#i just think it doesn't come up in the game at all

[xinganhao]

🥈 svt vs. reader's bad boyfriend.

anon → "could you do a post with one of the members getting after yn's bf because he thinks he's not treating her well enough?"

⌗ ┆i have a terrible feeling i might've misunderstood this req,, so please forgive me if i did lol ꒰ ꒡⌓꒡꒱

‧₊˚✩彡 includes: reader has a bad boyfriend, hurt/comfort, [light] angst, crack, cussing, [short] headcanons under the cut.

🥈 headcanons .ᐟ

— "break up with him now" ✩ junhui, soonyoung, wonwoo, minghao, vernon.

ah, yes. the trope of someone who will immediately insist that breaking up is the solution, although, in this case, it's completely warranted. soonyoung and minghao are the most vocal about you ending your relationship, but in their own little ways. for his part, soonyoung's a little annoying about it— you'll barely have explained your current predicament and he's already whining, "just break things off with him!" minghao, meanwhile, actually listens, but his expressions and consequent advice are brutal. he's always been no-bullshit when it comes to life, and so when he hears about all the things your boyfriend is doing/has done? he's actively advocating for you to get up and go. junhui's the type to take it out on your boyfriend. he's constantly threatening bodily harm and various other minor crimes against the poor guy, even though he doesn't really ever act on it. he is extra cold when he's in the other man's presence, to the point that your boyfriend may be under the impression that junhui hates him. (spoiler alert! jun does!) wonwoo isn't always vocal about his distaste; he's a little more backhanded/passive-aggressive about it. he's more of an actions guy, through and through. picking up the slack here and there to show you that your boyfriend is a dick for not doing things that your friends can. vernon also struggles a bit to get the right words out, so he just... says it as it is. he may look like he's packaging his advice as a joke, but he's 100% sincere when he sends you breakup playlists and reddit threads about ending things with your significant other. that's just his way of communicating it, really.

— "but are you okay?" ✩ seungcheol, joshua, mingyu, jihoon, seokmin, seungkwan.

for the most part, all the boys are the 'just-end-your-relationship-please' type, but there's also some who rely more on expression of concern. take mingyu, for example, whose chief endeavor will be to cheer you up. he'll leave sweet nothings and encouraging notes in hopes of lifting your mood; his eyes, constantly peeled to see how you're faring. you can rant in to the wee hours of the morning, and both seungkwan and joshua will listen. they'll let you tell the same old stories again and again; even if they half-joke that you just never listen to them, they're still there as a shoulder to cry on. seungkwan is more likely to give advice, while joshua's strength lies in non-judgmental indulgence. seokmin will make it his life's mission to distract you from the issue at hand. a movie night? a trip to an obscure café? if it will improve your mood in any way, shape, or form, he's already halfway there. he won't even mention your boyfriend, if you don't bring him up. seungcheol is similar to mingyu in the sense that he best expresses his concern through little encouraging gifts. he's not the type to push the envelope, to try and get you to talk when/if you're not ready, so he just communicates to you that he's there, when/if you need him. jihoon's also a bit unsure how to navigate a relationship that's not his. he can pick up how you're feeling, at the very least, and so he instead focuses on that. he's a quiet, steadfast presence who will take you to the gym or encourage you to write songs, if only because he thinks those might be potential solutions.

— "play stupid games, win stupid prizes" ✩ jeonghan, chan.

svt's petty line, how i love you so. they can all admittedly be petty when they want to be, but these two? they take the cake. jeonghan is a big believer in "show him what he's missing." he'll snap hot photos of you on your behalf. he'll let you use him as a nice little ploy to incite some jealousy. is it a little toxic, a bit red flag-y? sure, but that asshole is putting you through much worse. jeonghan's a firm believer that revenge is a dish best served cold, and he's cold to the bone when it comes to making sure you get what you deserve. (and that your boyfriend, too, has what's coming for him.) chan is insistent that you should break up with your boyfriend, of course, but he's a big believer that you should go out with a bang. it's a bit amusing, to see one of the group's more lowkey members insist that your boyfriend should be on the receiving end of a public lashing. some might say he just likes the drama. truthfully, he just wants to make it abundantly clear to everyone that you're not someone to be messed with, and that you're not going to settle for anything less now that you've kicked the devil's incarnate to the curb.

[senseandaccountability]

the narrative that could have been

Having mulled over the game for a couple of days I have realised that the main problem for me is that Veilguard is good based on the premises they ultimately choose, but not based on the set up and promise of what was there before. I know this isn’t a unique take by any means and yes it’s all about the Evanuris and the Veil and Solas. 

Replaying really emphasises how incredibly little the game convinces me of its original main quest - to prevent Solas from doing his ritual. This is a problem as a long-term player because for three games we’ve had build up for a great crescendo tackling the overarching themes of the (restrictions and oppression of) magic, of tears in the Veil, of religious tyranny and oppression based on myths about the Black City and the temptations of flawed humans, we’ve seen and deconstructed the elves quite a bit, we got started on the dwarves and in DAI your Inquisitor can openly ask Solas if it wouldn’t be better if the Veil came down because then spirits wouldn’t be separated from the living and risk becoming demons. Cole, whose function is to reflect the plot, talks endlessly about the old songs wanting to be sung again, about how it hurts to be cut off from part of yourself, how the templars feel it, how the mages feel it, how the elves and the dwarves feel it. The Veil as a prerequisite for life has been deconstructed, the Fade demystified, the gods have mostly fallen. The Veil as an actual wound inflicted on this earth has been presented as a theory and not been convincingly rejected by the narrative. 

The game actually gives no explanation whatsoever as to why the Veil coming down would be worse than what Rook causes in the beginning and what the escaped gods then do to the entire Thedas. The entire south falls to the Blight because Elgar’nan and Ghilan'nain are let loose. The Wardens are more or less wiped out. There’s enormous political turmoil. The game gives us Solas saying “thousands” would die when he brought the Veil down, but that he had a host of spirits there to help. (Yes, I know, his sole function in this game is to Trick and Deceive so who is to say if he’s lying, HUH, but even so, THE ENTIRE SOUTH FALLS TO THE BLIGHT IN ROOK’S VERSION OF THINGS.)

The game puts emphasis on Solas's questionable methods and past horrors but it doesn't ever explain why his goals are despicable here and now. It doesn't convince us that tearing down the Veil with lots of safety measures in place and after considerations is a bad result, all things considered - save for Varric’s initial yelling about demons. (We even learned in DAI that the Veil itself creates demons because it restricts the passage of spirits, come on.) Because three games have suggested it's not, not ultimately. Trespasser especially nuances this, just as it nuances Solas’s view of this current world state. Right after his long nap he would have nuked it all, I’m sure, but the whole point of character arcs is that things happen in them and what happened to him is that he was shown layers and angles he had not considered and adjusted his mindset and ultimately his plan accordingly. That is where DAV should have picked it up. That's where the build up was headed. But, now he must serve the narrative solely as the God of Treachery and Lies which means that previous build up is washed away for the most part. (In no way do I think he is OOC in DAV, I just want to point that out so nobody thinks I’m a sappy fangirl or whatever. I think he is perfectly in tune with his inner Dread Wolf, but that is also all he gets to be, because of the narrative, and I’m always much more interested in when roles and personas clash.) Again. The main problem is that the narrative cannot explain why bringing down the Veil would be the worse option than the shit we see unfold on screen. Instead it gets a bit lost in the past.  And I have Issues with that, as well.  Like, the dumbing down of the war against the Evanuris. The war that started because the leaders of the rebellion - who previously had to carry out terrible orders so the Evanuris, the upper crust of the Elvhenan, could play gods - decided that the Evanuris was a threat to them all. And the game gives us what, a depiction of how the rebellion ended up crossing lines, too? No shit.

Like, I am fully on board with the individual theme of regret on Solas’s part and he ought to be wrecked with guilt but I wish the game could be less all over the place with what sort of things he ought to be wrecked with guilt over. Saying fuck you to the Evanuris is the best and brightest of his character, I suppose I just don't want it dragged down to the same level as him breaking the Titans. I suppose I would have wished for a narrative that also worked on a systemic level when depicting things like, you know, war and revolutions and subjugation. But we don't have that, because DAV is only about personal choices. The Lighthouse crew flippantly writing the hierarchical and violent power struggle off as being about love and betrayal is on my shitlist forever. 

No, Taash et al, it was not about pussy, it was about feeling compelled by superiors to commit heinous war crimes and being lied to about the actual purposes of your damn war in the first place. The elves shouting at Elgar’nan and Mythal in this painting aren’t driven by love and sex they have been lied to by their ruling class. It was never about freedom or ending the wars, it was always about Elgar’nan jerking off to ultimate godhood. The writing even suggests betrayal here is to be understood as Netflix drama betrayal, maybe some juicy porny plot but it’s ABOUT THE BETRAYAL OF THE ELVES BY THEIR OWN KIN.  ((ETA: I would have wanted my Dalish mage to be allowed to be furious, NOT WITH SOLAS, but with the fucking Evanuris for betraying her people and being so fucking vile that the only option that remained was to create a world where she's a second-class citizen. I would have wanted the game to recognize that not all causes are equal and that Elgar'nan's cause for godhood was objectively more vile than Solas's cause for freedom because as it stands now, there are some really iffy vibes of "both sides are equally bad" and other things authorities tend to say when comparing destructive regimes with uprisings.)) I’m sorry, this shit hits me on a personal and political rage level. 

I also can’t help but mourn a game where the Trickster God fulfilled his trope’s duty and shook the stagnation apart with his actions - for good or ill, the way trickster gods are wont to do - and where Rook was tricked into helping and then, a more complex game about its consequences could have unfolded. The Evanuris could still have been the bad guys, if they wanted big villains frothing at the mouth. There could still have been numerous unplanned consequences, like all of Solas's plans have. Maybe other ancients awake as well. Maybe ancient evils who aren’t elves, who knows. Point is - the Veil should have come down, at least in some form, at least in some outcome. THAT is what they've been building up to. In this game that never was, Rook could be an actual interesting character where we could mold her as either accepting of this trickster role (which fits perfectly for a blank slate with no ties) or set to overturn it and enforce status quo, with some vanilla option in the middle. Maybe the Veil doesn’t come down until the very end of the game, ancient magic takes time after all, maybe a lot has happened by then. But ultimately, Rook’s choice in the end should not have been about siding against Solas because he’s lying to you or because he did horrible things in the past or siding with him because you want him redeemed. The narrative should have provided those options either way. The narrative should have been brave enough to suggest that hey, maybe Solas isn't wrong at all - his methods maybe, but his goal, no. If they truly wanted mirrors between Rook and Solas, Rook should have tackled the issue of actively bringing down the Veil herself, not because it's a roses and sunshine-outcome but because it might very well be the lesser of two evils. Gods, that would have been interesting. It should have been a choice about what sort of world Rook and the Veilguard wants to see in the future. It should have been about the people, the world, not how angry Rook is that an ancient elf has tricked her. 

That would have been the game I wanted to play.  This story doesn't really give anything new to the world of Thedas, which a world without the Veil would have. It accomplishes closure for our favourite trickster god and bless them for that, but as for the plot and the world-building it ends on a meh because the narrative isn't about the people unless they're brought up as being endangered. This is why I can feel satisfaction regarding the thematic conclusion to certain character arcs, the trickster becomes the healer with the bloodiest hands, the wolf submits willingly to his trap and so on and so forth, and I can have fun with the characters and their arcs but also really mourn the game that was there, in subtext and build up over three previous games and in several tie-ins.

[impactrueno]

Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?

i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????

this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.

i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball

edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.

let's review their first encounter from his point of view:

you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.

after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.

someone walks in looking for adam and barbara. don't they know they're dead?

"are you a ghost too?"

"i'm the ghost with the most, babe."

hold on a sec, who's even—

...well hey. it's the girl.

the girl who can see ghosts, and she's talking to you.

target acquired. this one's your ticket out of this hellhole.

"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.

"i want to get in," she says.

whoa there.

what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.

"...why?"

she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.

after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT

adam and barbara walk in because of course they do. womp womp

ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.

wait why are they moving the model— where are they taking it—

ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.

these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.

of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.

the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.

despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.

she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.

well well well.

look who came crawling back.

she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.

once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.

she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.

the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.

she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.

Beetlejuice........Beetlejuice...........Beetlejuice.

it's showtime.

this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.

you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.

"shall we?"

there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.

witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.

you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.

almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"

a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.

you're sent back to the afterlife waiting room.

not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.

a long time sitting here it is, then.

movie ends, credits roll.

for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.

36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.

jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)

in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.

AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"

so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.

lydia deetz, the young girl who told him she wanted to die.

...

is she alright?

i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.

much much much to think about for mr. juice.

after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.

he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.

at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.

that's nice. very sweet. good to know.

maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.

oh well. curiosity sated! and beetlejuice goes back home and doesn't return.

until the next time he returns.

and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.

he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!

before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.

maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?

the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.

then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."

then lydia, at her most vulnerable, meets rory.

beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.

he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.

but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?

he needs to bring that back. he's the only one who can.

in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.

sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.

it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you

the end

don't trick me into writing a fanfic again

[hitmehardnsofttt]

Nice Mover | (Sub!?)Vi Arcane x Reader

FYI: female reader x vi arcane, modern au, smut with brief plot, slight fluff, sub!vi, car sex, oral sex, strap sex, lots of swearing (duh), strap referred to as cock, lolz. Enjoy whores!

———————————————————————————

"That movie was actually insane? I doubt I’m going to be able to think about anything else tonight. And if I catch one person fucking "smiling at me", so help me god." Vi shouts. You hold back a laugh as you grab her car door opening it for her, your focus always on her.

Got a strange feeling I’m about to take her mind off things.

She wasn't the biggest horror movie fan, and you knew that, but you lived for the shit. So yeah, you had to do some groveling to get her to agree to go, but you also promised her something extra special tonight if she went with you.

After she'd had enough of complaining about Smile 2, you both climb back into your green jeep.

You had removed the back seats in your jeep last year but earlier today you made sure to take the time to make it extra comfortable back there prior to the date, knowing you had nothing but sinful pleasures planned for her later.

I mean she did say she wanted to try this out during that drinking game of Never Have I Ever we played at that party last weekend...

You started the car and began to roll up the heavily tinted windows.

"Why are you rolling the windows all the way up? Are we not going to smoke on the way ho-?"

But, before she can finish her question, you slam your lips onto hers. Fiercely. Ferociously. Almost frenzied. Your breath catches everytime you kiss her perfectly heart shaped lips.

