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kyri45 · 3 months ago

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✨ShadowPeach Bio Parents Bio AU Q&A! 28/09✨

Welcome to the Q&A! A space where I can answer related or similar question about the Shadowpeach Bio Parents AU! If you submitted your ask anonimously, then you’ll have to check the whole post if it’s answered here, if it’s not, worry not! Your asks might have been used for a future comic or just in the queue~

Anonimo ha chiesto: I am going to ask you to make a difficult decision… freenoodles or Shadowpeach

(Freenoodles, in my opinion, is just barely better than shadowpeach. Just because of how gay they are in season five. I mean, look at them and tell me they aren’t married.)

Sooo I go with shadowpeach. Freenoodle is like my comfort shit. so many cute and funny shenanigans, for me they are just the married couple who would probably have the healtiest of the relationship. They have teh experience, they went already throught all the "obliviouss-ness" and the "what if they don't love me" yadda yadda.

But Shadowpeach. Ow man. I thought the ineffable housband ship was complex. but god. oh god. how wrong I was. like- these two went from friends, to brothers, to lovers, to enemies, to friends again and to be lover again. They fucked up so much nothing will ever be the same. But they still weak for each other. They are at each other throat and also they know the other in the most intimate way. they are immortal. One of them fucking killed the other. They thought the other left them and betrayed and went both drama to forget (one choose found family, the other murder but anyway-)

Like- WHAT SHIP CAN BE MORE COMPLEX THAN THIS?????

Anonimo ha chiesto: Does MK have a favorite between his bio parents

oUH NO POOR MONKEYS. He doesn't, but he has a favourite depending on the context. Like, for training he prefers Macaque because he explains a lot better than Wukong, but sparring with Wukong is much funnier, but he prefers Macaque scratches and grooming, but he loves Wukong squeezing hugs, etc...

Anonimo ha chiesto: You know, I just realized something. So you know how people in the fandom give Macaque lotus nicknames since his ears kind of resemble lotus flowers. Well since MK has both Wukong and Macaque's ears that kind of makes MK's ears resemble Peace Lilies (which is kind of ironic since MK is the Harbinger of Chaos)

Aww I guess they do look like them!

Anonimo ha chiesto: I may sound a little to mean but Mk din't suspect a thing aout macaques eye? he has multiple forms were his eye is a cross i mean, i would think smt happend to that eye but that just me uu I LOVE UR ART IT MAKES ME WANT TO KMS /POS

He surely suspected something happened to Mac eye but he didn't know how that happened.

@queen-of-purple-roses ha chiesto: I have a question and you don’t have to answer it if you don’t have too; since we’ve seen Macaque feel guilty with how he treated MK in the past, does Monkey King feel guilty about all the dangerous moments that MK was put in, since most if not all of the fighting ends up on MK’s plate and not Wukong’s.

Oh absolutely, the more time passes he feels more and more guilty.

@catbox730 ha chiesto: Can we get more MK and Red Son please

mayyyyyybe. If you guys behave

Anonimo ha chiesto: It would be funny seeing MK‘s dads going to a doctor with him for like getting his wisdom teeth removed or something xD

The parents being extremely worried that something will go wrong while MK is super chill. When the dentist comes out of the operating room they grab him and ask him if he survived while MK is just eating ice cream post-surgery.

Anonimo ha chiesto: Will MK ever fight against one of his parents in a serious battle ? Or be forced to fight one of them ?

mmm. Probably. Maybe in the future they have a discussion. Nothing maybe too serious. But not in the AU plans.

What is Wukongs and/or Macaques biggest nightmare(s) I imagine it would be something like seeing MK die or sacrificing himself again or something like that

I think Wukong is more terrified of being alone. So actually I think it would be worse for him that MK doesn't want to see him anymore.

Anonimo ha chiesto: so who is going to be MK‘s hero that he worships ? I don’t know if he still sees Monkey king in that way after finding out that he is basically his dad and hearing the past the fight with Macaque….

Maybe he wont have any hero. Maybe worshipping someone is not such a healthy thing to do. ( I'm not talking in a religious way of course, I meant worshipping a living normal person)

@emmais333 ha chiesto: Love your MK art. One question how many fights from Wukong and Mac does MK overhear on accident

He heard the first one (and the past one through the vision) then Wkong and Mac started to teleport far away enough so he wont be able to hear them discuss.

Anonimo ha chiesto: What if MK catches Mac and Wukong in the act, not visually, but audibly, like hearing it when going to flower feuit mountain, finding the monkeys in a pile, all traumatized. Or is it too soon? Do they get drunk enough to not care? Do they even drink?

in the....act? (sorry I don't understand stuff if it's not explicited said, like I can't understand double meanings if that was what you meant)

Anonimo ha chiesto: I LOVE YOUR STORY, REALLY!!!! I reread a lot. So lovely. And the Baby MK, I just want to hug so badly 🥺 ( I think Macaque become Protecting mode and he won't let me do it. ) You draw Baby MK so so so cute. My heart can't handle it.❤️ Maybe it's a terrifying idea but I would like know your thoughts. I think that Macaque sleeps very quietly, like a man in a coffin. + Macaque fell into a very deep DEEP sleep. (maybe because he was tired from fighting demons to protect Baby MK or get injured or something?) = How do you think Sun Wokung will react?

o my god NO DON'T GIVE HIM AN HEARTH ATTACK (heloses one of their immortalities for having the most horrrendous of jumpscares)

@raspberrymixin ha chiesto: AHHH I LOVE YOU SHADOW PEACH BIO AU OMG ITS TO FREAKEN CUTEEEE AAHH I just melt into a puddle! Love you art and make sure to take breaks- anyway- I find it cute how redson interacts with MK I can just imagine him giving him stuff and little gifts and Mk just confused on why but takes it anyway because of friendship and maybe a sign he's trusting more- but MK is just oblivious to the courting- And maybe redson would ask Wukong, Macaque, Tang or pigsy to allow it maybe? And I also love the slow burn! It's just cute on how Macaque and Wukong make each other blush! Awww it's just to cute! I hope you're doing amazing and have a good night/day

Oh man MK would not be able to read a single clue and just think it's a symbol of friendship or wathever. O my god he really did take from his parents (all of them)

fayeangel25 ha chiesto: YOUUU UFUFFHH WHEN I GET YOUUUUU anyways, I wanna see wukong asking macaque about the story of him and mac ( after mamacaque storytelled his lil baby mk ) , cuz i wanna see more flustered macaque!!! Also, 👏 EATING 👏 THIS 👏 AU 👏 UP!!

Hehe he would be a little shy about it. But Macaque is a theater kid so for a bigger audience I guess he would do it.

Anonimo ha chiesto: I feel like I’m new here. What is Court napping?

Consensual Kidnapping with the intend of flirting with another demon.

Anonimo ha chiesto: How many people want to court MK now that he is a real stone monkey AND the son of Wukong and Macaque ?

mmm. Only people close to MK knows that he's the bio kid of shadowpeach. So for now only Red Son

Anonimo ha chiesto: I bet PIF would try to wait for MK to lose the good guy ‘phase’ since she went through that before lmao (forget being good, convert to villainy in the name of love)

Awwww she would!!! But MK is just too good hearted to hurt a fly. (yeah I know he technically has a kill count still-)

Anonimo ha chiesto: MK would obviously call Pigsy "Papa" so what would MK call Tang and Sandy?

I think he would actually call Pigsy "dad" since it's what he calls him that in the show. Maybe it's Tang that gets to be called Papa. I think Sandy is more like an uncle.

@mage-of-words ha chiesto: When will Wukong purpose to Macaque?

WOW- HOLD ON THERE. LET HIM TAKE HIM TO DINNER FIRST.

Anonimo ha chiesto: Omg I wonder if Macaque and Monkey King ever saw MK get really hurt during a battle with a new demon. RIP the Demon bc two feral Monkeys are after them now bc they hurt their kid.

Them to said demon: So you have choosen.... death.

Anonimo ha chiesto: Hear me out, Mac and Wukong in a get along shirt for a day (lost a bet to MK and he planned this too) LOVE YOUR ART TOO ITS SO SCRUMDIDDLYUMPTIOUCIOUS

this is an old ask, sorry for taking so long to answer. But I would say that at this point of the story Wukong would probably be at cloud 9 being squished to super soft macaque all day. Macaque would be like a kitten undecided on wheter he loves or hate the situation (doesn't really likes un-warned physical touch.

Anonimo ha chiesto: Hoi there, I found you again! (Following you on Insta as well because your art is awesome ^^)

Reading your LMK ShadowPeaches comics and they are fun. And now my brain can't help but make up scenarios, one like this one. Oh my, MK is a cute little baby! (^///^) Oh my, MK is a little baby!! ('O_O) Welp, Pigsy is going to kill someone unless Wukong gives baby MK into his arms to calm down and be busy being a dad than a raging Hulk. (:P) Also, I imagine MK accidentally shrinking himself, (Wukong decided to play hide and seek with it only to later on regret it). Wukong would freaking out about it, and Macaque then shook him violently while yelling into his face for losing MK. Then out of Nowhere, Nezha shows up at the door frame and be like 'Um, hey guys. Is this yours?' Points at his nose where tiny baby bean MK was, clinging onto Nezha's nose while giggling.

askjajvbks that's a lovely scene! Unfortunately Nehza can't know yet about MK, but maybe he will...

@lara-legomonkiekid 💜:Hey! I'm here to ask permission!Can I make an art Drawing of your Bio parents AU Meeting One of my AU's?Please?(Mostly Suposed to be Meeting One of my OC's!) (Love Your Art and Comics!!!!)(⁠◕⁠ᴗ⁠◕⁠✿⁠)(⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)

Yeah sure! just be sure to tag me and link the masterpost of the AU

Anonimo ha chiesto: I find it funny how your shadowpeach bio au came from a joke and now.....wow Your art is amazing

My friend even tried to warn me. BUT I DIDN'T LISTEN

Anonimo ha chiesto: I need Freenoodles talking late at night about MK's new situation Will they be worried? Happy? I don't think Pigsy will take it very well that just when he and MK accepted each other as Father and Son, he is (partly) taken away by his biological dads.

Pigsy was mostly worried that Wukong or Macaque would hurt in any way MK. Both ahim and Tang after they saw how much the 2 care about MK calmed down, still they just hope they don't mess up things.

Anonimo ha chiesto: parenting it not just about having fun with your children, but also making sure there are boundaries even if the child isn’t happy about it. So, how would it go if Macaque and Wukong would try to ground MK 😂

MK is a little old for being grounded I think but if they were to do it maybe with something like no training for a week or smt. He's still an adult (i know we sometimes forget)

Anonimo ha chiesto: MK trying to prank his parents and wake them up with a loud instrument or sound. MK forgetting he has sensitive hearing 💀

reverso uno card

Anonimo ha chiesto: Would wukong or MK help macaque in his drawings if he asked 🙃 or if they tried to help him improve

Awww they would!!! Actually what if this creative side of him was something he kind of inherted from Wukong?

#ask box #shadowpeach bio parents au

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justhereforthemeta · 1 year ago

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Romantic expectations and the story we didn't see: A magic trick hiding in plain sight

Here's a hopeful meta for all my fellow celestial brainrot sufferers out there. Cheers! :)

This idea started as a dead end, trying to track the movements of Crowley’s sideburns/tattoo because I thought time travel shenanigans were afoot. I had to abandon that theory when it was pointed out that David was simultaneously filming as the sideburns-having Fourteenth Doctor, and in-universe Crowley can do whatever he wants with his facial hair whenever he feels like it. But hey - null findings are still findings!

On the bright side, pausing the show to make notations in a spreadsheet forced me to slow down and notice other changes I'd overlooked the first time around: acting choices, costuming choices, references to book lore. And possibly a few surreptitious flicks of the wrist, in places where we’re meant to be focused on the magician’s other hand.

