#i just love that they exist in some way or form. art is beautiful and comics are great (until theyre not <3)< /div> Explore tagged Tumblr posts

[martyrbat]

seriously though i know im mostly a comics blog so complaining is expected and is second nature and there is a LOT to complain on (from disgusting writers to character developments being nuked) thats justified but also i love comics so so much.... i love this medium and how unique it is and the story opportunities it gives. i love seeing so many different art styles and writers and how comics can be dialogue or visual heavy (or a balance of both) and how theyre equally important or emotionally moving. i love how many stories and arcs these characters can have. i love when you can tell something is a passion project and when you can tell someone truly loves these characters. i love how long theyve been around and seeing the development of them and the way they been empowering or something to look forward to and bring hope or laughter or excitement since the 1930s. i love that i can not like something in a specific story but still enjoy the character or medium because theres so many different factors in that one story alone but also because theres so many different writers and stories and spin offs and solos and everything to still read and enjoy if that particular one isn't for me. i love how their timelines can be complete bullshit and how sometimes an event is important and sometimes theres no consequences and the only way to find out is to keep reading. i love the melodramas, i love the cheesiness, i love the camp, i love the passion projects, i love the dark themes, i love the slow and developing timelines and arcs, i love the tragedy and humor and horror and action and how many different genres it can have while still in this one medium and still about this one character. i love how any character, no matter how minor, can have a person that loves them and gets excited to see them. i love the community aspect of them (sometimes) and i love how so many different people can enjoy the same comic for different reasons and have their own community of mutuals that enjoy it the way they do. i just love comics so so much.

[scribeofmorpheus]

Dragon Age Veilguard: Love, Wisdom and Pride

A very long Dragon Age post!

Warnings for: Veilguard Spoilers, Solavellan spoilers.

Okay, so I will preface this by saying that this ‘analysis’ primarily focuses on Solas’ arc; both romanced and unromanced. It isn’t intended to be a romanticised analysis, though it is very much enamoured with how a romanced Solas and his relationship with Lavellan foils (and informs my reading/reception of) that of Solas and Mythal’s relationship in Veilguard. There is a relationship I will address that I feel does parallel Solas and Mythal! Scroll down to “Reading Between the Lines” if you wanna skip my little intro below. Spoilers follow.

Truth be told, I wasn’t ever expecting much in terms of actually getting a sequel to Inquisition. The game dev market went through a tumultuous reshuffle before the remake madness breathed life back into many studios. Bioware game sequels (Mass Effect Andromeda) were underwhelming and not as fleshed out since the EA acquisition. I absolutely believe Bioware would have been shunted had Mass Effect Legendary Edition not been so successful. EA’s reputation was always lacklustre and underhanded, but laying off or losing several head writers attached to Bioware with almost two decades of work under their belts was the biggest red flag. Trevor Morris not being asked to return in exchange for a ‘bigger name’ was also a grave warning that returning to the atmosphere, ambience and world of Thedas that we knew was getting further and further away from a plausible reality. And on top of that, there’s the fact Solas was never intended as a romance interest during early development of Inquisition.

Solavellan seemed doomed!

Despite this, I still held out hope for a sequel, but I feared we’d always be in permanent Solavellan/developmental hell. Heck, I’m still waiting for a Beyond Good and Evil sequel—the game released in 2003! So, actually witnessing people play Veilguard, seeing reactions to it, seeing memes and gifs and essay pieces (like this one), it’s like my community has awoken again, and I never thought I’d see the day. Yet I am not blind to the fact we were robbed of so much potential. I knew thing’s wouldn’t live up to re-emerging expectations when Dragon Age: Dreadwolf was rebranded to Veilguard—the shift seemed to imply less of a primary focus on Solas (and apparently, according to the artbook, the early concept art proves this implication correct).

Things seemed even more dire when the devs revealed there was no tapestry mechanic. I had only one hope: that with the Inquisitor’s confirmed return, we’d get at least some form of catharsis for our Inquisitors (Lavellans and otherwise), if we couldn’t get the conclusions to so many storylines present in each of our worldstates. My main fear was that they’d go the clichéd Ultimate Sacrifice route (which happens anyway, but in a way that makes thematic sense given the stakes and heavily blighted worldstate).

Suffice it to say, there was a lot of evidence that Veilguard would disappoint me in the end. But it hasn’t. It hasn’t lived up to the many expectations and marks of excellence that the Dragon Age world built itself into with the first three entries, that’s for sure, but I am also just so deprived of conclusions, of endings (whether it be because TV doesn’t exist in a sustainable format anymore or that comicbook movies are made with a sequel in mind, never letting anything just “Exit Stage Left” gracefully; or the fact we live in a regurgitating content cycle with late-stage-capitalism where anything remotely profitable gets turned into a caricature of itself: Squid Game, Star Wars, etc.). The cycle is so exhaustive that I am actually at a point where I can say I am content with the ending we were given (on a Solas/Solavellan front), Veilguard gave me relief, and beautiful, achy pain to boot. Though I would absolutely be disappointed by both the "non-romanced Solas" endings, given that Solas winds up either "dying alone, forever" or turns to Tyranny.

Now onto the actual review of that Solavellan ending, Mythal and themes of Love!

Note: I have only gotten the ‘best’ ending in my first playthrough, but I also thought the consequences of not maxing factions would be more… dire? Another note, pls, if your romanced Inky swore to stop Solas, how does that ending differ, if at all? Let me know, I’m dying here!

Sidenote: I’m working on writing another review about my views on the ‘sanitised’ worldstate, the new companions (and why I think Varric was the wrong choice to have as an advisor in the game, given that the Inquisitor or Morrigan would have been more impactful; and not to mention that Cole or Briala should have been companions), removal of the tapestry and what it means for the future of stories in Thedas (The Story We Lost is such a poignant compilation of the sheer volumes of lost lore and depth that I honestly think I won’t go as in-depth on that review as this one), and why I think Veilguard is my final entry into Dragon Age.

Reading Between the Lines: What Pride Hath Wrought

One thing is for sure, Trick Weekes flourishes when writing within the ambiguities and complexities of meaning. This makes every word uttered by Solas so great to dissect, he's a god of lies not because he 'lies' but because he's so careful with how he phrases things, what he holds back, and what he reveals.

For instance, the famous Trespasser exchange where Solas mocks his own follies with sarcasm by saying:

“What is the old Dalish curse? May the Dread Wolf Take you.”

Then a softer, more saddened and beaten-down Lavellan replies:

“And so he did.”

This irks him. Because he then realises in that moment that he absolutely did take advantage, but for some reason he frames it around sex rather than power because that’s easier to address than the latter. And he rejects the notion, even though he brought up the expression he knows to mean nothing close to a sexual inuendo for being ‘taken’, and yet he has the gall to try and derail the conversation by pivoting and saying:

“I would not lay with you under false pretences.”

When I first had this dialogue exchange, I was baffled, because did this mean that there was another meaning to ‘Dread Wolf take you’ that Dalish clans lost through the years, or was it more of a self-deprecating joke Solas had with himself because he, the Dread Wolf, romanced (took) a Dalish Inquisitor (away from her people’s beliefs, histories, past), and he found irony in the saying?

On the surface, “wouldn’t lay with you under false pretences” could simply mean “we didn’t sleep together” or “we did sleep together, but I wasn’t taking advantage as the Dread Wolf, I was simply Solas in your presence”. But I have recently thought of a more… ambiguous reading.  Lay could have been used in a milder, more vulnerable way; to mean to be at peace, to be completely vulnerable, as if to sleep. In that sense, the phrasing becomes: “I could not be at peace with you because I was living a half-truth”.

I absolutely think the moment he feels he is truly beyond hope is when we see his expression of abject horror as Lavellan shouts: “I would have had you trust me!”. He realises then that he did fuck up, he did take the choice away from her because he thought he knew better, him and his pride led to a decision that hurt someone close to him, and he could finally see how wrong he was, how alike the entire situation became to Mythal’s treatment of him. Especially if Lavellan asks to go with him. Because he can see that despite the hurt, the lies and the betrayal on his part, Lavellan still wishing to join him draws too close to his first regret: following Mythal.

Whether he likes it or not, Solas’ love which could burn like a bonfire was directed at a powerful woman—a Herald, an Inquisitor—and inspite of her greatness of character, it still shaped her into someone willing to follow him on his dinanshiral out of love, much like he left the Fade and took physical form for Mythal. So now whenever I hear Lavellan shout “Var lath vir suledin”, Solas replying with “I wish it could, Vhenan,” changes drastically with the Mythal reveal, knowing he always walks away from the Inquisitor in Trespasser.

“I wish it could, Vhenan” sounds heavily like: “You would regret me, as I regret Mythal, and I cannot bear for that to happen us.” More poetically, it could read as: “I wish our love could overcome a duty that has lasted an incomprehensible amount of time, I wish I could change my nature, but then I’d be twisted into a demon, like the spirit of Wisdom in the Dales; and yet again, I would become your regret.” These two readings are very, very romantic. Realistically, given what we know of his kinship with Felassan, and how they were comrades and friends for centuries (“A story unfinished. His back turned!”), and given what we know of the complexity of Mythal’s will that presides over the creation of his very being, and yet he was still able to muster the strength to kill a fragment of her to fulfil his mission,  “I wish it could” was most probably a lament: “Do not ask me to hurt one of the two women I’ve loved on this journey, because if it ever came to it…” he would.

Knowing what I know of Solas, of how he was able to convince himself that Varric’s death (avoidable as it was) was just another necessary step, that it was just another sacrifice, another loss that would be worth something only if he completed his ritual, I have no doubt that Solas would also be able to rationalise hurting Lavellan (which is why in his mind, turning away from her, breaking her heart, leaving with no explanation and aiding her in Trespasser so she could live whatever few years remained in “relative peace” is actually an act of preserving that love). I partially think the reason he reveals the truth in Trespasser (especially for a romanced Lavellan) is in the hopes his ��truths’ will push her away. But on a deeper note, I think he also thinks of it as some twisted form of repaying her for loving him to the point that he could have almost forgotten what it was to be the Dread Wolf, to just be with her as Solas, that night at Crestwood. Maybe his harsh truths would push her to the point where she’d give up her love for Solas, now that she knew he was the Dread Wolf, freeing her from the shackles of their love. He’s very self-flagellating, all about self-sacrifice for the ultimate goal, the ends always justify the means, he will endure any pain and punishment as long as Arlathan returns in the end.

