#i immediately thought this after the battle

[butterflydm]

WoT rewatch thoughts (1x5-1x08)

Still has spoilers through the s3 information that we have so far and book spoilers through a memory of light.

1x05

Both beginning and ending this episode on funeral rituals worked so well. Great structure.

Time skip for traveling! Mark a month off on the calender.

We can really see how Mat has deteriorated in the last month by the way he snaps at the kid who runs into him.

Love the shot of Dragonmount looming behind Tar Valon. They exist always with that reminder of what the Dragon did.

Mat has no appetite. Poor sad wet cat.

The betrayal of there being Two Beds in this inn room, lol. Why are we not respecting the classic fic tropes?

Rand reassuring Mat that he didn't kill that little girl or her family. Rand believing so hard in Mat's goodness maybe partly because he can see that Mat is having a difficult time seeing it in himself.

Even with Nynaeve's coat off, she's still half Green and half Yellow.

Moiraine trying so hard to mentor Nynaeve and she Does Not Want It.

Man, Perrin and Egwene had a much more cheerful journey than either of the other sets. But they get plenty of trauma right now, so they don't need to be jealous.

Once again, the show does such a good job showing us the strength in the Tuatha'an. And this thread will continue into Perrin's storyline in s3, with both Whitecloaks & Tuatha'an. They've done a solid job of tying Perrin to them both.

Loial shows up and immediately calls Rand an Aielman, lol. Poor Rand!

Oh, I see you, Fain!

Oof, people throwing food at Logain and mocking him. Baffled at the people who say the downsides of being a man who can channel weren't shown.

The promise scene between Mat & Rand is so good. Ultimate sad wet cat Mat. I really do love everything about this scene.

I really like our exploration of Stepin's utter and compete grief and emptiness after Kerene's death. How much the other Warders try to help him, how Nynaeve tries to help him but it isn't enough.

Love love what they did with the old rings being melted down (to create new).

Between what happens with the Whitecloaks here and then the Seanchan in s2, Egwene reacting by being as fiercely independent as possible makes all the sense in the world.

The Whitecloaks and Tower novices both wearing all white seems like it might create some emotional dissonance for Egwene, but I understand why the show didn't go there. That's just down to Jordan making too many groups of people wear white.

Oof, the Whitecloak stuff with Egwene & Perrin is hard to watch.

But our first hint of Perrin's golden eyes.

I note how Valda feels about all channelers similarly to how Liandrin feels about male channelers. And then we can get into the Seanchan's dehumanization of channelers as well.

Liandrin trying to bond more with Nynaeve. Has she been having ta'veren dreams? Ishy has had a month to try to figure out at least some of the places where his potential ta'veren have gone.

Our first reunion! It's always such a relief when any of them get to reunite. Man, Mat really does look on the verge of death.

Nynaeve can now join Rand & Mat in the Not Trusting Aes Sedai or Moiraine squad. Oops.

She tells Rand a story about Egwene to reassure him of Egwene's strength, never realizing that it's also the moment when Nynaeve likely channeled for the first time (to heal Egwene).

Perrin shares his deepest shame and secret with Egwene here - that he killed Laila by accident during the battle. So Perrin & Egwene's journey ends up being also very traumatic but the trauma was concentrated into the last day or so of the journey.

And just like was hinted at with the fire, Egwene & Perrin are finding their power at the same time. I wonder if this will happen again with their TAR training in s3? I really hope they run across each other in TAR. Let the characters stay connected!

Liandrin definitely got shot down by Moiraine at some time in the past.

Love the whole "shrine to ward off the Forsaken" thing. Great touch.

Siuan has been off in Caemlyn - was she talking to Elaida about Elayne, or was it about politics?

Moiraine: the White Tower's Woman of Mystery. Everyone wants to know what she's up to!

Alanna got such a glow-up in the show compared to the books. She's great here.

We get another nod to accepted poly relationships (amid the Green Ajah, at least).

Great conversation between Stepin & Lan. And a heartbreaking conclusion to Stepin's little mini-arc of grief and the Warder bond.

1x06

Little baby Siuan! ❤️ ❤️

Our first look at Tear as well.

Such a great way to introduce Siuan, considering they wouldn't have her for more than one episode this season.

And we learn in some places that it's dangerous for a woman to learn to channel - it's not only the Whitecloaks who assume that everyone who can channel is a Darkfriend.

Given that we know now (as of s2) that Moiraine & Siuan are older here than in the books, I wonder if that means her dad has already passed on.

Much like Egwene, Siuan is strongly associated with the water.

(This scene made me tear up too. I've cried three or four times today, I think)

Leane wearing light colors here vs the darker colors she wore in the s3 sneak peek to bash a Darkfriend's head in.

Another scene that gains so much depth on rewatch- knowing about Moiraine & Siuan's relationship & knowing about Liandrin being Black Ajah.

We just saw Stepin choose death in the previous emptiness of losing his bond, now Logain seeks and is refused death while suffering the emptiness of losing his connection to the One Power.

Everyone does still look good here, but the costumes definitely got a glow-up in s2 & again in s3.

The only main player in this scene not playing an elaborate game is Alanna. Siuan and Moiraine are pretending not to be in cahoots, Liandrin is pretending not to be Black Ajah - Liandrin trying to fracture the divides between the Ajahs, and also throwing Moiraine under the bus. A lot of Daes Dae'mar going on.

I also feel obligated to note that around this time frame is the jumping off point of my (now over 500k!) fic series: voice in the back of my head (archiveofourown.org/series/2688649). It is Cauthor-focused (Mat & Rand romance), though it does bring in the canon romances for Rand later on and we have some fun poly relationships going on, and it is currently spoiling through the twelfth book, but each fic in the series says how far that particular fic goes with regards to spoilers. The fic premise is: Liandrin found Rand & co instead of Moiraine finding them, and Rand is motivated enough to instinctively Travel himself, Mat, and Nynaeve to Tear because he wants to escape her.

This fic has been a lot of work and I am pretty proud of it so if you feel at all inclined to read an AU of the series that starts with the idea of "what if we gently slid Mat into Rand's romance situation?" and is a mix of show and book canon... give it a try. If you like it, please let me know your thoughts. <3

Anyway, Moiraine be spying on Rand & co., waiting for Nynaeve & Loial to leave to go talk to Rand & Mat.

Rand's protectiveness over Mat on this scene is really what threw my shipping switches on for them. He pulls a sword on Lan, despite knowing he had no chance against him!

"The world doesn't need a Dragon like me."

But Moiraine has figured out this is something else, not going mad from saidin, and Mat gets healed of the dagger's sickness.

So... was Rand using the One Power to help keep Mat from succumbing to the dagger's pull? Moiraine thinks that Mat shouldn't have been able to resist as long as he did.

