrak but hey, look, all I can say is I fully understand haha. It all depends on your intentionality and what follows before and after to give context to your scene!

Mizrak is dead. Well, undead now. Olrox is the so-called angel giving him life and love and this halo of light gets repeated a few times!

By the end, not only do their literal positions switch, but their roles shift too so I hoped to convey that visually by also giving Mizrak that halo glow for the second last shot. At the start, Olrox consumes Mizrak’s love, and then it ends with Mizrak consuming Olrox’s love. Guh I love blood themes in vamprisim.

This shot honestly took me a bit to do, since I was going a lot cleaner than usual, the expression for Mizrak was super important for me to get right. I wanted him to look like he was about to die- yet still have an unwavering amount of life in him. (Also I hadn't warmed up drawing in this cleaned-up style so it definitely was me messing around). It was important for me for this to feel like a POV shot to contrast the first scene so we can get inside the mind of Olrox!

This too is where I only have sound effects since I can't have voice so I limit my SFX to the only most vital things to elevate things I personally find better elevate the scene with audio. It only happens TWICE. The heartbeat. His wrist is shown and from context clues from not only S01 of Nocturne with Tera's turning, but a whole bunch of other vampire media- the wrist is a place where the dead accept their new life of immortality!

Also, the pulse effect was definitely inspired by the transformation of Sekmet! I'm not sure personally if this went to a further stage I'd want to keep this since I'd personally want something more unique for vampire turning, more specifically for Olrox, HOWEVER, I think it still does a good job conveying the supernatural pull for the time being!

Wow who saw this coming HAHA

Immediately when I saw the line where Olrox said he went to straddle him immediately, my mind went to go and try to parallel this scene again! I don't have much to say about this shot rather than the feet are purposefully cut out for animation convenience's sake HAHA.

Jumpscare for sudden Olrox character layout (even though he's really off model and sketchy here HAHA)

I was again, wanting to depict Olrox BATHED in light and since this animatic is purely in greyscale (with accents of colour), I could really push for dramatic lighting when it called for it! This is also why some of the scenes just do not have backgrounds at all. I wanted to make some of the scenes as "heavenly" as possible and for Mizrak to be embraced by the light because Olrox is giving him a new a life.

If this were to ever be animated (I won't be since it would take too much of my time, but it's still a good thing to note when boarding anything... maybe I'll do cleaned screenshots since those are a breeze, or animate ONE scene from this animatic... we'll see what I have time for. I unfortunately don't have proper time to try and figure out the layout of s02e8 bgs and paint them. I did consider quickly doing a 3d mock-up but no haha), the light in the background can probably be lit with candles since it was already pre-established in s02e8! Also, the windows can reflect light into the room so there's that too since Mizrak was backlit in that episode too!

Fun fact, this entire scene was the first thing I ever thought up and why I started even making it. I thought about how cool of a visual it would be to have Mizrak's eye in the reflection.

I wanted to imbue the fact that Mizrak does not fear Olrox holding a blade, hell, he's not even looking at the blade. He's looking at Olrox. What is described as a relic from a terrifying past, Mizrak is not scared. Mizrak is not scared of Olrox.

This is where the heartbeat occurs AGAIN. This is mostly to signal to the audience what Olrox actually has planned. He's not feeding Mizrak from his wrist but from his actual chest, especially with how gently Olrox runs his hands over it.

I debated a lot on where the initial cut should go. The heart, for sentimentality, under the breast in the same way Christ had been pierced, etc etc- however I landed on just dead set in the middle so it could form a cross that would grow bigger and bigger as the animatic went on. (Fun fact, the blob of blood turns into a little heart as he squeezes his chest)

I wanted to put some weight to the repressed catholic guilt, so I thought a cool visual way to showcase that Mizrak has only known how to love is via worshipping God which has consumed his entire being and self. God has given him faith, a companion in the hardest of times when the world has abandoned him.

Now, once again, his world has abandoned him. The Hospitaller Order of Saint John of God is gone. In the face of death and fearing the devil will be waiting. Olrox has given him love, and he will be a companion in the hardest of times. He will not abandon Mizrak.

This aspect of the cross in the animatic gets expanded upon as time goes on. Both literally as the cross literally turns into a pool of blood more closely to the symbol Mizrak bares, but also it slowly expands upon Mizrak feeding off Olrox's love! I'll add some more of my personal notes when we get there!

Also by far one of my favourite scenes I've drawn. It's still rough but it decidedly made me go a lot cleaner with the rest of the storyboard!

This is supposed to be suddenly jarring because it cuts midway through Olrox in a midshot to a close-up of a hand! We need to see him actively halt Olrox for just a moment, but also to show that even when it's sudden- its not hostile, it's gentle.

This shot does a couple of things!

It showcases how gently Mizrak is reaching out to Olrox

It helps to continually establish Mizrak submission to vampirism. He is constantly placed on the bottom from the composition, or we as an audience, are always looking down at Mizrak! Seeing parts of Olrox here really cements this fact as Olrox towers over him to the point we don't even see him fully!

It helps to lead into the Fallen Angel reference!

This shot makes me sob because it is so gentle. Despite being placed constantly much higher in the composition in the animatic, therefore making him the most powerful in this dynamic- in no way Olrox is intentionally made out to be an intimidating figure. He is comfort. He is a companion. He will not abandon Mizrak. The act of turning Mizrak might be read as selfish. It may be read as cheating the natural cycle of life, it may be everything wrong and doomed as your mind makes it to be, however, it is done out of love. Morals, whether good or bad, no longer matters because Olrox is in love. Love has such a strong chokehold on this series, so I'm shoving as much love into these characters as I can. Both literally make these characters so sickly desiring love that it will be their doom and saving grace, but also me as an artist deeply putting love and thought into this board because care a lot about how to convey these complex emotions! Sure it is quite easy to churn out boards without care, but without putting care into your boards, your characters and stories lack life (in my personal opinion).

Immediately, this animatic shook me and told me to put in a reference to The Fallen Angel by Alexandre Cabnel!

Also, how does one portray the soul? EYES. Eyes are the window to the soul. Mizrak’s eyes are also considerably the most important/crucial part of his design. His eyes in both seasons ‘glow in the dark’ due to the highlights in his eyes. Mizrak is considerably really emotive too and that was important to me to emphasize. I wanted to capture his essence, his soul if you will, into this shot.

This is also why this shot is done really prettily if you will.

The reflection of Olrox's eye in Mizrak's is important here! Olrox is here to act to comfort Mizrak. Even when Olrox is not on the screen with us, he is majorly present here. He will not abandon Mizrak. Also, since it is coupled with this line, people can choose to infer what they wish with Olrox! It can symbolize Olrox does have a soul, it can symbolize how Olrox and Mizrak are now intertwined together, it can symbolize Mizrak reciprocating Olrox's love. The list can go on! I give that room for open interpretation (same as the rest of the animatic, the only reason I'm going through, breaking down almost shot by shot is that I deeply care about this sort of thing, and I know other people do too!)

This shot, is deceptively simple but it's here to actually initiate a bunch of scenes I wanted to happen after this!

Firstly, I needed a very nonchalant but easy way for Olrox to let go of Mizrak's hand without needing to overcomplicate. I needed something that gave it just enough importance for the hand kiss BUT not too much where it is the sole focus on the shot.

Secondly, I needed a way for Olrox to lean down to Mizrak and initiate him being way closer to him.

Thirdly, it acts to parallel another shot that happens with Mizrak where instead of going diagonally down, he goes diagonally up!

This is one of the points where I visually slightly deviate from the one-shot! I really REALLY wanted to emphasize Olrox's dialogue here so I chopped up and elongated the scene to make it that much more intense and tender. Which is why we get the next two close up shots!

Look it was very VERY important to me to have Olrox cup Mizrak's face and intentionally cut off his eyes. The important part I wanted to focus on solely was his hand and Mizrak looking up because genuinely, Mizrak's eyes are 'distracting' and it would remove the focus on the gesture! Also I am saving Mizrak's eyes for the next shot haha

After this shot too, you may notice the blood from his neck disappears for the rest of the animatic. This is because, after this, it began to take too much of a visual focus away from the blood on Olrox's chest since it is bright red against greys in the shot. We can chalk it up to Olrox wiping the blood off when he goes to cup him.

"The most beautiful soul a vampire can posses."

It was so important to me that we get a BEAUTIFUL shot of Mizrak. I needed the audience to see his entireeee face close up, unobscured by anything. Olrox is holding a beautiful soul in his hands. He's holding Mizrak. Actually makes me sob.

This shot by the way has been repeated 3 times with slight variations by this point. Yes, this is a very pretty shot so how could I not help but repeat it? HOWEVER, I was trying to make a reference to how Mizrak has said Olrox's name only 3 times in the show with a variation of what was said around it. After that, Olrox calls him my love, basically unlocking a new stage in their relationship.

So here, three times when he looks at Olrox, he's mentally calling out his name. After this, Olrox brings him to a new stage in the relationship.

Also in Catholicism, a lot of things are in 3s. One of the major ones is that three times, Christ fell over carrying the cross. On the third hour of that day, he died and on the third day, he was resurrected from the dead. The three sacraments that welcome someone into the Kingdom of God are Baptism, Communion, and Confirmation as they all build off one another! I could go on both those are the main points AND I feel you might get the gist now!

