#i just have so much love for these characters i can't tell you how much i think

[cheapshrimpysheep]

What if They were Dads?

SUMMARY: Headcanons of what I think they would be like as fathers to your child. And what if his dormmates were like honorary uncles to the child?

CHARACTERS: OB Students (Riddle Rosehearts / Leona Kingscholar / Azul Ashengrotto / Jamil Viper / Vil Schoenheit / Idia Shroud / Malleus Draconia)

TAGS: Headcanon; Fem!Reader (AFAB) (I never really know what tags to use but I hope you know what I mean)

WORD COUNT: An average of 690 words per character.

COMMENTS: I would have liked to have made a headcanon about the relationship with the boys' parents and siblings, but since we don't know them that well or at all on the Eng Server like Vil's father, I think I'll leave that for a possible post that complements this one. If you want.

Since I didn't want each character to have a big chunk of text, I put them as paragraphs instead of bullet points.

I hope you enjoy 🩵

CONTEXT: This was written with a cisgender female reader in mind. Reader is Yuu. But if you want (and can) read it in any other way, feel free to.

By the way, this is one of those moments when I wish English had a second person plural, instead of the singular and plural being the same. Whenever I write “your child” I mean it in the plural (you, the reader, and his)

Riddle’s child(ren) call him: Father

Riddle has the same demands and standards for his child that he has for himself. But he doesn't want to make the same mistakes as his mother, so in comparison he can be more permissive. Because of this he will ALWAYS listen to you if you tell him he is being too harsh.

In terms of studies, etiquette and behaviour he is quite strict as you would expect. But when it comes to play he lets his child do almost anything they want.

He doesn't know how to play with his child, but he will always make an effort to learn how to and do it with them. He almost seems to regress to the childhood he never had and wants to give to his child. Whenever the child learns a new game, they will show it and teach it to Riddle and he will be delighted with it.

Although he is strict, he is also relatively protective, especially if your child is a girl. He tries not to be overly protective, but he can't help but worry about your child. If there was a right way to raise a child, is he doing his job well enough? You will have several conversations at first to reassure him that he is doing a good job.

He will study any and all parenting books that experts in child behaviour and education recommend. This kind of knowledge is never too much. Which often leads you to try to convince him to relax and just trust his instincts and what he feels is right. The child is his, not all those authors and experts. Sometimes there are things that a parent simply knows.

Lawful and calm Uncle Trey. They love uncle Trey's sweets! Sometimes Riddle asks him if he's not giving them too much sweets and Trey always assures him that it's okay because he knows how to make healthier sweets and the limit for a child to eat. If they weren't already Riddle's child, the whole thing about always brushing their teeth could be scary.

Chaotic Uncle Che'nya. The crazy and fun Uncle! Your child and Che'nya join forces (maybe even with you) to play pranks on Riddle. Never anything that could get the child into trouble with their father, just enough for everyone, Riddle included, to have fun.

Uncle Ace and Uncle Deuce are more from your side than Riddle's honestly. Ace is a bit like Che'nya in the case of being one of the chaotic pranksters uncles. But he is also the uncle of magic tricks who is always deceiving, but also entertaining your child with them.

Deuce is the rad uncle with a cool moto and/or even cooler blastcycle, who offers to take your child for a ride in it with him. Your child also finds it funny to see the two of them arguing amicably. But it’s even funnier to see them imitating their father trying to order them to stop arguing.

Uncle Cater doesn't show up very often, but they like him. He's not chaotic like Ace and Che'nya, but he's also fun. Your child enjoys receiving compliments from him and taking pictures with him.

Your child imitates their father scolding Grim too. Just like Riddle (and probably because they're still little) they have a very bad temper. Riddle gets embarrassed whenever you say that someone takes after their father.

Leona’s child(ren) call him: Dad

Leona still doesn't like kids... your child(ren) is/are just an exception.

Yes, Leona would treat a daughter slightly differently than he would treat a son. In the same way that he treats men and women a little differently. But the only difference is that he would be tougher on a son than a daughter, but will still be affectionate regardless.

No matter what gender his child is, he wants the same for them: be strong both physically and mentally. To outsiders like some servants or citizens who don't know him, they may get to the point of thinking Leona is a harsh father who doesn't deserve all that love from his child, and he will tell both you and your child not to mind that. But the truth is that he is just like he was with you at school: a tough guy who hides a caring heart.

Leona continues to show himself to be a person who doesn't want anyone to upset him and who would growl at anyone who bothers him. The only people who can get close to him even when he's angry and remain safe and sound are you and your child. He'll still growl at you and your child quietly, but there will be a volume that is the line, like if his growl is louder than that limit it's because he's getting really angry, until then it's just him being him.

Your child will already have the best private teachers and tutors (one of them being Kifaji/Neji if he’s still alive), but even so, Leona will want to make them study and learn more. But in that discreet way that he knows. He will not force them to study more, he will find a way to convince them to want to learn more on their own.

You end up being the most affectionate parent and the one they trust for emotional comfort. Leona is the tough love, you are the soft love (at least in comparison). Leona will always tease you, insinuating that you are too soft and only spoil your child. Although he enjoys when you spoil him too.

He is 100% the ‘Go ask your mom’ kind of dad.

He lets his child take naps with him. And you too.

If he has more than one child, he will police himself not to favor any of them. He may have a tendency to favor the younger ones because of what he went through as the youngest himself, but none of his children will be treated in any special/different way based on their birth order. Neither the youngest nor the oldest.

He will try to convince his child not to be too close (emotionally) to their uncle or cousin, but won't stop them from playing with Cheka. When your child is old enough not to tell others what is said in your home, Leona and them will talk badly about Falena and Cheka behind their backs.

Leona will prefer your child to play with Ruggie and/or his children. On the one hand, he wants to keep them away from his family, but on the other hand, he also wants his child to know what the real world is like, to see both wealth and poverty, to know royalty as they knows their people and only then create their own judgement.

They don't call anyone uncle or aunt other than Falena and his wife. In the same way, Leona also doesn't give cute titles to anyone without being sarcastically. Even when he calls you “love”, “darling”, “honey” or something like that, it's to tease you.

Whenever you go to Shaftlands, whether for democratic reasons or on holiday, you always try to find a way to meet with Jack. Leona pretends that he only helps you with this because you want to see your friend and he wants to get rid of his family. Both you and Jack know that he just doesn't want to admit that he wants to see him too. Jack is the cool parent's friend who taught your child how to snowboard. While they are little they like to hug his tail because it’s fluffy.

Despite everything, he doesn't want his child to have the same lack of hope that he has, and despite trying to hide it, he always feels extremely guilty and bad whenever your child says something like that. At these times he relies on you to be the ray hope in that house, they will both need you for that.

Both Leona and your child are afraid of you when you get really serious or angry.

Do you know that scene from The Lion King where Mufasa uses Zazu to give Simba an pouncing lesson? Leona often does something similar, but instead of the target being a blue bird, it's a magical creature called Grim.

Azul’s child(ren) call him: Daddy (when little) Dad (when older)

Azul is an extremely emotional father, despite trying to hide it. There's going to be a lot of moments like: “HE/SHE IS THE CUTEST LITTLE THING IN THE WHOLE- *clears throat* I mean, he/she is such a charming little child.” He will most likely cry at your baby's first words, steps, anything.

Azul is overprotective! If any living creature even thinks about harming your child, he will tortu- that is, find a completely legal way to ensure that it never happens again. Now, if you'll excuse him, he suddenly felt like talking to Jade and Floyd. (The same protectiveness applies to you.)

Although he is very (secretly) emotional and loves to spoil his child, he is also relatively strict about their studies. He likes to spoil them (and you) when it's deserved, but he will not raise a spoiled child! This ends up balancing things out a bit.

He will hide the whole mafia-like part of his life from his child. Dad is just doing business, boring adult stuff. Maybe when your child is older he will start to reveal a little of that side of his life, if they later want to join their father it will be their choice. But until then, let them be innocent children, they are cuter and happier that way, there is time for everything.

He will always hold back his emotional side so as not to be overly affectionate. Unless his child starts crying. At that point his mask falls completely and he becomes the most affectionate and comforting father there can be, that is his weakness.

And if one day the child realizes this and starts using crying to get what they want from him, he won't know whether to be angry that he is being emotionally manipulated by his own child, or proud that they learned so quickly.

You will be the only one immune to the fake crying.

From the beginning, Azul has been wary and suspicious of letting Jade and Floyd be like uncles to your child. However, you two ended up letting this happen, but Azul will always keep an eye open.

Both Jade and Floyd will definitely use the child to play pranks on Azul. Mostly Floyd, Jade prefers to watch and assist. Azul will always be upset with the twins, never with his child. And depending on the severity of the prank, he will turn on his overprotective side and threaten Jade and Floyd that if that happens again they will never see your child again. They never go beyond that limit.

Every now and then when Floyd plays with your child, he will do that joke where he playfully tells them he's going to catch them and bite them. Actually in his playful voice, he doesn't want to scare them. And they will run to Azul and hide behind his legs asking for help while laughing. Or tentacles if they are in their merfolk form.

You know those little plastic cashiers where kids pretend to have a little shop and try to sell things to people at home? Usually parents or sibling. Azul loves to play this with his child because it is a great and fun way to pass on his knowledge. Both about sales and about taking care of your money. Usually using the Grim as a guinea pig. Grim also likes to play because he always ends up with food in exchange for toy money.

If you ask them Jade is the scary uncle (only sometimes) but they themselves don't even know why. It's just his vibe or something. However, they are not afraid to ask any of them for something, it being to play or for help.

Jamil’s child(ren) call him: Dad (in informal moments) and Father (at formal events)

Jamil needed to learn to express himself more and better emotionally so as not to end up being a cold father without meaning to. He needs your help to teach your child when to hold back and when to know when they are in a safe space to let go.

The only thing that will follow Jamil forever is an inevitable feeling of guilt for your child having the same fate as him, simply for being his child: serving the Al-Asim family with no other choice. But you can be assured that if there is a way to stop this and give his child freedom of choice, whatever that method may be, he will not give up until he finds it and do it! Normally parents want to give their children what they always wanted and could never have, in Jamil's case it’s freedom.

There was something Jamil wanted to do, but he didn't have the courage to ask the Al-Asim for some kind of vacation. But you had! Using your great friendship with Kalim, you managed to get him to allow you to take a vacation long enough for you to travel as a family, as Jmail wanted. Jamil has always wanted to travel alone, but now with you and your child he would like to travel as a family and give his child the experiences he would have liked to have had himself.

He is quite demanding with his child's education and training. However, his attitude towards this is always calm and collected, and he is attentive to his child's limitations and needs. He is a great and responsible tutor, who knows how to distinguish between being a teacher and being a father.

He is usually quite serious, so you and your child are the ones who start messing with him to have fun and make him laugh. It's always nice when he reminds you two that he can also be a tease. Normal or biggest target of your joint teasing ends up being Grim at some point.

During his work as Kalim's servant, Jamil always had to cook a lot and he's not that big a fan of cooking, so so he can rest at home you're the one who cooks most of the time. He will teach you everything you want to learn and at first you will cook together a lot until you feel comfortable cooking alone. But even then he will continue to offer to help you. Your child will continue to say that Jamil's food is tastier, but yours is prettier. And the food you make together is the best because it’s tasty and pretty. Jamil will also encourage his child to cook with you two so that they can learn from a young age.

His child knows that there is only one thing in this world that can make their father scream in fear: Bugs! If your child is also afraid of insects, you're screwed, because you will be the insect killer in that house. However, if it is just the two of them, Jamil's protective instinct will be stronger and despite his fear he will protect his child. If your child is not afraid of insects, then Jamil will have two protectors. “Can you do dad a favor?”; “Where is it?”; “Living room, south wall last time I saw.”; “Does it fly?”; “...Yes.”

Kalim will treat your child almost like one of his own children, for loving you both so much. He got emotional when he found out you were pregnant, he wanted to help pay for your doctor's appointments if necessary (never was), and he got emotional again when your child was born. He loves buying toys for your child too and give them gifts. He would love for Jamil to let them call him Uncle Kalim. And he loves it when your kids play together.

Vil’s child(ren) call him: Father 

Vil wants to have a family that is at its best as he likes to be at his best himself. He wants you and your child to be as beautiful on the outside as you are on the inside, just as he strives to be as well. However, he would treat a daughter slightly differently than a son because of the different pressures of societal beauty standards.

With a son he would be as strict with him as he is with himself. But with a daughter, he knows she's more likely to suffer from these kinds of things. So although he continues to be relatively strict and wants her to be the best she can be, he ends up being softer with criticism and stronger with praise and soft love than he would be with a son.

He would hire a specialist, like as a child psychologist or something like that, to always know the best ways to rise and protect your child. Children of famous people like him, especially in the digital and social media age, may need more protection from their parents in this regard, in addition to the toxic pressure of comparison that exists. However, because Vil cares so much about your child's personal development as their happiness, he may end up putting enormous pressure on himself to be a perfect parent too.

