#i just could use some comfort

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[kindaasrikal]

Do you think Cole used to help Nya with feeling comfortable in her own skin again and feeling flesh and bones, as well as acting alive again, whilst also helping her keep her form and be more conscious and sure of it after merging with the sea, simply because he gets it?

Ghost Cole you will not be forgotten.

[canisalbus]

i live in venice (not exactly but close enough) and while we dont have many beaches here many people instead just go directly into the shallow parts of the laguna! its so shallow that its basically like a sort of beach in the middle of water? many ppl esp that live there take small boats and get to those parts (at least from what ive seen when i was passing by on a boat). im not sure about it being a thing historically but maybe machete and vasco could do that too instead of a normal beach?

.

[skrunksthatwunk]

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

[ruporas]

only human

[ID: Two page comic in color of Vash and Wolfwood from Trigun Maximum. The first page has a black background and the upper half, behind the panels, is splattered with stylized red blood, scattered bullets, and lifeless hands. In the first panel, it focuses on Vash's boots, showing him stepping through the panel and into the bloody scene. The second panel shows his bloody footprints and the third panel shows his face, his down-turned eyes looking downwards. It's a neutral, vague expression with confliction. At the bottom of the page, the back of Wolfwood's head and shoulder is seen, blood dirtying the white color of his shirt and side of his face. Vash's hand reaches out to him from the right side of the page.

The second page shows the entire scene in full, half the page in light and the other in solid black. At the center, Vash leans down onto his knees as he wraps his arms around Wolfwood's shoulders into a hug. Wolfwood's back is turned away from the viewer, his left arm holds onto his bloodied punisher and his right hand sits on his lap. Light casts from the left side of the page, showing the bloodied surrounding, but the held up punisher casts a shadow on the both of them, shielding them from the light. END ID]

[spotaus]

Eyy, King Reaper and his beloved Mage Geno designs <3

[skarkkk]

It was fucking rape. That's my fucking point of view.

What do you mean he liked it? What do you mean it was cheating? What do you mean I like her?

It was rape, there is no other interpretation other than rape.

Robby lived with two addicts and yet he was abandoned in a bar with free access to alcohol, and that's where it started.

He got drunk for the first time, he drank for the first time and he has no resistance to alcohol because he stays away as best he can for the simple fact that his parents were addicts who never cared about him. So he wanted to forget what was happening, to repress all of this and he turned to alcohol because where else would he go when everyone didn't give a damn about him, or his situation with Tory or his emotions? Where else was he supposed to go when his example of dealing with emotions is aggression and addiction? So he drank. He drank to a level where he couldn't formulate a response, a sentence, when Kwon came to talk to him and provoke him, and we know that if he was sober he would have done something. It was obvious on his own face listening to Kwon that he was spaced out, drunk, and then Zara approached him. And took him to her room, from where he came out the next morning. No memory of the night before, a headache, and still looking out of it, as we can see when she kissed him and he didn't even react to it. The level of alcohol this requires is the level of alcohol that prevents someone from giving consent.

— I barely remember last night

— Good thing I do

Can we see the exact connotation that something happened? That she actually took advantage of the boy who couldn't speak to give consent, who couldn't think to say no, who was too drunk for this to be acceptable? The fact that she shows no remorse whatsoever for this happening and yet kisses him again.

Besides the fact that the writers themselves are treating it like it's some kind of cheating with Tory, the characters themselves acting like he's not a vulnerable person being raped by someone who knows better?

I hate her and I hate the writers for making this like it's nothing. I don't want to be that girl, but being that girl, if the roles were reversed, would this be in the show? Would this be treated that way? Or would they actually treat it like the SA situation that it is?

From the beginning, you can see her interest in Robby - starting with that scene in the captains' photo shoot where she talks to Tory. She knows he's in a relationship. All those teasing scenes with Tory. Her taking advantage of Robby. Then the fight scene.

— You chose her over me?

Like, girl, what the fuck did you expect? He doesn't know you, he doesn't like you, you raped him and you're going after his girlfriend - the person he loves? How high is your ego to even consider that he would choose you? Axel's obsession with Sam I can understand more, although I still have my doubts. She was the first person to understand and see his situation with his sensei, she was friendly and he developed a protectiveness towards her. Although his attitude towards Miguel was wrong, he didn't rape Sam or act like a bitch towards her.

Iron Dragons and their obsession with the Miyagi-Do captains.

Zara Malik and the fact that she raped Robby Keene.

[somerandomcockroach]

[puppppppppy]

I just skimmed through the art part of your blog and holy bajeebus your LMK art is so beautiful and the headcanon ideas you come up with are so good I wanna steal em-

Kinda wanna see like a part 2 of the little angst you did between MK and Macaque a while ago. It's so interesting and I wanna see Macaque's reaction in your art style. (You don't have to of course, it's just a suggestion [idk if i spelled that right])

Thanks for reading and hope you have a good day/night!

Hope this is to your liking ^^

Part one here

[dykedvonte]

I also just realized that we really only get the 7 days before the crash to really see the people Curly and Anya were before the crash. It's not even the full seven days. We get the first two and the last two with a gap in the time for what could have gone down.

I just realized how vague it was and how quickly it all happened. They are such small moments and such short glimpses. She's only just told Curly two days before the crash. The next she told Jimmy and Curly had to confront him. It's further implied right after that conversation, Curly goes to collect himself and figure things out and Jimmy immediately crashes the ship, once he's far enough to not stop him, cause he knows Curly would never truly allow it to happen.

But he takes that as the okay to go ahead, because in the long time he's known Curly, that's always been the okay.

The difference in the gaps in the timeline really just paint a bigger less explained but more obvious picture.

[jiraisupportgroup]

[seleneprince]

Mulciber: So, are you a boy or a girl?

Sevrina: I'm a fucking mess

[uncanny-tranny]

I love you smile lines and worry lines and grey and white hair and wrinkles and purple spiderweb veins and the process of aging and living in a body that is standing the test of times. I love you experiences that make you wiser and stories that make you laugh, and every little process that happens to get to the point where you have so many memories because you have the fortune to be here and be so radiant

[0rchidm4ntis]

We'll be alright.

[shesmyscar]

do you ever just cry while thinking about how tender creature is with lisa or are you normal?

[seventh-district]

Sam: "Look at me. Hey- look at me a second. I know. I know you're tough. I know how strong you are. You have every right to be proud of that. But being able to handle somethin' doesn't mean you should have to. Least of all when I'm right here trying to help. Please let me help. If not for you then for me, because I don't like knowin' you're hurtin', especially when there's somethin' I can do about it."

Me, shaking my head, fighting back literal tears: "B-but it's gonna give you another headache!"