#i just love how loved harvey is

[rvspecter]

[bonnieisaway]

oh i'm supposed to believe that mike ross and harvey specter are completely straight heterosexual men with nothing more than platonic going on in their partnership but louis litt gets to say to donna "did the prom king and boy wonder split. did mike and harvey break up break up" fuck you they know what they're doing

[graythursday]

‘gotham gazette’ newspaper promo for ‘the penguin’ hints at harvey dent addition to the universe— “is our legal system dented beyond repair?” + riddler crumbs :>

[soupinaboot]

Do you think Batman ever just casually drops the most insane lore to people at random like it's nothing? Cause I do.

[imashittalkingmushroom]

My problem is that the HarveyxBrucexKhoa dynamic that I've really created in my head is not actually the three of them but rather Bruharvey and a Khoa who is a jealous and petty mf.

It's 100% Harvey reentering bruce's life in a much more permanent way and Knoa immediately being like 'who tf is this?? Bruce, you can do so much better. also. you dont get to leave this friendship for some stupid romance.' and thus he needs to prove that 1) there are people out there (khoa) who can be much better romantic and sexual partners than just some guy and 2) Khoa is actually the only life partner you can have. it's not up for discussion.

So you have

Harvey, who, after lots of therapy and a few decades of ups and downs with bruce, is confident that bruce will never leave him. And he's just giving khoa the side eye cuz this random guy that Bruce met in europe years ago is continuously and rudely interrupting their dramatic, bittersweet and romantic reunion that they've been building up to for DECADES

Khoa, who refuses to admit that he wants a qpr with bruce and is in a one-sided pissing contest with harvey

and bruce, who is happy to have both Harvey and Khoa back in his life but is a little weirded out because while yes, he and khoa did have a good fuck every once in a while, Khoa is getting a bit intense and Bruce is like 99.99% sure that their relationship wasn't like that but now that .01% of doubt is hitting him in the face real hard

[puppppppppy]

Was nobody gonna warn me that I would fall a little bit in love with every character in Stardew

[clownsuu]

I finally have some free time to draw sketches and tell you about my headcannons with (young) Harvey and Dr. Stone!! 💥💥

The first headcanon: Harvey really likes to touch Stone's funny sticking-out hair with his antennae (I have no idea what to call it lol). OF COURSE, Dr. Stone gets angry, and Harvey just giggles and watches him—

The second headcanon: I thought it would be funny if Dr. Stone had (and maybe still has) a secret hobby of collecting minerals and stones. it's pretty funny that a sullen and angry dude collects and examines all sorts of stones, and then writes something in his book, muttering something under his nose. if Harvey somehow found out about his husband's hobby, he could throw him beautiful stones while he was going somewhere.

The third headcanon: Harvey loves hugging Dr. Stone very much, when he does this, this old fart immediately starts to get angry and swear, but after 15-20 minutes calms down and falls asleep. maybe Harvey does this on purpose so that his husband at least sometimes gets a full sleep

(not) Old people,,,,

[flowercrowngods]

making a real post for @rvspecter pls bear with me

anyway harvey hurt fic where after mike is busted and given a second chance at life (or a third, really) and pearson specter litt seizes the chance to instate a pro bono department mike is heading because he wants to get it right this time and harvey will do just about anything to keep him, these two men finally mention this Thing between them and decide to give it a try. and it’s good. it’s fragile and it’s tentative and it’s gentle and it’s the same as it’s always been but with more tenderness, more honesty, more vulnerability (and more sex of course) and it’s good. against all odds, it’s so good.

but then one day, long after hours, donna approaches harvey in his office and her eyes are shining, but it’s not a glow harvey is used to — he never wants to get used to donna’s eyes filled with tears so he asks her what’s wrong, but he’s not ready for the answer. because she tells him she can’t work for him anymore. she tells him she’s leaving him — to work for louis at first, maybe to quit altogether. the fact do the matter is she can’t be the Donna to his Harvey anymore because she’s in love with him and she thought she had it under control but she doesn’t, okay, she doesn’t and it hurts and she wants to be happy for him and mike because they’re so good but all this time she’d never thought that harvey would ever find someone real, and now that he has, well. she can’t pretend anymore that it doesn’t tear her up inside and she doesn’t want to put that on any of them so she’s doing the mature thing and leaving. to heal. to get over him. to come back stronger.

and she’s so, so sorry.