Both Vil and your child will need you to be the person who brings them both back to the real world and the life of a loving family with flaws like any human being. Vil will always listen to you if you feel he may be being too harsh and demanding with your child, or with himself in terms of parenting.

If you are the type of person who likes to tease Vil by letting yourself be sloppy from time to time, (always at home) then your child will also like to tease their father like that. “You have your mother’s cheekiness, I see.” Vil sighs but laughs. The teasing includes eating sweets and food that Vil would not approve of. You are the parent they ask for things from and who best comforts and pampers them. You two probably team up to make Vil relax and have fun with you.

His child will have the best teachers and tutors, go to the best schools and best establishments for any extracurricular activity they want to have. Vil will probably force them to have an extracurricular activity but they will be free to choose which one.

Rook is OBSESSED with your child! In a respectful way of course, he is just already a huge fan. The result of combining your DNA with Vil's? MERVEILLEUX! He won't hold back the tears when he sees the baby for the first time. He will LOVE playing with your child. He will babysit for free and will be happy to do so if you ever need. It will be a long time before he stops getting so emotional whenever your child calls him "Uncle Rook."

Uncle Epel is the rad uncle, when Vil is not around. He is that person who will help your child do cool activities that Vil may not allow. Like taking a blastcycle ride with him, eat grilled meats, playing with things that make the child very dirty or other things that Vil didn't like Epel to do when they were at NRC. But if at least one parent allows it (you), then there is no problem. Right? All this, of course, when Vil is not around.

When he is there, both Epel and your child behave like little angels. You and Epel have to be very careful that the child doesn't get careless and say something in Epel's dialect in front of Vil. They love Uncle Epel because it is fun to do cool things without their father knowing and with your help.

Your child likes to use Grim as a doll to dress up in cute clothes. The funny thing is that Grim likes it too because your child eventually realizes that if they tell him he looks cool instead of cute, he'll let them keep dressing him up.

Idia’s child(ren) call him: Daddy (when little) Dad (when older)

Idia doesn't believe he can be a good father. A shut-it and antisocial otaku like him? Are you crazy? That's a disaster! He can't take care of himself, how is he going to help you raise a child? However, and especially with you, he also has that overly cocky side that believes that even being an antisocial nerd he would be 1000 times better than a lot of parents out there. So basically he has a tendency to oscillate between these two moods.

In comparison, you are the strict parent, he is the parent who spoils the child. They are both afraid of you when you get upset. He's a ‘Don't tell your mother’ type of dad. He can't say no to his child, but, oddly enough, he can't be emotionally manipulated either. He may even let his child do a lot of things, but even he has limits to what he knows is good or bad for them.

Because he's the permissive father, he's also the scariest when he gets serious. He can never get really mad at his child, but he can say a firm and assertive “No” if necessary. However, if they are still very young and start crying, he will panic and call you immediately. You will then have to comfort Idia and tell him that no, he did not make a decision that put him on the path to the traumatic and apocalyptic ending. What he probably did was the opposite.

If it depends on him, his child will be a nerd/otaku just like his father. However, he doesn't want them to be socially anxious like him and will always encourage them to go for walks with you outside even if it's without him. That doesn't mean there aren't times you drag him outside with you.

Besides occasionally questioning whether he is being a good father, there is something else that haunts him... He still carries and will probably always carry the feeling of guilt for what happened to Ortho, so he is absolutely TERRIFIED that something like that may happen again.

Idia has always tried to keep your child as far away as possible from all areas that are dangerous or even remotely similar to the hallway where that happened. But if your child ever happens to even enter an area that their father did not allow, they will get to know a side of Idia that sometimes you yourself don’t even remember exists: The overprotective, traumatized side that isn't afraid to scare his child if it means keeping them away from the danger. And probably the only way they'll see his red hair. But it will probably be after that, that the two of you will have an open heart conversation and Idia will apologize.

Now, about Uncle Ortho, they LOVE uncle Ortho! He's the one who goes for a walk with you and your child when you and he can't convince Idia to go too. He is a cheerful uncle who loves to play with your child. You three made up stories to explain why uncle Ortho was a humanoid. You always make up different and crazy stories to jest with them and make them change the subject. The day will come when they will be old enough to know the truth.

Idia may even talk badly about himself a lot of the times, but no matter what his child do, they are talented, brilliant, incredible, amazing, show stopping, spectacular and everything good. “Of course that's because they inherited it from you, not me.” He will say with a smile.

Both Idia and your child treat Grim like a pet cat and find it funny to see him getting grumpy.

Idia spoke to his child in that baby voice when they themselves were also babies. And maybe also when they are children to the point where they tell him to stop treating them like babies.

Malleus’s child(ren) call him: Daddy (when little) Dad (when older) Father (at formal events)

The day Malleus found out you were pregnant was already a happy day, but the day your child was born was the happiest day of his life! And every moment with them is the happiest moment of his day. And of course with you too. He totally and completely loves his family!

Anyone who dares to speak ill of the child of Malleus Draconia, especially about the fact that they are half-human, will suffer the consequences! Anyone who spoke openly about the child being something of a disgrace, shame or an abomination was either killed or imprisoned. (Depending on how opposed you really are to Malleus killing or ordering someone to be killed.) and of course, the same applies to talking bad about you.

The problem is that this is doing the same thing to your child that was done to him. He's scaring everyone and making them afraid to come near your child for fear of saying or doing something that might upset them or Malleus. He listens to you and agrees with you, showing concern and thoughtfulness about what should be done. He hates people being disrespectful to the ones he loves, but he also doesn't want his child to go through what he went through.

What ends up happening is that, on Malleus's part, he realizes that he has to start learning ways for people to respect his child without using fear, but to do that he also has to start letting certain insults slide. He doesn't like it, but if it's what's best for his child, he'll do the best he can. Although the same applies if they disrespect you. He hates it so much!

In the case of your child, you are helped by Lilia (if he’s still alive), Silver, Sebek and their families. Perhaps trying to spend more time among their people and with other fae, humans, and half-fae might be beneficial to a child's social development.

Lilia would treat the child as if they were his own grandchild. Even if Silver also has children, they are ALL Lilia's grandchildren! “There's no denying it any longer... I am... officially... an old man... For the best possible reasons!” Everyone will rescue your child from Lilia's food. “Never eat anything that Grandpa Lilia cooks, you hear?”

Silver is the calm uncle who, despite not being the most fun to play with, is the one they turn to when they want to rest and simply have a good chill time. Or take a nap. Probably who they turn to to run away and hide from Sebek when he's being annoying. He ends up being the adult (than is not their parents) that they trust most and feel most comfortable with. Silver is very happy when they ask him for help to get closer to an animal to see it better, and even more so if they and the animals end up interacting and playing with each other.

Now about Uncle Sebek... If there is anyone more protective and flattering of that child than Malleus, it is Sebek. He cried when the child was born, for sure. And cried even more when the child said his name, or whenever they at least tried to. The day they called him "Uncle Sebek" he was about to have a heart attack. The problem is that he ends up being one of those type of person who adores children (although in his case the only ones he likes would be Malleus's and his own children) to the point that the child finds them annoying and clingy. “But don't tell Uncle Sebek that, he'll be sad.”

Whenever the child throws a tantrum that ends up causing their powers to manifest in storms or uncontrolled magic, Malleus will take care of it while you stay away and safe. To him, any attack would be mere tickling, but he always made sure that your child knows that the same does not apply to you. They may end up thinking that you are very fragile while they are little, but it is better this way to ensure that they do not hurt you unintentionally.

This also means that whenever you need to say ‘No’ to your child, Malleus will do it if there is a possibility that they would start throwing tantrums. At least while they are young and cannot control their powers well.

Malleus also runs the risk of being a father who spoils his children.

Your child and Grim probably burn a lot of things around the castle because they play together and they both have fire powers.

If you would like to read more from me, you can find it in my pinned post: INDEX

And if you would like to read this but with other characters you can write in the comments. If this post has a lot of notes (likes and reblogs) I might consider making a second part with other characters.

[xgremlinxx]

I was literally thinking about this, like nobody from my past is worth being sad about...I was always the one that did or fronted everything, and it still wasn't enough. Hey, i'm not mad, i'm glad they showed their true colors to me.

A lot of them can't tell me that they had better than me, they settled for losers, drug addicts, and selfish bozos. Hey i'm not the greatest but I saw what they went for after me, don't ever tell me I didn't love or try with my whole heart, I saw how you settled for less because of your delusions. But tell me, why should I care when you didn't? lol Such a funny thing. I simply can't be arsed anymore.

yes, nobody is worth being sad about over losing them for me personally except for my parents, sponsoring my old ass letting me squat. I'll love them to the ends of the universe and back.

and nah i dga single fuck about being independent right now...My parents are great, sorry I didn't have fuck ass parents like ya'll. My states economy is dog shit, people making minimum wage to pay for fast food meals. Shit is burning down, inflation is too high. Rents too high, groceries too high, lol I dated a woman that had it so rough they need to sell their pussy...and you know what, I would totally sell dick if it was socially acceptable and celebrated like it is to sell pussy in the year of our lord 2025. LOL If it was in demand, but I wasn't born with a pussy, and lets be honest, thank g0d for that! Ya'll women in the west are beyond cooked, but I get it...Don't agree with it, but I understand.

I'm just being facetious. I could never sell my soul like that. There is literally nothing left in people like that, and it's so sad to see up close, so much sadder than just hearing about it.

Im finna work and stack until things improve. There is no rush. There is still time (famous last words). I'd like to fill the gaps of my character with substance, part of my problem is being too hollow at times, I am not me without passion. I see now safeguarding my vision & protecting peace comes b4 all.

People that carry years long attachments for people that were not good for them, broke up with them ( 5 years ago +) or did them wrong is the most cringe shit ever, quite frankly I'm not trying to be like ya'll.

[freakattack]

Favorite obscure Mario characters?

GLOM

The light of my fucking life. As a lifelong koopalinghead and specifically iggyhead i slurped up the Nintendo Adventure Books like a slug slurps slime and obviously a connoisseur of my caliber would immediately latch onto this thing. It's a cloning machine Iggy made that turns sand into clones but more importantly it is a 15 ft tall clanking clunking contraption with googly eyes (to see what it's cloning, natch), a stack of CRT monitors that each display a different horror B-movie at all times, and a constant trail of slime oozing from its tank treads. If this is not your favorite Mario character of all time then you're an idiot.

2. DOUGHNUTEER

I might be the only person who cares about doughnuteer and I couldn't tell you why. Actually I can, it's because he reminds me of a little shrew

And I like doughnuts.

3. PIRANHA SUE

In addition to the Nintendo Adventure Books i also lapped up the corresponding Nintendo Comics System, which followed a similar continuity in the absence of more official sources of mario lore. I never appreciated piranha sue as much as I should have in my youth but after revisiting these comics a couple years ago i can safely say that she is the greatest bootleg piranha plant I have ever met and it is an honor to witness her evil human teeth. I want her in mario baseball.

4. HERMAN SMIRCH

Herman smirch is a terrible person and character but I am transfixed by his awfulness and so he is here. Growing up the Game Boy Comic was like the evil counterpart to the Nintendo Comics System, but now that I'm grown up and evil myself I can truly appreciate the depths of its depravity. The gist of Herman Smirch is that he is a shitty loser republican from new jersey who obtains a game boy that, through the will of Tatanga (who lives in the game boy), manipulates him into committing increasingly violent crimes until he has embroiled himself in an international military conflict. The game boy comic was supposed to make people want to buy the game boy but in practice placed it center stage in a slow burn of this already terrible man's spiral into insanity. What a yarn. I have shown a highlights reel of herman's wacky antics here but if you're too lazy to click that link then I at least want you to see this:

5. FRACKTAIL

Fracktail is comparatively not obscure at all but I don't care it's my list I'll cry if I want to. If I put fracktail here then I would technically be justified in also putting other mario rpg all-stars like Bowyer and TEC-XX and Valentina but I won't go that far, Fracktail can be here on their behalf. Anyway, the first time I saw this thing I screamed, because I thought I was going to have to fight it, and then it was friendly and then I loved it forever. And then a stupid bastardly clown came and destroyed everything and ruined my life but this isn't about him. I love you Fracktail and I wish you were still here. You didn't deserve that

6. HAL 9001

Moving on

7. WOOSTER

Before Toadsworth, there was Wooster. The original long-suffering butler to the Toadstools, Wooster was a Nintendo Comics System Special who presumably passed alongside the Mushroom King he served. There isn't much to say about his character beyond the typical trappings of Beleagured Butler, but there is one thing that makes him interesting to think about and that is the comic called "Wooster Quit". In "Wooster Quit", every Mario character is FLABBERGASTED because Wooster Quit, and they can't imagine a life without Wooster. So the whole comic is about everybody trying to get Wooster back and of course Wooster comes back and the status quo is restored. But the premise of casting this mario OC as an essential player in these characters' lives is funny to me in a meta sense because we very much do live a life without Wooster. We are living in a post-Wooster world. It just goes to show that no matter how obscure you are, you are important to someone. Even if that someone is me.