You grab Vi's spiky short fucsia colored hair, slowly tugging it and moving her in the direction you want her. It doesn't take long for her to notice you're not holding back like you usually do, normally too racked with nerves to initiate things.

She pulls away from you to catch a breath. Her big blue eyes scanning you curiously. You can see her perked pierced nipples peeking through her tank now.

"That was....u-unexpected. Hot. But,unexpected. What are you up to?" She asks, raising a single brow. “And what if someone sees us?” She asks looking around you and outside of the car.

Your eyes fill with lust just at the site of her, making it hard to focus on anything else.

"You know my windows are tinted but if they want to see us that badly...let them. Get in the back, now." You insist nodding your head in that direction.

Vi chuckles in response but makes quick work to hop over the middle console and to the back. You follow her.

"Why's it like a hotel back here? Did you do this for me?" she chuckles, lightening the mood as she always does. Never one to take herself too seriously.

That sly grin that's always plastered on her face turns into her jaw slowly dropping as she watches you seductively remove your clothes along with the pink underwear you wore, just for her.

You dangle them like a treat as you spread your legs for her. Putting on a show. Her eyes fill with the most intense lust you've seen from her thus far.

"I thought... hmmm.. i don't know you.. you might be hungry after all that.. stress..ya know..from the movie." you tease her as you reach down to your folds, putting yourself fully on display for her.

She noticeably licks her lips.

"Good girl, come here," you assert as you beckon her closer with a single finger.

Within seconds Vi's tongue is deep inside of you. Your hips involuntarily grinding with each stroke of her tongue in attempt to get her even deeper inside. She works her way up to your clit. Her eyes locked onto yours. She expertly swirls circles around it with her tongue at first, then sucking it, then stroking it between her two long fingers.

“I love that you’re so wet for me sweet girl,” Vi says before turning her attention back to your slick folds, and then back on your clit.

“Only for you,” you reply, eyes fixated on her.

You swear you feel her smile in response. Her skillful tongue works tirelessly flicking back and forth. Vi's able to draw out sounds from you that you've never even heard yourself make before and the faster she goes, the louder you moan. Your back arches instinctively against the floor.

"Vi, fuck, just like - that, like t-that, yes.” You reach down with both hands, grabbing her head and tilting it up for just a second.

"You look so fucking pretty down there... Are you gonna let me cum on your face, beautiful?" You ask with a slight whine to your tone.

Vi dizzily smiles at you in response and nods. The taste of you seemingly intoxicating to her.

Her tongue departs her swollen pink lips as you hold her head steady while using her tongue to get yourself over the edge. Her little nose hoop ever so slightly brushing your clit as you grind your sopping wet slit against her. Up and down. The windows are fogged, the noises of her soaking up every drop of you drowned out by Gina X Performance’s 'Nice Mover' playing from the car speakers. The feeling in your stomach starts to become overwhelming. Vi easily slips her fingers inside of you, curling three of her lengthy digits up towards your g spot.

"F-fuck, fuuuuuck, f-, Vi! Yes, yes, yes-mhmm-holy f-" You try to move back but the entire bottom half of your body begins to twitch.

Vi lays on top of you as your orgasm starts to unfold. Her fingers never fully leaving you until you’ve come back down from your high. Only once you open eyes does she take them out.

She sucks on them one by one and teases you with a wink before saying, “You were sooo right babe. I was starving!” she teases with a huge smile plastered on her face.

“Oh yeah? We’ll see who gets the last laugh,” you retort with just a slight grin on your face. You try to flip Vi over, forgetting the small space you’re in and bump your head on the car door.

“Shit!” you whine out. You want to be pissed but you can’t help but laugh because when you look over at Vi, you see a look of concern mixed with holding back laughter. It’s quite amusing.

“Don’t even…” you trail off. She lets out the lightest chuckle while you both work to remove her tank and striped pants.

“Yes ma'am!!" She replies in a playful tone while mockingly saluting you.

You then reach under the driver's seat pulling out your backpack. Her eyes widen as she lets out a nervous snort.

“Oh you’re not fucking around, huh?” she questions.

“Nope,” you reply, moving your body in ways a gymnast would envy to get your strap on in the car.

“Now….lets get you ready for me, huh?” you ask Vi, eyes full of desire.

You scoot back towards the other car door so she has a little space. She looks confused at first but her eyes go wide again when you tell her.. "Show me how you fuck yourself, Vi." your hunger to have her beneath you growing by the minute.

She hesitates for a few seconds. One could almost say she looks shy.

"Do you need me to tell you how, pretty girl?" you ask slightly tilting your head.

But almost as if teasing her made a switch flip, her eyes fill with a look of lust mixed with determination. She locks eyes with you, slowly taking her two middle fingers up to her mouth and sucking on them. She makes sure to make a show of it. Her tongue ring flashing as she circles her tongue around them..

Fuck.

She tip toes her fingers down her fuscia colored happy trail tormentingly slow. She's trying to drive you crazy and it's working.

Once she finally reaches the hood of her clit she spreads it slowly, putting herself fully on display for you.

"Like this, baby?" she asks seductively. It's taking everything in you not to start drooling. So to save some dignity, you nod instead. She works her fingers slowly and expertly around the hood of her budding clit, squeezing it.. swiping up and down...teasing it, never quite touching it directly, but you can see how wet she's growing from where you're sitting.

"That’s my good fucking girl, Vi." you all but moan out. You see her pussy visibly twitch at your words.

Fuck, I can't wait any longer.

"Come here." You instruct.

Vi follows your instructions. She deliberately crawls over to you on her hands and knees, slowly situating herself into your lap just right. You grab her hips and just take her in for a moment. Looking her up and down. Enjoying all of her, in awe of her.

"All these big muscles on the outside, but you're just a little slut on the inside, huh?" you ask Vi playfully.

You earn a laugh from her in response as she leans in to kiss you and you can't help but relish in it. Ever since she kissed you on your second date, you knew she was the type of girl you could kiss forever. You pause for a moment.

"You're so fucking perfect, you know that?" You tell her, swiping your thumb across her "Vi" face tattoo ever so gently.

You lean in and whisper in her ear. "I wanna stretch you...are you ready?" You ask her. She nods hazily in response.

"Up," you instruct.

You combine your saliva and her sweet arousal in your hand to make sure your cock is ready for her. You position yourself ever so precisely as she slowly lowers herself onto its full length. She crashes her lips back onto yours and wraps her tattooed arms around your shoulders as she instinctively starts to grind her hips against you.

Oh poor sweet baby, now she should know we can't let those quads go to waste, now can we?

You grab her hips and stop her and she pulls away from the kiss in response.

“Uh uh.” you say.

"W-w-what? What are you doing?" she replies while trying to catch her breath.

"You didn't think I'd let you get off that easy did you?" you ask with a sly smirk.

You move your head in a single up and down motion while you lock eyes with her. "Bounce." you demand.

Vi tries to read you to to see if you're joking or not. but you hold stern. She then re-positions herself so she's able to move more freely.

Your hands now free to grab her perfect ass while she bounces on top of you.

"You can start slow," you guide her as you watch your length slowly disappear inside of her before reappearing. On her own she slowly starts to pick up the pace. Each bounce causing friction against your own clit that is sure to make you cum soon. Vi's moans are husky, while yours are guttural.

"Awww, look at you creaming all over that cock for me pretty girl, are you close?" Vi instantly nods. You take one hand and wrap it around her neck and use the other to slightly tug on her pierced nipple. She slightly slows her pace but you quickly notice she's bouncing harder than she was before.

"Right….fucking…..there- y-yeah" Vi moans out with hazy lust filled eyes. You would swear you can feel it hitting her g spot.

Your eyes lock onto Vi's but just as they do, she pauses mid thrust, your cock falling out of her by force allowing her to squirt... all..over..your..lap.

"That's my good fucking girl." you tell Vi. Your own orgasm rapidly nearing as you’re watching her cum.

"F-fuck!" she lets out, throwing her head back. Her legs shaking. You have to make quick work to grab her ass again just to help hold her up.

She's so fucking perfect.

Her legs start to regain their strength and before you know it she's grabbing your cock and placing it back inside of her, grinding on top of you again.

"I'm close, Vi." you let out, holding onto her, no longer trying to act tough.

"I know baby, I know,” she replies. Placing a soft kiss on your lips before she starts bouncing on you again and that's all it takes for you to reach your sweet release. Vi cums again with you, fully falling into your arms with your cock still inside of her. Both of you are left breathless and and fully spent.

[wabatle]

𓆩⚝𓆪 — How do the brothers act when they're tired?

𓆩⚝𓆪 — Featuring: Lucifer, Mammon, Leviathan

𓆩⚝𓆪 — Warnings: n/a

𓆩⚝𓆪 — Contains: gn!reader, fluff

𓆩⚝𓆪 — A/N: did I cook??

Tired!Lucifer who, while still working at his desk, can't stop thinking about how badly he wants to see you and relax with you in his arms.

Tired!Lucifer whose sigh of relief stretches throughout the entire HoL now that he's done with his work.

Tired!Lucifer who uncharacteristically throws himself on your bed, immediately pulling you down to lay with him.

Tired!Lucifer whose voice is a mere mumble, but the only words he whispers are declarations of love and how much he cares for you.

Morning!Lucifer who, every morning without fail, makes you swear you won't tell his brothers anything that happened.

Tired!Mammon who spams you non stop for you to come to his room. Yeah he's tired but not tired enough to not spam you.

Tired!Mammon who immediately curls around you when you lay down next to him, basically a weight on you that completely prevents you from getting up and moving.

Tired!Mammon who mumbles how much he missed ya, and how much he hates being away from you, but it doesn't mean much (it does).

Tired!Mammon who doesn't care whether you're in his arms or he's in your arms because he's comfortable and happy either way. You can always tell from his blissful expression.

Morning!Mammon who yaps about how you should just forget about what happened last night even though he secretly wants you to hold it close to your heart.

Tired!Levi who stayed up too late and went all day without sleep, so he's absolutely tired. He still wants to game though.

Tired!Levi who texts you to come and play with him. You tell him that he should sleep when you arrive, but he insists on gaming with you.

Tired!Levi who can barely keep his eyes open while gaming, but he has to keep playing since this is one of the times he gets you alone.

Tired!Levi who finally gives in and sleeps on your shoulder, completely unaware of the position he's in.

Morning!Levi who wakes up and jolts up, his face bright red as he stutters out some sort of explanation to why he's lying on your shoulder.

𓆩⚝𓆪 — thank you for reading!

𓆩⚝𓆪 — taglist (ask 2 be added): none

𓆩⚝𓆪 — obey me masterlist coming soon!!

[lilbitdepressed27]

Tara Carpenter/Fem!Reader All of Us Are Dead AU

Warnings: death angst blood

WC: 8.9k

Author's Note: no one asked, but I did it anyway. Sorry for any mistakes. Hope you guys enjoy, it's kinda long :)

"Oh come on!"

"Ah ha, I thought you said it was easy?"

"Ugh get off me."

You laughed at your best friend as you got off him and helped him up. You were on the football team along with your best friends and some of your other friends. You were the quarterback and a pretty damn good one for the university. It was your first year playing and you had already made such a great start, you started off as a sub. But when the starting quarterback started getting cocky and just being a jackass during the second game of the season. He was benched. And then you were sent in and since then Frankie had been benched. And he was not happy about it.

"Damn you move fast. You sure you wanna stay as a quarterback cause you'd be great on the defensive line." Chad said as smoothed out his sore bottom.

"It only helps when the quarterback doesn't know what he's doing." You nudged him with a smile on your face. "Now come on. Practice is over and we have to get cleaned up before we're late for class."

*

You and Chad had made your own way to the cafeteria where all your friends were at to get breakfast.

"Hey did you hear about the professors kid. You know the science professor." Chad said fixing his tie on his uniform.

"Huh? Oh yea. Apparently he committed suicide. Poor kid." You have seen the kid in question around. How he mostly kept to him self. Never bothering anyone. But there was always a group of boys who tormented the kid. You and Chad tried to put a stop to it. But it never worked.

"Don't even think that this is your or our fault Y/n. I mean, we did what we could. There's only so much someone can do. At the end of the day the person being bullied has to stand up for themselves. Cause if they don't, they become the easy target." Chad patted your back bringing you into a side hug. He knew how much you cared about people. He knew you since you two were in diapers. You had always had the protective mama bear in you. He and all your friends had always teased you about it.

Both of you arrived in the cafeteria seeing your group of friends sitting at the table in the corner. Your frown turned into a smile as soon you saw the small brunette. Tara Carpenter. You had met Tara when you were in middle school and have been in love ever since.

"Come on. I'm hungry you can ogle at Tara from up close." He teased pushing your towards the line. Seeing as breakfast hour was almost over there was hardly anything good. You would usually grab a fruit cup, apple and a protein bar with some apple juice on the side. "Damn. There's no more pop tarts."

You grabbed the last protein bar before Chad could get it and laughed when he was stuck with a banana.

"Whatever come on."

Tara looked up from her work, seeing you walking towards her. Her face brighten, her hand reaching for you as you grew closer, your much larger hand covered hers. It was a feeling Tara loved. How warm your hands were. They were always so warm, even in the winter.

"Hey. I got you your fruit cup and an apple." She handed you the food as you sat down next to her. Her heart racing as you directed a smile towards her. She knew that smile. The smile reserved only for her. Her face warming when you leaned into her and lightly kissed her cheek.

"Thanks Tar."

"You're welcome." She leaned into your side, embracing your warmth.

"Hey did anyone hear that the girl from home room went missing." Amber spoke from across the table.

"Which one Amber. There's like-"

Tara tuned out the conversation. Her focus was on you. How you silently ate your food but yet still paid attention to everyone else. How your hand stayed in hers. Your thumb softly creasing the back of her hand. She's never felt this deep about someone. The deep affection for you was something that scared her. It terrified her so much but yet she loved the feeling.

She loved you.

*

You had been trying to focus for a while now. But three classes already had you feeling so sleepy. It was just one more class before the lunch hour began. In this class you didn't share it with any of your friends. So you were alone.

You heard rumors about the girl that went missing was found in the science professors lab. You heard that he had been arrested and was taken away by police. You didn't take his class but Tara and most of your friends did. You would have never expected it from a teacher like him.

Right when the bell rang you were out of your seat and headed to the cafeteria.

"Run!!"

Students ran passed you, leaving you confused on what they were running from.