@amuseoffyre and @ineffablefood had a great exchange recently about romance and “the significance of misdirection and three-in-one (magic) tricks” throughout the show. I suspect Neil has done something brilliant with the audience’s long-standing expectations (since the 1990s, really) for the love story between Crowley and Aziraphale to develop. And while it is a wonderful story indeed, playing to this expectation lets Neil distract his audience from the blink-and-you'll-miss-them seeds he's planting for the final chapter.

Continued below the cut...

Let’s start at the beginning of Episode 2. First, context: In the previous installment, Crowley stormed out of the bookshop, was whisked away to Hell by Beelzebub where he learns about the Book of Life threat to Aziraphale’s existence, then returned to the bookshop to dance a little apology dance and hide Gabriel with an unintentionally massive joint miracle. In S2E2, we and Shax catch up with Crowley as he's snoozing in the Bentley.

Shax: “You’re in trouble”

A. J. Crowley, cool as a cucumber: “Obviously. Former demon, hated by Heaven, loathed by Hell. How will our hero cope?”

Interesting! Sarcastic? Yes, absolutely; but that’s also a good 4500 years and an averted apocalypse away from “I’m a demon. I lie,” wouldn’t you say? Someone is sounding a whole lot less depressed and aimless and navel-gazey (do snakes have navels?), and a whole lot more like he’s got a project to focus on, since his "what's the point?" ruminations on the park bench in E1.

And of course we all noticed the costume change right away. Hello, black turtleneck. Feeling cute today, thought I’d cover up my graceful long neck? That sounds unlikely. Let’s put a pin in this one.

There’s also an interesting acting choice going on here. Crowley speaks to Shax in a funny, drawling, too-cool-for-you voice that we haven’t heard in a while. Specifically, not since 1967. If you go back and give the S1E3 scene in the Dirty Donkey a listen, you’ll hear it (and if you know of another instance of it that I've missed, please let me know!). In S2E2, he keeps up this odd voice (if anybody knows what kind of affect this is supposed to be, please do tell!) throughout this dialogue with Shax, except for the brief moment when she first surprises him about the joint miracle having been detected.

1967 was a fun year. Crowley masterminded a heist! And seemed like he was having a ball doing it, right up until his little caper was called off after Aziraphale brought him the thermos of holy water. Crowley spoke to his co-conspirators in that same funny, very 60’s-caper-film voice. He wore a hip 60’s turtleneck. He bought petrol for the only time ever, so he could get those sweet James Bond bullet hole decals for his car (per the book, seen on the Bentley in the show).

Those James Bond bullet hole decals would of course have been part of a promotion for this 1967 release, which you just know our film-enjoying demon went to see in the theater:

Starring this suave, be-turtlenecked guy:

And now - begging your forgiveness - a brief rant.

There are a number of posts out there that refer to Crowley’s S2E2 turtleneck as a flirtatious sartorial choice - actually, ‘slutty’ seems to be the favored accusation. There are even a few posts floating around commenting on how sweet it is that Crowley swaps out his slutty, kinky, throw-me-over-your-desk-and-take-me turtleneck for a more dressy and appropriate collared shirt specifically to attend Aziraphale’s Jane Austen ball.

Now this is all in good fun, and Crowley does indeed look fantastic here, and I do love a good fangirling sesh as much as the next person. However, fandom’s collective tendency to interpret what we are seeing on the screen through the lens of romantic expectation can, at times, give rise to a kind of blinkered enthusiasm that obscures the original text in a haze that is part Mandela Effect, part unrestrained horniness, and part in-group code talking and identity reinforcement.

Respectfully, Crowley’s black turtleneck does not appear at all in S2E5: The Ball. In fact, it never appears again after the end of S2E2.

For Someone’s sake, let’s collectively pull our heads out of the romantic fog/gutter for a moment and focus on what we are actually seeing in the book and on the screen. For Crowley, this is an uncharacteristic within-period costume change. There is a surreptitious flick of the wrist happening here, out in broad daylight, and we are all missing it.

So here’s a thing. Aziraphale appears to have settled comfortably into life on Earth, his neighborhood, his books, using Crowley as an outlet for sharing his good deeds that he would once have reported to Heaven. Meanwhile, at first glance, Crowley appears stuck in a rut. There he slouches on a park bench with Shax in S2E1: a guy who lives in his car, stagnantly clinging to old familiar habits, mulling over the pointlessness of it all.

Setting aside the bit about living in the Bentley (I’m going to attribute this to well-documented issues between him and Aziraphale, discussed in many other excellent metas, and move on), Crowley has at least two very good, proactive reasons for maintaining his contact with Hell through Shax. First and foremost, it’s a source of information he can use to keep ahead of potential threats to Aziraphale and himself.

But also, I would posit…he kinda likes it.

Recall that book GO was first conceived as a parody, with Aziraphale and Crowley as spy-against-spy (but not really) field operatives in an ages-old cold war between Heaven and Hell. Their entire book dynamic is rooted in the trope of two opposing agents who have been in the field for so long that they now have more in common with each other than with their respective head offices. Their St. James’s Park meetings among other spies and ministers trading secrets are a sendup of what was once a well-known Cold War-era cliché.

Our contemporary Crowley still likes slick outfits and hellaciously expensive watches and high-performing vintage cars and pens that write underwater while looking like they could break the speed limit. He coaches Shax on how to blend in as a demon on Earth, and he helpfully redirects the wayward contact looking for the Azerbaijani sector chief. He loves improvising and getting away with shenanigans under the institutional radar. And boy golly was he impressed with Jane Austen: master spy, brandy smuggler, and mastermind of the 1810 Clerkenwell Diamond Robbery.

And if you look at it a certain way, for as long as Crowley has considered himself to be on “[his] own side” - going at least as far back as Job - he could almost think of himself as a sort of double agent. It’s actually a very romantic sort of notion, befitting our hopeless romantic of a (professedly former) demon; but it’s romantic in a very different way than we, the audience, have been primed to watch for.

In other words, in a very “on my own side” kind of way, Crowley really gets a kick out of being a spy. Or at least, dressing up and accessorizing as one, and moonlighting as a good-doing double agent when he can get away with it. And also being a plotting criminal mastermind. Two sides of a coin, really. Just look at Jane Austen.

My point is: No, Crowley did not wait around for Shax to come find him in a turtleneck so that he could go flirt with Aziraphale later. He’ll flirt with Aziraphale no matter what. No, this:

is actually this:

Much like the one he wears to the Dirty Donkey in 1967:

whilst holy water heist-plotting. Here's a clearer shot with gratuitous Bentley, because I love them:

…and which he'll wear again, with appropriate camouflage, while infiltrating Heaven in S2E6:

That is the 1967 planning a HEIST turtleneck for committing ESPIONAGE and STEALING THINGS in. Because turtlenecks are what modern human master spies wear to get their hands dirty - after all, he saw it in a movie once.

Crowley dons his tactical turtleneck sometime during the first major break in the action (which doesn't happen until after the joint miracle to hide Gabriel) after he learns about the threat the Book of Life poses to Aziraphale. Loverboy started mentally preparing himself to go after that book immediately upon learning that it was in play as a genuine threat.

Now let’s pick up at the S2E2 Dirty Donkey scene, reading the story from this angle. Of course, Crowley enables Aziraphale’s delusions about Heaven by hiding information from him, and does not disclose the Book of Life threat when they meet again. They go into the pub, Aziraphale shamelessly paws Crowley’s chest like the seductive Bond Girl he is, and Crowley gets to act all smooth and suave and intimidating as he chases off the interloping Mr. Brown (or Mr. Collins for the Pride & Prejudice fans, take your pick).

Ergo, theory: beginning in S2E2, Crowley is already thinking of himself as a Jane Austen/James Bond action hero (“How will our hero cope?”), psyching himself up to rescue Aziraphale by getting his spy game on and stealing the Book of Life.

Now, watch closely...This is where Aziraphale and Crowley brainstorm their plans to solve the problem they both know about: getting Maggie and Nina to fall in love and thereby get Heaven off their backs. Crowley’s vavoom plan is drawn from yet another movie (“Get humans wet and staring into each other’s eyes - vavoom, sorted. I saw it in a Richard Curtis film.”). But Crowley also implicitly shares his solution to the problem he hasn’t told Aziraphale about. And true to form, Crowley’s Jane Austen solution isn’t the same as Aziraphale’s Jane Austen solution.

Two solutions that fail by the end of Season 2, and a secret third one that might still work...and there's our magic trick of three.

‘“I’m lost. Am I doing a rainstorm?” Yes, babe. And a heist, too - just not until season three. Can I get a wahoo!?

I won’t spend time on A Companion to Owls during this meta, except to note that in all three minisodes, we get to watch stories that involve Crowley acting as a double agent on “his/their own side” - successfully making Hell and Heaven think he’s fulfilling their will while saving Job’s goats and children; failing to fool Hell when he does a good deed in Edinburgh; and of course, collaborating with Aziraphale whilst evading detection as an infernal turncoat during the Blitz.

(Because this is getting long, I'll also skip over Crowley's interrogation of Jim in this episode - I'll probably come back to that in another meta. But interrogating is a rather spy-ish thing to do.)

When we catch up with Crowley again later, he’s already slipped out of the bookshop, having left Aziraphale to his biblical reverie about Job. He saunters snakily down Whickber Street as usual, but with a very pointed and swift glance over his shoulder (see pic above). This demon is up to something - possibly something we didn’t get to see, something that may have happened offscreen while he stepped out. In any case, knowing there’ve been unfriendly angels in the neighborhood that morning, he’s rightly concerned about being spied on.

From this point until the beginning of episode six, there isn’t a whole lot of opportunity for Crowley to make any next moves. He babysits the bookshop, during which time he manages to wring some crucial information out of Jim; he follows his Crowley’s Angel around like a puppy, and downs a bottle of red like a good old fashioned lovesick boy once that’s been pointed out to him. If any plotting or scheming is underway, this occult being is keeping stumm for now.

This has been a long one, so I’ll wrap up with Crowley’s infiltration of Heaven with Muriel. The turtleneck disguise works (Archer fans, be vindicated!) long enough to gather some information that will be crucial not just to the denouement of S2, but also to Crowley’s journey in S3 (previous post on Crowley's Fall, Saraqael, and memory wiping). And Aziraphale gets to enjoy that view exactly zero times. The point isn’t oh, a turtleneck! How flirty! So cunty! So cute! Y’all. Everything matters. The costume change was a deliberate choice. In-universe, Crowley’s decision to wear his special spy turtleneck for spying in is a signal that he is out doing spy things, even as we watch.

In sum: Beginning in S2E2 and continuing through the end of the season, Aziraphale and Crowley are actively living out the scripts of two parallel, concurrent, and completely different Jane Austen stories. But you and I, dear fellow audience member, we came here for a comedy with a hefty jigger of romance, and that’s what Neil gave us to focus on. And right up until the Final 15, that was the only story we saw.

Meanwhile, Special Agent A. J. Crowley doesn’t have time to mope around at the end of S2E6. He’s kicked down, but he’s not out. He's got a Book of Life to steal, a very serious bone to pick with a certain memory-wiping angel, and his Angel and the world to save.

“‘Heigh ho,’ said [romantic, optimist, former demon, hero, master spy] Anthony Crowley, and just drove anyway.”

#so honestly #I think the biggest mark against this conclusion is that Crowley sees his mirror Maggie taking a nap at the end of S2E6 #there is a strong chance of a depression nap before any further spying gets underway #but I am counting on Muriel to be a dorky ray of sunshine and snap him out of it with Clues #good omens #good omens meta #good omens 2 #crowley in a turtleneck #demon bookseller plantdad spy

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tinyfantasminha · 14 days ago

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HIIIII ur oc is so cute i love her 🥺 her dynamic with jamil looks so funny could you elaborate on ur thoughts 👉👈

HAHA... yall yearn for some toxicity...