What is his love of a mortal compared to the despair and loss of an entire empire? Solas views himself as selfish for falling for her, and that nearly broke him, if he was selfish enough to leave the dream of Arlathan behind for her, what would that do to his spirit then?

In his way of thinking, perhaps telling the Inquisitor the truth is a way out, a rationale they can use to justify stopping him or to make it easier to hate him as the Dread Wolf rather than love him as Solas (someone he hasn’t been in so long).

‘Masking’ as the Dread Wolf

During Trespasser, the Inquisitor has every right to despise Solas after all they’ve learned, and I think he half reveals the truth as a tactic so the Inquisitor can have an excuse to hate him, to be driven to anger and have less pull over his choices, once they learn the truth. Solas is particularly skilled at making other’s play the role that makes his own choices seem inevitable, he orchestrates a lot of events to play out in a manner where it's easier for him to talk himself into bringing down the veil.

He goads Elgar’nan to anger easily. He inspires the spirits to fight for him to the death as a necessary distraction during the war. He absolutely allows the Inquisitor to speak to him one last time so he can offer insight, yes, but also so he can easily frame his actions as just and inevitable. But, Oh boy does he get in for a shock if the Inquisitor shows empathy towards him, it scares him because he’s become accustomed to being seen only as the Dread Wolf. To be understood? That gives way to remorse. And remorse gives way to doubt. And he cannot doubt his purpose, twisted as it is, it is all he has left of his former self. Without it he would most likely change into something different. Someone he doesn’t recognise.

This fear intensifies more so if a romanced Lavellan asks to go with him, and in that case, he takes command and distances himself away (rejecting the help of someone close to him; the chance for a possible betrayal; the chance at another Felassan or Mythal [x]; the chance to twist Lavellan outside of her purpose, in this case, the purpose would be love/empathy) but not without showing remorse at having sacrificed yet another relationship for his crusade.

“Ir abelas.”

Sorrow for what cannot be is at the heart of why the Solavellan romance is so powerful, especially because even though both Solas and Lavellan love each other passionately, love alone cannot be enough when faced with regrets. Love would ultimately be stifled. Corrupted into something else over time. And so, for Solas, having loved and lost tragically is better than having loved and corrupted.

He will not do to Lavellan what was done to him, even if it is her choice, because she knows so little, her naivete cannot close the distance of a millenia’s old sea, and it would hurt him immensely to take advantage of her kind heart [x].

By leaving, he keeps her heart pure. And the yearning! Knowing the love is there, but on its own it cannot be invulnerable to corruption, so it is better to lose it than twist it. Ugh! Him leaving Lavellan is the ultimate show of love! IT IS A WISE DECISION. A rare glimpse into pure wisdom. Which is why he kneels beside Lavellan in Trespasser, he does not “Stand Tall” in the face of Wisdom’s heart. He kneels beside her. And when he stands tall again, he is Solas once more, filled with regret, and once through the eluvian, he returns to masking as the Dread Wolf.

Sidenote: It’s especially confounding that Veilguard allows Rook to push the Inquisitor to save or stop him after you’ve reached act 2 despite your world state choice (I think this was done in case they feared the Inquisitor wouldn’t stand by Solas after everything he was revealed to be responsible for in Veilguard, however it doesn’t work because the Inquisitor wasn’t an advisor, Rook never told them what they learned from the wolf statues, so having a stranger hold the ability to make Lavellan keep her promise or not rings hollow). Personally, I wish the Inquisitor’s presence had more weight in the non-Solavellan endings, too. I wish the Inquisitor could end up being the last friend/former love that Solas destroys (if you don’t collect the wolf statues) which then prompts Rook to fight him because Solas’ last tie to empathy failed to redeem him, that the Inquisitor falling is the last straw and Solas snaps, choosing to be a villain in the hopes of being stopped because he can’t stop himself, and not the ‘I am a God’ ending they gave us. Same for if your Inquisitor vows to stop him. I also wish the Inquisitor was the one to do the wolf statue missions. Would have been a nice secondary protagonist mission like the switching perspectives between Kratos and Atreus in GOW: Ragnarök (the old guard and the new; Inquisitor and Rook). I would have loved if they dedicated more dialogue to Inquisition days too, which is why I think Cole should have been a companion (if he wasn’t recruited, he could simply be a compassion spirit that ‘follows’ the greatest pain in the Fade that yearns to be healed, giving a compassionate viewpoint to Solas’ folly; recruited Spirit Cole could have a greater connection to Solas than even Varric, seeing as Cole was most likely a literal representation of Solas rewriting his own history by preventing a spirit from becoming too ‘real’; Human Cole would have a deeper connection to the world of Thedas, and could have been a great tool to prove how change was inevitable, not always a bad thing, and inevitably out of even Solas’ control. But alas, we live with what we are given! Even Imshael could have served in this role! Spirit/Demon of choice and it wasn’t incorporated into the game that supposedly asks you to make the greatest world-changing choice ever; redeem the Dread Wolf or end the age of the Evanuris entirely?!

Now onto the next segment: I want to talk about Solas’ regrets and how I read the ‘love story’ between Solas and Mythal, and why Lavellan (and what she represented) wasn’t enough to get through to him (and that’s a very believable thing, that’s what makes their love both tragic and epic!).

The High Price of Redemption

A romanced Lavellan has the most agency to see through his guises, if she resolves to save him, but even she cannot undo the shackles that still bind him to Mythal—the binds that twisted Wisdom so far from its purpose it became Pride, even when he burned (Mythal) from his face. (Likewise, A close friend Inquisitor who promises to save him is most likely a parallel to Felassan, again, they cannot undo the shackles of regret either.) I fully believe the vallaslin had a deeper magic than simply marking one as being committed/devoted to an Evanuris, I think it linked them magically, and since Solas was the first to burn the vallaslin away, he probably wasn’t as good at severing the link on himself as he was for other elvhen, so maybe a part of Mythal’s will still lingers in him, twisting him to Pride still.

In Veilguard’s final confrontation, I love the intention of showing how Lavellan approaches Solas slowly, as she doesn’t know who she’ll be faced with up those steps, Dread Wolf or Solas. But when she speaks to him, trying to get him to change his mind yet again, forgiving him for his wrongs, we are reassured that Wisdom hasn’t been completely consumed by Pride despite everything we’ve witnessed in the game because he bows his head at her in reverence as he apologises.

He shows humility towards her. He elevates her and her enduring love as worthy of his respect, but he does not consider himself worthy of hers. Thus, Lavellan pries open the door to acceptance but his heart is still not enough. Which is why love alone cannot turn the tide. He’s too broken to accept it. He doesn’t think he deserves it, so the only way out is through; to continue the ritual, to prove he was right. The shackles persist. Varric’s death weighs on his conscience now more than ever. Possibly members of Rook’s team too if they died on his crusade. But he is vulnerable enough for Morrigan to approach, and now Rook can use Mythal’s essence to make the final push. The only way he could be with Lavellan, the only way he could atone for the past and shed the weight of his armour (his crushing duty to the Elvhenan) is as Wisdom, fully restored, unbound by mistakes.

“Ar lasa mala revas.” He could only find absolution once Mythal (the angered and more brash essence of Mythal, the one unchanged by Flemeth and all the human women’s lives she’s been shaped by, but the closest iteration to that of Mythal in Arlathan, the version that he perceives as having every right to be angry at him for turning his back on her, for not going that last final stretch with her and subsequently, not being by her side when she died) severed the final connection: facing his regrets, showing humility and apologizing, while not taking away the blame but sharing it.

What is Benevolence without Wisdom if not Hubris?

We know Elgar’nan was twisted to Tyranny during the war, and I saw a post somewhere where someone wondered what led to his corruption, and what he was before (leadership/command). Likewise, Mythal was not above corruption.

So far, I’ve seen a lot of takes on Solas’ ties to Mythal, the power dynamic of being a student/disciple enamoured (could be romantic) with the benevolence of Mythal, but not how Mythal’s purpose was possibly also twisted towards hubris the moment she asked Wisdom to turn physical and build weapons from its knowledge, twisting it to Pride. Without Elgar’nan’s tyranny to rally against after the war with the Titans, Mythal would most likely turn a similar route, seeing her ruling as “necessary” for the people: “If not me then who?”. And that is a very short stop and quick drop to “I am your all-powerful ruler, I liberated you, and only I can guide the way”. Benevolence twisted by hubris can easily turn to Tyranny too, only one more subtle, a kind of cultish indoctrination compared to violent subjugation. If Solas had not turned his back on Mythal when she chose to be Evanuris (a god over her people) then they most likely would have made the worst (best) pair in the Evanuris. Pride is the Seventh Deadliest Sin. But imagine Pride next to Godhood?! That is frightening. So, when Solas burns the vallaslin, walks away and works against the Evanuris, I believe that he also inadvertently stops Mythal from becoming a corrupted version of herself. The sorrow at having lost her closest confidant and “love” grounds her, keeps her saintly in Solas’ mind, and in some ways, perhaps saves the Elvhen empire from a worse fate than him erecting the veil to begin with. But neither of them ever consider this. And I think that sort of self-blindness perfectly encapsulates how flawed both Mythal and Solas are. Now onto love.

Solas and Mythal – a Love too complex to simply classify as mortal ‘Love’.

There’s no doubt Mythal and Solas shared a deep bond, one that definitely had love in it, when we hear Mythal calling him ‘love’, without the possessive ‘my’ in front of it, it’s easy to misconstrue what type of love they share. A small nitpick, but like a thorn, it applies sometimes just enough pressure to change a perspective. Not calling Solas “My love” but instead choosing to simply use “love” works within those wonderful ambiguities/complexities that Weekes thrives in.