they listen to gordon one last time, they toast to thirteen years one last time — her words, not his, but they drive a knife into his heart nonetheless because harvey doesn’t do one last-anything and yet here sits his best friend and asks for one last night together and who is he but to give her everything she wants and more. she’s his donna — still, tonight; one last night. she is.

he doesn’t tell mike that night. couldn’t, even if he wanted to; because he doesn’t have the words. but in the secure hold of mike’s arms, he says “donna won’t be working for me anymore, starting tomorrow.” and he doesn’t mention how that means that donna went to jessica and louis first, he doesn’t mention that he was the last to know, he doesn’t explain how he wasn’t given a chance to fix this — not this time. “donna quit?” mike asks, and harvey swallows, shakes his head, shrugs. “just me,” he says. “just me.” and when mike pulls him closer and holds him tighter and tells him “i’m so sorry, harvey,” it’s the first i’m sorry that night that he believes.

unfortunately, sorry never fixed anything.

especially when soon after, mike finds out just why donna left. and he gets all up in his head about it, he allows himself to spiral because he’s so ready to succumb to tunnel vision and obsessing over solutions to problems that aren’t his to fix. and so he tells harvey that he can’t be the thing that comes between him and donna. they’re soulmates after all, mike can’t bear to be the one to sever their bond. harvey doesn’t understand. he’s the one who’s supposed to lose his mind over having lost his best friend and pretend like everything is okay, what right does mike have to make that about himself, to take it upon himself to fix everything when harvey’s the fixer, harvey is the one who solves problems and protects people. but mike won’t hear any of that and tells harvey that he can’t do it like this if it means hurting donna because she’s his best friend, too, and he wants to get it right this time. he doesn’t want to build this new life on decisions that hurt his people — not again. he’s hurt enough people, he can’t keep doing it.

harvey wants to ask him why he’s always so ready to protect everyone at his expense. isn’t this thing between them, their relationship, isn’t it meant to stop them from hurting each other? why is it okay to hurt harvey, but not to hurt donna?

he doesn’t ask any of that, only tells him that they’re not in high school, and that they’re either doing this or not, but he refuses to base their relationship on whether or not his best friend is okay with seeing him happy or not. “you’re either in this with me, mike, or you’re out. that hasn’t changed, and it won’t, because donna will get over it and everything will be back to normal before you know it.”

“you don’t know that.”

“yes i do, because we’re grown-ups and we get over things.”

famous last words, it turns out, because mike just slowly shakes his head, agonising over this and not thinking, clearly not thinking when he says, “i’m sorry, harvey. i can’t to this; not like this.”

and all he can do is watch mike’s back as he all but runs from him, dragging his heart behind him, through the dirt, uncaring as bits and pieces of it chip off with every step mike takes, with every second that passes and allows the words i can’t and i’m sorry, harvey echo in the hollow of his chest.

we’re grown-ups. we get over things. well, tough fucking luck.

and this is how harvey loses the two most important people in his life in the matter of a week. before he knows it, he’s alone, left to fend for himself and hollowed out. his walls are broken down, deconstructed piece by piece by carefully, gentle hands to reveal what’s underneath — only for the hands to retreat, letting in the icy cold and accepting what’s inside to wither and die.

there’s a reason harvey specter makes his own luck; the universe isn’t very forthcoming otherwise. a fact that is proven when he finds a stranger outside his building when all he wants is to curl up and breathe through the cracks of his broken hearts that have pierced his lungs, they must have, surely they must have, because he can’t breathe. and he doesn’t learn how to breathe again when the woman — a kid, really, merely twenty-five — reveals that she’s his half sister. because it turns out the reason lily specter was so ready to up and leave all those years ago; the reason she didn’t fight for her family and instead blamed it all on harvey, was because she was pregnant. and she lied about it — for twenty-six years.

amelia selene specter is the little sister harvey has always wished for — but cancer is a curse that rests on the specter family, and while marcus got lucky twice, selene isn’t. she didn’t have the money for medical resources, and it’s eating harvey alive that he didn’t know, that there was no way for him to help her and that there’s no way now.

but there is. because selene has two kids, seven and four, and she needs his help because they can’t get lost in the system, they can’t live with total strangers or be separated because the system doesn’t actually care about children, they only care about not feeling guilty. and she won’t ask lily. these two angels must be kept from her at all costs because she ruined two families already, she won’t ruin this one.