Recommended to read her OC intro/lore for context

No one knows why or how Vic’s attraction to Jamil began (I mean can you blame her?) At first glance, it might seem hypocritical for someone like Vic, who values raw honesty above all else, to be into someone who constantly hides his true feelings and intentions. But Vic is highly perceptive; she sees through Jamil's polite masks and recognizes the similarities between them. It’s his rare moments of unfiltered honesty (when his sharp tongue slips or his composure cracks) that make her swoon 🥰 On the other hand, when he’s overly polite or uncharacteristically kind, she finds it unsettling and even a little disturbing. It feels insincere and unnatural... ''T-That's not Jamiru...''

Jamil's opinion on her is that she's just a little weird. She reminds him a bit of Ace with her mischievous tendencies, which is precisely why he doesn’t trust her around Kalim. (She has a habit of charming Kalim into giving her “small” sums of money).

Still, while she can be... a little inconvenient sometimes, Jamil doesn't hate her, not at all!! In fact, Jamil would never admit just how much her constant attention and praise inflate his ego. Her enthusiasm for even his smallest successes leaves him secretly flattered, though he’s careful not to show it. He may even take advantage of her willingness to help him when it suits his needs...... she’s too eager to be useful to him for him not to 🤭

Despite his cool demeanor, he isn’t entirely heartless when it comes to her. His attentive nature means he’s quick to notice when she’s in trouble, and he sometimes finds himself worrying about her safety. That said, there’s a darker part of him, a tiny, selfish voice, that sometimes wonders if it’d be easier to just leave her to her fate. For example, if she were kidnapped, (basically the NBC event ig??) his initial instinct would be to rescue her. But then, the little devil on his shoulder might whisper, ''Just leave her. Think of the peace and quiet. No more headaches!'' while his conscience, his inner angel, would protest, ''You’d never forgive yourself if you left her!'' In the end, Jamil almost always listens to the angel, albeit with a heavy sigh and gritted teeth.

overall fun facts

Jamil seems to run into Vic more often than he'd like. While he’s pretty sure she’s not stalking him, the sheer frequency of their encounters feels like a cruel cosmic joke... He detests the way she greets him ''Hi, Jamiru~'' in that same overly sweet, breathless tone every single time.

He’s lost count of how many times he’s been jumpscared by her presence in the Scarabia lounge, usually because Kalim invited her over for dinner. Of course, Kalim never listens to Jamil's constant ''stop interacting with her so much'' speeches.

He now has a double reason to not get near the game board club (🐙🐙🐙)

Ace is quick to notice her blatant favoritism when she comes to watch their basketball matches, complaining that she always cheers for Jamil and not for him. Jamil pretends not to care of course, but we all know he basks in the attention.

#LONG POST???#oomfs who are here since 2022 no you do not remember the jamivic phase shut up #you can tell I take a lot of death note inspo for them 😭light x misa dynamic looking ass #i missed drawing jamil damn #twisted wonderland #jamil viper #twst oc #jamil viper x oc #twstvic #answered ask #myart

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judesmoonbeauty · 28 days ago

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My Thoughts & Spoilers On Jude's Route

This will contain detailed major route spoilers. If you do not want to be spoiled, please move on because I will not be filtering my review. Also, not all spoilers and details are being shared. This is intentional. Bear in mind this is written prior to my thoroughly translating his route, so the translation may have some adjustments to this information.

So, I really LOVED it!! It's a very good storyline. Am I biased? Yes. However, whether you're romantically interested in Jude or not, I feel like you'll like in route in general. I do highly recommend reading his and Ellis' Past Records before his route if you can. His route does bring up clips from PR, but it's very minimal and there's a lot of context and extra details in PR that you don't get in this MS. I did my best with this, but my thoughts are still every where, so if it doesn't make sense. My bad.

Tropes: Enemies to Lovers....of sorts?, Slow-burn. Key Side Villain Characters: Ellis, Nica, Victor New Side Characters For His Route: Theodore Walker, Gilbert Murphy, Oswald Simmons Love Language: Physical Touch (I'd just like to say that I called this.) Who Falls in Love First: Kate First Kiss: Kate Kisses Jude First Full Snu-Snu: Chapter 24 Both Premium ends Jude's Fate Tragic End: He will die bearing a grudge against/hating the world. Route CW: Violence, Smoking, CA, Neglect, Mentions of a child's death. Jude's Age: 28-30. Jude's Heritage: Irish-British Jude's Curse: 13th Fairy (An endless cycle of hatred) Jude's Fated End: To die with a hatred/resentment against the world.

Plot: In a nutshell, Kate is trying to find one good thing to like about Jude prior to her term of FTK (fairytale keeper) ending, as per their first promise made together. If she finds one, Jude must fulfill any one request she has. Amidst working for both Crown and Raven, Kate tries to come into her own in terms of standing as Jude's equal, seeing the world as he does, and essentially saving him from not only own his death wish, but from being framed for treason against their country.

My thoughts: Jude's route is very lively, it's got a healthy amount of funny moments, action packed moments, and it's quite wholesome overall. However, it still retains some darkness in the sense of his past, and the fact that he's literally on this tightrope of life and death.

Kate: She is not afraid of voicing her thoughts and feelings, or speaking sarcastically to Jude. I almost died when I read that she stuck her tongue out at him LOL. There's this scene where Ellis tells her she's thinking out loud when she doesn't realize it, so she apologizes. A few minutes later after she greets Theodore, she sees Jude behind him:

Kate: ....And thanks for your hard work too, Jude. Jude: Can ya please stop greet me so sourly? Makes me wanna vomit my mornin' tea. Kate: I wonder if I'm under a curse that'll kill me if I don't say something sarcastically...

So, she is very courageous and gutsy, but she also thinks things through. There are times where she wants to act because she loves Jude and wants to be there for him, but she also knows not to act rashly because her movements can hurt him and Crown, so she opts to bide her time instead.

Out of all of her versions, I think she is the one who gets the most frustrated, the most angry, and laughs the most at certain situations such as getting locked in the office with Jude. She is very optimistic and kind, but not saintly kind.

She is a fighter. She learns self-defense and how to use a gun, a lot this takes place off screen, but she does develop this over time. Which is nice because it's more realistic.

Jude & Kate Relationship: Starts off very rough, and I say it's an enemies to lovers trope, but no one actually hates the other person, they simply don't get a long and it has that vibe. Jude is trying to kick her out of Crown, and Kate is trying to find something she likes about him.

Overall, they bicker and banter a lot. It's cute because in MLE Kate says, "If I say one thing, he has 10 things to say", and in BLE Jude says, "If I say one thing, she's got 10 things to say." They're adorable together.

One scene I loved was when Jude is being attacked by a group of thugs in his office after closing hours, and Kate barges in with her gun. She yells at the men to stop what they're doing, and then she tells Jude to step away from them. And so, Jude and Kate are having this full blown conversation as they're surrounded by these thugs as to why she is at his office, who's fault it is, etc, etc. And when the head thug starts to complain, both Jude and Kate say, "Shut up!" at the same time. This seems like it actually becomes a thing for them, they say it in MLE as well.

Were they childhood friends? No. That was an AU thing only, and a clever misdirection from Cybird. I think key take aways from Dark IF and Prison IF are that they made promises to each other, and that Kate tries to return to little Jude in Prison IF. Additionally, it does hint that two children were involved in Jude's past, just the other wasn't Kate, it's his sister. While some may be disappointed by this, I loved that it turned out this way, it surprised me.

Love Language: Physical. Touch. Lemme say it again. Physical Touch. While their relationship is a slow burn, it's not without it's tension along the way, and the pay off is hella worth in my opinion. I just knew that Jude was going to tear into her, and he does.

But more importantly, Jude touches Kate a lot especially before missions. For example, in BLE just before Kate goes undercover at a criminal organization that is using Raven products, she and Jude are in his office reviewing the plans, and while he does this, he touches her bare skin, kiss or bite her, and then after the mission he'll make love to her. Why? Because Kate made another promise to Jude earlier in the route that she would never die before him, so he doesn't have to suffering loss ever again. So, prior to any missions, he'll touch her up to a certain point like a promise she won't die, and then finish once she returns safely. I can't...he's so damn precious.

They love each other very very much, but Jude doesn't like saying the words. "I love you." Not because he's a tsun, but because they're easily said. So, he'll convey his love to Kate with words like, "I'm taking you to hell with me." If you read his side stories, he'll tell you just how much he loves her, and he admits that there is no other woman in the world that he could ever love like her.

Important Side Characters: Theodore Walker: 21 y/o and he works in the sales department at Raven. Every one calls him Theo, even Kate. It seems that he's worked for Jude for a long time as well. He's very personable, and chatty, and he gets nervous about things like when the president forgets his custom fountain pen as he's on his way to business meetings. He even says to Kate and Jude that Kate is his type, and everyone is like.....um what? I'm really happy that Theodore isn't a traitor. I like him. I thought Cybird would use him the way that contract worker in Jude's first story event would be used. But no, he's just a loyal young man who cares about his job. I hope to see him again.

Oswald Simmons: He is the doctor who treated Jude and his sister after Jude memorized an entire medical textbook in a week. After Jude's sister was sold off, Jude ran to Oswald and asked that if he put Jude through school, let him lodge with him and provide him food, then Jude would pay him back with interest. Oswald agrees and in time, Jude does pay him back with interest. Oswald treats everyone equally, and he finds Jude's intelligence and ability to memorize things amusing. While he does not offer to take Jude in of his own initiative, Oswald does have a soft spot for Jude, as he tries to gift Jude a new pocket watch upon graduation and the success of his new company. He even tries to dissuade Jude from seeking revenge that will only force Jude into be lonely. In the route, he tells Kate to relay a message to Jude, that if he ever gets into a pinch to comeback and he'll give Jude a run for his money. To this day, Oswald still has the watch that Jude refused to take.

I honestly, hope that they reunite one day. Jude doesn't wish Oswald any ill-will (though he calls him a weirdo), and he wished Oswald a long life when he said goodbye.

Gilbert Murphy: He is a high-ranking officer of the British military who colludes with the Privy Council and a criminal organization to frame Jude treason and building military weapons. However, Gilbert truly does think that Jude is going to the moon for monetary purposes. While he is being an asshole for framing my beloved, his motives are to protect the people from potential weapons that can be created with Jude's research. Still, it's sullying Jude's innocent and pure motives. Still, he testifies in Jude's favor and takes the blame of the dead privy council member, as his own form of justice for trying to frame Jude due to his becoming blinded by his obsession to protect his country.

The other villains: Ellis: Ellis is Jude's right hand so he is heavily involved with the plot, especially in MLE. We know about Ellis.

Nica: Darius asks him to investigate Jude, so he does. Twice, he offers information to Jude that he's gathered after he lets him know he's aware of what he's building.. The first time, he tells him that a part from the criminal organization Jude has already been dealing with, the British military want his plans too. And wouldn't it be something if they teamed up to get Jude's research. He asks if he can snatch the robin away from Jude, but Jude says she doesn't belong to him, and no matter whom she dated she belongs to herself.

Nica leaves the bar after getting scolded by Jude, but prior to that, he tells Jude that the robin is in the most danger because she's around him. A few chapters later, Nica appears again and tells Jude that his assumptions based on the previous information given have come true, and because he didn't let go (of Kate), he's letting her know the facts. After he explains the situation to her, he tries to whisk her away on a date, but Kate declines. While Nica is a "playboy", it seems that he does care for Kate's well-being.....I am letting my current knowledge of his past events, and bond stories influence me by saying this.

At any rate, at the end of BLE, Darius asks Nica why he follows his orders so complicitly, and Nica says it's because he's on the winning side, and to him, Darius will be or is the winner. Darius is satisfied with this, and when he leaves Nica looks at his palm and says that he will be the happiest someday. It's already been established that becoming the happiest person is important to him, but this has now been reinforced.

Victor: Lore crumbs are very little, but what we do know is that when Kate asks him if he is angry, he tells her that he's forgotten loneliness a long time ago.