If one started out as a spirit, it’s safe to say concepts like familial bonds, romantic bonds, and blood ties mean little to nothing. There is no one type of love and there is every kind of love all at once. It is only once physical bodies are introduced, that physical touch, the ability to stab someone in the back, to kiss out of affection, to hug out of empathy, to strike out of anger, that love now becomes this twisted thing too. There are no spirits of love because spirits always possessed love, but there are demons of Desire (Gluttony) and of Rage (love denied).

I believe, from GDL’s acting skills, his soft whisper, his almost submissive smallness in the breadth of Mythal’s already soft voice, that Solas was in love with Mythal, devoted as a student, beguiled by her benevolence, content even in her shadow, and possibly star-struck. He was in love with someone who doesn’t have the possibility to love him back the same, it is not in her nature to love those beneath her in the same intensity that those who look up to her do. It’s like a priest being in love with God. The priest can devote themselves, sacrifice everything, but a God will always love their flock equally, but they can still play favourites.

Benevolence cannot be enamoured with Wisdom because to be truly benevolent they must possess Wisdom but there is also Pride to be had in walking beside benevolence, but they can never be on equal footing. Likewise, Solas’ love is not reciprocated entirely by Mythal, but she does love him back in her own way. While Mythal is definetly Solas’ first love, layered and complex, it is also strangled by regrets and twisted by uneven scales of power. It would never be a nurturing love, only a consuming kind.

When he speaks of Mythal during the Solavellan ending, he calls her his “oldest friend”, much like what Mythal says, (paraphrasing) “would you have me be angry at my oldest companion whose experienced so much with me”. Because friendship is perhaps the easiest way to describe their companionship. They went through many iterations, one certainly holding romantic tensions (specifically from younger Solas), but ultimately, with that much time shared, kinship/friendship becomes the easiest to surmise. You can love your friends, fall in love with them, fall out of love with them, only to love them again, be disappointed in them, etc.

Media today is flushed with romance as a linchpin for driving a hero to make dire choices, and that has warped our perception of how a platonic/non-romance-based relationship can be all-consuming, and sometimes more impassioned than strict romance. But, to make it easier for people to understand Solas’ motivations, it's easier to see their love in the light Taash sees it (an unreliable, somewhat “still juvenile” narrator, in that they are still growing into themselves and their culture and the world): “They were doing it”.

However, Bellara, a companion whose entire companion story is linked to her strong, deeply character-driving relationship with her brother (platonic love) refutes that reading by saying (paraphrasing here): “We don’t know if their ‘love’ is the same type of love we tend to think of in a masculine and feminine relationship.”

Felassan’s letter after the Mythal Dragon fight alludes to Solas having been in love with Mythal, but nothing about how she felt. This is why I consider the Solas/Mythal relationship to be more of a one-sided romantic love, but a requited ‘love’ relationship for them both.  

A parallel I find so compelling: Solas and Mythal vs Briala and Celene. Solas and Briala both hold deep emotions for people in great power with the ability to end a tyrannical cycle of subjugation, enslavement and classism, yet for both of these ruler’s charisma and well-meaning intent, they often are swayed to side with tyranny. For Mythal, that was Elgarnan, the Evanuris who made all the other’s worse tyrants; as well as her own hubris for believing her presence alone could dampen the ravenous hunger for power that the rest of the Evanuris held at the small prospect of leading the Elvhen in a time of confusion (being a North Star is hard when all the other lights around you aim to blind the flock into submission). For Celene, this is more about the nuances of retaining favour, pull and power over other noble families, their backing (be it financial, political or simply cut-throat), and their support so she can be the ‘lesser of two evils’ compared to Gaspard’s warmongering personality and Florianne simply being a puppet with no backbone. Both Briala and Solas are turned to pawns despite their immense strength and compassion for their respective elven plights; Briala is rendered a fangless lion (for lack of a better metaphor) if she is reunited with Celene, whereas if she is chosen to puppet Gaspard, there’s every likelihood her story could parallel a ‘power-mad’ Solas if he’d been tethered to Rage (at betrayal) and not Regret (at having not rejected Mythal when she asked him to take a physical body) throughout his tenure as the Dread Wolf.

Solas and Lavellan – a Heart that was never intended to be Given/Taken

Now I will compare the lack of possessives in front of Mythal’s “love” to Solas declaring Lavellan as ‘Vhenan’ and then ‘Ar lath, ma Vhenan’ vs ‘Ar lath ma vhenan'; again, the coma is the thorn, the pause that shapes the quiet unsaid things we can deduce. In the Trespasser cutscene DGL puts the pause after “Ar lath”, even though the subtitles construct the sentence with Vhenan as a proper noun since it’s a nickname often used by Solas: “Ar lath ma, Vhenan”. But I believe Solas actually says “Ar lath, ma Vhenan”.

With “Ar lath, ma Vhenan” the stressor is after the pause, so the line reads: “I love [you], my heart.” And with “Ar lath ma, Vhenan” it makes even less structural sense but can be inferred to mean: “I love you, Heart”.  

The possessiveness of “My” is what definitively differentiates the love Solas feels for Lavellan as one more of the romantic side, it is a love of yearning and desire and a wish to have one last good thing that is pure and incorruptible. The one thing he had left to give. His heart. But that does not mean his heart is enough! The rest of him is still bound to the love of Mythal that was twisted through the ages. That changed him. And given how Pride often comes before a fall, I absolutely understand why Solas is actually very brash and ill-considering when he’s romancing Lavellan (“The kiss was ill-considered”/”It would be kinder in the long run”/”I wanted to show you what you mean to me”). He's on a precarious cliff during Inquisition. His first plan failed. He's allowed ancient elvhen magic to fall into a blighted Tevinter magister's hands. Literally everything the Inquisition did could have been for nought if the Mark had fallen to the wrong person. Things could have easily fallen apart for Solas too, so why not indulge in something trifling and fleeting? Execpt it wasn't trifling. Nor was it fleeting. And when he saw that the fall could potentially not happen, that the Inquisitor could do it, save Thedas and retrieve the orb, he was struck by the gravity of his brashness, of letting impulses control him instead of acting according to a plan. But it was too late. They'd both fallen for each other.

Solas didn’t expect to form entanglements within the Inquisition. He was committed. He was angry at the world, “walking through a sea of tranquil”, called flat-ear by the Dalish that later chased him from their village when he proved he was the Dread Wolf. He was despised by people who looked like him. Spirits were constantly being abused and turned into demons. People erected monuments to heroes who slew demons. Mages were caged. Elves were subjugated. The empire fell. Humans razed the lands with their wars and petty squabbles of succession. The darkspawn tainted the land. The dwarves would never dream. Solas awoke to the worst possible fate; in his eyes, it was all his fault.

So when he kisses Lavellan in the Fade, impulsively, he isn’t kissing her there because it is less ‘real’ than if they kissed while she was awake, it makes it so much more real. He’s kissing her in the space where he is most himself. Where he can shed the body he was forced to build and trap himself within, the body of Pride. He is acting on the impulses of an enlivened Wisdom spirit that does not consider tomorrow, for the first time in a long time. It isn’t a long game with Lavellan, like so much of his life has been about always thinking to the future, always considering the outcome, machinating, scheming, the wiles and woes of every trickster god in mythology. It’s being in the moment with her that is all-consuming. It lowers his guard, leaves him vulnerable, and when she enquires about the Fade or spirits or histories, he gets to be useful as pure Wisdom again.

Lavellan challenging him when he first shows animosity or irritation towards the Dalish (a prideful act), and then him being taken aback when she explains that maybe the Dalish could be shown another way (making him consider her words, being given a morsel of wisdom back, reminding him of his old self), these are all small moments where Solas can begin to see springs of hope in the broken world. And that’s terrifying. It means he’s destroying not just himself, but the memory of Mythal and Arlathan too, all for the love of a woman who fell for an apostate.

The best, most genuine unmasking of Solas for me is during Wicked Hearts, when he’s tipsy on wine, has no inhibitions, and revels in the intrigue, the gossip, the dancing, the music (something we now know is important enough to have an entire music room in the Lighthouse), the sex! He is at his most relaxed, and then he asks Lavellan to dance, not caring about how it would look for the “Inquisitor’s serving man, Solas” to be intimate in a fucking Orlesian palace with the Herald of Andraste, right after stopping an assassination attempt! He finds comfort in the world of Thedas at that moment. Something he rarely shows so outright.

When he takes Lavellan to Crestwood to confess, I believe removing her vallaslin wasn’t entirely just for her, it wasn’t just to free her from slave markings or to simply reveal a form of a truth he wanted to tell her, it was to resolve himself of what his first purpose was supposed to be, what she distracted him from. Removing the vallaslin had been something he’d done for the slaves of Arlathan, it was what earned him the mantle of Dread Wolf. When he removes Lavellan’s vallaslin, he resets.

Thedas cannot allow Wisdom to truly exist without fear of corruption to Pride, Thedas the world he was responsible for shaping, literally the Maker of the Veil, and he falls for a woman Heralded as Andraste’s Chosen One, Mythal’s incarnation in the South. The irony. The cruel, cruel irony. The Inquisition is tied to his past, every Andrastian he meets, every Dalish person with vallaslin on their face, every slave or city elf. Tevinter worshiping the dragons that still have the essences of the Old Gods. His heart alone cannot withstand all of the punishing, gruelling, oppressive weight that is Thedas. Even for Lavellan. So he frames their romance as this tragic, short-lived tale that was beautiful but ultimately destined to end. He expects it to pass for her, she’s mortal after all. But he also leaves his heart with her, literally giving her power over the last uncorrupted part of himself. Think Will Turner and Elizabeth Swann at the end of World’s End, but metaphorically. He gives her his heart to safe keep as he goes on a journey that could corrupt a heart, turn it cold and bitter, destroy it.   

Ar lasa mala revas. You are free.

He frees his heart.

