#i just don’t find the writing very compelling

[reliquiaria]

not enjoying histoire d’o so far

[bambeebirdie]

This is for @bluepeachstudios ‘s Ghost in a Shell. It’s really good you should read it.

I looked at exactly one picture of Jupiter Jim and went “yeah this should be enough to draw him.” I will not be answering if it actually was

Have some bonus content under the cut!

And sketches

(I love any character who can say “I don’t want to go back to prison” it’s like the funniest thing to me)

[dyna-myght]

Niclays devotion and heartbreak over Jannart is so moving, I really enjoy reading his heartfelt thoughts and memories over him. I really wish the romance between Ead and Sabran was as moving…. Idk what it is but they don’t click very well for me. I am trying my best to enjoy them but the writing for their romance feels so distant. Maybe it’ll get better, I do still have like 300 pages left to read.

Maybe I just need to lower my expectations for lesbian romances but I don’t want to settle for bland relationships just for the sake that they’re lesbian 😔.

[daenerysstormreborn]

I’ve seen a post recently that dismisses Lyanna’s age as GRRM being bad with picking the ages of women, basically saying nooooo it’s fine she was 15/16 and Rhaegar was in his early 20s it’s just George not thinking it through enough but I really disagree. George wrote “It was her fourteenth nameday” on purpose he knew what he was doing with that I think we are supposed to be critical of Rhaegar and Lyanna. Rhaegar is boring if you’re not critical of him. Most characters are boring if you’re not critical of them. I could theoretically come up with arguments defending many the actions of my favs as perfectly just but that is so boring. Like. Yes the protagonists are Always In The Right don’t you get bored of that? Isn’t that tiring? Isn’t it better to have a protagonist who makes mistakes? Some of you are like “we do acknowledge xyz character’s faults we do!! we only get mad about the unfair criticisms!!” and then I never see any discussion of said faults. I get that people can have a knee jerk reaction because some criticism of certain characters I see IS unfair and sexist so it’s hard not to develop a knee jerk response to it but I prommy it’s more interesting to say “well what if this wasn’t a writing oversight and the character was actually in the wrong?” Because we are all in the wrong sometimes and acting like a character has never done anything wrong makes them unrelatable and boring.

Except for Samwell Tarly I think he actually never did anything wrong.

[pineconnie]

Fave martin blackwood things:

- lied about a MASTERS in PARAPSYCHOLOGY in his cv. why did he choose such a niche study like how many jobs could that even get you (EDIT I now know what a CV is and that he’s not telling every job he has a masters sorry guys I’m very jobless 🙏)

- writes the most terrible poetry you’ve ever heard (said with love) and plays background music while recording it onto a tape recorder for the vibes

- when encountering a terrifying worm lady that tries to add you to her flesh hive, he MAKES SURE to keep some of her worms just so he can stick it in his bosses face

-the rudest guy in the world (said boss) does one nice thing for him that he didn’t expect and he immediately falls in love (this is real to me ok let me have this)

-wears video game shirts to work

-goes on rants about spiders importance to the ecosystem to a guy with the worst arachnophobia ever

-hides CO2 cans so that ‘the worms don’t find it’

-forces his boss to go on lunch dates with him so he doesn’t completely lose it to paranoia

-walked into his bosses office, found a DEAD BODY THAT WAS DEFINITELY MURDERED, and all he says is “oh jon 😕😕”

-has practically the same reaction later on when someone tells him his boss compelled them to relive their worst trauma

-gets told the guy he’s been in love with for multiple years treats him horribly and goes “yeah and”

-outsmarted an avatar of the lonely despite being in a horrible depressive episode with no contact to anyone else

-manages to make peter fully believe he’s dedicated to the lonely even as his crush of many many years is practically confessing his love at every interaction

s5 martin is my favourite id need a whole extra post for him loml

[monstersflashlight]

Hi me again here |˶˙ᵕ˙ )ﾉﾞ

Loved your little piece about the forest entity, so you'd make me very happy with a second part :)

Tentacles and forest monsters are just soo good <3

So yeah, I'll keep looking and loving your writing, thanks for all your amazing work ⸜(｡˃ ᵕ ˂ )⸝♡

Hi! Thank you so much for your compliments, that’s so sweet! Here you have it a little bit of filth <3 Part 1 is here, if someone needs a refresher.

Plant toy

Forest entity x fem!human || tentacles (vines), bondage, edging, oral sex, double penetration, gagging, nipple clamps

You had no idea what compelled you into going back to the forest, but there you were, wearing a skimpy outfit and walking around without any reason. You felt stupid, but also a bit excited. A bit turned on. The opportunity of finding the forest entity that fucked you too good to pass. You wanted a repeat… Well, more like you needed a repeat.

In the past couple weeks since it happened, you couldn’t think of anything else, your brain was completely stuck on him. (You didn’t miss the joke about being stuck on a tree-hole just to end up being stuck on a forest entity). Every second of every day you wanted to feel him again, to feel those vines and roots against your body, constricting your movements and leaving you at his mercy.

It was exhilarating, but the memory was not enough anymore. You burned down the batteries on two of your sex toys and had not enough energy to keep looking for more fun ways to get yourself off. Nothing was as good as the vines, nothing was as good as him.

So there you were, getting lost in the forest. On purpose this time.

You wandered for what felt like hours, until your body was tired and your anticipation dissipated into a more real sense of fear. You didn’t know where you were, if he didn’t show up at some point you’d be lost in the forest without a way to find your way back. You felt like you were walking in circles, unable to see anything as the sun started to set. Real panic started to fill your insides.

“You are lost and scared once again, but this time you have done this to yourself… Why?” His voice startled you, and you screamed. As you turned around, the vision of his strange face calmed you completely. He was there. He came for you.

A rush of adrenaline filled your body and your panties got wet. Fuck, that ethereal voice was messing with your libido big time. “I- I was looking for you.” You told him, voice caught in your throat as some vines and roots bloomed from the ground beneath your feet and lifted your body, undressing you in the process.

“For me? Why?” His utter confusion would have been cute if you weren’t suspended in the air with wines holding your arms and legs apart.

“I don’t know.” That was a weak ass response and you knew it. He tilted his head to the side like he was trying to decipher your whole soul with a look. Maybe he was doing exactly that, how would you know. “Okay, okay… I- I wanted a repeat,” you confessed in a murmur.

“Of what, human?” His uncanny features made your insides twist and turn, but also made you even more curious to know more about him. “There’s no balance to be restored now. Are you making a free offer to the forest?” He added. You didn’t think of that. You didn’t think of anything apart from getting fucked again. You were so dumb. Your face flushed at the acknowledgment that you got lost on purpose just to get fucked by vines. How freaky was that?

“I- Yes! Yes. That’s it,” you agreed, without really knowing what that would entitle. “I want… I want you to do that again… with the vines.” Your face burned as you said it.

Said vines took on their own and started caressing your body, like he wasn’t controlling them, as if they were a living organism on their own. That filled you with an unsettled feeling, but part of you liked that thought. Part of you wanted to be at the mercy of some mindless plant organism.

He turned around, not looking at you. Disappointed had a sour taste against your mouth. “I see…” He was leaving. He was leaving you there without even looking twice at you. Without an explanation.

“Wait! Are you going to leave me here?” You asked, panicked. Your heart was beating so fast you could hear it in your ears. The spike of fear mixed with anticipation and arousal, leaving you breathless.

“I need to retrieve something, I’ll be back.” Just as he was saying that, some more vines appeared in front of you and stuff your mouth until you couldn’t answer back, like a plant gag.

He left you there, mouth stuffed with vines and your body suspended in the air by plant-acles (plant tentacles?). As soon as he disappeared, the vines took a turn. More vines and roots appeared around you, touching you. Caressing every inch of your body. The ones in your mouth started thrusting into your throat until you were gagging and salivating around them. It felt like the messiest blowjob of your life as some more vines and roots caressed your nipples and clit. It was exhilarating.

But they wouldn’t finish you. The tentacles around you played with your sensitive areas, pinching, caressing, sucking… You were thrown against the edge a thousand times, but they never let you cross it. The vines moved and caressed around you, tightening and releasing parts of your body. It was maddening, the unfulfilled pleasure was driving you completely insane. Over and over for what felt like hours but was probably less than twenty minutes, the vines edged you until every caress felt like it was going to make you explode. But it didn’t. They didn’t let you.

When he reappeared in front of you, you could have sobbed. If you weren’t already crying because of the overstimulation and the edging. Tears ran freely down your face, mixing with the drool around the plant-gag fucking your throat. You felt used. And you enjoyed it, like the little pervert you were.