It was very important to me that when Olrox makes this promise, we HAVE to see his full face. This is why it's a close-up.

It lets for no shadow of a doubt that Olrox means what he says here. He's looking AT Mizrak. He's telling the truth to him.

This is a parallel to a much earlier shot of Olrox! He moves closer to Mizrak by going from top right to bottom left, while Mizrak moves closer to Olrox by going from bottom left to top right! You also both see them exit the screen too!

In this shot, we bring back that halo vibe but also this is a reference to S01E04 and S02E08! The curtain! It is BOTH their first-ever shots to establish a new scene, so I wanted to go “Hey this is establishing a new scene- a new life for Mizrak and Olrox.”

The camera is super purposefully cut just below the eyes. You can see them open then closed, but we will never ever get to see the look he had in his eyes, the single decision in his brain that let him indulge. That’s only for Olrox, and only Olrox will know.

From here on out, A LOT of the shots of Mizrak get segmented/have his face hidden for that reason too (except for one shot, also done intentionally).

When Mizrak actually closes his lips around the blood- it’s on the growling sound in the song. Mizrak has turned into the animal that he’s been calling vampires. In this new life, he is now given the choice to be freed from the man-made shackles of shame and guilt. To be untamed and unrestricted. A wild animal so to speak!

Honestly, I spent a lot of my time here (besides the pretty Olrox frames) because I was super particular about how I wanted to portray Mizrak giving into sucking the blood. The way he accepts vampirism is vital because it sets the tone and mood for how the rest of the board feel since his face gets hidden and you now have to infer from when you saw his face last.

If you have seen my analyses or my work before, you will know how much I enjoy having a frame within a frame. I loveeee my boxes! They're in the box! TOGETHER! THE CENTER TOO! There are no real divisions with the exception of Olrox's head which is important because it's not Mizrak we're focused on at this point in time, it's Olrox~

This is because the one-shot, even in third person, is mostly through Olrox's perspective!

Also, the camera is moving around in this shot, and the following subsequent shots! It hopefully gives off the "hand-held" feel, which often is associated with feeling as if you're right there in the moment with them.

Why pillows?

This is me shaking you to say how the blood-drinking is an allusion for sex if that wasn't already obvious enough. So showing pillows coupled with Olrox groaning really goes "Yes they are technically doing it."

Originally this shot (and the previous shot) was supposed to be way more pulled out, but I was saving it for the very last shot of the animatic so I went to pillows with the tinest hint of their body in the frame to make it seem super scandalous. Like what on earth could they be doing for me to cut them mostly out of the frame? Also also, the pillow was supposed to have an embroidery of a painting from 1790s or earlier BUT, for the life of me, I could not decide what I wanted and I did not want to keep reusing the same references I have had in past work. I didn't want to fuss about it for too long since its more of an easter egg rather than adding to the story. The main point is pillow = fucking HAHA.

Side tangent, you can get away with SO MUCH by having blood drinking be an allusion to sex. Like obviously when you have an age rating you must abide by, you must be creative with how you go about mature topics (my age rating is YouTube hahaha)! Not only is blood drinking in vampirism just inherently queer-coded, but the intimacy of it can convey so much more if it was just a regular ol' sex scene! I actually deeply enjoy conveying nsfw topics into art because you can discuss character dynamics at a much more vulnerable, raw state that literally bares them to just their essence and their current desires/needs. However I am getting off-topic, let's get back to it!

This shot was actually heavily inspired by the statue Adoration by Stephen Sinding!

While there are a lot of differences now simply because Mizrak is at Olrox's chest, I still hope that the vibe of that statue is still imbued. It also gives the sense of not only Olrox adoring Mizrak in this very moment, but Mizrak is too despite not seeing his face. Again quite intentional because it's only for Olrox to see.

Also, a lot of people have been telling me how Olrox is breastfeeding him, and in technicality, they're not wrong, he's feeding blood, from his chest. It is the funniest thing ever LOL

This shot was important to really focus in on his throat and how, much like in the one-shot, Mizrak is literally not taking breaths and is just continually consuming Olrox.

Wet sounds fill the room as his throat bobs with each steady gulp...He doesn’t stop, doesn’t take a moment to gasp for breath.

I also just wanted to make this scene feel very slow in order to contrast with a much more passion-filled desire that consumes Mizrak in this animatic! Also hopefully the descent of blood and the descent of the camera helps to strengthen the idea of Mizrak descending into vampirism!

It felt really cheesy to have this close-up shot of his eye HOWEVER at the time, I thought this was by far the clearest way to convey the immediate switch from gentle devotion to devouring devotion and how suddenly rapid it is. In my brain, the stylization for his eyes open would be textured and pulse in the same way Olrox's wrist did, which is why it's just outlined. I'm once again not 100% set on the pulse look and it probably needs some iterations if I ever came back to it again.

Also, the green hearts in his eyes only come through when he's actively consuming blood from his chest! The heart motif comes back later when Mizrak ends up throwing up the blood!

Here's the cross again, except it is growing bigger. This was very important to me that you see how "gentle" the blood-sucking is at first. A gentle devotion despite the "terrifying" shadow of Mizrak. Also, super an excuse to have kiss marks in my animatic, I love painting them in my art because it can say a lot with placement and how aggressively smudged they are!

Also, I thought it would be SO FUN to have Mizrak's turned self literally have his eyes overlay where Olrox's eyes are. It conveys how Mizrak and Olrox are now switching roles in this animatic! For the first half of this animatic, Olrox has been placed pretty high up in the shot composition, or where the camera looks up to put him in a high place of power! It makes him appear way more etheral and otherworldly, while Mizrak was placed lower in the composition, always looking up at him! Which I'm hoping invokes religious imagery of a God and his worshipper/follower!

When Mizrak's transformation is set, the dynamic switches up. For the rest of the animatic, Mizrak is now placed at a more supernatural/otherwordly position, while Olrox is just there passively, letting Mizrak BE in this position. He does not fight it, he embraces it, embraces how Mizrak reciprocates his love, his desire, and all his messy complications, much like how earlier in the animatic, Mizrak embraces vampirism.

Also if you slow it down enough you can see how I accidentally left my perspective grids in it HAHA, but it goes by fast enough it doesn't really matter! (I guess it's also kind of indicative of my natural style when it comes to digital painting too, I genuinely like having my sketch still peek through into the final painting!)

Wow even more shots to cement the new role switch AND how much much of the passionate need to consume is controlling his urges! Free to consume at his leisure, he is no longer bound by human nature (for now)!

This shot and his leg shot help to really strip Mizrak of his humanity. Faces in a shot really help to connect people to the characters because we see the emote, we see them breathe, we see them live. Especially for a character like Mizrak? He's super expressive face-wise and I'm purposefully not showing you the defining features of Mizrak. Here I am basically going "Mizrak is no longer human."

This is why in horror/thrillers with antagonist characters, we don't see their faces much and are saved for only key moments (usually, again your intentionality matters). It doesn't allow us to connect with the character on a much more human level. Think of Count Orlok from Nosferatu (2024). Purposefully a lot of his character is shrouded in darkness, focusing on his hands and other aspects, never his face, and even then it is really hard to make out because so much of him is obscured. It makes him that much of an imposing intimidating character! Otherworldly and something that we cannot fully understand.

This is a flipped version of Mizrak's close-up eye shot much earlier when he asked if his soul would remain. Again to hark on how Mizrak and Olrox are switching roles in this animatic! Olrox is looking at Mizrak's soul as we speak.

Despite us not seeing Mizrak's face, we as an audience noticing how unhuman Mizrak has suddenly become, Olrox looks quite gently at him and that was important to convey!

Woo! Lot's of horizontal lines here! While the camera is moving towards the left, Mizrak is moving right!

Originally this shot was going to have Mizrak's teeth sinking into Olrox like a very cool Olrox throwing his head back and Mizrak's fang reveal HOWEVER, I want to leave the "carnage" and bloodshed of the feeding out of the frame and only have it show up in very specific moments so I can have those moments actually have their proper impacts. I did not want to show any part of the front of his face at all since it would dampen the effect later on, so I opted for this instead. The legs give a sense of "something is happening but we don't know what, but it's to a point where Mizrak's entire body is moving oh jeez." Won't lie, this looks very sexual and I'm purposefully toying with that line again because blood drinking is an allusion to sex.

Also, I'm continuing the concept of having aspects of Mizrak's face only for Olrox's eyes. What does he look like when he's actively consuming him with such passion? Idk, Olrox you tell me.

This is everything I was building up for when I introduced the small crosses! The physical manifestation of how Mizrak reciprocates.

My thought process here was that Mizrak only knows how to love by fully devoting himself because that's all he's done for God. So he applies it here. He is reciprocating love, but it is FULL ON. It is intense. It is all-consuming.

The face once again is obscured for all the reasons I have mentioned before, but also it REALLY helps to really hard cut to Mizrak choking on the blood after because before it seemed like he was doing just fine. He is literally looking DOWN at Olrox, he takes up A LOT of the screen with just his back and head. He literally gets pulled into full focus while Olrox is blurred in the background. He appears like he is in control of the situation, however it could not be further from the truth.

Also, I was mostly inspired by the insane amount of bible verses talking about blood, so I'll drop some of those here!