We get some Tower politics, and we get the first hints of the Seanchan.

Moiraine is just encountering so much weirdness with these kids. Now there are wolves, she must be thinking to herself. Wolves!

The romance reveal scene! I like this change for several reasons- it's better romance than either gets in the books, it follows naturally from the NS relationship setup, and it adds drama for Moiraine, who did get a bump from mentor figure to being a protagonist.

It also gives the show a chance to show softer and warmer sides to both Moiraine & Siuan. Plus the nice play between duty & love bodes well for other romances.

I love how they reunite and only afterwards does Moiraine let Siuan know about the Dragon. Priorities!

And it makes so much sense that Moiraine has been doubting their prophecies after all this time on the road, while Siuan hasn't been out there with disappointment after disappointment.

This conversation also (unintentionally, given that it was a last-minute change) sets up Moiraine deciding she'd rather have the Reds potentially gentle the Dragon than risk Mat choosing to join the Shadow, because she thinks he's not strong enough to resist.

Ishy deliberately sent Siuan that dream. 😭

Liandrin knows too much. She definitely has been getting Ishy dreams.

Another reunion!

And the convo with Siuan is great. Nynaeve not bowing still cracks me up. Egwene going "wtf, nynaeve can channel? and she's stronger than I am?" with just her face is also hilarious.

Egwene & Nynaeve get a much kinder pep talk from Siuan than poor Rand gets in s2.

Moiraine's exiling is another great, emotional scene. And it also teaches us more about how the Oath Rod works, and sets some reasons in place for the Hall to be wary of Siuan. And sets up some precedents for the future.

And Moiraine trusting and giving more to Siuan than she was asked to give in the Oath - not just exile but obedience. That's gonna hurt a lot when we get to s2.

Even though she literally asked for it, it's obvious how hard it is on Moiraine to see her Sisters turn their backs on her.

But now we do (briefly) get our full Two Rivers reunion, and that is lovely. Hugs all around! Fond teasing! They love each other!

So we know that it wasn't actually the Dark One who was trapped at the Eye, so... it sounds like the knowledge of the location of the Dark One's prison is lost to time. It does make sense that Darkfriends would target that info specifically.

Moiraine not able to tell them that she trusts them, due to her Oaths, is a. so funny and b. makes it mean so much in s2 when she is willing and able to say that she trusts Rand (this is the real reason why it's difficult for me to get on board with The Ruse (TM) theory - because it feels like it would retroactively ruin that 2x07 moment between Moiraine & Rand).

Now that he's pretty sure Mat can't channel and isn't the Dragon, Rand knows deep down who it really is.

But then we lose Barney-Mat at the Waygate and I'm sad!

You can tell this very last scene was shot after the post-covid shutdown, because Maddy (Egwene) lost some roundness in her cheeks during those in-between months and it makes her eyes look a lot bigger.

I adore Donál's Mat but also miss Barney's. The feelings are both very present.

1x07

The Blood Snow! So epic. I love everything about this scene.

I will say, given that we have a stabbed pregnant Tigraine in the side here and it looks like we're getting a flashback to pregnant Morgase in s3, it does feel fairly likely that we will get pregnant Elayne as well, later on in the series. Tigraine gets stabbed the same way that Elayne is described as being stabbed in one of the super-late books (can't remember which, so I'll tag through AMoL) iirc.

Tigraine really did give every ounce of herself to her destiny, and I'm so glad the show version of her got a moment of kindness and compassion at the end.

Moiraine's cynicism about Mat vs Rand's rose-colored glasses about Mat: fight!

Nynaeve doing her job as Wisdom to keep all the kiddos together and make a promise to find Mat later.

"The one thing that we cannot afford is for the Dragon to turn to the Shadow."

Lan trying to cheer Nynaeve up is very sweet.

Egwene wants to sleep near Rand and he lets her this time (contrast to 1x02, when he pushed her away).

I like negging Machin Shin better than the version in the books, I admit it. It's more personal! Just relentlessly dunking on everyone's deepest fears.

Everyone looks so haunted. Poor kiddos.

I don't understand the people who don't understand the big fight. Everyone is so on edge from what they just went through! They are all overly emotional and vulnerable right now. The fight could have been MUCH uglier and still been valid tbh.

Uno! Congrats on your s2 upgrade to Hero of the Horn!

Another confession: I find this Lord Agelmar & Lady Amalisa much more interesting and memorable than the ones in the books. And I was kinda relieved that the show took the whole Five Great Captains thing off the table right away.

I also love their outfits.

Oh, hi, Fain! I suspect we'll get to see more of him in s3.

Min is so much better in the show than the books, omg. Just... on every level. She actually is jaded and world-weary.

"There is a man they must find. A boy, really."

Given that we saw Mat visibly recoil at hearing the Red Ajah mentioned in that s3 clip, I wonder if we're going to see him & Moiraine actually talk about it. I mean, it's in character for both of them to avoid that particular convo, so we will see!

Egwene's little quip at Rand's cooking is cute but I bet contributes to that feeling of Rand's that she doesn't see him as a man but as a boy.

I like how Min's visions were used here. And that she does what Moiraine blackmailed her into but holds back enough to protect what she knows would be the biggest secret (that Rand is the Dragon) because she doesn't feel like it's hers to reveal.

I really love how the shot with the three kids is framed to show the empty chair at the back to emphasis Mat's absence.

Anyway, I like the fight. Characters should be allowed to be messy and argue. Each of them has a perspective and is stubborn about that PoV.

Egwene is right that Moiraine can't lie, but the others are right that she can mislead or withhold.

And I love that the tipping point for the actual fight is Mat & his absence.

And then Nynaeve lobbing a bomb into the conversation as soon as it gets heated enough that she's getting uncomfortable. I mean, they aren't arguing about Mat anymore, at least?

Perrin's super-close "the only woman I've ever loved is my wife" and the hot five seconds that I shipped Perrin & Rand (but then Mat was mentioned in Rand's 1x08 fantasy world and I was right back to Cauthor lol).

I like that Lan had Malkieri friends alive in Fal Dara & I'm pretty stoked about the s3 Melindhra spoilers as well. Very cool to dive more into those relationships than we did in the books. Nynaeve getting an introduction to Lan's people & culture! After he got to know hers in 1x01! Very nice.

Jump-scare Lan does crack me up.

Anyway, good for Nynaeve and Lan for hooking up when they think there's a chance they might die in the morning.

Rand struggles with coming to terms with being the Dragon but Egwene thinks this is all about the big fight earlier. So they are having two different conversations right now.

Hey, in light of this convo- Rand is going to go to, well, Tar Valon anyway. Maybe not the White Tower itself. We'll see if he gets a doorway visit or not.