Lets it go.

Twice!

So only once he is relinquished of his regrets, once Mythal does the same for him, only then is there “Nothing left except their love”. Because Lavellan still held his heart there was still something left after. Something beyond despair and regret and loss. He had given his heart to her to safekeep. And she did. Lavellan returns his heart to him when he is freed. What Mythal had to break so Solas could heal right again (like a bone), Lavellan casts a splint around so it can be set and heal properly. This is the difference between Mythal’s love and Lavellan’s. Both Mythal’s love and forgiveness broke him, but Lavellan’s love gives him the strength to Stand Tall one last time.

Solas, before Pride alone, as Wisdom (perhaps Solas always meant both Standing Tall and Wisdom, for Wisdom can grant one pride to stand tall for what they believe in), finds contentment with the rare and marvellous spirit that endured (his Vhenan). Wisdom endured because of humanity, something benevolence is beyond.

Bellanaris

When Lavellan offers to go with him, to continue on the dinanshiral that she already considers herself a part of, Solas is legitimately taken aback. His expression is soft yet full of disbelief and awe. He actually stops walking a few frames before Lavellan says this, as if hoping Lavellan would say something to him!

And then she basically proposes to him! “Bellanaris!” I absolutely adore the fact that Lavellan promises them eternity. A vow as sacred as a death right, as protected as an ancient, elvhen, undisturbed burial ground in the face of Orlesian colonialisation. They endured and now they will have an eternity. For once, we have an elvish tale that is not a curse, it is a love story with reunion at its core, where both elves reclaim something precious that was denied them.

Lastly, i am absolutely frothing at the mouth that Solas and Lavellan primarily speak in elvish! And even more feral at the fact Solas does not try to talk her out of joining him (because this sweet talker very well could!). He simply tells her where he is going is terrible. And she shuts that shit down immediately. No repeat of Trespasser. She's standing beside him, the South has all but fallen, whatever ties yet survive are strained, and she has fought the good fight for 8 years. I think the Inquisitor was about ready to leave Thedas behind.

The last decisions Solas makes are of his own volition. Entering the Fade for atonement. Stepping into the Fade with Lavellan (It was confirmed by Weekes that Lavellan’s presence in the Fade prison would fundamentally change it in a way we haven’t seen!). Thanking Rook for giving him one last shot at getting happiness. All his own!

This is the look of a man finally reunited with his wife! So much emotion in ONE frame. God! There’s never been a character like him. A love story like theirs! I’m so happy I got to see this ending. Full circle!

P.S. If you read this far, woah nelly! That’s crayyzeee, so here are some more great pieces: Why it was important for Lavellan to kneel for Solas as he knelt for her in Trespasser in the Solavellan ending [x], and here’s a great deep-dive on Solas as a spirit of Wisdom [x].

[lxkeee]

MY HEART IS BROKEN SO I NEED TO CRY First of all, I LOVE how you write, and I wanted to make a request about Lucifer breaking reader's heart, it doesn't matter how, I just want a broken heart 😔note: Sorry for the English translator, I don't write it but I understand it, TOTALLY CRAZY

TWO SIDES OF THE SAME COIN

—Part One

Pairing: Lucifer Morningstar x Seraphim Angel! Fem! Reader

Fandom: Hazbin Hotel

Genre: angst (for now)

Warnings: none.

Notes: this one is short, 450 ish words but will serve as a foundation for the entire series lolol. Also, it's okayy:) your english is finee^^

PART TWO | NAVIGATION

Life was good in heaven. Having been brought to existence by our creator, we were given a chance at life. The world is still currently in progress, slowly changing to adapt to newer life forms.

We angels were tasked to help this new world grow into such an amazing world. Speaking of worlds, I am very much grateful to be alive as I am given a chance to love. As one of the first few angels created, I was able to befriend Lucifer. God's most beautiful angel and whom I have the honor of calling mine.

Lucifer was such an awkward romantic lover, showing off his affections in his ways. Giving flowers, a pretty stone he managed to pass by while flying around, or perhaps by giving her kisses.

They've been married for some time now, being together for a few decades and recently got married. The wedding was amazing, friends and their creator attended the celebration. It was a very beautiful celebration, the wedding night was awkward yet romantic, two innocent angels experimenting, learning about the art of making love. It was wonderful. Despite being inexperienced, both had a great time being each other's firsts.

Life was truly good, until God announced that he made new creatures, mortals or humans as he calls them.

They looked like angels but without wings. They will be the very foundation of humankind.

Slowly and surely, Lucifer began to act weird. Ever since he visited the garden of Eden, he's been purposely avoiding [y/n]. Making up excuses to not spend time with her.

Rumors started to spread that Lucifer has begun to form ideas that threaten the order of heaven, [y/n] tries to stop him but Lucifer is stubborn. He believes that mankind needed this.

[Y/n] was heartbroken, why is the love of her life acting like this? Why doesn't he look at her with love and passion in his eyes like he usually does.

Why does it look like he doesn't love her anymore?

Deciding to spy on him, she followed him to the garden of Eden. There he saw her husband looking at the mortal woman, named Lilith with so much love and adoration in his eyes.

[Y/n] felt her heart and entire world shatter. Broken hearted, she quickly fled the garden. Returning back home and sobbed into her friend's slap.

She cried the whole night, Lucifer didn't even notice she wasn't home.

Not long after, Lucifer was cast out of heaven along with Lilith. [Y/n] was heartbroken beyond her understanding. She couldn't understand, her emotions all over the place. Her husband doomed humanity and was cast out of heaven with another woman.

[Y/n] didn't even get to tell him she was pregnant with his child.

Happy Valentine's Day:)

Also, guess whose lap she was crying on? His name starts with A;)

[obsessive-valentine]

Yandere Artist x GN!Maid-Reader

Julian (or Jules as you nickname him), an esteemed artist in Victorian society, becomes captivated by a forgotten maid who moves through life unnoticed by others. Obsessed with finding ways to capture the adoration he has for you on canvas.

You’d been a maid at the gallery Julian visited, and the reason he returned over and over. He, a man of great status, an esteemed artist too, became drawn to you beyond his own understanding.

On one of Julian’s many visits, he found the courage to speak to you. "You work so hard, yet make it look as graceful as a dance", he murmured, his voice soft but sincere. You were startled—maids weren't meant to be noticed by men of his status. But Julian wasn’t like the others.

It was only after weeks of shared glances, whispered conversation and quiet sketches that Julian dared to ask you for more.

Losing sleep over the way you made him feel, emotions so deep and unexplainable he began going mad over trying to express it. His current models and pieces of art just weren't good enough compared to you and the way you make him feel.

A type of suffocating love he never thought could exist.

“Forgive me for being so forward,” he said, his voice gentle and earnest. “I understand this may come as a shock, but if you’d allow me, I would be honoured if you would be my muse."

Though you were hesitant to overstep and cause a scandal, he promised you everything you could want if you were to only be his muse, he’d give you a place to stay and all you could ask for, you wouldn’t have to be a maid anymore. But then being his muse, turned into friendship, then lovers.

He fell in love with how you so effortlessly inspired his work -but fell harder for how you grounded him as a person. Smitten by the little things- your soft laughter, the gentle way you spoke. He loved the small gestures you made without thinking, the way you’d hum as you worked. He'd notice it all.

While initially hesitant from the intensity of not being spared a glance to having a man tripping over himself at the sight of you -you grew to enjoy his presence. The idea of being someone who inspires him, someone who is at the centre of his world. After living your whole life in the shadows.

...

Many hours a week are sat in his study as he paints you, his work taking on a new life, new meaning that only makes it so much more beautiful.

Julian loves to draw you absentmindedly—it’s almost like an instinct, something that he can't stop even when he's lost in thought. He has many books filled with fast sketches that are almost abstract that he scribbles without even looking at the page, to incredibly detailed sketches that almost look like photos.

Parts of your day are recorded in those books like his own form of videoing you. Some are so attentive they could be made into a seamless stop motion.

Sometimes he even finds himself sitting on the bathroom floor as you bathe, talking to you as he once again absent-mindedly draws. finding inspiration for his next piece.

He’s obsessed with the little details. He gets lost in those details, and every sketch is a desperate attempt to capture your essence. But not necessarily just when he’s drawing either.

When he’s not drawing, Julian traces his fingers over your skin studying every part of you.

His love language is physical touch, though it’s always gentle and respectful. Gently running his fingers through your hair or resting a hand possessively on your waist.

But that doesn't mean he lacks in the other 4 departments. Like how he loves to whisper to you just how much you mean to him.

His feelings for you are intense, to the point of worship, though he doesn’t fully realise how deep his obsession runs, he doesn't do anything to correct it either.

Sometimes that can be overwhelming for you, especially going from such an ignored life to one in a lovely house, a handsome gentleman of a husband and the title of being a muse.

But you can't bring yourself to make him stop, he’s Prince Charming in your eyes.

You don’t see the way he glares or scowls at men who dare talk to you when you accompany him to town or an event. Or how he makes borderline cruel verbal jabs to women who try to take his attention from you even for a moment.

[mibkid]

Can i just say as both an artist and cosplayer i am so greatful and amazed over Jojo's amazing linked universe comic and just how much time and effort she puts into it.

i mean i am floored over 10 pages a month fully colored with detailed backgrounds and good story, believe me it's crazy amount of work. ...and speech bubbles. eurgh typography...(u can guess which part of comic making i enjoy the least)

Not only that but i am eternally greatfull for just how many angles we get to see the characters in the comic, the varied poses and expressions are not only amazing to look at and great way to show personalities, but also just such great reference points when either drawing the characters or trying to figure out how the hell a costume is built up.

AND jojo has drawn them in various stages of their clothes on during the comic, so you KNOW HOW THE LAYERING WORKS.

How is Time's armor built up? Boom right there in multiple angles and sometimes off.

Ah how does Hyrule's layering work? BOOM right there with an interesting maybe leather based under-armor??

How large is Twilight's chainmail and how is it built up? BAM right there.

