#i just feel like i am an issue and problem

[annasellheim]

We're sitting at the table I'm glaring at them. These heroes ("The Big Three" as they are known in the industry) are questioning me? ME? They're questioning ME???

These motherfuckers made me come to the Cape Crusaders big, tacky mansion to justify my actions to them?

The thing that pisses me off the most about their reservations is the fact that what I do SO MUCH MORE IMPORTANT WORK than them. These idiots just punch bad guys in the face and send them to prison, just so they can escape and start the cycle over from scratch.

I've already saved so many more lives than they ever will. I've made more of a positive impact on this planet than anyone will ever know.

Because my power is to stop disasters, and the most effective way to do that is to prevent them.

No one knows how many wars I've stopped before they began, how many diseases I found vaccines for before they became epidemics, how many cities and countries I've helped create infrastructure for so they could avoid being over run by natural disasters.

And my job is made even more difficult than it sounds because no one can truly fathom how bad things would be if I don't use my powers. I have to fight ppl tooth and nail to get it anything to happen because they don't know how bad it'll be if it's not acted on.

No one sees what I see. They don't feel what I feel. They'll never know the particular ache in my chest that somehow has has an entire narrative wrapped in it whenever a potential disaster hits me. An ache that is so powerful that it's made my knees buckle multiple times.

And the feeling doesn't dissipate until the disaster is fully prevented. It means that when I know something needs to be done, I have to make sure it's dealt with, or-

It's destroying me in a way. Doing so much, all the time, with no compensation or recognition.

The heroes at least knew about my powers and know that I have nipped a bunch of really bad shit in the bud.

The villains thing has come up before and it's irritating. For years I thought it was because they were lazy and just were angling for help over shit that I didn't have time for, and in the big picture, didn't matter. Asking for even more help than I already provide.

I'm at my limit already.

But looking at these three at this table in this enormous, extravagant kitchen, it hits me how wrong I am.

These heroes don't have my powers. They can't foresee and stop disasters. For all they know, these clowns that rob banks and occasionally attack and murder people, can cause major disasters down the line. I'm not perfect, I can't stop all disasters. I have to sleep and eat and work a fucking day job.

I still feel residual aches from time to time for every disaster I've failed to stop.

They aren't trying to get more free work out of me, they're trying their best to figure out what villains can do major damage in the future.

They're scared.

"So, the way my powers work," I say while leaning back in my chair, "is that at some point, I know something will go from being an issue to a problem to a disaster. I can only intervene when I know it'll be disastrous, otherwise I can't use my powers, it's like they don't exist. Until something goes over the thresh hold of becoming a potential disaster, it's like I have no powers at all."

"How do you know when a disaster is going to happen? Is it like a vision?"

"It's more internal than that- it's like a feeling I guess...I'm not sure how to articulate it."

Huh, no one has ever bothered to ask me anything specific about my powers or the work I do. I don't have a lot of answers if they keep prodding.

"So, yeah, it's not that I'm neutral to villains, it's just all of the ones you guys been dealing with don't-" I yawned "- don't give me that feeling. I'll let you know if it changes."

I put my head in my hands. Fuck, I'm so tired. It's not like I can stop being a hero, I see the alternate world where I don't intervene, I feel it. But I'm so, so tired.

"Go take a nap."

My head shoots up, "What?"

The Masked Crusader (dumb ass name btw, just like his dumbass mansion) says it again, "Go take a nap. I'll make us all dinner. Go use my guest room and pass out for a bit.

Damn it, did I say I was tired out loud? Or was mind reading one of his superpowers? I can't remember, things have been so overwhelming recently, my memory is shot.

"No, the Masked Crusader can't read minds, that's me" Brainiac says.

Oh. Shit. Right.

"We just, we see you burning out, let us support you for once," chimed in the Singing Banshee.

This was not how I was expecting this conversation to go AT ALL.

Banshee continues, "You've got a lot of walls up, probably from years of running yourself into the ground saving thousands of people without any help. So, we're now going to help you."

"That's not a request by the way," the Masked Crusader says as he slides me a glass of water. "We're doing it whether you like it or not."

Shit, I hadn't even realized I was thirsty. Have I drank any water all today?

And then *BOOM* I get hit with it- the feeling of an impending but preventable disaster. But it's different than any other disasters I "felt" before.

It's me... It's me, in the near future, collapsing and being unable to do anything about, well anything. I wouldn't be able to stop future disasters, hell, I won't be able to function. And the only way to prevent it was to lean on these people.

This was a lot.

I chugged the rest of the water and wiped my mouth.

"Ok, thanks..." I whispered.

This was too much to think about right now. It was too much to feel right now. I'm not used to, I don't know, being taken care of. I don't know how to be supported.

I'll figure out a way to properly navigate this later. Right now I needed to lay the hell down.

You're a superhero who specializes exclusively in stopping disasters. The other heroes just don't understand why you need to remain neutral to the villains…

[essektheylyss]

My thing about Veth potentially venturing into polyamory is that I do think everyone involved would be perfectly fine with it and happy to help her experiment, and I think that no matter how they do it, it would not fix her. This isn't to say that she wouldn't get any benefit out of trying! It's just to say that it's not a solution to her actual problem, because I genuinely don't think the problem is that she's lacking any one thing that would make her life complete.

Fundamentally, I think Veth struggles with the idea that there will come a point at which she has to settle. Not in a bad way, just in the sense that she is one person with one life and she will have to live within those bounds. Because the thing is, I don't really think her issue ends at struggling to "have it all"; to an extent she does! She is a good parent, even if her kid is a little rebellious; her marriage is supportive (and has fun sex); she gets to go off to save the world with Yeza's blessing on occasion, when the world needs saving. She doesn't have all of these things all the time, but... that's not really a flaw, that's just a fact of life.

But she started out her adult life settling to an extent—even if she loved Yeza and loved being Luc's mom, she did the safe thing that was expected of her. The goblin attack and everything that transpired after shoved her out of that life, but in retrospect, to an extent it likely feels that that pushed her to find something more that she wouldn't have had otherwise. Being pushed to her limit under the worst conditions made her better, stronger, braver, and at the end of it she found that she could have both her original life and much of her new life—so why wouldn't she then wonder if further experiences of that ilk could do the same?

Crucially, she has not actually run up against a hard limit yet, and as such she hasn't had reason to believe that there is a point at which she has to stop and recognize that there isn't more for her to find. When she was drinking more heavily during missions, even when it caused the death of herself or others, there were no long-term consequences. And the thing is, I'm not saying that she should face that kind of major consequence, but she seems as though she is scared to accept that maybe she could be happy if she stopped before she does.

I'm also not suggesting that she should stop experimenting or trying new things—the Luxon knows I am not one to talk in that realm—but I do think she is searching for novelty not because that would make her happy, but because she doesn't believe that she has the capacity to know what would make her happy. She was unaware that polyamory was even an option, so think of what else she might not be aware of! She doesn't have perfect knowledge of the world, after all, so how can she trust that she's found what she really wants? So yeah, she could fuck someone else, and it might even be an enjoyable experience that she didn't know was missing! But that only prolongs the question of what else she might be missing.