He looked at you for a few seconds, “I shouldn’t have left them unsupervised. My apologies, human.” His apology sounded a lot like a non-apology. He wasn’t sorry at all, he consciously left you there with wild vines edging you, the little smirk playing at the corner of his mouth was answer enough. “I found the compass.” You didn’t know what he was talking about, but the vines wouldn’t stop moving and you felt ready to explode. You wanted to scream at him, to beg him to end the torture to your senses and let you come. But he kept talking. “Now you would be able to find me,” he explained. He looked at you expecting an answer you were unable to provide. “Oh, the vines…” He moved his hand and the vines fucking your throat retracted.

You breathed deep before chanting: “Please, please, please…” You were unable to form any more words as you screamed and begged for release. “Please let me come. Pleaseeeee!”

“It’s okay, human. I’m here,” he told you softly.

His words sounded ominous, and maybe you should have trusted your instincts because before you realized, the vines around you were morphing and moving. Some of them constricted around your nipples, acting as improvised nipple clamps as he approached step by step to your naked and restricted body. He stood there for a few seconds, admiring his vine work.

And then, he raised his hand and you cried out. For the first time ever, he touched you. His fingers caressed the skin of your abdomen and made a trail lower and lower… When his finger touched your clit, you screamed at the top of your lungs. “None of that, you don’t want to bother the little animals, do you?” He didn’t give you time to react, he conjured a new vine around your head and gagged you.

That wasn’t the only new vine, soon enough there was one curling around your leg, approaching your center. He cooed at you when you whimpered, shushing you as he caressed your hair softly, his other hand still circling your clit.

The tender gesture was such a contrast with the sexual torture he was inflicting on your poor human body. You were dizzy by it. It was maddening. And when the vine pushed into your hungry cunt, your eyes rolled to the back of your head. You groaned and moaned as he kept fucking you restlessly.

You were lost in the pleasure he was giving you. So lost that the first touch of a vine against your asshole caught you off guard. You tried to scream, but he wasn’t having any of that. The gag around your mouth pressed harder as you whimpered around it. You were breathing so hard you feared hyperventilation, but his soft touches to your side kept you focused. Bit by bit, the vine pushed inside your asshole until it was fully seated.

And just like that, it began. In perfect sync, the vines inside your pussy and ass started fucking you. It was better than anything you’d ever felt. It was so much more than you thought you could take. But he didn’t ask, he gave and you took.

He was looking at you with such intensity you felt hyperaware of every twitch, every groan and every bit of saliva you let out around the gag. But he still didn’t let you come.

“Just a bit more, human, you are doing great,” his voice was soft as he moved his hands to direct the vines around your body. In and out. In and out. They fucked you in tandem as he looked at you like you were his prize.

His encouragements were making you see stars and a thousand different lights behind your eyes. The assault to your senses so deep and profound you didn’t know how to feel anymore. You didn’t know if it was too much, if it was too little. You could only feel the vines moving in and out of your holes, the stretch and pressure of it against all your sensitive spots.

“Come for me human, give me your offering.” Like a magic word, you exploded on a thousand pieces as your body melted against the vines, a splash of your juices showering everything around you. “That’s, such a good human for me.” That was the last thing you heard before you blacked out.

You woke up next to your car, re-dressed and with a shiny compass next to you.

[daydreamerdrew]

it's been very compelling to me how Tony Stark has already been characterized in so many different ways just up to the point in his comics that I'm at, early 1972.

Tony’s always vacillating between like ugh finally I get to be Iron Man and get a break from being Tony Stark… ugh being Iron Man is taking over my life and preventing me from being Tony Stark… ugh Tony Stark is a terrible person and I need to go be Iron Man to make up for being Tony Stark… ugh I’m sick of being Iron Man but my heart condition means I can never live a normal life because I can't pursue certain things knowing I could die at anytime so I’ve got to make the most of the time I have by being Iron Man even if by doing so I’m putting my health at risk and making it more likely I’ll die… wait ugh being Iron Man sucks I’m going to abandon that and commit to being Tony Stark and yay this is awesome but oh no tragedy has struck proving to me that I have to always be Iron Man! and etcetera

that he's a playboy has been portrayed as something that he is unabashedly and naturally and is frustrated that being Iron Man takes him away from it. it's also been portrayed that he feels disgusted with how he's wasted his life being a playboy and frames it that being Iron Man is what makes up for that. that he's a playboy has also been portrayed as something that he does just as an act to protect his secret identity as Iron Man by making Tony Stark seem like a less serious person. and that he's a playboy been portrayed as an act that he puts on to push women away that he would want to have a serious romantic relationship with but feels that he can't for various reasons.

sometimes he feels trapped behind the mask of Iron Man and calls it a prison for how the role dominates his time and takes him away from being a regular person as Tony Stark. but he also often thinks that he doesn't have the option to live a regular life because of his heart condition meaning that he could die at any time, making it so that he can't really enjoy his life and making it so that he feels it wouldn't be right for him to form a serious romantic relationship with someone because how likely it is that he would die on them. and he's also before questioned whether or not he could do more good as Tony Stark and so if being Iron Man is really selfishly only just for the thrill of it. he's also framed his Tony Stark identity as also another prison that he's stuck behind and that prevents him being a regular person in the sense of emotionally connecting to others, he instead has to be this cold businessman. but Tony Stark has also been portrayed having a reputation for being a really compassionate businessman. but also sometimes he wishes that he actually was that unfeeling machine because it would be easier than dealing with his emotions. and he's also wondered if the beliefs that he it wouldn't be right for him to form a serious romantic relationship because it could pull him away from the responsibility of being Iron Man or because of his heart condition are really only excuses to avoid uncomfortable emotional vulnerability.

it seems to that he has constructed these different identities for himself but cannot determine what is natural to him and what is acting and so is always shifting based on how well it's working for him between that a facet of these roles is who he actually is or that it's not who he is but who he thinks he has to be for various reasons, but can never settle on that something is an act because he has such a limited understanding of himself, but also enough of an understanding to articulate that the way he's acting is unnatural to himself, but what I haven't yet figured out is when I would think that construction process would have taken place.

in Tony's first appearance he was presented as pre-Iron Man being an uncomplicated playboy millionare inventor that had a perfect enviable life. after he became Iron Man he was presented as essentially still being that except with the secret that he's actually a deeply tragic character because of his heart condition. him being a playboy was maintained and then later was characterized as an act, but it's tricky because that's not a characterization change that just moved in one direction but legitimately shifts back and forth.

the idea has been presented that being Iron Man has prevented Tony from being a playboy because it takes up so much of his time. but the idea has also been presented that Tony thinks negatively of him having been a playboy in the past and so at some point in time genuinely changed to not actually be a playboy at heart. what hasn't been presented is that that change of opinion occurred during the events of his origin story as Iron Man and I don't find that at this point in time to be a viable reading because of how him being a playboy was played straight in his origin story's aftermath.

when Tony talked about Tony Stark being a mask he was stuck behind, that he couldn't show compassion because that wouldn't be Tony Stark, he says nothing that gave any clues as to when and why people would have formed the idea that Tony Stark wasn't compassionate in the first place or even why he can't disprove that.

so it's not suggested if he had once been that way and then changed because of the experience that made him become Iron Man but then felt he couldn't let people know that he'd changed because it would give away that he's Iron Man. or if he had never really been that way but adopted the guise after becoming Iron Man and made people think that he was, perhaps just leaning into it and sticking with it when the assumption was made once when he ran away and seemed to abandon people in need so that he could put on the Iron Man armor and come back and save them, so that they wouldn't connect him with the heroic figure of Iron Man. or if it had been a guise that he had adopted before he became Iron Man because of something to do with his upbringing and the world that he was a part of.

which is not even getting into the fact that Tony Stark had actually been portrayed as compassionate before that specific story without it being a problem. and Tony Stark not being allowed to be compassionate wasn't connected to that Iron Man is but was intertwined with how he was stuck behind cold masks in both identities and there was no way for him to ever be tender. he's deeply unhappy about it but doesn't see it as something he could do anything to change, he was just trapped.

but he doesn't come across as trapped all of the time! he's not conflicted about things in every single story. he's also got standard straightforward superhero stories, it's just that over time that's been interspersed with stories of him being very conflicted about it all.

and that's also not even getting into that there are stories where Tony's problem is that he's not differentiating between Iron Man and Tony Stark enough. like when his heart problems got so bad that he needed to full Iron Man armor to stay alive and so was trapped inside it and he just told everyone that Tony Stark went on a trip and left Iron Man in charge and then tried to resume his life as normal, not realizing how that would come across to other people and not realizing that he couldn't just maintain his relationships with Pepper and Happy exactly as they were before without them getting upset, which ultimately ended up with them suspecting that Iron Man was trying to steal Tony Stark's life and getting him made a suspect in Tony Stark's mysterious dissapearance.