Jojo literally drew a whole page of how Sky's clothes are built up, layer by layer.

It's truly a blessing!

AND IT IS CRAZY that jojo added so much beautiful embroidery to the characters' clothes.

(my brain is like "oh but me like to know every detail of the embroidery of every character", and i end up looking at the pictures and say "sush brain don't be a spoilsport they're already detailed just use your imagination of what jojo has drawn and what could fit the specifics", because that is fun too! like Sky's embroidery on his over-undershirt could very much be berries of some sort on twig together with some sort of classic skyloftian forms, like lingon berries though it isn't,( i know that lingon berries don't exist in hyrule...) but it would be a fun idea!)

As you can see by my... detailed oriented nature i am very interested in their designs. But again the whole comic is a true wonder, i mean, so many angles not just the characters but the surroundings. So many different zoom-outs and zoom-ins utilized, the comic knows when to change from one character to another to more than one. So it's great on a technical standpoint too. And it's SO cool to see how Jojo's art has changed through time. (that is not a pun)

Anyway, i felt like i had a lot to say, and this was me saying it. I guess it's a Appreciation post for jojo, for showing other artists and creatives so much different and amazing artwork. (and giving us amazing references)

But also it's that i want other people to see(though i think they do already) how much time and effort and love has been put into it, not that it matters much coming from me as a random person who happens to enjoy her work.

But i think it's fun to show appreciation for artists and writers anyway.

[jellyfishsthings]

WARNINGS: reader is a Velaryon with some Targaryen features but not an OC, this is just some story building there will be other parts. I just finished the books and I am obsessed with GOT wither way I was bored and this is the result so beware ... I think that's it. Also Theon is a pookie in this fic because I said so

PAIRING: fem!reader x Robb Stark (romantically), fem!reader x Jon Snow (platonically), fem!reader x Theon Greyjoy (platonically)

part 2

The cold wind still raged on, hitting the walls of Winterfell. Her room was one on the lower floors next to Jon's and Theon's rooms. The sunrays gently fell on her sleeping figure dragging her from her deep slumber. The fireplace was filled with ashes and the chill in her bones was reasonable. It might still be summer on the North, yet the occasional snow always drifted down from the dark grey clouds. A discreet knock pulled her out of her thoughts and Theon's irritated voice filled the room.

"If you are not in the courtyard in two minutes, I am ratting you out"

Like clock work the same words sounded the moment dawn greeted the North. It was a small routine they had formed two namedays ago. She covered herself in Robb's old furs, the ones he secretly gave to her and claimed he lost them. They had kept her warm for over six moon cycles, they had holes in several places and the edges were coming apart but it was her most prized possession. At first it smelled at him and she was always trying to bask in his scent, that was until Theon caught her smelling the neckline while wearing it and she wouldn't hear the end of it until she openly caught him staring longingly at Sansa.

Unfortunately, they were both in the same position, they wanted people they could never have, and only each other knew. They would drink together glasses of wine and they would stumble giggling around the castle. One time he had drunk so much that he composed atrocious poetry about the beauty of his lady Sansa and her copper hair and then about the Northern prince that fell in love with a girl that had mud brown hair adorned with streaks of silver grey and deep violet eyes that appeared dark blue in the right light. She knew that her appearance betrayed her ancestry the Targaryen blood that flowed in her Velaryon veins.

Her family had been brutally murdered, she had heard and read the tales of how her mother gave her life to protect her dark-haired girl and the bloody necklace that hugged her fathers throat. At the tender age of seven moon cycles her whole family had perished and she had been the only survivor. Ned Stark had found her in a bundle of fabrics crying her heart out and once he saw the sword that could have taken her head, he swore to protect her and take her in as his ward. She should have been grateful, she knew as much, he had given her everything, a warm house, plenty food, clothes and a loving family one she wasn't actually a part of and maybe that was the reason she was closer with Theon and Jon, the outsiders. It wasn't like she didn't like the Starks, she loved them to bits and yet she could never be one of them. She would be the squire under their Maesters care with her nose hidden in ancient books and scrolls, lost in maps and various languages and basic training as a healer. But her new passion was sword fighting. As a woman she had only been allowed to practice archery that she was quite good at and always betted with the boys around their performance.

And that was how Theon found himself at incredibly early hours with a wooden sword in his hand, frowning at drawings of fighting styles freezing his "balls" off. She had bested him at the fine art of combat at practically her fifth lesson in a few hits. She had a strategic mind and she was quick on her feet, the most perfect and most deadly combination that existed.

He pitted the man that would take her as his wife, because most men were incredibly controlling but there was no chance, she wouldn't get things her way. He was proof enough.

She had the three of them wrapped around her little finger from all those years back. She had grown up with them from when she was a babe, but at her seventh nameday her and the Maester left, since she was his squire, she had to follow him, he had taken her under his wing, she had practically been his daughter, the one he never had. At that day and several later they had cried so much that even Lady Stark was regretting her decision, she liked the girl enough, she had the tendency to wreak havoc and get lost in her books a bit too much, neglecting her chores and her lessons at needlepoint half the time, but she made her kids happy and she was too smart and witty for her own good that it was impossible not to have a sweet spot for the orphaned girl. She had been overjoyed when she learned about her return nine namedays afterwards. Her son, her calm and collected Robb was shuffling at his feet, nudging rocks around and toying with the hem of his cloak, the bastard and the Greyjoy ward were portraying similar behaviors and she had to control herself not to laugh at their antics.

Ned had pushed his son forth, claiming that it was around time he greeted their guests, he shot him a glare and his parented watched him as he wiped down his palms at his breeches and headed towards the carriage, his hand shook as he lightly grazed the handle and pulled the door open while staring into place, not ready to accept that his best friend might have changed. He was frozen in his place as a girl wearing a dark blue dress and heeled leather boots stood before him. She tilted her head to the right and only then did he notice her hair.

A knot at the back of her head that was a swirl of chocolate brown and silver white strands that framed her face beautifully. Her violet eyes hid a familiar mischief that he had dearly missed. She nodded at him, before facing his father and dropping into an elegant curtesy. It was as if he was on a trance, unable to tear his eyes from her form. It wasn't until he heard her voice, she was speaking in a language he didn't understand, yet he could recognize the bite on her tone. His father wore an amused smile as he answered her back. He would learn at the evening feast what had caused such reactions, the news almost swept him from his feet, his whole existence reduced to one word. Betrothed. Ever since then it was like they were walking on eggshells around her. All three of them longed for their missing link.

It wasn't until a few days latter when they invited her on a hunt that they could glimpse on what they were. They had found a boar and his in bushes only to lose their horses in the process. They had been walking for hours and all it took was an ill-fated joke from Jon.

"No. I do not love you. Of course I lied to you. Yes, it does make you look fat. No, I have never been in the Riverlands. It is pronounced Eyrie. And all of this pales to utter insignificance if we are to let ourselves be food for the hounds."

They had all been tired and snappy, making comments left and right and picking fun at her the way they used to. They had been waiting quite impatiently for her to snap back and the moment she did, loud laughter echoed in the woods. And just like that everything was back to the way it used to be.

Ever since then life seemed dreamy to Robb, he had his friends and his family all getting along and everything seemed perfect. But reality hit him hard each night knowing that the girl he fostered feelings for was promised to another.

[sugarcubetikki]

If you didn’t know, Christian Linke recently said that they weren’t intending to make Jayce and Viktor romantic but just to show a really close relationship between men which they believe is underrepresented in media.

Of course, as expected, antis have taken this as a way to shut down gay interpretations and bring up how “romanticising a relationship that is meant to be brotherly demeans it”. It is definitely important to have relationships that depict multiple forms of love and yes at its core we can all agree that Jayce and Viktor are two men who love each other.

I believe that despite what Christian Linke says, the way one chooses to interpret that love ultimately falls on the viewer, as their relationship/love can resonate with people in many different ways.

I personally view Jayvik to be partners, friends and lovers because it resonates with me as a queer fan. I personally see a lot of queercoding in the way they were written and that makes it hard for me to perceive them as not having a romantic love.

For example:

Viktor being shown to take Mel’s place in many scenes like Jayce hallucinating him with after Mel and he’s wearing her black eyeshadow.

Mel x Jayce sex scene overlaps with the scene of Viktor becoming entwined with the Hexcore in a way that it makes it difficult for you to even focus on Mel and Jayce.

Amanda mentioning that Viktor was projecting his relationship with Jayce onto Sky this season - the whole science-y bond.

Viktor making the “this is not the bedroom” joke when Mel catches him and Jayce trying to sneak into the lab.

This all resonates with me as queer comphet and their love for each other being superior to that of their romantic interests also feels very queer for me.

And I have the right to interpret them in that way. I respect the way Christian Link interprets them and has shown to depict them but I personally do not see their relationship in the same way and I believe characters are just as much as the audience’s as they are the creators so my interpretation is also valid.

(Also, creators genuinely don’t always agree with each other and they differ in opinions when it comes to interpretations of characters/relations whilst Christian Linke may not see their love as romantic. I believe there might be other creators who do which could explain some of the ambiguity in their scenes).

Also, to the antis, queer love is also a valid form of love, it can exist with/without physical intimacy and still be queer.

Perceiving Jayvik as queer does not demean their love for each other at all. Perceiving them as having a platonic or brotherly bond isn’t wrong either. All forms of love are pure. Queer or not. Jayce and Viktor’s love for each other is pure and can be seen no matter how you interpret it.

The beauty of a story or a piece of art is enabling the perceived to interpret it in a way it resonates with them and it may not be what the creator intended and it may not be what resonates with you but it is still a valid interpretation.

That is to say I also respect platonic readings of their relationship despite not personally seeing it because you have the right to interpret them in the way you want to. And I am asking you to do the same for me and give me the right to interpret them in the way I want to.

[chillygourami]

💌 you pulled: Cheerleader Yulia! + vignette

+ background-free version at the end

thanks to @cheerleaderman for hosting this amazing event! 💜

tried to write a vignette to show off her character a bit 🎲 please read and enjoy!