But this is Rand's big final burst of denial before he goes and talks to Min, confirming to himself that he's the Dragon, as he's tried not to believe that he is. So we've now had two instances of Randgwene sex used to delay or avoid an important conversation.

I am... very curious if the pattern continues in s3. Pretty sure they'll sleep together again, from what we've gotten in the trailers & such, but I am curious about the framing & context.

This montage of Rand accepting the truth about himself gives me chills.

Min's exhaustion here makes her so relatable.

I am so glad Tigraine had someone to hold her hand at the end. That she saw that her son would be taken care of.

"Rainbows and carnivals and three beautiful women." 😍

Elayne only three episodes away (2x02, right?), and Aviendha a little bit after that, but they are on their way! And this is our first hint about them.

1x08

3000 years ago, whoo!

Love their outfits.

Love the choice to have the AoL scenes in the Old Tongue.

LTT is perfect. Genuinely so good.

And the gut punch of seeing how technologically advanced the world used to be. It was a magitek utopia (or at least seemed that way to them).

I do wish that Rafe & co could have brought their original vision of this episode to life, because it is so devastating to go over all the things they lost (a principal actor! Their original Blight location! Their stunt team! Even more that I can't recall at the moment too I bet) but they did so much with what they had. I am so fucking impressed.

"I love him, Perrin." And then she thinks he died to save all of them. Yeah they do need to finish things off properly in the show.

Lan 100% thinks that going after Moiraine right now means his death, hence the sweet but flowery speech to Nynaeve here.

Ishy and Rand come face to face. I wonder who Ishy thought the Dragon was (he says he didn't expect it to be Rand). I love the reveal of Ishy's true face. And trying to touch Rand's face right away lol.

"Stubborn as ever, Lews."

The convo between Moiraine & Rand is interesting (all of them are) but partly because Moiraine doesn't actually say that she believed it was Egwene. I think she hoped it was Egwene but that's not quite the same. And Rand doesn't ever really think it was Egwene either, except maybe at the start, because we know he was worried it was Mat during that month of them journeying together.

Hey, the horrible bully from Moiraine's story! We're gonna meet her in s3. Because that story is about Elaida. She beat a novice with the One Power to force her to channel.

Min is very amusing in the show. I like her a lot. I really like that we get to go on an emotional journey along with Min about the downsides of having her viewings in s2, instead of it all happening before we show up in her life.

Again, really like the relationship between the siblings here - Lord Agelmar & Lady Amalisa. It's sweet.

"Let us hope we will buy the women and men of this world enough time to stand a fighting chance."

Rand recognizes the place where he locked Ishy up years ago. Love that we get to see that moment in s2.

Moiraine talking about the Tower's histories getting destroyed by Darkfriends. Very important note, I feel.

And Ishy springs his win-win trap. There was no actual way for Rand to win here, because he didn't know who he was fighting.

I've mentioned this before but I love that the show split up the battle into philosophical (Rand) vs physical (everyone else) because that's the Last Battle too. Rand's fight is a philosophical one and it always was. The Power is there to get him to where he needs to be to make that choice.

Our mention of Mat in Rand's temptation world, where Egwene is clearly being fondly exasperated but not truly annoyed. So, you know, like how Rand feels about Mat.

Ishy plays with his food, taunting and shielding Moiraine.

Perrin and Loial's friendship being a throughline for all three seasons, getting to know each other here, spending more time together in s2, and Loial going home with him in s3.

Rand struggling against a hollow perfect reality. Major, major foreshadowing for the endgame so I'm glad I already listed amol spoilers.

And Rand also needs to forcibly let go of Egwene and his dream of their life together in order to wake up from his encounter with Ishamael, something that Egwene doesn't get the opportunity to do, because the boyfriend she recently reunited with heroically died in order to save the world (to her understanding). So Rand and Egwene go into s2 (and presumably s3) with very different contexts about where their relationship left off.

You know, in retrospect, it's so appropriate that the Horn was being guarded by one of the Heroes.

Ishy is so smug here because he really does win no matter what. Tbh I feel like waking up Lanfear was his big mistake in s2. Because her agenda is different enough from his that they ended up conflicting, even though they share an LTT obsession.

That being said, even though this is a win-win for Ishy, what Rand learns here can/will help him win the Last Battle. So it works out in the long run.

Rand & Moiraine believe that the Last Battle is won, so she's willing to let him wander off to die in the wilderness if he wants... and then she kicks herself forever when she realizes how wrong she was. Like, it's Moiraine & Siuan's plan that fully releases Ishy. They thought they could do an endrun around the prophecies (which Moiraine has to be fully aware that Rand has not accomplished!).

As Moiraine might say "the arrogance".

Love the setup here at the end by Fain.

"Rand may be the Dragon but all five of you have a part to play."

And Moiraine. "This wasn't the Last Battle. I fear it was the first."

And our great intro to the Seanchan and how wildly different they are to anything we've already seen.

Tomorrow, I'll start rewatching s2 and see how far I get!

[funpoire]

Overblot talk

In the game, we already got a lot of info about overblot thanks to book 6. I want to add my headcanon for my au where I want to make overblot even more important than it is in the original story.

I always thought it was weird that after the overblot they just brush it off. Acting like it was not that bad and they didn’t almost die. Also if overblot is so rare why does no one question the fact that so many overblot happened? I mean they at some point did but they didn't act like it was a big deal.

During an overblot battle :

Overblot burn: I can’t tell you why but to me the “ink” during the overblot, burns and will burn the people around if they touch it. It would be a different type of burn mostly a pretty dark burn when healed. Something that recovers pretty slowly and needs to be taken seriously.

Overblot radiation: Here again overblot ink is not just burning hot at the touch it’s also toxic. Not in a pollution way more than the more you breathe it the more blot your body collects (it's a good concept till book 7 )

After the overblot:

Trauma: I think it will be a very traumatic experience for everyone the one overbloting but also Yuu. I think the reason why they decided to help Yuu after the overblot (the book after) is because they are trying to win back Yuu's trust.

Overblot scars: I see that in every overblot, they get some kind of tattoo. I was thinking that after the overblot, they keep those marcs. With the medicine they get after their overblot, those tattoos are supposed to disappear, but most of them stay like healed burns.

Weak magic/loss of magic for a week: After using so much power there is no way your body is able to produce magic immediately after. (see it like a magic points gauge in rpg if it makes sense)

Sleep issues: It follows the idea that the person will get traumatized and that they are in pain. They will probably have nightmares of what happened.

Body in extreme pain: Since it uses a lot of power it also affects the person physically like they just fell from a building

Other note

I feel like Ambrose LXIII knows a lot about overblot don't ask me why. I guess it's because he was the one to report weird overblot energy in NRC. I can imagine him working about overblot in his big tower.