[lushrve]

hockeyteam!141 x figureskater!reader

cause who doesn't want the image of these boys all sweaty and bloody in hockey gear (also i haven't mastered writing in a scottish or manchester accent yet so don't come for me)

you’re a figure skater, something you’ve devoted your whole life since childhood to. over the years, you’ve honed your craft, becoming one of the best in your area. you do well enough at competitions; not olympic material, but skilled enough to bring home a state title every now and again. you take pride in the way your body glides across the ice, painting pretty pictures with each scrape of the blade of your skate. it’s methodical, structured, clean. if you close your eyes, you can almost pretend you’re dancing on clouds.

it’s a small town and there’s only one ice rink for miles, so of course you run into the local hockey team practicing and warming up for matches. you don’t know most of them (don’t care to, frankly), but some are more notorious than others.

the team captain and center, price, the tactical mind behind their victories. from the few games you’ve watched them play, you can tell that he calls the shots. you watch as he sits on the bench, watching his teammates rush back and forth across the ice. it’s like he sees beyond the game. sometimes, you see him close his eyes, like he’s seeing a play take shape in his head, before calling out to the others and making it happen. they always listen, his booming baritone too compelling to disregard. (that voice made you feel something too, but you didn’t want to admit it.)

then there was a defenseman, simon. you just knew him as “riley” by the last name emblazoned on the back of his jersey. but if you listened closely (and you did), his teammates called him ghost. it didn’t take you very long to find out why. ghost was a large man, all broad shoulders and hard lines. he preferred the silent approach to taking down an opponent, slamming them against the boards before they could even register the sound of his skates scraping the ice. he played dirty, your eyes often meeting his when the referee threw him in the penalty box. (he winked at you once as he cleaned some blood from his lip, fresh from a fight. you pretended not to notice.)

left wing belonged to johnny, a scottish man they called soap. he got his nickname from his assist record, always coming in to clean up what price or ghost or another teammate had fumbled to lead his team to victory. he was quick on his feet, but brutal. while ghost was the primary muscle, soap wasn’t afraid to get physical if someone was coming between him and a goal. soap was also mouthy, chirping in his thick accent across the ice to get in the other team’s head. half the things he said, you don’t understand. hell, the other team probably didn’t either. but the tone was what mattered. (he leaned over the plexiglass after a solid win, personally inviting you back to their next home game. you blushed crimson.)

right wing was kyle. by far the prettiest one on the team, you thought. he’d take his helmet off as he skated back to the bench, running a hand through his sweat-soaked curls. the sight of him was like a work of art, a canvas brutalized by the nature of an aggressive team sport. he wasn’t as quick to get physical as the others were, but the moment everyone dogpiled on the ice, he was right there in the fray, throwing punches that landed just as loud and hard as the rest of them. the way he moved on the ice almost reminds you of your routines, careful and choreographed. he knew exactly where he was going, and he always hit his marks. (you wondered if he always moved like that, wondered if he danced through life.)

ghost and soap approached you after a win, coming up into the stands after they’d stripped themselves of their gear. while soap looked a bit smaller after shedding the heavy padding, ghost didn’t. still a hulking wall of muscle. “oughta sit in the stands mo’ often, birdie,” soap chirped, a smug smile on his face as he leaned on his hockey stick. “y’r like a good luck charm fer us.” you blushed pretty, averting your eyes and missing the way the two men looked at each other. you’d do just nicely, they thought. ghost cleared his throat, your eyes snapping up to him like he’d commanded it. (he could’ve. you would’ve obeyed.) “when d’you skate again?” he asked, arms crossed over his expansive chest.

“y’ve seen us in our element. now we wanna see you in y’rs.”

[mirandasidefics]

Autumn Leaves

(Late Submission for @erisweekofficial Prompt: Bonds/Bargains 👑)

Pairing(s): Eris x Archeron Sister! Reader  

Summary: Eris never anticipated to find his Mate in a former human. 

Word Count: 3.1K

Warning(s): Mention of traumatic childbirth, mentions of Beron (he’s a trigger all on his own these days). 

Author’s Note: BASED ON THIS REQUEST. I felt that this scenario fit perfectly with the prompt of Bonds/Bargains for Eris Week. I hope that this fits well with what you had wanted anon! I know the request specifically asked for Reader to be the youngest, but I felt that it would be a bit more inclusive to leave the birth order more ambiguous for those that maybe don’t relate to being the youngest sibling. My brain wasn’t functioning enough to allow me to write an understandable dance scene, so…sorry that it's not as descriptive as I would have preferred. I also didn’t go back to review any of the events that occurred in ACOWAR or ACOSF, so if it’s not exactly canon compliant just ignore that. Also, Lucien was at the Hewn City solstice ball for this because I said so. 

Special thanks to @hardcoremarvelfan for beta reading and coming up with the title for this. Also, there will very likely be a part 2.

dividers by @/tsunami-of-tears ACOTAR Masterlist

The first time Eris saw the Made female he was immediately intrigued. She was quiet and stoic, much like the two sisters she accompanied for the High Lord’s meeting. Her eyes, the same shade as her sisters, appeared cold as she took in the room. It was clear she was observing more than she let on, gaze trained forward yet keenly aware of every single one of the High Lords and their various entourages. It was apparent to Eris that she saw more than her sisters, perhaps even more than his brother’s mate who was rumored to have been gifted the powers of a Seer by the Cauldron. He could feel the power that radiated off this fourth sister and couldn’t help but wonder what gifts she may have been granted. 

The second time he saw her was at the end of the battle with Hybern on the edge of the Spring and Summer Court border. Her eyes appeared distant as if she was separated from her body and the gore that surrounded her. But his answer regarding her gift had been answered as a circle of ice forged spears surrounded her. At least a dozen bodies were skewered while she stood stock still in the center of the circle. He had been compelled to approach her, but his brother got to her first, asking if she was okay and if she had seen his mate. After a single nod and a pointed finger towards a series of tents Lucien gently guided her away from the carnage she wrought. 

The third time he saw her was at the solstice ball in the Hewn City over a year later. Dressed in a drab black gown clearly intended to prevent her from sticking out. However, it wouldn’t have mattered if she was dressed down or in the most lavish of gowns. Eris’ eyes were instantly drawn to her as soon as she processed along with the High Lord and Lady of the Night Court. His youngest brother was by her side as an escort. As she approached the dias with her family, her eyes found his own, and Eris felt the world tilt on its axis. It took all of his mental will power to remain upright at the realization of what she was to him. Mate. 

Eris couldn’t remove his eyes from the female as Rhysand made his speech. Nor could he remove them when the music started and various Fae in attendance began to dance. He followed every one of her steps as she was escorted towards the dance floor, a beautiful smile spread wide across plush pink lips. He was vaguely aware of Rhysand's approach, his introduction to the High Lady’s sister. The only one that was dressed to be admired by the eyes of others. Nesta, he believed it was. But Eris wasn’t interested in the female that stood before him. He held up a hand, instantly silencing the High Lord, and simply pointed to the sister on the dance floor. 

“What is her name?” He asked, the light russet gaze never faltering. Eris could feel the tension in Nesta’s shoulders as she followed his gesture. Rhysand, always one to never give away his thoughts, supplied her name. Eris repeated it, the name tasting like honeyed wine in his mouth. Nesta attempted to redirect the conversation and offered Eris a dance, but the Autumn Heir ignored her. 

“Any bargains that you wish to make will be offered by her,” Eris’ voice was smooth as his eyes finally met purple. “Shall I introduce myself or will you make the introduction for me?” Rhysand turned his head towards the direction where Lucien spun her around as the two waltzed. His youngest brother’s head whipped in their direction, before he halted his dance and brought her over for a formal introduction. As expected, the female politely accepted Eris’ invitation for a dance. 

That first dance was all it took for Eris to know he didn’t want to be separated from her moving forward. Her demeanor was so different from what he had observed when he was only able to watch her from afar. He danced with only her for the remainder of the celebration and found himself completely enraptured by her. While he could tell that she wasn’t as strong a dancer as her sister, whom he caught out of the corner of his eye, it didn’t deter his conviction of only wanting to be by her side. Conversation flowed freely and easily as they danced. She was sharp witted, with a penchant for dry sarcasm. Her wry smile and her laugh ignited something deep within. 

Eris always had a drive to protect those he cared for, such as his Mother and Lucien, but the desire to keep her safe was stronger than anything he had experienced before. He couldn’t leave her in the Night Court, even if most of her time was spent in a city far safer than the one in which they danced. However, she couldn’t exactly join him in the Autumn lest he run the risk of her becoming one of Beron’s targets to keep Eris in line. For the first time in decades, Eris didn’t know what to do. 

“Is everything alright my Lord?” Her voice was filled with nothing but genuine gentle concern. His eyes refocused from their far away haze, taking in her sharp features. Features that were so indicative of the High Fae. Looking at her one would never guess that she used to be human. 