"Y/n run!!" Wes grabbed your hand as he ran passed you. Your eyes widen in shook when you saw what he was running from. Zombies?! You ran after him only to be tackled by one of the zombies.

"Y/N!"

The zombie was one of your teammates, was on top of you. Trying to bite you. You held him by his neck doing your best to keep him away from you but his arms swung wildly hitting you in the face. You tried to use your legs but it was like he was dead weight on you. His teeth grew closer to your neck making you scream in desperation.

Then the weight was off you, you gasped in relief as Wes helped you up. "Come on!"

The two of you ran dodging students and zombies.

"Wait where are the others?!" You yelled. He looked back at you with a remorseful look. "Wesley where are the others."

"I don't know. I think they were in the cafeteria. I don't know. I didn't get a chance to get there before they attacked. Come on."

You had no choice but to follow him. Passing students that were being attacked. Rushing up the stairs only to get hit with what felt like a ton of bricks. Falling hard to the floor your vision going a little blurry. You felt yourself being picked up and lead into a classroom. The door shut behind you as you leaned on the wall. You touched you head and felt something wet. Pulling your hand down and seeing blood on your finger tips.

You barely had a chance to gather yourself when a shorter body slammed into you.

"Thank god you're okay. Everything happened so quickly. I tried to go find you but Chad wouldn't let me go. I was so scared something happened to you." Tara mumbled into your neck as her arms tighten around your waist. The moment that chaos started she along with her friend had been in cafeteria. If it weren't for Amber, she probably would have died when she had frozen in fear when she fell.

"It's okay Tara I'm fine. Chad did the right thing. It's too crazy out there. Let me see you." Cupping her cheeks in your palms you pulled her away enough where you could look down at her and make sure she was okay. You caught the moment she saw the cut on your temple. Her eyes widen as she reached up her hand taking a hold of your chin as she turned your head to the side.

"Come on. I think there's a first aid kit in the professors desk."

Sitting down on the professors chair she got to work on cleaning your cut up and covering it with a bandaid. As she was cleaning you up you saw a small bandage around her wrist that wasn't there in the morning. You took a hold of her hand to take a better look.

"What happened to your wrist?" You looked up at her, she had stood between your legs as she cleaned you up.

"The girl that went missing was in professor Smiths class. She had been attacked by him and had escaped this morning. And wondered in to professor Prescott's class. She seemed confused and erratic when we took her to the nurses office. She attacked the nurse and scratched me. But I'm okay." She reassured you hoping to ease your worries.

"Okay." You nodded trying to calm your racing heart. You could still hear the screaming coming from outside the classroom. You looked around the room seeing most of your friends. Chad, Mindy, Amber, Anika, Wes, Ethan, Quinn, and Liv. Also two other students, Jason and Greg.

"Sam?" You knew she had gone away with her archery team. They had a competition today but she had said that they'd be back by lunch. Her boyfriend Danny was with her, he was on the team as well.

"No. I haven't seen her. But she's Sam. I'm sure she's fine. Right? She's got to be." She started breathing heavily and you had to calm her down before she had an asthma attack. You always had an inhaler with you.

"Hey, Tara look at me. I'm sure she's okay. I mean your sister is a badass. Don't tell her I said that though, her ego is big enough." The shorter brunette let out a small laugh knowing it was very true. "She's okay. I promise you that."

"So what are we going to do? I mean we all saw the same thing right? Those were zombies. I mean they remind me of the zombies from the movie Train to Busan." Mindy said from standing next to the window that looked out to the track and field. Her girlfriend Anika was standing right next to her. Still shaking in fear.

"Zombies? Seriously Mindy. You watch way too many movies." Quinn moved towards the window to see the caos that was happening outside.

"She's not wrong. They act like zombies. I saw Richie get bit and he turned in like a few seconds." Wes said from his spot next to the door. He had pushed a small cabinet up against the door. Hoping to make sure that no one would get in.

"So what do we do. Wait for help to arrive? We don't know how long that'll take." Ethan stood up from sitting next to Wes. He walked up to you, giving you a once over. "Glad you're okay." He patted your shoulder. You offered him a small smile and nod. Ethan had also been a close friend of yours. Him, Chad, Wes and yourself were on the team and great friends.

"We could wait it out. It won't be long till the cops show up. I mean it's basically a riot on school grounds. Anyone have their phones? I left mine in my bag in the cafeteria." Anika asked as she searched for her phone only to come up empty handed.

"I dropped mine when I got tackled. Tar do you have your phone." You turned your attention to short brunette still standing between your legs. She dug in her pocket and took it out. You looked down at her phone to see a picture of you. You were in your football uniform except the helmet. You were smiling big in the picture holding a bouquet of flowers and a small teddy bear close to your chest. You remember that day clearly. You had won your first game that you played as the starting quarterback. Tara had bought the gifts knowing very well you were going to win. She had captured your cheesy smile that she loved so much and made it her locksceen.

You smiled up at her, she tried to hide her blush but smiled regardless. She dialed 911, bringing the phone up to her ear. You watched as she spoke to the dispatcher. The officer seemed not to believe her but never the less said they'd send officers to the school.

"I'm going to call Sam. Hopefully she answers." It was quiet, well as quiet as a zombie filled university could be. You stood up from the chair and let Tara sit in it. "Nothing. She's not answering." She bit her bottom lip, a nervous habit she had. Her hands playing with her phone. You took the phone from her hands putting it on the desk, then taking her hands in yours. Bringing her down on your lap.

"Hey, she'll be okay. She's with Danny and she's strong. She'll be alright." You spoke softly to her, gently squeezing her hands. "Look at me." When her eyes met yours, you smiled softly she returned the small smile. Eyes still filled with worry. "She'll be alright. I need you to focus on yourself right now. Okay? Take a deep breath for me baby." Even though you had her spare inhaler with you. You didn't want her to over work herself.

She followed your directions with no complaints. Once she had her breathing in check she looked down at you and leaned down. Softly kissing your lips. She didn't know what she'd do if she lost you.

*

"Well how crazy was it in the cafeteria?" You asked Chad. Tara, Liv Mindy, Anika, Amber and Quinn were sitting at the corner furthest away from the door. The door was blocked but to be on the safer side. Chad, Wes, Ethan and yourself stood by the window of the second floor building.

"Got too crazy way too fast. How the hell did this even happen? I mean, the girl that went missing was-" The group of teenagers were stoped at the sudden noise of the door being pushed open. The small cabinet moved from the force of the door opening. The girls scrambled to their feet at the sight of the P.E teacher who was also your coach breathing heavily as he closed the door. He looked frantically around the room eyes landing at the group of kids.

"Coach were you bit?" You asked as you took a step forward a hand shooting out and grabbing the back of your shirt. Wes stood behind you, holding your jacket, once he realized that you wouldn't get closer to the coach he let your jacket go.

"No I wasn't bit. Let's let's block the door. We need to secure it. Make sure they don't get in. Come on."

Everyone moved to block the door, as you moved to do what the coach said when a hand held your wrist. You turned back to see Tara. "What's wrong?" Asking as you turned to be directly in front of her.

"Look at his arm. There."

You turned back to look at the teacher. The sleeve of his jacket was rolled up. But there, you saw blood on his wrist. The teeth marks. You knew he'd be turning at any moment know.

"Coach your arm-What are you on about Y/ln come and help. Or I'll bench you and let Frankie back in." He spoke angrily but his eyes filled with fear and denial.

"Y/n what are you doing he said he wasn't bit." Jason said as he stopped his movements from barricading the door.

"He has a bite mark on his arm." You argued with your coach. You felt bad but he was putting your friends, Tara in danger. You knew it wouldn't be long once he turned. "You need to leave."

He scoffed, "You want me to go out there? After all I did to get here."

"Get out, right now. You were bitten and it's putting all of us in danger." Tara fired back, your arm reaching for her and pushing her behind you.

"Listen here you fucking-" He gasped at the feeling of blood coming out of his nose. The coach looked at you as he fell to the ground, his body convulsing.

You stepped back pulling Tara with you. You could only watch as your coach turned into a zombie.

"Get him out of here!" Greg yelped, the zombie looked his way and launched towards him.

The second they were all frozen in fear, it was all it took for the zombie to go for the bite. You reacted first, running forward.

"Y/n no!"

You pulled the coach off Greg, throwing him to side. You picked up a book and hit him with it, making him fall back. "We need to get outta here!"

"Come on!" Chad ran towards the door pulling the desks and cabinets out of the way with the help of Ethan and Wes. The girls followed close behind them. Tara grabbing you by the hand, pulling you behind her as you and your friends ran down the hall. Leaving the coach and Greg behind.

"Where are we going?!" Amber yelled as she swung the handle of a paper guillotine she broke off.

"The science lab!" Chad yelled back. He had a leg of a wooden chair swinging the stick pushing the zombie off Ethan.

You had been thrusted a chair leg by Chad as you were pulled down the hall. Amber and Mindy had pulled Tara from you as you helped the boys push back the zombies from getting to them. They all ran upstairs trying to get to the science lab.

"Y/n hurry!" You heard Tara yell from behind you. You looked behind you to see her, her arm being held by Amber.

"Go! Open the door for the science lab! I'll be right behind you!" You grunted at the force from the pushing. You spared a glance back at Tara, she was being pulled by Amber and Mindy. You swung the chair leg at one of the zombies. Feeling your heart beating in your ears when you realized the way to your friends was being blocked by zombies. There was no way for you to get through them.

Having no choice but to hide in another room.

*

The door was slammed shut. All the guys moving to push something in order to make sure the zombies didn't push through. The brunette looking frantically around for you. But you were hard to miss. In any crowded room she'd always find you. Like her eyes were magnets, always connecting with yours.

"Where's Y/n?"

Wes snapped his head up. You were right behind him. He heard you shout that you were right behind them.

Tara didn't think, didn't wait for anyone to say anything before she was at the door trying to move the stuff blocking the door. She needed to get to you. Make sure you were okay.

"Tara, Tara you can't go out there." Amber was the one to stop her. Feeling the shorter girls shoulder shaking.

"Please Amber, I have to make sure she's okay. She has to be okay. I can't lose her." Tara let the sob out, you were right behind her. Telling her that you were right behind her. She knew she should have stayed with you. Feeling like the walls were closing in on her as she cried into Amber's shoulder.

Amber swallowed the lump in her throat. Seeing what her best friend and you had was something she could only wish for. Seeing the relationship blossom from such a young age was something everyone wanted. That true love. Knowing that if something were to happen to either of you, the other would be lost with out them.

"Come on Tara. Breath. Y/n is one of the strongest and most athletic person I know. Not to mention she's too stubborn when it comes to getting to you." Amber spoke gently to the shorter girl, leading Tara away from the door towards the window.

Everyone else looked back out the small window on the door, afraid that they'd see their friend as one of the zombies

*

You had ran into the art room, running straight to the desk with the little seconds you had before the zombies came running in. Staying at quiet as you could as you heard the footsteps and groaning coming closer. You needed to find a way out of the class and back to Tara.

*

"She'll be okay, you have to believe that she will." Amber looked out the window, looking at what was once a field filled with joy now filled with groans of students that she once knew. She felt Tara's warm hand taking hers. Tara had been her friend for the longest time. She felt tears build up in her eyes as she failed to look at Tara. She knew what was going to happen. She could feel it inside her. And she was scared.

"Amber, your hand, it's co-" Tara felt the dread wash over her like a cold bucket of water being poured over her head at what it meant. Amber was cold to the touch, her best friend always had cold hands. It was nothing new. But this type of coldness was new. Her eyes connecting to the eyes that were once brown. Were now red.

"Amber?" Quinn stood up, looking at the shorter girl. She stepped closer, her eyes also filling with tears. She couldn't lose another friend. Especially not Amber. Not when she hasn't told her how she felt. She looked at Tara who was yet to look away from Amber. When Amber turned around she felt her heart shatter at the sight of the nose bleed. She knew what that meant.

"It's okay Quinn. It's okay." Amber looked at the taller girl. She hated herself for not telling the girl how she felt. For waiting too long. From the moment she first saw Quinn. She shouldn't have let the chance go. But now. Now it was too late. She didn't want to do this to Quinn but she knew she had no control of what was going to happen next. Her gaze turned to the Quinn's brother.

Ethan stood behind Quinn, ready to protect Quinn and Tara when it came down to it. He knew it was only a matter of seconds before the Amber they knew was gone. He looked into Amber's eyes. The unspoken words in her eyes. He nodded. He knew what that look meant. He saw the small glimpse of relief in her eyes and her shoulders before the look was gone replaced with pain.

"I love you Quinn."

Quinn let out a sob, she was losing Amber. The smart witted girl that had stolen her heart with snarky remarks. Moving forward to get closer to Amber. Only to be held back by her brother.

"Get her the fuck outta here. Do something!"

Everyone ignored Jason as they watched Amber fall to the floor. The cocky, witty, Amber was gone. Replaced by a raging, flesh eating monster.

*

You peaked from the corner of the desk. There was a few zombies in the class. All gathered around the entrance of the class. There was no way you were getting out through that. You weren't sure what to do. Or how to do it. You looked around hoping to find a way back to Tara and your friends. The only way out would be through the windows, you had no other choice.

You were quick to move, throwing what you can to keep, the zombies away from you. You tried not to look down, the science lab was a level up. You weren't so sure if you'd be able to climb up.

Your foot slipping on the ledge making your heart jump to your throat "Oh shit."

You shuffled on the side, trying to figure out, how you could climb up. When you saw Wesley on what you assumed to be a water hose. You watched as he struggled to kick off the zombie off his foot. "Holy shit Wes, hold on I'm coming to you."

"Y/n? You're alive!" He smiled momentarily forgetting the situation he was in. The happiness he felt was quick to wash away at the pull of his leg. He couldn't get a good grip on the hose.

"I'm going to you. Just hold on." You weren't sure how you'd get to Wes.

"Y/n, look up."

You looked up, eyes widening at seeing a bloody face of a zombie, this time without a moment of hesitation. You leaped towards Wesley. Your heart jumping towards your throat as you free fell for a second before your arms wrapped themselves around Wes.

You were quick to kick off the zombie that held on to Wesley's foot.

"Ugh thanks. Now get off me, go down to the broadcasting room."

"What? I thought you liked my hugs." You smiled as you moved further down on the hose. Carefully going through the window.

"Y/n? Holy shit dude I thought you were dead." Ethan was quick to pull you in a tight hug. You hugged him back. He was quick to pull away, right when a familiar sob rang through the room. You looked ahead seeing Tara, her eyes red filled with tears.