John 6:53-56 ESV

So Jesus said to them, “Truly, truly, I say to you, unless you eat the flesh of the Son of Man and drink his blood, you have no life in you. Whoever feeds on my flesh and drinks my blood has eternal life, and I will raise him up on the last day. For my flesh is true food, and my blood is true drink. Whoever feeds on my flesh and drinks my blood abides in me, and I in him.

Ezekiel 16:6 ESV 

“And when I passed by you and saw you wallowing in your blood, I said to you in your blood, ‘Live!’ I said to you in your blood, ‘Live!’

Matthew 26:28 ESV

"For this is my [Christ's] blood of the covenant, which is poured out for many for the forgiveness of sins."

Absolute contrast to most of the other shots, not only because I decided to add way more character acting here, but it's because we actually see his FULL face. It's intentional because Mizrak realizes himself now so we need to see him have this reaction. I wanted to show that he is still a person. He still has a soul. He may not be human, but he does have a mind that can think and a heart that can love. He still retains human qualities.

He's choking on all the blood (a physical manifestation of love) and his body is rejecting it. He's not used to consuming this amount of love and he's not used to being self-indulgent. It's deeply overwhelming.

I wanted to say I LOVED drawing blood it is SO FUN, planning the camera movement, and how Mizrak coughs at specific moments was sooo fun. I wanted this to be MESSY AND INTENSE. I wanted the audience to feel the weight of Mizrak's sudden distraught. I wanted to throw him around and to really hark on this line from the one-shot.

What has he done? What has been done to him? What has he become?

It helps to deeply contrast with how still and gentle the next scene is!

Yes, that is right, Olrox's pupils are DILATED :)

Coupled with the fact that the blood splatters are hearts! They're outlined in cyan! Olrox has a massive heart-shaped blood splatter on his cheek while Mizrak has a few heart-shaped splatters BUT there are gaps in his bloodied mouth that create heart shapes as if Mizrak spewed out those hearts!

Firstly this is because Mizrak literally eats at his chest where the heart is. Secondly, I'm again pushing for Mizrak to consume and throw up his love due to how overwhelming it is. Not only is Olrox's love for him literally beyond his imagination, but Mizrak is trying to love back in with that same amount of passion and utter devotion. A lot is happening for this new-born vampire that is pushing and pulling at him. His emotional state is so overwhelming that it is manifested in physical form.

The green reflections are shown to visually communicate Olrox anchoring Mizrak back, as, throughout the animatic, it is one of the things that ease or calm him down. I could not portray it through voice BUT I can portray it via visual (guys walk with me here, imagine the insane combo of audio and visual, it would be so tasty). The sole reason why I did not have hearts in his eyes here is simply because I reserved the heart motif for when he's actively drinking out of Olrox's chest (so he's literally consuming his love) or when he's spitting out the blood!

Also, the reason why I cut to his eyes rather than pan to them is purely because I wanted the violence of his mouth to be suddenly jarring to the gentleness in his eyes. I didn't want the slow reveal, I wanted the "OMG the blood- aw Mizrak...."

"Lulled into a sense of hazy compliance by Olrox’s voice, the former monk carefully lowers himself and continues though not for long."

This final shot was soooo important to me to include. The “musty inn room” was mentioned much earlier during Mizrak’s transformation but there was a poeticism by having what is considerably the blossoming moment of their complicated relationship be the final shot. With the lyrics also ending with "Take me back to Eden" how could I not? Clearly, both the rooms between s01e4 and s02e8 are parallel to each other. The only difference is that s02e8 has the room be both red AND GREEN, while s01e4 is just earthy/green. Olrox has taken them both back to their earthly paradise. This is their Garden of Eden.

Woo ok and we're done! Also yes I do thumbnails for these, it's half the reason why I'm fast (this entire animatic, cleaned and everything, was done in 3 days good lord. Is that fast? I can't tell) I make the barest of bones chicken scratch of sketches to get a feel of pace/vibe, then I do my roughs/cleans and add/take away shots necessary for the story that needs to be told. I normally would not let this see the light of day because these are AWFUL BUT, this post is also half a documentation of my personal process so I'm going to close my eyes and share this HAHA

If you got this far, thank you for reading me geek out about this! I find a lot of joy in the visual storytelling medium. As much as I do enjoy animating, (wow could you guys tell in the name?) I have a deep love and passion for storyboarding personally and I get sit back, and enjoy crafting the entire picture! I still have a long way to go but I'm having fun and I'm pursuing my passions of storytelling!

I desperately want to make more animatics, dealing with different tones, pace etc, but I genuinely have to go prioritize other things for now that will help me build these skills hahaha. I say this but who knows, seeing my current track record haha, look I can do both. I follow wherever my creativity takes me. I may have missed a few things but I have to wrap this up now!

Thank you again! The final takeaway, go watch Castlevania again and go be inspired by animation <33333

[peachglazewrites]

𝚍𝚛𝚎𝚊𝚖 𝚘𝚏 𝚞𝚜 𝚒𝚗 𝚊 𝚢𝚎𝚊𝚛 ⸙ 𝚌𝚑𝚊𝚙𝚝𝚎𝚛 𝚎𝚕𝚎𝚟𝚎𝚗

𝚙𝚊𝚒𝚛𝚒𝚗𝚐: abby anderson x f!reader 𝚠𝚊𝚛𝚗𝚒𝚗𝚐𝚜: arguing, misunderstandings, alcohol mention 𝚝𝚊𝚐𝚜: smut (mdni), making out, dry humping 𝚊𝚍𝚍𝚒𝚝𝚒𝚘𝚗𝚊𝚕 𝚒𝚗𝚏𝚘: top!Abby, no use of y/n or any reader descriptions 𝚠𝚘𝚛𝚍 𝚌𝚘𝚞𝚗𝚝: 10,225

𝚜𝚞𝚖𝚖𝚊𝚛𝚢: The one where you and Mel come home, and lunch just never seems to go to plan.

𝚌𝚑𝚊𝚙𝚝𝚎𝚛 𝚘𝚗𝚎 𝚑𝚎𝚛𝚎

. ݁₊ ⊹ . ݁˖ . ݁ link to fic on ao3 . ݁₊ ⊹ . ݁˖ . ݁

𝚌𝚑𝚊𝚙𝚝𝚎𝚛 𝚎𝚕𝚎𝚟𝚎𝚗 𝚙𝚛𝚎𝚟𝚒𝚎𝚠: 2559k

The pain in your leg the next day you expected. The pain in your head, however, is another story entirely. Whatever Owen was making needed to be studied. Nothing has ever made your head throb the way yours is right now, and you barely survived Manny’s birthday party.

Mel woke you up a little later than planned, the two of you sleeping through the shrill ringing of the analogue alarm clock set by your bedside, buried too deep under piles of blankets and a very affectionate Shepard-mix to hear it. The sun had already started peeking above the horizon line, sending warm rays of light across the room, battling the frigid air.

The two of you got ready in a hurry, not wanting to be back at base too late in the morning. You were scheduled for work in the afternoon, but were more concerned about making it back before the morning shift change than anything else. It was much easier to explain away your absence to the night-shift skeleton crew who didn’t really care all that much, rather than the day shift workers who felt like they had something to prove. At least that’s what Mel said.

The trip back to base was rougher the second time around, an unfortunate side effect of your dual hangovers and the straining ache in your leg muscles. It felt like your calf was going to rip in two any time you flattened your foot, which was no help when it came time to jump across balconies or crawl through crumbled walls. Mel was patient as all hell though, offering an elbow for you to latch onto when it got especially rough.

You’d definitely need to rest before work today, maybe see if you can make one of those heated pads Abby had. A hot shower will help somewhat, and god, do you need one, anyways. You’ve smelled the aquarium plenty of times on Mel before, but the way you can feel the salt and musk clinging to your skin and clothes is another thing altogether.

You make it back to the gates around nine o’clock, just after the morning shift change. Mel takes the lead in signing you two back in, curving the prying questions of the patrolman at the station, a man you don’t recognise, but Mel clearly does. She slides the clipboard back to him with a forced smile when she’s done, tugging both you and Alice along behind her.

“They’re always so nosey. It was so much easier when we could plan around when Olivia was on duty,” Mel murmurs to you, walking up the stone path to the kennels.

“What happened to Olivia?” You ask, looking behind you, back at the guard booth.

“Got transferred out. I think she’s at the Serevena now.” Mel shrugs, unlocking and holding the gate to the kennels open for you and Alice.

Alice is an angel as you sign her back in, waiting patiently by Mel’s feet as the two of you talk to Aaron. Eventually one of the trainers comes by, clipping a lead onto her harness and leading her away, probably off to be bathed. She smells almost as much as you two do, the scent clinging to her thick fur.

“I miss her already,” you sigh, watching Alice trot off, tongue lolling out of the side of her mouth as she pants.

“You spoil her too much,” Mel chuckles, holding out her elbow for you as you broach the stairs.

You slip your arm through hers, linking them together. The extra support is nice as you make your way up the stone steps, helping you take some of the pressure off your leg as you pull yourself along. “That’s funny, because I don’t think anyone else is taking their dogs out on mini vacations to abandoned aquariums.”

Mel’s eyes roll, a smile playing at her lips. “Alright, keep walking.”

You take it slow on your walk back to the room, shifting your duffel bag from one shoulder to the other to help balance the weight across your body, your limp becoming more obvious. You’ll definitely need to sit today at work, which isn’t ideal, but that’s just how life is for you now. No use trying to fight against it.