I think that deep down, she's terrified that if she doesn't keep pushing until that external hard limit, she will end up with regrets later, and simultaneously she is resentful that her friends all seem to have reached a point where they are largely content with what they have, because she wants them to have everything. She wants herself to have everything. And she has not yet allowed herself to come to terms with the fact that only she can determine when the everything of what she already has is enough, and anything else is the cherry on top.

[entitled-fangirl]

Foolish.

Gwayne Hightower x reader

Summary: Gwayne’s wife feels self conscious after birthing their daughter.

Warning: body image issues, smut mention towards the end (there’s not smut but like there is so 18+ please)

A/n: based on an ask from forever ago!!

Masterlist

………………………………………

It had been almost five months at this point, and Gwayne was beginning to worry.

Her body had given him a precious little girl, and he wanted to praise her endlessly for it. Her recovery had went smoothly to his knowledge, no tears or aches from it at this point, and still he wondered why she had not initiated anything with him.

She was most likely skittish. She always had been skittish about this stuff, but he had hoped that she was not regretting their actions now that they had the consequences.

He sat in his solar, his mind plagued by all of these thoughts.

He scribbled at the papers but his mind was entirely elsewhere, and by the time he had to restart a letter for the third time, he gave up. Tossing the pen aside, he stretched out his aching shoulders and legs as he stood up to address the problem itself.

…

Y/n Hightower walked around the room, the babe rested securely in her arms as she swayed.

Her lips pulled up as she admired the babe. The spitting image of her father. Bright fiery hair to match the deep blue irises of her eyes. She was a sight to behold.

But it made her thoughts shift back to Gwayne. And immediately an unease of guilt came with it.

Five months she'd put it all off. The conversation. The rejection she knew she'd receive if she tried.

Before the birth, and before the pregnancy at all, Gwayne had proudly shown off his wife like a prized possession- a perfect thing that would make even the most well off lord jealous. He adored her with everything he had and he was happy to do so.

So pregnancy felt like a death sentence.

If she were to even live, how could Gwayne show off a woman with the scars and marks that she now was marred with?

She had lived, and now she bore the remnants of what their daughter had left behind. Marks of her body stretching, a loosening in her skin, her bones in her hips occasionally requiring attention. She had indeed recovered but she was not as she was before.

And she knew Gwayne would notice it soon.

"And how is our precious gift?" His voice echoed in the room when he stepped in. His hands were held behind his back, a sway to his steps.

"Oh," she sighed. "She's wonderful. Sleeping soundly."

Gwayne stepped behind her, his arms wrapping around her frame. She inwardly cringed. She was so scared of his mind in this moment.

But whatever she worried he may have noticed, he paid no real attention to.

He leaned over her shoulder to kiss her cheek, peering down at the babe. "She is comfortable with you. She knows how safe you are. I believe she feels what I feel."

The woman's brows furrowed. "And what's that?"

His voice whispered in her ear, "That you are the most wondrous woman in the realm, and she and I am grateful for you."

Just like the compliments he used to pay her. It's almost as if nothing changed. But she knew things had changed. So much had changed. It was eating at her.

That, and his wandering hands over her hips.

"Gwayne," she gently chided like she always did when he'd grow handsy.

"Why not? Why can't I enjoy my wife's beauty for a moment?" Hopefully he'd finally get an answer to her avoidance of him.

"You know what I'll say."

He sighed. He did know what she always said. 'Not today.' Not today felt more like a promise to 'Never again.' He hated to push like this, but he was getting nothing to help mend the bond, and he'd do anything to save it.

"You've been feeling well. The babe is asleep. We'll stop when you wish." He tucked a piece of hair behind her ear. "I just want to admire my wife."

"You don't.”

Her answer was so swift. So sure. She fully believed that he didn't want to admire her pretty form.

"I do," he argued in confusion. He now stepped around to look her in the eye. "I promise you that I do. Why would I lie?"

Her eyes avoided his like hiding a deep secret. She used the babe like a shield, keeping her attention on the young child in hopes that Gwayne would drop the issue.

"Love?" He tried as he head tilted down to catch her eye.

It worked, and her pupils fixed on his. "It's complicated."

"It's not," he reasoned. "There is nothing complicated for us. We love each other about all else." A thought came over him. "Don't we?"

"We… we do," she drew out, almost like a question.

He was growing frustrated. "Please. Lay the babe down so we may discuss something of importance."

"Gwayne-"

"-Do as I say." It was a snap, one that Gwayne had never done to her. Not like that. Usually it was with a teasing grin or a kind smile. This one was of expectance.

She knew this was the conversation she had been putting off.

His rejection of her.

He knew this was the conversation he had been putting off.

Her rejection of him.

The two lovers felt the air around them grow cold as they simply stared at one another. How horrid it felt to be unwanted.

Gwayne was a merciful man. She knew that he'd have the heart to send her back to her father if this is how it would go.

But a life away from her child would be torture.

The destruction of her body. All for what?

"Alright," she mouthed, for no breath came from her lips.

With shaking hands, she placed the babe in the small bed Gwayne had spent the time to fashion himself. She recalled the curses he strung together when he had gained a rather deep splinter and she was the one to pluck it from his skin. And the night they spent after that. Seemed Gwayne liked to be taken care of quite a lot.

But she forced it from her mind. Now was not the time to reminisce.

When she turned from the crib, she saw the tears that pricked at her husband's eyes.

And how her heart screamed.

"Let us retire," he softly suggested. "I'll have someone look after her. Come." He held his hand out.

She took it, though it felt right, she began to question if it truly was.

The walk to their chamber was silent. But it spoke volumes.

Once inside, Gwayne didn't want to wait longer. "Your mind is so plagued. I wish you'd speak."

"Was is there for me to say? You're the one." Her voice quivered at her last declaration, "Just do it. Send me away.”

"Wh-Why would I do such a thing?" He asked in a horrified tone. How could she even think he would let something like that happen? His wife. His bright light.

"Don't pretend you haven't noticed it all, Gwayne. You're wise. You've seen the changes in me. I'm not the same prize you once had."

"Prize? What are you talking about? You're my wife."

"DO NOT PRETEND YOU HAVE NOT NOTICED IT ALL, GWAYNE!" She shouted at him. "I'm different now. And if you do not love me anymore, just say so!"

Gwayne merely gawked. Even if he tried to form words, nothing would have left his throat. Did she really think that? His blue eyes stared at her in confusion.

"Gwayne," she whined. She wrapped her arms around herself. "Say something. Please."

"W- You- I…" He stopped to regain his bearings, taking a deep breath. "I love you."

Her brows furrowed a bit. "You do?"

"Yes!" He almost shouted on accident. "Yes. Of course I do. And you…?"

Now the confusion turned to her. "I… I love you more than anything," she stated as if obvious and he was a fool for questioning so.

His head quirked to the side, then an amused scoff from his lips. His hands found their way to his hips. "Then what are we fighting over?"

"I've changed."

"In what ways?" He challenged.

"Well," her arms gave an over exaggerated shrug, like he should already know what she meant. When his stare continued, she huffed. "Just… my body is different."

"You've recovered well. Haven't you?" What started out as a statement turned to a worried question.

"As much as I can," she remarked. Her self consciousness was showing once again. She wished she didn't have to spell it out for him.