You felt her body shaking as she fell into your arms. Her arms had wrapped around your waist in a tight hold as she cried into your chest. You held her closer looking at everyone around the room. You knew she was most likely worried about you. But hearing her cry like this was concerning. The more you looked around, you realized someone was missing.

Amber. Amber wasn't in the room.

With a regretful nod, Wes confirmed your thoughts. Your eyes falling to Quinn who was also crying. Your heart ached at the look on her face. You had tried hard to get Amber and Quinn together but they both were too scared of rejection.

Your eyes filled with tears. Tara had lost her best friend, your friend. Amber had been the first one to know about your feelings towards Tara. Amber had been the one to push the both of you together.

And Quinn lost someone who could have been the love of her life.

Amber was gone.

*

"Hey, talk to me." You whispered, you were sat at the corner of the room with Tara sitting in between your legs. She was leaned back into your chest. Her head resting in your neck. You could hear her faint whizzing. She had cried herself into an asthma attack.

"I-I thought you were gone. Her...Amber's- her hands were so cold. Her hands have always been cold. But they were freezing...She's gone. Amber's gone."

She began to cry softly, you brought her closer softly rubbing her back. Hoping to give her a bit comfort. But you knew you could only do so much. Amber was like another sister to Tara.

"I'm sorry Tara." It was all you could say. There was nothing that could comfort Tara at the moment. She had just lost someone that was like a sister to her. You hated thinking what Amber could have felt. How scared she must of felt. For Amber to go through that it made you want to cry.

"He's bleeding, he's infected. We have to throw him out."

You were brought out of your thoughts to see Jason pointing a finger at Wes. You and Tara both stood up looking at Wes to see his nose was bleeding.

"Oh I slammed my face on the wall when I had to jump out the science lab window." He wiped his nose with his vest, that he had taken off.

"No. You're going to turn into one of those things. He's putting all of us in danger. Greg, Coach Loomis, Amber. They all started showing signs of infection with a nose bleed." Jason argued. "Look at his fucking hand-"

"Stop." You pushed Jason away from Wes. You did not want to believe your best friend was going to change into one of those things. You stood in-front of Wes taking his hand in yours. You saw the scratches on his fist. They didn't look too deep. But you weren't sure if he'd turn. Everyone you saw turn, they had been bitten.

"It's just a scratch." You stepped beside him looking back at your friends. "He'll be fine."

"Oh you're one to talk. Profesor Prescott. You have to do something about it." Jason argued, he wasn't going to let this infected be in the room. Putting him in danger.

"Wesley. How about you go into the soundproof room and wait it out. Make sure you're not infected. Just a safety precaution." Sidney truly still couldn't wrap her head around what was happening. The fear she felt was something she has never felt. But she knew she had to stay control and hopefully keep her kids safe.

"But Profesor Prescott-Please Wesley. We can't be too careful."

With a huff he walked into the soundproof room. The door shutting behind him. You watched as he sat down on a chair. You really hoped he didn't turn. You couldn't lose any more friends.

*

"Well times up. I think Jason here owes Wes an apology." Chad spoke his arms crossed as he stood straight looking down at the boy in question.

"What? Yea right. I'm not apologizing to him. Why the fuck would I?" Jason crossed his arms in anger. Hating the way everyone in the room was looking at him.

"Dude, just own up that you were wrong." Ethan said from his spot, he had been trying to comfort his sister. There was times he had thought that Quinn would have gotten together with Amber. He had high hopes for his sister. But now she looked heartbroken and he couldn't blame her. Amber was a big part of the group.

"Yes Jason please go apologize to Wesley."

With even the teacher gaining up him. He had no choice but to go into the room. A dark thought crossing his mind. Once he would follow through. The consequences not being enough to stop him.

Everything happened so quickly. He was fine. Then the next his nose was bleeding with her being blood red. Tara stood behind you, knowing very well what you were going through. You were losing your best friend and there was absolutely nothing you could do about it. Only being able to watch as Wesley changed into one of the monsters as well.

*

The group was losing more friends than they had been prepared for. First Amber and now Wesley. You had stood next to the window for the longest time. You Chad and Ethan had to push Wesley out of the window. Trying hard to avoid getting bit by your once called best friend. He had been your first friend, back in preschool. He had been the one to name you his best friend.

And now he was gone.

"We have to find a way outta of here." Your gaze was on the world outside. You had lost sight of Wes the moment he got up from falling from the third floor window. Tara stood by your side her grip on your hand never wavering.

"How? Out there, it's too crazy and too risky." Chad spoke from his spot in the floor. He knew that help would take too long for it to arrive. With how dark and chaotic it looked from the room window. He knew that help could take up to hours if not days.

"The front is not an option. But the through the back. The construction sight we could use that route and head through the woods." You needed to get your friends out of this school. Staying here was clearly not an option.

"Okay, how do we get through those zombies?" Ethan spoke from his spot between his sister and Chad. He saw the familiar crinkle form in between your eyebrows as you thought of something. He watched you, the sadness and the complete refusal of acceptance of Wes being gone was still in your eyes.

"Zombie guts?"

"What?" Everyone turned their gaze to Mindy.

Mindy shrugged, "don't look at me like that. Haven't you guys watched the Walking Dead or any other zombie related movie. We all established that these things are zombies. So there for we use zombie guts to hide are humanly odor with flesh and get the fuck outta here." She stood up, her hand held out to help Anika up.

"Alright, it's not like we have other options. how do we get one of those things in here?" Anika asked, she was scared. Scared for what was going come. Especially if this idea became something they actually did. They already lost Amber and now Wes.

The professor in the room stayed quiet, what had just happened was something she was surely she'd never forget. Wes, Judy's son. He had been the sweet boy one second and replaced by a flesh eating monster. The change had been quick. She didn't know what or how she'd tell Judy. Judy loved her boy, he had always been her pride and joy. To have that taken from her, Sidney couldn't even imagine what that felt like.

"There's plenty of st-bodies in the hall." Sidney finally found her voice. She felt guilty for even saying it but if it meant saving at least these kids, well she had to try.

*

It took a day of no rescue for the others to actually go through with the plan. The day had been spent going back up to the tech room. Retrieving a drone to look for any survivors. With no luck on the drone it had made the original plan more cemented in everyone's mind.

"We should still use something to distract those things." Sidney said as they had successfully dragged two dead zombie student bodies into the room. She could see how your bloody hand shook as you put down the blade. Ethan and Chad had helped you drag the two unrecognizable kids into the room.

"The intercoms you use for morning announcements?"

"Okay Anika come and help me."

While Anika and professor Prescott worked on that. You stayed looking down at the blood on your hands. You had just killed two students. Two students that were no longer themselves but yet you did it. The parents of said kids would never get the chance to see them again. And now, now you were planning to cut them open. Like pigs, all in the name of survival. What you were about to do, you weren't even sure if it'd work. But it had to. You and your friends couldn't last another day in this school.

Soft hands cupped your cheeks, lifting your gaze away from your hands. "Hey, look at me." Dark brown eyes looked back into yours. "Stay with me." Her words rang in your ears. Your racing thoughts come to a halt, you need to get Tara out of this school. Some where safe.

"It's ready." 

Now all that was to be done was to butcher these kids, before you could even pick up the blade someone else took picked it up.

"You've done enough, I got this." Ethan said giving you no chance before he took a deep breath and you flinched at the sound of bones breaking. You looked away, your eyes finding Tara who was by the window. You knew she was worried for her sister.

"Wait, Professor? How do I use the intercom's?" You asked while Ethan helped cover the others in blood.

"Just push down on this button to speak, okay go ahead."

"Sam if you can hear this, it's Y/n, we are going towards the construction sight. Please try to meet us there."

*

The walk was tense. Everyone in the group falling in a close line. Tara standing right behind you. The halls had a few stragglers, but they paid no mind to you or the others. Those things, too occupied with the morning positive announcements. From what you could see the plan was working. Thing that worried you was that said announcements were only thirty minutes long. And it's been twenty at most minutes that have passed since you all stepped out of the broadcasting room.

"We have to hurry."

Your head snapped back at Jason. The look was harsh, as the deal was to not talk and make unnecessary noise. But the damage was already done. The zombie that was closest to him had growled in his direction, it was enough for him to get out of line stumbling on a dead body, making him crash on to the floor. The yells of the zombies as the scream that left his lips was enough to draw in more.

Some bumped into you but paid you no mind you had taken Tara in your arms the moment he had fallen out of line. You couldn't do anything without putting the others at risk. So you took a quiet step back. Leading the others away.

It was too late for him anyway.

*

The plan was going too smoothly. You were only minutes away from entering the construction site. When the rain came followed by loud thunder. You breath hitched at the meaning. The smell of dead would wash away. Leaving you and your friends exposed.

"Run."

The panic washed over everybody, the pace picked up and the rain fell harder. The sound of infected roared as the picked up the scent of human flesh. The group cutting through the open field to get to the closest construction area. Running into the building.

"Get down!"

The group of teens didn't hesitate as they dropped to the floor. The faint noise of arrows flying by. The sound of the dead dropping and staying down. You had covered Tara with your body. When the only thing that could now be heard was the sound of rain and thunder. You looked up eyes connecting with familiar brown eyes.

With a chocked laugh you got up, helping Tara up. Tara only had a second until she realized who was in front of her. "Sam." The hug between the two sisters was a moment you felt like you needed. The relief in Tara's shoulder was noticeable. Sam looked at you and the group. Eyes furrowing, you felt like you knew what she was thinking. Shaking your head slightly, her eyes filled with remorse and slight tears.

"We have to get off school grounds. It's too crazy here." Danny said after retrieving the arrows. "I was able to talk with my dad before the phone lines stopped working. People were able to evacuate to the town over. The city is blocked by the military, so we have to go to one those checkpoints and hope they don't shoot first."

If the military was able to evacuate some people you knew that if the school grounds were crazy, the city was most likely worse. With a sigh of what you and the others will most likely go through. Getting to the construction sight had been hard and almost seemed too difficult. But now having to just go into the city, now that was impossible.

*

"Okay guys just stay close okay. Everyone has a weapon right?" Danny asked as he loaded his own bow with an arrow. His gaze falling on you. He could see how much it hurt to lose Wes. He had been more like brother to you and he knew how much you cherished the friendship with Wes. He also knew that Tara was hurting. Amber was also like sister to Tara. Being there when Sam couldn't.

"Okay. I'll be in the front, arrows in the front clearing a path. Y/n, Chad, Ethan think you two can handle the back?" Danny asked getting nods in response. "Everyone else try to stay in the middle don't get separated. Alright let's go."

*

He felt cold, confused, hungry? He felt really hungry. The hall floor was hard and wet, but the more he became aware the more he realized that it was blood on his clothes. His blood.

The memories came flooding back in, the feeling of being eaten alive. He remembered all those bites, he felt those bites before his world went black.

You.

You had left him there to die. Not even moving to help.

He'd make you pay.

*

Tara kept looking back at your direction, she didn't like that you were in the back. She was thankful to know that her sister was alive and not one of those things. Yet she still feared what could happen. They had successfully made it out of the school. Cutting through the back woods. The woods had been thankfully deserted with no infected in sight.

With Sam in front of her along side Danny, the walk was quiet, tense. She was afraid that the smallest noise would bring those things down on them.

She had to believe, or at least hope that everything would be okay.

*

You breathed heavily as you pushed your back onto the door. The dead pushing their own weight to get the door to open. "Fuck! Get something to block the door!" Chad and Ethan helped you with the door. While the rest helped with pushing a big cabinet. Your body pushed forward from the force of the door trying to he pushed open.

"Guys hurry up!" "Move!" The big cabinet fell in front of the door blocking the infected from getting in.

"Man that was intense, everyone okay?" You slumped back into a wall, everyone responded with a confirmation. "Come let's get away from the doors and windows."

Once everyone was in a more secluded area with less windows, you turned and checked over Tara. "You okay? No bites? Do you need your inhaler?" Hands stopping their movements on her cheeks.

"I'm fine. Come on let's rest." The day had been a long one. From moving discreetly and not so discreetly the group had to take refuge in a restaurant. The moment you had a chance you took Tara into your arms. Thankful to have her safely in your embrace.

With most of the electricity being out in the city the streets were dark and if not almost impossible to see in the dark. So you had to find shelter and having to move when the sun was out. The rest was well deserved, with everyone running low on energy. The group had taken shelter in a room furthest from the front door. But it had a window just in case of needed to get out of there quickly.

~

Tara had been asleep on your chest, she felt so exhausted, hungry. It was still dark out, so she wasn't sure what woke her up. You were still asleep, your chest rising and falling in a calming way. Your face was relaxed for the first time since this whole thing started. As she traced your facial features with her eyes, the glow of the moon was enough for her to see your face. She heard a noise. A noise that she was certain was what woke her up.

The door leading down to the empty hall way was closed and barricaded with a desk. Everyone had fallen asleep. As she moved to get up your arm wrapped around her waist tightened.

"Where are you going?" Your voice came out as a whisper. You had always been a light sleeper.

"I heard something." She whispered back. You were now wide awake as you sat up with her. She watched as you stepped silently towards the door, she moved behind you, refusing to let you go alone.

You only moved the desk a few inches. Enough to only crack open the door, only to get a peak outside. The noise was heard again. But you couldn't see anything, the halls were dark. The moon light only casted so much light. The noise got closer and closer until you saw two eyes looking up you. The breath you didn't even know you were holding was let out.

Meow.

The cat used the small gab you left open. To get in. The black cat rubbing against your leg.

"Oh it's a kitty." Tara gushed as she pointed the light from her phone on the cat. You chuckled and quietly moved to shut the door.

You didn't see it coming. You had been so focused on Tara's smile as she the cat in her arms. The force of the push had been so unexpected, the force throwing you back. Your eyes widen in disbelief at who stood there. Covered in blood and bloody snarl on his lips.

"You left me. You left me to die."

"Jason."

Everyone was now awake. You could feel the tension, and the guilt you felt washed in.

"Feeling guilty?" His twitching was noticeable. You couldn't wrap your mind around that fact that he was still alive.

"Yeah, I felt guilty too...when I infected Wesley. But then I remembered what he did to me. Then it went away."

Your ears felt like they were ringing, his word repeating in your mind. Wes was fine till Jason went in that room to apologize. Jason killed Wes. He killed your best friend. You acted before really thinking.

"Y/n!"