8. ROACHIE

Roachie is the cockroach living in Wario's brain. One morning, she crawled up his nose, which Wario was horrified by but not for the reason you might think: "Is little roachie gone for good?!?!!?" As a devout cockroach appreciator, I was touched by Wario's genuine concern for God's most darling creature. Fortunately, little roachie was not indeed gone for good, because that very night, Wario heard her walking around inside his skull. Yippie! Hooray! We can only hope that she is living a nice life up there to this day. Hope is all we have.

9. BRAWL DOLL

This will come as no surprise to those who know me, but if you don't know me: fellas, I fucking love ventriloquist dolls. Charlie mccarthy was my idol growing up. I'll never be half the dummy he was. So a wario-branded wooden doll is basically my ant bait. Brawl Doll is what Geno could have been if Square wasn't full of squares.

10. THE BEETLES 'R' US SNIFIT

They put me in a mario game

[pomefioredove]

can i order a sugar cookie, #18, with frosting and dry fruit please 💕💕 love your work

coughs weakly

order #18, sugar with frosting, dry fruit

*ੈ✩‧₊˚ intent to bite

summary: a miscommunication leads to sharing a small bed with lilia tropes: only one bed, first kiss characters: lilia additional info: romantic, gender neutral reader, reader is yuu, who is an adult, a lil suggestive

"Told you this was a bad idea," Grim mumbles.

"Why am I stuck with Sebek, anyway?! I should be with my hench-human!"

You hold a finger to your lips. So much for hoping Grim would mind his manners on this trip.

"We've been over this," Silver says, carrying a six or seven bags inside the house. "Malleus will take the first guest room, Lilia and the Prefect will take the second, because it has two beds. Sebek and I are sleeping in the lounge, where there's a dog bed for you."

"I'm no dog!"

"That's not-" Silver sighs, looking to you for help. You have nothing.

Then, there's breath on your neck and a voice in your ear. "Oh, don't look so glum. It'll be a fine bonding experience for you boys!"

You jolt, and Lilia giggles into your ear, the airy, cheerful sound almost as teasing as the prank.

Grim sighs. "I bet Sebek snores like a lawn mower..."

"And you don't?" you mutter, much to Lilia's delight.

"Khee hee. Personally, I'm tickled by this! The Zigvolt family is as welcoming as ever. Oh, Malleus, do you need help with that?"

The smaller fae leaves to hold the door open for Malleus, while Grim repeats "tickled??" in a grumble. Silver sighs again.

"It's been a long journey. We'll all feel better once we've slept,"

"This can't be right,"

You stand in the narrow doorway, overnight bag in hand. The guest room is dark, but you can still feel how small it is. There's no way two people can fit in here.

Lilia peers over your shoulder. "What's- ah. I see,"

Your eyes adjust to the darkness. There's only one. There's only one bed.

"Now, this is unfortunate. Our rooms must have been mixed up. And Malleus has already retired, poor thing..."

You look at him. "What are we going to do?"

"Do? Why, sleep, of course,"

"Where?"

Lilia smiles and pats your head, as if you were an adorable kitty cat rather than a very tired and disgruntled adult after a full day of travel.

"In bed, my dear. Unless you were planning on taking the bath,"

He slips under your arm and into the room, tossing his bag on the floor with no regard or interest for the clothes and trinkets that spill from it.

You follow, putting your own things away as he makes himself comfortable on the bed. "Well?"

"...You can't honestly act as if this is normal,"

Lilia giggles. "What are you so afraid of? I'm not going to eat you,"

You listen, if only a little, sitting at the edge of the bed, as far from him as possible. Why is this making you so nervous?

"I'm just not used to it. That's all,"

Shit excuse. He can tell, too, if that smirk of his is any indication.

"Ah, I see. You think, hope, perhaps? that I'm going to make a move on you, as the kids say,"

Your eyes widen and you stumble over yourself, trying to come up with a rebuttal, an excuse, a lie, anything at all.

His smirk sharpens. Literally- his fangs dig into his lower lip, and he sticks his tongue out at you.

"If you're going to be this tense all night, you won't get any sleep. I'll tell you what-" he says, sitting up. "I will graciously allow you one kiss to sate your curiosity. Doesn't that sound nice?"

Now that's just unfair. "That's- what makes you think I would-!"

You stumble some more, and he drinks in the sight of you, flustered and nervous and oh-so close to him.

Lilia lets you argue with yourself until you're spent.

"...Fine,"

He claps. "Very well. Come here, Prefect,"

You sigh, but cross the bed, anyway, feeling the soft, handmade quilt underhand. You can't believe you're going to do this in Sebek's house, of all places...

Curse this fae.

You sit before him, far more vulnerable than you would have liked.

"Very good. But you could come a little closer, don't you think?"

Again, you listen. You sit on his lap, straddling his thighs, much to his delight.

"Better," he mumbles, perhaps more to himself than to you, because then his hand is holding the back of your head and his mouth is on yours.

Lilia doesn't give you much, and you know that's his intention. The kiss is much too chaste for him, and much too slow for you, but passion and pace were never a part of the deal.

You let it go.

And with some reluctance, you part from him, warm and jittery. That wasn't enough, and he knows it.

"You look like you have something you want to ask," Lilia says, his fingers brushing over your neck, feeling the beating of your heart in your pulse.

"...No," you lie.

He smirks again, baring his fangs as if warning you of his intent to bite.

"Khee hee. Don't worry, desire is nothing to be ashamed of. And we all have our little secrets... I, for example, may have asked Malleus to switch rooms with us."

Despite what Silver had said, you can't imagine sleeping now.

[thermodynamic-comedian]

god. janus sanders really is a character of all time, just in terms of concept. when you were a little kid, you did something wrong, and you got so scared of getting in trouble that another little guy was born inside you. and he loves you. and he wants you to stay safe. so he tells you to lie now, take care of yourself now, keep yourself safe. but all the other little guys inside you hate him. he's too mean, too selfish. the little guy that was born from your desire to do good and be good hates him the most, because you're a little catholic boy, and lying is bad. and you're a good boy. so everything inside you that isn't good has to be shut away.

he knows he's not wanted. he creates his own place to stay, a hidden corner where he can't hurt you. because all the others say that he'll end up hurting you, and he can see how scared you are of being a liar, so he lets himself be forgotten. hidden away. this is how he shows his love: by hiding himself, and every subsequent unwanted part that grows inside you, from you. if knowing about their existence is too difficult for you, then he'll hide them all. he loves you. you don't even know his name.

he watches you grow, still unaware of his existence. the others make their presence known, felt. you let them take the reigns, most of the time. he sneaks in his own little influence here and there; small, harmless lies, only when necessary, so you won't even notice. and in the meantime, he acts as a herder of sorts for all the other parts of yourself that you've subconsciously cast away. he keeps them in line. he sympathizes with them, yes, he knows what it's like to be unwanted. but letting you see them would hurt you, and he loves you. so he keeps them there, in the shadow, unknown and unseen, just like him.

one of them, one of his little dark, unwanted things, doesn't want to be hated anymore. he wants to make himself known. he wants a seat at the table. and, in an ultimate slap to the face for janus, he gets it. virgil gets everything that janus was denied from the start. acceptance. power. control. his effort is acknowledged, his necessity is embraced. he gets a seat at the table. he doesn't have to hide anymore. and janus can't help but resent him for that. maybe it's a good thing, then, that the hatred is mutual. not even his own cattle, the ones he kept safe, the ones he kept out of thomas' way, can stand his presence. fine. none of it matters. as long as you're safe, it was all worth it. he loves you. you still don't even know his name.

janus was always thomas' protector. even when none of it was ever seen or acknowledged.

i find his mixed motif really interesting too, because before we knew his name, we only knew him as deceit. the snake. the ancient serpent deceiver, the biblical snake of eden. but then we hear his name. janus. ianus bifrons, two-faced janus, god of beginnings, passage, transitions. i think that his name being revealed was very much the start of thomas beginning to see janus for who he actually is, instead of the heavily modified version of him that he's been seeing, courtesy of his catholic upbringing.

[absolutedestinyapocalypsse]

Okay I think we need to get on the same page. By "perfect lyctorhood" I did NOT mean a version of lyctorhood that I, the reader, think is perfect in that it's ethical and good and everyone is happy and gonna ride off into the sunset. I meant a version of lyctorhood where both the necromancer and cavalier are intact, in seperate bodies, and alive.

FOR THE RECORD, I was pointing out similarities between characters who have come close/achieved it with Harrow and Gideon, and pointing out a pattern of John saying something is impossible, only for Harrow to do it with Gideon anyway. I just think when its established that everyone in history is trying to do X thing and many have come close but none have succeeded, the natural conclusion is that someone's gonna figure it out before the series is over.

HOWEVER!!! I don't think this is necessarily going to be a happy ending. For one, the series tells us at every moment possible that Immortality SUCKS. For all of HTN we are brain blasted with the worst most foul found family known to man because they are simply too old and unkillable to be normal to each other. We watch a man who was once so hellbent on not leaving any humans behind that he became an enemy of the state become a shell of himself, at best neutral to the billions of senseless deaths he causes and, at worst, happy about it.

In contrast, the most content, loving, and fulfilled character in the series is alive for all of six months. Nona knows she's gonna die, and she loves anyway! It's this beautiful interrogation of eternal life as a religious reward for good behavior. Yeah, maybe sounds good on paper, but what would you do that would make you happy for forever? Especially if your religion taught you to sacrifice your own self worth or ignore the personhood of others in order to achieve eternity. How are you gonna spend your time? Doing the same shit you did just to get there, probably. And chances are, it'll make you miserable.

We KNOW normal lyctorhood sucks in that it's necessarily exploitative. Culture in the nine houses has justified and draped pretty lace around what is essentially raising people to be so subservient that they let themselves become human batteries. Because of how ghoulish this is, it's easy to assume that perfect lyctorhood would be a good, ethical alternative. But just because both people are alive doesn't mean there can't still be abuse and exploitation! In fact, in the ONLY example of someone actually becoming a perfect lyctor, John does it to Alecto against her will! And THEN because he can't kill her, he imprisons her in the tomb. Doesn't sound like a very fun religious tier reward to me but idk!!!

So basically, there is no ethical lyctorhood under capitalism. In the best case scenario where the necromancer doesn't subjugate the cavalier, they're still alive FOREVER, every year getting farther and farther away from what made them human. Maybe they end up like Augustine and Mercymorn, with all their conflicts over the years congealing into a weird toxic occasional hate sex misogyny-fuelled situationship. Maybe they never speak again and have to spend the rest of forever completely alone.

Point is, as much of a relief as it would be to see Gideon and Harrow in the same room again, I don't think perfect lyctorhood is a happy ending for anyone. I have no doubt in my mind that they're gonna do it, but i have a LOT of doubts about what fresh hell it's gonna wreak when they do.

if the locked tomb doesnt end with gideon and harrow both alive and whole having achieved perfect lyctorhood i will eat my own hat.

alecto and john are the only perfect lyctors right? alecto, who is made of several million dead people, and john who is god. youre telling me that harrow "made of 300 dead babies" nonagesimus and gideon, whose dad is god, aren't gonna do it? youre telling me harrow's biological ancestor is the only saint to never become a lyctor because she came so close to figuring it out that her cavalier was killed to prevent it. you're talking about harrow, who opened the tomb at ten with nothing but sheer determination and accidentally getting a little bit of god blood under her nails and gideon, who we keep being told cannot and will not die, won't end up alive? is that what you're saying? bc john says two things are impossible; opening the tomb and perfect lyctorhood. but those are only two things and Harrow already did one of em. does she seem like a quitter to you?

[darkficsyouneveraskedfor]

A Man Called Danger 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, violence, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: You avoid drama, you avoid confrontation, and overall, you avoid men. But some men can't be denied. ~ short!late 30s reader

Characters: biker!Bucky Barnes

Note: I saw a photoshoot and lost my mind.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

You sigh and set the phone down, tilting your head back as you close your eyes. Exasperation, frustration, helplessness.

This is why you never had kids of your own. Your own teenage years were tough enough. Well, life has continued to shout that lesson in your face; things don’t always turn out how you expect. Or how you want. 

Let her make her mistakes, you tell yourself. No, no, you can be passive in your own life but you took on this responsibility. You can’t just wait and see how it turns out. Not like your mother did. She only got lucky you didn’t end up on a corner or like her. 

You take a deep breath and run your hands over your face. Your mother taught you many lessons without meaning too. Men, kids, all that domestic stuff is just a trap. You’re better off without having to figure out the mistakes of others.

That’s why you did this right? Because you want your sister to learn the same thing, to avoid the consequences of youth and short-sightedness. To escape that family curse that keeps you so cautious. 