Mel trails behind as you walk down the hallway, pushing past the doors leading to the residential suites.

“It’s not that bad.”

“That’s because you’re used to it. I can still smell the algae, like it’s stuck in my nose.” You wrinkle your nose, scrubbing it with the back of your hand.

“Hey, you were the one who tried climbing that fake coral,” Mel says, raising a brow at you when you turn around, walking backwards to talk to her.

“If I wasn’t supposed to climb it, then why did it look so climbable?”

You bump your back into the next set of double doors, pushing it open with your hip. “You just hate fun.”

“And you love complaining,” she retorts, stifling a laugh as you wave her off, stepping into the hallway and letting the door close behind you.

“Hey--!” Mel’s voice muffles as the door clicks shut, separating the two of you. You snicker to yourself, leaving her behind to continue down the hallway to your room.

Well, you would, if there wasn’t someone standing in front of it already.

She’s wearing a pair of belted cargos, dark green long sleeve tucked into the waistband. Her pants are rolled at the ankle, high enough to fit her dark combat boots, the brown leather having been freshly waxed. Her signature braid hangs over her shoulder, the tail brushing the middle of her chest.

Abby.

The keychain burns in your back pocket as you slow to a stop, a pleasant warmth blanketing you at just the mere sight of her.

Abby knocks once more on your door, tilting her head close to the wood, listening. She chews on her cheek as she waits, sighing when there’s no response. Her forehead butts against the door for a moment, eyes closed, before she’s pushing herself back and turning away.

“Kind of hard to answer when I’m not home,” you say, smiling at the way her head whips up to look at you.

The little pout her lips were pressed into smooths out, twitching into a soft smile at the sight of you, eyes roaming your figure. Her shoulders drop, almost in relief as the tension seeps out of them. She takes a couple of long strides to get to you, hand already reaching out for your own, your name tumbling from her lips.

The door behind you opens, just enough for Mel to slip through.

“You’re so annoying,” she laughs, wriggling her duffel through the gap as the door shuts behind her.

Abby stops, steps faltering at Mel’s entry. Her hand slips back to her side, your fingers twitching as she pulls away from you. Her eyes are trained over your shoulder, no doubt to where Mel stands in the doorway.

It’s quiet. Tense. Nobody is moving or saying anything, and you feel the air of the hall get thicker and thicker as the seconds go by.

You startle when Mel places a hand on your shoulder, gentle and kind. You didn’t even hear her approach.

“I’m going to go shower,” she says, voice level as she looks at you, ignoring the other person in the hall.

Abby’s eyes flick to the hand on your shoulder, and you can see the cogs turning in her head as she stares, brows furrowing. You know this look, the one she gets when she’s unsure, confused.

“Okay, I’ll meet you down there in a bit.”

Mel nods, squeezing your shoulder as she walks past. She doesn’t spare a glance Abby’s way, looking down into her pocket to fish out her keys, taking her time in unlocking the door and disappearing inside the room.

The soft click of the doorhandle catching snaps Abby out of her thoughts, blinking them away. You fiddle with the strap of your duffel in the silence, moving to lean against the wall next to you, leg aching.

You break first.

“Hey.”

“Hi,” Abby says back, face relaxing as she looks up, taking you in.

“What’re you doing here?”

“Looking for you.” She meets you at the wall, leaning her shoulder against it. Her hand comes out, and as if there was a magnet connecting you, you reach out too, hooking your index fingers together. “I came by last night to see if you wanted to come over, but nobody answered. Thought you were asleep, so I figured I’d come by this morning, but you still weren’t answering.” She looks you up and down, a small smile on her lips. “Now I know why.”

“Sorry,” you apologise, sheepish, squeezing her hand. “I should have left a note or something.”

“Where did you go?” She brings her other hand up, reaching across to swipe a thumb against a smudge of dirt along your jaw. “You leave base?”

“I—”

You’re interrupted by the door opening again, Mel pushing through with her shower caddy in tow. Abby tenses, hand falling from your cheek. She nearly steps away, but you keep your grip on her hand, pulling her back to you.

Mel locks up behind her and leaves the opposite way, making a point to turn her back to the two of you.

“I was out with Mel,” you say once Mel leaves, pushing through the doors at the opposite end of the hall.

Abby raises an eyebrow, letting herself be pulled closer when you tug on her hand again. “And you’re alive?”

You huff, a small smile playing on your lips. “I survived, yes.” You cup her cheek, feeling her smooth skin under your palm. “I don’t want to get into it here, though. But maybe if we got lunch? Tomorrow?”

Abby leans into your hand, lips pressing back into that little pout. It’s horribly cute.

“Why not today?” If you didn’t know any better, you’d say she was whining, but Abby Anderson does not whine. Or so she says any time you tease her for it.

“I have work in a few hours and want to shower and rest beforehand.” Your thumb sweeps over her jaw, across her bottom lip where it juts out slightly. “Need to give my leg a break.”

A small kiss is pressed to your thumb, then a dull pressure as Abby nips at it.

“And this is why I’m saying tomorrow,” you scold playfully, dragging your thumb across her bottom lip. “I have a break in my shifts tomorrow, so you’ll get me for a couple of hours if you want to come over. We can grab some food, and I can fill you in on everything.”

You lean in, pressing a lingering kiss to her pursed lips. You’re both conscious of being out in the hallway, so you pull back all too soon. Abby still pushes back in for another quick peck, hand coming up to wrap around your wrist, holding it gently.

“Okay,” she sighs, breath fanning over your palm. “Tomorrow.”

⸙

Lunch doesn’t go exactly to plan.

You’d met Abby down in the caf, making small talk in line as you waited for your turn to order. Chicken noodle soup was on the menu today, the perfect meal for this particularly cold day.

Your soup now sits forgotten on the dining table, cooling off in the bag Abby used to transport it back to your room.

You also sit on the table, perched on the edge, Abby standing between your spread legs as you kiss.

One of your hands is caught up in her hair, the other pressed behind you, holding you up as Abby leans over you. She’s got a hand on your lower back and the other holding your side, thumb smoothing along your ribs. The kiss is slow, languid, feeling each other as your tongues touch, exploring.

Soft sighs and quiet moans occupy the space between you, the air getting heavier with your warmth. She feels so nice to touch, broad but soft, angles that curve and smooth under your hands. She’s lovely and beautiful and you want her as close to you as possible.

You shift towards the edge of the table, clenching your thighs around her own. Her hand snakes down from your lower back to hold one of your thighs, picking it up and pulling you closer. She hooks it up around her hip, and you can’t help the sigh that tumbles from you lips at the friction. There’s a warmth blooming between your thighs, a low thrum that has you melting against her.

Abby strays from your lips, slowly working her way down your jaw, smirking as you tilt your head to the side, giving her room to mouth at your neck.

“Abby…” Your nails dig into the wood of the table as she slides her tongue along your pulse point, sucking the skin into her mouth. “C-Careful,” you stutter, voice hiccupping as she moves on, grazing her teeth over a particularly sensitive spot. “Don’t leave more marks… embarrassing at work.”

“Nothing they haven’t seen already,” she murmurs, pinching the skin between her teeth.

A moan hitches your breath as you grip the hair tangled between your fingers, tugging. Why was that so hot?

“M’being serious.” You pull her up by her hair, butting your foreheads together. “Not where people can see.”

Abby’s smirk widens, pressing her lips back to your own as her hand wanders back down your thigh. “Okay, okay. Sorry.”

“S’okay”, you laugh, gasping as her hand gropes at your ass, using it to pull you impossibly closer. You sling your other leg around her, hooking your ankles together behind her, dragging her in to kiss her deeply.

The thumb that’s been brushing along your ribs inches slowly higher, and she can feel the way your breathing picks up under her palm. You bite back a noise when she runs it along the underside of your breast, sparks blooming and tingling down to your fingertips. She doesn’t stop there though, continuing higher and higher until she’s circling your nipple, feeling it pebble and harden through the cup of your bra.

“Oh,” you gasp, pressing your chest against her own, seeking more of the featherlight touch. Abby hums, hand shifting to cup you properly, thumb and forefinger slowly working you over.

You can’t help the hitch in your hips, the way you grind up against her. Abby groans into the kiss, pushing it past your lips, shuddering at the friction. She presses forwards, using her height to pin your hips to the table, starting a steady roll against them.

The way you have your legs spread wide to fit her already has the seam of your pants digging delicious up against your cunt, Abby’s shallow thrusts adding to the pressure.

You’d give anything to lay out on this table and let her have her way with you, but you’re not so far gone yet to realise that’s probably not a good idea.

“We should—” A particularly sharp hitch of her hips has pressure focusing on your clit, a moan interrupting your sentence. “S-Should move to the bed… Mel will kill me if we…” you trail off, words dissolving into a soft whimper.

𝚎𝚗𝚍 𝚘𝚏 𝚙𝚛𝚎𝚟𝚒𝚎𝚠

. ݁₊ ⊹ . ݁˖ . ݁ link to fic on ao3 . ݁₊ ⊹ . ݁˖ . ݁

[things-arent-what-they-seem66]

(Sailor Moon AU)

Adam ran through the hallways of a palace like every dream he had recently. He looked outside at the surface of the moon outside. The palace was an area of the moon that thrived and had life. But he continued to run passing by his reflection that was of a beautiful woman with flowing long brown hair and in a gown that was white and gold. On his forehead was a crescent moon mark of gold. He found what he was looking for, he Prince, his one true love. But a woman hidden in the shadows stabbed him through the chest.