Gwayne's hand reached out to her hip, tugging her lightly to him. It was comfortable. It was normal. He had done it a million times before. "It seems the only fight happening at this moment is the one in your mind." He brushed another stray here from her cheek. "Tell me what fills that head of yours."

Her voice was a whisper as she looked at her husband. "I only think of you."

"And our little girl," he said with a quirk of his lips. "So tell me what thoughts you have of me."

"My body has changed too much for us to be as we were. You'd be so unhappy."

The thumb that was caressing the woman's hip bone paused. "All this because you believe I'd be unhappy with your body? Answer me."

A curt nod.

"You-" He sighed and brought a hand to his face, pinching the bridge of his nose. "I had a bath set up but I think you need it far more than I. C'mon."

The copper tub sat on the other side of their room. He had ordered a servant to do so prior to him leaving his solar, and that had been a little while ago now that he thought about it.

When he tried to gently push her in that direction, she took offense. "What are you saying, Gwayne?"

"Love, I just meant… " he sighed, "Get in the tub.”

Even when frustrated, Gwayne had never led her astray and she hoped it would be the same now. She stepped to the tub, dipping her hand in to find that it was not cold. A decent temperature.

And when Gwayne went to pull at the laces of her dress, she panicked. "Wait!" She spun around to see his worried expression. Her hands grabbed his wrists. "I don't want to do this."

He frowned. "I've seen you bare before, my love. Many times," he remarked, a grin on his face when her cheeks flushed. "C'mon. Do this one thing for me."

"Was giving you a child not enough?" She sassed back.

He scoffed. "Love. You know what I mean. Let me wash you."

She studied him for a minute. "Fine."

Turning her back around, Gwayne unlaced her bodice and slowly helped her undress. As soon as her soft skin came to his view, he placed soft kisses on her shoulder and up her neck.

The sight of her shift falling to the ground made her stomach twist.

Gwayne knew her so well. Her hands came up to cover herself, but he caught her wrists quickly. He nipped behind her ear. "Get in."

He helped her in, kneeling down at the side of the tub. He took extra care to not look at her body in the water in respect to her. At least for now. His gaze stuck to her face and shoulders. "You foolish girl," he teased sweetly, His fingers grazed over her cheek. "Do you truly believe I'd leave you because your body gave me a child? Hardly. Hardly, woman."

She leaned into his touch.

"May I wash you?" He asked softly.

Her bottom lip tucked between her teeth in thought. A nod.

"Alright." He pulled himself around the tub to kneel behind her, pulling her hair over her shoulder to expose her shoulders and back. When his fingers ran down her shoulder, a shiver moved down her spine, making him smirk. "I dare to say that you've missed my touch."

"I think I have," she admitted.

Gwayne's rough hands handled her gently, rubbing the soap over her arms and shoulders gently before pausing on her chest. A silent question was on the tip of his tongue.

Her head leaning back. That was an answer.

His hand ran over her breasts and he took note of the way her breath caught each time. Swollen with milk for their daughter. It's true that that was different than before, but Gwayne loved it. "So pretty," he muttered under his breath.

His hands moved lower, moving down her stomach and over the small stretch marks across the skin there. He didn't pause. Didn't falter. He continued as if he didn't even notice them at all. He carefully washed her, taking his time and being extra gentle, muttering praises under his breath.

Lastly, his hand ran down the inside of her thigh, moving up to gently graze over her clit. She jumped, but a little groan came from her throat. She grabbed his wrist. "I need you."

Oh how those words affected him.

…

A few hours later, Gwayne massaged the oil onto her shoulders gently, pressing his thumbs into her shoulder blades in a relaxing way. He had massaged all of her at this point, and she was barely awake, the massage and the past few orgasms leaving her out of it.

He kissed her head with a grin. "Thank you, my sweet lady wife. For everything."

She only hummed.

How foolish of them to ever doubt each other.

…………………………………..

[transformers-spike]

After the autobots eating puss hc I AM BEGGING for the Decepticons counterpart. Please please please pleaseeeeee I need my evil boys and girls eating pussy and eating it GOOD

Will be doing the cons I've seen until now in the show. So sorry Shockwave, you gotta wait this out.

Dreadwing is, to put it simply, horrible at eating out. Please don’t hold it against him, he wasn’t exactly out there back on Cybertron, and things got even worse when he was cooped up in his spaceship hunting down Autobots and Wreckers. Can he even remember when he last ate valve? Probably, Cybertronians have better memories than humans, but there’s no way he doesn’t cringe inside recalling the event. He has no idea what he’s doing, he’s the furthest thing from a Casanova, the antithesis of a sex god. Show him some mercy and give him instructions, he’ll listen to them as best he can, you just wish he would go harder and stop holding back like you’re made of glass. To be fair, by Cybertronian standards you’re extremely fragile, but… you trust him enough not to kill you with his glossa. It’s all awkward licks without your input, staring down at your pussy like it’s a bomb he has to defuse, and it’s not very sexy when he’s analyzing your genitals instead of eating you out. He can treat you like a gentlebot as much as he wants, protectively cupping you in his servo while on his knees, bringing your little body to his intake and ex-venting against it, leaving shivers down your spine. But the second he gets to work it feels like you bought a vibrator on Temu and received a bootleg PS5 controller. Either you beat the circumstances and cum against his face, or you make no progress in the span of hours. Cut the guy some slack, he’s trying his best to please.

Skyquake has the opposite problem. No, sadly not in the sense that he can tongue fuck you until you see Primus and get a drawn out “Nice” from their God/Creator/Dad. Bad cunnilingus runs in the family. The issue is, he’s too rough. If it’s not the general glossa to clit action, it’s the way he’s holding you in his servos, digits wrapped too tightly around your itty bitty body, enough to make you wince. He will adjust his grip if asked, but don’t expect him to remember during the entire act. You offer a prayer to the fallen Cybertronians who had their anterior nods bitten off by a walking jet with no chill. Squirm too much and he’ll assume he’s doing a good job, beg him to stop and he’ll take it as encouragement to keep overstimulating you. Except it’s not overstimulation – oh no. He’s turning your pussy numb faster than you can say “I wish it was your brother”. He’s well-meaning, just too intense for your own good. You have to treat him like a rescue, lure him in with treats and train him to stop biting you at random intervals. If you manage, he’ll lower his aggression, if only a little bit, and he’ll try being more mindful of your reaction, shedding his one track mind for a night or two. There are complicated cases, then there’s Starscream who, like the drama queen he is, has to be number one in avoiding your genitals like the plague until he feels safe enough to give them a try. Ironic since he can shishkebab you with those giant claws, but dude needs to trust you enough if he’s going to stick his glossa between your folds. Worst thing is; he’s good. Not just good, but fantastic at eating out. Who fucking knows how many Cybertronians had their valves ruined at his servos, but you have to earn your keep, make it to the top of his most trusted list and reap your reward. He enjoys the act, leaning all casually against a wall with you in his servos, keeping your thighs apart with two sharp as steel digits; applying languid licks to your pussy until you’re shaking in his gentle grip. Buck into him, he encourages it, it feeds into his ego, and by Primus the more praise you slather onto your words the better he does. Give him any kind of appreciation and he’s clinging onto it like the holy grail. He gets off on pushing you to your limits, having you beg for more as he assures you in a silky voice that you will get your dues soon. Absolute 10/10, do recommend.