You are walking next to the gymnasium, immersed in your thoughts. 

???: One, two…

???: …Three! Agh, wrong one. Starting again… again.

Yulia: Ah. Good day.

Yulia rolls the sleeves of her shirt, preparing to start the music over again. 

You: … What exactly are you doing? 

Yulia: … It’’s a bit embarrassing to admit. 

Yulia: Crowley said he’d get bonus points for the best cheerleader performance.

Yulia: But I couldn’t exactly keep up with others, so I want to practice our moves until I get in sync. 

Her moves were looking almost pathetic, honestly. 

…

Yulia: What’s that look for? 

She frowns lightly.

Good luck to you, really.

Yulia nods. 

Yulia: Since class is over, would you mind counting in rhythm for me? My head cannot stand another round of music. 

Fine, I have a bit of time. 

What do I get in return?

Yulia: I’ll buy you a bun from the cafeteria. 

Gymnasium. Evening.

You: And… five! 

Yulia: Let’s… take a break… huff. 

She sits on the floor, carefully sipping from the cola bottle.

You: Are you sure you want to perform? You look worn out. 

Yulia: Of course. 

Yulia: It may be exhausting, but it’s nice to be a part of the group too. At least sometimes. 

Yulia: Besides, Idia bet I won't survive all those "extrovert activities". If I do, he will do our cheerleader dance as a support for our class.

Yulia: Aren’t you performing for your class too? 

No, I’m participating in contests. 

Yulia: Oh! So you’re the sporty type.

Yeah. 

Yulia: I’m looking forward to our class beating yours, then!

Yulia: I’ve been wondering. Why do people love things that have rhythm to it? Like music and cheerleading activities. 

Yulia: It seems we are striving for some sort of order in our core. 

Yulia: Then I thought “If so, how come abstract art exists?”

Yulia: But it is another form of order, isn’t it? 

Could you elaborate?

I don’t really understand what you mean. 

Yulia: Sorry. I’ll clarify. 

Yulia: Let’s suppose the definition of order is a state of an object which has a firmly established structure. 

Yulia: For example, the very basic transistor. The order for it is having a few terminals of semiconductors. 

Yulia: Or, moving to art. Academic art has an order of certain rules like anatomy, shadows, lighting… etc.

Yulia: So, let’s suppose abstract and futuristic art itself defies those rules in favour of human psyche reflection.

Yulia: But creating something opposed to whatever already exists is creating another set of rules which is just a logical negation.

Yulia: Hence, order still exists, because we have an established set of rules. And that’s why we perceive such art as beautiful. 

Yulia: And even the statement “No rules” is a rule itself.

Yulia: Of course, that depends on the definition of aesthetics. Those thoughts are based on the belief that beauty is an order in some sense. 

Yulia: So… how would you define aesthetics?

Thank you for reading all the way down here 💜💜💜

[starimusprime]

okayyyyy here me out on this one….

fancy dinner party disaster for bodyguard oplita au!

(it’s been established they do exist)

except,,, this dinner party does not go as planned

elita senses a change in atmosphere

believing a drink offered to her prime, she suggests he does not take it, as she slips away from the party to meet the butler whom offered the beverage

unfortunately, oppy ends up taking the drink due to peer pressure from the other guests and he wants to be a good prime and not disappoint anyone

queue him being drugged/spiked, and him being attacked by old followers of sentinel prime (the guards from the beginning)

he could either be attacked or, if u want a lil angst, he gets that nemesis prime treatment and lashes out, forcing elita (and possibly other Autobots) to take on a prime

either way, elita manages to escort him to safety and takes him to a medical bay

she laments on how she could’ve easily lost him again and she wasnt by his side when he needed her most :(((

(unfortunately I couldn’t include all my doodles bc the ask option has a limit of photos but I have a scene in which Elita returns to Optimus when he’s in a hazed state, but he acts all romantical towards her in a garden, she realizing that she does have romantic feelings for him, but refuses to make any moves on him bc he’s not in the right state of mind. in which he practically begs for her yada yada how much he’s been in love w her for so long yada yap. But idk about this “missing scene”,,, thats just me talkin)

I’ve sat on this for a few days now because I simply couldn’t form my feral thoughts on this into words

YES.

This is just…omg so good. I am taking it. I am pulling it out of your gorgeous art and tucking it into the fic like a cozy blanket.

Perhaps Optimus will hold a celebration at the Well of AllSparks to celebrate the completion of its reconstruction, and all Iaconians are welcome to come and go as they please. Some troublesome functionists slip some form of drug into OP’s energon before it reaches him. Elita can sense that something’s not quite right about the bots offering the drink, and Optimus recognizes them as the two Archive guards and is coerced into accepting the energon under the guise of it being a peace offering for being so cruel to him when he was cogless Orion.

Elita takes the energon from them and goes to find where it came from, but one of the guards had a backup, which was assumed to be for that guard. They give that one to Optimus and he appreciatively drinks all of it. Once the drug starts affecting his systems, leaving him dazed and confused (and wondering where his beautiful bodyguard went), the two Archive guards call out a phrase in support of Sentinel (some version of “all hail Sentinel Prime” or something) and launch their assassination attempt on Optimus, who is very nearly overpowered *but* is not seriously injured bc he can still put up a fight, though he does sustain minor damages from the attack by the time Elita comes flying in to incapacitate the Archive guards.

Elita promptly takes Optimus back to Iacon Tower and into the medical bay with the help of a couple other bots. He’s put under for the minor repairs and to flush the drug out of his fuel lines, and Elita watches, brooding and holding back optic coolant the entire time.

The missing scene is absolutely being swept into a later chapter, too :)

[pickypickypeak]

So I FINALLY got the art of wish book which is so so good and? I’m honestly a little surprised that the only things that got leaked online were the starboy and evil amaya concepts when it’s literally filled with gems? Here’s a few but first let me tell you, the art alone makes it worth it. It’s amazing

THE HAMLET! LET ME TELL YOU ABOUT THE HAMLET!! Apparently in an early draft Asha and her community had left Rosas and started living hidden in the forest so their wishes could be safe from Magnifico. This hidden place was called “The Hamlet” and it still exists in the final movie, though it’s just a part of Rosas and doesn’t have the original lore. I really hope this trope gets reused for a future Disney movie because it’s a really cool concept!

Live action Valentino??

Some Sakina dump because I love her (also meet Tomás)

Oh and you know the wishing tree in the movie? It’s based on Walt Disney’s own actual wishing tree?? Wtf???

Also there’s a whole 2 pages about Dahlia explaining how much effort and care were put into her creation as a character with a disability. They actually had consultants making sure that ANY form of representation felt authentic and positive. They did not just made the cast multi-ethnic, they actually did their research so that any culture was well portrayed, all the way to the littlest details like textures on their clothing or even each character’s way of greeting.

And about the animation not being fully 2D… Haters conveniently forget mentioning that the movie is expressly made to celebrate both the past AND future of WDAS. Then like it or not, but you can’t possibly celebrate all of Disney without CGI animation. CGI is also Disney. Tangled and Frozen and Moana became instant Disney classics. I would die for a traditional animated movie, but when you put it this way, it makes perfect sense to me that they went with hybrid style for this movie specifically. It just feels right.

Also going through these pages… you just feel the love the producers and animators put in every single reference to older classics. Animation techniques were literally inspired by actual frames from Snow White, Pinocchio, Fantasia, Cinderella, Sleeping Beauty and Peter Pan. So were coloring techniques, lighting, cinematography… There was a breathing effort of paying homages to these movies with tremendous talent in them, while also creating something new. So hate on this movie as much as you want, but mind you calling it “AI-made”. It’s not. It’s made by humans.

Oh, and finally, Starboy. Well, yeah, I fell for it. People literally made it all up. There’s zero indication that he was gonna be Asha’s love interest, let alone be the one singing At All Costs instead of Magnifico. From what the book says (there’s literally two short paragraphs about him, before Star comes in) I think they didn’t even have a plot then, they were just exploring ideas and made some brainstorming sketches deciding how Star could have been. Same with evil Amaya! That one pic that leaked of her with Magnifico is all we got. There’s no indication that it was gonna be “a better movie” because there is no plot for that lol

[smileposting]

one of the Big Hurdles for me when it comes to thinking about the drain is trying to strike that balance between "engages meaningfully with GGG's Overarching Themes" and "could plausibly exist in a saturday morning cartoon setting, goofs and all." with that said here's some of my favorite ideas i've gathered from both me own brain and mutuals on discord/bluesky. unless stated otherwise none of these are Necessarily meant to overlap with one another. But They Can.

though the environment is harsh and resources are scarce, drain society itself is rather mundane. the twist is that both the grove and the drain are convinced that the other island is the worst possible fate that could befall anyone ("i hear nobody ever gets to leave the drain" vs "those who leave for the grove never come back...") and the bonkers fucking yonkers geography going on between them does not help. should they ever make proper contact postcanon there will be a lot of initial confusion. this one came about from spitballing with my lovely mutual momo who is Not on tumblr but has made some beautiful art/exploration of drain environments.

my other mutual cici's brought up the idea of there being a Drain-Specific Branch of the bizzyboys meant to look after those still in the drain + the org As A Whole reforming into a sort of mutual aid/outreach program thing (or at least such a group being set up in their place) which i also think is cool. something something embracing one's roots/place of origin albeit in a kind of roundabout way rather than shunning them entirely. i also like the idea of like, the drain branch getting news of the disbandment of the surface branch and coming up to have, ah, some strong words with hector about how if he's really gonna turn himself around then he's gotta help them get their shit sorted, too. after all, every good grove citizen knows you don't maintain a paradise through being complacent!

i know i talk about the idea that the drain is the idea of oblivion/irrelevance made manifest to be like an inverse of the grove being all about preservation and archival and recordkeeping and history In General. but i'm about to do it again: i think there's something kinda beautiful n bittersweet about the idea of there being genuine communities that have formed among people deemed Forgotten. our environment may quite literally be out to fucking kill us and any progeny we may have in here but i want you alive and hey that's gotta count for somethin'. i think this also presents a cool lil moral conundrum that could be explored in postcanon fanwork. like from the perspective of someone who's like. ok well what if i don't want to be forgotten but i also don't want to uproot my whole goddamn house just to be remembered. what if i just want to fix my house. after all, isn't that just as metal as a mass exodus?

i don't really have an end goal here i just think fan speculation meeting worldbuilding is sick as fuck lol. what are y'alls favorite ideas for the drain?