Further, when he approaches Jude and asks if Jude is hiding something from him and Crown, he tells Jude he has the means to help him. Jude asks if Victor isn't the one hiding something, and remarks that's why Harrison hates him so much because he knows he is lying. Victor simply smiles and stays silent. Upon leaving his study, Victor does tell Jude no matter what, he doesn't want their freedom disturbed and those are his true feelings.

Further, Victor later tells Kate in the BLE that when Jude says he abuses his power, Jude wasn't lying about that. Later in chapter 24, all of Crown are gathered together in front of her Majesty the Queen for a very important meeting. Victor speaks saying that they wish to grant Kate the position of fairytale keeper permanently, and when Jude finds out, he leaves angrily. In the middle of all this, the Queen never utters a word.

I don't think we learn anything new that we weren't aware of before with Victor to be honest, unless I missed something while reading. But, it's nice to know that we should see something big for his route. We better for how under wraps his lore is kept.

Jude's age: He can't be any older than 30 because in his Past Records he definitively says that he is five years old. In the MS, Oswald states the events he recounted to Roger and Kate took place over 20 years ago. Kate reason's that if it was 20 years ago then Jude had to be under the age of 10. I think he's 28-30.

Jude's Curse: Jude's curse was born when his heart was completely broken, and he vowed to get revenge on those who made him and his sister suffer. It's manifestation was described as a black flame of hatred in his heart. Essentially, Jude has entered a vicious cycle of hatred that never really ceases. Jude fuels this cycle by acting in a way where people want to get revenge on him, and a part of that is because he want's to die.

Jude's Fated End: Jude is fated to die bearing a grudge/resentment/hatred against the world. Jude himself says that his death will not be an honest one. Some have made comments that his fated end is a bit underwhelming, but I am pleased that Cybird left Disney alone, and stuck with Grimm's ending for the 13th fairy. I love it because no one knows what the fairy was thinking or what happened to it, it just simply disappears. This is something that is mentioned quite a bit in Jude's route.

In the MS there is a beautiful chapter with all of Crown gathered for a fireworks beach day, and while Jude is looking at the fireworks, Kate is looking at him. She thinks he is like a firework, beautiful, dangerous if you get too close, and then simply gone.

In BLE, Kate watches a Sleeping Beauty play hosted by local town children where she is staying and even though she knows that the outcome of the fairy is unknown, she is hoping for a different outcome. When the kids stick to the fairytale, it's then she realizes that Jude too - while still stuck in his cycle of hatred - will die. He will never know happiness, and disappear like the burnt body of cigarette smoke, like a firework in the sky.

In chapter 18ish, while Jude is being held captive and being tortured by the British military for information on Crown, he laughs self-mockingly and says that this is the perfect fit for him to die bearing resentment/grudge against the world.

Is Kate Trying to find a way to break the curse? No. Unlike Alfons and Roger's route, Kate is willing to accept Jude's fate, stay by him, make him happy and be his reason to live. That is her sole purpose, to make sure he doesn't die. Kate is obsessed with keeping him anchored to the world no matter the cost, and she even mentions to Victor that even though no fated ends have ever been avoided, that doesn't necessarily mean they are tragic.

Is Jude happy by the end of the route: Yes. Though he won't admit it out loud being the tsun tsun that he is, Jude's first glimpse of happiness occured when he told Kate about his dream and she didn't laugh at him. By the time he puts her to sleep and leaves her behind, he tells her that being genuinely liked wasn't so bad. And of course, Ellis asks if he can kill Jude in his BLE epilogue because it's obvious that he's happy......Jude tells him he can go die, and Ellis is like okay okay. FR though E, I need you to calm TF down.

The depth of his love for her is so great that he tells her that if she ever tries to run from him, she should just kill him. The reason is because she is his only happiness - she is the moon that he's been trying to reach for so long. He'd have no reason to live if she left him.....

Hmmm, here are some of my favorite parts in his route:

He tries so hard to protect Kate, from throwing her out of a window when a house is on fire and telling her she died in that fire so she wouldn't have to return to Crown, to lying to her and accusing her of making a 10,000 £ mistake and firing her from Raven, and other things.

I love that he even assigned people to watch her secretly after he's left her behind in a seaside town, with the intention of doing so for a long time since she is known throughout London for said involvement with Jude. He says things like, if she can live a calm, normal life, then that's enough for me. So, he's resigned to love her from afar.

He does everything in his power to protect even Crown from getting involved with his research so they aren’t crushed and hated by the privy council or others, even undergoing brutal torture.

Jude promises to make Kate the happiest he can before they go to hell, and there are many, many more things he does to endear me even more to him. I nearly cried when he introduced Kate to his sister at her grave he had made for her, saying she (his unnamed sister), was the only family he had left.

Even though he knows his dream of going to the moon is going to be difficult, he is more determined than ever to achieve it, because he's got two promises to keep.

Ultimately, we have our teasing Jude and Kate kicking ass together, and loving each other until their ends come.

Ugh, I'm gonna make myself cry. Well, this is it in a nutshell. Sorry for rambling!

#jude jazza #ikevil jude #ikevil #ikevil spoilers

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nenoname · 4 months ago

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Gravity Falls DVD Commentary Highlights

(just a huge, and I mean huge, dump of random quotes that stuck out to me, which I sorta separated into characters+their relationships and it's probably gonna be obvious that Stan is my fave lmao

I dunno how to make this legible for anyone but whatever, just take all these rando character tidbits. Stan Twin pranks! Sonployee essays! The concept for a post-Weirdmageddon episode that Alex insists is just too miserable but I want it anyway! The Pines family making me cry!)

Stan

"We love the idea of Stan [in Boss Mabel] having a minute to uh, having a context where we want to see him be his worst self and seeing his big brash personality in like a setting that everyone can understand, because the Mystery Shack is a little bit ungrounded because he's in his world of his characters, but seeing him out in the outside world is funny weird."

We really enjoyed the fact that he's as awful as ever and he's rewarded for it. We like those anti-morals where Stan uses his terribleness to succeed incredibly well.

I think it was a little hard for people to understand in the writer's room at the beginning of the series was that, even though Stan is following a lot of these tropes of being a miser, he's not grumpy. Like he actually loves being himself. He really revels in it like even though he's got some kind of sorrow inside, his kind of day-to-day like he's more about just the uncle who loves to hear himself and make dumb jokes than he is somebody who's mean or cruel or cynical per se.

The [NWHS] storyboards managed to make Stan this awesome action hero while still keeping him Stan. Like I like the fact that he steals a wallet in the middle of it. He steals a wallet, he smashes somebody against the wall, he sasses him but he also has this just great Inception moment. And it's because we're building to a big question about “who is Stan?”, I felt a moment of seeing him be kind of awesome further increases your “who is this guy?” He keeps going back and forth between like “oh geez my back” and you're like “all right that's the Stan I know” and then like “whoa, he just did an awesome jailbreak! Is he some kind of super villain? Who is he really?

There's more of Ford in Stan than I think Stan realizes that I think only comes out in certain moments.”

Why did Stan keep a clipping of himself titled “grifter at large”? I think he thought he looked cool in that picture. “You know I kind of have a Clint Eastwood look in this grifter at large photo. I think maybe I'll use this as an About the Author one day. I gotta hold on to this one. You know what, I'm a criminal but I'm a nostalgic criminal! Loving the past is my greatest crime now!”

I know how Stan feels in this [Principal talking to his family] scene, when somebody comes in and says like “You know what? There was a race you didn't know you were running and you're already behind, way behind.”

And you know even though Stan is a guy who looks like he's having a fun time, I always, in my gut, thought of him as somebody who is a huge well of sadness, a loss of human connection. And that need to please, that trying to get laughs from the crowd and constantly telling dumb jokes and you know putting on a big show in the Mystery Shack, he's trying to get from them the affection that he never got from his family and lost with his brother.

Stan has been waiting for years to have a reunion with his brother. He's always felt like a screw-up. Stan once again had an idea of how he thought things were going to go. He thought that his brother was saying “I need your help” for the first time. He's going to go up there, they're gonna have some drinks, they're gonna catch up and instead he ended up shoving his brother into another dimension and running out of food and money. It's sort of his worst nightmare. But this was Stan's entire character, from the very beginning of the series, was built around this idea that he's living with this tragedy. He's a guy who outwardly seems like he doesn't appreciate family but in fact wants it more than anything in the world and feels like maybe he's not worthy of it and would do anything to prove that he is.

Seeing Stan figure out what he's good at felt important to me. Like he's never been good at anything in his life and he makes a stupid hokey joke and it suddenly turns into a profit. I felt like without [showing how the Mystery Shack was created], I was missing something and understanding why he would do this, how this would be the solution to his problem.

We would like the idea that Stan appears to win through dumb luck, that it's sort of Intelligence versus Guts but Stan wouldn't actually bet everyone's life on a dice roll. He's a cheater! At the end of the day, I believe Stan has been thrown out of Vegas for counting cards and for weighing dies and I believe he could con his way out of any game, particularly for an obnoxious wizard like this. The idea that Stan would gamble everyone on pure chance is like no. No, he's got a plan. This is the guy who escaped prison using gravity leaps, he's got a way out.

The one big thing [The Stanchurian Candidate] does is really highlights Stan's inferiority complex compared to his brother. Part of what he's doing is he's trying to be an important man here and this episode is actually a pretty good setup in many ways for Weirdmageddon Part 3. When we see Ford they're all going on this rescue mission to rescue Ford and this episode shows you just how much Stan wants to be the hero like the reason that he can't shake Ford's hand when they're in that circle. The cold open of this where he sees everyone loves Ford and now that Ford's back, he's the best. Stan's like “well, how about I run for mayor!” It's just to boost his ego and make him feel better about himself.

Dipper and Mabel

“Straight man protagonists are really hard to write because every other character had a comedic hook. We understand that Soos is kind of this weirdo, his brain is in another place. Mabel has this exuberance and sees the best in every situation and is very creative. Stan is a crooked conman. Dipper is… the normal guy and a character like that can often feel like they don’t have agency, start to feel just reactive.

Waddles is Mabel's only love that lasts the summer. Mabel is very prone to love at first sight and Waddles is able to love back with Mabel's degree of love.

[In Sock Opera] Mabel's in love with Gabe, Dipper's in love with the Author and they're both willing to do something crazy to get get closer to that thing

There kept being layers of adjustment to make it, “okay what would it take to get Dipper to make a deal with Bill?” 1: He would have to not understand the rules of the deal. He's been tricked, he thinks he's just giving a puppet, he didn't know was himself. Classic genie rules, you get what you wish for in a way you didn't expect. 2: There's a little ticking clock that just started, which if he doesn't do it by now, he's gonna lose all this. 3: Bill rightfully points out that Mabel has been kind of not sacrificing for him and he maybe needs another ally right now 4: He was sleep deprived and actually you'll notice that Dipper blinks right before Bill arrives and that's our way of suggesting that that countdown might not have even existed

I think Dipper and Mabel are of equal exact intelligence but Dipper's insecure. He sees his accomplishments as a way to make himself better and thus is motivated to focus on things that are accomplishment type things. And Mabel is very confident and likes having fun and when she's having a good time, she has a little tunnel vision for the people and the things around her. That's one of her biggest flaws. She's actually really, really sweet when she notices and understands your pain but not when she's doing a bit, when she's doing a scene, when she's doing a gag.

Ford

Originally [the fake Author] looked a little bit more like an oddball wacky inventor and I felt he had to be pretty idiosyncratic. There's certain color things about him you'll notice. He's more or less got the color scheme of the Journal, you know maroons and golds, so that you kind of feel instinctively like maybe that's him. A lot of these motifs though we would end up using in Ford's design, as well the gloves and the coat and all that but much cooler later on but preparing you, it's Ford Lite.

Now this is there's no logical reason that Ford would break [the warnings about the portal] up into all these books this way but up until this point he's been shown as this sort of all-knowing mysterious Puzzle Master that it felt appropriate, even though it's not logical.