This post is mostly a big side note for me but feel free to add your own idea

[scotianostra]

March 2nd 1316 saw the death of Princess Marjorie Bruce daughter of Robert the Bruce.

Some historians have questioned Marjorie's death, I will deal with that later. This post is also relevant to one I posted earlier.

Marjorie Bruce, Princess of Scotland, was the only child of the 1st marriage of Robert I, The Bruce. She was born probably in December 1296, the same eventful month that Edward I of England, invaded Scotland and laid siege to Berwick.

At the end of June 1306 the nine year old princess, together with her mother and other women of Bruce´s family, were sent for safety to Kildrummy Castle, Aberdeenshire, escorted by Nigel Bruce and the Earl of Atholl. It was intended that they would then take refuge in Orkney until times were easier, but the English army was already at Aberdeen and the royal ladies moved on to Tain, north of Inverness, where they still hoped for a boat. However they were captured by the Earl of Ross at the pilgrimage site of St. Duthac and he sent them to Edward, and from him to Lanercost Priory in Cumberland

Her mother Elizabeth was placed under house arrest at a manor house in Yorkshire as well as the Tower of London. she was also allowed servants (because Edward I needed the support of her father, the powerful Earl of Ulster, her punishment was lighter than the others);

Bruce´s sister Christian was imprisoned at the Ghilbertine nunnery in Lincolnshire; and Marjorie´s aunt Mary Bruce and the Countess of Buchan were imprisoned in wooden cages, exposed to public view, Mary´s cage at Roxburgh Castle and Countess Isabella´s at Berwick Castle.

For the next four years, Marjorie, Elizabeth, Christina, Mary and Isabella endured solitary confinement, with daily public humiliation for the latter two. A cage was built for Marjorie at the Tower of London, but Edward I reconsidered and instead sent her to the convent in East Yorkshire.

Marjorie was finally set free around 1314, possibly in exchange for English noblemen captured after Bannockburn.

She was not yet eighteen at the time of the battle of Bannockburn, one of the heroes of that battle was her second cousin once removed, Walter Stewart, 6th Lord High Steward, four years her senior, whom she married in the following year. They started living in Renfrew.. Princess Marjorie went out riding near Paisley while heavily pregnant on March 2nd 1316. Her horse, taking fright at something, reared up, Marjorie was thrown violently to the ground and immediately went into premature labour. it used to be thought that Robert was born after this following a caesarean, this however seems unlikely.

She was also supposed to have died after his birth but modern scholarship points to her having survived to see her son and possibly for as long as 18 months afterward. Whatever the truth she died, still, a very young woman. She is buried at Paisley Abbey - where you can still see her tomb, as in the second pic. Pic three is a cairn at the junction of Dundonald road and Renfrew Road in Paisley is said to mark the area where she fell, it reads…..“Near this spot the princess Marjory Bruce was fatally injured by falling from her horse 1316. Her son born posthumously became Robert the second First of the Stewart kings of Scotland”.

[hhughes]

౨ৎ ‧ 𝐒𝐀𝐃𝐈𝐄 𝐇𝐀𝐖𝐊𝐈𝐍𝐒

𐙚 ─── pairing: violet kingston x luke hughes

𐙚 ─── summary: in which violet asks luke to the sadie hawkins dance

𐙚 ─── word count: 1.6K

𐙚 ─── a/n: I adore high school luke and vi so much🥺 as always I hope you like it and please tell me what you think. I feel like a lot of out luke and vi pieces, especially the younger ones, really showcase luke's adoration for vi, and this really gives us more of an insight into how smitten violet is for him <3

“don’t start,” violet states when she arrives at their chosen table at the cafeteria, her and dylan the first two to arrive as usual.

“I didn’t even say anything,” he defends lifting his hands and violet sends him a knowing look as she takes the seat across from him

“not yet. but by that little glint in your eye I can tell you’re about to and you can save your breath. I’m not asking him, I'm not even sure I'm going," violet says and dylan lets out a frustrated sigh. he's been trying to convince her to ask luke to the sadie hawkins dance for at least two weeks straight but to no avail.

"I'm just saying, if you don't ask him soon, you might miss your shot. another one asked him today, that makes it what? three total..." dylan says and violet freezes mid-bite, lowering her apple and staring wide eyed at her friend

"who?" violet asks, her heart squeezing a bit at the thought of Luke going to the dance with someone else

"veronica williams," dylan asnwers and violet's face immediately turns sour. the nerve of that little -

"why are we talking about her-who-shall-not-be-named?" luke asks as he gets to the table, taking his regular seat next to violet, his arm automatically looping around her waist. he smirks as she slaps his hand when he reaches for a cracker in her lunch box, squeezing her hip in retaliation

"just telling vi who asked you to the dance today," dylan answers innocently and luke shrugs when he feels violet's eyes on him

"don't know why she bothered asking me, she knew I was gonna say no," luke says and dylan hums in agreement. it was a well known fact that violet and veronica didn't exactly get long, to put it lightly.

what started out as an innocent kindergarten friendship blossomed into a toxic competitive rivalry at the end of middle school and ever since then veronica has made it her mission to try and upend violet on every little thing. violet was almost sure half the extra curriculars she did was just because violet showed an interest in them.

violet didn't care when veronica ran for student government, or applied to be the head editor of the school paper, or challenged her for captain of the dance team. violet thrived off a little competition and she loved winning fair and square, as she often did in these little battles between her and the other girl.

violet couldn't quell the growing ball of jealousy, annoyance and insecurity at the thought of veronica going after luke. violet wasn't oblivious to the other girl's model-like appearance, and most of the time she was actually quite nice, when her attention wasn't directed towards violet.

dance captain, president of student government and editor of the school paper? those were all things violet would be more than happy to give her. but luke? her luke? was not something she was okay with sharing. violet knew luke wasn't even veronica's type. she was only doing it to get a reaction...

"easy tiger. are you missing the part where I said heck no? s'no need to get yourself worked up over it vi, you know that's what she wants. and then you have to deal with all that at cheer practice," luke reasons

"I'm quitting cheer," violet announces and luke pulls away to look at her, but she clenches the sleeve of his hoodie on the arm around her waist, keeping him close.