Soundwave does not possess a proper “mouth” by human standards, doubtful he even had one when he was forged. But he has a sort of… throat intake for lack of a better word which he uses to refuel. Fear not fellow robot-fuckers! He makes up for what he lacks in other ways, mainly making proper use of his tentacle-like cables, each possessing a number of thin wires. Under usual circumstances, he uses them to connect to machinery or, in case he needs an extra oomf during a brawl, lights his opponent the fuck up with one billion volts of pure ass-kicking electricity. Now, don’t worry, Soundwave isn’t planning on turning your pussy into a death row inmate. He’s got enough control over his own frame to avoid this worst case scenario, and he’s certainly not clumsy enough to accidentally fry your pussy like a thanksgiving turkey. Those wires feel way too good inside of you, dragging across your clit with ease and squirming between your folds like miniature tentacles. The whole ordeal is akin to a consensual hentai experience with no need to yamete kudasai him; he can gauge your reaction on his own. After all, as the Intelligence Officer, deciphering body language is a must.

If you're letting Airachnid eat you out, you have no survival instincts. I'm not saying you're an idiot, but you're widely overestimating her “kindness”. Let's all take a moment of silence for the fallen valves of innocent Cybertronians. If and only if she has the barest sliver of empathy, she's going to torture your pussy until you're a crying mess caught in her web, without turning you into her newest trophy once the deed is done. At least not a dead trophy, because once she gets her servos on your squishy little human body, you belong to her, a hypothetical deal with spider Satan in exchange for the best head of your life. She's cruel in every sense of the word, but her talent at pushing you to the brink of insanity leaves you willing to risk everything, including your genitals, in this one sided power dynamic. Bound in her web, she delights in ghosting her digits over your throat, pushing down just enough to remind you of your place in this bargain. She can end your precious organic life whenever she pleases, mixing fear with pleasure as she presses her lips to your pussy.

Breakdown is a special case, always has been. Among the vast majority of Decepticons, he doesn't aim to make you beg, nor to destroy your sense of self with his glossa. He's just… a guy, completely normal next to the others, and this, ironically enough, makes him stand out. He's good at what he does, not mind-blowing by any means, just average. He has practiced enough with valves and made his partners overload plenty of times. A pussy is small, sure, but he's had minicons before, you're in safe servos here; and he’s not rusty at it either, he's one of the very few Cybertronians on Earth who frags on the regular (in no small thanks to Knock Out). Contrary to what his status indicates, he's more than just the “smash your opponents into scrap” soldier. It feels nice to lower his inner walls around someone other than his partner. There’s a major difference between the self-assured intimidation he wants to exude and the softness he craves. As such, shows exceptional gentleness handling you, cupping you in his huge servos or, if you're a daredevil, holding your hips with two massive digits as you grind your pussy against his intake. 

“Cute,” he thinks as you hump his face like an overly territorial parakeet. You may be a little shit, but you’re his little shit that he pampers and pleasures until you mellow out and relax against his chassis.

Knock Out fucks. End of discussion. He FUCKS. He has fragged on Cybertron, he's fragging on the Nemesis, you cannot stop him. Am I exaggerating? Possibly, but Knock Out is a young Cybertronian with the libido of an unneutered bull, so of course he can eat pussy. Issue is, he's smug about it, teasing you with the tip of his glossa until you beg him to put in some actual effort. He draws out your pleading until you have tears in your eyes, then he grants you the orgasm you've been dying for. Have fun being handled like a particularly juice push pop candy, you must sacrifice your dignity for robot cunnilingus. Knock Out may want you to assume he's a natural at human pussy, but the truth is; he's been googling the topic nonstop like a horny 14 year old on his dad's computer. He actively wants you to believe it’s an effortless task, you have no idea how much time and effort he puts into researching the topic, all for your admiration. Now please, give it to him, especially after all this hard work. Just don’t mention how you glimpsed his internet history.

Calling Megatron intimidating would be an understatement. Sharp denta don’t mesh well with pussy, nor does an ex-gladiator current warlord with your squishy body. But he “begs” to differ. Head from this bitch is the equivalent of sticking your entire hand in the jaws of a rabid rottweiler; you can do nothing but pray he doesn’t bite down. You’re the dumb little fleshling who found itself in his grasp, and he’s not letting go anytime soon. Human pussy is infinitely more fragile than Cybertronian valve, and he makes sure to remind you by skimming his jagged denta over your thighs. You’re caged in his servo, arms squeezed at your sides as you let the tyrant savor you to the last drop, leering down at you with half-lidded optics. He looks like he’s about to bite a chunk out of your private bits, and the fear makes you taste all the sweeter. Unscrupulous as he is, he has no shame stroking his spike during the act, growling between your legs promises of what’s to come. If you’ve survived this long, Megatron values you to a self-indulgent degree. Keep back and let his glossa drag you to the highest highs and the lowest lows, it’s not like you can do anything between those claws. He treats you as he pleases, but what pleases him most is making you cry out and twist in his grasp from overstimulation alone. Humans are so terribly sensitive.

[1eos]

i do love that true statements like 'there is no ethical consumption under capitalism' and 'billionaires are the problem' aren't just applied to things we literally have no choice but to participate in like all affordable grocery chains leeching off resources from the global south but things that you, quite literally, don't have to do.

you took a simple sentence about a specific situation to use genai in it's most superfluous way considering chatgpt IS NOT A SEARCH ENGINE and is not guaranteed to even spit out accurate information and the fact that WE HAVE SEARCH ENGINES that do what ppl are using chatgpt for. you won't die if you don't use ai

and i point the finger at generative ai users bc it's not just an environmental issue but a labor issue and a plagiarism issue bc the ~miracle tech~ was trained off the works of artists and writers who did not consent. so. should we just..... give ppl a free pass to feed small artists' work into ai just bc they're not billionaires? do you hate artists? so you're just OKAY with industries being gutted bc of ai? you're probably thinking 'ofc i don't why are you putting words in my mouth' well that's the same shit you just did 😭😭😭😭 not a word was uttered about billionaires. i just think. if ppl CLAIM to care about the ENVIRONMENT the least they can do is not evaporate a bottle of water just to ask ai a question they could simply duckduckgo

and bc i do actually care about the environment. and as an artist, care about not profiting off plagiarism, i will continue to never use genai if i can help it. and if that makes me smug.... so be it. i won't feel bad about it. and i think tone policing on tumblr is infinitely more and more embarrassing.

a lot of y'all would've been at abolitionist meetings going ':( i think it's messed up that you're JUDGING slave owners'. like? yes GIRL, i am judging ppl who can't do the barest minimum to slow down the rate at which capitalism is turning earth into a giant lobster boil 😭😭😭😭

mind you. im not saying you have to spend thousands on an electric car, or buy from local, organic sources you just have to NOT USE ONE application and that's too strict for you? we're cooked bc individuals like benjaminbadger are more upset at a post on niche microblogging website tumblr for being ~smug~ than the fact that the west is so obsessed with convenience they can't can't abscond from a piece of software for a specific purpose that it's not even built to do correctly and, im sorry to say but im feeling a lil judgy about that

'80 degrees in november we're cooked' and yet you still use chatgpt as a search engine

[meloqnspblog]

Rink O' Mania / The Airport Scene™ is the biggest byler proof.