It works for the storytelling so when Ford wrote that, that's when he was super sleep deprived. He realized that Bill had betrayed him, he was starting to have a hard time differentiating between fantasy and reality, he was losing sleep and scribbling all sorts of lunatic serial killer looking stuff about the end of the world.

In Time Traveler’s Pig, we see what should be a young Stanford Pines even though again, the design's a little off but we knew big sideburns, bushy hair. Although that Stanford looked a little bit more swole than this guy and that's one of the what we thought were very subtle clues in season one that helped a lot of fans figure figure everything out way too soon.

[Using the memory gun on the agents scene] needs to show that Ford's really awesome and so we could get rid of the agents and show that Ford can pretty much handle anything that Stan can't and also call back to our memory ray all in one.

There was a lot of fan speculation when we first met Ford. Generally when television shows introduce a new mysterious character late in the game, they turn out to be a villain like 9 out of 10 times. They turn out to be a villain or they're there to get killed off to show the stakes of something and like we could have made Ford evil but I always felt that that would be less interesting. The point that I was trying to get to is that Stan and Ford had this relationship that fell apart and it was both of their faults and I thought that if I'm Stan, I'd be more frustrated if Ford is actually a good guy. It would drive me insane if he's pretty reasonable, pretty rational, better at me than everything.

So we've flirted with this brief moment where it seems like he's a villain and we worked really hard to make it so that like his eyes are being covered by the reflection of the light. His dialogue is ambiguous enough here that for a moment you believe what Dipper believes, which is “maybe he's possessed by Bill.” You just saw him shaking Bill's hand, what is he supposed to believe?

I like that Ford has this photo with him, he had for a really really long time all the way through multiple dimensions. And he's probably told himself- I almost imagined if McGucket found that photo in his coat while they were working on the portal or something, like “What's this here?” and Ford would say “oh yes, that's a photo of a very important moment! That's when I… that's when I first decided I want to be an inventor!” There would be no reference to the real reason he's keeping it. “This is me and my brother.” It would be like, “oh yes I was thinking about science as a horizon, a frontier to reach towards– you know like a boat, like a ship, like science! It's about science!”

Soos

You choose family. That you create over the course of your life and if that somebody earns being your family, like the Mystery Shack. These kids and Stan, they’re Soos' family and he's happy about that.

I feel like Soos gained something out of [Blendin’s Game]. He gains the knowledge that like “I'm tired of thinking about this man who I'm missing, who doesn't care about me. I'm going to concentrate on the people in front of me, the people that are my true family.”

Soos is a fan of the show even though he's in it. He's a big fan of Gravity Falls and [NWHS] killed him.

I always knew what I wanted Soos’ end to be Soos running the Mystery Shack. I imagine that Soos is actually way better at giving tours than Stan is because he loves all that stuff truly and he believes it. That's part of the difference. Stan’s like “um, all right suckers, this stagnant puddle is the befuddle puddle!” while Soos is like “yeah, one time I looked in there, I think i saw like a cyclops dude. Like, I really think I saw one! Like it might have been a reflection combining my pupils, but like?” and people are like “Whoa, really??”

McGucket

They hired a bunch of people and then they erased their memory. That’s my explanation for why there's like such amazing inventions that would take whole teams of people. McGucket secretly hired a number of contractors and erased their minds. Like I think of McGucket as being like a really sweet nice guy completely in over his head who just like “oh well, once I've erased one guy's mind, I gotta erase ten more guys’ minds to cover it up” and it just sort of builds into like “I guess I'm kind of this kingpin of crime and I'm starting a cult I didn't mean to. Whoopsy daisy!”

When we get to Ford and see their backstory and see their relationship, it just makes all the stuff that happens with the portal and what happens with Ford and all that more poignant that he had someone there who was not only his friend but also a voice of reason and telling him to stop and that he wouldn't listen to him, as opposed to Ford being down there on his own with nobody to bounce off, anybody to say “hey wait a minute, is this a good idea?”

“McGucket was the assistant and he was maybe this assistant who was sort of put upon and Ford kind of brought a college buddy together with him. You know Ford as somebody who lost Stan, and even though he rejected his brother, he kind of needs that other person and he tried to find that in this kind of sweet prodigy and he just pushed him too far.

[The test scene] is meant to show sort of what it was that McGucket needed to erase, what it was that drove him to madness. It was partially seeing the Nightmare Verse and the way it messed with his head and also partly just realizing that this thing has apocalyptic consequences and he doesn't want to be a part of it. And if he can't destroy it or talk Ford out of something, he can forget about it.

Because If Ford's weakness is pride, McGucket's weakness is weakness. He's got a kind heart and he can't stop people, he can't destroy things. I mean he should have basically knocked Ford out with a wrench and take this thing apart piece by piece. He's the one who understood how to build it but I think he's kind of a follower and I think he's the kind of person who could get suckered in by a cult leader. He’s the kind of person looking for instruction and he really respects Stanford and can't bring himself to uh, he's like “I just got out of a bunker! I don't want to go work for another guy down in another bunker! This is my third doomsday cult this year!”

Stan and the kids

Stan and Mabel have such a different life perspective it seemed natural that at some point they would get to a major conflict

Seeing Grunkle Stan and Dipper bond like, I sort of believe that both of them are bad with women and both of them would rather believe there's a giant conspiracy than that they have they just can't get ladies

Can this idea about Mabel's relationship with Waddles actually reveal a rift between Mabel and Stan where Mabel and Stan actually get along pretty well in the series you know? When they they're both such strong stubborn personalities that when they conflict, they conflict hard like in Boss Mabel. But this idea that Waddles is sort of a metaphor for what Mabel loves and Stan loves Mabel but he doesn't really think that anything she thinks is necessarily smart or right. He loves her like “guys she's my sweet niece but she doesn't know anything you know? She doesn't know anything about a pig” She forgives a lot with Stan but like Waddles sort of represents like the purity of her deepest love and the idea that Stan would threaten that is genuinely a shock

In the previous season it ends with Dipper giving up his journal and there was a lot of argument about “oh is it lame if he just gets his journal back?” Another thing we struggled with, we knew that Stan knows the importance of this journal he wouldn't give the journal back to Dipper so it was a bit of a convolution we'd written ourselves into a corner. We wrote ourselves out, we said “okay he's photocopied it. he's giving it to Dipper because he knows that Dipper's really precocious and he'll never stop asking.”

“We knew that we wanted everything to come to a head when the kids are going to discover Stan's secret and they're going to discover it in such a way that they only get little bits and pieces and they have to decide for themselves based on the limited information. Is Stan's a good guy or if he's a bad guy? Ultimately that decision will be a decision of heart versus mind. And Dipper's mind, Mabel is heart and they're fighting with the scraps of information they have. Should we trust our heart about how we feel about this guy over the course of the summer and everything we've been through or should we trust the clues? That seemed like a believable way to get Dipper and Mabel to begin a rift between them that is resolved by the end of the series.”

The way Stan acts in [NWHS] is like, to me part of what feels so grounded about it is like I'm a child of divorce and like I know that when parents or parent figures know that hard times are coming for the kids. They kind of lay it on thick they're like who wants ice cream you know what I mean? Like Stan being extra nice to them at the beginning is like it's kind of a realistic thing that that adults do when they know like big changes are coming.

I felt it was really important that we added the scene where they're at maximum bonding. They're up on the roof, they're shooting firecrackers. Stan knows in his heart that when his brother arrives everything is going to change in ways he can't predict and he's really savoring this moment because he knows, even if things goes completely smoothly, which they don't. the kids are still going to be mad at him, especially Dipper for basically lying. They had this big meeting after the end of Scaryoke where of course Dipper also crossed his finger but Stan crosses his fingers and says “oh I'm telling you everything” and he knows that the kids are not going to be happy about the fact that he's been keeping this all from them because they've done amazing things together already and he should have trusted them before now.

This act break is them saying, “wait, Stan might be a random grifter who maybe killed our real uncle!” That's pretty heavy for any show let alone a cartoon show.

What that would mean for them if all this stuff is true is so much further than just like, “oh he lied to us about a couple things.” It's just like, “no he's straight up just some random dude that we don't even know uh and the guy that I've been pining for this whole time is dead!” We really try to stack the deck so it's like Mabel's perspective and Dipper's perspective are both kind of racing to see who gets in front and there'll be a moment where it's like yeah you kind of buy with Mabel she feels good about about Stan and then this scene is the most you’re ever with Dipper where we discover this huge crazy curveball and this feeling that you have looking at this newspaper and looking through these fake IDs this is how Dipper feels all the time. If you want a window about what it's like to be Dipper, this moment where a giant conspiracy reveals itself out of little pieces and seems to suggest that no one is trustworthy like that's that's where Dipper lives and this to him confirms every bit of suspicion and every bit of paranoia he's ever had and he's willing to run with it.

I love these characters so much that, for me I was like “I need to see Stan saying goodbye to the kids at that bus. And I don't want him to be some guy who isn't Stan, who doesn't even remember the kids.” That would be really dramatic. It might make you cry more but to me it doesn't actually mean anything. Their relationship which they've built, he was willing to sacrifice his memories to save them. That's how much they meant to him but because he was willing to do that, I think he deserves to get him back.

Stan and Ford

But I think Stan's hope is, that in Stan's mind this is going to play out one way which is that; he's going to free his brother, his brother's gonna come out of that portal after 30 years. Stan's probably imagining that Ford is weak, emaciated, wrapped in a blanket, that he'll stumble forward, through a beard. through blurry eyes, he'll be “my brother, is that you?” He'll embrace Stan, he'll hug him, he'll say, “all these years I thought I was goner but you saved me! I was wrong to mock you, I was wrong to call you the stupid twin! Dad was wrong about you! You're the greatest man and let's be friends again and who are these niece and nephew?” Like that was what Stan was kind of hoping. He knows it's there's a million things that could go wrong, including potentially the destruction of this dimension, but he so desperately needs to believe that he can make up for the problems of the past. He's hoping for this but he knows that things are going to change

When I started the series, I always knew Stan had a twin but all I knew about Ford from the jump was that he's everything Stan Isn't. So Stan is a guy with a huge chip on his shoulder, he's kind of a loser at life. There's somebody who is a winner at life or at least was a winner in all these ways that Stan wasn't.

We realized that in order to bring out the maximum amount of frustration in Stan, [Ford] needed to have a bit of a heart. Like here we see him being kind to the kids, he's not he's not all bad which is what's so infuriating to Stan. The idea that he would quickly get along with the kids when he can't get any respect from them. Ford is designed for what would bring out the most amount of conflict in the family. What would be Dipper's hero, what would be Stan's rival and who's somebody that we could empathize with. I mean, it’s hard to empathize with a character that comes out and punches one of your characters in the face, basically before he almost says anything.

You see that at this age, that all the stuff [in their room] that would cross over, that would appeal to both of them. It's not just like “there's science stuff here” and then there's “what Stan would be into.” but no, they both like all this.

There was also a version [of ToTS] where early on, they'd rigged the school water fountain. They did sort of like a caper, it was science and a scam together when they were in elementary school but we decided to save the science for the science fair stuff.

We played around with the idea that you would see them working together doing little science games or pulling little pranks. There was actually a scene that some of it was even storyboarded where they're in a treehouse together and Crampelter and his friends have tracked them down and are begging for their lunch money and Stan and Ford have used their jerkiness and geniusness to rig up like a water balloon throwing machine that knocks Crampelter in the head. I remember him saying, “oh no, my old-timey paper crown!” We were really hanging a lampshade on all these sort of Little Rascal cliches.

Ford's not a villain. You know he's getting in Stan's face and saying “I want my life back” but hopefully by the end of the episode even though you don't root for his perspective, you understand his perspective where it's like Stan ruined his science project, Stan shoved him into the portal, Stan took over his house. He’s not completely unreasonable to want it back and he's not completely unreasonable about his request. He says “okay you've got till the end of the summer” and Stan's little look there tells you everything you need to know about how he feels about the situation.