“Eris,” He corrected. “Please.” 

“Is everything alright, Eris?” Her cheeks flushed with the slightest tinge of pink. His own heart stirred at her reaction to the use of his name. Their dance had come to a halt, and he hadn’t even realized the musicians were taking a break. 

“Yes,” He cleared his throat. “Just a bit lost in thought.” She nodded her head, taking a slight step back from his hold on her waist. Eris had to refrain from the desire to pull her back towards his chest. 

“I’ve enjoyed our time together,” She took a look towards her sisters. All three were huddled against the edge of the dance floor. Nesta and Feyre’s sharp steel gazes attempted to pierce through the mask that Eris held in place. While the other, whose name he had sadly forgotten, had a glazed over look. Upon focusing, he noticed that the brown was nearly obscured by milky white. He heard the female in front of him gasp, her eyes trained on the Seer. Her head whipped back towards him, giving a slight nod.  

“I hope that we are able to count on your discretion about the Trove,” Her speech was rushed and she gathered the bottom of her skirts. “I’m certain that the High Lord will provide support to any claim you have to being the Heir.” With a quick second bow in parting she turned to rush over to her sisters. 

Before she got too far, Eris grasped her elbow and asked, “Would you come visit me? In Autumn?” She blinked at him. Almost as if she was surprised by his desire to see her again. 

“I must get to my sister,” She glanced back across the hall, at the High Lady trying to gain the attention of the Seer who was clearly lost in a vision. 

“I understand,” He released his grip and nodded solemnly. “I will write to you.” She blinked again. What he wouldn’t give to know what that beautiful mind was processing. She gave him a curt nod, before she quickly made her way across the hall. 

Eris couldn’t even last a week before sending his first letter. Again he asked if she would be interested in visiting his home court. She provided no answer or any acknowledgement of his question. Of course this didn’t deter Eris as they continued to exchange letters. With each one he would make his offer, enticing her with descriptions of celebrations and various traditions. He would tell her about his Hounds and his Mother. Yet she continued to not provide an answer to his offer. This same pattern went on for three months before Eris had enough of the tip-toeing around the subject. He was determined to get an answer, even if it was “No”. 

Eris arrived at what he assumed was Rhysand’s townhouse as the High Lord had instructed in his brief correspondence with the Autumn Heir.  He tapped the back of his knuckles on the large oak door. A few brief moments drifted by with no response. No movement could be heard from inside either. He peered his head towards the large bay window at the front, but the curtains were drawn shut. 

His heartbeat began to quicken with each passing moment as there continued to be no response. Eris was wholly unfamiliar with the city. He had no clue where to even begin looking for his mate. He was under the impression that he was at least expected by Rhysand. So why was no one here? 

Eris turned, prepared to winnow to the Hewn City in the hopes that Keir may have knowledge of where the High Lord could be, despite how unlikely that prospect was. Instead, he came face to face with an ethereal looking female. Skin and hair dark as shadows. A billowy white dress hugged her frame, yet appeared as if it was floating in a barrier of invisible water. It took him a minute to recognize her as one of Rhysand’s half wraith servants from Under the Mountain. 

“They are all at the High Lord and Lady’s home,” The female began to explain without preamble. “If you would follow me.” She turned, not bothering to ensure that the Autumn Lord followed. When the pair approached the near ostentatiously large home near the riverfront, screams could be heard from inside. If his heart hadn’t already been on the verge of an attack it surely was now. The half-wraith opened the front entrance, beckoning Eris to follow. 

No sooner as he stepped inside did his mate come surrying down the main staircase of the foyer. A pile of blood stained sheets spilling over her arms. Her eyes were rimmed in scarlet. Stepping onto the bottom landing she finally looked up, taking notice of the male. 

“Eris,” Her voice was no more than a whisper. Her lower lip wobbled, teeth sinking into it to prevent the tremble. Eris didn’t bother with formality, taking quick strides to meet her. As he reached her side, she dropped the pile of fabric and allowed her arms to encircle his waist. Her body shook with her sobs as her finger dug into his shoulders. 

“Feyre went into labor unexpectedly,” She cried into the elaborate brocade of his tunic. “The babe…his wings…” She couldn’t get her thoughts out in a coherent manner without the sobs overtaking her completely. “ They’re dying, Eris.” She wailed upon hearing her own words spoken aloud. He pulled her in tighter to his chest, his other hand gently rubbing in soothing circles along her shoulders. Eris had no words that could provide her with any sort of comfort, making him feel as if he was already failing her as her Mate. All the male could do was hold her and hope that she didn’t feel as alone in her grief if the High Lady of the Night Court somehow didn’t survive.  

Suddenly, Elain called out to her sister from the top of the staircase, “Come quick! Nesta she…” The warm brown eyes of the middle sister swam with unshed tears, a smile graced her features as well. Eris’ shoulders relaxed as the female's expression could only be an indication of good news. His mate quickly detached herself from his hold, racing back towards where the family convened. 

As soon as the two were out of sight, Eris looked around the foyer. He quickly found a small bench and sat down. He had never felt more awkward in his life. While he had developed a correspondence with this particular sister, he wasn’t exactly part of the family just yet. 

Eris sat in the hall, waiting for what felt like hours for his mate to return. Once she did, she escorted him into a large sitting room. 

“They’re going to live,” She smiled, sitting down in a chair across from him. She smoothed out her skirt, tucking in a corner that had somehow ended up with blood spatter staining the material. Eris merely hummed in acknowledgment. He didn’t know what to do with himself now that they had a moment alone like this. He had planned this elaborate greeting and proposal for her to come and visit, not giving her the room to ignore the request. However, that all went right out the proverbial window. His hands straightened the fabric of his shirt, then went to remove a non-existent strand of hair from his trousers, before finally resting on his lap. 

“You’re fidgeting,” She pointed out. Her smile grew as she suppressed a giggle. He was happy to see that her mood had lifted so quickly. It made the reason for his visit appear less strange, inappropriate even given the intensity of the events that occurred. She gently placed one of her hands over his. Her delicate fingers soothing and calming the rolling fire that he didn’t even notice had built up within himself. He allowed himself to grasp her hand in return, interlacing their digits. The sensation of fire against ice erupted throughout his being. Opposite yet still a perfect complement of powers. Eris couldn’t help but wonder what they would be able to achieve together. 

“Eris,” Her voice pulled him from his thoughts, his deep hues meeting her own cool gaze. “I’m happy to see you, but what are you doing here?” He swallowed, suddenly realizing that his actions were a bit sudden and perhaps not as well thought out as he intended. His arrival without notice to her would be unexpected. He only informed Rhysand that he needed to speak to Archeron female, but never explained why. 

“I,” He began, voice cracking. His pale features flushed and he was reminded of his younger days when his voice hovered between childhood and deeper timber of maturity. The female before him suppressed another giggle behind her unclasped hand. 

“I’m here because you consistently ignore a very specific question,” His gaze was steady, exuding what he hoped would be seen as confidence and not the uncertainty he felt. “I’ve come to ask one final time. If you say no, I will not burden you with asking ever again.” 

“Eris,” She pulled her hand away, eyes now unable to meet his own. 

“I acknowledge that Autumn is not always considered the most beautiful, what with the decay that can accompany the season in the mortal lands, so if you don’t like it-”

“Why would I not like the place where my mate lives?” Her perfect brows furrowed as she looked at him. Eris was at a loss for words. 

“When…” He couldn’t finish the sentence. However, it appeared that he didn’t need to as her response was a perfect correlation to what was on his mind.  

“Since the Winter Solstice,” She said. “When you first asked me to come visit.” It was Eris’ turn to blink in stunned silence. She had given no indication of being aware of who he was to her. Then again, he also hadn’t explicitly made their bond known. Perhaps he was wrong in thinking that his actions were obvious. 

“It’s not that I’m afraid that I won’t like it there,” She went on. “I’m actually afraid that I would not want to leave. But I simply can’t abandon my sisters.” She lowered her head, averting her gaze from the embarrassment. However, Eris understood the desire to be with her siblings. The same desire to ensure the well-being and safety of his younger brothers was one of his reasons for not abandoning the Autumn court. For enduring the cruelty of his Father for nearly 5 centuries. 

“I would never ask that you do,” He assured. “In fact, I wouldn’t want you to call the Autumn Court home just yet anyway. Not while my father still breathes.”

“I’m not afraid-”

“I am,” Eris admitted quietly. “I can’t risk anything happening to you.” He meant it, and was surprised at how easily the truth slipped from him. But it was just the two of them at this moment. He didn’t have to hide behind that mask when with her. He tucked a strand of (h/c) hair behind the perfectly pointed arch of her ear. He watched a shiver run through her as his flesh met hers. 