"what? why? if this is about veron-" luke protests but shuts up when violet stuffs a cracker in his mouth

"it's not. I've been wanting to quit a while. I only did it because I wanted to try something out of my comfort zone. and I did, but I don't love it, not like I love dance, and I would rather spend more time doing something I love. besides now I have the time in my schedule to coach your little cousin's winter concert-"

"violet, you don't have to quit cheer to choreograph my little cousin's first grade concert. I promise you no one is gonna remember it in a few years," luke says, pushing his lunch bag closer to her as violet steals a chicken nugget from his container

"she's gonna remember it. why are you so against me quitting cheer anyway? I thought you hated it?" violet asks

"I don't hate it, I just hate the way the football players think that you being a cheerleader means that they have the right to flirt with you 24/7. like what is this? high school musical?" luke grumbles and violet smiles

“gabriella wasn’t a cheerleader…” violet replies amused

“and troy wasn’t a football player…” luke responds

“so what exactly is the high school musical reference?” dylan asks

“you know… stick to the status quo or whatever,” luke mumbles, throwing dylan with a crumpled piece of paper

“you know what I’m gonna miss about cheer?” luke asks, his hand ending up on violet’s thigh and she places hers on top of his

“what?” she asks and he smirks slightly

“seeing you in the uniform,” luke teases and violet playfully pushes his chest

“I can keep the uniform,” violet teases back and luke’s eyebrows raise

“oh? you gonna come wear it at my games? be my personal little cheerleader?” luke asks, his head dropping closer to hers and violet is hyper aware of his nose being centimetres from hers

“you wish,” violet breathes and luke grins

“a man can dream,” luke teases, leaning back with a hand on his chest

“a man can dream to disappear and no longer be witness to this,” dylan mumbles and luke kicks him against the shin

“you uh- going to the dance?” luke asks, scratching the back of his neck, his nervous tick showing and violet smiles slightly

“I’m thinking about it,” she replies

“you should wear red if you are. it’s your colour,” luke says, knowing he already has a number of red ties in his closet

“everything is my colour,” violet teases and luke grins, kissing her on the cheek

“true,” he says, tugging on the strings of the hoodie she was wearing, not even noticing its the very one he was searching for that morning.

. . .

“can you calm down? what’s the worse that could happen? he says no?” violet’s little brother asks and her horrified gaze snaps towards him

“oh my god! what if he says no… what if he thinks this is totally lame and he’d rather gauge his own eyes out than go to this dance with me,” violet says and trent just stares at her for a few seconds before glancing at her poster and back up

“I think it’s sweet and if he doesn’t, then he doesn’t deserve to go to the dance with you,” trent says folding his arms over his chest and violet smiles at her little brother

“look he’s coming,” her brother says excitedly, and she spots luke on the ice instantly, feeling her heart speed up in her chest as he skates over to them, a puck in his hand

“here you go bud,” he calls, throwing the puck over the glass for trent before directing his attention to her

“that for me kingston? you gonna let me see it?” luke teases and violet blushes, shakily opening the poster and pressing it against the glass so he could read it.

hey 43, do me a hughes favour and assist me in scoring a date to sadie? 🩷

violet feels like her cheeks are on fire by the time luke finishes reading and sends her a big grin.

“I thought you’d never ask,” he teases, pressing his hand flat on the glass and violet mirrors his action

at the end of their winning game, luke couldn’t wait to get off the ice, shower as quick as possible and go see his girl. doing a little jog towards her and picking her up in a bear hug when he’s in touching distance

“lemme see it. lemme see it,” he says excitedly and violet giggles as he puts her down, reaching for the poster

“can I keep it?” luke asks, clenching the poster tight and violet nods

“thanks for coming, where’s trent?” luke asks, grabbing violet’s hand as they make their way out of the building

“probably passed out in the car by now,” violet jokes and luke squeezes her hand

“are you coming over for dinner tonight? you have to… I have to show mom your poster. she’s gonna love it,” luke pleads

“yeah I can come to dinner,” violet agrees, pulling out her phone to text her parents. never being able to say no when he pulls those big puppy eyes on her

“so what colour dress you wearing?” luke asks as he puts his gear in the trunk

“red,” she answers sheepishly and luke smiles, hooking a finger in her belt loops and pulling her into him

“what are you doing?” violet giggles as luke teasingly lifts the edge of her hoodie

“checking to see if you wore the cheer uniform,” he says and laughs as she swats him on the arm

“are you insane? its way too cold. and I think I embarrassed myself enough for one night,” violet replies and luke pecks her on the nose

“I think you looked cute. standing there with your little sign. I’m gonna woo you with my dance moves,” luke teases moving his legs an attempt of some sort of shuffle move and violet laughs

“are you laughing at me?” he asks, tickling her waist and pulling her into another hug

“those legs were made for skating lu, definitely not dancing. lucky for you, you have a super good teacher,” violet says and luke hums agreeing, pressing a kiss to her head

[winglesscup1d]

This is your time to pay, this is your judgement day. We made a sacrifice and now we get to take your life.

oh boy, what fun..ughhh i might draw mroe for this

[kacievvbbbb]

Imagine if there is a cross guild, red haired pirate and Strawhat three way Davy back fight. And Mihawk and Zoro actually do get matched up but instead of a sword duel like they’d be hyped up for it’s a gun fight. And the only person that actually nominated a gunnman, Beckman, is the red hair pirates.

The first half of the competition is just Yasopp teaching both of them how to actually shoot a gun while Beckman watches amused at the identical look of upset on the swordsmen.

(This was all Shanks plan so he could go all get Mihawk on his crew)

[fullscoreshenanigans]

Owange... 🧡🍑🧡🍊🧡🥭

Had to complete my heart eyes set with the ones I had for Valentine's and Norman's birthday week.

When you're Ray and this is your canonical internal monologue about your two best friends:

(Chapter 93)

[shadowgamed]

"Mokuba..."

How is Seto supposed to begin this conversation? This is his little brother. Speaking to him should be easier than anything else in the world - and yet Seto can feel his throat closing even as he tries to open his mouth to speak.

Maybe it's because of everything that's happened during Battle City... But it isn't until Mokuba's outburst at the end of that tournament that Seto truly realized everything his brother had been holding inside. Begging him to forget about his grudge... making him promise to go back to his old self, before they met the man who would ruin their lives... thinking about it fills Seto with an ugly emotion, one he doesn't want to face.

Is he angry? Or is it guilt that's weighing on him so deeply? How long had Mokuba been holding in those feelings? He had cried as he shouted, and the pain he felt was obvious, so much so that it had been like a slap to the face. ...And in spite of everything, in spite of who he's been up until today... Seto can't let Mokuba suffer like that any more.

It's not just a sense of duty as his older brother. Things like duty mean nothing to him. It's because Mokuba is Mokuba - that's all.

When he eventually speaks, it's bluntly, and without any hint as to the conflict he's feeling inside.

"...I think we should talk."