Okay, that title was little dramatic, but It's not too far from the truth.

It's such an amazing piece of evidence because It's one of the proofs that melvins can't make about their ship. A good example of evidence like this is the end of s4. It either means something for byler or nothing, no in between.

There is yet to be an argument against WHY Mike wasn't being himself. (Of course, melvins deny that he wasn't being himself when it is obvious. Even if you don't ship byler, Mike was NOT being himself.)

An argument I've seen some melvins use is how Mike was just trying to impress El. Which could be true, but:

Why did he fake his smile? In here you can literally see that he's faking his smile AT THE SAME TIME AS EL. WHO WE KNOW IS LYING. I mean, okay the outfit was him not being himself, but does he also hate being with his girlfriend?

2. I am sure Mike not being himself around El for this reason would be brought up at some point, no? Why would Mike open up to Will about everything BUT that. He soukd definitely say something about not feeling like he can be his true self around El.

3. This was never really an issue in previous seasons? I am overdue a rewatch, but if my memory serves me right, Mike never had a problem with being himself around El. Season 3 was more about not being himself in general.

Obviously, he isn't being himsslf around El - but not to seem cool, but because he is actually in love with Wi- *GUNSHOT*

[nmakii]

maki i beg you to write rin and s/o that also has sibling issues.. like not the "oh my sibling also left me lolol" issues like.. they're always gonna be in their sibling's shadow no matter what they do.. and their sibling absolutely hates their guts.. please..

I THINK I’VE SEEN THIS FILM BEFORE

— rin itoshi x reader with sibling issues

on behalf of older siblings, i side with sae :x

— rin itoshi

rins having one of those moments where he’s rethinking everything,,, like, he starts rethinking all about the times he’s been harsh to you. lowk start feeling bad :x

he’d try to be nicer. keyword: try. if you’re doing something braindead stupid, hes still gonna call you out hahaha

he’ll be more encouraging—ish… whenever you’re half-assing something (like example studies…), he wont be as harsh as he is with like bachira and the top 3… he’d go like “cmon… you know how to solve this. …do you need a hint..?”

and if on the very un-rare occasion, you do something that pisses him off, he would… do nothing! i know, shocking. he lobs u after all <3

this is only like… 1/4 because he feels bad for you and how your family’s treated you, and 3/4 because he wants to become the person he wanted sae to be.

hehe its actually pretty healing for the both of you. sometimes if the atmosphere is light and kind enough, you might even get him to smile a little bit :x <3

12:45. and you and rin were still up, studying for your math exam tomorrow.

“ugh..! i cant do it, rin. i don’t get it! y’know what? ill just fail..!” you frown, head in your hands. rin sighs. he really wanted to go to sleep, but he promised you that he’d help you prepare, and he has to follow through.

“d—ugh… dont be negative. i know you’ll be able to pass.” he pats you on the head. “do you wanna… review the concepts one more time, and solve one more problem before bed? i can help you study one more time in the library, okay?” he offered.

“mm… i need a breakkk..!” you groan. a break would mean having to stay up later… “i… fine… i need a break too…” rin groans. “..! what the hell does that mean..?!” you lash out at him, face pouty with a frown.

“…im joking. but, i am getting tired…” he says. he takes note of your guilty face. “i… sorry for keeping you up, rin… after this, you can sleep…”

fuck.

that face was making him feel guilty. “i didn’t mean it like that. im just saying its late, and you need to sleep early if you want your brain functioning.” he rested his hand on your shoulder. “cmon, let’s take a five-minute break and get back to this. okay?”

you nodded.

1:36. you were finally done, and much more confident than you were an hour ago. “yes, i got it!” you cheered. rin’s lips curled up at your enthusiasm. “it’s late now. get plenty of rest, okay? don’t panic, and just do your best.” he says.

you look at him like a child at their new pet; full of adoration and affection. you quickly ambush him with a tight hug, causing rin to wheeze out, the air in his lungs being kicked out in an instant. “ack..! ghh..! l..let me go…” rin heaves.

eventually, you do let go, choosing to move to a looser hug around his neck. “thank you, rin…” you smile. something in your gratitude stirs rin’s heart. as if the past was gone, and all that was left was the future.

“i..it’s no problem, okay? just go rest already, you need sleep…” his words and body language conflicting; his words pushing you away, and his hands pulling you closer as his lips find the crown of your head. he reluctantly lets you go sooner or later and helps you to clean up the various papers and textbooks.

as rin puts away his belongings, you cuddle up with him. “my favorite private tutor…” you snicker. rin rolls his eyes. “private tutor? that implies im getting paid to do this for you…” he frowns. “what?! my payment is my love for you..! isn’t that enough..?!” you argue back.

rin tried to hide the laugh that comes from his throat, but it’s quite obvious from the smile on his face. “…fine, i guess so. but, a little more loving wouldn’t hurt either.”

[olderthannetfic]

https://www.tumblr.com/olderthannetfic/767420735500271616/so-the-thing-with-content-is-that-is-literally?source=share

The thing that makes the jellyfish hat content is that it is an object containing paper mache, fabric, cardboard, and the assorted accoutrements of jellyfish hat-making (the optional but popular add-ons go listed here in your head).

and implies that the container is more relevant in this specific context than the thing contained

No. that's not an implication. That's a thing you're making up in order to have an excuse to get angry about someone using a word you don't like, but it's not true. If I say, "I dumped open the contents of the box onto the floor", it is very easily discerned by most readers I am looking for something specific that is within the contents of that box. It is insanity to insist that the word content = the container being the most important thing on Earth. If I write "he opened the small box, revealing its' content: a single, small wedding ring" and you think the box is the focus, I just flat-out don't know what to tell you.

Setting that aside: holy shit, please calm down. I'm a bit busy with organizing resources for my local trans community at the moment but I promise you, there are worse problems than someone using a word you don't like. There was an election this year - don't know if you noticed - that impacts real people. Looking at all your anon and off-anon replies, the thing I keep thinking is, "Holy shit, who fucking cares? There are actual issues going on in the world right now!"

The fact that something I sent in during a ten minute snack break at work and quickly forgot about lives rent-free in your head to this degree days after it was said is highly, highly concerning. I cannot convey enough to you how much I did not mean to set off an episode in you, and at the same time, I am also very genuine when I say this may be a hill you're willing to die on, but it's not a hill I'm willing to kill you on. I kill people on important hills and jellyfish hats ain't it, chief.

It's wild to spend my time IRL trying to help people figure out what to do if our state makes it illegal for them to get HRT in-state and then pull up my phone and see someone this pressed about the word "content". Surely your life also has an important issue you could spend time on? No one is having a particularly good time right now. Maybe focus on a thing with literally any relevance to your quality of life whatsoever? I know that sounds glib. However, having had manic episodes where one thing someone said to me sent me over the edge, I'm not being glib. I really mean it when I say that redirecting your focus onto something important helps snap you out of it. It's how I got myself out of it before I was able to get medicated for my Bipolar Disorder. I take zero joy in seeing someone forth at the mouth because one person said one word and that made them spiral. I really do apologize, and I can see that this panic is a very real, valid emotion on your end. But 'valid' here is used only in the sense of 'I believe you when you say you feel panicked', not 'the panic is a logical, proportionate response to the trigger'. (As a side note, after this many anon and off-anon messages indicating fixation and extreme emotional overinvestment, I don't want anyone saying I misused the word trigger. This is not a proportionate response to someone using one word you dislike.)