“There are some places where I can keep you safe,” He explained, all of his thoughts spewing forth as his mind raced to prove that he could keep her safe enough for short visits. “Places where my Father doesn’t have the loyalty of the subjects, but they are loyal to me. I have a cabin, just along the borders of Summer and Winter. Close enough for you to run across either should the need arise. I’d prefer Summer, there is a temple not far from the border where you could claim sanctuary until Rhysand or one of the brutes could get you.”

“Eris…” 

“Please,” He implored. “I do not wish to scare you away or force you to come. But I cannot stay separated from you much longer. My brother is the one with the endless amounts of patients when it truly matters.”  She laughed, the melodic and soft sound made him feel light. 

“How often can we meet?” She inquired. Her bright blue eyes lit with anticipation of when they could have their time. 

“I can secure a few days away every month,” He explained, almost more to himself than her as he considered the variety of excuses he would need to utilize. “Maybe up to a week at most. The time of month would need to vary as well. Any semblance of a pattern would tip my Father off. He’s just paranoid enough to assume that I’d be planning some type of conspiracy against him.” Of course, his Father’s fears were not without reason. Eris was indeed planning to usurp the High Lord. Someday. 

“Alright then,” She beamed. “I will come and visit. Every month so long as it is safe and as long as I am able to return to my sisters.” Eris felt the corners of his mouth lift up, and soon she mirrored the expression. His heart flipped, and he had to clear his throat to regain control of his senses. 

“Then I shall send word when everything is ready.” He stood, preparing to leave when she clasped his hand again. 

“Stay for a while Eris,” Her voice was soothing, making it feel like she wasn’t giving him a command. Even if she had, he would have gladly done anything she bid of him. He knew in that instant he would do anything for her. 

General Tag list: @loving-and-dreaming @samslulumelon

[daydreams-after-dark]

Good things come in small packages

Part 1 | Part 2

Pairing: Mini Han x fem reader

Synopsis: One year ago you purchased a ‘miniature companion’ named Hannie. He’s the size of a Ken doll but alive and horny. But something unexpected happens on your one year anniversary.

Word count: approx 2k

A/n: Hey!!! It's finally here! My Mini Han oneshot (posted in a couple of instalments because I get too excited to share). The idea for Mini Han was born through a conversation with my girl @noellllslut (we always have the most unhinged thoughts). Then I wrote a little "imagining" here (which I’ve incorporated into this fic anyway, so you don’t have to read), which then sparked quite a bit curiosity amongst you sweet/filthy readers. Questions came, and I felt compelled to explore more of this theme.

I hope you enjoy this little fic. It's sweet and smutty, and as I kept writing, I fell in love with our dear y/n and Mini Hannie. I want one for myself tbh.

CW below the cut

CW: supernatural themes, oral sex, sexual acts, sexual themes, voyeurism

You've had your miniature human, Hannie, for almost a year?! You realize, sitting at your work desk as you look at your desktop calendar. You smile and make a note to organize a celebration for just the two of you, and to buy a cheesecake for dessert. Hannie loves cheesecake. Your smile grows. He always manages to get it all over him, then wants to get it all over you so he can lick it off you.

One year this coming weekend. It feels like time has flown, yet at the same time it feels like he’s been part of your life forever. Your heart bursts as you think back to how it all came to be.

You had been lonely. You'd broken up with your long term boyfriend and was feeling sad one night. So you went online to doom scroll, and online shop. You expected you'd end up down a rabbit hole of cat memes and be $500 down in shoe purchases, but instead an ad appeared on your screen.

"Miniature human companions" it said, with images of very attractive men. Miniature men. Were they human? Couldn't be. Were they robots? Probably. They must be really expensive to make which is why they are so small, you'd decided.

You were intrigued, so you researched the company, finding that this new type of 'companion' utilizes cutting edge technology that simulates actual human behavior and bodily functions.

By 4am you'd chosen your companion. His name was Han. He was adorable and attractive, with fluffy black hair and pouty lips, and from the personality trait notes, he sounded like a lot of fun.

"Pay Now". You can still remember the feeling of excitement that ran through you as hit the button to complete your purchase.

When he arrived, he came in a box with air holes, which you found kind of weird considering he didn't actually breathe oxygen. You set the box on your kitchen table, took a deep breath and lifted the lid. You gasped as you peered inside.

A little man, about the size of a Ken doll, sat on a blanket eating miniature crisps out of a miniature chip bag.

"Oh hello!" he looked up at you. "Are you my Noona?" he waved excitedly.

Holy fucking shit. You almost fainted as you stumbled to sit down on a dining chair.

You knew he was meant to talk, but he just seemed so real as he chewed his food then licked the seasoning off his lips like he could actually taste it. His little chest moved with his breath, like he was really breathing. Could he do everything a human can do? You wondered.

"My name’s Hannie." He said standing up and brushing the crumbs off his trousers.

"Um...I-I'm Y/n..." you stuttered, trying to process what you were witnessing,

"You're really pretty, Y/n." He beamed up at you with a gummy grin.

You prepared him a little space of his own, with a makeshift bed, clothing that you had also ordered from the company you purchased him from, and bought a set of Barbie sized cups, plates and furniture. You even bought him a Barbie Dreamhouse to live in, but he preferred to just climb up your full sized furniture and use that.

You studied the information manual that came with him and learned that he could in fact, experience life just as a human did. He needed to eat, sleep, wash, poop. Oh and he could get erections and ejaculate. Wow!

Over the next weeks and months you'd gotten yourselves into a routine, and became really close. He was your best friend. You did everything together, mostly staying at home. You assumed he was some sort of AI, and that's why you got along so well, but the longer he was with you, the more his own interests came to the surface. Like singing and Anime.

He helped you bake, often getting himself covered in flour and other ingredients. You'd watch movies together. Most nights you'd lay on the couch and he'd lay face down on your chest while you watched your favorites. Sometimes you'd feel him get hard against the curve of your breast, and you'd think inappropriate thoughts about him. You'd grow wet between your legs and wish he was able to touch you.

He loved it when you’d brush his hair with a tiny little hairbrush and sit him on your benchtop in the bathroom when you’re getting ready for the day. You know he loved it when you forgot he was there one time and you took a shower in front of him. He got so hard watching you soap up your body.

Sometimes you'd take him out on a picnic somewhere secluded near the ocean so he could freely move about the picnic blanket without fear of being seen. Or he'd sneak into your work bag and scare the shit out of you when you were working.

In the early days, you'd occasionally go on dates with actual men. Mostly to take your mind of your growing feelings for Hannie. You'd bring them home and fuck them in your bed, knowing he was somewhere watching, listening. You'd imagine him getting hard from your noises, and it made you moan even louder just picturing it. You'd imagine it was Hannie inside you too, pounding hard into your cunt, and making you come on his cock.

He was distant with you in the days after. He’d sit around sulking and pouting.

"What's wrong, Hannie?" You asked him after he’d ignored you for three days.

"Noona... it's just…I get so jealous of them." He burst into tears. "I want to do things like that to you. I want to the be the one who makes you come." He sobbed.

Things changed after that. You no longer went out with other men, and you and your miniature companion began to explore a more physical, more sexual, relationship.

From letting you see each other naked, to mutual masturbation, to eventually touching each other and making each other come.

You soon learned that even though Hannie is small, he is extremely talented with his mouth, and he can make you come harder than anyone had ever before.

One morning he noticed that you were still asleep, and very naked. The way you were laying, legs splayed out looked so inviting to him. You’d kicked your blanket off at some point. He couldn’t help himself.

You woke up to a sensation between your legs, and when you looked down you saw him kneeling between your your legs, using his arms to push your pussy lips open and doing his very best to lap at your clit.

“Hannie?” You whimpered. He stopped for a moment to stand up and wave at you, the entire front of his body dripping with your arousal. “I’ve just found my favorite thing to do!” He said enthusiastically and then he was back to being buried against your pussy.

These days, at night time he’ll climb up onto your chest while you’re lying in bed watching videos on your phone. He still loves to nestle against the bulge of your breasts, especially if you’re in a loose satin camisole, and he’ll slide himself under the fabric.

“What do you want to watch, Hannie?” You’ll ask him.

“Porn!” He’ll answer excitedly. The phone is like a giant screen to him and it’s never long before you feel him shimmying his clothes off and rubbing his little swollen erection against your skin.

He’s such a desperate little thing that you let him do whatever he needs to get himself off. Often, he’ll rub his cock along your bottom lip while he humps your tits, or he’ll scramble to suck on your nipple. He does his best to stretch his mouth around it, while he grinds against you and cumming on your soft skin. Then he’ll pass out right there. Poor little tyke gets himself tired.

Some of the kinkier things he gets you to do include tying him up and edging him until his cock becomes so painfully red and engorged that he’s crying. His naked body is delicious to look at, and you love to run the pad of your index finger over his muscles. He’s perfectly toned, his skin honey brown, and his cock is mouth-wateringly big for his frame.