Your fists connected with his face. The rage and fury you felt washed over. It angered you further that he was laughing. The rage grew and the punches became more intense.

Arms wrapped around you as they tried to pull you off. The arms of Ethan and Chad pulling you off there hold on you tight.

"You'll all die."

The sounds of groaning and screams filled the hall. Everyone sharing a look as they all moved to shut the door. Jason laid on the floor as he continued to laugh loudly. Drawing the attention of the infected. You wasted no time to grab him once again throwing him out the window.

"Fuck, out the window." Anika moved towards the broken window. Seeing Jason no longer where he landed. She was scared. Scared on what that could mean. He had turned but he wasn't like the rest. He was still conscious of his actions.

The sun just barely coming out casting a light into the room. Your hands still shook, the anger you still had was still there just now accompanied by some overwhelming regret.

"We have to move!! They're breaking through the door!" Danny yelled as he along with Chad, Ethan, Mindy and Sam tried to hold the desk in place.

Tara was quick to cup your cheeks breaking you out of your spiral. "Baby come on we have to go. Stay with me." Your eyes held so much and she couldn't even comprehend what you were thinking.

"Go with Anika, Sam go down with them. Make sure the way is clear for the rest of us to go down." Taking Tara's hands in your giving them a what you could only hope was a comforting squeeze. "Go with them. I'll be right behind you."

Tara heard you say that once and she lost you for second. This time she didn't listen. She moved to help you with the desk. "Ta-No, I'm not leaving you again. Mindy go. Then Ethan and Chad. I'll go with you. The window is big enough for the both of to jump out of."

Quickly they cleared the room. The door giving out the moment you and Tara rushed forward. The quickness of how you both went out the window falling into a dumpster.

"We have to move! Come on." You took Tara's hand and rushed down the alley. The same alley that was once mostly empty of infected was now filled with them. In the center was Jason. A smug smirk on his face.

"RUN!!"

*

Tara had always been light, with your work outs and constant sports you played you were in great shape. So when you felt Tara slowing down. You didn't even need to look at her when you picked her up. Her arms and legs wrapping around you tightly. Her shortness in breath had you worried and you knew she needed her inhaler.

"The bus! Get on the bus!" Sam yelled her pace picking up as she reached the bus getting the door open, thanking what ever god was up there that the keys were in the key was in the ignition.

You had been the last one to reach the bus. Only a step in when you felt a sharp pain on your forearm looking behind you to see Jason before an arrow was shot right in between his eyes. His limp body falling to the floor, unmoving.

The bus moved forward as the doors closed. The infected crashing into the side of the bus.

You focused on tara whose breathing was becoming more dangerously labored. You sat her down on one of the seats digging in your pocket to take out the inhaler. "Come baby, use this. Breathe in. I got you." You spoke softly in her ear. The inhaler brought up to her lips. "Nice and easy. That's my girl." It took a few more minutes for her breathing to return to a somewhat normal rhythm.

*

"Okay I think we lost them." Mindy spoke up as stood by Sam who had been driving. The roads were empty of infected, abandoned cars were on the streets but the bus was strong enough to move the cars out of the way.

Everything was a bit muffled for you. All you could think about now was the bite on your forearm that was covered by your long sleeve shirt. You weren't sure at first if you were going to turn seeing as Jason was still, alive? But as the minutes passed and the hour grew closer. You felt yourself growing lighter, weaker. You had to tell them.

Tara was resting her head on your chest as you leaned your back on the window. The cat on her lap also resting. Everyone was so unaware of what was happening.

"Sam stop the bus."

"What?" She looked back at you and then back at the road. It was an open field now the city behind as you were the check point wouldn't be too far now.

"What's wrong?" Tara pulled away from your chest to look at you. Her eyes searching for why you would want Sam to stop the bus. But you didn't meet her eyes. Instead you stood up as the bus stopped. Her hand reaching to take a hold of yours.  Her breath hitching and the chill rolling down her body at the feeling of your cold hands.

"No." It came out so small, denying what it meant. You were probably just cold. Your hands got cold sometimes.

Your eyes filled with tears. You pulled back afraid of what was to come. You didn't want to hurt anyone. Especially not Tara.

Chad moved to stand behind Tara, confused what was wrong. "What's going on?"

You took another step back towards the doors. Tara refused to look away from you as her eyes filled with more tears, her lip quivering as she refused to believe what was happening.

"Y/n?" Ethan asked standing by Chad. His hand reaching for Chad's.

The lump in your grew bigger as everyone's eyes were now on you. your eyes finally meeting Tara's, the pure anguish and refusal to accept what was to come.

"Jason bit me, I wasn't sure if it was going to happen. But I am turning. I—I can fe—el it." The tears that blurred your vision finally fell. The feeling of you losing the control of your mind was a lot more, than you had expected.

"Da—nny shoot me."

"What?" Danny's voice cracked as he took you in. Your hands were shaking blood starting to roll down your noise.

"No!" The whizzing got worse as Tara rushed to get to you but was stopped by Sam. She tried hard to get out of her sisters hold but Sam had always been strong.

"D—on't want to....be one of th—ose things." You could feel the blood rolling down your noise. Your vision coming and going. Your knees growing weaker as you crumbled down to the floor. "Da—nny please."

Danny looked at Sam who was also crying trying to comfort her younger sister. Her brown eyes filled with uncertainty.

You tried to get back up wanting to get out of the bus.

Tara couldn't let you go. She couldn't, seeing your once y/ec eyes were now covered in a bloody red color. She cried out your name, desperately trying to get to you. "Sam please. There could be a cure. We just have to get her to one of the camps." Ignoring all the signs of the infection taking over.

"D—anny!" Your voice came out once more. More desperately. You had stood back up red veins noticeable on your face. Danny loaded his arrow hands shaking as he aimed it at you. You were no longer you.

"I'm sorry." The arrow went fast, and you dropped even faster. Your body laying thee no longer twitching, no longer moving. The arrow went directly into your left eye. He let his arrow drop his ears felt like they were ringing, muffling picking up the cry of Tara.

The world was coming to an end. And in a zombie apocalypse, everyone's survival was not guaranteed.

:(

[marzghost]

Being a Tango pov enjoyer and Rancher shipper who enjoys angst is so wack for me rn because on one hand I don't want Tango to die because I need more chances for rancher interactions during wildlife and I'd like to continue watching my wet cat of a failure block man fail at killing but at the same time I need him to be the first one out (best for lore building and in general significance) or really just out before Jimmy just so I can study how he reacts to it after watching that one clip where he gets physically upset at just thinking about his rancher being out soon.

He doesn't want Tango to die and neither do I but if I get to watch Jimmy be even just a bit upset at Tango's death message I think I can call it a win for my silly rancher heart. Just the implications... The way it could be twisted. The fanficsss! Hmmm YESSS. I hope c!Jimmy did break that canary curse. I hope he got exactly what he wanted when c!Lizzie died first during secret life because now he has to LIVE. He has to see the carnage without the joy of realizing his curse is broken. See exactly why the canary curse wasn't necessarily a curse to begin with when you live in a death game and have come to see those within the games as friends and family... I hope he gets to see his rancher FALL. See his allies FALL.

I hope the coal mine collapses rather than fills up with gas. I hope that canary continues to sing long after its favorite caretakers/miners have long since stopped mining. I don't want him to win. I want him to die of neglect all alone because he couldn't find a way out from the new cage he put himself in.

[tench]

Veilguard is such a weird game.

It's not a Dragon age game, it's bately a role playing game. It's an ok action. Even though it is the most stable AAA release it is still just a bunch of barely tied together stuff in a trench coat.

The writing (insultingly dumbed down and absolutely incapable of taking itself seriously untill the last 1/6 of the game) is all over the place, the direction is nonexistent judging by the tonal shift from one quest to another. We can have very heart felt monologue about the fear of death sit right next to a conversation where a lot of things are told using one specific phrase (I really hope in a clumsy attempt at emphasis) repeated till these words lose any meaning to you.

There's also a problem of role-playing in this "rpg" and the Rook. None of your dialogue choices matter in terms of defining your character, no matter the option you choose, the general conversation will carry the upbeat silly tone. "Your backstory and class matter more than your race" works untill it doesn't, like when you are a dwarf but you are denied your own journey and realizations tied to the titans, and maybe it is not your journey to take yet you can't even try to be a part of it, even when Harding is actively reaching out to other dwarves to share this connection. It's also weirdly more interested in writing romance between npcs than for the main character (Lucanis comes to mind, it feels like the game is actively punishing you for pursuing him, you have to lose the whole shadow dragon faction, you won't get to hang out with Dorian and still you have bare minimum and he more interested in Neve anyway), that's extremely funny that this game is player-sexual yet completely player-aromantic. (And I miss the dai option where you can come up and kiss your LI whenever you feel like it).

I won't even touch on the weird and unnecessary sanitation of everything, like we can't allow people or factions to have negative traits whatsoever. And it's not "southern propaganda", it's "we are not engaging with complex topics for the sake of clear dichotomy between good us and evil overlords". Speaking of which

The whole plot.. The general idea of it is ok. You come to stop Solas, you make the situation go sideways, you have to work together to fix your mistakes and maybe learn to sympathize with the antagonist haunted by his own transgressions with the main theme being legacy and your relationship with your culture and the baggage it brings. But the journey is a complete disaster. Part of it works solely because the characters absolutely Refuse to make a plan and the other - because the main character has a blunt head trauma. Maybe it's related. Maybe it's all a mass hallucination. I may try to elaborate on how it's absolutely ridiculous how little the inquisition and the politics have any impact in this game yet somehow 8 people squatting in the Fade with no political affiliations are held responsible for providing for every faction they come across. I won't even try to make sense of it. It's the usual case of "the main character does everything".

The direction is not only absent in the writing. Some lines that are ok in text delivered in such a way you may think they were allowed only to use the very first take.

The music is absolutely forgettable. Also the odd riff during the dramatic reveal absolutely took me out because I thought I heard kazoo (but I bet Varric would love it).

The visuals are.. Ok. It's pretty on the first glance but the more you travel the more you realize that the general design of the locations are kinda lacking. They have this weird gradient that makes everything a little bit more unfocused and a bit washed out. There are also too many cases of the horisont just drowning in the fog. Air perspective is great and it suits locations like Necropolis, but I would argue that these establishing shots should be used for environmental storytelling in other places, with some focal points in the background, like during the final mission where you see the world absolutely drowning in the blight, devouring local statue of liberty. Or the dead Titan. Or the first shot of the Veil jumper forest (I forgot how it's called) where you see the ruins going into he sky. But because of the fog (or sometimes darkness) it feels like the game is more interested in cheating the optimisation than to hint on the bigger picture (like the chantry and the gallows buildings that you can see almost from all locations in DA2 or the andrastian/dread wolf imagery of inquisition)

So, in conclusion. Not the worst game I played, yet disappointing, even if we pretend it's not an installment of a beloved franchise that people were waiting for 10 years.

Ps. Also making such a game with nerfing all the lore only to nuke all the legacy locations is a choice I won't ever understand. It's like it is not for the fans and it's not for the new people but a secret third thing.

[aymayzing]

Fate of Southern Thedas Rant

Okay, so

All in all, I enjoyed Veilguard. I have some gripes with the game and I can already point to a few things and go "yeah, I don't care what the game says. I am discarding that and filling it in with some headcanons" which happens with literally every Dragon Age game.

BUT

The main thing I dislike is what the game present as happening in the South of Thedas.

I've spent three games saving the South, piece by piece, I cannot accept it falling now, in a game that doesn't care about these parts of Thedas, so much so that it's only really acknowledged in codex entries.

I say - if for some reason the devs want Veilguard to be separted from the other three games, then give us LESS infromation about the South. I don't need letters telling me that the places I've saved once are now lost and therefore it didn't really matter. Tell me that the South is fighting its own battle and leave it there.

In a perfect world, however, here is where we'd have an acknowledgement of previous games.

Mention that mages in their new orgnization have been supporting the fight. Or that the rebuilt Templar order is leading the charge somewhere. If the Inquisitor encouraged Cassandra to rebuild Seekers new and better, mention that they're a great help with fighting demons. Bring up the conclusion of Wicked Eyes and Wicked Hearts. If a truce was forced upon Celene, Briala and Gaspard, say that they're using the chaos to fight for power. Or that Gaspard, as a soldier, has been great at protecting Orlais. What about the decision regarding the Wardens? Say it sucks there aren't Grey Wardens in the South or how fortunate that they're here.

Mention HoF. If they're alive, they're protecting Denerim. If they allied with the Architect, say there's darkspawn infighting in northern Ferelden. That thanks to the Warden being an X, there's a strong bond between Orzammar/the Dalish/mages and Ferelden and they're fighting hand in hand or that the elves of Denerim have been especially well organized and are protecting their city.

And then it can all be in codex, in missives. It's a positive thing then. I get to know that the choices from previous games influenced something in this one and I'm happy to read about it in a codex or a letter from the Inquisitor. But my friend who's playing DA for the first time doesn't care and they can skip those codexes.

I don't think the South has fallen and will never get back up again. I see Rook defeating the gods as a deus ex machina. With them gone, everything else is saved. If Minrathous can be rebuilt after being thouroughly blighted and destroyed during the finale, so can Denerim, Kirkwall, Val Royeux.

But. I just wish it was stated in game and not something I have to come up with on my own based on some ending slides. I wish the devs didn't discard the parts of Thedas I've grown to love over the previous games twice over. I wish they made another decision here

[girldriveroscar]

Parasocial Oscar and Landoscar analysis ahead u have been warned.

Contextually, 2020 Oscar was finally pushing open the door to the world of F1 as a potential driver (Mark Webber management, Renault Sport Academy, Eurocup Championship, etc.) and that fact combined with still being a schoolboy, surrounded by mates who actively followed his career and were his personal hypemen definitely made Oscar a bit of a hotshot to gossip about. Sure, he's kinda a nerd who games and races but also he's got great grades and a pretty girlfriend and he's coworkers with max fewtrell, best friend of emerging F1 heartthrob, lando norris, so really the cards were lining up in his favor. And yet none of that success (both socially, as it appeared to his peers, and personally, career-wise) went to Oscars head. Rather, he oozed this dorky endearing confidence that planted the seed of cool self-certainty that'd follow him into his F1 career. I mean from the very start, we can witness how Oscar took everything in stride, building a strong sense of self over easily inflating his ego.

This got kinda long so the rest goes under the cut for organizing sake!