You grab your jacket from the front door. She’s nineteen. Nineteen. An adult. You’re not her mother. No, but you won’t let it happen. Not to her. Not to that baby you spent your nights bottle-feeding as your mother spent her stipend at the bar or drove around with Robbie from down the street. 

It’s underhanded. Not what you should do. Not respectful at all but after the last time, you couldn’t let it go. You open the app on your phone. The dot that is your sister’s phone pings in the map. You zoom in and squint as you stand on the doormat. Really? 

You lock the front door and come down the front steps. The deep blue evening is starless as only the yellow street lights offer clarity. Oh, everything is clear. The apple is not falling very far. 

You drop your phone in the cup holder and turn the engine. The grumpy old Honda chugs to life and the stick cranks loudly as you put it in reverse. You don’t have much but you have the one thing you always craved; stability. You manage with what you have. 

You ease your foot off the pedal as you catch yourself speeding down the forty zone. You idle at the sign before turning onto the next street. You make a zigzag onto the main road. Your nape itches with impatience. How the hell did she get all the way out there, anyway? 

You grip the wheel and snarl at the windshield. You’re not a mother. You don’t have a maternal bone in your body. You were raised to be wary. By the time your sister came around, your mother wasn’t present enough to make much of an effort or impact. You suppose neglect can be just as lingering as resent. 

You keep one hand on the wheel as you chew your thumb. For all your attempts to avoid this fate, you find yourself where you didn’t want to be. Maybe not technically or even legally, but you’re stuck cleaning up this mess. 

You pull up to the bar at last. Take a breath. You are not an angry person. Not like your father. Yes, the surge comes from time to time but you control it. You repress it until it’s only a flicker in your stomach. 

You get out and lock your phone. You pocket your keys as you approach the door. Nearly wenty years since you’ve been in a bar, never of your own volition. You stare up at the marque. 

You were the same age as your sister then. The place was glowing and hazy. You entered to the clink of bottle and the buzz of the old juke box. Darts pounded into the bullseye and cues clacked on solids and stripes. Your mother was there hanging off a greasy man in flannel. She was too drunk to answer your question as you held her child on your hip. 

“Mom, where’s the money?” 

It fades away with the voice from your left. The man stands with arms crossed, “ma’am, you can go in. I don’t needa see ID.” 

You shake your head and make yourself enter. Your reluctance slows you along with the overwhelming wall of noise. Voices all around, music, glass meeting each other and tabletops, laughter, coughing, and snarling. The dim is lit only by the bulbs beneath the black shades, hanging from the ceiling. You squint to see through the glazed din. 

This isn’t your place. This is never what you would do for fun. Drinking, talking to strange men, spending what free time you have rotting away in this pit. 

You hear a familiar octave. Eva trills with laughter. Not that sardonic snort she gives you when you try to offer her some sense, no, that tinkling noise she uses when she wants something. It’s not a surprise, there aren’t too many reasons for a girl her age to be here. 

You find her along the bar. She sits sideways on a stool, one leg draped over the other. She’s everything you’re not old. Young, slim, and tall. You never grew much after eighth grade and you can’t do anything to stop time from its work. 

You cross the bar as the man next to her chortles and winks at her. His hand is on her stool, just by her hip. He looks about your age. You grit your teeth. 

You’re not brave or bold. You learned to survive by staying out of the way but you can’t just walk away from this. You know what older men want from women half their age. 

You clear your throat as you come up next to them. Eva ignores you as the man sends you a sneer, “can I help you?” 

You cross your arms. You’re not good at confrontation. Not with strangers and definitely not with men. 

“Eva,” you focus on your sister, “I’ve been waiting for you--” 

“Don’t pay attention to her,” she flutters her fingers. 

“Eva. You said you’d be home at eight--” 

“Ugh, you’re not my mother, okay? We both know where she is so just go away,” she snarls. She’s drunk. When she’s a few deep, she gets mean. 

“She’s grown,” the man insists. 

“She’s my sister, I’m talking to her,” you turn so your back is to him and you’re almost between them. “Eva, I got that job lined up for you--” 

“She said fuck off,” the man growls. You tune him out. 

“It’s good. You can take the year to build the reference then apply to the community college--” 

“You’re embarrassing me,” she hisses. 

“Would you get out of here?” The man pushes you so hard you stumble. You hit a table and gasp as the edge jams against your ribs. The people sat their grumble at you for spilling their drinks. 

“Johnny!” Eva cries out. “What the hell are you doing?” 

“You told her to get off,” he sneers. 

“Yeah, but you can’t just do that,” she whines. 

You steady yourself and apologise to the patrons at the table. You hug your middle and swallow down the pain. You swore you would never be pushed around by another man. 

You turn and march up to the creep. “You feel big picking on women? Huh? You feel like a man going after teenagers? Cause a woman your own age wouldn’t put up with you?” 

Eva tugs on your arm and says your name, “please, don’t. What are you doing?” 

“Do it again,” you goad. The words come out naturally.

You’re shocked by yourself but your reticence is dulled by that hereditary spark. That flame you’ve been tamping out for decades. Not like him. You are not him. 

“Pfft, don’t be a bitch. You already cockblocked me.” 

“No, you want to pick on me, pick on me.” You spit. 

“What’s wrong with you? Why are you here?” Eva snivels. 

‘Why are you here?’ Your mother drunkenly slurs. ‘I’m just having some funnnnnn.’ 

You stare at her. Eva wriggles and cries on your hip. You hush her, trying to comfort her. She’s hungry. You don’t have anything left in the can. 

‘Mom, that money was for her. Mom, where is it? Give it back.’ 

She chuckles and caresses the head of the man she sits on, “go talk to Chuck at the bar, he might give you a refund.’ 

Your name draws you out of the past. Eva shakes you as you snarl at the man. Your hands ball to fists. 

“There a problem?” A gravelly timbre undercuts your rage. 

Eva babbles again. 

“Walker,” footsteps stomp closer and Eva pulls you out of the way. 

You watch as a dark-haired man pulls the blond from atop the stool. He has him by the scruff, “what’d I tell you about fighting?” He glances at you then the foamy spill leaking onto the floor from the table as a server tries to sop it up. “You hitting women in my joint?” 

You quake with anger. This man thinks he’s a saviour. You don’t need him to defend you. In here, they’re all the same. 

“You better not come back,” the brunette growls and hurls the blond onto the floor. “This is the last time I’m tossing your ass out.” 

You watch the man’s shoulders strain the leather of his jacket. He’s broad, taller than you, like most, and about your age. He faces you. His hair is pushed back, the tails winging out behind his nape, his beard is thick and laced with silver, and he wears a golden medallion around his neck. His blue eyes scour you and Eva. 

“You alright?” He asks with a stitch in his forehead. 

“Just fine. Leaving,” you say as you twist your hand around to grab Eva’s arm instead. 

“I don’t put up with that in here. I saw that man up on your daughter and I shoulda stopped it earlier,” he intones. 

You scoff. 

“Look, you can have a drink on the house--” 

“I don’t drink,” you show your palm. “Excuse me.” 

You step around him and drag your sister with him. Under the ripple of anger, is fear. These men are dangerous. You forgot that at some point. Don’t ever forget that. You just wish Eva could see the same. 

You take her to the car as she stumbles in her heels. You open the passenger door and let her go. She gets in and you resist the urge to comment on her outfit. She can wear short skirts and crop tops, she’s an adult, but it’s too cold to not have a sweater. 

You go around and get in the driver seat. You sit there and stare at the wheel. You close your eyes and inhale. 

“I’m sorry. Are you okay?” 

“Eva,” you snip and open your eyes. You brace the wheel as you look at her. “You saw what that man did. I’m a woman with no value to him, so when he loses interest, what do you think happens to you?” 

She mopes and looks at her lap. She twirls her thumbs round each other and sniffles. “I was only having fun.” 

“You can’t find someone your own age? Or maybe a hobby. Try the library,” you run your hands over your forehead. “I don’t want to be like this. I don’t want to act like your mother, I want to be your sister. I want you to do better.” You slap your hands down on your legs. “You can make your decisions however you like but I just want you to think before you do.” 

“I’m sorry--” 

“You’re sorry. Again. You keep doing it,” you relent and slacken against the seat. “You’re not a kid. We both have to accept that.” 

You jam the keys in the ignition and turn. You sit up and peer around the lot. Your eyes snag on the figure standing in the glare of the marquee. That man in leather with the medallion. He watches calmly. 

You lean on the gas and steer around the lot. As you come closer to the bar, he waves with two fingers and winks. You frown and put your attention ahead of you. You just want to go home and go to bed. 

[eggcats]

I was originally gonna have this in the housewife au but it's funnier to me if everyone thinks they hate each other for this conversation (fighting is their love language, they both need enrichment in their enclosure).

So just, like, imagine this conversation at the hotel in front of everyone AFTER Vox and Alastor have just fought in some way.

Vox, doing something ridiculous that Alastor mocks him about.

Vox: Fuck off, you think I'm funny.

Alastor: Well, I certainly find you fun to laugh at! But I suppose that's why I find you endearing.

Vox: Y'know, I might be endeering to you, but what do I have to do to get a deer in me!

Alastor: No.

Vox: Oh, fuck off, so you're allowed to make deer puns but I can't?

Alastor: Well, only one of us is a deer, after all!

Vox: With how much of your DNA currenly in me, I'm probably like, a quarter deer right now. So I'm gonna keep making jokes.

Alastor: Are you implying you can make deer related jokes when you have my....genetics....within you?

Vox: Fuck it, why not?

Alastor: Well, then I suppose you might as well have your fun while you're "allowed," haha!

Everyone is watching this exchange in abject horror. No one wants to make a sound in case they've forgotten they have an audience. (They haven't, they just don't care.)

One time at the studio Angel almost breaks character because he overhears Vox make a deer pun to a Valentino who's extremely over it, and he realizes that he's the ONLY ONE there who knows that that means that Vox and Alastor had JUST hooked up. He can't tell anyone to suffer with him - no one would believe him, and if they did he doesn't want two pissed Overlords after him.

(One time Vox makes a low-key deer pun live on television and the entire hotel goes silent.)

[jscrawls]

Grave mistakes

Gotham City is full of a lot of characters, criminals, creepy clowns, man eating plants, eccentric billionaires. But all that rolled into one household?

Warning: contains mentions of poor mental health, death, general spooky stuff, it's an Addams reader they're gonna be freaky,

Part 1: digging dirt

🔹🔹🔹

Jason's having one of those days, his hands ache a little too much, his scars pulling a little too tight, the ringing of metal as someone worked on their car grit in his ears a little too loudly, It's overstimulating. he doesn't even feel Like…..a person right now, he feels more like a body caring for itself. So he did what he usually does when he's not quite all there, he walks. Wanders around until he finds somewhere quiet enough to stuff himself back into his own head, until his body feels like him again. And that's how he found himself here of all places, a graveyard, the graveyard. Someone's still taking care of it, it seems. The grass is neatly manicured and the stone is moss free, he hates that in a way. The stupid gravestone looks like it's been shown more care than he has. He hates that he can still clearly read it.

“What a dreadful graveyard, you must be very proud of it.” A mystery voice chimes from behind him, who the fuck snuck up on him?

Spinning around with a snarl on his lip, Jason's greeted by the sight of a….Goth witch? That doesn't bode well on Bruce's property.

“Who the ever loving fuck are you?” his hand rests on the grip of his gun, warning enough to not try anything too hasty. Damn what if they're a meta-

“oh excuse my manners, I'm your new neighbor.” The mystery goth steps closer without any hesitation and holds out their hand, their other hand holding a…casserole dish? Oh right, Alfred mentioned something about a neighbor…They introduce themselves as an Addams like they're not standing in a graveyard and he's armed, alright then…

“Okay…I'm Jason Todd...? I'm not your neighbor though, i don't live here.” He glances back down at the gravestone, his gravestone-

“Oh? Then i suppose you'll just be my new friend then instead of my new neighbor.” They glance down at the stone as well, noticing the obvious. “Oh is that yours? You have one already picked out and placed? How macabre!” They smile, Jason's gut twists at the sight.

“No it's not-that's just uhh…don't worry about it alright? I used it and then.. Got better?” Jason wants to bury himself Alive right now, what kind of an answer is that? They just had to catch him on one of his bad days.

“you know, my dear grandmama has done that quite a few times. The lady just can't seem to stay buried for more than a few weeks at a time. One of these days…” The goth sighs wistfully at that, seeming unbothered. Are they mocking him?

“I'm not on the mood for jokes.” He grunts out, shoving his hands in his pockets and going to step around them. He'd prefer to wallow in his fucked up mental state without an audience.

“Grandmama’s perchance for breaking the barriers between the living and the dead is no laughing matter my new-not-neighbor-friend, say do you know the man living here? I'd like to return this to it's rightful owner before the poltergeists smash it.”