@universestreasures ( starter for mokuba! )

[arctic-hands]

Picture it: sophomore American history. The year is two thousand and eight. The teacher is known for passing out jolly ranchers, one per student per day, when a kid does a good job. One day, she wants us to list every state in the country. Kids start listing them off in unison, mostly alphabetically, but falter around the I states (this is in Indiana, mind). Except one triumphant voice lingers as every other voice trails off in doubt and consternation. This voice flawlessly recites every state in these United States* as the class and teacher stare in awe, and at the very end the resounding voice makes mention of Puerto Rico and Guam as territories. The teacher wordlessly hands over two jolly ranchers.

A new day. List the presidents. Nobody knows beyond Washington, Lincoln, FDR, JFK, Clinton, George W. Bush–the incumbent finishing up his final term in a few months. Except. One voice–just as triumphant–recites every president, in order, even making mention of Grover Cleveland's non-consecutive second term. Everyone–teacher and student alike–stares again, this time almost in horror. The voice, embarrassed and blushing at the stares this time, finishes the forty-three chronologically, and this time as the teacher hands over another two jolly ranchers she overcomes her shock to ask "How did you know that??"

At which the body that contains the voice shrugs sheepishly, pops a blue raspberry in their mouth, and makes a vague "I 'unno" sound–unwilling to admit that the Fifty Nifty song they sang with their class in a third grade recital had permanently seared itself into their brain, as did the Nickelodeon presidents song that aired during the Oh Four election between Bush and Kerry

*I realized after while at dinner that evening when I told my parents about it that I had completely skipped Pennsylvania and Rhode Island, but the listing was so smooth and confident that no one noticed. I never made that mistake again regardless

[moonsidesong]

i think one of my fav common traits about a lot of object shows is the portrayal of objectkind as just. like. inherently really playful little critters that want to compete for the sake of it just because it sounds really fun to them. i think the uptick in shows that have complete nonsense prizes or even no confirmed prize at all but still really enthusiastic contestants demonstrates that well too...

[leeshistired]

i’ve been watching doctor who for the first time and just finished series 4 right. and last night i was listening to the rasputin vs stalin epic rap battle (i’m 22 years old btw). so anyway i had a brain blast

((spoilers for The End of Time Part 2 under the cut & in the tags))

[leyiorr]

i can't stop looking at her t-t-t-t, FACE!

mdni.

satoru gojo is doomed.

why is he doomed, you ask? well, put bluntly, you, his girlfriend of five months, are driving him absolutely crazy.

crazy is an understatement, actually. insane, mad, mental, unhinged, deranged, bonkers - whatever you want to call it. he's holding on by a thread; the thinly woven string known as sanity growing ever weaker as the days roll by and turn into weeks.

of course, he's only blaming you. you hadn't actually done anything wrong.

you're the first relationship satoru's had in his life, and he'd be damned if some inappropriate thoughts ruin his chances with the love of his life. he'd never been happier - dating you gave him the kind of happiness he thought only existed in movies; the kind of giddiness of a child in a candy store.

he was devoted to you in every way, shape and form - you are everything he's dreamed of and more.

more.

that's right, you were more.

recently, you were the devil's temptation personified.

surprisingly, even after twenty-odd years of being one of the most attractive guys around, and having women throw themselves at him like he's some kind of greek deity, satoru is a virgin. i'll repeat that, he is a virgin. a fact that only suguru knows. a fact that he's neglected to tell his girlfriend.

he may have a flirtatious personality and the ability to charm ninety percent of the human race with one of his thousand-kilowatt smiles, but in truth, he had never dated anyone. ever. let alone got his dick in a pussy.

so when he starts wanting to go further, he's not sure how to bring it up without sounding like a horndog.

it all started when you wore a sleek black dress to one of your dates. it clung to your figure, fabric wrapping shamelessly around your every curve and tickling your midthigh at its end. and if that wasn't bad enough, it had a plunging neckline, giving the world - satoru specifically - an eyeful of the assets god gifted you with. your boobs were practically spilling out of your dress, the light catching your cleavage as you held his arm. he could feel himself salivating like some sort of perv. how was he supposed to focus with aphrodite's personal creation hanging off his arm?

his eyes began to drift to the flesh of your chest more than he'd like to admit. all sorts of r-rated scenarios ran through his head and he dared to entertain every. single. one. he could do so much with them, tease them, spit on them, pinch them, suck on them, put his dick between them-

“satoru?”

his gaze snaps back to your face at record speed. you notice how he's chewing his bottom lip, flush creeping onto his cheekbones and the tips of his ears. his hands are clammy; there's suddenly too little oxygen in his room.

“did you listen to anything i said?” your arms fold beneath your bosom and satoru almost implodes.

what do you expect him to do? the necklace around your neck has his initial on it, and it hovers over your tits almost mockingly. if it snapped, the letter would fall right between the valley of your breasts-

“satoru!”

he's choking on his saliva, apologizing profusely as he encourages you to continue your story - though he hasn't heard shit over the blood pumping loudly in his ears.

it's a battle no, a war between his rationality and his desires and he doesn't know which is winning. his rationality wins when he's around you - he just sucks in a breath and thugs it out, no matter how much his dick shouts at him. but in private, he's letting the desires win as his fists himself to the thought of you, your lips, your ass; your boobs.

the first time he sees you in a bikini he has to take a breather before he can get into a game of beach volleyball with you and the group.

(and even then he was struggling. every time you jumped for the ball the only thing he was looking at was your tits.)

he should be neutered. effective immediately.

it drags out for so long that you finally notice, and force him to talk to you about why he's avoiding you, and if you'd done anything wrong. but all you get is:

“baby, i'm so sorry- you're so pretty and i can't help myself. i didn't know how to bring up that i wanted to take our relationship to the next step, you mean the world to me and i'd hate to make you uncomfortable-” he trips and stumbles over his words-

“...is that it?”

and his eyes bug out of his head as he stares at you. weeks, months of agony over this and all you have to say is 'is that it'?

he doesn't even have chance to respond; to process your words before you're popping the top button of your blouse.

yeah, satoru gojo is doomed.

[missdynamighttt]

kickin my feet and shi thinkin abt husband! katsuki not leaving without his goodbye kiss from his wife, even after an argument.

you stood by the kitchen counter with your arms crossed, still fuming from the argument that had erupted the night before.

katsuki, equally stubborn, was getting ready for work, his movements a little harsher than usual as he shoved his phone into his pocket and grabbed his keys.

neither of you had really spoken since the fight. it was stupid, really—something about schedules and plans.

"gotta go."

you heard the jingle of his keys as he walked toward the door. for a moment, you thought he was just going to leave. good. let him leave. maybe a day apart would cool both of you down.

but then, he just stopped.

you didn’t turn around, but you felt his presence by the door, unmoving. you were about to glance over your shoulder when his voice broke the silence.

“where’s my kiss?”

your heart stuttered. slowly, you turned to face him. "excuse me?"