Adam: NOOOOOO!!!!!!

The crystal in his hands pulsed with power around him, but before he could see what happened next he woke up in bed. Adam stumbled out of bed. He was a tall and attractive teenager with short brown hair and honey brown eyes. He pulled on his school uniform and went down stairs. His mother Rosie was setting up breakfast for him and his younger brother Abel.

Rosie: Good luck on the exam today sweetie.

Abel: He is going to fail.

As much as Adam loved him, Abel could be annoying. As a response Adam stuck out his tongue. After breakfast he ran through the streets and saw a group of kids harassing a cat.

Adam: Hey you little shitheads, stop it.

Adam ran over and picked up the cat. There was a bandage on the cat’s head and he removed it to see a crescent moon marking. But what really caught his attention was the teenager that ran to him. He had to be a year or two older than Adam with golden blonde hair and blue eyes. His uniform was from a very exclusive high school for the gifted.

Lucifer: Hey is everything alright, I saw those kids harassing that cat and came to help, my name is Lucifer Morningstar by the way.

Adam: My name is Adam Kadmon.

Adam was sure he was blushing up a storm at this very handsome young man. But the cat jumped out of Adam’s arms and onto a fence, the cat looked at Adam and ran away.

Lucifer: My school is close to where your school is, do you mind if I walk with you?

Adam: Not at all.

Lucifer watched the beautiful young man walking with him. He remembered his dreams of a Princess that lived on the moon. This Adam felt so much like her in spite of the fact that Adam was a man. If it wasn’t for his nightly activities he would have asked Adam if he wanted to hang out with him. Once they made it to Adam’s school, Adam smiled and waved at Lucifer before walking towards the school building. Just then Adam’s childhood friend, Angel walked up to him. In spite of the fact that Angel was a boy he always wore the girls school uniform because he said it was cuter.

Angel: So who was that hottie with you?

Adam: His name is Lucifer, I am sure that he was walking with me to be nice.

Angel: With the way he was looking, I don’t think that was the case. He is definitely attracted to you.

For the rest of the day his mind kept drifting to Lucifer.

There was just something about him that drew Adam in, maybe it was his kind blue eyes or the way he smiled before going to his own classes for the day.

Whatever it was, Adam was smitten with Lucifer and hoped to see him again and soon.

When he got home from school he went to his room to do his homework, sitting at his desk there was a scratching at his window. It was the kitty from before with the moon crest on its forehead.

Adam: Oh, hello kitty kitty.

He opened the window letting her in, he gave her a few pats.

Kitty: Adam?

Adam screamed and fell over: DEVIL CAT!!

Kitty: Shhh! My name is Luna and I've been looking for you.

Adam: What?

Luna: Yes, I need to tell you your purpose and why I'm here to help you. You're Sailor Moon, you're meant to protect the world from evil.

Adam watched in awe as this kitty used some magic to make a wand appear, it had a moon crest design on it, the handle black and gold.

Luna: To activate your power, just hold the wand up and say "Moon Prisim Power".

Adam was skeptical and wondering if he was dreaming. Carefully he picked up the wand and held it, it was smooth and not too heavy.

Here goes nothing.

Adam held it up: Moon Prisim Power!

A colorful light came out and surrounded him, he was covered in ribbons that changed into different clothes.

He now wore red knee high boots, white elbow length gloves, a blue and white sailor top with a large red bow and a mini red skirt. And to top it off he had a good tiara in his hair.

He looked good.

Adam: ..... Why am I dressed like a chick?

Luna: I can't tell you that, you have to figure that out for yourself.

Adam sighed, at least he made it look good. Kind of reminded him of his dream.

[veephoenix]

zutto — chapter sixteen | wc: 2.8k | series masterpost | prev. chapter

Chapter summary:  Lia and Noah return to L.A. and Jolly surprises Noah with big news.

Reading time: 10mins.

Tags and trigger warnings:  mostly fluff, mentions of Lia going back to therapy, 2 spankings.

General trigger warnings: this work addresses and depicts issues related to addiction, abuse, & violence, contains explicit sexual content, and explores themes of childhood trauma. Reader discretion is advised. +18

The sky was clear when they landed in Los Angeles. Before leaving the airport, they stopped at a Starbucks in the arrivals area for coffee and a quick bite to make up for the cheap food on the plane. Afterward, they took a cab to Lia’s apartment. 

For the time being, they had decided to stay at Noah’s place since he had his studio there and he was meant to start working asap. Lia was already used to living within those walls so it felt like the right thing for now. 

Noah dropped her off at her apartment to unpack and start a load of laundry, agreeing to pick her up later. In the meantime, he would do the same at home. 

When he walked through the door, Jolly greeted him from the kitchen, pausing what he was doing to give him a brotherly hug and a pat on the back. 

Noah had barely set his luggage down when Emery appeared in the hallway, waving at him. She was wearing baggy sweatpants and one of Jolly’s hoodies, looking very much at home. 

“Hi, Noah.”

“Hi, Em.” He gave her a quick hug. 

“Good flight?” she asked, stepping back and noticing the slight dark circles under his eyes. 

“As good as it gets. I think I’m really jet-lagged, though.”

“I’m making coffee,” Jolly announced, busying himself with the machine. “Want some?”

Noah had just had one about thirty minutes ago, but he replied, “Sure. Thanks.”

He removed his backpack and sneakers, sighing as his feet finally found relief. 

“Where’s Lia?” Emery asked, glancing over her shoulder at Noah as she walked into the kitchen to help Jolly. She retrieved three mugs from one of the cabinets. 

“Dropped her at her place,” he explained. They hadn’t been apart for more than fifteen minutes, and yet he was already missing the warmth and peace she brought him just by being around. “I’m picking her up later. She’ll be happy to see you.”

“Em’s been staying here,” Jolly said, stopping the coffee machine and picking up the kettle. 

Noah raised his eyebrows and looked at Emery, who had now made herself comfortable on the couch, waiting for Jolly to bring the coffee. She gave Noah a gentle smile. 

“Nice. How long are you planning to stay?”

“As long as Jolly doesn’t get tired of me,” she replied.  

Jolly pointed at her while passing a coffee mug to Noah across the kitchen isle. “Which is never happening.” 

Emery laughed, her cheeks turning pink. Their comfort with each other was so obvious that Noah felt suddenly stupidly jealous. He was tempted to check the time on his phone. He’d told Lia he’d pick her up whenever she texted him, which he hoped would be soon—just enough time for her to sort her things and take a shower. Had it only been fifteen minutes? Because it felt like she’d been away from his reach much longer.  

Emery’s laughter blended with a sarcastic snort from the hallway. When Noah looked that way, he saw Jesse strolling in.

“I need to fall in love and get out of this house,” Jesse declared, running a hand through his hair. He nodded at Noah. “Welcome back, man.”

“Hey,” Noah said with a nod. 

“Where’s Miss Gremlin?” 

“At her place. She’ll be here later.”

“Great. Well, I’m heading to the gym, so I’ll catch up with you guys later. Oh, and if you are doing laundry, grab my stuff from the basket, yeah?” 

Noah raised his eyebrows, following him with his gaze. Jesse bent down to grab his sneakers from the shoe rack. “I just got back, and you’re already assigning me chores?”

“Consider it a welcome-home gift,” Jesse grinned over his shoulder, tying his laces. “Hope you enjoyed your holiday.”

“I should’ve made it longer,” Noah replied, but there was no malice in his eyes. He picked up his luggage again as Jesse waved goodbye and left. Noah muttered “unbelievable” as he started towards his bedroom. 

“I promise I’m not giving you guys any extra work,” Emery added from the living room, raising a hand. “I do my own laundry.”

“Beware of Jesse,” Jolly warned, dropping onto the couch beside her with the two mugs of coffee. “He’ll rope you in if you’re not careful.”

An hour and a half later—showered, dressed in clean clothes, with the washing machine running and his room semi-organized—Noah returned to the living room. 

He inadvertently interrupted a tender moment in the kitchen, where Emery and Jolly were exchanging whispers between kisses and affectionate touches. Neither of them seemed fazed when Noah walked in; Emery simply gave Jolly a long kiss on the lips, rose on tiptoes, then turned and disappeared into his bedroom at the end of the hallway.

Noah raised his eyebrows at Jolly as he crossed to the fridge, intent on finding something to eat.

“Dude, I’m so in love,” Jolly blurted out, leaning on the kitchen counter, his eyes frozen on the dark hallway where his girlfriend had just vanished.  

Noah snorted. “I can see that,” he said, pulling open the fridge and grabbing a yogurt.  

“I’m going to marry her.” 

Noah froze, the yogurt halfway out of the fridge. 

He turned slowly. “What?”

Jolly turned to look at him and shrugged. “I’m ready to marry her.”

Noah blinked once. Twice. “But,” he furrowed his brow, closing the fridge and setting the yogurt on the counter. “Wait. Are you serious? You’ve been together for what, a few months? Half a year?”

Jolly crossed his arms, still leaning on the counter. “We’ve known each other for six years. It’s not about the time we’ve been officially dating.”