and harvey is obsessed with the thought of more family, he needs to take care of and be there for someone and he’s ready to take on the world to protect his niece and nephew — but he’s not warm, he’s not available, he’s not even at home most of the time, nor is his place suitable for kids.

he agrees to take them in and find a solution though. he promises selene that he’ll be there for them. he’ll always be there. and when he gets to meet them — a few days before his sister dies way too young, way too alive for something like death to not rip him apart entirely — he gets attached instantly and vows to himself and to selene that nothing will happen to them as long as he’s there.

even though harvey just lost his family — the one he chose, the one he was born into, and the one he never got to meet. even though harvey’s entire world was deconstructed with no one around to put it back together. even though he doesn’t know how, because evidently he got it wrong every single time, harvey gets to build a new family with these kids. and though it tears him up inside, it heals something inside him too — and sometimes they balance each other out, and he can breathe again for just a little while as he reads to charlotte because she’s feisty and afraid of nightmares and not listening when he says she’ll be tired in the morning because “i’m tired in the morning anyway, but now i wanna read” and he trades her going to bed for a bedtime story, and she falls asleep with her face pressed into his side.

it’s so frail, though, so fragile, this little family, and he knows what it’s like when everything breaks. he knows what it’s like to lose one’s family — over and over and over again. and he’s terrified that he’s building himself back up the wrong way. he’s terrified because there’s no one keeping him together but both his hands are occupied holding these children that cry for their mama.

he’s terrified because he’s not supposed to be doing this alone. but everyone else has made their choice and he, as always, is just there to bear the consequences and try to turn it into a win.

one day, he will. he has to. and one day, he’s not alone anymore.

[sdvbraindump]

Honestly I used to believe in sub-Harvey but then I saw this...

Same, Shane. Same

[i-really-like-phrogs]

Some of my favorite Lydia faces from the Harvey comics

[rvspecter]

Finally an office big enough for your balls.

[outletcrash]

two alters in the system! judge, a responsible and stern gatekeeper, and null, a trauma holder/shock absorber. they work together at the back of the headspace dealing with memory filing and amnesia.

both never had solid physical forms until recently. judge gained his appearance when harvey/the body was sentenced to arkham. null was a young childs image of a ghost who slowly gained more features/sense of self over the years. especially in arkham, where their subdued emotions and capability to handle stress, exhaustion and misery left it front stuck for months.

judge emerged around 6-7~ years old and null emerged after a near death experience to hold many bad memories.

judge uses he/him, has no gender or age besides a masculine sense of authority/older vibes. null uses it/they, has no gender and vaguely identifies linearly with the age of the body, but not much.

they have a rough job, but they do it out of love for the system. + are currently trying to 'mentor' the new alter to the best of their ability. (two-face? harv? he hasnt chosen a name yet)

Also! credit to @wakeywakeyjakey for the system name 'the justice system'. :)

[gfbillpotts]

sometimes i remember guillermo was only officially announced as gay last year and i wonder if any straight people watching were actually surprised

[babybirbb]

um actually hero by charlie puth is about mike and harvey if you even care

[reginalusus]

Possible hot take but I've always enjoyed the fact that Harvey seems to be immune to Pamela's pheromones and toxins. The only time we see this is in Dark Victory (as far as I'm aware):

Yeah, we get no explanation. Yeah, it's kind of silly, but I enjoy it. I'd like to see it be used more in comedic situations. I've seen people come up with reasons as to why it may be, one being that because half of Harvey's skin is burnt (including his nerves and such), that her secretion just literally wouldn't work the way it would with a physically normal person.

Additionally, the acid from the attack would have seeped into his skin, fucking his immunities up in all sorts of ways, therefore his pre-exposure to nasty shit would assist with such. Sort of like Joker.

Fair enough.

BUT, I like to think that, similar to Bruce - who in many cases can 'get over' Pam's thrall due to his sheer willpower and mindset - Harvey can do something similar. He is a man of two minds, two racing thought processes. So, sure, why not? Perhaps his mind is too 'busy' to even acknowledge something physical. This is even more amusing to me since I view him as a hopeless romantic (like, c'mon, when that MF crushes, he CRUSHES. Fucking wet cigarette of a man. /pos).

Pam is an exception to this, however, because her advances are not genuine, and Harvey already has experience 'dating' her and almost fucking died (that one BTAS episode).

Anyway, I would enjoy another scene in some DC media where Pam is trying to get Harvey under her control for whatever reason, and he just stands there like:

[pheonixbuchanan]

Based and right