He’s rendered helpless as you stroke your finger gently up and down his body. Then, using the tip of your tongue, you lick his cock carefully whilst shoving your pinky finger into his mouth.

There are times when you’ll dress up in lingerie covered in buckles and straps and he’ll climb up your body like he’s doing some kind of adventure hike. He gets so sweaty and very hard as he explores the terrain of your body.

He really is the perfect companion.

You are broken from your thoughts by your alarm signaling it's time to go home from work, and you hurry home to see your Hannie.

_____________

"Fuck! Hannie! Please... need to come...need one more...please. Don't stop." You pant. It's later that evening, and you're on the verge of your third orgasm with Hannie between your thighs sucking expertly on your clit. He's got your lips spread open as far as he can manage, and he's grinding against your core seeking his own release. Inside your pussy you've got your vibrator egg on full intensity. "Yes!!! Yes...coming!!!" You cry as you arch off the bed as you come all over him.

He quickly climbs up your body, almost slipping off because he’s covered in so much of your cream, and kneels on your chest to pump his cock until he’s spurting cum onto your tongue.

“Tastes so good, Hannie.” You show him your empty tongue, but he’s already collapsed across your body.

You clean him up and put him in his striped pajamas, before you both nestle into bed. You’re used to him sleeping on the pillow next to you now, although it took you a while to stop worrying you’d roll on him in the night.

“Noona? Did you know that tomorrow it’ll be one year since I came here?” He says sleepily.

You roll onto your side and smile. “Yes, actually I do, honey. Have a think about what you’d like to do to celebrate, okay. Anything you want."

He nods. “Yeah, I’ll think about it. But just so you know, it’ll involve me being buried in your pussy.”

————-

Han laid back on the pillow. What would he like to do to celebrate? He’d love to celebrate by being inside you. Properly. Fully.

He wishes he could do the things he'd seen those men you’d do to you all those months ago. To pin your legs up and fuck you so hard the bed would shake. He takes his mind back to when he’d hide on your shelf and watch, fucking into his hand and holding back tears of despair.

What would it be like to bend you over and fuck you from behind? What would it even be like to fuck you at all? He wants to know so bad.

But he does have a special relationship with you, he supposes. Not every guy has to stretch his mouth around a nipple or clit like he has to. Can those men be covered head to toe in your juices? Or lay completely across the bulge of your boob. No. They can’t. Only he can.

He pouts to himself.

He knows he’s got it good, you are his everything. But as he lays on the pillow next you and closes his eyes, he wonders if he’s enough for you? Could you give up real men forever, with real sized cocks that can stretch you out and fill you deep? Would you be okay with never having a boyfriend you could take out in public, or take to family events, or be seen with?

Could you settle for him? A miniature version of a man?

He sighs. "Goodnight, Noona. Love you." He whispers as he leans over and gives your giant lips a kiss.

"Goodnight, my sweet Hannie. I love you too." you reply sleepily.

As he drifts off to sleep he wishes what he always wishes. That he could be human sized and be with you like a proper human.

-----------

The morning sun peeks through your window, landing on your face and causing you to stir. You groan and try to stretch, but a heaviness across your middle keeps you in place. You peer down to find a man's arm wrapped around you, snuggling you tight.

Fear courses through your body, and you scream as you fling the arm off and jump out bed. You grab your lamp, ready to hit the intruder.

"Noona?" The man lifts his head, his dark locks falling around his face.

Your eyes almost pop out of your head when you see the confused look on his face. "Hannie!?" You choke, hands poised to strike.

"Noona? What are you doing?" he peers down at the pillow his head had been resting on, and then down the bed toward his feet. "Why is your bed so small?"

"Hannie?" You whisper, lowering the lamp, letting it drop to the floor.

"Why is everything so small? Wait. Why am I naked? Noona, have you been playing with me in my sleep?" He looks up at you confused and worried. "Noona, why are you looking at me like that?"

His eyes land on his pajamas, torn to shreds next to him. He picks up the scrap of fabric that was his pajama top, and his eyes widen. "Why are my clothes so tiny?"

"Hannie," you take in the man before you, naked and taking up most of the bed. "You're big."

To be continued…

@channieandhisgoonsquad @noellllslut @itsseohannbin @weareapackofstrays @3rachasdomesticbanana @palindrome969 @xxkissesforchanniexx @chuuchuu1224 @fun-fanfics @rhonnie23 @jisunglyricist @strayywayy @armystay89 @igetcarriedawaywithyou @mylittleponeypinkrosieposie @kyunchoni @justforreaders @melochacco @scenuniverse @oddracha @ismokeeweed @galaxycatdrawz @jiminssluttyminx @teddy-stay @kayleefriedchicken @imperfectlyperfectprincess1

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[physalian]

Pacing your Story (Or, How to Avoid the "Suddenly...!")

Arguably *the* most important lesson all writers need to learn, even for those who don’t give a damn about themes and motifs and a moral soap box: How your story is paced, whether it’s a comic book, a children’s chapter book, a doorstopper, a mini series, a movie, or a full-length season of TV (old school style), pacing is everything.

Pacing determines how long the story *feels* regardless of how long it actually is. It can make a 2 hour movie feel like 90 mins or double the time you’re trapped in your seat.

There’s very little I can say about pacing that hasn’t been said before, but I’m here to condense all that’s out there into a less intimidating mouthful to chew.

So: What is pacing?

Pacing is how a story flows, how quickly or slowly the creator moves through and between scenes, how long they spend on setting, narration, conversation, arguments, internal monologues, fight scenes, journey scenes. It’s also how smoothly tone transitions throughout the story. A fantasy adventure jumping around sporadically between meandering boredom, high-octane combat, humor, grief, and romance is exhausting to read, no matter how much effort you put into your characters.

Anyone who says the following is wrong:

Good pacing is always fast/bad pacing is always slow

Pacing means you are 100% consistent throughout the entire story

It doesn’t matter as much so long as you have a compelling story/characters/lore/etc

Now let me explain why in conveniently numbered points:

1. Pacing is not about consistency, it’s about giving the right amount of time to the right pieces of your story

This is not intuitive and it takes a long time to learn. So let’s look at some examples:

Lord of the Rings: The movies trimmed a *lot* from the books that just weren’t adaptable to screen, namely all the tedious details and quite a bit of the worldbuilding that wasn’t critical to the journey of the Fellowship. That said, with some exceptions, the battles are as long as they need to be, along with every monologue, every battle speech. When Helm’s Deep is raging on, we cut away to Merry and Pippin with the Ents to let ourselves breathe, then dive right back in just before it gets boring.

The Hobbit Trilogy: The exact opposite from LotR, stretching one kids book into 3 massive films, stuffing it full of filler, meandering side quests, pointless exposition, drawing out battles and conflicts to silly extremes, then rushing through the actual desolation of Smaug for… some reason.

Die Hard (cause it’s the Holidays y’all!): The actiony-est of action movies with lots of fisticuffs and guns and explosions still leaves time for our hero to breathe, lick his wounds, and build a relationship with the cop on the ground. We constantly cut between the hero and the villains, all sharing the same radio frequency, constantly antsy about what they know and when they’ll find out the rest, and when they’ll discover the hero’s kryptonite.

2. Make every scene you write do at least two things at once

This is also tricky. Making every scene pull double duty should be left to after you’ve written the first draft, otherwise you’ll never write that first draft. Pulling double duty means that if you’re giving exposition, the scene should also reveal something about the character saying it. If you absolutely must write the boring trip from A to B, give some foreshadowing, some thoughtful insight from one of your characters, a little anecdote along the way.

Develop at least two of the following:

The plot

The backstory

The romance/friendships

The lore

The exposition

The setting

The goals of the cast

Doing this extremely well means your readers won’t have any idea you’re doing it until they go back and read it again. If you have two characters sitting and talking exposition at a table, and then those same two characters doing some important task with filler dialogue to break up the narrative… try combining those two scenes and see what happens.

**This is going to be incredibly difficult if you struggle with making your stories longer. I do not. I constantly need to compress my stories. **

3. Not every scene needs to be crucial to the plot, but every scene must say something

I distinguish plot from story like a square vs a rectangle. Plot is just a piece of the tale you want to tell, and some scenes exist just to be funny, or romantic, or mysterious, plot be damned.

What if you’re writing a character study with very little plot? How do you make sure your story isn’t too slow if 60% of the narrative is introspection?

Avoid repeating information the audience already has, unless a reminder is crucial to understanding the scene

This isn’t 1860 anymore. Every detail must serve a purpose. Keep character and setting descriptions down to absolute need-to-know and spread it out like icing on a cake – enough to coat, but not give you a mouthful of whipped sugar and zero cake.