The jellyfish hat contains materials needed to construct a hat. It doesn't need ads or legal agreements in order to contain cardboard, paper mache, etc. You are trying to make a mountain out of a molehill. Likely, you are taking your anger at something that actually matters and redirecting it onto this, a thing that does not matter. I'm not saying that in judgment - we all do it - but I am not going to be replying to this further. You may have a desire to use other people's words as an excuse to spiral but you'll have to find someone else to use the reason you're losing your shit.

The hat contains the materials needed to construct a hat. It's not that deep.

--

[alexanderwales]

I finished the rest of Save the Cat almost in a single sitting, not because it was particularly riveting, but because I had time to kill, so this pseudo-liveblog is at an end.

Chapter 6 and 7 are basically the same, collections of small tricks and tips. Neither of them are terribly helpful, and all the tricks have terrible shorthand names like "Pope in a Pool". There's very little in the way of any thematic cohesion to these bits of advice, and no grand theory of the Laws of Storytelling emerges, in spite of the laws being invoked a number of times.

The advice itself is, I think, generally good:

give the reader something to root for early on to kickstart investment

spice up exposition with something entertaining

only one kind of magic per plot

don't tell a story that requires too much setup

don't tell a story with too many moving parts

include a ticking clock

have character arcs

keep the scope limited to the characters we care about

make the hero proactive

show, don't tell

make the bad guy very bad

the plot should go faster the further in it goes

use the whole spectrum of emotion

make sure each character has a distinct voice

make sure desires are "primal"

give characters something that makes them stand out

I don't endorse this whole list, and I especially don't endorse the way that Blake Snyder talks about them or the examples that he gives. And if I endorsed the list, then I would include a lot of caveats, and some general principles of storytelling that should be followed, rather than these specific pieces of advice, which are all conditional. Like ... okay, here's an example:

Exposition is a broccoli that the audience doesn't want to eat. There are very different ways of dealing with this, but we can start with "minimize exposition" as the first "law" of storytelling, and from there, we have different strategies:

Spruce up the exposition, making it into a mini-story, delivered in an entertaining way, so that people aren't bored.

Run something alongside the exposition so that people aren't bored, like sight gags in a comedy or an action scene in a thriller.

Have the exposition delivered through implication and clues, rather than stated outright, like having a character limp rather than explaining to the audience that they were wounded in the war. This is show, don't tell, and it's harder than it seems.

But while Snyder lays out some of this advice, it's all in different sections even though it's dealing with the same fundamental problem, and I'm not sure that he really understands that. If he does understand it, then he's not making that clear for the reader.

My thesis is that to understand storytelling, you want to understand root issues and classes of solutions. I have not written a book on writing, nor do I think there's a market for that, nor do I think I'm qualified, but it's the kind of thing that I would strive to deliver. There are a lot of writing problems that are parallel to each other, and there are a lot of structural elements that are mirrors of each other, so why not try to put it all together that way?

But Snyder makes basically no attempt to put even very related problems together, it's just little bits of advice to gnaw at the most common problems, and ... maybe that's fine, but it felt lazy to me.

Chapter 8 was the final chapter, and was mostly about trying to sell screenplays. This was irrelevant to me, but kind of interesting, and also made me feel like Blake Snyder is a better marketer and salesman than a screenwriter, and also maybe just got lucky to be working at a time when scripts were getting huge bidding wars for no good reason. The efficient market hypothesis gets clowned on again, I guess.

I'll probably write up some overall thoughts, a short review: I think I am unsuited to liveblogging because I go long. But the even shorter version is that I think I picked up a few things that were interesting to think about, and while Blake Snyder is a hack, he's an entertaining writer.

[thetepes]

Not to play devils advocate, but I feel like lilys opinion on the usage of the n word is valid. Regardless of someone’s race, I think it’s a little backwards to dictate what someone has to say about another races cultures just because they’re white (or not of that culture), differing opinions aren’t the end of the world and hers wasn’t inherently racist I fear the same goes for the anime thing too, I’m sorry but Japan DOES have of a loli problem, even if her wording was extreme

I’m not white myself (to be fair, not black/japanese either), not that I think it matters to what I can and can’t say about this but I don’t want you to assume I am white because I somewhat defended lily, which is someone I did NOT want to run defense to but maybe I’m too conservative for this space but I mean this in the most respectful way possible, it feels like some of you are reaching on some things just to paint her in a worse light, as if she wasn’t already famously bad 😭

(Feel free to correct me, I’m not trying to be intentionally ignorant for the sake of it I’m just tired of hearing of a lot of echo chambers about the issue without getting to WHY what she says is racist when I think like pretty reasonable??)

Anon, my friend, I do not know how to break this to you, but that is racist. I know you do not mean to be. I know you're trying your best to be as inoffensive as possible. I'm going to do my very best to answer you genuinely because you seem genuine.

Saying Japan has a Loli problem is like saying America has a child pageant problem. It's there. It's a problem, but it's not something floating on the surface everyone in Japan is aware of the magnitude of. It's a niche genre of ero fiction that comes up about as much to your every day Japanese person as child pageants in America.

In the 80's there was this loli boom that took place where it split off from your more typical bishōjo into lolicon. You would find stuff like Future Boy under that genre long before you'd find any ero.

It wasn't until an otaku named Tsutomu Miyazaki was arrested in the late 80s that the darker side of loli came to the awareness of your every day Japanese person. It was a popular genre so there was a LOT of hentai of it. He killed and murdered several little girls between the ages of I think 3 to 6 and it started a panic very similar to the Satanic Panic that happened in USAmerica. He had a massive collection of anime and hentai. I mean massive. From normal things you'd see in Walmart to stuff you could only buy from very specific websites online no normal person would even know about. It wasn't just Loli that was effected though it was all anime.

It's why Otaku culture was so repressed and shameful for a long time and it even killed the Loli boom because the style was associated with the killings. It wasn't until very recently that Otaku culture made a come back, but still Loli isn't making that come back because of the online opinion on Lolicon. It's gone from an art style to something a lot darker and I think that's where the communication sort of faulters? Because if you say to a Japanese person "you have a loli problem" they're going to think you're having a Satanic Panic moment at them.

At least that's been my experience.

This whole thing is why there was the Moe boom in the 2000's, it was an over correction on the part of artists. Trying desperately to get away from that label and people taking advantage of that as well to make slop.

The rise of the Lolita in Harajuku also muddied the water on this because there's an entire beautiful subculture there that branches into a thousand different expressions. "You have a loli problem!" What's the problem with girls in frilly dresses?

You as someone online, who is adept at being online, in critical spaces and animation/anime spaces have so much more exposure to this stuff than anyone on the daily in Japan.

The entire world has a porn problem. The entire world has a sexualizing little girls problem. To point at Japan and specifically repeatedly deem the entire country as having an issue with pedophilia is racist. To go out of your way to bring it up when you're not even discussing anime or Japan is racist. When your hate and ignorance for a place and it's people bleeds into everything you do

That is racism.