"you heard me," katsuki grumbled, his ears tinged pink. "you always give me a kiss before i leave. so... where is it?"

your lips parted in disbelief. “we just argued for the whole night and you want a kiss?"

"yeah, and? doesn’t mean you can skip it."

the audacity. the nerve. you opened your mouth to tell him off, but the stubborn, almost childlike look on his face made your resolve crack.

he was dead serious. this man could be furious with you—could spend hours brooding in stony silence—but he still needed his goodbye kiss like it was a non-negotiable part of his day.

"katsuki, i’m still pissed at you."

"and i’m still pissed at you," he shot back, brows furrowing. "but we don’t leave without a goodbye kiss. that’s our thing and i’m not leavin’ without it."

he looked genuinely annoyed—and not just because of the argument.

ever since you’d started dating, no matter how bad the fight, you never let each other leave without a kiss. this was the kind of annoyance he reserved for things that threw him off his routine.

and apparently, your daily goodbye kiss was part of that routine.

still, you stayed put, stubborn as fuck. he shifted, gripping the keys tightly in his hand like it was the only thing stopping him from marching across the room.

you saw the conflict flash in his eyes—pride battling something softer.

"just...” he finally muttered, voice low and rough. “c’mere. please.”

that single, reluctant please just broke you.

with an exasperated sigh, you stomped over to him. he watched you carefully, guarded but hopeful. you stopped just inches away, folding your arms.

“this doesn’t mean i’m not still mad,” you mumbled.

“i know,” he said softly.

you placed your hands on his chest and stood on your tiptoes, giving him a quick, chaste kiss on the lips. or at least, you tried to. as you pulled away, his hand shot out, cupping the back of your neck.

“oi,” he said, voice losing its earlier irritation. “that ain’t a real kiss.”

you glared up at him, ready to argue, but the intensity in his eyes made your heart stutter. his thumb brushed the side of your neck as his grip softened.

"even if we fight," he muttered, voice lower now, "i still love ya. and i still want my kiss."

your chest tightened. damn him for being sweet after pissing you off.

you leaned in again, pressing your lips to his more firmly this time. he responded immediately, mouth warm against yours, his hand cupped the back of your head, deepening the kiss.

it wasn’t soft or tentative—it was desperate, almost punishing. his teeth scraped your bottom lip, and his tongue pushed into your mouth like he was trying to kiss the fight right out of you.

when you pulled away, his expression had softened, the hard lines of frustration melting into something quieter.

"i love you." he kissed your forehead, then straightened. “well?”

you raised an eyebrow. “well, what?”

his gaze darkened. “say it.”

you roll your eyes dramatically. "say what?"

his jaw clenched. "say you love me too. you don’t get to leave me hangin’ after all that kissin’ shit.”

a smirk tugged at your lips. oh, he was really fishing for it now. “i love you too, okay?”

the words barely left your mouth before his hand shot out, grabbing you by the waist and pulling you toward him.

"good," he muttered, before slamming his lips against yours in another kiss that left you breathless. it wasn’t sweet or gentle—it was hungry, desperate, like he was trying to make up for lost time.

“wait, katsuki, you’re gonna be late—” you gasped against his mouth as his hands roamed down your body.

“fuck work. i’m late anyway," you tried to speak again, but he kissed you so hard it left no room for words.

the argument? forgotten. work? completely irrelevant. all that mattered was the way he was making you feel in that moment, pulling you closer, making your head spin.

his hands tugged at your clothes with an urgency that told you he wasn’t planning on letting you go anytime soon.

“got better things to do while my girl is pissed at me.”

‎‧₊˚✧[ it's me, kia ! ]✧˚₊‧ ｡ﾟ•┈꒰ა ♡ ໒꒱┈• ｡ﾟ ‎‧₊˚✧[ more of katsuki ! ]✧˚₊‧

⋆˚࿔ kia's note ˚⋆ hi everyone!! js wanna put this out as a thank you for the 2k follows, oh my gosh i am beyond happy i made it this far. hope yall stick around for more^^

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[bettys-redwinesupernova]

I’M NOT HIM

rafe cameron x fem!reader

( mood board does NOT depict readers appearance !! )

SUMMARY: in which rafe snaps at reader during a heated argument and she flinches, her past trauma resurfacing. rafe breaking the main promise he made to her: to not be anything like her father.

based on an ask i got that i lost </3 i hope the anon who requested it finds this, and this its what you asked for! i’m a little rusty with one-shots so just a short one to ease me into things again! :)

WARNINGS: angst to fluff, arguing, cursing, mentions of past childhood abuse (reader), mentions of a gun/brief mention of violence, trauma responses, crying. (lmk if i missed anything!!)

WORD COUNT: 900 words

THIRD PERSON +

Rafe Cameron wasn’t the kind of man anyone would describe as soft. Not with the sharp edge in his voice, the perpetual storm behind his ocean eyes, and the way his knuckles bore scars from fights he barely remembered. He had spent his life battling demons, most of them inherited from Ward Cameron, and those fights had shaped him into someone who took no prisoners.

But with Y/N, none of that mattered.

Y/N was everything Rafe wasn’t—gentle, warm, full of an optimism he couldn’t begin to understand but adored nonetheless. She radiated light, the kind that made him want to shield her from the darkness in himself. For two years, she’d been his anchor, the one person who saw past the volatile exterior to the man buried beneath. And for two years, Rafe had promised himself that he would never hurt her.

But promises don’t always hold in the heat of the moment.

The argument had started over something Y/N had brought up before: the gun in Rafe’s apartment. She hated it, hated what it represented, and hated the memories it dragged up for her.

“Rafe, I told you,” she said, her voice quiet but firm. “I don’t feel safe with it here. Please.”

Rafe, already wound tight from dealing with his father’s latest scheme and the growing weight of “the business,” felt his patience snap like a rubber band stretched too far.

“It’s not a big deal, Y/N,” he muttered, pacing the living room. “It’s not like I’m walking around with it in my hand. It’s locked up, alright? Just drop it.”

Y/N didn’t drop it. She rarely did when something mattered to her. “It is a big deal, Rafe. I asked you to get rid of it. I thought you understood how—”

“I said fucking drop it!” Rafe’s voice thundered through the room, loud enough to make the walls seem smaller.

The words echoed in the sudden silence, bouncing off the tension between them. Rafe froze, immediately regretting the way he’d shouted, but it was too late.

Y/N stood there, trembling, her wide eyes glassy with unshed tears. Her lip wobbled as she tried to hold herself together, but Rafe saw the cracks forming.

“Baby…” he said softly, taking a step toward her, reaching out his hand.

She flinched. Actually flinched.

It was like a knife to his chest, sharp and unrelenting. He knew her past—knew about her father’s temper and the way it had scarred her. He knew that shouting brought her back to those dark, suffocating memories.