Avoid describing generic daily routines, unless the existence of said routine is out of ordinary for the character, or will be rudely interrupted by chaos. No one cares about them brushing their teeth and doing their hair.

Make sure your characters move, but not too much. E.g. two characters sitting and talking – do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them gesture, wave, frown, laugh, cross their legs, their arms, shift around to get comfortable, pound the table, roll their eyes, point, shrug, touch their face, their hair, wring their hands, pick at their nails, yawn, stretch, pout, sneer, smirk, click their tongue, clear their throat, sniff/sniffle, tap their fingers/drum, bounce their feet, doodle, fiddle with buttons or jewelry, scratch an itch, touch their weapons/gadgets/phones, check the time, get up and sit back down, move from chair to table top – the list goes on. Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t – what does that say about the both of them? This is where “show don’t tell” really comes into play.

4. Your entire work should not be paced exactly the same

Just like a paragraph should not be filled with sentences of all the same length and syntax. Some beats deserve more or less time than others. Unfortunately, this is unique to every single story and there is no one size fits all.

General guidelines are as follows:

Action scenes should have short paragraphs and lots of movement. Cut all setting details and descriptors, internal monologues, and the like, unless they service the scene.

Journey/travel scenes must pull double or even triple duty. There’s a reason very few movies are marketed as “single take” and those that are don’t waste time on stuff that doesn’t matter. See 1917.

Romantic scenes are entirely up to you. Make it a thousand words, make it ten thousand, but you must advance either the romantic tension, actual movement of the characters, conversation, or intimacy of the relationship.

Don’t let your conversations run wild. If they start to veer off course, stop, boil it down to its essentials, and cut the rest.

When transitioning between slow to faster pacing and back again, it’s also not one size fits all. Maybe it being jarring is the point – it’s as sudden for the characters as it is for the reader. With that said, try to keep the “suddenly”s to a minimum.

5. Pacing and tone go hand in hand

This means that, generally speaking, the tone of your scene changes with the speed of the narrative. As stated above, a jarring tonal shift usually brings with it a jarring pacing shift.

A character might get in a car crash while speeding away from an abusive relationship. A character who thinks they’re safe from a pursuer might be rudely and terrifyingly proven wrong. An exhausting chase might finally relent when sanctuary is found. A quiet dinner might quickly turn romantic with a look, or confession. Someone casually cleaning up might discover evidence of a lie, a theft, an intruder and begin to panic.

--

Whatever the case may be, a narrative that is all action all the time suffers from lack of meaningful character moments. A narrative that meanders through the character drama often forgets there is a plot they’re supposed to be following.

[plethora-of-imagines]

Soft Yandere Ascended Astarion Headcannons

I’ve decided to make some Ascended Astarion headcannons as if he was a soft yandere once he ascended so they are a little ooc. Just dipping my toe into writing for BG3

You did such a wonderful job, leading the party all that time. But now that your adventure is over it's time for Astarion to take charge. “You were so strong for us, love. Now let me spoil you and do all the hard work. I don’t want my treasure to worry their pretty little head over anything!”

He doesn't want you to have to lift a finger for anything beyond simple pleasures. He lavishes you with affection, his beloved treasure. 

He helps to bath and dress you as often as he can. He takes very good care of what is his, as evident from his 200 year old clothing still in decent condition. So he does quite enjoy taking care of you.

While he had teased about having you naked on his lap for everyone to see, he's possessive. Only the maids that help to dress you when he cannot are allowed to see you bare. Anyone else loses an eye for daring to look at what is his.

He dresses you in silk. Covered in jewels. He even spends his precious time embroidering some of your clothes for you.

He embroiders your smallclothes to say "Astarion's treasure, keep out or lose a hand!" It's only slightly a joke, anyone who dares to touch you inappropriately does tend to lose a hand.

He is very strict about your health. When it's time for you to eat or sleep, you will be eating or sleeping. If he has to compel you to do so, he will. “Now, now my pet- no pouting. You need your rest, even if I have to swaddle you up in all those cozy furs over there.”

Getting so much as a paper cut triggers his need to protect you. He doesn’t let you so much as turn a page or open a letter for a week after such an injury.

He's so overprotective that he even creates several spawn whose only job is to keep you safe.  If they fail to keep you safe or even dare to express a disdain for you, his precious consort, his beloved spawn- he kills them to make an example of them. To remind the others that you are the only one that is indispensable to him.

You never have to find your own meals, Astarion hunts for you. Presenting you with blood whenever you could possibly have even the smallest of peckish feelings. He said that being his spawn would be different for you, and it is. Instead of serving him, he could be seen as serving you. Anything you want, you get. Within reason, if you want to leave him or become a true vampire those are not reasonable desires.

[shoemakerobstetrician]

Season 3 Opening Scene Nightingale 1941 Theory

So, season 2 opened with a flashback that had us totally reevaluating Aziraphale’s and Crowley’s relationship. I think the same will be true of season 3.

I think we will return to the night in 1941, to find out that they kissed, danced, or more that night.

1 - Why are they sitting at a table in the bookshop just drinking, no food on the table? When they’re drinking they don’t use a table. I think it’s to clue us in that there is more to the scene than what we are seeing - at some point before or after they had dinner.

2 - We know that Aziraphale did the apology dance in 1941 - again an indication that there is probably more to that evening than what we have seen so far.

3 - When Crowley says ‘no nightingales’ in S2E6 we now think he’s referring to the scene at the end of S1E6 in the Ritz, but it does seem a bit of a reach. It was a very nice moment, but I don’t think a relationship defining one that would cause both of them to think of it as their song.

4 - A Nightingale Sang was released in 1940, first charting at the end of December 1940. It would have been a hit in 1941 (according to Wikipedia it got up to #2).

5 - I think they had dinner, they danced, or perhaps even kissed to Nightingale as it was playing on the radio, and it became their song in a much more significant moment in 1941.

6 - When Aziraphale says to Crowley “Perhaps one day we could…dine at the Ritz” after “You go too fast for me Crowley” he would then be directly referring to their song from 1941.

7 - When it plays at the Ritz at the end of season 1, it’s because the pianist finds themselves mysteriously compelled to perform it, like the Oxford bus driver taking them to London.

8 - And finally, when Crowley says “no nightingales” at the end of S2 it is just devastating, it’s him saying there is no us.

And another thing: in the lyrics to Nightingale: That Certain night, the night we met/There was MAGIC abroad in the air. 😁

One more thing: I can certainly see Neil gleefully being like “Psych, it WASN’T their first kiss.”, and the scene would be just as heartbreaking if not more so if it was what Crowley thought was their last kiss.

ETA I just rewatched the bookshop table scene for like the 17th time. Holy 💩 is the dialogue strange and very loaded. The “trust me” bit, and the “shades of grey”. Throughout the whole scene Aziraphale is sideways eye fucking Crowley. There is simply no way we’re not going to see more of this scene in Season 3.

I very much like this whole idea, it probably won’t happen. Maybe someone will write a fanfic at least.

[lovelyyandereaddictionpoint]

Hello this is my first time doing an ask. Would you be able to write Trey, Ruggie, and Jamil. (Maybe Azul if you can) Reacting to there darling cooking dinner and having obviously less food than them.

I'm sorry if this makes no sense. Also I love your writing. 🐙💜 Octo heart <3.

A Giving Reader | Yandere Twisted Wonderland

Money is tight for an otherworlder and it’s a beautiful chance that you get a roof over your head at the very least. Maybe a small but oh so generous allowance is enough for one student at Night Raven. But you weren’t a student on your own–you were only one half of the puzzle. And you’re allowance doesn’t exactly understand that Grim’s lack of control doesn’t stop past the doorway of Ramshackle. It’s not all Grim but expenses pile up and sometimes you’ll make the ultimate decision to maintain the reserves you do have. And just because you’re struggling doesn’t mean the friends you cherish should suffer…it’s just that some sacrifices are meant to be:

Trey Clover

“Hey Trey I just wanted to thank you for all the sweets you give me, so here’s a lunch I made!”

“Wow thank you (Y/n)! That’s so nice of you. Guess that’s why you told me not bring lunch today…(Y/n)?”

“Yes?”

“Where’s your lunch?”

“Oh don’t worry about me! I’ll be fine!”

“I’m buying you lunch…and dinner.”

He’s annoyed 

Because you didn’t rely on him in the first place

He was sure that by giving all the sweets he did it would convince you he was perfect to share all your problems with

But it seems your selflessness knows no bounds

And luckily neither does his love

He’s happy the science club will finally be of use to him

He just needs something that will compel you to tell him all that’s going on

Sure he can talk to Grim but then that might get the monster to start talking with others

“But I don’t need–”

“Yes you do. I have to make sure your eating! How else are you going to live long enough to be my spouse.”

Ruggie Bucchi

“Thanks for helping me roll our jerseys, (Y/n).”