Then, observing his Prema years, Oscar was newly thrust into a whole new team vibe. And in response, he outwardly tried time and time again to be a team player with the hazing/embarrassing bits (insert multiple clips of him dancing and singing despite initial hesitation, easily accepting very personal race vlogging into his daily regime, making hundreds of silly gifs for every occasion (heavily encourage everyone to take a look bc there's genuinely so many))

NGL watching Prema vids was what initially helped me understand Oscar better/made me like him bc we get the most clear display of his lack of ego. There seemed to be a general understanding coming out of this content: the media took an exorbitant amount of energy and wasn't at all conducive to developing his racecraft. buuuuuut regardless Oscar maintained an attitude of these people are my closest thing to family out here, they care about my wellbeing and my success and god damn it if they wanna take photos in matching Christmas PJs then hand over the damn PJs. And that was all of course bolstered by his growing success and notoriety on twitter. Just as he'd established a strong sense of self from the very start, now his public identity took it's shape in a way that felt honest and lifelike <Insert Clip of Angelina pointing out his messy clothes and Piastri Shrug>. He managed to carve out a niche amongst the Prema cast and it's not that he needed to be funny but if people memed him and laughed then hey if it gets me popularity I'm all for it. 

Honestly when people dog on Oscar, saying he's got no personality it makes me crazy because it's the total opposite! I think the charm in observing his growth from Renault Academy to Prema to F1 is catching how quickly he established an unchanging confidence in not only his racecraft and wheel knowledge but also in his personality- and how that personality shines through in subtle ways. When Lando does his negging, everyone just heard Oscar sing for the first time in McLaren, am I a funny teammate, Oscar takes it in stride. He doesn't blush, nor take insult, because he has no complex - he's confident about who he is, even if people don't find it amusing. Oscar knows he's not too shy to burst into song, it's just that there isn't anyone who needs him to, so why should he? He knows Lando doesn't think he's funny, but it's not like he was trying to be anyways, so what's it matter? On the flip side too, the rare times we get an outward expression of his confidence are GEMS. The Pool Promo, where he *unprompted* shows off with a trickshot and wins, THIS VIDEO where he eggs on Lando to call lies on his confidence, calling out Carlos/Lance when they interfere with his driving, does it please you greatly that you've won before Lando, is max the best driver on the grid, the whole cricket video, etc etc.

(LOL because I write about fashion outside of this blog and someone might appreciate the connection, in my brain I kinda liken Lando and Oscar's respective confidence to loud/quiet luxury. Lando's a OOAK Hot Pink Birkin and Oscar is a Helmut Lang black slack lolol) (Not a diss btw both items have social connotations/importance that we could unpack for hours but I digress)

I digress I digress I digress. Going back to the Prema assigned humiliation rituals. In a way I think Oscar's ethos regarding embarrassment/lack of ego heavily simplifies down to this story. His mom goes on to explain how after winning an award she gave him a big kiss in front of the whole school and, contrary to how most kids would be embarrassed or angry at the sudden loud affection, Oscar just brushed it off like no matter! "He's just resigned to it" <- literally the most OP81 psychoanalysis of all time thank you Nicole Piastri. For Oscar, the implied embarrassment he should be feeling does not register, as he simply receives love without any grievances, and hasn't the mind to worry how everyone else perceives this exchange. I swear I have a point pls stick with me. So, reiterating, this is the Prema treatment, sitting in front of the camera, Oscar resigns to producing content that's at least moderately enthusing because at the end of the day, the love for his team and the people he's working with is what's worth sacrificing mystery or "cool-ness" for. And even that's a bit of a misstep because I don't think he views it as a sacrifice so much as 'being perceived' doesn't fall on his radar of important things at all. Which! is what makes Oscar SO effortlessly nonchalant in an objectively cool way! (like this is where the more surface-level likening to Kimi Raikkonen <certified Ice Man> comes from) (The real Oscar freaks know he's not any cooler than his indifference and he's actually an incredibly endearingly awkward guy. He just doesn't take himself too serious, idk you get it.)

Now continuing down this timeline, F1 Oscar, who's got exponentially more eyes on him and a humongous team of people who's names he is still learning- comparatively, who is the one guy he can definitely remember the name of. In this transfer of teams and people, all this “I love you even if its kinda objectively embarrassing for me” energy Has to go somewhere and where else would it go than the one guy who’s name he can remember; the one guy in the same exact position as him; the one guy who he’s followed and idolized since 14! YEAH YEAH. And now Lando himself is hardly an extrovert like Oscar’s old prema friends/coworkers, so instead of yes I'll do a stupid dance so you can have good content and make your job easier Oscar -Acts of Service- Piastri has kinda got the most easy job in the world of loving Lando —I just want to make eye contact and know you hate/love this as much as I do— Norris. Like they genuinely match each others freaks in the sweetest introverted mutually beneficial way.

When you really dissect Oscar's Prema content, he’s equally expressive to everyone! He stares holes in the heads of Fred/Logan, doubles over laughing at Arthur/Robert, blushes over Angelina's teasing; it's a sanction of his care and attention divulged to each person in his sphere, one slice of the Oscar cake. Now take Lando? He's been treated to the whole Oscar Cake with a side of ice cream and a cherry on top. Like imagine if you had 10 glasses of water and you poured all of that water into one glass. Suddenly it’s overflowing and there’s water all over the table and the mess is apparent to everyone and the waiter is bringing over towels and someone's grandma just fucking slipped in the puddle and there's a baby crying and- right? right. Oscar’s love language that was distributed across an entire team of people now has nowhere to go but Lando. And not only is it love in respect to the game, it's I've known you years before you knew me, I fell asleep to your voice, watched you grow into the man you are today type love. Oscar is folded at the waist drowning Lando, staring at him with the force of 10x one man's ration of love and we are all god's honest witnesses! Yea no wonder he want that cookie so effing bad tf!!!!!

And it’s such a compelling dynamic because Oscar has been ready to transfer that quiet affection since the very beginning (had old pics of Lando on his phone up through his first year of F1 rightttt right) and since the start of it all, we just get front row seats to Lando reacting to this unconditional respect/love. WHICH IS EVEN GREATER FOR THE FREAKS AND THE WEIRDOS BC LANDO IS SUCH A WEIRDO AND HIS COMPLEXES TOWARDS OSCAR ARE SO COMPLICATED. Basically like. idk. I love when they beef bc Oscar is like I love u I love u I love u and landos like idgaf I’m cheating on u actually no I’m sorry come here I will give u silly nicknames reserved for only me to call u, but actually fuck u and ur talent I’m not spraying u w champange but also oh my god I’m a mess come be freaky w me about it,,,,, the put Lando Norris in a scenario versus his own mind agenda is great. (Bringing back the og tag to just say not ln4 hate, i just like to observe him like a bug in a jar and shake the jar hard bc he is a millionaire and my silly wabbit who I experiment on) anyways. Yea. Lando is complex. Oscar is cool bc he doesn’t care if he is cool and yet simultaneously he's so uncool bc having a crush on a guy for 8 years before being his mclaren arranged failhusband has never been easier nor sexier. OKAY. NO MORE. for now.

[befuddledcinnamonroll]

As much as I was not emotionally prepared for the end of episode 10 after the utter hell that was last week irl, I keep thinking about how well they constructed this episode.

I know there's a lot of varying opinions out there, but to me, when it came to the core themes, what happened made so much sense, and was crafted really, really well.

Like I couldn't give less of a shit about the ring and how it works, because it doesn't matter - there's always some bastard with power that he's abusing, and how he got it and who is going to get it from him next is irrelevant to those of us just trying to survive. They already spent plenty of time showing it's all a game, the ball has just changed hands. It very well could be a magic ring - just look at how people in real life worship and obey money, which is a creation of humanity, not an inherent truth. The point isn't for us to understand how the system works overall, but to see the ways that those of us lower down get manipulated into exhaustion and despair and self-punishment. That's what we need to know about the system - how it breaks us down.

What mattered with the episode was the escalation, the throwing of the crabs into the bucket where they start to pull and tear each other - and themselves - apart.

And it started early. It started when Jack & Joke saw Jennie's character being harassed, and did nothing. Because they thought they were ok, in their little couple bubble. But that's the whole point. It's not just about the two of them, it's about all of them, the collective community, and how none of them are safe even when it feels that way. How none of us are safe.

Jack and Joke both did things we didn't want to see them do, but those are the things the system is designed to draw out of them. Just look at those of us in the U.S. right now. We live in a country that was founded as a white supremacist patriarchal institution, and last week it worked exactly as it was designed to.

Yes, the angst in this episode hurt, but it had purpose here. Because this shit is insidious and horrible and devastating, and even our heroes are not immune to it.

But you know who is immune? Who sees what's truly happening? Who understands what needs to happen?

Hoy. Sweet innocent, baby Hoy.

Hoy gets it, and he convinced his cougar girlfriend, and she convinced the people in the temple. Because as horrific and insurmountable as it all feels sometimes, it is possible for holds of power to be broken, for an oppressor to be brought down.

But it has to be collective. It has to be community.

Jack and Joke are suffering because they are not special, they are not perfect. They are us.

But they will get there, because of what they've built in the community up to this point. And the community will come back for them.

[agalychnisspranneusroseus]

While Marcy miraculously staying in LA after the events of Amphibia """misses the point""" and """ruins the story""", my most self indulgent side NEEDS to see these three together in Highschool. I need Sasha being a bit of a mean girl especially to people who look at her girls weird. Yes she HAS spread people's secrets yes she HAS destroyed the self-esteem of countless boys yes she HAS gotten half the cheerleading squad kicked out while jumping through all the moral loopholes imaginable to be juuust on the side of chaotic good and not chaotic neutral. All because they said something mean about the time Marcy freaked out like a baby over a blackout, or because they mocked the food Anne brought from home. Need Anne being surprisingly popular, a big sports girly, seeing her two girls cheering for her during her games - one of them as an actual cheerleader, the other with big signs and maybe a trumpet or something. Need Marcy with her weak nerdy legs (and lingering nerve damage oops) asking Sasha for piggyback rides on the way home, discussing anime and FPS videogames with her while Anne carries her backpack, phone in her free hand, waiting for those two to be distracted so she can snap a picture.

I want them to be so uncommonly affectionate with each other in school, that everyone finds them kinda weird but their families have given very explicit Do Not Separate orders so the teachers let them be. They've been through a lot. Doesn't stop the cheerleading squad laughing at Sasha and questioning how come she'd rather hang out with her two kindergarden friends - one being cringe and nerdy and the other being dumber than a bag of rocks - instead of dating any of the cute boys that always ask her out, or how come she always cancels plans on them as soon as one of her girls calls. Sasha will make sure to teach them not to question her in the future.

The teachers quickly realize Marcy's potential but also notice she only hangs out with two girls who are pretty lazy and are barely passing their classes, and they wonder if they're using her to get good grades. Those two do seem to fit the stereotype of the jock and the mean girl taking a nerd under their wing to make them do their homework. Marcy does help them study, but she doesn't lose sleep over it - she knows they're smart and they'll figure it out, she's just there for a little encouragement. They just haven't seen the care and concern with which they hold her when her chest starts burning all of a sudden, how they race after her to the bathroom whenever she's feeling unwell, how protectively they cuddle her at sleepovers.

Anne has her own group of jock friends separate from Marcy and Sasha, and they get along fine, but they're beginning to think it's odd that she turns down every boy that asks her out, while lighting up like a flower in the sun whenever she gets a call from one of her girls. They ask her about it at one point, and all she says is "I don't really think I want a boyfriend. These two already take enough of my time", with a fond smile and a tender tone of voice that might make you think there's more to it if you had any idea of the concept of consensual non-monogamy, or lesbians. But you're a teenage boy so what you think is more along the lines of "wow they seem like very good friends".

[sockatoothewafflebird]

okay so i found this s1 and s2 intro comparison video and i'm going feral about it. i have a lot to say. i think the intro poses some very important theories and ideas and i'd like to post my take about it. this is about arcane btw

i made a comment about this on the video itself but there's a lot more i wanted to say. in short, the comment said:

season one's intro focuses on the surface-level ideas of the characters. each one is either decked out in their gear or holding their weapons, or whatever things make them who they are. i think it's super cool for that, but season two's focuses solely on lighting and the characters themselves.

as another post mentioned, all of the characters are in very generic clothing, with nothing but them to observe. no gear, no weapons, no items, other than viktor holding his mask (the same way he held the book last season mind you) and the medardas with the rose. they're going to be stripped bare in this season.

the lighting is made so it highlights their faces, their posture, their body language. we're not looking at characters in a show anymore. we're looking at people.

that's the big main idea of all of this, but there's a lot more to talk about, so i'll put the rest under the cut so nonone has to scroll for hours to get past this post if they don't want to read everything. and there are a heap of season two spoilers under the cut as well, just beware.

anyway, we start out the intro with vi. let's take a really close look at this because holy shit.

we start with her sitting there, in nothing but a tank top (and i think not even a bra lmao) and she brings her hand to her face and smudges her tattoo. the tattoo with her name on it. the tattoo that helped maddie nolan recognize her.

and then the pink strip of light HIGHLIGHTS IT. that's her name, that's who she is, and she smudged it. it's probably a tattoo so the smudge in the intro is lore symbolic than anything, unless you can just easily remove tattoos in the league of legends universe. but anyway, yeah, she's having an identity crisis. she doesn't know who she is anymore.

next, we have jinx. parallel to last season's intro vi and jinx are back to back. but in this season they're sitting down. while vi is sitting, contemplative, her sister stands up and shoots.

i think comparing this with s1 is very important. in s1 vi and powder are a carving, cut from the same stone. and there they are in season two, now their own people, now walking away from one another. it's a very clever way to present their dynamic in my opinion.

it's important to point out that vi sits down and the light illuminates her smudged tattoo, while when jinx stands and shoots the light highlights her eye. i'm not sure what to make of it but it's interesting.

let's move on to ekko!

so, when it switches to him, we can see him standing alone in an empty room, the light making it so he has two shadows. they move bit by bit, like the hands of a clock.

i think that's a really cool detail because, for those who don't know much about league of legends, ekko's ability in the game is time-related. what it means for his arc in s2 i'm not quite certain on, but i have a really big theory i'll talk about in another post soon.

on to the next bit, viktor! unfortunately there's a 10-image limit on mobile and i dont have a computer right now so i'll continue this in another post. also i don't want this to be pages and pages long... so stay tuned cause ive got a lot of shit to say lmao.

made a new blog tag, just search arcane intro analysis in my blog and you'll find all posts relating to arcane's intro. more to come!!!