“Yeah, I get that, but—” Noah blinked again, momentarily lost. He grabbed a spoon from a drawer to buy himself a moment. “I mean… Okay. I do get it, but…” His head was spinning. “I just got back from the other side of the ocean. I expected dirty socks everywhere and an empty fridge—not a bombshell about you wanting to get married. You never said much about it. Doesn’t it feel sudden?”

“Not to me. Not anymore,” Jolly’s voice softened. “She’s the one, Noah.”

“Yeah, Lia’s the one for me, too, and yet—”

“And yet, what are you waiting for?”

“What?”

Jolly shook his head but steered the conversation back to himself. “These past few weeks have been perfect. We work so well together, man. She doesn’t mind my bad habits—I don’t mind hers. We can argue and talk things through. She makes me laugh like nobody else. And waking up and seeing her there beside me is something I can’t even explain. And the sex… Fuck, the sex is good, man.”

Noah looked at him closely, spoon hovering over the open yogurt. “So, you’re totally serious. You’re really thinking about this.”

Jolly spread the back of his hands on the marble, standing to his full height. “Why would I joke about it? I’m telling you because you’re my best friend, and I can’t keep it to myself anymore. I need your thoughts.”

Noah tilted his head slightly, taking a bite of his yogurt as he considered it. “Okay, so… have you talked to her about it? Like, does she even want to get married?” 

“We’ve talked. She does. She even wants kids someday. I’ve never been more sure of anything in my life.”

Noah shook his head, smiling despite himself. Could he picture Jolly as a husband? A father? No, but only because they’d been so caught up in the band, in working full time, that none of them had stopped for a second to consider wanting something more. Marriage. A family. It made sense, and honestly, Noah was sure Jolly would be great at both.

“Okay,” Noah said, his smile widening. He was suddenly infected by the same thrill coursing through Jolly. “Then it’s a yes from me. Go for it. When are you planning to propose?”

Jolly’s smile turned sheepish. “I don’t know. Haven’t gotten that far yet. We need to find a place first, a nice condo or a house. But I was thinking we could go check out rings next week, to get an idea about prices and stuff, and while we’re at it, maybe you could take a look too.”

Noah raised a slow, suspicious eyebrow at him. 

Where is he going with this?

“Why would I want to take a look at engagement rings?” 

“For whenever you grow a pair and pop the question to Lia.”

Noah stared at him.     

Jolly pointed a finger at him and gave him a sideways look. “Don’t even dare tell me you’re not going to marry her because man, you’ve been breathing her as if she was your oxygen since you were kids. It’s just because you two were stubborn as fuck to admit you loved each other that you’re not married by now.”

“I—” Noah was exhausted, jet-lagged, hungry, and still reeling from Jolly’s sudden news about wanting to get married. And now, thanks to him, he was imagining Lia in a white dress and a flower crown on her head. 

What the fuck. 

“We haven’t talked about this, Lia and I.”

“Maybe it’s time you do. This is the perfect excuse.”

Noah stared at him for a long moment, torn between exasperation and amusement. As thoughts filled his mind, he realized he didn’t even know if Lia wanted to get married. “I came back expecting dirty clothes everywhere and no food in the fridge,” he muttered, “not life advice and a push toward marriage.”

Jolly laughed. “Well, now you’ve got both. Welcome home, man.”

When evening came, Lia and Emery curled up in the corner of the couch after dinner, talking animatedly, each holding a cup of tea, while the boys finished cleaning up the kitchen. 

Somehow, Lia had mustered the energy to prepare one of the dishes Hana had taught her in Japan, and despite his exhaustion, Noah had offered to do the washing up afterward. Before picking her up, Lia had walked to the nearest supermarket to grab the missing ingredients. The moment she arrived at the boys’ house, she started cooking as if she hadn’t just spent the past twenty-four hours crossing the Pacific Ocean and trying to sleep in a cramped, uncomfortable airplane seat. Where she got the energy from, Noah couldn’t tell. 

After the kitchen was cleaned up, the five of them settled on the couch and put on a new Adrien Brody movie. Jesse made popcorn and ended up eating most of it himself, ignoring Jolly and Noah’s comments about all his efforts at the gym going to waste. 

Half an hour into the movie, Noah had already yawned three times. He was stretched out in the corner of the couch, legs extended on the sectional, with Lia nestled against him, his arm draped over her shoulders. Every now and then, she’d ask Jesse to pass the bowl of popcorn.

“I’m dozing off,” Noah murmured to Lia, rubbing his eyes and pinching the bridge of his nose. “Shall we go to bed?”

Lia pouted, her eyes wide open. No trace of sleep in her expression, unlike Noah’s.  

“How are you not sleepy?” He asked, frowning as he sat up a bit on the sofa, removing his arm from her shoulders. 

“Hmm…” Lia bit her lip and looked up at him, still nestled at his side with her legs curled under her body. “I may or may not have taken a nap at my place.”

Noah’s eyes widened despite the look of sweet innocence in her face. 

“Without me?” he exclaimed. 

“Dude, shut up,” Jolly told him off without looking away from the screen, where Adrien Brody’s character stood in the pouring rain, his face shadowed under his hat.  

Lia parted her lips to say something in her defense, but she didn’t get the chance. Noah stood up, and towering over her, he scooped her up in his arms, lifting her bridal-style off the couch. 

“Hey!” she protested. “Where are you taking me?”

“Bedroom. To sleep. Good night, guys.”

“Help?” Lia called over Noah’s shoulder, but despite her theatrics, she was smiling, nearly laughing, and she had to admit it felt nice to be carried to the bedroom.

“Sweet dreams, lovebirds!” Jesse said. Next to him, Jolly and Emery laughed, waved their hands and said goodnight.

Once in the bedroom, Noah kicked the door shut behind him. Then, without warning, he threw Lia onto the bed. She landed with a soft thud, her hair fanning out over the gray comforter. 

“That was so romantic,” she deadpanned, stretching before rolling onto her stomach, propping herself up on her elbows. She watched Noah with a raised eyebrow as he pulled off his hoodie and tossed it onto the armchair where Lia liked to curl up and read. 

“Yeah,” he muttered, still giving her that mock-offended look she knew was just an act. “Almost as romantic as my girlfriend taking a nap without me.” 

He walked over to close the curtains, then switched on the lamp on his side of the bed. 

“And dramatic,” she added.  

He stopped and gave her a long look. Two seconds later, his open palm landed on her butt with a sharp slap.

Lia gasped, eyes going wide. 

“Did you just spank me?” 

“Should I do it again for clarification?”

He didn’t wait for an answer. He grinned, and another smack followed, firm but playful. Even through her cotton leggings, a tingling sensation spread through her. She pressed her legs together, unable to look away from him, her cheeks warming. 

He studied her reaction, enjoying this as much as she seemed to. He arched a brow at the realization. “You likethat, don’t you?”

Lia tilted her head to one side, lifting her feet off the bed and lazily crossing her ankles. “Maybe.”

He narrowed his eyes, shaking his head as he reached for one of her wrists, pulling her up. “Come on. Let’s brush our teeth. Then we’re sleeping, because I’m actually dead.”

“Hum,” Lia pouted, but got off the bed and followed him barefoot to the ensuite bathroom. 

The moment they got under the covers, sleep was the last thing on their minds. 

For the next half hour, they talked—about the next day, about Lia’s return to therapy, about how she planned to attend a yoga class beforehand. She had work to catch up on, so she’d spend most of the day at home, while Noah would head to the studio with the guys. 

As they lay tangled up, Lia’s bare foot lazily brushing against his calf, she mentioned she was thinking about taking on more illustration jobs while the band focused on creating new music. It seemed like a good way to stay busy. She could focus on designs for new Bad Omens merch later. 

“That’s a good idea,” Noah murmured, voice thick with exhaustion but still engaged. “You could also think about exhibiting your work.”

“In a gallery?”

“Yeah. Your art is sick. I’ll never get tired of saying it. You should put it out there more. Not just through the band’s merch. I told you before.”

The idea of her illustrations being displayed for people to admire—or worse, to judge—didn’t really sit right with her. 

“I like being behind the work,” she said. “Just making things and putting them out there without having to… explain them. I don’t want to do artist talk or anything.”

Noah turned his head on the pillow to look at her. “Then don’t. You wouldn’t have to. Just exhibit the work and let it speak for itself. People will see what they want to see.”

“Yeah, and what if they see something that isn’t there? I’d want them to see what I see.”

“Art isn’t always about making people see your vision,” Noah said, thoughtful. “It’s about them feeling something. Doesn’t matter what. They don’t have to understand it. And you don’t have to explain it.”

Lia exhaled softly, letting the thought settle in the quiet between them. Maybe.

She rested her head against his shoulder after a while, pensive. Silence stretched between them as she mulled it over. “I don’t know. Maybe someday. I just like things the way they are right now. Making art without the pressure. Just… creating for myself first, you know?”

She paused, waiting for his response.

When she didn’t get one, she lifted her head slightly and looked up.

Noah’s breathing had deepened, his lips slightly parted, the steady rhythm of light snores filling the room.

“Of course you’re asleep,” she muttered. She lifted her head a little, watching him in the dark— the slow rise and fall of his chest, the way his eyelashes fanned against his cheek, the soft exhale of his breath.