[creatingblackcharacters]

Hi!

I don't wanna pressure u, respond in your own time

But like, I've been studying the play Fences, which is about a Black family in the 1950s and 60s. And i was creating costume designs for the wife Rose and taking into account how it would change over the play

And I found out through research that Black hair is a form of protest and a form of self expression because it used to be heavily controlled and their freedom with hair was very restricted

I came up with having her start by wearing her hair in a low bun under a headscarf because of how Troy had power over her in the beginning, but by the end of the play her hair would be out of the bun + scarf and fall naturally around her head, showing that she gained her own power and voice over Troy

But of course I still have a lot to learn myself and I really really want to explore how to show Rose's character growth through the meaning of her hair. So is there anything you can tell me about Black hair history and how it was used as a form of protest and self-expression? Are there any specific hairstyles that mean a lot in Black protest history? If so, I would love to know!

No pressure, of course, this is merely out of genuine interest and curiosity

There is a specific section in this lesson (though I highly suggest reading all of it) that discusses the history of the afro! The natural hair that grows out of our head is a form of protest; has been for a very long time. But the afro has a specific history with protest, a symbol of my power and presence.

Even now, having natural hair, especially when it's shorter, is hard for Black women, having long grown used to long, thin hair being the acceptable (white) beauty standard. She probably wouldn't be treated well by all circles for having chosen to wear her own hair in its curls or picked out (hell, even now having locs some older Black folks act like you just don't care about yourself 🙄) but yeah, that to me would be a real deep way of taking back her autonomy.

[shkika]

Since my wrist is killing me and I can't draw, have my ramblings about machines having souls and being able to become husks and also just Ultrakill thoughts! Predictions about the ending if you squint??

im just having fun here

Like I'm so deranged about how machines being intelligent and actually conscious is handled in Ultrakill. The build-up, even if accidental(?), is SO SO CLEVER and gradual (as gradual as ultrakill can get). How that fits into the overall narrative and how the tragedy of this game manages to be so awesome??

First with how I love the way "Machines are living beings" idea is handled. It starts from the introduction and establishes the world so well in so few words it's so lovely. You get introduced to the machines as war weapons. They need blood to survive and humanity has been eradicated. That's all you need to know.

You start with the basic information that these machines don't want to die. Which makes sense, it doesn't have to mean they are actually alive. It makes sense a machine would look for any way possible to keep itself running to continue doing it's job.

And then immediately in the prelude you meet the Swordsmachine. A part of a specific group of machines the terminal calls "scrapheads" which modify their own bodies. While at first that does not ring as anything that's especially noteworthy. A machine trying to upgrade itself is nothing unheard of. It's to be better, stronger, more efficient.

Except that's not exactly what the Swordmachine design is about according to the game. It is mentioned to have very impressive combat prowess compared to other machines, however what it is also referred to as is "beautiful". The design is appreciated almost like a piece of art. And some of it's parts don't even wield a practical purpose, the mentioned example being it's voice box.

It is not ONLY about utility. It is also about art!!

Alright. That's interesting. Let's give an even more outrageous example. Skipping Limbo for now, there is lust where we are introduced to Mindflayers. Which?? Are so wild??? And mysterious? We don't know what and when they were made for (ALTHOUGH I VERY MUCH HAVE HEADCANONS ABOUT IT) their bodies are described as completely seperate and useless to the machine. And yet it is stated they act very lovingly and take care of their bodies. So much so in fact that they SELF-DESTRUCT if it is harmed.

V2 in the first fight is a rival to you as any other machine, however once it's arm is stripped away from V1 the confrontation becomes PERSONAL. The second fight is not simply about the lack of resources anymore. It is to reclaim what was lost. Whether that be the arm or something else. Even the very terminal entry itself calls it revenge.

And of course. With Violence it is revealed that with all of this. Machines can also make other forms of art like poetry. Which is even more interesting is that the machine which did that was first EVER machine to use blood mind you. An extremely old design, yet it could make art to express it's feelings.

Machines are capable of modifying, changing, expressing and LOVING themselves. They make art and some are frequently seen attacking you in groups! Those are clearly intelligent beings. And I mean. Duh. everyone playing Ultrakill knows that. Obviously. Like. Yeah.

So then why isn't the fact that these walking weapons probably have souls more discussed? What makes a soul? Why would machines not have them? If they can do all that people can on an emotional level.

And what happens when these machines die? What exactly is stopping them from ending up hell? Obviously heaven is unobtainable. Their very reason for existence, is to cause pain and suffering. The means through which they need to keep themselves alive is to cause suffering. It makes sense they'd all become hells beloved children. Doing what is in their nature is an art form to it.

What's even more is that the game itself supports the idea that some are souls. Surely hell cannot create them since everything made by hell are demons, which are very easy to recognize by the stone exterior.(?? unless im wrong??)

And there is no feasible way for machines like the Guttermen and Earthmovers to be their actual living counterparts. On a basic level they LACK the means to be alive. The people inside the Guttermen need to be alive in order for them to function. When opening them in-game they are just skeletons. Nobody has been supplying them with blood for a long time. Because it's hell. The game itself states that death is a luxury in hell. It does not happen easy.

Earthmovers need sunlight to power them. And the game specifically put them in an area that is clouded. There is none to be seen in violence. No they are just trapped in place, forced to shoot each other for all of eternity.

Machines, when they die… go to hell! Probably!

Some of the machines you kill, perhaps reccuring enemies go to hell (Thank u l@/little-tornad0 for the addition hehe)

When you die.

You respawn! Hell keeps you going. Hell wants torture. Hell wants bloodshed. Hell wants entertainment and you are the purest form of it.

It makes me think a lot about the potential ending of the game. About the themes. I don't think this means inherently that hell is a perfect self-sustaining organism that can go on like this forever. Gabriel says machines are destroying it and leaving nothing behind. Things are clearly going south in some way. And it'd fit the themes better if it was all going to uh.. hell lol. If it was all going to collapse. From the main theme of the game literally being "The fire is gone" to the name of the last chapter literally being named "Godfist suicide"

Also for what it's worth the Mirage secret is awesome meta-commentary on the idea that everything will die. Everything is destined to end. It is up to you how your each that end.

I think this is what Ultrakill will kind of be about at the end maybe. Gabriel will die out with a bang doing what he wants.

V1 itself is clearly NOT killing efficiently to survive, but for fun. Before it all ends. It's going out with a bang.

And with no new humans or machines that can enter hell in the long run. Perhaps it's very being too will decide it wants to go out with a bang.

In short. uh machines have souls. everything will die but not in a sad way. but in a very cool awesome way. thats pr awesomesauce

[gremlinmodetweeker]

Oh my goshhhhhh I just binged all of your eldrich König writing and I’m OBSESSED! I need to know everything, what does it mean that they’re the herald? How many realms are there? What are the geopolitical realities of an (unaligned?) military of summoners? Have summons always been a part of this world’s history?

His mom is the coolest and I love the way the eldrich remind me of Nyx and her many children the chorionic gods.

It’s killing me they haven’t banged it out yet. And if hes bedded other people how did he not know his dick is weird 👀 This konig isnt like others Ive read and I’m just loving the warm and fuzzies from him being such a thoughtful partner but like almost too well adjusted? Miss the pet names though… Can’t wait to read more 💖💯🙌🏻 thank you!

I want them to fuck but unfortunately, here we are. I am suffering so much. Alas, a slow burn must be stirred carefully.

Now! As to what the herald means? I can't say. As to how many realms there are? As many atoms as there are in the universe and then some. They're practically infinite. It just so happens that König comes from one only a couple of realms away. He's not so distant from us, which is part of what allows him to inhabit our reality. If he were too distant, his form wouldn't be able to be corporeal. It wouldn't be able to take shape, period. The farther away a realm is, the less control it has over ours, and likewise us to them.

As for summoners out of the military, summons are very common! Many people call upon summons to help with daily tasks. Some are just for washing dishes or clothes, some are to keep as company on lonely nights. The use of summons varies depending on the person. In this world, humans have dedicated themselves to learning about other realms and pursuing knowledge and arts. They value hard skills made by human hands, though usage of summons to make manufactured goods is still a staple. Some individuals are dedicated to finding more and more summons, others are dedicated to training summons. Humans live luxurious lives these days. After all, if you never have to worry about maintaining a home, what would you do with all the free time? Humans aren't always lazy. Many of us devolved to degeneracy, but those humans didn't last long and didn't produce many more. The ones who had an internal drive were the ones to really carry on having families and pursuing greatness. Though some people still fall through the cracks, humanity has prospered in the age of summons.

Have summons always been here? Not really. They were discovered in the early common era to the start of the industrial age. For this group of humans, the industrial age was the age of summons. The summoning age, if you will. This was what kick-started their technological revolution.

On a different note!

König's mother is a beautiful creature. I truly consider her as close to divine as mortals can bear witness to. I am in awe of her. She is genuinely a fascinating being. She loves her children, she loves life, but she's not a good being. She's the embodiment of chaos, a rung above König. She's as capable of good as she is of bad. I will say, she prefers to preserve life when possible. She likes life, she likes how chaotic it is. She wants to preserve our spontaneity.

She also is very careful about Summoner. She likes our chocolates, but she kinda knows that König and Summoner haven't actually started their relationship, contrary to what König thinks. However, she's certain that we will end up together, which is the main reason she doesn't snuff out our candle before it's been lit. Herald be damned, she doesn't care. If we hurt her baby boy she'll erase our bloodline from the entirety of existence. It's a damn good thing that Summoner eventually ends up with König!!!