“No problem! Hey I also made you dinner I left it on the table for you!”

“T-t-thanks..”

“Yay! Dinner!”

“(Y/n)...aren’t you eating too?”

“I’m actually going to keep at it! So enjoy dinner.”

“...”

He knows exactly what your doing

He’s seen his grandmother do that same thing 

He hates that you do that

He hates how much you remind him of himself

And he knows you’re too much of a goody two shoes to do whatever it takes to survive

Good thing he isn’t 

Guess he better fill up your cabinets more often 

And have Leona pay for more of your meals

Until then he’s got no problem hazing and stealing from whoever to make sure you’re eating

“I’m not going to let you go hungry. Laugh with me!”

Jamil Viper

“You really didn’t have to cook for me, (Y/n).”

“Seriously Jamil don’t worry about it, it’s the least I could do. You’re always cooking for us when we go to Scarabia.”

“...(Y/n) is that really all you want to eat?”

he refuses to let such a thing go 

He almost finds it insulting that you serve him without feeding yourself properly

Especially since he knows just how much you can eat

He pays attention

He’s peeved because he has access to all sorts of resources as Al Asim’s servant 

And he knows Kalim would shower you if he even caught wind of it

He knows just how little you want to share

You’re so gullible and naive he almost feels bad that he has to take control from you

Not really

“Tell me what you’d really like (Y/n)? And I want you to believe that only I can give it to you.”

[valerie-is-in-the-cupboard]

Shall we dance? - Viktor x reader

Hi there! With the second season of Arcane on the horizon, I’m excited to start writing for some of its characters. I hope you enjoy this one! ❤️

Words: ~1500 TW: none

"Can you dance?"

Your voice echoed in the lab, making Viktor look up at you with a confused look. He would lie if he said he didn't expect you to say something. Not when you stared at him in the past thirty minutes, your eyebrows slightly furrowed just like they do when something was on your mind.

"Pardon?" he said, his eyes scanning your face. He did hear your question very clearly, but he hoped that maybe you would let it go, feeling too exhausted to deal with you right now.

He never understood why Jayce wanted an assistant. He never asked you to do anything anyway. You just stood there with them, sometimes doing some of his paperwork. But today was one of those days he found himself alone with you, as Jayce was at yet another meeting.

"Can you dance?" you repeated, this time slower, making sure every word got to him.

His expression was unamused, and he looked about as tired as ever: dark circles under his eyes, messy hair from him likely running his hand through it in frustration, and the way he was slumped in his chair like he was about ready to pass out at any moment.

“I don’t dance.” He said dully.

"I didn't ask that. I asked if you could do it," you said, gesturing at his leg.

“No, I can’t.” He said in a tone that clearly told you to drop the subject. You just stood there silent for a moment, your eyes still fixed on his leg. He sighed, relieved that maybe now he could continue his work in silence.

"Have you tried?"

Dammit.

“What part of ‘no I can’t’ are you not understanding?” he snapped, “Why are you fixating on my leg?

"Have. You. Tried?" you ask again, your tone more persistent.

“Of course, I’ve tried.” He said with an obvious annoyance in his voice. He didn’t enjoy talking about this subject. “How exactly do you expect me to dance if I can barely walk in the first place?” he huffed, waving a dismissive hand at his own leg.

You lean back, your eyes scanning him once again. He knew that face - the sign that those little wires in your head are connecting, another light bulb glowing brightly.

"Have you ever danced with anyone?" He placed the pen on the table, a bit harsher than he would've wanted. His eyes locked with yours, not sure what answer you would like to hear from him. "I mean... it's easier to dance with someone than alone."

“No, I haven’t danced with anyone. It’s rather difficult to find someone who wants to dance with someone who can barely stand up without a cane."

"I would."

He was stunned for a moment, his eyes widening at your answer. “You-... Why?” What possible reason would compel you to want to dance with him of all people? You didn’t even like him or at least you acted like this.

"Because I think you might enjoy it," you said, getting up and walking to the phonograph Jayce brought in the lab at some point. His eyes followed you around, a confused look on his face as you looked at some vinyls, trying to pick one.

He turned back to his work as if that would make you disappear... forever, preferably. Your steps approaching him made his heart skip a beat, his brain fogging as your warm hand briefly touched his, snatching the pen he was holding.

"Up," you commanded him, met with a groan of annoyance.

"I'm not getting up," he said as you tugged on his hand slightly. "I have work to do."

"You worked enough."

He hated how fast you answered him like you already knew every word he was going to say.

He sighed as he raised himself from the chair, leaning against the desk as he looked down at you. "Are you happy?"

"Very much so." you smiled, his face slightly heating up at the sight. You placed his other hand on your waist, as you grabbed his shoulder tightly. "Lean onto me," you said and pulled him closer, feeling a bit taken aback by the fact that he was heavier than he looked. "I got you."

He let out a scoff but begrudgingly followed your instructions. “This is stupid…” he mumbled as he leaned closer.

"Well, it is with this attitude of yours! Try to be more positive about it!" you encouraged. "Now, we'll start with the right one, alright?"

He gave you an annoyed look as you continued being overly chipper. He hated how much you were enjoying this. “Right… and how exactly do you expect me to move my right leg without my cane?” he grumbled, waving towards his cane sitting on the desk. You looked at him for a moment, the same look from earlier appearing on your face, as you realised you've mistaken his healthy leg.

"Just... Just lean on me, alright? Pretend I'm your cane."

He stood there for a moment, hesitant. It wasn't that he didn't trust you could hold him as you proved yourself to be more than capable of supporting his weight. He felt vulnerable. He didn't rely like depending on someone else, so now, having to trust you completely was a bit overwhelming. You looked up at him, a bit worried at his sudden stiffness. "Hey... If you want to stop..."

“No..” he said, a bit too quickly than he intended. It was obvious that he was trying to avoid your gaze. He took in a sharp breath through his nose, his hand on your waist tightening slightly. He could feel his heart thump in his chest as he looked down at his feet, refusing to meet your eyes. “Let’s keep going…” he finally mumbled after a moment.

You smiled at his words. "Just follow my lead."

With slow steps, he mirrored you, as the music echoed in the lab. Your hands were firm against him, making sure you were not letting him fall, your eyes scanning his body for every sign that he might want to stop. But he didn't.

He didn't want to stop. The more he moved, the more the tension in his shoulders began to ease up.

He hated to admit it, but you were right. It was easier to move with a partner. And having you hold onto him, making sure he could follow your steps… it was something akin to freedom. He didn’t have to worry about keeping himself from collapsing because you wouldn’t let him fall.

That feeling scared him as much as fascinated him.

"See?" you said. "I knew you could dance." you encouraged him, a wide smile on your face.

You looked up to notice a small smile on his lips, a hint of pride in his eyes as he heard your praise.

“Don’t get a big head about it.” he mumbled, “This is still stupid...”

You chuckled as you swayed around the desk. "But you like it," you said, your voice a bit lower.

Oh, how much he wanted to argue with you. "No, I don’t. It’s stupid. It’s pointless." But the way his heartbeat in his chest made it difficult to focus. And he hated how he didn’t want you to let go anytime soon.

"You are such a pain in the ass sometimes, you knew that?" you chuckled, as you moved your eyes back to the ground, making sure you don't step on his legs.

“I could say the same thing about you.” He let out a quiet wince of pain as his leg twitched. It seemed his body was reminding him that he was, in fact, not made to dance, as much as he hated to admit it. “Okay, yes, I’ve had enough.” he said through gritted teeth, “My leg is protesting…”

You slowly helped him sit back in his chair, your hand lingering for just a few moments on his shoulder again. "Hurts too much?" you asked, a hint of worry on your face.

"Ah, it's nothing really..." he said, already used to the pain he was supposed to endure more often than he liked to admit. A feeling of guilt passed through you, thinking that maybe you shouldn't have insisted.

"I'm sorry..." you said, as you leaned against the desk. "I just wanted to help you relax a bit, that's all..."

He looked up at you, his hand slightly squeezing your arm in reassurance. “You don’t have to apologize. You were right. That was…” He hesitated for a moment on his next words. “…That was nice…” he finally whispered.

A smile appeared on your face at his words. "Next time we'll paint. Maybe this activity will be less... dangerous."

“Paint? Really?” he raised an eyebrow questioningly. “That’s the next one on your list of things to do to get me to relax?”

You wanted to talk, but as you looked at the clock on your wrist, your eyes widening slightly as you realised you were late for a meeting. Quickly you made your way to the door. "Well... I have some other things in plan..." you smirked as you leaned against the door. "But we'll take it slow," you left him alone in the lab, a faint blush on his cheeks.

He sat there completely dumbfounded, staring at the door for who knows how long, intrigued by your words.

Suddenly, the idea of Jayce having an assistant didn't sound so bad anymore...