Leaning in, she brushed her lips against his in a whisper of a kiss. “I love you,” she murmured before tucking herself back against him, letting sleep finally take her too.

— prev. chapter | chapter seventeen

Taglist:

@somebodyels3 | @respectfulrebel | @thecoyotescry | @bluestdai | @lacy1986

@sweetwombatpizza | @missduffsblog | @shilohrosechicken | @jilliemiw86 | @alwaysfightforwhoyouare

@chey-h | @ferduttini | @dominuslunae | @todressabladeupinred

[etherealrin]

Please make me cry more. Rin x More by Keshi ?

thinking about proplayer!rin who isn’t enough for you…

rin plays in arenas, the booming ones with suffocating crowds, a lull of excitement electrifying the atmosphere. as the star player of france’s pxg, itoshi rin is loaded filthy rich. but for all the luxury in the world, all the stardom and trophies he’s racked up, he’s an eternal loser in the game of love. it’s not enough for rin when the crowd goes while after he scores yet another impossible goal, because the only thought occupying his mind is about you, and how he wishes he could have that something called “us.”

no, it’s not really rin’s fault that he has let this void grow between the world and his heart. it started when his shitty sibling left for spain, without much of a “hasta la vista” for rin; sae had simply turned his back and left him in the dust. he thought he might find meaning again in pursuing football, but his brother’s ghost only stared mockingly back at him, a constant reminder that rin could only ever be a shadow of itoshi sae. but he still plays even if it’s never enough for him, he has no choice but to be more than sae now. rin picked up bad habits from his middle school days: painfully sharp tongue, tendency for slight violence, and a knack for getting into fights. and no one ever noticed how rin beat others up, or vice versa, until you showed up. like an angel on earth, you’d press kisses to his cuts and bandages to his wounds. although the worst damage was done to his heartstrings, itoshi rin was no fool: bandaids were no good for heartaches. so why was it that you made his life more tolerable, made him hope that he was something more than a defective tool his brother left behind?

it was selfish of him for him to ask you out, he’s painfully aware. he couldn’t love, he wasn’t capable of reciprocating your adoration, but he wanted it anyway. it wouldn’t be so bad if it were just you two alone in the world.

rin wouldn’t even be staying in school with you for much longer, having been scouted by a man with the name ego jinpachi. but for the entirety that he was away, rin was dying to see you, not that any of his teammates ever found out. he loved you in secret while you loved him like a solemn oath.

it’s not surprising that when he finally was granted a break from the soccer hell called blue lock, you immediately called him wanting to talk. you weren’t getting what you needed, rin’s lukewarm version of love couldn’t be enough. you didn’t really understand that for rin, it was a matter of life or death to play the sport. he wanted to move to france for pxg, you were quick to protest that you wanted more from him, and long distance was the opposite.

when he swears that he “still loves you,” and says “i want us,” you don’t buy it.

and you smell the smoke warning you to run now. so when you end things in search of something more, you don’t see the single glimmering tear roll down the boy’s cheek. you don’t know that he’s at his lowest and about to crash, his play becoming more destructive than ever with pxg. you don’t think about how you leave him in the same manner sae had on that fated snowy night, how you leave him convinced that he’d never be enough for anyone; he couldn’t rely on you to tell him otherwise anymore. “i want us,” he had said, but you yearned for more.

a/n: originally was going to do kaiser with this but rin works too…the amount of sae slander i write is horrendous (i will treat him right one day) ANON I LOVE THE WAY UR MIND WORKS LOL HOPEFULLY THIS IS OKAY?

masterlist.

[yuwuta]

PLS PLS PLSSSSS keep talking about kids with olympic athletes! gojo and nanami pls pls pls i have to Know. everything u wrote about yuuta was already so so cute

(prev olympics au here)

the gojo twins are hilarious because your baby boy looks exactly like satoru, but has very little of his personality—it seems like the only things he inherited was satoru’s love for sweets and love for you. still, even though he’s a strong swimmer, he much prefers to relax in his floaties alongside you if you’re also in the pool, or chill by your side on a lounge chair, glasses too big for his face keeping the sun out of his eyes as he shares his smoothie with you, and asks to borrow your phone to take pictures of his sister and daddy in the pool. 

your baby girl on the other hand… she might have your face but she’s got satoru’s everything else—his competitive streak, his confidence, and definitely his mischievous nature. she’s the one who tiptoes into your bedroom at five in the morning, tapping at her daddy’s shoulders, and putting her little finger over his lip to shush him before he can wake you up; she’s always the one to convince satoru to take her swimming the backyard at the crack of dawn, and why by the time you and your baby boy wake up, she and satoru are already past warm up laps and swimming lessons and onto who can make the splashiest canonball competitions (she always wins because while her tiny body can endure a belly flop, satoru’s years of training physically doesn’t allow him to do it… and maybe because he’s not so competitive when it comes to his baby girl, he’ll always let her win). 

kento’s professional judo career honestly doesn’t last very long. after his first olympic games, you two start dating and he proposes just after he wins gold the second time he’s in the olympics; he does maybe two more years of national competitions while you’re pregnant, and decides that the intense training for the next two years in preparation of a third olympic competition isn’t worth missing time he could spend with you or your baby girl—plus, with all the money he’s made from competitions, winning gold medals, brand ambassadorships, commercials, and collaborations, he had enough money to provide for all of your for the rest of your lives. so, that’s what he does (his dream has always been to be a househusband, anyway...) his previous salaryman career comes in handy when deciding how to invest his money, how to buy a house, how to take care of his friends, how to set up a fund for your daughter, and an extra account or two… just incase more babies come along… 

by the time your baby girl is four, she’s already kento’s biggest fan. she loudly and proudly proclaims to everybody that her daddy was basically superman and won all the shiny trophies and medals in the house from when he was being a superhero. if anyone recognizes kento when they’re out together, she always confirms their suspicions, proudly boasting, “yeah kento is my daddy! he’s a winner!” it always makes kento’s heart swell to hear her praise. he doesn’t compete professionally anymore, but he does train from time to time, and has taken on a few mentees, and your daughter LOVES to watch him coach/train. she’s got her own uniform that she always puts on whenever they go to the gym together, and gets so excited when kento or ino or yuuji pretend to spar with her. 

she’s honestly kento’s mini figure. she’s respectful and reserved, but strong and knows when to fight and how to use her voice. there’s a time when he gets a call from her school saying that she got in a fight, the principal frames it as your daughter needlessly pushing around an older kid, but your daughter is certain in her words when she tells her dad that it was because the kid was being mean to the younger kids, and to her. kento doesn’t say a word to the teachers—doesn’t even fight them sending her home early for the day, because he’s happy to scoop her up and take her out for ice cream and tell her that he’s proud of her.

[disposal-blueeee]

halloween thing i drew for an art trade with @cherry-207 ! she asked for edgar and scri dressed as angel and devil . you can see her part here !

edgar vargas belongs to jhonen vasquez

scriabin belongs to @zarla-s

[celestialtrolls]

A Letter of Recommendation

Angel || Past || ~650 words

-

When living in the countryside, with an extremely long commute to her school in the nearest town, Angel usually stayed on the school grounds for as long as the gates were open, taking advantage of the internet connection and waiting for the rush hour to end before even thinking about packing her bags.

This usually led to her being the only student left, and often she would be asked to move to sit in the headmistresses' office so that she wasn't left unattended as all the other teachers went home.

And so it had become routine, and usually the evenings consisted of sitting in a comfortable silence. The elder would be taking care of her business, filing documents or writing reports, and Angel would work on essays or research.

This evening, about halfway through her final school year, was a little different however. Earlier in the day, as the headmistress had been making her rounds into each of the classrooms, she had placed an envelope on Angel's desk.

-

"A military university? Sorry Miss Diniav, but I'm not really interested in fighting."

"There's more to our fleet than just shooting at enemies. There are logistics, supply, developing technology, public relations - You would benefit from moving to a capital and attending."

The tealblood doesn't look up from her laptop as Myraki stands over her, typing away at an essay that is demanding her attention - an analysis into a series of cases led by a famous legislacerator of the past, a topic Angel had become intimately familiar with since choosing it for some of her coursework.

"Law is very competitive for tealbloods, and I have no doubt that you would succeed in the field, but you're bright enough that you could go into any industry. Everyone who graduates this university gets a position in the fleet - and a good position, if they seek it. Ones that pay more, are less dangerous, and you wouldn't have to work so hard as this."

A sweeping gesture at the laptop and the pile of books and folders on the desk punctuates the violet's sentence, and silence falls in the room as the keyboard taps pause. It's hard to discern Angel's expression through the curtain of hair covering the majority of her face, but her lips are pressed into a frown.

"You don't think I should be working hard?" Despite the frown, her speech on it's own is light, almost a laugh behind her voice.

"Don't misinterpret me on purpose." In contrast, the headmistress's tone is sharp enough to cut fabric, but Angel doesn't seem fazed. "But your teachers have expressed concern that you have allowed yourself to have an undeveloped social ability due to your uncanny focus on study. You're never seen speaking to your peers. You would benefit from a field where you are able to learn to balance your schedule."

Angel lifts her head, the frown now wider. Of all people to lecture her about 'social connection', she did not expect it to be the headmistress who had come into the school to straighten everyone out and focus on academics. On second thought however, the fact that she had been former Fleet, working in teams and with people working under her...

It makes sense that even she sees the value of other people. Annoying.