Jason stares at them for a long, silent moment. They said all that with a straight face. Must be committed to their aesthetic to the nth. The thought of seeing Bruce right now sounds about as enjoyable as crawling on broken glass on his hands and knees, but they seem to expect something from him. God he hates social obligations…

“I'm not even gonna ask, give me the dishes and I'll get em back to Bruce.”

“Who is ‘Bruce’? I was under the impression the resident here was named Alfred.”

“No that's the butler- wait, you don't know who your neighbor is? How can you move in beside one of the wealthiest man in the country without knowing?”

“oh is Gomez here? That sneaky devil already bought property in this wonderful city without telling me? Oh I could die of jealousy!"

The goth seems…happy? Jason doesn't want to snap them out of it just yet. They're obviously crazy and he's not ready to deal with the fallout. He's ready to just say fuck it and leave, but he doesn't want to leave Alfred to deal with them…

“Gomez? No this is Bruce Wayne's house. You know, billionaire philanthropist?” he turns towards the back of the mansion and starts walking, ready to go drink until he can't see his reflection straight on. Who cares that it's only four in the afternoon.

“Wayne? Was he the one in Jersey shore?” They say with curiosity, stepping after him with casserole dish in hand.

that actually gets a startled laugh out of Jason, picturing Bruce on Jersey shore with Nikki and big Mike. “No, God no. That'd be a sight to see though…. You don't seem the type to watch that show, i bet supernatural is more your thing, what with the whole….goth thing.” Is he making conversation? Wow, go Jason i guess.

“i enjoy the chaos and violence.” Is all they say, following him to the manor.

“…alright fair enough.” He falls silent again, the only sound being the crunching of leaves underfoot. God he's not good at this, this feels awkward very quickly. At least to him, they seem intrigued with the sights of the graveyard.

“so how did you die, I'm assuming you used the gravestone in death. Yes? Not unless you enjoy a little being buried alive action, i dabble in it time to time myself so don't feel awkward. Do tell.”

Do they have to press on about that? What kind of freaky shit are they into- “you're fucking demented.” he hisses out before he can catch himself, wow way to make a nice impression on Bruce's new, probably rich if they're buying up land in this neighborhood, neighbor.

“Oh? Aren't you a romantic one, My new-not-my-neighbor-friend.”

“…that wasn't-can we drop this? You're driving me nuts.”

“You're very sweet, perhaps we can explore this another time then. Please tell Alfred the casserole was positively horrible! Toodles!”

And just like that they turn on their heel and leave, disappearing into the- wait why is it suddenly foggy? Jason shakes his head and briefly ponders whether any of that was even real, or if he's gone off the deep end this time. The weight of the casserole dish on his arm the only thing assuring him he's not full blown hallucinating like certain people he knows.

He gets a few steps closer to the manor when he pauses again, he feels…. Okay. Not great but…he feels like a human instead of a ghost occupying a body. Huh. Guess meeting someone crazier than you'll fix you.

🔹🔹🔹

A/n: ngl I'm pretty happy with how this chapter turned out, Jason's fun to write! Any feedback is appreciated as I figure out how to write other ppls POV TYYYYY 🖤💜🖤💜

[sevensistersofsussex]

On another re-watch last night I really honed in on Candyman's motives as a person in comparison to Helen's and how similar they are once you get past the blood.

Candyman has his congregation. He wants to be known and he wants to have influence (through fear). Candyman doesn't even come close to an anti-hero in this film. His motives aren't understandable and his victims are innocent of any crimes against him. He does it to be feared and to have influence and power over people.

How the hell does Helen fit in with that?

What does Helen want more than anything when we meet her? She wants to be well-regarded in her field of study. Not just that, she is passionate about going to lengths other people won't. She goes to Cabrini Green despite the danger and shimmies her way into the whole in the wall despite her best friend's protests. Helen is bent on making a name for herself in her profession so much so that when a man already established in the study of myth and legend offers her his critical eye she responds by telling him that she'll "bury him". She wants power and influence as well.

Like calls to like. She is the first person we see not in a flashback to use his name but Candyman doesn't kill her outright. He sees her. He wants her. She speaks to his soul. It's always been her but more importantly it's always been him. Them.

As much as I'll always wish that Helen had just kissed Candyman in that bonfire and died with him to be eternal together, it is a great ending that she chooses to sacrifice all that he offers her to save baby Anthony. Because in a lot of ways, he is her mirror. Her husband is lazy and inconsiderate and is in it for personal attention. Helen and Candyman share a similar drive to see the outcome of their work come to life. They share in passion (however twisted it becomes).

And how I love when two characters find their match in each other but tragically can't be together.

The thing about Candyman (1992) that always strikes me so deeply when I watch it is the intention that went behind that movie. Especially from the actors.

Tony Todd describes in interviews how he and Virginia Madsen took waltzing and fencing lessons. "Romantic arts" he describes them. All so that they could properly convey what this movie set out to do despite set backs from the production company.

Candyman was always in love with Helen. The entire movie is about his pursuit of her. "Be my victim" and the promise of her death being "exquisite". A word he also uses to describe the promise of her kiss. It is a courtship in the darkest terms.

Every look Tony Todd gives her is intentional and fraught. God, the garage park scene and the way he looks at her like she's a miracle. He's seeing her again for the first time in person and all that history that only he remembers is there in his eyes.

The dancing. The kiss. The fact that the bees are in essence him now and when they kiss in the uncut version of the movie those bees are spilling into her mouth. His essence filling her too.

Even stealing baby Anthony feels like a moment where Candyman is attempting to resurrect in death the family that was brutally stolen from him. The pleading for Helen to come back because, we find out in the uncut version, she is already dead when she enters the bonfire.

It is everything that sets Candyman a part from other "slashers" of the time and it is everything that should have made it a heavy hitter alongside the "big three". It is also exactly why it wasn't.

[laswells-ashtray]

this is the rant of someone tired and pissed off so it shall probably be gone by some time tomorrow morning.

but anyway, sick of people hating fat people. sick of being surrounded by size fours who constantly ask the biggest people they know if they look fat and then tell those plus size people about the absolute disgust they feel about ever being that person's size.

im also fucking sick of the way people write fat characters or tiptoe around writing them. if you only write "chubby characters" who's entire being revolved around being a healthy weight, but oh dear God, she has thick thighs... how will she survive... or a fat character, actually fuck that, any character with a little meat on their bones and all you can write about is how much they hate that about themselves. they have to be insecure and their weight has to be a point of contention then fuck you. you're a shitty writer, there i said it.

just because a character is anything but a skinny person or someone with a muscular build it doesn't give you the write to reduce them down to someone who hates themselves for it.

write fat characters who're happy. give me a plus-size woman who wears shorts under her dresses so that her thighs don't chafe to the point of bruising. a fat character with stretchmarks and cellulite who doesn't give a shit about it. give me a fat guy who overheats easily and sweats like fuck but who actually cared about such a human quality because bodies aren't something to be embarrassed about.

coming from a fat bitch who's spent a life time listening to people's utter hatred at the thought of even looking like me, yeah I don't fucking like it either but if you can't help but reduce a fictional fucking character down to their weight and how that's a sore spot for them then you're an asshole.

daily reminder that if you like any of my Laswells content then Sarah Laswell is a big woman who's riddled with stretchmarks and cellulite that she doesn't give a fuck about. she sweats like, to quote my grandmother, a hooker in church when she overheats. her thighs have chafed to the point of bleeding, and she whined to Kate about it for days. she isn't skinny and she is very happy in her own fucking skin. and her wife loves her because I feel that important to mention.

[livingformintyoongi]

Valentine's Day Special Event

To celebrate this February 14th I have decided to make a small event for all of you!!! The rules are simple, you will go through four stations where you must put together your request as follows: First station - member: Choose the member you want the request from (only one!) Second station - gender: Choose a phrase you want to appear in the request (maximum 3!) Third station -AU Fourth station - Trope The event will be open until February 28th and requests will be published in order starting in March (those containing NSFW content may take longer than others). Special thanks to the creators of the prompts: @dumplingsjinson @me-writes-prompts and @nightprompts <3

➤ Choose your partner;

⁠❥ Kim Seokjin

⁠❥ Min Yoongi

⁠❥ Jung Hoseok

⁠❥ Kim Namjoon

⁠❥ Park Jimin

⁠❥ Kim Taehyung

⁠❥ Jeon Jungkook

➤ Choose your chocolate savor;

❥ Dark Chocolate (Smut):

❛ you can't expect me to do all the work. i want to see what that pretty mouth of yours can do. ❜

❛ you're mine, and i take care of what belongs to me. ❜

❛ i want to fuck you so badly. ❜

❛ do you really think you’re in a position to give orders? ❜

❛ please. make me feel good. no one else can like you. ❜

❛ you can call me whatever you want, baby. ❜

❛ we're going to fuck right here? what if someone sees us? ❜

❛ your body was made for mine. ❜

❛ you keep your hands where they are or i'll tie them up. ❜

❛ you want gentle? wrong fucking address. ❜

❛ have a little trust in yourself, i know you can take it. ❜

❛ it's my thigh or nothing. i'm not helping you get off. ❜

❛ i'm waiting for your permission to let me have my way with you. ❜

❛ i don't care if someone sees us. i need you, now. ❜

❛ now, i'll ask again, are you going to be good for me? ❜

❛ we both know how much you're going to enjoy this. ❜

❛ i'm sorry, what was that? i can’t hear you over all that noise you’re making. ❜

❥ Chocolate (Angst):

"It's not you...it's me. I can't stop loving you."

"If I knew loving someone would hurt so much, I still would've loved you."

"I'm tired of being the only one who loves you. I need you to love yourself first."

"This is not the version of you I fell in love with. And honestly, I've forgotten the real you."

"Is it so hard to believe I've stopped loving you?"

"I can't live without you. I can't love without you. I need you, by my side, always did and always will." "You'll be okay. I know you will."

"It's not okay to just leave me here, after telling me you love me back." "We can't- we'll never be together."

"So you choose them over me? After all we've been through together, you choose them?"

"I'm forbidden to love you. I'm forbidden to be with you. So, what am I to do if not fall on my knees and beg for you to stay?"

"It's truly funny...how you can't choose who you want to be in love with. I didn't choose to be in love with you. It just happened, and I wish it didn't."

Walking in rain to their house just to find that they're no longer there.

"You can't go. You cannot leave me here. You promised we'll be together forever."

Playing the song they always sang together to, and just crying.

"It'll never be the same between us. We'll never be the same."

"Your silence speaks more than you ever have. And, I'm not sure why it took so long for me to notice."

"You've drifted so far away from my side that I can no longer reach for your hand and guide you back to me."

"I can no longer recognize you. And that's not even the saddest part. It's the fact that you no longer make any attempt to make me understand you."

❥ White Chocolate (Fluff):

“I see such a vivid picture of us in the future, and it’s looking so amazing.” 

“I didn’t mean to fall in love with you, but that doesn’t mean I regret it one bit.” 

“You make me a better person, love, and I hope you know most of this character development is because of you.” 

“Sweetheart, you’re tired. Go to sleep; I’ll still be here in the morning.” 

“I’m yours in this eternity, and in any and every other eternities which may lay ahead of us. I’ll always find my way back to you, no matter what.”

“Everyday I fall for you all over again and I find that to be pretty neat.”

“We don’t need a ring on my finger for us to know I’m yours forever.” 

“I gave you one hundred and one reasons to walk away, yet you never did. Why?” “Because I love you. It’s really that simple.”

“Remember when we first met here?” “Yeah, of course. That was the day when you spilled coffee on me and apologised profusely but all I could think about was how gorgeous you are and how great it would have been to get your number.”

“It’s always been you, and it will always be you. Please never forget that.”

“You make me feel all soft and mushy inside.” “That is a good thing, right?” “Of course! You melt me, love.”

“You’re an idiot.” “Well, at least I’m your idiot, right?”

“You’re the reason why I believe in love, you know?”

“Stop back-hugging me while I’m trying to cook! You’re distracting me,”

“C’mere and rest next to me. You’ve worked hard enough today.”

“You feeling any better?” “So much better now that you’re here. I love you".

“You always manage to make me feel like I’m worth it.” “That’s because you are worth it. You’ll always be worth it in my eyes.”

➤ Choose your bouquet;

❥ Tulip: College AU

❥ Rose: Royalty AU

❥ Lavender: CEO AU

❥ Jasmine: Artist AU

❥ Marigold: Celebrity AU

❥ Hyacinth: Coworkers AU

❥ Lotus: Florist AU

❥ Lily: Bad Boy AU

❥ Cherry Blossom: Coffee Shop AU

➤ Choose your date;

❥ Drive-in-movie: Second Chance

❥ Night Walk: Arranged Marriage

❥ Picnic Date: Friends To Lovers

❥ Bowling: Enemies To Lovers

❥ Karaoke Night: Roomates

❥ Dance Night: Established Relationship

❥ Amusement Parks: Body Swap

❥ Museum: Only One Bed

[waynes-multiverse]

Am I excited for this? YES! How excited? VERY!!!