We needed pressure to be at the point where Stan and Ford recognize their lifelong rivalry and Ford does a sincere apology to Stan and almost more importantly, he acknowledges Stan's intelligence. He says “you wouldn't have fallen for Bill's nonsense.” He recognizes that his brother has a kind of intelligence he doesn't.

I always imagined that as kids, Stan and Ford were like this dynamic duo. They were getting into scrapes and like planning pranks and with Stan's creativity and Ford's genius that they were an unstoppable awesome team, before life turned them against each other. I imagine that as kids they were always swapping glasses and tricking their parents so that they could get double presents. And this is a move they did back in New Jersey constantly. We had to figure out who's gonna make a sacrifice and how and even though it's Stan who agrees to be “I'll be the one erase my mind, it's fine, it's worth it”, it's a sacrifice for both. Ford at this point is willing to get his brother back and he has to lose him again.

Stan and Ford, when they can finally work together, do bring out the best in each other. They just have been missing it for so long.

Post-mind return, Stan and Ford get along and that scene where they both threaten the bus driver gives a hint of what would happen if their powers were combined. We've never seen them working together as adults, they would be a really formidable duo.

Pines Family

[The Blind Eye has] such a great scene between Mabel and Wendy. We don't have a lot of scenes that are just them hanging out and she can kind of be like the cool older sister. Mabel's so obsessed with boys and Wendy's just like "yeah, whatever. They're a dime a dozen."

“in the storyboard, the postcard that Soos is holding up from New Orleans actually said Vegas and at the last minute we got really worried that people were gonna see that and think that that was a clue that Stan was Soos's deadbeat father. And because like our audience, we've trained them to look for clues and to connect dots, they start connecting dots that are not connected. And I called a late retake because, and I see people be like, “wouldn't that be cool if Stan was actually Soos's father” and I hate that headcanon. Whoever's listening and you think “that's a great idea!”-- that's a terrible idea!! Because it means that Stan ran out on his kid and then came back in his life. And weirdly pretends to not be his dad. It flies against the moral of this entire episode which is like, you know this guy who is Soos’ blood relative like cast him out and didn't come back and didn't make time for him and all these people did. These people are Soos’ real family and to say “Stan would be Soos' real father more if he was genetically–”, I'm like “no, no forget that!” Like relationships are about what you do. To me friendship is thicker than water and family is something you can create so I really didn't want anyone to think that we were suggesting that because to me, it actually wasn't just the wrong idea, it was like thematically against what the show's about.” "

"[In NWHS] Every character faces their worst possible choice, which is “Mabel must choose between Dipper and Stan” and “Soos must choose between Stan and the kids,” like “guard that thing with your life. I'm not going to explain to you why.” I believe that Soos would do anything to guard Mr Pines's secrets and these are the only two characters that could possibly make him doubt Stan, these two kids that he loves so much."

"For [DD&MD], you want to set it up as being like [Ford]'s like the coolest toy that's down in the basement that Dipper really wants to play with and he is not allowed to play with him."

"The first three quarters of the series are sort of about Dipper's crush on Wendy and this final quarter is sort of about his crush on the Author. He's such a fan of this guy and he's so used to being denied that which he's a fan of and he's never found anybody who cares about his nerdy stuff. Mabel doesn't care, Stan doesn't care, Soos cares but on a different level. He's so hungry for the approval of somebody like Ford This idea that they would bond over a nerdy board game felt like sort of the way to do this big idea in a sort of grounded way that I like better than like Ford presented Dipper with the Five Trials of the Genius Boy. “I passed these when I was your age! Can you do it too?” and it's like nope he just likes the same dork game that he does."

"The arrival of Ford is creating the two sets of twins starting to pair off between the Brainiacs and the Maniacs"

"Actually I enjoyed that [Ford putting the die in a cheap plastic case] got a little bit of a reckless side because it shows you the Stan part of him. The Stan part of Ford, the little bit that likes a little bit of danger, he likes a little bit of risk. If he would show that side, it would be in when he feels at ease, with a kindred spirit. Around Dipper he’d be like “isn't this pretty cool?” He'd never be that irresponsible around Stan. I like that Dipper is sort of a little bit of a Achilles heel for Ford as well. Ford has certain blind spots and Dipper exacerbates some of those just because he's willing to encourage, he's willing to “yes and” Ford towards whatever dumb idea he might have."

"Dipper, Mabel, Stan and Ford, they're all characters who need each other. Without Dipper, Mabel's just in a fantasy land. Without Mabel, Dipper is just sort of just spiraling into misery, spiraling into his own neurosis and not being pulled into those social situations, not growing as a person."

"You want [Stan] to be true to our various awful grandfathers, so I feel like for the most part you know that [being shitty to women] a plausible thing for Stan to do, that you only forgive because you know he's not a role model. Nobody wants to be like Stan. The kids never look up to him. The only person who looks up to Stan is Soos and Soos is enough of a comedy character that you understand the joke is “oh this guy thinks the worst way to live is good.” And then at one point you realize why. We made it clear why Soos looks up to Stan is because he gave him his job. He gave him a father basically, he’s essentially Soos’ father. And of course Stan who's had a life of just chaos and disappointment, the only person who would be a surrogate son is [Soos] but also Soos has the biggest heart in the world. So only the biggest heart in the world could forgive all of Stan's many flaws and also if Soos can love Stan, then maybe there's something in there worth loving, then maybe we can too."

"Stan, even when he's sweet, he still has to threaten to murder his niece and nephew."

"I do think the value of [Stanchurian Candidate] is that we're learning just how important it is that [Stan]’s seen. At this point, the kids have become a surrogate family. At the beginning of the show, they were just kind of a little nuisance and then he kind of tried out getting the family from them that he never got from his brother and the idea that he would lose them to his brother is his greatest nightmare and the only way he can really express that is by trying to be impressive to them and trying to be his brother's rival."

"Ford offers Dipper this apprenticeship because Ford sees Dipper as somebody who's special like himself. That Ford's great flaw is arrogance. He believes that there's special people and everyone else and that you can be held back by your siblings. That human attachments are actually weaknesses. The song and dance that he's giving Dipper right now is the exact song of dance that he gave McGucket back when they were younger which is like “sure you could continue working on your job and computers but you and me are different. We're better than everyone else, we have a path that no one else can understand. Only us can do this.” And it’s a very seductive idea for Dipper but he starts to be a little insecure here. He’s kind of “I can't believe it” and he's sort of right to be suspicious because Dipper is a smart kid but Ford's projecting. Ford loves Dipper because he sees someone who tell him yes to everything. He'll never challenge him and if Dipper had taken Ford's apprenticeship,Dipper probably would have gone the way of McGucket, turned into a kind of insane paranoid hermit with no friends, just kind of losing his mind. Like it's a seductive offer but also ultimately Dipper needs to learn not to try to grow up too fast."

"This entire time Dipper's been having this journey of self-discovery and seeing his future as this wonderful thing that he can't wait for. Mabel has been, piece by piece, seeing her idea of the summer fall apart."

"As Ford and Dipper's relationship grow stronger, Stan and Mabel also find much more sort of connection. They both feel like the sibling that's getting kind of sidelined."

"I think [amnesiac!Stan] would be hardest on Soos, second hardest on Ford but Soos would show it. Probably third hardest on Mabel, fourth hardest on Dipper just because where their hearts are. Dipper's not heartless, that's a testament to just how heartbroken those other characters are."

Series goal+ The Finale

"So our idea was; the memory gun can erase a concept as designated by the dial. It stores it. It records you and it keeps that recording and that if you watch that recording things start to come back a little bit, that it hasn't actually completely erased it from your mind. It's more sublimated somewhere where it's really really hard to reach and in the series finale, my concept of Bill is that; if he hadn't gotten in all those forms and fought Stan, Stan is the one that destroyed Bill. Were it just the mind eraser itself that he would be sublimated somewhere but he was weakened in the mindscape and destroyed in the mindscape. But Stan's memories were being sublimated and by looking at the scrapbook in the same way that McGucket's memories come back, they start to come back to the surface."

"I think part of what makes [NWHS] work also is that it has the strongest ticking clock. Yeah, I mean. it has a literal ticking clock. Also the sun is going down it's also, the town is starting to drift apart as the characters are starting to drift apart. There's just such a sense of Doomsday and even though we have like a three-part apocalypse, to me nothing feels as apocalyptic as this episode now."

"The entire purpose of [ToTS] is that Stan and his brother have had this huge rivalry that remains to this day and threatens to tear apart Dipper and Mabel and briefly does, and then Dipper and Mabel are able to find their way together, which is meant to repair Stan and his brother's past."

"Here we're teeing up the rest of the conclusion of the series which is just “whoa this is different. The status quo is shifted and is it going to shift us?” and that was the mission of this entire story was shift. Shift things such that it pits Dipper and Mabel against each other so that they can ultimately make things right and fix their uncles’ trauma in the process."

"“Let's try to set things into motion such that all of these characters who we love, who love each other are placed at maximum odds”. So Ford's entire existence in the series is basically a wrench in the relationships between Stan, Dipper and Mabel, that Stan has had a sibling who he didn't get along with and they've grown up having this horrible rift. Dipper and Mabel are these two twins who love each other but are very very different and are at this sort of volatile growing up moment where if something goes wrong could they turn out like Stan and Ford."

"[The convincing Gideon] scene works for me because it sort of represents the full completion of Dipper's Wendy Arc. Even though he's talking about Gideon and Mabel, he's really talking about himself. That idea that you can't force someone to love you but you can strive to be someone worthy of loving. It really does come down to like be the best you, you can be and the right person will see and feel that."

"It was gonna be W1, W2, W3 and then some kind of goodbye story. I remember it being something vaguely about some sort of other time travel. Bringing Blendin back because he just kind of vamoosed in the middle of this big story. There was that discussed like time traveling back to the first day when the kids arrived. The challenge was thinking of a valuable arc. So like each episode needs to have like a new problem and a new resolution and I was trying to brainstorm what's something that could feel valuable for like a final episode after the apocalypse, after Stan's mind has been erased and he's in the process of getting it back. "

"The thing I remember I wrote one out it was it's the last day of summer. Dipper and Mabel are packing uh they're planning to go home, they're feeling like nostalgic, they kind of don't want to leave. Blendin shows up and he explains that there's all these time bubbles left over, these weird anomalies because of all the time business and what Bill has done and just to watch out and be careful. Then Dipper and Mabel actually accidentally trip into one of these bubbles that are sent back to the very first episode or actually beyond the first episode, their first day in Gravity Falls um and somehow this was meant their character arc was to go from being like a little sad that they're going to leave Gravity Falls to seeing what it was like on the first day. When they were scared to be in Gravity Falls. The idea is like their first day they're like “oh Grunkle Stan, he's this weird old man and we hate living in this house and like we missed our place of comfort back home! And this is a kind of scary new adventure that we don't like.” The kids see their own growth and realize like “the way we felt about going to Gravity Falls like we don't think we can handle it, is how we feel about leaving.” That feeling of going into a new experience means that something new and exciting is going to happen you're going to grow. There was some thought that maybe over the course of that episode, Stan would get his memory back and something that the kids had done in the past would help him in the present, get his memory back.

"What's supposed to be happening here isn't that Stan's entire memory reappears in an instant. It's supposed to be a couple days of work and we see the beginning of that process when he looks at the scrapbook and then we're kind of jumping ahead a few days. maybe a week of just intensive memory therapy with Stan before he gets there."

"When we were trying to crack the half hour episode after Weirdmageddon, it felt like we were just kind of wallowing and Stan not having his memories. It was a very depressing thing. And we didn’t get to have Stan for the last episode, which was like “it's a great it's great i think you get the emotion like in this episode. It tears you apart when you see it. You could last a little bit longer on it. But going much longer, then you just feels like well what are we doing? Why are we just kind of wallowing in our own sorrows for no good reason.”

"When we had discussed the idea of an episode beyond this episode, a fourth episode, it was basically 20 minutes of [amnesiac!Stan]. This is so intense, you might think you want it but good lord, this is enough."