[loopdile]

loopdile so real. i have a Vision of both siffrin and loop being Deeply Deeply Closeted Repressed Transfem and having gender envy over odile and i feel like that'd do Something to the Dynamic. Something......... Something........................... well i'm not successfully envisioning it but maybe YOU are?

i am positively plagued by loopdile gender visions!!! maybe not the exact same as you're thinking but i think you will enjoy them. walk with me, anon, through the garden of my loop gender headcanons. it's kind of a big garden but we'll get to the odile part eventually i promise.

Before they were Siffrin, Siffrin had their gender on lock: something transfem, but also tied to unique cultural elements in some way, either the specific identity or the way of thinking about it or just the particular set of presentation options. Perhaps they even started fantasy HRT! But then they forget everything, obviously, including their identity and transition plans. They decide pretty quickly that they're not a man, but none of the alternatives feel exactly correct either; if their previous identity was presented as an option, maybe it would click and they'd settle into it pretty fast, but unfortunately that is literally impossible.

So, no clear goals in mind. And because of his forgotten past, continued memory problems, and constant traveling, Siffrin starts to really value the few things he can count on to stay consistent. He'd rather wear his comfortable hat and cloak than leave them behind in favor of anything more gendered. He'd rather stick with his familiar body than risk changing it. Still, maybe there are some changes he'd be happier in the long run to have made... but the process would be stressful, and he's got enough stressful things to worry about already!

But then we get to Loop. Who has already been changed, suddenly and irrevocably and so very, very accidentally. They are not Siffrin anymore, they do not have the hat and cloak, they aren't even human. They don't even really remember who they were pre-loops. There is no familiarity for them to cling to; instead, they're desperate to find things they can control, things they can change, proof that the world moves forward and they're in charge of their place in it. The motivation that Siffrin lacked, Loop now has in spades!

However, their negative feelings are more intense as well. They struggle to face real stakes, to put effort into anything too complicated, to try anything that might disappoint them. They take risks, yes, but not about things they care about; they take risks because they don't care. And they have a lot of other things going on, too, both practically and psychologically, so gender isn't their immediate priority. "Who and what am I?" is a very difficult question for them right now on multiple levels, a difficult question with only difficult answers.

But, starting with the practical: wearing clothes is an easy way to look and feel a little bit more normal, right? So they experiment, and they decide that dresses are just similar enough to the cloak to be comfortable, but distinct enough to not be as emotionally fraught. And they like them in a frivolous way that Siffrin was never willing to lean all the way into. Siffrin didn't put much thought or energy into his appearance, but Loop's inhuman form is a constant issue, so they might as well dress it in a way they like! Something good to balance out the bad, since they can't be neutral any longer.

And of course they think about body craft, though in a different context from most people. Even the nearly-human parts of their body are lacking detail, without all the right functions behind the form, and then other parts aren't human at all. Their body feels wrong, distracting, constricting. They don't understand how it works, and it draws attention they don't want, and it's not them. And yet, isn't it? Even if they'd been put back into a Siffrin body again, they aren't Siffrin anymore, either. Loop is what the loops made them. They want to change their body, to make it something they can be comfortable in, but they can't. Because body craft is a method of changing flesh and blood and bone, and Loop is not made of such human stuff anymore.

So we've got Loop. Trying to find themself, and maybe succeeding in some ways, but stymied or uncertain in others. Desperate to change, but scared to hope. To make a long story short, they join back up with the party, which brings its own set of problems, and yet... it's also a step towards fixing some of their problems, too. Most relevant to our post, here: Odile is a craft expert with a unique set of experiences. She's got a wide foundation of knowledge, since she's familiar with all three main craft types. She used to be part of Ka Bue's underground body-crafting scene, where she not only crafted her own body but also helped and taught other people; and unlike in Vaugarde, where Houses provide resources and education, Odile and her peers had to do their own research and experiments, develop their own techniques. She even has some knowledge of wish craft from Siffrin, and the way she stopped Siffrin from looping proves that she's unusually good at analyzing and adapting to new forms of craft.

So once Loop's dissatisfaction with and ignorance regarding their own physical form comes to Odile's attention, of course she offers to help. To see if she can figure out what their body is made of, and how it works, and hopefully, in what ways it can be changed.

And this dynamic with her... it's totally different from her relationship with Siffrin, both pre-loops and post. And Loop has always admired her, and here she is, talking about the confidence and determination with which she changed her own body, not without fear or frustration but not letting herself be slowed down by them, either. Taking her fate into her own hands and refusing to be anyone other than herself. And Loop used to feel that Odile understood them best, and losing that connection felt like the end of the world, but here she is, still! Observant and caring as ever. Dedicated to figuring them out again. Unflinching as she sees them for the strange thing they currently are, but equally unshakable in her insistence that they do not have to stay exactly as they are.

So Odile helps them figure out their body. Helps them with the craft itself, too, but even more than that — through both encouragement and example, she helps them be brave enough to genuinely try. To ask themself what they really want. To strike a balance between Siffrin's complacent hesitation and Loop's miserable desperation. To experiment, and face both the chance of failure and the chance of success with head held high. To hope.

Odile is not one for platitudes and empty positivity, after all. If she says something's possible, then it is, or she will make it so, one way or another, despite any setback. Isn't she proof? She remade herself, and she can remake Loop, too. Changing them, slowly and carefully and so very, very deliberately. Loop will never be human again, but they can decide who they are and become themself.

[froggo-333]

ARCANE SPOILERS

sorry this is about to be longwinded asf but is anyone else kinda disappointed with the last arc. this is mostly gonna be about vi and jinx although i think them teasing sevika stuff but her showing up like twice and not saying shit was also weird. from the start i didn't like caitvi on like a yay shipping level but i didn't mind them that much. the lesbian situationship bit in the first two acts of season 2 were funny, i actually enjoyed it cause hey girl i've def been there before, but the third act is where i really begin having issues. at the start of the season vi becomes a cop. i know she is one in league but with the story in arcane it feels a little bit of an odd choice but i digress, its coming off like she once again is shouldering the blame for jinx. she is vi's problem. she is trying to fix things. obviously this doesn't work, cait starts changing, there is the whole isha protecting jinx moment (isha's character in gen), vi crashes out. the build up so far feels like vi and jinx are going to reconcile at least somewhat to have an understanding of each other, the crashout for vi aiding in this with vi completely changing and then starting to have an understanding of her sister. the vander and isha moment in ep 6 was what i thought to be the climax for this. then act three starts. we're in a different universe where vi is dead but everyone lives in the memory of her. jinx has a huge memorial and pink in her hair, vander has a vi tattoo, ekko paints the mural. we go back to our universe and vi is rightfully yelling at cait not mincing her words at all, sure cait explains herself but never once has she shown any change with her actual actions. Vi learns jinx turned herself in and later when she goes down to find jinx she sees her suicidal and depressed. when jinx tricks her and escapes locking vi in why, after cait gets vi out, does vi not go running after jinx? why does she proceed to have sex with cait randomly in the jail cell her sister was in???? the line of jinx "supporting" caitvi felt like she was bitter and added to her depressed state. remember she became jealous that vi showed up with cait in s1?? that should've been ekko AND vi saving jinx later on. whats the point of jinx coming back with a haircut JUST like vi's and with pink in her hair for barely anything. what was the point of any of this. it does an incredible disservice to vi and jinx as characters and their entire relationship. its weird after all this vi would go back to cait. the final line for them comes off soo unbelievably laughably classist after everything i legit have no words for that shit. "i am the dirt under your nails cupcake nothings gonna clean me out" to the upper class person whose family was gassing zaun and who knows what else historically we as the audience don't know. i simply just do not think a character that is supposed to be embodying the hardships of the zaun would do all that.