Gah, I've been really looking forward to this one! Love me some 40s and The Clock! 😍 (One of the reasons why I can't wait for Vought rising lol 👀)

Love how the first line of this story is an easter egg. You never cease to amaze me, Alex 🤓

Law Offices of Winchester, Bialystock & Bloom

*furrows brow* The Producers?? 🤔

Dean couldn’t help but curl a finger around a steel ball on the abacus sitting at the head of the mahogany desk, right next to Sam’s nameplate. He let it fly. The abacus began to clack as one ball hit the other. Sam looked up from the deposition he was writing to give his brother a wry brow raise.

Oh yes, we all remember that episode. Of course he would 😂 Poor Sam lol

If he was honest, entertaining young ladies was eating into the wallet in his trouser pocket, and the hustle and bustle was starting to be a little much for him.

Uh-huh... Dear Lord he needs help 🙈

Btw, I've been doing my own 40s research for a fic and came across the contraception question. Idk why but condoms and methods of that time freak me tf out. Wondering what your experience with that was (if you came across it) lmao 😂

Both of them had enlisted, but Sam had spent most of his time in London while he was deployed, helping British Intelligence. Dean had clawed his way out of Normandy, and later, out of the Ardennes—the last offensive before the end.

Ooof so rough 😮‍💨 PTSD and seeing all the dirty shit that goes on during a war is really brutal 😢 (My grandpa was in WWII and told a lot of stories when he was still alive)

And then they were seperated too and didn't even know what happened to the other. Heartbreaking 😭

“It’s still two minutes until closing. At least, according to my watch.”

The sass! Already love her 😂🩵

He subtly glanced down at your crème-colored blouse, neatly tucked into the long, burgundy skirt (with lipstick to match), your modest, classy heels, and the way you wore your hair.

*vibes* 😍 (even though I know MMM is set in 1958 lol)

He stood from the desk and switched his cigarette to his other hand, so he could shake yours.

You don't know how fucking weak it makes me that he smokes in this. That vice will be the death of me 🫠🔥

Dean glanced his way, his brow raising once again. Sam knew what he was thinking, just as he saw how you frowned as well. But there was a reason why he asked, and it wasn’t to be unkind.

Aww yeah, Sam's just doing his job. Not easy having a vagina in 1945 and dealing with dicks... 🙄

You had been slowly deflating the more he spoke, but now your expression became stony.

I get abusive vibes from shitty husband. There's more to it than cheating. Either he's emotionally abusive, physically or threathening to be. She seems like she wants to leave quick and quiet, fearing retaliation 👀

I loved how "damn" counted as cursing 😂 (Darn it!)

He was getting an idea of what kind of man your husband was, but Dean couldn’t be too sure of what the man was capable of. He’d hate to hear of a girl like you getting hurt over a few papers.

Yes, thank you!!! I knew Dean's spidey senses would turn on. (And I know that darn rat bastard can't hurt her now as long as soldier!Dean's around 💚)

“I was a sergeant, ma’am.”

Melted 🫠 (I legit die every time I write "Sergeant Shaw" in TCF, but I married a military guy myself, so makes sense I can't resist a uniform and a rank 😂🥵)

“He claims to be working late virtually every night of the weekdays,” you said, “but he usually comes home stinking of alcohol.” Your eyes dimmed, even with the pretty lights shining in them. “He was in the Army as well. A corporal. He’s had a hard time adjusting to being back home, and I know that… He doesn’t sleep very well. And do you know, he had a hard time finding work for a while too. Luckily, he has his father’s business to fall back on.”

I love the 1940s cadence, by the way! You can tell it's a different time period the way the characters speak, the words they choose, and how they phrase things. So well done, my friend! 👏👏

“He manages a meat production plant, of all things,” you said. “Ah, located in the Meat Packing District, I presume?”

Mama's smelling mob activity... 🤌

“Hmm. Guess I didn’t see the point,” he replied with a mild shrug. It hid a deeper, darker well inside him. The part of him that hadn’t thought he’d make it back home after the war.

Such a Dean statement lol

I do hope he won't feel so hopeless for long ☺️

“I was a nurse,” you said eventually, earning his attention. “I was there when they liberated Paris.” Dean turned to you with newfound interest lighting his green eyes. “You were at Normandy.” You nodded. “For a while. Almost a year before D-Day.”

Aww, they could've almost met. I love these little coincidences when people meet each other. It's fate 😍💕

“Because the fact of the matter is, Sergeant, words don’t move me anymore.” You picked up your gaze from the ground, and you met his. “Flattery is just a pretty way of lying, and I’ve grown to really, truly hate lying.”

I feel so bad for her. I hope Sam (and Dean) can help her soon and she can find happiness again 😢❤️‍🩹

“Hmm. No real loss there then.”  Your teeth clenched. “If I thought you were actually going to be home when you said you would, maybe I would make a rump roast with all the fixings.” 

The fucking nerve of that man... 🤬

Michael huffed, shaking his head. “Sometimes you got a real mouth on you. One of these days, you just might regret it.”

I'm too busy plotting a gruesome murder in my head to properly get into how much I despise that guy 😂🙈

This was such an amazing start to this series! The storyline is so intriguing and the world-building is, well... simply otherworldly. You really took me on a journey to the 1940s here. Speechless, honestly 🩵

I so can't wait to see what else you have in store with this, but I think there will be lots of yelling from me lol 😅

BETWEEN THE CITY & THE STARS - Part 1

Pairing: Dean Winchester x Reader

Summary: In the fall of 1945, Dean is having a difficult time assimilating back into civilian life after the War. He’s visiting his brother Sam in New York City, where he’s beginning to build up his law firm. At two minutes to closing time, you interrupt their evening to solicit a solicitor. Your request? You need help in order to divorce your husband.

AN: My day tomorrow is going to be a bit packed, so I decided to release this a bit early for you guys! So here we go! The first chapter of yet another new series, my first ever 1940s AU. 🥰 I hope you have fun on this one, because I sure did. Again, very much inspired by The Clock (1945), starring Judy Garland and Robert Walker. 💜

Prompt for @jacklesversebingo: Historical Epic

Song Inspo: For this chapter it’s “Cry Me a River” by Ella Fitzgerald

Word Count: 3.9K

Tags/Warnings: Angst, mentions of cheating, PTSD, historical tidbits

✨ Series Masterlist

🎵 YouTube Playlist || Spotify Playlist

Part 1: Legal Grounds

November 2, 1945

Dean idly read the pamphlet stacked with others on his brother’s desk, which advertised his new and successful enterprise.

Law Offices of Winchester, Bialystock & Bloom

What do you know? His brother had his own office, his own business, and his name on a pamphlet.

Dean couldn’t help but curl a finger around a steel ball on the abacus sitting at the head of the mahogany desk, right next to Sam’s nameplate.

He let it fly. The abacus began to clack as one ball hit the other.

Sam looked up from the deposition he was writing to give his brother a wry brow raise.

“So this is what you do, huh?” Dean remarked, crossing his arms.

Without his jacket, his suspenders were on display over his shoulders. His red pinstripe tie was still in place, but his white dress shirt was rolled up to the elbows. Meanwhile, his brother preferred to keep himself more presentable with his sleeves down to his wrists. Jacket on.    

Dean glanced around the office, nodding at the line of bookshelves behind Sam, framing him as the bookish academic he’d always been. There was limited seating in here though, just a spare chair in front of the desk, and another to the right of it. Dean stood on the opposite side.

“If you’re bored, all you have to do is say so,” Sam said. “Which is strange, considering we’re smack dab in the middle of a city that never sleeps.”

He was right, Dean could concede. His little brother had given him a veritable list of things to do in New York City: visit the park, go to the zoo, see a picture show, visit a nightclub, or sample a host of restaurants that Sam knew Dean would probably enjoy.

He’d seen a lot of this place in the week that he’d been here visiting Sam, but a good deal of it he’d either spent alone, or with any willing young lady Dean came across, thanks to the demands of this office. If he was honest, entertaining young ladies was eating into the wallet in his trouser pocket, and the hustle and bustle was starting to be a little much for him.

“You don’t get tired of it?” Dean asked, gesturing to the out there beyond them. “The, uh…the lights, the noise, all the people?”

Sam picked his head up from his paperwork to consider the question. “No, I like it. Keeps my mind busy, and…I guess it makes me feel alive, you know?”

Dean supposed he could understand that, so he nodded.

Sam wasn’t fooled though. He thought he could tell what was running through his brother’s head, watching him fidget, and turn his head a bit sharply when a bus honked loudly outside the office’s glass doors as it thundered past.

It had only been two months since the end of the war. Two months since he and Dean met back in their family home in Lawrence, Kansas after three years fighting on two different fronts, in two different countries.

Both of them had enlisted, but Sam had spent most of his time in London while he was deployed, helping British Intelligence. Dean had clawed his way out of Normandy, and later, out of the Ardennes—the last offensive before the end.

Their experiences might as well have been worlds apart, but one thing remained the same: it had been three years in which neither brother knew if they’d see each other again.

Now, Sam saw the signs. Dean seemed a bit jumpy, overstimulated, but willing to be here to spend a little more time with Sam before he went back home. Guilt prickled in Sam’s gut. 

“I’ve got some work here to finish up, but afterwards let’s go to dinner,” he suggested. “Maybe see a show?”

Dean’s lips flickered at a smile. “You’re burning both ends of the candle. You know that, right?”

Sam opened his mouth to reply, when there was a knock on one of the glass doors—at the entrance to the small building. Their heads turned, and through the open door of his office, they spotted you standing there in the evening light. You wore a wide-brimmed hat on your head and a scarf underneath, wrapped over your hair and under your chin to shield your face. You knocked again with a hand covered by a leather glove, more persistently.

Cocking his head in confusion, Sam stood from his desk and left the room to let you in. Dean hung back and sat on the corner of the desk to wait. He withdrew a cigarette from the pack and a lighter from his pocket as he did so, but he heard you talking with his brother by the door.

“I’m sorry. We’re closed, miss,” Sam informed you.

“It’s still two minutes until closing. At least, according to my watch.”

“…Well, I suppose you’ve got me there.”

“So can I come in? I need to speak to a lawyer.”

“You sure it can’t wait until tomorrow?”

“I’m afraid it can’t, sir.” Your tone was firm, and it more than implied that you wouldn’t be moved. Sam paused then, perhaps to take a steeling breath.

“All right. Come with me, please.”

You later followed behind him through the hallway and into the office. With a lit cigarette between his fingers, his arms crossed, Dean took note of you. He subtly glanced down at your crème-colored blouse, neatly tucked into the long, burgundy skirt (with lipstick to match), your modest, classy heels, and the way you wore your hair. His brows subtly raised. He’d met quite a few girls this week, but he hadn’t seen a lady like you in quite some time.

Should’ve shaved this morning. The thought was accompanied by the way he swiped a subtle hand over his prickly chin.

You gave him a cursory glance in turn, and offered a polite, “Hello.”

He stood from the desk and switched his cigarette to his other hand, so he could shake yours.

“Hey there. Dean Winchester,” he said. He offered a smile with no small amount of charm. “Pleased to meet you…”

You dutifully gave him your first name only. He found that a little strange, but you soon slipped your hand out of his and focused on the nameplate on the desk, followed by Sam himself.

“So you’re brothers,” you realized. “Do you work together?”

Dean scoffed. “Nope, I’m just here to distract him.”

Sam tossed him a sidelong glance. There was a subtle edge of bitter truth in there somewhere, and you didn’t seem to miss it. You looked between the two men, a hint wary.

“Well, as I said, I’m here to speak to the solicitor,” you said. 

“That would be me,” Sam nodded. He went to his desk and sat down behind it, gesturing for you to do the same in front of him. You obliged him, smoothing your hands down your skirt once you were seated. “How can I help you?”

You met his eyes with a directness that surprised him a little.

“I want to divorce my husband,” you said.

To say it shocked the room would be an understatement. Behind you, Dean gave his brother a pair of raised brows. Sam didn’t allow himself to react too much in order to remain professional, but he still tilted his head, blinking, before he focused on you again.

“What’s your husband’s name?” he asked.

“Michael. Michael Milligan.”

“Why do you want a divorce, Mrs. Milligan?” 

Here, your gaze fell to the folded hands in your lap. 

“I have reason to believe he’s been unfaithful,” you quietly replied.

Once again, there was a pregnant pause.

“I’m sorry to hear that,” Sam said. His sympathy was genuine, because he could see the way you’d hesitated to say the words, like they embarrassed you, shamed you, and saddened you all at once. 

“But I have to ask,” he added, “do you have proof?”

Dean glanced his way, his brow raising once again. Sam knew what he was thinking, just as he saw how you frowned as well. But there was a reason why he asked, and it wasn’t to be unkind.

You sighed. “What kind of proof?” 