"Bill singing “We’ll meet again” was something that just felt like the perfect reference because this is kind of an ending about endings in a lot of ways and we know we know Bill's going to be defeated. We know that people like Vill and have grown attached to him and for him to sing “We’ll meet again” is sort of the perfect mysterious way to say like “I might be going, I might not be going.” It’s a reference to Dr Strangelove, a movie that famously ends with nuclear apocalypse and the song “We’ll meet again” so it's for those pop culture savvy. It's already tinged with a kind of a fear and an irony and the apocalypse built in, so it's perfect on a number of levels."

"The concept of the Zodiac as existing in our current canon is this idea that the prophecy was that friends and enemies would need to come together, seemingly impossible alliances would need to be made to stand up to Bill for this prophetic moment. You know that characters like Gideon who was who used to be an enemy, characters like Pacifica, like Robbie, that we've reached the point where thanks to the kids’ kindness and growth, they are now friends with Pacifica, they've resolved Robbie's jerkiness, they've helped McGucket with his memory. They've even overcome this issue with Gideon in W1 and so it seems like friends and enemies have all been restored, leaving only one thing which is Stan and Ford have to shake hands. And their pride once again is what dooms the entire world but they get so close."

"It's clear Stan, even though he's being stubborn here and holds things up, he's ready to do it. He clasps Ford's hand and then Ford can't help but correct his ignorant brother with something that doesn't matter at all after professing how important all this is and how important it is to put pettiness aside, he's the one who ends up being petty in the end."

"I like that Stan [during the deal] is just thinking “all right, think white, think white, think white.” He's like “think about nothing but sitting on your lazy boy.” "

"Stan and Bill had never interacted in the series up until this moment because he had just been taken over when he was asleep. We'd seen a lot of Ford and Bill, but Stan and Bill has never happened. And Bill sort of represents all the mystery and weirdness, and Stan is the guy who just wants to have a good life and protect his family. He's the one who never invited Bill in but he's willing to take Bill out."

"If Mabel's going home with a pig, Dipper's going home with this symbol of his friendship with Wendy. And even Stan he's wearing that Mabel sweater. That's a visual symbol of; he's softened up, he's embraced family, he doesn't need to be the tough guy all the time."

#gravity falls #stanley pines #stan pines #stanford pines #ford pines #mabel pines #dipper pines #soos ramirez #fiddleford mcgucket #i haven't even gone through all the eps for this lmao i decided this was way too much #anyway gravity falls is a story of found family and moving on from abuse and hurt #it's about growing up but keeping that childish wonder with you #and also how romance is overrated lol #like seriously so much of the family is chasing after crushes and that form of love #but in the end all they need is each other and learning to love themselves #stan hating himself while actually loving being who he is hurts me real bad tho...

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dreamings-free · 5 months ago

Text

Louis about LT3

a summary UPDATED 6/10/24

Sep 2022 first time Louis mentions a 3rd album. Louis is quoted in Euphoria Magazine saying: “Ideally, I’d like to try and write the next record before I go on tour next year. I want to do something similar to what I’ve done this past year.” (but from what we know now it seems it didn't play out that way..)

Sep 14th 2022 Louis leaves a comment on Faith In The Future co-writer Nico Rebscher's instagram post about Out Of My System saying "Can’t wait to do more on the next album!"

Jan 2023 Louis is on holiday in Cabo, Mexico and is spotted travelling with his guitar - maybe in case inspiration strikes!?

Feb 22nd 2023 Louis is seen "a tiny village with a recording studio in it". A few days later both Louis and Matt Vines likes an instagram post by Faith In The Future co-writer David Sneddon captioned "Spent the week at @ angelicstudiouk with friends and heroes." Another FITF co-writer Theo Hutchcraft is seen in one of the photos.

May 11th 2023 Louis tweets: "Also probably shouldn’t mention this so early in the process but I’m feeling really confident creatively, just finished a week of writing and it was unbelievable. Exciting!"

May 13th 2023 When asked about the next album at the LA screening of All Of Those Voices, he answered: “I recently just started, yeah. The majority have been my own, but some of the lyrics is less direct, so it’s maybe not quite as specifically about me but,I felt really fulfilled, the last couple of writing sessions I’ve done have been really, really good.”

Nov 23rd 2023 Louis gets asked about album 3 at the Rolling Stone UK Awards and is quoted saying: “It’s funny, I wrote maybe 4 or 5 tunes in one of the breaks of the tour legs, and actually, I just wanna spend a bit of time. I’m really excited for those songs, but I don’t know when the next records gonna come and the thing about me is when I start writing, I’m just desperate to release things as soon as a possible, so I wanna take a bit of time on this record. So when that might be, who knows.” He also talks a bit about potential collaborators and mentions DMA'S.

Jan 20th 2024 Louis follows producer James Ellis Ford who has worked with Arctic Monkey, Gorillaz and many, many more.

Jan 24th 2024 When asked in a twitter Q&A if he has "a concept in mind already for the next album?" his answer was: "Started drawing the outline in my head". He also told fans asking at the meet 'n' greet in Jakarta that it would be "soon, in my context of the word" 😜

Mar 30th 2024 At the Tecate Pa'l Norte press conference he said: “At the moment, um— to be honest, I haven’t really— the question was what I listen to which is a slightly different thing but; I haven’t really given the next record real thought yet. Obviously it’s been on my mind. But in terms of conceptually, or even finding references, I’m not really at that point yet because I’ve done a lot of touring— just kind of getting that out of the way before I really start thinking about that proper.”

April 4th 2024 He told Chilean radio station Bio Bio: “I have written a couple of songs, but when I was writing them I wasn’t thinking about what they would be for a new album, they were just written to give me something to write and not put pressure on those songs. But I think I will start the work on a new album at the end of this year, maybe.” futher elaborating to Radio Disney Chile: “The good thing about this record is I’m gonna have plenty of time to experiment and with that it gives you plenty of room to just kind of find where the edges of the record live. So yeah I’m looking forward to getting into the process, but like I said I’ve been loving touring at the moment so just been kind of sticking to that.”.

He also told Paraguayan radio station HEI Now: “Of course there’ll be a new album. When? I’m not overly sure. I think I’ll probably start writing at the end of the year. I just wanna let as much life in first and then I can really start emoting and writing.”

June 2024 In the FITF tour LatAm recap video posted to Louis’ instagram 25/6 he says: “At some point I gotta think about the next record, but.. I’m a bit scared of that, truthfully right now, feel like I’ve been enjoying the success of Faith in The Future for.. quite a while. And yes, it’s been the pressure of the shows but I delivered what I think was a good record and a record that was successful. So now going into the next cycle it’s a little bit.. a little bit tentative going into it. I know that’ll change once I get off the road and really start thinking about the essence of the record and the concept of the record and stuff like that. But right now.. yeah, I’m just thinking about the festivals, I’m excited for those.” (he also talks - in past tense about playing in Mexico City and about the upcoming Away From Home Festival, so we can assume this interview was done somewhere in early June)

August 4th 2024 Responding to a fan sign at Santander Music Festival that said "How close R we to the next album 1-5?" showing three - possibly four? - fingers! meaning the album is 3/5 (or 4/5?) done!

Oct 4th 2024 curious activity across Louis' socials; on twitter the header image was changed from the Louis Tomlinson : Live album graphic to just the cover image and the Faith In The Futuretweet was unpinned (like it was on Louis' insta 9/9). on Louis' instagram the bio text was cleared and the link to louist.lnk.to/live was also removed.

Oct 6th 2024 Louis replies to a fan on twitter asking if new music is coming with "Only been off tour 2 minutes. The next record is going to be my best yet but need chance to let life in first!"

tbc...

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meanbossart · 5 months ago

Note

i was looking at your (incredibly good) orin art and i saw a few months ago you said orin's and the drow's relationship had a sexual element, though you weren't sure what that looked like. given the writing and thinking about DU drow universe you've done, do you still think that? if so, do you have any ideas for how that works?

the answer this might be in your fic but i promise its on my to read list

thanks and again love your art!!!

Yes! But perhaps I'm more inclined than some to talking about things figuratively and assuming that that will be obvious, LOL.

Orin's somewhat ritualistic sessions of scarring DU drow were as much an emotional outlet for him as a sexual one. He wasn't rocking a stiffy or nutting his pants the whole time, nor was the "vibe" particularly lascivious, but intimacy and sexuality were inherently intertwined in his head and hence, that was something he thought about in both contexts - that of something that brought them closer together AND a stand-in for sex. As time went on and he became more and more frustrated by the lack of a physical relationship, he saw it more as the latter.

Killing, within the right circumstances, also undoubtedly made him aroused, and they often did that together. This was much more unambiguously sexual for him when it did happen, and sometimes DU drow would have the signs to show for it. This is also probably the closest they got to "tenderness" of any kind - being naked and drenched in blood, rolling around in viscera together, laughing at the pain and horror of others - for Orin this was spiritual bonding fueled by religious euphoria, for DU drow it was floating towards something more and more personal.

Just a passing thought, but - sometimes I'm not even sure if DU drow would have bought into the Bhaalist thing at all if Orin wasn't there. Maybe he consolidated his love and desire for her as his love and desire for Bhaal and was the biggest blasphemer of all this whole time, unbeknownst to himself. He's such an emotional man, lol.

Also, at the tail end of their time together and before DU drow got tad-poled, I think she would use her perceived sexuality to tease and mock him. This was very euphemistic and more so for the purpose of ridiculing him a moment later, but she definitely said things that would linger on his mind long after. Funny enough, in her default form I don't even headcanon Orin as having genitalia, so you can imagine how abstract these got.

#ask #du drow lore #orin the red #bg3

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cobragardens · 1 year ago

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My Favorite Good Omens Moment:

An Essay on Why It Is Cool and Rad (Part 1)

There's this moment in Good Omens that makes me cackle every time I see it and leaves me full of warmth, so here's an essay on its context and meaning, because explication and analysis are how I show love. I will try to keep my thoughts as tight as possible, but they do have a tendency to spiral outwards, and I am very stoned. Come, sistren, and get nerdy with me.

My favorite moment in the series so far occurs in 1601. To approach it we will first need an assload of context. There's a TL;DR in bold at the end of the Context if you don't fancy reading the whole assload. Key arguments are in italics and bold throughout.

David Tennant gives Crowley a very consistent facial expression every time Aziraphale says something so outlandish Crowley can't quite believe he's hearing it. It's this one:

Chronologically, we see the Eyebrows of Disbelief twice before my fave moment in 1601: once (above left) in that scene on the Garden Wall that familiarizes the audience with Crowley's face before adding the dark glasses, when Aziraphale admits he's given away his sword; once when Aziraphale tells Bildad the Shuhite that he, Aziraphale, has Fallen because he lied to the angels to save Job's children.

The Eyebows of Disbelief always signal surprise and amusement with something Aziraphale has said or done. This amusement is sometimes at Aziraphale's expense and sometimes not.

In the gifs above, Crowley is laughing because what Aziraphale has just admitted to doing is fantastic and unexpected and frankly pretty gd punk rock. He's not laughing at Aziraphale, he's laughing because he is delighted with him. The only record we have thus far of Crowley laughing at Aziraphale is this one:

Crowley laughs when Aziraphale informs him--him, a demon who has personally been through the process of Falling--that Aziraphale is Fallen and must be a demon now. As though of the two of them Aziraphale is the expert on how and under what circumstances this occurs.

And yet when Crowley sees Aziraphale's distress--not his fear of being taken to Hell, but his heartbreak and lostness over the fact that his conscience has diverged from God's stated will--Crowley stops laughing, and instead he acts very kindly towards Aziraphale. He validates the gravity of what Aziraphale has done and assures him he won't turn him in. He sits with him so Aziraphale isn't totally alone (like Crowley probably was) as he goes through the loneliest moments of his existence to that point and picks himself up newly weighted with the secret he must now bear.