[creatingblackcharacters]

Hi! I love your work - it's been really helpful to me, especially your lessons on horror and depictions of violence.

You mentioned that there were some forms of violence that you'd feel uncomfortable seeing used against Black characters because of their historical context. I was wondering - were there any kinds of violence that you'd be uncomfortable seeing Black characters use against others? The reason I am asking is that the main characters of a project I am working on - two of whom are Black - are morally grey in a "cartoon villain" kind of way. They use a lot of exaggerated violence, but it's usually directed against even worse villains, and it's meant to be played for laughs. (If you know the band The Mechanisms, it's pretty similar in tone to their stuff.) One of the Black characters, E., is a high-profile art thief and assassin, while the other, B., is what would be called an "eco-terrorist" (I have problems with that term but that's beside the point) who's done stuff like blowing up oil pipelines and dams. Do you know of any similarities to real-life issues that I should be careful about when writing these characters?

Thank you so much!

Your premise sounds fine.

Personally, what's old to me is the Black Girl Bully, and that form of "social" violence, I guess. It feels like the reverse never really gets addressed; particularly the social violence of White Womanhood™. But anyway, we get it, you think the angry Black girls and women are so mean to the innocent, "just want what's better for everyone" white main character who plays as the savior. 🙄 I'm so sick of that. The writing is almost never done well enough, and even when it is, by then I still hate that they have to "soften up" from "being a threat" to work with the white character. It feels like a roundabout way of saying "be more palatable or you're a problem".

Though, tbh, if there was gonna be a Black villain, I personally would like to see it go whole hog. Like if you're gonna force me to uphold whiteness as the standard, I wanna see that villain be a VILLAIN, put them THREW IT. So I can't say that there's a level of violence I won't accept, so much as how are the characters being treated in that moment. Am I here to watch the poor nonblack characters that we coddle bc they're perfect fight against the evil, wicked dark-skinned Black lady, or am I watching the protagonists fight a good villain?

But that's fighting people's beliefs, too. Writing Superman with a Black Lex Luthor is going to generate different responses, despite the story being of the same quality with the same script.

Also, just regular stereotypes in general are to be avoided. As per usual, it's all about how you write your characters.

[fenrysmoonbeamswife]

On my Lucien and Feyre post someone said Tamlin didn't abuse Lucien or Feyre, Feyre was just a spoiled little brat who wanted to be the center of attention and I—💀

I am not a Tamlin hater, I'm not a fan but I'm not a hater, and I'm fully open to Feyre criticism but that is ridiculous

I honestly feel like some people have allowed their disdain for Rhysand and the IC to cloud Tamlins actions, it's like people can't go from one extreme without going to the other. But one characters actions don't negate another characters actions.

Rhysand being abusive doesn't mean that Tamlin wasn't

The IC having toxic relationships doesn't mean that Tamlin and Lucien don't

SJM retconning doesn't change the fact that what she wrote is canon and in that writing, Tamlin was abusive

Liking a character doesn't change what they've done

Yes, Tamlin has trauma and definitely PTSD. Yes, Tamlin was dealing with his own issues. Yes, he and Feyre both should have communicated more. Yes, Feyre was a big cause of a lot of their problems not just Tamlin. But he abused both Feyre and Lucien. As much as the reader community seems to think so, abuse is not a debatable topic. Abuse is not based on opinion. You are not so holier than thou that you get to decide what does and doesn't count as abuse. You're empathy for and/or romanticizing of a character does not change their actions

This same person tried to argue that Cassian wasn't abusive either and that Nesta should have treated him better so I didn't engage but I thought it was important to make a post because I've seen this rhetoric a lot from Tamlin fans. I can definitely give Tamlin a bit of leeway, a bit of empathy and understanding. Definitely more so than with Rhysand and Cassian because his abusive actions aren't inherently self serving, they're clearly more of a trauma response but they're still abuse and this fandom needs to stop trying to make excuses for abusive characters

More in depth post about how Lucien is in fact a victim of Tamlin incoming

[luvtonique]

Earlier today, a girl shot me a DM thanking me for not listening to people saying Melodi's body shape is unrealistic or fetishy and choosing to double down on her being a top-heavy P-shaped anorexic lanky long-armed twig lady.

She said, I quote, "I look like that IRL, and have the back problems and eating disorders to prove it. I have gigantomastia and have to get breast reduction surgeries to keep them in check [she described a lot of medical problems that come with the tissue growing too much here, too, but I cut it out cause it's pretty visceral]. I saw your post saying you're not intentionally putting representation in your game [like a year old post at this point] and this isn't about representation, it's just something that made me feel good about myself knowing someone finds my weird body shape attractive."

I told her that she is loved, and thanked her, and said that I hope that she can live a fulfilling and good life despite her disease.

She said "Same to you about your arthritis!" and that was that.

Little moments like that are why I make art and why I don't just do "what sells." I was willing to give up a huge portion of my fanbase by not flocking to Twitter in 2018 and staying here on this weird site full of people who regularly annoy me because it's my fuckin home. I was willing to leave the brony fandom after massive success in it. I am willing to receive hate-reviews from people saying my characters are "too sexualized" or that they "don't have enough identity-representation."

When people come along to tell me that something I'm doing made them happy or feel appreciated and loved, or that I helped make the hard times worth it for them, that's what really matters to me. Not filling quotas, not making characters with relatable social issues, not shoving politics or ideologies into my game to "send a message," but just those moments where the occasional person comes along and thanks me for never caving to social norms and continuing to just do the weird shit I love doing.

I love you, weird body shape girls.

Just because God hit "Random" on your body shape doesn't mean you're ugly, weird, gross or unwanted.

You're bootiful.

Also I just gotta be a snide bitch at the last line because this is Jay we're talking about. "But Jay! You'd get SO MANY MORE people coming to you and thanking you if you PUT SOME REPRESENTATION-QUOTA CHARACTERS IN YOUR GAME TO BAIT THEM OUT, LITERALLY SLAPPING THEM IN JUST TO GET BROWNIE POINTS AND INTERNET HUGS AND ACTING LIKE THAT MAKES YOU A GOOD PERSON."

That shit isn't genuine and your sense of feeling represented by disingenuous ideology-bait is as fake and fleeting as seeing a corporation put up a pride flag on their profile in February. They are using you to sell their product and you're praising them for it. I will never put a character into any work I create with the intention of representing a group of people or an ideological belief, because my characters are fictional storytelling devices, not strawmen who serve as a walking wikipedia article for a culture that the media has deemed an oppressed minority group to talk down to the audience instead of talking to the other characters.

[ostwitchsheart]

Sorry to start complaining but its my tumblr