“Pictures. Letters. A witness. Something of legal standing that we can use as leverage and as grounds to grant you a divorce, whether he wants it or not,” Sam said. 

You let out another heavy breath through your nose. “No, I don’t have anything like that.”

“Then what makes you so sure he’s steppin’ out?” Dean chimed in. By now he was leaning against the wall, off to the side where he could smoke with the window cracked open. It let in the sounds of cars and distant honking, people traversing the sidewalks. 

You turned in your seat to give him a tight look. “If you must know, there’ve been…signs. I won’t trouble you with the details, but I’m sure.”

You met Dean’s gaze, and then Sam’s firmly. 

“So will you help me?” you asked him. Sam nodded.

“Yes, I’ll look into your husband and try to find some evidence of his…extracurricular affairs.”

Your lips pursed. “And how long will it take?”

Since you were being so direct, Sam levelled you with honesty.

“It may take time,” he said. “Realistically, we’re looking at months, even after I find what we need… It would be easier to legally separate.”

You had been slowly deflating the more he spoke, but now your expression became stony.

“Mr. Winchester,” you began. “I don’t want to just be separated. I don’t want to live in our apartment, let alone share his bed or wear his last name.”

Despite your best efforts, your voice began to shake. Tears welled up and stung in your eyes.

“I don’t want anything from him, other than his signature on the damn papers,” you said. “The case is that I can no longer tolerate that man in my sight, much less in my life. Will you help me? Or should I look for another lawyer who will actually do his job.”

Sam and Dean shared a glance. For his part, Dean couldn’t remember the last time he heard a woman curse. Despite your outburst, the tears clinging to your lashes stirred both men.

“I understand, Mrs. Milligan,” Sam said. “I’ll help you. Don’t worry.”

He began to look for his handkerchief, but you retrieved one of your own from your purse and quickly dabbed at your eyes, sniffling. You were embarrassed.

“What about your fee?” you said, withdrawing your checkbook. “I, um…I have a little money stashed away. I’ve always worked, you see.”

Sam nodded and went over what his rate would be going forward. Once the two of you came to an agreement, you signed the first check right then and there, even though he felt bad for even taking it from you.

You were still sniffling, and twice you dabbed under your eyes to make sure your face was dry. When you handed over the check, your hands shook, just a little. Sam wouldn’t tell you that he discounted his usual rate.  

Again, he mentioned that he would need some time first to investigate your husband and begin collecting evidence for your case. He asked you for any documents you could safely bring him of your finances, for example. You agreed to do an investigation of your own.

“Just be careful,” Dean cautioned. He was getting an idea of what kind of man your husband was, but Dean couldn’t be too sure of what the man was capable of. He’d hate to hear of a girl like you getting hurt over a few papers.

Dean put out the bud of his cigarette on the ashtray lying on the windowsill. He pushed off the wall to approach where you and Sam were getting to your feet. You gave Dean a nod of acknowledgement.

“I will,” you agreed. “Thank you both. I’m sorry I’ve taken up so much of your time, but I’ll be heading home now.”

“Did you take a bus or a taxi?” Sam asked.

“Oh, I walked,” you replied, and you checked your watch as you gathered up your purse. You headed for the coatrack, but Dean got there first, helping you into your beige wool coat. It went nicely with the burgundy you had on, namely on your painted lips.

“Thank you,” you said to him, but you still didn’t smile. You were a hint demurer now. It seemed with Sam’s promised help, the fire had dimmed behind your eyes and your tongue.

“How about I give you an escort, make sure you get home okay?” Dean found himself offering. “It’s getting pretty late on a Friday.”

Sam shot him a knowing look, but Dean ignored him, instead focusing on your face.

You hesitated. “It’s a bit far though. Out of your way, I’m sure.”

“All the more reason that you shouldn’t go it alone at this time of night,” he argued.

You considered his offer, and him, with a quick perusal. You seemed to be judging for yourself if he was trustworthy. Dean kept his posture straight, yet relaxed. Maybe he’d liked what he saw the moment he took you in, but after hearing your situation, he felt for you. It really was just an honest offer to walk you home.

“Where did you serve?” you asked. “The Army, the Navy, or the Air Forces?”

The question took him off guard for a beat, but he answered you.

“The Army,” he replied.

“Your rank?”

“I was a sergeant, ma’am.”

You looked at him a little more shrewdly, then you relaxed.

“I might’ve guessed,” you said. “All right, Sergeant. Let’s go then.”

You buttoned up your coat and turned to leave the office. Dean shot his little brother a raise of his brows and a what do ya know? kind of smile. He grabbed his dark brown jacket and hat and followed you out.

Sam’s smile was more reserved, with a shake of his head. He closed the door behind you and Dean and locked it. He still had some work he wanted to finish before tomorrow, and Dean’s little show of chivalry would give him time to do it.

Dean had his hands in his coat pockets as he walked with you down the long city sidewalk. Night had drawn into the November sky, but with all these lights, he couldn’t see many stars. It was also cold as all hell. The frigid wind slapped at him every time they turned the corner of a building, snapping right into his bones.

Still, he supposed there was a kind of attractiveness to the city at night. The stores and their signs were all lit up gold and other neon colors. Couples and families walked together, all done up nice for wherever dinner reservation or movie they were trying to get to. It begged the question of what your husband was doing right now if he didn’t notice his wife out at this time of night.

“Where’s your husband tonight, if I might ask?” said Dean.

You shot him a look, reading between his lines.

“He claims to be working late virtually every night of the weekdays,” you said, “but he usually comes home stinking of alcohol.” Your eyes dimmed, even with the pretty lights shining in them. “He was in the Army as well. A corporal. He’s had a hard time adjusting to being back home, and I know that… He doesn’t sleep very well. And do you know, he had a hard time finding work for a while too. Luckily, he has his father’s business to fall back on.”

Dean tried not to show how much your words resonated with him. He didn’t think it a good thing to have common ground with your husband, if he was the kind of man you said he was.

“Yeah? What’s his business?” he asked.

“He manages a meat production plant, of all things,” you said.

“Ah, located in the Meat Packing District, I presume?”

“You’d presume right.”

Dean nodded. “I get it. I inherited the family home back in Lawrence. I just need to figure out what’s next.”

“Lawrence?”

“Kansas.”

“Oh, the Midwest,” you inclined your head. “What’s it like there?”

Dean scoffed. “Dusty.”

You almost laughed at that. At least it earned him your first smile of the night.

“Do you have an idea of what you’ll do for work?” you asked.

Dean chuckled. “Not just yet. Didn’t plan that far, you know?”

“Why not?” you asked.

“Hmm. Guess I didn’t see the point,” he replied with a mild shrug. It hid a deeper, darker well inside him. The part of him that hadn’t thought he’d make it back home after the war.  

You turned to him then, and you saw it behind his eyes. The two of you walked in silence for a little while as the neighborhood blocks began to shift and change, becoming somewhat quieter, more residential. Dean put himself between you and the sidewalk when a taxi zoomed by too close to the curb, resting a hand on the small of your back for protection.

Part of you trilled inside at the small touch, but you immediately beat that reaction down. Dean Winchester was an attractive man, to be sure. His hair was a lighter brown than his brother’s, and shorter too. He had an air of roguishness about him, even though he’d been perfectly pleasant so far.

But by the way he eyed you when you came into the law office, you had a strong feeling he was a flirt. You had no room for that in your life, and not only because you were still a married woman.

Yet, there was something about him that…well, made you curious.

“I was a nurse,” you said eventually, earning his attention. “I was there when they liberated Paris.”

Dean turned to you with newfound interest lighting his green eyes. “You were at Normandy.”

You nodded. “For a while. Almost a year before D-Day.”

Dean let out a short, if humorless chuckle, running a hand through his hair.

“Well, that’s where I was. At that time, at least,” he said. You gave him a similar look; respect, and perhaps finding a kindred spirit.

“I did what I could do before, during, and afterwards,” you said. “I think that’s all we can do now, Mr. Winchester.”

“Call me Dean,” he said. “If you like.”

A second smile almost tugged at your lips. You nodded in agreement.

“Dean,” you said.

In another ten minutes, he was walking you up to your porch at your apartment building. You travelled up the four small steps, while Dean stopped at the second one. For the first time, you had the vantage point above him as you turned on your heel to face him. You were about to thank him when he shook his head, scoffing.

“This guy must be dumb, deaf, and blind, sweetheart,” he said.

Your face warmed in a blush, and you gave a rueful smile when you realized what he meant. He was looking up at you like someone who couldn’t understand your plight. You knew the feeling.

“That’s kind of you, but you don’t have to do that,” you said.  

His brows furrowed. “Do what?” 

“Try to make me feel better,” you said, scuffing the toe of your sensible heels against the brick platform. Dean crossed his arms. 

“Why not?” he asked.

“Because the fact of the matter is, Sergeant, words don’t move me anymore.” You picked up your gaze from the ground, and you met his. “Flattery is just a pretty way of lying, and I’ve grown to really, truly hate lying.” 

It took him a moment, but Dean nodded.

“I guess that’s fair,” he said. He had to stop himself before he proved your point with a smart word on your pretty smile. Although, it wouldn’t have been a lie. He tipped his hat up. “Goodnight then, Mrs. Milligan.” 

You stopped him from leaving with just your voice. 

“Please,” you said, your eyes briefly closing. “Just…call me by my name. My first name.” 

Dean slowly smiled. “Perfect. I like your name better anyway.” 

This time, your smile in return was genuine, if tinged with amusement. 

“Goodnight, Dean,” you replied.

He gave you a charming grin and a more casual soldier’s salute. Then he stuck his hands back in his pockets, turned on his heel, and began to walk back the way he came. You couldn’t help but watch him go for a second or two. His legs were slightly bowed under his slacks, you noticed.

With a blush, you shook your head to rid yourself of those silly thoughts. You closed the door.

That night, Michael came home late, as usual—this time at two in the morning. He reeked of alcohol, also per usual, but this time when he rolled over towards you in bed to say goodnight, you stiffened. He also smelled like a woman’s perfume. Expensive stuff. 

This was one of those signs you hadn’t wanted to tell Sam Winchester. Frankly, it was crude and embarrassing.

“Sorry it’s so late, darling. Got held up,” he said, kissing your shoulder through your nightgown. His fingers played with the ends of your hair while you laid facing away from him.

You squeezed your eyes shut. You were fighting every instinct you had inside you that wanted to recoil from his touch and bolt out of the bed. When just a few months ago, his touch was all you craved, almost desperately so. 

“Where were you?” you asked. Somehow, you kept your voice steady and calm. “You weren’t at the office all this time.”

“Had a couple of drinks with the guys after,” he said with a shrug. “Sorry. The night got away from us, but, uh…I’ll be home on time for dinner tomorrow.”

With your back turned to him, you were able to roll your eyes.

“What’d you make tonight, outta curiosity?” he asked.

“Egg salad sandwiches,” you replied flatly. 

“Hmm. No real loss there then.” 

Your teeth clenched. “If I thought you were actually going to be home when you said you would, maybe I would make a rump roast with all the fixings.” 

Michael paused, but then, he grasped your shoulder, slowly turned you around in the bed until you were facing him. His face was sterner. 

“Excuse me?” 

You remained quiet. Your gaze travelled downwards, avoiding his.

Michael huffed, shaking his head. “Sometimes you got a real mouth on you. One of these days, you just might regret it.” 

He turned his back on you, laying on his side. You did the same while trying to stem your tears.

When did this become your life?

AN: Oof, sorry for all that angst at the end there, but I hope you liked the first chapter! Did you enjoy soldier!Dean and soldier/lawyer!Sam? Do you want to find a dark alley for Michael yet? 😅

And are you ready for what's coming up next? 😘

Next Time:

Dean both could and couldn’t believe it. He might not have been a saint himself when it came to the fairer sex, but if he went through the whole ordeal of marrying one, let alone a straight-shooting woman like you, beautiful, clever…

“Geez,” he muttered. “He could’ve at least waited until the ink dried on the certificate.” 

Sam nodded in agreement. He picked up the receipt to the Cotton Club, and he shot his brother a grin.

“Wanna go to the club tonight?”

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TL; DR: Saving Minrathous allows Neve to hope.

(Saving Treviso allows Lucanis to forgive, but that's another story for another day.)

***

Every companion in DATV hits a character crux during the game, but Neve's and Lucanis's characters -- being linked to the cities they love -- are especially interesting to me.

In particular I think Neve's character is a brilliant navigation of the issues the devs faced in representing the Tevinter Imperium. In previous games, Tevinter is an ancient shadow empire of blood mages and oligarchy; if Ferelden is roughly medieval Britain and Orlais is roughly medieval France, Tevinter is the remnants of the ancient Roman empire, with a hefty number of Nero-like rulers (sadistic, debauched, unchecked) still in residence.