“I’m so sorry,” he whispered, his voice thick with panic. He reached out again, but she backed away, tears spilling down her cheeks.

“I—I can’t,” she choked out before rushing to the bedroom and shutting the door behind her.

Rafe rushed after her before collapsing onto the floor, pressing his back against the wall beside the bedroom door. He could hear her quiet sobs on the other side, each one driving the guilt deeper into his chest.

He buried his face in his hands. “I’m so sorry, baby” he murmured, voice breaking. “I didn’t mean it. I didn’t mean to scare you. Please, just… let me make it right.”

Her sobs continued, muffled but heartbreaking. Rafe rested his head against the door, tears streaming down his face. He could picture her inside, curled up in the corner, just like she used to do as a little girl to shield herself from her father’s rage. A place he promised her she wouldn't ever have to go back to.

“I’m not him,” he whispered, as much to himself as to her. “I’ll never be him. I swear. I’ll never hurt you.”

Minutes turned into half an hour, but Rafe didn’t move. He felt he didn’t deserve to move.

When the door finally opened, Rafe almost didn’t notice at first. He’d been staring at the floor, lost in the heaviness of his own shame. But then Y/N was there, stepping out quietly and kneeling beside him.

Without a word, she crawled into his lap, wrapping her arms around his neck and burying her face in his shoulder. Her touch was tentative, as if she wasn’t entirely sure she could trust it yet, but Rafe held her like she was the only thing keeping him alive.

“I’m sorry,” he whispered over and over, his voice cracking as he clung to her. “I didn’t mean it. I swear, Y/N/N. I’m so sorry.”

Y/N didn’t respond right away. She just held him, letting his warmth chase away the cold that had settled in her chest. Eventually, she pulled back just enough to look at him, her tear-streaked face breaking his heart all over again.

“Please don’t yell at me like that again,” she said softly, her voice trembling.

Rafe cupped her face gently, his thumb brushing away her tears. “I won’t,” he promised, his tone fierce with conviction. “Never again. I’ll get rid of the gun. I’ll do whatever it takes to make this right. Just… don’t be afraid of me.”

“I’m not afraid of you,” Y/N said, her voice barely audible. “I’m afraid of the person you might become.”

Rafe nodded, the weight of her words sinking deep. He pressed a kiss to her forehead, holding her tightly again. “I’ll be better,” he whispered. “For you, I’ll be better.”

In that moment, Rafe vowed to prove it. Not with words, but with actions—starting with the gun.

(dividers by @kodaswrld <3)

betty’s notes ˖ . ݁𝜗𝜚. ݁₊

ahhhh my first one-shot in FOREVER :’) it’s a short one and really sad and angsty but it felt like the quickest ask to whip out, and angst is easier for me to write atm :)

i’m so excited to start with the other requests, and please don’t stop requesting! i plan on writing most stuff 1,500 words +, this was just a short little ask so please request with as MUCH detail as possible <3

master list will be updated soon! but for now, to keep track of my works check my personalised tags that are below such as: #bettys asks!! ౨ৎ ⋆｡˚ and #bettys work!! ౨ৎ ⋆｡˚ or my personalised tags for characters !!

[sonarspace]

✮ content. fem!reader. suggestive.

thinking about choso in glasses—how he wouldn’t want to admit he needed them at first, brushing it off like it was nothing.

he’d squint at his phone from odd angles, hold books too close to his face, and you’d catch him frowning at street signs like they personally offended him.

“you’re blind as hell,” you teased one evening, catching him leaning dangerously close to the stove to read the temperature.

“i’m fine,” he muttered, poking at the pot, clearly pretending he hadn’t just been caught.

“sure,” you drawled, arms crossed as you watched him miss the timer by a solid inch.

“okay—maybe i’m fine but not perfect,” he added begrudgingly, finally straightening, eyes flicking to yours in an unconvincing attempt to look normal.

“that’s what glasses are for.”

“no.”

“yes.”

he sighed, rubbing the back of his neck, already knowing this was a losing battle.

you dragged him to an eye appointment the next week.

he sulked the whole way, hands stuffed in his pockets, hating every second of the experience like the optometrist was about to sentence him to prison.

when the doctor asked him to read the chart, you had to bite your lip to keep from laughing.

“third row,” the doctor said, patient and polite.

choso squinted hard. “uh… b… d… e?”

“that’s an r,” you whispered, snickering.

he shot you a glare, cheeks faintly pink.

“looks like you’re a little overdue,” the doctor smiled kindly, scribbling down his prescription.

“great,” choso grumbled, clearly done with the entire process.

you thought he’d come around after the appointment, but when his glasses arrived a week later, he just… didn’t wear them.

you didn’t even realize he had them until one evening you came home early and found him sitting at the dining table, head bent low, glasses perched perfectly on his nose as he scribbled something down in a notebook.

you froze in the doorway, watching him for a moment.

his hair was down, falling over his shoulders, and he pushed the glasses up absently with the back of his hand, completely unaware of your presence.

your stomach did a flip.

“you look good,” you said finally, and he jolted, eyes snapping up to meet yours.

“fuck—when’d you get home?” he asked, visibly flustered, shoving the glasses off his face like they’d betrayed him.

you raised an eyebrow. “since when do you wear those?”

he fiddled with the frame, not quite meeting your gaze. “just got ‘em… forgot to tell you.”

liar.

you stepped closer, tilting your head as you slid into his lap, straddling him.

“forgot? or were you embarrassed?”

“both,” he admitted, gripping your thighs to keep you balanced.

your fingers traced the edge of his glasses, sliding them back onto his nose.

“keep them on,” you murmured, pressing your lips to his.

he kissed you back immediately, hands tightening on your waist as you ground down against him, feeling the hard press of his cock through his sweats.

“they make you look hot,” you whispered against his mouth, tugging at the hem of his shirt, wanting him closer.

he groaned softly, leaning into your touch, his glasses fogging slightly as his hands slipped beneath your shirt, rough palms dragging over your skin.

you kissed him deeper, nipping at his bottom lip as his fingers dug into your hips, guiding you to rock against him slowly, the friction sparking heat between your legs.

“fuck,” he muttered, teeth grazing your jaw as you tugged his hair, pulling his head back just enough to trail kisses down his neck.

“see?” you teased, voice breathy as you kissed along his collarbone. “glasses aren’t so bad.”

“depends how often you’re gonna jump me when i wear them,” he grunted, breath hitching as your hand slipped beneath the waistband of his sweats, finding him already hard.

“often,” you smirked, stroking him slowly, feeling the way his hips bucked into your touch.

he groaned, head tipping back against the chair as your mouth found his again, the slow drag of your hand driving him to the edge.

the glasses stayed on the whole time.