"I spoke to some of my former colleagues in Druzhale, and with my recommendation and a high score in the entrance exam, you could get a scholarship and move to the city. It is very rare for people from outside the city to get a placement there, do you understand? You will consider it."

The atmosphere in the room after such a lecture was heavy, and Angel did not begin typing again. Words gathered on her tongue, despite not being sure of how she felt, how she should feel, but sitting on a convoluted mix; maybe somewhere between anger and pride. But she swallows them all down, and shuts her laptop.

"I'll be heading home early."

[purpleshadow-star]

So, the season finale of Hazbin Hotel came out last night.

Spoilers ahead

I was never part of the Hazbin Hotel or Helluva Boss fandom(s), though I have been watching Helluva Boss since about midway through when season one was being released. I only watched the pilot for Hazbin Hotel maybe six months to a year ago, and I only ever watched it once. I never kept up with VivziePop or whatever was happening behind the scenes. I watched Hazbin Hotel as it came out the past few weeks, I’ve watched some TikToks about it over the past week, and I read through a few (like, three) of the character’s wiki pages like, yesterday.

So, with all of my inexperience in the fandom and in this universe, I’m going to try to predict how the show is going to end.

Kind of.

Well, I’m going to make a prediction.

I think Angel Dust will be the last resident of the hotel we see get redeemed.

Angel was the first resident of the hotel. It’s only fitting that he’d be the last (that we see, anyway).

I think that season one was almost like a set-up season. The main characters and their characterizations/arcs have been established. The main problem, the extermination, has been temporarily dealt with. It’s been proven that the main objective in the show, redeeming sinners through the Hazbin Hotel, is possible. Seeds of a bigger plot and future trouble have been planted.

Now that the bigger plot things are out of the way, I think the show will be able to (hopefully) slow the pace down now and really focus on the hotel itself and the redemption process of the sinners that choose to be there, along with the individual characters and their personal journeys and arcs.

I think that Sir Pentious getting redeemed and making it into Heaven proved that the concept of the hotel can work, so now that they have the bigger, newly built hotel, they’ll start to get more residents. We’ll meet and bond with more characters as the seasons go on and they’ll go through the hotel and eventually get redeemed and go to Heaven.

I think that during all of this, for the next few seasons, we’ll see Angel work towards redeeming himself too. At this point, he’s accepted the hotel. He’s accepted his place there and he’s been visibly getting better. We’ll see him continue his path to redemption while also dealing with Valentino, his contract with him, and any other personal conflicts that arise.

I think that partway through the show, we’ll see Angel start to kind of put off becoming fully redeemed. Maybe he’ll just slow down, but I think we’ll see him become more apprehensive about completing his redemption.

At this point, he’ll probably already be in an official relationship with Husk, and his situation with Valentino might be resolved or at least not as much of an issue anymore. I think he’ll start putting off officially moving on into Heaven because he realizes that he doesn’t want to leave his friends behind. He won't want to leave the friends he’s made at the hotel, so even though he might be ready or almost ready to go to Heaven, he’ll just keep putting it off.

I think Angel’s ascension to Heaven will be the big series finale. I think that it’ll be a big emotional moment. Angel will accept that it’s time to move on, and there will be an emotional scene where he says goodbye to Charlie (who, as a Hellborn demon and not a mortal soul, can’t go to Heaven like the other sinners), and Vaggie (who will choose to stay with Charlie and has no desire to go back to Heaven), and probably Alastor (who loves his power and control too much to want anything to do with redemption himself) and maybe Niffty (I’m undecided about whether she’ll try for redemption, but I’m thinking no, at least as of right now). If Husk stays behind, that’ll be an absolutely heartbreaking goodbye too, but I’m thinking that, at some point in the show, Husk might decide to try for redemption as well, so maybe he and Angel are going together and saying their goodbyes together.

I think we’ll get a teary goodbye for the people Angel is leaving behind in Hell, but we’ll also get a joyous reunion scene where he meets up with all the redeemed souls in Heaven as well. He’ll get to see all the former residents we got to meet throughout the show, and maybe he’ll even have a moment where he gets to reunite with his sister, too. It’ll be a somewhat bittersweet moment, but a happy one overall, because Angel Dust, the first resident of the Hazbin Hotel, who didn’t take it seriously in the beginning and thought redemption wasn’t possible, who went through so much in Hell and who didn’t think things could get better for him, will have finally completed the journey to redemption and moved on to Heaven.

And then maybe we’ll get an epilogue-esque scene or series of clips of Charlie and Vaggie happily continuing to help redeem sinners in the Hazbin Hotel, of Angel and the other redeemed souls happily living their best afterlives in Heaven, of the redeemed sinners meeting and welcoming new redeemed souls into Heaven as they come in.

And maybe, taking place some time in the future, maybe years after Angel goes to Heaven, we’ll get a moment of Charlie and Vaggie, and any of the other original cast that stayed in Hell, being allowed to take a day trip into Heaven. Maybe we’ll get to see them reunite with the redeemed sinners in Heaven in person for the first time since the redeemed souls left, and it’ll be a happy reunion where they’re all just happy to see each other again and catch up. Maybe at this point the show has already established a way for the redeemed souls to still be able to communicate and keep in touch with those in Hell, so maybe this isn’t the first time the two groups have spoken to each other since the redeemed souls left the hotel, but maybe it is the first time since the redeemed souls left that they’ve been able to see each other in person, so the teary hugs all around are expected and maybe even appreciated.

Maybe the show will end on a happy note, where our first and most skeptical hotel resident ends up happily redeemed with a partner who loves and values him for who he is and friends who care for him, and where our main character is able to fulfill her dreams of helping her subjects find the best version of themselves and move on to a better place.

Maybe the extermination no longer happens, so there’s no more deadlines. Maybe being redeemed is no longer just an escape from second death. Not every soul in Hell is going to want to change, but for Charlie, it’s not about redeeming every soul. The Hazbin Hotel started as a way to decrease Hell’s population so that the extermination would no longer be necessary, so that no more souls, however awful, would be needlessly killed, but Charlie knows that the extermination was never about overpopulation, and yet she’s still going through with the hotel and she’s still working to redeem sinners.

So, maybe the extermination is a thing of the past, but Charlie will still continue running the hotel and giving sinners another chance, because everyone deserves another chance. Because Hell isn’t forever, and despite whatever some people did when they were alive, they deserve the chance to try to redeem themselves. They deserve the chance to try to be better. And that’s Charlie’s dream. She just wants to give her subjects the opportunity to do better, and not everyone will take it, but in the end, we'll see that all the effort was worth it for those few souls who do.

So, to recap: I think Angel Dust will be the last sinner we see get redeemed. We might get clips and/or mentions of souls after him, but he’ll be the last character to go to Heaven who’s journey to redemption we’ve seen. In the series finale, he’ll be the last major character to be redeemed, and we’ll get to see him live his best life in Heaven while Charlie happily stays behind in Hell to help guide more souls along the path to redemption.

Or at least, that’s something I’d like to see, anyway.

[quietwingsinthesky]

I guess I can't really get behind cas saving dean from hell as a destiel win, or lines like 'you don't think you deserve to be saved', because. this is not a point at which cas is doing because he believes dean is good and loves him or anything but. he saves dean because that's heaven's will. when he reminds dean that cas, and heaven, are who saved him in early s4, it's not him really saying 'you're a good man', it's a debt that he is using, pretty explicitly, to get dean to do what heaven wants. even the handprint reads like... ownership, in a way.

cas is complicit in heaven's manipulation of dean after he's pulled out of hell. that's what makes his rebellion later powerful, because this is an angel who believes in heaven so strongly that he will look into the eyes of the righteous man he saved and tell him that if he doesn't do what he's told, he will throw dean back into hell.

[tpup]

she told me i remind her of her ex, and that makes her feel protective of me. she tilted her head like a curious dog when she said that.

i wasn't sure how to word a prying question about it. i said I feel guilty when people do things for me because i don't have something to give in return. she said that was a strange way for me to have responded.

[soulsxng]

Good evening/afternoon/morning, my friendos. Today, I am being enabled to add to my fae children and give some of the angels some rivals

I don't have names for them yet (If I've gotta fuck with fae names, it's gonna be a minute, okay--), but they're both originally from Unseelie; high ranking and long standing knights serving the former ruler before their assassination by the hand of the current ruler took place. Though they were given the choice to switch sides, they decided against it, and instead slipped away before they could be imprisoned or killed.

For a short while following this, they were displaced knights that were trying to keep under Unseelie's radar...until some of the Tuath Dé Danann found them and took the pair under their wing. The two knights now serve these former deities in the Otherworlds in gratitude for the mercy they were shown unprompted.

[throwing-roses-into-the-abyss]

how to show you have no clue what grunge is: make a high fashion grunge design for a fashion show

[fanonsupremecy]

Mickey they could never make me hate you. Even WHEN you were the dirtiest white boy in America. V THAT MAY BE TRUE but he's also soooo pretty so he gets a pass cuz he's so babyboy and babygirl and an angel that deserved so better like fucking love and compassion and pride and adoration from his fucking shithead father. (if you can't tell I'm on my season 2 shit) honestly he was so much more dirty white boy tm in season 1 tho...

”I came out for you, you piece of shit”

YES YOU DID MICKEY. YES THE FUCK YOU DID.