[ayoharuko]

Love and Deepspace: Boyfriend Headcanons ♡

I really need to start writing more Zanye stuff considering his my type in so many ways, don't get me wrong but I love all of them, however. Zayne was the one who pulled me into the game and made me stay :3

Again, most of the headcanons may or may not be already canon in game. But do not worry, I do have originals I've thought off :3

Reader here is Gender Neutral (They/Them)

If you haven't seen Xavier's part its here!

Warning: Some Spoilers from his Myths and minor swearing.

Reminder: The character belongs to INFOLD/ its respective creators; this is all just fictional work so please try to not take these too seriously :)

♡ Now, we all know that our favorite Doctor loves sweets right? I feel like in his feel time, aka when he doesn't have work and takes a break from the hospital - he'll practice how to bake sweet goodies.

♡ Think about it! He knows how to cook well and his knife skills are exceptional, so he would definitely make baking as a stress relief and hobby.

♡ I imagine him making sweets to either give to the patients in the hospital, or maybe his coworkers too, once they finish another hard day.

♡ Obviously, you'll get most of the treats as your his special person but not only do you get most of the goods - you also get the first taste! He would also ask you for your honest opinion, now if your scared in telling him the truth; don't be. He encourages it so he can improve better in baking :)

♡ While on the convo of cooking and food - we also know that this man can cook very well, not only is the meal balanced but the presentation and taste is immaculate.

♡ Don't worry picky eaters, you won't even taste the veggies he put in the meal so you'll be safe and not gag (At least not from the food yk what I'm sayin-)

♡ Zayne will ALWAYS make time for you. No matter how busy he is, you will always be his top priority.

♡ You are literally the whole exact reason why he choose to be a cardiac surgeon/doctor after all.

♡ That also means he worries over you like a mother hen, sometimes he can be overbearing and too much on the scolding or doting whenever you get injured.

♡ So obviously, that leads to a few fights here and there but you understand that his intentions are all good.

♡ You are the passenger princess ✩

♡ Like. His car will always have snacks that you love, extra necessities, ties and your playlist is saved on his car too!

♡ On his day offs and you guys feel like hiking somewhere far, he would stock up his car filled with stuff that you usually use at your home as he wants you to be as comfortable as possible.

♡ He tries not to spoil you... he tried to put a limit on everything so you don't get your way but your just so fucking adorable and stupid sometimes that he can't resist giving in... kidding he loves you-

♡ Dates would consist of; cat cafes, hiking, going to the gym, trying out cafes, kitty cards but mostly he would prefer to spend time with you at your or his place :)

♡ Love languages would be Acts of service and Quality time.

♡ As mentioned, he would do chores and he'd cook for you. He also prioritizes you over anything, all his time belongs to you... it has always belonged to you.

♡ Despite telling you to always limit your sweets/desert intake, it apparently doesn't apply to him.

♡ You both would frequently visit the dentist as his teeth would hurt from the amount of sweets (and sugar.) he'd consume, one wonders how he hasn't gotten diabetes yet....

♡ Zayne knows that he can come off as aloof or cold so he thinks about the words he says to you before he actually speaks it. Which often saves you both from arguments a lot.

♡ He also makes a point to be honest whilst not hurting your feelings, you won't have to worry about him lying about how you look or the answers he'll give to your questions.

♡ The only thing he'd be dishonest about tho is when his the one in need of help. His so used to not accepting help that he lies that his evol doesn't hurt him; when clearly, it does.

♡ You'd have to be super plushy to make him care enough to take a break for his own well-being, how ironic for being a Doctor right? Well, his thankful that in times when he can't be the doctor, you make sure to step in as a Doctor just for him and him only.

♡ Zayne often has trips to the Arctic; and when he does, he would either take you with him (Which is rarely.) or make sure to update you with pictures of/or with Pie, the scenery and with your requests - his face as well. You both won't be able to video call all the time while his at the arctic because the signal would be weak so he takes pictures instead.

♡ When he does get back from his trip, expect gifts and tea from him. He'll also make sure to kiss you deeply as he definitely missed you a lot.

♡ Cats aren't really fond of him right? You would force take him to cat cafes all the time and try to establish a connection between him and one of the cats! There was only one cat that liked him enough tho- But thats a win for you!

♡ Since its been said that you both do go hiking sometimes, I believe you guys would do some camping as well.

♡ He would take you on a hiking journey up a cliff filled with pretty flowers and Mayne jasmines that he may or may not have planted himself and you both would set up camp there.

♡ He would grill some food, take out the sweets he baked back at his place and cuddle you under the starlight... wishing for this all to last forever.

♡ He gets nightmares right? When he does; all he wants to do is seek you out, but he often feels guilty as he knows you have your own problems... So you have to rely on your 'Zayne Senses' to know whether the nightmares haunt him or not.

♡ When it is haunting him; all you need to do is Lead him to the bed, tuck his head into your chest - just enough so that he can hear your heartbeat while you whisper promises that you're never gonna leave him.

♡ Zayne has learned how to be patient, yet for you? His Patience will be tested. Whether it's you on those week - long missions or you not calling or messaging.

♡ Zayne does skincare..... I firmly believe he has friends that are dermatologists and that they give him skincare products sometimes as a gift. He gives some of them to you too, if it has good benefits or if you just want it.

♡ If you both are living together and your schedules are in-sync; you both would do your skincare routines together.

♡ I believe that Zayne - not only takes care of his body health but also his face - and not in a beauty standard way but in a 'Good looks makes the patient more at ease and would likely trust him more typa way'

♡ However, in months where the hospital gets busy; he develops a little stubble under his chin. Sometimes its on purpose as he likes the way you shave it or the way you sit on his lap if yk yk...

♡ Nicknames that he gives you are so sweet like honey... the way he calls out to you with that sweet nickname he has given you, it instantly fills you with butterflies.

♡ I like to think he'd call you Honey, Sweetheart and My Love a lot... but when your asleep in the comforts of your shared bedroom; he'd whisper My heart and My Jasmine, just soft enough that you could barely hear whilst slipping away to dreamland.

♡ In conclusion, Zayne is just filled of Husband Material ᯓᡣ𐭩

♡ His not perfect by all means (Expect you think he is) but he will do everything in his power to make sure that you'll not only be satisfied but also comfortable.

I had a lot of fun writing Zayne's part! Considering that his my main after all heh.

I hope that you all enjoyed reading Zayne's part and let me know if ya'll want a NSFW Version of these headcanons :)

See you guys on my next post~!

Rafayel's Boyfriend Headcanons, check it out too!

Reblogs are appreciated and Feedback/Comments are always appreciated! :3

(Note: please don't copy and paste my works anywhere, and if you do see them on other platform please inform me.)

[orbleglorb]

tumblr in the blaseball universe, part 10

part 1, part 2, part 3, part 4, part 5, part 6, part 7, part 8, part 9

image descriptions: the first image is a thick black bar meant to separate posts. the second image is a thin gray bar meant to separate reblogs. they are used continuously throughout the post when appropriate. like right now

☎️ official-jessica-telephone 🔁

☎️ official-jessica-telephone

what happens if the real JT wants this URL. it's a part of me now. who do i become if i have to give it up

🐟 offishal-jessica-telephone Follow

she'll have to krill you for it

☎️ official-jessica-telephone

WHO ARE YOU

102 notes

☕ eyesinthedark11

every day with salmon weather for the past few months, my dad has miraculously "found" fresh salmon for us to have for dinner. should i ask him where he's getting it from

#personal #i know the answer. i just need the verbal confirmation

0 notes

Whoops, looks like this post doesn't exist!

🐍 gamer--gorgon

shoutout to the guy (who i think might be in our shadows?) that goes fishing during every salmon game. you should see if you can get anything from the floods

#if he's a shadows guy it's extra funny because he's gotta come up from new jersey #all the shadows share an apartment there #charla said she thought she knew him but every time she tries to get into the stands to talk to him he just disappears lmfao #i get it king. i really do

41 notes

☎️ official-jessica-telephone

what do you MEAN they're rebooting supernatural???

35 notes

☕️ eyesinthedark11 🔁

☕️ eyesinthedark11

i understand that this is ostensibly a terrible thing to say but i truly do not think parker macmillan did anything wrong. if my mom was the coin i woulda done worse. i wouldn't have only been passively killing

🦆 peripheral-duck

everyone wants to act all gifted kid burn out fleabag mommy issues #coquette #girlblogger but the minute mommy decides murder is okay if it gets her some money it's all "well why didn't PARKER do anything :/" you fake fucking bitches. bro got cursed to bring destruction in his wake and THEN cursed to wander everywhere. we're not going to question that??

☕️ eyesinthedark11

if the coin was my mom i would have burned the whole earth years ago. not even because of firewalker or anything i woulda just done that

#like you are looking at mommy issues supreme. you show some fucking respect #<- PREV #on one hand it feels really weird to say these things about a Real Guy who is possibly still alive #on the other hand. you fake bitches #if you've reblogged a fleabag quote i don't wanna hear shit from you #'maybe the fireballs didn't know what instability was' valid point! #but that does not mean they're not at fault. you know #idk why everyone expects parker to just. fix everything. #if he's in the vault then he's been 19 for like 50+ years. he suffers more than jesus

5 notes

🐶 catgirlfirefighter

it's somehow the league's best kept secret that mike townsend is deaf. people keep coming to me like, "idk how you're friends with the guy, he just ignored me, he's such a dick" bro he can't hear you. and also yeah he is a huge bitch

#right judgement wrong reason #mike if you're reading this. ily <3

112 notes

🦞 marketplace-shellfish

Hey has anyone heard from that guy who was making the "meatcute is not real and can't hurt me" affirmations recently? I can't tell if it's a bit or not but they haven't posted since.

#blaseball #san francisco #san francisco lovers #hopefully it's nothing and i'm just anxious lol

11 notes

[nadas-dirthalen]

A Veilguard Achievement Icon Opened My Eyes on 15 Years of Lore... but Was I Right?

PART TWO: What Veilguard Did Narratively, and What That Tells Us Going Forward

[ 1 ]

Hello again, friends and travellers. Now that I've beaten Dragon Age: the Veilguard, I wanted to go through all those 30,000 words of predictions that I wrote in the ~11 days leading up to its release. I'd seen an achievement icon that pieced together a lot of Dragon Age lore for me.

But, I hadn't played Veilguard. All I had was the footage from September 19, the achievement list, and anything else BioWare had released.

So... was I right? And if so, how much was I right about?

This is your warning:This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

(my davrinmance is going great as i try and collect every codex, thanks for asking!)

Today's Discussion: to Understand Dragon Age, We Must Understand Its Writing.

Before I can go any further on why I think the way that I think, or why I imagine the story might take us in certain directions, it's essential that you all understand where I'm coming from. Veilguard, like any game, is a piece of art. Its bones are built with similar narrative structures to novels (though not identical, and that's important!). To make sense of what's to come, we must examine Veilguard's bones the same way.

I've seen a lot of people wondering why, for instance, the Inquisitor is not Veilguard's protagonist. I've seen people lamenting the fact that there were not on-screen clarifications of popular lore theories. Before this series goes any further, I need to say my piece about why I believe that it was essential that Veilguard was written as it was, and why its writing does in fact help us better predict Dragon Age's path forward moreso than even Inquisition.

That said, today I hope to cover:

What Veilguard Demanded of BioWare's Writing Team, and Why

The Protagonist: Why Rook's Perspective Matters

The 3 Act Structure: Our Lens

The Companions: Paths to Our Answers — and Future Games

What Veilguard Demanded of BioWare's Writing Team, and Why

Let's get this out of the way right away: it has been 10 years since Inquisition. And, like it or not, that means one gigantic thing for BioWare: if they wanted to have any hope of making more Dragon Age, they needed to bring in new players and resuscitate the interest of many old players who did not stay in the fandom the whole time. They didn't—and couldn't—write Veilguard specifically for you or I, people of Tumblr. If they did, it would've pleased us... and then cost them so much money that we'd never get any more Dragon Age.

That doesn't just mean modernizing the game's aesthetics, or providing a glossary in its Codex. It means they would have to balance all of the following (just at a glance):

Managing the learning curve in general. Not even I looked in the glossary as I played. Me, supreme enjoyer of all codices ever. It's just not something most players are ever going to do, as much as it the lore is such a fundamental part of the game in general. That means simplifying terms where possible — elven gods in place of Evanuris, for example — but also trimming down what would have to necessarily reference past games. Only a tiny fraction of the fanbase has played Inquisition in the last 3 years, nevermind this year.

Recontextualizing the lore. That does not mean rebooting it, it means situating all we have learned so far in a framework that fits all we have learned so far. Much of what we learned about the Evanuris seemed, for so long, to be totally separate for the things we knew about the blight and Blights. Veilguard needed to show us how those things relate, and to do so in a fresh context that would allow everyone to develop new understanding.

Pushing us one step past Inquisition's knowledge. Veilguard, after reframing the lore, had to leave us a path for new lore, and increased understanding. I think the devs put it really well when they say that their aim is to give us some answers, but leave us with even more questions. More on that later, and in future posts.

Updating Thedas' ethos. Let's face it. It has been 15 years since Origins came out. The things that were more typical of scifi/fantasy (SFF) then are just not the same now, and would not be perceived by 2024 players in the same way as by those who started Origins in 2009. The world has changed; our cultural understandings are broadening and need to continue broadening. BioWare is doing a good thing by incorporating things like nonbinary identities into Veilguard, and it is good that Veilguard is progressing the world of gaming in that way, especially considering its success. (This is also, I wager, why we choose an Archon out of two choices who want the same thing, rather than leaving that open to a more "evil" option).

Dislodge older fans from their Solas headcanons to get everyone old and new to the same confusion and potential distrust. Hear me out. Everyone who's stayed since Inquisition has beliefs about Solas. Even me, who got here in March of this year, whose fic reads overly soft now because I just didn't know Solas' grander plan until 48 hours before Veilguard came out. Everyone has had headcanons for so long that everyone has had time for their opinions of Solas to cement themselves. In order for Veilguard to work as a story, they had to debunk what everyone thought they knew: both lovers and haters of the famously controversial egg. By breaking down our existing beliefs, the devs open up essential curiosity from the players as to who—and what—Solas really is, which propels us through the narrative and has us absorbing information.

And this curiosity? It is why Veilguard could not have the Inquisitor as its protagonist. To keep us curious as players (and "readers" of the lore), BioWare needed a new protagonist.