And after this scene (in canon as it stands thus far), we don't see Crowley laugh at anything Aziraphale says or does again.

And he really has to work for it sometimes. We talk a lot about the things Michael Sheen is able to convey with his face in Good Omens, and absolutely rightly so; David Tennant earns a chunk of his paycheck in this regard as well. If you haven't given yourself the treat yet, rewatch the scene in Will Goldstone's magic shop in 1941 and focus on Crowley's reactions:

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Tennant takes great care to show, with precision, that Crowley is expending effort not to react to Aziraphale's nervous chaos Muppetry and lack of self-awareness. Crowley is self- and socially and contextually aware enough that he knows (better than Aziraphale, at least, which is not a high bar to clear) what's cringe, what's funny, what's ridiculous, how to behave. But whenever Aziraphale crosses a boundary of normalcy, or even sanity, and there is opportunity to laugh at him, Crowley very carefully doesn't react. He doesn't interrupt him, he doesn't try to correct him, he doesn't make fun of him, he doesn't even smirk; he just watches him, as stone-faced as he can manage, no matter how bizarre Aziraphale becomes.

We should be reading this lack of reaction to Aziraphale's social and rational transgressions as powerful positive action. Go watch the Doctor Who episode "Human Nature," or literally any episode of The Inbetweeners, or read or watch Regeneration, and reflect on what it shows you about English masculinity; then consider again the depth of significance in how English- and male-coded character Crowley treats English- and male-coded character Aziraphale in an England created by an English and male-codedpresenting author based off a book written by himself and another male-presenting author. Within its context of English masculinity, Crowley's lack of reaction is not a neutral stance; it is a very fucking loud show of support.

This is not even an inference; it's stated outright in the show. Crowley himself puts it into words 422 years after my favorite moment:

You know how Crowley calls Aziraphale "angel" because the factuality of the descriptor offers him plausible deniability to any Heavenly or Infernal agents who might be listening? Remember how Crowley is a great equivocator? Crowley is equivocating here, too: he's using the cover of what Maggie and Nina will take as a disparaging joke at Aziraphale's expense in order to make a perfectly sincere statement. This is his genuine perception of one of the relationship dynamics he has with Aziraphale and how he feels about that dynamic. Crowley thinks he himself is quite witty (an accurate assessment), Crowley thinks Aziraphale isn't sufficiently self- or contextually aware to hide how strange he is and therefore frequently says and does mad things (also an accurate assessment), and Crowley is Into. That. Shit.

Okay. Now let's look at 1601.

Chronologically it's been almost 1,000 years since we last saw Aziraphale and Crowley. In 537, Aziraphale isn't willing even to consider a labor-saving working arrangement with Crowley of fucking off home out of the damp of Arthurian Wessex; but by 1601, he's worked (and met, and Arranged) with Crowley "dozens of times now," Crowley says, and Azirapahle does not correct him.

In that millienium, Aziraphale has grown to care deeply about Crowley:

In fact he may be somewhat smitten with him:

Seriously, go back and watch Aziraphale here as Crowley approaches and starts speaking to him: he doesn't start smiling until he recognizes that the person speaking to him is Crowley (but he only smiles at Crowley while Crowley's not looking at him).

And Crowley is definitely become smitten with Aziraphale:

Our man(-shaped entity) is so allergic to work he sets up a meeting to weasel, cajole, or (as it happens) cheat a coin toss to get Aziraphale to do an easy temptation for him in Edinburgh, and then in the same conversation agrees to miracle a play into success because Aziraphale gives him a single hopeful look. Crowley's got it bad.

TL;DR: The Eyebrows of Disbelief happen when Crowley is surprised and amused by something Aziraphale has said or done. Sometimes that amusement is delight with Aziraphale; sometimes it is at Aziraphale's expense. Crowley is aware of this distinction, and when his amusement is at Aziraphale's expense, he suppresses it, even when it takes some effort on his own part, and remains stocially composed. This is equivocation on his part: to Celestial/Infernal operatives lacking knowledge of the intricacies of human behavior, this non-reaction would seem like neutrality; to Aziraphale, who shares with Crowley and the audience the contextual knowledge of English masculinity's utter viciousness, this non-reaction is a profound show of support; and in the safety of support from Crowley, Aziraphale lets his weirdness blossom.

As another meta points out [link if I find it again], we also see in Aziraphale's wordless request about Hamlet and Crowley's immediate understanding of it that by 1601 Aziraphale and Crowley have developed an unspoken, coded method of communication with each other.

Now that we have all of that in mind, here's my favorite moment in Good Omens:

Ixi of Fuck Yeah Good Omens has even kindly archived a closeup of the aftermath, for Crowley, of "Buck up!" In gif 4, above, you can see that the tiny smile is an involuntary reaction that happens as Crowley's eyes widen: for a fraction of a second, he's caught off-guard. In the closeup it's easier to see that he suppresses the smile and gives a tiny shake of his head, Eyebrows of Disbelief heading for his hairline.

There are a number of things Crowley's reaction could mean and what messages it could communicate (we'll get to that in a sec), but regardless, his reaction is, unquestionably, one of surprise and suppressed amusement. This is an aspect of Crowley and Aziraphale's relationship and characters that I like very much, viz., that one of the reasons Crowley likes Aziraphale (though Aziraphale is judgy and occasionally, unintentionally, horrifyingly cruel) is that in addition to being one of the kindest and most courageous beings in existence, Aziraphale is mad as a bag of frogs. Crowley does not know what is going to come out of Aziraphale's lovely mouth next, but Crowley does know there's a good chance he will struggle to believe he's hearing it, and Crowley likes that.

That's what makes this my favorite moment. What makes this moment so cool and rad, though, is its ineffability. We know from the Eyebrows of Disbelief that Crowley is surprised and amused, but any of several things could be read in that almost imperceptible headshake. Like:

What are you doing? or

Why are you like this? or

How can you be aware that you say these things out loud and yet still say them out loud? or

How has my existence come to this? this moment of listening to such insanity?

each of which is a fair and just feeling to have/message to communicate to a man(-shaped entity) who is yelling "Buck up!" at Hamlet.

But that's only if we read Crowley's amusement as being at Aziraphale's expense. And I don't think we should. Because watch Aziraphale here:

He's doing it on purpose. He is shouting a hilariously inappropriate, 100% authentic Aziraphale-brand thing over arguably the gloomiest passage of Shakespeare's famously gloomy play--right after Crowley complains about its gloominess--and he is watching Crowley as he does it. Look at his smile! He knows he's being Deeply Uncool, and he is doing it literally right into Crowley's face.

Remember that we just talked about how by this point in the chronology Crowley and Aziraphale have learned to communicate with each other nonverbally through facial expression? So what does it mean when Aziraphale responds to Crowley's grumbling about Hamlet's gloominess by smiling his minxious Mona Lisa Aziraphale smile, looking right into Crowley's face, and yelling at Hamlet to buck up? Aziraphale, in a carefully coded, carefully Aziraphale way, is joking with Crowley. His silliness in this moment is for Crowley.

So with aaaaaaallllll of this essay in mind, what does it mean that Crowley's reaction to "Come on, Hamlet! Buck up!" is widening eyes, an involuntary twitch of his mouth toward a smile, and then, his eyebrows still showing surprise and amusement, a tiny shake of his head?

Once more, with inferences:

I do propose, y'all, on the basis of this web of evidence I submit for consideration, that what we are seeing here in my favorite moment of Good Omens is the ineffable equivalent of Aziraphale and Crowley sharing a laugh.

Crowley's amusement here isn't at Aziraphale, because Aziraphale is eliciting that amusement consciously and deliberately. Aziraphale, in good spirits and happy to see Crowley, uses his Aziraphaleness to offers Crowley not only an opportunity for amusement, but the opportunity to be in agreement with him about what in this situation is funny. They're on the same side of this joke.

And his humor lands just as he wants it to: Crowley, just for a moment, is caught off-guard, and tickled--

But remember, Crowley is worried in this scene about being surveilled ("I thought you said we'd be inconspicuous here"), and he worries about audio surveillance a lot ("Walls have ears"; "Don't say that. If my lot hear [etc.]," etc.), so he's very limited in what reactions he can show or voice. Aziraphale knows Crowley must be perceived by anyone watching or listening to disapprove of his, Aziraphale's, behavior (just as he must be perceived to disapprove vociferously of Crowley's). Both of them know this.

--so Crowley suppresses the smile almost successfully, and shakes his head at Aziraphale, minutely, to say Stop. What you're doing is working, you're close to making me laugh, and if I show how much you have just delighted me, it will blow our cover of "just an Arrangement."

I offer three final data points in advancing my argument that what we see in my favorite Good Omens moment is Aziraphale successfully attempting to joke with Crowley and Crowley recognizing that overture from Aziraphale and being momentarily surprised into a reaction of genuine delight before pulling his face back under control and indicating to Aziraphale that he must stop:

Datum 1. Nothing going on with Crowley's face in this moment is accidental. We know for sure we're not seeing David Tennant react to Michael Sheen here not only because of literally every other point of Tennant's and Sheen's performances in the show, but because Tennant is wearing opaque contacts and sunglasses under film lighting and therefore cannot be reacting to anything more compelling than a level-10-lift blur because Tennant cannot see shit. Crowley's reaction is a deliberate and careful performance choice on Tennant's part, and it's underscored by director Douglas Mackinnon's choice to film Tennant in 1/2 profile to keep Crowley's eyes visible and face readable to the audience. This reaction is supposed to be there and supposed to be meaningful.

Datum 2. The husbands in 1601 is not the only moment in Good Omens when we may be seeing an angel and a demon communicate the message Stop doing that, it makes us look too familiar between themselves with a little headshake:

Datum 3: There is another moment in Good Omens when Aziraphale offers Crowley the opportunity to enjoy a joke with him. There, too, his humor lands just as he intends, so we can use this other moment as a comparison to our 1601 moment. I don't have gifs for it, but go back and watch it, S1E6 49:27-42. Snips below.

Aziraphale says something that surprises and amuses Crowley (he asked Hell for a rubber duck while he was sloshing around in the holy water)--

--but what Aziraphale says makes Crowley smile long before it makes him laugh.

In fact, his laugh, though a genuine cackle, is quite delayed, and he laughs only after Aziraphale starts laughing too.

In other words, Crowley's reaction to Aziraphale offering him amusement they're both on the same side of is exactly the same as his reaction to "Come on, Hamlet! Buck up!" right up until he laughs instead of shaking his head. Here, after Armageddidn't, Crowley doesn't have to suppress his reaction, so he can let the smile bloom; he doesn't have to control his response, so, although it takes him a few extra seconds, he lets the smile turn into a laugh.

But in 1601, it's not safe to laugh at Aziraphale's humor. It's not safe even to smile at him. A single piece of evidence or eye/earwitness testimony that he and Crowley have anything more friendly than the most passing and acrimonious of professional relationships could mean death to either or both of them, and depending on what Falling is like, maybe something worse than death for Aziraphale.

But Aziraphale is so funny, so effervescent for Crowley, at Crowley, that it catches Crowley just for a moment. Crowley's eyes widen and the corner of his mouth twitches toward a smile.

And that's dangerous. If Aziraphale keeps acting so charmingly mad, Crowley is going to laugh, and they can't afford that risk, so he shakes his head at Aziraphale. Stop, or I won't be able to keep a straight face around you.

And Aziraphale apparently receives that message, because he immediately eases off. Less than 60 seconds later we learn that he's deeply concerned for Crowley's safety--and that it's not so much that Aziraphale has Crowley wrapped around his little finger as it is that Crowley has wrapped himself around Aziraphale's little finger like a snake arranging itself on the tree branch it calls home.

UPDATE 14/10/23: HOLY SHIT Y'ALL IT GETS EVEN BETTER! THERE IS A SEQUEL!

#good omens #good omens meta #good omens 1601 #good omens microexpressions #good omens headshake #angelfish #aziracrow #ineffable husbands #good omens fanalysis

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