So: how do you make that a place the player can root for? You write the story of the resistance. The anti-slavery Shadow Dragons make sense as Rook's allies, and their work is important. But Neve is how DATV tells the story of Tevinter's losers: the vast majority of regular people, who aren't mages or oligarchs or magisters, but still have to get by in this violent, corrupt place.

Neve has been manipulated and disappointed by institutions her whole life (like, let's be real, most poc and women and lqgbtq+ folks irl). She has enough privilege to protect herself: she's a mage born in a world that prizes magic. But she's not rich, and she's too fiercely ethical to take the shortcuts that would allow her to accumulate power. If you travel with her long enough, she'll tell you about the relatives who were only kind to her because they wanted to use her status as mage, and the uncle who was different. When she's in Lucanis's family home in Antiva, he complains about decorating, and she tells him her entire Minrathous apartment could fit in one room. Her clothes are well-tailored because she knows that looking good is a kind of power, but she'll explain to Bellara that it's not because she actually HAS rich patrons; she just dresses to look as if she might. She knows how to use the theater of wealth, but at the end of the day she's firmly working class, surviving off street food and bad coffee above a second-rate bookshop.

Neve loves Dock Town, sees how badly Tevinter's institutions have failed her community, and is deeply, fiercely protective of the weak and the vulnerable. If you drop a coin in a beggar's plate, she'll drop one too, and ask if they have shelter for the night. Hal insists he owes her free fish, but notice: every time, she says "Sure, next time, Hal," and pays him anyway. She knows he can't afford to give away business, but she'll never embarrass him by pointing this out. This is the same instinct that makes her so sweet to Bellara back at the Lighthouse: her elvhen fangirl is an open book, completely emotionally vulnerable, and Neve is immediately ready to look after her.

(It's also the instinct, I think that keeps her from confronting Rook about [redacted for spoilers] -- how terrifying would it be to fall for someone with that much of a blind spot?? But she's not going to kick Rook while they're down, and she can't help being drawn to them. Like, her fear is justified. It's not a great start to a relationship.)

But Neve is also a realist: she knows she CAN'T protect everyone, no matter how hard she fights. Over and over she's seen bad actors like Aelia slip through the cracks, and good guys like Brom (who ... maybe she had a thing for? some of her notes, idk) get killed trying to make it right. So when Rook meets Neve, this is the open question for her: CAN you make the world a better place? Can you illuminate the dark corners, and lift up the downtrodden, without compromising your own values? Or is it always already a hopeless proposition?

If Rook saves Treviso, and lets Minrathous burn, that's Neve's last straw. She stops looking. There's no way to be better than the Archon or the magisters, and so she'll join the Red Threads to beat them at their own game. Unlike Lucanis, she's still romanceable in this state, because ultimately she's still fighting for the things she loves; she just doesn't really believe in the future anymore. There's a pretty sad version of Neve's story in here, especially if you choose her to dismantle the wards in endgame. It's possible for her to lose everything she ever believed in. I've seen a lot of angry people complaining on the internet that her line at the end of her last companion quest -- "This is MY city now" -- is aggressive and cliché, but these people seem mainly to have saved Treviso and to not understand, as a result, how Neve's character is limited by the circumstances they've engineered. The complaint that her voice acting is hard, guarded, or flat is missing the point: her PERSONALITY is hard, guarded, and flat unless and until you help her believe that gentleness can be rewarded.

If you SAVE Minrathous, I think, Neve's character can have the most beautiful arc -- and her romance makes the most sense here, because as she begins to hope that her efforts in Dock Town might actually make a difference, she also begins to let her guard down. Both these things scare her shitless. Being visible (letting the citizens of Dock Town SEE her fight for them, letting Rook show her some risks are worth taking) is really scary. But if you save Minrathous, Neve begins to hope that there's a future for the soft, sweet, and vulnerable creatures of the world -- and that includes herself.

When her voice starts to crack in the later romance scenes, when her brow crinkles with anxiety and her eyes go wide and soft -- that's the reward for saving Minrathous. That's Neve Gallus with a future.

[mellowtrashtrash]

FNaF World: Sister Location and Pizzeria Simulator finished!

Hey folks! I've had more characters in the works for a while now, and I've finally almost finished this row! Are you excited? I know I am! Let's get into it!

First, I elected to finish off the Sister Location animatronics, with the rambunctious scamps themselves...

The Bidybabs!

With all the wound-up energy of a pair of british schoolchildren, the Bidybabs are a welcome addition to the cast! These were a fun set of characters to make, and like last time, gave me a lot more practice animating multiple characters in one! In terms of animation, I endeavored to express the energy of a couple of silly kids roughhousing. This hurt animation features some walking, and while it is unusual, it was ultimately necessary for encapsulating the wobbliness of their stack. Like with the Minireenas, it was a tough decision whether or not to do an individual or a duo, but I knew it was going to be necessary for them to be a group in order to keep them distinct from the next character...

Electrobab!

This kid scares me. Someone find this kid a hobby. Preferably something non-conductive.

The neglected weird kid of the Sister Location Custom Night group, this overcharged infant is packed full of likely lethal electrical powers can put any pitiable poltergeist in this franchise to shame! Jumpscares? Hallucinations? Possession? That all pales in comparison to Electrobab's capacity for emitting immensely powerful controlled shocks! I guess it learned from how it was raised.

Now that we've finished off Sister Location's cast of oddballs, let's finish off the strange folks from Pizzeria Simulator! First up we have our unforgettable bowl of overcooked ramen...

Molten Freddy!

This noodly feller was quite a bit of fun to make. Rigging up all the wires was tough, but in the end I achieved exactly effect I was going for. And it's just plain fun to watch him go! For the main body, I was going to use a set of rigid bones to make it bend, but after some testing it didn't look very good. Too robotic, not silly enough. That was when I remembered the stretchy bone I'd used for Phone Guy's cord. I gave it a shot, and the resulting stretchy bouncy effect was just what he needed! The hurt animation is a little brutal-looking, but he'll probably be fine. These guys have been murdalized and melted down how many times now? They're troupers, they'll go through a thousand new marketable forms before they're finished!

Since everybody loved one bear so much, how about another Heeeere's...

Lefty!

The surprise puppet-trap himself! Lefty was a fairly simple one, as the character is largely a recolor of Rockstar Freddy. Nonetheless, I tried to give Lefty a distinct personality from Rockstar Freddy as best as I could. The animation direction for this character was very unnatural, disjointed, and jerky; like a dancing beartrap (or puppet-trap, hee-hee). In his hurt animation you can see the Puppet's eyes inside his detached jaw, dizzy from being spun around and stretched. I would be too.

I do not envy Charlie's situation, being stuck inside a robotic bear and forced to burn to death. Oh well, at least the darkest pit of hell is ready to swallow her greatest enemy whole— oh, he got out again? Why do we keep using fire?

Oh well, guess we've got...

Scraptrap!

Designing a cutesy version of this character is a tall, tall order. I did my best, and I think in the end it captures his design pretty well while remaining pretty simplified all-around. It's a little more stylized than I usually like to do, but I can't tell if that's on my part or if that was inherent to the character. He's not the most stylistically consistent of Scott's designs, even in his original FFPS appearance. In terms of animation direction, I decided to animate him like a bit of a cartoon villain. Exaggerated hunched posture, unbridled aggression when attacking, and shocked frustration upon being damaged. Fun animation tidbit, the skull inside his helmet moves its jaw with his. Look closely at his mouth and you can see it. Pretty spooky! Here's a behind the scenes look at his skull. Yikes!

That about does it for the scrap animatronics, though I've got another cooking up for next time, just you wait and see...

To finish us off, here's a remake of my Yenndo hurt animation! I decided the last was too generic!

Thanks for tuning in as always! I hope to bring you some more neat stuff soon! I'll catch you on the flipside!

[skimmingmilk]

ooo now i'm curious, tell us more about drift! 👀

i'm assuming, like his name implies, he "drifts" around and just does whatever he wants?

You got it! Drift's name came from a couple of things. First, it's the game mechanic when you take tight corners while boosting as Sonic xD But also, it can mean being carried along by the wind or water, so fitting for a pirate world and also compatible with Sails's name :) And then the big thing is that he's so adrift in his own life. Just completely and utterly directionless.

Drift lives alone on an island in the middle of No Place. He can't swim, so he's not about to go live a life on the open seas. Most of the planet is under water, with scattered islands spread out across the ocean.

Now, he doesn't let it bother him! He doesn't need much, his island is lush and peaceful. It's okay that he can't really run anywhere, the island's not that big, he can cross it in less than fifteen minutes just walking. He likes living life worry-free, without a care in the world. He naps in hammocks all day long, plays his guitar, and eats seaweed salads and drinks out of coconuts xD He has absolutely no drive to do anything. No purpose. No point. And he's happy. He doesn't care that he's stuck in one place because his island is beautiful and he's alone! No one telling him what to do, no one expecting anything of him. It's just him, nature, and peace.

This probably doesn't sound too bad, right? Except, it's Sonic. An aimless Sonic who sees absolutely nothing wrong with lying on a beach all day, every day, alone, forever. He's Sonic's carefree nature dialed up to the point where he couldn't care less. Without anything to run towards, he doesn't run at all. Without anything to live for, he's not even really living.

He's also very talkative despite being alone. Drift got the whole slice of the talking pie xD Sharp might have a sharp tongue, but he also isn't compelled to say everything that's on his mind and Bur (originally Snare, but I think Bur works better for his character, like the little spiky seed balls that get stuck on clothes or in animal fur) is non-verbal. So it's safe to say, Sonic's most annoying qualities went to Drift, lol.

When Drift finally has some company - in the form of Rouge and Knuckles landing on his island for a change - all he's got to offer them are carefree conversations and coconuts, no way home in sight. Just miles of ocean.

"Haven't you ever wanted to at least see what else is out there?" Knuckles demanded. Eyes still closed, Drift lazily waved his hand towards the endless blue expanse beyond the edge of his beach. "Take a long look, pal. That's all there is." "You can't know that!" Knuckles smacked the palm tree with the side of his fist, the whole thing swaying along with the hammock and finally coaxed the hedgehog to crack one eye open and peer up at him. "If you've never left this island, how could you know that there isn't something more for you?" Drift clicked his tongue, a lazy smile spreading across his face as he folded his arms behind his quills. "You tell me, big guy. What could be better than this? Now d'ya mind? You're kinda blocking my sun."

Knuckles can't stand him xD Rouge is just annoyed and wants to find a way back as soon as possible. But the two of them give him a little more perspective, even if he doesn't outwardly show it - because it is pretty fun to annoy them, he's never had real people to mess with - and when Tails shows up, it becomes clear that Drift is fully aware of how he's not actually free. Not caring is his way of coping, convincing himself that he couldn't possibly want more because he can't have it when the world has nearly drowned. But after connecting with both Tails and Knuckles, Drift decides life's no fun without taking a chance or two, so he decides to go with them when they finally leave the island.

Then they'll run across a familiar pirate ship we all know and love, and Drift will find both a purpose and adventure waiting for him aboard <3 He and Sails hit it off almost instantly, to the surprise of absolutely no one, lol. They bond the quickest out of all the variants.

Drift likes to hang out in the crow's nest because "it's the farthest from the water that I can get" and that's where Sails likes to hang out, too, when he doesn't feel like partying and wants somewhere to tinker on his contraptions. Sails thinks he's funny and Drift thinks he's clever. They understand each other's longing for freedom and purpose, but they worry about the price. Drift doesn't want to be anchored to anything and Sails worries he's only valuable as a member of a crew, that on his own, he's nothing. They both fill a need they didn't know they had, and they recognize it straightaway.

"Well... if ye every feel like yer being dragged down here," Sails hummed as he looked out at the edge of the horizon, "I'll fly ye up and out." "Oh yeah?" Drift snorted, but his muzzle quirked in genuine amusement. "Wouldn't that be considered mutiny?" "Can ye really mutiny if ye don't even have a proper captain?" Sails sighed dramatically, coaxing a chuckle out of his companion. "It keeps changin' every day! They keep... they keep abandonin' us," he said, his voice soft, but there was a frustrated edge to it lying just beneath the surface. "Why shouldn't any of us leave?" "Then why don't ya?" Sails pursed his mouth thoughtfully. "I've only ever been any good as a part of a crew. Even if all I ever do is help throw parties and act as lookout. At least I'm doin' something for someone." "A fair point," Drift agreed idly. "Well, guess it'll just depend then. How far can those tails of yours carry ya?" Sails looked over at him and shrugged. "Don't know," he answered honestly. "But so far, they've gotten me where I've needed to go. Can't promise they'll do the same for ye, but... I can promise I'll try." Drift glanced at him, and the sea breeze suddenly wasn't all that cold as a warm smile spread across his face. "I'll hold ya to it," he chuckled.

I haven't written much for them, I still need to figure out exactly when in the show they meet (right now I have it outlined for right after the episode "No Way Out" but I haven't fully pieced together each sequence of events), but I know I love them and they're wonderful~

Thanks for asking about my other problem child Drift! <3