Specifically, they needed Rook.

The Protagonist: Why Rook's Perspective Matters

Here's the thing. The protagonist is not just the face of the game. They are our vehicle to understanding that game. The plot follows their wants and responds to their understanding. What they don't know, what they want to know, is what makes up our every objective. Their emotional journey through the game is our emotional journey through the game. Following it, going after the things that matter to our protagonist, is how the entire game (including its lore) takes shape in our minds.

That's why it's essential that they don't know everything—especially after a ten year interim between games.

Veilguard's plot and twists proved that the Inquisitor did not know everything. They, in fact, knew less than half of everything. If we had kept them as the protagonist, all of our knowledge and curiosity would be shaped by the Inquisitor's understanding: a wrong understanding. We could constantly be fighting with what we think the Inquisitor should know, what should be true because we had seen it through the Inquisitor. We would be set up to be at odds with the very events of the game. Rook is a blank slate, barring a few key tonal indicators, and that blank slate allows for us to fit all previous lore into its new, recontextualized shape that I mentioned above. (Again, note that I am not saying rebooted.)

That, and Rook has multiple motivations. The Inquisitor is focused largely on stopping or saving Solas; Rook is charged with figuring everything out as it is happening to them in real time with almost no context or experience, AND stopping or saving Solas. The Inquisitor has existing allies and resources; Rook does not. Rook must build their own campaign from the ground up, and that means the player is building their own experience from the ground up. Their allies, abilities, and home base, yes, but also their knowledge. Discovering things at the same pace as Rook, with a similarly urgent drive to do so, keeps the game from infodumping at us. It keeps the reveals evenly spaced, but also immediately interesting to the player.

And best of all? Rook allows the writers to do what they want to Solas without breaking his dynamic with the endless sea of Inquisitors (or, at least, with way less risk of doing so). We needed to have our theories about him broken down and rebuilt as players; to do that to the Inquisitor would damage an entire sea of headcanons. We'd never get the Solavellan ending we wanted, for instance, if Solas had played mind games with Lavellan for that many months. And if Solas didn't do those things, if he'd been wholly defanged, he would have lost his appeal and importance in the narrative. He wouldn't be the Dread Wolf in the ways that matter to Veilguard.

It's important, then, that Rook has just the slightest bit of backstory. They care about their allies. They are not a potential political force like the Inquisitor. They have many options to be impulsive. Every single Rook has rebelled against authority. Every single one has a stubborn streak. BioWare put all those qualities there on purpose, because Solas uses every single one, in every single Rook, as a tool. That was all essential for his character development in this game! At the same time, they couldn't do that with the Inquisitor as protagonist, because after 10 years, no two Inquisitors are similar enough to predict/script their actions and responses in that way.

Those twists are perhaps the most important tool for forward momentum in the game. The more they keep us guessing, the more we'll play and seek new information, the more we'll learn. Which brings me to...

The 3 Act Structure: Our Lens

Like I said: BioWare couldn't just infodump at us in Veilguard. It wouldn't be interesting to even half the fans that stayed, these ten years. To keep us engaged as players, they had to string the lore through a series of engaging events. Keep the momentum up, so we would not be lazily looking over codices, but chasing new knowledge and understanding. It all had to be emotionally relevant and resonant to keep us caring, because very few people play games they don't care about.

Veilguard, like a lot of written art, follows the three act structure. Though there are a lot of variants on the more precise beats, they all broadly follow the same-ish path.

Hook: The opening image. In Disney movies, this is the song where the character sings about all the things they want in their journey, and what they truly need is only implied. It gives an opening note for the theme by showing what the character lacks, and what they might need to gain before defeating the final villain. In Veilguard, this is our prologue, centered entirely around Varric: the big red herring where we see that Rook is out of their depth, opting to push over a support beam rather than take on the Dread Wolf. Off-screen, it is also the background information about Rook, showing us who they are and what they want before we play.

Inciting Incident: The event that kicks off the main plot. In DA:tV, there's a big collection of these (because every companion needs one; we'll get to that). The first big one is, of course, the failed ritual. The death Rook doesn't see. The Evanuris are freed, but Rook has only half the information.

First Plot Point: "Plot Point" means "big/defining decision" in writer-speak. This is the moment the protagonist decides to go forth on their adventure. In video games, this is more or less determined for you, but you have the option to flavour this moment in Veilguard. You can choose how to tell Solas that you'll do what he wants: either by appeasing him or angering him. You do the same for Neve and Harding afterward, and then again in Arlathan and D'Meta's Crossing. You state that you're doing this, no matter what it takes.

First Pinch Point / "The Setback": "Pinch" means "twist" in writer-speak. It's the first time the narrative is shaken up, and is also usually the first time we see the true scope of the villain. In Veilguard, the first big twist has been called "the Setback" by some of the devs (notably, I heard it at a panel in September). For Veilguard, this is Weisshaupt. We see the true scope of Ghilan'nain's horrors, but we also see the first BIG hints (outside of Varric) that Solas is manipulating us—because he really doesn't seem to hate the Wardens as much as Inquisition enjoyers like myself expected. This event concludes act 1.

"New World" / "Fun and Games": The devs have remarked that they wanted to see the tone of their setback (Weisshaupt) threaded through the rest of the game, and we do: through Davrin and Lucanis' banter, through the reflections on the consequences of Weisshaupt, through every character struggling with their confidence and identity after that point, through the blight getting worse and worse and worse. That's what the New World is: the characters getting used to new circumstances after that first big twist. The Fun and Games are the slow and steady recovery from the twist, warming and solidifying formerly tenuous relationships. This is where we do a lot of companion and faction quests.

Midpoint: In a narrative that ends in a victory (so most games ever), the midpoint is a false victory. We think we've nailed something, only for something else to happen that begins to seed doubt in the protagonist's capability and/or ability to solve the plot. For Veilguard, this is the blighted dragon fight: we think we've got Ghilan'nain, but then Elgar'nan shows up and demonstrates that Rook is in so, so over their head.

Second Pinch Point: The second twist. The villain's identity is crystal-clear, and by now we've definitely interacted with the villain more directly. This is Arlathan, Elgar'nan's mind-trap—and Solas' "rescue" of Rook, showing his duplicity in full. Elgar'nan notably says a line about not falling for Fen'Harel's tricks again, and it foreshadows what we will see of Solas.

Disaster / Crisis: This is the event that triggers the protagonist's downward spiral. Not a twist (necessarily), but a catastrophe. In Veilguard's case, it's both: the Ghilan'nain fight leaves one companion dead-dead and another presumed dead. Then, the twist: Solas using Rook's sharply felt regret to pull his gambit and swap places with them. A series of events that literally had me gasping so frequently I got dizzy. Thanks, BioWare :) Many people say that this event, or something between this event and the "All is Lost" beat, conclude act 2. For games, the pacing is sometimes different, as is the cutoff mark, because otherwise the third act has the potential to be very short.

"All is Lost" / The Dark Night of the Soul: It's exactly as the name suggests: all has been lost. The protagonist doubts themself completely. It seems like nothing more can go wrong, and like nothing might ever go right again. The protagonist is at a loss for how to move forward. In Veilguard? Varric is dead. Davrin/Harding is dead. Bellara/Neve is dead. Rook is literally trapped not only in their regret, but in a reflection of Solas' regret. And to get out, they'll need...

"The Epiphany" / Second Plot Point: "Plot point" means "big/defining decision" in writer-speak, as stated above. Only this one contains more layers than the first. This is where the thematic statement of the piece comes out: the lesson that the protagonist must learn is stated, clearly, for all of us to see. It is the thing that picks them up off the ground, giving them strength to face the climax and the danger it promises. In Veilguard, this is Varric saying to Rook, "Have you learned nothing here?" and reminding both Rook and player that he chose this; Rook's companions chose this; we cannot blame ourselves for the actions of others. We cannot carry grief for other people, or we'll drown in it. Sound like any other character we know?

Climax: The big fight! But also, the big moment where the theme is shown to be the narrative key. In every ending of Veilguard, Rook being Solas' perfect mirror is the key to winning the day against the Dread Wolf. It just depends on what facet of Solas Rook chooses to mirror: the trickster, the nasty combatant, or the person who was haunted by their own failings and lost companions.

Resolution: Narrative threads are tied up, or a promise is made to tie up those loose ends in future installations. Veilguard's credits do both of those things. :)

Why am I telling you all of this? Because the lore must follow that skeleton. Every reveal we get must fit into both the timing and the feeling of those events. It would not fit to suddenly drop everything about the Titans right after Rook gets to the Lighthouse, which is why those enemies you need to kill to get the last memories are level 30-40. It would not fit to uncover everything about the blight's origin before Weisshaupt. If they forced us into that as players, all the casual fans and new players would duck out, feeling overwhelmed.

Even for us older fans, narrative structure shapes significance. You can tell a lot about a codex's overall importance and tone just by understanding where you find it, and when. That's why the Trespasser codices carry so much weight, even the ones about the Evanuris' actions that we don't see on screen at all: they are at the bitter end, and so they carry all the bitterness, longing, and mourning of that ending. Without the context of Trespasser, they mean less.

This is also why Veilguard paces its companion quests this way, not allowing you to complete them until later in the game. Every companion has something to teach us, and BioWare wanted to give each companion's narrative the weight it deserved.

The Companions: Paths to Our Answers — and Future Games

Anyone who's played Inquisition knows that companion quests shape entire facets of the lore in individual games, as well as set us up for the trajectory of the next games. Just look at Solas and Cole: together, they shaped our whole understanding of spirits in Veilguard. They set us up to ask all the right questions about not only spirits being bound as demons (Solas' quest), but about spirits being able to manifest in physical shape (Cole's quest). Together, their narrative conclusions foreshadowed much of the Evanuris' reveals in Veilguard: that they were spirits who could manifest into corporeal shape, and that they had the ability to ask others to manifest—and then bind them.

Again, these quests are paced throughout Inquisition's main plot. You cannot do their before Skyhold, and you cannot do them after the cutoff of (I believe) the Temple of Mythal. Inquisition forces you to see those quests' endings in the exact right spot: sometime around the midpoint (Adamant/WEWH), but before the disaster/dark night (the Temple of Mythal). They do that so you will feel that those things are significant.

Veilguard does the same thing. Every companion has a facet of the lore attached to it, but you cannot follow those threads to their conclusions at the beginning of the game. The game won't let you, because the moments need to be spaced out properly and carry the necessary emotional weight. Not all of their quests promise speculative material for future games in the same way, because some explain the context of the current game (Varric, in DAI, accomplished both with the red lyrium content, for instance; Leliana, meanwhile, dealt with the theme of faith in DAI and did not promise future speculation).

These concepts will all get far more attention in due time, but in short, here's what I think is associated with each companion:

Harding: Titans! But also, angry titans, and the difference between "angry titan" and "source of blight." In the same vein, what the dwarves should do going forward, and where they should place the titans in their culture.

Neve: The soul of Veilguard; her narrative is very current to DA:tV, in my early understanding. But she brings forth a lot of nuance to the themes of regret, and what that regret looks like on a smaller scale (a city, rather than a world). She does a lot of work in showing us that regret is regret, no matter the scale, and that the work we do to do better matters, no matter the scale. Additionally, her personal quest foreshadows Solas' use of blood magic against us being more than we thought by showing off Aelia's puppets, suggesting to us (tonally) that Rook may be Solas' puppet.

Bellara: The Forgotten Ones!! Anaris! Also, the place of ancient elvhenan in the future of Thedas, and what the elves should do/feel going forward.

Lucanis: I think they were going for some Forgotten One/Forbidden One hints, judging by some notes from the Ossuary and some banter between Lucanis and the others. This needs more dissection. Lucanis sort of does both what Bellara and Neve do: the Forgotten Ones, and also the heart of Veilguard's theme, with a lot of found family vibes thrown in.

Davrin: The blight itself, and the future of the blight without any archdemons left to cause capital-B Blights. Thedas' path to healing its nature.

Emmrich: The nature of what spirits are. I need to go screencap more specifics, but I swear this necromancer has referenced the difference between spirit and human soul and has stumbled upon saying that the two might not be so different at least once. Also, the Formless One centers around the Necropolis, and I'm thinking "spirits seeking bodies" and this whole idea of unlife/undeath is going to be explored later.

Taash: Remember how I said BioWare needed an ethos update? I think we see that most predominantly in Taash, whose entire personal quest is an examination of the values and priorities of different cultures, as well as the place of gender and gender ideology in Thedas. We saw this with Dorian and Krem in DA:I, but Taash modernizes that conversation (10 years has changed a lot!) and brings it front-and-center. At the same time, their existence is referencing (potentially) the Scaled Ones, and showing us that the kossith (Qunari) might have far more ties to Evanuris shenaniganry than we thought—and that those shenanigans did not happen on Thedas, but potentially far across the sea. (Neve and Lucanis accomplish this, also, with the Shadow Dragons and Crows, but not to the degree that Taash does).

This is why the companion quests MATTER, and (at least partially) why the game asks you to complete these quests or suffer consequences in the finale.

You know what else happens, upon completion of these companion quests?

You get codices. In Dragon Age, they are the threads that tie the seemingly disconnected pieces of the plot together, and that's on purpose. This time, they automatically unlock upon completing different stages of companion quests—and as far as I can tell right now, days after completing the game for the first time, the ones revealed later DO contain spicier hints about future lore than those revealed earlier.

And between ALL of these things—the demands Veilguard's timing placed on Bioware, the need for Rook as a protagonist, and the structure for every companion's quests—I think BioWare did an amazing, genius job with their narrative. Yes, I have seen some of the art book content, and yes, it would have been so cool to have those things, but... I truly do not think BioWare needed them, as close as I would have held cameos like Cole to my heart.

From a lore perspective? They knocked it out of the gods-damned park with Veilguard. They did an amazing job with each of their quests, and I promise: there is no shortage of juicy lore to be found in Veilguard. Now that I've inflicted an outline of what I know about stories upon you, I promise: all of this serves as context for everything I look forward to saying in future posts.

_____

If you got this far, thank you, as always!

This series is going to take a turn toward what I noticed in Veilguard, how I feel that Veilguard adds to my theories (or perhaps debunks some of them), and where I think the series is going to go from here. But in order to write all that properly and miss as little as possible (even though, in November 2024, with no wiki or transcripts, I am guaranteed to miss things), I need to keep playing the game and keep reading the codices I find.

Stay tuned for the next instalments, though I cannot say how quickly they will come after this. <3