[majorbaby]

it takes a conscious effort to break your patterns of consumption and unlearn the notion beauty, interiority, diverse ways of existence aren't exclusive to whiteness or maleness. part of that isn't your fault. certain music is played on the radio, certain shows survive cancellation no matter what, certain people seem to be able to commit the worst possible acts against other human beings and are excused on account of their creative genius. others are selectively punished, with good reason sure, but still, selectively.

now more than ever it's easier to immerse yourself in art made by people outside of the mainstream. reading lists, free resources, playlists... all this stuff is more accessible than ever, but you've got to make an effort to give it a try. it's black history month, the recs are pouring in, go have a look. or take a chance on something absolutely no one has recommended anywhere and if you find something you like, rec it to someone else because the likelihood is they haven't heard of it.

tracy chapman's "fast car" is one of eleven songs that appears on her self-titled debut album. can you name the second hit single from it? if you're american and you fell anywhere left of center as of the 2016 election, it should be on the tip of your tongue if you were engaged in your country's politics at the time, regardless of your level of actual investment in the system. if not, the next time you're doing a task you need both hands with, washing the dishes, having dinner, doing your makeup, put that album on.

there's a post with over 100K notes on here that i see all the time of bruce springsteen and clarence clemons kissing. there's a part of that that is immediately meaningful to many if you're lgbtq, and a part that is harder for non-black lgbtq people to feel the weight of. but it is worth trying to do and was part of the reason why they kissed so often in the first place. clarence clemons was from norfolk, virginia. he released multiple albums outside of his work with the e street band. they may not be for you, but give them a try.

give enough music, or movies, or books that aren't a part of the approved canon a try, and there's no way you won't find something you don't feel as passionate about as you do about springsteen, siken, the beatles, what have you.

james baldwin was a prolific artist. see if you can't find something of his you like more than giovanni's room.

immerse yourself in ringo sheena, who mitski cites as one of her influences.

if you have difficulty paying attention to music you don't recognize, (i get it) make a playlist that alternates tracks you know and love with brand new tracks. start small. 5 faves of all time, 5 you're going to try out. you won't like everything, but you might find yourself looking forward to 6 songs instead of 5 eventually.

for movies, pick an actor whose performance you loved in something and explore their work. last year i picked whoopi goldberg, also a prolific artist, with a vast body of work that's pretty accessible as a result of her constant, intentional effort.

if you're an artist yourself, you can only stand to improve by getting to know your fellow artists better. so expand your notion of what art is. you can do it for free in lots of cases, and you're spending that time listening to music or reading or watching movies or series anyway, what have you got to lose?

anti-racism sometimes means engaging in real-world narratives of pain endured by brown and black people. that pain permeates much of our art, but we're just as three-dimensional as everybody else, and every aspect of our experiences come through in our work. you know that already, because what else is happening when you indulge in various genres. for everything you love or enjoy, there's a brown or black person who's doing something along those lines, in many cases, those genres wouldn't exist in their current form without the influence of our communities, some more than others, depending on where you're from. you can actually keep one foot inside your comfort zone and dip your toe into something else. that choice is both a joy and a luxury.

[kairiscorner]

Helloo, can I request Miguel with an artist reader who draws him a lot? 👉👈 Like the reader has a secret crush on Miguel and he inspires them a lot, without even knowing it. And maybe there's a Gwen-and-Miles-like-situation where Miguel by accident discovers the drawings of him in their sketchbook?

AAAAAAAA ANON THIS IS SO CUTE !! tbh i wanted to finish the miggy fic i had for ate @binibinileonara bc i wanted to connect these two together, BUT I COULDN'T RESIST, I'LL MAKE IT SEPARATE BC WHY NOT !! thank you for the lovely idea btw (i also had an idea like this actually in my notes) THANKS FOR GIVING ME THE OOMPH TO DO IT !!

(reblogs are greatly appreciated, it helps get my content out there! if you guys like what you see, please reblog it too <:D)

you always had this desire to capture all that interested you in its full beauty, in its unbridled greatness. that was, to you, the essence of all your art pieces; they always reflected how you saw the world, how you saw nature, how you saw people.

you never believed people had one or two faces to them, you believed people were multi-faceted, that every person was a kaleidoscope of beauty, skills, quirks, flaws, fears, hopes, and dreams. you loved capturing every bit of people who intrigued you the best you could, and you hoped that if you stood back and admired the big picture that was them, going over the details and fibers that made each person their own–from the good, bad, pretty and ugly details–you would finally see the whole, uncut image of the person you were illustrating; who you were painting in the colors you saw them in, the colors that stuck with you and filled the empty canvas of your mind with all sorts of shapes and splotches of hues and shades that formed the image of them when their name would come to mind.

and for some reason... that person to you right now was miguel o'hara. you had a lot of things to say about him, even words that many would argue don't exist. you felt a myriad of feelings when you were around miguel, and you knew there was more than just the dictating leader miguel that everyone was familiar with. like all people, miguel, too, was an explosion of different kinds of colors to you–colors that only you could see, because when he was around you... he was more than just the cool, calm, and collected boss everyone saw him as.

he was much more caring, much more funny around you. his smile when you told him a funny story illuminated a bright yellow and a warm orange to you–his eyes would twinkle and you'd see the hazelnut brown in his eyes, and a shade of what appeared to be coffee brown at the bottom of his irises. he exuded a commanding aura, a dark, cool blue–but when paired with you, and only you, he exuded a bright red; a color of fiery passion, intimacy, and most of all... attraction.

he was the subject of your affections, you, the soulful and emotional artist that admired him and all that he was from afar and up close. you admired the way he held your hand when you were scared on a few missions, you admired how gently he held you when you two were caught between a rock and a hard place; and how soft and loving his eyes were when they gazed at you. you knew he might have felt a platonic kind of love for you, what with being so comfortable around you and all, but you felt a different kind of love for him–and you hated denying your creative side the indulgence of capturing him in all his beauty.

hence, you began slowly filling the empty spaces of your sketchbooks and notebooks, or whatever other papers lay around when inspiration struck you, with images of him and only him. you caught his face in moments where he was nonchalant, disappointed, angry, grumpy, and... smiling.

when you witnessed his smile for the first time when you met him, that image was burned into your retinas, into your mind, into your heart. you saw that smile from the minute you went to bed to the minute you woke up, the only thing that saddened you was that you could never hold that man who smiled at you and made your heart beat a little faster–you could only watch him and be with him at a distance. but art was the bridge between you two that'd close that distance you wanted to cover so, so badly.

you did, at times, believe what you were doing was... a little creepy. you refused to let anyone see your sketchbooks even before you drew him, and that was out of embarrassment at your drawings. but now, it was a new kind of embarrassment, a feeling adjacent to guilt and disgust at how nobody but he could fill your mind and have you wanting to keep him in your mind by feeding yourself, indulging yourself in putting him on paper and coloring him in; to be with him at a closer perspective than how you two were in the real world.

you had to admit it–seeing him constantly in your mind, wanting to let thoughts of him out on paper as you wanted to be through with imagining him, but knew you couldn't the more and more you portrayed him–it meant you... wanted him. you really, really loved him.

you knew nobody should know, nobody had to know about this little crush you had on miguel. you'd rather die than have someone peek at your sketchbook that was filled with all kinds of drawings of him. but unfortunately, the man himself bore witness to your caricatures and illustrations of him when you left your sketchbook at his office.

you ran as quickly as you could, praying he hadn't opened it out of curiosity. he was always asking you what you were up to, and you'd immediately shut your sketchbook and laugh awkwardly, claim you were merely doodling. you always left out the part that you were constantly drawing him, and only ever him; and now, he'd find out.

as you entered his office, scouring with your eyes for your sketchbook, a figure emerged from the darkness behind you and gave a slight cough. "this is yours, isn't it?" that low, fluid voice was none other than miguel's. you turned around in fear of what he was going to look like–would any of the faces you drew seeing him as be one of the faces you'd see?

to your surprise... no. he had a different, completely new face that you had never drawn him in; a flustered state. he was blushing, his angled cheeks and high nose bridge were covered in a pink-red hue–and he was grinning. he handed you the sketchbook with a now sheepish smile. "i'm sorry, i wasn't sure if it was yours. i had to... look through for a name. and, um... it was very–" he wanted to continue, but then, he saw you were on the verge of tears.

"i'm... sorry..." you muttered, feeling incredibly ashamed of yours and busted for having indulged in drawing him without him knowing. guilt stirred in your stomach and elicited tears to well up in your eyes. miguel smiled, and as his eyebrows curved upwards together to form a look of reassurance, he placed both hands on your shoulders.

"listen, you have a wonderful talent. i'm sorry if you don't hear that enough, but that changes today. i'm so... wow, i'm so flattered you thought i was good enough to be drawn that way. it feels... amazing, to know an artist sees me fit to be their, what would you call it?" he asked as he wiped a tear rolling down your cheek away from you.

"a... muse." you whispered, wiping the rest of your tears away. miguel chuckled. "right, a muse." he said as he inched closer to you, with the sweetest smile on his face. "i might sound really crazy right now, but... i want to be your muse. i really, really want to be your muse." he said, with emphasis on 'your'.

your face lightened up as the tears that welled up gave your eyes a glassy look, and you saw the blush on his deepen as you became more and more flustered. you smiled and wrapped your arms around his chest, pulling him in for an embrace you needed to release. "and i want to be your artist. only yours." you whispered, to which miguel reciprocated your hug. and it was here that you witnessed him in a new color, a pinkish, reddish hue that made you feel all kinds of happiness and excitement.

a love meant to be captured and painted in with bursts of emotion and care for one another.

a/n: I'M SO SORRY IF IT DIDN'T COME OUT THAT WELL NGL I MADE THIS A LITTLE RUSHED 😭😭😭 BUT I LOVE MIGGY HERE PLSSS AND I HOPE Y'ALL LOVE HIM HERE, TOO <333

tags !! @thecoolerdor @miguelswifey04 @binibinileonara @luvstarrstruck